# Homer Defined The Simpsons, season 3, episode 5 (S03E05), first aired October 17, 1991. Written by Howard Gewirtz. Directed by Mark Kirkland. Production code 8F04. Guest stars: Jon Lovitz as Aristotle Amadopolis; Chick Hearn; Magic Johnson. Chalkboard gag: "I will not squeak chalk.". Couch gag: Alien. Homer averts a meltdown at the plant by choosing a button with "eeny, meeny, miny, moe," and is celebrated as a hero while privately fearing exposure. When Aristotle Amadopolis invites him to address the Shelbyville plant, another meltdown strikes, and the same blind luck rescues him, giving the world the phrase "pulling a Homer." Meanwhile, Milhouse's mother, Luann Van Houten, keeps him away from Bart until Marge intervenes. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mr. Burns, Waylon Smithers, Kent Brockman, Otto Mann, Jasper Beardsley, Martin Prince, Lewis Clark, Richard, Sherri Mackleberry, Terri Mackleberry, Sideshow Mel, Luann Van Houten, Professor Frink, Becky Shorter, Comic Book Guy, Snake, Itchy, Scratchy, Chuck Berger, Charlie, Yellow Weasel, Coward, Abraham Lincoln, Space Mutants, Scott Christian, Lucille Botzcowski, Gerald Ford, Margarita, Sailor Kid, Aristotle Amadopolis, Avery Devereaux, Chick Hearn, Magic Johnson. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s03e05-homer-defined From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at a chalkboard in a classroom, chalk in hand, writing repeated lines reading "I WILL NOT SQUEAK CHALK" in rows down the board. He then turns and hops sideways across the floor, grinning with eyes squeezed shut and one arm outstretched, while the chalk lines on the board continue to trail off at the bottom edge. A red wastebasket with crumpled paper sits against the green wall beside a wall clock and a framed picture, and a desk edge is visible in the foreground. Before this, the scene opens on a blue sky with drifting clouds and the yellow title text "THE SIMPSONS" appears over them. > The Simpsons Frame: https://ultrahouse3k.com/img/S03E05/1043.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/6048 ## 0:12–0:25 Homer, in a yellow protective suit and helmet, holds a glowing green rod beside a CAUTION sign while Mr. Burns and Smithers watch from a control booth; Homer then turns and points at the panel as Burns, holding a blueprint, looks on with Smithers. The scene cuts to Lisa, wearing glasses, reading the magazine Mom Monthly with a Frosted Krusty Flakes cover at a store counter, with Marge's blue hair visible at the left edge. A blurred orange screen follows, and then Maggie, with a pacifier and blue bow, peers over a shopping cart as Marge, in a green dress and red beads, smiles with eyes closed and raises a hand near her mouth. Visible text includes CAUTION, Mom Monthly, and Frosted Krusty Flakes. Frame: https://ultrahouse3k.com/img/S03E05/13347.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/18560 ## 0:25–0:38 A row of students plays wind instruments in a classroom while a heavy older man with grey hair at the sides conducts from a music stand, and Bart's classmates blow horns and recorders beside them. Lisa, in an orange skirt, hurries down a blue-tiled hallway hugging a large white instrument past posters on the wall. Outside, a pink car is parked in the driveway of a yellow house, and Homer, in a white shirt and blue pants, stands beside it with a mailbox nearby. > Ah! Frame: https://ultrahouse3k.com/img/S03E05/26068.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/31907 ## 0:38–0:51 Homer, bald and wearing a white shirt, stands in a doorway holding a frying pan, and then a green one-eyed monster with horns sits on a brown couch in a living room, holding a red can. The scene moves to a boxy television in a pink room, where the screen first reads "Created by Matt Groening" and then changes to "Developed by James L. Brooks, Matt Groening, Sam Simon." Frame: https://ultrahouse3k.com/img/S03E05/40040.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/45045 ## 0:51–1:02 Marge, with her tall blue beehive, sits at the blue-clothed kitchen table sipping coffee over a newspaper while Bart, the spiky-haired boy in an orange shirt, writes with a pencil beside her. Homer, the bald man, is hidden behind a newspaper headed US of A Today with the headline America's Favorite Pencil and the caption #2 is #1, and then he lowers it slightly to read, mouth open and eyes narrowed. The scene fades in from black onto the kitchen, with cupboards, a jar of rooster-decorated canisters and a heart note on the wall visible. > Here's good news. According to the SciCatching article, > SAT scores are declining at a slower rate. Frame: https://ultrahouse3k.com/img/S03E05/52344.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/56723 ## 1:02–1:13 Lisa and baby Maggie sit in a kitchen with a newspaper, Lisa holding a spoon over a bowl of cereal while Maggie sucks on a spoon with her blue bow. Homer stands nearby with the bald head and stubble, reading the US of A Today newspaper with a headline reading America's Favorite Pencil, and his mouth moves as he reads. Kitchen items include a coffee maker, a dish rack, canisters with rooster designs, and a heart-shaped note on the wall, while white credit text reads Supervising Producers Jay Kogen & Wallace Wolodarsky, then Producer George Meyer, then Co-Producer Jon Vitti. > Dad, I think this paper is a flimsy hodgepodge of pie graphs, factoids, and Larry King. > Hey, this is the only paper in America that's not afraid to tell the truth, > that everything is just fine. To me bestest bud, Milhouse, happy birthday, Bart. Frame: https://ultrahouse3k.com/img/S03E05/63605.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/68193 ## 1:13–1:25 Bart, the boy with spiky hair in an orange shirt, writes on a card at a blue kitchen table while Lisa, the girl with star-shaped spiky hair and a pearl necklace, sits beside him and claps her hands together. Lisa then leans over the card, eyes shut and grinning, and a close-up shows a card with a clown beside a cracked drum, reading "Hey there 10-year-old! I couldn't afford to get you a new drum..." Shelves of dishes, a white chicken figurine marked 33, and on-screen credits for John Swartzwelder, Howard Gewirtz and Mark Kirkland appear in the scene. > Bart, that's so sweet. > May I see the card? > Hey there, ten-year-old. I couldn't afford to get you a new drum. Frame: https://ultrahouse3k.com/img/S03E05/75075.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/79871 ## 1:25–1:34 Milhouse, with blue hair and red glasses, and Bart, with spiky hair and an orange shirt, first appear with a white card showing a grinning orange-haired woman in a pink bikini and the words "So how about a nice pair of bongos?" The scene then shifts to a yellow Springfield Elementary School bus driving down a road with children in its windows. Inside the bus, Milhouse holds a green box with red bows and holly while Bart leans in toward it, and Milhouse then turns to look at Bart with his mouth open as he speaks. > So how about a nice pair of bongos? > Ew. > Come on, open it, open it, open it. Uh, maybe a little later, Bart. > Oh, Milhouse, Frame: https://ultrahouse3k.com/img/S03E05/86753.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/90090 ## 1:34–1:45 Milhouse, in a blue cap, red-framed glasses and a lavender shirt, sits on an orange bench holding a green gift box covered in candy canes and dotted with red ornaments, and he extends it toward Bart, who wears an orange shirt and blue shorts and sits to the right. Bart starts with a wide-eyed, uneasy look, then grins and gestures open-handed toward the box as he speaks. Behind them, the twin sisters Patty and Selma, with grey-violet hair and pink bows, lean over the back of the bench and peer at the boys, and the scene ends with Bart gaping wide-eyed and open-mouthed at a window with blue sky and clouds. > just because your mom didn't let you have a party doesn't mean you can't get a present. > We had a lovely time on Saturday, Milhouse. > I liked the balloon. I liked the party hat. > What are you girls talking about? Nothing. Frame: https://ultrahouse3k.com/img/S03E05/95721.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/100100 ## 1:45–1:54 Milhouse, with blue hair, glasses and a purple shirt, and Bart, with spiky hair and an orange shirt, sit side by side on an orange couch in a room with a window behind them. Milhouse holds a green wrapped box decorated with candy canes and holly, and Bart looks at it, then grins and leans toward the box, then the two lean in together and stare at it. In the final moment the box is open, revealing two Krusty the Clown walkie-talkies with green hair, red noses and wide open mouths, sitting on green tissue paper. > Twins, open your present. > They're official Krusty the Clown walkie-talkies. > I'll keep one and you keep one. Now, whenever you want to talk to me, Frame: https://ultrahouse3k.com/img/S03E05/106565.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/110110 ## 1:54–2:05 Milhouse, the blue-haired boy with glasses, and Bart, the spiky-haired boy in an orange shirt, stand together in a room, with Milhouse holding a green box of items. Bart holds up a white walkie-talkie with a Krusty doll figure clipped on its side, first looking at it with a wide-eyed stare, then grinning broadly. In the final moment a blond man with a wide open-mouthed grin leans out of a train window at the right, while Milhouse and Bart sit together in a maroon train seat, Bart holding a green book with the walkie-talkie resting on it. > just call me on the phone and tell me to turn on my walkie-talkie. > Milhouse, I'd like to express my appreciation for Saturday. Frame: https://ultrahouse3k.com/img/S03E05/115949.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/120120 ## 2:05–2:17 Milhouse, with blue hair and red-rimmed glasses, and Bart, the spiky-haired boy in an orange shirt, stand together in a warm orange room, with Milhouse holding a green box and Bart holding a white toy walkie-talkie with a Krusty the Clown face. Milhouse points with one hand toward the lower left while Bart looks on with wide eyes and a flat expression. In the earlier moments, a smiling, brown-haired man in a white collared shirt sits behind a red table between the two boys, leaning forward with his hands raised, and the boys' heads turn toward him, with Bart's view shifting into the foreground. > Jellybean baskets, personalized noisemakers, > but the little touches are what made it enduring. > What's he talking about? Uh, hey, look at that dog. > Isn't that something? Frame: https://ultrahouse3k.com/img/S03E05/126585.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/131381 ## 2:17–2:29 Bart, the spiky-haired boy in an orange shirt, looks out a bus window at Santa's Little Helper, the brown greyhound with a blue collar, sitting on a sidewalk beside a tan building. The view then shifts to the front of Springfield Elementary School, with its American flag and a blue sign on the doors. Otto, the bus driver with long curly black hair and a tan hat, sits at the wheel with headphones on, holding a microphone and gesturing as he speaks. > Wow, Brown. > Whoa, Springfield Elementary last time. Oh, and by the way, > I'd like to say thanks and applause, > applause to birthday boy Milhouse for his totally bitchin' party on Saturday. Frame: https://ultrahouse3k.com/img/S03E05/138472.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/143685 ## 2:29–2:41 Milhouse, in a blue cap and glasses, and Bart, in an orange shirt, sit on a bus with Bart wide-eyed and uneasy, while bus driver Otto, with long curly black hair, headphones and a tan cap, steers and grins beside a small curly-haired boy in an orange shirt. Later Milhouse and Bart sit side by side on orange bus seats, sharing a green book, and then Milhouse lifts a green box toward Bart, who looks anxious. The bus windows show green hedges and a blue sky with a cloud. > Yay! > Oh, Milhouse, I think I left my pants on your roof. > You did have a party. > You didn't invite me. > I thought we were best friends. Frame: https://ultrahouse3k.com/img/S03E05/150984.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/155781 ## 2:41–2:52 Milhouse, with blue hair and glasses, carries a green lunchbox down the aisle of a yellow Springfield Elementary School bus while Bart sits far back, then steps off at the open door as Otto, the long-haired driver in a cap and headphones, sits at the wheel. The bus pulls away and leaves a puff of blue exhaust on the road, and the scene shifts to a library where a white-haired elderly man in a green jacket stands beside a red armchair near shelves of colorful books and a wall display of small framed pictures. > Sorry, Bart. > Bye, little dudes. Don't learn anything I wouldn't learn. > Uh, Monday morning. > Time to pay for your two days of debauchery, you hungover drones. Frame: https://ultrahouse3k.com/img/S03E05/162663.