# Burns Verkaufen der Kraftwerk

The Simpsons, season 3, episode 11 (S03E11), first aired December 5, 1991.
Written by Jon Vitti. Directed by Mark Kirkland. Production code 8F09.
Guest stars: Phil Hartman as Horst; Phil Hartman as Stockbroker.
Chalkboard gag: "The Christmas pageant does not stink". Couch gag: Angry Santa's Little Helper.

Homer sells his few shares of power plant stock for a $25 profit just before rumors of a sale send the price soaring. Mr. Burns sells the Springfield Nuclear Power Plant to German investors for $100 million, and their manager, Horst, fires Homer when he knows nothing about safety. Burns soon finds that no one fears him anymore, so he buys the plant back at half price.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Barney Gumble, Krusty the Clown, Lenny Leonard, Carl Carlson, Mr. Burns, Waylon Smithers, Kent Brockman, Jasper Beardsley, Martin Prince, Patty Bouvier, Selma Bouvier, Santa's Little Helper, Snowball II, Mayor Quimby, Larry Dalrymple, Sam, Itchy, Scratchy, Herman Hermann, Charlie, Springfield bears, The Happy Little Elves, Scott Christian, Smitty, Hans, Jake the Barber, Fritz, Elizabeth Taylor, Horst, Boxer, Stockbroker.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

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From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:11

No characters appear in this opening sequence. It begins on a black screen, then shows drifting tan clouds against a blue sky, which give way to the yellow title text 'THE SIMPSONS' over the clouds. The scene then pans to an establishing view of the Springfield Nuclear Power Plant, with two grey cooling towers marked with atom symbols, a yellow sign reading 'WELCOME TO SPRINGFIELD NUCLEAR POWER PLANT', and green hills behind. Last, a street view appears with a yellow storefront having a striped awning and a sign reading 'DAIRY' beside a pink building, leading toward a school with a flagpole and red-roofed houses on the hill behind it.

> The Simpsons

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## 0:11–0:23

Bart Simpson, the boy with spiky hair in an orange shirt, stands at the chalkboard of a classroom at Springfield Elementary School, writing lines that read THE CHRISTMAS PAGEANT DOES NOT STINK over and over, then walks away toward the door and leaves the room. The school's entrance sign and a red trash bin with crumpled paper are visible, and the scene shifts to Bart on a green skateboard leaping into the air with his arms spread wide against a blue sky with an American flag on a pole.

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## 0:23–0:35

Homer, in a yellow protective suit and helmet, handles a glowing green rod with tongs at a control panel beneath a CAUTION sign while Mr. Burns and Smithers watch from behind, then he turns and reaches to press the red button. The scene shifts to a store checkout where Lisa, holding a MOM Monthly magazine, peers over a cart beside a blue register with a CHECKS sign, and Marge, in a green dress and red beads, smiles with closed eyes and waves a hand as Lisa chews something.

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## 0:35–0:47

Milhouse with blue hair and glasses sits among a row of students in a band room, and Lisa Simpson plays saxophone beside Carl, a Black man with an afro, while Mr. Burns, a frail, stooped old man with a hooked nose, reads sheet music at a stand nearby. Lisa then walks away down an orange hallway lined with posters, carrying her saxophone toward blue double doors, past a bust of Beethoven. Outside, Homer sits in a pink car with his hand on his head and his other hand on the steering wheel, with green bushes behind him.

> Oh,

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## 0:47–0:57

Bart Simpson, in his orange shirt, rides a skateboard along a sidewalk with his arms spread wide, and a smoky cloud then fills the view over a street near a window with a pink figure. Later, a brown-haired woman in a purple outfit grabs Bart, who is still on his skateboard, while Homer's blue-trousered legs stand at the left edge beside bottles on the sidewalk and TV sets showing Krusty's face. An orange car drives past a pink building with a brown statue and a sign, and Maggie, with her pacifier and blue bow, stares wide-eyed against a purple background.

> my God.

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## 0:57–1:08

Marge, with her tall blue beehive and red beads, sits at the wheel of a pink car while Maggie, in a car seat with a pacifier, grips a toy steering wheel beside her. The car pulls into a driveway past a yellow garage, where Bart on a skateboard rides near the brick wall and a child on a red bike rolls by as Homer stands beside the car's open side. Homer then appears in a purple room, mouth open and arm stretched out, with a paper cup resting on a red bed in front of him and a cardboard box against the wall.

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## 1:08–1:19

Homer, Bart, Lisa, Marge and Santa's Little Helper appear in the living room at first, with Homer running past the brown couch and Bart flailing his arms in alarm while the greyhound snarls on the couch and Lisa and Marge clutch their faces on the right. The scene then cuts to a wooden-framed sailboat painting and a lamp, and finally to a purple television set whose blue screen shows the yellow credits 'CREATED BY MATT GROENING' and then 'DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON'.

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## 1:19–1:31

Smithers, the thin assistant with glasses, a purple bow tie and a green jacket, leans over the stooped, hooked-nose Mr. Burns at a pink bathroom sink, working lather through the old man's hair until suds cover his head, while a gold oval mirror on the wall reflects them both. The scene opens from black, and Smithers keeps talking and smiling as he lathers Burns, with a red cabinet and round wall lamp in the room. Over the middle of the shot the white credit text 'Co-Executive Producers AL JEAN & MIKE REISS' appears across the lower part of the picture, then the scene returns to the washing before the image fades back to black.

> It's a breakthrough product, sir.
> Scientifically formulated to rinse clean with no oily deposits.
> Hot dog.
> And it's mild enough to use every day.

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## 1:31–1:40

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a salon chair while his thin assistant Smithers, wearing glasses and a purple bow tie, works on his head. Smithers squirts purple shampoo onto Burns' hair, which foams into white and blue suds, and Burns squints as a tear runs down his cheek. Smithers then stands beside the chair gesturing with both hands, while white credit text reading "Supervising Producers JAY KOGEN & WALLACE WOLODARSKY" is superimposed over the scene, with shelves of bottles behind them.

> Isn't life grand?
> What's wrong, sir? Did I get some in your eyes?
> The shampoo specifically said no more tears.

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## 1:40–1:50

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits at a brown desk in a white collar and purple vest, first looking worried and sweating, then grimacing, while Smithers, his thin assistant in glasses, a purple bow tie and a green jacket, stands beside him holding a small card and speaking. The scene shifts to Burns slumped over the desk with a sly, toothy grin, and the on-screen credit reads 'Producer GEORGE MEYER' over the lower part of the image.

> Ah, lovely promise, but one beyond the powers of a mere shampoo.
> Sir, I feel there's something you're not telling me.
> Perhaps you'd feel more comfortable talking to Snappy the Alligator.
> Maybe.

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## 1:50–2:03

Mr. Burns, the frail, stooped, bald old man with a hooked nose and pale blue hair at the sides, lies propped in a white robe on a purple couch while a green, toothy reptilian creature perches beside him and a bespectacled boy in a purple bow tie watches from under a pink sheet. Burns turns toward the reptile, speaks with his mouth open, and then raises a hand to his neck as the reptile grins and leans closer, with a red-framed window and bookshelves in the pink room behind them. White credit text overlays the scene, reading "Produced By Richard Sakai David Silverman" and then "Co-Producer Jon Vitti" and "Co-Producer John Swartzwelder."

> Hello, Mr. Barnes.
> Snappy.
> You know, it's hard to imagine, but... I was once a barefoot boy with cheek of tan.
> I dreamed of grand slam home runs and wiping out nations with the stroke of a pen.
> Are there still time for all those things, sir?

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## 2:03–2:16

Smithers, the thin assistant with glasses and a purple bow tie, stands beside a bed holding a green crocodile hand puppet, Snappy, while the frail, stooped Mr. Burns with a hooked nose and blue-grey hair at the sides lies propped up in white bedclothes in a pink room with a red-diamond floor and a purple vase and green canister nearby. The puppet raises its head and mouths at Burns, then lowers and nudges his chin as he grimaces and turns, and in the later moments Burns sits with his mouth open in a sullen scowl. On-screen credits read "Written By JON VITTI" and "Directed By MARK KIRKLAND."

> Is there?
> Controlled nuclear fission is a demanding mistress, Snappy.
> So you feel resentful towards the plant.
> Yes, yes, exactly.
> You know, maybe it's time I sold the old girl.

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## 2:16–2:30

Homer, a bald, heavy man in a white shirt and blue pants, stands at a red CANDY vending machine in a yellow hallway, pressing buttons and then feeding a green dollar bill into the slot while a small spiky-haired boy peeks from behind him. He grows frustrated, frowning and gripping the bill, as a thin man in a dark suit with a purple ponytail glances at him. Near the end, Principal Skinner, with neat grey hair and a purple bow tie, gestures toward a blue TRASH can beside a green door, and a 'PLEASE DO NOT PUT FOREIGN OBJECTS IN FOUNTAIN' sign hangs on the wall.

> Oh!
> Mm-hmm-hmm.
> Mm!
> Oh!
> What do they want? Maybe a nap will boost my spirit.
> I'll get that whale song cassette you like, sir.

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## 2:30–2:43

Smithers, the thin assistant with glasses, a purple bow tie and a dark green suit jacket, stands beside Homer, the bald heavy man in a white shirt, at a red candy vending machine with a 'CANDY' sign. Homer leans forward with his head bowed and eyes closed, while Smithers places a hand on his back, then steps back and gestures outward with one arm while speaking, tapping a finger at his chest in the last frame. The scene takes place in a beige-walled hallway, and Smithers wears a white ID badge clipped to his jacket.

> It's not fair.
> I know how you feel, Simpson. I've never seen Mr.
> Burns so depressed.
> Uh-huh. People think that because he's rich and powerful and cruel,
> he doesn't have feelings like other men.
> But he does. And you know what?

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## 2:43–2:54

Homer Simpson stands at a red CANDY vending machine with a dollar bill in his hand, while Principal Skinner, the grey-haired man in a suit and purple bow tie, stands beside him. Homer first looks at the machine with a sullen expression, then turns to Skinner, who speaks and looks back at him. Homer then glances toward a cafeteria sign on a wall while holding the bill, and returns to the machine to feed it money, with the bill passing into the slot as Skinner watches with a stern look. Notable objects include the vending machine's selection grid labeled A through P, the cafeteria sign in red, and a green dollar bill.

> I bet he wouldn't sell a plant for a hundred million dollars.
> Ooh, that's a lot of money.
> Uh, Mr. Smithers, do you have change for a dollar?

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## 2:54–3:06

Homer Simpson, bald and heavy in a white shirt and blue trousers, feeds money into a red CANDY vending machine while Smithers, thin with glasses, a purple bow tie and a green jacket, watches beside him. A slumped figure in a blue uniform lies face-down across a control console, with a yellow head at the left edge. Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits at a desk under a blue lamp with a phone to his ear and a cigar in his mouth, gesturing with his free hand beside a sandwich, an ashtray and a purple mug.

> Good, good.
> Try to eat something.
> Homer Simpson here.
> Homer, it's your stockbroker.
> Your stock in the power plant just went up for the first time in ten years.

