# I Married Marge The Simpsons, season 3, episode 12 (S03E12), first aired December 26, 1991. Written by Jeff Martin. Directed by Jeffrey Lynch. Production code 8F10. Chalkboard gag: "I will not torment the emotionally frail". Couch gag: Cartwheels. While Marge sees Dr. Hibbert about a possible pregnancy, Homer tells Bart, Lisa and Maggie how an unplanned pregnancy in 1980 led to their wedding. Unable to support Marge, he slips away and ends up working at a Gulp 'n' Blow fast-food joint until she brings him home. He then storms into Mr. Burns's office, lands a power plant job and makes it to Bart's birth. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Grampa Simpson, Barney Gumble, Dr. Hibbert, Mr. Burns, Waylon Smithers, Patty Bouvier, Selma Bouvier, Jacqueline Bouvier, Hazel, Grim Reaper, Darth Vader, Aileen, Farrah Fawcett, Cletus, Milford Alexander, Lou Collier, Ms. PAC-MAN, Wedding Organizer, Yoda. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s03e12-i-married-marge From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:10 No regular characters appear in this opening sequence. Against a blue sky with drifting tan clouds, the title card reading "THE SIMPSONS" in yellow letters fades in, with the letters later sitting over the clouds while a grey circular emblem with an atom symbol appears between the M and P. The scene then pans over a colorful animated view of Springfield, showing a nuclear plant with two grey cooling towers bearing atom symbols, a red-roofed building labeled "Springfield" near the towers, rows of pink and orange buildings, green hills, and a dark blue pile of tires in the foreground. > The Simpsons Frame: https://ultrahouse3k.com/img/S03E12/1043.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/5214 ## 0:10–0:20 Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, is seen first outside a yellow school building with an Elementary School sign above its double doors, then inside a classroom through a window. He stands at the chalkboard, chalk in hand, writing repeated lines reading "I will not torment the emotionally frail," then turns and hurries away from the board, passing a red trash can and a wall clock. The chalkboard text and the school sign are the key visible text. Frame: https://ultrahouse3k.com/img/S03E12/11470.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/15432 ## 0:20–0:32 Bart Simpson rides a green skateboard through the blue sky past the edge of an orange building, then Homer Simpson, in a yellow protective suit and welding mask, grips an orange holder with a glowing green rod beneath a CAUTION sign, with Mr. Burns and Smithers watching from the background. Marge Simpson, with her tall blue beehive, reads a Mom Monthly magazine with a Frosted Krusty Flakes cover at a red-walled shop, while Maggie in her blue bow stands at a counter as a heavy man in an grey apron reaches toward her and a small red sign rests on the counter. Frame: https://ultrahouse3k.com/img/S03E12/21688.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/26276 ## 0:32–0:44 Marge, with her tall blue beehive, pushes a wire cart in an orange-tiled space while Maggie, with her pacifier and blue bow, peeks over the top, and then Marge waves with one hand. Next, Lisa in her red dress plays a saxophone in a classroom band beside two flute-playing girls with pink bows, while a heavy, bald older man with white hair at the sides in an orange sweater conducts with a stern look. Finally, Lisa walks down an orange hallway carrying the saxophone past a pair of blue doors and wall posters. > Oh, Frame: https://ultrahouse3k.com/img/S03E12/33158.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/38372 ## 0:44–0:55 Homer Simpson, bald and stubbled, grips the wheel of a pink car, eyes squeezed shut and then wide open, one hand raised. Bart Simpson, spiky-haired in an orange shirt, rides a yellow skateboard with purple wheels past a brick building with an OPEN sign, grabbing a lamppost, then stands on the sidewalk outside a bar with arms spread and a grin while Apu in a green jacket gestures, Moe in his apron watches from the doorway, and heavy Barney in a pink shirt looms nearby. Chief Wiggum, the fat police chief, shouts and raises a fist as Bart skates down the street past him. Frame: https://ultrahouse3k.com/img/S03E12/45671.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/49841 ## 0:55–1:07 Marge with her tall blue beehive and Maggie with her pacifier and blue bow ride in an orange car along a winding road past a purple tree and a hilltop house, then Maggie grips the steering wheel while Marge sits beside her. Nearby, a group of children runs up a grassy hill, one clutching a ball, while Bart in his orange shirt balances on a skateboard atop a pink car in the driveway, with Santa's Little Helper inside the car. Homer, bald and in a white shirt and blue pants, stumbles out beside the pink car in front of the garage, where bicycles and a mailbox sit near the lawn. > my God. > Eek, eek. Frame: https://ultrahouse3k.com/img/S03E12/56098.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/61103 ## 1:07–1:19 Homer, Marge, Lisa and Bart are in the living room, with Homer and Marge leaning over the brown couch where Lisa and Bart sit, while a yellow spiky-haired figure lies on the green carpet beside a purple side table with a telephone. Earlier, an empty room with a red bed and a star-marked wastebasket is shown. The scene then shifts to a boxy pink-framed TV displaying yellow text on blue, first reading "CREATED BY MATT GROENING" and then "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON". Frame: https://ultrahouse3k.com/img/S03E12/68402.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/73407 ## 1:19–1:32 Homer, the bald heavy man in a white shirt, holds up a light blue Barnacle Bill's Home Pregnancy Test box showing a captain's face in a life ring, in a room with flowered wallpaper and a purple shelf. He then raises a brown corncob pipe to his mouth with his eyes closed, and afterward holds the pipe up near his face while staring cross-eyed at it. On-screen credits reading "Co-Executive Producers Al Jean & Mike Reiss" appear over the scene. > Barnacle Bill's home pregnancy test? > Homer, shouldn't we have gone with a better known brand? > But Marge, this one came with a free corncob pipe. Frame: https://ultrahouse3k.com/img/S03E12/80706.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/86128 ## 1:32–1:45 Homer and Marge Simpson stand in a pink-tiled bathroom, with Homer in a white shirt holding a blue box and a thin stick that he brings toward Marge's mouth while she, with her tall blue beehive and red bead necklace, opens her mouth and stares ahead. The stick is held near her lips in several moments, and Homer's expression changes from wide-eyed to quiet as he watches her. White credit text overlays the scene, reading 'Supervising Producers Jay Kogen & Wallace Wolodarsky,' 'Producer George Meyer,' and 'Produced by Richard Sakai David Silverman.' > Okay, let's see. > Ahoy mateys, if the water turns blue, a baby for you. > If purple ye see, no baby thar be. > Well, what color is it, blue or purple? > Pink. Frame: https://ultrahouse3k.com/img/S03E12/93635.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/99266 ## 1:45–1:54 Marge, with her tall blue beehive and red bead necklace, holds a blue box with a small white item visible in a room with flowered wallpaper, first frowning at it, then gasping open-mouthed and grinning. Homer, in a white shirt, stands by a tiled bathroom doorway with a red towel, looking unimpressed, then turns his head and steps toward a purple cabinet topped with a tissue box. White on-screen credits read 'Co-Producer JON VITTI' and 'Co-Producer JOHN SWARTZWELDER'. > Hmm. > If he test should fail, till a doctor sets sail, well, I guess I better go see Dr. > Hibbert. > Oh, honey, do you really think you're pregnant? Frame: https://ultrahouse3k.com/img/S03E12/106982.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/110319 ## 1:54–2:02 Marge, with her tall blue beehive and red bead necklace, and Homer, bald with stubble in a white shirt, stand in a pink hallway and dining area decorated with framed family portraits and a green teapot on a sideboard. Marge leans toward the stairway railing at first, then the two stand side by side near the stairs, with Homer's hands pressed to his chest. In the later images Homer turns to face Marge, gesturing with both hands and talking, while Marge stands beside a red chair and a doorway, grinning and looking up at him. On-screen credits read "Written By Jeff Martin" and "Directed By Jeffrey Lynch" across the lower part of the scenes. > Well, I have the same nausea and craving for pancake mix I did with the other kids. > Yeah, and I have the same tightness in my chest and profuse sweating I always get. Frame: https://ultrahouse3k.com/img/S03E12/115949.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/118660 ## 2:02–2:10 Homer Simpson, the bald, heavy man in a white shirt and purple pants, and Marge Simpson, with her tall blue beehive and green dress with a red beaded necklace, stand together in the pink kitchen beside a green teapot on a shelf. Homer first stands with his hands clasped to his chest and mouth open, then raises one hand near his face while Marge looks at him wide-eyed. He lowers his hand, grimaces and rests his other hand on his stomach, and Marge clenches her teeth. Homer then leans in toward Marge, who puts a hand on his belly, and they face each other closely. Finally Homer looks away with a worried expression while Marge stands with her hands together near her waist. > Well, I'll let you know. Frame: https://ultrahouse3k.com/img/S03E12/123874.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/126585 ## 2:10–2:21 Marge, with her tall blue beehive and green dress, walks out the front door of the house and down the path, clutching a purse, as Homer stands behind the bay window in a white shirt and waves a hand near his face. Inside the pink living room, Lisa with her red star-shaped hair and red dress, Bart in his orange shirt and blue shorts, and Maggie with her pacifier and blue bow watch Homer through the window. Homer then gestures with both hands, his mouth opening as he speaks and the children stare wide-eyed, with Lisa's expression growing more alarmed. A red lamp, a framed picture, and green shrubs sit beside the window and doorway. > Hey, Homer, how come Mom's going to the doctor? > Is anything wrong? No, everything's fine. > Your mother, uh, just broke her leg. What? Frame: https://ultrahouse3k.com/img/S03E12/131798.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/136178 ## 2:21–2:32 Lisa, with her star-shaped spiky hair and pearl necklace, and Bart, in his orange shirt, stand in the pink living room with Homer, bald and wearing a white shirt and blue pants, while Maggie, the baby with a blue bow, is near Lisa's side. In the first moments Lisa and Bart look toward each other and Homer stands by the window with a framed picture on the wall and a small table with a plate beside them. Homer then turns and looks at the group while Bart reacts with a worried, sideways look and Lisa speaks to him. Bart then clutches his face in distress while Lisa leans in toward him and Homer rests a hand on Bart's head. In the final moments Homer stares wide-eyed while Lisa hugs and lifts Bart, and Maggie is held in front of them, with a red lamp and a framed boat picture in the background. > I smell a bun in the oven. > Is Mom gonna have another baby, Dad? > Maybe. > Whoa, way to go! > You're a machine, Homer. Frame: https://ultrahouse3k.com/img/S03E12/142851.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/147230 ## 2:32–2:43 Lisa, with her star-shaped hair and pearl necklace, and baby Maggie, sucking a pacifier and wearing a blue bow, sit together on a couch in a living room with a pink wall, a framed sky picture, and an orange lampshade. Homer holds Maggie while Bart stands beside him and Lisa sits at the right edge. Homer glances up, then scowls and shouts with his mouth wide open, before settling into a grim, wary expression while Bart stares ahead. > Did you hear that, Maggie? Another baby in the house. > Oh, cool. > We can race him. Yeah, sure. For you, a baby's all fun and games. > For me, it's diaper changes and midnight feedings. Frame: https://ultrahouse3k.com/img/S03E12/153904.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/157866 ## 2:43–2:49 Lisa Simpson, with spiky yellow hair and a beaded necklace, grins nervously in the foreground against a rainbow-striped backdrop, while Homer Simpson, bald in a white shirt, sits at a brown table in front of a framed sailboat picture. Homer squeezes his eyes shut and opens his mouth wide as if groaning, then his eyes pop open and he gapes with his mouth open, and he settles into a flat, closed-mouth stare. Bart Simpson, in an orange shirt, sits on a brown couch with a wide-eyed, open-mouthed grin, appearing at the start of the exchange. > Doesn't Mom do that stuff? Yeah, but I have to hear about it. > Were you like this when Mom was pregnant with me? > Actually, Bart, I threw up more than your mother. Frame: https://ultrahouse3k.com/img/S03E12/164331.