# Separate Vocations

The Simpsons, season 3, episode 18 (S03E18), first aired February 27, 1992.
Written by George Meyer. Directed by Jeffrey Lynch. Production code 8F15.
Guest stars: Marcia Wallace as Mrs. Krabappel.
Chalkboard gag: "I will not barf unless I'm sick" and the end he writes "I will not expose the ignorance of the faculty". Couch gag: Lying Down Bart.

A faulty career aptitude test says Lisa should be a homemaker and Bart a police officer. Told her stubby fingers rule out a saxophone career, Lisa gives up on school and starts acting out, while Bart becomes Principal Skinner's hall monitor and brings order to the school. When Lisa steals every teacher's edition, Bart takes the blame and lands in detention, and she returns to her studies.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Principal Skinner, Chief Wiggum, Krusty the Clown, Apu Nahasapeemapetilon, Mrs. Krabappel, Nelson Muntz, Martin Prince, Ralph Wiggum, Patty Bouvier, Selma Bouvier, Groundskeeper Willie, Santa's Little Helper, Lou, Lewis Clark, Wendell Borton, Richard, Jimbo Jones, Eddie, Miss Hoover, Kearney Zzyzwicz, Sherri Mackleberry, Terri Mackleberry, Mayor Quimby, Sideshow Mel, Nina Skalka, Janey Powell, Adrian Belew, Becky Shorter, Dolph Starbeam, Sophie Jensen, Snake, Girl with glasses, Long-haired girl, Jaffee Ziswhisky, Buck-toothed boy, Dewey Largo, Buck-toothed girl, Lewis' lookalike, Boy with shades, Chuck Berger, Wanda, Smug Girl, White-Haired Girl, Roy Snyder, The Happy Little Elves, J. Loren Pryor, Sylvia Winfield, Mr. Hippie, Afro Girl, African-American Teacher, Albert Einstein, Ms. Phipps, Donna, El Barto, Mr. Glascock, Tammy, Emma, Ludwig van Beethoven, Mr. Montone, Music Teacher, Testing Center employee, Young Woman.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s03e18-separate-vocations
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in a classroom before a chalkboard filled with rows of the chalked line "I WILL NOT BARF UNLESS I'M SICK." He first stands with one hand raised to his mouth and his body turned toward the board, then he hops sideways to the left with his arms outstretched and a wide grin, eyes squeezed shut. A red trash can, a wall clock, and a framed picture sit on the green wall behind him. Before these classroom scenes, the sky of clouds on blue fades in and the title card "THE SIMPSONS" appears in yellow letters over the clouds.

> The Simpsons

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## 0:12–0:24

Homer, in a yellow protective suit with a visor, holds a glowing green rod near a CAUTION sign while Mr. Burns and Smithers watch from a booth, then reaches toward a panel with green and red buttons. The scene shifts to a supermarket checkout where Lisa reads a Mom Monthly magazine with Frosted Krusty Flakes on the cover, beside Marge with her blue beehive. Maggie, sucking her pacifier in a shopping cart, watches as Marge closes her eyes and raises a hand, with a CHECKS sign and a lane marked 5 nearby.

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## 0:24–0:38

Lisa, the girl with star-shaped spiky hair in a red dress, plays saxophone in a school band while a stout older man with white side hair and an orange sweater conducts from a music stand. She then walks down an orange-walled hallway with blue tile floors, carrying her saxophone past bulletin boards and a bust of a composer. Outside, Homer, bald in a white shirt and blue pants, stands beside a pink car in the driveway, next to a mailbox and an open garage holding a bicycle.

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## 0:38–0:51

Homer, Marge, Maggie and Lisa sit together on the living room couch, with a figure in blue pants and a white shirt tumbling through a doorway in an earlier moment. The family watches a boxy TV that displays the credits 'Created by Matt Groening' and then 'Developed by James L. Brooks, Matt Groening, Sam Simon' in yellow lettering on a blue screen, while a lamp, a phone and a plant-decorated room surround them.

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## 0:51–0:57

Mrs. Krabappel, the teacher with a tall brown hairdo and a green cardigan over a light top, appears in a classroom with an alphabet border and an orange ceiling, grinning widely with her eyes glancing sideways. The screen opens black, then shows the exterior of a two-storey lavender school building with a sign reading partly "...ENTARY ...HOOL" and an American flag waving on a pole in front, before cutting to her smiling indoors beside a red fire alarm.

> Now, class, I promised you a surprise today.

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## 0:57–1:09

Milhouse, with blue hair and red glasses, sits at a counter in a classroom-like room while a thought bubble shows a man in a feathered headdress riding a green alligator. Next to him, a woman with long purple hair and a purple bow stands at the counter as a thought bubble shows a blue-capped green gnome carrying a tray of ice cream cones, and a man with dark curly hair peeks up from behind the counter. Bart, in an orange shirt, sits at the counter and looks sideways in a thought bubble showing Mrs. Krabappel with her tall brown hairdo and green cardigan, then the bubble changes to a purple alien with antennae holding up Mrs. Krabappel's head, while Bart grins. Finally, Mrs. Krabappel stands before a colorful alphabet banner and a clock, grinning and holding up a stack of papers, with the on-screen text "Co-Executive Producers AL JEAN & MIKE REISS."

> Wow!
> I knew it. And here it is. We're going to take a test.

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## 1:09–1:19

Bart slumps at his desk with one hand pressed to his forehead and his mouth open in a groan, then in a classroom Lisa stands near the chalkboard with her hands at her face while a blue-haired woman with glasses, a pink blouse and a pink skirt addresses the room. A curly-haired woman in a lavender top and a girl with a blue bowl haircut sit near the front, and the blue-haired woman turns to face Lisa while holding up a sheet of paper, which Lisa also holds as she stretches her eyes wide. White credits reading 'Supervising Producers Jay Kogen & Wallace Wolodarsky' appear over the scene, and wall posters reading 'Give a hoot, read a book!' and a calendar marked April hang nearby.

> We're going to take a test. All right, a test!
> It's called the Career Aptitude Normalizing Test, or CANT.

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## 1:19–1:26

A one-off teacher, a woman with a blue bob, round glasses and a pink blouse, holds a notepad and grimaces in front of a classroom wall with an alphabet border. The scene then shows a woman in a green dress with tan hair walking down the aisle between wooden desks, holding papers, while pupils sit at their desks, including a spiky-haired boy who appears to be Bart Simpson. White credits appear over the classroom, first reading 'Producer GEORGE MEYER', then 'Produced By RICHARD SAKAI DAVID SILVERMAN'; the chalkboard, flag and wall clock stay in place throughout.

> Some of you may discover a wonderful vocation you never even imagined.
> Others may find out life isn't fair. In spite of your masters from Bryn Mawr,

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## 1:26–1:37

Mrs. Krabappel, Bart's teacher with a tall brown hairdo and green cardigan, stands at the front of a classroom holding papers while Marge, with her tall blue beehive, stands behind her and Bart in his orange shirt sits at a desk nearby. Krabappel glances down at the papers, then scowls and grits her teeth, and later closes her eyes and speaks, while the students look on from their desks with papers in front of them and a classmate with an afro watches from the back. Yellow on-screen credits read 'Co-Producer JON VITTI', 'John Swartzwelder' and 'Written By GEORGE MEYER' over the scene, and a corkboard covered in notices hangs on the green wall.

> you might end up a glorified babysitter to a bunch of dead-eyed fourth graders while your
> husband runs naked on a beach with your marriage counselor.

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## 1:37–1:49

Mrs. Krabappel, with her tall brown hairdo and green cardigan, stands in a classroom reading a stack of papers and glancing up from them. Bart, in his orange shirt and spiky hair, sits at a desk holding a small purple-and-yellow toy in front of a world map, while a tall man in a green sweater and teal trousers stands beside him holding papers. White credit text reading 'Directed by Jeffrey Lynch' appears over the early frames.

> First question.
> If I could be any animal, I would be A, a carpenter ant, B,
> a nurse shark, or C, a lawyer bird.

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## 1:49–2:00

A tall woman with a blue beehive and glasses, wearing a pink blouse with a red bow and a pink skirt, sits on the edge of a wooden desk at the front of a classroom and reads from a card she holds, her mouth moving as she speaks. Several students sit at desks on the right, including a spiky-haired girl in the front right corner who is wearing a pearl necklace and writing on a sheet of paper while the others bend over their work. The room has a blue door, a wall clock, a globe, a red mug on the desk, and a bulletin board with a 'Give a Hoot, Read a Book!' poster.

> Question 60. I prefer the smell of A, gasoline,
> B, french fries, or C, bank customers.

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## 2:00–2:10

Lisa, wearing a pearl necklace, fills in a bubble answer sheet with a pencil at her desk while Mrs. Krabappel with her tall brown hairdo and a spiky-haired blond boy in a white shirt sit nearby. Later, a blue-haired woman in a pink dress and glasses holds a stack of papers and walks across the classroom toward the front, passing a clock and a bulletin board reading "Give a Hoot, Read a Book!" as students sit at their desks.

> Well, that was a waste of time. Jamie, school is never a waste of time.
> Since we have 15 minutes until recess,
> please put down your pencils and stare at the front of the room.

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## 2:10–2:23

Lisa sits at a classroom desk next to a blond, spiky-haired boy in a white shirt and a curly-haired woman in a purple top, while a blue-haired teacher at the front desk looks up at the room, which has a 'Give a Hoot, Read a Book!' poster and a wall clock. Milhouse, with blue hair and glasses, stands in a pink sweater holding a stack of papers near the doorway, beside an uniformed officer carrying a box and the heavy-set Chief Wiggum in a grey uniform and cap. The scene then cuts to the exterior of the Iowa Non-International Airport, with a green tractor and trailer parked out front and a plane's grey body and windows sliding across the screen beneath a control tower.

> Here for the tests?

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## 2:23–2:34

A man in a blue shirt and jeans, seen from behind, watches stacks of orange sacks labeled "Standardized Tests" and "Handle With Care", then a uniformed mail carrier in a green cap lifts a sack from a loading chute beside a grey delivery truck. The scene moves to a cornfield road with a sign reading "Welcome to Proctorville, Iowa, Home of the National Testing Center", then to a cream arch reading "National Testing Center, Controlling Your Destiny Since 1925" as the truck drives toward the gate.

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## 2:34–2:43

A heavy man in a white shirt and blue trousers stands beside a green dumpster and a pile of sacks in a basement, clutching a bulging brown sack while papers spill from a bin onto a conveyor. The scene moves to a grey machine with a seated figure on steps at its side, its glowing sign reading TEST SUBJECT DEBBIE SILVER and then TEST SUBJECT BART SIMPSON as white sheets feed along a conveyor toward its opening. Finally, paper sheets slide out of the machine's chute beneath the red sign that reads TEST SUBJECT BART SIMPSON.

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## 2:43–2:54

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a wooden rocking chair beside a wall of red wall lights and a row of glowing glass tubes with electric arcs. He grips a broom, first holding it upright, then raising its handle to his face as if peering through it, and later holding it upright again while the red lights pulse with waveform patterns. The scene then cuts to a sunny exterior of Springfield Elementary School, a yellow building with purple columns, an American flag on a pole, and a sign above its orange double doors.

