# Brother, Can You Spare Two Dimes?

The Simpsons, season 3, episode 24 (S03E24), first aired August 27, 1992.
Written by John Swartzwelder. Directed by Rich Moore. Production code 8F23.
Guest stars: Danny DeVito as Herb Powell.
Chalkboard gag: "I will not fake seizures". Couch gag: Cartwheels.

When a company physical shows radiation has left Homer nearly sterile, Mr. Burns heads off a lawsuit by tricking him into signing a waiver disguised as a $2,000 award. Homer's penniless half-brother, Herb Powell, asks for the money to build a baby translator, and Homer hands it over. The invention makes Herb rich again, and he repays the family with gifts, including Homer's coveted vibrating chair.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Moe Szyslak, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mr. Burns, Waylon Smithers, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Santa's Little Helper, Todd Flanders, Maude Flanders, Snowball II, Rod Flanders, Larry Dalrymple, Helen Lovejoy, Sam, Professor Frink, Blue-Haired Lawyer, Springfield bears, Akira Kurosawa, Blinky, Herb Powell, Joe Frazier, Tom Brokaw, Baby Translator Customer 1, Baby Translator Customer 2, Candy Baby, Candy Baby's mother, Crying Baby, Crying Baby's mother, Leash Boy, Mickey Mouse Bum, New Coke Inventor, Power Plant Doctor, Precious Baby Discount Stores representative, Professor Frink's son.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:10

No characters appear in this moment, which is the opening title sequence of The Simpsons. Over a blue sky with drifting beige clouds, the yellow title letters spell out THE SIMPSONS, with a small grey nuclear-symbol emblem appearing over the letter P. The view then shifts to a green hillside town of colorful buildings, where two cooling towers marked with atom symbols rise beside a red-roofed plant with a sign reading SPRINGFIELD.

> The Simpsons

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## 0:10–0:20

Bart, the spiky-haired boy in an orange shirt and blue shorts, is in a classroom at Springfield Elementary School, first seen through a window beneath a sign on the school's doors. He writes "I will not fake seizures" over and over in chalk on the blackboard, then turns and begins twitching and jerking his legs wildly, eyes wide, beside a red trash can with crumpled paper. The chalkboard lines, a wall clock reading about 10 to 2, and a framed picture on the wall are visible throughout.

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## 0:20–0:32

Bart, the spiky-haired boy in an orange shirt and blue shorts, rides a green skateboard through the air above an orange building against a blue sky with green clouds. Later, Homer, in a yellow radiation suit and welding helmet, holds a glowing green rod with orange tongs at a counter under a partly visible CAUTION sign, with Mr. Burns, a thin stooped old man with a hooked nose, watching from the side. Marge, with her tall blue beehive, reads Mom Monthly magazine in the Kwik-E-Mart while Maggie, with her blue bow, stands at the checkout counter as a heavy man in a grey apron reaches toward her.

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## 0:32–0:44

Marge, with her tall blue beehive, and Maggie, sucking a pacifier and wearing a blue bow, stand beside a metal cage-like railing while a spiky-haired boy is partly hidden behind it. Lisa, in her red dress and pearls, plays a light blue saxophone in a band room as two girls in purple dresses play flutes and a heavyset conductor with grey hair at the sides, wearing a bow tie, waves his hand in front of sheet music on a stand. Lisa then hurries down an orange hallway carrying the saxophone past posters, blue double doors, and a bust of a composer on a red cabinet.

> Oh,

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## 0:44–0:55

Homer drives a pink car along a leafy street, eyes shut at first, then opening them wide in alarm with a hand raised to his cheek. Bart rides a yellow skateboard past a brick building with an OPEN sign in its window, then rolls by a red door where Apu gestures beside Moe in his apron and a heavy, messy-haired Barney stands. Chief Wiggum runs after Bart down the road, shouting and waving his baton as Bart keeps skating away.

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## 0:55–1:07

Marge, at the wheel, and Maggie in her car seat drive a red car along a winding road past a purple tree and a hilltop house. Sunbathers lie on a grassy hill while Homer in his white shirt walks past them and a man with grey hair appears at the edge. Bart stands on top of a pink car in a driveway, then Homer stands beside the same pink car in front of a garage with cardboard boxes and a bicycle, and a blue mailbox sits on the lawn.

> my God.

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## 1:07–1:19

Homer, Marge, Lisa, Bart and baby Maggie appear in the living room, with Homer and Marge on the armchair and couch and Lisa and Bart on the right, all grinning with arms outstretched as Maggie sits on the green carpet. The scene opens on an empty purple bedroom with a red bed and a small white cup, then shifts to a television in a pink room showing 'CREATED BY MATT GROENING' in yellow letters. The screen then changes to 'DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON' in the same style.

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## 1:19–1:29

Homer, bald and heavyset in white briefs, stands in a line of yellow men in underwear, including a tall figure with spiky black hair who may be Lenny, before the open doors of a locker room. A sign reading "ANNUAL PLANT PHYSICAL / NO JOKES" stands beside the entrance, with lockers on both sides. The scene starts from black, then a new man in briefs with dark hair walks in from the right and joins the line, while the men ahead of him stand still and face the doorway.

> Forgot there was a physical today, huh?

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## 1:29–1:36

Homer, bald and shirtless with a chest tattoo, and Lenny, shirtless with spiky black hair, stand in a locker room, Homer on the left before a blue wall and brown door and Lenny on the right beside orange lockers. Homer glances sideways, looks worried, and opens his mouth to speak while Lenny looks back at him with droopy eyes and parted lips, and the credits "Supervising Producers Jay Kogen & Wallace Wolodarsky," "Supervising Producer George Meyer," and "Producer Jon Vitti" appear in white text across the lower part of the scene.

> Yeah.
> Hey, Homer, can I borrow your underwear?
> Nah.
> This can't be right. This man has 104% body fat.

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## 1:36–1:43

A lab-coated man with curly brown hair, captioned as producer John Swartzwelder, reads from a clipboard labeled SIMPSON beside a computer on a green desk while a yellow-suited worker sits at a machine in the background. The screen then displays a red 104% reading. Homer, bald and stubbly in blue underwear, is strapped into a blue tank with metal calipers gripped in his hands, and the lab-coated man turns to him and jabs at his belly with a finger, captioned as producer Jeff Martin, while Homer lifts a food item toward his mouth.

> Hey, no eating in the tank. Go to hell.

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## 1:43–1:53

Homer, the bald, heavy man in a white shirt and pink tie, and Marge, with her tall blue beehive and red beads, stand in the Simpsons' kitchen beside a green refrigerator and a wall calendar. Marge holds a pan of roasted meat with oven mitts while Homer turns toward her, then reaches into the open refrigerator, and in the final stretch he takes out a small tin can and a bottle of condiment, examining the can while Marge keeps serving the roast. Notable objects include the pan of meat, a tin can, and a yellow-labeled bottle, with the on-screen text reading Produced By David Silverman and other producer credits appearing in the lower band.

> How was your day at work, dear?
> Oh, the usual.
> Stand in front of this, open that, pull down this, bend over, spread apart that,
> turn your head that way, cough.

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## 1:53–2:02

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and Smithers, his thin assistant with glasses and a purple bow tie, appear first in an aerial view of the Springfield nuclear power plant, with its twin cooling towers, red domes and parking lots. Indoors in a laboratory, Smithers leans over a microscope while Burns stands beside him with a scowl, and Smithers holds a small vial labeled Sector 7-G on the bench. Smithers turns toward Burns and speaks, holding the vial, while Burns watches with a stern expression. The credit text "Written By John Swartzwelder" then appears over the lower part of the scene, followed by "Directed By Rich Moore" as Burns frowns at the lab bench and Smithers looks on from behind the microscope.

> Sir, I'm afraid Homer Simpson is sterile.
> Who?
> One of your cabbage heads from Sector 7G.
> Take a look at this sperm sample from his recent physical.

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## 2:02–2:13

Cartoon sperm with yellow heads, glasses and tails swim inside a round blue-grey view against a black background. At first two sperm drift at the top and one with a Homer-like face swims in from the lower right, then the circle goes blank before a crowd of spiky-haired sperm wearing glasses fills it and swims diagonally across the view, growing denser until it fills most of the circle.

> Now, compare this with a normal sperm sample.
> Oh, yes.
> I'm afraid radiation from the plant is the reason he's shooting blanks.

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## 2:13–2:26

Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers, in glasses, a green jacket and a purple bow tie, lean over a microscope in a lab beside a small specimen tray and a box labeled SECTOR 7G. Burns then scowls in profile in his office, and later stands at his purple desk, which holds a glass, a pitcher and papers, while several men in grey suits holding briefcases stand on a red rug beneath a polar bear statue.

> He could sue us for millions.
> Mother of Pearl, call my lawyers. Before you begin, let me make one thing clear to you.
> I want your legal advice. I even pay for it.

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## 2:26–2:36

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands in a dark suit and orange tie in a doorway, while Marge, seen from behind with her tall blue beehive, faces him and a thin brown-haired man in a grey suit stands at the right edge. Burns gestures with his hands, then leans forward with a sneer and wags his fingers as he speaks, before turning toward a white coffee pot and cups on a tray near a red armchair by a window. The scene is set in a dim room with a dark curtain, a pink side table, and a window behind them.

> But to me, you're all vipers. You live on personal injury.
> You live on divorces. You live out of pain and misery!
> But I'm rambling.
> Anybody want any coffee?

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## 2:36–2:49

Mr. Burns, a frail old man with a hooked nose and grey hair at the sides, wears a dark suit and orange tie while a grey-suited man with blue hair and glasses stands beside him in his office. Burns pulls at his cheeks with both hands, then closes his eyes and turns his head sideways while a group of men in grey suits with briefcases gather around his purple desk beneath a polar bear statue. A rainy window, a red armchair, and a dark curtain are visible behind him.

> I'll have some coffee. Want it black, don't you?
> Black like your heart? It's so hard for me to listen to you!
> I hate you all so much!
> I'm sorry, it's my problem. I'll deal with it.
> Please continue. If you offer Mr. Simpson a token sum, say a couple of thou,

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## 2:49–3:02

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and wispy grey hair at the sides, stands in a dark blue suit and orange tie, first in front of a picture on the wall, then near a window beside a red chair and a white teapot. Milhouse, with blue hair and green-rimmed glasses, wears a grey suit and red tie and holds a white teacup in the first two frames. In the opening frames Burns clutches a small tan creature, perhaps a pet, under his chin while Milhouse talks and gestures. Later, Burns holds his hands together in front of him with a smug grin, then turns his head sharply with a scowl and clenched fists while Milhouse faces him from the right. Framed portrait of Mr. Burns hangs on the wall behind them.

> he'll be so dazzled he'll sign anything you shove under his nose.
> Oh, brilliant.
> A cash settlement. I could have figured that out, you button-down maggot!

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## 3:02–3:12

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, talks with a man with blue hair and green glasses seen from behind, beside a window with a red chair and a white pitcher. The view then moves to a dark purple night under a lattice steel bridge, where the caption "MEANWHILE, BELOW THE POVERTY LINE..." appears. Ragged men, one in a red bandana, sit around a bubbling pot over a fire near tents and a lean-to, while a hooded figure stands in the foreground.

