# Lisa's Pony

The Simpsons, season 3, episode 8 (S03E08), first aired November 7, 1991.
Written by Al Jean and Mike Reiss. Directed by Carlos Baeza. Production code 8F06.
Guest stars: Marcia Wallace as Mrs. Krabappel; Frank Welker as Princess.
Chalkboard gag: "Bart bucks are not legal tender". Couch gag: Lying Down Homer.

Homer stops at Moe's before picking up a saxophone reed for Lisa and arrives too late to spare her a humiliating talent show performance. To win her back, he takes out a loan and buys her a pony named Princess, over Marge's objections. The stabling costs force Homer to work nights at the Kwik-E-Mart for Apu, and as exhaustion takes its toll, Lisa gives the pony up.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Apu Nahasapeemapetilon, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Nelson Muntz, Jasper Beardsley, Martin Prince, Ralph Wiggum, Groundskeeper Willie, Santa's Little Helper, Jimbo Jones, Maude Flanders, Snowball II, Kearney Zzyzwicz, Sherri Mackleberry, Terri Mackleberry, Janey Powell, Adrian Belew, Dolph Starbeam, Long-haired girl, Gareth Prince, Chuck Berger, Lunchlady Dora, Black Weasel, Yellow Weasel, Bleeding Gums Murphy, Princess Kashmir, Coward, Springfield bears, J. Loren Pryor, Johnny Carson, Jer, Princess, Credit Union Employee, Millicent.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s03e08-lisas-pony
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the spiky-haired boy in an orange shirt and blue shorts, stands at a classroom chalkboard covered in rows of chalk writing reading "BART BUCKS ARE NOT LEGAL TENDER" after the opening starts from black and passes through a blue sky with puffy clouds where the golden title "THE SIMPSONS" appears. He leans in to write on the board, then grins with his eyes squeezed shut and skips sideways away from it, past a red trash can and a wall clock. The chalkboard, trash can, and clock are the notable objects in the classroom.

> The Simpsons

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/6048

## 0:12–0:25

Homer, in a yellow hazmat suit and helmet, holds up a glowing green rod with tongs beside a CAUTION sign while Mr. Burns and Smithers watch from behind a counter, then he reaches up toward a control panel as the green glow drifts across the ceiling. Lisa, with her star-shaped hair, reads a MOM Monthly magazine with a Frosted Krusty Flakes cover at a store checkout while Marge stands at the left edge, and the scene closes with Maggie in a shopping cart, sucking a pacifier and wearing a blue bow, beside Marge, who smiles with her eyes closed and a raised hand near her mouth.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/18560

## 0:25–0:38

Lisa, a spiky-haired girl, plays in a school band while a heavy older man in an orange sweater conducts from a music stand, and other kids blow brass and woodwind instruments around them. Lisa then hurries down an orange-walled hallway with a saxophone, past posters and a bust of a composer, toward double blue doors. Outside, a pink car sits in the driveway of a yellow house with an open garage holding a bicycle and boxes, and Homer, bald in a white shirt and blue trousers, stands beside the car with his hand to his chin next to a blue mailbox.

> よっ..!将来

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## 0:38–0:51

Homer enters the living room through a doorway with his arms outstretched and one foot lifted, then sprawls on the couch with his hands behind his head and eyes closed while a child with spiky hair spreads her arms at the lower left. Afterward, the boxy television in the room shows the title card 'Created by Matt Groening,' which changes to 'Developed by James L. Brooks, Matt Groening, Sam Simon' on a blue screen.

> 将来

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## 0:51–1:00

Homer Simpson, bald and recognizable by his yellow skin, sits among several dark brown apes gathered around a small pale pool in a barren red rock landscape. Early on, the title card THE DAWN OF MAN appears over a sunset sky with pink streaked clouds, and then the scene shows the apes crouched and sitting at the water's edge. Homer raises his hands and gestures while the other apes lean in, look toward him, and bend over the pool.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/55681

## 1:00–1:11

Homer, drawn as a brown-furred ape with his bald yellow head, sits beside another ape at a rocky watering hole, gesturing with his hands while the other ape flails its arms and then stands. Later, a group of apes stands on a rocky ledge at sunset as a tall dark blue monolith rises from the sand, and Homer's broad back briefly blocks the monolith before the apes crowd around it, one reaching up to touch it while others look upward.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/65899

## 1:11–1:22

A hairy, ape-like primate with a yellow face and dark fur, resembling Homer, appears first in a prehistoric red desert at sunset under pink and purple clouds, then grimly gnaws and handles a bloody pile of bones beside a large purple skull. He next crouches by a small glowing fire of sticks among scattered blue rocks, then strains to push a grey boulder against a purple rock outcrop, wide-eyed and tense. The scene closes on his startled face in close-up, mouth pursed, against a purple rock wall.

> Ooh.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/76952

## 1:22–1:27

Homer Simpson, wearing a dark brown furry costume, is in a purple rocky canyon with red ground, positioned to the right of a tall blue pillar that divides the scene. Homer raises a hand, bends forward, then ducks behind the pillar, crawling low toward the lower right while the pillar partly hides him. Above, a large dark figure sits on the left ledge, an orange-and-brown costumed figure in the top center flails or leaps with outstretched arms, and a dark figure hunches on the top right ledge against a bright yellow-orange sky.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/84668

## 1:27–1:37

Homer, the bald heavy man in a white shirt and purple tie, sits in a blue control room lined with twin screens and a fire extinguisher, first leaning back with eyes shut and laughing and then leaning forward wide-eyed toward the console. The scene opens on a yellow sky with pink clouds above a dark panel, then shows Homer reclining with a broad grin before he sits up at the controls. On-screen text reads "Co-Executive Producers AL JEAN & MIKE REISS."

> Yellow? Dad, I'm calling about the school talent show.

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## 1:37–1:48

Lisa, the girl with star-shaped spiky hair and a red dress (here in a white dress with pearls and a flower in her hair), stands on a wooden floor by a wall phone, speaking into the receiver and gesturing with her free arm while a thin, grey-suited man with curly brown hair leans at a cart of wine glasses beside her. Then Homer, the bald, heavy man in a white shirt, enters the foreground on the left and holds a blue phone to his ear, staring ahead with wide eyes in front of a November calendar pinned to a blue wall. A 'Miss Atomic Pile' pinup poster hangs above it, and a purple sign reading 'Talent Show 7:00' is taped on the calendar. Credit captions appear over the scene, first reading 'Supervising Producers Jay Kogen & Wallace Wolodarsky' and later 'Producer George Meyer'.

> Don't worry. I know it's tonight.
> No, Dad, I broke my last saxophone read, and I need you to get me a new one.
> Uh, isn't this the kind of thing your mother's better at?
> I called her. She's not home.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/102603

## 1:48–1:57

Lisa Simpson, the girl with spiky star-shaped yellow hair, a white flower clip and a white dress with a pearl necklace, stands on a wooden floor before a red curtain and holds a grey telephone to her ear with one arm stretched out to the side. Over the call she gestures with an open hand, shifting her weight and turning her head, while her expression changes from wide-eyed to a sour, half-lidded look. The on-screen credits read Produced By Richard Sakai and David Silverman, then Co-Producer Jon Vitti, then Co-Producer John Swartzwelder.

> I also tried Mr. Flanders, Aunt Patty, Aunt Selma, Dr.
> Hibbert, Reverend Lovejoy, and that nice man who caught the snake in our basement.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/112821

## 1:57–2:08

Homer Simpson, bald and in a white shirt, sits with a blue phone to his ear beside a wall calendar showing a Miss Atomic Pile poster and a November page with a 'Talent Show 7:00' note. He then holds a black reed marked '4 1/2 REED' and 'FIX THIS' while writing on it with a pencil. The scene ends on a stage with red curtains, where a man stands at an orange podium above rows of seated audience members seen from behind.

> Wow. And after them, out of all the people in the world, you chose me.
> Uh-huh.
> Yeah?
> Number four and a half read. Got it. Well, you're in for a whale of a show tonight.

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## 2:08–2:20

Principal Skinner, with neat grey hair and a suit, stands at a wooden podium with a microphone in front of a red curtain, holding a card and speaking. In the audience, Marge with her tall blue beehive and orange dress sits beside Maggie in her blue bow and pacifier, with Ned Flanders in his green sweater and a bald man in a pink shirt nearby. Skinner's expression shifts from speaking to glancing sideways with a grimace, then in the last view he faces the crowd of seated parents and children, including Milhouse in glasses and Lisa-like girls in the rows, while the audience looks on. A wooden stage edge and a crowded auditorium fill the scene.

> I'd like to point out that the doors are now locked,
> so you parents can't sneak out of the show after your own child is performed.
> Oh, and let me caution the people in the first five rows, you will get wet.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/134718

## 2:20–2:33

Homer, a bald heavy man in a white shirt, sits behind the steering wheel of a purple car outside King Toot's Music Store, then a close-up shows a digital wristwatch reading 6:55. He next stands outside the purple Moe's tavern, with its red sign and a bottle in the window, before appearing behind the bar counter beside a Cigarettes vending machine with a wide, toothy grin.

> Justin and Nick of... Mmm, beer.
> Hurry, Moe, hurry. I've only got five minutes till the music store closes.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/147230

## 2:33–2:45

Moe, the grey-haired bartender in a blue apron, pours a beer from a tap into a mug at the bar while Homer, the bald heavy man in a white shirt, leans on the counter and gestures with one finger, looking worried. A cigarette vending machine, a row of glasses and bottles, and a red-and-blue poster sit behind them. The scene then cuts to a blue ring hovering above a tumbling Homer in white, who is upside down and flipping through the air against a red curtain. Finally, Homer is shown in a jumble of falling blue-seated chairs stacked against the same red backdrop.

> Well, why don't you go there first? Hey, do I tell you how to do your job?
> Sorry, Homer.
> You know, if you tip the glass, there won't be so much foam on top.
> Sorry, Homer.

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## 2:45–2:55

Grampa, a wrinkled old man with white tufts of hair, sits with the crowd in purple auditorium seats while a bald man in a white shirt and tie and a red-haired woman look on. Behind a wooden desk beneath a lit EXIT sign, a man with dark green hair and sunglasses sits beside a woman with a tall lavender beehive as Sideshow Bob, with his huge mane of spiky red hair, leans forward, grinning and gesturing. Principal Skinner, with neat grey hair and a suit, stands at an orange podium on a red-curtained stage, reading a sheet of paper and then glancing up toward the audience.

> This is a whole lot of nothing.
> I'd rather be watching the boilers.
> Oh, I'll make sure you return those chairs to the cafeteria, Kim.
> I'm not kidding.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/170587

## 2:55–3:05

Homer Simpson, a bald man in a white shirt with a wristwatch, checks his watch in a tavern beside a cigarette machine, then joins Milhouse, a blue-haired man in glasses and a suit, at the bar where they hold beer mugs. Homer later steps out through a purple door with arms folded, and peers through a barred gate at a shop window full of items. He finally slumps face-down across the orange bar counter with his mouth open while Milhouse, holding a glass, watches.

> Ah!
> Finished with 15 seconds to spare.
> No, no, boom, boom! What's the matter, Betty?