> Come on, Emma.
> Here's your scientifically selected career.

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## 2:54–3:01

Milhouse, with blue hair and glasses in a brown jacket and green sweater, sits at a desk in the school psychologist's office, first beneath a door sign reading "Dr. J. Loren Pryor, School Psychologist." A girl with curly brown hair in a pink top holds a sheet of paper and looks up at him, and he smiles with his hands folded and a pencil on the desk. The scene then cuts to a boy with spiky blond hair in a white shirt reading a paper in front of him, and Milhouse smiles again at the desk, with framed certificates, a bookshelf, and a pencil cup nearby.

> Architect.
> A foreign salesman.

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## 3:01–3:12

Ralph Wiggum, a boy with a blue-grey jacket and flat yellow hair, grimaces and stares intently at a sheet of paper he holds at a blue counter in a room with a psychology sign and bookshelves. Milhouse, in a purple shirt and red glasses, looks up from his paper and pumps his fist with a smile. Next, a chubby orange-haired boy in a white shirt with a purple emblem crosses his fingers with eyes shut and grins, then reads his paper with a smirk, while Lisa Simpson, with her star-shaped hair and pearl necklace, glances sideways at her paper with her mouth open. The notable on-screen elements are a reversed 'Psychology' sign on the left wall and a pink framed certificate on the right.

> Salmon cutter.
> Military strongman.
> Systems analyst. Systems analyst. Systems analyst.
> All right!
> Homemaker.
> It's like a mommy.

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## 3:12–3:22

Bart, the boy with spiky hair in an orange shirt, stands before a bookshelf of colorful books and holds up a sheet of paper, first reading it with his eyes closed and then glancing sideways with wide eyes. Across from him sits a bespectacled adult man with blue hair, a brown jacket, green sweater and tie, who clasps his hands at a desk beside a chalkboard with portraits of old men, then breaks into a broad, laughing grin while a pencil and paper rest on the desk. Bart's spiky head fills the left foreground as the man keeps laughing, with a light switch and a blue door visible on the left wall.

> Police officer will all be jiggered.
> If you'd like to learn more,
> I could arrange for you to ride along in a police car for a night.
> Hey, I don't need you to get me in the back of a police car.

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## 3:22–3:30

Bart, in his orange shirt, stands at a blue desk beside a bookshelf and holds up a white paper with a scowl, then grins and gestures with it while a blue-haired, bespectacled man in a brown jacket and green sweater sits in an orange chair with his back to the viewer. The scene shifts to the man seated at a desk before a blackboard with two framed portraits, where he holds a sheet of paper, looks sideways with wide eyes and talks with his mouth open. A pencil lies on the desk in front of him, and certificates hang on the wall behind.

> I really think you should consider this.
> You know, before I saw these test results, I had you pegged as a drifter.

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## 3:30–3:42

Bart Simpson in his orange shirt stands wide-eyed in a bright room lined with colorful books, while a disguised Bart in a tan trench coat and green backpack appears outside a window in the rain. The disguised Bart squints, clenches his fists and trudges forward across a muddy brown landscape, then is knocked off his feet and tumbles into a swirling brown dust cloud as the storm hits. Rain falls throughout, and the Bart in the room still gapes in surprise.

> Wow, a drifter.
> Lousy sheriff.
> Run me out of town.
> He's lost my vote.
> Cool.

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## 3:42–3:52

The Simpsons family, Marge with her tall blue beehive, Lisa, Bart and Homer in his white shirt, sit at the kitchen dining table in a pink-walled kitchen, with Maggie in her high chair beside them. Marge turns to look off to the side with a worried, grimacing expression while the others eat from plates of meat, toast and mashed potatoes. Lisa and Bart then sit side by side at the table, forking their food, with Bart chewing and speaking with his mouth open. Homer, in the last moment, leans forward with his hands raised beside his face and his mouth open in a grimace, while crumbs scatter across the table in front of a half-empty glass of milk.

> A homemaker? I might as well be dead.
> Lisa, that's not that bad.
> So what are you gonna be, boy?
> Policeman.
> Oh, that's nice, Bart. You know,

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## 3:52–4:01

Marge with her tall blue beehive and red beaded necklace sits at the dinner table in the pink kitchen, while Homer, bald and stubbled in a white shirt, sits across from her eating meatballs and spaghetti from a green-rimmed plate. Homer raises a fork, chews, and then leans forward to speak while Marge holds a spoon and listens, and Maggie in her blue bow sits in a high chair at the left edge with a pacifier. Plates, glasses of milk, a tray of meatballs, and scattered crumbs sit on the table, and a framed mirror hangs on the pink wall behind them.

> your father wanted to be a policeman for a little while, but they said he was too heavy.
> No, the army said I was too heavy. The police said I was too dumb.
> Well, I'm gonna be a famous jazz musician.

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## 4:01–4:09

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a pearl necklace, sits at a kitchen table in front of a plate of mashed potatoes and a drumstick, holding a fork in one hand. Over five stages she keeps eating and talking, her eyes wide and her mouth opening and closing, while she gestures with her free hand in an open-palmed shrug toward the right. A glass of milk sits on the left of the table, and a red floral arrangement and a purple cabinet with a blue drawer stand behind her against the pink wall.

> I've got it all figured out.
> I'll be unappreciated in my own country,
> but my gutsy blue starlings will electrify the French.

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## 4:09–4:17

Lisa Simpson, the girl with star-shaped spiky yellow hair and a red dress, sits at the kitchen table in front of a bowl and a glass of milk, holding a spoon. Across the scene she grimaces, then looks up with wide eyes, her mouth opening as she speaks, and her expression shifts from clenched and tense to wide-eyed and startled. A red flower arrangement sits on the purple cabinet behind her against the pink wall, and a pearl necklace hangs around her neck.

> I'll avoid the horrors of drug abuse,
> but I do plan to have several torrid love affairs, and I may or may not die young.
> I haven't decided. Honey, if that's what you want, we'll do anything we can to help.

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## 4:17–4:21

Marge Simpson, with her tall blue beehive and orange bead necklace, stands in a pink kitchen beside Homer Simpson, who wears a white shirt and looks uneasy. In the first frames Marge stands alone grinning and talking, her eyes wide, with a pot on the counter behind her. Then she turns toward Homer and speaks while he stares back with a worried, open-mouthed expression, and the purple cabinets and a small pink appliance are visible behind him.

> Wait a minute.

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## 4:21–4:33

Homer Simpson sits at the dinner table in the pink kitchen, speaking with his mouth open while Marge Simpson, with her tall blue beehive, sits beside him at the left. Maggie, in a high chair with a blue bow and pacifier, sits at the far left, and Lisa and Bart Simpson sit at the right, staring in silence as they eat. Over the sequence Marge's eyes slowly close, Maggie keeps sucking her pacifier, and Lisa and Bart stay still, while the table holds roast drumsticks on a platter, a slice of bread, a bowl, glasses of milk, and a checkered floor is visible behind them.

> Isn't anybody gonna follow in my footsteps?

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## 4:33–4:43

Lisa Simpson, a girl with star-shaped spiky hair in a red dress, plays a saxophone while Marge Simpson, with her tall blue beehive and green dress, sits watching in a music room, and a bearded man in a vest and mint shirt stands beside them. In the first image the scene is still, with Lisa holding the saxophone and the man standing with his arms at his sides. Lisa then raises the saxophone to her mouth and plays it as the man leans toward her, and Marge's expression turns to a smile. The room has purple carpet, a bust on a stand, music stands, a drum with cymbals, and a wall of musical notes.

> Can you tell me if I have what it takes to be a blues musician?
> Sure can.
> Show me your chops.

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Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/278820

## 4:43–4:49

A curly-haired, bearded man with a thick brown moustache and a teal collared shirt under an orange vest stands against a grey wall and cabinets, which the regulars list does not cover, so he is described rather than named. He squints with his eyes half-closed, then his eyes roll upward and sideways while his mouth opens in a talking motion, as if he is listening and offering a reply. His head tilts and shifts slightly across the sequence, with no props or on-screen text visible.

> Uh-huh.
> Yeah.

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## 4:49–4:56

Lisa Simpson, in her red skirt and pearl necklace, plays a large gold saxophone with her eyes squeezed shut, rocking slightly as she plays. A man in a teal shirt and orange vest stands at the right, first cropped at the edge and then fully visible in the final moments, looking down at her, while Marge Simpson, with her tall blue beehive, sits at the left watching. The setting is a room with a black music stand, a large blue musical note painted on a striped grey and white wall, a pale bust on a stand behind Lisa, and a pink hanging lamp overhead.

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## 4:56–5:03

Marge Simpson, with her tall blue beehive and green dress, and Lisa Simpson, in a red skirt and pearl necklace, are in a striped music room. Lisa plays a saxophone while a moustached man with curly reddish-brown hair, an orange vest and a teal shirt leans over to watch her. Marge first sits on a wooden chair, then rises and steps up behind Lisa, leaning in beside her as the group keeps watching and playing, with a music stand and a pink ceiling lamp nearby.

> Cool.
> So, you think she has talent?
> Sure.
> Do you think she could be a professional someday?

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## 5:03–5:14

Lisa Simpson, with star-shaped spiky hair, a red dress and a pearl necklace, stands beside an unnamed bearded man with curly reddish-brown hair, a mustache, a teal shirt and a pink vest, in a room with a blue music-note sign on the wall. Lisa holds a brass saxophone while the man leans toward her, gesturing with his hands and smirking, and then he grips the saxophone with her as she looks up at him wide-eyed.

> Oh, Lord, no. But I'll practice every day.
> Yeah, well, I'll be frank with you, Lisa.
> And when I say frank, I mean, you know, devastating.
> You've inherited a finger condition known as stubbiness.
> It usually comes from the father's side.

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## 5:14–5:21

Homer Simpson sits on the brown couch in the living room, first seen in a close-up of his yellow hand, then pinching his fingers together and glaring, while a red soda can lies tipped over on the rug with liquid spilling out. He keeps making the tight pinching gesture, first with his eyes narrowed and then with his face scrunched in a grimace. The scene then cuts to a purple-carpeted room where Marge, in a green dress with her tall blue beehive, stands beside Lisa in a red skirt and pearls, while a bearded man with curly brown hair in an orange vest kneels and holds a saxophone up for her.

> Oh!
> Stupid fingers!
> You're wrong! You're wrong!

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Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/318026

## 5:21–5:29

Lisa Simpson, the girl with star-shaped spiky hair, a pearl necklace and a red dress, plays a gold saxophone while seated in front of a brown chair against a striped grey-and-white backdrop with a blue shape. In the first frame her mouth is open and her eyes are wide, and she then turns her head slightly and looks off to one side with a stern expression while one arm rises at the left edge. She continues playing, her eyes drooping and half-closed in the later frames as she taps or presses her chest with one hand, and in the final frame her eyes roll sideways while she clutches her neck and tilts her head.

> You don't need long fingers to play the blues.
> The blues come from in here!
> My God, they are stubby.