> You have any cream? No, yes, of course. Where are my manners?
> Yeah, I used to be rich.
> I owned Mickey Mouse massage parlors.
> And those Disney sleazeballs shut me down.

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## 3:12–3:21

A bearded man in a tattered orange-brown coat sits on a red couch between a mustached man in a brown fedora and a grey-haired man in a red top hat, with a bubbling pot of green-yellow goo steaming in front of them against a dark, cracked wall. The bearded man gestures with his hand and raises a fist toward his head while the others look on, then he slumps forward with his arms folded and a sullen, sideways glare. The fedora man holds a small tray or bowl throughout, and steam curls up from the pot.

> I said, look, I'll change the logo, put Mickey's pants back on.
> Some guys you just can't reason with. Well, I used to own a successful car company.

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## 3:21–3:32

A red-capped, orange-haired old man stands at the left of a dim, cave-like room beside a curly-haired man in a tan coat and green sweater, while a red-haired man in an orange jacket sits on the right, gesturing and talking with wide eyes. Steam rises from a bubbling green pot on the left, and a cup marked partly with the letters BE sits on a wooden crate at the lower right. The men lean toward one another and gesture, with the red-haired man tugging at the curly-haired man's coat, until the scene shifts to a red-nosed clown in an orange hat, a bowler-hatted moustached man with a cane, and a stubbled heavyset man beside a steaming pot on a red couch.

> My strategy was giving them Japanese names.
> You guys ever drive a tempura hatchback?
> Oh, yeah.
> Yeah, I remember that. Yeah, I got hit by one of those.

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## 3:32–3:43

Homer Simpson first appears in a red-haired costume with an orange shirt, red jacket, and rope belt, stirring a bubbling green cauldron under a purple, smoky sky, and his expression shifts from a smirk to an angry scowl. He then wears a white shirt and holds a bag of chips marked Heavy at a car window beside a grey-skinned man with brown hair, who peers out of the neighboring window. Finally, Homer is alone at the window, arms resting on the sill, against a bright blue sky with white clouds.

> Yeah.
> Life was sweet.
> Then I found out I had a long-lost half-brother.
> Homer?
> Herb? I let him design a car that would make or break my company.

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## 3:43–3:53

Herb, a brown-haired man in a suit and red bow tie, speaks into a microphone on a stage, then the scene shifts to a crowd of bald, grey-haired and blue-haired people in an outdoor auditorium. Before that, a bald man in glasses and a lab coat stands beside a woman in a blue cap and an orange-haired man in glasses, all watching Homer at a desk sketching a car design with a pencil. On stage, a yellow car with a large spiky-haired driver and a man in a black suit at the side are shown beneath a red curtain bearing a large yellow P, and the car rolls forward across the platform.

> Presenting the Homer.

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## 3:53–4:04

Homer sits at the wheel of a lime-green flying car on a red stage ringed by a seated audience, while a man in a black suit stands at the right edge. The suited man then drops to his knees on the red carpet, hand over his face, as the car appears on a Forbes cover from August 1991 with the caption "The Blunder of the Century" beside a grimacing man in a suit. The scene closes on a scowling red-haired man in a brown jacket and rope belt beside a bubbling green vat.

> Ruins!
> Forbes magazine called it the blunder of the century.
> A little overblown, don't you think?
> What about new Coke?

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## 4:04–4:15

A curly red-haired man in a tan hat and red jacket, holding a lit cigar, speaks to the viewer, then the scene shifts to a group of ragged, shabby men gathered around a bubbling green cauldron over a red fire in a dim tent, including a man in a black top hat, a man in a green sweater, and a bald man in a red jacket who turns to look at a man in a bowler hat in the foreground. A white curtain is drawn back to reveal a white-haired, thin old man with a crooked smile leaning on the front of a green vintage car with round headlights and a bars-style grille, while a dark night sky and cracked wall fill the background.

> Hey, I invented that.
> Yeah, but all that's in the past.
> Because this is America.
> And in America, you're never finished as long as you've got a brain in your head.
> Because all a man really needs is an idea.

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## 4:15–4:22

Krusty, a clown with a red nose and orange hat, stands beside a man in a brown coat and bowler hat with a moustache, while a heavy man with messy brown hair sits on a red couch and another figure in a flat cap and tan coat leans in from the bottom right. They gather around a bubbling yellow pot over a glowing fire in a dim, cracked-wall room, with steam rising from the pot as the men watch and react. The scene then cuts to the exterior of the Simpson house, a two-story yellow home with arched windows, a brown roof, and an attached garage under a blue sky.

> Well, I'm licked. Me too.
> And now, the next event in our Living Room Olympics, the always controversial Couch Vault.

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## 4:22–4:31

Bart Simpson, the spiky-haired boy in an orange shirt, stands in a pink living room beside a staircase with a framed picture on the wall, gripping a plunger handle with both hands. He grins and mugs at the viewer, then holds the plunger up in front of his face and sets his eyes into a sly, sideways squint while the plunger's rubber cup rises above his head. The rubber cup of the plunger stays at the top edge of the scene, and a purple cabinet or couch sits at the right side of the room.

> I do this for Stain Master Carpets, proud sponsor of the Living Room Olympics.

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## 4:31–4:41

Bart, the spiky-haired boy in an orange shirt and blue shorts, aims a long vacuum hose at the torn brown couch in the pink living room, then slumps into the shredded cushions beneath a framed sailboat picture. Homer, the bald man in a white shirt, bursts in with his arms flung wide and a Duff can in hand, then drops to his knees on the colourful rug and stares at the ruined couch beside a purple lamp.

> What the hell are you two?
> Oh, my couch!
> The arm, the seat, the dream is over.

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## 4:41–4:45

Homer, Bart and Lisa stand in a pink living room, with Homer in a white shirt and tie. Homer lifts a large brown couch cushion, winces and strains as he holds it up, then turns to glare and point toward the couch while Bart and Lisa, Lisa wearing a pearl necklace, stand beside it. Notable objects include a purple lamp, a telephone, and a framed sailboat picture on the wall.

> All right, who did this? We were just sitting on the couch, quietly chatting,

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## 4:45–4:55

Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, and Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stand in front of a rainbow-striped couch and a blue window. Bart talks and gestures with his hands at his chest while Lisa watches him with wide eyes, then she extends one arm toward him as she speaks. Bart's expression shifts to a dazed, bored look as Lisa steps in and wraps her arms around him in a hug, and he leans against her, eyes half-closed.

> when we heard a creaking noise. We leapt off just in time to see it collapse.
> There, there.
> You're safe now, little sister.
> Well,

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## 4:55–5:04

Homer Simpson, Bart and Lisa stand together in the pink living room, with Bart in an orange shirt and Lisa in a red dress on a round rug in front of a lumpy brown couch. Homer gestures toward the couch while the children look up at him, then he turns and leans over the battered couch, which has a wooden splinter sticking out of its arm. Under a sailboat painting, a purple lamp and a green telephone sit nearby as Homer stares sadly at the ruined couch.

> why did this have to happen now during prime time when TV's brightest stars come out to
> shine?
> Oh, goodbye, old girl.
> We've had a lot of great memories.

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## 5:04–5:13

Homer Simpson, bald and heavy in a white shirt and blue jeans, first kneels on the torn brown couch in the living room, then sits upright on it, staring ahead while a faded overlay of him appears, and sits still with a blank expression. Later he remains seated as Marge with her tall blue beehive, Lisa in a light dress, Bart in an orange shirt, a moustached neighbor in a white polo and khaki shorts, and a pink-haired woman in a blue top and green skirt stand in a row on the rainbow rug holding hands. Lisa holds a small jar in one hand, and the scene is set among the lamp, beach painting, and TV, with no on-screen text.

> That's right. I shot J.R.
> Except for huge gaps in the western states, Hands Across America was a complete success.

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## 5:13–5:22

Marge Simpson, Homer, Lisa, Bart and Ned Flanders stand holding hands in a row on a multicolored round rug in the living room, with a pink-haired woman at the left and another woman at the right edge. Across the moment their mouths open as if speaking or singing, and the line sways and shifts while the right-side woman edges closer to the group. Behind them are a brown couch, a lamp, a framed seascape, and a television set at the lower left.

> Hands Across America!
> Well, I never thought I'd say it. They're dancing on the Berlin Wall.

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Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/318235

## 5:22–5:32

Homer Simpson, the bald, heavy man in a white shirt and blue pants, slumps over the back of the brown couch in the living room, his arms folded on the cushions and his chin resting on them as he stares ahead with half-closed eyes. A purple lamp stands on a small side table beside the couch, a green sweater-like cushion sits on it, and a blue device with cables sits on a grey cabinet in the foreground in front of a pink-and-purple oval rug. Across all five frames he barely moves, shifting only slightly as he remains draped over the couch back in a bored pose. A framed beach painting hangs on the pink wall above him.

> These live and lively lovers of liberation.
> Boring!

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Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/327619

## 5:32–5:41

Homer Simpson, the bald, heavy man in a white shirt and blue jeans, lies draped over the back of a brown couch in the pink living room, arms folded on the cushion, with a purple lamp, a small side table and a striped oval rug nearby. He slumps lower and slides further over the couch back as the scene shifts into a translucent, reddish overlay of the room. A close-up then shows his yellow hand gripping the edge of the couch against the pink wall. No on-screen text is visible.

> Sorry, I ruined your date, Sergeant Carter.
> Pile!
> Well, Fred, you're going back where you came from.

Frame: https://ultrahouse3k.com/img/S03E24/333250.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/336795

## 5:41–5:50

Lisa and Bart stand watching in a pink room with yellow curtains as Homer, in a white shirt and blue jeans, leans over a brown armchair lying on the floor, then straightens up holding a small round object behind his back. Later, Homer sits slumped on a pink park bench in a brown jacket beside a splashing fountain, gesturing with his hands, then drops his head into his hands. A bearded man in a red cap and orange shirt sits on a bench in the background among green trees under a blue sky with white clouds.

> The curb in front of Flanders' house.
> Let's see. I need an idea.
> Idea.
> What's the matter with me? I used to have hundreds of ideas.

Frame: https://ultrahouse3k.com/img/S03E24/342634.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/346179

## 5:50–6:01

A disheveled, unshaven man with messy hair, a dark jacket and torn olive-green pants sits on a pink wooden park bench beside a red jar, first covering his face with his hands, then lowering them to look down at his fingers with a grimace. He crosses his arms and gazes off to the side with a worried expression, then sits still in the same pose as the scene cuts to a view from behind him on the left, where a woman with red hair in a green dress sits on a second pink bench in a paved park, holding a pink-wrapped baby up near her face beside an empty purple stroller under tall trees and buildings.

> What do you want? I just changed your diaper.
> Are you hungry? Are you cold?
> Do you want to go home?

Frame: https://ultrahouse3k.com/img/S03E24/351810.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/356189

## 6:01–6:10

A shaggy-haired man with purple-grey hair, a brown jacket and a lavender shirt, whose face resembles Homer's, stands outdoors beside a pink bench with green bushes behind him. He grips the arm of a woman with long red hair who holds a baby in a pink hood, and she looks alarmed as she leans back and speaks. The man then grins and gestures with both hands toward her, while she stays wide-eyed with her mouth open, and a white cloud drifts across the blue sky above them.