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## 3:06–3:19

Mr. Burns, frail and stooped in a blue jacket, sits at a desk with a phone to his ear and a cigar in his hand, beside a sandwich, an open book, and a purple mug. Homer, bald and in a white shirt, stands in a blue hallway with a phone pressed to his ear, holding a partly eaten chocolate bar in a green wrapper. Burns keeps talking with the cigar raised and his eyes half-closed, while Homer looks wide-eyed and speaks into the receiver.

> I own stock?
> Yes. All the employees got some in exchange for waiving certain constitutional rights.
> So, uh, how much did it go up? Wait a minute.
> Let's not do that yet.
> The book says we have to make a little small talk before you get down to business.
> Everybody alive? Yeah. Like any sports? Sure.

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## 3:19–3:32

Homer Simpson, in a white shirt, talks on a blue telephone in a hallway with blue lockers and a red-and-white life ring on the wall, his eyes going wide, then squeezing shut, then wide again. Across the cut, Mr. Burns sits hunched at a desk under a green lamp, holding a black phone to his ear with a cigar clamped in his mouth, his eyes drooping and narrowing beside a bowl of nuts.

> Ever go dancing? Not anymore. We should get together sometime.
> That'd be great. Ah, there. Now we trust each other.
> Well, uh, how are you?
> I'm renewing my notary license on a weekly basis.

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## 3:32–3:44

Homer, the bald heavy man in a white shirt, scowls while holding a blue telephone receiver to his ear in a close-up near a red fire extinguisher on a blue wall. The scene then shows Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, in a blue suit at a green desk under a blue lamp. He holds a black phone to his ear while reading a newspaper, with a half-eaten sandwich, a bowl, and a purple mug on the desk; his newspaper gradually lowers as he speaks and he ends with eyes half-closed and mouth open.

> Uh-huh. So what's my stock up to? Let me punch that up on the computer.
> 25 cents a share. What should I do? Well, let me put it this way.
> You'll get $25 if you sell now. Sell, sell, sell!

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## 3:44–3:46

Homer Simpson, bald and wearing a white shirt, stands in a blue-walled room with a window and a wall-mounted monitor, holding a blue telephone to his ear with one raised fist. In the first two images he is wide-eyed with his mouth open, then in the later images he squeezes his eyes shut and pumps his raised fist upward as he shouts into the phone. A red fire extinguisher sits on the floor at the bottom left in the later moments, and small orange fragments fly near the phone's earpiece.

> Woo-hoo!

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## 3:46–3:54

Homer, bald and wearing a white shirt, sits in the plant control room beneath a yellow radiation symbol, first laughing with his eyes shut and then settling back with a smile. A large white daydream cloud fills the scene, first empty, then showing an older man with blue-grey hair and a moustache holding a red object, with Homer holding a pair of scissors, and later a pink car covered in soapy suds with Homer driving it. The control room's panels and a hazard-striped door remain visible around him.

> $25.
> Oh, hot works.

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## 3:54–4:02

Homer Simpson, bald and heavy in a white shirt, stands in the Springfield Nuclear Power Plant control room beside a blue cash register and a wall of dials, first dreaming of a pink car being washed by a big blue brush in a white thought cloud. In the next images he appears twice, one copy in front and one behind, as he looks up at the blue cash register inside the cloud, then grins while holding a claw hammer raised over the register's keys. He is last seen gazing upward with a dreamy smile beneath a blue monitor, with a yellow radiation symbol on the wall beside him.

> Oh, hammer.
> B.B.B.I. B.B.I.

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## 4:02–4:13

Bart, the spiky-haired boy in an orange shirt and blue shorts, sits on a brown couch with his arms folded, watching a TV under a sailboat painting and a lamp. The screen shows Itchy & Scratchy title cards, first "The Itchy & Scratchy Show" and then "House of Pain" or "This Old Mouse," where Scratchy in overalls chases Itchy. The cartoon then shows Scratchy tied with rope while Itchy climbs a red ladder with a hammer and drives a nail into Scratchy's head.

> B.C. and Spaghetti Show!

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## 4:13–4:26

Bart, in his orange shirt and blue shorts, sprawls on the brown couch laughing with his eyes shut, while Marge's blue beehive pokes out from beside the purple lamp, smiling and waving. On a TV screen in the scene, a blue mouse in purple pants and a black cat appear in a framed picture beside a green background and a cyan spiked object, and the teal telephone sits on the side table near the couch.

> Bart, Bart, turn to the Financial Channel.
> Aunt Patty says our stock is skyrocketing.
> Unconfirmed takeover rumors have pushed Burns worldwide from 1-8 to 52.25.

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## 4:26–4:39

Marge, with her tall blue beehive and green dress, holds Bart, the spiky-haired boy in an orange shirt and blue shorts, in front of a brown couch in the living room while they smile at each other. Earlier, a dark-haired man in a blue suit and green tie grins in front of a Burns Worldwide logo showing a mushroom cloud, with a stock ticker scrolling beneath him, and then a yellow hand presses the buttons of a calculator displaying 52.

> Your father's stock is worth $5,200.
> Wow, 5,200 smackers.

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## 4:39–4:48

Bart, the spiky-haired boy in an orange shirt, sits on a brown couch in a pink room beneath a framed sailboat picture, grinning as he daydreams. Inside cloud-shaped thought bubbles, he drives a blue truck labeled BAD BOY BART with a $5200 sign on its window, then the truck grows into a monster truck with huge tires. Finally the truck rolls over a row of flattened cars in front of a Frosty Chocolate Milkshakes sign while Bart stays on the couch.

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## 4:48–4:58

Bart Simpson sits on a brown couch with his eyes closed and a grin, daydreaming in a large thought cloud. The cloud first shows him lying flat with a grey funnel-like machine pouring brown liquid into his mouth, then a yellow figure being wrapped in a hazy blue cloud while a tube hangs above. The cloud turns solid blue with a small object trailing a white streak in a curve, then reads "EAT MY SHORTS" as Milhouse, with blue hair and glasses, and an orange-haired boy in a white shirt point toward a small house. The cloud shrinks into a small blue puff in front of a sailboat painting on the pink wall, and Bart laughs with his mouth open.

> Ha ha ha!

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## 4:58–5:09

Moe, the grey-haired bartender in a white shirt, black bow tie and suspenders, wipes the bar and then opens a bottle of Duff Private Reserve with a bottle opener while Homer, bald and heavy in a white shirt, leans on the counter at right, grinning and then wide-eyed. Behind them at the bar, a thin man in a grey suit and a heavy man in a black jacket sit with mugs of beer, and shelves of bottles and glasses line the back wall beneath a green-and-red diamond-patterned panel and a Duff sign. Moe pauses to look at the bottle, then pours or opens it as Homer watches, and the bottle label reads Duff Private Reserve.

> Hey, Homer. Want a duff? No, I'd like a bottle of Henry K.
> Duff's private reserve.
> Oh!
> Are you sure? Because once I open a bottle, there's no refund.

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## 5:09–5:20

Moe the bartender leans on the bar in front of Homer, who sits on the right in a white shirt, while Troy McClure in a suit and green tie reads a paper beside an unnamed man in a black sweater and glasses standing behind them. Homer gestures with his hand and grins while Moe frowns and glances down, and a dollar bill lies on the bar near a Duff beer bottle. Later Homer grins and points, then pours Duff beer from the bottle into a white holder with tubes on the counter, as a cigarette machine stands in the background.

> For your information, I just made a cool $25 playing the markets.
> Buy low, sell high, that's my motto.
> I may just quit my job at the power plant and become a full-time stock market guy.

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## 5:20–5:27

Two men in dark suits stand at a bar, one with a mustache and green tie and the other with thick-rimmed glasses and black hair, looking over a sheet of paper. Homer, the bald bartender in a white shirt, pours beer from a Duff bottle into a mug, then raises the bottle overhead and grins while holding a mug. In the final moment he lifts a bottle toward the men as they sit with beer mugs in front of them, with the Duff label visible on the bottles.

> Have enough, boys.

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## 5:27–5:37

A mustached man with swept-back reddish hair in a purple suit and a dark-suited man with black-framed glasses sit at a bar counter with beer mugs and a paper on the counter, while Homer, in a white shirt, faces them and listens. The mustached man lifts a hand toward his face, and the scene ends with Homer raising a beer mug to drink with half-closed eyes. A partly visible neon sign reading "Du" hangs above the bar.

> Oh, thank you.
> My English is not perfect, but I have to tell you, your beer is like sweet to us.
> Do I have that right? I'm saying that only a swine would drink this beer.

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## 5:37–5:49

Homer Simpson, bald with stubble and a white shirt, holds a mug of beer and looks surprised with his mouth open at a bar, and then two strangers sit at a bar counter in front of a partly visible yellow sign reading "Du" with diamond-patterned panels behind it. The stocky man on the left, with orange swept-up hair, a thin moustache, a purple suit and a mint-green tie, gestures with an open hand toward the slim man on the right, who wears black slicked-back hair, thick black-framed glasses, a dark suit and a blue tie. Through the scene they sit beside mugs of beer and a sheet of paper on the counter, and the slim man lays his hand on his chest and smiles while the stocky man keeps his hands folded.

> Yeah, but thank you anyway. Hey, you guys aren't from around here, are you?
> Ach, nein.
> We are from Germany. He is from the East.
> I am from the West. I had a big company, and he had a big company.
> Now we have a very big company. We are interested in buying the power plant.

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/343468

## 5:49–6:02

Homer, in his white shirt, leans on a bar across from two men in suits: a man with an orange pompadour, mustache and purple jacket, and a thin man with glasses and a blue tie who looks like Smithers, with beer mugs and a sheet of paper on the counter under a partly visible 'Du' sign. Homer raises a mug and grins as he talks, and the scene then shifts to an open briefcase packed with stacks of cash, with a yellow hand pointing at the bills. The briefcase is set on an orange surface beside a blue lining.

> You think the owner would ever sell it? Well,
> I happen to know that he won't sell it for less than $100 million.
> A hundred million?
> That's fine, I feel fun. Oh, don't worry.

Frame: https://ultrahouse3k.com/img/S03E11/350559.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/356189

## 6:02–6:15

A thin man with glasses and slicked dark hair stands beside a mustached man in a purple suit and green tie at a desk with a dark box in front of them. A blue screen then shows a stock ticker reading BIG GAINER, with the Burns Baldwin logo and CLOSED 51 7/8. The Simpson family, Lisa, Marge, Maggie, Bart, Santa's Little Helper and Snowball II, sit and stand in the living room while Patty and Selma, both with grey-violet hair, stand together, with Selma smoking a cigarette.

> We'll still have enough left to buy the Cleveland Browns.
> It's the miracle we've been waiting for.
> What are we gonna spend it on? Homer's probably buying some magic beans with it right now.

Frame: https://ultrahouse3k.com/img/S03E11/363905.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/368910

## 6:15–6:27

Lisa and Marge, with her tall blue beehive, sit in a pink living room beside a purple lamp, and Marge gestures with her hands while both smile. Marge then pulls Lisa into a tight hug, and Homer peeks around the yellow curtain of the archway with a grin. Marge runs to the doorway and embraces Homer as Bart, Lisa, Santa's Little Helper and Snowball II gather around them.

> We'll have a savings account. We've never had one.
> Kids, I think everything is going to be okay from now on.
> Hey, hey! Oh, Homer!
> You heard? We heard.

