# Homer's Barbershop Quartet The Simpsons, season 5, episode 1 (S05E01), first aired September 30, 1993. Written by Jeff Martin. Directed by Mark Kirkland. Production code 9F21. Guest stars: David Crosby; George Harrison. Chalkboard gag: "I will never win an Emmy.". Couch gag: Clapboard. At a swap meet, Bart and Lisa find an old record with Homer on the cover, and he tells them how he, Apu, Principal Skinner and Barney, who replaced Chief Wiggum, became the 1985 barbershop sensation the Be Sharps. Homer's song "Baby on Board" makes them stars, wins a Grammy and gets Homer a meeting with George Harrison, but fame, quarrels and Barney's avant-garde girlfriend soon break the group apart. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Mr. Burns, Nelson Muntz, Jasper Beardsley, Reverend Lovejoy, Groundskeeper Willie, Santa's Little Helper, Lou, Snowball II, Mayor Quimby, Agnes Skinner, Horatio McCallister, Comic Book Guy, Snake, Sarah Wiggum, Herman Hermann, Old Jewish Man, Alice Glick, Bleeding Gums Murphy, Just Stamp the Ticket Man, Mayor Quimby's Bodyguards, Lurleen Lumpkin, Ronald Reagan, John F. Kennedy, Johnny Carson, Ringo Starr, David Crosby, George Harrison, Jay Nahasapeemapetilon, ALF, Camping Woman, Irish Pete, Kako, Leon Kompowsky, Spinal Tap, Aerosmith, Joan Rivers, Methuselah, The Human Fly, Village People, Chicken, Dean Martin, Giant Squid, Melvin and the Squirrels, Newspaper reader, Nigel, Paperboy, Queenie, Reporter 1, Reporter 2, Reporter 3, The Be Sharps, Toy Stand Guy. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:07 No characters appear in this moment; it is the opening title sequence of The Simpsons against a blue sky with drifting tan and white clouds. The first frame is black, then the clouds slide across the screen, and the yellow title text 'THE SIMPSONS' appears in the sky, with 'THE' above and 'SIMPSONS' spelled out in bold letters, growing fully legible as the clouds keep moving past it. > The Simpsons Frame: https://ultrahouse3k.com/img/S05E01/1043.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/3962 ## 0:07–0:15 No characters appear in this animated scene of the town of Springfield. The view opens over the Springfield Nuclear Power Plant, with its twin cooling towers marked by atom symbols and a yellow banner reading "Welcome to Springfield Nuclear Power Plant" in the foreground, above rows of pink, orange and grey buildings and green hills. The view then pans over the rooftops and a large cooling tower toward a street lined with a striped awning and a potted tree, leading to the front of a building with a sign reading "Springfield Elementary School" above double glass doors and steps. The scene ends on a close view of the school's side wall, where a window reveals a classroom with a desk and a chalkboard. Frame: https://ultrahouse3k.com/img/S05E01/8759.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/11678 ## 0:15–0:23 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at a classroom chalkboard filled with rows of "I WILL NEVER WIN AN EMMY" written in white chalk, a red wastebasket and a clock nearby. He turns, writes a line, then hops and grins with his arms out before the scene cuts to the exterior of a school building with an Elementary School sign above its glass doors. Bart then rides a green skateboard down a sidewalk past a tall office-style building with his arms raised in celebration. Frame: https://ultrahouse3k.com/img/S05E01/16683.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/19394 ## 0:23–0:35 Homer, in a yellow hazmat suit with an orange-trimmed hood, pulls an orange lever under a glowing green light beside a CAUTION sign, then reaches to press a red button, while Mr. Burns and Smithers watch from a booth nearby with a blueprint in hand. The scene shifts to a store where Maggie, with her blue bow and pacifier, reads a magazine titled MOM MONTHLY in a shopping cart beside a blue checkout counter with a CHECKS sign, and Marge, with her tall blue beehive and red beads, smiles with her eyes closed as Maggie looks up at her. Frame: https://ultrahouse3k.com/img/S05E01/24399.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/29613 ## 0:35–0:47 Lisa, the girl with star-shaped spiky hair and a red dress, sits among a crowded school band of brass and woodwind players while an older man in a bow tie and pink sweater conducts from a music stand under a bust of a composer. Lisa then clutches her saxophone and runs out through blue double doors down an orange hallway lined with posters. Homer, bald with stubble and a white shirt, sits behind the wheel of a pink car, pressing one hand to his head. > Oh, Frame: https://ultrahouse3k.com/img/S05E01/37120.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/41708 ## 0:47–0:57 Bart, the spiky-haired boy in an orange shirt, rides a yellow skateboard along a city sidewalk, arms spread wide, past a purple brick wall. Next, a brown-haired man in a purple sweater and sandals, not Homer, holds Bart on the skateboard in front of a shop window filled with Krusty the Clown TV screens, while a bit of a yellow-skinned figure in blue jeans stands at the left edge. The scene then cuts to an orange car driving down a street toward a pink building with a sign and a brown statue, and to Maggie, with her pacifier and blue bow, looking startled against a purple background. Frame: https://ultrahouse3k.com/img/S05E01/48590.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/52553 ## 0:57–1:08 Maggie sits in a red armchair gripping a steering wheel with her pacifier in her mouth while Marge, with her tall blue beehive, sits beside her in a car. The scene moves outside to a hillside street, then to a driveway where a pink car sits in front of a yellow garage and Bart rides a skateboard on a brick wall. Lisa pedals a red bicycle past Homer, who leans over the open hood of the pink car, and finally Homer stands in a purple room beside a red bed, mouth open and arm outstretched in alarm. > my God. Frame: https://ultrahouse3k.com/img/S05E01/58809.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/63188 ## 1:08–1:21 Homer, Marge, Bart, Lisa and Maggie are in a pink living room when the maroon couch bursts apart into flying yellow and white chunks, with the family tumbling through the debris until the room is left empty except for the couch, lamp and telephone. The family then piles onto the couch, with Homer and Bart sprawled across it, while Lisa, Marge and baby Maggie sit together, all wide-eyed and wrapped in a striped cloth. A yellow-gloved hand holds up a clapperboard reading "COUCH GAG" and "TAKE 3" in front of the empty couch, beside a sailboat painting and a purple lamp. > Take two. > Take three. Frame: https://ultrahouse3k.com/img/S05E01/70070.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/75284 ## 1:21–1:31 No regular characters appear; a dark, swirling column of smoke descends from the top of a pink living room, its base leaving a black scorch mark on the teal rug beside a maroon couch, a purple lamp and a telephone on a side table. The smoke then fades, leaving the empty room, and the scene ends on a television screen that first reads "Created by Matt Groening" in yellow letters, then "Developed by James L. Brooks, Matt Groening, Sam Simon." Frame: https://ultrahouse3k.com/img/S05E01/82583.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/86545 ## 1:31–1:43 A crowd of unnamed townspeople gathers at the Springfield Swap Meet, with a bald man with glasses and a woman in red among those in the foreground. The scene opens on a billboard showing a cornucopia spilling over with a television, tools, and other goods above the words SPRINGFIELD SWAP MEET, then pans to the busy fairground strung with bunting, where a bicycle and a booth sit among the stalls. The on-screen credit 'Executive Producers AL JEAN & MIKE REISS' appears over the crowd, which later clusters around a bunch of pink and blue balloons under a blue sky. > Human roaches feeding off each other's garbage. Frame: https://ultrahouse3k.com/img/S05E01/92593.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/97389 ## 1:43–1:57 A man in a purple suit stands at a podium under a 'Springfield Swap Meet' banner, speaking into a microphone and gesturing with his hands, flanked by two men in black suits and sunglasses. A crowd of onlookers holding lamps, a framed fish, a clock and other goods presses in at the front of the sunny outdoor fair. On-screen captions identify the speaker in turn as Supervising Producer George Meyer, Producer Jon Vitti and Producer John Swartzwelder. > The only thing you can't buy here is dignity. > Welcome, swappers, to the Springfield Swapmeet. > Ich bin ein Springfield Swapmeet patron. Frame: https://ultrahouse3k.com/img/S05E01/104271.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/110110 ## 1:57–2:08 A crowd of townspeople claps in front of a chain-link fence, then Producer Jeff Martin speaks at a wooden podium flanked by two men in dark suits and sunglasses, one wearing a white hat. Moe, the grey-haired bartender, stands behind a wooden booth sign reading "Handicrafts by Moe" beside a bucket and cash box of painted oyster shells, holding one shell up and touching his cheek as he examines it. Captions on screen read "Producer JEFF MARTIN" and "Producer CONAN O'BRIEN" over the booth scenes. > I need a drink and a shower. > Oyster shells, hand painted to resemble Lucille Ball, > you'll love Oyster Lucy. > Oh, Mr. Mooney, I just gotta meet Bob Cummings. Frame: https://ultrahouse3k.com/img/S05E01/118243.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/123040 ## 2:08–2:19 Bart in his orange shirt, Nelson in his vest, and Milhouse with blue hair and glasses first appear at a fair table marked FREE TRADING CARDS, with a grey-haired man in a white hat behind them. Before that, a yellow-gloved hand holds up a grey puppet with orange curly hair, a red polka-dot bow and a wide red mouth that opens and closes against a blue backdrop. Then the three gather at the table, Bart's mouth open in surprise as he looks down at the scattered cards while Milhouse smiles and leans in beside him. > Viv! > Oh, boy, free trading cards. > Wow! Frame: https://ultrahouse3k.com/img/S05E01/129921.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/134301 ## 2:19–2:30 A yellow cartoon hand, belonging to an unseen figure whose face is not shown, holds up trading cards in a shop, with cardboard boxes and a stack of cards on the purple counter behind. First it shows a card titled Joseph of Arimathea, a bearded old man in a green robe and white headdress with a blue All-Star banner, then the hand flips to the card's reverse, which lists 26 conversions and A.D. 46 in a stats table with small text beside it. The hand then switches to a Methuselah rookie card, showing a white-bearded old man with a long staff in striped robes, with the name Methuselah printed at the top and a Rookie Card banner at the bottom, while a box behind reads partly UJAH. > Joseph of Arimathea! > 26 conversions in AD 46. > Whoa, a Methuselah rookie card. > Well, boys, who'd have thought learning about religion could be fun? Frame: https://ultrahouse3k.com/img/S05E01/140974.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/145145 ## 2:30–2:44 Ned Flanders, with his moustache, glasses and green sweater, stands before a wall of framed photos while Bart, in his orange shirt, Nelson, in a blue vest over a red shirt, and Milhouse, with blue hair and glasses, stand together in a store holding small handheld devices. Nelson grimaces and talks while Bart and Milhouse look on, and then Lisa in a red dress and pearl necklace leans over a cardboard box of toys and points at a small bald doll inside, next to a basketball, a trumpet and a purple toy. The on-screen credits read "Produced by RICHARD SAKAI" and "Directed by MARK KIRKLAND." > Religion? Learning? > Let's get out of here. > Hey! > Wow, an original Malibu Stacy from 1958. Frame: https://ultrahouse3k.com/img/S05E01/151610.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/157449 ## 2:44–2:54 Lisa Simpson, with her star-shaped spiky yellow hair, pearl necklace and orange skirt, holds a white-haired doll in a pink dress in a room, first beside the doll's white-haired head, then with the doll propped in a toy-filled space where a man in a green cap and olive shirt sits smoking a cigarette beside a cardboard box of toys and a purple plush. The scene then cuts to close-up of yellow hands with purple cuffs turning a grey cylinder with a slotted vent, stamped "PRISONER 24601", in front of rockets and medals on a table. > Ew. > Yeah, they took her off the market after some kid put both his eyes out. > Oh, my. Prisoner 24601. > Oh, God. Frame: https://ultrahouse3k.com/img/S05E01/165374.