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/167250 ## 2:52–3:06 Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red wingback chair with his fingers steepled, while Smithers, his thin assistant with glasses, purple bow tie and ID badge, stands beside him in a wood-paneled room. Smithers grins, then gestures toward his badge and leans in with open hands as Burns scowls, grimaces and bites at his knuckles. Burns's scowl deepens while Smithers keeps talking and the two exchange glances across the room. > P.G.I.M., sir. > So what did you do this weekend, Smithers? > Well, I caught up on my laundry, wrote a letter to my mother. > Oh, here's the kicker. I took Hercules out to be clipped. Frame: https://ultrahouse3k.com/img/S03E05/173924.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/179554 ## 3:06–3:18 Mr. Burns, a frail, stooped old man with a hooked nose and blue-grey hair at the sides, sits in a red leather chair in a dark suit and black tie while his thin assistant Smithers, wearing glasses and a purple bow tie, stands before bookshelves holding a small black object. A photograph in a gilded border shows Smithers cradling a small grey dog beneath a portrait of Burns, and then a hand enters from the left offering a folded white paper. Burns takes the paper, studies it with a sly, narrowed look and an open mouth, and the scene ends on his reaction. > Who the devil is Hercules? > He's my Yorkshire Terrier, sir. He's kind of tiny, so, you know, it's a joke. > Here's a picture of Herky. > Well, Smithers, don't you know how to paint the town red? > May I ask how you spent your weekend? A bit overly familiar, but I'll allow it. Frame: https://ultrahouse3k.com/img/S03E05/187479.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/192484 ## 3:18–3:30 A bespectacled man with brown hair and a magenta bow tie stands grinning before a wall of monitors, one showing two men. Mr. Burns, frail and hooked-nosed with grey hair at the sides, sits in a red wingback chair in a navy suit and black tie while Smithers, grey-haired and wearing glasses, a brown jacket and a purple bow tie, stands to his left in a wood-paneled room. Burns points a finger at Smithers, then rests his hands on the chair arms with a sly grin, and finally gestures outward with one arm as he speaks. > I took in a movie. An appalling little piece of filth. > Its leading lady was a blonde harlot who spent half the film strolling around naked as a > jaybird. Frame: https://ultrahouse3k.com/img/S03E05/199783.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/204579 ## 3:30–3:41 Mr. Burns, a frail, stooped old man with a hooked nose and grey sides to his hair, sits in a red armchair while his thin assistant Smithers, wearing glasses and a purple bow tie, listens beside him in a room lined with bookshelves. Burns then appears on a bluish monitor-style view with Homer at a table alongside a dark-haired man in a dark shirt and a man in a grey jacket and pink shirt, and in the final part Homer gestures with a pink-frosted donut while Carl, the Black man in the grey jacket, bites a donut and Lenny, in a green sweater, lifts a grey mug. A pink donut box sits on the lilac table beside the mugs, and a 'REFILL 25¢' sign hangs on the wall. > Oh! Just give the great unwashed a pair of oversized breasts and a happy ending, > and they'll oink for more every time. What a movie! > And that blonde cutie, does she have assets? Frame: https://ultrahouse3k.com/img/S03E05/211670.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/216049 ## 3:41–3:52 Lenny, with spiky black hair and a green sweater, sips coffee at a purple table while Carl, a Black man in a grey jacket and pink shirt, laughs and Homer talks animatedly with a raised hand. A donut box, coffee mugs, crumbs, and a spilled cup of coffee sit on the table, with an "AREA CLEAN" sign and an "HONOR SYSTEM COFFEE REFILLS 25¢" sign on the break-room wall behind them. Homer then sits alone in a swivel chair in the control room with his legs propped on the console, holding the donut box and pointing upward. > Sounds like my kind of flick. And how? > Lemon. Frame: https://ultrahouse3k.com/img/S03E05/222514.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/226893 ## 3:52–4:03 Homer Simpson, the bald, heavy yellow-skinned man in a white shirt, reaches into a pink box of doughnuts at the nuclear plant control panel, picking out and biting into doughnuts one after another: a cherry-topped one, then a custard one, then a purple-frosted one. Beside him the Core Temperature gauge, marked NORMAL, CAUTION and DANGER, shows its needle swinging into the red zone, and finally a purple blob of icing splatters across the gauge's screen. Notable objects include the pink doughnut box, the colored frosting, and the Core Temperature label. > Ugh, cherry. > Mm, custard. > Mm, purple. Frame: https://ultrahouse3k.com/img/S03E05/233150.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/237946 ## 4:03–4:11 Otto, the bus driver with long curly black hair and a white cap, steers a yellow Springfield Elementary School bus while Bart sits slumped and glum in a seat by the window, and the speedometer on the orange dashboard reads around 60. The bus then pulls up beside the Kwik-E-Mart, where a figure in a cap and blue shorts hurries across the parking lot past dark stains on the pavement below the store's sign. > Otto, welcome. Eboo, hey, got a bad case of the munchies, man. Frame: https://ultrahouse3k.com/img/S03E05/244828.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/247539 ## 4:11–4:21 Apu, a man with a moustache in a green jacket, and Otto, a man with long curly black hair, pink shirt, cap and headphones, stand together at a counter marked CASH with jars of goods behind them. Apu gestures and talks while Otto leans on the counter, then Apu grins and Otto raises a hot dog with mustard as shelves of products line the back wall. > Time for a heat lab, dog. Oh, Otto, Otto, > did you know there's a small child inside your bus? Frame: https://ultrahouse3k.com/img/S03E05/252544.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/256506 ## 4:21–4:31 Bart, in his orange shirt, stands in the foreground looking downward outside the Kwik-E-Mart, where Apu and Otto, a man in a cap with long curly black hair, are visible through the window beside a doughnut case. The scene then shifts to a control room, where Homer in his white shirt sits at a panel with a CORE TEMPERATURE gauge whose needle sits in the red zone above a purple smoke cloud. Homer raises both hands to his head and grimaces with his mouth open while the smoke rises from the gauge. > Oh, good thing you warned me. I was on my way to Mexico. Frame: https://ultrahouse3k.com/img/S03E05/262763.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/266516 ## 4:31–4:42 Mr. Burns, the frail, very thin old man with a hooked nose and grey hair at the sides, sits in a tall red chair behind his desk and gestures with his hands while his thin assistant Smithers, in glasses and a purple bow tie, stands at the left holding a small glass. Burns then glares and spreads his hands on the desk, and later clasps them under his chin as he looks on with a sour expression. The view then pulls back to a wood-panelled office with bookshelves, a ladder, a blue carpet, rain on a large window, and a small nameplate on the desk. > Call me old-fashioned, but movies were sexier when the actors kept their clothes on. > Vilma Banke could do more for me with one raised eyebrow than an entire... > Warning, problem in sector 7G. 7G? Frame: https://ultrahouse3k.com/img/S03E05/272355.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/276943 ## 4:42–4:53 Mr. Burns, the frail, thin, hook-nosed old man in a blue suit, gestures with one hand and speaks in a wood-paneled office, while his thin assistant Smithers, with glasses and a purple bow tie, works at a bank of monitors and keeps his eyes on the screens. One monitor shows a photo of Homer Simpson labeled 'HOMER SIMPSON' with a sector code beside it, and Smithers looks at it with wide eyes and an open mouth. In the last view, Smithers stands with his back to the viewer, facing Burns, who sits behind a desk by a window with blue curtains. > Oh, God, who's the safety inspector there? > Homer Simpson, sir. Simpson, eh? > Good man? Intelligent? Actually, sir, he was hired under Project Bootstrap. Frame: https://ultrahouse3k.com/img/S03E05/283617.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/288205 ## 4:53–5:05 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands in a dark suit and black tie by a rain-streaked window, and Homer, the bald, heavy man in a white shirt and blue trousers, lies back in a chair at a control console with his hands behind his head and his feet propped on the panel, then closes his eyes and opens them to glance sideways. The control room is dim and red, with glowing dials, a digital readout reading 2 3 6 near his shoes, and a grid of round orange, blue and white indicator lights, and in the final moment Homer looks up toward a red warning lamp mounted on the wall above the grid. > Thank you, President Ford. > Huh? > Noise. > Bad noise. Five minutes before critical mass. > Critical what? Frame: https://ultrahouse3k.com/img/S03E05/294878.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/299466 ## 5:05–5:18 Homer Simpson, the bald, heavy man in a white shirt, sits at a control panel in a reactor control room, staring wide-eyed at a gauge labeled CORE TEMPERATURE whose needle is pinned in the red DANGER zone. He turns to face the viewer with his mouth open in alarm, then a purple blob oozes over the gauge and he clutches his head and raises his hands in panic against a pink wall. Finally he stands arms spread wide at the center of the curved console, with glowing buttons and dials on either side and a dim orange corridor behind him. > Okay, okay, don't panic. Whichever problem this is, I'm sure they know how to handle it. > Huh? > Ah! > It's my problem! We're doomed! Sector 7G is now being isolated. Frame: https://ultrahouse3k.com/img/S03E05/306139.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/311561 ## 5:18–5:25 Homer, bald and stubbled in a white shirt, shouts with his eyes shut at a control panel of colored lights, then stands wide-eyed before the panel in a reactor control room with a digital readout reading 236. Bart, in an orange shirt and blue shorts, hunches over in a bus seat, grimacing and glancing sideways, while Otto, with long curly black hair, headphones and a cap, steers the bus and glances aside. The scene is set in an orange-and-blue interior with radiation warning signs and rows of seats. > My best friend shafted me. I'll never get over this auto man. Frame: https://ultrahouse3k.com/img/S03E05/319069.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/321571 ## 5:25–5:35 Otto, the bus driver with long curly black hair and a cap, grips the steering wheel and grins while Bart, the spiky-haired boy in an orange shirt, stares wide-eyed at him from the right side of the frame. Otto's eyes shift toward the road and back, and he keeps leaning into the conversation as the bus interior with its overhead luggage rack stays in view. The scene then cuts to a living room where Marge, with her tall blue beehive, sits on a brown couch in a green skirt holding a large lumpy object, while Maggie, the baby with a blue bow, sits beside her holding a small object. > Sure you will. > You know, once my old lady ran off and married my brother, well, it hurt, > but here it is a month later, and I'm sleeping under a couch. > Margarita, I want you. Frame: https://ultrahouse3k.com/img/S03E05/326368.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/330330 ## 5:35–5:42 A heavy, blue-haired man in a brown suit with a red tie and a moustache leans over a desk toward a startled woman with long platinum-blonde hair, a red dress with a white belt, and a pearl necklace, his hands gripping her shoulders and waist. He pulls her close against a blue filing cabinet, and her eyes close and her hand rises to her cheek as she looks uneasy. The scene ends with him standing upright and facing her across the desk while she steps back, with a stack of papers and a telephone on the desk and cabinets and a binder in the office background. > Mr. Devereaux, I can't work under these conditions. > Have it your way, baby. Frame: https://ultrahouse3k.com/img/S03E05/336586.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/339089 ## 5:42–5:49 A heavyset man in a brown suit with blue hair and a moustache and a woman with tall platinum-blonde hair, a red dress and a pearl necklace stand at a desk in an office with blue cabinets, a black binder, and a wall telephone. He raises a finger to his lips, then pulls her into a hug, and they kiss with her leg lifted off the floor. The kiss breaks as he grips her face and glares at her while she looks wide-eyed. > You're fired. > Oh, Avery. > Come here, Mr. Devereaux. Frame: https://ultrahouse3k.com/img/S03E05/343885.