# Colonel Homer The Simpsons, season 3, episode 20 (S03E20), first aired March 26, 1992. Written by Matt Groening. Directed by Mark Kirkland. Production code 8F19. Guest stars: Beverly D'Angelo as Lurleen Lumpkin. Chalkboard gag: "I will not conduct my own fire drills". Couch gag: Legs Behind Head. After Marge snaps at him for spoiling a movie, Homer drives off and stops at a roadside bar where waitress Lurleen Lumpkin performs a tune that seems written about him. He gets it recorded, it becomes a radio hit, and he becomes her manager, styling himself a colonel, as Marge grows jealous. When Lurleen makes her feelings for him plain, Homer turns her down and goes home to Marge. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Barney Gumble, Krusty the Clown, Lenny Leonard, Carl Carlson, Patty Bouvier, Selma Bouvier, Snowball II, Sideshow Mel, Snake, Bleeding Gums Murphy, Space Mutants, Lurleen Lumpkin, Beer-N-Brawl Announcer, Beer-N-Brawl Bartender, Big Shirtless Ron, Box Office Clerk, Butterball Jackson, Cloris Moselle, Corpulent Cowboy Employee, Freddy Boy, Gappy Mae, Girl from Homer's childhood, Hip Diddler, Homer's high school date, Kissing Booth Woman, Lurleen's Manager, Orville and Hurley, Police Officer, Recording Technician, Rudy, The Ya Hoo Recovering Alcoholic Jug Band, Wade, Yodeling Zeke, Yuma. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s03e20-colonel-homer From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:11 No regular characters appear in this opening title sequence. The scene begins on a black screen, then shows drifting cumulus clouds against a blue sky, with the yellow title text 'THE SIMPSONS' appearing over the clouds. The view then pans over the Springfield Nuclear Power Plant, with its two grey cooling towers bearing atomic symbols and a sign reading 'WELCOME TO SPRINGFIELD NUCLEAR POWER PLANT', and finally moves down a street past a yellow building with a striped awning labeled 'DAIRY' toward a school with a flagpole in the distance. > The Simpsons Frame: https://ultrahouse3k.com/img/S03E20/1043.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/5839 ## 0:11–0:23 Bart, the boy with spiky hair in an orange shirt, is first seen outside the Springfield Elementary School entrance beneath its sign, then inside the classroom, where he chalks 'I will not conduct my own fire drills' over and over on the blackboard before dashing past a red wastebasket toward the door. He then rides a green skateboard with his arms spread wide against a blue sky with clouds. Frame: https://ultrahouse3k.com/img/S03E20/12721.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/17518 ## 0:23–0:35 Homer, in a yellow hazmat suit, grips an orange tool with a glowing green rod beside a CAUTION sign while Mr. Burns and Smithers watch from behind a railing, then reaches up to press a red button. Maggie, with her pacifier and blue bow, sits in a shopping cart reading a Mom Monthly magazine at a checkout counter beside a blue register with a CHECKS sign. Marge, with her tall blue beehive and red necklace, waves toward Maggie as the cart rolls along the counter. Frame: https://ultrahouse3k.com/img/S03E20/24399.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/29613 ## 0:35–0:47 Lisa, the girl with star-shaped spiky hair in an orange dress, plays a saxophone among a row of band students in a classroom with a bust of Beethoven, while a bald man with white side hair, a bow tie and a pink jacket conducts from a music stand. Lisa then hurries down an orange hallway lined with posters, clutching her saxophone, toward a pair of blue double doors. Homer, in a white shirt, sits behind the wheel of a pink car, pressing one hand to his head as he steers past green bushes. > Oh, Frame: https://ultrahouse3k.com/img/S03E20/37120.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/41708 ## 0:47–0:57 Bart rides a skateboard with his arms stretched out in front of a purple wall, then a brown-haired woman in a purple sweater and long skirt walks beside him holding a green bag while he rolls along the sidewalk past a shop whose TV screens show Krusty's grinning face, with bottles stacked on the pavement and a partly visible man in blue pants at the left edge. Thick white smoke clouds sweep across the scene early on, and an orange taxi drives down a street toward a pink building topped by a large statue, while baby Maggie, with her pacifier and blue bow, stares wide-eyed in close-up at the end. > my God. Frame: https://ultrahouse3k.com/img/S03E20/48590.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/52553 ## 0:57–1:08 Marge, with her tall blue beehive and red beads, drives while Maggie sits in a car seat with a pacifier and blue bow, clutching a toy steering wheel. The pink car rolls out of the garage as kids run along a grassy hill past a white house, and Bart rides a skateboard at the edge of the driveway. Homer, in a white shirt, leans over the open hood of the pink car while a spiky-haired boy in orange pedals a red tricycle past him, and then Homer stands in a purple room beside a red bed with his arm outstretched and mouth open in alarm. Frame: https://ultrahouse3k.com/img/S03E20/58809.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/63188 ## 1:08–1:19 Homer, Marge, Bart, Maggie and Lisa are in the Simpsons' living room, with Homer and Marge standing near the brown couch and Bart and Maggie beside them. In the first moment Homer leans in while Marge stretches an arm out, and Bart is crouched on the green carpet with Maggie next to him, while Lisa watches from the right beside a purple TV set. Then the family crowds together behind the back of the couch, all peeking over it with wide eyes, under a framed sailboat painting, next to a green telephone and a pink lamp. The scene then cuts to a blue TV screen reading 'Created by Matt Groening' and then 'Developed by James L. Brooks, Matt Groening, Sam Simon' in yellow lettering, which stays on screen to the end. Frame: https://ultrahouse3k.com/img/S03E20/70070.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/74241 ## 1:19–1:29 Marge with her tall blue beehive, Lisa, Maggie with her pacifier and blue bow, Bart, and Homer in his white shirt sit inside a car, with Marge pointing ahead while Homer grips the wheel and stares forward. Earlier, the scene fades in from black over the Gogoplex Theatres parking lot at sunset, with rows of colorful cars and the credit 'Co-Executive Producers Al Jean & Mike Reiss' overlaid. The view moves along the lot past parked cars, including a pink car, before settling on the family in their vehicle. > Oh, there's a spot there. Frame: https://ultrahouse3k.com/img/S03E20/80706.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/84668 ## 1:29–1:40 Homer, Marge, Bart and Lisa sit in a lilac family car, with Homer driving and Marge beside him, as they approach the entrance of the Springfield Googolplex Theatres. Homer glances around and then speaks to Marge, and the lot's lanes are marked COMPACT ONLY on the pavement ahead. Homer keeps steering forward past rows of cars toward the lot entrance, and on-screen credits appear over the scene, first naming Supervising Producers Jay Kogen and Wallace Wolodarsky and then Producer George Meyer. > Ooh, there's a good one. > That spot says compact only. > Marge, that's just the suggested car size. Frame: https://ultrahouse3k.com/img/S03E20/90924.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/95304 ## 1:40–1:50 Homer, Lisa and Bart are in a car, with Homer gripping the steering wheel and looking tense while the two children stare from the back seat. The scene opens on an overhead view of a parking lot where a large pink car sits between blue and green cars, with a red car on each side and 'COMPACT ONLY' painted on the ground. The inside view returns as Homer grimaces and then speaks with his mouth open, and the title credit 'Produced By Richard Sakai David Silverman' appears over the scene. Lisa ends by turning in the back seat with her mouth open and her eyes wide. > Easy. Easy. > How am I doing on the right? Uh, we're getting a lot of sparks over here, Dad. Frame: https://ultrahouse3k.com/img/S03E20/101768.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/105731 ## 1:50–2:00 Marge with her tall blue beehive, Lisa, Maggie with her pacifier and blue bow, Bart, and Homer at the wheel sit inside the family car, with other cars visible through the windows ahead. Homer speaks and the family looks on, with Maggie sucking her pacifier and Bart glancing sideways, while the caption "Co-Producer JON VITTI" appears over the car scene. The view then changes to a marquee with numbered titles 22 to 28, including "Honey, I Hit a School Bus" and "Ernest vs. The Pope". > Uh-huh. > Easy. > Perfect. > All right, everybody out the window. > Ooh, they all look great. So, what are we going to see? Frame: https://ultrahouse3k.com/img/S03E20/111778.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/115741 ## 2:00–2:11 Homer, Marge, Lisa, Bart and baby Maggie stand together on a parking lot under an orange sky with rows of parked cars and blue lampposts behind them. Lisa, in her red dress and pearl necklace, grins and looks up, while Bart in his orange shirt smiles beside her. Homer holds Maggie, who sucks a pacifier and wears a blue bow, and Homer's eyes shift sideways with a fixed, uneasy stare. Marge, with her tall blue beehive and green dress, looks on with a wide-eyed expression and then speaks with her mouth open. The on-screen credit reads Co-Producer John Swartzwelder across the lower middle of the scene. > Ernest, catch the cheese. Honey, I hit a school bus. > Look who's oinking. Look who's oinking. > Since we'll never agree, why don't you kids pick a movie? > Your dad and I will pick a movie. Frame: https://ultrahouse3k.com/img/S03E20/121997.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/126168 ## 2:11–2:18 Homer, holding baby Maggie, Marge with a light blue bag, and Bart and Lisa stand on a street lot with parked cars and an orange backdrop, where Marge hands Bart and Lisa a small wrapped packet and then holds a green bill. The scene moves to a ticket booth where Homer raises two fingers toward a clerk in a teal vest and bow tie, who looks annoyed behind the window beneath a 'Notice to All Employees' sign. > Then we'll all meet in the lobby later. Thanks, Mom. > Two tickets for... Let me guess. > Look who's oinking. That's right. Sold out. Frame: https://ultrahouse3k.com/img/S03E20/132633.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/135135 ## 2:18–2:30 Homer, a bald heavy man in a white shirt, stands at a ticket booth with his wife Marge, who has a tall blue beehive and holds baby Maggie in a blue bow, while a dark-haired clerk in a teal vest and bow tie waits behind the window. Homer frowns, then grins with his eyes shut as he leans into the counter and talks, and a green bill rests in the tray at the bottom of the window. The booth wall has a 'NOTICE TO ALL EMPLOYEES' sign and partly visible red lettering that reads 'TH', 'OC' and 'AF' on a dark board behind Marge. > Maybe we could see something a little more adult. > Why, Marge, you frisky little devil. > We'll take two tickets to the Stockholm Affair. > Ooh, the paper called it a taut political thriller. Frame: https://ultrahouse3k.com/img/S03E20/139723.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/144728 ## 2:30–2:42 Homer, Marge and baby Maggie stand together on a sidewalk in front of a blue poster with large red lettering, with parked cars behind them, while Homer holds a small brown object and glances to the side. The scene shifts to a formal hall where a uniformed man in a peaked cap with a star badge and gold stars on his shoulders speaks, eyes closed and then open, before silhouetted audience heads in the foreground and an American flag beside him. Finally, an older grey-haired man in a suit sits behind a wooden desk in front of a window showing a domed building, clenching his fists and grimacing as he speaks. > Political? > Oh. > Mr. President, disturbing news. > Serious cracks are developing in the Greco-Bolivian alliance. > Get me Jed Kulik. Frame: https://ultrahouse3k.com/img/S03E20/152027.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/157032 ## 2:42–2:56 Homer Simpson, in a white shirt, sits in a dark theater beside Marge, who has her tall blue beehive and a green skirt, while a woman with dark bobbed hair and a red collar and a man with short brown hair sit in the rows behind them. Homer sips from a red-and-white striped cup through a straw, then lowers it and tilts it up to his mouth. He throws his head back with his mouth wide open and holds the cup high above him, draining the last of the drink as Marge and the others watch. Frame: https://ultrahouse3k.com/img/S03E20/164122.