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/169336 ## 2:54–3:07 A scruffy man with reddish hair, a brown vest and a cigarette in his mouth stands at a roadside arms table with a grey-haired man in a grey suit and pink tie, beside a large grey tank marked with a radiation symbol and a Confederate flag. Guns hang on the left wall, and bullets, knives and rifles are spread across the table. The suited man lifts a grey canister while the vendor watches, then the vendor is seen peering through the barred porthole of the tank. The suited man pulls a grey hooded hazmat helmet over his head and stands with his arms folded beside the vendor. > I wore this for two years in a Viet Cong internment center. > Never thought I'd see the old girl again. > Still fits. > Small world, eh? > It is. It really, really is. Frame: https://ultrahouse3k.com/img/S05E01/175384.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/181014 ## 3:07–3:19 Homer, the bald, heavy man in a white shirt and blue pants, leans over a cardboard box at a yard sale stall while Moe, the grey-haired bartender, sits behind a table nearby. A sign on the box reads "ALL ITEMS 5¢", and pink slippers, a milk can, and a rubber tire sit on the grass. Homer bends over the box, peering inside, then straightens up holding up a grey grid-patterned cloth and grimacing as he examines it against the blue sky. > Ooh, five cents each. > Junk. > The airplane's upside down. Frame: https://ultrahouse3k.com/img/S05E01/188939.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/193735 ## 3:19–3:33 Homer, in a white undershirt, first peers into a cardboard box at a brown violin with a Stradivarius-style label, then sits in the background of a crowded shop with a stack of trinkets and paintings. Marge, with her tall blue beehive and red beaded necklace, holds up a wishbone necklace for a brown-shirted, brown-haired customer who stands at the counter. The customer leans in and the necklace is fitted at his neck as Marge keeps holding the strands. > Stratahoovius. > Your teenage son or daughter will think this wishbone necklace is really cool. > I doubt my son or daughter is that stupid. > No. Frame: https://ultrahouse3k.com/img/S05E01/200617.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/206248 ## 3:33–3:40 Bart, a spiky-haired boy in an orange shirt, and Lisa, a girl with star-shaped spiky hair in a red dress, stand at a records stall with a heavy bald vendor in a blue shirt, likely Carl's look-alike but unnamed here, behind a purple table with a record player and a sign reading RECORDS $1.00. Bart pulls out a black album titled Wonderful Marvelous Krusty, showing a clown in a tuxedo with a martini, then switches to a Metal record and finally holds up a purple Melvin and the Squirrels album showing a man in a grey shirt standing among cartoon squirrels. Bart grins as he displays the cover while Lisa watches beside him, and the bins of colorful records surround them. > Meh. > What the hell's this? > Melvin and the Squirrels, part of the rodent invasion of the early 60s. Frame: https://ultrahouse3k.com/img/S05E01/214172.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/216675 ## 3:40–3:48 Bart, a boy with spiky hair in an orange shirt and blue shorts, and Lisa, a girl with spiky hair in a red dress and pearl necklace, stand at a counter watching a heavy man in a blue shirt with a bald head and stubble. He holds up a red record sleeve, then gestures with a finger and lifts a black record toward his face, while the children look on. Behind the counter are crates of records, a sign reading "RECOR[DS] $1.00" and a bin labeled "MURPHY," with a winged "A" emblem hanging on the wall. > There's a feather in his cap and called it Rice-a-roni. Frame: https://ultrahouse3k.com/img/S05E01/221263.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/224182 ## 3:48–3:58 Lisa Simpson, with her spiky hair and pearl necklace, and Bart Simpson, in his orange shirt, stand behind a turntable in a room with a green wall and stacks of colorful records. Lisa leans over the record stack and gestures as Bart looks on, and then the scene cuts to a close view of an album cover in yellow hands, titled "Meet The Be Sharps" and showing four blue-faced men in hats against a black background. > Melvin! > Bart, look! > It's Dad! > Dad, when did you record an album? Frame: https://ultrahouse3k.com/img/S05E01/229396.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/233567 ## 3:58–4:10 Homer, Marge, Lisa, Maggie holding a pacifier, and Bart stand in a backyard decorated with red, yellow and green bunting, behind crates full of record albums. Homer holds up a red record sleeve and stares at it, while Bart stands to the right with a wary, grinning expression. Later, Homer, Marge, Lisa and Maggie throw their heads back laughing with eyes shut as Bart looks on, puzzled, and a close-up shows Bart grinning nervously and then opening his mouth to speak. A fence, a lamp, a clock and a fish picture are visible in the background. > I'm surprised you don't remember, son. It was only eight years ago. > Dad, thanks to television, I can't remember what happened eight minutes ago. > No, really, I can't. It's a serious problem. Frame: https://ultrahouse3k.com/img/S05E01/240031.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/244828 ## 4:10–4:20 Bart Simpson, the spiky-haired boy in an orange shirt, stands in a living room beside Marge, whose tall blue beehive and green dress are visible at the left edge, and then Bart's expression shifts from a worried stare to a wide-mouthed laugh with eyes squeezed shut before returning to a wide-eyed, open-mouthed look. In the first frames a backyard-style scene shows Homer, Marge, Lisa and Maggie laughing together behind stacks of colorful record albums in cardboard boxes, with Homer in a white shirt, Lisa in a red-beaded necklace and Maggie in her blue bow, while a string of pennant flags hangs across the top. Clocks, a lamp, a small framed picture and a green box sit on a brown draped table behind Bart. > What are we all laughing about? Frame: https://ultrahouse3k.com/img/S05E01/251918.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/255881 ## 4:20–4:29 Homer, Marge, Lisa, Maggie and Bart stand together behind a cluttered yard sale table piled with colorful record albums under a string of bunting, with a lamp, a small television and a fence behind them. Homer, in a white shirt, starts out with his eyes closed and then talks while holding up a red sheet of printed text, which Maggie, in her blue bow, sits in Marge's arms facing, while Lisa and Bart look on. Across the moments Homer's expression shifts from eyes shut to wide-eyed speaking, Marge keeps her gaze steady, and Lisa and Bart shift their attention between Homer and the sheet, with Maggie reaching toward the red paper. > Who cares? > Anyway, it all happened during that magical summer of 1985. > A maturing Joe Piscopo left Saturday Night Live to conquer Hollywood. Frame: https://ultrahouse3k.com/img/S05E01/261928.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/265265 ## 4:29–4:38 Homer, Marge, Lisa and Maggie stand together in a backyard with red, yellow and green bunting strung overhead, a white picket fence and a small television behind them. Homer, eyes closed and mouth open, stays in place while Marge holds Maggie, who sucks a pacifier, and Lisa stands in front of them. Then the scene cuts to an exterior of Moe's Cavern, a tudor-style bar with purple beams, a red door and the sign "MOE'S CAVERN" over the entrance, a parked car at the right edge, and the caption "SPRINGFIELD, 1985" appears across the bottom of the final shot. > People Express introduced a generation of hicks to plane travel, > and I was in a barbershop quartet. Frame: https://ultrahouse3k.com/img/S05E01/270896.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/274232 ## 4:38–4:50 A close-up shows a man in a dark suit and tie holding a grey cylindrical object to his mouth. Homer, in a white shirt and purple tie, Principal Skinner, in a grey suit with a pink shirt and orange tie, and Chief Wiggum, in his blue police uniform and cap, then stand together beside a microphone on a wooden stage in front of a green backdrop, first looking startled and talking, then joined by Apu in a green vest and white pants. The four gesture with their arms and sway side by side, leaning into one another and grinning as they sing. > Hello. > Hello. Hello. Hello, my baby, hello, my honey, Hello, > my ragtime, ragtime gal. Every afternoon at Moe's, Chief Wiggum, Principal Skinner, Frame: https://ultrahouse3k.com/img/S05E01/279654.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/284451 ## 4:50–5:02 Moe, the grey-haired bartender, polishes a mug with a white cloth behind the bar lined with shelves of glasses and bottles, then the scene shifts to a small stage with a standing microphone where Apu, a brown-haired man in a white shirt and purple bow tie (Herb), Principal Skinner in a grey suit, and Chief Wiggum in his police cap kneel side by side and sing with their hands on their chests. Afterward, Barney, a heavy man with messy brown hair in a pink shirt and blue sneakers, sits on a stool on the blue-tiled floor beside a blue vending machine, raising a white cloth or napkin, with red-topped bar stools and the microphone nearby. > Apu, and I would get together and sing, and the crowds went wild. > If you refuse me, honey, you refuse me, then you'll be left alone. Frame: https://ultrahouse3k.com/img/S05E01/291333.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/296338 ## 5:02–5:13 Bart Simpson, the spiky-haired boy in an orange shirt, stands at the right of the frame in the first and second shots, looking wide-eyed and uneasy while Marge, with her tall blue beehive, is partly visible at the left edge holding baby Maggie in her pacifier and blue bow. In the middle shot, Homer in his white shirt, Lisa with star-shaped spiky hair and a red dress, Marge holding Maggie, and Bart stand together in a backyard with bunting, a fence and a stack of colorful records in front of them, with Homer speaking and Bart looking off to the side. In the last two shots the scene tightens again on Bart, grimacing with his teeth showing and eyes glancing sideways, while Marge and Maggie remain at the left edge beside a wall of green and a purple table, with a clock and a green box on a brown tablecloth behind him. > Barbershop? That ain't been popular since 06, dagnabbit. > Bart, what did I tell you? No talking like a grizzled 1890s prospector. > Concern it. Anyway, rock and roll had become stagnant. Frame: https://ultrahouse3k.com/img/S05E01/303637.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/308225 ## 5:13–5:24 Homer, Marge, Lisa, Maggie and Bart stand together at a backyard party under red, yellow and green bunting, with a white picket fence and hills behind them. Homer, in a white shirt, first stands beside Lisa and Marge while Marge holds baby Maggie, who sucks a pacifier, and Bart stands at the right edge in an orange shirt. Homer then holds up a red sheet of text and speaks, with Lisa looking up at him, before he turns to the side with his mouth open and then closes his eyes with a smug expression. Boxes of colorful records line the foreground, and a lamp, a small television and a purple chair sit behind the fence. > Achy-breaky heart was seven years away. > Something had to fill the void. And that something was barbershop. Frame: https://ultrahouse3k.com/img/S05E01/314898.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/318860 ## 5:24–5:31 Principal Skinner, with neat grey hair and a suit, is seated on a wooden stage with his mouth wide open in a grin, while Herb, a brown-haired man in a white shirt and purple tie, reaches toward his ear and then holds him from behind as Chief Wiggum in his blue police cap and uniform and a dark-haired man in a green sweater and pale trousers raise their arms. The group struggles on the stage, then Herb and Wiggum walk Skinner off to the side, with Skinner's arm stretched out and the green-sweatered man trailing behind. A silhouetted audience sits below against a pink and olive wall with brick patches. > Goodbye. > Goodbye, my Coney Island baby. Frame: https://ultrahouse3k.com/img/S05E01/325116.