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## 3:05–3:16

Homer Simpson, bald and wearing a white shirt, sits at a bar beside Milhouse, who has blue hair, glasses and a moustache and wears a grey suit with an orange tie. In the first moment Milhouse holds a glass of beer on the orange bar top while Homer slumps forward with his eyes closed. Homer then leans in heavily over the counter, his large yellow arm and head filling the foreground while Milhouse stares ahead holding the glass. Milhouse next stands at the bar holding a beer mug and talking, with a red-and-green diamond-patterned wall and a purple pool table behind him. In the final moment Homer rubs his forehead with one hand while Milhouse, still holding a mug, looks on, and a glowing Duff sign hangs above them.

> The moron next door closed early. I happen to be that moron.
> Oh, me and my trenchant mouth.

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## 3:16–3:21

Milhouse, with blue hair, glasses, a red bow tie and a blue suit, stands in a red spotlight against a dark red curtain, holding two spoons. He grins with one hand open at his side, then raises the spoons high above his head while clenching his other fist near his chest, and a hand-shaped shadow falls on the backdrop behind him. He finishes by bringing the spoons up near his chin, still grinning.

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## 3:21–3:33

Mrs. Krabappel, with her tall brown hairdo and green sweater, stands beside a dark-haired man in a blue suit and red tie beside a red curtain with a rope and dangling sack, and both glance sideways before the scene shifts to a stage. Milhouse, with blue hair and glasses in a blue outfit, runs across the wooden stage toward a wooden podium while a man in a suit at the right edge holds up a white card. The podium is then empty until Principal Skinner, with neat grey hair and a suit, steps behind it, closes his eyes and smiles at the microphone.

> Oh, terrible, just terrible.
> You know, they seem to get worse every year.
> Ha, ha, ha, wonderful! You know, I think this is the best patch we've ever had.
> I really do.
> And now, here's Bart Simpson, the boy of a thousand voices.

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## 3:33–3:43

Bart Simpson performs alone on a wooden stage under a red spotlight, watched from behind by a crowd of audience members with colorful hair. He appears from the empty stage, gestures with open arms, then hops and turns while clutching his orange tie. The scene ends on a close-up of a smirking man with side-parted brown hair, a purple shirt and a suit against a blue wall.

> I'd like to open with my impression of Principal Skinner.

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## 3:43–3:55

Bart Simpson stands alone on a wooden stage before red curtains, scratching his head, then leans forward with a hand propped under his chin, wearing a white shirt, blue shorts and a pink tie, with a sour sideways glance under a spotlight. Mrs. Krabappel, with her tall brown hairdo and green cardigan, stands beside a man in a blue suit and red tie near a blue door, both looking toward the stage. As the man's teeth clench, a rope and sandbag hang beside the red curtain.

> Oh, look at me.
> I'm Principal Skinner.
> That young man just became the boy of a thousand days detention.
> Hey, it's Lunch Lady Doris. I wonder what she's got for us today.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/229396

## 3:55–4:07

Bart, the spiky-haired boy in an orange shirt, stands on a red-curtained stage gesturing with one hand while audience members in the foreground watch: a heavy man in a black coat and sunglasses, Marge with her tall blue beehive, and a red-haired man with a moustache. Bart pinches his fingers together, then holds his nose with a pained, wrinkled expression. A paper score sheet on a table lists Kim 3, Martin 6, Milhouse 5, Bart 10, and Sherri & Terri, with a white cup nearby.

> Today's special is refried dog poop.
> Please, you've got to open that store.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/241700

## 4:07–4:14

Homer Simpson, bald in a white shirt with a wristwatch, leans in beside Milhouse, a blue-haired man with glasses, a thin moustache and a suit and red tie, at the bar counter of Moe's Tavern. Behind them a pool table and a purple couch sit under a glowing orange 'Duff!' sign. Homer grips Milhouse's shoulder and arm while Milhouse holds a mug of beer, and Homer's mouth hangs open in alarm as Milhouse then lifts the mug to his lips and drinks.

> Let me think about it.
> No.
> Okay, okay.

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## 4:14–4:21

Milhouse, with blue hair, glasses and a thin moustache in a blue suit, and Homer in a white shirt stand at a bar under a glowing Duff sign, with a purple pool table behind them. Milhouse sips from a beer mug while Homer leans in, then Homer pulls out a brown wallet and flips through it while gesturing with his other hand. Milhouse keeps holding his mug as Homer continues to show him the wallet's contents.

> But I want you to see a picture of the little girl you're disappointing.
> Well, I don't have one. Come on, Jer, open up.

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## 4:21–4:31

Moe, the grey-haired bartender, stands at the bar holding a towel and a glass while Homer, bald in a white shirt, stands beside a man in a grey suit with blue hair, round glasses and a thin moustache. The suited man holds a beer mug and raises his hand as he talks, then Homer leans in and points at him across the counter. Behind them a Duff sign hangs above a purple pool table, and a cigarette machine stands nearby.

> Be a pal. Remember when I pulled you and your wife out of that burning car?
> Okay, okay. But now we're even. So what does your daughter need?
> I'll have you know, I wrote it down.

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## 4:31–4:43

Homer Simpson, in a light blue shirt and blue pants, stands hunched at a wooden bar in a tavern, gesturing with his hands and glaring as he speaks, while Moe, the grey-haired bartender, watches from behind the counter. Milhouse, with blue hair and glasses, sits on a red-topped stool and holds a beer mug, and Homer later stands in a close-up with wide eyes and a pursed mouth beside a 'Duff!' sign and a 'POOL LEAGUE' poster. The bar has red ceiling tiles, a tilted pool-league picture on the wall, and a neon 'Duff!' sign above the shelves.

> Number... number four and a half...
> Stupid gum!
> Number four and a half reed! Woo-hoo!
> Mm-hmm.
> And what instrument does she play?
> I don't know.

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## 4:43–4:52

Marge, with her tall blue beehive, and Lisa, with spiky hair and a flower clip, sit in a theater audience watching the stage. A young girl with a blue bow and a dark ponytail on the wooden stage throws a small reed into the air, then the stage sits empty under red curtains and spotlights. Lisa glances toward Marge and then faces forward again while a small performer in red and blue stands in a spotlight at the back of the stage beside a green oval panel, and a brass instrument is visible at the lower right.

> Mom, where is he? If I don't get that reed, I'll sound terrible.
> Don't worry, honey. I'm sure your father's...

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## 4:52–5:00

Marge Simpson, with her tall blue beehive and pearl necklace, leans over a theater seat to speak with Lisa, who holds a saxophone, while baby Maggie watches with her pacifier nearby and other audience members sit behind them. Marge's expression tightens, and the scene cuts to a dark night where Marge stands in the foreground as Homer, bald and heavyset, kneels beside a lavender car to change a tire. Homer then dangles upside down from a tree while a brown bear approaches, and finally he lies strapped to a table between two green-headed aliens with glowing red eyes, as Marge looks on from the foreground.

> Maybe.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/296546

## 5:00–5:08

Marge, with her tall blue beehive and pearl necklace, stands in the foreground while Homer, bald and heavy in a white shirt, lies strapped to a table under a glowing blue machine tended by two green, red-eyed aliens with long limbs. Later, Homer sits alone at a bar table beside a small dish and a beer mug, lifting the full mug high, then resting his chin on his fist as the mug sits empty, while Marge watches with a flat expression. Finally, Marge stands in a row of purple seats with Lisa, who has spiky hair, and Maggie, sucking her pacifier and wearing a blue bow, while audience members look on from the rows behind them.

> That's a long shot.
> Bingo.
> Don't worry. He'll be here.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/304471

## 5:08–5:19

Homer, the bald heavy man in a white shirt, stands at a music shop counter facing a thin clerk with blue hair, glasses, a small moustache and a dark suit, who raises a finger while holding a saxophone. Homer looks puzzled, then grits his teeth and clenches his fist as he leans on the counter beside the clerk. The walls behind them hold guitars, a harp, trumpets, sheet music, and a sign reading "PERCUSSION CENTER".

> Clarinet? No. Oboe? No. Saxophone? No. Wait a minute.
> What was that last one again?
> Saxophone.
> Hmm.
> Lisa, stop playing that stupid!
> Saxophone! Yes, that's it! Alto or tenor?
> My ding-a-ling, my ding-a-ling,

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## 5:19–5:32

Milhouse, the blue-haired boy with glasses in a red suit, stands on a wooden stage before a red curtain under a spotlight, then scratches his neck while looking up. Principal Skinner, with neat grey hair and a blue suit and pink tie, comes in holding a white card, loops the long microphone cord around the two of them, and pulls Milhouse close while Milhouse grips the microphone. Skinner then stands alone at center stage, holding the microphone to his mouth in one hand and the card in the other while reading from it, with the cord trailing across the floorboards.

> I want you to play with my ding-a-ling. This act is over.
> Well, ladies and gentlemen, I'd like to put this filth behind us,
> and let's all enjoy Lisa Simpson's rendition of Stormy Leather.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/326159

## 5:32–5:40

Lisa Simpson, in a white dress with a pearl necklace and a flower clip in her hair, stands at the left edge of a stage holding a saxophone. A man in a grey suit and flat cap stands in a red spotlight holding a microphone and a card in front of a red curtain, then walks off to the right with the mic cable trailing behind him. The scene closes on a wide view of the dark auditorium, with the empty spotlit stage and rows of audience members in purple seats.

> Weather.

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## 5:40–5:50

Lisa Simpson, in a red-curtained theatre with a pearl necklace and a flower in her spiky hair, stands on a wooden stage and plays a large brass saxophone, first seen from behind and then in close profile with her eyes squeezed shut. Marge, with her tall blue beehive, sits among the audience of seated regulars and one-off townsfolk, several of whom wince, grimace, and clamp their hands over their ears as the playing continues. Brass instrument, red curtains, and rows of purple theatre seats fill the scene.

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Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/345762

## 5:50–6:04

Lisa, a girl with star-shaped spiky hair and a flower clip, plays a large brass instrument on a stage in front of a red curtain while Marge, with her tall blue beehive and orange dress, and baby Maggie with a pacifier and blue bow sit in the purple theater seats. Homer, bald with a white shirt and purple tie, stands by grey lockers, then in the foreground he raises one hand toward the stage as a crowd of seated audience members, including a man in sunglasses and a bearded man in blue overalls, watches Lisa perform.

> Sounds like that gopher I caught in me lawnmower.
> I hate to be that kid's father.

Frame: https://ultrahouse3k.com/img/S03E08/352018.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/357858

## 6:04–6:18

Homer Simpson, bald and wide-eyed, appears in a close-up at the start, then Lisa Simpson stands on a stage before red curtains, holding a saxophone and wearing a pearl necklace and a flower in her hair. A man in a dark suit and red tie, with dark swept-back hair, stands beside her, first grinning down at her, then raising a hand and looking uneasy as Lisa glances up at him and holds her saxophone.

> Uh-oh.
> That'll do. It's not my fault. It's the reed.
> Oh, yes, of course.
> It's the reed.
> Let's hear it for Lisa Simpson and her wacky sex.

Frame: https://ultrahouse3k.com/img/S03E08/365782.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/371413

## 6:18–6:26

Lisa Simpson, with her star-shaped spiky hair, white flower clip and purple beaded necklace, appears in a close-up against a wood-panelled wall, her eyes shifting sideways. Homer, in a white shirt and pink tie, stands above a row of seated audience members that includes a woman with purple hair and a purple hat, a scowling brown-haired figure, and an older bald man with a grey mustache. Homer claps and then opens his arms in a gesture, before lowering them and looking uneasy beneath a red EXIT sign by a pair of double doors.