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/169753 ## 2:56–3:09 Homer Simpson, in his white shirt, sits in a dark movie theater row beside Marge, whose tall blue beehive and green skirt are visible, while a woman with a dark blue bob in a red top, a brown-haired man in a blue shirt, and a green-haired woman sit in the seats behind them. Homer starts out slumped and staring ahead, then turns to Marge with a scowl and an open-mouthed grimace, leans forward and his eyes bulge as he rises, and finally points off-screen with his arm extended while Marge looks on with a frown. The row of blue theater seats and the dim, dark background frame the scene, with no on-screen text visible. > Oh, this movie's too complicated. > Hey, the floor's sticky. > Who's that guy? > What did that guy say when I said, who's that guy? Frame: https://ultrahouse3k.com/img/S03E20/177469.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/182891 ## 3:09–3:19 Marge, with her tall blue beehive and green dress, sits in a dark movie theater, first frowning up close and later beside Homer, who is bald with a white shirt and a bucket of popcorn. Homer grabs popcorn and eats it while Marge scowls, then he leans in and hugs her, pressing a hand to her face, and in the last moment he shows a worried look while Marge crosses her arms and glares beside him. Onscreen, a blue cartoon submarine with a dotted torpedo trail rises above the silhouetted heads of the audience, and a man with a blue-haired head sits behind them, scowling. > Oh, that submarine's so fake. > Look, you can see the strings. > An octopus! > What? Frame: https://ultrahouse3k.com/img/S03E20/190607.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/194569 ## 3:19–3:23 Homer, seen from behind with his bald head at the bottom left, and Lenny, with spiky black hair, sit in the dark rows of the Springfield Googolplex Theatres while a green monster film plays on the screen. Their view moves from a car-interior scene where two men are grabbed by a hand, to the monster gripping two frightened men in a grey shirt and a tan jacket, and then to the monster raising its arms beside a startled blonde woman and a wide-eyed redheaded man. The theatre's marquee and parked cars establish the setting at dusk before the audience scene begins. Frame: https://ultrahouse3k.com/img/S03E20/201034.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/201868 ## 3:23–3:35 Bart, a spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair and a red dress, sit side by side in blue theater seats. Bart holds a green box of candy and a chocolate bar with a purple wrapper, which he offers toward Lisa while she covers her face with both hands, tears on her cheek. Bart glances sideways, then turns to look ahead while still holding the candy. The final shot cuts to a close-up of Lisa, red-tinted, with her eyes wide and mouth open in a terrified scream, her hand raised at the edge of the frame. > If you don't watch the violence, you'll never get desensitized to it. > Just tell me when the scary part's over. > It's over. Frame: https://ultrahouse3k.com/img/S03E20/204996.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/209584 ## 3:35–3:36 Bart Simpson, the boy with spiky hair in an orange shirt, and Lisa Simpson, the girl with star-shaped spiky hair and a red dress and pearl necklace, sit side by side in red theater seats. Bart holds a pink box of candy in both hands and laughs with his eyes squeezed shut, while Lisa first grimaces with her hand raised near her mouth, then covers her face with both hands as she giggles. Bart later reaches a pink box toward Lisa, and the pair keep laughing together in the dim auditorium. Frame: https://ultrahouse3k.com/img/S03E20/216258.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/216049 ## 3:36–3:49 Homer, the bald heavy man in a white shirt, and Marge, with her tall blue beehive and orange bead necklace, sit side by side in a dark blue theater row. Homer's eyes dart and his mouth opens and closes as he talks, while Marge leans her cheek on her hand with a bored, half-lidded look before glancing toward him. Homer turns his head back and forth between the screen and Marge, showing a wide-eyed, anxious expression, and his grin shows his teeth as he speaks, with no on-screen text or notable objects beyond the seats. > I think that guy's a spy. > Well, of course, he's a spy. You just saw him go through spy school. > Oh, wait. > I heard how this ends. > It turns out the secret code was the same nursery rhyme he told his daughter. Frame: https://ultrahouse3k.com/img/S03E20/217926.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/223140 ## 3:49–3:56 Marge, with her tall blue beehive and orange-beaded necklace, and Homer, bald with a white shirt, sit in a dark movie theater with a submarine shown on the screen behind them. Homer holds a paper cup and leans on the seat back, then Marge turns sharply toward him with a scowl while Homer looks away, lips pursed. In the later part of the moment Marge is seated beside a row of other moviegoers, including a woman with teal hair on the left, and both of them are angrily facing each other as Marge's face tightens and she speaks to Homer. > Hey, it's pretty obvious if you think about it. > Oh, shut up, Homer! No one wants to hear what you think! > Yeah! Frame: https://ultrahouse3k.com/img/S03E20/230647.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/233358 ## 3:56–4:08 Homer, Marge, Lisa, Maggie and Bart are crammed into the pink-lined family car at night, with Homer gripping the steering wheel and scowling while Marge sits beside him in her green dress and red beads, her seatbelt across her chest. In the first moment Homer is shown in a close view with Bart's wide-eyed face peeking in behind him, then the whole family appears together in the back seat as Homer's expression stays angry and set. Lisa and Maggie, with her blue bow, sit in the back seat wide-eyed while Marge looks off to the side. The car's rearview mirror hangs at the top of the windshield, and the dark window outside shows street lamps passing by. > Homer? > If it makes you feel any better, most of what they threw at you splattered on me. Frame: https://ultrahouse3k.com/img/S03E20/237946.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/242743 ## 4:08–4:20 Homer Simpson drives the family car at night while Marge in her blue beehive and Bart in his orange shirt sit behind him, Marge looking sideways and Bart leaning forward between the seats. Homer scowls with a tense, angry expression, then the scene cuts to a close-up of his face and then to the back of his bald head, where a hand holding a marker draws a zigzag line across his scalp. The hand then adds X eyes and an O mouth to the drawing on his head, with the dark night and passing lights visible through the car windows. > Homer? > Forget it, Mom. > Dad's really mad. > The tendons are throbbing at the base of his neck, > and stress is collecting in the trouble spots here, here, and here. > Making for one unhappy pappy. Frame: https://ultrahouse3k.com/img/S03E20/249624.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/254212 ## 4:20–4:24 Bart, in an orange shirt, leans over the front seat of a car and holds a small object near Homer, who sits at the wheel with X-marked eyes and a stitched-up mouth, then Homer scowls with gritted teeth in a close view inside the car. The scene then moves outside to a pink car parked in front of a two-story house at night, with Marge in her tall blue beehive and Bart standing near the car while Homer sits behind the wheel and Lisa is visible in the back window. The house's windows glow yellow, and a garage stands to the right beside a low brick wall. > Homie, aren't you coming inside? Frame: https://ultrahouse3k.com/img/S03E20/261094.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/262554 ## 4:24–4:33 Homer Simpson, the bald, heavy man in a white shirt, sits behind the steering wheel of a purple car, gripping it with both hands as he drives. Through the side window behind him, Marge with her tall blue beehive and orange-beaded necklace, Bart with spiky hair in a green shirt, and Lisa with her star-shaped spiky hair look on with wide eyes. Homer's expression shifts from a sullen, clenched-teeth glare to a tense scowl, then turns toward the passengers as he lifts one hand off the wheel and jabs a finger toward the window, while the family's faces stay fixed in stunned silence. > Marge, I have always carried myself with a certain quiet dignity. > Tonight, you robbed me of it. > I'm going now, and I don't know when you'll see me again. Frame: https://ultrahouse3k.com/img/S03E20/266099.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/269227 ## 4:33–4:41 Homer, bald and heavy in a white shirt, sits at the wheel of a purple car while Marge with her tall blue beehive, Bart in his orange shirt, and Lisa in her red dress peer through the windows at night. Outside, the family stands on a driveway in front of a lit house, with Marge in a green dress and red bead necklace watching while Bart and Lisa look on. The purple car's hood rises into view as Marge gazes ahead, and then Marge cradles Maggie, the baby with a pacifier and blue bow, while Bart and Lisa stand beside her under the night sky. > I guess that executive stress ball we got him for Christmas isn't working. Frame: https://ultrahouse3k.com/img/S03E20/274441.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/277569 ## 4:41–4:53 Marge, with her tall blue beehive, stands on the sidewalk at night in front of a lit two-story house, holding baby Maggie, with Bart and Lisa beside her. Homer, the bald heavy man in a white shirt, sits behind the wheel of a car with a stern, frowning expression, and the lit house is seen through the window as they pass. Outside, the night scenery slides by, with dark trees and stars, as he keeps driving. Frame: https://ultrahouse3k.com/img/S03E20/282991.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/287788 ## 4:53–5:05 Homer, the bald, heavy man in a white shirt, drives a car at night, gripping the steering wheel with a sullen, narrowed-eyed expression while glancing ahead. Outside the window, a lit yellow roadside billboard reading "FLAMING PETE'S 30 MILES" with a steak graphic passes by, then a later sign reads "FLAMING PETE'S NEXT EXIT!" as the car nears it. The sign then slides out of view behind a dark, bare-branched tree line under a starry sky, leaving only a wooden fence and distant pine trees along the roadside. Frame: https://ultrahouse3k.com/img/S03E20/294669.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/299674 ## 5:05–5:16 Homer, the bald, heavy man in a white shirt, drives a car at night with his hands on the wheel, his eyes half-closed and his mouth opening in a yawn. The car passes a factory with a yellow FERTILIZER sign and smokestacks while he keeps driving with heavy-lidded, drowsy eyes. A wooden COUNTY DUMP sign then appears beside a fence and heaps of junked cars under a crescent moon. > Eww, a skunk. Frame: https://ultrahouse3k.com/img/S03E20/306973.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/311353 ## 5:16–5:27 Homer Simpson, the bald, heavy man in a white shirt, sits at the wheel of a car at night, gripping the steering wheel with both hands and staring ahead with a worried expression. He keeps driving through the dark, then the view outside shifts past a chain-link fence with a yellow sign reading "MINE" and green conveyor machinery against yellow hills. Next the car moves on toward a yellow sign reading "SULFUR" beside a water tower, and Homer rests one hand against his chin while still steering, looking anxious. Frame: https://ultrahouse3k.com/img/S03E20/317818.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/321988 ## 5:27–5:37 Homer drives a pink car at night past a green "OPEN SEWERS NEXT 40 MILES" sign, with sewer pipes and reddish puddles beside the road. He pulls up to The Beer-N-Brawl, a brown roadhouse under a red neon cowboy sign, with a horse tied outside near a blue pickup truck. Inside the bar, Homer, bald and stubbly in a white shirt, stands in the doorway behind a man in a green shirt and fedora, while a tattooed, cigarette-smoking man in a blue hat and white tank top sits in the foreground beside a bottle. > Oh, no. > Ooh, a redneck bar. > Hey you, let's fight Them's fightin' words Frame: https://ultrahouse3k.com/img/S03E20/328245.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/332415 ## 5:37–5:51 A bald, heavyset Homer in a white shirt drinks from a bottle at a dim bar, while a bearded man in a cowboy hat and a skull-and-crossbones tattoo glares beside a man in a blue cap and plaid vest. The scene shifts to a scowling man in an orange cap and overalls who points up at a pink neon FUDD ON TAP sign, with a bull skull mounted on the red wall and an EXIT sign above the bar. > Duff please We don't sell duff, we sell fud Okay, fud me > Alright, alright, > ladies and gentlemen He's all healed up and he's back for more Let's give a big drunken Frame: https://ultrahouse3k.com/img/S03E20/338880.