> Lady, you just gave me the idea of a lifetime.
> How do I thank you? Please don't hurt me.
> Consider it done.

Frame: https://ultrahouse3k.com/img/S03E24/362654.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/365991

## 6:10–6:22

Homer Simpson sits slumped at a control console in the power plant control room, with Carl, a Black man in a grey jacket and blue sweater, standing to his left and Lenny, with spiky black hair and a dark green sweater, standing behind him on the right. Carl rests a hand on Homer's shoulder while Homer sits dejected, hand to his chin and then arms folded, and he glances sideways as the men look on under a glowing EXIT sign and a red fire extinguisher on the wall. Homer's gaze shifts and his posture stays hunched, while Carl and Lenny remain standing beside him with their expressions tired and downcast.

> Hey, pal, I heard about the couch. Yeah, you gonna be okay?
> Yeah, you know, my life just can't get any worse.

Frame: https://ultrahouse3k.com/img/S03E24/371621.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/376418

## 6:22–6:34

Homer Simpson sits at a control console in a white shirt and pink tie with a badge, arms crossed, while Carl, a Black man in a white lab coat over a blue sweater, stands at left and Lenny, with spiky black hair and a dark green sweater, stands behind Homer at right. The three look up and around the control room, with Homer's eyes shifting and his mouth opening and closing as Lenny's arms move from at his sides to folded across his chest. Consoles, glowing screens, and a lit EXIT sign on the wall frame the room.

> That's right.
> There's no way my life could possibly get any worse.
> Simpson, report to Mr. Burns' office at once.

Frame: https://ultrahouse3k.com/img/S03E24/383508.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/388305

## 6:34–6:44

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a tall red chair behind a desk, with his thin assistant Smithers in glasses standing beside him, while a heavy bald man in a white shirt and blue jeans, Homer, walks toward the desk in an office with a large clock and shelves of books. Burns first sits talking with the desk in front of him and the grey-haired man in a green sweater, Ned-like in green and glasses, standing at left; later Burns spreads his hands open as if making a point, then lifts a white paper with writing on it and grins widely, holding it up with both hands. Behind Burns, a row of men in grey suits stand near the window, and in the final shots a paper lies on the desk.

> Is this the one with the lazy sperm?
> Ah, Simpson, you big, virile son of a gun.
> How would you like a check for $2,000?
> Would I? All you have to do is sign this form.

Frame: https://ultrahouse3k.com/img/S03E24/395186.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/399357

## 6:44–6:52

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits at a purple desk with a pen resting on a sheet of paper, while a row of men in grey suits and red ties stand behind him. He then leans forward and points at the paper beside a gold mantel clock, as a hand from the left edge reaches toward the clock. Homer, the bald heavy man in a white shirt and pink tie, stands before bookshelves holding a green notepad, scowling and squinting as he reads it, and his expression stays tense through the sequence.

> Wait a minute.
> I'm not signing anything until I read it or somebody gives me the gist of it.

Frame: https://ultrahouse3k.com/img/S03E24/405614.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/408742

## 6:52–7:02

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits at a desk in a navy suit and orange tie, while Smithers, his thin assistant in a grey suit, red tie and glasses, stands at the left edge. Burns first clasps his hands together, then shrugs with palms turned up, raises an index finger, gestures with one hand, and finally spreads both hands wide. A small white paper lies on the desk in front of him, with a tall red high-backed chair behind him.

> All right, well, it just explains that you've won, yes, that's it,
> won the first annual Montgomery Burns Award

Frame: https://ultrahouse3k.com/img/S03E24/413955.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/417709

## 7:02–7:11

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands behind a desk in a dark blue suit and orange tie, his hands moving expressively as he speaks. Smithers, his thin assistant in a grey suit and red tie with glasses, stands at the left edge, watching. Burns first raises both fists near his chest, then spreads his hands in a shrugging gesture, then opens his arms wide with a grin, then lifts his arms again with a weary, exasperated look, and finally raises his hands with his eyes half-closed. A small paper sits on the desk in front of him.

> for outstanding achievement in the field of
> excellence.

Frame: https://ultrahouse3k.com/img/S03E24/423548.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/427093

## 7:11–7:22

Homer Simpson sits at a desk in front of a bookshelf, holding a pen over a sheet of paper, and glances up with a sly smile before looking back down at his work. Beside him are a green stack of papers and a yellow smiley-face box. Smithers, the thin assistant with round green glasses and a grey suit, stands beside a red armchair where Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, leans forward with his mouth open. The scene then cuts to an exterior of the pink Springfield Civic Center at dusk, with searchlight beams in the sky and a sign reading "Springfield Civic Center, First Annual Montgomery Burns Award for Outstanding Achievement in the Field of Excellence."

> Don't I get some kind of trophy at a big awards ceremony?
> It's the first annual Montgomery Burns award for

Frame: https://ultrahouse3k.com/img/S03E24/432933.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/437520

## 7:22–7:36

A row of identical yellow-suited chorus men and women in top hats, some unnamed one-off characters, performs on a stage with two green nuclear cooling towers and a golden statue holding an atom aloft in front of a pale moon. The men lift their arms and tip their hats while the women stride down a white staircase, kicking and waving, then the line returns to the stage, all facing the rows of colorful audience seats. No on-screen text is visible.

> Outstanding achievement, dear
> Goldfield, excellent

Frame: https://ultrahouse3k.com/img/S03E24/443985.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/449407

## 7:36–7:48

Homer, Marge, Lisa, Bart and a baby are seated in a balcony box, with Homer pressing his hands together in a tuxedo and Marge clasping hers, while Mr. Burns, bald with a hooked nose and grey hair at the sides, stands behind a blue podium with a microphone and stairs behind him, gesturing with both hands and then one open hand. Bart in a black jacket over an orange shirt and Lisa in a pink dress with a pearl necklace and tiara sit side by side in theater seats, with Bart looking sideways and Lisa frowning and holding her hands together.

> Yes,
> that was Benita de Wolf from the Springfield Nuclear Plant Soft Shoes Society This award
> is the biggest farce I ever saw What about the Emmys?
> I stand corrected.
> And now to present the award, here's former heavyweight champion,

Frame: https://ultrahouse3k.com/img/S03E24/457123.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/462545

## 7:48–7:57

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands behind a blue podium with a microphone on a stage with a staircase and a curved green backdrop, grinning as he gestures with one arm toward the stairs in the first three moments. A dark-skinned man with a mustache and goatee, wearing a black tuxedo with a bow tie, then walks across the stage past a golden statue on a pedestal. The seated audience in tuxedos, suits and evening dresses, including a red-haired woman in pearls and a long-haired woman in a pink dress with a black choker, watches with wide eyes and smiles.

> Smokin' Joe Frazier!

Frame: https://ultrahouse3k.com/img/S03E24/470053.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/473181

## 7:57–8:05

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at the right of a blue podium beside a bespectacled, bearded man in a black tuxedo and bow tie who grips a microphone and speaks into it. The speaker keeps talking and grinning while Burns smirks and glances sideways with a sly expression. The setting is a stage with a green arched backdrop edged in pink and white stairs on the left.

> Webster's Dictionary defines excellence as the quality or condition of being
> excellent.
> And now the winner of the first annual Montgomery Burns Award for Outstanding

Frame: https://ultrahouse3k.com/img/S03E24/478395.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/481314

## 8:05–8:13

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands in a tuxedo beside a blue podium, while a bespectacled, bearded man in a black tuxedo and bow tie speaks into a microphone on it. Over the moment the speaker keeps talking and smiling, and Burns shifts from a scowl to wide-eyed alarm and back to a sour glare. The pink and green arched backdrop and the white staircase stand behind them, and no on-screen text is visible.

> Achievement in the Field of Excellence.

Frame: https://ultrahouse3k.com/img/S03E24/486528.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/489656

## 8:13–8:23

Homer Simpson in a black tuxedo and red bow tie sits beside Lisa Simpson, who wears a pink dress and tiara, as he squeezes his eyes shut and crosses his fingers while a bespectacled man with a moustache, standing at a blue podium, opens an envelope with Mr. Burns beside him. Homer then clenches his fists and raises his arms, seen from behind in an auditorium with rows of seats, as a golden statuette glints in a spotlight on the stage. The on-screen moment shows the award announcement and Homer's celebration as he cheers 'Woo-hoo, I win!'

> Dad, you know you won. Don't jinx it. The winner, Homer Simpson.
> Oh, my God!
> Woo-hoo, I win!

Frame: https://ultrahouse3k.com/img/S03E24/494869.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/498623

## 8:23–8:33

Homer, in a black tuxedo with a red bow tie, stands in a balcony box between Bart and Lisa on the left and Marge with Maggie on the right, first cheering with both arms raised and then leaning over the ledge and gesturing outward. A red rose drifts past the dark wall beneath the box. Bart then tumbles backward off the ledge in his black tuxedo, arms and legs flung out, while Marge and Maggie watch wide-eyed from the box.

Frame: https://ultrahouse3k.com/img/S03E24/504462.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/508216

## 8:33–8:42

Homer, wearing a black tuxedo, red bow tie and blue party hat, sits at a bar beside Carl, a Black man in a dark suit and black bow tie, both holding beer mugs. In the dark opening the scene brightens to show them in a bar with a red-and-green checkered wall and a cigarette machine. Moe, the grey-haired bartender in a blue vest and bow tie, leans in from the left and gestures over the counter while Homer slouches and Carl raises a hand, and a small golden statuette sits on the bar between them.

> Keep those pick legs coming, Mo. You clean me out, Smokin' Joe.
> What's the matter, Homer? Come a bun too tight?

Frame: https://ultrahouse3k.com/img/S03E24/514055.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/517809

## 8:42–8:55

Moe, the grey-haired bartender in a white shirt and blue vest, leans on the bar and scowls at Homer, who sits in a black tuxedo with a red bow tie, holding a beer mug and looking glum. Carl, a Black man with a moustache and beard in a matching tuxedo, reaches over to Homer's shoulder and talks to him, then rubs his chin while Homer slumps with his eyes shut. Homer then grimaces with clenched teeth and stares off to the side, while a golden atom-shaped trophy, a blue Springfield pennant and two wall TVs sit in the background of the bar.

> I miss my couch. I know how you feel.
> You lost the couch. I lost the heavyweight championship.
> Pfft. Heavyweight championship.
> There's like three of those. That couch was one of a kind.

Frame: https://ultrahouse3k.com/img/S03E24/523648.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/528862

## 8:55–9:04

Homer, in a black tuxedo with a red bow tie, sits at a bar holding a glass of beer while Carl, a Black man with a black beard and moustache also in a tuxedo, leans in beside him with an arm around his shoulder. Behind the counter is a red wall and a Duff sign, and as the moment goes on Carl talks animatedly, grimaces, and grows more sullen, while a yellow-skinned man with brown hair in an orange vest joins from the right, slumping at the bar beside a glass and gesturing with his hand.