> Yeah!
> Woo!
> Woo, yeah!

Frame: https://ultrahouse3k.com/img/S03E08/379337.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/382048

## 6:26–6:35

Lisa, with a white flower in her hair and a pearl necklace, looks sideways in a close-up, then the scene cuts to black before showing Phineas Q. Butterfat's 5600 Flavors Ice Cream Parlor, its pink sign showing a penny-farthing cyclist. A straw-hatted server in a green shirt and purple vest pushes an orange wheelbarrow heaped with a huge pink-and-brown sundae across the checkered floor toward a pink booth, where Homer glances over and Lisa stares at the treat.

> Hey, who ordered the Mount Bellyache? I ordered it for my little girl.

Frame: https://ultrahouse3k.com/img/S03E08/387053.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/390807

## 6:35–6:45

Homer Simpson, the bald, heavy man in a white shirt, and Lisa Simpson, the girl with star-shaped spiky hair, a red dress and a pearl necklace, sit across a table in a restaurant with a stained-glass window behind them. Homer looks at Lisa and then turns his attention to a huge dessert, a towering sundae with brown chocolate, pink and purple scoops, a banana and cherries on a green plate, which is set in front of him, while Lisa sits with a sullen, half-lidded expression. Homer then glances to the side with a smile, and later his mouth opens in a worried look while Lisa frowns with her mouth pursed. A small green folded card lies on the table near Lisa, and a spoon rests in the sundae.

> I'm done. Oh, that cost $88!
> I'm sorry, Dad. I don't feel much like eating.

Frame: https://ultrahouse3k.com/img/S03E08/396646.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/400609

## 6:45–6:58

Homer, the bald, heavy man in a white shirt, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, sit at a green booth table in a diner with stained-glass windows, facing a huge sundae topped with pink ice cream, a cherry, bananas and a chocolate scoop on a green dish. At first Homer stands at the side of the table while Lisa leans in toward the sundae with a half-lidded, sulky look and a spoon rests on a napkin nearby. Then Homer sits down beside her, grinning and gripping a spoon full of ice cream toward his mouth while Lisa sits with her legs dangling, and in the final moment Homer turns to face her with a sheepish expression, leaning back with a hand on his hip as she looks down.

> Look, I let you down and I apologize.
> I know that doesn't make it right, but I hope you can find it in your heart to forgive me.
> I forgive you. You didn't mean that! No, I didn't.

Frame: https://ultrahouse3k.com/img/S03E08/406865.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/412287

## 6:58–7:05

Homer, a bald yellow man with his eyes shut, is shown in close-up against a blue wall beside a framed picture, while a yellow hand pushes a Beta videocassette labeled "BABY LISA" into a VCR until only the label shows. On the TV screen, a diapered baby Lisa with spiky hair reaches out and lurches past a pink bookshelf and tall speakers, and the picture then breaks into colorful static bands. The scene is set in a living room with a turntable on the shelf, a green carpet, and pink walls.

> Look, Homer.

Frame: https://ultrahouse3k.com/img/S03E08/419586.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/422088

## 7:05–7:17

Baby Lisa, in a white diaper and pearl necklace, is a toddler taking wobbly steps across a green carpet in a living room, arms outstretched, while Homer, bald with stubble and a white shirt, sits in a brown armchair on the left. In the first moments she walks past a pink bookshelf and stereo speakers with a record player on top, then crosses toward the center of the room in front of a potted plant and a television showing a family scene. She reaches the rug and keeps moving, and Homer turns in his chair toward her. In the last moment Homer leans forward and grabs her arms as she stands by the plant, while the TV glows with a striped rug and yellow curtains framing the window behind them.

> Lisa's taking her first steps.
> You taping it? Yes. I'll watch it later.
> The plant, the plant. No, my freakish little friend.
> That's a seagull.

Frame: https://ultrahouse3k.com/img/S03E08/426676.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/431890

## 7:17–7:27

Homer, the bald heavy man in a white shirt, first appears in a tight close-up, wide-eyed and staring at a framed picture on the wall. Lisa, the girl with star-shaped spiky hair, then sits in her orange high chair in a kitchen, raising her arms in front of a bowl of food and then lowering one hand while her mouth moves. Later, a wall phone with a coiled cord and a hanging calendar appear, and Homer grips Bart, the spiky-haired boy in an orange shirt, by the shoulders and head in front of a yellow door while Bart looks up nervously.

> Hmm.
> Da-da?
> Da-da? Did you hear that, Homer?
> March, please, I'm busy.

Frame: https://ultrahouse3k.com/img/S03E08/438980.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/442734

## 7:27–7:37

Homer Simpson, the bald heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and green dress with a red necklace, sit together on a blue couch in the living room. In front of a pink framed picture of a sailboat, Homer first stares forward with his mouth open and tears on his cheeks, then closes his eyes and sobs, wiping his face with his hands. He then sits holding his belly while Marge turns toward him, gesturing with one open hand and speaking, and she later leans in close to him with her hand on his stomach as he keeps his eyes shut. A dark blue lamp with a pleated shade stands at the right of the room.

> No wonder she hates me.
> Oh, I never even noticed she was alive. Homer, if you want to make up with Lisa,
> just spend some time with her. Bye-bye.

Frame: https://ultrahouse3k.com/img/S03E08/448365.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/452535

## 7:37–7:49

Homer, Lisa, Bart and Milhouse, who has blue hair and glasses, are in a small pink room with a window and a low orange table set with a green teapot and red teacups. Homer sits on a tiny chair, first covering his face with his hands, then raising a red teacup to his face, while Lisa sits beside him in her red dress. Bart and Milhouse stand near the table and gesture as they talk, and the scene then fades into a pale blue wash.

Frame: https://ultrahouse3k.com/img/S03E08/458792.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/463588

## 7:49–7:59

Lisa, with star-shaped spiky hair and a red dress, appears wide-eyed against a tiled wall beside a blue pipe, and then Homer, bald and wearing a white shirt and purple pants, stands in a backyard in front of a wooden fence. He gestures with his hands in several poses, then grips a wooden seat hanging from two ropes and looks at it warily, with red diagonal bars crossing the foreground and green trees behind the fence.

Frame: https://ultrahouse3k.com/img/S03E08/470470.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/474224

## 7:59–8:09

Homer, the bald heavy man in a light blue shirt, and Marge, with her tall blue beehive and purple top, sit up in a purple bed in a brown-walled bedroom. Homer turns and talks with an open mouth and wide eyes while holding a blue pillow, and Marge sits beside him with her hands folded on the blanket. The scene then moves to a close view of Marge beside a tan lampshade, as her eyes dart sideways and she grimaces with clenched teeth, then settles into a flat, sidelong, uneasy stare. Framed pictures hang on the wall, including one of Bart and Lisa and one of a child in a red-and-blue bed.

> Maybe I should just cut my losses, give up on Lisa, and make a fresh start with Maggie.
> Homie, you've got to stop looking for the quick fix.
> If you keep spending time with Lisa, she'll forgive you.

Frame: https://ultrahouse3k.com/img/S03E08/480271.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/484442

## 8:09–8:21

Homer Simpson, in a light blue shirt, and Marge Simpson, with her tall blue beehive and lavender top, sit side by side in bed against a purple headboard, with a framed portrait of Maggie and Marge on the orange wall behind them. Homer first sits wide-eyed and open-mouthed, then turns to Marge and gestures with his hand, and in the last moment he rests his fingers against his chin with a sheepish, pained look while Marge watches him with raised eyebrows. A blue pacifier-like object is visible near the top of the frame and a purple pillow sits at the left edge.

> Marge, if I spend any more time doing these girl things, I'm gonna, you know, go fruity.
> No, you were right the first time with that quick fix idea.
> Let's see.
> Quick fix, quick fix.
> Ah, I'll buy her that pony she's always bugging me for.

Frame: https://ultrahouse3k.com/img/S03E08/490699.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/495495

## 8:21–8:30

Homer, the bald, heavy man in a blue shirt, and Marge, with her tall blue beehive and purple collar, stand in their living room in front of framed pictures of Maggie with her pacifier and blue bow. Homer first stares wide-eyed toward the wall, then grimaces with clenched teeth and half-closed eyes, and Marge turns toward him, looking uneasy and then skeptical with her mouth open. In the last moment Homer's eyes bulge as his mouth opens slightly, while Marge narrows her eyes and speaks, with a lamp glowing at the lower right and a framed portrait of Bart visible behind Homer.

> We can't afford to buy a pony. Marge, with today's gasoline prices,
> we can't afford not to buy a pony. That's ridiculous.

Frame: https://ultrahouse3k.com/img/S03E08/502168.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/505922

## 8:30–8:44

Homer, the bald heavy man in a light blue shirt, and Marge, with her tall blue beehive and purple sweater, sit side by side in bed under blue covers in a bedroom with a purple headboard and framed pictures on the orange wall. Homer gestures with open hands and then pinches the air near Marge's face while she sits with her arms folded and a stern expression, and in the later moments Marge turns toward him with a wide-eyed, startled look as she raises her hands. The scene shows Homer pleading and Marge reacting, with the framed picture above them and the purple pillows as notable details.

> Marge, I've got to get her a pony. When I look in Lisa's eyes, I don't see love anymore.
> That's no reason to buy a pony. See, even when you yell at me,
> I can see love in your eyes. Stick to the subject.
> Ha-ha, you love me.
> Let's be realistic.

Frame: https://ultrahouse3k.com/img/S03E08/511970.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/517809

## 8:44–8:49

Marge Simpson, with her tall blue beehive and purple collar, stands in front of a lamp and a framed picture on a reddish wall. She first gapes with wide eyes and an open mouth, then grimaces with clenched teeth, slumps into a glum, eyes-half-closed expression, and finally gasps again with her mouth wide open. Only her head and shoulders are visible as she reacts in place, with a glimpse of a framed picture of the family at upper left and a pleated orange lampshade at right.

> A pony is very expensive, and we have enough trouble paying bills as it is.

Frame: https://ultrahouse3k.com/img/S03E08/525734.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/526985

## 8:49–9:00

Homer Simpson lies in bed under a blue blanket with his eyes closed and a pillow beneath his head, while Marge Simpson, with her tall blue beehive, stands beside the bed in a purple robe, leaning over him. Over the moment Homer's eyes snap open wide and he looks sideways, and Marge looks down toward him with a worried, wide-eyed expression, her mouth opening to speak. Framed pictures hang on the orange wall behind them, and a lamp with a pleated shade sits on the nightstand.

> Yeah, yeah, yeah. You sound like you're going to buy a pony.
> Promise me you won't.
> What was that? Was that a yes or a no?
> Those aren't even words.
> No.

Frame: https://ultrahouse3k.com/img/S03E08/530321.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/534701

## 9:00–9:10

Homer, the bald, heavy man in a white shirt and blue pants, stands at the counter of the pet shop All Creatures Great and Cheap, facing a grey-haired shopkeeper with a moustache who wears a green shirt and blue pants and leans on the counter beside a sign reading "YOU PET IT YOU BOUGHT IT." The shopkeeper, who turns his head toward Homer, is stationed near a "RUBBER BONES 99¢" sign and a box of bones, while glass tanks of puppies, kittens, and rabbits and birdcages line the orange shelves behind them. The scene opens on a black screen with two pale round shapes, then cuts to the shop, where Homer walks up to the counter.