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/344511 ## 5:51–6:04 A heavy man in a tan cowboy hat, light blue shirt, bolo tie and gold belt buckle stands center stage at a microphone on a small bandstand, raising a hand and then gesturing toward the crowd, while seated musicians in cowboy hats play behind him, including a drummer and a bassist with an upright bass. The blue-haired man in a grey hat, red suspenders and tan neckerchief steps forward to the left of the stage, then sings with his eyes closed and a wide smile at a second microphone as the bassist and drum kit remain in the background. The red curtain backdrop and stage lights are visible, with no on-screen text. > welcome to Yodeling Zeke > Yodeling > Yodeling Ole, ole. Frame: https://ultrahouse3k.com/img/S03E20/352227.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/357649 ## 6:04–6:15 A cowboy-hatted man with a cigarette sits at a blue table playing a keyboard in a honky-tonk bar, while a drummer in a purple hat, a man in a tan cowboy hat at an electric keyboard, and a bass player in a cowboy hat with a bolo tie play behind him under a 'DUDES' sign and rising smoke. The band then gives way to a crowd of raising-fist patrons as a man in a cowboy hat lies sprawled on the wooden floor with his legs kicked up in the air. Finally, a heavy cowboy with a star-shaped badge on his bolo tie and a star belt buckle stands at a microphone with a wide grin, waving one hand, while a woman in a brown hat and vest stands behind him. > Our next act is our very own singing waitress, Lurley. Frame: https://ultrahouse3k.com/img/S03E20/365365.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/369744 ## 6:15–6:26 Homer Simpson, in a white shirt, drinks from a bottle at a bar lined with colored bottles, while a heavy man in a blue cowboy hat and white tank top sits behind him. On a red-and-green stage, a slim singer in a tan cowboy hat, white jacket and bolo tie grips a microphone, then gestures with a raised hand as a band of musicians plays behind him. A pink flying pig and bottles tumbling through the air appear above the stage while Homer lowers the bottle and looks on. > So I'm afraid drink service will stop for just a few moments while... > They're all yours. Stupid Marge, tell me to shut up. Frame: https://ultrahouse3k.com/img/S03E20/376209.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/381006 ## 6:26–6:37 A woman with a tall white hairdo, blue headband and ponytail, wearing an orange plaid shirt, sings into a microphone in a wood-paneled room with a green wall and red stripe. She sings with her eyes closed, then opens them wide, grins and glances sideways, and in the final moment the scene shows a band behind her: a man in a purple cowboy hat with a cigarette plays a blue keyboard, another man drums, a man in a tan hat plays keys, and a fourth plays an upright bass beneath a 'DUDES' sign, with smoke curling upward. > Thank you. > Tonight I'd like to try something a little different. > It's a song I wrote while I was mopping up your dry blood and teeth You > work all day for some old man Frame: https://ultrahouse3k.com/img/S03E20/388096.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/392267 ## 6:37–6:49 Homer, bald and wearing a white shirt, sits slumped at a bar with a Duff bottle beside him, while a heavy man in a blue cowboy hat and white tank top sits nearby. A white-haired woman in an orange shirt, eyes closed, sings into a microphone and strums an acoustic guitar as a thin man in a cowboy hat smoking a cigarette plays a bass in the background. Homer lifts a hand to his forehead as she keeps singing, and the wooden walls, shelves of bottles and red backdrop with glowing neon lettering fill the room. > Sweat and break your back Yeah Then you go home to your castle > But your queen won't cut your slack That's true That's why you're losing Frame: https://ultrahouse3k.com/img/S03E20/398523.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/403528 ## 6:49–6:57 Homer Simpson, bald and heavy in a white shirt, sits at a bar with a hand raised to his head and a bottle of Fudd beer in his other hand, looking dazed and drowsy. Beside him, Barney, the heavy drunk with messy brown hair, wears a blue cowboy hat and a white tank top and sits on a stool in front of a mirror, shelves of bottles behind them. Over the five moments Homer's hand stays pressed to his forehead while his eyes slowly droop and his head tilts, then in the last moment his mouth opens as if he is speaking, and the beer bottle with its FUDD label stays on the bar to his left. > all your hair That's why you're overweight Uh-huh That's why you Frame: https://ultrahouse3k.com/img/S03E20/410827.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/413330 ## 6:57–7:04 Homer Simpson, bald and heavy in a white shirt, stands at a bar beside a heavy man in a blue cowboy hat and white tank top seated on a stool. Homer first rests a hand on his forehead with a pained, squinting look, then lowers his hand and lifts a brown FUDD bottle toward the viewer while his mouth opens to speak. Shelves behind the bar hold green, blue and red bottles, and a mirror reflects the room. > flipped your pickup truck Right off the interstate That's right, > except for the pickup truck There's a lot of bull that hands you There's nothing Frame: https://ultrahouse3k.com/img/S03E20/418126.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/420837 ## 7:04–7:17 A woman with a tall cream-colored beehive and a light blue headband, wearing an orange shirt and blue jeans, sings and strums an acoustic guitar at a microphone on a stand on a red-walled stage under a wood-panel ceiling. Behind her, a thin man in a brown cowboy hat, white shirt and dark tie, with a cigarette in his mouth, stands beside a neon sign and a chalkboard reading partly 'DUDES'. She sings with her eyes closed, then suddenly opens them wide and looks sideways with her mouth open, before her eyes narrow into a sidelong, unimpressed glance. > you can do Your wife don't understand you > But I do > No, your wife don't understand you But I do Frame: https://ultrahouse3k.com/img/S03E20/425634.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/430847 ## 7:17–7:26 Homer Simpson stands at a bar holding a brown bottle, with a man in a blue cowboy hat and white tank top behind him, while a woman with white-blonde hair and a light blue headband appears in close-up at right. Homer's eyes widen and his mouth hangs open as he looks sideways, then the woman's eyes go wide as she speaks, and she later closes her eyes and keeps talking with her mouth open. Shelves of green, red and blue bottles line the wall behind the bar. > I said no one understands you But I do Frame: https://ultrahouse3k.com/img/S03E20/438355.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/441900 ## 7:26–7:37 Homer, bald and wearing a white shirt, stands at the bar holding a brown bottle, his eyes widening and his mouth hanging open while a man in a blue cowboy hat stands behind him. A blonde woman with a tall beehive hairdo sings and strums a guitar at a microphone in a crowded bar, with two cowboy-hatted musicians playing beside her and patrons sitting at tables watching. She then stands by a round table in an apron, glancing down as she sets a tray of three bottles labeled Duff beside a dartboard on the red wall. > Hey, hey, Lurleen, I gotta say something to you. Frame: https://ultrahouse3k.com/img/S03E20/447739.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/451910 ## 7:37–7:41 Homer, the bald heavy man in a white shirt, stands at a bar lined with bottles beneath a bull skull while a waitress with a tall platinum beehive, blue headband and apron holds a tray with a bottle and glass. Homer leans in with wide eyes and raised hands, then reaches toward the bottle as the waitress looks at him, and the scene closes on her sullen, sidelong expression. Behind them, a bearded man in a red vest and cowboy hat, a man in a plaid vest and blue hat, and other patrons sit at tables with an ashtray in the foreground. > I'm listening. > Your song touched me in a way I've never felt before. Frame: https://ultrahouse3k.com/img/S03E20/458375.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/459417 ## 7:41–7:52 Homer Simpson, bald and wearing a white shirt, sits in a bar and grins while talking to a blonde woman with a light blue headband whose hair fills the right side of the screen, her face turned toward him. He first looks wide-eyed and talks with an open mouth and a hand raised, then narrows his eyes and speaks, and in the last moment he smiles with closed lips. Behind them a man in a grey hat sits at the left edge, and a blue-haired man with a drink sits at the bar mirror in the background. The screen then fades to black, and the scene cuts to an exterior of a squat orange building with a wooden sign reading 'The Beer-N-Brawl' featuring a cowboy figure, with a pink car parked at its side under a pastel dusk sky. > And which way did it can? > So what's your name, stranger? Frame: https://ultrahouse3k.com/img/S03E20/462754.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/467133 ## 7:52–8:03 Homer, the bald heavy man in a white shirt, stands at a bar holding a Fudd beer bottle, with a green bottle and a blue bottle on the shelves behind him. A blonde waitress with a white ponytail and blue headband, wearing an orange shirt and white apron, faces him while balancing a tray of Fudd Beer bottles, then keeps the tray steady as she tilts her head and smiles slightly. Behind them the bar holds a Fudd Dry bottle sign, a Laramie High sign, and overturned chairs on a table in the background, with a brown stain on the red wall. Homer glances aside with a dazed look, and the waitress turns away and holds her pose as the scene closes. > Homer J. Simpson. > My name's Lurleen Lumpkin. That's a pretty name. > Oh, you think so? > Maybe. > I'm not sure. > I forgot it. > Bye, Laureline. So long, Homer J. Sampson. Frame: https://ultrahouse3k.com/img/S03E20/473598.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/477769 ## 8:03–8:14 A blonde woman in an orange top, unnamed, stands beside a shelf of bottles with a NO BITING sign, then Homer, the bald heavy man in a white shirt, walks up the driveway from his pink car toward the house. Inside a pink bedroom with a brown arched door, Marge, with her tall blue beehive, lies under an orange blanket looking worried, and Homer stands beside the bed with one hand on the blanket as she looks up at him. > Doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo-doo. > Where were you all night? I was just up at this bar in Spittle County. Frame: https://ultrahouse3k.com/img/S03E20/484234.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/489030 ## 8:14–8:25 Homer Simpson, the bald heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and purple top, are in their bedroom beside a yellow lampshade lamp and a brown arched door. Marge sits up holding an orange blanket to her chest and looks anxiously toward the door while Homer leans in from the right, gesturing with one hand. Homer then grins and tugs at the blanket as Marge looks back at him wide-eyed. The final shot shows a night aerial view of the Springfield nuclear power plant, with its two cooling towers, red domes and parked cars glowing in the dark. > You should have called. I was very worried. > Marge, let's end this feuding and the fussing and get down to some lovin'. > I work all day for some old man. Frame: https://ultrahouse3k.com/img/S03E20/496121.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/500083 ## 8:25–8:36 Homer Simpson, in a white shirt and pink tie, stands at the nuclear plant control panel, first dozing with his eyes shut and mouth open, then looking up with a smile while gripping the rails. The scene moves to the neon-lit Kwik-E-Mart at night, with a 'No Dumping' sign on its wall, then to an aerial view of Springfield's glowing streets and the power plant. Finally, masked surgeons in green scrubs operate on a brown-haired patient on a table, with a nurse holding a blue breathing tube over his face. > I sweat and break my back. > Doctor, you weren't supposed to remove his gallbladder. Frame: https://ultrahouse3k.com/img/S03E20/506548.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/510719 ## 8:36–8:46 Homer in green surgical scrubs, with Carl in the middle and Marge with her tall beehive under a surgical cap on the right, operate on a brown-haired patient on a table while Homer holds up a red organ on a stick. The scene then shifts to a night exterior of Barney's Bowlarama, with a glowing NEW sign, a Coffee Shop sign, and a red van and a yellow car parked outside. Inside the lounge beside a BEVERAGES machine, Homer in a white shirt turns and looks startled while Carl sits at a desk writing, and then Lenny, in a green jacket, sits on a bench holding a bottle and talking with Carl. > Put it back! Put it back! > Your wife don't understand you, but I do. > See? > Homer's singing to his ball again. Yeah, and he's bowling at 280. Frame: https://ultrahouse3k.com/img/S03E20/517392.