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/166625 ## 2:49–2:59 Homer Simpson, the bald heavy man in a white shirt, sits on a brown couch in the family living room with Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair and a red dress and pearl necklace, standing beside him. Maggie, the baby with a pacifier and blue bow, sits in Homer's lap in the lower foreground, and a framed sailboat picture hangs on the pink wall beside an orange lampshade. Homer's mouth opens as he talks, and he grins and looks from side to side while the children watch him. Homer's expression shifts from a wide-eyed open-mouthed talk to a grin, then to a sideways glance and a frown, then back to a smiling look as Bart and Lisa look up at him. > It all happened at the beginning of that turbulent decade known as the 80s. > Those were idealistic days. > The candidacy of John Anderson, the rise of Super Tramp. Frame: https://ultrahouse3k.com/img/S03E12/171004.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/174758 ## 2:59–3:09 Homer, bald and heavy in a white shirt, sits on a brown couch with Bart in an orange shirt beside him, under a framed sailboat picture on a pink wall, as Homer squeezes his eyes shut and grins through clenched teeth. The view then cuts to a blurred, red-tinted young figure in a graduation cap and purple sash raising a fist at a dusk-lit mini-golf course, with a grim reaper holding a golf club behind tombstone-like obstacles. A caption reading "SPRINGFIELD 1980" appears as the young figure stands beside a young man with reddish hair in a tan shirt, a woman with blue-green hair in a purple top, and a small orange-haired child in pink pointing. > It was an exciting time to be young. > When I was young, it seemed that life was so wonderful. > For several years, I'd been dating your mother and working at the local fun center. Frame: https://ultrahouse3k.com/img/S03E12/180597.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/184351 ## 3:09–3:18 Marge, with her tall blue beehive, stands beside a small girl with spiky orange hair and a man with orange-red hair and glasses as they watch a large wooden windmill with turning blades at dusk, while a worker in a light shirt and maroon pants stands nearby. Homer, bald with stubble and wearing a white shirt, stands in the windmill's doorway as a mustached man in a purple shirt confronts him, gesturing and frowning, and Homer clasps his hands and looks nervous. The windmill's blades are large and wooden, with a pink-and-purple spotted ball and a miniature golf course behind them under an orange sunset sky. > Homer, you're turning the blades too fast. > The golfers are complaining. Slow down. Frame: https://ultrahouse3k.com/img/S03E12/190190.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/193944 ## 3:18–3:20 A cartoon man with reddish-brown hair, a thick moustache, and a lavender short-sleeved shirt stands beside a wooden windmill at dusk, with a pink sky, a dark blue backdrop, and a railed structure at upper right. He first peeks out from behind the turning sails, then steps fully into view, frowning and glancing sideways with a tattooed forearm visible. He then looks startled with wide eyes and an open mouth as the windmill's sails swing across, and by the end he has ducked back behind the blades so only his reddish hair shows at the lower right edge. > That's better. Frame: https://ultrahouse3k.com/img/S03E12/199991.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/199574 ## 3:20–3:33 Homer, the bald heavy man in a white shirt, stands at an open doorway facing a moustached man in a purple shirt with a crown logo, who raises one arm and gestures with the other hand. Homer then throws his head back with eyes squeezed shut and mouth wide open, with a dark night yard visible through the door, before the scene blurs and he is back in a pink room, wide-eyed and speaking. > Oh, beautiful. Keep this up and someday you'll be the guy who hands out the butters. > Yes, sir. > I was 24 years old with a beautiful girlfriend and a job with a future. Frame: https://ultrahouse3k.com/img/S03E12/201660.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/207082 ## 3:33–3:38 Homer sits on the brown couch in the living room, then in the backyard Bart in an orange shirt and Lisa in a red dress hold wooden mallets near a blue ball while Homer, seen from behind, gestures toward them with his arm outstretched. Homer then peers wide-eyed through the slats of a dark wooden railing, his face sinking lower and turning slightly as he stares out. > Hey, you're supposed to be listening to my story. Frame: https://ultrahouse3k.com/img/S03E12/214589.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/215841 ## 3:38–3:49 Bart, the spiky-haired boy in an orange shirt, stands at the left edge in front of a wooden backyard fence, his wide-eyed face turning toward Lisa, the star-spiked girl in a red dress and pearl necklace, who stands at the right. Bart's mouth opens as if speaking and his eyes stay wide, while Lisa looks off with a startled expression, then her eyelids droop into a flat, unimpressed look with her mouth set in a line. A green shrub shows above the fence and a plant sprouts at the lower right as the scene holds on Lisa's bored, half-lidded stare. > I thought it was over. > You had a problem turning blades. You overcame it. > The feel-good story of the year. > It's not our fault our generation and his short attention spans, Dad. > We watch an appalling amount of TV. Don't you ever, ever talk that way about television. Frame: https://ultrahouse3k.com/img/S03E12/219177.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/223557 ## 3:49–3:59 Homer, the bald, heavy man in a white shirt and purple pants, is first seen gripping the bottom sash of a window and shouting angrily out of it, then leans on the sill with both hands while still yelling. He then steps back out of the window and stands in a doorway beside a stereo turntable on a blue cabinet, looking sullen and then glancing aside. Finally he turns toward the kitchen, mouth open and hand held out, with an orange cabinet, a yellow oven, and a purple lamp and turquoise phone on the counter behind him. > Lousy, ungrateful, can't keep their... what do you call it? > Minds on any, uh... Where do you think you're going? Frame: https://ultrahouse3k.com/img/S03E12/230230.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/234401 ## 3:59–4:10 Maggie, the baby with a blue bow and pacifier, crawls across a colorful rug in a room with wooden furniture, then sits on Homer's lap as he holds her beside a purple lamp and a framed photo. Homer, bald with a white shirt, points at the framed photo of Marge with her tall blue beehive flanked by her grey-violet-haired twin sisters Patty and Selma, while Maggie watches with her pacifier in her mouth. The picture then blurs and shifts into a red-tinted, smeared view of the same three women. > You're gonna listen to my story. > Your mother was living with her two wicked sisters. Frame: https://ultrahouse3k.com/img/S03E12/240866.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/245036 ## 4:10–4:21 Marge Simpson sits between her twin sisters, Patty and Selma, with their grey-violet hair, on a red couch under a black wall shelf holding books and a pot in a pink room. The sisters, who start with arms crossed and hands folded, take turns lighting and smoking cigarettes, with smoke curling up around them while Marge sits upright with her hands clasped, glancing sideways. Their movements are small: one sister raises a cigarette to her lips, the other exhales and holds one at her side, and the smoke drifts upward as they sit waiting. > Okay, girls, you can smoke now. > Mmm. > Oh, yeah. > It's Homer! Frame: https://ultrahouse3k.com/img/S03E12/251293.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/255881 ## 4:21–4:24 Marge Simpson, with her tall blue beehive and pearl necklace, walks across a pink living room lit by a floor lamp while two grey-violet-haired women, Patty and Selma, sit on the pink couch and a white-haired older woman sits in a red armchair beside a glass coffee table holding a small object. Marge crosses toward the arched doorway and staircase, then stops at the bottom step, looks up the stairs, and closes her eyes with a pained, resigned expression. Visible objects include a framed landscape painting on the stairwell wall, a plate of food on the coffee table, and a wall shelf with decorative items. > I don't know what you see in that ugly meatball. > Uh-huh. Frame: https://ultrahouse3k.com/img/S03E12/262763.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/263180 ## 4:24–4:36 Patty and Selma, Marge's twin sisters with grey-violet hair, sit on a pink couch in a pink living room, smoking cigarettes, while Marge with her tall grey-blue beehive sits in a red armchair on the left beside framed pictures on the wall. Selma, on the right in a lilac dress and turquoise beads, holds a cigarette in one hand and leans toward Patty in a blue dress with an orange necklace, who raises her cigarette to her mouth in the final stretch. Across the moment Patty and Selma alternate between smirking, grinning and looking sideways, exhaling wisps of smoke that drift through the room, while Marge stays seated with her arms folded and her eyes half-closed, occasionally opening her mouth to speak. > If you like being pawed by something fat and lazy, we could get a cat. > It would leave less hair on the couch. > You don't know Homer like I do. He's sensitive and sweet. Frame: https://ultrahouse3k.com/img/S03E12/266099.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/270896 ## 4:36–4:47 Marge Simpson, with her tall blue beehive and pink pearl necklace, stands on a staircase with red walls and wooden railings, first grinning with wide eyes, then smiling softly, then glancing sideways with a pursed mouth. The scene then shifts to a line of people waiting behind red velvet rope barriers outside a theater, with Homer, bald with stubble and a white shirt, and Marge standing at the right end of the queue. The lit marquee above reads "THE EMPIRE STRIKES BACK," with a large sunburst design around the theater's sign. > Homer, do you ever think about the future? > You mean like will apes be our masters? Frame: https://ultrahouse3k.com/img/S03E12/277986.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/281948 ## 4:47–4:57 Homer, a bald heavy man in a green jacket over a white shirt, and Marge, with her tall blue beehive and pearl necklace, stand outside at night in front of a theater board reading "COMING SOON" and "SPACE MUTANTS" beside a green alien picture. Marge speaks and gazes at Homer, who looks up and to the side while she rests a hand on his shoulder and grins, then he lowers his arm toward the lower left as she turns wide-eyed and talks. A tall woman with long white hair in an orange skirt stands at the far left, and a bespectacled man with grey-violet hair in a lavender shirt stands at the far right, both watching while the group stays in place. > No. > I mean how you plan to earn a living. > I can't imagine that job of yours is very stimulating. > But it gives me time to think. > What do you think about? Frame: https://ultrahouse3k.com/img/S03E12/288205.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/292375 ## 4:57–5:08 Homer, Marge, and a woman with a tall white beehive-like hairdo in an orange dress stand against a pink wall near a Coming Soon poster for Space Mutants, with Ned Flanders-like Milhouse-style figure... > Well, girls. > I mean boys. I mean you. I think about you too. Frame: https://ultrahouse3k.com/img/S03E12/298632.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/302803 ## 5:08–5:17 Homer in his green jacket and Marge with her tall blue beehive stand near the front of a line of people against a grey brick wall, beneath a poster reading "Also Playing: Space Mutants". Homer grins and gestures with his hands while Marge looks ahead, and a pale-haired man in a white shirt leans in beside them. As the moment goes on the crowd turns more sour, with Ned Flanders, the moustached man in a green sweater, standing with his eyes narrowed and his mouth set in a frown among the people in the queue. > Wow, what an ending! > Who'da thought Darth Vader was Luke Skywalker's father? > Aw, thank you! Thank you, Mr. Blow the picture for me. Frame: https://ultrahouse3k.com/img/S03E12/309059.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/313021 ## 5:17–5:24 Marge, the woman with a tall blue beehive and a pink pearl necklace, stands close to a yellow-skinned man with brown hair, a green jacket and a white collar, who has his arm around her in a dim, blue-grey room with brick-like light panels on the wall. He leans in while speaking, then moves closer and gently holds her shoulder as she looks up at him, and in the final moment they share a kiss with their eyes closed. Background figures include a woman with orange hair and a person in a white shirt. > Marge, you're as pretty as Princess Leia and as smart as Yoda. > Oh, Homer. > You light up my days Frame: https://ultrahouse3k.com/img/S03E12/318860.