Frame: https://ultrahouse3k.com/img/S03E18/322823.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/325534

## 5:29–5:41

Homer Simpson, bald and wearing a white shirt and blue pants, stands between two police officers, a light-haired officer on the left and a Black officer with a moustache on the right, in front of a pink arched doorway. An officer's hand knocks on a lavender lion-head door knocker, then Homer points at his own chest and spreads his hands in a shrug while the officers watch him. Later the moustached officer, in the foreground beside Homer, lifts his hand toward his face as the light-haired officer scowls, with a suburban street, houses and trees behind them and gold badges and a belt with handcuffs visible.

> Look! I didn't steal that copper wire. I just thought they were throwing it out.
> Here, take it. No, sir, we're here for your son.
> He's coming on a ride-along. Good for you.

Frame: https://ultrahouse3k.com/img/S03E18/330539.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/335335

## 5:41–5:51

Homer Simpson, bald and in a white shirt, peeks out from inside a pink front door with a purple knocker, while his son Bart, a spiky-haired boy in an orange shirt and blue shorts, stands on the WELCOME doormat in front of it. Two police officers flank the doorway: Chief Wiggum, the heavy officer with a bulky belt, and a thin, dark-skinned officer with a moustache who is not Carl. In the first moments Homer leans out, then the officers turn toward Bart, and Bart looks up with wide eyes as the officers stand on either side of him. In the last moments the dark-skinned officer raises his baton and grins while Chief Wiggum smiles, with Bart standing between them, and the scene then cuts to a close view of the two officers talking against a blue background.

> Maybe this will straighten a boy out.
> Wow, can I see your club?
> It's called a baton, son. Oh, what's it for?
> We club people with it.

Frame: https://ultrahouse3k.com/img/S03E18/342425.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/346388

## 5:51–6:03

Bart Simpson stands beside a white police car on a suburban street while a costumed officer and a grey-haired woman in the foreground watch, and then Bart sits between two cops in the front seat as the car drives through a night-time town. Apu, in a blue police cap with a black curly hair, grins while gripping the steering wheel, and the car's roof light bar glows red and blue. Passing storefronts, a purple-striped awning, and yellow headlights appear as the car rolls down the road.

> Well, it's about time.
> So you guys like being cops? Oh, it's great.
> You get to run red lights, park wherever you please, hot and cold running chicks.
> And when you go home at night, you know you've made a difference.

Frame: https://ultrahouse3k.com/img/S03E18/352435.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/357649

## 6:03–6:15

Chief Wiggum, grinning under his police cap, sits in the front passenger seat of a patrol car beside a curly-haired officer with a moustache who is driving, while Bart leans forward from the back seat with wide eyes. The car passes the pink Who's to Know Motel at night, where a NO VACANCY sign glows above a parked blue car with an I RULE U plate, and Bart later grins and waves his hands. Other on-screen text includes COLOR TV on the main sign and a Registration sign by the road.

> Hey, Bart, you see that caddy over there?
> Uh-huh. That's Mayor Quimby's car. Tonight his honor is polling the electorate.

Frame: https://ultrahouse3k.com/img/S03E18/365156.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/369536

## 6:15–6:21

A long-haired woman with orange-red hair in a red dress and a heavy man in a navy sweater sit across from each other at a table in a room with pink curtains, holding martini glasses. They raise and clink their glasses, smiling, while the man talks and the woman glances sideways. Then Bart, with spiky hair and wide eyes, peeks over the edge of a white car window with a seatbelt across him, and the scene ends on the white car door with a green and purple building behind it.

> How would you like a street named after you?

Frame: https://ultrahouse3k.com/img/S03E18/376209.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/378503

## 6:21–6:32

A yellow-skinned woman with a tall green beehive, wearing a green leafy costume, is driven at night in a white police car marked Springfield, with a scruffy white dog on a leash running alongside. A police officer in a blue cap sits at the wheel beside a heavy officer, while Bart, in an orange shirt and leafy costume, looks out the rear window. Later, Lisa in a red dress sits on a stool at a pink vanity beneath an oval mirror, holding a pen and writing in a notebook while her reflection mirrors her, with a dark night window and a blue sofa beside her.

> I tell you, you only come out at night.
> Dear Log, this will be my last entry,

Frame: https://ultrahouse3k.com/img/S03E18/382883.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/387262

## 6:32–6:44

Lisa Simpson, in her orange dress and pearl necklace, sits at a pink desk in front of a shelf of books and a pink purse, pencil in hand and chin resting on her fist as she studies an open book, then leans closer to the pages. The scene then moves to a night street outside the Kwik-E-Mart, where a white police car with flashing lights drives past under a purple sky and a 'STAMPED' mailbox stands on the corner. Bart Simpson, with spiky hair and an orange shirt, peers wide-eyed from a car window at a store where a man with messy brown hair in a dark shirt points a rifle toward a clerk in green beside a 'Duff Beer' sign.

> for you were a general of my hopes and dreams, and now I have none.

Frame: https://ultrahouse3k.com/img/S03E18/393935.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/398732

## 6:44–6:55

Bart Simpson sits in the back of a police car while Chief Wiggum, the fat police chief, and a Black officer in a cap sit in front, the officer gripping the steering wheel. Through the car window, a uniformed officer points a rifle at a man in a green sweater with one arm raised in front of a shop with a partly visible sign reading "Dug." Inside the car the two officers turn their heads and laugh, then Bart leans forward between the front seats, resting his arms on the seat back and glancing sideways as the car drives past dark trees and a green fence.

> Do you need straight A's to be a cop?
> Hey, fellas, let's go shoot some bad guys.
> Oh, it doesn't quite work that way, son.

Frame: https://ultrahouse3k.com/img/S03E18/405822.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/409993

## 6:55–7:05

Chief Wiggum, the fat police chief in a blue cap, sits in the front of a police car with Bart, the spiky-haired boy in an orange shirt, visible in the back seat behind a seatbelt, while an unnamed thin officer with a moustache and a cap drives. Wiggum grins, lifts a radio handset to his mouth, then closes his eyes smugly before scowling and leaning forward as the car moves past brick buildings. The driver glances sideways and grips the steering wheel throughout, and the car's white door window and blue police badges are visible.

> People see movies like McBain and they think it's all bang, bang,
> shoot-em-up cops and robbers.
> Let's roll.

Frame: https://ultrahouse3k.com/img/S03E18/416249.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/420420

## 7:05–7:18

Chief Wiggum, the fat police chief in a blue cap, sits in a patrol car beside a second uniformed officer with dark skin, speaking into a radio handset during the chase. A speeding red car with an EX CON license plate races down a night street past lit buildings. The driver, a man with swept-back reddish hair in a dark jacket, grins and grips the wheel while cash and lottery tickets lie on the seat beside him.

> One ocean tango. We are in pursuit of a speeding individual, driving a red car,
> license number, eggplant, Xerxes, crybaby, overbite, narwhal.
> Oh, no.
> Cops.

Frame: https://ultrahouse3k.com/img/S03E18/426885.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/432098

## 7:18–7:29

Apu, the dark-skinned Kwik-E-Mart clerk with black hair and a green shirt, sits bound with white rope wrapped around his torso and a wooden chair inside the store, which has a counter, stacked cups, and wall lights. A blue-trousered leg in a black shoe with a purple sole swings into the scene first, and then Apu's wide-eyed, grinning face is seen as he is held in place, with a close-up of his rope-wrapped hands behind the chair back in between. He grins again at the end while still tied up.

> Oh, they used nylon rope this time.
> It feels so smooth against my skin.
> Almost sensuous.

Frame: https://ultrahouse3k.com/img/S03E18/439606.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/443777

## 7:29–7:39

Chief Wiggum, the heavy police chief, and Carl, a Black officer in a police cap, ride in a white police van with a flashing light bar that chases a red car at night through city streets. The red car speeds along a steep hill lined with colorful houses and then, after it goes over the crest, the road is empty under a purple night sky with stars.

> Oh, baby.

Frame: https://ultrahouse3k.com/img/S03E18/450241.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/454412

## 7:39–7:52

Bart, in an orange shirt and blue shorts, lies sprawled across the back seat of a police car, belted in and wide-eyed. The police car with its flashing red light speeds down a night road past a milk tanker, chasing a car with glowing headlights, then follows a red car down a dark alley lined with stacked boxes. The police car plows into a pile of pink and grey cardboard boxes, and two uniformed officers in the front seat look grim and startled.

> Damn boxes.

Frame: https://ultrahouse3k.com/img/S03E18/460669.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/465882

## 7:52–8:04

Chief Wiggum, the heavy police chief in a blue cap, sits in the front of a police car beside a Black police officer with a mustache, while Bart, in his orange shirt and with spiky hair, sits in the back seat seen from behind. The scene moves from an empty dark alley to the police car and then across a night lot of parked cars toward a blue warehouse with glowing orange windows, a billboard, and scattered litter on the ground.

> He's trapped.
> Where's our backup?

Frame: https://ultrahouse3k.com/img/S03E18/473181.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/477978

## 8:04–8:15

Chief Wiggum and a fellow police officer stand in a dark police station, then Wiggum leans from a police car window to talk with Bart, who rests his arms on the back seat. Wiggum then raises a revolver out of the window, and Bart, holding a revolver of his own, stands by a brick wall at night while two officers behind him aim their guns, and he turns his gun toward them. Only the blue police car, the brick wall, and the night-time industrial backdrop are visible.

> I don't know. Son, this is against every regulation, but would you cover us?
> Wow.

Frame: https://ultrahouse3k.com/img/S03E18/485068.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/489864

## 8:15–8:29

Bart, the spiky-haired boy in an orange shirt and blue shorts, stands alone at the mouth of a narrow alley as a red car with glowing headlights speeds toward him through a dark night street beside a blue industrial building with lit windows and smokestacks. Two police officers in caps draw their guns and shout beside the building, then the red car drives past with sparks flying off its underside, its driver a man with swept-back reddish hair, an earring, and a black vest who grips the wheel with a grim look. Nearby signs of the chase include scattered litter on the pavement.

> See you in hell, punk!

Frame: https://ultrahouse3k.com/img/S03E18/496746.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/502585

## 8:29–8:41

Bart Simpson, the spiky-haired boy in an orange-red shirt and blue shorts, first covers his face with both hands in a narrow corridor, then turns away with his arm over his face and mouth open, as the caption "TO BE CONTINUED..." appears. The screen fades to darkness, and Bart is seen from behind in the lit corridor under the title card "ACT II / DEATH DRIVES A STICK". The scene then shifts to a red car where an unnamed brown-haired driver with a gold hoop earring grins with eyes closed and one hand raised near his face.

> Act II.
> Death drives a stick.
> See you in hell, punk!

Frame: https://ultrahouse3k.com/img/S03E18/510719.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/515515

## 8:41–8:53

Bart, the spiky-haired boy in an orange shirt, is squeezed into a narrow blue alley beside a red car, where he winces and presses a hand to his face as the car rolls past. A bloodied, brown-haired man leans out of the car's window, and later Bart clings to the car's roof as it drives down the alley. The car finally stops in the alley, where Chief Wiggum, the heavy police chief, aims a revolver while another officer stands beside him. A man sprawls across the car's hood, and Bart's spiky head rises in the foreground.

