# Stark Raving Dad

The Simpsons, season 3, episode 1 (S03E01), first aired September 19, 1991.
Written by Al Jean and Mike Reiss. Directed by Rich Moore. Production code 7F24.
Guest stars: Michael Jackson and Kipp Lennon as Leon Kompowsky.
Chalkboard gag: "I am not a dentist". Couch gag: Tipping Couch.

Bart's red cap turns Homer's work shirts pink, Mr. Burns takes him for a radical, and a psychological test that Bart fills in gets Homer locked up in a mental hospital. There he rooms with Leon Kompowsky, a hulking white man who insists he is Michael Jackson. Leon comes home with Homer and helps Bart write a song for Lisa, whose birthday Bart has forgotten.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Otto Mann, Jasper Beardsley, Patty Bouvier, Selma Bouvier, Groundskeeper Willie, Santa's Little Helper, Lou, Wendell Borton, Eddie, Todd Flanders, Snowball II, Rod Flanders, Kearney Zzyzwicz, Sherri Mackleberry, Terri Mackleberry, Mayor Quimby, Nina Skalka, Helen Lovejoy, Sam, Agnes Skinner, Becky Shorter, Snake, Itchy, Girl with glasses, Scratchy, Dr. Nick, Buck-toothed girl, Bleeding Gums Murphy, Princess Kashmir, Blue-Haired Lawyer, Freddy, Springfield bears, Ms. Albright, Marvin Monroe, Mayor Quimby's Bodyguards, Sideshow Bob, The Happy Little Elves, Yendor, Bubbles, J. Loren Pryor, Sylvia Winfield, Curious Bear Cub, Lucille Botzcowski, Marty, Ms. Mellon, Binky, Tanya, The Devil, Bill, Master Sushi Chef, Babysitting Lady, Della, Bowl-O-Rama Clerk, Leon Kompowsky, Lombardo, Dave, Floyd, Hannibal Lecter, The Chief.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in a classroom at a blackboard filled with rows of chalk writing reading "I AM NOT A DENTIST" after a black opening screen and a blue sky with clouds that displays the title "THE SIMPSONS" in yellow letters. In the first image Bart stands at the board with his hand near his mouth and his other arm stretched out, then in the next he lurches sideways with his eyes squeezed shut and a wide grin, his arm extended toward the board, while a red trash can, a wall clock and a framed portrait sit nearby.

> The Simpsons

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## 0:12–0:25

Homer, a bald heavy man in a yellow protective suit and visor, stands at a control panel marked CAUTION in a nuclear plant while a frail, thin, stooped old man with a hooked nose (Mr. Burns) and a thin man with glasses (Smithers) watch from behind the counter; Homer holds orange tongs gripping a glowing green rod, then raises his arm toward the panel as the rod floats above. The scene shifts to a store aisle where Maggie, wearing a blue bow, reads a magazine titled MOM MONTHLY with Frosted Krusty Flakes on its cover, with Marge's tall blue beehive at the edge, then a plain orange screen wipes across and Maggie, sucking a pacifier, stands in a shopping cart beside Marge, who presses her hands together with her eyes closed and a red bead necklace around her neck.

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## 0:25–0:38

Lisa, in her orange skirt, lugs a large tuba-like instrument down an orange school hallway lined with posters toward a pair of blue double doors, after a band of kids and a stout, white-haired conductor rehearse in a wood-paneled room. Outside, a pink car pulls into the driveway beside a yellow garage, with a figure visible inside, and then Homer, bald and wearing a white shirt and blue pants, stands beside the car. Notable objects include a sheet music stand, a mailbox at the curb, and a bicycle and boxes inside the garage.

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## 0:38–0:51

Homer, Marge, Lisa, Maggie and Bart sit bunched together on the brown couch in the living room, all wide-eyed and facing the television, while Homer's arm is raised. The scene then cuts to a title card on the TV screen reading "Created by Matt Groening", which is replaced by "Developed by James L. Brooks, Matt Groening, Sam Simon" in yellow letters on the blue screen. Other notable objects include a purple lamp, a green telephone, a tall floor lamp, and a red sofa in the foreground.

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## 0:51–0:59

Lisa, with spiky star-shaped hair and a blue top, stands beside a bed where Bart, in a green shirt, sleeps under an orange blanket with his arm raised. In a pink bedroom with a red headboard, a model airplane hangs from the ceiling and toys sit on a shelf, while Lisa holds up an orange alarm clock near the bed, then sets it back on the nightstand as Bart stays asleep. White on-screen credits read "Co-Executive Producers AL JEAN & MIKE REISS" over the scene.

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## 0:59–1:08

A girl with spiky star-shaped hair in a blue top sits on the edge of a bed in a pink bedroom beside a framed picture and an orange alarm clock, while a spiky-haired boy in a green shirt lies under a yellow blanket and a red headboard. The boy pulls the blanket up and covers his mouth, then sits up and speaks, and the girl turns to look at him and later leans in toward him as he grimaces. A toy airplane hangs from the ceiling, and white credit text across the lower part of the frames reads 'Supervising Producers Jay Kogen & Wallace Wolodarsky,' 'Producer George Meyer,' and 'Produced By Richard Sakai, Larina Jean Adamson, David Silverman.'

> Lisa, it's 6 a.m.
> Something's wrong. Dad died.
> No, no, he's fine.

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## 1:08–1:18

Lisa Simpson, the girl with star-shaped spiky hair in a blue top, and Bart Simpson, the spiky-haired boy in a green shirt, are in a bedroom with pink walls, lying in bed under an orange blanket. Lisa is first shown scowling in a close-up beside a framed picture of Krusty the Clown and an orange alarm clock, then she sits beside Bart as they both look wide-eyed and worried, and she speaks with her mouth open while Bart stares ahead. The scene ends with a close-up of Lisa with her eyes half-closed and mouth open, while a shelf above holds toys and a model airplane hangs from the ceiling, and on-screen credits read Co-Producer Jon Vitti and John Swartzwelder.

> Oh, well, what do you know? I'm relieved.
> Bart, my birthday's in two days. I'm gonna be eight years old.
> It's a big number, almost double digits.

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## 1:18–1:31

Lisa and Bart are in Bart's pink bedroom. Lisa leans in close to the bed with wide eyes and an open mouth while Bart, under an orange blanket against a red headboard, first looks startled and then drifts off to sleep with his eyes closed. A framed picture of Krusty the Clown, an orange alarm clock, and a toy airplane hang on the wall shelf.

> Well, enjoy it while you can. Everything changes when you hit the big 1-0.
> Your legs start to go, candy doesn't taste as good anymore.
> Bart, will you please let me pour my little heart out?
> Sorry, this old timer does ramble on sometimes, don't he?
> Bart, I do so much for you, and yet you have disappointed me on every one of my birthdays.

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## 1:31–1:42

Lisa, the girl with star-shaped spiky hair and a teal collar, and Bart, the boy with spiky hair in a green sweater, are in a pink bedroom beside an orange blanket and a green-sleeved figure lying in bed. In the first frame Lisa stands beside a framed picture of Krusty the Clown, then she turns to Bart, who sits on the bed. Lisa gestures with one hand and speaks while Bart looks on, and in the last frame Bart leans in toward Lisa and grips her shoulder while she looks away with a sour expression. A red alarm clock sits on a nightstand by the door, and a framed picture of a plane hangs on the wall.

> I've made things for you, which you've lost or broken within hours, but okay,
> we'll forget all that. Okay, it's done. I'm doing it.
> Birthday gift coming your way. Oh, thank you.

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## 1:42–1:50

Bart and Lisa embrace in a close-up at the start, then the scene shifts to the Simpson kitchen where Marge, with her tall blue beehive, carries a plate past the stove while Maggie sits in her high chair and Bart sits at the round blue-covered table. Marge then moves to the dish rack on the counter as the kitchen fan turns overhead. The scene ends on a close-up of Homer, bald and unshaven, eating from a red bowl of cereal with a spoon, beside an orange box reading "Call the Krusty Hotline! Dial 1-909-O-U-KLOWN" with a picture of Krusty the Clown.

> Bart, watch Maggie while I get the laundry.
> Can do.
> Mmm, Krusty Hotline.

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## 1:50–1:59

Bart Simpson, the spiky-haired boy in an orange shirt, stands in the Simpson kitchen holding a pink telephone receiver to his ear and listening with a smirk. In the first image only his hand and the phone's handset are visible against a green wall, and he then turns his head toward the phone. Over the next frames he looks sideways with half-lidded eyes, then grins with wide eyes as he keeps the receiver pressed to his face, and finally glances over his shoulder while still on the call. Behind him are orange cabinets, a wall-mounted paper towel holder, a red bowl and an orange chair, and in the last frame baby Maggie with her pacifier is visible at the left edge near a ceiling fan. The dialogue suggests he is calling the Krusty Hotline, a recorded message from a clown that warns kids about asking parents' permission.

> Hi, kids. You've reached the Krusty Hotline.
> if you haven't asked your parents' permission, naughty, naughty,

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## 1:59–2:09

Bart Simpson, the spiky-haired boy in an orange shirt, stands in the kitchen holding a red telephone receiver to his ear while Maggie, the baby with a pacifier and blue bow, sits at the blue-covered table in the background. Bart starts with a sideways glance and a frown, then his expression softens into a smug smile with his eyes drifting upward, and he finally closes his eyes contentedly as he keeps listening on the phone. Orange cabinets, a ceiling fan, an orange chair, and a curly phone cord are visible around him.

> but Krusty forgives you.
> Two dollars for the first minute, 50 cents for each additional minute.

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## 2:09–2:21

Bart, the spiky-haired boy in an orange shirt, stands in the kitchen holding a corded phone to his ear, smiling and glancing sideways. Maggie, the baby with a pacifier and blue bow, first sits frowning in a red high chair on the checkered floor, then is shown dangling from the ceiling fan's pull cord beside him while he keeps talking. Purple cabinets, a white ceiling fan, and an orange-trimmed counter fill the background.

> Thanks for calling, kids. A new message every day.

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## 2:21–2:32

Marge in a green dress holds a laundry basket while Bart in an orange shirt reaches toward her in a yellow kitchen. Maggie, with a pacifier and a blue bow, dangles from the ceiling fan, then clings to Marge's dress as Marge reaches up for her. Homer, in a white undershirt, stands beside Marge at the counter near a Frosty Krusty cereal box and a red bowl.

> Maggie!
> Bart, I asked you to watch your sister. I tried to stop her, but she overpowered me.
> Who stole my shirt? Who stole my shirt? I washed it.
> Oh, thank you, Marge.

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## 2:32–2:34

Homer, bald and yellow, first stands by a window with a flowered curtain and a view of a fence and house, grimacing and then shouting with his mouth wide open. Marge, with her tall blue beehive, then stands in the kitchen in front of a green stove and a toaster, holding a pink shirt up by its shoulders over a laundry basket, and she glances sideways with a wary look. A Krusty cereal box with the clown's face and the word "Krusty" sits on the counter.

> Pink!
> Marge, I can't wear a pink shirt to work.

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## 2:34–2:43

Homer, the bald, heavy man with stubble, and Marge, with her tall blue beehive, stand in a yellow-walled kitchen beside a pink laundry basket on the counter. Marge holds up a pink shirt as Homer glances at it and grimaces, then he turns away and looks upward with a worried expression while Marge stands with the shirt draped over her arms. Homer then reaches into the basket and pulls out a yellow shirt, while Marge looks on with a neutral expression. Notable objects include a toaster, a green stove, a cereal box, and a window with yellow corn-patterned curtains.

> Everybody wears white shirts. I'm not popular enough to be different.
> Oh, Homer, don't panic. You have plenty of white shirts.
> Oh, gimme, gimme, gimme, gimme, gimme.