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/321363 ## 5:24–5:37 Marge, with her tall blue beehive, and a dark-haired man in a green jacket ride in a green car with purple trim and a 'DISCO SUCKS' plate, first seen from behind and then from the side as it speeds down a dark, tree-lined road under a large yellow moon. Inside, Marge grips the steering wheel with a chain-link wheel and the man squints with his eyes closed before both wide-eyed passengers shout in alarm, with Marge raising one arm. > and fill my night > with song. Frame: https://ultrahouse3k.com/img/S03E12/325951.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/330956 ## 5:37–5:49 Homer and Marge sit side by side in the front seats of a green car at night, with a starry sky visible through the side window. Marge, with her tall purple beehive and pink beaded necklace, and Homer, in a green shirt, grip a chain-wrapped steering wheel while their mouths open wide as if singing. Homer lifts his hands off the wheel at one point, then both grin and turn toward each other, and in the final moment Homer sings with his mouth wide open while Marge looks ahead. > It can't be wrong when > it feels so good, right? Frame: https://ultrahouse3k.com/img/S03E12/338046.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/343051 ## 5:49–6:00 Marge Simpson, with her tall blue beehive and pink pearl necklace, and Homer Simpson, in a green jacket with a chain in his hand, sit side by side in the back of a dark car at night, with Marge leaning toward him and gently holding his hand while he looks wide-eyed and tense. Homer later turns his head away and stares ahead as Marge keeps smiling beside him, and the scene ends with a view of a yellow car speeding down a dark forest road under a large full moon and purple clouds, leaving a trail of light behind it. > Cause you > No, you Frame: https://ultrahouse3k.com/img/S03E12/350350.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/355146 ## 6:00–6:09 Marge Simpson, with her tall blue beehive and pearl necklace, and Homer Simpson, bald with stubble and wearing a green jacket over a white shirt, sit side by side in the front seats of a car at night, with stars visible through the window. Marge sits on the left holding the steering wheel while Homer sits on the right, leaning in beside her. Marge's mouth opens into a wide smile as she sings, while Homer's expression stays mostly steady, with a toothy grin appearing on him near the end. The dark night sky and blue upholstered seats frame the couple as they ride together. > Our song I bet the guy she was singing that about was real happy Frame: https://ultrahouse3k.com/img/S03E12/362028.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/365156 ## 6:09–6:17 Marge Simpson with her tall blue beehive and a pearl necklace sits beside Homer Simpson, in his green shirt and white collar, inside a car at night with stars visible through the window. Marge looks ahead and grins, then turns to talk while Homer's mouth opens in speech, then he smiles widely. Marge's expression stays calm and flat as Homer's face shifts to a clenched-teeth grimace, with a steering wheel visible in the foreground. > Actually, she was singing about God Oh, well, he's always happy No, wait, > he's always mad Frame: https://ultrahouse3k.com/img/S03E12/370370.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/373498 ## 6:17–6:22 Homer, in a green sweater, and Marge, with her tall blue beehive and pearl necklace, sit close together on a ledge in a purple-walled room, each holding a small cup. Homer talks with his mouth open while Marge gazes at him, then he turns toward her with a calmer look and she grins back. Earlier, a figure in a brown jacket stands before a red toy castle under spotlights, and a white ball rolls along the ledge near the couple. > Someday I'll buy you a real castle. You don't have to do that. Frame: https://ultrahouse3k.com/img/S03E12/378712.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/380171 ## 6:22–6:34 Herb, a man with brown hair in a green suit jacket, and Marge, with her tall blue beehive and pearl necklace, stand close together indoors against a purple striped wall. Marge leans in beside him and speaks while he holds a champagne glass in each hand, his eyes drifting sideways toward her. As she keeps talking, he lifts one glass and then looks ahead with a smug, sidelong expression while she gazes at him and smiles. > Whew, good. > Homer, maybe it's the champagne talking, > but I think you're pretty sexy. > Really? It must be the champagne talking. Frame: https://ultrahouse3k.com/img/S03E12/383925.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/388930 ## 6:34–6:46 A yellow-skinned man in a blue cap and purple shirt stands on a circular tee at a dim, neon-lit night mini-golf course, back to the viewer, while a brown dinosaur head with an open jaw looms above a red castle obstacle, its mouth holding a pale-clothed figure. A dark, crouched figure sits by the castle's base. The scene then cuts to a glowing orange 'FREE GAME' sign on a red wall, and finally to the man swinging a club on the tee among numbered holes 5 through 8, with glowing blue and yellow lights around the castle. > What if we get caught? > Don't worry, this castle is impregnable. Frame: https://ultrahouse3k.com/img/S03E12/396021.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/400817 ## 6:46–6:59 Homer, the bald heavy man in a white shirt and purple pants, and Barney, the heavy man with messy brown hair in an orange shirt and navy pants, sit together on a brown couch in a cluttered living room. Barney raises a green bottle to his mouth, then Homer holds a bottle while both men tilt back and laugh loudly, with Homer's mouth wide open and Barney's head thrown back. Around them lie a bowling ball, a red telephone, a baseball bat, a golf bag, a pink pillow, scattered candy, and a blue cloth on the floor. > Pass the cookie dough Dust off your holiskards, > angels I'm afraid there's been a murder In Hawaii Hawaii, it is, Charlie Frame: https://ultrahouse3k.com/img/S03E12/407908.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/413330 ## 6:59–7:11 Homer, on a red telephone, sits on a brown couch beside Barney, a heavy man with messy brown hair in an orange shirt who holds a green-wrapped snack. The scene cuts to Marge, with tall blue hair and a pink dress and white apron, talking on a wall payphone outside Berger's Burgers, with a red truck and a pink car parked nearby and a spilled cup on the pavement. Back with Homer and Barney, Barney grins while eating a green ice cream cone, and Marge then appears close up at the payphone, gesturing with one hand while holding the receiver to her ear with the other. > Yellow > Oh, hi, Marge I need you to drive me to the doctor, Homer Why? > What's wrong? > Well, that unforgettable night we join the castle club. Frame: https://ultrahouse3k.com/img/S03E12/420837.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/425425 ## 7:11–7:21 Homer, in a white shirt, holds a red telephone to his ear while a spiky-haired man in an orange shirt sits beside him on a couch, holding a pineapple-shaped object. The scene then shifts to an office where Homer in a green jacket and Marge with her tall blue beehive and pink beads sit in green chairs across from a doctor with a large afro, a white coat and a purple tie. Certificates hang on the wood-panelled walls and a window looks out on a grey sky. The doctor smiles and holds papers on his desk, then gestures with his hand as he speaks to Marge and a brown-haired woman seated beside her. > Oh. > Well, Miss Bouillet, > I think we found the reason why you've been throwing up in the morning. > Congratulations. Frame: https://ultrahouse3k.com/img/S03E12/432307.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/436478 ## 7:21–7:31 A yellow-skinned man with a bandaged head and bandaged arms lies in a hospital bed with an IV drip, while a man with a large afro and white coat sits at a desk under diplomas and a framed chart in an office. The scene moves from an empty hospital corridor with a gurney, a wall clock, and a mop bucket beside a yellow wet floor sign, to the bandaged patient, then to the afro-haired man at his desk. Finally, yellow hands hold up a pamphlet titled 'SO YOU'VE RUINED YOUR LIFE' showing a pregnant woman in a pink top, with papers and a green telephone on the desk behind it. > No! > Poor guy. > Perhaps this pamphlet will prove helpful. > So you've ruined your life. > Son, you've got to marry that girl because it's the honorable thing to do. Frame: https://ultrahouse3k.com/img/S03E12/442943.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/446905 ## 7:31–7:42 A man with reddish-brown spiky hair, a light blue shirt, red suspenders and an orange tie sits at a kitchen table across from a man in a green sweater with a long brown hairdo, seen from behind in the foreground. Between them sit an open pizza box and red Duff beer cans, with a sink, stove and fridge behind them. The man in the tie gestures and speaks, then leans back with his arms folded, and the seated man looks startled and then closes his eyes as the tie-wearer raises a hand and gestures outward. > No! > Because you'll never do any better. > You lucky bum! The fish jumped right in the boat! > All you gotta do is whack her with the oar! Frame: https://ultrahouse3k.com/img/S03E12/452953.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/457123 ## 7:42–7:50 A brown-haired man in a green jacket and white shirt stands in a room with an orange wall and a grey canister on the counter, while a large yellow hand from off-screen reaches toward him and he glances sideways with wide eyes. The scene then shifts to a snowy hilltop at night, where a yellow-green car is parked beside a red bare tree overlooking a glowing city grid and a plant with green-tinged smoke rising under a starry purple sky. The car stays parked as the view slowly drifts across the town. > Marge, there's something I wanna ask you, but I'm afraid because if you say no, Frame: https://ultrahouse3k.com/img/S03E12/463588.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/466508 ## 7:50–7:58 Marge Simpson, with her tall blue beehive and pearl necklace, sits in the back seat of a teal car at night, while Homer, in a green sweater and white shirt, grips the steering wheel with both hands in the driver's seat. Homer's eyes widen and his mouth hangs open in a nervous expression, then he glances toward Marge, who looks sideways with a skeptical, half-lidded stare and a slight smirk. Across the scene a large yellow moon shines in the dark sky through the rear window, and a thin cord dangles at the left edge of the car interior. > it'll destroy me and make me a criminal. > Well, I haven't said no to you lately, have I? Frame: https://ultrahouse3k.com/img/S03E12/471721.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/474432 ## 7:58–8:05 Marge, with her tall blue beehive and pink beads, sits beside a dark-haired man in a green jacket and white shirt inside a dim car with a chain wrapped around the steering wheel. The man tugs at his jacket and collar with a tense, worried expression while Marge glances at him. He then raises one arm toward the chained wheel as he slumps lower in the seat, looking alarmed. > Marge, I... Dammit, where's that card? What card? > Oh, I wrote down what I was gonna say in a card. Frame: https://ultrahouse3k.com/img/S03E12/479437.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/481940 ## 8:05–8:12 Marge Simpson, with her tall blue beehive and pink pearl necklace, sits in the front of a dim car while a dark-haired man in a green sweater sits behind her. He scowls and leans in toward her face, then pulls back and reaches forward with a dark-gloved hand toward the front seat, while Marge glances sideways with a wary expression. A metal chain and handle hang by the door, and no on-screen text is visible. > Stupid thing must have fallen out of my pocket. > Is this it? What's it say? Frame: https://ultrahouse3k.com/img/S03E12/486736.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/489239 ## 8:12–8:26 Marge, with her tall blue beehive and pearl necklace, sits in a dark room holding a small pink card in her left hand while looking down at it with wide eyes and an open mouth. She glances at the card and her expression softens into a smile, her eyes moving from side to side as she reads. The blue chair behind her and a dark background frame her as she continues reading the card closely. > Marge, from the first moment I saw you, I never wanted to be with anyone else. > I don't have much to offer you except all my love. > Will you marry me? > That's the card. Give it here. Oh, Homer. Frame: https://ultrahouse3k.com/img/S03E12/494035.