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/346388 ## 5:49–6:02 Kent Brockman, the grey-haired news anchor in a blue suit and dark tie, appears on a blue studio backdrop as the moment opens on a "Springfield Action News Bulletin" title card, followed by a yellow card reading "Meltdown Crisis" above a drawing of a melting cooling tower captioned "The first couple of minutes." Hands in yellow sleeves then comb and blow-dry his white swept-back hair, and he then sits holding a sheet of paper, reading it with a worried, grimacing expression. > We interrupt Search for the Sun for the special news bulletin. > Meltdown crisis, the first couple of minutes. > Forget the hair, just give me the blush. > Oh, we're on. > This station has just learned that a serious crisis is in progress at the Springfield Frame: https://ultrahouse3k.com/img/S03E05/350976.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/356398 ## 6:02–6:16 Maggie, with her pacifier and blue bow, sits on the brown couch beside Marge, who has a tall blue beehive and a red bead necklace and is knitting a brown mesh-patterned piece in her lap. On a purple-tinted television, grey-haired news anchor Kent Brockman in a blue suit speaks beside a small inset portrait of Mr. Burns, with his hooked nose and grey hair at the sides. The screen then shows only the portrait of Mr. Burns with the caption 'Voice of C. MONTGOMERY BURNS' across the bottom. > Nuclear Power Plant. Oh, my lord. > On the line with us now is plant owner C. > Montgomery Burns. Mr. > Burns? Oh, hello, Kent. > Right now, > skilled nuclear energy technicians are calmly correcting a minor piffling malfunction. Frame: https://ultrahouse3k.com/img/S03E05/363697.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/369536 ## 6:16–6:27 A man in a blue shirt, jeans and an orange hard hat flees down a red corridor past a radiation symbol, while two hard-hatted workers scuffle beside a vending machine, one clutching a white object as cans scatter across the floor. Nearby, a kneeling older woman and a man in a green tie pray beside a standing moustached man holding a book, under a STORAGE door sign, as other hard-hatted men look on with eyes closed. Then tan rats with long tails scurry along a dark road toward a nuclear plant with twin cooling towers and a fenced gate sign. > But I can assure you and the public that there's absolutely no danger whatsoever. > Things couldn't be more ship-shape. Sir, where's my radiation suit? Frame: https://ultrahouse3k.com/img/S03E05/377460.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/381631 ## 6:27–6:40 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a library wearing a yellow robe and holding a blue telephone receiver, while Smithers, his thin assistant with glasses, a purple bow tie and a green jacket, gestures beside him near rows of bookshelves. Burns then scowls and holds the phone up as he adjusts his collar. Later, Marge, with her tall blue beehive and red bead necklace, holds baby Maggie, who wears a blue bow and sucks a pacifier, on a brown couch in a pink room. Marge is then shown lying on a striped rug in front of a television showing Mr. Burns and a grey-haired news anchor, with a red potted plant beside the set. > How the hell should I know? > Uh, Mr. Burns, people are calling this a meltdown. > Oh, meltdown. It's one of those annoying buzzwords. > We prefer to call it an unrequested fission surplus. Frame: https://ultrahouse3k.com/img/S03E05/388096.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/393518 ## 6:40–6:49 Marge Simpson, with a tall blue beehive and an orange bead necklace, and baby Maggie, wearing a blue bow and sucking a pacifier, are on a brown couch in front of a pink wall and a window at first, with Marge's eyes shut and mouth open in a grimace before she turns wide-eyed and tense while holding Maggie close. Then the scene cuts to Homer Simpson, bald with stubble and a white shirt, standing in a red-tiled room in front of a black-and-yellow hazard-striped panel; he presses a hand to his head and gapes in alarm, then squeezes his eyes shut and grips his head with his hand, mouth wide open. > Homie, please be all right. > Gotta think, gotta think. Okay, > somewhere there's a thingy that tells you how to work this stuff. > The, um, the, uh, the... Manual! The manual! Frame: https://ultrahouse3k.com/img/S03E05/401234.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/404779 ## 6:49–6:57 Homer, a bald heavy man in a white shirt and blue trousers, slumps forward over the curved pink control console of a dim reactor room, then Marge, with her tall blue beehive, is seen slumped over the same panel. Homer sits upright in a black chair reading a green booklet with the word "MANUAL" on its cover, his eyes widening, then narrowing into a bored, drooping stare as he keeps reading. The panel is covered with colored buttons and switches, and the orange tiled floor and red walls surround them. > Right! > Uh-huh! > It's as bad as a phone book! > Congratulations on your purchase of a Fishinator 1952 Slow Fission Reactor. Frame: https://ultrahouse3k.com/img/S03E05/410410.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/413538 ## 6:57–7:05 Homer Simpson sits in a chair at a pink control panel in a dim, orange-tiled room, holding open a green book labeled MANUAL with an atom symbol on its cover. In the first four moments he reads with his eyes closed, then with his eyes wide and mouth open, and his expression grows more alarmed. In the last moment he lifts a large sheet of white paper up in front of his face with his other hand, covering his head while still holding the manual open on his lap. > Don't! Get to the point, man! > Ooh, what's this? Frame: https://ultrahouse3k.com/img/S03E05/418543.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/421463 ## 7:05–7:14 Homer Simpson, seen from behind with his bald head and stubble, stares down at a large blueprint covered in diagrams, its labeled corner reading FISSIONATOR, and his mouth hangs open in alarm as he studies it. Smithers, the thin assistant with glasses and a purple bow tie, stands beside Mr. Burns, the frail, hook-nosed old man with grey hair at the sides in a cream jacket, who sits in a red armchair behind a blue desk by a window. Smithers then steps forward, looking nervous with wide eyes and a clenched grin, holding a small white card, and in the last moment he pinches the bridge of his nose and looks down, while Burns keeps his stooped posture and scowl. > Don't! > Who would have thought a nuclear reactor would be so complicated? > 90 seconds to core meltdown. Sir, there may never be another time to say... > I love you, sir. Frame: https://ultrahouse3k.com/img/S03E05/426676.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/430221 ## 7:14–7:25 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a red-upholstered setting in a pale yellow sweater, grimacing and then speaking with a sour, scowling expression while clutching a folded brown item. In the bar, Barney, the heavy drunk with messy brown hair in a pink shirt, leans on the counter and drinks from a tall glass mug, then sits talking and gesturing with one hand while holding the mug, as Moe, the grey-haired bartender in a blue shirt, black suspenders and bow tie, wipes a glass with a white towel and watches him. Behind them are bottles on shelves, a lit EXIT sign, a wall fan, and a purple-framed television mounted on the wall. > Oh, hot dog. > Thank you for making my last few moments on Earth socially awkward. > Looks like this is the end. > That's all right. I couldn't allow the richer life. Frame: https://ultrahouse3k.com/img/S03E05/435852.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/440440 ## 7:25–7:35 Grampa sits in a pink jacket on the left of a row of three elderly people, with a bearded old man in a green vest and a blue-grey-haired elderly woman in a lavender dress beside him, all watching a small television in a yellow living room. Over the moment, Grampa speaks and frowns while the bearded man, leaning on a wooden cane, glances sideways and then looks drowsy with his mouth open, and the woman holds her cane upright. A lighthouse painting hangs on the wall, and a corkboard with pinned papers sits behind them, while the TV shows a ship on screen. > After the meltdown, we can expect roving bands... > Hey, I don't like this program. > ...traffic for hours. > Wheel of Fortune! > I don't understand anything. Frame: https://ultrahouse3k.com/img/S03E05/446905.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/450867 ## 7:35–7:45 Homer Simpson, the bald, heavy man with stubble in a white shirt, sits in a red-walled room with circular radiation symbols on the walls and reads a large teal book bearing an atom emblem, a loose sheet of diagrams in his hand. He starts with wide, worried eyes and an open mouth, then squints and grimaces as he keeps reading, closing his eyes and pursing his lips before staring wide-eyed again. The scene then cuts to a dark background where a white book with red edges, filled with small dense text, tilts and drifts in view. > When they look up stupid in a dictionary, there'll be a picture of me. Frame: https://ultrahouse3k.com/img/S03E05/457123.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/460460 ## 7:45–7:56 Marge Simpson, with her tall blue beehive and green dress, kneels on a multicolored rug in the living room with her hands clasped in prayer, her eyes shutting as she grimaces and tilts her head upward, while Maggie, with a pacifier and blue bow, stands beside her in a blue outfit. A brown couch, a lamp, a telephone on a side table, and a broom sit in the background. Before this, a dictionary-style page shows the entry 'Stupid' with a Homer Simpson illustration and the definition 'Homer Simpson'. > Dear Lord, if you spare this town from becoming a smoking hole in the ground, > I'll try to be a better Christian. Frame: https://ultrahouse3k.com/img/S03E05/466091.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/470887 ## 7:56–8:10 Marge Simpson, with her tall blue beehive and red bead necklace, stands with her eyes shut and her palms pressed together in prayer, grimacing with clenched teeth, while Maggie, the baby with a pacifier and blue bow, looks up at her from the left in the first frames. Across the scene Marge keeps her hands clasped and her eyes closed, and her head tilts and shifts slightly while her grimace persists. Maggie's pacifier-bearing face is visible at the lower left in the early frames before the view drifts toward Marge alone, with a purple lamp shade, a green object, a framed window, and a brown couch with a ship picture and an orange object on a shelf behind her. > I don't know what I can do. > Um, oh, the next time there's a canned food drive, > I'll give the poor something they'd actually like instead of old lima beans and pumpkin > mix. > One minute to core meltdown. Shut up! Frame: https://ultrahouse3k.com/img/S03E05/477560.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/483400 ## 8:10–8:17 Homer Simpson, the bald heavyset man in a white shirt, stands at a control room console with a purple edge in the foreground and reacts with wide-eyed alarm as yellow hands pull apart a large orange and white panel. He then turns toward a bank of glowing dials and buttons, working at the controls as a red digital readout shows 053 beside green, orange and pink lights and a blue monitor above. > Simpson, it's all up to you. It's showtime! Frame: https://ultrahouse3k.com/img/S03E05/491324.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/494035 ## 8:17–8:31 Homer Simpson, in a white shirt, sits at a purple control panel inside a nuclear plant with yellow-and-black radiation signs on red doors. He stares nervously while turning a multicolored Rubik's cube in his hands, and a large yellow hand in a purple sleeve reaches in from the right edge of the scene. Homer keeps twisting the cube as the hand looms over the control panel near a red fire extinguisher. > Okay, okay, think back to your training. > Homer, this may very well save your life one day. > Homer, please pay attention. This button here controls the emergency override circuit. > In the event of a meltdown, push this button and only this button. Frame: https://ultrahouse3k.com/img/S03E05/498832.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/504879 ## 8:31–8:41 Homer Simpson, bald and heavyset in a white shirt, sits at a control panel in a nuclear plant control room lined with radiation warning signs, working a Rubik's Cube with his yellow hands. He grips and twists the cube, first studying it with a frown, then clenching his teeth as he turns it, and in the last moment he opens his mouth wide and keeps working the cube while looking at it, with the room tinted red. An unseen figure in a dark suit holding a white paper stands at the top edge of the first shot, and the panel is covered with colored buttons and dials. > Ooh, it's tied. Simpson! You see which button I'm pushing? > Yeah, yeah, yeah, push the button. Got it. > This is all your fault! Frame: https://ultrahouse3k.com/img/S03E05/512804.