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/521563 ## 8:46–8:58 Carl, a Black man in a grey jacket, sits at a desk holding a pencil while, in the foreground, Homer's bald pink head is visible beside Lenny, a lean man with spiky black hair, green shirt and blue suspenders. Lenny's eyes droop and then close as his head tilts back and his mouth opens wide, showing teeth, as if singing or laughing. Behind them are purple walls, blue cubby shelves and a red ball sitting in one of the cubbies. > Oh, yeah? > There's a kind of hush all over the world. Frame: https://ultrahouse3k.com/img/S03E20/528028.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/532824 ## 8:58–9:10 Moe, the grey-haired bartender in a blue apron, and Homer, bald in a white shirt, stand at the bar of Moe's tavern, with Barney, a heavy man with messy brown hair in a brown shirt, beside Homer at first. Moe lifts a foamy mug to his mouth and sips with his eyes closed while Homer watches wide-eyed, then Moe glances warily at Homer while still holding the mug. Bottles line the shelves behind the bar, and a Duff sign hangs on the wall. > Hey, Mo, you got any fud? > Fud? > I thought they took that off the market after all those hillbillies went blind. > Oh, no, I went to this bar the other night and they... > Wait a minute. > You went to another bar? Mo, I was a hundred miles out of town. Frame: https://ultrahouse3k.com/img/S03E20/539706.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/544294 ## 9:10–9:20 Moe, the grey-haired bartender in a bow tie, stands behind the bar with a sullen look as bottles line the shelf, then Homer, in a white shirt, gestures and protests while Moe scowls at him across the counter beneath a Duff sign. The scene then cuts to a wooden cabin porch where a yellow-skinned man in a dark shirt plays a banjo on the steps beside a 'NOW ENTERING SPITTLE COUNTY' sign, while a small purple car drives along the dirt road into the distance. > Oh, Homer. Frame: https://ultrahouse3k.com/img/S03E20/551176.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/555555 ## 9:20–9:32 Homer Simpson stands on a grassy lawn outside a pink trailer at the Royal King Trailer Park, whose sign reads "14 Days Without a Tornado" below a crown logo. A blonde woman with a ponytail, in an orange top and blue pants, steps into the open trailer doorway, raises one hand, and leans out to face Homer while he looks up at her with wide eyes and an open mouth. Homer then shuts his eyes, lifts a hand to the side of his head, and grimaces as the woman keeps gesturing from the doorway. > Well, if it isn't Homer J. > Simpson... Lurleen, I can't get your song out of my mind. > I haven't felt this way since Funky Town. Frame: https://ultrahouse3k.com/img/S03E20/561811.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/566816 ## 9:32–9:36 Homer, bald with a white shirt, stands with his back to the viewer in a trailer doorway while a blonde woman with a pale ponytail, brown collared shirt and blue jeans stands inside, first raising her hand to gesture and then holding up a grey striped item, while Homer looks on. Afterward Homer steps outside beside a green trailer and a pair of grey gas canisters, his eyes wide and his mouth open as he looks anxious and unsettled. The scene shows a pink trailer interior with a window, a red cabinet, and a bed with a patterned curtain. > Oh, aren't you sweet? > Do you think I could get a copy of it? Sorry, darling. Frame: https://ultrahouse3k.com/img/S03E20/573907.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/574532 ## 9:36–9:44 Homer, seen from behind at left with his bald head and stubble visible in profile, faces a blonde woman with a bouffant hairdo, light blue headband, brown blouse with an orange collar, blue jeans and a white belt, who is not one of the regulars. She stands in a pink room beside a red cabinet and blue window blinds, a heart decal on the wall and purple flowers at the bottom edge, first pressing one hand to the wall with the other on her hip, then raising a finger to her temple and pointing at the cabinet with both hands. Across the sequence she gestures and talks while Homer keeps staring at her with wide eyes, and by the last moment she has clasped her hands at her waist and is looking up. > All my songs are up here. > I'm basting a turkey with my tears. Don't look up my dress unless you mean it. > I'm sick of your lying lips and false teeth. Frame: https://ultrahouse3k.com/img/S03E20/577243.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/580163 ## 9:44–9:51 Homer, the bald, heavy man in a white shirt, stands at the left edge beside a blue louvered window while a blonde woman with a tall beehive-like updo, an orange-brown blouse and blue pants faces him in a pink room. She first points a finger at him and waves her other hand, then holds a small heart-shaped object at her waist, and later presses a hand to her chest as Homer leans toward her. In the final moment she lifts a hand to her open mouth in a startled gasp while Homer looks on, and a heart-shaped decoration hangs on the pink wall behind her. > Earlene, we've got to crack open your head and scoop out those songs. > Oh, I don't know. Come with me. Oh. Frame: https://ultrahouse3k.com/img/S03E20/585168.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/587879 ## 9:51–10:03 Homer stands at the right edge of Lucky's Records, a shop with a sign reading "Your Voice on Compact Disc 25¢" on the sidewalk outside. Inside, a woman with a tall white beehive-like hairdo and an orange-and-white outfit stands in a magenta recording booth with a microphone, strumming an acoustic guitar and singing with her eyes closed, then glancing toward Homer. Behind them, a few people wait in line near the shelves: a man in a cowboy hat holds a washboard, a man in a red plaid shirt and cap holds a violin, a girl with pigtails holds a harmonica, and a woman in pink holds an accordion. The woman in the booth opens her eyes and looks down at her guitar while Homer watches her, and the "Your Voice on Compact Disc" sign hangs on the booth wall beside floating music notes. > I said no one understands you, but I do. Frame: https://ultrahouse3k.com/img/S03E20/592884.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/597680 ## 10:03–10:06 Homer, in his white shirt, stands in a shop holding a silver CD up beside a blonde woman in an orange blouse and blue jeans, while a brown-haired man in a light blue shirt points at Homer from the right. Before that, Homer's yellow hand reaches into the gray-framed window of a pink machine and pulls out a pastel-striped disc, leaving the window empty. The shop's shelves and electronics stand behind the group, and the pink machine stays in the background. > Listen, ma'am, my brother owns a radio station over in Weevilville. Frame: https://ultrahouse3k.com/img/S03E20/604354.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/605188 ## 10:06–10:20 A one-off man with reddish-brown swept hair, a red bow tie and a light blue shirt with a name tag reading WADE sits at left and gestures with one hand before clasping his palms together while talking, as a blonde woman in an orange top with a tall pale hairdo listens and smiles. Later, Homer, bald in a white shirt, sits facing the blonde woman, who speaks with her mouth open, then closes it and keeps watching him as his eyes roll up toward the round ceiling lamp. The scene takes place in a room with wooden-framed windows and a tan wall. > And with your permission, I'd like to take your CD to him. > Homer, it's your quarter. What do you say? > I guess so. Frame: https://ultrahouse3k.com/img/S03E20/608108.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/613738 ## 10:20–10:26 A yellow cartoon hand, with no identifiable character attached, reaches in from the right and presses near the OPEN button of a KUDD radio console. The open CD tray slides out with a disc on it, then retracts into the slot as the disc disappears. Earlier, the KUDD RADIO tower stands over a farm with a silo, a green tractor and a hay bale, and the console has POWER, PLAY, STOP and OPEN buttons, a blue display, a pencil and CD cases on the desk. > This is KUDD 570 AM. > Hey, don't touch that dial. You've got cut on it. Frame: https://ultrahouse3k.com/img/S03E20/621454.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/623331 ## 10:26–10:36 Moe, the grey-haired bartender, stands behind the wooden bar beside a blue radio, drying a glass with a towel and frowning. He presses the towel to his face and rubs his eyes while holding a mug, then goes back to drying the glass and speaks. In the final moment a heavy man in a tan jacket and white sneakers stands in the doorway of the empty bar, with red-topped stools and a pool table in view. > You work all day for some old man. > Sweat and break your back. For the next half hour, beer's on the house. > What'd you say, Moe? Nothing. Frame: https://ultrahouse3k.com/img/S03E20/627502.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/631673 ## 10:36–10:47 Krusty the Clown, in his purple shirt, blue bow tie, and green pants with green hair, faces a nearly bare-chested, yellow-skinned man with bushy teal hair, a bone stuck in it, and a green beaded necklace in a cluttered dressing room with a mirror ringed by bulbs, a boombox, a corkboard, and a calendar. Krusty first raises a white-gloved fist in anger while the other man stammers and gestures, then touches his chin and looks away, then leans in toward him with gritted teeth while the man holds a green bill. The moment ends with Krusty pressing close to the nervous man, who clutches the money. > I thought I told you to stay away from my sister. > But your queen won't cut your slack Oh, here's 50 bucks. > Take her to the copa. Frame: https://ultrahouse3k.com/img/S03E20/637929.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/642100 ## 10:47–10:56 Inmates in brown prison jackets and blue uniforms brawl in a cell block of Springfield State Prison, the building seen first from outside behind barbed wire. A heavyset inmate with dark hair grabs a spiky-haired young prisoner by the collar while a guard in a blue cap and badge is wrestled down, and a woman with reddish-brown hair in a brown jacket raises a fist in the middle of the melee. The scene then cuts to a wall-mounted green grate with a torn-open cover, its wall and floor splattered with white paint and red blood. > Now you talk so tight, act so rough It's payback time! > The heartache and the sadness That's buried deep inside Frame: https://ultrahouse3k.com/img/S03E20/648356.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/652110 ## 10:56–11:04 Chief Wiggum, the fat police chief in a blue cap, stands with a heavyset man with messy brown hair in a brown shirt outside a barred prison block. At first Wiggum grips the man's shoulder while the man raises a fist, a grinning blond man in a brown shirt holds the man's arm, and a bearded man with a bandaged nose shouts with his mouth wide open below. The mood then softens as Wiggum smiles and then wraps both arms around the heavyset man in a hug, while the man looks down and smiles faintly, and a dark-haired man in a brown shirt grins in the background. > Oh, puts this whole ride into perspective, doesn't it? > No one understands you, but I do Frame: https://ultrahouse3k.com/img/S03E20/658158.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/660869 ## 11:04–11:15 Homer sits in a green armchair with Lisa on his lap while Marge sits on the dark red couch beside a blue radio with a long antenna, and Bart later sits on the couch as baby Maggie plays on the floor near Snowball II, the black cat. Homer gestures toward the radio as Lisa grins, and in the final moments she giggles with her eyes shut while he smiles and holds her close beside a shelf of glassware. > She's wonderful. > I could feel her sweet country soul in every digitally encoded bit. Frame: https://ultrahouse3k.com/img/S03E20/665874.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/670253 ## 11:15–11:27 Bart Simpson, the spiky-haired boy in an orange shirt, sits on a dark red couch in a pink room, first glaring with a clenched, open-mouthed scowl, then looking wide-eyed and startled, then squeezing his eyes shut and grimacing with his hand pressed to his chest. Behind him, Homer Simpson, the bald, stubbled man in a white shirt and green sweater, sits in a green armchair with his daughter Lisa, the girl with star-shaped hair and a red dress, on his lap, and frowns with a narrowed-eyed glare at the right edge of the scene. Next, Homer and Lisa are shown in a wider view, with Lisa sitting on his lap and Homer gesturing with one arm toward Marge Simpson, whose tall blue beehive and green dress are visible as she sits on the couch beside him, looking up and speaking. A red lampshade, a framed portrait of Maggie with a pacifier and blue bow, and a pink archway furnish the living room. > Country music sucks. > All it does is take precious airspace away from shock DJs whose cruelty and profanity > amuse us all. Shut up, boy. > Marge, what do you think? > Well, it's nice. But who is this woman? Well, right now, Frame: https://ultrahouse3k.com/img/S03E20/676926.