> Oh, my, what is that smell?
> Oh, it's you. Excuse me, do you sell ponies?

Frame: https://ultrahouse3k.com/img/S03E08/541166.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/545336

## 9:10–9:19

Homer, the bald, heavy man with stubble in a white shirt, stands in a pet shop and talks with a balding, grey-moustached shopkeeper in a green shirt, who grins beside a green parakeet perched on a cage. Homer then turns to a window display where a brown dog with a red nose sits beside a sign reading SCOTTISH DEER HOUND 259, and he stares at it with wide eyes, his mouth opening in alarm. He grits his teeth and squints as the scene closes. Shelves behind them hold TICKED OFF! and FLEA BATH products, a PET SUPPLIES sign hangs overhead, and a SALE ALL PET TOYS arrow points on the left.

> Uh, sure, pal.
> Right here.
> Scottish Deer Hound. Hey, this is a dog!

Frame: https://ultrahouse3k.com/img/S03E08/551801.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/555138

## 9:19–9:31

An older bald man with a grey moustache and grey hair at the sides, wearing a green shirt, stands close to a glass tank in a pet shop, scowling, narrowing his eyes, and opening his mouth to speak before pursing his lips in a frown. He then walks past shelves of pet supplies, holding a small item, while a sign reading "RUBBER BONES 99¢" and an orange-red dog in a window are visible. The scene then cuts to a wide view of a dirt driveway leading through an archway whose oval sign reads "THE GRATEFUL GELDING STABLES," with a long red-roofed barn and trees behind it.

> My friend, you're smarter than I gave you credit for.
> I suggest you try the Pony Farm on Route 401.
> Merely take a lift at the rendering plant.

Frame: https://ultrahouse3k.com/img/S03E08/560560.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/565356

## 9:31–9:44

Homer Simpson, bald and heavy in a white shirt, stands on a paved path with a lavender-haired saleswoman in a dark grey jacket and black vest, who holds a riding crop and a lead rope. Homer gestures with his hands and talks animatedly, then turns his attention toward a brown pony grazing at a white fence in a park with trees behind. The saleswoman smiles and speaks while Homer looks over at the pony, his mouth open in surprise. No on-screen text is visible.

> Now, lady, I'm buying a pony for my little girl, and I don't care what it costs.
> Very good.
> That stunning creature over there is half a million dollars.
> Half a million dollars?

Frame: https://ultrahouse3k.com/img/S03E08/572447.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/578078

## 9:44–9:57

Homer, bald and heavy in a white shirt and blue pants, stands with his back to the viewer at a white railing while a lavender-haired woman in a black jacket and orange pants gestures at her chest and talks to him under a cloudy sky. A brown horse with white leg markings and a white blaze stands in a fenced dirt paddock beside wooded hills before the scene cuts to the woman's face, which shows a sideways glance, a grimace, and then her mouth open mid-speech. Trees, a fence, and a small purple-pink flower-like ornament on a post are visible in the background.

> He was sired by Seattle Slough and his mother won the Kentucky Derby.
> Wow. His likeness graces a stamp in Tanzania.
> I'll take it. Mr.
> Simpson, do you have half a million dollars?

Frame: https://ultrahouse3k.com/img/S03E08/586002.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/591007

## 9:57–10:04

Homer Simpson, in his white shirt and blue pants, stands on an outdoor track with a fence and trees behind him, talking with a woman who has lavender hair piled high and wears a dark jacket with a white high collar. A brown horse stands near them as Homer holds a checkbook and pen and writes a check, and the woman in the closeups smirks, then grimaces and holds up a pale green check, with the background of trees and lampposts remaining visible.

> Uh, sure.
> Let me write you a check.
> Uh, uh... Hmm.
> Mr. Simpson, This check is dated January 1st, 2054.

Frame: https://ultrahouse3k.com/img/S03E08/598098.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/601017

## 10:04–10:15

Homer Simpson, bald and heavy in a white shirt and blue pants, stands at a racetrack fence with trees behind him, facing one of Marge's twin sisters, Patty or Selma, who has grey-violet hair piled high and wears a dark jacket with a riding crop in hand. She holds up a small green check toward him, then reaches out to tap it against his shirt, and afterward she folds her arms with the crop tucked under one elbow while she scowls and smirks at him. Homer looks back at her with a wary, unimpressed expression, and a small name tag is pinned to his shirt.

> Is there a problem with that? Our ponies start at $5,000.
> Cash.

Frame: https://ultrahouse3k.com/img/S03E08/606022.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/610401

## 10:15–10:26

Homer, in a white shirt and blue pants, stands on grass beside a white rail fence, gesturing with open hands and speaking, while a yellow-skinned woman with lavender hair piled in a tall bun, wearing a grey top and black belt, holds a brown leash at the fence on a dirt path. She turns her head toward him and grins, and the scene then cuts to a close-up of a pink door with a glass panel reading "EMPLOYEE CREDIT UNION" and a paper sign beneath reading "ASK ABOUT OUR PAYCHECK DOCKING PLAN".

> Isn't there like a pound where you can pick up cheap ponies that ran away from home?
> I sincerely hope not.
> I'd like to borrow $5,000.

Frame: https://ultrahouse3k.com/img/S03E08/617075.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/621246

## 10:26–10:38

Homer Simpson stands at a bank teller window, speaking to a purple-haired woman with pink glasses and a blue blouse behind the counter, where a form pad and pen rest. Homer then steps away from the window to the side, and later returns to face Mr. Burns, who leans on the counter with his arms crossed, and Smithers, who wears a pink bow tie and an ID badge. A pad of forms and a small bell sit on the counter, and a pen on a stand lies on the side ledge.

> Sorry, I can't approve a loan that size myself.
> Hello.
> Simpson, eh?
> How can I help you? Mr. Burns, you do this personally?

Frame: https://ultrahouse3k.com/img/S03E08/627919.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/632298

## 10:38–10:48

Homer, bald with stubble and a white shirt, grins nervously beside a door with an Employee Credit Union sign. The scene then moves to a window counter where frail, stooped Mr. Burns in a blue suit sits at a desk with his thin assistant Smithers, who wears glasses, a brown jacket, and a purple bow tie. Burns opens his hands and gestures, then clasps his fingers and grins slyly, and finally leans in with a sneering glare while Smithers looks on, with a handwritten paper and a pen stand on the desk.

> Oh, it's a hobby. I'm not in this for any personal gain.
> Heavens no.
> By the way, are you acquainted with our state's stringent usury laws?
> Usury?

Frame: https://ultrahouse3k.com/img/S03E08/639180.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/643143

## 10:48–10:59

Mr. Burns, the frail, hook-nosed old man with grey hair at the sides and a blue suit, and his thin assistant Smithers, in glasses, a brown jacket and a purple bow tie, sit at a table by a window showing hills and a power plant. Burns grins broadly, then narrows his eyes into a scowl, while Smithers looks on with a faint smile and a document lies on the table before them. Between these shots, Homer in a white shirt stands beside a door with a partly visible 'Employee Credit Union' sign, his mouth open as he speaks.

> Oh, silly me.
> I must have just made up a word that doesn't exist.
> Now, what is the purpose of this loan? I want to buy a pony.
> Isn't that cute?
> Smithers, he's planning on joining the horse he set.

Frame: https://ultrahouse3k.com/img/S03E08/649399.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/653987

## 10:59–11:07

Mr. Burns, a frail, thin, stooped old man with a hooked nose and blue-grey hair at the sides in a blue suit and black tie, first sits smirking with narrowed eyes in front of a landscape painting, then lowers his eyelids in a sly grin. Homer Simpson, in a white shirt, sits before a pale purple door with a reversed Employee Credit Union sign, raising both hands and widening his eyes as his mouth drops open in alarm. The scene ends with Smithers, a thin assistant with glasses and a magenta bow tie, scowling sideways beside the glass-paned wall.

> That is it, isn't it?
> You're not planning to eat it. No,
> I need to get it for my little girl because she doesn't love me anymore.
> Shut up, Simpson.
> Sorry, do you have any collateral? Oh, Smithers, let's not be so cold.

Frame: https://ultrahouse3k.com/img/S03E08/660660.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/663580

## 11:07–11:18

Smithers, the thin assistant in a brown jacket and magenta bow tie, stands beside Mr. Burns, the frail, hook-nosed old man in a blue suit and black tie, as Burns leans in with his hands clasped. Burns then rests one hand on a document on a lavender desk while Smithers watches. Homer, bald in a white shirt, sits at the desk and reads the form, then picks up a pen to sign it.

> His spirit is my collateral.
> To sign this form, the money will be yours.

Frame: https://ultrahouse3k.com/img/S03E08/668793.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/673173

## 11:18–11:28

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, who wears glasses, a purple bow tie and a brown jacket with an ID badge, stand together in front of a framed landscape painting in a wood-panelled room. Burns, in a blue suit and black tie, starts with his hands raised palms-out, then lowers his arms and gestures with his mouth open while Smithers stands stiffly beside him with a flat, uneasy expression. In the last moments Burns raises one hand to the side of his face in a sly, scheming pose while Smithers glances sideways at him, and a row of colored books sits on a low shelf at the bottom edge.

> Sorry, I was just thinking of something funny Smithers did today.
> I didn't do anything funny, sir.
> Shut up.

Frame: https://ultrahouse3k.com/img/S03E08/679846.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/683808

## 11:28–11:37

Homer Simpson signs a Springfield loan contract for $5,000 at a desk, then a lavender-haired woman in a dark jacket and white collar holds papers beside a pink car on a grassy lot. Homer shoves a long-maned brown pony toward the car, pressing against its rear while a startled face peers from the rear window. A blue balloon floats above the fence in the background.

> Mr.
> Simpson, are you quite sure you know how to take care of a pony?
> Of course.

Frame: https://ultrahouse3k.com/img/S03E08/689856.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/693401

## 11:37–11:46

Homer Simpson, the bald yellow man in a white shirt, sits at the wheel of a car with a scowling expression and his mouth open, while a brown horse in the back seat chews on a piece of food and then glances sideways with wide eyes. The scene then cuts to the Simpson house at dusk under an orange sky, with a blue roof, pink front door, and red garage door, before dissolving into a closer, semi-transparent view of the roof, chimney, and upstairs window.

> Simpson, you've done it again.

Frame: https://ultrahouse3k.com/img/S03E08/699032.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/702160

## 11:46–11:54

Lisa, the girl with star-shaped spiky hair, lies in her bedroom beneath a lamp, alarm clock, and a FEST poster on the wall. She stirs under the blanket, lies wide-eyed on the pillow, then pulls the covers up to her chin and peeks out with one eye. She then sits up in a blue nightshirt with her mouth wide open, beside a brown horse with a shaggy mane and a bulging white eye.