> That was close. Good thing this alley got so narrow in the middle.

Frame: https://ultrahouse3k.com/img/S03E18/522397.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/527402

## 8:53–9:07

Chief Wiggum, the heavy police chief with blue hair and a cap, stands beside a red car at night holding a Driver Ticket book with cash tucked into it, while a dark-skinned police officer in a cap leans over the car's roof behind him, and a boy's face appears at the right edge. Earlier, a wide view shows police cars and a white van with a red TV logo crowded into a narrow street between dark buildings, with a flying object overhead. The car's windshield is cracked, and a squashed, bloodied hot dog-shaped object lies on the hood.

> That's nice work, boy.
> Looks like you just bought yourself a lottery ticket to jail.
> He's unconscious, sir. Oh, they can still hear things.
> Sir, I know what I want to be when I grow up.

Frame: https://ultrahouse3k.com/img/S03E18/534492.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/540123

## 9:07–9:17

Chief Wiggum, a heavy police chief in a blue uniform and cap, stands beside Bart, a spiky-haired boy in an orange shirt, next to a box of green-papered items in a red-walled room, while Bart talks and gestures with an open hand. Bart then appears in a close-up, smiling and glancing upward, before the scene cuts to Wiggum and a thin officer in a blue cap on a dark night street, where Wiggum grins, holds a small brown box, and gestures with his hand as the thin officer looks on.

> A cop.
> Well, until then, son, I'm gonna make you an honorary police officer.
> Eddie, give me your bag.
> Hey.

Frame: https://ultrahouse3k.com/img/S03E18/548048.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/552010

## 9:17–9:27

Bart, the spiky-haired boy in an orange shirt, grins in a close-up against a red background in the first frame. Marge, with her tall blue beehive and purple robe, cooks at the stove while Lisa, the star-haired girl in a red dress and pearl necklace, stands nearby in the kitchen. Marge holds a frying pan and fork over a skillet and plates of fried eggs on the counter, then Lisa leans with her chin in her hand at the table, looking bored and unimpressed, while Marge glances back at her from the counter. A red jar and green canisters sit on the shelves behind them, and a chair with a carved wooden back is at the table.

> Morning, honey.
> So good about it. I don't know if I stuck it in the house by the stove.
> Lisa, I know you're down on homemaking, but I can really let you be creative.

Frame: https://ultrahouse3k.com/img/S03E18/558058.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/562437

## 9:27–9:37

Marge, with her tall blue beehive and purple bathrobe, stands in the kitchen holding plates of bacon, fried eggs and toast, then lifts one plate toward the viewer to reveal a smiley face made of food. Lisa, the girl with star-shaped spiky hair and a pearl necklace, sits at the table looking on with a dubious, unimpressed expression. Behind them are a kitchen range hood, a green counter and salt and pepper shakers, and a cookie jar sits on a shelf behind Lisa.

> See, this morning I turned bacon, eggs,
> and toast into a nice smiley face for Bart and Homer.
> What's the point? They'll never notice. Oh, well, you'd be surprised.

Frame: https://ultrahouse3k.com/img/S03E18/568902.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/572864

## 9:37–9:48

Marge, in a purple bathrobe with her tall blue beehive, carries two plates of fried eggs toward the kitchen table while Lisa, with star-shaped spiky hair and pearl necklace, watches her from the right. Homer, bald and stubbly in a white shirt, sits at the table and starts eating, and Bart, with spiky hair in an orange shirt, sits beside him, with Marge leaning in behind them. Homer then leans forward and bites into a sandwich as Bart eats, while Marge and Lisa look on. Lisa then stands alone in a close-up, eyes wide and mouth pursed, in front of a dark brown canister and a stack of papers on a shelf, and Marge follows in a closer shot, mouth open and eyes glancing sideways, beside a green refrigerator with a note and a tall row of bottles and books.

Frame: https://ultrahouse3k.com/img/S03E18/578912.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/583291

## 9:48–10:01

Homer, Marge, Bart and Lisa gather around a kitchen table, with Marge holding a small snack. A yellow hand in a blue sleeve then presses flat onto white paper on a wooden table beside a black ink pad. Bart and Maggie, the baby with a pacifier and blue bow, sit at a table in a pink room with curtains, and later Maggie crawls across a green and blue rug past a jack-in-the-box and wooden blocks.

> Now, just relax your hand.
> Thank you, ma'am. You've been most cooperative.

Frame: https://ultrahouse3k.com/img/S03E18/589964.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/595386

## 10:01–10:12

Santa's Little Helper, the brown greyhound, jumps up at a dark, gooey dessert on the kitchen counter, then cowers on the checkered floor beside the green oven while Marge, with her tall blue beehive, leans over and Bart, in his orange shirt, holds up small photos in the kitchen. Bart glances up nervously as Marge looks down at him, and the scene cuts to Homer, bald and in his white shirt, staring in alarm at dark goo smeared across open file drawers.

> Bad dog.
> Very bad dog.
> Mom, before you blame the dog,
> I think you should take a look at these surveillance photos.
> Oh.

Frame: https://ultrahouse3k.com/img/S03E18/602894.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/607273

## 10:12–10:23

Homer, bald with a white shirt, has his face smeared with black goo as he peers through a grey panel held by large yellow hands, then Bart, in an orange shirt, leans out of a window clutching a boxy black photo device. Marge, with her tall blue beehive and green dress, and Bart stand together in the kitchen, where Bart holds up a small photo while Marge gestures at it, and Lisa slumps over an open book in her room, rubbing her eyes as Marge's legs step in beside her.

> Hmm.
> Oh, Bart.
> I don't know how that got in there.
> Lisa, why aren't you a band practice?

Frame: https://ultrahouse3k.com/img/S03E18/613738.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/617909

## 10:23–10:34

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, lies on her stomach on a teal carpet reading a colorful magazine with a bag of chips beside her, looking glum. Marge Simpson, with her tall blue beehive and a green dress, stands and then sits on the orange couch in the pink living room, gesturing with an open hand and talking to her. Marge keeps gesturing and speaking while Lisa stays slumped over the magazine, and by the end Marge is seated on the couch with her hands in her lap while Lisa frowns at the page. Shelves behind them hold a teddy bear, a pink radio, books and a small leprechaun figurine, and a Jazz Fest poster hangs on the pink wall.

> I quit.
> Honey, right now you're discouraged, but deep down you know you love the saxophone.
> I think you should stay in the band.
> If you think it's so great, why don't you join the band?

Frame: https://ultrahouse3k.com/img/S03E18/624374.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/629170

## 10:34–10:46

Marge Simpson, with her tall blue beehive and green dress, sits on the edge of an orange couch beside Lisa, who has star-shaped spiky hair and a pearl necklace and looks bored and sleepy. Marge then turns to grin nervously while holding up an OATMEAL canister, and Lisa, now in a green skirt, holds up the same canister in front of her. Patty and Selma, with grey-violet hair, stand in a doorway as a cardboard rocket-shaped box sits on the pink floor beside a USA rocket poster, with a Jazzy Fest poster and a bookshelf in the room.

> Lisa, there are a lot of people in the world who like to tell you what you can't do,
> but they don't always know what they're talking about.
> You know what I want to be when I grow up?

Frame: https://ultrahouse3k.com/img/S03E18/636052.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/640640

## 10:46–10:55

Patty and Selma, Marge's grey-violet-haired sisters, stand side by side against a pink wall, with Selma speaking and Patty smirking and then grinning. The scene shifts to a pink bedroom where Lisa, wearing a green skirt and red beads with an OATMEAL canister over her head, stands with her arms spread beside a brown cardboard rocket with tape on it, while Snowball II sits on a dresser at right. The view returns to Patty and Selma, with Patty baring her teeth in a grin and Selma looking skeptical.

> A girl on the oatmeal box?
> Ha, ha, ha!
> No, I'm going to be an astronaut.
> Women can't be astronauts.
> Why not? They distract the men astronauts so they wouldn't keep their minds on the road.

Frame: https://ultrahouse3k.com/img/S03E18/647313.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/651067

## 10:55–11:04

Patty and Selma, Marge's twin sisters with grey-violet hair, stand in a doorway, the one in the green top and belt with a ponytail leaning close to the one in the orange vest, who talks with her mouth open. A small yellow-skinned child wearing a grey cylindrical oats canister over his head, its blue lettering partly visible, appears at lower left, looking up at them. The twins then grin and smirk at the child, and in the final moment they have vanished, leaving the canister-headed child at left beside a closed pink door and a light switch on the right.

> There will too be women astronauts.
> It's true.

Frame: https://ultrahouse3k.com/img/S03E18/657115.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/660243

## 11:04–11:11

Marge, with her tall blue beehive and red beaded necklace in a green dress, sits on the arm of an orange couch in a pink room with a Jazz Fest poster, while Lisa, with her star-shaped hair, sits beside her, and a brightly colored radio and books sit on the shelf nearby. Earlier, a bucket-headed figure in a green skirt walks down a lavender hallway past a bookshelf, and a blue-haired woman in green peeks around the wall with an orange-skirted companion. Marge then looks toward the doorway and speaks while Lisa watches her with a flat expression.

> And we all live in cities on the moon.
> So, you see, my sisters were wrong.
> Except about the cities on the moon. I was wrong about that.

Frame: https://ultrahouse3k.com/img/S03E18/665665.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/668168

## 11:11–11:19

Marge Simpson, in a strapless green dress with a red bead necklace, sits on the arm of an orange couch in a pink living room, first looking wide-eyed and then tapping her chest and gesturing with an open hand while she speaks and looks uneasy. Lisa Simpson, in a red-and-white pearl necklace, sits beside her at the lower right, her eyes gradually drooping into a sullen, half-closed stare as the moment goes on. Behind them a light-blue bookshelf holds a pink radio and books, a green Jazz Fest poster hangs on the wall, and a small green figurine sits on the shelf.

> So, well, you can see how anyone can be wrong.

Frame: https://ultrahouse3k.com/img/S03E18/672964.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/675466

## 11:19–11:29

Lisa, the girl with star-shaped spiky hair and a pearl necklace, scowls in a close-up before the view shifts to the Springfield Elementary School building with its American flag. Principal Skinner, with neat grey hair and a suit, struggles to hold a brown puma with a white bandage on its head beside a blue PUMA PRIDE banner, then the puma swipes its claws out while he glances away. Lisa and a curly-haired woman watch from beside a trophy case as the puma lunges and swipes at the trophies.

> Sleek, vigilant puma.
> Principal of the mountains.
> Hi, Lise. Wanna quiz me on the vols? Janie,

Frame: https://ultrahouse3k.com/img/S03E18/680263.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/684225

## 11:29–11:37

Lisa Simpson, with her star-shaped spiky yellow hair and orange skirt, holds schoolbooks and a pearl necklace while a girl with big curly brown hair and a lavender top leans in and talks to her in a school hallway. Lisa gives a bored, sideways look, then walks toward a blue door marked GIRLS with the graffiti STAY THE HELL OUT! and a pink girl symbol painted on it. She stops at the door and glances back over her shoulder, still clutching her books.