> Homer, I know things are tough now. But one day you'll be walking along,
> and you'll see a piece of furniture you can love just as much.
> Hey, Frasier, shut up! Bunny, you've been riding my back all night.

Frame: https://ultrahouse3k.com/img/S03E24/536369.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/539914

## 9:04–9:11

Barney, the heavy drunk with messy brown hair and an orange-brown shirt, and a bearded Black man in a black tuxedo jacket and bow tie sit at a bar counter with a glass mug in front of them. The bearded man glares and speaks while Barney scowls back, then Barney raises a clenched fist toward him, and in the final moment the bearded man has turned his back to the camera while Barney gestures with his hand. A blue Springfield pennant hangs above them, with framed pictures and a diamond-patterned wall behind.

> Oh, yeah?
> Can I step outside?
> Let's do it.

Frame: https://ultrahouse3k.com/img/S03E24/545545.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/548048

## 9:11–9:18

Moe, the grey-haired bartender in a white shirt and blue suspenders, stands behind the bar drying a glass with a white towel while Homer, bald and heavy in a black tuxedo with a red bow tie, sits hunched on a stool. Homer sits with clasped hands and downcast eyes, then lifts a mug of beer and closes his eyes, while the golden statuette on the bar, with its star-topped figure, stays in view. In the final moment Homer holds a separated piece of the statuette, and red smears mark the framed round-window picture on the wall behind the bar, with a partly visible CIGS sign at the right edge.

> I think I'm gonna take a walk.

Frame: https://ultrahouse3k.com/img/S03E24/552635.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/555138

## 9:18–9:29

Homer, in a black tuxedo with a red bow tie, steps out of Moe's doorway, tugging at his cuffs and then walking onto the sidewalk past a legs-up figure in blue jeans and sneakers sticking out of a trash can. Later, by a burning barrel at night, a man with swept-back reddish hair in a brown jacket and green pants talks with a man in a grey fedora and red jacket, while a heavy man in a beanie and white shirt gestures over the fire and a third man lies on a bench under a newspaper. Bottles sit on the sidewalk near Moe's, and the newspaper on the bench shows a grid of boxes.

> All right, a peanut!
> I'm telling you, all a man needs is an idea.
> And I've got an idea.
> Then how come you're still a bum? All right, a man needs two things.

Frame: https://ultrahouse3k.com/img/S03E24/559726.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/564314

## 9:29–9:41

A red-haired man in an orange-brown jacket and green trousers, who looks like Homer but is not bald, stands at night beside a row of hopper train cars, gesturing with clawed yellow hands and later holding up a sheet of paper. An old man in a grey fedora and red sweater and a heavy man in a brown knit cap and white t-shirt stand by a barrel fire, while Grampa, with white tufts of hair, lies under a red blanket on a bench. The red-haired man walks forward, then stops to hold out the paper, and the screen cuts to a Daily News page headlined "LOCAL MAN, HOMER SIMPSON, RECEIVES AWARD AND $2,000 CHECK", showing Homer, Marge, Bart, Lisa and Maggie at an award ceremony.

> An idea and money to get it off the ground.
> Hello, what's this?
> Local man Homer Simpson receives award and $2,000 check.

Frame: https://ultrahouse3k.com/img/S03E24/570987.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/575575

## 9:41–9:50

Homer Simpson, wearing a dark jacket and green trousers and holding a newspaper, stands at night beside a hobo in a grey fedora and red jacket and a heavy man in a beanie and white shirt, with a barrel fire burning on a bench where a figure lies under a blanket. Homer looks on with a worried expression while the hobo and the man in the beanie gesture toward the flames, and the newspaper is held up in front of him. Earlier, Marge with her tall blue beehive looks down from a dark stairway as a figure in a black suit tumbles down the steps past a small placard.

> Hmm.
> Any of you guys know which freight goes to Springfield?

Frame: https://ultrahouse3k.com/img/S03E24/582248.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/585794

## 9:50–10:01

A red-haired man in a dark jacket and green trousers runs alongside a moving train, passing a barrel of toxic waste, a circus cage holding two lions, and a tank car marked Krusty Brand Sulfuric Acid that drips green goo, with a red sign reading Emil's Fluffy Pillows nearby. He leaps through the open door of a boxcar and then sprawls back on a large heap of blue, pink and white pillows with his eyes closed and his legs stretched out.

> Uh-uh.
> Nope.
> That's the one!
> I feel so empty, so alone, so couchless.

Frame: https://ultrahouse3k.com/img/S03E24/591424.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/595804

## 10:01–10:14

Homer, in a black jacket, white shirt and red tie, wanders a store and then stands with his arms raised beside a shelf of books, holding a gold atom-shaped toy, while a thin, brown-haired man in a red sweater and green tie reclines in a blue chair under a sign reading SPINEMELTER 2000, only $1,999.99. Homer then sinks into the same blue chair with his eyes closed as a thin dark-haired man in a suit stands behind him holding a black clipboard, and Marge with her tall blue beehive, Lisa, Maggie with a pacifier and blue bow, and Bart in an orange shirt watch from a showroom with a NEW! SPINEMELTER 2000 card on a display.

> Wow, the Spine Melter 2000.
> Give me full power. But, sir... Damn it!

Frame: https://ultrahouse3k.com/img/S03E24/602268.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/608108

## 10:14–10:25

Homer sits in a blue chair beside a dark-haired man in a grey suit who holds a black remote with an orange button, and Homer looks alarmed, then gazes blankly with a faint smile. The scene then shows Bart, Lisa and Maggie outside a storefront with a BIG SALE sign, watching Homer's blue-trousered legs and black shoes sticking up in the foreground. Finally, those legs are seen rushing through a black void streaked with green and white light trails and sparks, as if speeding through space.

> I said full power!

Frame: https://ultrahouse3k.com/img/S03E24/616032.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/620203

## 10:25–10:35

Homer Simpson, seen first from behind in blue trousers and grey shoes as he rushes forward through a black void of swirling neon green, yellow, orange, purple and blue streaks and colorful bursts that split apart around him. The view then shifts to his wide-eyed face, glowing and faintly smiling against a blue cushioned headrest in a room with a window behind him, before the tunnel of green and blue light streams past him again. No on-screen text appears.

Frame: https://ultrahouse3k.com/img/S03E24/626668.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/630421

## 10:35–10:47

Homer Simpson sits in a huge blue recliner in the living room, first with his arms raised and then leaning back with his mouth open and legs stretched out, while Marge, Lisa, Maggie and Bart stand watching and a thin man in a dark suit stands behind the chair. Earlier in the moment, a tight close-up shows a red circle with a dark centre, followed by a close-up of Homer's large white eye. A sign reading 'ENTERTAINMENT CENTER' hangs on the wall behind the family, and Maggie holds a pacifier.

> Dad?
> I'll take it!
> This chair is $2,000.

Frame: https://ultrahouse3k.com/img/S03E24/636469.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/641266

## 10:47–10:55

Marge Simpson, with her tall blue beehive and beaded necklace, and Homer Simpson, bald and wearing a white shirt, stand in a store next to a large blue recliner with a red price tag hanging from it. Marge holds a small red remote-like object near the chair while Homer sits in the recliner, first looking calm and then turning his head toward her with a worried, wide-eyed expression as she leans in and gestures. Behind them, a sign reading 'ELTER' and '$999.99' and a colorful framed picture hang on the wall.

> We could buy a whole living room set for that.
> Smarts, there's an empty spot I've always had inside me.
> I tried to fill it with family, religion, community service, but those were dead ends.

Frame: https://ultrahouse3k.com/img/S03E24/648356.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/651067

## 10:55–11:06

Homer Simpson sits in a blue reclining armchair in the living room, first talking and gesturing with one hand while seated, then leaning back looking relaxed with his belly showing under his white shirt. Later, Marge Simpson stands behind the chair with her blue beehive hair and green dress, while Lisa with her spiky star-shaped hair in a red dress and Bart in his orange shirt stand nearby, and Homer's feet rest on the chair's footrest. Marge reaches toward the chair's edge as Homer looks ahead and the family watches him, with a shelf of books and a framed picture on the wall behind them and a 'KITCHEN SETS' sign and a red price tag on a nearby display.

> I think this chair is the answer. This money was a blessing.
> We can't just spend it on some creature comfort.

Frame: https://ultrahouse3k.com/img/S03E24/656281.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/660869

## 11:06–11:18

Homer Simpson sits in a blue armchair in the living room, first grimacing, then gripping a black controller with a red cord, fiddling with it and grinning before looking up with his mouth open. A framed picture, bookshelf and potted plant are behind him. The scene then cuts to a brown-haired man in a dark jacket at the right edge, looking at a pink two-storey house with a purple roof, purple front door and red garage door under a blue sky.

> All right, we won't get the chair. Now excuse me while I kiss the sky.

Frame: https://ultrahouse3k.com/img/S03E24/667542.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/672338

## 11:18–11:29

Ned Flanders, with his moustache, glasses and green sweater, opens the purple front door of his house to a visitor, a man with shaggy brown hair and a dark coat. Earlier, that stranger walks along the sidewalk past a lawn strewn with a bicycle, a tire and a hose, then raps his yellow-fingered hand on the glass of the door. The scene ends with the man standing outside in front of the houses, looking uneasy as he glances to the side.

> Hmm...
> Yes?
> Oh, uh, sorry. I must have the wrong house.
> Oh, that's where you're wrong, friend. Aren't we in luck?

Frame: https://ultrahouse3k.com/img/S03E24/679429.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/684017

## 11:29–11:40

Ned Flanders, with his moustache, glasses and green sweater, stands in a purple doorway greeting a disheveled, unkempt man in a dark jacket and olive trousers, while a woman with an auburn curly bob and pink sleeveless top watches from the doorway, later smiling as Ned gestures. Ned then grips the stranger by the shoulder and guides him inside, with the stranger's arm stretched out and a small white item in Ned's hand, past a potted plant into a room with a pink rug and blue curtains. The woman stands by a red-brown door as the two men walk in together.

> Today's our tithe day and we've got ourselves a transient.
> Come in, my friend. Let us feed and bathe you.
> Hey, wait a minute. Dad, can I anoint the sores on his feet?

Frame: https://ultrahouse3k.com/img/S03E24/690690.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/695069

## 11:40–11:54

Ned Flanders, in a green sweater with glasses and a moustache, stands in a doorway with his wife, a woman with a tall reddish-orange hairdo and a pink vest, and their curly-haired children, a boy in a pink shirt and green shorts and a younger boy in a blue shirt. A man in a blue suit with brown hair, who resembles Herb, hurries down the front steps of the house, clutching his chest, while the family watches from the doorway. Over the course of the moment, the curly-haired boy in pink grins and gestures, and a tattered man in a brown coat and patched olive trousers stands beside him at the start, with a sunny lawn and orange planters outside.

> I think it's Mom's turn, son. Aw, no fair.
> Thanks for the suit. Well, if you ever want to spend the night,
> Maude and I can sleep on card tables.
> Onward, Christian soldiers!