Frame: https://ultrahouse3k.com/img/S03E11/376209.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/381214

## 6:27–6:38

Marge, with her tall blue beehive and orange bead necklace, and Homer, bald and stubbly in a white shirt, stand in a pink kitchen by a purple cabinet and a dish rack. They start off in an embrace, then Marge pulls back and clasps her hands at her chin while Homer smiles and grins at her. Homer then rubs his hands together and laughs with his arms folded, while Marge looks on with a wary, unimpressed expression. The scene closes with Homer grinning nervously and Marge clenching her teeth as they face each other beside a green-leafed plant on a pink shelf.

> Isn't it wonderful? We have some great plans for that money.
> Well, I'm afraid I had some great plans, too.
> What do you mean? I spent it on beer.

Frame: https://ultrahouse3k.com/img/S03E11/388513.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/392893

## 6:38–6:49

Patty and Selma, with grey-violet hair, stand side by side smoking cigarettes, Patty with a sideways scowl and Selma with her mouth open. Marge, with her tall blue beehive and orange beads, and Homer, in his white shirt, face each other in a kitchen by a dish rack, and Marge first looks wide-eyed and startled before squeezing her eyes shut and grimacing. Homer then stands in a pink room beside a blue cabinet, holding a white sheet of paper up to his face, while Marge reaches out to press a finger against his nose and he crosses his arms and looks down at her.

> Surprise, surprise.
> You spent $5,200 on beer?
> $5,200?
> What are you talking about?
> What?

Frame: https://ultrahouse3k.com/img/S03E11/399357.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/403945

## 6:49–7:00

Homer, bald and heavyset in a white shirt and blue pants, is seen from behind at first, staring at a blue wall display labeled BIG GAINER with a mushroom-cloud graphic and falling figures, then he drops to his hands and knees on a pink rug while his family looks on. Maggie, in blue pajamas, Bart in an orange shirt, Lisa with her star-shaped hair, Patty and Selma standing behind the couch with grey-violet beehives, and Santa's Little Helper the brown greyhound all watch him, with Snowball II the black cat at the left edge. Homer then crawls across the rug toward the BIG GAINER board, which now reads CLOSED and shows a stock price of 151/8, while Bart stands nearby with his hand on his hip. The last moment is a close-up of Bart grinning nervously beside a pink wall with a light switch, his eyes wide.

> Oh!
> I sold it all for 25 bucks!
> Come on, everybody. It makes you feel better.

Frame: https://ultrahouse3k.com/img/S03E11/410619.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/414789

## 7:00–7:07

Homer, bald and heavyset, sits behind the wheel of a pink car with the plate 1ALP216 in a lot, while a man in sunglasses drives a red sports car with the plate LOADED past a row of parked cars and a street lamp. The scene opens on an aerial view of a nuclear plant with cooling towers and a road of small colored cars, then moves in to the pink car and the red car, which rolls forward toward the viewer, with a small object lying on the ground in front of it.

> Hey, Alba. Did you buy this car with your stock money?

Frame: https://ultrahouse3k.com/img/S03E11/421254.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/423965

## 7:07–7:17

Homer, bald and seen from behind in a white shirt, leans on the blue car in the foreground while Carl, a Black man in a blue suit, red tie and dark sunglasses, stands behind a red car in an outdoor lot by a chain-link fence. Carl gestures with open hands and holds his sunglasses, then lifts them toward his face and chin, while Homer looks on and speaks with his mouth open. A small sign hangs on the fence behind them.

> Sure did.
> And the great thing about it is everybody got rich.
> For once, all us working stiffs got a break.

Frame: https://ultrahouse3k.com/img/S03E11/428762.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/432724

## 7:17–7:30

Homer, carrying a suitcase, walks across a dirt lot past a pink car and then stands beside a green car with a BUY LOW plate and a blue car with a JACK plate, where a man in sunglasses sits. He next stands beside a cream vintage car with a large steering wheel, talking with a man in a green cap, glasses and scarf, and then stands in front of a barbed-wire fence with Lenny, who has spiky black hair, suspenders and a broad grin, and Carl, who wears sunglasses, a lavender jacket and a red tie. Lenny grins while Carl and Homer look on, and the scene is set against a blue sky with a chain-link fence and trees behind them.

> Hey, what do you see, Lenny? He just got back from the plastic surgeon.
> Yes, Lenny, looks like you got the works.

Frame: https://ultrahouse3k.com/img/S03E11/438772.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/444194

## 7:30–7:42

Nelson, the bully in a vest, grins in a close-up in front of a green chain-link fence in the first moment, then Homer and Lenny stand with Carl in a parking lot beside a white limousine with its door open and a sleek row of parked cars. Inside the limo, Mr. Burns, frail and thin with a hooked nose and grey hair at the sides, sits on the red seat wearing dark sunglasses and a suit while holding a glass. Homer and another man watch a television screen showing a crowd of photographers and reporters with cameras and microphones gathered in a wood-beamed hall, where a man in a suit raises a pen-like object and calls out to Mr. Burns while the crowd pushes forward.

> Well, it started out as an eye tuck, but the stock kept going up.
> Hey, come here. Mr. Burns is on TV.
> Mr.
> Burns! Over here, Mr. Burns.
> Mr.
> Burns!
> Mr.
> Burns! Mr. Burns! Mr.

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/456498

## 7:42–7:50

Mr. Burns, the frail, stooped old man with a bald head, blue hair at the sides, hooked nose and orange tie, stands on the right, facing an older white-haired man on the left who holds a black microphone toward him. A bespectacled man in a green jacket and purple bow tie stands between them in front of a red diamond-patterned backdrop and wood-beamed wall. Over the moment, the reporter's eyes narrow and he begins jabbing his finger toward Burns, while Burns scowls with clenched teeth and leans in closer, glaring back.

> Burns, we've heard that a German consortium has offered to purchase the plant.
> Any comment?
> You'll see the Statue of Liberty wearing Lederhosen before you see Germans running my

Frame: https://ultrahouse3k.com/img/S03E11/463380.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/466299

## 7:50–7:58

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands on the right in a dark suit and orange tie, scowling and speaking with his mouth open, while Smithers, his thin assistant in glasses and a purple bow tie, peers over from behind. On the left, an elderly man with white tufts of hair turns toward them and gestures with his hand, and a black microphone is held at the bottom of the scene. Against a red diamond-patterned panel and wooden beams, Burns jabs his finger toward his own face and pinches his fingers together while Smithers looks on, and the elderly man keeps gesturing.

> plant.
> Well then, sir, why are you meeting with them?
> So I can look Uncle Fritz square in the monocle and say,

Frame: https://ultrahouse3k.com/img/S03E11/471513.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/474432

## 7:58–8:10

Mr. Burns, the frail, stooped old man with a hooked nose, walks past the sign for The Hungry Hun restaurant, then sits at a round table with Smithers, the thin assistant with glasses, Lenny, the spiky black-haired man with glasses, and a reddish swept-back-haired man in a purple suit. Burns and Smithers cut into plates of sauerbraten, and Burns smirks and gestures with his fork while pewter steins sit on the table. Subtitles on screen read "THE SAUERBRATEN IS EXCELLENT" and then "MY LICKSPITTLE TOLD ME I NEVER CEASE TO AMAZE HIM."

> Your sauerbraten schmeckt kostlich. Oh, you never cease to amaze me, sir.
> Mein Griecher sagt mir, dass ich mich nie erforer zu erstaunen.

Frame: https://ultrahouse3k.com/img/S03E11/479646.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/484442

## 8:10–8:22

Mr. Burns, frail and thin with a hooked nose and tufts of grey hair at the sides, sits at a candlelit restaurant table with Smithers, his thin assistant in glasses and a purple bow tie, while a moustached man with a slicked orange pompadour in a lavender suit and a black-haired man in glasses and a dark suit sit across from them. Burns grins and gestures with his hands, then later studies a small white card, and he later raises his hands expressively while the others watch, with plates of sausages and mashed potatoes and steins on the white tablecloth. The on-screen text reads "WE THINK WE HAVE A VERY GENEROUS OFFER." and then "YOU ARE WASTING YOUR TIME."

> Wir denken, wir haben ein sehr gutes Angebot.
> Du verspielst deine Seite.
> Mm-hmm.
> Woo-hoo!

Frame: https://ultrahouse3k.com/img/S03E11/491533.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/496538

## 8:22–8:33

Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers in a green jacket and purple bow tie sit at a dining table with plates of sausages and potatoes, Burns resting his hands on the table and Smithers holding a small glass. The scene then moves to an outdoor stage decorated with red bows, purple and yellow balloons, and a large WILLKOMMEN banner, where Burns stands at a wooden podium while a man in a suit and a man holding a large cheque sit nearby. An oompah band in Alpine hats plays tuba, clarinet and trombone beside the stage as a crowd, including Marge with her blue beehive and Homer, watches.

> I grudgingly accept.
> Now, don't worry.

Frame: https://ultrahouse3k.com/img/S03E11/504045.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/508216

## 8:33–8:44

Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, stands at a wooden podium under a red-and-white bow while two seated men in suits, one with glasses and dark hair and one with orange hair and a moustache, hold up a giant check reading "Montgomery Burns" and "One Hundred Million" in the foreground. Burns first grins over the check, then gestures with an outstretched arm toward the seated men and smiles broadly. In the final moment, a dark-suited man with dark hair steps up to the podium and grabs the microphone to speak while Burns stands behind him with a hand on his hip, and Marge's blue beehive is visible at the bottom edge.

> I think you'll find that these two gentlemen are as American as apple pie.
> Hans and Fritz, well, that's just John and Frank.
> I'm an orange bank fielder.

Frame: https://ultrahouse3k.com/img/S03E11/514681.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/519060

## 8:44–8:55

Marge Simpson and Homer Simpson stand in a worried crowd beside a wooden podium, with a barbed-wire fence and a German flag behind them. Marge grits her teeth and jabs a finger toward the podium while Homer glances nervously to the side, and a dark-haired man at the right edge looks uneasy. The crowd stays tense and pressed close together as the group's expressions shift between worry and irritation.

> No, don't bring your old people in.
> This ain't good.
> We can all lose our jobs. Look at all those worried faces.
> Except for Lenny. He looks great.

Frame: https://ultrahouse3k.com/img/S03E11/525734.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/529904

## 8:55–9:05

Carl, a Black man, sits at the left and Mr. Burns, thin and stooped with grey hair at the sides, at the right, with a grinning black-haired man in a green sweater between them in a close-up. The grin holds for a moment, then the screen fades to black. When the view returns, the group sits in a row of chairs in a pipe-lined hallway, holding paper cups, with Homer in a white shirt and blue pants among them and an empty chair and a bucket on the floor in front.

> This is the worst day of my life.

Frame: https://ultrahouse3k.com/img/S03E11/536369.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/540331

## 9:05–9:16

Lenny, with spiky black hair and a purple-strapped black top, stands beside Carl, a Black man in a grey jacket and blue sweater, while Homer, in a white shirt with a safety inspector badge and pink tie, leans in from the right. Carl holds a pink donut with a bite taken out of it, and Homer, holding a paper cup, talks and then opens his mouth wide in exclamation. Afterward the group sits in a row of seats in a bus-like space, with Carl holding a blue donut, Homer a pink one, and a man with blue hair and another with reddish hair seated behind them.