> I'm about ready to check the whole stinking alphabet.
> Huh?

Frame: https://ultrahouse3k.com/img/S03E18/690481.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/693610

## 11:37–11:50

Lisa Simpson, with her star-shaped spiky hair, pearl necklace and armful of books, stands at a bathroom door marked GIRLS with the graffiti STAY THE HELL OUT! and a female symbol, looking wide-eyed beside a curly-haired brown-haired girl with a long nose who grimaces and holds books. Lisa edges past the door into the bathroom, where a pink-haired girl with a skull earring sits on the sink smoking and a blonde girl in a red jacket and black skirt exhales smoke while holding a book and a cigarette. Smoke curls through the air, and scattered paper litter lies on the tiled floor.

> Lisa, what are you doing?
> That's a bad girl bathroom.
> You want an egg skinner's car? Okay.
> What are you looking at? Nothing?

Frame: https://ultrahouse3k.com/img/S03E18/698823.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/704037

## 11:50–11:59

Lisa Simpson, wearing a pearl necklace and an orange dress, stands in a school hallway with a green trash can and a sink, first beside Sideshow Bob, who has a huge spiky pink-red mane and a black vest and holds a green cup. A blonde-haired girl in a red jacket moves in and glares at Lisa, who stares wide-eyed while holding a blue book and a paper bag. Lisa is then seated, clutching the blue book, as the blonde girl leans in close beside her and Bob's mane looms behind, and Lisa finally opens her mouth in alarm while the blonde girl's hand rests on her shoulder.

> Then get out, because we're figuring out stuff to egg.
> Okay, but if you really want to honk Skinner off,
> I suggest you attack the one thing he truly believes in.

Frame: https://ultrahouse3k.com/img/S03E18/711336.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/715089

## 11:59–12:04

Lisa Simpson, in a red dress and pearl necklace and holding a blue book, grimaces with her eyes squeezed shut while a pink-haired girl in a grey turtleneck with a skull earring grips her shoulder from behind. A blonde, orange-faced girl in a red jacket leans in with a scowl and gestures with her hands, and Lisa's eyes then slide sideways as the tension holds in a room with a green window and a grey counter.

Frame: https://ultrahouse3k.com/img/S03E18/720929.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/722180

## 12:04–12:13

Principal Skinner, a man with neat grey hair in a blue suit and purple shirt, stands in a school hallway beside a trophy case with an ELEMENTARY sign. Facing a brown animal wrapped in white and pink streamers, its mouth open and orange paint splatters across the wall and floor, he leans in with his mouth agape and eyes wide, then turns his head away in a sideways glance as the animal's head drops lower. A blue banner reading PUMA PRIDE hangs behind the animal, and the trophies on the blue shelves stay in place.

> I saw some awful things in Nam,
> but you really have to wonder at the mentality that would desecrate a helpless puma.

Frame: https://ultrahouse3k.com/img/S03E18/725516.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/728853

## 12:13–12:21

Principal Skinner, a man with neat grey hair, a grey suit, purple shirt and orange tie, stands in a school hallway beside shelves and a partly visible sign reading "SPRIN...MENTARY" with a bandage-wrapped figure with a pink tongue hanging on the left. He leans in with his eyes shifting sideways, then turns to glance off to one side with a grimace, and his mouth opens to speak. He then gestures with both hands near his chest, looking wearily upward.

> I never thought I'd say this, but the no-goodniks rule this school...
> Get your hands off me!
> God, I could really use a half day.

Frame: https://ultrahouse3k.com/img/S03E18/734067.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/737403

## 12:21–12:33

Sideshow Bob, with his huge mane of spiky red hair and a dark green prison suit, is held in handcuffs by two police officers, one a heavy, moustached chief in a blue cap and the other a Black officer in blue, as he struggles and shouts on the school steps. Bart Simpson in his orange shirt watches with wide eyes while Principal Skinner, in a grey-haired suit and orange tie, stands near the school entrance and then looks on from close up. The officers hustle Bob along the sidewalk past the school building, with Bart still watching from the side.

> Think you're a big man with your handcuffs and blasted teasers.
> Get him out of here.
> I'll get you Bart Simpson if it's the last thing I do.
> Now, what is this all about? Well, it's quite simple, really.

Frame: https://ultrahouse3k.com/img/S03E18/742825.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/747622

## 12:33–12:44

Bart Simpson, the spiky-haired boy in an orange shirt, stands outdoors in the foreground in front of a blue sky, purple mountains and green hedges, first glancing sideways with his eyes narrowed and then opening his mouth to speak. Beside him, Principal Skinner, the neat grey-haired man in a blue suit, purple shirt and orange tie, stands in front of a yellow building with a arched window and a partly visible sign, and his eyes shift upward and he grimaces with his mouth open, showing his teeth, as he looks off to the side.

> I observed our friend, groundskeeper Willie,
> burning leaves with a blatant disregard for our clean air laws.
> Bart Simpson on the side of law and order?
> Has the world gone topsy-turvy? That's right, man.

Frame: https://ultrahouse3k.com/img/S03E18/754921.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/759300

## 12:44–12:57

Bart, the boy with spiky hair in an orange shirt and blue shorts, and Principal Skinner, the grey-haired man in a suit, are in the principal's office. Bart sits on a red chair with wide eyes, then clasps his hands nervously, while Skinner, behind a large wooden desk, rests his chin in thought before gesturing with his hands as he speaks. Filing cabinets, a wall clock, a green door, and posters on the wall fill the room.

> I got my first taste of authority.
> And I liked it.
> Hmm, Bart,
> there are a lot of troublemakers in this school And Lord knows I can't be everywhere at
> once Go on Look, let's can the euphemisms, huh?

Frame: https://ultrahouse3k.com/img/S03E18/765765.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/770770

## 12:57–13:06

Bart Simpson, the spiky-haired boy in an orange shirt, sits across a desk from Principal Skinner, a man with neat grey hair in a blue suit, purple shirt and orange tie, in an office with a red armchair, a pen on the desk and a framed certificate on the wall. Skinner clasps his hands, grimaces, then gestures with both hands while talking, while Bart glances sideways, then sits wide-eyed, gripping two blue pens, and Skinner closes his eyes with his mouth open. A blue coat hangs on a hook by the door and a green door and a desk lamp are visible at the edges.

> No more bull spit How would you like to be a hall monitor?
> Wouldn't that mean squealing on other kids?
> That's the meat of it, yes Hmm

Frame: https://ultrahouse3k.com/img/S03E18/778069.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/781823

## 13:06–13:19

Bart Simpson, the boy with spiky hair in an orange shirt, sits at the side of a courtroom with a blue-hooded, hooded-figure shape (a blue silhouette, voice-altered witness) standing beside a wooden witness stand while a judge in black robes looks on from behind the bench. A grey-haired man in a blue suit, a prosecutor-like figure, stands to the left beside an American flag, leaning in with a sly grin and hands clasped behind his back as the blurred blue witness stands at the rail. Behind them, a packed courtroom gallery of townspeople watches, with a man in a dark suit and a woman in a suit seated at a table with a notepad in the foreground. A caption on screen reads 'WITNESS' VOICE ALTERED TO SOUND LIKE STEVE ALLEN' over the lower middle of the scene in the middle frames.

> Now, witness acts, would you please tell the court what you saw?
> I'd be more than happy to
> I saw Mr. Montone there seal the late Mr.
> Palaccio in an oil drum and roll him off the pier.

Frame: https://ultrahouse3k.com/img/S03E18/787870.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/793084

## 13:19–13:33

Bart Simpson, a spiky-haired boy in an orange shirt, sits in a red chair in Principal Skinner's office, where Skinner, a neat grey-haired man in a suit, grins while holding a gold sash. A heavy black-haired man in a lavender suit, shown first at a courtroom bench beside two other men, then brandishes a knife near Bart in a room with an American flag. Bart is later seen at a desk holding a sash printed with HALL MONITOR, with a blue hooded robe hanging on the wall behind him.

> I kill you!
> Hey, caramba!
> I don't know. Oh, now you get to wear a sash.
> You got yourself a narc.

Frame: https://ultrahouse3k.com/img/S03E18/800591.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/806222

## 13:33–13:42

Bart Simpson, wearing sunglasses, an orange shirt with a hall monitor sash, and blue shorts, walks down a school hallway of dark tiled floors and blue lockers while shouting through a red megaphone. Around him, an older woman with white hair stands at the left edge, a girl in a blue dress walks past in the background, and a boy with reddish-brown hair in a green sweater and purple shorts rides a green skateboard with his arms out. Bart ends up at the lockers holding the skateboard under his arm, megaphone still in hand.

> Hey, Jimbo, keep your nose clean, dude?
> Attaboy.
> Hey, Donna, who loves you, baby?
> Whoa!
> Not in my hall, bub.

Frame: https://ultrahouse3k.com/img/S03E18/814147.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/817900

## 13:42–13:55

A blonde girl with a ponytail and blue bow in a light blue dress reaches toward a brick box on a playground while a boy in an orange shirt with reddish hair and glasses watches beside her. Bart, in sunglasses and a yellow HALL MONITOR sash, stands near the box as a crowd gathers, including Moe with grey-blue hair and Mr. Burns with his hooked nose. The group closes in on a figure in red shorts with a reddened bare belly, and a woman in a purple beanie and black shirt grabs at the figure while Bart shouts and gets pushed into the crush.

> I think you've had enough, sister.
> Come on, let's keep it moving.
> Pink belly, pink belly, pink belly!
> All right, break it up, boys. That belly ain't gonna get any pinker.
> Okay.

Frame: https://ultrahouse3k.com/img/S03E18/823740.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/828953

## 13:55–14:04

In a school hallway lined with dark blue lockers, Bart, wearing sunglasses and an orange Hall Monitor sash, stands with Milhouse, who has blue hair, red glasses, a purple shirt, and red shorts. Homer, the bald, stubbled man in a white shirt and black belt, grips Milhouse from behind while a crowd of students watches, and Milhouse gestures and talks as he is held. Milhouse then stands facing Bart with his arms spread wide, and Bart's hand rests on his sash, while Marge, with her tall blue beehive and red skirt, is leaning and kicking backward toward the lockers in the last moment.

> Wedgie!
> Thanks, Bart.

Frame: https://ultrahouse3k.com/img/S03E18/836252.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/840006

## 14:04–14:18

Marge Simpson, with her tall blue beehive and purple top, sits on the edge of the bed holding a white paper while Homer Simpson, bald and in light blue pajamas, lies under an orange blanket against purple pillows. Marge smiles and talks, then looks concerned as she holds a report card with a printed grade list, and Homer gestures with one hand, talks, and then lies with his arms folded, looking worried. The pink bedroom has a framed picture on the wall and a purple bedpost.

> Bart's grades are up a little this term, but Lisa's are way down.
> Oh, we always have one good kid and one lousy kid.
> Why can't both our kids be good? We have three kids, Homer.