Frame: https://ultrahouse3k.com/img/S03E24/701951.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/707582

## 11:54–12:04

At sunset, Ned Flanders in his green sweater and glasses stands with a curly-haired boy in a blue shirt, a woman with a tall curly hairdo in a pink top and red skirt, who raises her hand, and a small boy in a pink shirt and green shorts, all lined up on a white ledge and gazing at the big orange sun, while a man in a dark suit walks past a tree toward the houses on the right. Indoors, Homer, in a white shirt and blue pants, lifts one leg and then clutches his head with both hands, scowling and shouting, before standing with his hands on his hips in the living room with its brown sofa, round striped rug, and framed sailboat painting.

> Marching as to war!
> They're singing again, lousy neighbors. Wish I was deaf.
> What am I gonna say?

Frame: https://ultrahouse3k.com/img/S03E24/715715.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/719469

## 12:04–12:14

Herb, a brown-haired man in a blue suit and grey tie, stands beside a pink arched door with a purple knocker and a window with an arched top. He starts with his hands behind his back, then spreads his open palms outward in a helpless shrug, lowers his arms to stand uneasily with a frown, and finally clasps his hands together near his chest while looking worried. The scene is set in a plain yellow room with a dark hood or vent at the right edge.

> This is the guy who ruined me.
> But on the other hand, he's family.
> So many conflicting emotions.
> How to express them?

Frame: https://ultrahouse3k.com/img/S03E24/725725.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/729687

## 12:14–12:25

Homer stands at the brown arched front door of a pink-walled house, then lies face down on the doorstep as Herb, brown-haired and wearing a blue suit, walks up to the door. Inside, Bart and Lisa sit at a dining table beside a green teapot and a framed painting, and Herb spreads his arms toward the painting before kneeling to hug Bart and Lisa, who wears a pearl necklace and an orange dress, while Homer stands at the left edge.

> Herb?
> Unky Herb! Bart! Lisa! I'm so glad to see you.
> You're so glad to see me. I'm sorry, Homer, but I'm still mad at you.

Frame: https://ultrahouse3k.com/img/S03E24/735735.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/740114

## 12:25–12:36

Homer, in his white shirt, and Herb, who looks like Homer with brown hair and a blue suit and tie, are in a pink room with an arched doorway, a potted plant in a wall niche, and a staircase at the right. Homer starts out pressed against the pink wall with a worried look, then Herb grabs his shoulders and leans in with an angry, bulging-eyed expression, gesturing with open hands and then raising a clenched fist. In the last moment, Herb's hand holds up a small oval wall mirror with a wooden frame, and Homer grips it with both hands, looking startled.

> Every word you say just makes me want to punch you in the face.
> Well, while you're a guest in my home, could you just kick me in the butt?
> I'll try, but I'm not making any promises.

Frame: https://ultrahouse3k.com/img/S03E24/746788.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/751167

## 12:36–12:46

Herb, a brown-haired man in a blue suit who resembles Homer, stands in a pink hallway beside a staircase with Homer, who is bald and wears a white shirt, at left, while Bart and Lisa stand in the lower foreground. Herb jabs a finger toward Homer's face, then gestures with open hands and touches his tie, while Marge, with tall blue hair and a red bead necklace, steps in holding baby Maggie in her blue bow with a pacifier. In the final frames Herb takes Maggie into his arms, looking wide-eyed as she sucks on her pacifier and Marge watches beside him, with an arched doorway behind them.

> Herb, how have you been?
> I've been living in a cardboard box, sleeping on grates, eating out of dumpsters.
> You?

Frame: https://ultrahouse3k.com/img/S03E24/757632.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/761803

## 12:46–12:57

Marge with her tall blue beehive stands near a staircase in a pink room, wide-eyed and speaking, then Herb in a blue suit holds Maggie, with a pacifier and blue bow, beside Homer in a white shirt. Homer then stands by a beige double light switch on the pink wall, gestures toward it with a grin, crosses his arms, and finally reaches out to flip one of the two switches.

> Can't complain.
> Herb, let me give you the grand tour.
> This is one of our many light switches.
> It functions in both the on and off mode.
> On, off, on, off. Homer, he knows how to work a light switch.

Frame: https://ultrahouse3k.com/img/S03E24/768059.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/772021

## 12:57–13:07

Homer, grinning and then wide-eyed with his mouth open, stands in the pink living room with Herb in a blue suit holding Maggie, Marge with her tall blue beehive, Lisa, and Bart watching from the purple-carpeted staircase. Homer then reaches over to flip a wall light switch while the room stays pink. The scene cuts to the Simpsons' house at night, its roof outlined in colored lights with the sign "MERRY CHRISTMAS AND A HAPPY 1985" glowing, before showing the family at the dining table, where a red-haired person in a white shirt sits with Homer, Lisa, Bart in his orange shirt, Herb, Maggie in a high chair, and Marge.

> Oh, yeah, right.
> I don't know what this switch does.
> Mmm, this is really good, Marge. I got the recipe from the Utility Grade Beef Council.

Frame: https://ultrahouse3k.com/img/S03E24/778278.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/782031

## 13:07–13:18

Marge, with her tall blue beehive and red bead necklace, smiles at the left edge while Homer, bald and stubbly in a white shirt, eats from a spoon at the kitchen table beside a bowl, a plate, a Duff can and glasses of milk. Bart, the spiky-haired boy in an orange shirt, sits at the table in front of a glass of water and a fork, first smirking sideways, then grinning with his mouth open and gesturing with his hands. Behind him a pink wall shows a shelf of cups and plates.

> They do good work. Unky Herb,
> what advice would you give to a boy who will most likely become a bum like yourself?

Frame: https://ultrahouse3k.com/img/S03E24/788288.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/792667

## 13:18–13:26

Bart, in an orange shirt, and Lisa, in a red dress with a pearl necklace, sit at a restaurant table with a man in a blue suit and grey tie who looks like Homer with brown hair, presumably Herb. Bart leans toward the table while the man grins, points, and then gestures with a raised fist, and his eyes shift while he sits beside Lisa. Lisa stares sideways with her mouth open, then the man turns his head toward her and smiles while she props her chin on her hand. Plates of food, a water glass, a red flower arrangement, and a framed abstract painting sit in the pink dining room.

> Discarded pizza boxes are an inexpensive source of cheese.
> Lisa, aren't you happy to see me? Why didn't you write, Unky Herb?
> Hey, if I wrote to you, what was I supposed to say?

Frame: https://ultrahouse3k.com/img/S03E24/799132.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/802260

## 13:26–13:37

Herb in a blue suit and Lisa, with her star-shaped spiky hair and pearl necklace, sit at a restaurant table with plates of food and water glasses, and Herb gestures with his hand while talking. The scene then cuts to a dim, snowy night view of a two-story house with glowing windows and a garage, with a small figure outside. Finally, a yellow-handed adult in a blue sleeve tucks a blanket over the sleeping Lisa on a pillow in bed.

> Dear Lisa, last night I used a rat for a pillow thanks to your bop.
> I see your point.
> Whether you're driving near or far, Powell makes a pow-pow powerful car.

Frame: https://ultrahouse3k.com/img/S03E24/807473.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/811853

## 13:37–13:50

Herb, a brown-haired man in a dark suit and blue jacket, leans over a blue crib rail to look down at Maggie, the baby lying inside with her head turned toward him. He starts out watching her with a smile, then grins slyly with narrowed eyes and gripping the rail, and finally leans closer with wide eyes and an open-mouthed grin as he reaches a fist toward her. The dark background has a colorful toy on a shelf at the right edge.

> Maggie, I'm gonna let you in on a little secret.
> You're gonna make me rich again.
> Yes, you are.

Frame: https://ultrahouse3k.com/img/S03E24/818318.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/823740

## 13:50–14:02

Homer, in a white shirt, leans over a crib and points at Maggie, who sucks a pacifier and wears a blue bow, before the family gathers around a Monopoly board on a green floor. Marge in her green dress, Lisa in her red dress, and a brown-haired man in a shirt and tie sit around the board while Homer reaches toward it and pastel money is spread across the carpet. Maggie sits among the bills near Lisa, and the Monopoly box lies open to one side with its cards and stacks of play money.

> One, two, three, Ventnor Avenue. And while on Ventnor Avenue,
> you'll be staying at the fabulous Hotel Lisa.
> A valet will be around shortly to park your thimble.

Frame: https://ultrahouse3k.com/img/S03E24/831247.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/836252

## 14:02–14:10

Lisa Simpson, with her star-shaped spiky hair and pearl necklace, sits at a table beside a Monopoly box, laughing with her eyes shut and then gesturing toward the board with a sly look. Later she stands beside Herb, a brown-haired man in a blue sweater over a white shirt, gripping his arm while he grimaces with wide eyes in a pink room with a red lamp and a red sofa. The Monopoly box with its word "MONOPOLY" stays visible on the table as the scene shifts between them.

> Of course, there is the unpleasant matter of the bill.
> Get to the point.
> 1,150 bones.
> That's all I got. Broke again, eh, Herb?

Frame: https://ultrahouse3k.com/img/S03E24/843551.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/846679

## 14:10–14:18

Homer Simpson, in a white shirt, and Herb, in a suit with brown hair, sit close together in a pink room with a red lamp, a green plant, and a purple dresser behind them. Homer talks with wide eyes and an open mouth, then glances to the side with narrowed eyes, speaks again, and finally raises a hand to his mouth looking uneasy while Herb watches with a frown. The scene stays in the same room throughout.

> Just like in real life.
> I guess you're just not much of a businessman.

Frame: https://ultrahouse3k.com/img/S03E24/852101.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/854812

## 14:18–14:28

Bart, the spiky-haired boy in an orange shirt and blue shorts, and Marge, with her tall blue beehive and green dress with red beads, kneel on green carpet in front of a red brick fireplace. A Sorry! game box sits between them, with a Monopoly board and scattered play money in the foreground. Marge leans forward to hold the Sorry! box while Bart looks at it and reaches toward it with his mouth open, then his expression turns wary as he keeps looking at her and talking. In the final moments, Marge sits back with a faint smile, and Bart stays kneeling and speaking as he looks up toward her.

> Maybe we should play another game.
> Why are we playing games when we got too grand in the bank?
> Remember when Dad won the first annual Montgomery Burns Award for Outstanding Achievement
> in the Field of Excellence?
> Well, I think we should invest in a set of the great books of Western civilization.

Frame: https://ultrahouse3k.com/img/S03E24/859817.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/863571

## 14:28–14:36

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a pearl necklace, stands beside a pink wall and yellow curtain, holding a glossy advertisement titled Great Books of Western Civilization that reads Delivered Monthly to Your Door. She first stares wide-eyed with a clenched grin, then her gaze shifts sideways and her face softens into a sly smile as she lowers the ad and raises a slim pink-and-white card-like sheet toward her face. Her eyes narrow and she keeps grinning while the ad is held in front of her, with a framed picture visible on the upper right wall and a dark window with purple curtains behind her.

> Look at this ad from New Republic for Kids.
> Each month, a new classic will be delivered to our door.