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## 2:43–2:52

Homer Simpson, the bald, heavy man in a white shirt and blue jeans, and Marge Simpson, with her tall blue beehive and green dress with red beads, stand in the kitchen beside a pink-and-patterned laundry basket on the counter. Homer grabs and pulls at a pink garment from the basket, then buries his face in the pink cloth as Marge looks on with a worried expression. He pulls back, gesturing with both hands and grimacing while looking toward the cloth, and Marge holds a pink garment at her side. Visible in the kitchen are a window with corn-patterned curtains, a toaster, a green stove, a box of cereal, and oven mitts hanging on the wall.

> Oh, no! Pink!
> Pink!
> It's all over, Marge. It's all over.

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## 2:52–3:05

Marge Simpson, with her tall blue beehive, holds up a pink garment in the kitchen while Homer Simpson hides his face against the counter and Bart Simpson, wearing a red cap and orange shirt, stands with his eyes shut beside a basket of pink laundry. Homer then straightens up, angrily jabs his finger at Bart, and grabs the boy by his shirt while Marge looks on with her arms folded. Afterward Homer stands calm and sheepish with his hand on the counter as Marge rests a hand near Bart, who looks worried, and the corn-patterned curtains, toaster and cereal box stay visible throughout.

> I don't know how this could have happened.
> Ah, my lucky red hat. Clean as a whistle.
> You! You did this to me!
> I apologize. Please, no one's going to notice if you wear a pink shirt to work.

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## 3:05–3:16

Homer Simpson, the bald man in a pink shirt, is one of many identical white-shirted workers crowding a factory floor by a large loading door that opens onto rows of parked cars, with Lenny and Carl among the crowd and blue barrels and an ALERT panel on the walls. On a wall-mounted monitor the crowd is shown, then a black circle is drawn around Homer in the middle of the throng. Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, sits in a red armchair beside Smithers, his thin assistant in glasses and a bow tie, while a small white bear stands at the left. Mr. Burns' bank of monitors then shows the crowd, workers at a station, and a worker slumped over a control panel, with a row of colored test bars in the middle.

> Wait a minute.
> Go back.
> Zoom in.
> Why is that man in pink? Oh, that's Homer Simpson, sir.
> He's one of your boobs from Sector 7G. Simpson, eh?

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## 3:16–3:28

Mr. Burns, frail and hook-nosed with grey hair at the sides, sits in a tall red armchair in a dark suit and black tie, while his thin assistant Smithers, wearing glasses, a green jacket, a purple bow tie and an ID badge, stands beside him. Smithers speaks and gestures while Burns glances sideways with a scowl, then sits back alone with his fingers steepled and a thin, smug smile. A small polar bear figurine stands on a shelf at the left, and a red shield hangs on the wood-panelled wall.

> Well, judging by his outlandish attire, he's some sort of free-thinking anarchist.
> I'll call security, sir. Excellent.
> Yes, these color monitors have already paid for themselves.

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## 3:28–3:40

Homer, in a pink shirt and striped tie, walks down a corridor toward a desk where Lenny (spiky black hair, purple suspenders) and Carl (white lab coat over a blue sweater) stand. Carl holds up a pink-frosted doughnut and talks with an open-mouthed grin while Lenny looks on, with a 'KEEP THIS AREA CLEAN' sign, a DONUTS box and a sugar box on the desk. Homer reaches the pair and watches as Carl gestures with the doughnut.

> Pink! I don't get the statement.
> Shh, shh, shh.
> Hey, Homer, we saved your doughnut. It has pink frosting.
> Ha, ha, ha, ha!
> Thanks.

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## 3:40–3:52

Homer Simpson, the bald, heavy man in a pink shirt and striped tie, stands in a plant corridor holding a pink doughnut, glaring and then looking sideways with a grimace before settling into a smug, closed-mouth smile. Beside him, Carl, a Black man in a white shirt, and Lenny, with spiky black hair and a white shirt with purple suspenders, stand on either side of him, with Lenny smiling and Carl looking on. Behind them, a man with blue hair leans on a railing on an upper walkway, and a bespectacled worker stands in the background while a green control box and pipes line the walls.

> It look... Hey, wait a minute.
> Just because I'm wearing a pink shirt,
> it doesn't mean I'm some kind of a pink doughnut eater.
> Although it is tempting.
> Drop that doughnut. Let's go, Pinky.

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## 3:52–4:02

Homer, bald with stubble and wearing a pink shirt and blue pants, is first held by a fat police officer in a cap while an unnamed man in orange pants and another with black hair and suspenders look on in a hallway, with a doughnut on the floor. The scene then moves to a dim blue room where Homer sits in a wooden chair under a light, while two uniformed officers in green stand behind him, Smithers in a dark suit with glasses and a red bow tie stands at the right, and Carl, a Black man in a dark suit, stands at the front. Homer slumps forward and covers his face with his hands, then looks up anxiously and pulls at his tie as Carl steps closer and leans toward him.

> You don't understand.
> My son just threw his red hat in with the white laundry.
> Spare me the tire semantics of the Simpson family.

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## 4:02–4:15

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, who wears glasses and a red bow tie, stand in a blue-walled room with two uniformed police officers and Homer, who sits in a wooden chair in a pink shirt and blue jeans. A heavy man in a light blue shirt holding a brown briefcase stands in the lower left corner. Over the sequence, Smithers talks and gestures with his hands while Burns turns to face him with a scowl and folded arms, and the two of them then face each other in a close exchange as Burns squints and grimaces, with Smithers's bow tie and Burns's pale blue hair tufts clearly visible.

> Take him away.
> You know, Mr. Burns, his body cavity search revealed nothing,
> and we must have x-rayed him a hundred times.
> Maybe he's telling the truth.
> Or perhaps you two are in cahoots.
> Smithers, I seem to recall you had a penchant for bell-battled trousers back in 79.

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## 4:15–4:21

Smithers, the thin man with glasses, a dark bow tie-like purple bow and brown jacket, appears first in close-up against a blue background, grinning with his teeth showing, then gives a slight smile and a sideways glance. Mr. Burns, the frail, stooped old man with a hooked nose, a bald head with a few blue-grey hair tufts at the sides, and a dark suit and tie, sits beside him against the same blue backdrop, squinting with a sly, sneering expression and his mouth opening into a toothy grin. Across the moment the view stays fixed on the two faces as Smithers's expression shifts from a wide-eyed stare to a smug smile while Burns tilts his head and smirks.

> Sir, that was my costume from the plant production of HMS Pinafore.
> Oh, yes, of course. Your spirited hornpipe stole the show, as I recall.

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## 4:21–4:31

Homer sits in a pink shirt and striped tie with a badge, flanked by uniformed officers in green. Mr. Burns, frail and stooped with a hooked nose and blue-grey hair, stands at right, reaching a hand toward a dark-skinned man in a maroon bow tie and dark jacket with a name badge, whose eyes bulge as he looks on. A heavy man in a blue shirt and tie, with a bristly beard, stands at left holding a small white box, while Burns gestures and then rubs his chin as the group stares at Homer. The scene takes place in a dim room lit by a hanging lamp.

> Now, Doctor, what should we do about our freewheeling fop over here?
> Well, Monty, it used to be that establishing a patient's sanity took months.

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## 4:31–4:38

A heavy, bearded man with a long pointed nose, round glasses and a light blue shirt, who is not a named regular, stands against a blue backdrop, grinning, then gesturing with one hand while holding a clipboard with a donut logo, and finally looking down at the clipboard. Homer, in a pink shirt and green tie, sits worriedly in a chair in front of two uniformed guards with atom-symbol badges and 'LANK' name tags, one with dark hair and one with red hair, who stand motionless behind him as he stares ahead with a strained expression.

> That's all changed thanks to the Marvin Monroe Take Home Personality Test.
> 20 simple questions that will determine just how crazy or

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## 4:38–4:51

A heavy, bearded man with glasses, a light blue shirt, and a clipboard hands a sheet of paper to Homer, who wears a pink shirt and green tie, while a uniformed officer in a green cap and another uniformed man stand behind them. Homer stares at the paper and then holds it up to his face to read it. Later, Marge, with her tall blue beehive, holds a pink object near her face in front of a pink wall, and then sits at a cluttered vanity in a green top and orange beaded necklace, lifting a pink jar and a powder container while her reflection watches in the mirror.

> meshugger someone is.
> Print name.
> Oh.

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## 4:51–5:02

Marge Simpson, with her tall blue beehive and orange bead necklace, and Homer Simpson, in a pink shirt, stand together in a bathroom-like cosmetics area cluttered with pink canisters, jars and cotton swabs. Homer holds out a blank printed form toward Marge, who first takes a pink spray can and then, while Homer looks at her, holds the form and looks back at him, as a second Marge in the mirror also watches. Only the form, the spray cans and the open orange drawer of white jars are clearly visible.

> Honey, do me a favor. Fill out this form.
> Homer, this is an intimate psychological profile.
> I can't fill this out for you. All right, all right.

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## 5:02–5:12

Homer Simpson, the bald, heavy man in a pink shirt, starts out scowling at a pink wall beside a light switch, then steps into a bedroom and peeks around a doorway holding a paper while Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, sits at a pink table writing with a pencil. Homer then comes up behind her, and she turns on her stool to take a sheet of paper from his hand, while he is later seen looking down at a light blue form, grimacing and holding it near his chest. Shown on screen are a blue dresser with toys and books, a pink cabinet with drawers, a light switch on the wall, and a sheet of paper with handwritten lines on the desk.

> I'll get Lisa to do it.
> Lisa, you like homework. Could you fill out this form for me?
> Well, all right. If you listen to the poem I just wrote.
> Oh!
> Okay.

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## 5:12–5:24

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands in her bedroom holding a sheet of paper while reading aloud, her expression shifting from wide-eyed and solemn to a grimacing, teary-eyed smile. A figure in a pink shirt and blue pants, seen only from the waist down with a hand holding a sheet of paper, stands at the left edge beside a pink vanity with a perfume bottle and hand mirror and a teal cushioned stool. In the final frame the scene cuts to Homer Simpson, bald with stubble, in a pink shirt, frowning with heavy-lidded eyes beside a globe and a red and blue object.

> Meditations on Turning Eight by Lisa Simpson.
> I had a cat named Snowball. She died, she died.
> Mom said she was sleeping.
> She lied, she lied.

Frame: https://ultrahouse3k.com/img/S03E01/313855.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/318443

## 5:24–5:37

Lisa Simpson, with her spiky star-shaped hair and red dress and a pearl necklace, sits on a stool at a purple vanity in the first three moments, holding a sheet of paper and reading with a worried, tired expression, then looks up wide-eyed with her mouth open. Bart Simpson, in his orange shirt and blue shorts, sits on the carpet in the later moments holding a sheet of paper while looking up at Homer Simpson, the bald man in a pink shirt and blue pants, who lies stretched across the brown couch with his head propped up, a blue pen in his hand, and the black cat Snowball II lying on his stomach. Homer's expression shifts from strained to glum as Bart reads, and the couch, a framed picture on the pink wall, and a perfume bottle and hairbrush on the vanity are visible in the background.

> Why, oh, what is my cat dead? Couldn't that Chrysler hit me instead?
> I had a hamster named Snuffy. He died. No deal.
> Dad, maybe you should do this. Son, it's no different than the time I let you vote for me.

Frame: https://ultrahouse3k.com/img/S03E01/325116.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/330747

## 5:37–5:46

Bart, the spiky-haired boy in an orange shirt, reads a sheet of paper while Homer, the bald man in a pink shirt, lies across the brown living-room couch with Snowball II, the black cat, draped over his back. Bart smiles at the paper as a television screen shows Troy McClure, a man with swept-back reddish hair in a maroon jacket and blue tie, beside a red vase. Homer then lifts his head with wide eyes and an open mouth, looking startled, as the cat clings to his back.

> Remember that absentee ballot? Oh, yeah.
> Our $50,000 home video finalists are... Man breaking hips.

Frame: https://ultrahouse3k.com/img/S03E01/338255.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/342217

## 5:46–5:59

Bart, the boy with spiky hair in an orange shirt, sits on the green carpet reading a sheet of paper while Homer, the bald heavy man in a pink shirt, lies back on the brown couch with Snowball II, the black cat with a red collar, lying on his chest. Homer's mouth opens wide in a laugh as he sways and tilts, then the cat sits up and clings to him in the next moments, and he settles back onto the couch. The living room has a sailboat picture on the wall, a lampshade, a red magazine rack beside the couch, and a round striped rug on the floor.