Frame: https://ultrahouse3k.com/img/S03E18/846054.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/851476

## 14:18–14:31

Homer lies wide-eyed in a bed with blue sheets while Marge, with her tall blue beehive, glances sideways beside him in a pink-walled room. The scene moves to a classroom where Lisa sits at her desk with a jar of paste, purple construction paper, and scissors, looking sullen as a blue-haired woman with round glasses and a pink blouse with a red bow stands and addresses the class. Classmates sit at nearby desks, and some turn their heads toward the front of the room.

> Marge, the dog doesn't count as a kid. No, Maggie.
> Oh, yeah.
> Now, take some paste and spread it on the construction paper.
> Ralph, are you eating your paste?

Frame: https://ultrahouse3k.com/img/S03E18/859192.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/865031

## 14:31–14:41

A boy with a bowl haircut in a blue shirt sits at a classroom desk beside a jar of glue, a pair of purple scissors, and a red paper circle, while a blonde girl in a blue bow watches from the front and a girl with pale hair sits behind. A teacher with a tall blue bob, round glasses, a pink blouse, and a red bow stands by the desks and looks down toward the table, and a girl with curly dark hair and a boy peek from behind the table. Lisa, with her star-shaped spiky hair and pearl necklace, looks up toward the teacher with a tense, grimacing expression, and the scene ends on her in a close-up as she grits her teeth and stares wide-eyed, with a partly visible wall sign reading "GIVE 'AH HOO" behind her.

> No, it's over.
> Good.
> Now, sprinkle your sparkles on your paste.
> Lisa, you're not sprinkling your sparkles.
> Shove it.
> I have never seen a good student take such a slide.

Frame: https://ultrahouse3k.com/img/S03E18/872955.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/876918

## 14:41–14:51

Lisa Simpson sits at a desk in a library-like office, first holding up a folder labeled "SIMPSON LISA" with comments reading "Disrespectful behavior" and "Derogatory language ie: 'Shove it'" signed "Miss Hoover," then peeking over it before slumping with her chin on her fist, a pencil in her mouth, and her pearl necklace visible. Principal Skinner, with neat grey hair and a teal suit, sits in a red armchair with his hands clasped, grimacing and looking worried, then closes his eyes and frowns in a weary sigh. Bookshelves, a lamp, and a desk with a paper on it fill the background.

> Lisa, what are you rebelling against?
> What do you got?

Frame: https://ultrahouse3k.com/img/S03E18/882965.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/886511

## 14:51–15:01

Lisa Simpson, with braces and a cigarette pinched between her fingers, squints in a close-up, then the scene cuts to a blue restroom door marked GIRLS with the graffiti STAY THE HELL OUT! and a red-and-pink figure sign below. Inside, an unnamed girl with long feathered blonde hair, a pink jacket and black wristbands smokes and combs her hair with a blue comb while a girl with a tall pink spiky hairdo, also smoking, looks on with wide eyes in a grey-blue top beside a green locker.

> And she goes, Lisa told Hoover to shove it.
> And I'm like, no way. And she's like, afraid so.
> And I'm all, whoa. And she's like, hey, Lisa man, I'm like so impressed.

Frame: https://ultrahouse3k.com/img/S03E18/892141.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/896104

## 15:01–15:14

Lisa Simpson, in her orange dress and pearl necklace, stands in a restroom beside the sinks with a tall, long-haired blonde woman in a red jacket and white shirt who smokes a cigarette and gestures with her black-wristbanded hand, then clasps her hands and closes her eyes while still holding the cigarette. Lisa stares at her, and later grimaces as she holds a cigarette to her own mouth and pulls a red Laramie Jr. Cigarettes pack toward herself. A woman with spiky magenta hair and a skull earring stands in the background, and the cigarette pack's cowboy logo is visible.

> When I was in second grade, I was all, hi there, I'm so good.
> Want to smoke?
> Uh, I'll smoke it in class. Whoa!

Frame: https://ultrahouse3k.com/img/S03E18/902360.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/907782

## 15:14–15:25

Principal Skinner, with neat grey hair and a suit, stands beside Bart Simpson, who wears an orange shirt, blue shorts and a HALL MONITOR sash, in a school hallway lined with dark blue lockers. Bart looks nervously up at Skinner, who speaks and glances sideways, then Bart's wide-eyed, gritted-teeth reaction is seen as Skinner's arm hangs by his side. Earlier, a long-haired blonde woman in a red jacket and a pink-spiked, skull-earringed man in a grey top smoke cigarettes against a window backdrop.

> Bart, you're doing a bang-up job.
> You know, before there were some corridors of this school, you'd just never go down.
> Now I feel safe anywhere.
> Every day is a new fight, sir.

Frame: https://ultrahouse3k.com/img/S03E18/915498.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/920086

## 15:25–15:35

Bart, a boy with spiky hair and an orange shirt, walks down a school hallway lined with dark blue lockers, with Principal Skinner, who has neat grey hair and wears a blue suit, purple shirt and orange tie, his arm around Bart's shoulders. Skinner turns toward Bart and gestures outward with an open hand, then reaches to a blue door with a green-framed sign reading "SEIZED PROPERTY ROOM" and grasps its knob. The scene ends on a close-up of Bart, wide-eyed and grinning.

> Bart, the school is a police state.
> Students are afraid to sneeze.
> And I have you to thank.
> Come with me.
> Madre de Dios!

Frame: https://ultrahouse3k.com/img/S03E18/926759.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/930930

## 15:35–15:47

Bart, in his orange shirt and with spiky hair, is trapped behind wire mesh in a storeroom while a man in a blue suit and purple shirt latches the grated door, then Bart presses against the mesh and points at the shelves. Shelves are crammed with confiscated items: sacks labeled EVIDENCE, a pink bra, a slingshot, bundles of firecrackers, spray cans, and a purple Crazy magazine with a cartoon cover reading Star Blecch VI.

> Legends were true!
> Yes, Bart. Whenever a teacher confiscates something, it ends up here.
> Salacious halter tops, complete collections of mad, cracked,
> and the occasional issue of crazy. And this fake plastic derriere.

Frame: https://ultrahouse3k.com/img/S03E18/936978.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/941983

## 15:47–16:01

Principal Skinner, a neat grey-haired man in a blue suit, orange tie and purple shirt, and Bart, the spiky-haired boy in an orange shirt with a yellow hall monitor sash, stand in a cluttered storage room with green shelves. Skinner starts with his back turned and clasps his hands nervously, while Bart points and shouts with a sly grin, and Skinner then sweeps an open hand toward the shelves as Bart looks up at him. Shelves hold paper bags labeled EVIDENCE, cans of spray, folded towels, a pink plastic rear-shaped object, a black skull-and-crossbones box, and a crossbow.

> Now, to show my gratitude, I want you to help yourself to an item of your choice.
> Right.
> Ooh, now you be careful with that crossbow.

Frame: https://ultrahouse3k.com/img/S03E18/949073.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/954704

## 16:01–16:14

Principal Skinner, in a blue suit and purple shirt, stands in a cluttered evidence room lined with shelves and bags marked EVIDENCE, then turns to face Bart, who sits in an orange shirt and blue shorts holding a crossbow. The scene fades to a grey silhouette of a spiky-haired boy and a capped man shaking hands under the title card reading 'Monday,' then cuts to a black background where a newspaper labeled Daily Fourth Grader, headlined 'Foodfight Foiled, Fishsticks Seized' with a picture of a figure in a suit, slides in and tilts into view.

> I will.

Frame: https://ultrahouse3k.com/img/S03E18/962837.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/967842

## 16:14–16:21

Bart, the boy with spiky hair, first appears peering through a magnifying glass against a blue background, then sits on a stool at a drafting table while a brown-haired man in a blue suit stands beside him. Bart holds the magnifier to his eye and gestures toward papers on the table, then lifts a sheet toward the man, who leans in to look at it. The scene opens on a pale circle with a black dot at its center, and the table holds white papers and a lamp hangs overhead in the blue-cabineted room.

> Seymour, this is an absence slip signed by Nelson's mother.
> And this is Nelson's English homework.

Frame: https://ultrahouse3k.com/img/S03E18/975349.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/977643

## 16:21–16:30

Principal Skinner, with neat grey hair, a blue suit, purple shirt and orange tie, and Bart, with spiky hair and an orange shirt, stand together at a desk in a room with blue walls. Skinner leans over the desk while Bart holds a magnifying glass over something on its surface, then Skinner straightens up, clenches a fist at his chest and scowls while Bart looks on with a sideways glance. The scene then dissolves into a purple-tinted view as the word "Tuesday" appears centered on screen.

> Notice the identical elongated loops on the D's.
> Forgery.
> So he didn't have leprosy.

Frame: https://ultrahouse3k.com/img/S03E18/982023.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/985776

## 16:30–16:40

A man in a navy suit with a purple shirt and orange tie and a man in a green sweater vest with a red tie and glasses stand in a doorway under a sign reading "Principal ... Skinner," while large white letters, including a sweeping S, swing across the screen in the opening moments. The man in the sweater vest keeps his hands clasped and grins as the suited man turns to speak, then rests a hand on his shoulder while talking. A painting of a brick school building hangs on the wall behind them.

> This is a great day for me. I thought I could never teach again.
> Oh, things have changed.
> There will be no mockery of your name, Mr.
> Glasscock.

Frame: https://ultrahouse3k.com/img/S03E18/991616.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/995369

## 16:40–16:49

Principal Skinner stands in a doorway with his hands on his hips and a smirk, beside a sign reading "Principal Seymour Skinner," as a blue-tinted fade brings in a "Wednesday" title card over him and a faded figure of Bart. Bart, in a red shirt with a HALL MONITOR sash, appears against a bright yellow burst while large letters reading "nes" pass across the screen and he raises a hand to his brow in a salute. The scene then shifts to a school cafeteria where a bald, heavyset man in a white shirt sits at a picnic table with a purple-haired figure and a woman with long dark hair, while Milhouse with blue hair and glasses eats at a nearby table and a child with an afro sits at the far right.

> Hey, Lewis, watch this.

Frame: https://ultrahouse3k.com/img/S03E18/1001209.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1004962

## 16:49–17:00

Milhouse, with blue hair and red glasses, sits at a cafeteria table across from a boy with an afro in an orange shirt, while Bart in an orange shirt and a HALL MONITOR sash walks past and later stands beside the table. Homer, bald with stubble and a white shirt, sits eating a sandwich in front of a corkboard with papers pinned to it, and a purple-haired boy leans in nearby. Bart then walks down the middle of the green-walled cafeteria between rows of tables where students sit eating, with a trash bin and a blue double door at the back.

> Ow! Bart, do something.
> Let's go, little house.
> Sure, we have order. But at what price?

Frame: https://ultrahouse3k.com/img/S03E18/1010801.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1014972

## 17:00–17:12

Lisa Simpson sits at her classroom desk with her chin propped on her hand, first drawing a star with a bone and spiral eyes in pen and then watching her teacher, a woman with a tall blue hairdo and pink cardigan, who reads aloud from an open book beside her. The teacher keeps reading as Lisa looks away, and in the final moment two classmates, a girl with curly dark hair and a girl with short dark hair, grin at the desks in front of Lisa. The classroom walls show a colorful alphabet border, fluorescent ceiling lights, and a bulletin board.