Frame: https://ultrahouse3k.com/img/S03E24/869410.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/872330

## 14:36–14:43

Lisa Simpson, the girl with star-shaped spiky hair and a red dress and pearl necklace, sits indoors in front of a pink wall, a yellow curtain and a window, holding a printed sheet of paper. She grins widely with her eyes wide and glancing sideways, then her expression shifts to a slight smile with a closed mouth. Next she turns toward the viewer with a wide-eyed, open-mouthed look, and in the final moment she looks worried, her mouth clenched in a tight grimace as she still holds the paper.

> Paradise Regained, Martin Chuzzlewit, or Herman Melville's twin classics, Omo and Typey.
> Wait, Marge, didn't you want to spend that money on a vibrating chair?

Frame: https://ultrahouse3k.com/img/S03E24/877126.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/879837

## 14:43–14:53

Homer, in a white shirt, sits on a green couch against a pink wall, raising one finger while talking, then glancing sideways with his arms folded. Bart, in an orange shirt, stands beside a piano with a red bench on a teal floor, grinning and then clenching his fists near his chin with wide eyes before wincing with half-closed eyes and hands pressed together at his mouth. The scene shows no on-screen text, and the room's main objects are the piano, the red bench, and the couch.

> That was your idea. I think we should get a machine gun.
> We could use it to hunt games, spell out things, or ring in the new year.

Frame: https://ultrahouse3k.com/img/S03E24/884842.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/888805

## 14:53–15:05

Bart, Marge with her tall blue beehive, Lisa, Homer with folded arms, and Herb in a suit sit together in a pink living room with a green cushion and a curio cabinet full of trophies. Marge speaks while the group watches, then the scene cuts to a laundry room with a grey washer and dryer under a shelf, and returns to the living room where Herb gestures with an open hand and grins while Homer frowns.

> Well, I really think we need to replace the washer and dryer.
> How would you like to spend $2,000 to give a broken man a second chance?

Frame: https://ultrahouse3k.com/img/S03E24/895061.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/900066

## 15:05–15:18

Homer, Marge, Bart and Lisa are in a pink living room, with Marge, Bart and Lisa kneeling around a board game on the green carpet while Homer sits with his arms crossed on a green sofa. Herb, who looks like Homer with brown hair, a blue shirt and a grey tie, stands before them, first with his eyes shut and a raised hand, then grinning widely as Homer stares back with wide, uneasy eyes and clenched teeth. A bookshelf of colorful objects and a red lamp sit nearby, and the scene ends in close-ups of Homer looking anxious.

> Nah.
> Oh, wait, Herb, what are you talking about?
> But, but, but, but, not here.
> Come into the dining room.
> I want to give you a 20-minute presentation that will change the world.
> 20 minutes? Oh!
> Okay.

Frame: https://ultrahouse3k.com/img/S03E24/907156.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/912161

## 15:18–15:31

At the dining table, Homer sits in a red chair in the foreground while Marge, with her tall blue beehive, Lisa, Bart, and Maggie in her high chair watch, and a brown-haired man in a blue shirt and tie stands behind the table. The scene shifts to a close view of Homer seated behind a tall glass of water, eyes wide, as a large yellow hand holding a red-and-white object with a long white handle reaches in from the upper right. Homer then slumps forward with his head down on the table beside the glass, which is still full of water.

> Now, before I tell you about my idea, I'd like to show you this.
> It's drinking the water!
> Take it easy, Homer.

Frame: https://ultrahouse3k.com/img/S03E24/919460.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/924674

## 15:31–15:41

Homer, in a light blue shirt and tie, stands before an arched doorway with shelves, talking and gesturing with one hand, then looks wide-eyed and alarmed. He then sits at a table with a tall glass of water while a red mechanical device with a spout swings over him, and it begins pouring liquid into the glass as he stares and grimaces with his mouth open. An orange object sits on the table at the right.

> Now this is an example of how one little idea carefully marketed...
> This is the greatest invention in the world.
> You'll make a million dollars.
> Oh, Homer.

Frame: https://ultrahouse3k.com/img/S03E24/932181.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/936352

## 15:41–15:51

Herb, a brown-haired man in a light blue shirt and dark tie, grins with eyes closed and waves one hand in a pink room with an arched doorway and shelves. Homer, in a white shirt, ducks behind a wooden table with wide eyes while a tall glass of white liquid sits in front of him. A red mechanical arm with a round head swings in over the glass and tilts toward it, then a red and yellow contraption with a yellow foot-shaped part descends from above, and Homer stares upward with his mouth open.

> That invention is out already. I'm just using it as an example.
> Going back for more.

Frame: https://ultrahouse3k.com/img/S03E24/942817.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/946571

## 15:51–15:57

Marge Simpson with her tall blue beehive and Lisa Simpson at the right edge watch Herb, a brown-haired man in a light shirt and blue trousers, lean over a table in a pink room and hold up a curled blueprint covered in handwritten notes and sketches. He stays behind the paper, peering over its top edge with wide eyes while the two women look on, and the paper remains raised for the rest of the sequence. The scene then shifts to a close-up of bald Homer, wide-eyed and staring with a pursed mouth, in front of a red chair against a yellow-green wall with vertical lines.

> Homer, this is my invention.
> Now, of course, with these blueprints, you'll have to use your imagination.

Frame: https://ultrahouse3k.com/img/S03E24/952410.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/954495

## 15:57–16:10

Homer, bald with stubble in a white shirt, sits with his eyes shut and mouth open in front of a red ribbon-like backdrop, and later Herb, brown-haired in a suit and tie, sits at a table in a pink room looking sideways. Yellow hands hold up a blue grid sheet covered in drawings and handwritten notes of a baby translator machine, and then line sketches of a figure in a top hat and boots appear beside a glass on the grid. The scene moves from the blueprint-style diagrams to the two men as the sketches of the top-hatted figure and the glass shift across the grid.

> What the?
> Hmm.
> It's a baby translator.
> It measures the pitch, the frequency, and the urgency of a baby's cries.

Frame: https://ultrahouse3k.com/img/S03E24/958666.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/964088

## 16:10–16:16

Lisa and Bart sit at a dining table in a pink room, with Maggie in her high chair and Marge beside her, while Homer, seen from behind in the foreground, sits facing them. A brown-haired man in glasses and a tie, who resembles Herb, stands at the head of the table holding a rolled paper, first with his hand raised near his chin and then with his arm extended outward as he gestures. Across the moment Homer's face, seen up close, looks worried, and Lisa and Bart stare toward the standing man while Maggie sucks on her pacifier, with a checkered kitchen floor visible through the arch behind them.

> Then it tells whoever's around in plain English exactly what the baby is trying to say.

Frame: https://ultrahouse3k.com/img/S03E24/971596.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/973681

## 16:16–16:24

Maggie, the baby with a blue bow and pacifier, sits at a table on the left beside Marge, who has a tall blue beehive and a green top, while Homer in a light blue shirt and tie leans in from behind between them. Over the course of the scene Homer grins and talks with his eyes bulging, Maggie stares up at him and chews her pacifier, and Marge glances sideways with a faint smile. Behind them a pink shelf holds a plate, bottles, a pot and hanging mugs.

> Everything from change me to turn off that damn Raffi record.
> Oh, that's a very clever idea.

Frame: https://ultrahouse3k.com/img/S03E24/977852.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/980771

## 16:24–16:32

Maggie, with a pacifier and blue bow, sits at a bar counter beside Homer, a bald-topped man in a light blue shirt and tie, and Marge with her tall blue beehive and red beads. Homer grins and raises a finger near Maggie's head, then leans over and glances up with a worried look while Maggie stays seated with her arms on the counter. A later close-up shows Homer with his eyes squeezed shut and teeth clenched in a grimace, in front of a pink arched doorway.

> All I need is a couple of thousand dollars to build a prototype.
> You'll have your money back in 30 days, I swear.
> I think we owe a debt to Uncle Herb. He took us into his home and Dad destroyed him.

Frame: https://ultrahouse3k.com/img/S03E24/985985.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/988905

## 16:32–16:42

Lisa, wearing a pearl necklace, sits at a table with Homer, in his white shirt, on the left and Bart, in his orange shirt, on the right, all in a pink room with red chair backs and balloons overhead. Lisa first grins widely in a close-up, then her mouth opens as she speaks with wide eyes. Bart gestures with an open hand toward Homer, then closes his eyes and raises his hand as he talks, while Lisa watches between them.

> Dad, you know some shyster's gonna bilk you out of your money.
> It may as well be your brother.

Frame: https://ultrahouse3k.com/img/S03E24/994118.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/997455

## 16:42–16:50

Homer, bald and in a white shirt, leans over a yellow table in a pink room with an arched doorway, a red lamp and a dish on a shelf. Across from him, Herb, with brown hair and a light blue shirt and tie, stands listening with a worried look. Homer's mouth opens wide as he talks, then he closes it and stares in dismay, while Herb's eyes shift and his expression stays grim.

> All right, Herb. I'll lend you the 2,000 bucks.
> But you have to forgive me and treat me like a brother.
> Nope.
> Okay, then just give me the drinking bird.

Frame: https://ultrahouse3k.com/img/S03E24/1003085.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1006422

## 16:50–16:57

Homer, the bald man in a light blue shirt, cradles Maggie, the baby with a blue bow and pacifier, who is holding a paper or clipboard, in a pink room with a purple dresser. A pencil sits behind Homer's ear as he looks sideways and then droops his eyelids, while the green trace on the 'Oscilloscopes 4-Less' machine on the dresser changes shape. Toy blue cars hang from the wall above the dresser.

> Let's see. What could you be trying to say?
> Nothing downstairs.

Frame: https://ultrahouse3k.com/img/S03E24/1011844.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1014347

## 16:57–17:05

Homer, a bald heavy man in a light blue shirt and tie, holds baby Maggie, who wears a blue bow, in a pink room with an oscilloscope and blue toy cars on the wall and dresser. Homer keeps a green pencil between his lips while holding a clipboard, and Maggie reaches toward him and then leans in close to his face. Over the moments shown, Maggie moves from his side to nose-to-nose with him as he stays focused on her.

> You just took a nap.
> I want to suck your nose.

Frame: https://ultrahouse3k.com/img/S03E24/1019143.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1021437

## 17:05–17:12

Carl, a Black man in a light blue shirt, tie and blue trousers, starts by raising his hands beside a yellow curtain, then stands with his hands on his hips over Maggie, a baby in a blue outfit and blue bow who kneels by a shelf of books and a radio-like device. A red book balanced on Maggie's head slips and she looks up uneasily, and Carl then grins while holding a clipboard beside a grey oscilloscope with a green wave on its screen. The closing view shows the machine's label reading "Oscilloscopes 4-Less" in black letters above the glowing green trace.

> I'm scared. Hmm.

Frame: https://ultrahouse3k.com/img/S03E24/1026234.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1028528

## 17:12–17:24

Lisa leans over a prone Homer on the floor in front of the brown couch while Bart sits on the couch back reading a magazine, and Lisa presses and pats Homer's back and head. The scene dissolves into the living room, where Marge and Maggie sit on a red couch beside Homer as a man in a blue suit stands by an upright piano next to a white sheet-draped object near the fireplace. A red table lamp and a framed sailboat picture hang on the pink walls.

> The amplitude of the sine wave is insufficient for burp me.
> And this sawtooth formation is something I've never...
> Eureka.
> Now, I bet you're all wondering what lies under this sheet.