> Dog on fire. Rough.
> Anybody order a hot dog? Ah!
> Ah!
> Ah, look at him!
> And finally, baby with a nail gun.
> Aw.

Frame: https://ultrahouse3k.com/img/S03E01/348056.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/353061

## 5:59–6:09

Bart, the spiky-haired boy in an orange shirt, sits cross-legged on the rug holding a sheet of paper while Homer, the bald man in a pink shirt and blue jeans, sits on the brown couch beside him. In the first moments a black cat rests on the couch back behind Homer, and Homer leans over with his arm stretched toward Bart. Homer then settles back on the couch, gesturing with an open hand, while Bart glances up at him and keeps reading the paper. Homer's expression turns stern and he keeps gesturing as Bart looks up at him, and the scene closes on a close view of Bart squinting at the paper and pressing a finger to his chin. The living room has a striped oval rug, a framed sailboat picture on the pink wall, and a red magazine rack.

> Okay, it's time to cast your votes now.
> Dog on fire! Dog on fire! Hey, Dad, do you hear voices?
> Yes, I'm hearing one right now while I'm trying to watch TV.
> Yes. Are you quick to anger? Bart! Shut up or I'll shut you up.

Frame: https://ultrahouse3k.com/img/S03E01/360151.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/364114

## 6:09–6:18

Homer, the bald, heavy man in a pink shirt and blue jeans, leans over the back of a brown couch and jabs a fist toward Bart, a spiky-haired boy in an orange shirt who sits holding a sheet of paper and a pencil, looking at it with a wary expression. Bart then studies the paper, tapping the pencil against his chin with his eyes shifting sideways and his mouth grimacing. The scene closes on a close-up of a questionnaire with Yes and No checkboxes, where a yellow hand in an orange-sleeved arm marks a checkmark in the Yes box next to a question about everything in red, with earlier Yes boxes already checked and a slash through one, and the marked boxes show the sheet's printed questions.

> Yes.
> Do you wet your pants?
> Well, even the best of us has an occasional accident.

Frame: https://ultrahouse3k.com/img/S03E01/370370.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/373915

## 6:18–6:28

A heavy, stubbled man in a light blue shirt, the frail, stooped Mr. Burns with grey hair at the sides, and Carl, a Black man in a bow tie with a badge, gather in a dim room, with Carl holding a clipboard that Burns studies. Homer sits in a chair in a pink shirt and tie, then stands between two uniformed police officers while the heavy man grumbles and pats his belly and Burns grins. The scene ends with a white ambulance speeding down a tree-lined road with its red lights flashing and the word AMBULANCE printed on its hood.

> So did I pass?
> No.
> Careful, man.
> You watch his pants.

Frame: https://ultrahouse3k.com/img/S03E01/379546.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/383508

## 6:28–6:39

Homer reclines on a couch in a pink shirt and blue trousers while Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits in a white coat holding up an inkblot card showing a horned, spiky black shape. Two white-uniformed attendants, a Black man and a thin man with reddish hair, stand behind them in an office with a wooden desk, a red lamp and framed certificates on the wall. The scene opens on the gate of New Bedlam, a rest home with an Emergency Entrance sign, and the card then changes to a spiky black blot that stays on screen until the end.

> Uh, the devil with his fly open. Right.
> Uh, that spill on the floor with bugs going after it.
> They're gonna eat it. Good. Let's see, it's...

Frame: https://ultrahouse3k.com/img/S03E01/389764.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/394144

## 6:39–6:49

Homer, in a pink shirt and blue trousers, lies strapped in a black reclining chair while a bald man with round glasses in a white lab coat holds up an inkblot card showing a spiky-haired, big-eyed head. A dark-haired man in a white coat with a bow tie and a name badge stands beside Homer, and a reddish-haired man in a white jacket and bow tie stands to the right. Over the scene, the bald man in glasses and the dark-haired man in a white coat turn toward Homer, who grimaces and looks alarmed and then stares ahead. The reddish-haired man reaches toward Homer's arm and grips his hand, while the dark-haired man lifts Homer's hand toward the card. Bookshelves, a ticking mantel clock, and a tall vase fill the background, and the inkblot card is the main object in view.

> The mice! This isn't fair!
> How can you tell who's sane and who's insane?
> Well, we have a very simple method.

Frame: https://ultrahouse3k.com/img/S03E01/400609.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/404571

## 6:49–6:58

Carl, a Black man in a white jacket and black bow tie, grips a yellow hand stamped INSANE in red while a bald, bespectacled man in a white shirt stands beside him and Homer, in a pink shirt and green tie, looks on worriedly. The scene then moves to a dim blue cell with a pink door that has a barred window, a desk, a chair and a bed, where a light beam falls across the floor as Homer, in a white outfit, is shoved in and lands face down on the floor.

> Whoever has that stamp on his hand is insane.
> Put him in with the big white guy who thinks he's the little black guy.

Frame: https://ultrahouse3k.com/img/S03E01/410827.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/413955

## 6:58–7:10

Homer Simpson, in pale blue pajamas and slippers, first stands in a dim room with a diamond-patterned mesh window and beds, then faces a large bald, heavy man in a light blue gown and blue slippers who holds his hands out open toward him. Homer, wide-eyed and worried, hugs his own arms across his chest and backs away while the heavy man grins and gestures, then the view tightens on Homer's startled face with his mouth open as the man's open hand reaches in from the right.

> Who are you?
> Hi, I'm Michael Jackson from the Jacksons.
> I'm Homer Simpson from the Simpsons.

Frame: https://ultrahouse3k.com/img/S03E01/419586.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/424174

## 7:10–7:17

Homer, in a white hospital gown with a red wristband, grips hands with a bald, stubbly, heavyset man in a light blue shirt who grins sideways while holding a small red item. The screen then fades to black for a stretch. Afterward Homer sits on the edge of a hospital bed with both hands pressed to his cheeks and wide eyes, while the same bald man in a white gown sits beside him, leaning in and talking with a sidelong, unimpressed look, a folded white pillow nearby.

> I can't believe you never heard of me. I'm a very popular entertainer.
> Oh, of course I've heard of you. I mean,

Frame: https://ultrahouse3k.com/img/S03E01/431056.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/433767

## 7:17–7:27

Homer Simpson, in a white shirt with a name tag, stands at left facing a heavy, bald unnamed man with a long hooked nose and a white shirt, in a lavender-walled room with a desk and a dark object at the left edge. The two stand face to face for a moment while Homer's eyes widen and his mouth hangs open in a stunned expression. Homer then turns his head upward, eyes glancing sideways with his mouth open, before grimacing with clenched teeth and wide eyes.

> you'd have to be living under a rock not to know...
> What'd you say your name was? Michael Jackson.
> Doesn't ring a bell. Well, have you heard of MTV?
> Nope. Motown. No. Beat it. You beat it. Thriller.

Frame: https://ultrahouse3k.com/img/S03E01/438772.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/442525

## 7:27–7:31

Homer, the bald, heavy man in a white shirt, starts with his eyes shut and head tilted, then appears in a close-up with a bald, hook-nosed older man in a white shirt with grey hair at the sides, who speaks with his mouth open. Homer stares wide-eyed toward the side and grits his teeth as the other man leans in and glances sideways at him, his mouth tightening into a grimace. The setting is a plain lavender-grey room with a dark object on a desk at the left edge and no visible on-screen text.

> What was that last one? Thriller. Nope. Well, how about this?

Frame: https://ultrahouse3k.com/img/S03E01/448365.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/449616

## 7:31–7:40

Homer sits wide-eyed on the edge of a hospital bed in a white gown while a heavyset bald man in a long white gown and blue slippers stands beside him in a bare room with a brown dresser, a grey trash can and a small side table. The standing man lifts one leg, scratches his head, pats his belly and flings his arms out wide as he moves across the floor, while Homer watches him closely without moving.

> Billie Jean is not my lover.
> She's just a girl who says that I am the one.

Frame: https://ultrahouse3k.com/img/S03E01/452953.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/456081

## 7:40–7:48

Homer, in a white hospital gown, sits on the edge of a bed in a plain room with a wooden dresser and a small trash can, while a bald, stocky, one-off character in a white gown, slippers and an anchor tattoo on his arm stands nearby. The standing man walks forward with a scowl, then turns and speaks with his mouth open, while Homer watches with wide eyes. Closer views show Homer's wide-eyed, grimacing face, with his teeth clenched and mouth tight.

> But the kid is not my son.
> Wow. Wow!
> How do you do that thing with your feet?

Frame: https://ultrahouse3k.com/img/S03E01/461086.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/464214

## 7:48–7:59

Homer, in white pajamas and slippers, and a large bald, heavy man with stubble, wearing a long white robe and grey slippers, are in a plain room with two beds, wooden desks with green chairs, and a grey door with a barred window. Homer starts with his eyes closed and mouth open, then stands beside the big man, who leans over him grinning and then turns stern and looks down at him. Homer steps away and bends forward with a downcast look, while the big man moves to face him, his hand raised near his chin as he studies Homer.

> The moonwalk? No!
> That thing with your feet! Here, look. Just raise your heel a bit.
> Put a little pressure on the ball of your foot.
> Uh-huh.
> Uh-huh. Uh-huh.
> Uh-huh. Huh? Oh!

Frame: https://ultrahouse3k.com/img/S03E01/469219.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/474015

## 7:59–8:11

Homer Simpson, in a white shirt, talks with a heavyset bald man with stubble who sits on a bed with white sheets against a lavender wall. The bald man gestures with one hand, then looks off to the side. Homer, now in a white uniform with a pen in his pocket, stands with his eyes closed and mouth open beside a green stool and a wooden dresser, then the bald man resumes speaking and gesturing from the bed.

> You seem like a nice guy.
> Why'd they put you in here?
> Because I wore a pink shirt.
> I understand.
> People thought I was crazy for the way I dressed.
> What'd you wear? One white glove covered with rhinestones.

Frame: https://ultrahouse3k.com/img/S03E01/481106.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/485485

## 8:11–8:24

Homer, in a white shirt, picks his nose beside a bald, stubbled, heavyset man in a white shirt who grimaces at him in a plain room with a chair and cabinet. The scene cuts to a cartoon title card reading "Itchy & Scratchy in 'Bang the Cat Slowly'," where Itchy, a blue mouse in a party hat with a balloon, runs beside Scratchy, a black cat in a party hat carrying an axe. Scratchy then sits at a pink table under a "Happy Birthday Scratchy" banner with balloons, faces Itchy as Itchy gestures with his hands, and finally appears alone, grinning, in a yellow striped setting.

Frame: https://ultrahouse3k.com/img/S03E01/492158.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/497998

## 8:24–8:34

Scratchy, a black cartoon cat, is singed and smoking against a yellow striped backdrop, then is flung off a ledge beside a striped party hat and a red-wrapped present. He returns with a pink party hat on his head, a smoking stick in his mouth, and his white-gloved hands raised. Meanwhile Bart, in an orange shirt and blue shorts, and Lisa, in an orange dress with a pearl necklace, sit laughing on a brown couch, Bart holding a red drink cup with a straw.

> Bart, in the split second before he died, I bet Scratchy appreciated his birthday present.

Frame: https://ultrahouse3k.com/img/S03E01/505714.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/509676

## 8:34–8:43

Lisa Simpson, the girl with star-shaped spiky hair in an orange skirt and pearl necklace, first appears in extreme close-up with wide, staring eyes, grimacing and then tensing her mouth in a tight, wavering expression. The scene then pulls back to show Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, sitting on a brown couch with a drink can and straw in his hand, talking and gesturing toward Lisa as she stands beside him beneath a framed picture on a pink wall. In the final moments Bart holds the can out toward her while speaking with his mouth open, and Lisa keeps a steady, sideways-glancing look as she stands with her hands clasped near her waist.