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/328036 ## 5:31–5:41 Grampa, the wrinkled old man with white tufts of hair, stands in a crowd of older townspeople alongside Mr. Burns, the frail stooped man with a hooked nose and grey hair at the sides, Ned Flanders with his moustache and glasses, and Marge with her tall blue beehive and pearl necklace. Grampa's arm shoots out to point off-screen, then he frowns and gestures with his finger while Mr. Burns speaks with his mouth open. The scene then cuts to the exterior of a building with the sign "SPRINGFIELD STATE PRISON" above barred windows and barbed wire, followed by an interior prison hall where inmates in grey-blue uniforms stand before a raised platform with two figures seated at a table. A bald, stitched-headed inmate and a guard in a blue cap with a dark moustache stand in the foreground. > That's my son up there. What, the balding fat ass? > Uh, no, the Hindu guy. > Never to see you any. Never gonna see you any. Frame: https://ultrahouse3k.com/img/S05E01/332833.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/336795 ## 5:41–5:51 Chief Wiggum, in his police cap with a blue tuft of hair, points a finger and grins beside a crowd of people. The scene then shifts to a prison block with a mesh ceiling and barred windows, where a one-off inmate with brown pompadour hair, a hoop earring, and a snake tattoo on his arm stands among other inmates in blue uniforms. He grimaces, speaks with his mouth open, and then raises a fist to his chin while a bald inmate with folded arms smiles and the others glare. > I'm gonna nail that cop right between the eyes. > Never to return again. Right after this song is over. Frame: https://ultrahouse3k.com/img/S05E01/342843.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/346596 ## 5:51–6:03 Homer in his white shirt and purple tie, Apu in his green jacket, a grey-haired man in a suit, and a police chief in a blue cap with sunglasses are hoisted up and cheering above a crowd of inmates in blue uniforms in a bare prison room, with Homer and Apu arm in arm and a grey-haired man in a suit pumping his arms at the top. The group then lowers and embraces, and Homer stands with his hand near his mouth while Apu raises a fist, as the crowd claps and a bald inmate in the foreground grins. Nelson in a vest with a green tattoo on his arm holds his hand over another prisoner's face, and the scene ends on a yellow church with a sign reading "First Church of Springfield, Today: 'What a F iend We Have in God', Also: The Be Sharps". > Goodbye, my Coney Island babe. > Goodbye, my Coney Island baby. Frame: https://ultrahouse3k.com/img/S05E01/352644.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/357440 ## 6:03–6:10 Moe, Chief Wiggum, and a dark-skinned man in a green jacket and white trousers stand together at the front of a church beside a man in a blue suit, all gesturing with open hands while a preacher stands behind a pulpit under colourful stained glass. The scene then moves to the pews, where Marge in a green dress and pearl necklace sits with Lisa on her lap and Bart in a blue suit beside her as the congregation looks on. In the final moment, a woman in lavender holds a bowl of money among seated churchgoers, including a grey-haired man in a lavender suit and a man in a brown suit, with the crowd watching attentively. > Farewell, my own true love, true love. I'm gonna go and see you. Frame: https://ultrahouse3k.com/img/S05E01/364322.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/367033 ## 6:10–6:23 A black-haired man in a white robe, pink shirt and dark tie stands behind a wooden podium with a blue panel reading PEACE, in front of a colorful stained-glass-style backdrop, while a bespectacled man with a moustache in a blue sweater stands beside him at right. The robed man talks with his mouth open, then grimaces with clenched teeth and glances sideways as the moustached man looks on uneasily, and later the robed man stands alone at the podium with a smirk while a red flowering plant sits at the right edge. > Jing, jing. > You know, Reverend, this really isn't a hymn. > Ned, there's an oil stain in the parking lot that looks just like St. > Barnabas. Oh, my stars! > Again, return again. Oh, goodbye. Frame: https://ultrahouse3k.com/img/S05E01/372038.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/377043 ## 6:23–6:36 Homer and Chief Wiggum wave their arms, then Principal Skinner, Homer, Apu and Wiggum stand together on a wooden stage around a microphone in front of a green wall and a rear audience. They sway and kick, with Wiggum waving his police cap overhead, then crouch around the microphone and throw their arms up while a crowd of onlookers watches from the foreground. A door marked with the letter M is visible at the right edge of the room. > Farewell. > Shelf, quickie, melt, and save. > Goodbye, my Coney Isle. Goodbye, my Coney Isle. > Goodbye, my Coney Isle and babe. Frame: https://ultrahouse3k.com/img/S05E01/384342.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/389764 ## 6:36–6:47 Homer, in a grey shirt and purple tie, stands at a bar with a mug while a slick, slicked-haired man in a lavender suit, red shirt and white tie talks to him, and Marge's tall blue beehive and a crowd of cheering patrons appear earlier in the scene. Moe, the grey-haired bartender, pours a beer behind the counter as two women watch from the side, with a TICKETS sign and a television on the wall. The two men shake hands, Homer taking a small pink card, which is then shown close up reading "Management By NIGEL" with the bullet points "Stars Discovered," "Fortunes Made" and "Hats Blocked." > Homer, I'm a theatrical agent, and I want to represent your group. > Really? > Yeah. Frame: https://ultrahouse3k.com/img/S05E01/397272.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/401651 ## 6:47–7:00 Herb, a brown-haired man in a white shirt and purple tie, stands in a room with a red-green diamond-patterned window while a slick-haired black-haired man in a lavender suit grips Herb's chin and then gestures while talking. Herb glances sideways with a sour, grinning expression, and the scene moves to a purple car at night where Herb drives with a hand on the wheel. Chief Wiggum, the fat police chief in a cap, sits in the passenger seat and speaks, with trees and a dark sky visible through the windows. > You've got it. > All except that police officer. Ugh, two village people. > You have to replace him. Just leave it to me. > Where are we going? Where are we going? Frame: https://ultrahouse3k.com/img/S05E01/408116.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/413747 ## 7:00–7:12 Chief Wiggum, the fat police chief in a uniform and cap, rides in the driver's seat of a purple car while Homer, bald in a white shirt, sits beside him as the car speeds along a dirt road edged with snow and pine trees, kicking up dust clouds past a yellow warning sign. The car stops, and Wiggum stands alone on the road as the dust settles. Later, under a huge yellow full moon at night, Wiggum walks along the road, then pauses and raises a small dark object toward his face. > Run along, boy. > You're free now. > No. > Noooo. Frame: https://ultrahouse3k.com/img/S05E01/421671.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/426468 ## 7:12–7:25 Principal Skinner, with neat grey hair and a grey suit and pink tie, shakes hands at a bar with a thin black-haired man in a lavender suit and red tie while Apu, in a green jacket and red polka-dot shirt, looks on and grins. The thin man then raises a hand to his chin and talks while Apu, with a cigarette in his mouth, looks at him, before Apu turns to a close-up scowl and then a wide-eyed, toothy grin as he speaks. Bottles sit on shelves behind the bar, and a pink sign on the wall shows partial lettering that reads 'Sprin'. > Principal Seymour Skinner. > Eh. > Never fit on the marquee. From now on your name is Apu des Beaumarchais. > Well it's a great dishonour to my ancestors and my god but ok. > The next day we started auditioning for Chief Wiggum's replacement. Frame: https://ultrahouse3k.com/img/S05E01/433558.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/439189 ## 7:25–7:30 Principal Skinner in a grey suit and pink tie sits beside Apu, who holds a clipboard and pencil, with Bart in blue overalls and Homer in a white shirt, all seated in a row of red auditorium seats behind a wooden ledge fitted with small round colored lights. A large figure in a dark suit with white cuffs stands at the left edge, and over the moment he raises and gestures with his yellow hands while the three seated men keep watching him, with Skinner's gaze shifting slightly and Apu's pencil and clipboard staying in his hands. Frame: https://ultrahouse3k.com/img/S05E01/447113.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/448156 ## 7:30–7:43 Grampa, the wrinkled old man with white tufts of hair, wears a black tuxedo with a white shirt and bow tie as he performs on a wooden stage in a school auditorium with a red curtain, a stepladder, folding chairs, a fire extinguisher and an exit sign behind him. He spreads his arms and sings with an open mouth, then bends his knees and wiggles his hips while pointing with one yellow-gloved hand. He straightens up, raises one hand with a finger pointed skyward, and finishes with his arms spread wide and his body swaying. > Old MacDonald had a farm, > E-I-E-I-O And on this farm he had a chick, > the swinginest chick I know With a wiggle wiggle here and a wiggle wiggle there Get off Frame: https://ultrahouse3k.com/img/S05E01/451284.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/456915 ## 7:43–7:55 Bart, the spiky-haired boy in a pink shirt with blue overall straps, stands beside a brown-haired man in a grey collared shirt, who glares down at him in a dark theater lined with red seats beside a lit EXIT sign, while an older grey-haired man is partly visible at the left edge. The scene then moves to a cluttered workshop with a ladder, a brown exit door, and a red flag, where a bald red-bearded man in green overalls over a tan shirt clenches his teeth, gestures with his hands, flings one arm wide, and then turns and leans in with clenched fists. > the stage! I want to, but I can't! > When you're alone and life is gettin' you lonely You can always go > Ach, tun tun. > Next. Frame: https://ultrahouse3k.com/img/S05E01/464631.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/469636 ## 7:55–7:57 Apu, with grey hair, a green jacket and black collar, sits in a row of red theater seats holding a clipboard and yellow pencil. He starts with his mouth wide open and eyes bulging, then grins with teeth showing, and his mouth closes into a flat, unimpressed expression. He ends with his eyes glancing to the side while the clipboard and pencil stay in his hands. Frame: https://ultrahouse3k.com/img/S05E01/476935.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/476518 ## 7:57–8:05 An elderly bald man with a long white beard, wearing a grey-blue sweater and blue trousers, stands behind a wooden lectern in a school auditorium, gripping a red cane with both hands clasped. He sways slightly and shifts his gaze sideways, his mouth opening and closing as he speaks, while a brown-haired figure, a dark-haired man in a green jacket holding a clipboard, and a grey-haired man with glasses watch from the foreground. Behind him are a red stage curtain, a wall ladder, a fire extinguisher, folding chairs, and a bulletin board. > Theme from a summer place, > from a summer place, Frame: https://ultrahouse3k.com/img/S05E01/478186.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/481314 ## 8:05–8:13 An elderly bearded man with a bald head, long white beard, and grey-blue jacket over blue trousers leans on a wooden cane with both hands clasped on top of it, standing in a cluttered school auditorium with a red curtain, stacked wooden boards, a ladder, and a bulletin board behind him. Across the moment his expression shifts from a wide-eyed, sideways-glancing stare to squinted eyes and an open-mouthed laugh, then back to a wide-eyed, mouth-open look, with his body swaying slightly. A dark-haired figure is partly visible at the lower right edge. > the theme from a summer place > is the theme. Frame: https://ultrahouse3k.com/img/S05E01/486528.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/489656 ## 8:13–8:24 Principal Skinner, holding a clipboard, stands at the left of a group in a dim blue-walled room alongside Apu and a brown-haired man in a light shirt, with Bart in front, all looking on with stern expressions. The scene shifts to a stage-like area with a red curtain and an EXIT sign, where a portly man in a black top hat, red bow tie, grey vest and pocket watch, with blue hair and a handlebar moustache, gestures with open, outstretched hands and then raises one arm toward a blue curtain. Skinner, now seated among rows of red theater seats in a grey suit and orange tie, glances sideways with a flat expression. > Next. > If I could walk with the animals, talk with the animals, > Grunt and squeak and squawk with the animals. > Good Lord. Frame: https://ultrahouse3k.com/img/S05E01/495078.