Frame: https://ultrahouse3k.com/img/S03E08/707373.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/710501

## 11:54–12:05

Lisa, the girl with star-shaped spiky hair, is first seen in bed hugging a brown horse, then gets licked on the face by it and later rides the horse through a room with blue panelled walls, while Marge with her tall blue beehive and Homer, bald and in a light shirt, watch from the foreground. The scene opens on the exterior of the Simpsons' two-storey house with a pink front door, a red garage door and a mailbox, with the sky tinted orange. Lisa grins and grips the horse's reins as it trots, and the image dissolves between the ride and the bed scenes.

> I love you, Dad!

Frame: https://ultrahouse3k.com/img/S03E08/715715.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/720094

## 12:05–12:19

Homer and Marge Simpson stand in a doorway in the first frames, Homer smiling and Marge looking stern with her tall blue beehive, and later Marge lifts her hands to her face in surprise while Homer looks on. Bart sits at the table in an orange shirt, eating from a red bowl, with a brown horse with a bridle standing beside him. Lisa, in a red dress, holds a blue pitcher on the right while Maggie, in her blue bow, is seen on the far left. A framed family portrait hangs on the pink wall, and in the last frame Bart is still eating while Marge and Homer watch the horse.

> I am very upset with you.
> Sounds like someone's angling for a pony of her own.
> Hey, how come Lisa gets a pony? Because she stopped loving me.

Frame: https://ultrahouse3k.com/img/S03E08/726768.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/732398

## 12:19–12:26

Bart, the spiky-haired boy in an orange shirt, and Homer, the bald man in a green-trimmed orange robe over a light blue collared shirt, face each other in a kitchen-like room with a starburst clock on the wall and a hanging basket of fruit at the left. Bart starts out scowling while Homer looks wide-eyed and open-mouthed, then Bart sits at the table with a bowl and spoon in front of him, looking wary and then surprised as Homer turns toward him and points his finger across the frame. In the final moment Homer stands talking with his mouth open and eyes wide while Bart stays seated at the table, looking up at him.

> I don't love you either, so give me a moped.
> I know you love me, so you don't get squat.

Frame: https://ultrahouse3k.com/img/S03E08/740114.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/742825

## 12:26–12:37

Lisa, in a purple robe, stands on a checkered floor holding the reins of a brown horse while Santa's Little Helper, a brown greyhound, and Snowball II, a black cat, sit beside her near a small table holding a hen in a basket. Lisa grins as the horse turns its head toward her, and then Maggie, in a blue outfit with a blue bow, sits in a red high chair with a bowl in front of her while the horse stands beside her under a green and orange starburst clock. Maggie holds a pacifier that the horse nibbles at.

> Snowball 2, Santa's little helper, this is Princess.
> Please don't exclude her because she's different.
> Homer, just where were you planning to keep this horse?

Frame: https://ultrahouse3k.com/img/S03E08/747622.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/752001

## 12:37–12:48

Bart, the boy with spiky hair in an orange shirt, sits at the left of a blue-covered dining table with a bowl in front of him, and Marge, with her tall blue beehive and pink robe, stands with arms crossed in a pink archway behind him. Homer, the bald man in a brown jacket over a blue shirt, sits at the right of the table with a bowl and spoon. In the first frames Homer talks and gestures with his spoon while Marge watches, then in the middle frames he raises both hands, palms out, grinning and gesturing expansively, while Bart glances toward him. In the final frame Homer sits with his hands clasped together and a sheepish, sidelong look as Marge keeps her arms crossed. The kitchen behind them has purple cabinets, a row of pink utensils hanging on the wall, and a white appliance on the counter.

> I've got it all figured out.
> By day, it'll roam free around the neighborhood, and at night,
> it'll nestle snugly between the cars in our garage.

Frame: https://ultrahouse3k.com/img/S03E08/758466.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/763054

## 12:48–13:01

Lisa Simpson, in her blue dress, and Maggie Simpson, with her pacifier and blue bow, sit at the kitchen table beside a brown horse with a leather halter, and Lisa pets the horse's muzzle with both hands while a red bowl sits on the table. Marge, with her tall blue beehive, and Homer, bald with stubble and a green sweater over a blue shirt, stand in the kitchen in front of purple cabinets, a white refrigerator and a dish rack, Marge leaning toward Homer, who looks worried and grimaces. The scene then cuts to Homer alone in a pink room, wide-eyed and open-mouthed, with framed oval portraits of Marge and Maggie on the wall behind him.

> Dad, no!
> That's illegal!
> That's for the courts to decide.
> Marge, she loves me.
> Dad, I think Princess belongs in a stable.
> Stable?
> That sounds expensive.
> This is what love costs a month? These are standard stable fees, Mr.

Frame: https://ultrahouse3k.com/img/S03E08/769936.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/775149

## 13:01–13:13

Homer, seen from behind with his bald head and white collar in the foreground, stands facing a woman with a lavender hair bun and a dark blue jacket over a white turtleneck, who holds a riding crop in a fenced outdoor paddock with trees behind. A paper stable bill on the left, headed by a horse-head logo, lists Feed at 115 dollars, Grooming at 80 dollars and a Total of 530 dollars per month, with 'Received by' blank beneath. The woman speaks and gestures with her free hand, then the riding crop is raised toward Homer's face as she keeps talking.

> Simpson.
> Plus, I'm teaching your daughter riding, grooming, and at no extra charge, pronunciation.
> Father, you've made me the happiest girl who ever lived.

Frame: https://ultrahouse3k.com/img/S03E08/782657.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/787453

## 13:13–13:24

Lisa, wearing a red riding helmet and red jacket, rides a brown horse around a sandy paddock behind a white rail, gesturing with one arm, then leans forward over the horse's neck holding the reins. Homer stands at the fence facing an older woman with lavender hair in a bun, a dark jacket and riding boots, who holds a riding crop. After a black screen, Bart in an orange shirt, with a black cord in his mouth, is pressed against a wrinkled old man with white tufts of hair and glasses, in a tan cardigan, whose arm is across Bart's head and whose mouth is wide open.

> Oh, nuts.
> What do I do? What do I do? Grandpa, if you want to go to the right,
> move the joystick to the left. Yes, move the...

Frame: https://ultrahouse3k.com/img/S03E08/794544.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/798715

## 13:24–13:35

Grampa, the wrinkled old man with white tufts of hair in a tan jacket, kneels in front of a purple television and grips a joystick while Bart, the boy with spiky hair in an orange shirt, kneels beside the set and presses a control on its side. Grampa then leans in with his glasses on and mouth open, still holding the joystick, while Bart stares wide-eyed at the screen. On the screen, a blue space game shows a red rocket, an orange saucer, a white ship, a green alien, and asteroids, with the green score reading 00010 in the top left corner.

> What's a joystick? You didn't tell me. Here comes a Zylind cruiser.
> A Zylind cruiser? Go to hyperspace. Ready, hit it.
> Wait!
> Where's the hyperspace?
> Grandpa, you're the spaceship, not the...

Frame: https://ultrahouse3k.com/img/S03E08/805179.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/809767

## 13:35–13:44

Bart, the spiky-haired boy in an orange shirt and blue shorts, kneels on a teal carpet in a pink room and points at a television showing a space shooter game, with a red spaceship at left and yellow alien enemies and a pink planet at the bottom. Grampa, the wrinkled old man with white tufts of hair, sits beside him in a cream shirt and white bow tie, holding a grey game controller connected by a cord. The screen first shows the ship and space scene, then a red panel reading GAME OVER in black letters appears on the TV. Bart leans toward the screen while Grampa looks down at the controller, and a pink speaker, purple bookshelves with books, and a pink lamp fill the background.

> I'm the what? I thought I was this guy.
> Whoa!
> Game's over, Grandpa.
> I got down on the floor for this?

Frame: https://ultrahouse3k.com/img/S03E08/816232.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/819777

## 13:44–13:52

Homer, the bald, heavy man in a white shirt and blue pants, stands in the living room while Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, faces him and talks to him. Bart, in an orange shirt, sits on the floor beside a game console labeled GAME, plugged into the wall, and a pot plant and framed portraits of Homer and Marge hang on the pink wall. Lisa steps toward Homer and gestures with her hand, then stands close beside him as he looks off to the side with a worried expression; Homer is in the foreground for the final moment, looking to the side with a pained expression.

> Wait, Dad.
> I've got something for you.
> Uh, I was hoping it'd be money.

Frame: https://ultrahouse3k.com/img/S03E08/825408.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/828536

## 13:52–14:05

Marge, with her tall blue beehive and red bead necklace, sits at a cluttered desk in the kitchen, holding a long strip of adding-machine tape and a pencil while she stares ahead. Behind her, Homer in a white shirt and blue pants leans into the open olive-green refrigerator, then straightens up holding a small red jar and grinning nervously. Papers are scattered across the desk, and a bulletin board with postcards and a pink wall rack of containers hang nearby.

> Oh, dear.
> We're in serious trouble here.
> We're just going to have to cut down on luxuries.
> Well, you know,
> we're always buying Maggie vaccinations for diseases she doesn't even have.

Frame: https://ultrahouse3k.com/img/S03E08/833958.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/839380

## 14:05–14:12

Marge, with her tall blue beehive and orange bead necklace, and Homer, in a white shirt, stand at the kitchen counter beside a cluttered pile of papers, a wooden board and a basket of dishes. Marge first looks up wide-eyed and speaks, then Homer raises a grey and white canister in one hand while looking up, and in the next moments he holds it at chest height as Marge watches him with a worried expression. The scene then shifts to Marge alone by the wall-mounted spice rack, blender and cookie jar, with a fridge magnet pinned to the corkboard behind her as she turns her head and talks with a surprised look.

> Actually, I was thinking we could cut down on your beer.
> No, we're not gonna be doing that.
> Then I'm afraid there's no choice but to give up the pony.
> First you didn't want me to get the pony.

Frame: https://ultrahouse3k.com/img/S03E08/847096.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/849390

## 14:12–14:24

Homer and Marge Simpson stand in the purple-cabineted kitchen with a blue countertop. Homer, in a white shirt and blue pants, first holds up a small jar and gestures with his open hand, then grips a red soda can while Marge, with her tall blue beehive and red bead necklace, watches beside him. Homer's expression shifts from worried to grinning, and in the last moment Marge scowls and grits her teeth in front of a bulletin board with a pizza-themed note and a blender on the counter.

> Now you want me to take it back. Make up your mind.
> Homer!
> Marge, Lisa loves me. The pony stays.
> All right.
> You got us into this, you get us out. Fine, I will.

Frame: https://ultrahouse3k.com/img/S03E08/853770.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/858566

## 14:24–14:36

Homer Simpson, the bald heavy man in a white shirt, stands in the kitchen holding a jar and gripping Marge Simpson's tall blue beehive, then waves the jar while speaking. Marge, with her blue hair and red bead necklace, stares at him wide-eyed in the first frames. The kitchen counter is cluttered with papers, a basket and a wooden board, and a window with a yellow corn-patterned curtain is behind them. In the final frame Marge stands alone in a sideways-glancing, unimpressed pose beside a blender, a spice rack and a magnet-covered corkboard. Then the scene shifts to a dim barn where Lisa Simpson, in a red dress, feeds a brown horse while a lavender horse stands at the left.

> There's plenty of money out there for a guy who's willing to work for it.
> Do you have any jewelry you don't need anymore?
> You're so beautiful.