> Do you see how this relates to us? Hey, you want that once a year empty jester?
> You got it, sis.

Frame: https://ultrahouse3k.com/img/S03E01/515724.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/519269

## 8:43–8:53

Tall dark-haired man in a white coat stands beside card players at a sunny enclosed porch table, then an old white-haired man in a purple robe with pink trim gestures in a cage-lined ward while Grampa, in a red outfit, sits in a wheelchair swinging a cane at an orange ball as a straitjacketed man with dark blue-green hair waits on a wheeled cart. Homer, in a white orderly uniform, stands with a heavy bald man in a long white gown with an anchor tattoo on his arm, and a young red-haired man in a green shirt sits at a small table, with a sign on the wall reading "YOU DON'T HAVE TO BE CRAZY TO BE COMMITTED BUT IT HELPS."

> Hey, Michael, I don't get it. These guys seem as normal as you and me.
> Homer, this is Floyd.

Frame: https://ultrahouse3k.com/img/S03E01/524899.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/528653

## 8:53–9:05

Mr. Burns, the frail, stooped, bald man with a hooked nose, and Homer, in a white shirt, stand with a red-haired man in a green collared shirt in front of a wall sign reading "You don't have to be crazy to" as Burns sneers and the red-haired man smiles. A long-haired, dark-haired man in a plain white shirt then stands alone against a blue wall with a blank, heavy-lidded expression. Homer and Burns move in on either side of him as he stares ahead without moving.

> He's an idiot savant.
> Give him any two numbers and he can multiply them in his head.
> Just like that. Okay, five times nine. Forty-five.
> Wow.
> We call this guy the chief.
> He's been here since 1968.
> Never says a word, never moves a muscle.

Frame: https://ultrahouse3k.com/img/S03E01/534284.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/539497

## 9:05–9:17

Homer Simpson, in a white hospital gown, stands with a bald, heavy, stubbled man in white and a long-haired dark-haired patient in a white shirt, while a group of staff with clipboards, including a man with blue hair and glasses, look on in a hospital corridor under a sign reading 'Your mother isn't committed here, please clean up after yourself.' Homer then stares blankly ahead beside a window, and the scene ends on a red telephone with buttons labeled The Larry King Show, Oprah, Phil Donahue, Geraldo and Ski Report.

> Hey, chief. Hello.
> You're in good verbo. He spoke.
> Well, it's about time somebody reached out to me.
> Gee, I gotta call my family.
> Oh, this is so embarrassing, calling him from a nut house.

Frame: https://ultrahouse3k.com/img/S03E01/547005.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/552010

## 9:17–9:29

Homer, in a white shirt with a red wristband, stands in a plain institutional room with a red telephone and chairs, first with his arms crossed and mouth open in protest, then gesturing with his hands while a heavy, bald man in a white shirt with spiky tufts on his head leans in beside him. The bald man grows more menacing, pressing a hand to Homer's belly and then pulling Homer into a tight hug with a sneering expression. The window with a mesh screen and a red telephone on the sill are visible throughout.

> I mean, they think I'm a god.
> I could call him for you.
> Oh, great.
> And try to put a good face on this.
> Tell him this is one of those places where rich women lose weight.

Frame: https://ultrahouse3k.com/img/S03E01/559100.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/563897

## 9:29–9:40

Bart Simpson, the boy with spiky hair in an orange shirt, sits on the brown living room couch in front of a pink wall with a framed sailboat picture, a purple lamp and a turquoise telephone on a side table, and a tall orange-shaded floor lamp at right. He first sits with his arms spread wide and eyes closed, then holds the blue telephone receiver to his ear, his eyes rolling and his mouth gritting into a grimace, then he glances sideways with wide eyes and a pursed, skeptical expression as he listens to the call. The purple and blue rug lies on the floor below, and a small stack of books sits in the side table's lower shelf.

> Joe's Crematorium. You kill him, we grill him.
> Hello?
> Who is this? I'm Bart Simpson.
> Who the hell are you? I'm Michael Jackson.
> THE Michael Jackson? Pfft, no way. It's true.

Frame: https://ultrahouse3k.com/img/S03E01/570987.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/574949

## 9:40–9:49

Homer, the bald heavyset man in a white shirt, holds a red telephone to his ear with eyes half closed and mouth open while talking, then glances sideways and scowls as a thin man with reddish hair, glasses and a green shirt stands behind him. Bart, in an orange shirt and blue shorts, sits on a brown couch holding a teal telephone to his ear, wincing with wide eyes and clenched teeth beside a green telephone on a small table. Homer's grimacing, skeptical call alternates with Bart's uneasy listening, and the phone cords dangle throughout.

> I'm with your father in a mental institution.
> Uh-huh.
> And is Elvis with you? He could be. It's a big hospital.
> Oh, come on.
> If you're really Michael Jackson, who were your last four dates for the Grammys?

Frame: https://ultrahouse3k.com/img/S03E01/581206.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/584751

## 9:49–9:59

Homer stands at left with wide eyes while a heavy, bald man in a white shirt holds a red telephone receiver to his ear and scowls in the first two moments. Bart, in an orange shirt and blue shorts, then sits on the arm of a brown couch under a sailboat painting, holding a teal phone to his ear with its cord stretched across the room, before standing and pulling the cord taut beside a purple side table with a lamp and books. The scene ends with Bart holding the receiver to his mouth, looking annoyed.

> Brooke Shields, Diana Ross, Emmanuel Lewis, and Bubbles.
> Shiver me timbers! You are Michael Jackson!
> Can you stay on the line while I go with my friends and relatives?
> I'm afraid not, Bart.

Frame: https://ultrahouse3k.com/img/S03E01/590381.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/594135

## 9:59–10:09

Homer, a bald, heavy man in a white shirt with stubble, holds a red telephone to his ear in a doorway and scowls, his mouth tightening across the first two moments. Bart, the spiky-haired boy in an orange shirt and blue shorts, then talks on a blue telephone against a brown wall, smiling and resting his hand on his chin before standing in a pink room with a paddleball paddle in hand. Afterward, a small red paddleball on a string bounces near the pink ceiling beside a red-shaded lamp, an arched doorway, and a framed picture on the wall.

> Your father really needs your help.
> You don't want him to get a lobotomy, do you?
> Hmm.
> Lobotomy.

Frame: https://ultrahouse3k.com/img/S03E01/600391.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/604145

## 10:09–10:16

A pair of legs in blue trousers and green shoes stands beside a tipped-over red bucket and scattered shards of broken glass on a teal floor, then a bald, heavyset man in a pink shirt grimaces and gasps beside shelves holding blue stemmed glasses as his image blurs. Bart, the spiky-haired boy in an orange shirt, holds a green telephone to his ear beside a purple cabinet with a notepad, a pencil, and a pink-shaded lamp, his eyes wide as he listens in front of a brown door.

> That's all right, son.
> Well, there's probably a downside I don't see.
> Uh-huh.

Frame: https://ultrahouse3k.com/img/S03E01/610193.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/612904

## 10:16–10:27

Bart, the spiky-haired boy in an orange shirt, sits at a purple desk beside a green telephone and a pink lamp, writing on a spiral notepad with a pencil in his mouth. He scribbles while muttering, then squeezes his eyes shut and pauses as he chews the pencil, and finally looks up with wide eyes and a big grin while still holding the notepad. Visible objects include the telephone, the lamp, a wooden door behind him, and a stack of books at the bottom of the frame.

> New Bedlam Asylum.
> Loves us.
> Needs us.
> Fears he may never see us again. Got it.
> Michael Jackson! Woo-hoo! I love you, man!
> Hey, Mom!

Frame: https://ultrahouse3k.com/img/S03E01/617909.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/622080

## 10:27–10:34

Bart, the boy with spiky hair in an orange shirt and blue shorts, walks across a checkered-floor kitchen holding a white paper bag, then stops by the blue-draped table and reaches toward a bag. Marge, with her tall blue beehive, green dress and red necklace, stands at the right holding a brown paper grocery bag and a carton, and Bart moves over to her side before standing with his hands on his hips while she watches him. Behind them are an orange high chair, orange wooden chairs, a green stove, and a red dish rack on the counter.

> Dad's in a mental institution!
> Oh, my God.
> Mother was right.
> Mm-hmm.

Frame: https://ultrahouse3k.com/img/S03E01/628336.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/630839

## 10:34–10:46

Homer, a bald heavy man with stubble in a white shirt, rests his arm on the shoulder of a thinner man with wisps of hair as a blue-haired man in a green tie steps up beside them in a hospital corridor, where a nurse at a window desk with a pencil watches. The group shifts and the blue-haired man stares sourly while Homer looks anxious, then the scene cuts to a pink kitchen with a checkered floor, where Marge with her tall blue beehive scowls and reads a folded newspaper while Bart and Lisa sit at a blue-draped table.

> Now, Homer, don't you worry.
> Your family's gonna be here before you know it.
> Forget it, pal. There's only one way out of here, and it ain't pretty.
> What's that? Dating a nurse. No.
> I told you, kids, you were going to send your father to the crazy house.

Frame: https://ultrahouse3k.com/img/S03E01/635635.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/640431

## 10:46–10:52

Bart, the spiky-haired boy in an orange shirt, sits at the blue kitchen table with wide eyes and an open mouth, then grows wary and narrows his eyes while his hands rest folded on the table. Marge, with her tall blue beehive and red bead necklace, stands at the right holding a newspaper and glaring, while Lisa, the star-haired girl in a red dress with a pearl necklace, sits at the table behind them. The kitchen has a checkered floor, a microwave, and a framed portrait of Homer on the wall. The scene ends with Bart and Lisa seated at the table, Lisa staring wide-eyed beside him as Bart glances sideways.

> Mom, you said poor house. I said crazy house.
> Poor house. Crazy house. Poor house. Crazy house!
> Hello.

Frame: https://ultrahouse3k.com/img/S03E01/647313.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/649190

## 10:52–11:04

Marge, with her tall blue beehive and red bead necklace, stands in the kitchen holding a phone to her ear with a stack of papers under her other arm, while Lisa, with star-shaped spiky hair and a pearl necklace, watches from behind her. Bart, in an orange shirt with spiky hair, sits at the blue-covered table in the first frame, and a coffee maker sits on the counter at the right. Marge's expression shifts from a worried, sidelong glance to a weary, eyes-closed grimace as she listens on the phone. Visible objects include the orange cabinets, a checkered floor, orange chairs, and a framed picture of Homer on the pink wall.

> You've reached the new Bedlam wrongly committed hotline.
> All of our operators are currently busy.
> Please stay on the line.
> Crazy.
> Crazy for feeling.

Frame: https://ultrahouse3k.com/img/S03E01/653361.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/658575

## 11:04–11:18

Homer, in pale blue pajamas, sits hunched on the edge of a bed in a dim room while a heavy, bald man in a light blue gown and blue slippers stands beside a nightstand, and Homer's face is shown pressed in one hand at first. The scene shifts to Homer and a bald, long-nosed man in a blue-lattice gown, sitting side by side, with Homer grimacing, eyes squeezed shut and mouth open, as he holds a small orange object in his hands and the other man looks on with narrowed eyes.

> What's wrong, Homer? This place is so strange, Mike.
> I'm ashamed to admit it to another guy, but I'm...
> I'm scared. We all get scared once in a while.

Frame: https://ultrahouse3k.com/img/S03E01/666082.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/671713

## 11:18–11:28

A heavy, bald, yellow-skinned man with a long hooked nose and a light blue checked shirt is shown in profile against a black background. He glances sideways and scowls, then speaks with his mouth open and eyes shut, grimaces with clenched teeth and squeezed eyes, and finally tilts his head down with his eyes closed and mouth slightly open.

> Maybe I can help you.
> Homer, the two of us need look no more.

Frame: https://ultrahouse3k.com/img/S03E01/679637.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/683600

## 11:28–11:34

Homer Simpson, the bald, heavy cartoon man with stubble and a white shirt, appears in close-up against a dark purple wall. He stares wide-eyed with his pupils looking off to the side, then his mouth softens into a small smile while his eyes narrow slightly. His head tilts a little as he holds the expression, and the scene ends with him looking pleased and content.