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/499249 ## 8:24–8:35 Homer and Bart sit in a theater audience with an elderly man with white tufts of hair beside them, while a man in a top hat and tailcoat performs on the stage. A window behind the piano shatters, and glass shards and debris scatter across the floor. The scene then moves to a bar where Moe, a grey-haired man in a suit, Apu and Homer lean on the counter beside beer mugs and a bowl of peanuts. > Dr. Doolittle is Chief Wiggum. This bird's gonna fly. > It was one lousy applicant after another. > And then... Frame: https://ultrahouse3k.com/img/S05E01/505505.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/510093 ## 8:35–8:46 Three men sit side by side at a wooden bar counter in a dim tavern with a diamond-patterned wall and shelves behind them. The grey-haired man on the left, in a blue jacket and pink shirt, holds a glass with a straw, and the moustached man in the middle, in a green jacket, rests beside a beer mug while the brown-haired man on the right, in a light grey shirt, leans on one hand with his mouth open and eyes wide. Over the sequence the middle man looks up with wide eyes and then closes his eyes and winces, the left man closes his eyes and slumps, and the right man keeps staring with his mouth agape. Beer mugs, ashtrays and bowls of peanuts sit on the bar. > Over in Kalani So many years > ago Such a voice. > Who is that? > Me mother sang this song to me in tones Frame: https://ultrahouse3k.com/img/S05E01/516766.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/521354 ## 8:46–8:57 Three men sit at a bar: a grey-haired man in a blue jacket and pink tie on the left, a man with dark hair in a green jacket and black shirt in the middle, and Barney, with messy brown hair and a white shirt, on the right. Beer mugs, an ashtray, and a bowl of snacks sit on the orange counter, with a green door marked MEN behind them. Across the moment the men stare ahead with wary, uneasy expressions, Barney's eyes shifting sideways, and the view widens to show more of the dim bar interior. > so soft and... > Barney! Frame: https://ultrahouse3k.com/img/S05E01/528028.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/532198 ## 8:57–9:06 Barney, the heavy drunk with messy brown hair, crawls on his hands and knees across a tiled restroom floor and ducks under a teal stall door, sprawling flat with his arm reaching out beneath it. Homer, in his white shirt, and a Black man, Carl, peer in from the doorway at the left while a man in a suit and glasses watches beside them, and Homer raises his arms in exasperation as Barney's hand stretches toward the toilet area. Sinks, a toilet and a wooden door frame fill the restroom. > Just a little Irish ditty. > Barney, how'd you like to sing for our group? > Sure, why not? > Now where's me toothpick? Frame: https://ultrahouse3k.com/img/S05E01/538455.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/541791 ## 9:06–9:14 Barney, the heavy drunk with messy brown hair, wearing a red shirt and navy pants with blue shoes, crawls low across the tiled restroom floor beside a blue stall partition and a metal pole, with his face sinking toward the floor and his mouth open in some moments. Behind him in the doorway, Homer, bald in a white shirt, peers in next to a grey-haired man in a suit and a dark-skinned man. A white toilet and sink fixtures sit at the edges of the bathroom. > Toralora, Laura, > Toralora, lai. > With them forever, Barney never. Frame: https://ultrahouse3k.com/img/S05E01/547213.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/550341 ## 9:14–9:24 A crowd of angry townspeople in a bar pumps their fists and holds signs reading "WIGGUM IS GOD," "BARNEY STINKS" and "WE WUV WIGGUM" while a burning figure hangs above them in the background. Chief Wiggum, the fat police chief, stands with his arms crossed in front of Marge Simpson, who holds Maggie, and Bart Simpson, who watches from the bottom right. The protesters keep raising their fists as Wiggum smiles and the scene holds on the group. > With them forever. Frame: https://ultrahouse3k.com/img/S05E01/555764.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/559517 ## 9:24–9:35 Four men in matching red vests, white shirts, black bow ties and straw boater hats sing in a barbershop-style quartet at a silver microphone on a dark stage with a wooden rail, the rightmost man a Black man, Carl, who sings with his eyes shut. The heavyset singer in the center sways, clasps his hands, then spreads his arms wide and finally raises one arm high in the air while the others keep singing and swaying. No on-screen text is visible. > Sweet Adeline. > My Adeline. Frame: https://ultrahouse3k.com/img/S05E01/565356.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/569944 ## 9:35–9:45 A heavy man in a straw boater, red vest and bow tie sings into a microphone while a quartet in matching red vests and boaters sings behind him in a red-tiled room. As the song goes on, a crowd gathers around him, and a man in a green bowler hat and pince-nez wipes a tear, while a woman with her hands raised and a man with a pipe sing and cheer. The scene is shown with a red tiled backdrop, a stained-glass panel, and a purple sofa in the background. Frame: https://ultrahouse3k.com/img/S05E01/576826.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/580371 ## 9:45–9:57 Chief Wiggum, in his police cap, stands at the front of a crowd in a bar, with Marge holding Maggie and Bart in an orange shirt at the lower right, while signs reading "BARNEY IS GOD" and "BARNEY SI WIGGUM NO" hang above them. Wiggum turns and raises a hand to his face as the people around him cup their mouths and shout. The scene then settles on Moe, the grey-haired bartender in a bow tie, polishing a glass behind the counter while a thin man in a lavender suit leans on the bar and talks. > Barney forever, with them never. > Barney forever, with them never. Hey, > those girls you paid to scream are doing a great job. > No, I didn't pay any girls to scream. Frame: https://ultrahouse3k.com/img/S05E01/586211.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/591424 ## 9:57–10:09 Homer Simpson, wearing a straw boater hat and a red vest with a bow tie, stands with Lenny, Carl, and two other men in matching red vests outside Moe's Cavern at night, under a street lamp. At first the group stands together on the sidewalk, and then Lenny and Homer walk out of the purple doorway of Moe's Cavern side by side. Next, the men in red vests cluster together on the sidewalk, with the man on the far left gesturing and the man with the hat in his hand listening. The gathering then continues, with the gesturing man holding his hand out in front of him. Finally, the thin man with black hair in a grey suit and red shirt grins and reaches toward Homer's bow tie, while Homer looks down with a worried expression. Storefronts behind them include a sign reading 'Springfield' and a blue 'Jazz' sign, with the 'Moe's Cavern' sign above the door. > Huh? > Why? It sounded great, huh? Only one question remains, gentlemen. > What do we call ourselves? > How about handsome Homer Simpson plus three? > I like it. Uh... Wait, I do not... Frame: https://ultrahouse3k.com/img/S05E01/598723.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/603728 ## 10:09–10:20 Outside a purple-walled tavern, a brown-haired man in a red vest and bow tie gives two thumbs up while a figure with an orange-brown snout stands beside him holding a drum-like object. Moe, the grey-haired bartender in a straw boater hat and red vest, then rubs his chin and gestures with an open hand while Apu, in a red vest and bow tie and holding a straw hat, looks on with a wary expression. The scene ends with Apu speaking in front of a "HOTEL" sign and a "King Toot's Music Store" sign, and the partial "TAVERN" lettering stays visible above the door. > No, we need a name that's witty at first, but that seems less funny each time you hear it. > How about the B Sharps? Frame: https://ultrahouse3k.com/img/S05E01/610819.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/615198 ## 10:20–10:30 Five men in red vests, straw boater hats and black bow ties stand together on a purple street outside a building with a partly visible Moe's Tavern sign, with Moe, a Black man (likely Carl), a brown-haired man, and Homer in the group, and a dark-haired man in a lavender suit (possibly Lenny) among them. At first they laugh with heads thrown back, and the man in the suit covers his mouth with his hand while the others keep chuckling. The group settles into grins and sidelong glances, one man holds a boater hat and another rubs his chin, and the scene ends on a close-up of Homer grinning with wide eyes, his hat and bow tie in view. > Perfect. > The B Sharps. The B Sharps. The B Sharps. Frame: https://ultrahouse3k.com/img/S05E01/621663.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/625625 ## 10:30–10:37 Only hands are visible, in close-up against a plain blue background: yellow cartoon hands with white sleeves, with no faces or full bodies shown, so no regulars can be identified. A single yellow hand reaches in from the right, then a second pair of white-sleeved arms enters from the left and meets it. Further white-sleeved arms gather from above, below and the right to clasp around a brown object, and a blue-sleeved arm reaches in from the top to press down on the stack of hands. > The B Sharps. The B Sharps. Frame: https://ultrahouse3k.com/img/S05E01/631881.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/633967 ## 10:37–10:47 Chief Wiggum, the fat police chief in his cap and uniform, stands in the middle of a purple night scene with stars and a moon, while two men in red vests, white shirts, black bow ties and straw boater hats and a dark-skinned man with black hair and a scowling pale-faced man with a grimace crowd around him. Wiggum grins and then turns his eyes sideways as the men grip his arms, and a large round bun with a patty is held up in a pair of yellow hands at the bottom of the scene. > Well, you can't blame a guy for trying. > Ah, you're out under arrest. Frame: https://ultrahouse3k.com/img/S05E01/638346.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/642308 ## 10:47–10:59 Homer drives a purple van with Bart in an orange shirt and Lisa in a red dress in the back, next to a teddy bear and a wooden box. Lisa clutches a plastic bag holding an orange goldfish, and Bart grins while holding a pale green object. Homer first glances sideways with a sly smirk, then his eyes go wide and his mouth drops open in alarm as he looks ahead. > What'd you kids get? I bought this cool pencil holder. > Far out, man. I haven't seen a bong in years. Frame: https://ultrahouse3k.com/img/S05E01/648356.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/653570 ## 10:59–11:08 Marge Simpson, with her tall blue beehive and red bead necklace, sits in the back of a purple car beside Lisa, Maggie and Bart, while Homer, in a white shirt, drives with a wide grin at first. Marge glances sideways with a sour, unimpressed look as she sits in the back seat. The family rides through a desert landscape of saguaro cacti under a blue sky. Homer then turns to the wheel with a wide-eyed, grimacing expression, while a red-and-white beach ball and a framed picture hang in the back window and cacti and sand are visible outside. > No one bought a wishbone necklace. > Well, one of us made some money. I sold a guy our spare tire. Frame: https://ultrahouse3k.com/img/S05E01/660869.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/664414 ## 11:08–11:16 Homer, Bart, Lisa and Maggie sit huddled on the dirt shoulder of a desert highway beside their purple car, which is raised on a jack with its front wheel off. In the first moment only a tiny figure stands far down the road near a sign reading GAS 12 MILES, a bull skull lying by the sign. As the scene goes on, the family slumps together by the car, Homer with a grin and his head tilted, while the kids lean against him and Lisa and Maggie sit close beside him. The purple car stays raised on its jack and the tire stays off throughout. > It'll be a long time before your mother gets back with a tire. > So why don't I tell you more of the story? > Now that we had a name, the B-Sharps needed a hit. Frame: https://ultrahouse3k.com/img/S05E01/670044.