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/499874 ## 8:26–8:38 Marge Simpson, with her tall blue beehive and pearl necklace, stands in a dark, starry setting holding a small white card in both hands. She opens her mouth in an excited exclamation, then her eyes close and she grins with a blissful, contented expression while clutching the card. Her eyes stay shut as she smiles serenely, and in the last moment she has opened her eyes wide with a big, surprised, delighted look while still gripping the card, which is now held lower in front of her. > This is the most beautiful moment of my life. > So, will you marry me? > Yes! > Woo-hoo! Woo-hoo! Frame: https://ultrahouse3k.com/img/S03E12/508008.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/512595 ## 8:38–8:39 Marge, with her tall blue beehive and pearl necklace, sits beside Homer, who wears a green jacket over a white shirt and has a chain across his waist, in a dim car at night beneath an overhead light. Marge holds a small white card and glances sideways while Homer throws both arms up, one fist raised high, eyes squeezed shut and mouth opening wide, then nearly closing and opening again as he cheers. Across the moment his raised fist stays up and his grin and open-mouthed shouting rise and fall, while Marge keeps her steady, sidelong look. > Yeah! Frame: https://ultrahouse3k.com/img/S03E12/519477.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/519060 ## 8:39–8:53 Outdoors on a dark, starry night, a teal station wagon with its headlights on is parked on the edge of a tall pink cliff overlooking a glowing, grid-patterned city with a power plant spewing green smoke on the right; the car stays still across the first frames. The scene then cuts to black. Afterward, Homer sits on a brown couch in a pink living room, cradling Maggie, the baby with a pacifier and blue bow, while Lisa, in her red dress and pearls, sits to his left and Bart, in his orange shirt, sits to his right, all three staring wide-eyed. > She's gonna marry me! In your face, everybody! > Woo-hoo! > Dad, if the new baby is a girl, can we name her Ariel? > I'm sorry. The baby's name will be Cool Moe Dee Simpson. Frame: https://ultrahouse3k.com/img/S03E12/520937.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/526568 ## 8:53–9:06 Homer, Lisa, Bart and Maggie are crowded together on a brown couch in front of a pink wall. Maggie, the baby in a blue bow, sucks her red pacifier while the others glance around, and Lisa in her pearl necklace and Bart in his orange shirt lean in with unimpressed expressions. Homer, bald and mouth open, talks and looks sideways, and in the last moments he leans toward the children with a sour, skeptical look. > Ariel! Cool Moe Dee! Ariel! Cool Moe Dee! > You know, I had this very same discussion with your mother ten years ago. Frame: https://ultrahouse3k.com/img/S03E12/534284.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/539706 ## 9:06–9:17 Homer, a bald heavy man in a green jacket, and Marge, with her tall blue beehive and pearl necklace, stand at a jewelry store counter with glass cases of rings while an older grey-haired man in a blue suit watches nearby. Homer gestures with open hands and a wide-open mouth as Marge leans toward him, then grins nervously in a close-up with shelves of merchandise behind her. Before this, Homer sits on a brown couch in a blurred pink living room holding a small child on his lap. > Homer, I've been thinking, if the baby's a boy, what do you think of the name Larry? > Marge, we can't do that. All the kids will call him Larry Fairy. > Well, how about Louie? We'll call him Screwy Louie. Frame: https://ultrahouse3k.com/img/S03E12/547213.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/551801 ## 9:17–9:30 Marge, with her tall blue beehive and pearl necklace, stands facing a brown-haired man in a green jacket and white shirt, first at a jewelry counter with necklaces and rings in glass cases behind them. The background then changes to a red-walled room, where the man raises a hand to his chin and gestures outward while Marge listens. He ends wide-eyed with his mouth open mid-exclamation, while Marge looks on calmly. > Bob? Slob. Luke? Puke. Marcus? Mucus. > What about Bart? > Let's see. > Bart, cart, dart, yart. > Nope. Can't see any problem with that. > Wow. Frame: https://ultrahouse3k.com/img/S03E12/558683.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/563897 ## 9:30–9:40 Homer in a green jacket and Marge with her tall blue beehive and pearl necklace stand at a jewelry counter of glass cases holding rings, while an old man with grey hair at the sides in a purple suit and pink tie talks to them. Homer reaches toward the ring boxes, then raises both hands in a dismissive gesture with an annoyed look as Marge watches worriedly. The scene then moves to a yellow car driving along a desert highway under purple mountains and a pink sky, and finally to Marge in a flower crown holding a ring box beside a smiling Homer in a blue suit. > I'll take that, brain. Yes, sir. And how will you be paying for it? > I don't know. > Finally, the big day came. > We didn't have much money, > so we went to a quaint little chapel just across the state line. Frame: https://ultrahouse3k.com/img/S03E12/571404.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/575366 ## 9:40–9:51 Homer and Marge sit in a yellow convertible parked beside Shotgun Pete's Wedding Chapel, a stucco building topped by a costumed gunslinger statue and a heart-shaped 24 sign, with desert hills behind it. Inside the chapel, a man in a cap, sunglasses and checkered shirt sits near a pink podium under a clock-framed arch while a dark-haired woman waits in green chairs. Marge, in a white gown and flower crown, stands with Homer in a blue shirt at a desk where a red-haired clerk works beneath price signs and a No Smoking notice, near an EXIT sign. > Basic ceremony's 20 bucks. Here's your license. > Be sure to get this punched every time. Frame: https://ultrahouse3k.com/img/S03E12/581623.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/586002 ## 9:51–10:01 Homer in a blue suit and Marge in a white wedding gown with a daisy crown and blue beehive stand at a chapel counter, where an orange-haired clerk with a pearl necklace and cigarette sits. Signs on the wall read "Please Pay First" and "Wedding Photos $50", and a sign below the counter says "No Shoes, No Service". The clerk takes an envelope as Homer holds Marge's hand, then Homer studies a marriage license while Marge leans against him, and the clerk keeps smoking at her desk. > The 10th wedding is on the house. Hey, this marriage is gonna last forever. > No matter how many times I hear that, it always makes me laugh. Frame: https://ultrahouse3k.com/img/S03E12/592467.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/596221 ## 10:01–10:12 A white-suited officiant with a dark pompadour and moustache stands at a pink pedestal in a chapel, holding a book and gesturing toward a lattice arch, while a long-haired woman and a man in sunglasses, a blue cap and a red plaid shirt stand beside him. Next, the officiant points upward in close-up, and then a woman with orange curly hair, a cigarette in her mouth and a hand on her chin plays a keyboard in front of wood-paneled walls. A sign reading "Please Pay First" hangs in the background. > Cletus, do you take Aileen? > to be a lawful wedded wife. Yep. Done. > Next! Frame: https://ultrahouse3k.com/img/S03E12/602268.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/607065 ## 10:12–10:20 Herb, a brown-haired man in a blue suit and lavender tie, stands arm in arm with Marge, who wears a tall blue beehive, a daisy headpiece, and a pink beaded necklace over a white gown, in a wood-paneled room with orange vertical stripes. As they stand together, Herb squeezes his eyes shut and then grimaces with his mouth open, while Marge's eyes widen and her mouth pulls into a strained grin. A sour-faced woman with blue-grey hair and a cigarette appears behind them, and a thin white string trails from Marge's headpiece. > There certainly are a lot of stains on the ceiling. > Marge, I'm sorry. I wish I could afford a better place. > Homer, I'd be lying if I said that this is how I pictured my wedding day. Frame: https://ultrahouse3k.com/img/S03E12/613947.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/616658 ## 10:20–10:28 Marge Simpson, with her tall blue beehive decorated with white flowers and a pink heart necklace, stands in a doorway-like setting with brown walls and wears a pink dress, her eyes wide and mouth working as she talks and then grimaces, showing her teeth. Later she sits still with her lips pressed together, then opens her mouth again, speaking animatedly. Beside her, Homer, bald with stubble in a blue suit and purple tie, looks wide-eyed and speaks with his mouth open, his face turned toward her. The scene holds on their faces with no notable on-screen text. > But you are how I pictured my husband. > I am? Well, you may not look like Ted Bessel, but you're just as nice. Frame: https://ultrahouse3k.com/img/S03E12/621454.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/624374 ## 10:28–10:39 Herb, in a blue suit and tie, stands arm in arm with Marge, who has a tall blue beehive, a white flower headband and a pink dress with a heart necklace, before a white-suited officiant with slicked black hair who stands behind a pink podium reading from a book. Herb's eyes go from closed to wide open as he starts to speak, while Marge looks sideways with her mouth open, and the officiant keeps his eyes on the book. A wall clock, a lattice arch, a ceiling light and rows of green chairs fill the wedding chapel behind them. > Hmm. > Dearly beloved, we are gathered here in the sight of God and his casino to join... Frame: https://ultrahouse3k.com/img/S03E12/629587.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/633967 ## 10:39–10:42 Homer Simpson, in a blue suit and lavender tie, stands in a wood-paneled room with his eyes wide and a smug, closed-mouth smile while a hand pointing from off-screen to the left gestures toward him. He then glances sideways and his mouth opens slightly as the pointing hand moves, and Marge Simpson, with her tall blue beehive, pink feathered collar and heart-shaped pendant necklace, appears beside him, her eyes wide and mouth open in surprise. Pointing hands from the left repeatedly indicate the couple as they stand together, with the wood-paneled walls and ceiling behind them. > Homer and... Marge. ...in holy matrimony. Frame: https://ultrahouse3k.com/img/S03E12/640640.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/640849 ## 10:42–10:54 Marge, with her tall blue beehive crowned by white daisies and a pink beaded necklace, stands beside a black-haired man with a moustache in a white jacket and red tie, who is officiating, while Herb, a brown-haired man in a blue suit, stands at the right facing her. The three stand before a brown wall with an arched white lattice behind them, and a large round wall clock with red block markers is shown, its hands near twelve. Marge speaks and the officiant holds a small white card, which he lifts as the group keeps talking and gazing at one another. > Beautiful. > Do you, Marjorie Bouvier, take Homer J. Simpson to be a laughable wedded husband? > I do. > Homer, same question. Name's reversed. > I do. Frame: https://ultrahouse3k.com/img/S03E12/643143.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/648148 ## 10:54–11:06 Homer, in a blue suit, and Marge, with a tall blue beehive and white flower crown, wearing a white dress with pink trim and a pink pearl necklace, stand at a pink podium in a wood-paneled wedding chapel while a one-off officiant with a black pompadour, moustache and white jacket faces them. Homer and Marge clasp hands, the officiant holds up a small red card, and then the couple kisses as the officiant's wide-open mouth looms between them. The scene ends on a framed pink sign reading "Shotgun Pete's 24 Hour Wedding Chapel" showing the startled couple, with Homer and Marge's shocked faces at the edges of the picture, and a "Wedding Photos $50" sign and a "Please Pay First" sign are visible earlier in the chapel. > Then, by the power vested in me by the State Gaming Commission, > I pronounce you man and wife. He has $10 worth of chips. > You may kiss the bride. > Next! > What a perfect day. Frame: https://ultrahouse3k.com/img/S03E12/655446.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/660660 ## 11:06–11:19 Marge, with her tall blue beehive, sits close to a brown-haired man in a white shirt on a red couch, holding his hands and smiling at him as he glances around with a wide-eyed, open-mouthed look of alarm. They settle together, Marge leaning against him with her eyes closed, until he drifts off under a lavender blanket while she cuddles him. The living room has framed paintings, a cardboard box and a pizza on the coffee table. > Our first night together as man and wife. > Hey, lovebirds, keep it down. Frame: https://ultrahouse3k.com/img/S03E12/667959.