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/681723 ## 11:27–11:41 Homer, the bald heavy man in a white shirt and blue jeans, sits in a green armchair holding Lisa, the girl with star-shaped spiky hair and a red dress, on his lap, while Marge, with her tall blue beehive and green dress, sits on the arm of a red sofa beside a purple stereo boombox in a pink living room. Homer gestures with his hand and talks, then his eyes close and he sways as he points toward Marge, and Marge turns to face him with a clenched-teeth scowl, looking at him sideways. Lisa stays wide-eyed on his lap through the exchange, a red lamp and a radio antenna visible behind them. > she's an out-of-work cocktail waitress, > but she's going to be a country music superstar like, uh, > that jerk in the cowboy hat and that dead lady. > I don't like you hanging around some cocktail waitress. Frame: https://ultrahouse3k.com/img/S03E20/688605.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/694444 ## 11:41–11:50 In the living room, Homer, wearing a white shirt and blue trousers, stands gesturing with his hands while talking, with Lisa in her red dress and pearl necklace at his left side. Marge, with her tall blue beehive and yellow-green dress, stands with her hands on her hips facing him, and Bart sits on the dark red couch while Maggie, with a pacifier, sits on the teal rug beside a black cat and a rattle. In the final moment, the view cuts to a close-up of Marge with a stern, scowling expression and her lips pressed together, wearing a beaded necklace against a pink wall. > Mars, you make it sound so seamy. > All I did was spend the afternoon in her trailer watching her try on some outfits. Frame: https://ultrahouse3k.com/img/S03E20/702368.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/705914 ## 11:50–12:01 Homer Simpson, the bald, heavy man in a white shirt, talks on a blue telephone in a pink living room while Marge, with her tall blue beehive and orange bead necklace, stands with her arms crossed beside a mantel holding framed family photos. In the first frames Homer's eyes are wide and he speaks into the receiver, then he shuts his eyes and grimaces as Marge glares at him. Marge's face then fills the screen, teeth clenched and eyes narrowed in anger, with Bart grinning in an orange shirt in the background. The scene ends with Homer back at the phone, eyes wide and mouth open as he talks, with a framed photo of Marge on the mantel behind him. > Well, hi, Lurleen. > We were just talking about you. > Uh, I think I can come over. Let me ask my wife. > It's a date. Frame: https://ultrahouse3k.com/img/S03E20/711753.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/716132 ## 12:01–12:15 Homer, in his white shirt, embraces a blonde woman with a big bouffant hairdo, a blue headband, and an orange top outside the Royal King Trailer Park, whose sign reads "2 Days Without a Tornado" beneath its crown logo. He hugs her from behind while she leans in, and then the two stand face to face on the street, with her gesturing and speaking, first with a finger raised and later with a skeptical, sidelong look while Homer watches her. > Oh, Homer. > Everybody's been calling. Mama, Daddy, the triplets, Bondi, May, Piny Joe. > And I owe it all to you. Don't thank me, Lurleen. Frame: https://ultrahouse3k.com/img/S03E20/722597.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/728436 ## 12:15–12:26 Homer Simpson, bald in a white shirt, stands outside a low building with a green hedge behind him, grinning with his eyes shut as a blonde woman with a big bouffant, light blue headband and orange sleeveless blouse faces him. She leans in with wide eyes and a toothy grin, then turns and spreads her arms wide while Homer glances to the side. A chain-link fence, a pink car and a window on the building are visible. > You should be thanking your brain. > Oh, Homer, no man has ever been this nice to me without, you know, > wanting something in return. > Well, I was going to ask you for a glass of water, but now I feel kind of guilty about it. Frame: https://ultrahouse3k.com/img/S03E20/736361.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/740740 ## 12:26–12:37 Homer Simpson, the bald, heavy man in a white shirt, stands outside a low building with a blonde woman who has a tall, swept-up hairdo, an orange top and red lips. Homer's eyes widen and his mouth opens in alarm, then he grins nervously while the woman smiles and speaks to him, and he turns partly away with his back to the viewer in one moment before facing her again. Behind them are green trees, a blue sky, a lamp post and a chain-link fence at the left edge. > Homer, you're just a big sack of sugar. > Thanks. You did say sugar, right? Uh-huh. > Now, Homer, I want you to be my manager. Frame: https://ultrahouse3k.com/img/S03E20/747205.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/751793 ## 12:37–12:48 Homer, the bald, heavy man in a white shirt, stands outside a trailer park with a blonde woman in an orange top and light blue headband, a one-off character. Beside a yellow sign reading 'Trailer Park' and a red sign reading '2 Days Without a Tornado', she speaks with her eyes closed, then turns a sidelong, unimpressed look toward Homer as he gestures and talks, and she rests her hands on her hips. Close-ups show her talking, then grimacing with clenched teeth and half-lidded eyes. > Really? > Well, I should warn you, I'm not great with figures. > That's okay. I make a lot of stupid decisions. > Nobody's perfect. I did bad in school. I didn't even go. Frame: https://ultrahouse3k.com/img/S03E20/758466.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/762637 ## 12:48–12:59 Homer Simpson, the bald, heavy man in a white shirt, stands beside a pale-haired woman with a tall blonde beehive wearing an orange vest over a tan top, who is not one of the regulars and is the only woman in the moment besides her, and they talk outside by a tree and a pink car. Homer then goes into The Corpulent Cowboy, a western clothing store with a large cowboy statue on its sign, where a shop assistant in a purple shirt fits him in a white suit with fringed trim and white boots in front of a mirror while the blonde woman watches from the side. The shop's clothing racks, hats and wooden furniture fill the interior, and the store sign reads THE CORPULENT COWBOY in red letters. > My personal hygiene has been described as... > Homer, Homer, you'll be a great manager. > There's only one thing you need. > Now, this is made from a space-age fabric developed especially for Elvis. Frame: https://ultrahouse3k.com/img/S03E20/769310.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/773690 ## 12:59–13:11 Homer, in a white coat and bolo tie, stands smiling between a blonde woman in an orange shirt on the left and a blue-haired man in a purple suit who grips his shoulders. The man's expression shifts from a sly look to a grin, and by the end Homer wears a white cowboy hat. Then Marge, with her tall blue beehive, lies wide-eyed in bed beside a red digital clock reading 12:10. > Sweat actually cleans this suit. > Hmm. Frame: https://ultrahouse3k.com/img/S03E20/780363.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/785368 ## 13:11–13:21 Homer Simpson, dressed in a white cowboy outfit with a white hat, blue bolo tie and white boots, stands in a doorway with his arms spread wide in a lounge-like pose, then turns to face the room with a wide-eyed, uneasy expression. Marge Simpson, with her tall blue beehive, lies in bed under a light blue blanket with her eyes shut at first, then her eyes snap open wide and her mouth gapes in alarm. The bedroom has purple walls, an arched doorway, a round mirror, a blue wastebasket and a pink lampshade. Homer's pose and Marge's wide-eyed reaction show him caught in an awkward moment in the bedroom. > Marge, look at me. > I don't want to. I'm mad at you. > I'm sick of that waitress and all the time you've been spending with her and this whole > country music thing. > Then maybe you better not look at me. Frame: https://ultrahouse3k.com/img/S03E20/792667.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/796629 ## 13:21–13:34 Marge, with her tall blue beehive and purple dress, lies in a bed with blue sheets and white pillows, clutching the blanket to her chest as she looks over at Homer. Homer, in a white cowboy hat with a light blue band, a white jacket and a blue bolo tie, sits on the edge of the bed in the foreground, his back partly turned. In the room, framed pictures hang on the dark red wall. Marge's eyes widen and her mouth opens in alarm, and Homer glances toward her and then looks straight ahead with wide eyes, as Marge pulls the blanket higher and keeps staring at him. > Homer, where did you get that suit? > A friend bought it for me. Was it Lurleen? > No, I think it was Lenny. Don't lie to me. > Are you having an affair with this woman? Frame: https://ultrahouse3k.com/img/S03E20/802677.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/807890 ## 13:34–13:46 Marge Simpson, with her tall blue beehive, lies in bed under a light blue blanket with her hands clutched at her chest, looking worried and then closing her eyes in distress. Homer Simpson, wearing a white cowboy hat and a white fringed western jacket with a bolo tie, stands beside the bed gesturing with one hand and talking animatedly before settling into a more serious stance. The bedroom has maroon walls and two framed portraits of Bart and Lisa hanging above the headboard, with a dark blue headboard behind Marge. Homer's expression shifts from animated to stern as Marge looks up at him wide-eyed, and the scene ends with both of them still in the same positions. > No. > Have you kissed her? No. Has she kissed you? > A couple of times. I want you to stop seeing her. > I can't. I'm her manager. > Her manager? That's ridiculous. > I won't allow you to spend any more time away from your family. > Marge, Frame: https://ultrahouse3k.com/img/S03E20/815398.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/820403 ## 13:46–13:58 Homer, wearing a white cowboy hat and a fringed white outfit with a bolo tie, stands angrily pointing at a framed picture of two children on a purple wall. Marge, with her tall blue beehive, lies in bed under white sheets with her arms crossed and clutching a small blue object, while a red digital clock on the nightstand reads 12:13. She then yawns with her eyes shut, and the moment ends with Homer holding up a blue sign reading "WORLD'S BIGGEST!" that shows him biting into a giant sandwich with lettuce and tomato. > you're standing in the way of my boyhood dream of managing a beautiful country singer. > Your boyhood dream was to eat the world's biggest hoagie, > and you did it at the county fair last year, you remember? > Marge, Laureline's gonna be a big success, and whether you like it or not, Frame: https://ultrahouse3k.com/img/S03E20/827910.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/832498 ## 13:58–14:04 Homer, in a white cowboy hat, white fringed jacket and bolo tie, stands at the left edge of a dim bedroom while Marge lies in bed with her tall blue beehive on the pillow. Homer's wide-eyed, open-mouthed look turns into a scowl as he points toward the bed, and Marge looks up at him, then pulls the blue blanket up and over herself. The red digital clock on the nightstand beside a pink lamp reads 12:15. > I'm going to be there. Fine. See if I care. Frame: https://ultrahouse3k.com/img/S03E20/839172.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/841257 ## 14:04–14:16 Marge, with her tall blue beehive, lies in bed with wide eyes staring upward in a dark room, then the scene fades to black. Next, the exterior of the Hicksville U.S.A. Recording Studio appears, with a green pickup and a grey car parked out front beneath a star-shaped sign. Inside, a curly-haired man in a red vest and striped tie gestures toward Marge in a green dress, Homer in a white cowboy hat and white suit, Lisa in a red dress with pearls, and Bart in an orange shirt, with framed gold records on the wall behind them. > This studio has a lot of history. > Buddy Holly stood on this spot in 1958 and said, > there is no way in hell that I'm going to record in this dump. Frame: https://ultrahouse3k.com/img/S03E20/845428.