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/672755 ## 11:16–11:24 Homer, in a white shirt and blue pants, crouches beside a purple car raised on a jack in a desert scene, with Bart in his orange shirt sitting on the left and a small spiky-haired child beside Homer on the right. Homer works at the car's underside, then raises his hands and throws his arms up with his mouth open, while the children stay seated beside him. Cacti, red mesas, and a roadside sign reading "GAS 12 MILES" sit along the empty road. > Something new. > Something exciting. > Something mid-1980s. Frame: https://ultrahouse3k.com/img/S05E01/677760.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/680680 ## 11:24–11:38 Homer Simpson, bald and heavyset in a white shirt with a pencil behind his ear, sits on a red piano bench at a black piano in a pink room with a window showing a house outside. In the opening view a yellow hand presses the piano keys, then Homer looks up and to the side while holding an open songbook on the piano. He keeps looking off to the side with his mouth open, then his expression turns to a frown as he crumples a small white piece of paper in his hands over the open book. > There was nothing in Al Capone's vault, > but it was in Geraldo's vault. > Oh! Frame: https://ultrahouse3k.com/img/S05E01/685685.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/691316 ## 11:38–11:43 Marge, with her tall blue beehive and red bow, stands holding baby Maggie beside a yellow sign reading "BABY ON BOARD" while Homer, bald and in a grey shirt, sits at a piano reading sheet music with a pencil in hand. Homer glances over with a sour frown and then squints, while Marge keeps the sign raised and speaks. Earlier, a figure in a green dress with yellow stockings and red shoes walks across a green carpet strewn with crumpled paper beside blue and purple trash bins. > Look what I got. Now people will stop intentionally ramming our car. > Hmm. Frame: https://ultrahouse3k.com/img/S05E01/699449.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/701117 ## 11:43–11:53 A yellow-skinned man with brown hair and a grey shirt sits at a black desk by a window, holding a pencil over an open book, while a pale figure at the left raises a yellow 'BABY ON BOARD' sign. He glances sideways, then grins with his teeth showing, narrows his eyes in a sly look, and finally breaks into a wide, wide-eyed grin. Through the window behind him, a pink house, trees and a green lawn are visible. > Baby on board. > Baby on board, something, something, Burt Ward. > This thing writes itself. > For London, you, it's mighty nice. Frame: https://ultrahouse3k.com/img/S05E01/704871.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/708625 ## 11:53–12:01 Apu, in his green jacket and white pants with headphones on, stands on a raised booth stage beside a grey-haired man in a purple shirt who plays a banjo while seated, and a man in a grey shirt with headphones sings at a microphone as Barney, the heavy man with messy brown hair in an orange-red shirt and blue sneakers, stands with a hand to his headphones. Over the clip their mouths open and close as they sing, the banjo player's hands strum, and the heads of the two people at the mixing board in the foreground, a brown-haired man in green and an orange-haired woman in teal with glasses, stay turned toward the booth. The booth's tiled walls, the meters and the mixing console with its ashtray are visible throughout. > Each trip's a trip to paradise. > With my baby on board. Frame: https://ultrahouse3k.com/img/S05E01/714672.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/717175 ## 12:01–12:14 Apu, Homer and Barney stand in a tiled recording booth wearing headphones and singing into a microphone, while a grey-haired man in a purple shirt and orange tie plays banjo on a chair beside them. A slim, black-haired man in a lavender suit stands at the left edge of the booth, then steps forward and reaches toward the group as they keep singing. Recording-console meters and dials line the yellow panel along the bottom of the window. > Gentlemen, you've just recorded your first number one. > Oh, yes! > Wait till I tell Marge. Oh, yes. Frame: https://ultrahouse3k.com/img/S05E01/722180.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/727602 ## 12:14–12:26 Apu, recognizable by his dark skin and black hair, stands at left with a headset around his neck beside a brown-haired man in a white shirt with headphones around his neck and a pink-shirted, heavy-set man at right, all against a white tiled wall. A man with a long black ponytail and a lavender suit with a red shirt strokes his chin and then clasps his hands while speaking, and the brown-haired man grins and raises his fists before frowning and looking on with the others. The ponytailed man then opens his hands in an expressive gesture while speaking, as the group stays clustered in the tiled room. > Buffon's Betty. > Well, I would prefer we kept your marriage a secret. > You see, a lot of women are going to want to have sex with you, > and we want them to think they can. Frame: https://ultrahouse3k.com/img/S05E01/735109.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/740323 ## 12:26–12:31 A yellow-skinned man with brown hair, a white shirt, and a pair of headphones around his neck stands in front of a grey tiled wall, with Apu, a dark-skinned man with black hair and a green jacket, on the left and a yellow-skinned woman with spiky reddish-brown hair and a pink top on the right. The man talks animatedly with his mouth open, raises a hand to his chin, gestures with an open hand toward Apu, then speaks again with a worried expression while the woman on the right watches him with narrowed eyes. The coiled headphone cord hangs down over his shirt. > Well, if I explain it to Marge that way, I'm sure she'll understand. Frame: https://ultrahouse3k.com/img/S05E01/747622.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/749290 ## 12:31–12:39 Homer and Marge Simpson are in their bedroom, with Marge lying on a blue pillow on an orange bed while Homer kneels beside her in a light grey-blue shirt and green pants. Marge's eyes are closed and her mouth is open as if groaning, and Homer grips her leg with both hands in the early moments, then lets go and gestures with one hand while looking down at her. By the final moment Marge has turned away, showing her tall blue beehive and red bead necklace, as Homer raises a hand toward her. Framed pictures hang on the pink wall, and a purple wardrobe and an arched brown door are behind them. > Come on, honey. Frame: https://ultrahouse3k.com/img/S05E01/753044.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/755546 ## 12:39–12:46 Homer and Marge are in a pink bedroom, with Marge lying back on a blue pillow on an orange couch while Homer leans over her, one hand resting on her leg. Homer's wide-eyed, tense look shifts to a sideways glance, and Marge's eyes slowly close as she seems to drift off to sleep. Purple cabinets and a framed family portrait hang on the wall behind them. > It'll only be till we finish our tour of Sweden. Frame: https://ultrahouse3k.com/img/S05E01/760343.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/762845 ## 12:46–12:57 Grampa, the wrinkled old man with white tufts of hair, sits slumped in a brown armchair in a red-walled living room, wearing glasses and a cream sweater. Beside him on a round wooden side table, an arched wooden radio with a pink panel and a glowing dial stays lit while he slowly dozes off, his eyelids drooping and his head sinking and tilting as his eyes finally close. A grey-green curtain hangs in the window behind him, and a dark object sits at the far left edge of the room. > Baby on board, how I'm adored. > That sign on my car's windowpane. Frame: https://ultrahouse3k.com/img/S05E01/767642.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/772021 ## 12:57–13:08 Grampa, the wrinkled old man with white tufts of hair, sits in a cream sweater on a brown armchair in a red-walled room, while an elderly man with a white beard, grey hair at the sides, blue jacket and cane stands beside him at right. Grampa looks sleepy at first, then talks and gestures with one hand as the bearded man leans on his cane and listens. Grampa then reaches over to the glowing wooden tabletop radio with an arched top and turns its knob, with a window with grey curtains behind them. > That's my boy Homer singing. Mm, Paul Harvey's on. > And that little boy whom nobody liked grew up to be... Frame: https://ultrahouse3k.com/img/S05E01/778903.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/783283 ## 13:08–13:20 Grampa, a wrinkled old man with white tufts of hair, sits in a beige sweater and glasses beside a tall bald elderly man with a long white beard and blue jacket in a red living room with a curtained window and a glowing wooden radio on a side table at left. They sit and look toward the side, then Grampa closes his eyes and smiles while the bearded man leans on a cane, and afterward Grampa rolls his eyes upward as the bearded man glances down before both settle back into their first positions. > Roy Cohn. > Whoa! > And now you know the rest of the story. > Gosh, I'm driving in the carpool lane. Frame: https://ultrahouse3k.com/img/S05E01/789956.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/794544 ## 13:20–13:27 A giant pink squid with a wide open mouth and tentacles wrapped around a small boat on blue water is fended off by a white-bearded old sailor in a captain's cap, blue jacket and green vest, who jabs at it with a long pole. The scene then cuts to the boat's cabin, showing a ship's wheel, a grey radio, a folded checkered chart and a round porthole with a distant ship, before returning to the squid looming over the bow as the sailor keeps pushing it back with the pole. Rope coils, a large anchor and a deck lamp are visible on the boat. > Ah, Squiddy. I got nothing against you. Frame: https://ultrahouse3k.com/img/S05E01/801217.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/803928 ## 13:27–13:37 An elderly sea captain with a big white beard, a navy cap and a blue coat over a green sweater stands beside a giant pink squid with one large staring eye and curling tentacles against a blue sky with clouds. He holds a tall harpoon-like pole in one hand while his other hand gestures toward the squid, then he clenches a pipe in his teeth, closes his eyes and laughs with his mouth wide open. He takes the pipe from his mouth and keeps laughing as the squid's eye rolls and its tentacle curls around the pole. > I just heard there was gold in your belly. > Ha ha ha ha ha ha! Frame: https://ultrahouse3k.com/img/S05E01/808933.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/812478 ## 13:37–13:50 Homer, the bald, heavy man in a white shirt and blue jeans, sits in a red armchair facing Marge, who has a tall blue beehive and wears a green dress, while she holds baby Maggie with a blue bow and pacifier on the dark red couch. Between them stands a purple side table with a blue portable radio with an extended antenna beside a red lamp, and a framed picture hangs on the pink wall. Homer starts out gazing toward the radio and then turns to talk with Marge, raising one finger in the last moments as he speaks while Marge listens and Maggie stays cradled in her arms. > With my baby... > Homer, you're going to be famous! > Yeah, but I'm not gonna let it change our lives. > I'll be the same loving father I've always been. Frame: https://ultrahouse3k.com/img/S05E01/818318.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/823740 ## 13:50–14:01 Homer, bald with stubble and a white shirt, sits in a red armchair in the living room, first grinning and glancing sideways, then sitting beside Marge, who has a tall blue beehive, wears a green dress and holds Maggie with her pacifier and blue bow on her lap while a boombox sits on a purple side table. The scene cuts to the laundry room, where Bart, spiky-haired in an orange shirt, is trapped under a purple laundry basket topped with grey clothes, with a red toolbox and a spray can nearby, and a washing machine with clothes turning inside. Back outside a storefront with a red-and-white striped awning, Homer, with his mouth open in an excited look, reaches up to cover the eyes of an older man with a thick moustache, a light sweater and a bald head, who is holding a small item in his hands. > Hmm, have you seen Bart? I stuck him somewhere. > Look what I got for you, Dad. Frame: https://ultrahouse3k.com/img/S05E01/831456.