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/673381 ## 11:19–11:32 Marge, with her tall blue beehive and pearl necklace, sits at a desk punching a calculator that shows 538.95 beside a paper marked BILL, then looks up wide-eyed. Homer, the bald, heavy man in a white shirt, walks into the purple nursery carrying a blue baby monitor, then stands by the pink arched door speaking into it with his mouth open. Nearby are a blue crib, a bed with scattered toys, and a bookshelf. > Look what I got, Marge, a baby monitor. > Baby to Marge, baby to Marge. > Over. Over. > I don't know how we can afford all these things on your salary. Frame: https://ultrahouse3k.com/img/S03E12/680889.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/686102 ## 11:32–11:42 A brown-haired man in a white shirt stands at a window with gold curtains, first glancing sideways and then staring out at a nuclear power plant with purple cooling towers, green-tinged smoke, and a pale sun over grassy bushes. He keeps looking out as the view stays fixed, and Marge, with her tall blue beehive and pearl necklace, steps up beside him to gaze at the plant too. > Hey, why don't I apply at the nuclear power plant? > I hear they pay pretty well. I don't know. > I heard radiation can make you sterile. Frame: https://ultrahouse3k.com/img/S03E12/693401.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/697572 ## 11:42–11:55 Herb, a brown-haired man in a blue suit, is first seen scowling in a waiting area, then sits with his hand on his chin beside a red-tied man with arms crossed and a pale-haired man in a brown suit who reads a magazine. A man in glasses and a purple bow tie stands at the blue Personnel Department door under a NOW HIRING sign and gestures as he speaks to the group, while the seated men listen. > Now you tell me. > We only have two openings, so I'm afraid one of you will have to go home empty-handed. > But it won't be my old frat buddy Lou Collier. Frame: https://ultrahouse3k.com/img/S03E12/703828.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/709042 ## 11:55–12:04 A man with swept reddish-brown hair in a navy suit and red tie stands gesturing, facing a bespectacled man in a bow tie and dark jacket who holds a glass and gestures back. A balding, heavy man with stubble sits in a blue suit between them under a red-lettered 'NOW HIRING' sign in a plain office with a blue chair and window. The seated man's wide-eyed expression then turns into a struggle as several hands in suit sleeves grab his head and mouth from all sides. > How are you doing, you old alpha-tow? > Smithers, you kegmeister, you. > Hey! Frame: https://ultrahouse3k.com/img/S03E12/716341.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/719677 ## 12:04–12:15 Troy McClure, a man with swept-back reddish hair in a navy suit, stands with Kent Brockman, a grey-haired man in a brown suit, and a bespectacled man in a dark jacket and pink bow tie beside a wall sign reading NOW HIRING. They shake hands and laugh, then embrace in a group while Herb, a brown-haired man in a blue suit, looks on with a skeptical expression and gestures with one hand. At the end, a yellow-skinned man in a blue suit peeks out from beside a door whose window reads PERSONNEL DEPT. > Well, hey, I'm from the Alabama chapter. > I'll be. > Oh, well, let's get on with the testing. > Roll on, roll on, alpha-tow. Toe! Whoa, whoa, Frame: https://ultrahouse3k.com/img/S03E12/725308.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/729687 ## 12:15–12:28 Three men in suits stand together in a hallway, the man on the right with reddish swept-back hair (Troy McClure), the middle one in glasses and a purple bow tie holding a small glass, and an older white-haired man on the left, all shouting and gesturing. Then a doctor with a large afro and white coat holds an ultrasound probe over Marge, who lies in a hospital bed under a lavender blanket with her blue beehive on the pillow, both watching a purple monitor. The monitor shows a grey fetus with spiky hair that curls and turns over inside its sac, with the knobs and dials of the machine below it. > whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. > Hmm. > If I didn't know better, I'd swear he was trying to moon us. Frame: https://ultrahouse3k.com/img/S03E12/736361.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/742200 ## 12:28–12:41 A doctor with an afro and stethoscope holds a swaddled pink baby with a pacifier and blue bow, while Marge, with her tall blue beehive, lies in bed beside him in a hospital room. Next, a man with short brown hair, glasses, and a purple bow tie, holding a clipboard, stands before grey file cabinets labeled A-F and G-L. Then a man with swept-back pale hair in a brown suit and red tie speaks, a woman with a reddish upswept hairdo at the right edge, while Herb, with brown hair and a blue suit, gestures with his finger, turns his eyes sideways, and then waves his hand in front of a blue curtain and a window. > What would each of you say is your worst quality? > Well, I am a workaholic. Well, I push myself too hard. > Well, it takes me a long time to learn anything. > I'm kind of a goof-off. Okay, that'll do. Frame: https://ultrahouse3k.com/img/S03E12/749916.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/755129 ## 12:41–12:53 Herb, a brown-haired man in a blue suit, first sits with a finger raised to his lips, then jumps up with his arms flung wide and knocks his chair over in a small office room. At a purple table, a grey-haired man in a brown suit and a man with orange-brown hair in a navy suit listen as a bespectacled man in a brown jacket and pink bow tie reads from a clipboard. Herb's overturned wooden chair lies on the blue floor, while a red coffee maker and stacked cups sit on the shelves behind the table. > Little stuff starts disappearing from the workplace. > That's enough. > Next, there's a problem with the reactor. > What do you do? There's a problem with the reactor? > We're all gonna die! > Ah! > Oh! Run! Frame: https://ultrahouse3k.com/img/S03E12/762428.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/767642 ## 12:53–13:02 Homer, in a blue suit with a grey tie, first holds up a stack of envelopes marked SECOND NOTICE and then a bundle marked PLEASE REMIT in a pink living room with a fireplace, framed abstract pictures and a lamp. Marge, with a tall blue beehive and a pink dress, sits on the couch and looks up at him as he stands near the red arched door. Homer then slumps down onto the couch beside the wall painting, looking glum and dejected while he sits with his legs crossed. > Did you get the job? > Nah, they wanted someone good. > Story of my life. Frame: https://ultrahouse3k.com/img/S03E12/774941.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/778069 ## 13:02–13:10 Marge Simpson, pregnant and wearing a pink dress with a light blue bow collar, sits on a pink couch in a pink room with a red arched door behind her. Herb, a man with brown hair in a blue suit and grey tie, leans in and rests both hands on her belly. Marge glances ahead with her eyes wide, then smiles and closes her eyes while Herb looks down at her belly with his mouth open. The scene shows a pink-walled room with a lamp glowing at the top edge. > Oh, homie. > Hey, come over here and feel our baby kicking. > Wow. > Kid, I won't let you down. I swear to you, when you come out of there, Frame: https://ultrahouse3k.com/img/S03E12/783283.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/786202 ## 13:10–13:18 Marge Simpson, with her tall blue beehive and a pink dress with a white bow, sits on a red couch in a pink room while a brown-haired man in a blue suit, who resembles Homer, leans over her belly with his eyes closed and his head pressed against it. Patty and Selma, grey-violet haired twins, stand in the red-arched doorway behind them, watching. The man then lifts his head and straightens up, smiling and talking with his hands still resting on Marge's belly, while the twins keep watching from the doorway. > the first thing you're gonna see is a man with a good job. > Yeah, the doctor. Frame: https://ultrahouse3k.com/img/S03E12/791207.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/794127 ## 13:18–13:30 Patty and Selma, with their grey-violet hair, laugh together in close-up before the scene changes to Olde Springfield Towne, a row of red brick colonial buildings with a crowd in period dress along a dirt path beside a white sign reading Olde Springfield Towne. A horse-drawn carriage rolls in from the right, and a hanging wooden sign reading Ye Olde Candlemaker Shoppe appears beside a paned window. Homer, in a black tricorn hat and blue vest, squints and grimaces as a woman in a pink visor and glasses and a man with dark curly hair stand close beside him. > Working nine to five, what a way to make a living. > And when ye tallow hardens, we remove it from yon mold. Frame: https://ultrahouse3k.com/img/S03E12/799340.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/804137 ## 13:30–13:42 Homer, in a colonial costume with a tricorn hat and blue vest, holds up a dripping candle on a string at a candle-making counter while a boy in a red cap with curly brown hair leans in from the left. Outside a red brick building, a woman in a pink visor and sunglasses stands beside a dark-haired man in a tan shirt, both looking ahead. Grampa, in a purple and red colonial coat and tricorn hat, glares and points at Homer, who is locked in wooden stocks on a tiled floor, looking nervous. > What a crappy candle. > You've ruined our vacation. > You, gentle sir, are fired. Frame: https://ultrahouse3k.com/img/S03E12/811227.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/816232 ## 13:42–13:50 Herb, a brown-haired man in a blue jacket, tie and suit, and an elderly woman with lavender hair in a bun, pink shawl and glasses stand at a purple front door of a pink house. Herb holds a briefcase labeled "SLASH-CO KNIVES" with crossed knives on it. He starts at the doorway holding the case in front of him, then the woman opens the door partway while Herb, looking up and to the side, faces her and stays in place with the case in his hand. > Oh, hello, young man. > Good evening, madam. Frame: https://ultrahouse3k.com/img/S03E12/823114.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/826451 ## 13:50–14:01 Herb, a brown-haired man in a blue suit and tan tie, stands in a doorway under a red awning with a house and trees behind him. He first looks on with wide eyes, then grins and raises a silver kitchen knife with a black handle, holding it up beside his head while he talks. Holding the knife aloft, he keeps speaking with his mouth open, and an older woman with a blue bun, glasses and a purple outfit appears at the right, gaping in horror with her mouth wide open. > You have been selected by the good people of Slash Co. > to reap the benefits of their new Nevardol knife edge. > Here, shake hands with the Slash Co. > Handle first, handle first. They just use your mind and they never give you credit. Frame: https://ultrahouse3k.com/img/S03E12/832081.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/836044 ## 14:01–14:11 Herb, a brown-haired man in a blue suit and pale tie, first stands outside a house with his hand pressed to his forehead, then appears in an orange jumpsuit with a bulky orange backpack before a chain-link fence beneath a sign reading "The Pitiless Pup Attack Dog School." He stares at the sign and stays still for several moments before a man in a purple jacket on the left watches as a pack of brown attack dogs with orange collars charges across the yard and swarms around Herb. > Hmm. > I quit! I quit! > I thought you said you liked dogs. Frame: https://ultrahouse3k.com/img/S03E12/842091.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/846471 ## 14:11–14:23 Principal Skinner, in his purple jacket and tan shirt, stands behind a chain-link fence beside a paned window, hands pressed together and grinning, as a small white capsule drifts past the window. The fence view then gives way to a hall where an audience seen from behind, including Marge with her tall blue beehive, faces a blank projector screen next to an easel sign reading "MILLION$ FOR NOTHING!" A blond man in a dark purple suit stands in front of the screen with his arms spread wide and his mouth open as if addressing the crowd. > It's enough to drive you crazy and you're ready. > Hey, who wants to get rich today? Frame: https://ultrahouse3k.com/img/S03E12/852935.