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/516349 ## 8:41–8:52 Homer, the bald, heavy man in a white shirt, stands at a curved control panel covered in colored buttons and lights, pressing buttons and reaching for switches while the scene shifts around him in a dim, reddish room. In the last part, Smithers, a thin man with glasses and a purple bow tie, stands beside Mr. Burns, a frail, stooped figure in goggles sitting in a tall red leather chair behind a desk with a nameplate reading "MR. BURNS". > Okay, gotta pick a button, pick a button, pick a button. > No, one potato, two potatoes, three potato, four. > No, wait! > Bubblegum, bubblegum! Intercess! > How many pieces do you win? > No, no! Thirty seconds to core meltdown. Frame: https://ultrahouse3k.com/img/S03E05/522188.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/526568 ## 8:52–8:58 Mr. Burns, the frail, very thin, stooped old man with a hooked nose, sits wrapped in a pale cream hazmat suit with a dark goggle-like visor, while Smithers, his thin assistant with glasses and a purple bow tie, stands beside him against a lavender wall. Burns slumps and rolls his eyes, then slowly tilts his head and raises a brown hand to his hood in the third image, while Smithers keeps a glum, sidelong look with his mouth pressed flat. The setting is a red-upholstered interior with a dim, cramped feel, and no on-screen text is visible. > Oh, Smithers, I guess there's nothing left to do but kiss my sorry ass goodbye. > May I, sir? Frame: https://ultrahouse3k.com/img/S03E05/533241.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/535326 ## 8:58–9:09 A tall, thin man with spiky brown hair, round tinted glasses, a green jacket and a blue bow tie stands before a map titled SPRINGFIELD, holding a pointer to a large orange circle with a red center. Beside him, an older white-haired man in a blue suit and dark tie looks on, first with narrowed eyes and then with wide eyes as the thin man keeps talking and gesturing with the pointer at the glowing red center of the circle. > These unfortunate people here will be instantly killed. > This circle, which I am sad to say we are in, will experience a slower, > considerably more painful death. Good lord! Frame: https://ultrahouse3k.com/img/S03E05/539914.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/544085 ## 9:09–9:22 A woman with a brown bob and round glasses ducks under a desk with her hand on her head, while a stooped man in a blue jacket with a receding brown hairline holds a microphone beside a red popcorn bucket in a dark space. A red digital display reads 014 above a control panel, and Homer, bald and sweating in a white shirt, grips the controls in front of radiation warning signs as he grimaces and looks anxiously to the side. > They called me old-fashioned for teaching the duck and cover method. > But who's laughing now? Fifteen seconds to core meltdown. > Eeny, meeny, miny, moe. Catch a tiger by the toe. > If he hollered, let him go. Frame: https://ultrahouse3k.com/img/S03E05/550550.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/555972 ## 9:22–9:35 Homer, the bald heavy man in a white shirt, presses buttons on a glowing control panel with his yellow hand, then the scene fades to brown and black. He returns in a control room with radiation warning signs and a red fire extinguisher on the wall, first clutching his head with both hands and grimacing, then standing with hands raised and eyes wide. > Eeny, meeny, miny, moe. > All systems returning to normal. Frame: https://ultrahouse3k.com/img/S03E05/563897.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/569110 ## 9:35–9:46 Homer Simpson stands at a control panel with wide eyes, staring at a red digital readout that shows 007, then glances up at nearby gauges and a dark monitor. Next, the scene cuts to a white page with a dictionary entry reading 'Lucky adj' whose third definition is 'Homer Simpson.' Finally, a yellow-skinned figure at the right edge raises a hand beside red warning lights, a ventilation grate, and a metal shaft with pipes. > Danger in 7G neutralized. Have a nice day. Frame: https://ultrahouse3k.com/img/S03E05/576409.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/580997 ## 9:46–9:56 Two workers in orange hard hats, one with brown hair and one with grey hair, haul a red sofa-like panel across a tiled floor in a bare room with a blue vent. Later, a man in a white shirt and orange trousers gestures and holds a book while a grey-haired woman in a red dress and a blue-haired man in glasses kneel nearby, and a dark-skinned worker in a hard hat, possibly Carl, watches with clasped hands beside a door marked STORAGE. The scene then shifts to a brown-haired man in a white shirt with a blue ID badge loosening his brown tie and grinning, while a red-haired woman in a purple jacket and skirt peers in from behind a blue locker-lined wall. > Will I ever see you again? Sure, baby. > Next meltdown. Frame: https://ultrahouse3k.com/img/S03E05/587462.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/591424 ## 9:56–10:09 Grampa, a wrinkled old man with white tufts of hair, sits on a red chair beside a bearded old man with a cane and an elderly woman with lavender hair and a pink dress, all on a couch-side in a yellow living room with a corkboard on the wall. Outdoors, a pack of pale yellow rats with long brown tails scurries across a grey road toward a fenced plant with two cooling towers, while a man in a white T-shirt holds up a shirt printed "I Survived the Springfield Nuclear Scare." The three seated elders then laugh together, with Grampa leaning forward and the woman's eyes squeezed shut. > I'd like to solve the puzzle. Three loins in the fountain. Frame: https://ultrahouse3k.com/img/S03E05/597472.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/602894 ## 10:09–10:15 Marge Simpson sits on the couch holding baby Maggie, who has a pacifier and a blue bow, in a living room with a glowing TV, a sailboat picture and a lamp. On the TV screen, a grey-haired man in a blue suit, likely news anchor Kent Brockman, sits beside a small inset photo of Mr. Burns with a hooked nose and grey hair at the sides. Marge then stands holding Maggie, who sucks her pacifier, while Marge's eyes close into a smile. > Yes, we've isolated the problem. Wouldn't you know false alarm? > It seems a single wayward crow flew into our warning system. Frame: https://ultrahouse3k.com/img/S03E05/610193.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/612278 ## 10:15–10:25 An elderly, frail, stooped man with a hooked nose and white hair at the sides, who is not Mr. Burns here but an older white-haired man in a blue suit and black tie, appears on a blue television screen beside a small portrait of Mr. Burns with his blue hair and long pointed nose. Across the moments, the white-haired man's expression shifts from a stern, sideways glance to a closed-eyed, mouth-open speech, then a wide toothy grin with narrowed eyes, and finally a dour, half-lidded frown. Then the view shifts to Mr. Burns himself, bald with blue hair above his ears and a long nose, in a cream jacket and tie, eyes closed and mouth open in a laugh while he holds a blue telephone against his ear in front of a red cushioned chair. > Very good. Well, sir, your point about nuclear hysteria is well taken. > This reporter promises to be more trusting and less vigilant in the future. > Excellent. > Well, Ty, smithers, I can still sell him snake oil. Frame: https://ultrahouse3k.com/img/S03E05/616658.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/620411 ## 10:25–10:32 Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red armchair at a long table, first holding a phone to his ear and laughing, then clasping his hands with a scheming grin while Smithers, his thin assistant with glasses and a purple bow tie, stands nearby. Burns continues rubbing his hands together and then raises one index finger while Smithers holds a glass. The room has large windows showing nuclear cooling towers marked with atom symbols, and the table holds a telephone and a few utensils. > Now bring me a wine spritzer and don't be stingy with the vino. Frame: https://ultrahouse3k.com/img/S03E05/626459.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/629170 ## 10:32–10:40 Mr. Burns, seen only as a hand emerging from behind a tall red chair, gestures and points toward the right while Smithers, a thin assistant with glasses and a purple bow tie, stands by the window at the right edge and then disappears from view. A man in a blue suit lies slumped across a purple table in the foreground beside a fork and knife, while large power plant cooling towers with atom symbols stand outside the window under a blue sky with a small cloud. > Yes, sir. So, Smithez, it seems you've underestimated one Homer Simpson, Frame: https://ultrahouse3k.com/img/S03E05/633967.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/636469 ## 10:40–10:51 Mr. Burns, frail and stooped with a hooked nose, grins and clasps his hands in the foreground of a wood-paneled room while a thin man with grey hair and glasses, possibly Smithers, pours a drink from a blue bottle at a sideboard holding two more blue bottles. The scene shifts to a cafeteria where Milhouse, in a purple shirt, blue cap and red glasses, holds a lunch tray with a brown meat patty, green broccoli and mashed potatoes, while a yellow hand shakes a salt shaker over the meat. Bart and a blonde girl sit at a table behind him, and a tan carton of milk sits beside the tray. > our next employee of the month. > No house, a little salt? Sure. Frame: https://ultrahouse3k.com/img/S03E05/641266.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/645645 ## 10:51–11:02 Milhouse, with blue hair and red-framed glasses, sits at a counter eating a dessert topped with whipped cream while Bart, in an orange shirt and with spiky hair, leans on the counter beside him. Rain streaks the windows behind them, and a blue dispenser sits on the counter. Bart's expression shifts from smug to wide-eyed and then to an angry, open-mouthed scowl as he talks. > Now we're even for your party. > Come on, let's go play. Bart, my mom won't let me be your friend anymore. > That's why you couldn't come to the party. > What's she got against me? She says you're a bad influence. Frame: https://ultrahouse3k.com/img/S03E05/652318.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/656906 ## 11:02–11:12 Milhouse, the blue-haired boy with red glasses in a lavender shirt, and Bart, the spiky-haired boy in an orange shirt, are at a school cafeteria table with a lunch tray holding a plate of food and a milk carton. Bart leans over the table and grabs at the tray, then turns angrily toward Milhouse, who gestures with his hands and speaks while holding the tray. Bart stands up and shouts at Milhouse face to face, pointing at him, as a rainy window and the cafeteria background with a bulletin board and other kids are visible behind them. > Bad influence my butt! How many times have I told you, never listen to your mother? > But Bart, she threatened to cut off my allowance. > Whatever she's paying you, I'll double it. Frame: https://ultrahouse3k.com/img/S03E05/663580.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/667542 ## 11:12–11:25 Milhouse, with blue hair and red glasses, talks to a glum Bart, who rests his chin on his hands at a counter by a window in a school room. The scene shifts to a power plant control room, where Mr. Burns, stooped and thin with a hooked nose, walks beside his thin assistant Smithers past rows of gauge panels and pipes. They stop at a blue metal door, and Smithers gestures with an open hand while Burns scowls at it, with yellow radiation-symbol barrels nearby. > I'm really sorry, Bart. > Sir, about employee of a month. If you'll recall, > I'm the one who put a 5% ceiling on the Keough plan, which saved this company. > Smithers, you bean counter, give it up. Frame: https://ultrahouse3k.com/img/S03E05/673798.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/679220 ## 11:25–11:35 Homer sits at a brown cafeteria table in a white shirt, sipping from a cup while Carl, a Black man in a blue jacket and pink shirt, stands beside him and Lenny, who has spiky black hair and wears a green sweater with suspenders, sits at the right edge of the table. Homer sets the cup down, raises a finger as he speaks, then folds his arms across his chest while Carl and Lenny keep watching him, with a small bowl on the table and orange chairs and other diners in the background. > Simpson's my man. > Hey, way to save our lives. Yeah, we owe you one. > You know, boys, a nuclear reactor is a lot like a woman. Frame: https://ultrahouse3k.com/img/S03E05/686728.