> Now, let's correct our homework exercises.
> Lisa, what 19th century figure was nicknamed Old Hickory?
> I don't know.
> You?
> Lisa, if you'd bothered to do the assignment, you'd know the answer is...

Frame: https://ultrahouse3k.com/img/S03E18/1021229.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1026442

## 17:12–17:23

A teacher with a tall blue beehive, glasses, and a pink top stands in a classroom beneath a painted alphabet border, reading a Teacher's Edition book, then glancing up with her mouth open before pausing with a finger to her chin. She turns the open book toward the viewer to show an Answer Key page listing entries such as Battle of New Orleans and Andrew Jackson, while Lisa's star-shaped spiky hair is partly visible at the edge and a dark-haired boy in an orange shirt sits at a desk behind her. Visible on-screen text includes the Teacher's Edition cover, the alphabet letters, and the Answer Key heading.

> The Battle of New Orleans.
> I mean, Andrew Jackson.
> Well, you're earning your 18 grand a year.

Frame: https://ultrahouse3k.com/img/S03E18/1033950.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1038120

## 17:23–17:34

Lisa Simpson, the girl with star-shaped spiky hair in a red dress, stands in a pink classroom with a sour look and an open-mouthed grimace, then turns to face a window with her back to the viewer. Next to her, Milhouse, the boy with blue hair and glasses in a pink shirt, sits and speaks, first in profile with eyes closed. Lisa then stands at the window with both hands raised to her ears. Behind them, a red-rimmed wall clock reads about 5:02 and a yellow alphabet strip hangs on the wall, and a stack of books labelled TEACHER'S EDITION sits on the desk at the right.

> Stupid Hoover.
> I think she's so smart.
> She wouldn't be so smart without a teacher's edition.

Frame: https://ultrahouse3k.com/img/S03E18/1044585.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1048965

## 17:34–17:45

Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, climbs out of a purple-framed window and clings to the sill above a dark green hedge while puffs of dust or smoke appear around her. She drops down and is shown holding two dark objects, then stands on the carpeted floor of a room beside a wooden desk with a yellow book labeled "TEACHER'S EDITION" on top. In the last moment she smirks and leans toward a purple garment, sneaking a look at the book's direction as she pulls the bundle close.

Frame: https://ultrahouse3k.com/img/S03E18/1055638.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1060017

## 17:45–17:55

Lisa, the girl with star-shaped spiky hair in an orange dress and pearl necklace, peeks around a door frame into a room with a green wall and a bulletin board. She then looks at a desk where a book labeled "TEACHER'S EDITION" lies on top, and later a blue drawer is pulled open to reveal another orange "TEACHER'S EDITION" book. Next, Lisa scowls while hauling a heavy purple bag past dark lockers, and finally she stares up at a towering stack of Teacher's Edition books beside the lockers.

Frame: https://ultrahouse3k.com/img/S03E18/1066482.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1070653

## 17:55–18:04

Lisa, the girl with star-shaped spiky hair in a red dress, walks down a red-carpeted school hallway lined with dark lockers, moving from the left edge toward the right while a door sits at the far end. The scene then cuts to a smoke-filled room where Marge, with her tall blue beehive and pink top, smokes beside Mrs. Krabappel in a green jacket, while Principal Skinner in a grey suit stands near a green door. A moustached man in a blue jacket and striped scarf holds a cigarette in front of a wall clock and a cork board, and a seated boy in a green sweater sits on the floor beside an ashtray as other smokers linger behind a table.

> Ladies and gentlemen, the unthinkable has happened.

Frame: https://ultrahouse3k.com/img/S03E18/1076909.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1080037

## 18:04–18:15

Principal Skinner, with neat grey hair and a suit, stands before a corkboard in a school hallway while Carl, a Black man with a moustache and blue sweater, Marge with her tall blue beehive seen from behind, a black-haired woman in a purple jacket, and a green-sweatered man with a tie look on. Skinner's expression shifts from a strained grimace to an open-mouthed shout, and the group reacts with wide-eyed alarm, with the woman's mouth hanging open and a man in a red shirt holding a lit cigarette. Papers and a pink notice are pinned to the corkboard behind them, and a green chalkboard and a wall with a dark trim frame the scene.

> Some sick, twisted individual has stolen every teacher's edition in this school.
> What do we do? Declare a snow day! Does anyone know the multiplication table?
> Please, please, don't panic.

Frame: https://ultrahouse3k.com/img/S03E18/1085459.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1090047

## 18:15–18:27

Principal Skinner, a thin man with neat grey hair in a blue suit and purple shirt, first stands gesturing with both hands in front of an Education Journal bulletin board, then turns to peer through slatted green blinds at children on a playground. Mrs. Krabappel, a woman with a tall brown hairdo and green cardigan, stands before an alphabet-lined chalkboard, clasping her hands and then gesturing outward with one arm. In a classroom, a frightened, wide-eyed boy in a white shirt gestures with his hands at Lisa in her purple dress and Bart in his orange shirt, while other students sit at desks beneath a world map and a blue shelf.

> They can smell fear.
> Children, I know this is highly irregular, but for the rest of the day,
> Martin will be teaching this class. I will?
> But I wouldn't know where to begin. Just do it, Brainiac.

Frame: https://ultrahouse3k.com/img/S03E18/1096721.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1101726

## 18:27–18:39

A grey-haired teacher in a green sweater sits on his desk beside the chalkboard, gesturing while talking to a row of students at their desks, with an American flag, a classroom door, and an alphabet border above the board. Later, a flustered woman with a short blue bob, glasses, and a pink blouse with a red bow stands before a wall with a clock and an alphabet strip reading Tt through Zz, holding papers while students' hands reach up with more sheets. She grimaces, raises a hand to her head and gestures with the other, then looks up while talking.

> Have I ever told you kids about the 60s?
> I've got to get out of here.

Frame: https://ultrahouse3k.com/img/S03E18/1109025.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1114030

## 18:39–18:50

Milhouse, the blue-haired boy with glasses in a pink top and skirt, clutches his head and glasses beside a blue door with a window full of dark silhouettes, then looks alarmed and leans toward the door. A man with messy brown hair, freckles, a green vest and a red tie peeks out from a doorway into a school hallway of lockers, then raises his open hands and gapes in alarm. Principal Skinner, in his grey hair and blue suit, sits grimacing at his desk in a red chair beneath wall certificates and ribbons.

> Calm blue ocean. Calm blue ocean, calm blue ocean, calm blue ocean.
> I'm leaving the profession again.
> Oh, now, Mr. Glasscock, please reconsider.

Frame: https://ultrahouse3k.com/img/S03E18/1121120.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1125291

## 18:50–19:04

Principal Skinner, a grey-haired man in a suit, and Bart, a spiky-haired boy in an orange shirt and blue shorts, stand in an office with a red armchair, a desk with a blue telephone, and a wall sign reading PRIVATE on a green door in an earlier view. Skinner gestures with his hands, then leans on the desk while Bart stands with his hands clasped, and the scene shifts to a crowd of brown and tan dogs climbing the steps of the OLD SPRINGFIELD LIBRARY, a white building with columns and tall windows. The view then moves to a close-up of Chief Wiggum, the fat police chief in a blue cap, grimacing as he looks off to the side in front of the library steps.

> Bart,
> the police haven't had any luck finding the teacher's editions.
> The dogs have picked up a set of books.
> Sign down the battering room.

Frame: https://ultrahouse3k.com/img/S03E18/1131547.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1137386

## 19:04–19:15

Outside Springfield Elementary, a tank and a line of soldiers sit on the grounds beside a police van, with the school's sign visible on the building. Inside the principal's office, Bart Simpson in his orange shirt faces Principal Skinner, who has neat grey hair and a suit, as Skinner leans over the desk beside a blue telephone. Bart is then left alone at the desk, looking worried and pressing the buttons on the blue telephone's keypad.

> Here we go.
> We're going to have to reorder every book.
> Seymour, I'll bet you a steak dinner those books are still here.
> All we have to do is search every locker.

Frame: https://ultrahouse3k.com/img/S03E18/1145311.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1149899

## 19:15–19:28

Principal Skinner, a man with neat grey hair in a suit, and Bart, the spiky-haired boy in an orange shirt, start in the principal's office, where Skinner holds a blue telephone to his ear while Bart looks up at him from the desk. Bart then walks down a red-tiled school hallway lined with grey lockers and opens one, and Skinner appears beside it with a stern, unimpressed expression. Filing cabinets, a wall clock, and framed certificates decorate the office.

> Oh, Bart, I'm not sure random locker searches are permitted by the Supreme Court.
> Supreme Court. What have they done for us lately?
> Let's move.

Frame: https://ultrahouse3k.com/img/S03E18/1156572.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1161786

## 19:28–19:37

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at a row of blue school lockers and reaches toward an open locker, where he finds stacks of banded bundles of 1000-dollar bills. He then steps back and swings the locker door shut with an outstretched arm, and later Principal Skinner, a man in a grey suit with neat grey hair and an orange tie, opens a different locker to find a panda plush sitting on a stack of books. Skinner looks at the plush, which then lurches up at him, and he is left grimacing and holding its chewed, stuffing-spilling body in a hallway with a red-brown floor.

> Hmm.
> Bah!

Frame: https://ultrahouse3k.com/img/S03E18/1169293.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1172630

## 19:37–19:47

Bart and Lisa are in a school hallway lined with grey lockers, and a man in a blue suit holding a stack of papers leans into an open locker. Bart creeps along the lockers with his arms out while Lisa, beside a tall stack of colored books, turns to watch, and a glass bottle lies on the floor. Lisa then ends up pressed flat against the lockers with her arms spread wide, eyes bulging and mouth open in alarm.

> Oh, my God.

Frame: https://ultrahouse3k.com/img/S03E18/1178260.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1182223

## 19:47–19:59

Principal Skinner, in a blue suit with a purple shirt, opens a locker in a hallway of blue lockers, and sneakers, binders and a blue shirt spill out onto him as he leans in. He then shuts the door and looks back at it, while Bart, in an orange shirt and blue shorts, stands at a nearby locker with a juice box, notebook, apple, green bag and basketball on its shelves before tumbling through the air over the lockers. A ruler, a pencil and an apple core lie on the tiled floor below.

Frame: https://ultrahouse3k.com/img/S03E18/1188479.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1193484

## 19:59–20:11

Principal Skinner, a neat grey-haired man in a suit, opens a school locker and peeks out from behind its door as Bart, in an orange shirt and blue shorts, stacks tall piles of books labeled TEACHER'S EDITION and ANSWERS against the lockers. Bart lifts a pink Teacher's Edition book to reveal a framed picture of two figures inside the dark locker, then stares wide-eyed at the stacked books labeled ANSWER EDITION, YOUR ANSWERS and TEACHER'S EDITION. Lockers, a ceiling tile and the book spines fill the hallway setting.