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/836252 ## 14:01–14:12 Grampa, the wrinkled old man with white tufts of hair, and a brown-haired man in a light blue shirt stand beside a pink car with a huge red bow in front of a yellow building. Grampa wails and clutches the man's arm on a sidewalk beneath a large tree while the man gestures and looks concerned. A group in red vests then descends airplane stairs labeled 'John F. Kennedy Airport, 1986,' followed by a cheering crowd leaning over a walkway railing and waving. > Give me the key. Frame: https://ultrahouse3k.com/img/S05E01/843134.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/847513 ## 14:12–14:24 Four men in red vests and black bow ties stand at microphones on a stage in front of a blue wall with airplane logos, with Apu, the dark-skinned man with black hair and glasses, second from left. Seated in the audience below, a grey-haired Mr. Burns with a magnifying glass and a brown-haired man in a straw hat marked PRESS, who points upward with a pen, sit near a woman with a tall brown hairdo and pearls, while a police officer stands at the left edge. The scene then cuts in close on Apu, who glances sideways with wide eyes, then lowers his lids and purses his lips while the microphones sit at the bottom of the picture. > I have a question for Apu de Beaumarchais. > Isn't it true that you're really an Indian? > By the many arms of Vishnu, I swear it is a lie. Frame: https://ultrahouse3k.com/img/S05E01/853978.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/858566 ## 14:24–14:34 Carl, a Black man with glasses in a blue suit and green tie, raises a pencil in a crowded seminar room beside a blonde woman in a pink top and a dark-haired man in a white shirt. Troy McClure, an actor with swept-back reddish hair in a red vest and black bow tie, speaks at a podium with microphones in front of a grey backdrop, then tears up and wipes away a tear before glancing sideways with a sour look. Behind them, seated audience members hold papers as a woman in pink laughs and Carl, in the seats, writes on a notepad. > Uh, Bonnie, how did you join the group? They found me on the men's room floor. > Principal Skinner, you've been referred to as the funny one. Frame: https://ultrahouse3k.com/img/S05E01/865239.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/869202 ## 14:34–14:44 A black-haired woman in a maroon suit and pink tie holds a notepad and pencil beside a red-haired child, while a man with swept brown hair in a red vest and black bow tie stands before large grey microphones and looks sideways. Behind them an audience of cartoon people with notepads, a boxy photographic instrument, and wide open mouths laughs heartily, with a bespectacled woman in blue glasses and a teal dress at the front right. The scene then changes to a night harbor where the Statue of Liberty holds her torch beside a grey battleship strung with bunting, while a red firework bursts in the purple sky, a bright streak rises, and sailboats drift on the water. > Is that reputation justified? > Yes. > Yes, it is. Frame: https://ultrahouse3k.com/img/S05E01/875249.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/879420 ## 14:44–14:55 On a stage under a large Statue of Liberty Centennial banner, four men in red vests and bow ties sing in a barbershop-style quartet, and the thin, grey-haired Mr. Burns sings in the group alongside a Black man, Carl, while others in red vests join in. They sway, wave their straw boat hats, and move in tight formation with arms flung out, as the Statue of Liberty stands in the background. Below, a crowd of onlookers and uniformed sailors in white applaud, and in the close-up audience Milhouse, with blue hair, claps and sings. > Goodbye, my Coney Island. Goodbye, my Coney Island. > Goodbye, my Coney Island babe. Frame: https://ultrahouse3k.com/img/S05E01/885885.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/890473 ## 14:55–15:01 A thin elderly man with a dark pompadour and a tan jacket sits at a podium beside a woman with a brown bouffant, red dress and drop earrings, both behind a blue-and-red rosette-trimmed desk bearing a gold Seal of the President of the United States. He gestures with his hands and speaks, then turns his head with a sly expression while the woman smiles with her eyes closed, and the men in blue suits in the foreground and background stand still, one in sunglasses on the left and another on the right shifting slightly. > Damned ceremonies. > This is time I could be working, Mommy. > We'd like to dedicate this next number to a very special woman. Frame: https://ultrahouse3k.com/img/S05E01/896938.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/898606 ## 15:01–15:11 Homer Simpson, bald and stubbled in a straw boater hat, red vest, white shirt and black bow tie, stands at a microphone beside the Statue of Liberty against a night sky with stars. Beside him, a second straw-hatted man in a matching red vest and bow tie looks on, and a dark-skinned man in a straw hat peeks in at the lower left. Homer speaks animatedly, then raises a finger, gestures with both hands, and finally winks with a sly smile while the second man keeps a sour, unimpressed expression. > She's a hundred years old and she weighs over 200 tons. Frame: https://ultrahouse3k.com/img/S05E01/902360.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/906322 ## 15:11–15:18 Homer, in a straw boater and red vest with bow tie, stands beside another man in matching boater and vest in front of the Statue of Liberty at night, with a microphone on a stand before them. The scene starts on a dock railing with a man in a tan suit and reddish swept-back hair gesturing and then covering his mouth in alarm while sailors and a dark-haired man in a brown suit look on. Homer then looks anxious and points toward the statue with his mouth open in alarm as the other man looks on. > This enormous woman will devour us all! > I meant the statue. Frame: https://ultrahouse3k.com/img/S05E01/912578.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/914872 ## 15:18–15:29 Kent Brockman, the grey-haired news anchor in a blue suit and purple fez, sits at a desk beside a microphone in a view framed by a window with a city skyline and purple trees, while a green leafy plant sticks out near his face. He first raises a sheet of paper to his forehead with his eyes shut and mouth open, then lowers the paper to desk level and holds it there with a sly expression. Finally he rests his chin on his hand and gazes off to the side, with the paper set on the desk. > Okay, Gilligan, the Skipper, and Chief Wiggum. > Name three castaways. > Hi-oh! > Mm-hmm. Frame: https://ultrahouse3k.com/img/S05E01/919460.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/924257 ## 15:29–15:42 Chief Wiggum, the fat police chief in his cap and pink sweater, lies in bed under a green blanket holding a handgun, while a bedside belt with holster hangs on the bedpost. Across the room a boxy television on a dresser shows a blonde woman in a purple jacket and pearl necklace, seated at a desk by a window with a plant; she speaks, then raises a finger to her lips and gestures as she talks. Wiggum's expression grows more uneasy and he turns his gaze toward the screen, his grip on the gun steady, while the purple room and its lamp-free bedside table stay still. Notable objects include the gun, the holster belt, the green blanket and the wall-mounted TV. > Oh, > yeah. > Oh, can we talk about Chief Wiggum? > Ah, ah, ah. Frame: https://ultrahouse3k.com/img/S05E01/931139.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/936144 ## 15:42–15:52 Homer, Marge, Bart, Lisa and Maggie are gathered in a dusty desert setting beside a purple car raised on a jack, with Marge kneeling to work on the wheel while the others sit nearby. The scene then changes to a stage beneath a red curtain with the words '29th Annual Grammy Awards', where an unnamed man in a black tuxedo stands at a blue podium above a seated audience. He raises a lavender envelope and reads from it. > We had fame and fortune. > Now all we needed was the approval of record company Low Lives. > And the Grammy for Outstanding Soul, Spoken Word, or Barbershop Album of the Year goes Frame: https://ultrahouse3k.com/img/S05E01/943443.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/947613 ## 15:52–16:03 Formally dressed men in tuxedos with red bow ties crowd a theater audience, including a moustached man with curly black hair and a stooped, thin old man with grey hair at the sides, while a woman in a sparkling red gown grins in a yellow-bordered panel. The screen then splits into four yellow-bordered panels in front of a red curtain, and a man in a black suit walks across the stage as a brown-haired man and a dark-skinned man with a hooked nose gather at the stage steps, one of them pointing and speaking. The scene ends with the brown-haired man in a bow tie at the front of the group, mouth open and eyes wide, as the crowd reacts. > to... > The B Sharps! Frame: https://ultrahouse3k.com/img/S05E01/954078.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/958249 ## 16:03–16:12 Homer, the bald heavy man in a tuxedo, stands holding a gold statuette beside a brown-haired man in a red bow tie, while a long-haired man with a moustache stands at a podium with a microphone in front of a red curtain. The brown-haired man leans in close to the moustached man, then raises a hand toward his own face and looks nervous in a close-up. The scene then pulls back to a crowded party with guests holding drinks, a woman in a red dress, and a man in a blue suit in the foreground. > Congratulations! > David Crosby? You're my hero! > Oh, you like my music? You're a musician? > Then came the greatest thrill of my life. Frame: https://ultrahouse3k.com/img/S05E01/964505.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/968050 ## 16:12–16:22 Herb, a brown-haired man in a black tuxedo with a red bow tie, and a long-haired man in a dark blue jacket stand against a pink wall with a purple curtain in the corner. Herb first sips a martini with an olive, then talks with the man, gestures with his hands, and reaches toward a brownie the man holds out to him. The brownie is a notable prop, and the scene ends with Herb taking it. > Hello, Homer. I'm George Harrison. > Oh, my God. Oh, my God! Where did you get that brownie? > Over there. There's a big pile of them. Frame: https://ultrahouse3k.com/img/S05E01/973890.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/977852 ## 16:22–16:33 Homer Simpson, in a black tuxedo with a red bow tie, stands at a table piled high with chocolate bars on a platter, while a long-haired man in a dark jacket stands to the right holding a chocolate bar and a woman in a pink gown with a tall blond hairdo sips from a small glass in the background. Homer grabs bars from the pile, raising his hands excitedly at first, then lifts one to his mouth and bites into it, and in the final moment he holds a bar near his mouth while the long-haired man, smiling slightly, looks on. The setting is a formal party with purple drapes and a crystal chandelier overhead. > Oh, man. > Wow, what a nice fella. Frame: https://ultrahouse3k.com/img/S05E01/984108.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/988279 ## 16:33–16:44 Herb, a brown-haired man in a suit, eats and piles chocolate bars at a buffet table while a blonde woman in a pink gown, a red-haired man and a long-haired man in a dark jacket look on. He later sits on the edge of a bed in a purple bedroom beside an open suitcase and scattered shoes, holding a pink telephone, as Lisa, with her star-shaped hair, grins while holding a blue phone to her ear. Herb, still on the phone and grinning in his suit and red tie, ends the scene. > Lisa, did you see the Grammys? > You beat Dexy's Midnight Runners. Well, you haven't heard the last of them. Frame: https://ultrahouse3k.com/img/S05E01/994744.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/999123 ## 16:44–16:53 Lisa, with her star-shaped hair, clutches a blue telephone receiver to her head and speaks with wide eyes, and Herb, a brown-haired man in a dark suit and red tie, holds a pink telephone to his ear and talks. Herb sits on the edge of a bed in a blue bedroom, with a pink lamp, a framed portrait, an open suitcase on a luggage rack, and shoes and socks on the carpet, then stands and walks toward the pink-curtained doorway with the phone in hand. Finally he stands on a balcony at night, holding a gold-colored telephone to his ear beneath ceiling lights. > I miss you, Daddy. > I miss you too, honey. Frame: https://ultrahouse3k.com/img/S05E01/1005796.