Frame: https://ultrahouse3k.com/img/S03E08/865656.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/870453

## 14:36–14:49

Lisa Simpson, the girl with star-shaped spiky hair and a red dress, brushes and feeds a brown horse in a barn stall, then crawls on the straw floor beside a grey salt block while the horse leans in toward her face. Lisa then stands at the horse's head, smiling, as a hay bale and wooden walls surround them. Outside, a pink car and a cream car sit in the lot in front of the Kwik-E-Mart storefront, which has a sign reading 'KWIK-E-MART' and posters in the windows. Homer, the bald man in a white shirt and blue pants, walks along the sidewalk toward the store, while a figure sits in the pink car.

> Oh, look, you haven't touched your salt lick.
> Num-num, good salt lick.
> Need money, need money.
> One scratch for cash, please.

Frame: https://ultrahouse3k.com/img/S03E08/877543.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/882757

## 14:49–14:59

Homer Simpson, the bald, heavy man in a white shirt, stands at the counter of the Kwik-E-Mart while Apu, the store owner in a green vest, sits behind it and faces him. Homer then leans over the counter and scratches a lottery ticket with a coin, his eyes wide and his mouth moving with excitement and frustration. As he keeps scratching, his teeth clench and he grins and gasps in turn, and the ticket and coin stay on the counter in front of him. Behind them are shelves of colorful scratch-off cards and a sign reading 'DRINK UP! BUZZ' along with a 'NO CHECKS, CREDIT CARDS, FOOD STAMPS' sign on the counter.

> Liberty Bell.
> Two Liberty Bells. Come on, come on, come on.
> Oh, yes!

Frame: https://ultrahouse3k.com/img/S03E08/890056.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/894435

## 14:59–15:09

Apu, the man with dark hair and a green jacket over a black shirt, stands behind the counter of the Kwik-E-Mart while Homer, the bald heavy man in a white shirt and blue pants, stands before him. Homer first raises both arms in celebration, holding a lottery ticket in one hand, then steps up to the counter and hands the ticket across. Apu leans forward and gestures with his hand as he examines it, while Homer grins and watches. Shelves of colorful snacks, a sign reading NO: CHECKS, CREDIT CARDS, FOOD STAMPS, and a Buzz soda advertisement are visible in the store.

> Woo-hoo!
> Three Liberty Bells!
> That'll be $10,000, Appu. Oh, congratulations, Mr.
> Homer! Thank you. If I could just see the ticket...
> Well, there it is.

Frame: https://ultrahouse3k.com/img/S03E08/900900.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/904654

## 15:09–15:20

Apu, the man in a green vest and dark-collared shirt who runs the Kwik-E-Mart, and Homer, the bald yellow man in a white shirt, stand at the store counter near a Snack Tracks display and an EXIT door. Homer clasps his thumb to his mouth and stares wide-eyed while Apu looks on with a flat expression. Homer then holds a small blue ticket out toward Apu, who reaches for it, and then Apu grips Homer's hand with both of his, scowling and pulling the ticket and Homer's thumb toward himself. On the counter sit a small stack of papers and a grey cup, and a blue lottery-style ticket is visible in the middle of the struggle.

> Uh... You pleased to be removing your thumb?
> No.
> Yes, please, I must insist... No! No! You'll have to look at the ticket, Mr.
> Homer. No, you can't see too much!
> No!
> No! Let go!

Frame: https://ultrahouse3k.com/img/S03E08/910910.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/915081

## 15:20–15:26

Apu, the dark-haired man in a green jacket, and Homer Simpson, the bald man in a white shirt, struggle over a Scratch 'N' Win ticket at the Kwik-E-Mart counter, with Apu pulling it back while Homer grabs at it. The close-up shows the ticket's two bells and a cherry, and Apu then holds it up near the register, grinning with his teeth showing.

> You're ripping it!
> A cherry.
> Oh, Mr. Homer. What has reduced you to such cheap chicanery?

Frame: https://ultrahouse3k.com/img/S03E08/921337.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/923423

## 15:26–15:38

Apu, the Kwik-E-Mart owner in a dark shirt, stands behind the counter facing Homer, a bald man in a white shirt, as the two talk beside a Help Wanted sign and a cash register. Homer looks uneasy and unsure while Apu gestures with one hand, then Apu leans in with wide eyes and a toothy grin as the scene closes on his face. Slurpee machines, a Jackpot sign and a Kwik-E-Mart sign fill the background.

> Oh, I need money.
> Well, if you need money, you should have at least jammed a gun in my ribs.
> Or better yet, you could inquire about my help wanted sign.
> You're looking for help? Yes,

Frame: https://ultrahouse3k.com/img/S03E08/927593.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/932598

## 15:38–15:50

Apu Nahasapeemapetilon, the dark-haired Kwik-E-Mart clerk in a green sweater, and Homer, in a white shirt, stand behind the store counter beside a cash register and a 'HELP WANTED' sign. Apu first stares wide-eyed toward the viewer, then narrows his eyes and grins with his teeth showing, while Homer leans over the counter with his arm outstretched and his mouth open in excitement. Apu then looks back toward Homer with a wide-eyed, toothy expression as they talk across the counter, with a glass exit door and a 'SNACKS' display behind them.

> we need someone for the demanding yet high-profile midnight to 8 a.m.
> shift. I'm your man. You're hired. Woo-hoo!
> Always I dreamed the day would come when one of you would be working for me.

Frame: https://ultrahouse3k.com/img/S03E08/939689.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/944485

## 15:50–16:02

Lisa, the girl with star-shaped spiky hair in a red dress and red helmet, rides a brown horse over a hay bale on a sandy track while Bart in an orange shirt, a boy with glasses in an orange shirt, and a boy in a blue sweater with spiky dark hair watch from the railing with a purple tree behind them. Lisa and the horse clear the bale as the onlookers lean on the fence, and the scene then cuts to the Kwik-E-Mart at night, with its lit storefront, a Duff Beer sign reading 'Duff Beer 12 for $4' in the window, a 'Kwik-E-Mart Parking Only' sign, and a tall Kwik-E-Mart sign by the empty lot.

> She certainly tamed that horse. Yes, but what man can tame her?
> I won't lie to you. On this job, you will be shot at.
> Each of these bullock wounds is a badge of honor.

Frame: https://ultrahouse3k.com/img/S03E08/951159.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/956372

## 16:02–16:07

Apu, the Kwik-E-Mart clerk with a dark pompadour, green jacket and white pants, stands at the store counter and opens his jacket to show his bare chest, which is marked with several red bullock wounds, while grinning and closing his eyes. Facing him is Homer, in his light blue Kwik-E-Mart uniform and paper cap, who stares at him wide-eyed. Behind them are cigarette signs reading 'SMOKE'M' and 'CARTON 10 $5 PACK 1.10', shelves and a glass case. Homer then stands by a blue wall-mounted panel and a 'JACK POT $$$' sign, writing on a spiral notepad with a pencil, his mouth open as he speaks.

> Badge of honor. Here's a pointer.

Frame: https://ultrahouse3k.com/img/S03E08/963671.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/964714

## 16:07–16:15

Apu, the Kwik-E-Mart proprietor with a dark green jacket and black hair, and Homer, wearing a light blue uniform with a 'TRAINEE' badge and a paper hat, stand behind the store counter in the Kwik-E-Mart. Apu first holds a notepad and talks to Homer, then leans over the counter with a rack of hot dogs on a roller display in front of them, and finally reaches out and pats Homer's cheek with a grin while Homer looks on with a flat, uneasy expression. Visible objects include the hot dog roller, jars of pickles on the counter, a Kwik-E-Mart poster on the wall, and a blue cabinet with a steering-wheel-like handle behind Homer.

> Try to take it in the shoulder.
> Now, these hot dogs have been here for three years.
> They are strictly ornamental.

Frame: https://ultrahouse3k.com/img/S03E08/968050.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/971179

## 16:15–16:24

Apu, the dark-haired Kwik-E-Mart owner in a green sweater, grips Homer's shoulder behind the store counter, where Homer, in a trainee cap and shirt, stands beside a Jack Pot sign and two jars of drinks. Homer then stands still with a worried, glum expression while looking off to the side, and the scene moves to the Simpson house at dusk under a pink sky, with its pink garage door closed and no one outside.

> There's only one bozo who comes in and buys them.
> But I...
> Oh.

Frame: https://ultrahouse3k.com/img/S03E08/976601.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/979729

## 16:24–16:36

Homer, in a white shirt, stands in a pink doorway, then Marge with her tall blue beehive and Bart, Lisa and Maggie (in a high chair, wearing a blue bow) sit at a table with a blue cloth in the kitchen, where a crayon drawing of a house hangs on the green refrigerator. Homer moves into the room and grips Marge's shoulders with both hands, turning her away from the table as she speaks with a worried look, while he talks to her beside a framed landscape picture on the pink wall.

> The perfect crime.
> Homer, where have you been all night? I was so worried.
> Uh, Marge, could we go in the other room?
> I did something last night I'm not proud of and I don't want the kids to hear it.

Frame: https://ultrahouse3k.com/img/S03E08/985151.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/990364

## 16:36–16:48

Bart in an orange shirt, Lisa with star-shaped spiky hair, and Maggie in her blue bow stand at a kitchen counter near a pizza sign on the wall, with Bart grinning and Lisa leaning in beside him. Behind them, Homer, bald with stubble and a white shirt, and Marge, with her tall blue beehive and red beaded necklace, stand in a pink living room near a brown couch and a window with yellow curtains. Homer gestures with his hands raised, then points at his wrist, then waves his arms animatedly while talking, and finally leans toward Marge with his hands on her shoulders while Marge looks on with a flat expression.

> Busted!
> I'll work from midnight to 8, come home, sleep for 5 minutes, eat breakfast,
> sleep 6 more minutes, shower, then I have 10 minutes to bask in Lisa's love,
> then I'm off to the power plant fresh as a daisy.

Frame: https://ultrahouse3k.com/img/S03E08/997872.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1002668

## 16:48–17:00

Bart, Lisa and baby Maggie, with her pacifier and blue bow, sit at a kitchen table with a child's drawings on the fridge, then cluster in a pink room where a large man in a white shirt lies face-down on the floor while Marge, with her tall blue beehive, stands behind him. Later, a heavy man in a teal trainee cap and uniform stands behind a Buzz Cola machine and Jerky jars at a CASH counter, lifting a purple ball from the gumball machine and then holding up a small red piece. Visible details include the GIVE donation box, the Buzz Cola sign and a pink box of muffins.

> Oh my God, she killed him.
> Mmm, salty.

Frame: https://ultrahouse3k.com/img/S03E08/1009759.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1014555

## 17:00–17:11

Homer, wearing a teal cap and a shirt with a 'TRAINEE' badge, cranks a valve on a blue machine while Apu, in a green jacket and orange vest, glances sideways beside him. Homer then stands with blue liquid dripping from his open mouth and wide, worried eyes. In a wooden barn, Lisa in a red dress plays a saxophone while sitting on a pile of hay, and a brown horse with a white blaze eats from a feed box, then stares wide-eyed in a close-up against the barn wall.

> Homer, are you stealing Squishy's? No, sir.
> This next song is also about a girl and her pony.