Frame: https://ultrahouse3k.com/img/S03E11/546588.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/550967

## 9:16–9:27

Homer Simpson sits at the left edge of a table beside Carl, a Black man with bulging eyes at the right edge, while a heavy older man with white hair, a thick white mustache, a grey vest and a green tie sits in the center. He grins, folds his hands over a brown briefcase, and glances to the side with a tight smile as stacks of white paper cups sit on the table. Later, a wider view shows a crowd of men gathered around a white-haired man seen from behind, with Homer grinning in a tie and name tag and a man in an orange shirt holding a donut.

> I am Horst.
> The new owners have elected me to speak with you because I am the most non-threatening.
> Perhaps I remind you of the lovable Sergeant Schultz on Hogan's Heroes.
> Yeah, he does.
> What is the best way to an efficient plant?

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/562228

## 9:27–9:34

Homer, in a white shirt, pink-striped tie and name badge, sits at the right of a row of seated co-workers holding paper cups, with Carl, a Black man in a grey jacket, and Lenny with spiky black hair among them. An elderly white-haired man with a mustache and suspenders leans in at the left foreground, first gripping Homer's arm and smiling, then talking animatedly to the group while they listen. Carl turns to speak, his mouth open, as the group sits in a plain grey room with a red sign and a water cooler on the wall.

> Whoa.
> I don't know. Search me. Happy workers who feel secure at their jobs.

Frame: https://ultrahouse3k.com/img/S03E11/568693.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/570987

## 9:34–9:45

Homer, seen from behind with his bald head in the left foreground, sits in a meeting room with Lenny, Carl and Milhouse, while a heavy older man with a white mustache and green tie stands behind a brown lectern beside a water cooler with paper cups. He first frowns, then breaks into a wide toothy grin as the group crowds around him, and a hand rises from the foreground. Bart's raised arm and spiky hair appear at the right edge as the others look on.

> So let's go to know each other better.
> Do we have any alcoholics among us?
> Uh, me? Right here. I'm drunk right now.
> You'll be given a six-week treatment at our drying-out facility in Hawaii,

Frame: https://ultrahouse3k.com/img/S03E11/575366.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/579954

## 9:45–9:56

An older balding man with white side hair, a white mustache, grey vest and green tie sits talking and gesturing, first with his hands clasped and then with both hands open, grinning as he speaks. The scene then cuts to a row of seated men holding white paper cups, with Homer in a white shirt and striped tie in the middle and Carl in a grey jacket beside him, while several men raise their arms and cheer, one with spiky black hair on the left and a grinning man in a red shirt and blue overalls on the right with his arm raised high.

> after which you return at full pay. Oh, great!
> Okay, maybe I'll marry Elizabeth Taylor.

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/590799

## 9:56–10:08

An older, heavyset man with white hair around a bald top, a white mustache, a grey vest, white shirt and green tie sits on a brown chair in a plain room with a teal-draped table holding stacked white cups and a tray of colored balls. He grips the chair back and talks, lifting one hand to gesture, then glances up at a glowing green blob on the ceiling before leaning forward to peer at a glowing green substance in a blue saucepan on the floor. A small green glow rises from the pan as he watches it, and he ends hunched over the chair with a pained, squinting expression.

> Lucky drunks. Also, we cannot uber-emphasize the importance of employee safety.
> We plan to have some frank discussions with your safety inspector.
> Yeah, talking to him, horse.

Frame: https://ultrahouse3k.com/img/S03E11/597472.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/602685

## 10:08–10:20

Homer, wearing a white shirt with a SAFETY INSPECTOR badge, grips a man in a crowded room while onlookers stare, including a man with a moustache and a thin, bald-headed man in a bright orange shirt holding a blue-and-white item. The scene then moves to Mr. Burns, the frail, stooped old man with a hooked nose and grey hair, seated at a purple desk in a red-walled office full of cardboard boxes, where he bends over and signs a large check with a quill pen beside a small inkwell. A polar bear figure in a green outfit appears briefly on the right in one earlier moment.

> Hey, Homer, aren't you the safety inspector?
> Don't!
> That's one big check.

Frame: https://ultrahouse3k.com/img/S03E11/609984.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/614572

## 10:20–10:33

Mr. Burns, a frail, stooped old man, writes with a pink quill on an oversized check reading 'For Deposit Only C.M. Burns' while a bottle of ink sits nearby on a pink desk. Smithers, his thin assistant in glasses, a green jacket and a purple bow tie, sits at a desk beside a black cassette recorder, cassette tapes and a red book titled 'Sycophantic German', glancing sideways and then speaking with his mouth open before settling into a worried expression.

> You look sharp today, sir.
> You looking sharpened today in mine hair.
> That was a gutsy decision, sir.
> Smithies, come here. I want you.
> I wanted to give you something to remember me by.

Frame: https://ultrahouse3k.com/img/S03E11/621246.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/627085

## 10:33–10:41

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and Smithers, his thin assistant with glasses and a purple bow tie, stand together in a richly furnished office with a red carpet and a large window. Burns first faces Smithers, then holds out a cigar, and Smithers reaches toward it with an empty hand before accepting a small framed picture from Smithers' hands. Burns leans in and gestures with his hand, and Smithers, holding the framed photo, looks at it and shows an astonished expression. The framed photo shows Burns shaking hands with a dark-haired man in a high-collared jacket with a wide belt, and the frame is held up in the foreground by yellow hands.

> I know you've always had your eye on this photo of Elvis in me.
> He was so good to his mother, sir. Yes, but I couldn't understand a word that man said.

Frame: https://ultrahouse3k.com/img/S03E11/635009.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/637720

## 10:41–10:52

Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, stands in a dim wooden room beside an open cardboard box with a green item inside, first glaring and gesturing with outstretched hands and then leaning forward and reaching out. A bespectacled man in a green jacket and purple bow tie, holding a framed photo, extends his hand toward Burns, who then turns toward him with his hands held out. Bookshelves, a wall sconce and a wooden door frame stand behind them in the first part, and the scene shifts to a glass-walled backdrop with a pale sky.

> Mist burns, doesn't burn my foundation, her hound dog.
> Stop it, you're killing me, sir.
> Oh, sir, what will you do next? Well,

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/647105

## 10:52–11:05

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and his assistant Smithers, in a green jacket and purple bow tie, stand in a wood-paneled study lined with shelves. Burns leans with one hand on his hip and holds a cane, then takes a black top hat from Smithers and lifts it, while Smithers grins beside him. A cardboard box with a pencil sits on the left, and a framed photo rests near the bottom edge.

> first I'll get that new hip I've been hankering forth.
> Then who knows? Beekeeping, boxing, bocce ball.
> The world is my oyster smithers.
> Farewell.

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Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/659409

## 11:05–11:11

Principal Skinner, with neat grey hair, glasses and a green jacket, stands in the right foreground of a grand hall with an arched ceiling, a round gold clock on the back wall, and a red carpet. A small figure in a blue suit walks away from him across the carpet toward the double doors, reaching them in the middle frames and passing through as Skinner turns his head and looks downward to the left. Bookshelves line the right side of the room, and a round window sits above the doors.

Frame: https://ultrahouse3k.com/img/S03E11/667125.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/668585

## 11:11–11:18

Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, sits at a pink table reading an open book, and Homer, the bald heavy man in a white shirt, leans in beside her. In the first moment Lisa reads with half-closed eyes and a smug expression, then Homer stands at her side with his hand resting on her shoulder while she looks down with eyes closed. Homer then sits forward with his hands clasped, talking with a worried expression while Lisa glances up at him, and in the final moment both lean over the book with wide eyes as Lisa's mouth opens slightly. Nearby on the table are a green cup of pencils and a pair of scissors, and a bookshelf with a toy house and a green stuffed creature sits in the background.

> Lisa, your father needs your help. Do you know anything about Germany?
> Well, it's a country in Europe. Good, good.

Frame: https://ultrahouse3k.com/img/S03E11/672130.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/674632

## 11:18–11:25

Homer Simpson, the bald, heavy man in a white shirt, and Lisa Simpson, the girl with star-shaped spiky hair and a red dress with a pearl necklace, sit side by side at a pink table in the family's living room. Homer leans on his elbows, rests a hand on his chin, then clasps his hands together and gestures while talking, while Lisa looks up at him and gestures with one hand, later giggling with her eyes shut as Homer raises his hands and shrugs. An open book lies between them, with a cup of pencils and scissors at the table's edge and a bookshelf with a green frog figurine and toy houses behind them.

> I'm learning. One of the economic powers of the world?
> Because we sent him money?
> No.
> Because they're efficient and punctual with a strong work ethic.

Frame: https://ultrahouse3k.com/img/S03E11/679220.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/681723

## 11:25–11:36

Lisa, the girl with star-shaped spiky hair and a red dress and a pearl necklace, sits at a desk reading a book in her bedroom, first grinning and then laughing with her eyes squeezed shut. In the bedroom, Marge with her tall blue beehive lies under an orange blanket, and then Homer, the bald heavy man in blue pajamas, stands by the nightstand with a lamp, clutching his head and then raising both arms in alarm as Marge looks up at him. A small alarm clock and a framed photo of Homer sit on the dresser, with a crescent moon visible through the window behind him.

> Oh, woe is me. Oh, me.
> Come to bed. Oh, Marge, I'm gonna be fired.
> I know it. Don't worry.

Frame: https://ultrahouse3k.com/img/S03E11/686311.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/690690

## 11:36–11:48

Homer, the bald heavy man in a blue shirt seen from behind, and Marge, with her tall blue beehive, sit in bed in a pink bedroom, Marge clutching an orange blanket to her chest with a worried look while Homer turns toward her. Homer then stands near the wall by a window with a yellow curtain and a crescent moon on a night sky, gesturing with both hands and grimacing, looking unhappy and distressed. Framed pictures of the kids hang on the pink wall behind them.

> Whatever happens, we'll pay the bills somehow.
> Marge, it's not the money. My job is my identity.
> If I'm not a safety watchamajigger, I'm nothing.

Frame: https://ultrahouse3k.com/img/S03E11/697155.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/702368

## 11:48–12:00

Homer, bald and heavy in blue pajamas, stands beside a bed in a pink bedroom where Marge, with her tall blue beehive, lies under an orange blanket looking alarmed as he speaks to her. Homer then turns away and carries a box labeled Battlestar Galactica Jigsaw Puzzle, showing its 5000 pieces and a starship image, to a round blue kitchen table at night. Seated there, he tips the box over and pours puzzle pieces into an empty tray, then sorts through the scattered pieces with both hands while the crescent moon glows through the kitchen window.

> Well, if you can't sleep, why don't you do something constructive?
> Ooh, Battlestar Galactica.

Frame: https://ultrahouse3k.com/img/S03E11/709667.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/714464

## 12:00–12:08

Homer Simpson sits at a kitchen table in a light blue shirt, scowling as he works on a jigsaw puzzle, with his large yellow hands pressing two orange and purple pieces together in close-up. Scattered puzzle pieces cover the blue tabletop beside a puzzle box, and a crescent moon shows through the window behind him. He then turns his head to the side, eyes narrowed and mouth open as if speaking.