> Lisa!
> That's right. It was I.

Frame: https://ultrahouse3k.com/img/S03E18/1200783.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1205371

## 20:11–20:20

Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, and Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stand in a school hallway lined with dark blue lockers. In the first moment Lisa gestures with an outstretched arm while Bart looks at her warily, then Bart's face shows a nervous, grimacing expression against the lockers. Later Lisa talks and gestures toward Bart, who stands with his shoulder bag and looks at her, while Lisa moves slightly away and back. Scattered on the tiled floor at their feet are textbooks and notebooks, one brown cover reading "Teacher's Edition" and another partly reading "SMOKING" and "ATH".

> Lisa, why did you do it? Come on, Bart. In your pre-fascist days,
> you knew the giddy thrill of feudal rebellion.
> Yeah, but even I had my limits.

Frame: https://ultrahouse3k.com/img/S03E18/1212044.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1216006

## 20:20–20:32

Bart Simpson, wearing an orange shirt and a yellow "HALL MONITOR" sash, and Lisa Simpson, with star-shaped spiky hair, a red dress and a pearl necklace, stand together in a school hallway lined with dark blue lockers. Bart holds his arms out with open palms as he talks, and Lisa looks back at him with a sour expression. Lisa then covers her face with both hands and her mouth opens in a wail, while Bart stands beside her with one hand resting on her shoulder and a worried look. No on-screen text is visible apart from the words on Bart's sash.

> You're looking at expulsion for this. I know, I know.
> The books!

Frame: https://ultrahouse3k.com/img/S03E18/1222054.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1226851

## 20:32–20:42

Principal Skinner, in a blue suit and orange tie, stands with open hands beside a messy pile of books on the floor while Bart in his orange shirt and blue shorts and Lisa in her red dress and pearl necklace stand by a row of dark lockers. Skinner then bends over the pile and gathers up several books labeled "Teacher's Edition" in teal, pink and tan, clutching them to his chest and grinning. A bulletin board with papers hangs on the wall behind him, and the scene is set in a school hallway.

> Oh, answers, answers.
> Simpson, you've just saved this school $120.

Frame: https://ultrahouse3k.com/img/S03E18/1233733.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1237695

## 20:42–20:54

Principal Skinner, a grey-haired man in a blue suit, stands with Bart in his orange shirt and Lisa in her pearl necklace beside a row of school lockers, looking stern while the children react with worry and surprise. Lisa glances up glumly, then gasps with her mouth open, and the setting shifts to the exterior of the school, with an American flag flying on a pole in front of its entrance. Bart sits behind a desk in an office with a door marked PRIVATE, facing Skinner, who stands across from him with his hands at his sides and his mouth open as if speaking.

> Who's behind this monstrous crime?
> I am.
> I've been so blind.
> In retrospect, the signs all pointed to a rogue hall monitor.

Frame: https://ultrahouse3k.com/img/S03E18/1243743.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1248748

## 20:54–21:07

Bart Simpson, the spiky-haired boy in an orange shirt, sits in a red chair in Principal Skinner's office, facing the principal, who has neat grey hair and wears a blue suit, purple shirt and orange tie. Skinner sits behind a desk holding a sheet of paper, speaking with his mouth open while Bart looks sideways with heavy-lidded eyes and a smirk. In the final frame Skinner stands at the right edge in his blue suit while Bart grimaces with clenched teeth. Framed on the wall is a picture of a house, and a grey coat hangs on a hook between them.

> Sorry that I betrayed your trust, Principal Sucker.
> Now Bart, in light of your recent service to the school, I've decided to be lenient.
> 400 days detention.
> Yeah, 400 days. I can do that standing on my head.
> All right, 500 days. Whoo-hoo-hoo, big man.

Frame: https://ultrahouse3k.com/img/S03E18/1255838.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1261051

## 21:07–21:19

Principal Skinner, with neat grey hair, a suit and an orange tie, glowers and grimaces at Bart beside a grey filing cabinet in an office while Bart stares back wide-eyed. Milhouse, in a purple shirt with a red-framed pair of glasses and a HALL MONITOR sash, then grips Bart's shoulder in a hallway next to a green door as Bart looks on with wide eyes. Finally, Lisa in a red dress and pearl necklace tugs at Bart's arm as they walk past blue lockers, and Bart looks nervous.

> 600 days.
> Maybe I'll just shut my big mouth. Let's go, Simpson.
> Bart, why'd you take the blame?

Frame: https://ultrahouse3k.com/img/S03E18/1268559.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1273564

## 21:19–21:30

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, and Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, stand in a school hallway beside blue lockers. Bart's eyes widen and he grimaces with a nervous, uneasy look while gesturing with one hand, then Milhouse, the blue-haired boy with glasses and a blue cap wearing a sash, joins them from the right. Bart and Milhouse walk off together down the hallway while Lisa stands still, looking down with her hands clasped at her chin and a worried, dejected expression.

> Cuz I didn't want you to wreck your life.
> You got the brains and the talent to go as far as you want.
> And when you do, I'll be right there to borrow money.
> Oh, Bart.

Frame: https://ultrahouse3k.com/img/S03E18/1280654.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1285242

## 21:30–21:41

Bart Simpson, in his orange shirt and blue shorts, writes "I will not expose the ignorance of the faculty" over and over in chalk on a green-walled classroom blackboard, under a wall clock and a framed portrait. Outside, Lisa Simpson in her red dress and pearl necklace sits on a wooden bench and plays a gold saxophone, swaying slightly as she plays with her eyes closed. Through the classroom window, Bart pauses from writing to watch her.

> Sounding good, Lease.

Frame: https://ultrahouse3k.com/img/S03E18/1291916.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1296086

## 21:41–21:51

A small girl with spiky yellow hair and an orange dress sits on a wooden bench on a grassy lawn in front of a yellow school building with purple pillars, holding a golden saxophone. She stays seated as the view holds on the building, and white credits reading "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON" appear over the scene. The scene then fades to darkness and ends on a black screen reading "Starring DAN CASTELLANETA" in yellow letters.

Frame: https://ultrahouse3k.com/img/S03E18/1302551.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1306514

## 21:51–22:01

No animated characters appear in this moment, which is a black screen with yellow credit text centred on it. The names of voice actors appear one after another: Nancy Cartwright, then Yeardley Smith, then Hank Azaria, then 'and Harry Shearer', and finally an 'Also Starring' list of Maggie Roswell, Russi Taylor, Pamela Hayden and Tress MacNeille. The text is in a rounded yellow font, and nothing moves on screen apart from each name replacing the last.

Frame: https://ultrahouse3k.com/img/S03E18/1312561.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1316524

## 22:01–22:11

No Simpsons characters appear in this moment; it is a black title card sequence in the closing credits. Five yellow credit captions appear one after another on the black background: "Special Guest Voice MARCIA WALLACE," then "Special Guest Voice STEVE ALLEN," then "Executive Consultant BRAD BIRD," then "Executive Story Editor JEFF MARTIN," and finally "Creative Consultant DAVID M. STERN." Each name appears centered in a rounded yellow font with the role title above it, and no figures or movement are shown beyond the changing text.

Frame: https://ultrahouse3k.com/img/S03E18/1322780.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1326742

## 22:11–22:21

No Simpsons characters appear in this moment; it is a black screen with yellow credit text shown one after another. The credits read Associate Producers J. Michael Mendel and Joseph A. Boucher, then Theme By Danny Elfman, then Casting By Bonita Pietila, then Editors Mark McJimsey and Don Barrozo, and finally Animation Production Manager Ken Tsumura and Post Production Coordinators Colin A.B.V. Lewis and Jeffrey Goldstein.

> Let's go.

Frame: https://ultrahouse3k.com/img/S03E18/1332790.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1336752

## 22:21–22:31

No characters appear in this sequence of black closing credits with yellow text. The frames show a series of production credits: first a list of sound and post-production staff including Sarah Werner, Bobby Mackston, Mark McJimsey, Chris Ledesma, Travis Powers, Peter Cole, Gary Gegan, Anthony D'Amico, Brad Brock, Ronald Cox, Randy Piotroski, Doris Grau, with Skywalker Sound and Laser-Pacific listed and a Dolby Surround logo at the bottom. Next, a list of assistants including Barbara Duncan, Trixie Flynn, Daria Paris, Julie Steddom Smith, Lona Williams, Lana Repp Lewis, Jacqueline Sillo, Don Gilbert, C.J. Gibson, Tammy Mandel, Jamie O'Connor, Laura Norton, Brad Schultze, Leslie Richter, Dee Cappelli and Alison Elliott. Then the screen shows 'Animation Produced By KLASKY-CSUPO INC.' with 'Animation Executive Producer GABOR CSUPO', followed by 'Animation Producer SHERRY GUNTHER', and finally 'Overseas Animation Directors MIKE GIRARD and J.C. PARK' with 'Animation Production Manager MARIA ELENA RODRIGUEZ'.

Frame: https://ultrahouse3k.com/img/S03E18/1342800.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1346762

## 22:31–22:41

No Simpsons characters appear in this moment; it is a black closing credits roll of yellow text on a black background. Five successive credit screens scroll through crew lists: Assistant Director Howy Parkins and Storyboard Supervisor and Storyboard Steven Dean Moore, then Character Design Supervisor Dale Hendrickson and Character Design credits, followed by Character Layout Artists, Background Layout Artists, Animation Timing, Lip Sync, Main Title Design by David Silverman, Main Title Animation, Color Design Supervisors and Color Design, Animation Camera credits, and finally Background Cleanup Supervisor Bev Chapman with Background Cleanup, Negative Cutter and Telecine credits. The names are set in the show's distinctive yellow lettering, with role titles on the left and names right-aligned or centered beneath them.

Frame: https://ultrahouse3k.com/img/S03E18/1353018.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1356772

## 22:41–22:51

No Simpsons characters appear in this moment; the scene is a black end-credits screen with yellow text. First, production credits list Production Coordinators Miles Lewis Horst and Julia Kim, Post Production Coordinator Tami Sloan Tsark, Production Assistants Daniel O'Day McClellan, Sharon Altman, Doria Biddle and Lisa Womble, and Production Accountant Carole Ann McCoy. The credits then cut to single cards reading Executive in Charge of Animation Production Richard Raynis, Executive in Charge of Production for Gracie Films Michael P. Schoenbrun, Creative Supervisor Sam Simon, and Executive Creative Consultant James L. Brooks, each text centered and fading in and out.

Frame: https://ultrahouse3k.com/img/S03E18/1363028.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1366991

## 22:51–23:03

Silhouetted audience members sit in rows of seats in a dark, blue-tinted theater, with a large figure with a tall, bushy hairdo prominent in the foreground on the left. The screen lights up with a blue beam and the white words "GRACIE FILMS" while the audience silhouettes remain seated. The picture fades to black, then a gold "20th TELEVISION" building rises against a blue sky with light beams, before the screen fades to black again.

> Shh.

Frame: https://ultrahouse3k.com/img/S03E18/1373038.jpg
Page: https://ultrahouse3k.com/episode/s03e18-separate-vocations/1377418