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/690899 ## 11:35–11:47 Homer Simpson sits in a break room beside a Cold Drinks machine and a wall clock, first with his arms crossed, then rubbing his hands together, then wiping his mouth with a napkin at a table with red chairs, and finally holding a white cup of coffee with both hands. The scene then shifts to a seated crowd in a dim hall of workers in white shirts and lab coats, some cheering and pumping their fists, with Ned Flanders, in a green sweater with a moustache and glasses, raising a fist in the front right, while a worker in an orange hard hat shouts in the front left. > You just have to read the manual and press the right button. > Simpson Monty Burns, come with me. > Homer! Homer! Frame: https://ultrahouse3k.com/img/S03E05/697155.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/701743 ## 11:47–11:57 Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands at a microphone on a stage under an "Employee of the Month" banner while a cheering, applauding audience fills the seats. Homer sits in a wooden chair beside him with Smithers, a thin man in glasses and a bow tie, standing behind him, and Burns waves a hand and gestures to the side. A woman in a red swimsuit with long orange hair then steps up to Homer, holding out a wooden plaque, and Homer, staring wide-eyed, ends up clutching a round ham while she grins. > Now, now, that will do. > Homer, for your bravery and skill, we award you this ham, > this plaque, this discount coupon book, and my own personal thumbs up. Frame: https://ultrahouse3k.com/img/S03E05/708625.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/712587 ## 11:57–12:07 Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at a microphone on a stage with blue curtains and a partly visible banner, while Smithers, his thin assistant with glasses, stands beside him and Homer sits in a chair next to a woman in a red outfit. Burns grins and gestures toward the audience, then clenches his fist in anger, and his expression shifts to a smirk as he gives a thumbs up. Audience members in the foreground, including a man in a white hat, watch from the front of the stage. > And to ensure your immortality, Frame: https://ultrahouse3k.com/img/S03E05/718843.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/722388 ## 12:07–12:19 Mr. Burns, the frail, stooped old man with a hooked nose, stands at a microphone in front of blue curtains and gestures with one hand while a wall of identical gray-blue portraits behind him is labeled with month plaques such as MAY and JUNE. Homer, in his white shirt, walks in holding a bald-headed portrait and a small object, then watches as a man with glasses and a purple bow tie, who matches Smithers, hangs a portrait of Homer on the wall. Burns then leans into the microphone with a sly grin while Smithers holds up a telephone, and Homer stares wide-eyed at them. > your heroic visage will be added to our wall of fame. > Oh, and what's this? A congratulatory phone call from Irvin Magic Johnson. Frame: https://ultrahouse3k.com/img/S03E05/728436.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/733441 ## 12:19–12:30 Homer Simpson, bald and wide-eyed in a white shirt, stands before a wall of framed portraits of a thin, bow-tied man with glasses, holding a Krusty-branded ham box and a blue phone receiver; he then grimaces and talks on the phone with his mouth open. Next, a muscular basketball player in a gold Lakers number 32 jersey, identifiable as Magic Johnson, holds a blue phone to his ear and grins while a crowd fills the arena behind him, with a cheerleader raising her arms and a slumped yellow figure on the court. The phone cord dangles as he keeps talking, with the Lakers banner and a CAM 7 sign visible along the courtside wall. > Magic Johnson! > Yellow. > Is this really Homer Simpson? > Yeah. > Wow. Homer, > I just used our last time out the car and congratulate you on averting that nuclear Frame: https://ultrahouse3k.com/img/S03E05/740740.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/745119 ## 12:30–12:40 Homer stands on a stage holding a blue telephone to his ear while Mr. Burns, in a dark suit, speaks into a microphone beside Smithers, who wears glasses and a purple bow tie, with an audience in the foreground. The view cuts to a reddish-haired man in a white shirt being grabbed by a large dark arm that holds a rolled-up item, with an "AIR ASSASSINS" sign behind him, and then to a Black man in a yellow-and-purple Lakers jersey with eyes closed, arms crossed and a coiled blue phone in his hands in front of a "LAKERS" sign. The scene returns to Homer on the phone as Burns and Smithers look on, with a "Krusty" sign and a "MAY" poster visible on the wall. > holocaust. Well, thank you. Magic, if you play on that ankle, > you'll be in incredible pain. I don't care. > Uh, Magic, what if people think a guy's a hero, but he was really just lucky? Frame: https://ultrahouse3k.com/img/S03E05/751793.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/755755 ## 12:40–12:51 A Black man in a yellow Lakers jersey talks on a blue corded telephone in a crowded stadium with a Lakers banner, first smiling, then looking wide-eyed and gesturing with his finger. Homer, the bald heavy man, then scowls while holding a blue phone in front of a framed February calendar page. Bart slouches on the arm of a brown couch, Lisa sits on the couch, and Maggie sits on a rug in front of a television as they watch. > Don't worry. Sooner or later, people like that are exposed as the frauds they are. > Thanks, Magic. Frame: https://ultrahouse3k.com/img/S03E05/762011.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/766182 ## 12:51–13:01 Itchy, a blue mouse, and Scratchy, a black cat, first appear on a title card for The Itchy & Scratchy Show, then the card reads "Itchy & Scratchy in 'My Dinner With Itchy'" while Scratchy chases Itchy with a knife and fork. The scene moves to a red booth at a restaurant table, where Scratchy in a yellow jacket and blue tie sits across from Itchy in a yellow jacket, who pours green liquid from a napkin-wrapped bottle into a glass, then raises a pale green drink while Scratchy lifts a pink-stemmed glass. Cheese and salad sit on plates, and a bottle chills in a wine bucket beside the table. Frame: https://ultrahouse3k.com/img/S03E05/772647.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/776609 ## 13:01–13:13 A black cartoon cat with huge round glasses and a bushy black mustache, grinning with fangs bared and puffing grey smoke, first fills the television screen, then eats from a bowl while a blue cartoon mouse in a yellow suit with a pink tie and rose sits beside a yellow bottle labeled ACID with a skull and crossbones and raises a green cocktail. The mouse then sits alone at a round white-clothed table in a red-upholstered booth, and finally a red tram with cartoon passengers reading newspapers rolls past a palm-lined backdrop. > He-he-he-he-he-he-he! > Ah-ha! > Ah! Frame: https://ultrahouse3k.com/img/S03E05/782657.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/787662 ## 13:13–13:24 Bart slumps glumly on a dark brown couch beside Lisa, who wears a pearl necklace and an orange skirt, while baby Maggie with a pacifier and blue bow is pictured in front of them at the start. Against a purple wall with a red lamp nearby, Lisa leans toward Bart and speaks as he stays sullen with half-closed eyes. Bart then turns his eyes sideways and his mouth falls open in alarm while Lisa keeps looking at him. > Bart, you're not laughing. > Too subtle? No, I'm just depressed. > No, else his mom won't let me play with him anymore. Frame: https://ultrahouse3k.com/img/S03E05/794752.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/799132 ## 13:24–13:33 Homer Simpson, bald with stubble and wearing a white shirt and blue trousers, and Marge Simpson, with her tall blue beehive, red bead necklace and green dress, are in a pink hallway with a brown arched door, a green doormat, a coat rack and a small red bench. Homer enters through the door clutching a large red ball-shaped object and a framed wooden certificate reading 'Spring Field' and 'For Heroic Competence', then turns and stands before Marge, who looks at him in surprise. Marge then leans over Homer's shoulder, reaching to flip a light switch on the wall beside a potted plant, while Homer holds the framed certificate and a large round ham in front of him. > Homer, did you go out and buy a 20-pound ham? > What's all this? > For heroic competence, Frame: https://ultrahouse3k.com/img/S03E05/805596.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/809142 ## 13:33–13:44 Lisa in a red skirt and beaded necklace and Maggie in a blue sleeper with a bow stand in a room, with Maggie's mouth open in a gasp, while large yellow hands hold up a wooden plaque reading "For Heroic Competence... Employee of the Month, Homer J. Simpson, C. Montgomery Burns, Owner." Marge, with her tall blue beehive, then holds the plaque in the living room as a sullen Homer in a white shirt stands beside her, frowning. Marge speaks and smiles at the plaque while Homer keeps his unimpressed expression. > for narrowly averting a meltdown and proving without question that nuclear power's > completely safe. > Employee of the Month! Oh, Homer! Frame: https://ultrahouse3k.com/img/S03E05/814772.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/819152 ## 13:44–13:57 Marge, with her tall blue beehive and green dress, stands beside Homer, who is bald with stubble and a white shirt, as she holds up a framed Employee of the Month plaque while he clutches a ham to his chest in a pink room with a lamp and a purple coat on a rack. The scene then cuts to a close-up of a dictionary page reading 'Fraud \noun\' with definitions 1. Impostor, 2. Fake, and 3. Homer Simpson, beside a small drawing of Homer's head. Back in the room, Lisa with her star-shaped hair and red skirt stands with her hands clasped and eyes wide, while Maggie in her blue bow and blue sleeper sits on the brown floor beside her, and the ham-holding Homer remains at the left edge; in the final moment Lisa opens her mouth in speech while Maggie's blue-clad body slumps toward the lower right. > A role model in my very own home. How convenient. Frame: https://ultrahouse3k.com/img/S03E05/825825.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/831039 ## 13:57–14:08 Homer, the bald heavy man in a white shirt, stands in a pink hallway holding a ham while glaring and pressing a hand to his chest, as Marge with her tall blue beehive holds up a framed certificate beside Lisa in her red dress and Maggie in blue. Later, the family sits around a dining table with a ham, and Homer slumps forward, gazing glumly at his plate of ham and peas beside a soda can and a glass of water. A vase of red flowers sits on a purple cabinet nearby. > Look, I get enough admiration and respect at work. > I don't need it here at home. > How are you enjoying your ham, homie? It tastes so bitter, it's like ashes in my mouth. Frame: https://ultrahouse3k.com/img/S03E05/838546.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/843134 ## 14:08–14:19 Marge sits at the dinner table in the first frame, holding a knife and fork over a plate of meat and peas beside a glass of water, while Lisa and Maggie eat at a nearby table with a baby bottle in front of them. Homer and Bart sit side by side at the table in the next frames, Homer glaring with a fork in his mouth and Bart looking down at his plate of meat and peas, then glancing sideways with a sour, sulking expression. A red soda can with a grinning face sits between their plates, and a fork and a small piece of meat lie on the table. Homer then turns his head toward the side, scowling and gritting his teeth, as a jar sits on the counter at the lower right. > Hmm, it's actually more of a honey glaze. > Maybe you ate a clove. > What's your problem, boy? I had a fight with Milhouse. > Dead four eyes with a big nose. You don't need friends like that. Frame: https://ultrahouse3k.com/img/S03E05/849599.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/854187 ## 14:19–14:30 Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, first stands holding a fork with a bit of food on it in the foreground, then lies on the floor of the living room with her chin in her hands. Homer Simpson, the bald heavy man in a white tank top and blue pants, sits on the blue sofa holding a mug and a 'SALT' box while looking down at her. Lisa stays on the floor looking up at him while Homer, in the later frames, turns toward her with his mouth open and a startled expression. The room has a lamp, a striped rug and a wooden cabinet with a TV set in the corner. > How zen. > Good. > What is it? What are you doing? Looking at you with quiet awe. > Well, as long as it's quiet. Frame: https://ultrahouse3k.com/img/S03E05/860860.