> Fit, damn you, fit!
> There.

Frame: https://ultrahouse3k.com/img/S03E11/721554.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/724265

## 12:08–12:21

Homer Simpson lies face-down on a bed covered in jigsaw puzzle pieces while a boy with spiky hair in a brown robe watches beside him, and the boy's expression shifts from wide-eyed to worried as Homer stays still. Homer then stands in a kitchen with puzzle pieces stuck to his forehead and food in his mouth, beside a blender and a pizza flyer on a door. Finally he stands at a counter in his white shirt and tie, staring blankly beside an open pink donut box and a coffee mug, with gauges on the wall behind him.

> Yo, Homer, you gotta get ready for work.
> Uh-huh.
> What?

Frame: https://ultrahouse3k.com/img/S03E11/729270.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/735109

## 12:21–12:31

Homer, in a white shirt, pink tie and blue trousers with a Safety Inspector badge, stands in a plant break room beside Lenny, a spiky-haired man in a dark green sweater holding a white mug, while an older white-haired man in a grey vest and moustache watches from a doorway and a worker in a white hard hat sits in the lower right. Homer fidgets with his tie, then plants his hands on his hips and scowls, and the older man steps forward and leans in close, grinning as Homer looks flustered. Pipes, a red fire extinguisher, a coffee maker, a radioactive waste barrel and a control panel with gauges fill the background.

> Oh, what am I gonna... Hey, you! Stop being so unsafe, Smitty!
> Safe enough. Homer, could we have a word with you?
> No.
> I must have phrased that badly. My English is how you say, inelegant.

Frame: https://ultrahouse3k.com/img/S03E11/743034.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/746579

## 12:31–12:44

Homer, seen from behind with his bald head and white shirt, stands in a break room beside a coffee dispenser and a stack of paper cups marked COFFEE 25 cents, facing a heavy, stubbly older man with a white moustache, white hair at the sides, and a grey sweater vest over a white shirt and green tie. The older man talks and grins at Homer in the first three views, then in the final views he is shown close up holding open a blue GERMAN ENGLISH DICTIONARY with a German and American flag on its cover, looking down at its pages while gesturing with one hand.

> I meant to say, may we have a brief, friendly chat?
> No.
> Once again, I failed.
> We request the pleasure of your company for a free exchange of ideas.

Frame: https://ultrahouse3k.com/img/S03E11/752418.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/757840

## 12:44–12:52

In an office with a "WE CARE" poster and a coffee station marked "COFFEE 25¢", a heavyset older man with white side hair and a grey mustache, in a grey vest, holds a blue German-English phrasebook. He then sits behind a purple desk while a thin man in glasses and a dark suit stands beside a window holding a manila envelope. Homer, in a white shirt and blue pants, sits in a wooden chair across from them with wide, uneasy eyes. The older man gestures with his hands as he speaks, and Homer looks around nervously.

> You've been safe, Inspector, for two years.
> What initiatives have you spearheaded in that time?
> Uh, all of them?

Frame: https://ultrahouse3k.com/img/S03E11/765556.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/768685

## 12:52–13:06

Homer, seen from behind with his spiked hair and white shirt, sits facing a desk where an older heavy man with white hair, a white mustache, a grey vest and a green tie sits beside Smithers, a thin assistant in dark-framed glasses, dark suit and blue tie. Both men sit with their hands clasped and gesture while Homer looks startled and wide-eyed in a brief cut to his face, then the three are back at the desk, with Smithers, now speaking with his mouth open, glancing at Homer. The office has large windows with a blue sky and clouds, and a cup sits on a side table in one earlier view.

> I see.
> Then you must have some good ideas for the future as well.
> I sure do!
> Such as?
> Well, uh,

Frame: https://ultrahouse3k.com/img/S03E11/773898.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/779737

## 13:06–13:17

Homer, the bald, heavyset man in a white shirt, pink tie and a "Safety Inspector" badge, sits at a desk with a red cabinet and stacked paper cups behind him, looking uneasy as he raises a hand and then rubs the side of his head and grimaces. A white-haired older man with a moustache, wearing a grey vest, and a man in dark-rimmed glasses and a dark suit with a blue tie stand near a window in a blue-lit room. Homer then looks sideways and pinches at his tie with both hands, still looking uneasy.

> I wish the candy machine wasn't so picky about taking beat-up dollar bills.
> Because a lot of workers really like candy.

Frame: https://ultrahouse3k.com/img/S03E11/787662.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/792041

## 13:17–13:22

An older man with white hair, a white mustache and a grey vest over a white shirt stands beside a slim man with slicked black hair, black-framed glasses, a dark suit and a blue tie, in front of a window showing blue sky and a seat back. The older man clasps his hands together and grins, then opens his mouth wide and gestures with both hands as he speaks, while the man in glasses keeps a faint smile and looks off to the side. The scene stays in the same small window-lit space throughout.

> We understand, Homer.
> After all, we are from the land of chocolate.
> Mmm, the land of chocolate.

Frame: https://ultrahouse3k.com/img/S03E11/798715.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/799966

## 13:22–13:32

Homer, the bald, heavy man in a white shirt with a safety inspector badge, sits at a desk across from a dark-haired man in glasses and an older white-haired man, then the scene shifts to a sunny landscape of chocolate mountains topped with cherries and a sign reading "LAND OF CHOCOLATE POP. 1372." Homer, in his white shirt and blue pants, stands between candy-cane poles against a brown chocolate-block wall, first throwing his arms up with his mouth wide open in shock, then grinning and rubbing his hands together as a black cat slinks in at the left edge.

Frame: https://ultrahouse3k.com/img/S03E11/803303.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/807473

## 13:32–13:45

Homer Simpson, in his white shirt and blue pants, climbs a tree sprouting white marshmallow-like cups in a candy landscape, then runs past lollipops and a row of black shapes along a chocolate path. He stops on a brown, dotted terrain beside a red-and-black striped signpost reading "FUDGE," clasps his hands to his face in alarm, and then gestures excitedly with his mouth open.

Frame: https://ultrahouse3k.com/img/S03E11/813938.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/818943

## 13:45–13:56

Homer Simpson, bald and heavy in a white shirt and blue pants, appears on a cobblestone street lined with pink-windowed wooden houses under a pink sky. He jumps and throws his arms up, then strides forward with arms outstretched, grinning. He then ducks behind a tall black lamppost, peering out with a wide-eyed, grimacing expression. Next he stands on the cobblestones beside a mailbox, eyes closed, and finally lifts a black cat, Snowball II, into his arms while the cat's head and body are visible against his chest.

Frame: https://ultrahouse3k.com/img/S03E11/826242.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/830830

## 13:56–14:06

Homer Simpson, the bald, heavy man in a white shirt, stands at the counter of a shop called Ye Olde Chocolate Shoppe, its sign reading SALE 50% off in a pink-trimmed window filled with chocolates. He first leans on the counter with a half-lidded, sly look and a small smile, then turns toward the window and stares at the display with both hands raised beside it. He turns back to face the viewer with wide eyes and an open mouth, then raises both hands in an excited gesture above trays of pepperoni-like and pink-dotted chocolates, grinning with a toothy smile.

> Wow, chocolate.
> Half price.

Frame: https://ultrahouse3k.com/img/S03E11/837503.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/841466

## 14:06–14:17

Homer Simpson, in a white shirt with a Safety Inspector badge and pink tie, sits in an office with his eyes closed and mouth open, then gnaws his tie-holding fingers while glancing sideways. Beside him, Smithers in a dark suit and glasses stands next to a white-haired, mustached older man in a grey vest who gestures with clasped hands and grows increasingly scowling and tight-lipped. The office has a coffee maker and stacked paper cups on a wooden cabinet, with a window showing blue sky behind them.

> Mr.
> Simpson. Mr.
> Simpson.
> Huh?
> Oh, I'm sorry. We were talking about chocolate?
> That was ten minutes ago.

Frame: https://ultrahouse3k.com/img/S03E11/847722.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/851893

## 14:17–14:29

Homer sits at a control panel in a blue lab with a radiation symbol on the door, laughing with his eyes shut while Carl, a Black man in a white lab coat, holds a white mug beside him. Lenny, with spiky black hair and a green sweater over suspenders, stands between them with his hands on his hips, then gestures with one open hand as he talks, and Homer turns to glance at him with a sly smile. The view then shifts to a wall-mounted orange box with a striped round lens and a red valve on the pipe above it.

> I think I did pretty good in there. Yeah, you know those Germans aren't so bad.
> Sure, they made mistakes in the past, but that's why pencils have erases.
> Attention, workers.
> We have completed our evaluation of the plan.
> We regret to announce the following layoffs, which I will read in alphabetical order.

Frame: https://ultrahouse3k.com/img/S03E11/858566.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/863571

## 14:29–14:39

Homer Simpson sits in a swivel chair at the center of a purple, horseshoe-shaped control console in a nuclear plant control room, wearing his white shirt and tie with a badge, his eyes wide and his mouth open. To the left, Carl, a Black man in a white shirt and brown pants, leans on the console holding a white mug, while a thin, stooped man with dark hair and a green sweater and suspenders stands behind him near the console. Across the five frames, the scene barely changes: Homer keeps staring ahead, Carl keeps holding his mug, and the standing man shifts his expression slightly and tilts his head while the room's blue panels and rows of colored dials remain still. Nothing else moves in the room.

> Simpson, Homer.
> That is all.

Frame: https://ultrahouse3k.com/img/S03E11/870870.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/874832

## 14:39–14:49

Homer sits hunched at the curved bar in a white shirt while a heavy man with messy brown hair in a white shirt leans on the counter at left and a dark-haired man in a dark jacket stands behind them in dim light. The scene fades to black, then a close view of a large can on a green stand shows its label first reading partly as 'OT FOOD', then changing to 'CONTENTS: 88% Ash, 12% Carrots', and finally reading 'CARROT CAT FOOD' in blue letters.

Frame: https://ultrahouse3k.com/img/S03E11/880880.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/884634

## 14:49–14:58

Bart, a spiky-haired boy in an orange shirt and blue shorts, holds a bowl of food up by the kitchen cabinets while Snowball II, the black cat with a red collar, sits by an orange bowl on the checkered floor, and the cat moves with trailing motion lines. Marge, with her tall blue beehive, then stands beside the green refrigerator with its heart magnet, and the family gathers at the blue-clothed kitchen table, where Homer in a white shirt sits with a plate, Lisa sits in front, Maggie with a pacifier is in her high chair, and Snowball II is up on the table.

> Ay, caramba! Now, Bart, Lisa did a wonderful job on my hair.

Frame: https://ultrahouse3k.com/img/S03E11/890681.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/894227

## 14:58–15:11

Bart (left, spiky hair, orange shirt) and Lisa (right, star-shaped hair, red dress) sit at a kitchen table with Marge, who has a tall blue beehive, standing behind them, and Maggie in a high chair with a pacifier and blue bow. Marge raises one arm high in the first frames, then lowers it, while Homer, bald with stubble and a white tank top, sits at the table staring glumly into a bowl with a spoon. In the final frames a hand holds up a lumpy green, orange and white ball of squeezed soap slivers, and Maggie sits watching with her mouth open. Bowls, a glass, and a toaster are visible on the counter and table.