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1009133 ## 16:53–17:00 A brown-haired man in a black jacket, who resembles Herb, stands at a railing at night with searchlight beams sweeping over the Hollywood sign and city below. He then turns and moves across the scene, stopping in front of a large pink billboard reading "Happy Family BRAND BOURBON" that shows a smiling family holding bottles with a dog beside them. He stays facing the billboard as the crescent moon hangs in the dark purple sky. > Here's that champagne you ordered, Mr. Simpson. Frame: https://ultrahouse3k.com/img/S05E01/1014764.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1017266 ## 17:00–17:09 Herb, a brown-haired man in a black suit and red tie, stands at a balcony rail holding a gold award statuette while a red-haired attendant in a red uniform with a name tag offers him a bottle of champagne. Herb reaches out and takes the bottle, then the attendant lifts the gold statuette and the two look on with a man in a brown fedora visible behind a pink curtain and framed mirror in the blue room. The scene is set in a box or balcony under ceiling lights, with the statuette and champagne bottle as the key objects. > Oh, thanks. > Here. > Wow! > An award statue! Frame: https://ultrahouse3k.com/img/S05E01/1021646.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1024982 ## 17:09–17:17 Herb, the brown-haired man in a dark suit and red tie, stands at a railing beside a red-haired young man in a red uniform who grins while holding a gold Grammy statuette. The young man's expression turns uneasy, and Herb glances down and then lifts a bottle, while the moustached man in a brown fedora remains in a wall portrait behind them. The gold statuette is seen tumbling through the air above the railing in a blue-lit room with pink curtains. > Oh, it's a Grammy. > Hey! > Don't throw your garbage down here! Frame: https://ultrahouse3k.com/img/S05E01/1030404.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1033533 ## 17:17–17:29 Homer, Bart and Lisa stand around a low table in a pink living room with a dark red couch and red lamps. Homer holds a cardboard box marked "BE SHARPS STUFF" and sets it on the table, and Bart and Lisa lean in to open it. Lisa then lifts out a lunch box labeled "Meet The Be-Sharps" and later holds up a can labeled "Funny Foam" that has a face printed on it, with the box and couch visible beside her. > Wow, look at all this B-Sharp's merchandise. > Lunch boxes, coffee mugs, funny foam. Frame: https://ultrahouse3k.com/img/S05E01/1038955.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1043751 ## 17:29–17:41 Homer Simpson sits on a dark red couch in a pink living room, wearing his white shirt, scowling and then gritting his teeth while holding a pink foam blob, which he lifts toward the viewer with an angry, disgusted look. He then turns his head to the side with his mouth open as Lisa, in her red dress and pearl necklace, stands beside the couch next to a cardboard box on his lap. Framed pictures hang on the walls, including a painting of a cartoon baby swimming in the water, and a lamp sits on a side table near an arched doorway. > They took the foam off the market because they found out it was poisonous. > But if you ask me if you're dumb enough to eat it, you deserve to die. > I can't believe you're not still popular. Frame: https://ultrahouse3k.com/img/S05E01/1050633.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1055638 ## 17:41–17:53 Bart, in his orange shirt, and Lisa, in her red dress and pearl necklace, stand at a table in the living room with Homer, who is bald and wears a white shirt, as they look at a cardboard box. Homer lifts a record sleeve reading "BIGGER THAN JESUS" with a cartoon of four men in red vests and straw boats walking across a blue band labeled "The BE SHARPS," and the kids lean in to look at it. In the background, a red lamp sits on the dark maroon couch, and a framed picture hangs on the pink wall, while in the last moment Bart squints sideways and Lisa stares at him with a worried look, and a wrinkled old man with glasses and white tufts of hair appears above a red lampshade behind them. > What'd you do? Screw up like the Beatles and say you were bigger than Jesus? > All the time. It was the title of our second album. > But we were about to learn an iron law of show business. > What goes up must come down. Frame: https://ultrahouse3k.com/img/S05E01/1062728.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1067525 ## 17:53–18:04 Bart, Homer and Lisa sit around a small table in a pink living room, with a cardboard box on the table in front of them. Homer, in a white shirt, raises one finger while Bart and Lisa look up at him. The scene then cuts to a close-up of Lisa, wide-eyed and with her mouth open in a worried expression, wearing her pearl necklace, with a red sofa behind her. Next Lisa's expression shifts to a tight, toothy grimace while her eyes stay wide, and then Homer, in a close-up with a fixed, grinning look, shows a framed picture of Bart on the wall behind him. The moment ends on a close-up of Lisa with her mouth open, looking up and sideways beside the red sofa, with a shelf of knick-knacks behind her. > What about Bob Hope? He's been consistently popular for over 50 years. > So is Sinatra. > Well, anyway, we were all getting tired of... > Dean Martin still packs him in. Ditto Tom Jones. Frame: https://ultrahouse3k.com/img/S05E01/1074407.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1078995 ## 18:04–18:14 Bart, Marge, Homer and Lisa first gather around a blue-topped table in the pink living room, where Marge holds a tray with a pitcher and glasses of milk beside a cardboard box while Bart and Lisa look on wide-eyed. Marge then sets a glass down and stands with a hand on her hip while the others watch, and a fading overlay carries the scene to Bart and Lisa seated at the kitchen table. In the kitchen, Marge leans over the back of a seated Homer, his bald head and white shirt visible, as Bart and Lisa look on from the table. > Shut up! > With your father on the road all the time, I tried to compensate for his absence. Frame: https://ultrahouse3k.com/img/S05E01/1085876.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1089839 ## 18:14–18:24 Homer, his head covered by a grey canister and his arms stretched out as pink sausage-like limbs with green gloves, sits at a table before a china cabinet while a yellow hand presses the record button on a cassette recorder. Marge, with her tall blue beehive, appears at the right edge with her hands out, and then Bart and Lisa, both wide-eyed with mouths open and hands raised, react in alarm from their high chairs at the table. The recorder sits on the blue tabletop throughout, and the scene is a kitchen with plates and glasses on the cabinet shelves. > Hi, kids. > I love you. Frame: https://ultrahouse3k.com/img/S05E01/1096095.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1099640 ## 18:24–18:29 Santa's Little Helper, the family's brown greyhound, is in the backyard of the Simpson house, with a small black cat on the pink front step and a grey cylinder with a face painted on it. The dog sniffs at a dirt hole in the lawn, then walks over to the cylinder lying beside it, picks it up in its mouth, and carries it to the hole. It drops the cylinder into the hole, and dirt flies up as the cylinder sinks partly out of sight while the dog walks away to the right. A green garden hose lies coiled on the grass near the wooden fence and the pink door. > Meanwhile, the group was having problems of its own. Frame: https://ultrahouse3k.com/img/S05E01/1105479.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1106731 ## 18:29–18:40 Three men stand at a pair of microphones in a blue-tiled studio, each holding sheets of paper. A dark-skinned man with black hair and a green jacket stands at left, a heavyset man with brown hair in a light grey shirt stands in the middle at the mic, and an older grey-haired man in a purple shirt with an orange tie stands at right. The middle man speaks into the mic with a strained, clenched-teeth grimace while the others glance sideways, open and close their mouths, and lean in to speak together. A black amplifier labeled 'AMP 100' sits at the right edge of the frame. > For all the latest medical poop, > call Surgeon General C. > Everett Coop. Coop-coop-a-doop. Frame: https://ultrahouse3k.com/img/S05E01/1110067.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1114864 ## 18:40–18:52 Three men stand before a microphone in a room with blue tiled walls, a small amplifier labeled "AMP 100 W" beside them. A dark-skinned man in a green jacket and a heavy man with brown hair in a grey-white shirt hold sheets of paper, and a thin, greying man in a purple shirt and orange tie holds paper at the mic. The man in the green jacket leans in toward the heavy man, grinning and gesturing, while the heavy man speaks into the mic with a fixed, irritated look. The green-jacketed man then drifts out of the left edge of the scene, leaving the heavy man pressing a hand to his chest beside the purple-shirted man, who glances sideways and then looks down. > This is worse than your song about Mr. T. > I pity the fool who doesn't like...he. > And where's Barney? Oh, he's with his new girlfriend, the Japanese conceptual artist. Frame: https://ultrahouse3k.com/img/S05E01/1121746.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1126334 ## 18:52–19:02 Moe, a grey-haired man with stubble in a purple shirt and orange tie, and a brown-haired man in a white shirt stand against a blue tiled wall, Moe talking and scowling while the other listens and grimaces. Moe and the brown-haired man then turn their attention to a long-haired woman in black with a black beret and a heavyset man with glasses and a black turtleneck, both standing near a pink door with a round window and a wall-mounted door closer. The scene ends on a close-up of a large yellow hand pressing a button on a grey control panel with black knobs, faders, and red, white, and blue keys. > Barbershop is in danger of growing stale. Frame: https://ultrahouse3k.com/img/S05E01/1133215.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1137386 ## 19:02–19:13 Carl, a Black man in a green jacket, sits at left while an older grey-haired man in a purple shirt and orange tie rests one arm on his knee on a stool beside him. A pale woman with tall black hair and a black outfit stands behind a bespectacled man in a black sweater and dark cap, who leans toward a purple control panel with dials and buttons. A yellow-skinned man with brown hair and a light blue shirt leans over the panel at right, and the group stays mostly still in a wood-panelled recording room, with only slight shifts in their expressions and posture as they look down at the board. No on-screen text is visible. > I'm taking it to strange new places. > Number eight. Frame: https://ultrahouse3k.com/img/S05E01/1143643.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1148022 ## 19:13–19:24 In a studio with a purple mixing console, a grey-haired man in a purple shirt and orange tie stands beside an unnamed brown-haired man in a light blue shirt seated on a stool, while an unnamed dark-haired man in a green jacket and an unnamed long-haired person in a black beret look on. The grey-haired man steps forward and holds up a magazine labeled US with a brown dog on its cover, and the brown-haired man takes hold of it as the group stares ahead. Afterward, Marge, Maggie, Bart, Homer and Lisa sit on a couch in their living room beside a cardboard box, with Santa's Little Helper and Snowball II on the floor. > Then came the day we knew we were finished. > Gentlemen, Us Magazine just came out with its what's hot and what's not issue. > Are we hot? > We are not. Frame: https://ultrahouse3k.com/img/S05E01/1154695.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1158866 ## 19:24–19:33 Apu, Principal Skinner in his grey suit and pink tie, and a group of men including Homer and a heavy man in a black beret cluster around a purple console, with Apu and Skinner gazing at a magazine titled US that shows a hairy creature while Homer and the beret-wearing man look on. The scene shifts to the outside of Springfield Elementary School, its sign reading 'Springfield Elementary School' beside a tall American flag under a bright blue sky. Back inside, Groundskeeper Willie with his bushy red moustache and beard holds a mop while Mr. Burns, in dark sunglasses and a grey suit with a pink tie, stands beside him in front of a window, and Burns speaks to him, then pushes his hands into his pockets as the conversation continues. > We all went our separate ways. > Well, William, I'm back. > So, how did you spend your summer? I made millions in software and lost it at the track. Frame: https://ultrahouse3k.com/img/S05E01/1165331.