Frame: https://ultrahouse3k.com/img/S03E24/1033324.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1038329

## 17:24–17:36

Homer, Bart, Lisa, Marge and Maggie sit together on a red couch in a pink living room, with Homer in a white shirt and blue jeans on the left and Maggie holding a pacifier in a blue bow on Marge's lap at the right. Homer, in a blue suit with a grey tie, stands beside a draped white sheet over a box-like object, then steps forward and lifts the sheet to reveal a homemade machine of wooden crates, a blue cylinder with a hose, and a green oscilloscope-style screen. The family gathers around the gadget as a labeled wooden box reading PATENT NO 214 68 767 sits in front, and a green and a red light glow on the device while the family watches with wide eyes.

> Not really. We peeked inside while you were in the john.
> Oh.
> Well, here it is again.
> My baby translator.
> Whoa!
> Marge, you don't have to humor me. Well, it's pretty ingrained.

Frame: https://ultrahouse3k.com/img/S03E24/1045419.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1050424

## 17:36–17:49

Homer, Bart, and Lisa sit on a red couch in the pink living room, with Marge and baby Maggie visible behind them in the first moments, while Herb, in a blue suit, stands at the right. They are gathered around a wooden crate labeled PATENT with a number, which has a microphone, a pink light, and a green light on top. Homer looks on and then becomes agitated, scowling and raising both arms in exasperation as Herb speaks with his mouth open, while Bart and Lisa watch with wide eyes.

> What do you think, Homer? Herb, this is the stupidest thing I've ever seen.
> I can't believe we blew 2,000 bucks on it when right now rollers could be kneading my
> buttocks. Homer, could you stop thinking about your ass?

Frame: https://ultrahouse3k.com/img/S03E24/1057515.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1063145

## 17:49–18:01

Herb, a brown-haired man in a blue suit, scowls in a pink living room while Homer, Bart, Lisa, and Marge holding Maggie with a pacifier watch from the couch. Later the family gathers around a wooden crate holding a machine with a microphone, wires, and a glowing light, labeled PATENT # 214466707, as Homer leans in and Herb stands at the right edge. Framed family portraits hang on the wall behind them.

> I try, but I can't.
> Lavish attention on me and entertain me.
> Maggie, you talked!
> You see? It tells you exactly what's on the baby's mind.

Frame: https://ultrahouse3k.com/img/S03E24/1070861.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1075658

## 18:01–18:14

Homer, the bald, heavy man in a white shirt, is seen in the first frame with his arms raised beside Herb, who looks like Homer with brown hair and a suit. Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, leans in and holds the face of Maggie, the baby with a pacifier and blue bow, as Maggie sits on a green cushion in front of a red lamp. In the later frames, the setting is a pink room with a purple cabinet, two framed pictures, and a wall clock; a gadget with a green dial, a blue wheel, a tube, a microphone and blinking red and green lights sits on a lavender table. Homer watches the gadget from the left side of the frame, and Herb, in a blue suit and tie, leans over the device and gestures toward Homer as he speaks.

> Maggie! Maggie!
> Where did you go? Peek-a-boo!
> Oh, there you are.
> Very amusing.
> Well, Homer, now what do you think? I don't know, Herb.

Frame: https://ultrahouse3k.com/img/S03E24/1082540.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1088170

## 18:14–18:26

Homer, Bart, Lisa, Marge and baby Maggie gather in a pink living room with a red sofa, while Herb, a brown-haired man in a blue suit, stands at the right edge. Homer lifts a wooden-cased device with dangling wires and a green light, then holds it out in both hands as Marge and Maggie look on and the children on the sofa stare with wide, uneasy eyes. Their expressions grow more anxious as the device is held up, with a painting on the wall behind them and a small table in front.

> People are afraid of new things.
> You should have taken an existing product and put a clock in it or something.
> Homer, every mother in the country is going to want one of these.
> I have soiled myself.

Frame: https://ultrahouse3k.com/img/S03E24/1095886.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1100891

## 18:26–18:37

Homer, in a light blue shirt, starts at a cluttered workbench of gadgets with a green-lit box and a round metal dish, then stands with the family in a pink living room as a man in a blue suit holds out a small object across a table, with Bart, Lisa, Marge with her tall blue beehive, and Maggie watching. The scene moves to a dim purple room where Homer, grimacing with wide eyes, gestures with one hand while Marge, behind him with her blue beehive, looks on, and a framed picture of a creature hangs in the upper left.

> How embarrassing.
> I gave Herb all the money I had in the world,
> and he still treats me like something he dug out of his ear.
> Don't worry.

Frame: https://ultrahouse3k.com/img/S03E24/1107982.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1112361

## 18:37–18:46

Marge, with her tall blue beehive, first sits wide-eyed with a strained grin in a dim purple interior, then her eyes shift sideways as Homer, bald and in a light blue shirt, sits in front of her with his mouth open and eyes darting before he settles into a clenched grin. The scene then shows the entrance of the Baby Expo, where a red carpet leads toward glass doors beneath a sign reading "BABY EXPO TU-FR: TWIN CONVENTION NO TRIPLETS!" with red and yellow flags on poles to the right.

> He can't stay mad at you forever.
> He is your brother.
> Well, when is he gonna act like it?

Frame: https://ultrahouse3k.com/img/S03E24/1118826.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1121954

## 18:46–19:00

Marge, recognizable by her tall blue beehive, stands beside a moustached man and a toddler as Santa's Little Helper, the brown greyhound, leaps and circles around the child at a crowded baby expo with pink booths and signs reading 'Toy Insurance' and 'Wacky Wipes'. Later, a crowd gathers around a large red radio-controlled plane, and a balding man with glasses and a blue bow tie looks off to the side while speaking. The plane's yellow-faced pilot figure with goggles stays visible above the crowd.

> This radio-controlled plane gives your baby the chance to fly, just like my son here.
> He can execute the barrel roll, loop-de-loop,

Frame: https://ultrahouse3k.com/img/S03E24/1127376.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1133215

## 19:00–19:11

Ned Flanders, in a green sweater and glasses with a moustache, stands at the front of a classroom holding a remote on a long pole while a red toy airplane hangs from the ceiling. A crowd of one-off onlookers in sweaters and blue tops stares up at it, and the plane moves in the air, then comes down to hang near a window beside stacked chairs and a bulletin board. Ned looks up and talks, then turns his attention to the window as the plane drops toward it and the crowd turns to watch.

> then bring it in for the perfect landing.
> Oh, dear.
> My wife is going to kill me.

Frame: https://ultrahouse3k.com/img/S03E24/1141349.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1145936

## 19:11–19:23

Herb, a brown-haired man in a blue suit, stands beside a grey-haired older woman in front of a pink wall with a BABY TRANSLATOR sign, while a woman in a brown dress holds a baby in a white bonnet and a man in a green sweater and red tie stands with arms crossed, and a small dark-haired boy peeks in at the bottom right. The group is gathered around a wooden gadget on a pink counter, with a microphone, a green wavy-line dial, a glowing light, and a large blue spool, and in the earlier view a patent label reading PATENT # 2146617 is pinned to its wooden box.

> I only want to eat candy.
> Then that's all you'll get.
> This leash demeans us both.

Frame: https://ultrahouse3k.com/img/S03E24/1152818.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1157406

## 19:23–19:34

A crowd gathers in an office hallway as a tan-dressed woman with a brown bob and white collar and a blonde woman in a blue turtleneck watch, and a man in a light blue suit with a pink tie and a curly blond hairdo opens a black briefcase stacked with cash for a bald man in a blue jacket and a moustached man in a red sweater. Afterward, Herb, a brown-haired man in a blue suit and brown tie, holds fanned-out bills beside his head and then raises them in both hands, cheering in front of a pink wall and a poster of baby Maggie with the word TRANSL... visible. The briefcase sits at the edge of the frame.

> I'll take two. I'll take a dozen. I represent the Precious Baby Discount Stores.
> I'll take 50,000. I'm rich again.
> USA!

Frame: https://ultrahouse3k.com/img/S03E24/1164288.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1168876

## 19:34–19:42

Homer in a white shirt, Marge with her tall blue beehive and red bead necklace, and baby Maggie with a pacifier and blue bow stand indoors by a purple-framed window beside a brown-haired man in a purple coat and tie. The scene opens on the empty exterior of the Simpson house, then Homer holds out a small white check toward the stranger, who looks on nervously while Marge holds Maggie. Homer smiles as the man's eyes widen and he grimaces, and the group stays close together.

> Homer, here's a check for $2,000.
> But I also wanted to give you each a little something for believing in me.

Frame: https://ultrahouse3k.com/img/S03E24/1175758.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1178469

## 19:42–19:54

Herb, a brown-haired man in a suit and tie, and Lisa, the girl with star-shaped spiky hair and a pearl necklace, stand together in a pink room beside a red coat rack holding a purple coat and a framed painting. Herb holds up a red book with "ETHAN FROME" printed on its cover and grins while Lisa looks up at him and then down at the book. Herb's mouth opens wide as he keeps talking, then he settles into a closed-mouth smile while Lisa reaches toward the book and smiles back.

> Lisa, this is the first volume of the great books of Western civilization.
> You'll receive a new one every month, from Beowulf to less than zero.
> Finally, a copy of Ethan Frome to call my own.

Frame: https://ultrahouse3k.com/img/S03E24/1183265.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1188062

## 19:54–20:05

Homer, in a blue suit and black tie with a tan strap bag over his shoulder, stands in a pink-walled room beside Bart, who wears a red cap and an orange shirt. Homer leans toward Bart with a wary, grimacing look, then grins and holds up a small white card reading NRA between his fingers while Bart, smiling, watches. Framed pictures hang on the wall behind them, and a white plate sits near the doorway.

> Now, Bart, I know you're too young for that machine gun you wanted,
> but I'm going to give you something that'll make sure when you're old enough,
> you can still buy one. A membership in the National Rifle Association.
> Wow, the NRA.

Frame: https://ultrahouse3k.com/img/S03E24/1195152.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1199740

## 20:05–20:13

Bart Simpson, in a red cap and orange shirt, sits on a maroon couch in front of a mantel with framed family portraits, holding a small white handheld game and grinning with his eyes glancing sideways. He then looks up and turns his head with a closed-mouth smile while still seated before the mantel. Next, a brown-haired man in a suit and tie, who looks like Herb, stands against a pink wall with an arched pink alcove, grinning with teeth showing and wide eyes. He then glances down with half-closed eyes and a smug, closed-mouth smirk.

> Can I get armor-piercing cyanide-tipped bullets, too?
> It's in the Constitution, son.
> Maggie, who brought me my fortune.

Frame: https://ultrahouse3k.com/img/S03E24/1206622.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1209333

## 20:13–20:22

Herb, a brown-haired man in a grey suit carrying a small bag, stands in a pink hallway with an arched doorway and a framed portrait of Marge, gesturing and talking to Marge, who has a tall blue beehive and holds Maggie, a baby with a pacifier and blue bow. Herb grins and waves his hand, then looks serious and wary while Marge smiles and then turns serious too, and the scene widens to a room where Homer in a white shirt stands beside them as Santa's Little Helper eats from a bowl on green carpet next to a blue table cluttered with objects, with Lisa in a red dress at the edge.