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/857732 ## 14:23–14:34 Homer, in a blue suit with his arms raised, stands in a crowd of excited onlookers that includes a man in sunglasses, a bald man, and a blond woman in a green sweater with a pink bow. The crowd then turns its attention to Troy McClure, who has swept-back reddish hair and wears a dark suit as he stands beside an overhead projector and gestures toward a screen. The screen shows an orange triangle crossed by two wooden sticks, and the view then closes in on that image alone. > Me! Me! Me! Me! Me! I said it first. > First, > let me assure you that this is not one of those shady pyramid schemes you've been hearing > about. No, sir. > Our model is the trapezoid that guarantees each investor an 800% return within hours Frame: https://ultrahouse3k.com/img/S03E12/864614.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/868993 ## 14:34–14:43 Troy McClure, a swept-back-haired presenter in a grey suit, gestures beside a projector screen while a seated audience including Homer in a blue suit, Marge with her tall blue beehive, and a man in sunglasses and a purple suit watches in a meeting room. The screen shows an orange trapezoid with a large green dollar sign, and as the speaker keeps gesturing, a grey figure in the window behind the audience is hit by crackling lightning and sparks. > of your initial... > Uh-oh. The cops! Frame: https://ultrahouse3k.com/img/S03E12/875458.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/879003 ## 14:43–14:52 Homer and Marge Simpson sit on a red couch in a pink living room, with a document, a small object, and a blue item on the coffee table in front of them. Homer rests his hand on his cheek while Marge holds an envelope and papers, then Homer stands with his hand behind his head as Marge sits looking up at him, and the papers and envelope rest low near her on the couch. A shelf on the wall holds a steaming mug. > Fourth notice. > 90 days overdue. > We break thumbs. > Homer, what are we going to do? I don't know. > I don't know. Frame: https://ultrahouse3k.com/img/S03E12/884634.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/888179 ## 14:52–15:03 Homer Simpson, in a white shirt, and Marge Simpson, with her tall blue beehive and pink beads, stand in their front doorway while a thin repo man in a red jacket with a REPO DEPOT patch, holding a clipboard, talks to them. In the second moment a short, older man in a red cap and blue overalls joins at the door, and Homer looks surprised with his mouth open. The repo man keeps gesturing with his pen and clipboard, and by the last moment Marge has her hands clasped near her chest with her eyes closed, looking distressed, while Homer stares ahead. The scene is set at the pink-framed front door of the house, with a suburban street and lawn visible behind them. > Repo Man, I'm here for the baby's things. > Oh. > Uh, crib, mobile, monitor. > Oh, and the lady's ring, I'm afraid. > Oh, dear! Frame: https://ultrahouse3k.com/img/S03E12/893810.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/897772 ## 15:03–15:13 Marge, with her tall blue beehive and pearl necklace, grips the arm of a grey-haired repo man in a red jacket with a REPO DEPOT patch, who holds a clipboard, at the pink front door, while Homer stands nearby in a white shirt looking worried. Inside the living room, Homer, in a white tank top and boxers, lies asleep under a white sheet on the blue sofa, then sits up wide-eyed, clutching the sheet as the sofa's coffee table holds a newspaper and a hot dog-shaped toy. He then rises and walks past a curtained window with flower patterns and a blue lamp, with a blue armchair and framed pictures on the wall. > Repossessing stuff is the hardest part of my job. Frame: https://ultrahouse3k.com/img/S03E12/904237.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/908199 ## 15:13–15:16 Only a cartoon hand is shown, with no full characters visible: a yellow hand rests on a sheet of paper headed 'FROM THE PEN OF PATTY' on a wooden desk. A second yellow hand holding a purple pen writes over the heading, scribbling out 'PATTY' and then writing 'HOMER' beneath it. The paper is the only prominent object, and the scene is a close-up of the hands on the desk. > Dear Marge, by the time you read this, I will be gone. Frame: https://ultrahouse3k.com/img/S03E12/914455.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/914872 ## 15:16–15:26 Homer, the bald heavyset man in a white tank top, sits at a table under a blue desk lamp in a dim room with a staircase visible through an arch behind him, holding a pen as he writes. Over the five moments he looks down at the paper with a sullen expression, then glances up and his eyes widen in alarm, while the pen rests on the table near the bottom of the frame and the staircase stays unchanged in the background. > You deserve all the finest things in the world. > And although I can give them to you, > they will be repossessed and I will be hunted down like a dog. Frame: https://ultrahouse3k.com/img/S03E12/917583.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/921546 ## 15:26–15:36 Homer, the bald heavy man with stubble in a white tank top, sits at a desk lit by a blue lamp in a dim room with a staircase visible through an arched doorway behind him. He sits upright with wide eyes and a worried, grimacing expression, glancing toward the stairs and then turning his head to look over his shoulder toward the dark stairwell while holding a pen in his hand over the desk. The movement is slight, with him shifting his gaze and turning his head toward the staircase while the lamp light falls across the desk. > Also, it has become clear that your family doesn't want me here. > Shut up with that pen scratching down there. > I will send you every cent I earn for the baby. Frame: https://ultrahouse3k.com/img/S03E12/927593.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/931556 ## 15:36–15:46 Marge, with her tall blue beehive, sleeps under a purple blanket in a dim bedroom while Herb, a brown-haired man in a blue suit, sets a note reading "TO: MARGE" on the bedside table. He leans over the bed to stroke her hair, then stands beside her with his hands clasped before turning to leave. He walks out through a pink-framed doorway carrying a cardboard box, his gaze turned to the side as he goes. > But you will not see me again until I am a man. Frame: https://ultrahouse3k.com/img/S03E12/937603.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/941566 ## 15:46–15:51 A green car with blue upholstered seats sits on a street beside a pink building, and an unseen person's yellow-gloved hand in a blue sleeve pushes a white FOR SALE sign against the car window, with a dark-haired figure visible in the back seat. The hand then moves to the rear bumper and presses a white DISCO SUCKS sign onto it, and the sign is removed, leaving the bumper blank. Finally, the same hand holds the DISCO SUCKS sign against a tan suitcase set in front of the car. Frame: https://ultrahouse3k.com/img/S03E12/948030.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/949282 ## 15:51–16:01 Outside at night under a large yellow moon, a figure in a blue jacket stands beside a parked green car with a yellow suitcase at a curb, then the scene blurs into a dim transition. Inside a pink room with a magenta lamp, Homer sits on a brown couch in a white shirt, holding baby Maggie with her pacifier and blue bow while Lisa, with spiky hair and a pearl necklace, sits beside him. Homer's expression shifts from calm to worried as he speaks, Lisa looks increasingly glum and then lifts one arm, and Maggie gradually closes her eyes while still sucking her pacifier. > That is so sad. > Oh, come on, honey. > You know how it turns out. After all, Frame: https://ultrahouse3k.com/img/S03E12/952827.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/956581 ## 16:01–16:11 Homer Simpson sits on the brown couch in a pink living room, holding baby Maggie with her blue bow and pacifier against his white shirt while Lisa, with her star-shaped spiky hair and red dress, leans against his side. In the first frames Homer grins with wide eyes and Lisa looks sideways, and across the sequence Homer's expression shifts to a flat, sideways stare while Lisa's eyes move. In the later frames Bart's spiky-haired head peeks in from the left beside a purple cabinet and a magenta lamp, and Homer's gaze turns to the side. Notable objects include the magenta lamp, a blue telephone on a table, and a checkered floor. > you wouldn't be here today if I hadn't become the responsible head of a household. > Hey, Homer, can we have a can of frosting for lunch? > Okay. Frame: https://ultrahouse3k.com/img/S03E12/962628.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/966382 ## 16:11–16:21 Homer, baby Maggie with her pacifier and blue bow, and Lisa in her red dress and pearl necklace sit together on a brown couch in a purple-walled living room, with Homer holding Maggie while Lisa leans in from the right. The scene then fades to black before showing a handwritten letter headed 'From the Pen of Homer' with 'Patty' crossed out, beginning 'Dear Marge' and saying he will be gone by the time she reads it. Finally, blue ink blots spread across the lines of the letter while Homer's yellow hands keep holding it up. > You will not see me again until I am a man. > Oh, Homer. Frame: https://ultrahouse3k.com/img/S03E12/972430.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/976392 ## 16:21–16:33 Marge Simpson sits with her eyes closed, then on a couch between her twin sisters Patty and Selma, who have grey-violet hair, while Marge holds a pale sheet of paper and an older woman with tall grey-blue hair peers over the flowered orange curtains behind them. Selma talks with her mouth open as the three remain seated, and the scene cuts to the outside of Gulp 'N' Blow, with its large sign, a yellow drive-thru window marked 'drive thru' with an arrow, and a trash can on the curb. > Homer. > There, there, dear. We're all in shock. I thought he two-timed you for a while first. Frame: https://ultrahouse3k.com/img/S03E12/982440.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/987236 ## 16:33–16:45 Patty and Selma, Marge's twin sisters with grey-violet hair, stand at a counter in an orange-booth restaurant, each holding a taco. Both take bites, and Selma reaches over to grab at Patty's taco while Patty chews with her mouth open and Selma's eyes are closed. Patty then points at something with her taco as Selma sighs, and the scene shifts to a man in a blue cap, red shirt and moustache holding a small bottle and a taco at the counter, with a menu board of taco and burger items above him. > This taco is full of hair. Uh-huh. > There's your explanation. > Ah! Frame: https://ultrahouse3k.com/img/S03E12/994327.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/999123 ## 16:45–16:55 Patty and Selma, Marge's twin sisters with grey-violet hair, stand side by side at a counter with a plate of food, Patty in a blue tank top with an orange hoop earring and Selma in a lavender top with teal earrings, and Selma grimaces with clenched teeth while both glance sideways. Marge, with a tall blue beehive and a lavender robe, sits knitting on a red couch in a pink living room, looking sideways with a sullen expression under a lamp. The sisters then appear in an archway beside the lamp, watching her as she knits. > Should we tell Marge where he is? Nah. > Let her read about it in the society page. > Homer? > Marge, listen, we just saw... Don't be stupid. Frame: https://ultrahouse3k.com/img/S03E12/1006005.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1010176 ## 16:55–17:07 Patty and Selma, Marge's twin sisters with grey-violet hair, stand side by side in the first two frames, Selma-like figure in orange beads and earrings, the other in blue earrings and beads, both looking sideways with smug expressions. Then Marge, with her tall blue beehive and pink nightgown, sits on the edge of a pink bed in a purple bedroom, holding a white envelope. She opens it and pulls out a stack of twenty-dollar bills, revealing a note on the envelope that reads 'DEAR MARGE XXX HOMER' with the bills visible beside it. Framed picture on the wall, lamp on a side table, and a dresser with a small pink box are visible in the room. > Dear Marge, XXX Homer. Frame: https://ultrahouse3k.com/img/S03E12/1016224.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1021437 ## 17:07–17:18 Homer, a bald, heavy man in a red vest, blue cap and blue trousers, stands outside a barbed-wire chain-link fence at the Springfield Nuclear Power Plant, under signs reading KEEP OUT and AUTHORIZED PERSONNEL ONLY, gripping the wire and scowling as workers in white hats and purple trousers walk past toward the cooling towers. Later he holds a striped bag at the gate while a white Rolling Donut van, its driver in a white cap, pulls up beside him, with the van's pink logo and star decorations visible. > Big shots with their stainless steel lunchboxes. Frame: https://ultrahouse3k.com/img/S03E12/1028736.