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/865031 ## 14:30–14:41 Bart Simpson in his orange shirt sits reading on his bed in his bedroom, beside a lamp, a pillow and a framed photo of Homer. The scene shifts to Bart in a turban-style hat sawing a box while Milhouse, with blue hair and glasses, pokes out of it under a sign reading "The Great Bart-O and Milhouse." Next, Bart leans over a bed where Milhouse sits with glasses and a cap, then Bart shovels sand on a beach while Milhouse lies nearby. Finally, Bart reads a blue book by a window under a crescent moon. > Milhouse to Bart! Frame: https://ultrahouse3k.com/img/S03E05/871287.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/875875 ## 14:41–14:53 Bart, the spiky-haired boy in an orange shirt, holds a cream box-shaped toy phone with Krusty the Clown's face and green hair, first raising it to his face and then lowering it to look at it closely, beside an orange alarm clock on a blue table. The screen then fades to black, and the scene cuts to an aerial view of the Springfield Nuclear Power Plant, with its two white cooling towers, orange reactor domes, and a blue office building beside a river. > Please don't hate me. Frame: https://ultrahouse3k.com/img/S03E05/882548.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/887553 ## 14:53–15:05 Homer Simpson, in a white shirt, stands beside a dark blue car under a purple canopy marked 'mB' with a pink 'Employee of the Month' banner, and pulls open its purple door. He leans in, grimacing, then straightens up and walks off carrying a green satchel. In the last moment, Smithers, a thin man with glasses, a purple bow tie and a brown jacket, sits at the wheel of a yellow-green car while Homer stands behind it, with the blue car and the pink car nearby. > Ooh, right next to the boss. > Ah, he'll never know who did it. Frame: https://ultrahouse3k.com/img/S03E05/894644.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/899440 ## 15:05–15:17 Homer, bald and in a white shirt, is seen in a green car in a crowded parking lot near the nuclear plant's cooling towers, then stands in an office doorway watching Mr. Burns, a frail, stooped old man with a hooked nose, seated in a tall red chair behind a desk with a 'Mr. Burns' nameplate. A grey-haired man in dark sunglasses and a white double-breasted jacket grins, adjusts his jacket and gestures with one hand while Burns extends his arm toward him. > Ah, Simpson, there's someone I want you to meet. > Aristotle Lamedopolis, owner of the Shelbyville Nuclear Power Facility. Frame: https://ultrahouse3k.com/img/S03E05/906322.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/911119 ## 15:17–15:27 Homer, in a white shirt and blue trousers, is in a library lined with colorful books while a grey-haired man in a white jacket and dark sunglasses grips his arm and then talks and gestures with both hands. Behind them, the frail, stooped Mr. Burns in a dark blue suit and black tie stands watching, and in the later moments the man in the white jacket raises his hands beside his head as Homer looks on. > Huh? > What? > It seems Ari's been having terrible worker problems at Shelbyville. > They've lost their zest for work. You must help them find their ine haratu na duleve. Frame: https://ultrahouse3k.com/img/S03E05/918209.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/922380 ## 15:27–15:29 Homer Simpson, the bald, heavy man with stubble and a white shirt, stands in close-up in front of a dark wood-paneled wall with a round gold ornament beside his head. He starts with his mouth open and eyes wide, then his eyes shift sideways and narrow as he turns his head slightly to the left. He then looks up and to the side with his mouth open in a stunned expression, and finally his eyes widen again as his mouth hangs open in a surprised look. > Their ine haratu dule what? Yes. Frame: https://ultrahouse3k.com/img/S03E05/928845.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/928845 ## 15:29–15:37 Homer Simpson, in a white shirt and purple pants, stands at left facing Mr. Burns, a frail, stooped old man in a dark suit with a hooked nose and grey hair at the sides, while a man in a white double-breasted jacket, tan trousers and dark sunglasses with swept-back grey hair stands at right, in front of wooden bookshelves crowded with colorful books. Burns first extends his hand toward Homer, then lowers it and clenches both fists as he speaks sharply, while Homer looks wide-eyed and gestures with both hands near his chest. The man in the white jacket keeps a relaxed smile throughout, his hands resting at his lapels. > We want you to give them a pep talk that turns them from a bunch of donut-eating goof-offs > into a pack of Homer Simpsons. > But I really can't tell them anything. Don't cut the false modesty. Frame: https://ultrahouse3k.com/img/S03E05/930930.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/933433 ## 15:37–15:44 Homer Simpson, a bald, heavy man in a white shirt and purple pants, stands in a library lined with bookshelves beside Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, dressed in a dark suit. A man in dark sunglasses, a white double-breasted jacket and a blue shirt, with grey hair swept back, stands at the right with his hands near his chest and a faint smile. Burns gestures and points as Homer fidgets with his hands at his chest, and Burns then reaches toward Homer's collar while Homer looks uneasy and the man on the right keeps smiling. > It's getting tiresome. Besides, it's your duty. > Employee of the Month isn't all ham and plaques. Frame: https://ultrahouse3k.com/img/S03E05/938229.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/940940 ## 15:44–15:58 Mr. Burns, the frail, stooped old man with a hooked nose and bluish-grey hair at the sides, wears a dark suit in his library office, gesturing with one hand while two figures in white shirts stand with him on a red rug. Smithers, the thin assistant in glasses and a bow tie, opens a wooden door and looks alarmed, while a man in a white lab coat with dark sunglasses and lavender hair stands before Burns with his hands at his chest. Bookshelves line the walls, and a small brown-suited man stands by a door at the lower left. > Well, Smithers, how kind of you to pay us a visit. > Couldn't help it, sir. > The bargain here is terrible. > This man has no love for his power plant. > Be gone from my sight. Frame: https://ultrahouse3k.com/img/S03E05/945736.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/951367 ## 15:58–16:10 Bart, the spiky-haired boy in an orange shirt, and Lisa, a small girl with spiky hair in blue pajamas, kneel on a rug playing Monopoly while Marge, with a tall blue beehive, sits on the arm of a brown couch knitting beside a ball of yarn. A large yellow fist knocks on a brown door, then on a teal table beside a Parking card, and a fist later holds a stack of Community Chest cards against a pale blue background with a row of question marks. Bart then sits holding the stack and studying it with wide eyes, in front of a brown chair and a purple cabinet. > That one's always been a problem. > One, two, three. Community chest. > Nah. Nah. > Ah, I've won second prize in a beauty contest. Frame: https://ultrahouse3k.com/img/S03E05/959292.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/964505 ## 16:10–16:21 Bart, in an orange shirt, and Maggie, with a pacifier and blue bow, sit on a colorful rug playing Monopoly while Marge, with her tall blue beehive, stands behind the brown couch near a ball of yarn. Bart holds a card and looks toward Maggie, then Maggie, clutching a stack of money, raises her arm over the board as a small red house piece lies on the carpet. The board's MONOPOLY title, scattered bills and cards surround them, and Marge watches from the couch. > Collect ten bucks. > Ha-ha! > You're losing. > Bart, don't feed your sister hotels. Frame: https://ultrahouse3k.com/img/S03E05/972013.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/975975 ## 16:21–16:30 Bart, the boy with spiky hair in an orange shirt, kneels on a rug in the living room, first holding out an open box of game pieces toward Marge and then raising a fist in protest while a Monopoly board lies on the floor beside him. Marge, with her tall blue beehive, a green dress and a red bead necklace, stands by the brown couch holding Maggie, the baby in a blue outfit with a pacifier and blue bow, who is held close to her side. Bart's motions move from offering the box to a raised, clenched fist. Scattered play money and cards lie on the rug, a Monopoly box sits near the board, and a ball of yarn rests on the couch. > Don't worry, Mom. There's tons of these things. > I think that game is too old for her. > Why don't you go play with Milhouse? > I don't want to play with Milhouse. You mean you still haven't made up with him? Frame: https://ultrahouse3k.com/img/S03E05/982231.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/985568 ## 16:30–16:42 Bart in his orange shirt stands with his arms folded and a cookie in hand beside baby Maggie in her blue bow and dress, while Marge with her tall blue beehive watches with a scowl in the living room by a brown couch, with a Monopoly board on the rug. A close-up shows Marge's annoyed face and red bead necklace, then a woman with a blue bob, red glasses and an orange dress opens a purple door and greets a grinning Marge standing outside, with a sunny street and an orange-roofed house behind her. > It's his mom. > She says I'm a bad influence. > Come on, Maggie. Let's go through rocks at that hornet's nest. > Mrs. Van Houten, I'm Bart's mother. Frame: https://ultrahouse3k.com/img/S03E05/991199.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/996204 ## 16:42–16:51 Marge Simpson, with her tall blue beehive and red bead necklace, and a woman with a blue bob, red-framed glasses, and an orange dress with a white collar, are first seen at a doorway of a blue-walled home, where the woman greets Marge and Marge looks on. The two then sit together on a pink sofa beneath a sunset landscape painting, and the woman pours tea from a pink teapot into a cup on a coffee table. Marge ends up holding a cup and saucer while the woman sits beside her with her own cup, and the pot rests on the table between them. > We met in the emergency room when the boys drank paint. > I remember. > Please come in. > Marge, I'm sorry, but I think it would be better if Milhouse didn't see your son. Frame: https://ultrahouse3k.com/img/S03E05/1003294.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1007048 ## 16:51–17:03 Marge Simpson, with her tall blue beehive and red bead necklace, sits on a red couch holding a cup of coffee and talking with wide eyes and an open mouth, while Milhouse, with blue bowl-cut hair and orange-rimmed glasses in an orange shirt, sits beside her holding a pink cup and listening. In the room with blue walls, a lavender curtain and a framed picture, Marge's expression shifts from animated talking to a sideways glance and then a dreamy, unfocused look, and her hand rises to her chest as she keeps speaking. Her cup and saucer are visible in her hand in the lower part of the frames. > Well, look, I know Bart can be a handful, but I also know what he's like inside. > He's got a spark. > It's not a bad thing. > Of course, it makes him do bad things. Well, Marge, the other day, Frame: https://ultrahouse3k.com/img/S03E05/1013095.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1017892 ## 17:03–17:14 Marge, with her tall blue beehive and red bead necklace, stands on the left beside a red couch while a plump woman with a blue bob, orange-rimmed glasses and a brown dress holds a pink teacup and saucer. The woman raises the cup toward her mouth, sips, and lowers it again while talking to Marge, her mouth opening and closing as she speaks. The living room has a blue-grey wall and a lamp at the right edge. > Millhouse told me my meatloaf sucks. > He must have gotten that from your little boy, > because they certainly don't say that word on TV. Frame: https://ultrahouse3k.com/img/S03E05/1024982.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1028945 ## 17:14–17:17 Marge Simpson, with her tall blue beehive hair and red pearl necklace, appears in close-up against a lavender wall with a brown picture frame and pink surface at the edge of the image. She opens her mouth wide with wide eyes, then clamps her teeth together and narrows her eyes into a wary, sidelong glance, then returns to wide-eyed, mouth-open surprise and finally grimaces with clenched, gritted teeth. > Well, I can't defend everything he does. > But let's face it, all Bart and Millhouse have as each other. Frame: https://ultrahouse3k.com/img/S03E05/1035201.