> We both found what we were looking for.
> With a friend to call my own

Frame: https://ultrahouse3k.com/img/S03E01/689856.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/691733

## 11:34–11:41

Homer, in light blue pajamas with stubble, sits hunched on the edge of a narrow bed while a heavy bald man in a light blue nightgown and blue slippers stands beside a brown nightstand in a dim room with a purple panel on the wall. Homer slumps and then lies face down across the bed, while the standing man turns slightly, gestures with his hands and holds them up near his chest. A second empty bed with a striped pillow sits in the foreground on the blue tiled floor.

> I'll never be alone And you, my friend,

Frame: https://ultrahouse3k.com/img/S03E01/695695.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/698198

## 11:41–11:49

A heavy, bald yellow man in a long white hospital gown and blue slippers stands beside a nightstand in a dim room with blue tiled floor and two empty beds, first with his hands clasped at his waist, then leaning over a second figure lying on the nearer bed under a pale blanket. Over the moment he steps forward and wraps both arms around the figure in a tight embrace, while the room's purple-patterned panel and bed frames remain still in the background.

> will see You've got a friend in me

Frame: https://ultrahouse3k.com/img/S03E01/702994.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/705496

## 11:49–11:51

Homer Simpson, wearing light blue pajamas, lies on his side in bed with his eyes shut and mouth open, his arm tucked against his chest with a small red mark on it. He sleeps on a pale pillow beside a checkered blanket against a dark background, and his head shifts slightly on the pillow as the moment goes on. No other characters or on-screen text are visible.

> Pancakes, football,

Frame: https://ultrahouse3k.com/img/S03E01/710084.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/710084

## 11:51–12:03

A bald, heavy man with stubble in a light blue shirt stands beside a sleeping man in bed, then leans over him, and later holds a small baby chimpanzee against his chest while smiling with eyes closed. The screen goes black, then cuts to a padded room with blue walls and a circle of patients in white gowns seated on wooden chairs, including a tall man in a red robe, a woman reading a book, and a man with a neat hairstyle; a framed painting and a floor lamp are visible.

> boobies Bubbles, it's gonna be a long night Waffles
> Please feel free to express yourselves.

Frame: https://ultrahouse3k.com/img/S03E01/712170.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/717592

## 12:03–12:07

Homer, bald and wearing a white uniform, sits at the right of a long table in a room with chain-link windows, while a thin brown-haired man with a pencil sits at the left and a red-shirted man with reddish hair sits in front of a grey, white-haired figure seen from behind in the center. Homer lifts a pencil toward his mouth, and the lab-coated technicians in the foreground, one in a cap and one with glasses holding papers, watch from a control booth with three monitors showing faces above. The scene is lit by a ceiling light and surrounded by panels and dials, with papers stacked on the table.

> In these sessions, we want you to feel relaxed and uninhibited.

Frame: https://ultrahouse3k.com/img/S03E01/725099.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/725934

## 12:07–12:15

A seated, mustached man with orange-red hair, a red jacket over a pink top, a beaded necklace and purple glasses smokes a cigarette on a wooden chair in front of a green chain-link fence, the smoke curling upward as he sits with his legs crossed and his eyes glancing sideways. He keeps smoking, lifting and lowering the cigarette between his fingers while his expression stays dry and weary. Near the end, a partly visible bald figure with yellow skin enters from the right edge of the scene, while the man continues to smoke.

> Okay, so I was working in an insurance company, right?
> Youngest VP in the history of the firm, okay?
> The job was my life.
> Then one Monday morning, I got up.

Frame: https://ultrahouse3k.com/img/S03E01/729062.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/731564

## 12:15–12:22

Troy McClure, a man with swept-back reddish hair, a moustache, a red jacket over a pink shirt and pink-framed glasses, sits in a wooden chair beside Homer, who is bald and wears a light grey shirt, in a blue-grey room with a lattice window of greenery behind them. Troy raises a lit cigarette to his mouth, then holds it out between his fingers as thin smoke curls upward, while he sits with heavy-lidded eyes and gestures slightly with his other hand. Homer stays seated beside him, glancing sideways with wide eyes and a flat, unimpressed mouth.

> I couldn't leave the house. I just couldn't.
> Was the door locked? No, I just couldn't face what was out there.

Frame: https://ultrahouse3k.com/img/S03E01/736361.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/739072

## 12:22–12:34

A tall-haired woman with a blue beehive, wearing a white coat and holding a clipboard and pencil, sits facing a seated man with orange hair, a mustache, purple glasses, a red jacket over a pink shirt, and a beaded necklace who smokes a cigarette, while Homer in a white gown and slippers sits on the right in a room with a radiator and mesh-covered windows. The woman gestures and speaks, the man gestures with his cigarette, lifts it to his chin, and exhales a thin trail of smoke, and Homer watches with a concerned look as the group talks.

> Was it raining?
> No, Homer, Dave suffers from agoraphobia, a fear of open areas and crowds.
> Please, Dave, go on. Thank you.
> Anyway, that day I knew I just couldn't make that long drive to work.

Frame: https://ultrahouse3k.com/img/S03E01/743868.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/748456

## 12:34–12:45

Homer, bald and in a white shirt, sits looking nervously sideways in a room with chain-link windows, then sits beside a red-robed, moustached, bespectacled patient while a white-coated doctor with a clipboard talks to them. The scene moves to a doctor's office with framed certificates on the wall, where the bald, bespectacled doctor sits behind a desk with a green blotter and a mug while Marge, with her tall blue beehive, sits in a blue chair across from him. Marge gestures slightly as the doctor leans forward and the desk items stay in place.

> We out of gas?
> Pfft, baby.
> Mrs. Simpson, I'm sorry, but your husband suffers from a persecution complex,
> extreme paranoia, and bladder hostility.
> Doctor, if you just talked to him for five minutes without mentioning our son Bart,

Frame: https://ultrahouse3k.com/img/S03E01/755338.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/759717

## 12:45–12:58

Marge Simpson with her tall blue beehive sits at a desk in a book-lined study and talks to a bald, bespectacled man in a blue suit who holds a framed photo, while a balding man in glasses, a white lab coat and an orange shirt with a black tie reads a paper at the desk by a window. Homer Simpson, bald with stubble and wearing a white shirt, grins as he cuts into a stack of pancakes with syrup on a tray with a coffee cup and a glass of water, while Sideshow Bob with his spiky red mane peers over his shoulder in a sanitarium dining room. A sign on the wall reads 'Please do not throw food' and the window and fork and knife are visible.

> you'd see how sane he is. You mean there really is a Bart?
> Good Lord!
> Mmm, pancakes.
> Oh, Mr. Simpson, you've got a visitor. Don't!

Frame: https://ultrahouse3k.com/img/S03E01/766391.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/771813

## 12:58–13:08

Homer, in white scrubs, sits at a cafeteria table with a knife and fork beside a tray of syrup-drizzled pancakes, while a bald, thin, stooped Mr. Burns and a doctor in a white coat with glasses stand nearby. Marge, in a green dress with her tall blue beehive, raises one hand and holds up a red object, with Selma and a moustached man with glasses seated at tables behind her. Marge and Homer then embrace, both smiling with eyes closed, as a 'DO NOT THROW FOOD' sign hangs on the wall and a man at a far table looks on.

> Marge!
> Oh, homie!
> Mr.
> Simpson, after talking to your wife, we believe you're no threat to yourself or others.

Frame: https://ultrahouse3k.com/img/S03E01/779320.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/783700

## 13:08–13:19

Homer Simpson, in a white shirt, stands on the left beside Marge, who has a tall blue beehive and a green dress with pearls, as a bald, thin Mr. Burns in glasses and a white lab coat stands facing Homer at right, with a bald man with a moustache also in a white coat at far right. Behind them a sign on the wall reads "PLEASE DO NOT THROW FOOD" and a man with spiky dark hair and glasses is in the background. Mr. Burns leans in close to Homer, who looks worried, and then the scene cuts to a framed certificate held up by Homer's hand, reading "This Certifies Homer J. Simpson NOT INSANE" with signatures at the bottom.

> That's the most flattering thing anyone has ever said to me.
> Could I have it in writing, please? Of course.
> Not insane.

Frame: https://ultrahouse3k.com/img/S03E01/789956.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/794544

## 13:19–13:28

Homer, in a white shirt, stands beside Marge, with her tall blue beehive and green sweater, as a bald man with glasses, an orange shirt and a white coat holds a framed certificate. A heavy bald man with stubble in a white shirt grips the bespectacled man's arm, then the scene cuts to a close view of two yellow hands clasped in a handshake, with a red stamp on the wrist. Back with the group, the heavy man turns toward Homer, who grins with his eyes shut, while Marge looks on smiling.

> I'm proud of you, Homer. Thanks a lot, Michael.
> You really helped me get through this. If you ever find your marbles, come visit us.

Frame: https://ultrahouse3k.com/img/S03E01/801009.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/804137

## 13:28–13:38

A bald, heavy man with stubble, a long nose and a white shirt sits in a room with lilac chairs and a window blind, first smirking with his hands pressed together, then showing his teeth as he glances sideways. Homer, with his wide, startled eyes and open mouth, appears in a close-up and gasps in surprise. The bald man returns to a sly, sidelong look and then scowls and raises an index finger in a lecturing gesture.

> Well, how about today? I'm only here voluntarily.
> You are? Why?
> Well, back in 1979,
> I got real depressed when my off-the-wall album just got one lousy Grammy nomination.
> Happy birthday to me.

Frame: https://ultrahouse3k.com/img/S03E01/809350.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/813104

## 13:38–13:45

Lisa, wearing a polka-dot party hat, sits grinning at a round blue-covered table in a kitchen, her arms spread across the tabletop. Maggie, also in a party hat and blue outfit, eats a pink-topped treat in a chair at the left edge, and she drifts further out of sight to the left as the moment goes on. Yellow appliances, orange chairs and a checkered floor fill the kitchen.

> Happy birthday, overlooked middle child.

Frame: https://ultrahouse3k.com/img/S03E01/819152.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/821863

## 13:45–13:53

Lisa Simpson, the girl with star-shaped spiky hair in a red polka-dot party hat, sits at a large blue round table on an orange chair in a checkered-floor kitchen. She first grimaces and grins with her arms draped over the tabletop, then her eyes roll and she slumps forward, her head drooping onto the table as her party hat tilts and she sinks lower. A sad, glum mood takes over as she ends slouched on the blue tabletop beside a second empty orange chair.

> Happy birthday to me.

Frame: https://ultrahouse3k.com/img/S03E01/826659.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/829370

## 13:53–14:06

Lisa, in a party hat and red dress, sits at a kitchen table while a small child in a party hat sits in a high chair at the counter. Bart, in his orange shirt, dials a teal phone and then holds the receiver to his ear, grinning. Homer, bald with stubble and a white shirt, grips a red phone at a service window, scowling and then looking anxious, while Carl and two other men in white coats and bow ties watch from inside the shop with framed certificates on the wall.

> Joe's taxidermy, you snuff them, we stuff them.
> Boy, when I get home,
> I'm going to wrap my hands around your neck and smother you with kisses.

Frame: https://ultrahouse3k.com/img/S03E01/834167.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/840006

## 14:06–14:19

Bart, the spiky-haired boy in an orange shirt, scowls and talks into a green telephone beside a purple lampshade lamp in his room. Next, Homer, in a white shirt, holds a red phone at a glass window while three men in white coats, one a Black man with glasses and a bow tie, look on from a room lined with cabinets. Finally, Homer, still on the red phone, stands with a heavy bald man in a white t-shirt who gestures with his hand, while Marge, with a tall blue beehive and a green dress, holds a red purse and looks on.

> Homer, whatever they got you on, cut the dose.
> Now listen, I'm bringing Michael Jackson home to stay with us for a few days.
> Isn't that cute? He's heard of you.
> Now make sure we have plenty of cold cuts and put some beer on ice.