> I'll give you anything you want in this world.
> I want what the dog's eating.
> I'll get you something nice. Now, Marge...

Frame: https://ultrahouse3k.com/img/S03E24/1214338.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1217675

## 20:22–20:34

Herb, a brown-haired man in a suit, and Marge, with her tall blue beehive, stand with baby Maggie in a pink hallway that has a framed portrait and a teapot on a table. Herb smiles and points at Maggie's pacifier, then turns stern and wide-eyed while Marge grins with closed eyes, and then her face tightens into a frown as Maggie clutches her blue outfit. Herb finally grins and holds a fanned stack of green bills near Maggie's face while Marge looks away with heavy-lidded eyes.

> Herb, I appreciate your generosity, but I don't need any gift from you.
> You're too late, Marge. I got you a new washer and dryer.
> and I sold the old ones for 50 bucks. No!

Frame: https://ultrahouse3k.com/img/S03E24/1223305.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1228102

## 20:34–20:42

Moe, the grey-haired bartender, and Barney, the heavy drunk with messy brown hair, are in the bar, with a blonde woman in an orange top and a man in a green cap and vest raising their drinks at the counter as a tape reading FINISH stretches across the blue floor. Barney, in a pink shirt and blue pants, sits on a stool beside boxy machines labeled 55 and 17, lifting a mug and gulping as the machines sit in the finish line. Moe then strides over to machine 17, scowls, and kicks it hard with his foot, sending the cord on the floor flying, while a Duff sign hangs on the wall behind him.

> No!
> Come on!
> Washer!
> Yes!
> Oh, you stupid triad!

Frame: https://ultrahouse3k.com/img/S03E24/1235192.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1238112

## 20:42–20:48

Herb, a brown-haired man in a grey suit carrying a tan bag, stands at left in a pink room beside a red side table and framed picture, facing Homer, who wears a white shirt and blue pants. Marge, in a green dress with her tall blue hair, holds Maggie with a pacifier, while Bart in an orange shirt and red hat and Lisa in a red dress with pearls stand at right by a bright window. Homer speaks and reaches his arm toward Marge and Maggie, then Herb raises his hand and gestures with his mouth open as the family watches.

> Herb, I don't think there's a vibrating chair in that bag for me.
> Homer, walk me to my car.

Frame: https://ultrahouse3k.com/img/S03E24/1243325.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1245619

## 20:48–20:57

Herb, a brown-haired man in a purple suit and black tie carrying a tan sack, and Homer, bald in a white shirt and blue pants, stand together at an orange front door with a purple knocker. Homer gestures with an open hand while the two talk face to face, Herb speaking and Homer looking uneasy, and a staircase with a red runner is visible behind them at the start.

> What do I get? What do I get? It's not another punch in the face, is it?
> Because if it is, I don't want it. This is what you get, Homer.
> I forgive you.

Frame: https://ultrahouse3k.com/img/S03E24/1249999.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1253127

## 20:57–21:05

Herb, a brown-haired man in a purple suit with a tan bag strapped over his shoulder, stands face to face with Homer, who wears a white shirt and blue pants, outside a building with an orange arched door and teal-shaded windows. Herb raises a hand, gestures with it toward his chest and then lowers it, while Homer stands stiffly with a worried, sidelong look. Their positions stay largely the same throughout, with the bookshelves and orange door unchanged behind them.

> You can call me brother, and I can do the same.
> That's it? That's it.
> I see your point, brother.

Frame: https://ultrahouse3k.com/img/S03E24/1258340.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1261469

## 21:05–21:13

Herb, a brown-haired man in a purple suit and black tie carrying a tan bag over his shoulder, stands with Homer, the bald, heavy man in a white shirt, outside a building with arched windows and a rounded orange door. At first Herb gestures with an open hand while talking and Homer stares wide-eyed with his mouth open, then Herb wraps his arms around Homer in a hug while Homer stands stiffly with his arms at his sides. In the final moments Homer's arms rise to embrace Herb back, and the tan bag hangs at Herb's side.

> Give me a hug, brother.
> All right, but I never really hugged a man before.

Frame: https://ultrahouse3k.com/img/S03E24/1266682.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1269810

## 21:13–21:24

Homer, bald in a white shirt and blue pants, and Herb, brown-haired in a purple suit with a tan bag over his shoulder, stand on a street beside a beige Seatery delivery van with a 'NEW Spine Meter 2000' sign and a driver in the cab. Homer wraps Herb in a tight embrace, and as they grip each other, their faces press together while Herb's eyes widen and Homer's stay half-lidded. The hug continues outside a building with arched windows, with both men smiling as Homer squeezes Herb closer.

> Home where I bought you the damn chair.
> That's enough, Eric. Get out of here.

Frame: https://ultrahouse3k.com/img/S03E24/1275024.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1279195

## 21:24–21:27

Homer lounges in a blue armchair while Marge knits on the brown couch, Lisa stands reading a red book, and Bart lies on the colorful rug with his chin on his hands as Maggie, wearing a blue bow and pacifier, crawls across the green carpet near Santa's Little Helper, the brown greyhound lying asleep on the floor. Over the moment Homer's eyes drift half-closed and he settles deeper into the chair, Marge's knitting needles keep moving, Lisa stays absorbed in her book, and Maggie crawls toward the dog. A grey television cabinet sits at the right edge of the pink living room, beside a purple lamp and a framed sailboat picture on the wall.

Frame: https://ultrahouse3k.com/img/S03E24/1285659.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1286076

## 21:27–21:37

Homer appears as a series of stretched, wiggling yellow cartoon figures drifting across a pale grey background, three of them arranged around the white-lettered credit text reading Executive Producers, James L. Brooks, Matt Groening and Sam Simon. The figures shift and smear into a blur as the credits fade to black, then the screen shows a black background with the yellow credit Starring Dan Castellaneta, which gives way to a black screen with the yellow credit Julie Kavner.

Frame: https://ultrahouse3k.com/img/S03E24/1288788.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1292541

## 21:37–21:47

No Simpsons characters appear in this sequence; it is a black title-card sequence in the style of the show's opening credits. Yellow text appears centered on the screen one line at a time: first 'YEARDLEY SMITH', then 'HANK AZARIA' followed by 'and HARRY SHEARER', then 'Also Starring MAGGIE ROSWELL', and finally 'Special Guest Voice DANNY DeVITO', each replacing the previous on the plain black background.

> We'll be right back.

Frame: https://ultrahouse3k.com/img/S03E24/1298380.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1302343

## 21:47–21:56

No Simpsons characters appear in this moment; it is a black title card sequence of yellow credit text centered on the screen. First, the words 'Special Guest Voice JOE FRAZIER' are shown, then they are replaced by 'Executive Consultant BRAD BIRD', then 'Story Editors BILL OAKLEY & JOSH WEINSTEIN', then 'Creative Consultant DAVID M. STERN', and finally 'Associate Producers J. MICHAEL MENDEL and JOSEPH A. BOUCHER' appears, each credit cutting to the next against the plain black background.

Frame: https://ultrahouse3k.com/img/S03E24/1308182.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1311936

## 21:56–22:06

No characters appear in this moment; it is a black closing credits sequence of yellow text on a plain black background. The frames show the credits in order: 'Theme By DANNY ELFMAN' fades to 'Casting By BONITA PIETILA', then 'Editors MARK McJIMSEY and DON BARROZO', then 'Animation Production Manager KEN TSUMURA' with 'Post Production Supervisors JEFFREY GOLDSTEIN and COLIN A.B.V. LEWIS', and finally a list of 'Dialogue Sound Editors BOBBY MACKSTON, TERRY GREENE, MARK McJIMSEY', 'Music Editor CHRIS LEDESMA', 'Sound Effects Editor TRAVIS POWERS' and 'Re-Recording Mixers R. RUSSELL SMITH, ANTHONY D'AMICO, GREG ORLOFF'.

Frame: https://ultrahouse3k.com/img/S03E24/1317983.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1321737

## 22:06–22:16

No characters appear in this moment; it is a black closing credits sequence with yellow text. Frames show production credits: Production Coordinators Jacqueline Sillo and Sarah Werner, Production Mixer Brad Brock, Sound Recordists Ronald Cox and Randy Piotroski, Script Supervisor Louise Jaffe, Post Production Audio Facility Skywalker Sound, Post Production Facility Laser-Pacific, and Presented in Dolby Surround. The text then changes to assistant and producer credits, followed by Animation Produced By Klasky-Csupo Inc. with Animation Executive Producer Gabor Csupo, Animation Producer Sherry Gunther, and Overseas Animation Directors Mike Girard and S.J. Kim with Animation Production Manager Maria Elena Rodriguez. The names fade in and out one screen at a time, moving from top-line credits to the end.

Frame: https://ultrahouse3k.com/img/S03E24/1327785.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1331539

## 22:16–22:26

No Simpsons characters appear in this moment; it is a black closing credits roll. First a yellow caption reads "Korean Production Company AKOM PRODUCTION," then white-and-yellow credit lists follow on black: Assistant Director Alan Smart, Storyboard Supervisor Steven Dean Moore, Storyboard Raymie Muzquiz, Kevin O'Brien and Steven Dean Moore, Storyboard Revisions Jerry Richardson and Kelly Spencer James, Character Design Supervisor Dale Hendrickson, and Character Design Scott Alberts, Matt Groening, John Rice, Sam Simon and John Holmquist, followed by Background Design Alex Dilts and Lance Wilder. The credits then scroll up to character layout artists, background layout artists, animation timing and lip sync, then main title design by David Silverman, main title animation, background cleanup, negative cutting and telecine credits.

Frame: https://ultrahouse3k.com/img/S03E24/1337586.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1341340

## 22:26–22:35

No characters appear; the scene is a black screen of yellow end credits listing production coordinators Miles Lewis Horst and Julia Kim, post production coordinator Tami Sloan Tsark, production assistants Daniel O'Day McClellan, Sharon Altman, Doria Biddle and Lisa Womble, and production accountant Carole Ann McCoy. The credits then show a fictitious-persons disclaimer and copyright notice for The Simpsons Episode #8F23, 1992, Twentieth Century Fox Film Corporation, followed by Michael P. Schoenbrun as Executive in Charge of Production for Gracie Films, Sam Simon as Creative Supervisor, and James L. Brooks as Executive Creative Consultant, each card replacing the last in turn.

> Shh.

Frame: https://ultrahouse3k.com/img/S03E24/1347179.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1350933

## 22:35–22:45

Dark silhouettes of unnamed audience members sit in rows of a cinema, with one large curly-haired figure at left, watching a blank screen. The screen then lights up with a blue projector beam showing the Gracie Films logo, followed by the white text "IN ASSOCIATION WITH" on black. The scene ends with the gold "20th Television" logo rising against a cloudy sky with searchlight beams, then fades to black.

Frame: https://ultrahouse3k.com/img/S03E24/1356981.jpg
Page: https://ultrahouse3k.com/episode/s03e24-brother-can-you-spare-two-dimes/1360526