> And we saved $40 for the family.
> We all have to pull together till your father gets a new job.
> I made a new bar of soap by squeezing all our little soap slivers together.
> That's very clever.

Frame: https://ultrahouse3k.com/img/S03E11/900066.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/905488

## 15:11–15:25

Bart Simpson, the spiky-haired boy in an orange shirt, sits at the kitchen table beside his sister Lisa, the girl with star-shaped spiky hair, red bead necklace-like pearls, and a red dress, while Marge, with her tall blue beehive and green dress, stands behind them holding a brown bowl. Bart gestures with both hands and smiles while Marge looks sideways with a stern, skeptical expression and her mouth open as if speaking. Across the purple kitchen sit a bowl, two glasses, spoons, a pot of food on the table, a white rooster figurine, a coffee maker on the counter, and wicker baskets hanging from the wall. Marge then leans forward slightly, and Bart grins and turns his head toward her while Lisa looks on with a faint smile.

> And today, instead of buying comic books, I just read them and left them in the store.
> Hmm, you shouldn't do that. My jump rope broke, but I just tied it back together.
> That's good, Lisa. I didn't take a bath today, and I may not take one tomorrow.
> I want you to take baths, Bart.

Frame: https://ultrahouse3k.com/img/S03E11/912995.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/918626

## 15:25–15:35

Homer, the bald, heavy man in a white tank top, stands at a kitchen counter beside a purple toaster, jabbing a metal fork into it as blue sparks flicker and his face shifts from sleepy to scowling. The scene then moves to a wall outlet crowded with tangled cables and a black plug, with blue sparks crackling around the overloaded connections.

> Lousy German know-it-alls. Who are they to say I'm not safe?
> Oh, what's the matter with this thing?
> No problems here.

Frame: https://ultrahouse3k.com/img/S03E11/926551.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/930513

## 15:35–15:46

Mr. Burns, frail and stooped in a white outfit with a hooked nose, bowls a black ball across a green lawn-bowling rink in a garden with tall hedges and a tan hotel building behind. He walks forward and holds the ball at his waist, then releases it so it rolls along the green. Beside the rink, a bearded bald man in a grey vest, an elderly man in a pink sweater leaning on a silver walker, and a moustached man in a green jacket watch, and the bearded man laughs.

> That's right, Brunzi.
> Keep your wrist simple.
> Throw it. Don't aim it.
> This is my puck! Get out!

Frame: https://ultrahouse3k.com/img/S03E11/936352.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/941149

## 15:46–15:57

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, jabs a finger at a group of elderly men on a lawn beside a green table with balls, while a bearded old man in a green vest, a heavy man in a tan sweater with spiky yellow hair, and a grey-haired man with a moustache using a walker gather near him. Burns then stands with his arms folded at the table's edge as the men approach, and the scene cuts to Smithers, a thin man with glasses and a purple bow tie, holding a phone with a paper marked PLANT stuck to his hair. The last moment shows a Plant Daycare banner over a room where children play with toys and a red wagon, while a large man with glasses and a telephone headset watches.

> It was worth it.
> This place has really gone to hell, Mr. Burns.
> It's obscene what they do to your office.
> Listen, Smithers, you caught me at a bad time,

Frame: https://ultrahouse3k.com/img/S03E11/948030.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/951993

## 15:57–16:07

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, holds a white telephone receiver to his ear in a dark-walled room, wearing red suspenders, while his face shifts from a worried look to a wide toothy grin. Across the scene, Smithers, the thin assistant with glasses and a purple bow tie, stands at a desk with a black phone to his ear in an office, where a PLANT DAYCARE banner hangs above bookshelves with children playing in the background. The sequence moves from Burns grimacing and speaking to a sly, grinning expression as he keeps the receiver pressed against his face, with the phone cord dangling below, and the visible on-screen text is the PLANT DAYCARE banner.

> but my folk guitar class has been canceled for tonight.
> Would you like to get together for a drink?
> Would I? All right, I gotta go. See you at six.

Frame: https://ultrahouse3k.com/img/S03E11/958249.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/962420

## 16:07–16:19

Mr. Burns, the frail, stooped old man with a hooked nose, first appears in close-up, then stands in a boxing ring wearing a helmet and gloves while Carl, in a teal tracksuit with a towel over his shoulder, watches nearby. He faces a muscular, bald boxer in green trunks and boots, and the scene cuts to a power plant with cooling towers and a green glowing spark on a smokestack, then to a control room where a thin man with glasses, a man in a grey vest with white hair and a moustache, and another man stand beside a panel with a red button, a gauge and a monitor.

> You're going down, my friend.
> Yes, sir, Mr. Burns.
> That shouldn't be.

Frame: https://ultrahouse3k.com/img/S03E11/968676.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/973473

## 16:19–16:32

Mr. Burns, in a white beekeeping suit, straw hat and red gloves, appears first beside a blue box holding three raccoons gripping blue hoses. Later he leans over a wooden hive box on a grassy hillside lined with tall cypress trees, watching bees swarm over the honeycomb, then grins with a bee on his finger before raising his gloved hands with a smug smile as bees buzz around him.

> Ach, du lieber vacuons!
> That's right.
> Gather the nectar, my little drones, and make the honey.
> Honey for your children.
> Fools!
> Ready for that drink, sir? Just a second, Smithers.

Frame: https://ultrahouse3k.com/img/S03E11/980563.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/986194

## 16:32–16:43

Mr. Burns, wearing a pale pith helmet and red gloves, and his thin assistant Smithers, in glasses and a magenta bow tie, stand outdoors in a grassy field beside tall cypress trees, with an open wooden honeycomb box on the table in front of them. Burns grins and leans toward Smithers, gesturing toward the box with a gloved hand, while bees crawl over his hat and shoulders and circle the hive. As the bees swarm around them, Smithers's eyes widen and he grimaces as a bee lands near his cheek and ear.

> Let me introduce you to the gang.
> That's Buzz, that's honey.
> And you see that queen over there? Her name is Smithers.
> That's very flattering, sir, but we should go.

Frame: https://ultrahouse3k.com/img/S03E11/994118.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/998080

## 16:43–16:55

Mr. Burns, in a pith helmet with a hooked nose, and a bespectacled man in a dark green sweater stand outside, with bees swarming around them. Moe's Tavern, with its pink car parked out front and signs reading "MOE'S" and "MOE'S TAVERN", is seen at dusk, then Bart, in an orange shirt and blue shorts, stands at a wall payphone on a checkered floor. Moe, with grey curly hair and a bow tie, holds a phone behind his bar lined with bottles, scowling as he listens and speaks.

> Several bees are stinging me.
> Mouse Tavern, mouse speaking. Uh, yes, I'm looking for a Mrs.
> O' Problem, first name B. Uh, yeah, just a minute, I'll check.
> Uh, B-O Problem?

Frame: https://ultrahouse3k.com/img/S03E11/1004128.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1009133

## 16:55–17:03

Moe, the grey-haired bartender, works behind the bar, pouring and holding up a glass while a row of regulars sits on stools, with Homer in his white shirt nearest the front holding a mug of beer. Barney, the heavy drunk with messy brown hair, sits beside him, and further along are a bald man in an orange jacket, a Black man in a white shirt, and a man in a green cap and glasses. The bar shelves are lined with bottles, a pink TV hangs on the wall, and a telephone sits on the counter. The men then line up along the bar, each holding a mug of beer, and they burst into laughter together with mouths wide open, Homer and Barney laughing hardest.

> B-O Problem?
> Come on, guys, do I have a B-O Problem here?
> You sure do!

Frame: https://ultrahouse3k.com/img/S03E11/1016432.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1019560

## 17:03–17:15

Moe, the grey-haired bartender in a white shirt, black vest and bow tie, stands at a bar lined with bottles and glasses, holding a phone to his ear and scowling. He raises a clenched fist, points with one finger, then grips the receiver tightly with an angry expression. Then Bart, the spiky-haired boy in an orange shirt and blue shorts, stands on a checkered floor beside a green stool, holding a phone receiver and smiling, with an orange wall phone and a potted plant nearby.

> Oh, it's you, isn't it?
> Listen, you, when I get ahold of you,
> I'm gonna use your head for a bucket and paint my house with your brains.
> Bart, I want you to go down to Moe's Tavern.

Frame: https://ultrahouse3k.com/img/S03E11/1024774.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1029570

## 17:15–17:27

Marge Simpson, with her tall blue beehive, first looks sideways with a wary expression, then stands in the kitchen in a green dress and red beads with one hand on her hip while talking to Bart Simpson in his orange shirt. The scene moves to a dim tavern with a cigarette machine labeled CIGAR, where Homer Simpson in a white shirt sits at the bar beside a beer mug. Bart peeks around a purple door, steps fully into the doorway in his orange shirt and blue shorts, and glances nervously to one side.

> I need you to bring your father home.

Frame: https://ultrahouse3k.com/img/S03E11/1036452.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1041249

## 17:27–17:35

Bart Simpson, the spiky-haired boy in an orange shirt, is at the bar of a tavern with Moe, the grey-haired bartender in a white shirt, bow tie and suspenders. Bart first stands at the counter beside a green-capped patron who is holding a glass, while Moe leans in with a scowl. Moe then angrily speaks with a phone-like object held near his ear as Bart looks on, bored. Later Bart is seen alone with a red object in front of him against a blue background, looking nervous. In the final moment Moe grips Bart by the chin and lifts him up with a sly grin, while a sign on the wall reads 'MUST BE OVER 21' and bottles sit on the shelf behind them.

> Excuse me, I'm looking for... Wait a minute.
> I know that voice.
> If it isn't little Bart Simpson, I haven't seen you in years.

Frame: https://ultrahouse3k.com/img/S03E11/1048130.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1051467

## 17:35–17:44

Moe, the grey-haired bartender in a bow tie and suspenders, leans over the bar in the tavern, first gripping Bart by the arm and pulling him close, then standing with arms crossed and a sly grin as Bart, in an orange shirt and blue shorts, sits on the bar edge looking uneasy. Bart then points toward the passed-out, slumped figure of Homer, slouched on a stool at the left edge of the bar, while Moe laughs and leans in, and Bart stares back at him. Behind them a 'MUST BE OVER 21' sign hangs on the wall, with bottles on shelves and a small sink and a green object on the bar counter.

> That's right.
> That's my Pop. Oh, little bot, we hear all about your monkey shines.
> Bet you get into all kinds of trouble he don't even know about, am I right?

Frame: https://ultrahouse3k.com/img/S03E11/1056889.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1060017

## 17:44–17:52

Moe, the grey-haired bartender in a white shirt and black bow tie, leans over the bar toward Bart, the spiky-haired boy in an orange shirt, while bottles line the shelves behind them. Moe leans in with a scowling, grinning face and pushes his arm toward Bart's side, and Bart's eyes roll sideways with a smug, sly smile. Moe then tilts closer and grins broadly, and Bart glances aside with a half-lidded look before both settle back into the same tense, smirking exchange at the bar, with an old-fashioned cash register on the counter behind them.

> Huh? Am I right? Yeah, well, I make some prank phone calls.
> Oh, that's great.