Frame: https://ultrahouse3k.com/img/S03E01/847930.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/853144

## 14:19–14:28

Homer, the bald, heavy man with stubble in a white shirt, stands beside a yellow-skinned man in a white shirt who holds a red telephone to his ear. Homer rests his chin on his hand and glances sideways, then the phone man talks animatedly while Homer's expression tightens. Later Homer stands with his arms folded and grimaces while Marge, with her tall blue beehive and green dress, stands at right holding a red purse beside a potted plant and a doorway.

> Um, Homer, I'm a vegetarian and I don't drink.
> Are you sure you're here voluntarily? Yes.
> Now, Homer, please make sure he doesn't tell anybody I'm coming.

Frame: https://ultrahouse3k.com/img/S03E01/860651.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/864197

## 14:28–14:35

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in a living room beside a green rotary telephone on a purple side table under a purple lampshade. In the first frames he holds the receiver to his ear with a worried, grimacing expression, then he looks sideways and twists the phone cord with his free hand while speaking. Later he looks toward the phone, lowers the receiver and reaches out to set it back on its cradle, with a green window and wall behind him.

> Yes, Dad. I solemnly swear I will not tell another living soul.
> No, not even Milhouse.

Frame: https://ultrahouse3k.com/img/S03E01/869827.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/872330

## 14:35–14:43

Bart Simpson, the boy with spiky hair in an orange shirt, stands in a pink-walled room beside a green wall phone on a table with a purple lampshade lamp. He glances to the side, then raises a hand toward the phone, and next clenches his hands together and grits his teeth. He then lifts the teal receiver to his ear and dials on the green phone's keypad, and finally talks into the receiver with his mouth open while holding it to his face. The window behind him shows green trees and a patterned curtain is visible at the left.

> Huh?
> Hello, Milhouse. Can you keep a secret? No.

Frame: https://ultrahouse3k.com/img/S03E01/877126.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/879420

## 14:43–14:56

Bart, in an orange shirt, talks on a green phone with wide eyes beside a purple lamp, then Milhouse, with blue hair and glasses, grips a red phone and gasps with his mouth open. Homer, bald and heavy in a white shirt, sits holding a red phone and grinning in a room with a Death poster, a skull and a green dresser. Krusty, in a purple robe, lounges in a red armchair under a framed picture of himself, talking on a corded phone and then raising a hand to his mouth while smiling.

> Oh, well, who cares?
> Michael Jackson is coming to my house! Michael Jackson!
> Michael Jackson!
> Aunt Bella!
> Wait a minute. I got a call on the other line.
> Michael Jackson?

Frame: https://ultrahouse3k.com/img/S03E01/884217.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/889639

## 14:56–15:02

Homer, bald and in a tan hoodie, talks on a phone in a dim room with a green door and a potted plant, while a prisoner with reddish hair and a blue shirt holds a phone behind bars beside a wall reading "PARTY 2:00" with tally marks and a "Springfield" payphone. Cut-in panels show Carl eating at a table on a call, a lavender-haired woman at a "Window 5 Photo Booth" with a "SMILE" sign, a thin green-haired man at an "EXIT" door, Mr. Burns with white side hair on a phone, a grey-haired woman on a red phone at a desk, Moe behind a bar, and a spiky-haired man in a red-handset call.

Frame: https://ultrahouse3k.com/img/S03E01/897355.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/899649

## 15:02–15:10

Apu, the Kwik-E-Mart clerk with black hair and a green jacket, stands behind the store counter holding a stack of papers. A small grey radio sits on the counter in front of a window showing a Highland street sign, a pink building, and a Smog Center with cars passing outside. He glances sideways with his eyes, then turns his head and looks down while still holding the papers, and the radio stays in place.

> We've just been handed a bulletin from our rockin' rumor department.
> That's right, Michael Jackson, the thriller himself,
> is moonwalkin' his way right here to our very own Springfield.

Frame: https://ultrahouse3k.com/img/S03E01/904028.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/906948

## 15:10–15:18

Apu, the Kwik-E-Mart clerk with dark skin, grey hair swept up and a green jacket over a white shirt, stands behind a store counter in Springfield. He first looks sideways with wide eyes, then closes his eyes and gestures with one hand while speaking, then raises a finger to his chin with a pensive look before glancing aside with a small smile. Behind him are a radio on the counter, a lottery display marked JACKPOT, and a window showing a SMOG CENTER sign and a street with parked cars.

> And while we go check it out, why don't you enjoy a seldom heard,
> extra-long version of Inigata DeVita.

Frame: https://ultrahouse3k.com/img/S03E01/911953.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/914664

## 15:18–15:28

Apu, the Kwik-E-Mart clerk with a dark grey pompadour-style hairdo, green shirt and black collar, stands at the store counter in front of a Squishee cup and a Buzz Cola display, first grinning with eyes closed, then with wide eyes and hands pressed together in a pleading gesture, then with eyes narrowed and hands clasped in prayer. Outside, the Kwik-E-Mart storefront shows a sign reading 'CLOSED FOR THE FIRST TIME EVER' hanging in an open door marked PULL, with a 'JACKPOT' poster on the window and a glimpse of a hand in a green sleeve holding the sign. Earlier, a sign reading 'WE NEVER CLOSE' hangs on a glass door numbered 8300, above a 'BULL' lettering band.

> Michael Jackson? What such a thing happens once in a blue moon?
> Do I dare to leave my post?

Frame: https://ultrahouse3k.com/img/S03E01/919669.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/923631

## 15:28–15:40

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, sits on the arm of the brown couch holding a glass with a straw, then walks to the open front door and reaches up to press the doorbell. Outside, a crowd gathers near a news van with a man on top and a helicopter hovering overhead, and people hold signs reading "JOHN 3:16" and "WE LOVE MICHAEL". Finally, a dark-haired man in a blue suit and tie stands at a podium labeled "MAYOR 'DIAMOND' JOE QUIMBY", first grinning with his hands out, then spreading his arms wide while speaking into the microphone.

> Hi, Caramba!
> This is the most exciting thing to happen to our fair town since the Dalai

Frame: https://ultrahouse3k.com/img/S03E01/929887.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/934475

## 15:40–15:44

A stocky man in a blue suit with short brown hair stands behind a wooden podium in a street, speaking to a large crowd of townspeople, some of whom wear glasses and some of whom are smiling or clapping. Over the moment he raises and extends his arm outward toward the crowd, gesturing with an open hand and then pointing, while the crowd watches attentively. Signs are visible, including a partly hidden 'I LOVE MICHAEL JACKSON' sign at the left and a 'BAD' sign held up higher in the background near a row of houses.

> Lama visited in 1952.
> And so I hereby declare that Route 401,

Frame: https://ultrahouse3k.com/img/S03E01/941357.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/942191

## 15:44–15:55

Bart, in his orange shirt and blue shorts, walks through a crowd of townspeople and then stops with his mouth open, staring ahead. A blonde woman in a blue top and beaded necklace holds up a signed portrait of a dark-haired man and points off to the side with a wide grin, while a suited man speaks into a microphone at a podium with a sign reading "MAYOR 'DIAMOND JOE' QUIMBY" behind them. A man in a green jacket and white pants and two elderly people in grey hats watch from the crowd.

> currently known as the Dalai Lama Expressway,
> will henceforth be known as the Michael Jackson Expressway.
> I think I can see him.
> Oh, here he is.

Frame: https://ultrahouse3k.com/img/S03E01/945111.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/950116

## 15:55–16:07

Crowds of Springfield residents gather on a street around an orange car, holding signs reading "Michael! Michael! Michael!", "Like Mike", "Welcome" and "Hey Mikey!". A bald man peers out of the car window, then a grey-haired news anchor in a red jacket, Kent Brockman, steps forward holding a blue microphone and speaks while Homer in a pink shirt stands by the open car door, with Marge's blue beehive visible in the crowd behind them.

> There he is. I see it. They told me what he was looking like.
> And the guy in the pink shirt is the father of the family who, it turns out,
> was just released from a mental hospital.

Frame: https://ultrahouse3k.com/img/S03E01/956998.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/961794

## 16:07–16:18

Homer Simpson, in his pink shirt, stands beside an orange car with his arms raised and eyes closed in a grin, while Marge with her tall blue beehive and a crowd of townsfolk press around the vehicle outdoors. Ned Flanders, with his moustache and green sweater, shouts in the crowd, and a heavy bald man in sunglasses and a blue shirt sits inside the car. Homer then leans toward the car window, grinning, as the bald man raises a hand to his face, and signs reading "Michael We Love You" and "I Love You Michael" are held up in the background.

> Thanks, everybody.
> It's great to be saved. We want Michael.
> We want Michael. We want Michael. Here he is.
> We want Michael. Here's the guy you want to see.

Frame: https://ultrahouse3k.com/img/S03E01/968468.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/972847

## 16:18–16:28

Homer, in a pink shirt, pulls open the door of an orange car while a heavy bald man in sunglasses and a blue vest grins beside him, and a crowd of Springfield residents with signs such as "Bad" and "I Like Mike" presses in around them. Carl in a patchwork "Beat It" sweater and Apu with his grey-black hair look up in alarm, then the camera pulls to a close shot of a long-nosed, grey-haired man with a bow tie and a hand on his forehead, looking unimpressed. The scene is a crowded street outside the car, with a banner reading "WELCOME" and a "BAD" sign visible.

> Huh?
> He's 300 pounds.
> He's white.
> He's dressed without flair. Boo!

Frame: https://ultrahouse3k.com/img/S03E01/979520.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/983691

## 16:28–16:37

Homer, in a pink shirt, grips the door of an orange car while a heavy bald man in sunglasses and a blue polo shirt leans out of the driver's side, both hemmed in by a crowd of protesters holding signs such as "BAD IS BAD" and "I LOVE..." in front of a tan house with trees behind. The scene then cuts to a dark-haired man in a dark suit and blue tie speaking at a wooden podium with a microphone, a blue-capped man in sunglasses standing beside him, and the plaque on the podium reads "MAYOR 'DIAMOND' JOE QUIMBY" while the speaker gestures with one hand and scowls.

> Boo!
> What the hell made me think Michael Jackson would even visit this jerk water bird?

Frame: https://ultrahouse3k.com/img/S03E01/989947.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/993075

## 16:37–16:44

Bart, in his orange shirt and blue shorts, stands in a crowd outside a storefront with Milhouse, who has blue hair and glasses, beside him, while Marge with her tall blue beehive and a bald, heavy boy in a white shirt and blue shorts stand nearby. The bald boy grabs Bart's shoulder and scowls, then steers him away past the crowd as the people in the background watch, and a green helicopter with a pilot rises and hovers over the lawn. Bart is left alone on the littered grass, looking glum, with scattered papers, a bottle, and a printed sheet on the ground as the helicopter flies off over the houses.

> You owe us Michael Jackson. Don't ever show your face around here again, you tool.

Frame: https://ultrahouse3k.com/img/S03E01/998289.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1000791

## 16:44–16:51

Bart, the boy with spiky hair in an orange shirt and blue shorts, stands in a littered front yard with a wide-eyed, worried expression while Lisa, the girl with star-shaped spiky hair, leans in from the right edge of the frame, her face close to his. Bart stays still and looks up at her as she stares at him with a stern look, her mouth slightly open as if speaking, with the wait ending in a brief tight-lipped pause. Behind them are a beige house with a garage door, a brick wall, a blue sky with clouds, and scattered trash including a green bottle, crumpled papers, and a sign reading 'Welcome' on the grass, with a red banner and a rolled-up poster on the left.

> Bart, the entire town is howling for your blood.
> And before I join them, I have one question.

Frame: https://ultrahouse3k.com/img/S03E01/1005588.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1008090

## 16:51–17:02

Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair in an orange dress and a white pearl necklace, stand face to face in a grassy backyard with a wooden fence, houses, and a utility pole behind them. Lisa starts out looking downcast, then scowls and grits her teeth at Bart, who looks wary and wide-eyed. Lisa's expression then turns to a tense, uneasy grimace as Bart leans back slightly. Scattered on the lawn are a green bottle, a wooden plank, and litter.