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/850641 ## 14:16–14:29 Homer, wearing a white cowboy hat and white jacket with a bolo tie, stands beside Marge, who has a tall blue beehive and an orange bead necklace, while a curly-haired blond man with glasses, a maroon vest and a striped tie talks and gestures with open hands in a room with a framed gold record on the wall. As the man speaks, Homer grins and leans toward Marge, who glances sideways with a wary, unimpressed look, and Homer keeps talking with his mouth open. Marge's eyes shift and narrow while Homer's wide-eyed grin persists beside her. > I'm sure Luraline will love it. > Homer, how much did you just give that man? > I'm down, Marge. It's just our life savings. > I'm not going to go into hock for this. Hey, Colonel Homer. Frame: https://ultrahouse3k.com/img/S03E20/857940.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/862945 ## 14:29–14:36 Homer, in a white cowboy hat, white jacket and white boots, stands beside Marge, who has a tall blue beehive, a green dress and a red bead necklace, while a blonde woman with a ponytail, orange top and blue pants, who is not a regular, gestures with her arm toward them in a room with framed pictures and a RECORDING sign. The blonde woman leans in toward Marge, who scowls, while Homer smirks, and the blonde woman then grins widely with her eyes wide. Marge's expression sharpens into a hard glare, and the blonde woman's grinning face fills the final view. > And you must be... Mrs. > Homer Simpson. > Charmed? Frame: https://ultrahouse3k.com/img/S03E20/870453.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/872955 ## 14:36–14:48 Marge, with her tall blue beehive, green dress and orange bead necklace, and Homer, in a white cowboy hat, white fringed jacket and turquoise bolo tie, stand together in an office with framed pictures on the wall. At first they face each other closely, Marge glaring suspiciously while Homer grimaces through clenched teeth, then he smirks with his eyes closed and spreads his hands out. Homer then stands rubbing his hands together with a stern look while Marge glances sideways with half-closed eyes. > Hmm. > I thought you said she was overweight. Marge, it takes two to lie. > One to lie and one to listen. What does that mean? > I don't have time to answer all these questions. > Time is money. > Come on, people. > Well, come on, boys. Let's break some hearts. Frame: https://ultrahouse3k.com/img/S03E20/877543.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/882548 ## 14:48–14:58 A blonde woman in an orange shirt and blue pants, wearing headphones, strums an acoustic guitar in a tiled recording studio while a scruffy man in a blue cap and a curly-haired man in a white vest stand nearby. A hand adjusts a knob at a mixing board beside an ashtray with a smoking cigarette, a pink mug of coffee, and a slice of pepperoni pizza, while she sings with her eyes closed, then turns with a startled look toward a booth window where a bald man in a white cowboy hat and fringed white jacket and a man with curly hair and glasses in a pink shirt and red tie watch her. > Oh, > the bases were empty on the diamond of my heart When the coach called me up to the plate Frame: https://ultrahouse3k.com/img/S03E20/889847.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/893810 ## 14:58–15:10 Homer, in a white cowboy hat and bolo tie, is first seen smiling beside a mixing console, while Bart peers over the board next to a long-haired, bespectacled man in headphones and a red vest. In a tiled recording studio, a blonde woman in headphones and an orange shirt sings and strums an acoustic guitar as a curly-haired man in a brown vest plays upright bass and a man in a black cowboy hat plays drums, with cigarettes smoking and wisps of smoke rising. A microphone hangs from the ceiling as the band performs. > I'd been swinging and missing and loving and kissing. > My average was .08. > So I spit on my hands, knocked the dirt from my spikes, Frame: https://ultrahouse3k.com/img/S03E20/900066.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/904862 ## 15:10–15:21 Marge, with her tall blue beehive and orange beads, scowls in a wood-paneled room while Maggie, a baby with a pacifier and blue bow, works the controls of a mixing board in a recording studio. Homer, in a white western suit and wide white hat, smiles beside a blonde woman in headphones who sings and strums an acoustic guitar in front of a tiled wall and microphone. Marge then turns toward them with wide eyes as the singing continues. > and pointed right toward center field. > This time I'm hitting the home run. > This time love is for real. > Hey Dad, can I do a hand bone solo? Frame: https://ultrahouse3k.com/img/S03E20/911744.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/916332 ## 15:21–15:34 Bart sits on a blue case beside Homer, who wears a white cowboy suit, hat and boots in a wood-paneled room with framed records and a clock on the wall. Bart gestures and talks while Homer stands with his arms folded, then the scene shifts to a tiled recording studio where a blonde woman with headphones sings and strums an acoustic guitar beside cowboy-hatted musicians. Maggie, in a blue outfit with a pacifier, sits on a reel-to-reel tape machine next to an ashtray with a smoking cigarette, and Lisa, in an orange top, plays a saxophone at a microphone. > Dump it! > I've been slumping all season, but now I found a reason. > I struck on a love that is true. > I used to play the fish. Frame: https://ultrahouse3k.com/img/S03E20/923005.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/928428 ## 15:34–15:48 Bart, the boy with spiky hair in an orange shirt, stands in a wood-panelled booth beside a wall clock and a rack of equipment, his mouth wide open and hands raised in alarm. The scene then moves to a tiled studio where an unnamed blonde woman with a tall bouffant, orange top and headphones sings with her eyes closed while a man with dark hair plays a stringed instrument at left and a man in a brown fedora plays keyboard at right, with cigarette smoke curling up and a round studio lamp on the wall. She opens her eyes wide, then turns her head and keeps singing with her eyes shut as the musicians play on. > I used to be a roamer. > But the season's turning around for me now. > I finally bagged me a homer. > That's right. Frame: https://ultrahouse3k.com/img/S03E20/935935.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/941774 ## 15:48–16:00 Marge Simpson, with her tall blue beehive, glares and then grits her teeth in anger, and the scene shifts to a radio booth behind glass where Homer, in a white cowboy hat and white vest, watches a curly-haired, bespectacled DJ with headphones hold a microphone and gesture with his free hand. Next, a curly-haired man in a white vest and black tie holds a double bass beside a drummer in a purple shirt and dark hat, with a lit cigarette and smoke drifting in a tiled room, before Marge returns to glare and clench her teeth against a wood-panelled wall with a record-album sign reading 'The Hillbilly Jamboree' and a tall rack of equipment behind her. > I finally bagged me a homer. > Lerlene, we're going to have to cut you off. > We're getting some kind of grinding noise on the track. Frame: https://ultrahouse3k.com/img/S03E20/949699.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/954495 ## 16:00–16:10 Homer, in a white cowboy outfit and hat, points at an elderly woman with a grey-blue bun, blue dress, black shawl and cane, while a blonde woman in an orange shirt and jeans stands beside him. The scene opens on a Springfield Variety newspaper headline, 'HIX IN STIX LOVE CHIX LIX', with a sketch of a woman, then shows the old woman walking up to a pink park bench with a plaque reading '...rleen ...mpkin' and music notes, where she pauses holding a small book and later sits down while Homer gestures at her. Small white flowers are scattered on the grass near the bench, and a tree stands at the left. > You! > Off the bench. Frame: https://ultrahouse3k.com/img/S03E20/961377.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/965339 ## 16:10–16:21 Bart, Lisa and Maggie work behind a counter stacked with pink record sleeves and cardboard boxes labeled RECORDS: Bart points and gestures, Lisa holds a marker, and Maggie raises a pink sleeve. Up close, the sleeve bears the blue script name Lurleen, the words Love Lurleen, a red lipstick kiss print, and a blonde-haired woman on its cover. The scene then moves to a blue trailer under a crescent moon at night, with a pink car parked in front, two potted plants outside, and lit windows. > Guess what, Lurleen? I got you a gig on TV. Frame: https://ultrahouse3k.com/img/S03E20/971596.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/975975 ## 16:21–16:34 Homer, wearing a white lab coat over a blue shirt with a turquoise bolo tie, stands in a red-walled room beside a pink curtain tied with a purple sash, facing a blonde woman with a teal headband and a bouffant hairdo. She beams with a wide open-mouthed grin and wide eyes, then leans in and her grin tightens into a clenched smile as Homer's expression turns uneasy. Homer grimaces, looks sideways, and rubs his chin with his hand while she keeps looking at him. > Oh, Homer! You're as smart as you are handsome. > Hey! > Oh, you meant that as a compliment. > Now, on this show, they want you to sing two songs. > Maybe we should give them something new. > Well, I have been working on something that could really heat things up. Frame: https://ultrahouse3k.com/img/S03E20/982648.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/987862 ## 16:34–16:41 Homer, bald and heavyset in a white fringed western suit with a bolo tie and white boots, stands beside a woman with a tall blonde beehive and a white off-the-shoulder blouse, who sits on a purple couch in a cozy orange room with a night window showing pine trees and a crescent moon. At first Homer leans in toward her while she sits and smiles, then she reaches an arm out toward him, and he later sits down beside her as she picks up an acoustic guitar and strums it. A framed portrait of a man in a cowboy hat hangs on the wall, and a lamp and a telephone sit nearby. > Let's hear it. Frame: https://ultrahouse3k.com/img/S03E20/995369.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/997872 ## 16:41–16:48 Homer, in a white fringed cowboy outfit with a bolo tie and white boots, sits on a purple bench in a cozy trailer-like room at night, smiling and glancing toward a blonde woman in a yellow dress with a blue headband who sits strumming an acoustic guitar with her eyes closed while she sings. Through the moment she keeps playing and singing, swaying slightly, while Homer keeps his hands resting on his knees and looks over at her. Behind them a crescent moon and pine trees show through the window, and a picture on the wall shows a man in a white cowboy hat. > In this trailer, > I get so cold and lonely. Frame: https://ultrahouse3k.com/img/S03E20/1002460.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1004962 ## 16:48–17:00 Homer Simpson, in a white western-style suit with a bolo tie, starts in a close-up beside a hanging pink curtain tied with a purple sash inside a red-walled wagon. He then sits beside a blonde woman in a strapless dress who strums an acoustic guitar, with a crescent moon and pine trees visible through the window behind them, and she glances over and smiles at him as they talk. The scene returns to Homer alone in close-up, grinning and looking sideways, while a gold-framed mirror reflects another bald man in a cowboy hat. > Lying there awake at night, > muttering if only you weren't married. > So I might ask you to bunk with me tonight. Frame: https://ultrahouse3k.com/img/S03E20/1009550.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1014555 ## 17:00–17:09 A blonde woman with a tall bouffant hairdo, white fur-trimmed outfit and teal necklace, her mouth open with wide eyes, sits beside Homer, a bald man in a white shirt with a blue collar and teal pendant. In a cramped interior with a red wood-panelled wall and a pink cushioned seat, she leans in and grins at him while he smiles with wide eyes and glances toward her, his head tilting as the scene holds. A partly visible figure appears at the left edge, and a green Christmas tree is visible against a purple backdrop in the earlier moments. > Bunk with me tonight Oh, bunk with me tonight > I'm asking, will you bunk with me tonight Frame: https://ultrahouse3k.com/img/S03E20/1021854.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1025399 ## 17:09–17:18 A close-up of a woman with a tall blonde beehive hairdo and a light blue headband, drawn in yellow skin tones, possibly Ms. Krabappel's lookalike or a one-off character, though her hair and dress do not clearly match a named regular. She sits against a purple and red background with a dark green tree at the left edge. Her eyes first look wide and sideways, then narrow into a sultry half-lidded gaze, and then she shuts her eyes and tilts her head while her mouth opens in a wide, toothy smile. The sequence ends in a tight close-up of her grinning face with eyes closed and head tilted, while a small blue pendant or necklace hangs at the bottom edge. Frame: https://ultrahouse3k.com/img/S03E20/1031030.