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1035618 ## 17:17–17:24 Marge, with her tall blue beehive and green dress, and a woman with a blue bob, glasses and a brown top sit side by side on a red couch, each holding a teacup and saucer. Marge extends her cup toward the other woman while her expression shifts from a sly squint to wide-eyed concern, and her mouth opens to speak as the other woman keeps talking and holding her cup lower. A large picture hangs on the blue wall behind them. > They're too young for girls, and they're a popular target for bullies. > and in the Christmas pageant, they're always sheep. Frame: https://ultrahouse3k.com/img/S03E05/1038120.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1040831 ## 17:24–17:32 Marge Simpson, with her tall blue beehive and orange bead necklace, sits on a red sofa beside a woman with a blue bob, orange-framed glasses, and a brown short-sleeved dress with a white collar, and both hold saucers with pink teacups. Under a framed sunset landscape on a blue wall, Marge looks at her companion, frowns and speaks, then the two lean toward each other with their cups brought close together. The woman smiles and looks down as Marge looks on, and the teacups stay raised between them. > Please, please let them be friends. Frame: https://ultrahouse3k.com/img/S03E05/1045836.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1048756 ## 17:32–17:40 Marge Simpson, with her tall blue beehive, peeks through a window at a blue-haired boy in a white shirt and red shorts playing on a seesaw in the backyard, and the seesaw tilts and bounces as he rides it. Inside the living room, Marge sits on a red couch holding a teacup and saucer beside a woman with a blue bob, round glasses and a brown blouse, who is also holding a teacup and talking. The scene ends with a close-up of Marge smiling faintly, wearing her orange bead necklace. > I'll think about it, Marge. > So next time somebody tells you carny folk are good, honest people, Frame: https://ultrahouse3k.com/img/S03E05/1053761.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1056681 ## 17:40–17:47 Barney, the heavy man with messy brown hair in a pink shirt, stands at the bar holding a foamy beer mug while he talks and gestures, with Lisa, the girl with star-shaped spiky hair and a pearl necklace, beside him and Homer, the bald man in a white shirt, slumped with his head resting in his hand. Over the seven seconds Barney lifts and tilts his mug, leans back, and turns his head toward Lisa, who glances up at him, while Homer stays hunched in place. Behind them, a 'Duff!' sign hangs on the wall of the bar, and a colorful framed picture and a jukebox-style sign are visible. > you can spit in their faces for me. I will, Mr. Frame: https://ultrahouse3k.com/img/S03E05/1061686.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1064188 ## 17:47–18:00 Lisa Simpson, in a close-up with her pearl necklace, holds a notepad and pencil and talks with her mouth open as she writes, while at Moe's bar Barney, the heavy drunk with messy brown hair, leans on the counter holding a foamy beer mug. Beside Lisa, Homer, bald and in a white shirt, rests his head on his hand, and a 'Duff!' sign hangs behind them. Lisa keeps writing as Barney's expression shifts from a frown to a grin. > Gumbel, but if you'll excuse me, I'm profiling my dad for the school paper. > I thought it would be neat to follow him around for a day to see what makes him tick. > Ah, that's sweet. I used to follow my dad to a lot of bars, too. > Here you go. One beer, one chocolate milk. Frame: https://ultrahouse3k.com/img/S03E05/1068776.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1074198 ## 18:00–18:09 Lisa Simpson, the girl with star-shaped spiky hair and a red dress with a pearl necklace, and Homer Simpson, the bald heavy man in a white shirt, sit together at a bar, with Lisa at left and Homer leaning on the counter with his hand against his head. Lisa holds a pencil and a notepad at first, then later sips chocolate milk through a straw while Homer slumps with his hand on his head. Moe, the grey-haired bartender in a blue vest and bow tie, stands behind the bar pouring a frothy beer into a mug, and in the final moment he looks down at Lisa while holding the mug. Bottles and glasses line the shelves behind the bar, and an arcade-style sign reading 'ff!' hangs in the upper left corner. > Uh, excuse me. I have the chocolate milk. > Oh. > What's the matter, Homer? Frame: https://ultrahouse3k.com/img/S03E05/1082123.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1085042 ## 18:09–18:20 Lisa, a girl with spiky yellow hair and a pearl necklace, sits at a bar counter beside Homer, a bald heavy man in a white shirt, while Moe, the grey-haired bartender in a blue bow tie, leans on the counter across from them. Lisa sips from a glass of soda through a straw, then talks with her mouth open and gestures with one hand as Homer rests his chin on his hand, his eyes shifting and widening, and Moe watches with a scowl. A frothy beer mug sits on the counter next to the glass, and a red and green diamond-patterned stained glass window glows behind them. > The depression effects of alcohol usually don't kick in till closing time. > He's just a little nervous. > He has to give a speech tomorrow on how to keep cool in a crisis. > What am I gonna do? What am I gonna do? Anyway, I had to give a speech once. Frame: https://ultrahouse3k.com/img/S03E05/1090256.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1094844 ## 18:20–18:32 Barney, the heavy drunk with messy brown hair and a pink shirt, leans on the bar holding a beer mug, while Moe, the grey-haired bartender, wipes a glass with a towel on the left and Homer and Lisa stand at the right edge of the bar. Barney grins, talks, and raises his mug, and his sly expression stays the same as he speaks. In the background are a cigarette vending machine, a pool table with a red-striped ball, and a Pepsi-logo cup, and the other figures remain still throughout the moment. > I was pretty nervous, so I used a little trick. > I pictured everyone in their underwear. The judge, the jury, > my lawyer, everybody. > Did it work? I'm a free man, ain't I? Frame: https://ultrahouse3k.com/img/S03E05/1101726.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1106522 ## 18:32–18:45 Bart, the spiky-haired boy in an orange shirt and blue shorts, is on a purple bed in his bedroom with a yellow pillow, a blue wastebasket, and a green alien-like toy on a nightstand. He first flops onto his belly with his arms spread and legs kicked up, then sits up and grabs a Krusty-style clown doll with blue hair, holding it against the pillow. He then pulls the doll to his face and raises it near his mouth, and in the final moment he stands upright with his arms stretched out to the sides, grinning. A red-framed picture and a yellow curtain are on the walls behind him. > Millhouse to burn! > Do you want to come over and play? > Really? We can be friends again? > Did your mom die? > Uh, I don't think so. > Who cares? Millhouse, I'll be right there! > Sorry, Maggie, game's over. Frame: https://ultrahouse3k.com/img/S03E05/1113613.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1119035 ## 18:45–18:58 Bart, the spiky-haired boy in an orange shirt and blue shorts, and Marge, with her tall blue beehive and red bead necklace, are in the family's bedroom with baby Maggie, who wears a pacifier and a blue bow and kneels by a chessboard holding a pacifier. Bart stands with his arms spread wide at first, then lowers them and speaks while Marge leans in and listens. In the first moment Marge is at the right edge of the room and in the later shots she moves toward the doorway, reaching to the door frame beside a framed rocket picture on the pink wall. Krusty's poster hangs above the bed, next to a lamp and a pillow, and the purple sofa and teal rug fill the lower room. The chessboard with scattered pieces sits on the floor between Bart and Maggie. > Hey, Mom! > I'm friends with Milhouse again! Well, I knew his mother would come to our senses. > Thanks for sticking up for me. Well, it makes you think I did it. > Who else would? Frame: https://ultrahouse3k.com/img/S03E05/1126542.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1131964 ## 18:58–19:10 Marge Simpson, with her tall blue beehive and green-and-red-beaded necklace, stands in a pink hallway beside a framed picture of a rocket, then hugs her son Bart, the spiky-haired boy in an orange shirt, with her eyes closed. Bart pulls away and kneels by a bed with an orange blanket, reaching toward a green slipper on the blue floor. He then stands in his room holding a long brown pump-action rifle across his body while looking uneasily to the side, with a cork board, a lamp and a dinosaur figure nearby. A box labeled DEAD EYE B.B. GUN shows a cowboy with an eyepatch peeking out of it, held by Bart's hands in the middle of the sequence. > You'll be good. > I will. Frame: https://ultrahouse3k.com/img/S03E05/1139263.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1144477 ## 19:10–19:22 A grey-haired man in dark sunglasses and a white lab coat speaks at a blue podium with an atom emblem, gesturing with his arms and pointing out at a crowd of wide-eyed workers in purple seats. The scene opens at the Shelbyville Nuclear Power Plant, with its sign reading "SHELBYVILLE NUCLEAR POWER PLANT" above barbed-wire fencing, a cooling tower, and purple smoke. The speaker's gestures grow more animated as the staring audience, including several bald and stubbled men, sits silently before him. > As I look out into this sea of smiling faces, > I am filled with a sense of loathing and revulsion. > You are not workers. You are a pack of mangy, cartoon, ugly goats. > Well, you're in for a treat. We have with us today a real man. Frame: https://ultrahouse3k.com/img/S03E05/1151776.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1156781 ## 19:22–19:32 A frail, very thin old man with a hooked nose and grey hair at the sides, wearing dark sunglasses and a white lab coat, stands at a blue lectern with an atom emblem in front of a red curtain and gestures expansively with a microphone in hand, then his arm sweeps toward Homer Simpson, who sits nervously on a wooden chair in a purple suit and pink tie, holding a sheet of paper. Hmm, the sequence runs as follows: the old man gleefully introduces himself at the lectern, then raises both hands, then reaches out toward the seated Homer, while an audience of neighbors and townsfolk claps enthusiastically in the purple seats. Finally Homer stands at the lectern clutching paper and a microphone, looking anxious, as the old man folds his arms beside him. > Behold the glory. > That is Homer Simpson. Frame: https://ultrahouse3k.com/img/S03E05/1163871.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1167833 ## 19:32–19:45 Homer, bald and in a dark suit, stands at a blue podium with an atom emblem on a red-curtained stage, holding a sheet of paper, while a thin grey-haired man in dark sunglasses and a white lab coat stands beside him with his arms crossed and audience members sit in the foreground. Homer grows increasingly wide-eyed and uneasy, then a pink thought bubble appears showing Barney, a heavy man with messy brown hair in an orange shirt, gesturing with his hand as he speaks and later looking uncertain. > Uh, ladies and gentlemen. Gentlemen. > Just picture them in their underwear. Frame: https://ultrahouse3k.com/img/S03E05/1173881.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1179095 ## 19:45–19:56 Homer, wearing only white boxer shorts, stands at a blue podium marked with an atom emblem and a microphone, looking worriedly at a sheet of paper before lifting his head to face the audience while gesturing with it. Beside him, a grey-haired man in a white lab coat and dark sunglasses stands with his arms crossed, and rows of seated spectators in purple chairs in a tiered hall watch in silence, with the crowd's faces showing dull, unimpressed expressions. > Um, Grace Under Pressure is no... > Three minutes to meltdown. Frame: https://ultrahouse3k.com/img/S03E05/1186185.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1190773 ## 19:56–20:06 Marge, with her tall blue beehive, stands beside Homer, a small baby, a curly-haired man and a red-haired woman beneath a ceiling vent and a glowing red warning light. They look up in alarm, and then the group shouts with open mouths while Marge throws up her hands and the woman covers her ears. Homer, in a suit and tie, turns to a grey-haired man in glasses in a red-walled room, and the light then goes dark and unlit. > Stayed by the bell. > Fifteen seconds to core meltdown. Just do what you did before. Frame: https://ultrahouse3k.com/img/S03E05/1197446.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1201617 ## 20:06–20:17 Homer, in a dark suit and pink tie, stands at a control panel beside a thin grey-haired man in a white lab coat and sunglasses, while a row of onlookers in suits and blue dresses watches from behind. Homer looks worried, then reaches in with his yellow hand and presses a sequence of lettered blocks marked B, C, D and A, with the lettered and numbered buttons of the panel lit around him. The panel shows lettered keys reading A, B, C, D, E and PF, plus rows of numbered round buttons. > All right. > Eeny, meeny, miny, moe, catch a tiger by the toe. Frame: https://ultrahouse3k.com/img/S03E05/1207873.