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1033324 ## 17:18–17:29 A man in a blue cap and striped jacket stands beside a white van while a driver in a white cap, pink apron and bow tie sits at the wheel, leaning out and gesturing. The van, marked ROLLING DONUTS, drives away down a road past barbed-wire fences and a cooling tower, while the man watches with his mouth open. The scene then cuts to Marge, with her tall blue beehive, standing in the arched doorway of a pink house under a lit lantern, wearing a purple robe and clutching it at her chest. > They get donuts. That's right. All the colors of the rainbow. > Wow. > Marge, what are you doing up? You need your rest, dear. Frame: https://ultrahouse3k.com/img/S03E12/1039997.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1044377 ## 17:29–17:41 Marge Simpson, with her tall blue beehive and purple robe, stands in a doorway with a red-brown wall behind her, facing Selma, who has grey-violet curly hair, a green robe and a red earring. In the first frames Marge looks sideways at Selma while Selma glances down at her with heavy-lidded eyes. Marge's arm moves into view at the left edge as she turns slightly toward Selma. In the last two frames Selma, in the foreground, opens her mouth and speaks, her eyes narrowed, while Marge's blue hair fills the left side of the image. > I heard a noise outside and thought it might be Homer. > What the hell? Marge, I've got two and a half words for you. Frame: https://ultrahouse3k.com/img/S03E12/1051050.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1055846 ## 17:41–17:52 Marge, with her tall blue beehive, sits behind the wheel of a car at a drive-thru, speaking toward the ORDER HERE speaker beneath a menu board listing JUICE, BEER, and prices. Inside, a heavy man with messy brown hair and a blue cap, possibly Barney, rests his chin on his hand beside a paper bag marked ONION RINGS, then eats an onion ring with his eyes squeezed shut while a stack of paper cups sits nearby. > Gulp and blow. > Yeah, what do you want? My husband by my side. > You want fries with that? Homer? > Marge? Frame: https://ultrahouse3k.com/img/S03E12/1062728.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1067108 ## 17:52–18:00 Marge, with her tall blue beehive and lavender robe, walks past an orange car toward the pink Gulp 'n' Blow building with its red sign and drive-thru arrow. Homer, in a blue cap and red uniform shirt with a TRAINEE tag, rushes over and wraps her in a tight hug. He then leans in close, gripping her shoulder, while she sits in a chair and looks back at him with wide eyes. > Homer! > Marge! > Holy cow, you're as big as a house. Homer, come home with me. Frame: https://ultrahouse3k.com/img/S03E12/1073781.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1076701 ## 18:00–18:09 Marge Simpson, with her tall blue beehive and purple coat and scarf, stands beside Homer Simpson, the bald, heavy man in a striped uniform cap and jacket with a white TRAINEE name tag, in a purple-walled room with a window on the right. Marge starts out with a serious, unimpressed look and then widens her eyes and opens her mouth to speak, while Homer glances sideways and then gestures with both hands as if pleading. In the final moment, Homer grins and pinches a small white paper or card at his chest while Marge looks on, her hands clasped at her waist. > No, Marge, I just can't. I mean, look at me. > I'm a trainee. > They won't even tell me what's in the secret sauce. Frame: https://ultrahouse3k.com/img/S03E12/1081914.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1085251 ## 18:09–18:18 Marge, with her tall blue beehive and purple robe, and Homer, in a striped cap and vest with a TRAINEE name tag, stand against a purple wall beside a window. Homer talks and gestures with his hands while Marge watches, then she steps up behind him, grips his shoulder and speaks, before resting her head against his shoulder with her eyes closed. A blue object is visible at the lower left edge of the scene. > And I can't buy you a decent wedding ring. > Any ring is fine as long as it's from you. Frame: https://ultrahouse3k.com/img/S03E12/1090673.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1093801 ## 18:18–18:28 Homer, a bald man in a dark red uniform with a blue cap and a TRAINEE badge, and Marge, with her tall blue beehive and lavender bathrobe, stand in a purple room near a window. Homer pulls an onion ring from a white paper bag labeled ONION RINGS and holds it up for Marge, who gazes at it with her hand raised to her chin while a drip of yellow goo trails from her chin. Homer keeps smiling and offering the ring as Marge looks at it, and the scene ends on a close view of the ring in his fingers. > Marge, poor Vu. Frame: https://ultrahouse3k.com/img/S03E12/1099432.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1103185 ## 18:28–18:38 Marge Simpson, with her tall blue beehive and lavender robe, stands close to Homer, who wears a striped cap, a red vest and a name tag, and holds a small dark object between his fingers while she grips his wrist. Their hands are close together in a purple room, and Marge lifts her hand to her chin while Homer raises his hand toward his mouth. The scene then cuts to an orange car in a driveway, with Marge at the wheel and Homer standing beside the open door near a wooden fence, a pink house, and a purple tree. > Would you mind if I took it off now? The oil is burning my finger. > Oh, sure. > Homer, do you know why I married you? Because I knocked you up? Frame: https://ultrahouse3k.com/img/S03E12/1109233.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1113195 ## 18:38–18:46 Homer, in a red vest with a TRAINEE badge and a blue cap, and Marge, with her tall blue beehive, first sit in a car beside a fast-food menu board listing items such as pizza and burger combos at 1.69. Marge then sits in the orange car with a smear of food on her chin while Homer leans toward her in alarm, and he leans through the car window to hug her before stepping back onto the sidewalk. He stands there in his trainee vest beside a red mailbox, with a wooden fence and hedges behind him and Marge still in the car. > No, because I love you. > Come home soon. Frame: https://ultrahouse3k.com/img/S03E12/1119243.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1122580 ## 18:46–18:57 Homer, bald and heavyset, first stands on a lawn in a red vest with a TRAINEE tag and blue cap beside a large red mailbox, then clenches his fists in anger and changes into a white I SHOT J.R. shirt while holding the red vest. He then slumps face-down over an orange mailbox reading THANK YOU, and in the final scene he walks away from the camera in a blue jacket toward a gate under a yellow arch reading NUCL... SPRINGFIELD POWER PLANT, with a purple reactor tower behind him. Frame: https://ultrahouse3k.com/img/S03E12/1128002.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1131964 ## 18:57–19:06 Homer, in a blue jacket and dark trousers, leans toward the window of an orange security booth where a uniformed guard in a cap sits inside beside a sign reading "Security Checkpoint Must Show ID, Absolutely No Visitors." Homer holds a dark ID card up to the glass, then the scene moves to a pair of brown double doors marked "Owner C.M. Burns," followed by a black maze game in which a yellow Pac-Man-style character with a pink bow moves right while three ghosts in blue, pink, and yellow chase it. > That's it. > Come closer. Frame: https://ultrahouse3k.com/img/S03E12/1138220.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1141766 ## 19:06–19:16 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, in glasses and a purple bow tie, stand in a wood-panelled room beside a blue arcade cabinet. Burns grips the controls with a sneer, then throws his head back in a wild laugh, while a framed painting of him hangs on the wall behind them. On the cabinet screen, a yellow Pac-Man with a pink bow is chased by two purple ghosts through a black maze with pink walls. > Ironic, isn't it? The hunter has become the hunted. > Oh, God, Smithers, I feel so alive. Frame: https://ultrahouse3k.com/img/S03E12/1147396.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1151359 ## 19:16–19:20 Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, who wears glasses, a purple bow tie and an ID badge, are in a wood-paneled office with a red chair and a window with curtains. Burns first grins with his eyes shut and clasped hands, then turns toward the open double doors where Herb, a brown-haired man in a blue jacket and purple tie, stands with his arms spread wide beneath a sign reading "OWNER C.M. BURNS." Burns then looks startled with wide eyes and a clenched grin while Smithers stares in alarm, before Burns narrows his eyes suspiciously and Smithers gives a nervous grin. > You the boss? Yes. I'll call security, sir. > Well, listen to me, Mr. Big Shot. Frame: https://ultrahouse3k.com/img/S03E12/1157406.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1158449 ## 19:20–19:28 Herb, a brown-haired man in a blue suit and lavender tie, stands beside a wooden door with a brass plaque reading "OWNER C.M. BURNS," gesturing toward it with an open hand before stepping back, scowling, and speaking with his mouth open. He then confronts Mr. Burns, the frail, thin, hook-nosed old man with grey hair at the sides, in a wood-paneled hallway, jabbing a finger and gesturing as Burns narrows his eyes and looks at him sideways. > If you're looking for the kind of employee who takes abuse and never sticks up for > himself, I'm your man. You can treat me like dirt, Frame: https://ultrahouse3k.com/img/S03E12/1161786.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1164497 ## 19:28–19:35 Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, and Herb, a brown-haired man in a blue suit and lavender tie, stand against a dark wood-paneled wall. Herb grabs Burns's shoulder and jabs a finger at him, shouting with clenched fists while Burns, fists raised near his chin, glances aside with a sour, uneasy expression. Herb's gestures grow more agitated as Burns fidgets with his black tie and lapel. > and I'll still kiss your butt and call it ice cream. > And if you don't like it, I can change. Frame: https://ultrahouse3k.com/img/S03E12/1169502.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1172213 ## 19:35–19:42 Mr. Burns, the frail, stooped old man with a hooked nose, and his thin assistant Smithers in glasses and a purple bow tie appear in a wood-paneled office, with Herb, a brown-haired man in a blue suit, seen from behind. Burns glares and raises a hand, then Smithers holds a purple phone to his ear at a desk while pointing, and Burns later wags a finger at Herb near the bookshelves. A brass nameplate on the desk reads "C.M. BURNS." > Hold the phone, Smithers. > I like your attitude. > Feisty yet spineless. Frame: https://ultrahouse3k.com/img/S03E12/1177009.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1179095 ## 19:42–19:52 Smithers, the thin assistant with glasses, stands behind the C.M. Burns nameplate desk with a purple telephone and red chair, first talking and gesturing with open hands. Mr. Burns, the frail, hook-nosed old man in a blue suit, then stands before the desk and glares as Herb, the brown-haired man in a blue suit, stands beside him. Burns steps in close and grips Herb's arm while grinning, and Herb looks startled. > Sir, this man not only failed the aptitude test, > he got trapped in a closet on his way out. > I don't care. > I haven't been this impressed since I first laid eyes on a young bootlick named Waylon > Smithers. > You mean? Frame: https://ultrahouse3k.com/img/S03E12/1183474.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1187645 ## 19:52–20:01 Homer, the bald heavy man with stubble in a blue jacket, stands in a wood-paneled room in the first frames, his eyes wide and his mouth tight. Mr. Burns, the frail stooped old man with a hooked nose and grey hair at the sides, and Smithers, his thin assistant with glasses and a purple bow tie, stand beside him as Burns extends a hand toward Homer. Homer then reacts with a fixed, nervous grin, after which he leaps backward with his arms spread wide and his feet kicked up, flying out through an open arched doorway while Burns and Smithers watch him go. The room has dark wooden panels, a fireplace-style sideboard, and a tall arched window above the open door. > Welcome aboard, son. > I got the job. I got the job! Woo-hoo! > Only in America could I get a job. Who was that young Hellcat Smithers? Frame: https://ultrahouse3k.com/img/S03E12/1193901.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1197238 ## 20:01–20:07 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, with glasses, a purple bow tie, a brown jacket and an ID badge, stand together in a wood-paneled hallway beside a blue curtain. Burns scowls and speaks with his mouth open, leaning forward, while Smithers looks on with a flat, unimpressed expression. As Burns keeps glaring and talking, the scene tightens in on him and Smithers slides to the right edge, partly hidden behind him. > Homer Simpson, sir. Simpson, eh? > I'll remember that name. Frame: https://ultrahouse3k.com/img/S03E12/1202660.