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1034158 ## 17:18–17:31 Homer Simpson, bald and stubbled, first appears in close-up in a white cowboy-style outfit with a bolo tie, looking uneasy, then wide-eyed and open-mouthed with a stunned expression. He is then seen in a cozy red wagon-like interior with a crescent-moon window, as a blonde woman in a white off-shoulder blouse and orange skirt with teal trim pulls at a white garment beside him. The two sit side by side on a bench, Homer staring at her with his arms folded while she glances sideways, and a guitar leans against the wall beneath an ornate mirror reflecting Homer's cowboy hat. > Oh, that's hot. > There isn't a man alive who wouldn't get turned on by that. > Well, goodbye. > Homer, there's a hidden message to this song that you may have missed. > Really listen. Frame: https://ultrahouse3k.com/img/S03E20/1039372.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1044794 ## 17:31–17:42 Homer, in a white captain's-style cap and white coat with a medallion on a cord, sits beside a blonde woman with a turquoise headband and a teal necklace, who is not a regular and is described only by her look. They are in a cramped, dim interior with pink curtains, a red seat, and a window showing a crescent moon and dark pine silhouettes at night. Homer stares at her with wide eyes while she slides her half-lidded gaze toward him, then leans closer with her mouth open and a wry smile. She lowers her eyelids and grins suggestively, then widens her eyes and shows a nervous, toothy grin as Homer's face lingers at the right edge. > Bunk with me tonight. > Uh-huh. > Bunk with me tonight. Frame: https://ultrahouse3k.com/img/S03E20/1052510.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1056889 ## 17:42–17:43 Homer Simpson, the bald yellow man in a white shirt, stands in a close-up against a red interior wall beside a pink curtain tied back with a purple sash. Across the sequence his wide white eyes stay fixed to one side while his mouth moves from closed and clenched teeth to open and speaking, with his jaw dropping and rising as he talks in a startled, uneasy way. No other characters or readable on-screen text are visible. > Right. > I'm asking, Frame: https://ultrahouse3k.com/img/S03E20/1062937.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1062937 ## 17:43–17:56 Homer Simpson, the bald, heavy man in a white shirt with a blue collar, and a blonde woman with a high pigtail and teal headband lean close face to face in front of a window showing a crescent moon and pine trees against a night sky, with a red chair in the foreground. Homer first smiles faintly, then points at her, then his mouth falls open in surprise, and finally he frowns thoughtfully while she glances sideways at him. > will you bunk with me tonight? > Laureline! > That's right, Homer J. > I gotta think about this. Frame: https://ultrahouse3k.com/img/S03E20/1064605.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1070027 ## 17:56–18:10 Homer, in a white lab coat with a stethoscope, bursts out of a blue trailer door at night, grabbing the handle and looking alarmed, while a blonde woman in an orange dress stands in the trailer doorway. Next, the blue-haired Marge holds a teal telephone to her ear at a pink-walled kitchen counter, looking up with a worried expression. Then the scene cuts to a wide view of the Simpsons' two-story house with its brown roof, attached garage, and mailbox, and back to Marge on the phone, wide-eyed and speaking. Outside the trailer, potted plants and a crescent moon in a night sky appear in the scene. > All our money's tied up in this woman. If she fails, we're broke. > If she succeeds, I have no husband. > I don't know what to root for. > You don't? I gotta go. Frame: https://ultrahouse3k.com/img/S03E20/1077743.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1083583 ## 18:10–18:17 Patty and Selma, Marge's twin sisters with grey-violet hair, sit on a green couch in the first frame, Selma smoking a cigarette and holding a red telephone to her ear beneath a framed picture. Marge, with her tall blue beehive and green pants, leans against a pink wall beside a blue-and-red desk, one hand to her cheek, while Homer, in a white shirt and blue jeans, climbs the pink staircase. Homer, bald and stubbly, grips the purple banister and turns toward Marge, who stands at the foot of the stairs, as he speaks and looks back over his shoulder. Family portraits hang on the pink walls behind them, and in the final frame Homer keeps climbing while Marge watches him go. > Homer? Later, Marge. Lurleen's on TV tonight. > I gotta get ready. Frame: https://ultrahouse3k.com/img/S03E20/1091716.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1094218 ## 18:17–18:30 Homer, bald and wearing a white lab coat with a stethoscope bearing a skull emblem, stands before a round blue mirror in a pink bedroom, and his reflection is shown facing him as he fidgets with the stethoscope and frowns. In the earlier moments only Homer's reflection and the bedroom lamp, framed picture and small green bottle on the nightstand are visible; then Marge, with her tall blue beehive and red beads, appears behind him in the mirror, looking on with a worried expression. Homer's mouth opens as he speaks, while he keeps working the stethoscope with both hands. > Just so you know, while you and Lurleen were out judging that greased pig contest, > Maggie cut her first tooth. > That's great, honey. Say, have you seen my rattlesnake hat band? Frame: https://ultrahouse3k.com/img/S03E20/1098806.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1104020 ## 18:30–18:38 Marge Simpson, with her tall blue beehive and red bead necklace, stands in the bedroom beside a bed with purple pillows and a bedside lamp, glancing toward the doorway as Homer Simpson, bald and wearing a white suit, leans in through a round blue-framed mirror or doorway. In the next moments Homer holds up a white hat with a blue band in front of his face and looks startled, while Marge stands with her hands clasped and an uneasy, weary expression, then turns her eyes sideways. Framed pictures of Maggie hang on the pink wall, and a perfume bottle sits on the table in the lower left. > You're not even listening to me. Sure they will. > Kids, will you come in here? Frame: https://ultrahouse3k.com/img/S03E20/1111527.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1114238 ## 18:38–18:52 Marge with her tall blue beehive and green dress, Bart in a blue suit, Lisa in a white hat with a red bow, and baby Maggie in a blue hat stand near a pink wall and brown door as Homer, in a white suit and white cowboy-style hat, fidgets with a bolo tie with a skull-shaped clasp. The family then gathers in a yellow-curtained living room, where Bart holds a small framed picture and Lisa and Marge look on while Homer stands with them. > You've got a wonderful family, Homer. > Please don't forget it when you walk out that door tonight. > Uh, I gotta go. > As much as I hate that man right now, you gotta love that suit. Frame: https://ultrahouse3k.com/img/S03E20/1119243.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1125082 ## 18:52–19:03 An orange cartoon donkey in a patched straw hat and yellow overalls lifts a jug to drink, then a red and yellow burst of popcorn-like puffs explodes around its head. The screen then shows the words "YA HOO!" spelled in white popcorn letters on a yellow background, before a heavy-set man with blue hair, a bowler hat, a cigar and a green vest appears by a wooden fence and barrel, pointing with one hand. > Hold on to your pitchforks, everybody. > It's time again for... > Starring in alphabetical order, Yodel and Zeke, Butterball Jackson, Frame: https://ultrahouse3k.com/img/S03E20/1133215.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1137595 ## 19:03–19:15 A burly man in blue overalls and a yellow cap grins while holding a squealing pink pig beside a wooden fence with corn behind him, then the scene cuts to a shirtless dark-haired man leaning on a pitchfork in a hay-filled barn. Next, a woman with tall white hair, a yellow bow and a polka-dot top smiles in front of cornstalks, and an older bearded man in a blue cap, overalls and pink shirt tugs his straps beside a wooden barrel of corn. The final shot shows five overalled figures in hats gathered in a barn, one holding a jug, one with a washboard, and one kneeling beside a metal washtub, with a rocking chair and jugs nearby. > Reddaboy and Yuma, Chloris Moselle, Big Shirtless Ron, > Orville and Hurley, Kathy May, Pip Diddler, Rooney, > the Yahoo Recovering Alcoholic Jug Band, Frame: https://ultrahouse3k.com/img/S03E20/1144060.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1149273 ## 19:15–19:22 Lurleen, a blonde woman with a ponytail in an orange vest and blue jeans, first appears from behind with a guitar slung over her shoulder in front of a cornfield backdrop with a horseshoe on a wooden fence, shown on a television screen. She then turns to face the viewer, grinning and gesturing as she strums, before the scene moves to a stage where she sits on a hay bale in front of a barn set and plays her guitar. A heavy man in a white cowboy suit and hat stands at the right edge of the stage, and audience members and stage lights are visible at the bottom of the picture. > and tonight in her syndicated TV debut, Lurleen. Frame: https://ultrahouse3k.com/img/S03E20/1156364.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1158866 ## 19:22–19:30 Homer Simpson, dressed in a white cowboy hat, white fringed jacket and white boots, stands with his arms crossed in a wooden doorway beside a purple curtain, while a blonde woman with a ponytail and headband in a brown top watches from the lower left in the first moment. A slim man with swept-back reddish hair, a grey suit, pink shirt and purple belt, who looks like Troy McClure, steps up beside Homer, points with his finger and talks, holding a small card in his other hand. Homer looks uneasy and gestures with his hand as the man keeps speaking, with the blue sky and green hill visible through the doorway. > Oh, the bases were empty on the down... Excuse me, are you Colonel Homer Simpson? > Yes, I am. I'm from Rebel Yell Records, a division of Tokusagi Corporation. Frame: https://ultrahouse3k.com/img/S03E20/1163663.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1166582 ## 19:30–19:38 A thin, orange-haired man in a grey suit with crossed arms stands beside Homer, who wears a white cowboy hat and a white western-style suit with fringe and holds a small tan card in one hand, both peeking out from a doorway beside a purple curtain. The thin man first smirks with his eyes narrowed, then grins with his mouth open, then closes his eyes and frowns. Homer's expression shifts from wide-eyed and uneasy to scowling and clutching his chest with one hand while he speaks, leaning forward at the edge of the doorway. The background shows a wooden door frame, a blue sky, green grass, and a wooden sign or structure on the left. > I'm interested in buying Lurleen's contract. > Forget it, pal. They don't call me Colonel Homer because I'm some dumbass army guy. Frame: https://ultrahouse3k.com/img/S03E20/1171587.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1174507 ## 19:38–19:48 Homer, in a white cowboy hat and matching white suit, and a blonde woman with a tall bouffant, a light blue headband and an orange top stand in a dressing room lit by a row of bulbs around a mirror. She dabs powder on her face with a puff, then leans toward the mirror and applies red lipstick while Homer gestures with open hands and then turns his head away to the side, with small items like a brush, a perfume bottle and a compact on the vanity. > Lurleen, they loved you. Well, thank you. > I'm still a little itchy from that fiberglass hay. > Is there anything you need? Frame: https://ultrahouse3k.com/img/S03E20/1179720.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1183683 ## 19:48–19:53 Homer, wearing a white cowboy suit with a fringed jacket, a white hat and decorated boots, stands in a dressing room beside a lit vanity mirror and a pink guitar case, while a blonde woman with a ponytail, an orange blouse and blue jeans stands with her hands on her hips facing him. Across the moment she shifts her gaze and expression, looking him over with a slight smile and raised brows, while Homer glances toward her and stays mostly still with his hands at his sides. Nothing else moves, and an empty brown chair sits at the vanity on the right. > Well, you could make my evening complete. Frame: https://ultrahouse3k.com/img/S03E20/1189939.