> Today is my birthday.
> You promised you'd get me something and...
> and I'm afraid to ask. You know, maybe you should trust that instinct and not ask.

Frame: https://ultrahouse3k.com/img/S03E01/1012678.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1016849

## 17:02–17:15

Lisa, the girl with star-shaped spiky hair and a pearl necklace, first looks sideways with her mouth open on a littered lawn beside a wooden fence, then covers her face with one hand and grimaces. The scene widens to a yard strewn with scraps and debris, where Bart, a spiky-haired boy in an orange shirt, stands near an orange car while Lisa is beside a brown wooden box with a tall brown post. Finally, a close view shows a yellow hand scrubbing a blue sponge over a running sink, with a red object at the bottom edge.

> I thought so.
> Oh, Bart.
> You...
> I'm off.
> I'm zane now.

Frame: https://ultrahouse3k.com/img/S03E01/1023314.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1028528

## 17:15–17:23

Lisa, with spiky hair, a pearl necklace, and an orange skirt, sits at a pink vanity with a round purple-framed mirror, holding a small lipstick tube over an open jar. A heavy bald man in a green polo shirt stands in the doorway, and a second man in a pink shirt washes his hands at a sink in a tiled bathroom. As the man in green leans into the doorway and watches, Lisa glances up into the mirror with wide, wary eyes, and a heart-decorated sign hangs on the wall beside the vanity.

> Dear Bart,
> I am using the stationery Mom and Dad gave me for my birthday to

Frame: https://ultrahouse3k.com/img/S03E01/1036244.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1039163

## 17:23–17:33

Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, sits at a pink table with a sheet of stationery and a pen, writing a letter in her bedroom. Across the frames she glances up and to the side, grimaces and gnashes her teeth, then looks back down and keeps writing. Behind her a blue bookshelf holds books, a pink radio, a small brown box and a green toy figure, and a brown door with a small poster hangs on the pink wall to the right.

> inform you that we are now brother and sister in name only.
> Perhaps if a professional so advises,
> I will give you a hug at some far distant family reunion.

Frame: https://ultrahouse3k.com/img/S03E01/1044377.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1048548

## 17:33–17:43

Lisa Simpson, with her star-shaped spiky hair and a pearl necklace over an orange-red dress, sits at a pink desk in her bedroom, holding a pencil over a sheet of paper. She looks up with wide eyes, then turns to her side with a bored, sulky expression, chin propped on her hand. Meanwhile, a bald man in a teal shirt and green trousers slowly pushes open a brown arched door, peering in with a narrow-eyed, scowling look. Shelves with books, a pink cassette player, a small green elf figurine, and a brown chest sit beside the desk, and a dark blue suitcase lies near the door.

> But rest assured, it will be purely for a show.

Frame: https://ultrahouse3k.com/img/S03E01/1054595.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1058766

## 17:43–17:48

Bart Simpson, in an orange shirt and blue shorts, sits on a purple bed with his chin propped in his hands, while a heavy, bald man in a green polo shirt with a long nose stands nearby. In a pink bedroom with an arched doorway, a hanging toy airplane, and a shelf of toys, the man steps closer and leans toward Bart with a sneering grin, and Bart's expression shifts from glum to a scowl. The scene then tightens on the two as the man leans in with a toothy grin and Bart stares back, arms still raised to his face.

> Hey, Bart.
> Hey, you.
> Bart, when I was a kid, I didn't have much money.

Frame: https://ultrahouse3k.com/img/S03E01/1064814.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1065856

## 17:48–17:55

Bart Simpson, a spiky-haired boy in an orange shirt and blue shorts, sits with his arms crossed on the edge of a red-orange couch beside a bald, heavy man with stubble in a green shirt, in a pink room with a shelf of toys in the upper right and a wall switch on the left. The man gestures with a fist, then opens his hand palm-up, while his expression shifts from sneering to glowering. Bart's face moves from a sullen scowl to wide-eyed unease and then back to an irritated squint, and he stays hunched with his arms folded.

> So you know what I did when my sister's birthdays rolled around?
> Stiffed them? No.
> I wrote them a song to show that I cared.

Frame: https://ultrahouse3k.com/img/S03E01/1069193.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1071696

## 17:55–18:02

Bart, a spiky-haired boy in an orange shirt and blue shorts, and a bald, heavy man with stubble in a green shirt are in a pink bedroom with a rocket picture on the wall and a blue dresser with orange drawers. Bart starts out sitting on the couch with his arms folded and scowling, then flings his arms out and jumps up while the man gestures with an open hand. Bart then stands glowering and grinning in front of the man, who stands behind a red armchair and talks while gesturing with his hands.

> I can't write a song. I'm only ten.
> Only ten?
> When I was your age, I had six gold records.

Frame: https://ultrahouse3k.com/img/S03E01/1076492.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1079203

## 18:02–18:16

Bart, the boy with spiky hair in an orange shirt, stands in his pink bedroom holding a sheet of paper covered in writing and grimacing while a blue object flies past above him near a brown cabinet. A bald, heavy man with stubble, a long pointed nose and a teal polo shirt stands beside a brown door with a purple knob, first scowling and then speaking with his mouth open, then glancing sideways and closing his eyes with a pursed mouth. Bart's hand reaches for the purple doorknob, and a red bed edge, a blue bookshelf with a stereo, and a tan sneaker on a dresser are visible in the room.

> Hey, Looney Tunes, this is what Michael Jackson looks like.
> You look like a big, fat metal patient.
> You'd be amazed how often I hear that.
> Just leave me alone. Look, boy,
> either Michael Jackson is some guy working in a recording studio in L.A.,
> or he's here with you willing to work on this song.

Frame: https://ultrahouse3k.com/img/S03E01/1084000.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1089630

## 18:16–18:27

Bart, in his orange shirt, holds up a record sleeve with a partly legible title while an unnamed bald man in a green shirt, with a long nose, stands behind a red piano in a pink room with an arched doorway and points toward him. Bart looks uneasy, then the bald man leans in close with a sly smile, and in the final moment Bart grins as a small figure with purple hair sits on a blue shelf in the background.

> It's your choice.
> So long.
> Wait, wait, Michael!
> You go sit at the piano, and I'll boil some coffee.

Frame: https://ultrahouse3k.com/img/S03E01/1097346.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1101934

## 18:27–18:36

The moment opens on close-up yellow hands playing the keys of a blue piano. It then cuts to Bart in his orange shirt in the living room, standing by a brick fireplace and a green armchair, holding a sheet of paper. He talks with his eyes shut, then gestures and grins while the bald old man with a hooked nose and green shirt beside him watches with a flat, unimpressed look. Bart keeps waving his arm and laughing, paper in hand, as the scene plays out.

> Lisa, her teeth are big and green.
> Lisa, she smells like gasoline.

Frame: https://ultrahouse3k.com/img/S03E01/1108816.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1112153

## 18:36–18:45

Bart, the spiky-haired boy in an orange shirt, stands beside a red brick fireplace in a living room with a green armchair, holding a sheet of paper. In the first two images he grins with eyes squeezed shut and gestures with one arm toward Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, who wears a green shirt and watches him with a sidelong look. Bart then glances up with wide eyes and an open mouth, lifting the paper, before he turns to look wide-eyed at the paper and shifts to a more serious, quiet stare with the paper tucked at his waist while Mr. Burns looks on with a flat, sideways expression. A blue lamp and a brown sofa sit in the background, and a wall outlet is visible above the chair.

> Lisa, da-da-da-dee-sa. She is my sister, her birthday,
> I miss the... Uh, no.

Frame: https://ultrahouse3k.com/img/S03E01/1117575.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1120911

## 18:45–18:54

In a living room with a green armchair, a brick fireplace, and orange shelving, Bart, the spiky-haired boy in an orange shirt, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, who wears a green shirt. Mr. Burns speaks with his mouth open and a sour look while Bart's eyes narrow, and Bart then folds his arms, shouts with his mouth wide open, and flings one hand outward in protest. Burns leans in from the right edge of the scene, and Bart ends up looking off to the side in a calmer, unsettled pose.

> Bart, we've got to get to your real feelings about your sister.
> I don't have any.
> Well, let's go look at her.
> Maybe that'll help.

Frame: https://ultrahouse3k.com/img/S03E01/1126334.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1129670

## 18:54–19:04

Bart, in the foreground with his spiky hair, and a bald, heavyset man in a green shirt stand outside a lit window at night, peering in at Lisa, who sits on a bed in an orange top and pearl necklace. The bald man's expression shifts from a scowl to a wide-eyed, grimacing stare, and Lisa looks back with wide eyes as they watch each other through the glass. Behind them, a treehouse with a yellow figure inside sits in a dark tree beside the house, and a trash can rests on the lawn below.

> Oh, she looks sad. That's because she knows you're looking at her.
> Although I'm aware you're looking at me,
> I would look exactly the same even if you weren't.

Frame: https://ultrahouse3k.com/img/S03E01/1135092.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1139055

## 19:04–19:15

Bart, the spiky-haired boy in an orange shirt, sits at a piano beside a bald, heavy man in a green polo shirt with an anchor tattoo on his arm, both seen through a bay window of a pink room with sheet music, a framed painting and a green mug on the piano. The man stays at the keys while Bart plays, then the scene moves in close as the man turns his head toward Bart and Bart, with a pained, wide-eyed grimace, tilts his head and looks off to the side. Bart's eyes widen and his mouth tightens as he stares sideways, looking uneasy.

> Bart, think.
> What happens to you when you turn eight?
> Well, your training wheels come off your bike.
> Good.

Frame: https://ultrahouse3k.com/img/S03E01/1145102.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1149899

## 19:15–19:27

Bart, the spiky-haired boy in an orange shirt, sits beside a bald, heavy man in a teal polo shirt with an anchor tattoo on his arm as the man plays a piano in a pink room with a framed picture and a green mug on the piano. The man grins, eyes narrowed or closed, while Bart watches the keys, then lifts a finger and speaks, and the man glances over at him with a smile. Both keep playing and reacting in the same room, with a night window showing at the left edge.

> That's good.
> The training wheels come off your bike. You start to notice boys you like.
> You're just putting that in because it's commercial.

Frame: https://ultrahouse3k.com/img/S03E01/1156781.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1161786

## 19:27–19:38

Bart, in an orange shirt and blue shorts, stands in a hallway beside an open door, reaching toward a light switch on the wall, while Mr. Burns, bald with a hooked nose, peeks out from behind the door and rests his hand on a blue upright piano. The scene opens on the Simpsons' arched-window house with its attached garage, first at night and then in daylight. The door, stairs and piano are visible inside the house, with no on-screen text.

Frame: https://ultrahouse3k.com/img/S03E01/1168876.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1173255

## 19:38–19:47

Lisa Simpson sleeps in her bed under a blue blanket while Bart, in an orange shirt, leans over the edge beside her and Mr. Burns, a tall, thin, stooped old man with a hooked nose, looms at the right edge of the room. The bedroom has a green lamp, a pink nightstand, a round alarm clock, and a framed picture of two green creatures on the wall, and Burns opens and closes his mouth as he speaks while Bart grins, glances sideways, and then rests his hand on the blanket beside the sleeping Lisa.

> Lisa.

Frame: https://ultrahouse3k.com/img/S03E01/1179929.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1183057

## 19:47–19:59

Bart, a spiky-haired boy in an orange shirt, stands beside a bed in a pink bedroom while a yellow-skinned girl with star-shaped spiky hair and a teal top lies under a blue blanket. Bart reaches over and touches her face, and she wakes, yawns widely, and sits up beside a purple alarm clock and a pink lamp on the nightstand. The scene then cuts to a close-up of Bart's sheepish, sideways glance, and finally a yellow hand reaches into a pink scalloped wastebasket holding a tipped-over green bottle and white tissues.

> What, Bart?
> It's 6 a.m.
> That's right.
> Hope you like your present.