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1204745 ## 20:07–20:17 Herb, a Homer-like man with brown hair in a blue suit and tie, and a woman with a tall grey-violet beehive, pink sleeveless top and blue beaded necklace stand in a pink room with an arched doorway and framed pictures on the walls. Herb starts out with his mouth open in alarm, then stands with a worried look as the woman, a cigarette between her lips and smoke curling up, glares at him and steps closer. As she moves forward past him toward the doorway, he stays behind her, and they end up side by side near a window, with her still smoking and eyeing him sideways. > March! > March! You're a little late. She's gone to the hospital. > To hospital? > I'll drive you. > Thanks, Mom. Don't ever call me that. Frame: https://ultrahouse3k.com/img/S03E12/1208916.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1212878 ## 20:17–20:28 Homer, in a white shirt and grey tie, stands beside a hospital bed where Marge lies with her tall blue hair under a lavender sheet, while Patty and Selma, with grey-violet hair, stand close by looking sullen. A man in a white coat with a stethoscope stands at the left edge of the bed as Homer angrily points at him and raises a fist, and Marge watches nervously. The hospital room has a framed landscape painting, a flower vase and a ceiling lamp, and Homer's anger grows more intense throughout. > March! March! Where's the baby? Right where you left it. > Shut up. Hey, listen, fat boy. No, you listen! > This is my wife and this is my kid, and I'm paying for this delivery, > so if you want to stay, you better give me some respect. Frame: https://ultrahouse3k.com/img/S03E12/1218926.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1222888 ## 20:28–20:36 Patty and Selma, Marge's twin sisters with grey-violet hair, sit side by side looking sideways with open mouths, while Homer in a white shirt and tie scowls beside a purple chair. Marge with her tall blue beehive lies in a lilac-sheeted bed wearing a pink blouse with a bow, grinning nervously, then Homer leans over her smiling with his eyes shut, beside a framed mountain painting, a lamp and a vase of pink flowers. The scene ends on a man with a large black afro, a white coat and a stethoscope, who looks wide-eyed and mouths something in a pale green room. > Homer, does this mean... Starting tomorrow, I'm a nuclear technician. > Good God. > And tomorrow morning, I'm gonna buy your ring back, then I'm going house hunting. Frame: https://ultrahouse3k.com/img/S03E12/1229145.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1232273 ## 20:36–20:46 Homer, the bald heavy man in a white shirt and tie, and Marge, with her tall blue beehive and pink top with a white bow, lie together in a bed with lavender sheets in a bedroom with a teal wall, a framed painting, and a vase of flowers on a shelf. Homer leans toward Marge with a grin, then strokes his chin and smiles while Marge looks up at him. Marge then turns her head away with her eyes closed and her hand on Homer's arm, while Homer looks off to the side with his mouth open in surprise. > But doesn't your job start tomorrow? Eh, somebody will cover for me. > Homer, that's... Oh! > Step aside. Frame: https://ultrahouse3k.com/img/S03E12/1237486.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1241449 ## 20:46–20:58 In a hospital delivery room, Carl, a Black man with an afro in a white coat, stands beside Homer in a white shirt and tie while Marge's sister, with tall grey-violet hair and a pink dress, watches them. Homer reaches toward a newborn's head held in the hands of an unseen person, and Carl gestures with one hand as Marge lies in a lavender hospital bed in a pink gown and white bow, wide-eyed and worried. Later, Homer sits at Marge's bedside holding baby Bart, who has a few wisps of hair, while Marge smiles and speaks, with a bouquet of purple flowers, a rotary phone, and a mountain painting on the wall behind them. > I'll deliver this baby. > Uh, why don't you let me handle it, Homer? > Oh, college boy, eh? Homer, for God's sakes, let him deliver the baby. > Homie, isn't he beautiful? > Hey, as long as he's got eight fingers and eight toes, he's fine by me. Frame: https://ultrahouse3k.com/img/S03E12/1247496.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1252293 ## 20:58–21:07 Herb, a brown-haired man in a white shirt and purple tie, stands in an office holding baby Bart, while Marge, with her tall blue beehive, watches beside him. He lifts Bart toward his face and grins while Bart reaches out with a small object near Herb's nose. The scene then cuts to a close-up of Herb with wide eyes and clenched teeth as a purple haze drifts across the screen. > Oh, Bart, daddy's little angel. Frame: https://ultrahouse3k.com/img/S03E12/1259175.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1262720 ## 21:07–21:18 Homer, the bald heavy man in a white shirt, and Bart, the boy with spiky hair, are first seen at a kitchen counter where Homer dips a dripping, stained object into a glass pitcher beside a potted plant with purple flowers. Homer then grips Bart by the arms and holds him up toward the plant, Bart smiling nervously while Homer scowls and shouts. Bart next stands shirtless against a light blue wall beside a black hanging hook, and Homer appears blurred in a pink room with a sailboat picture, glancing sideways. > Why, you little... He did that on purpose! > How could he? He's only ten minutes old. > Bart, Nietzsche, come here for a minute. Frame: https://ultrahouse3k.com/img/S03E12/1268559.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1272730 ## 21:18–21:28 Homer sits on the brown couch in the pink living room, holding baby Maggie in a blue outfit with a blue bow on his lap, while Lisa with spiky star-shaped hair and a pearl necklace sits on his left and Bart in an orange shirt and blue shorts stands at his right. Across the frames Homer talks and gestures, his mouth opening and closing as he looks off to the side, and he rests a hand on Bart's shoulder and then on Lisa's while the children shift their positions and glance at him. A framed sailboat picture hangs on the wall behind them, and a lamp with an orange shade stands at the right edge. > You know, son, the day you were born, I received the greatest gift a man could have. > As the years went by, your mother and I were blessed twice more. Frame: https://ultrahouse3k.com/img/S03E12/1279195.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1283574 ## 21:28–21:39 Homer sits on the brown couch in a pink living room with Lisa, Maggie with her pacifier and blue bow, and Bart in his orange shirt, all pressed close together. Homer's eyes are shut as he talks, and the kids glance sideways, first looking content, then increasingly uneasy and wide-eyed as Homer's eyes pop open. Marge, with her tall blue beehive and green dress, stands on the rainbow rug with her hands clasped at her chin, looking back at the family, while a crib, a red lamp, and a framed sailboat picture sit nearby. > And not a day goes by that we don't thank God for all three of you. > Homer, I'm not pregnant! > Yeah! Frame: https://ultrahouse3k.com/img/S03E12/1290039.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1294001 ## 21:39–21:49 Homer, the bald heavy man in a white shirt, and Marge, with her tall blue beehive and green dress, are in a pink room with a red lamp and a framed picture. Homer reaches toward a small wall ornament, then he and Marge raise their hands and high-five with big grins. The scene then fades to black, showing yellow on-screen credits that read 'Executive Producers James L. Brooks, Matt Groening, Sam Simon' and then 'Starring Dan Castellaneta'. > Whoa! > Excellent, Marge! > Yes! Frame: https://ultrahouse3k.com/img/S03E12/1300049.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1304220 ## 21:49–21:59 No characters are drawn in this moment; it is a plain black background with yellow cast-credit text in a rounded cartoon font. The names appear one after another in the centre of the screen: first JULIE KAVNER, then NANCY CARTWRIGHT, then YEARDLEY SMITH, then HANK AZARIA, and finally 'and HARRY SHEARER' with the word 'and' in smaller lettering above his name. Each name replaces the last in the same spot, with nothing else moving on screen. Frame: https://ultrahouse3k.com/img/S03E12/1310267.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1314438 ## 21:59–22:09 No Simpsons characters appear in this moment; it is a black closing credits sequence with no animation or dialogue. Yellow text on black appears in succession: first "Also Starring DORIS GRAU and MAGGIE ROSWELL," then "Executive Consultant BRAD BIRD," then "Executive Story Editor JEFF MARTIN," then "Associate Producers J. MICHAEL MENDEL and JOSEPH A. BOUCHER," and finally "Theme By DANNY ELFMAN," each credit replacing the last in the centre of the screen. Frame: https://ultrahouse3k.com/img/S03E12/1320486.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1324448 ## 22:09–22:19 No characters appear in this moment; it is a black closing credits sequence of yellow text on a plain black background. First the card reading "Music By ALF CLAUSEN" is shown centered, then it gives way to "Casting By BONITA PIETILA," then "Editors MARK McJIMSEY and DON BARROZO," and then a card listing "Animation Production Manager KEN TSUMURA" and "Post Production Coordinators JEFFREY GOLDSTEIN and COLIN A.B.V. LEWIS." The final card lists crew names such as Sarah Werner, Bobby Mackston, Mark McJimsey, Chris Ledesma, Travis Powers, Peter Cole, Gary Gegan, Anthony D'Amico, Brad Brock, Ronald Cox, Randy Piotroski and Doris Grau, with a Skywalker Sound and Laser-Pacific credit and a Dolby Surround logo at the bottom right. Frame: https://ultrahouse3k.com/img/S03E12/1330704.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1334667 ## 22:19–22:30 No Simpsons characters appear in this moment; it is a black closing credits sequence with no people on screen. The credits roll over several slides in gold text on a black background: first a list of assistants including Barbara Duncan, Trixie Flynn, Daria Paris, Julie Steddom Smith, Lona Williams, Lana Repp Lewis, Jacqueline Sillo, Don Gilbert, C.J. Gibson, Tammy Mandel, Jamie O'Connor, Lawrence Lee, Brad Schultze, Leslie Richter and Alison Elliott. Then the text 'Animation Produced By KLASKY-CSUPO INC.' and 'Animation Executive Producer GABOR CSUPO' appears, followed by 'Animation Producer SHERRY GUNTHER', then 'Overseas Animation Directors MIKE GIRARD and J.C. PARK' with 'Animation Production Manager MARIA ELENA RODRIGUEZ', and finally 'Korean Production Company ANIVISION' appears. Frame: https://ultrahouse3k.com/img/S03E12/1340923.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1344885 ## 22:30–22:40 No characters appear in this moment; it is a black closing credits roll of Simpsons end-credit text in yellow lettering. Opening on Assistant Director Howy Parkins and Storyboard Supervisor Steven Dean Moore, the credits list storyboard, character design and background design names, then move through character layout artists, background layout artists and animation timing credits, with Lip Sync credited to Kent Holaday. The text then gives way to the Main Title Design credit to David Silverman and Main Title Animation names, followed by Background Cleanup Supervisor Kim Taylor, Negative Cutter and Telecine credits, and finally Production Coordinators, Post Production Coordinator Tami Sloan Tsark, Production Assistants and Production Accountant Carole Ann McCoy, all in white-and-yellow text on a plain black background. Frame: https://ultrahouse3k.com/img/S03E12/1351141.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1355104 ## 22:40–22:50 No Simpsons characters appear; this is the opening credits sequence against a plain black background. Yellow text first displays a disclaimer that the persons in the film are fictitious, followed by 'THE SIMPSONS EPISODE #8F10, COPYRIGHT 1991, TWENTIETH CENTURY FOX FILM CORPORATION' and a copyright notice with 'N.A.B.' at the bottom. Then single credit cards appear one after another: 'Executive in Charge of Animation Production RICHARD RAYNIS', 'Executive in Charge of Production for Gracie Films MICHAEL P. SCHOENBRUN', 'Creative Supervisor SAM SIMON', and 'Executive Creative Consultant JAMES L. BROOKS', each fading in and out in the center of the screen. Frame: https://ultrahouse3k.com/img/S03E12/1361360.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1365322 ## 22:50–23:02 Silhouetted audience members sit in rows of theater seats facing a blank, glowing movie screen, and one figure on the left has a tall, puffy hairdo. The screen shows the Gracie Films logo in white letters on a blue beam of light, then a golden 20th Television logo with a building and searchlight beams against a sunset sky, before the image fades to black. > Shh. Frame: https://ultrahouse3k.com/img/S03E12/1371579.jpg Page: https://ultrahouse3k.com/episode/s03e12-i-married-marge/1376166