Frame: https://ultrahouse3k.com/img/S03E08/1021854.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1026234

## 17:11–17:25

Lisa Simpson, the girl with star-shaped spiky hair in a red dress, kneels in a hay-strewn stable playing a gold saxophone while staring cross-eyed and then closing her eyes as she blows into it. A brown horse with white socks stands nearby, its head turned toward the stable window where a bundle of hay sits, and a small white bucket lies on the straw. The scene then cuts to an exterior view of a yellow apartment building with arched blue windows and balconies, a cactus and potted plants on some of them, and a red-and-white sign reading "FIESTA TERRACE FOR SINGLE LIVING" in front of grey-roofed garages and green hedges.

> It's called Wildfire.
> Come on, Abu, honey.
> Loosen up.

Frame: https://ultrahouse3k.com/img/S03E08/1032698.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1038329

## 17:25–17:34

A brown-skinned man with blue hair and a yellow-skinned woman with auburn hair and a striped pink hat lie together in a bed with a fleur-de-lis headboard, the man grimacing and then looking sideways while the woman speaks with her mouth open and her eyes half-lidded. The scene then cuts to the outside of the Kwik-E-Mart at night, under a tall lit sign reading KWIK E MART, with a 'Duff Beer 2 for $4' poster in the window and an empty parking lot in front.

> I'm sorry, baby.
> While I'm here pleasuring you, my store is going down the tubes.

Frame: https://ultrahouse3k.com/img/S03E08/1046254.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1050007

## 17:34–17:46

Ned Flanders, in a green sweater and glasses, stands holding a paper bag at the Kwik-E-Mart counter while Homer lies slumped asleep over the counter beside scattered coins and bills and a GIVE donation jar. Later, Apu in a green jacket angrily points toward the glass doors marked EXIT while a woman with a red ponytail, pink scrunchie and purple top stands beside him, looking annoyed. Apu gestures and scolds as the woman glares, with Homer still asleep on the counter in the foreground.

> Three dollars and fifty-one, fifty-two, fifty-three cents.
> Homer, you are asleep at your post.
> Now go change the expiration dates on the dairy products.

Frame: https://ultrahouse3k.com/img/S03E08/1056055.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1060643

## 17:46–17:56

Homer, in a white shirt, is sprawled face-down on a supermarket floor in front of a Snack Treat shelf, with an auburn-haired woman in a purple top and red skirt standing over him with her hands on her hips while Apu, in a green vest, watches from behind her. Earlier, the auburn-haired woman frowns at Apu, whose eyes are closed, beside the snack shelves, and a Drink Up sign and a Jack Po... label are visible near a row of vending machines. The scene ends with Homer, looking weary, gripping a steering wheel inside a car with a purple roof.

> Yes, sir. Sorry, baby. Date's over.

Frame: https://ultrahouse3k.com/img/S03E08/1067733.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1071696

## 17:56–18:07

Homer, the bald yellow-skinned man, grips the steering wheel of his car as he drives down a highway behind a purple car, his drowsy half-closed eyes visible in the rearview mirror. The road turns dark and dreamlike, lined with clocks, and a white bed sits on the roadway while Homer's car passes it. Then a green car drives past several beds where sleeping figures lie under white sheets, with a sleepy crescent moon overhead, and an opening shot of a spinning purple and yellow blade-like object sits against black.

Frame: https://ultrahouse3k.com/img/S03E08/1077952.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1081914

## 18:07–18:13

Homer, the bald heavy man in a white shirt, drives a car at night with both hands on the steering wheel, first with a tired, squinting expression and then grinning with a sleepy, lidded gaze. Behind him, a glowing roadside sign reads "Entering Slumberland" with pictograms for food, gas, and beds, set against a dark sky with clouds and stars. A smiling crescent moon appears above the sign in the later images as the car drives onward, and the sign moves out of view to the right as the scene progresses.

Frame: https://ultrahouse3k.com/img/S03E08/1088170.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1090047

## 18:13–18:23

A frail, thin old man with grey hair at the sides, likely Mr. Burns, drives a yellow-green car at night past beds with sleeping figures floating in the sky under a smiling moon with a face. The car crosses a bridge lined with clock-faced lampposts and drifting beds, then passes through a field of stars as the scene goes dark. Finally, several winged angels with halos lift and carry the car through the starry sky, with a grey cloud behind them.

Frame: https://ultrahouse3k.com/img/S03E08/1094218.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1098180

## 18:23–18:28

Homer, the bald man with stubble, drives a yellow car through a starry night sky, gesturing with one hand as winged angels with halos surround the car. The angels then lift and carry the yellow car, now with an elderly white-haired man at the wheel, through the stars. Next they hoist a bed with a figure sitting up under a green blanket, and finally they cluster together in a small group among the stars as the bed drifts above them.

Frame: https://ultrahouse3k.com/img/S03E08/1104437.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1106105

## 18:28–18:39

Maggie, the baby, sleeps in a metal crib under a smiling crescent moon in a starry night sky, with the moon's face leaning close over her bed on a cloud. The scene then shifts to a pink car parked beside a yellow fence on a hillside street at dusk, and Homer, bald with a white shirt, grips the steering wheel and looks ahead as houses pass on the other side of the window.

Frame: https://ultrahouse3k.com/img/S03E08/1109859.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1114238

## 18:39–18:44

Homer Simpson, bald and heavy in a white shirt and blue trousers, is first seen in a pink car driving down a street past a blue mailbox. He then sits behind the wheel inside a purple-walled garage beside a bicycle with a red basket, opens the car door, and climbs out. He stands beside the car, scowling and shifting his weight, while a circular saw hangs from the rafters above him and shelves of paint cans sit on the back wall.

Frame: https://ultrahouse3k.com/img/S03E08/1120703.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1122163

## 18:44–18:56

Homer Simpson, bald with stubble in a white shirt, stands beside a bed in a purple-and-pink bedroom, then climbs into the bed and reaches toward the red digital alarm clock on the nightstand, while Marge, with her tall blue beehive, sits up in the bed watching him. Homer then stands back up next to the bed and looks to the side with a wary expression, as Marge's beehive and wide eyes stay fixed on him. Framed pictures hang on the pink wall above the bed and a lamp with a pleated shade sits on the nightstand beside the clock.

> Oh, my. How long do you plan to do this?
> I don't know.
> How long do horses live?
> 30 years?
> Oh, mustn't sleep. Must monitor core.

Frame: https://ultrahouse3k.com/img/S03E08/1125916.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1130713

## 18:56–19:07

Homer Simpson, a bald heavy man in a white shirt and purple tie with an ID badge, first appears in a wide aerial view of the Springfield nuclear plant with its cooling towers and parking lots. He then lies back in a chair with his hands behind his head and eyes shut, mouth open in a snore, before sitting up at the control console between two screens and looking down with a worried expression. Lisa Simpson, the girl with spiky star-shaped hair in a green dress, is shown wrapped in a blue blanket on a brown couch beside a telephone and purple lamp, her eyes wide and mouth open as she clutches the phone cord. Notable objects include a red fire extinguisher, a pink control panel and a chain tethering the phone.

> Yellow. I just got to say I love you, Dad.

Frame: https://ultrahouse3k.com/img/S03E08/1137595.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1142183

## 19:07–19:17

A cartoon man with a yellow hand pulls a green lever on a purple control panel lined with small monitors, buttons and a green telephone, and then his legs in blue jeans and red sneakers are propped up on the console. On a television screen before blue curtains, a grey-haired man in a blue suit with his hands in his pockets stands smiling, then closes his eyes.

> Thanks.
> When is she gonna stop loving me?
> I just heard Milli Vanilli was arrested for impersonating a McNugget.

Frame: https://ultrahouse3k.com/img/S03E08/1148856.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1152818

## 19:17–19:30

Bart and Lisa Simpson sit side by side on a blue couch in a dim living room, wearing pajamas, while Homer, a bald heavy man in a white shirt, walks through the room with a sleepy, glum expression. Homer moves from the foreground toward the hallway, passing a lamp and a framed sailboat picture, and then Marge, with her tall blue beehive and green dress, is seen standing on the rug by the arched doorway as the children watch. A small television glows at the edge of the room.

> Well, it's still fun to be up late.
> Hey, Homer, where are you going? Going for...
> eight-hour walk.

Frame: https://ultrahouse3k.com/img/S03E08/1159075.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1164288

## 19:30–19:40

Homer, the bald heavy man in a white shirt, slumps low over the steering wheel of a car, his head down and arms draped across the wheel in the first frames, then he rubs his face with one hand while Marge, with her tall blue beehive and red bead necklace, watches from the side window. Inside the car a jar sits on a shelf behind him. In the final frames the car is parked outside a pink-tinted car body at night, Homer still slumped at the wheel, while Bart in his green striped shirt and Lisa with her star-shaped spiky hair stand beside the door looking up at Marge, who stands on the right in a green dress with a worried, grinning expression.

> Homer?
> Homer, sleep now.
> What's wrong with Dad?
> He's just exhausted.

Frame: https://ultrahouse3k.com/img/S03E08/1171796.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1175549

## 19:40–19:51

Marge, with her tall blue beehive and green dress with a red bead necklace, stands beside Lisa, the girl with star-shaped spiky hair in a teal collar, in a purple room lined with shelves holding a bottle and a pink bowl. Lisa looks on with wide eyes and then opens her mouth to speak while Marge grimaces and grins nervously. In the final moment Marge is seen close up against a grey metal shelf, grinning tensely with her eyes glancing sideways. Later, Bart, the spiky-haired boy in an orange shirt, peers over the edge of a car seat beside Lisa while Homer, bald and in a white shirt with a blue headrest, slumps asleep in the front seat.

> Lisa, do you know how much it costs to keep a pony?
> No.
> Well, it's a lot.
> In fact, your father had to take a second job.
> The poor guy.
> Where's he working? The quickie mart.

Frame: https://ultrahouse3k.com/img/S03E08/1181597.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1185768

## 19:51–20:00

Marge, with her tall blue beehive, red bead necklace and green dress, is joined by Lisa in a blue dress, Bart in a teal shirt and a bald Homer in a white shirt. Bart first peeks up from behind a dark counter beside Homer's head, then the family gathers at a pink car at night, where Lisa leans toward the open window and Marge looks worried. The scene ends in a purple garage with shelves, where Lisa stands wide-eyed beside a stack of boxes and a tire while Marge gazes off and Bart peers from behind the pink car's door.

> Lisa, I hope you realize that your father can't keep this up.
> You're gonna make me give up Princess?

Frame: https://ultrahouse3k.com/img/S03E08/1192024.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1195778

## 20:00–20:08

Lisa, the girl with star-shaped spiky hair in a blue top, stands beside a pink car on the left, facing Marge, who has a tall blue beehive, a green dress and a red beaded necklace and stands at the right in front of a dark purple background. Bart, the boy with spiky hair in an orange-and-green shirt, steps in between them, squinting with his hand near his chin while he speaks, and Lisa looks back at him. Marge then turns her wide-eyed gaze sideways toward the left edge, her mouth hanging open, and in the final moment she stares off to the side with her eyes bulging and her lips parted in a worried expression.

> Lisa, we can't make you give up that pony.
> I can make her. Just give me five minutes alone with her.
> No, Bart.
> No one's going to make her. This is something Lisa has to decide for herself.