Frame: https://ultrahouse3k.com/img/S03E01/1188479.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1193275

## 19:59–20:05

Bart Simpson, wearing a red cap and orange shirt, stands beside a brown door in a pink-and-purple room, pointing with one finger and glancing sideways. He then sits on a purple couch, leaning forward with both hands resting on a large pink cylindrical object, smiling as he sits and his head drops out of the top of the frame. The brown door, purple wall and pink wall stay in view throughout.

> And a one, and a two, and a one, two, three, four.
> Mm-hmm.

Frame: https://ultrahouse3k.com/img/S03E01/1200157.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1202451

## 20:05–20:18

A yellow hand with an anchor tattoo plays the keys of a blue piano, and a man in a black hat and green jacket with a striped shirt leans against the instrument, smirking and glancing sideways. He keeps this sly, sidelong expression as he stays close to the piano, and the scene then cuts to Lisa, with her star-shaped spiky hair, lying in bed on a light blue pillow with wide eyes, an open mouth, and one hand raised near her chin.

> Lisa, it's your birthday.
> God bless you this day.
> You gave me the gift of a little sister, and I'm proud of you today.

Frame: https://ultrahouse3k.com/img/S03E01/1207039.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1212253

## 20:18–20:27

Lisa, the girl with star-shaped spiky hair, sits in the left foreground beside a man in a black hat and green shirt with an anchor tattoo on his forearm, who plays a blue upright piano. Bart, the spiky-haired boy in an orange shirt and red cap, sits on a pink stool to the right beneath a wall sign with partly legible lettering. As the man keeps playing with his eyes mostly closed, Lisa glances over with a smile and Bart grins and starts singing with his mouth open, with a blue blanket across the bottom of the scene.

> Lisa, it's your birthday.
> Happy birthday, Lisa.

Frame: https://ultrahouse3k.com/img/S03E01/1219552.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1223097

## 20:27–20:34

Homer lies asleep in a bed with a greeting card in his hand, mouth open and drooling, before he turns onto his side and pulls a pillow over his head with a grimace. Marge, with her tall blue beehive, sits up beside him and looks over at him. Maggie, the baby with a pacifier and blue bow, is in a pink-railed crib tugging at a white stuffed rabbit and looking wide-eyed while she grips the pink blanket. The room has pink walls, framed pictures, and a bedside lamp, and a card with partly legible writing lies on the bed.

> Lisa, it's your birthday.
> Happy birthday, Lisa.
> I wish you love and goodwill I wish you praise and

Frame: https://ultrahouse3k.com/img/S03E01/1228936.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1231021

## 20:34–20:46

A heavy, bald-headed...

> joy I wish you better than your heart desires And your first kiss
> from a boy Lisa,

Frame: https://ultrahouse3k.com/img/S03E01/1235401.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1240614

## 20:46–20:58

Bart, in an orange shirt and red cap, appears first beside a newspaper on a ledge headlined "Springfield Shopper: Michael Jackson Hoax, Everyone Mad at Local Boy" with a small picture of Bart, then a red-capped boy looks up at a building with arched blue-framed windows. Homer in a blue bathrobe stands in a doorway beside Marge in a pink robe holding Maggie, who wears a blue bow and a pacifier. Lisa sits up in a blue bed while a heavy older man in a black hat and green shirt shakes hands with Bart at a piano.

> it's your birthday Happy birthday,
> Lisa Lisa,
> it's your birthday Happy birthday, Lisa

Frame: https://ultrahouse3k.com/img/S03E01/1248122.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1252918

## 20:58–21:10

Lisa lies in bed with a drowsy, satisfied smile on a blue pillow, then sits up with her arms spread wide as Bart sits on the bed's edge beside her, holding a pink cylindrical package, and then hugs her. In the background, Homer in a blue bathrobe and Marge in a pink robe holding Maggie watch as a heavy man in a green polo shirt and black hat, with an anchor tattoo on his arm, scratches his head and grins. Notable objects include the pink cylindrical gift, the blue bedsheets, and a purple bedpost.

> Yeah!
> Oh, this is the best present I ever got.
> Thank you, Bart.
> Thank you, Michael.
> Well, my work is done here. Hey, Michael.

Frame: https://ultrahouse3k.com/img/S03E01/1259800.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1264597

## 21:10–21:22

A heavyset man in a green polo shirt and black fedora stands in a pink bedroom beside a purple piano, then spreads his arms in a welcoming gesture while Bart in an orange shirt and Lisa in teal sit on the bed by a red-curtained window. Homer in a blue bathrobe and Marge holding Maggie, who wears a blue bow and pacifier, appear in a pink archway, with Homer's mouth open in alarm. A bald, heavyset man in a green shirt then holds a black record and grimaces with a fixed, sidelong glance, while a red heart-shaped decoration hangs on the pink wall behind him.

> What happened to your voice? This is my real voice.
> My name is Leon Kompowski, and I'm a bricklayer from Patterson, New Jersey.
> All my life, I was very angry, until one day, I just...
> Talked like this. All of a sudden, everybody was smiling at me,

Frame: https://ultrahouse3k.com/img/S03E01/1271479.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1276692

## 21:22–21:34

Homer in a light blue bathrobe and Marge with her tall blue beehive in a pink robe stand with baby Maggie, while a heavy bald man in a green polo shirt gestures with an open hand. Lisa and Bart join them as the man holds up a black hat, then talks and gestures in a pink room with a red heart on the wall. Homer ends by holding up a framed certificate reading "This Certifies... NOT INSANE" as Maggie looks on.

> and I was only doing good on this earth.
> So I kept on doing it. To make a tired point, which one of us is truly crazy?
> Not me.
> I got this.
> Bye-bye, Lisa.

Frame: https://ultrahouse3k.com/img/S03E01/1283783.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1288579

## 21:34–21:41

A bald, heavy man in a light blue jacket with a green collar waves from in front of a pink backdrop with small houses at the lower right, and he keeps waving as the moment continues. Homer, in a blue bathrobe, stands in the doorway of a purple house, waving while Marge with her tall blue beehive stands behind him holding Maggie, who sucks a pacifier and wears a blue bow. Bart in an orange shirt and Lisa in a teal dress wave with their hands raised at the front of the doorway, and Homer's raised arm shifts slightly lower as the family waves.

> You're a credit to dementia.
> See ya. Lisa, it's your birthday.
> God bless you this day.

Frame: https://ultrahouse3k.com/img/S03E01/1295669.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1298172

## 21:41–21:52

A small figure with yellow hair, a blue sweater and brown shoes, carrying something red, walks along the sidewalk of a quiet suburban street at dusk past a red fire hydrant, a blue-roofed pink house and an orange house with a white picket fence. The figure moves to the right and out of view while the street stays empty, and white credits reading "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON" appear over the pink-skied scene. The moment ends on a black screen with yellow text reading "Starring DAN CASTELLANETA".

> You gave me the gift of doo-doo-doo-doo-doo-doo, and I'm proud of you today.
> Lisa, it's your birthday.

Frame: https://ultrahouse3k.com/img/S03E01/1302760.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1307348

## 21:52–22:03

No animated characters appear in this moment; the screen is black with yellow credit text in the show's lettering. The names shown in sequence are JULIE KAVNER, YEARDLEY SMITH, HANK AZARIA, and HARRY SHEARER, followed by a card reading Also Starring PAMELA HAYDEN and KIPP LENNON. Each name fades in and out, one at a time, centered on the empty background.

> Happy birthday, Lisa.
> Lisa, it's your birthday.
> Happy birthday, Lisa.
> I wish you love and goodwill.

Frame: https://ultrahouse3k.com/img/S03E01/1313813.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1318192

## 22:03–22:14

No animated characters appear; the moment is a plain black screen with centered yellow credit text that changes in turn. The credits read Special Guest Voice John Jay Smith, Executive Consultant Brad Bird, Creative Consultant David M. Stern, Associate Producers J. Michael Mendel and Joseph A. Boucher, and Visual Consultant Stephen Lineweaver, each shown in a rounded, hand-drawn yellow lettering style with a role line above the name.

> I wish you praise and joy.
> I wish you better than your heart desires.
> And your first kiss from a boy.

Frame: https://ultrahouse3k.com/img/S03E01/1324865.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1329245

## 22:14–22:25

No Simpsons characters appear in this moment; it is a black closing credits sequence with yellow text. The first frame reads 'Theme By DANNY ELFMAN', the second 'Music By ALF CLAUSEN', the third 'Editors MARK McJIMSEY DON BARROZO', and the fourth 'Animation Production Manager KEN TSUMURA' with 'Post Production Coordinators COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN'. The last frame lists crew credits such as 'Production Coordinator SARAH WERNER', 'Music Editor CHRIS LEDESMA', 'Post Production Facility LASER-PACIFIC' and a Dolby Surround logo, with no movement beyond the credits changing one after another.

> Lisa, it's your birthday.
> Happy birthday, Lisa.
> Lisa, it's your birthday.
> Happy birthday, Lisa.

Frame: https://ultrahouse3k.com/img/S03E01/1335918.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1340297

## 22:25–22:36

No characters appear in this moment; it is a black screen of yellow credit text. It rolls through end credits in order: assistant credits (Patty MacDonald, Barbara Duncan, Trixie Flynn, Daria Paris, Julie Steddom Smith, Lana Repp Lewis, Jacqueline Sillo, Lona Williams), then Animation Produced by Klasky-Csupo Inc. with Gabor Csupo as executive producer, then Overseas Animation Directors Mike Girard and N.J. Kim with Maria Elena Rodriguez as animation production manager. Next comes Akom Production Company as the Korean production company, followed by storyboard and character design credits that include Matt Groening and Sam Simon.

> Take it away, Lise.

Frame: https://ultrahouse3k.com/img/S03E01/1346762.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1351350

## 22:36–22:38

No characters appear in this moment. A static end-credits card sits on a black background, with yellow block lettering listing Character Layout Artists (Mike Anderson, Moon Choi, Craig Clark, Steve Fellner and others), then Background Layout Artists, Animation Timing (Rick Bugental, Howy Parkins, Dominic Polcino) and Lip Sync (Kent Holaday). The credits hold unchanged across all five moments, with no movement or action on screen.

Frame: https://ultrahouse3k.com/img/S03E01/1357815.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1357606

## 22:38–22:45

No characters appear; the black screen shows yellow end credits. It starts with Main Title Design by David Silverman and Main Title Technical Director Rick Bugental, followed by a long list of main title animators, then color design, painter, and animation camera credits, then background cleanup, production coordinators, and production assistants. The credits roll upward and then give way to the copyright notice reading "The Simpsons Episode #7F24, Copyright 1991, Twentieth Century Fox Film Corporation."

> Lisa, it's your birthday.

Frame: https://ultrahouse3k.com/img/S03E01/1359692.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1362194

## 22:45–22:53

No Simpsons characters appear in this moment; it is a black title card sequence of yellow credits. First, 'Executive in Charge of Animation Production RICHARD RAYNIS' is centered on the screen, then it changes to 'Executives in Charge of Production for Gracie Films MICHAEL STANISLAVSKY and MICHAEL P. SCHOENBRUN' for two stretches, and finally 'Creative Supervisor SAM SIMON' and 'Executive Creative Consultant JAMES L. BROOKS' each appear in turn. The text is yellow, in a rounded hand-drawn typeface, on a plain black background with no characters or objects shown.

> Happy birthday, Lisa.
> Whoo!

Frame: https://ultrahouse3k.com/img/S03E01/1366991.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1369493

## 22:53–23:04

Silhouetted audience members sit in rows in a dark theater, with one large figure with tufted hair in the front left, as a blank screen glows above them. A beam of light then projects a blue panel reading "GRACIE FILMS" over the audience, the screen goes black, and a golden "20th TELEVISION" logo rises on a building under sweeping searchlight beams against a dusky sky.

> Shh. We'll see you next week.

Frame: https://ultrahouse3k.com/img/S03E01/1374290.jpg
Page: https://ultrahouse3k.com/episode/s03e01-stark-raving-dad/1378669