Frame: https://ultrahouse3k.com/img/S03E11/1065231.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1068359

## 17:52–18:00

Moe, the grey-haired bartender in a white shirt and black bow tie, and Bart, the spiky-haired boy in an orange shirt, stand together at a bar lined with bottles on wooden shelves. Moe leans in close to Bart, grinning and then crooning with his eyes shut, and in the later moments he gestures with his hands near his chest and points a finger toward Bart while smirking. Bart stays beside him with a calm, smug smile and wide eyes, and a cash register sits on the back counter behind them.

> Hey, would you sing that old song you used to sing for me?
> Mo, for you, anything.

Frame: https://ultrahouse3k.com/img/S03E11/1073573.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1076701

## 18:00–18:13

Mr. Burns, a frail, stooped old man in a lavender coat, and his thin assistant Smithers in glasses appear first in front of a Moe's sign, with Burns gripping a wheel-like fixture. Earlier, a blue car drives down a night street with headlights on, past parked red and pink cars and pink storefronts. Later, Bart, in an orange shirt and blue shorts, stands on the bar at Moe's, gesturing and bouncing among patrons, with Moe behind the counter and rows of bottles on the shelves behind him.

> Look, a blue-collar bar.
> Oh, Smithers, let's go slumming.
> Every teddy bear's been good, is sure of a treat today.
> There's lots of marvelous things to eat and wonderful games to play.

Frame: https://ultrahouse3k.com/img/S03E11/1081914.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1087128

## 18:13–18:23

Bart Simpson, in his orange shirt and blue shorts, stands at a bar lined with colorful bottles, first swaying with arms outstretched as a row of patrons slumps over the counter, including a heavy man with messy brown hair in the foreground and a man in a green cap. Bart then stands centered with his arms spread wide while the patrons raise mugs of beer in a toast, and Moe, the grey-haired bartender in a dark vest, grins behind the bar. A partly visible paper sign on the dark wall behind them reads only in fragments.

> Beneath the trees where nobody sees, they'll hide and seek as long as they please.
> Today's the day the teddy bears have their picnic.

Frame: https://ultrahouse3k.com/img/S03E11/1094218.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1098389

## 18:23–18:31

Bart, in his orange shirt, and Moe, the grey-haired bartender in a bow tie, stand together at the bar, with Bart holding a green Krusty Bar box while Moe grins and rests an arm around his shoulders. Mr. Burns, frail and thin with a hooked nose, stands in a lavender doorway beside Smithers in glasses and a green sweater, with Burns gesturing with one hand. Through the doorway, a heavy man with messy brown hair lifts Bart up in the air, and later Moe is seen behind the bar holding two frothy beer mugs while Burns keeps gesturing.

> He's a pip, this one is.
> Ah, the mirthless laugh of the damned.
> Hold your nose, Smithers. We're going in.

Frame: https://ultrahouse3k.com/img/S03E11/1104645.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1107773

## 18:31–18:43

Mr. Burns, the frail, stooped old man with a hooked nose, and his thin assistant Smithers, in glasses and a bow tie, stand at the bar in Moe's Tavern beneath a Duff sign. Homer slumps face-down on the counter while Burns raises his hands in one frame, then leans in beside Homer and wags a finger as Homer slowly lifts his head and grimaces. Moe, the grey-haired bartender, looks on from the right edge, and in the first frame an unnamed man in a green cap and glasses holds a beer mug while Bart watches from the top right.

> Watch me blend in. Uh, barkeep, some cheap domestic beer for me and my buddy here.
> I'm not your buddy, you greedy old reptile.

Frame: https://ultrahouse3k.com/img/S03E11/1112987.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1117783

## 18:43–18:54

Smithers, the thin assistant with glasses, black suit and purple bow tie, stands beside Mr. Burns, the frail, stooped old man with a hooked nose, bald head and blue wisps of hair at the sides, wearing a lavender jacket and argyle sweater. Burns sits at a bar counter under a sign reading 'Duff!' while Homer, bald and heavy in a white shirt, leans on the counter opposite them. In the first moments Smithers looks worried as Burns grimaces with his mouth open, then Smithers grins and Homer shouts angrily and gestures toward them. Smithers rests a hand on Burns's shoulder, and the scene ends with Smithers holding a small glass of orange drink while Homer glares and frowns over the bar.

> Smithers, who is this saucy fellow? Homer Simpson, sir.
> Sector Siebengrubit. I mean, Sector 7G, recently terminated.
> That's right. I lost my job so that you could have another hundred million dollars.
> Let me ask you something. Does your money cheer you up when you're feeling blue?

Frame: https://ultrahouse3k.com/img/S03E11/1125082.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1129462

## 18:54–19:04

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides in a purple suit, and Homer, the bald man in a white shirt, face off at a bar with a Duff sign behind them, while a man in a green cap and glasses watches from the right. Burns leans toward Homer with a sly grin and wide eyes, and Homer glares, mouth open, pointing a finger at him and then folding his arms. Burns then gestures with both hands as Homer jabs a finger toward him, with the Duff sign and a red-and-green diamond-patterned wall behind them.

> Yes.
> Okay, bad example.
> So let me ask you this. Does your money ever hug you when you come home at night?

Frame: https://ultrahouse3k.com/img/S03E11/1135926.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1139472

## 19:04–19:13

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey-blue hair at the sides, stands in a dim wood-paneled room with a diamond-patterned backdrop, wearing a purple jacket, green sweater and purple ascot. Homer, the bald heavy man in a white shirt, stands close beside him at the right edge of the picture. In the first frame Burns clutches at his ascot and speaks while Homer leans in toward him, then in the middle frames Burns looks sideways and wide-eyed as Homer watches him with a stubbled, half-lidded stare. In the later frames Burns raises one finger, looking sour and uneasy, while Homer's face stays at the edge of the frame with his mouth pressed into a grim line.

> I know.
> And does it ever say, I love you?
> No, it doesn't.
> Nobody loves you. Nobody loves you. You're old and you're ugly.

Frame: https://ultrahouse3k.com/img/S03E11/1145311.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1149065

## 19:13–19:23

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses, a pink bow tie and a green jacket stand at a bar counter with Homer, the bald heavy man in a white shirt, who waves his arms and points while speaking. Behind them a man in an orange-red jacket and a green-capped man holding a mug of beer lean in, and a bar sign reads Duff. Homer's face changes to an angry grimace as Bart's spiky-haired head peeks up at the bottom of the frame. In the later scene, Mr. Burns grips Smithers's jacket with a clenched expression while Smithers stands still, eyes wide, beside a red-tiled wall.

> Nobody loves you. Good heavens, Smithers.
> They're not afraid of me anymore. Hey, Mr.
> Burns, did you get that letter I sent? Letter?

Frame: https://ultrahouse3k.com/img/S03E11/1154904.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1158449

## 19:23–19:33

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a purple suit and lavender shoes at a bar, facing Bart, the boy with spiky hair in an orange shirt and blue shorts, who stands in front of him. Homer, bald and heavy with stubble in a white shirt, and Smithers, the thin assistant with glasses and a bow tie, stand nearby while a bald man with a long face looks on at the left edge. Burns raises a finger to his mouth and then bends and lowers his head with a sly grin, while Smithers talks and Bart watches with a wary, tight-lipped look. Behind the counter, Moe, the grey-haired bartender, leans forward and laughs with his eyes shut, cheeks wide, and a hand raised in the final moment. Other people crowd the bar: a man in a green cap with glasses and a woman with big hair on the left, and a tall man with a bulky, dark-haired build in a green sweater. The bar has a sign reading "MUST BE OVER" and a row of glasses and bottles, including a blue bottle labelled with a white label.

> I don't recall any letter. That's because I forgot to stamp it.
> Oh, that kid slays me. That was no accident.

Frame: https://ultrahouse3k.com/img/S03E11/1164288.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1168459

## 19:33–19:41

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and blue-tinted hair at the sides, and his thin assistant Smithers in glasses and a green jacket with a purple bow tie, stand together at a wooden counter, Burns gesturing with his hands while Smithers listens. Smithers then turns and hugs Burns, who points a finger over his shoulder as they embrace. In a bar, Homer in a white shirt and blue trousers stands at the counter pointing upward while Bart, in an orange shirt, stands beside him and a crowd of patrons, including a man in a green cap and glasses and a heavy man in a vest, raise mugs of beer. Moe, the grey-haired bartender, stands behind the counter on the right, and a paper sign reading 'MUS BE' is pinned on the back wall. The crowd lifts and waves their beers as Homer keeps pointing and Bart glances around.

> Let's get out of here. Na-na-na-na. Na-na-na-na.
> Wait!

Frame: https://ultrahouse3k.com/img/S03E11/1174715.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1177635

## 19:41–19:53

Mr. Burns, the frail, stooped old man with a hooked nose and lavender jacket, and his thin assistant Smithers in glasses and a purple bow tie stand outside Moe's bar on a city sidewalk. In the opening frames two small figures, one in white and one in a brown coat, walk along the pavement beside a pale blue car and a pink car parked nearby. Burns then faces Smithers at close range, his fists clenched and scowling, while Smithers smiles, and the red MOE'S sign hangs above them.

> Goodbye!
> What good is money if you can't inspire terror in your fellow man?
> I've got to get my plant back.

Frame: https://ultrahouse3k.com/img/S03E11/1182640.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1187436

## 19:53–20:00

A man with swept-up orange hair, an orange mustache and a purple suit reads a handwritten letter at first, then turns to look alarmed as a wooden beam and debris fall from the ceiling of a plant room lined with barrels and a glowing green leak from a pipe. A worker in a red cap and blue overalls is knocked down onto the barrels, a green panel tilts down over him, and he holds a pastry in one hand. Another worker in a red cap peers over a beam above, while the man in the suit winces and grimaces at the scene.

> Gotten Himmel! Who'd have thought a nuclear plant could be such a death trap?

Frame: https://ultrahouse3k.com/img/S03E11/1194318.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1196821

## 20:00–20:10

An older white-haired man with a mustache and grey vest sits at a desk beside a ginger-haired man in a purple suit and green tie, while a thin dark-haired man in glasses leans over them from behind, all studying a sheet of paper. The ginger man's expression turns anxious as they look over the document, with a pencil resting on the dark desk. Later, a frail, hook-nosed old man in a navy suit stands at a doorway on the left while a grey-haired man in glasses, a green jacket and a purple bow tie strides across the room, holding a white cloth.

> It'll cost another hundred million just to bring it up to code!

Frame: https://ultrahouse3k.com/img/S03E11/1201617.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1205788

## 20:10–20:24

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, kneels and wrings his hands while pleading in a dark-paneled room with a door at the left. Beside him, a heavyset older man with white tufts of hair and a moustache in a grey vest gestures with his hands, then laughs with eyes shut, while a thin man with glasses and slicked black hair stands behind him and a man with orange hair and a moustache in a suit sits at the right. Later, Burns kneels with his fingers knitted together, glaring at a man in a green jacket with an ID badge who stands over him, and then Burns rises, clasping his hands tightly, while Smithers, his thin assistant with glasses and a purple bow tie, looks on nervously beside him.