Frame: https://ultrahouse3k.com/img/S03E08/1201617.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1204537

## 20:08–20:19

Lisa Simpson, the girl with star-shaped spiky hair and a red dress, stands in a kitchen-like setting with a purple wall and a wooden window frame, first with a wide-eyed, pensive expression and then with her eyes bulging and mouth open in alarm. Across the frames she grows increasingly agitated, grimacing with clenched teeth and raising her hands in a panicked gesture. In the final frame, a large yellow hand reaches in from the right to turn a tap on a blue dispenser, filling a glass with a stream of blue liquid, while Lisa spreads her hands in dismay, with a street outside showing a red-roofed building and a parked car through the window.

> All the years I've lobbied to be treated like an adult have blown up in my face.
> Hey, Pink Hat, when I ordered that blueberry squishy, I meant today.

Frame: https://ultrahouse3k.com/img/S03E08/1209750.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1213921

## 20:19–20:29

Homer, wearing a pink and teal hat and a light blue shirt, works behind the counter at the Kwik-E-Mart, filling a blue slushie cup from a dispenser beside a DONUTS sign while scowling. Bart, in an orange shirt and blue shorts, stands at the counter grinning and then watches with a sly look, while Lisa, seen from behind with her star-shaped spiky hair and red dress, leans on the counter in the foreground and then slumps with a sour expression. Shelves of bottles, bags of chips, and a cash register fill the store.

> Coming right up, sir. And fill it to the top this time.
> Yes, sir.

Frame: https://ultrahouse3k.com/img/S03E08/1220177.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1224140

## 20:29–20:41

Lisa Simpson, in her red dress and necklace, stands in a hay-strewn stable beside a brown horse with a white blaze while a woman with a tall blue hairdo, in a dark jacket and tan breeches, watches with arms folded and a riding crop at her side. Lisa then reaches up to pat the horse's muzzle and face, and the horse leans its head toward her as she talks to it. Hay sits in a feed box on the back wall and in a pile on the left.

> She likes a little carrot after her oats.
> And she really likes it when you scratch her behind the ear.
> And if you're playing the radio,
> she likes contemporary adult in the morning and easy listening at night.
> Please take good care of my princess.

Frame: https://ultrahouse3k.com/img/S03E08/1230396.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1235192

## 20:41–20:53

Lisa Simpson, in her red dress with a pearl necklace, stands in a wooden stable beside a brown pony with a braided mane while an older woman with a lavender bouffant, dark jacket and white turtleneck stands with her arms folded at the stall wall. Lisa strokes and hugs the pony's head and the pony nuzzles against her, while the woman talks and then keeps watching them. Hay is scattered on the straw-covered floor, a hay bale sits to the left, and a small window with an X-shaped frame is on the wall.

> Although there is no change in my patrician facade, I can assure you my heart is breaking.
> I'll never forget you.
> What the?

Frame: https://ultrahouse3k.com/img/S03E08/1242283.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1247288

## 20:53–21:03

Apu, the Kwik-E-Mart clerk in a green jacket with a dark blue collar and a black hair bun, stands at the counter of the Kwik-E-Mart, first holding a sheet of paper up and then, in the middle of the scene, grinning as he handles a hot dog from the warmer while a uniformed man in a white cap and light blue shirt, Homer, stands facing him. Behind the counter sit a hot dog roller sign reading HOT DOG! and shelves of doughnuts, with a doughnut seen flying up through the air. The scene closes on Lisa, a girl with spiky yellow hair and a pearl necklace, staring wide-eyed with a nervous grimace beside a stack of newspapers.

> You call this melted cheese or septic or clean?
> Ugh, the young man you replaced is rolling over in his grave.
> Dad, you don't have to do this. Yes, I do.

Frame: https://ultrahouse3k.com/img/S03E08/1254587.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1258340

## 21:03–21:13

Apu, the dark-haired man in a green jacket with yellow trim, stands at the Kwik-E-Mart counter beside Homer, who wears a white cap and shirt with a TRAINEE badge. Homer then lifts a cardboard rack of candy while Lisa, in a red dress and pearl necklace, stands by a stack of newspapers, grinning and then talking with her mouth open. Nearby are an arcade machine, a box marked GIVE, and a store sign with partly visible lettering.

> You see, Lisa, grown-ups have a thing called money.
> Dad, I understand the sacrifice you've made for me.
> That's why I gave up the pony. You did?

Frame: https://ultrahouse3k.com/img/S03E08/1264597.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1268559

## 21:13–21:24

Homer, in a light blue uniform cap and shirt with a partly visible TRAINEE badge, and Lisa, with spiky star-shaped hair and a pearl necklace, stand in a store lined with magazine racks, a pink wall, and an arcade cabinet. Lisa holds a stack of papers while Homer gestures and talks, then he lifts a cardboard display and turns toward her. He ends up squeezing Lisa tightly against his chest, and the stack of papers now sits on a nearby counter.

> Mm-hmm.
> There's a big, dumb animal I love even more than that horse.
> Oh, no. What is it, a hippopotamus?
> I mean you, you dummy. Oh, Appu,

Frame: https://ultrahouse3k.com/img/S03E08/1274607.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1278986

## 21:24–21:38

Apu, the Kwik-E-Mart proprietor in a green jacket, stands behind the store counter while Homer, in a white shirt and blue pants, holds up a light blue garment and then gestures with open hands as he talks to him, with GIVE signs on a donation box beside them and a pink wall and exit sign behind. Homer then kneels in the store doorway with Lisa, in her red dress, perched on his shoulder while Apu watches from the back of the shop, and the scene cuts to an empty view of the sunny street through the glass doors. Finally, Apu stands alone on the doormat in the doorway, grinning, surrounded by shelves of folded clothing.

> you can take this job and restaff it.
> Giddy up, Dad!
> He slept, he stole, he was rude to the customers.

Frame: https://ultrahouse3k.com/img/S03E08/1285242.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1291081

## 21:38–21:48

Homer, bald in a white shirt and blue pants, lifts Lisa, who wears a red dress, into his arms while Apu, in a green shirt, watches from the left edge of a sunset street lined with small kiosks. Homer sets Lisa down, and the two hold hands and walk away down the road toward the sunset. The scene ends on a black screen with yellow text reading 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON'.

> Still, there goes the best damned employee a convenience store ever had.

Frame: https://ultrahouse3k.com/img/S03E08/1299215.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1303385

## 21:48–21:59

No animated characters appear in this sequence; it is a black title card over a plain black background. First, the words 'Starring DAN CASTELLANETA' in yellow lettering appear centered, followed by single centered yellow credits for JULIE KAVNER, NANCY CARTWRIGHT, YEARDLEY SMITH and HANK AZARIA, each replacing the last. No objects, movement, or dialogue are visible beyond the on-screen credit text.

Frame: https://ultrahouse3k.com/img/S03E08/1309642.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1313813

## 21:59–22:09

No characters appear in this moment; it is a black screen with yellow credit text that changes in sequence. The credits read 'and HARRY SHEARER', then 'Also Starring DORIS GRAU, PAMELA HAYDEN, TRESS MacNEILLE, FRANK WELKER', then 'Executive Story Editor JEFF MARTIN', then 'Creative Consultant DAVID M. STERN', and finally 'Associate Producers J. MICHAEL MENDEL and JOSEPH A. BOUCHER', each replacing the last with no visible objects or movement beyond the text.

> We'll be right back.

Frame: https://ultrahouse3k.com/img/S03E08/1320277.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1324448

## 22:09–22:20

No characters appear in this sequence, which is set against a plain black background with no scenery. Yellow credit text appears centered on the screen and changes across the sequence: first 'Theme By DANNY ELFMAN', then 'Music By ALF CLAUSEN', then 'Casting By BONITA PIETILA', then 'Editors MARK McJIMSEY, DON BARROZO, LEE HARTING', and finally 'Animation Production Manager KEN TSUMURA' with 'Post Production Coordinators COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN' beneath it. Each credit appears in turn, with the text replacing the previous one as the sequence moves on.

Frame: https://ultrahouse3k.com/img/S03E08/1330913.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1334875

## 22:20–22:30

This moment is the end credits of an episode, with no characters visible. Against a black background, yellow text scrolls and changes over the 11 seconds: first a list of sound and post-production credits (Production Coordinator Sarah Werner, Dialogue Sound Editors Bobby Mackston, Brian Roberts and Mark McJimsey, Music Editor Chris Ledesma, Sound Effects Editor Travis Powers, Re-Recording Mixers Peter Cole, Gary Gegan and Anthony D'Amico, Production Mixer Brad Brock, Sound Recorders Kurt Carpenter and Randy Piotroski, Script Supervisor Doris Grau, Post Production Audio Facility Skywalker Sound, Post Production Facility Laser-Pacific, Presented in Dolby Surround), then 'Animation Produced By Klasky-Csupo Inc.' with 'Animation Executive Producer Gabor Csupo', then 'Animation Producer Sherry Gunther', then 'Overseas Animation Directors Mike Girard and J.C. Park' with 'Animation Production Manager Maria Elena Rodriguez', and finally 'Korean Production Company Anivision'.

> Let's go.

Frame: https://ultrahouse3k.com/img/S03E08/1341340.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1345511

## 22:30–22:41

No characters appear in this moment; it is an end-credits roll on a black background with yellow text. The credits scroll upward through role headings and names, starting with Assistant Director Dominic Polcino and Storyboard credits for Steven Dean Moore, Jerry Richardson, Dale Hendrickson, Scott Alberts, Matt Groening, John Rice and Sam Simon, then Character Layout Artists, Background Layout Artists, Animation Timing and Lip Sync credits, followed by Main Title Design by David Silverman and Main Title Animation names, then Color Design Supervisors, Color Design, Painter Cookie Tricarico, and Animation Camera credits, and finally Background Cleanup credits, Negative Cutter D & A Neg Cutting and Telecine by Fred Eldredge, Compact Video. The text moves steadily upward across the five stages, with each block replacing the last.

Frame: https://ultrahouse3k.com/img/S03E08/1351976.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1356146

## 22:41–22:51

No characters appear in this moment; it is a sequence of black title cards from the end credits of a Simpsons episode. The first card shows a disclaimer in yellow text that reads 'The persons in this film are fictitious' and 'THE SIMPSONS EPISODE #8F06 COPYRIGHT 1991 TWENTIETH CENTURY FOX FILM CORPORATION' with copyright notices and 'N.A.B.' at the bottom. The cards then cut to 'Executive in Charge of Animation Production RICHARD RAYNIS', 'Executive in Charge of Production for Gracie Films MICHAEL P. SCHOENBRUN', 'Creative Supervisor SAM SIMON', and 'Executive Creative Consultant JAMES L. BROOKS', each in yellow lettering centered on the black background.

Frame: https://ultrahouse3k.com/img/S03E08/1362403.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1366574

## 22:51–23:04

Silhouetted audience members sit in rows of seats in a dark theater, facing a blank screen lit by ceiling lights, and one figure with big curly hair sits on the left. A blue beam of light then sweeps across the screen, revealing the white words "GRACIE FILMS" in the center. The scene cuts to a golden "20th Television" building with searchlight beams rising against a blue sky, and the image fades to black.

> Shh.

Frame: https://ultrahouse3k.com/img/S03E08/1373038.jpg
Page: https://ultrahouse3k.com/episode/s03e08-lisas-pony/1377835