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1212044 ## 20:17–20:27 Homer stands in the middle of a group that includes Milhouse with blue hair and glasses, Carl, a grey-haired man in dark sunglasses and a white jacket, and a purple-haired man in a blue jacket. They first gather at a table covered in colorful round discs, with Homer gesturing while the others lean in, then the group crowds into a hallway with a door behind them, all looking alarmed with mouths open. Between these moments, a ceiling light panel with a vent grille changes from yellow stripes to solid green. > Whippy hollard, let him go. Eeny, meeny, miny. > Crisis has been averted. > Everything is super. Frame: https://ultrahouse3k.com/img/S03E05/1218300.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1222471 ## 20:27–20:37 An elderly man in a white lab coat and dark sunglasses, with grey hair at the sides, grins and fidgets with a ring set with a red gem while Homer, bald and in a dark suit with a pink tie, stares at him in a control room lined with monitors. A red-haired woman in a purple dress stands behind them, and a man in a suit with glasses appears at the right edge. The old man glares and leans in with clenched, ringed fists, and Homer recoils, then stands uneasily holding a tan bag with a dark twisted item near his chin, while a blue-haired man in a green jacket and glasses watches from the left. > Thank you, Homer, for saving my plant with that idiotic rhyming. > Do you even know what button you push? Sure, Moe. > Oh, I don't go on. Eeny, meeny, miny, moe. Frame: https://ultrahouse3k.com/img/S03E05/1228936.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1232690 ## 20:37–20:46 Kent Brockman, the grey-haired news anchor in a blue suit and dark tie, sits in front of a blue backdrop bearing the 'My Two Cents with Kent Brockman' title card with two penny graphics, holding a sheet of paper in both hands. He keeps his eyes half-lidded while his mouth moves, then he closes his lips and gives a slight smile, then bares his teeth in a grin, and in the final moment his eyes widen and he grins with a startled, bulging-eyed expression. The title text and penny graphics stay fixed on the left side of the screen throughout. > Is Homer a hero? The answer is no. > I'm Kent Brockman, and that was my two cents. > Now back to Scott Christian with Laugh and a Half. Frame: https://ultrahouse3k.com/img/S03E05/1238529.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1241866 ## 20:46–20:56 A man with a black bowl-cut and a blue suit with a green tie stands at the left of a blue studio wall, and grey-haired news anchor Kent Brockman stands at the right in a navy suit and dark tie, holding a stack of papers. The wall behind them shows the "Laugh and a Half" logo with a comedy mask, and the words "with Kent Brockman" appear below the title. The bowl-cut man stays in place and his expression shifts from a sour, sideways glance to a toothy grin, then to narrowed, half-closed eyes and finally to a broad grin with his eyes shut, while the logo stays fixed beside him. > Thanks, Kent. > There was more dumb luck in the news today when our own police chief, Wiggum, > foiled a bank holdup without even trying. Frame: https://ultrahouse3k.com/img/S03E05/1247496.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1251459 ## 20:56–21:08 Chief Wiggum, the fat police chief in uniform, stands behind a counter stacked with coins beside a glass penny jar, while a hooded robber in dark clothes aims a pistol at a thin man in a suit at a teller window. The robber is then knocked onto the tiled floor, coins spilling around him, as a uniformed officer with a gun stands over him and a man behind the counter gestures. On-screen timestamps run from 15:07:32 to 15:07:41. > It seems the chief had gone to the bank to cash in his penny jar. > 48, 49, 50. > What the... > Good luck, Chief. > Just doing my job. Yes, it seems the Chief pulled a Homer Simpson of his own. Frame: https://ultrahouse3k.com/img/S03E05/1257506.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1262303 ## 21:08–21:18 Kent Brockman, the grey-haired news anchor in a blue suit, holds papers at a desk while a black-haired man in a blue suit and teal tie talks and smiles in front of a 'Laugh and a Half' logo. Later, Barney, the heavy man with messy brown hair in a pink shirt, sits at a bar balancing a drinking glass on his head with one hand, and then he peeks out from under a pink blanket at a blue carpet scattered with crumbs and a pretzel. > Whoa! > Huh? A pretzel? Frame: https://ultrahouse3k.com/img/S03E05/1269185.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1273355 ## 21:18–21:28 A brown-haired, thin cartoon man in a pink shirt with a tattoo on his chest, eyes closed and grinning with buck teeth, leans against a red wall with a gold railing in the first two shots, then his expression turns wide-eyed and open-mouthed. The scene shifts to an arena basketball court packed with blue-shaded stands, where a player in a yellow jersey with purple trim and the number 32 dribbles a basketball down the floor, then his feet slip out from under him on a puddle and he sprawls forward with arms outstretched. Notable objects include the orange basketball, a scoreboard hanging above the court, and a splash of liquid on the floor where he slips. > Wow, looks like I pulled a Homer. > The Lakers have the ball. Magic Johnson coming down the floor on a fast break. > Magic stops. His feet slip out from under him. Frame: https://ultrahouse3k.com/img/S03E05/1279820.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1283783 ## 21:28–21:42 Moe, the grey-haired bartender in a purple shirt with a whistle, stands in the foreground near an arena's courtside signs as an orange basketball flies past at the top left. A basketball hoop with a net is shown against a blue arena crowd, then a black-skinned player in a yellow-and-purple Lakers uniform sits grinning on the court while several yellow-skinned cheerleaders in matching uniforms, one with pink hair and one with red hair, crowd around him. Afterward, a black-and-white definition card reading 'Homer' with 'American bonehead' and 'Pull a Homer—to succeed despite idiocy' appears on screen, next to a small oval cartoon portrait of Homer Simpson labeled HOMER SIMPSON. > The ball flies out of his hand, hits the referee, and the head goes in the basket. > It's a three-point play. The Lakers win! > Looks like I pulled a homer. > Our dad. > Now he belongs to the H's. Frame: https://ultrahouse3k.com/img/S03E05/1289830.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1295669 ## 21:42–21:45 Homer, Marge, Bart, Lisa and Maggie sit close together on the brown couch in the pink living room, with Homer on the left holding a large red book that Lisa is reading aloud, while Bart stands at his side in an orange shirt and blue sneakers, and Marge holds baby Maggie with her pacifier and blue bow on the right. Across the scene the family stays grouped in place, with Lisa's eyes moving across the pages and Maggie sucking her pacifier, while Homer's head tilts and Marge's eyes shift and close slightly. The final frame shows a close view of the open red book, its pages filled with handwritten-style text, a small drawn car, a face sketch, and a small figure, with a yellow cup and a blue sleeve visible at the edges. Frame: https://ultrahouse3k.com/img/S03E05/1303594.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1303803 ## 21:45–21:54 No regular Simpsons characters appear; this is the opening credits sequence. A large red book labeled DICTIONARY sits on a table in a living room with a blue and green sofa edge visible, and the text Executive Producers James L. Brooks, Matt Groening and Sam Simon fades in over it. The screen then goes black and displays Starring Dan Castellaneta, followed by Julie Kavner and Nancy Cartwright in yellow lettering on black. Frame: https://ultrahouse3k.com/img/S03E05/1306514.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1310267 ## 21:54–22:04 No Simpsons characters appear; the scene is a black screen with yellow credit text in the show's font. First, 'YEARDLEY SMITH' is centered, then it is replaced by 'HANK AZARIA' and then by 'and HARRY SHEARER' beneath the word 'and'. Next, 'Also Starring MAGGIE ROSWELL, PAMELA HAYDEN, RUSSI TAYLOR' appears in three lines, followed by 'Special Guest Voice JON LOVITZ' as the final credit card. Frame: https://ultrahouse3k.com/img/S03E05/1316106.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1319860 ## 22:04–22:14 No characters appear; the scene is a plain black screen with yellow credit text in the Simpsons title font. The text reads first 'Special Guest Voice EARVIN JOHNSON JR.', then changes to 'Special Guest Voice CHICK HEARN', then 'Executive Consultant BRAD BIRD', then 'Executive Story Editor JEFF MARTIN', and finally 'Creative Consultant DAVID M. STERN', each credit replacing the last in the same centered position. Frame: https://ultrahouse3k.com/img/S03E05/1325699.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1329453 ## 22:14–22:23 No characters appear in this moment; it is a black closing credits sequence with no people on screen. Five successive plain black cards show yellow centered credits in a playful hand-lettered font: first 'Theme By DANNY ELFMAN', then 'Music By ALF CLAUSEN', then 'Casting By BONITA PIETILA', then 'Editors MARK McJIMSEY and DON BARROZO', and finally 'Animation Production Manager KEN TSUMURA' above 'Post Production Coordinators COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN'. Frame: https://ultrahouse3k.com/img/S03E05/1335501.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1339046 ## 22:23–22:33 No characters appear in this moment; it is a black closing credits sequence with yellow text on a black background. The frames show a list of sound and production credits (Production Coordinator Sarah Werner, Dialogue Sound Editors Bobby Mackston and Brian Roberts, Re-Recording Mixers, Skywalker Sound, Laser-Pacific, Dolby Surround), then assistant credits, then the 'Animation Produced By Klasky-Csupo Inc.' card naming Gabor Csupo as executive producer, followed by 'Animation Producer Sherry Gunther' and the overseas animation directors Mike Girard and J.C. Park with Animation Production Manager Maria Elena Rodriguez. The text simply changes from card to card in order, with no movement beyond the credits scrolling into view. Frame: https://ultrahouse3k.com/img/S03E05/1345094.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1348848 ## 22:33–22:43 No characters appear in this moment; it is a black closing credits roll for a Simpsons episode. Over a black background, the frames show yellow text first reading 'Korean Production Company ANIVISION', then credit lists for Assistant Director Susie Dietter, Storyboard Supervisor Steven Dean Moore, storyboard artists Peter Avanzino, Mark Kirkland and Raymie Muzquiz, Character Design Supervisor Dale Hendrickson, and Character Design credits including Matt Groening, followed by Character Layout Artists, Background Layout Artists, Animation Timing, Lip Sync, Main Title Design by David Silverman, Main Title Animation, and Color Design Supervisors and Color Design credits. The credits scroll upward in sequence, with the names replacing one another on the black screen. Frame: https://ultrahouse3k.com/img/S03E05/1354687.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1358440 ## 22:43–22:52 No characters appear in this sequence of black title cards with yellow text. It opens with a copyright notice reading "The persons in this film are fictitious... THE SIMPSONS EPISODE #8F04 COPYRIGHT 1991 TWENTIETH CENTURY FOX FILM CORPORATION," then shows credits in turn: "Executive in Charge of Animation Production RICHARD RAYNIS," "Executive in Charge of Production for Gracie Films MICHAEL P. SCHOENBRUN," "Creative Supervisor SAM SIMON," and "Executive Creative Consultant JAMES L. BROOKS," each text replacing the last against a plain black background. Frame: https://ultrahouse3k.com/img/S03E05/1364280.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1368033 ## 22:52–23:04 Silhouetted audience members, including a large figure with curly hair in the foreground, sit in a dark theater facing a blank screen. A projector beam lights the screen with the white words GRACIE FILMS, then the scene shifts to a golden 20th Television logo with its large numeral and the word TELEVISION set against a dusky sky and searchlight beams. The logo fades out to a black screen. Frame: https://ultrahouse3k.com/img/S03E05/1374081.jpg Page: https://ultrahouse3k.com/episode/s03e05-homer-defined/1378460