> Please sell me my plant back. I'll pay anything.
> Isn't this a happy coincidence?
> You are desperate to buy, and we are desperate to sell.
> Desperate, eh?
> Advantage, Burns.
> Mm-hmm.
> This is my author. I think you'll find it's most unfair, but those are the breaks.

Frame: https://ultrahouse3k.com/img/S03E11/1211836.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1217466

## 20:24–20:35

Mr. Burns, frail and thin with a hooked nose and grey hair at the sides, stands in a dark wood-panelled corridor with a purple ceiling and recessed lights, holding a white paper cup and gesturing with open hands while Smithers, his thin assistant in glasses, a purple bow tie and a badge, stands beside him. Burns then closes his eyes and waves one hand in a dismissive gesture as Smithers looks on. Behind them, a thin man in glasses and a dark suit and blue tie stands near a mustached man in a purple suit who holds a sheet of paper, with an older heavyset man in a grey vest beside him.

> But, uh, Mr. Burns, this is half of what we paid you.
> That's my final author.
> Take it or leave it. All right, Mr. Burns.

Frame: https://ultrahouse3k.com/img/S03E11/1225391.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1229979

## 20:35–20:49

A row of men in a dark, wood-paneled room first stands together: a thin man in glasses and a dark suit on the left, a moustached man in a purple suit holding a sheet of paper in the middle, and a white-haired man in a grey vest on the right who scowls and then speaks with his mouth open. Later, in a dim hallway beside a wooden door, Mr. Burns, frail and stooped with a hooked nose and bluish-grey hair, clenches a fist near his mouth, then turns and steps away to the left while a thin man in a green jacket, purple bow tie and ID badge and a group of men behind him look on.

> You win.
> But beware.
> We Germans aren't all smiles and sunshine.
> Oh, the Germans are mad at me. I'm so scared.
> Ooh, the Germans!
> Uh-oh, the Germans are coming to get me.

Frame: https://ultrahouse3k.com/img/S03E11/1236861.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1242491

## 20:49–21:00

Mr. Burns, the frail, bald, hook-nosed old man in a navy suit and orange tie, stands at the left of a wood-panelled room beside a wooden door, with a bow-tied, bespectacled thin man in a green jacket at his side. Burns gestures with his hand and speaks while the thin man grins and rests a hand near his shoulder, and a white-haired man in a grey vest and a moustached man in a purple suit stand nearby with a dark-suited, bespectacled man at the right edge. The moustached man looks down at a sheet of paper in his hands, the white-haired man stares sideways with his mouth open, and Burns keeps gesturing at the group before the scene ends with him still speaking.

> Oh, don't let the Germans come after me.
> Oh, no, the Germans are coming after me.
> No, they're so big and strong.
> Stop pretending you're scared of us, please.
> Burn! Stop it!

Frame: https://ultrahouse3k.com/img/S03E11/1250207.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1254795

## 21:00–21:11

A bald, heavy man seen from behind in a blue suit pushes open the double doors of an office, where a girl in a pink dress sits atop a stack of colorful blocks and a boy in green pajamas holds a red ball. Inside, Mr. Burns, frail and stooped with a hooked nose, glowers and gestures with raised hands beside his thin assistant Smithers, who wears glasses and a bow tie, while a toddler in pajamas hugs a teddy bear on a pillow. The toddler then scrambles across the red carpet with the bear as the blocks and a ball lie scattered around the room.

> Get out! This is my office now! Get out!
> You two!
> This is a place of business, not a pee-wee flop house!
> Your order, sir? Restore my office, cancel all repairs,

Frame: https://ultrahouse3k.com/img/S03E11/1261469.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1265848

## 21:11–21:17

Smithers, the thin assistant with glasses and a purple bow tie, stands holding a clipboard beside Mr. Burns, the frail hook-nosed old man with grey hair at the sides, who sits at a red table scowling. Burns leans forward, opens his mouth to speak, and raises one finger to his temple while Smithers keeps smiling and holding the clipboard. The table holds alphabet blocks, a rubber duck, a ladybug toy, a crayon box and a toy dog, with a green chalkboard showing ABC and numbers behind them.

> and rehire that chap who sassed me in the bar.

Frame: https://ultrahouse3k.com/img/S03E11/1272313.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1274398

## 21:17–21:25

Smithers, a thin man with glasses and a purple bow tie, is first seen holding a clipboard, and then Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits in a dark suit and orange tie before red curtains and a window with an atom motif. Burns grins and draws a silver dagger, turning it over and running his fingers along the blade, then holds it up in front of his chest while raising a pointing finger. He keeps the blade in both hands, examining it with a smirk as he gestures with his other hand.

> Homer Simpson? But why?
> Smithers, I keep my friends close and my enemies even closer.
> He'll slowly regain his confidence as the months and years drift by,

Frame: https://ultrahouse3k.com/img/S03E11/1278778.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1281697

## 21:25–21:33

Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, wears a dark suit and orange tie as he stands by a window with red curtains. He grins and gestures while holding a dagger, first with both hands at his chest, then pointing a finger upward with the blade in his other hand. He lifts the dagger by its hilt and lowers it toward a wooden ledge, then raises it high and holds its point against the window frame beside an atom emblem on the glass pane.

> blissfully unaware that the sword of Damocles is dangling just above his head.
> And then one day, when he least expects it...

Frame: https://ultrahouse3k.com/img/S03E11/1286702.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1289413

## 21:33–21:42

Homer, in a white shirt and blue pants, stands in a hallway holding a blue phone receiver, first pressed to his ear with wide eyes and then raised high as he flings his other arm out, while Marge with her tall blue beehive, Maggie with a pacifier and blue bow, and Lisa and Bart with spiky hair crowd close behind him. Earlier, a yellow hand in a dark suit sleeve lifts a silver dagger with a purple grip from a window display, holds it up, and its tip sparkles above a wooden surface.

> I got my job back!

Frame: https://ultrahouse3k.com/img/S03E11/1294418.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1297755

## 21:42–21:51

No Simpsons characters appear in this sequence, which is a black title card sequence with no animated figures. On a plain black background, yellow text reads first 'Executive Producers' with 'JAMES L. BROOKS, MATT GROENING, SAM SIMON' stacked beneath it, then 'Starring DAN CASTELLANETA' appears, followed by 'JULIE KAVNER' and then 'NANCY CARTWRIGHT' alone in the center of the screen. The credits are shown one after another, each replacing the last in the same central position.

Frame: https://ultrahouse3k.com/img/S03E11/1303177.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1306931

## 21:51–22:01

No characters appear in this moment, which is a plain black screen with yellow credit text centered in the middle. The text changes in the same spot from "YEARDLEY SMITH" to "HANK AZARIA", then "and HARRY SHEARER", then "Special Guest Voice PHIL HARTMAN", and finally "Executive Consultant BRAD BIRD", with the background staying empty and black throughout.

Frame: https://ultrahouse3k.com/img/S03E11/1312770.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1316524

## 22:01–22:10

No characters appear in this moment; it is a black screen of end credits in yellow lettering. First, 'Executive Story Editor' appears above 'JEFF MARTIN', then it is replaced by 'Creative Consultant' over 'DAVID M. STERN', followed by 'Associate Producers' over 'J. MICHAEL MENDEL' and 'JOSEPH A. BOUCHER', then 'Theme By' over 'DANNY ELFMAN', and finally 'Music By' over 'ALF CLAUSEN', all centered on the plain black background.

Frame: https://ultrahouse3k.com/img/S03E11/1322363.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1326116

## 22:10–22:20

No characters appear in this sequence; it is a black end-credit roll of The Simpsons. Yellow cartoon-style text appears in turn on the black background: first 'Casting By BONITA PIETILA', then 'Editors MARK McJIMSEY and DON BARROZO', then 'Animation Production Manager KEN TSUMURA' with Post Production Coordinators COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN. The credits then scroll upward into a list of crew names in two columns, including Sarah Werner, Bobby Mackston, Mark McJimsey, Chris Ledesma, Travis Powers, Peter Cole, Gary Gegan, Anthony D'Amico, Brad Brock, Kurt Carpenter, Randy Piotroski and Doris Grau, with studio credits for Skywalker Sound, Laser-Pacific and Dolby Surround at the bottom.

Frame: https://ultrahouse3k.com/img/S03E11/1331956.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1335709

## 22:20–22:30

No characters appear; the moment is a black screen with yellow credit text that changes over time, starting with "Animation Produced By KLASKY-CSUPO INC." and "Animation Executive Producer GABOR CSUPO," then "Animation Producer SHERRY GUNTHER," then "Overseas Animation Directors MIKE GIRARD and N.J. KIM" with "Animation Production Manager MARIA ELENA RODRIGUEZ," and "Korean Production Company AKOM PRODUCTION COMPANY." The final card lists storyboard and design credits, including Assistant Director Susie Dietter, Character Design by Scott Alberts, Matt Groening, John Rice and Sam Simon, and Background Design by Alex C. Dilts and Lance Wilder.

> See you later.

Frame: https://ultrahouse3k.com/img/S03E11/1341549.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1345302

## 22:30–22:39

No Simpsons characters appear in this moment; it is a black closing credits sequence with yellow text scrolling upward. The first screen lists Character Layout Artists (Sue Bielenberg, Kelly James, Jen Kamerman, Andrea Klein, Matthew Luhn, Michael Polcino, Betty Tang, Andres Tommy Tejeda, Tuck Tucker, Anthony Wong, Matthew Nastuk) and Background Layout Artists, followed by Main Title Design by David Silverman and Main Title Technical Director Rick Bugental. Later screens show Color Design Supervisors Samantha Harrison and Carol Wyatt, Background Cleanup Supervisor Rick Salonga, Production Coordinators Miles Lewis Horst and Julia Kim, and Production Accountant Carole Ann McCoy, with names rolling in centered columns on a plain black background.

Frame: https://ultrahouse3k.com/img/S03E11/1351350.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1354895

## 22:39–22:49

No characters appear in this moment; it is a black title-card sequence of credits. First, a copyright notice reads 'THE SIMPSONS EPISODE #8F09, COPYRIGHT 1991, TWENTIETH CENTURY FOX FILM CORPORATION' with a disclaimer that the persons are fictitious and a 'N.A.B.' sign-off. Then yellow text cards appear one after another: 'Executive in Charge of Animation Production RICHARD RAYNIS', 'Executive in Charge of Production for Gracie Films MICHAEL P. SCHOENBRUN', 'Creative Supervisor SAM SIMON', and 'Executive Creative Consultant JAMES L. BROOKS', each replacing the last on a plain black background.

Frame: https://ultrahouse3k.com/img/S03E11/1360943.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1364488

## 22:49–23:00

Silhouetted audience members sit in rows of theater seats in a darkened cinema, with a large-haired figure at left, but none can be named from their outlines. The empty screen glows under ceiling lights, then a blue projector beam sweeps in and the words GRACIE FILMS appear on the screen. The scene goes black with the text IN ASSOCIATION WITH, then a golden 20th Television logo rises against a cloudy sky under searchlight beams, with the light beams and logo shifting slightly as it holds.

> Shh.

Frame: https://ultrahouse3k.com/img/S03E11/1370536.jpg
Page: https://ultrahouse3k.com/episode/s03e11-burns-verkaufen-der-kraftwerk/1374707