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1191399 ## 19:53–20:02 Homer, in a white jacket with a blue shirt and black tie, is embraced by a blonde ponytailed woman in an orange top, who kisses him and then pulls back to face him while he stares wide-eyed and grimaces in a room with a lit vanity mirror. Later, a translucent, blurred image of an older woman with grey-blue hair fades over the scene as the woman keeps her hands on Homer's shoulders. The scene then cuts to a blue-haired girl in a pink dress and a boy in a red-and-white striped shirt and blue shorts kneeling on a brown floor against an orange wall beside a tipped-over bottle, with a dark-haired figure at the left edge and a blue beehive at the right edge. > What's wrong? > My whole romantic life is flashing before my eyes. > Gross! Frame: https://ultrahouse3k.com/img/S03E20/1194944.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1198280 ## 20:02–20:11 A blue-haired woman in a pink top slaps the head of a brown-haired boy in a red collar with his eyes shut, then a pink-haired woman in a green turtleneck with a peace-sign earring sits at the wheel of a blue car at dusk beside a brown-haired man in a red jacket who grimaces, laughs with his mouth open, and then turns to look aside. The scene ends at a booth with a sign reading "KISSES $1.00", where a red-haired woman in a purple top leans on the counter as the brown-haired man in a light blue shirt looks startled and gestures at the sign. > Thanks for dinner. > No! > At least can I have my dollar? Frame: https://ultrahouse3k.com/img/S03E20/1203911.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1207456 ## 20:11–20:21 Homer and Marge Simpson appear first in a booth with a sign reading KISSES $1.00, where a woman with long auburn hair and a purple top swats a hand toward a brown-haired man in a light blue shirt who leans in. Later, Marge with her tall blue beehive and beaded necklace smiles and holds Homer's hands against a pink backdrop, then Homer stands with his back to us, hands pressed to his face in front of bright vanity lights and a mirror. The scene ends with a blonde woman in a high ponytail and orange shirt looking wide-eyed at a shocked Homer, his mouth open. > I'll love you for the rest of my life. > I'm sorry, Lurleen. Frame: https://ultrahouse3k.com/img/S03E20/1213087.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1216424 ## 20:21–20:29 Homer Simpson, in a white lab coat over a blue shirt with a small white skull-like pin on his tie, stands face to face with a blonde woman with a tall, voluminous hairdo and an orange top, in front of a mirror ringed with round light bulbs. Over the moment Homer's wide eyes dart sideways and his mouth moves from open speech to a grimace and back, while the woman, seen in profile at left, stays close and looks at him with pursed lips. The scene is tight and static, with only Homer's expressions and mouth changing. > All I wanted to do was share your beautiful voice with other people. > And I've done that. > Now I better get out of here before I lose my family. Frame: https://ultrahouse3k.com/img/S03E20/1222054.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1225182 ## 20:29–20:37 Homer, the bald heavy man in a white shirt, and a platinum-blonde woman with a tall hairdo stand face to face in a room with a row of round bulbs along a light wall. The woman turns away and reaches for the edge of a blue door, then Homer ducks behind the half-open door, peeking out with wide eyes and a clenched grin while she looks back at him from the right. The round metal doorknob is visible at the bottom of the door, and a small white figure sits near Homer's collar in the first moment. > Just so I don't wonder, you would have gone all the way with me, wouldn't you? Frame: https://ultrahouse3k.com/img/S03E20/1230396.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1233524 ## 20:37–20:48 Homer peeks around the edge of a purple door at a blonde woman with a tall pale hairdo, who turns her head toward him. Later, Troy McClure, with swept-back reddish hair and a blue suit, stands beside Homer, who wears a white lab coat with a skull pin on his tie and holds a white bundle with blue straps. Troy glances over and points toward Homer while Homer looks back, worried, in front of a wall with a gold star on a blue panel. > Uh-huh. > Okay. > Now before we negotiate, I have to tell you I'm desperate to unload Luraline, > and I'll take any offer. I'll give you 50 bucks. > You son of a... Sold. Frame: https://ultrahouse3k.com/img/S03E20/1238738.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1242908 ## 20:48–20:55 Homer, bald and wearing a white jacket, stands in a hallway beside a blue door with a gold star as he glares, then stares wide-eyed, while Troy McClure, with swept-back reddish hair and a lavender suit, faces him with a grin and holds up a newspaper of headshots. The scene then moves to a dim blue bedroom where Marge, with her tall blue beehive, sits up in bed under a green blanket with her arms crossed, her expression shifting from weary to wide-eyed beside a lamp and a portrait on the wall. > I caught my wife in bed with my best friend. Frame: https://ultrahouse3k.com/img/S03E20/1249165.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1251667 ## 20:55–21:07 A short man in a red cap, light blue shirt, suspenders and olive pants stands on a wooden deck beside a tall, orange-haired farmer in overalls who holds a pitchfork and raises a small object to his mouth, while the cap-wearing man talks and gestures. The deck sits in front of a brown wooden fence with green plants and white flowers under a blue sky. The scene then cuts to a close view of a man with a tall, swept brown hairdo and a blue jacket over a red shirt, who laughs with his eyes shut and then sets his face into a scowl and speaks, with a cornfield and a fence with a horseshoe behind him. > You bitter? > Yep. > Bet him, too. > And now, once again, early. Frame: https://ultrahouse3k.com/img/S03E20/1256255.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1261051 ## 21:07–21:17 Marge, with her tall blue beehive, sits up in a dim blue bedroom while Homer, in a white cowboy hat and white shirt, stands in the pink-arched doorway. She glances toward him, then grins and tugs the blue blanket up as he looks on. The scene then shifts to a TV screen showing Marge with a tall white hairdo, wearing a cowboy outfit, singing and playing guitar at a microphone on a barn stage with hay bales and a horseshoe, with dark audience silhouettes in the foreground. > Homer? > Is there any room in that bed for a dadburn fool? > Always has been. > Now I'd like to play a song I wrote just this minute. > It's called Stand By Your Manager. His name is Homer. Frame: https://ultrahouse3k.com/img/S03E20/1268142.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1272521 ## 21:17–21:28 A blonde woman with a ponytail and blue headband sings into a microphone while strumming a guitar beside a window with a yellow flower plant outside, then Homer, bald and heavy in a white cowboy hat, lavender shirt and turquoise belt buckle, stands in a dim blue room facing Marge, who has her tall blue beehive. Homer fumbles with his hands, then unbuttons his shirt to show his chest and belly, and finally stands grinning with his hands on his hips while Marge glances at him sideways. > He's quite a man. > I tried to kiss him, Frame: https://ultrahouse3k.com/img/S03E20/1278986.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1283365 ## 21:28–21:39 Marge, with her tall blue beehive, lies in bed beside Homer, who wears a white cowboy hat, as they watch a small wall TV showing a blonde woman singer with a guitar. Marge's wide-eyed look turns to a sly smile, and then the scene cuts to a pair of white cowboy boots with turquoise trim propped up on the bed beside a blue alarm clock. > but Homer ran. > Sure wish I could say that I Frame: https://ultrahouse3k.com/img/S03E20/1289830.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1294210 ## 21:39–21:50 Homer, wearing a white cowboy hat, and Marge, with her tall blue beehive, lie in a blue bedroom in bed, with Marge's arms folded under a teal blanket. Homer shifts beside her, then turns toward Marge in a close-up as she glances sideways at him, and he grins with wide eyes. The moment ends on a close-up of Homer smiling slyly with his eyes drifting to the side, while portraits hang on the wall behind them. > was his. > I hope that Marge knows just how Frame: https://ultrahouse3k.com/img/S03E20/1300674.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1304845 ## 21:50–22:01 Marge Simpson, with her tall blue beehive, appears in close-up in the first four frames, smiling with wide eyes and then looking worried and wide-eyed, with a bit of a grey-white shape at the edge of the frame. In the final frame she is in a bed with a white cap and a blue bedspread, hugging a man in a white cap who is Homer, and the pair sit together under the covers in a dim bedroom. A framed portrait of Bart and Lisa hangs on the wall above a nightstand with a small lamp, and a striped pillow rests on the bed. > lucky she is. > I do. Frame: https://ultrahouse3k.com/img/S03E20/1311519.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1315898 ## 22:01–22:10 No cartoon characters appear in this moment; it is a black title card sequence in the opening credits. White-and-yellow text first reads "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON" and holds for two stretches, then changes to "Starring DAN CASTELLANETA", then "NANCY CARTWRIGHT", and finally "YEARDLEY SMITH", each name appearing centered against the plain black background. Frame: https://ultrahouse3k.com/img/S03E20/1322363.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1326116 ## 22:10–22:20 No characters appear; the moment is a black screen with yellow credit text that changes in sequence. First "and HARRY SHEARER" appears, then "Special Guest Voice BEVERLY D'ANGELO", then "Executive Consultant BRAD BIRD", then "Creative Consultant DAVID M. STERN", and finally "Associate Producers J. MICHAEL MENDEL and JOSEPH A. BOUCHER" fills the centre of the screen. > Thank you. Frame: https://ultrahouse3k.com/img/S03E20/1332164.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1335709 ## 22:20–22:30 No characters appear in this moment; it is an end-credits sequence against a plain black background. White-and-yellow credit text fades in and out in turn: first 'Music By ALF CLAUSEN', then 'Casting By BONITA PIETILA', then 'Editors MARK McJIMSEY and DON BARROZO', and finally a dense list of production crew names such as Sarah Werner, Bobby Mackston, Chris Ledesma, Laser-Pacific and Dolby Surround, with a block of assistants' names below. Frame: https://ultrahouse3k.com/img/S03E20/1341757.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1345302 ## 22:30–22:39 No characters appear in this moment; it is a black closing credits sequence of The Simpsons. Yellow text on a black background first reads 'Animation Producer SHERRY GUNTHER', then 'Overseas Animation Directors MIKE GIRARD and N.J. KIM' with 'Animation Production Manager MARIA ELENA RODRIGUEZ', then a list of storyboard and character design credits including DALE HENDRICKSON, MATT GROENING and SAM SIMON, followed by character layout and background layout artists and animation timing and lip sync credits, and finally main title design by DAVID SILVERMAN and main title animation credits. The names scroll upward one block after another, replacing one another in the centre of the screen. Frame: https://ultrahouse3k.com/img/S03E20/1351350.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1355104 ## 22:39–22:49 No characters appear in this moment; it is a black end-credits sequence of yellow text on a plain black background. Frames show successive credit cards: first 'Background Cleanup Supervisor Rick Salonga' with a list of background cleanup artists and then 'Negative Cutter' and 'Telecine' credits, followed by 'Production Coordinators Miles Lewis Horst and Julia Kim', 'Post Production Coordinator Tami Sloan Tsark', 'Production Assistants' and 'Production Accountant Carole Ann McCoy', then 'Executive in Charge of Animation Production Richard Raynis', 'Executive in Charge of Production for Gracie Films Michael P. Schoenbrun', and finally 'Executive Creative Consultant James L. Brooks' as the credits roll upward in sequence. Frame: https://ultrahouse3k.com/img/S03E20/1360943.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1364697 ## 22:49–23:00 Silhouetted audience members, including a large-haired figure in the front left row, sit in a dim theater facing a blank screen. A blue beam lights the screen with the white text "GRACIE FILMS" over the seated silhouettes, then the screen cuts to black with "IN ASSOCIATION WITH" in white letters. A blue-lit 20th Television Fox logo with searchlights and an Art Deco building appears in yellow and orange, and the scene fades to black. > Shh. Frame: https://ultrahouse3k.com/img/S03E20/1370536.jpg Page: https://ultrahouse3k.com/episode/s03e20-colonel-homer/1374707