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1169085 ## 19:33–19:44 A bald, red-bearded man with a bushy red moustache holds a wooden stick and first glares, then grits his teeth, beside a partly visible yellow-skinned figure at the edge of the frame. The scene then cuts to the outside of the Kwik-E-Mart, with its sign, a open bin marked NO DUMPING, and brown puddles in the lot. Inside, Apu, in an orange shirt with a black collar, stands behind the counter as a brown-bobbed woman holding a baby in a pink bonnet gestures toward a milk carton, with a DRINK UP! Buzz sign and a KILLER sign on the wall behind them. > It may not be glamorous, but it's good, honest work. > How much is this quarter milk? Twelve dollars. Frame: https://ultrahouse3k.com/img/S05E01/1174924.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1179095 ## 19:44–19:56 Moe, the grey-haired bartender in a blue shirt and suspenders, wipes the bar counter with a white rag inside Moe's Cavern, a bar with a red exit door, an Duff beer sign and pennants on the wall. Barney, the heavy drunk with messy brown hair and a pink shirt, leans on the counter beside a long-haired woman in a black dress with a pale face, who stays at the bar in the later frames. Moe glances up at Barney, then leans forward and talks across the counter while Barney looks bleary-eyed and the woman's mouth shifts as she speaks. Outside the bar's exterior sign reads MOE'S CAVERN with an arrow, and trash and a dented red can litter the sidewalk. > Hey, Barney, what'll it be? I'd like a beer, Mo. > I'd like a single plum floating in perfume served in a man's hat. > Here you go. > Hey, fellas, I'm back. Frame: https://ultrahouse3k.com/img/S05E01/1185559.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1190564 ## 19:56–20:03 Carl, a Black man in a pink sweater and grey jacket, stands with Lenny, who has spiky black hair, a green sweater and suspenders, both holding white mugs, while a brown-haired man in a white shirt stands at the right beside a wall panel marked EMERGENCY. Carl's mouth opens in talk and then breaks into a grin as the brown-haired man points toward a button, and the scene moves to a control room where a white hen with a red comb stands on a purple stool before a panel of glowing colored lights. A brown hand reaches in from the upper right, and the hen bobs its head and shifts its weight on the stool. > Oh, that's great. Your replacement was getting tired. > Hey, Queenie, you can go now. Frame: https://ultrahouse3k.com/img/S05E01/1197655.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1199949 ## 20:03–20:10 Homer, Carl, and Lenny stand together at a glowing control panel in a control room, with Carl (a Black man in a grey lab coat and pink sweater) holding a white hen and Lenny (spiky black hair, green sweater, suspenders) holding a cup, while Homer gestures with one arm and talks. The scene then cuts to a living room with a framed picture of Maggie on a pink wall, where Homer sits on a dark brown couch between Bart (orange shirt) and Lisa (red dress, pearl necklace), gesturing with a grin and then settling into a smug smile with his arm draped behind Lisa as the two children look on. > I'll give her a good home. > And I did. > I'll never forget my five and a half weeks at the top. Frame: https://ultrahouse3k.com/img/S05E01/1204328.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1207039 ## 20:10–20:20 Marge, with her tall blue beehive and holding baby Maggie in a blue bow, sits on the left of a brown couch in a pink living room alongside Bart in an orange shirt, Homer in a white shirt, and Lisa in a red dress, while Santa's Little Helper sleeps on the green carpet and Snowball II sits nearby. A cardboard box sits on the blue coffee table between two glasses of juice. Bart leans forward with his hands raised, and Homer lifts a hand toward his mouth, then stretches his arm behind Bart and Lisa along the couch back. Homer's arm drops onto Lisa's shoulder as she grins nervously with wide eyes, and Bart, looking on, sits with his hand near his face while the family remains seated. > Man, that's some story. But there are still a few things I don't get. > Like, how come we never heard about this until today? > Yeah, and what happened to the money you made? Frame: https://ultrahouse3k.com/img/S05E01/1211836.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1215798 ## 20:20–20:33 Bart, the boy with spiky hair in an orange shirt, and Lisa, the girl with star-shaped spiky hair and a red dress with a pearl necklace, stand on either side of Homer, the bald heavy man in a white shirt, in the pink living room with a lamp, framed pictures and a staircase behind them. Homer leans in and gestures with his finger toward Lisa while speaking animatedly, and Bart looks up at him with wide eyes. In the later images Homer turns and drapes his arm around Bart's shoulder, while Bart's eyes shift sideways and Lisa stares back with a flat, unimpressed expression as the scene settles and the three are gathered on the couch. > Why haven't you hung up your gold record? > Since when could you write a song? > There are perfectly good answers to those questions. > But they'll have to wait for another night. > Now off to bed. Frame: https://ultrahouse3k.com/img/S05E01/1221846.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1227059 ## 20:33–20:44 Homer sits on the maroon couch in his pink living room, under framed portraits, and looks off to the side. He then holds up a red folder with a sign reading "Meet The Be Sharps" that shows three blue-faced quartet singers in grey hats, and then lifts a red booklet showing four singers in red vests and bow ties. Finally his yellow hand dials a green rotary-style telephone on a purple table beside a blue lamp. Frame: https://ultrahouse3k.com/img/S05E01/1234358.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1238946 ## 20:44–20:54 Homer, in his red coat, peeks out from the door of a dark booth whose wall reads "FOR A GOOD TIME CALL" above a phone number, then steps out and stands with one hand on his hip as a thin man with messy brown hair in a brown jacket, a grey-haired man in a dark coat, and a dark-haired, dark-skinned man in a dark coat gather beside him under a blue sky. The group stands talking, with the grey-haired man gesturing with his arms folded and the man at the far right grinning and waving his hand while Homer looks on warily. > I can't remember the last time we were all together. > Last year on that stupid Dame Edna special. Frame: https://ultrahouse3k.com/img/S05E01/1245619.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1249582 ## 20:54–21:05 Homer in his red coat, a brown-haired man in a brown fur-collared coat and black turtleneck, a grey-haired man playing a guitar, and Carl sing into microphones on a rooftop. The group sings with open mouths and swaying bodies, and the scene then pulls back to show them on the roof of Moe's bar above the street. Signs read "MOE'S" and "KING TOOT'S MUSIC STORE," with pedestrians and an orange car passing below. > And a one, and a two, and a three. > Baby on board, > how I'm adored. > That sign on my car's windowpane Hello? Frame: https://ultrahouse3k.com/img/S05E01/1255629.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1260217 ## 21:05–21:17 Marge, with her tall blue beehive and red dress, stands in a street crowd with a grey-haired woman in a red headscarf, a man in a fedora and glasses, and a boy in a white cap, all gazing up at a tall beige building. A figure in a black costume with red trunks, goggles, a white cape and spring antennae climbs the tower's face, reaches a ledge, and leaps outward with arms flailing and mouth open. Brick patterns mark the building wall, and a small red ball appears near the ledge. > Human fly here. > Come on! > I stayed up all night, dye in my underwear. Frame: https://ultrahouse3k.com/img/S05E01/1267099.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1271896 ## 21:17–21:29 A freckled, orange-haired newsboy in a cap, suspenders and a canvas bag, who is not a regular, shouts behind a man in a blue suit and purple fedora, then holds up a newspaper while the man stops to read his own paper on a city sidewalk beside a lamppost and a parked white car. The man frowns and speaks as he reads, the boy looks up at him, and the street is then left empty except for the white car, a brick building with a red awning, and a paper cup on the curb. > Extra, extra! > B-sharps sing on rooftop! > What? Give me one of those. > Wait a minute. There's nothing in here about the B-sharps. > Come back here! Frame: https://ultrahouse3k.com/img/S05E01/1278778.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1283574 ## 21:29–21:37 A row of onlookers peers over the top of a dark car, including a woman with a black bob, a blue-haired man, a dark-skinned man, and a blonde woman in a red dress. In the foreground, a shaggy-haired man in a navy suit sits in the car and shifts his posture, gesturing with one hand near his chin while the crowd watches. The scene moves to the sidewalk, where the group stands close together, and a small girl with a pink bob and red bow in front of a man in a purple fedora and blue suit grins and leans in. The blue-tinted car window and a brick building remain in view. > It's been done. Frame: https://ultrahouse3k.com/img/S05E01/1290456.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1293584 ## 21:37–21:47 Police Chief Wiggum, a heavyset officer in a blue cap, stands in the foreground with a mustached police officer, a dark-haired woman, a blonde woman, and a dark-skinned man in a uniform behind him, all in a street before a pink building as he smirks, glances aside, and grins. He then raises a handheld microphone toward a sign reading MOE'S, where a crowd gathers below and a man in a purple hat watches, while four men stand on the rooftop above with microphones. In the final moment, Homer in a red jacket stands at the left of the rooftop group, pointing and singing beside a grey-haired man, a man in a brown jacket with a raised hand, and a dark-skinned man in a cap, with speakers and cables at their feet. > Pretty, huh, Chief? > It sure is, Lou. > It sure is. > Get the tear gas. > It's a trip to paradise With my baby Frame: https://ultrahouse3k.com/img/S05E01/1298798.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1302760 ## 21:47–21:57 Homer in a red jacket, Lenny with spiky black hair, and Carl stand together on the roof of Moe's, with a few other men in dark clothes beside them. In the first two frames they raise and wave their arms above a crowd gathered on the street, past a police car with flashing lights, King Toot's Music Store, and the Moe's sign. The group bunches closer together over the next frames while the crowd keeps watching, and the scene grows darker toward dusk, with the Moe's and King Toot's signs still visible. > on board Frame: https://ultrahouse3k.com/img/S05E01/1308808.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1312353 ## 21:57–22:06 No Simpsons characters appear; the moment is a black title card sequence in the opening credits. First, yellow text reading 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' sits centered on the screen, then it gives way to 'Starring DAN CASTELLANETA', followed by 'NANCY CARTWRIGHT', 'YEARDLEY SMITH', and 'and HARRY SHEARER', each text fading in and out in turn against the dark background. > I'd like to thank you on behalf of the group, and I hope we pass the audition. Frame: https://ultrahouse3k.com/img/S05E01/1318192.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1321946 ## 22:06–22:16 No characters are animated in this moment; the frames show only a dark black background with gold cartoon-style credit text appearing one after another. The first reads 'Special Guest Voice GEORGE HARRISON', then 'Also Starring PAMELA HAYDEN', then 'Executive Consultant BRAD BIRD', then 'Animation Producers BILL SCHULTZ and MICHAEL WOLF', and finally 'Story Editor BILL OAKLEY & JOSH WEINSTEIN', each text block centered on the screen in turn over the nine seconds. > I don't get it. Frame: https://ultrahouse3k.com/img/S05E01/1327785.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1331330 ## 22:16–22:25 No characters appear in this sequence, which is a black end-credit roll on a dark background. Gold cartoon-style text appears in turn: first "Associate Producers J. Michael Mendel and Joseph A. Boucher," then "Music By Alf Clausen," then "Editors Mark McJimsey and Don Barrozo," then "Animation Production Manager Ken Tsumura" with "Post Production Supervisors Colin A.B.V. Lewis and Jeffrey Goldstein," and finally a list of crew credits including Production Coordinator Jacqueline Sillo, Production Mixer Brad Brock, Sound Recordists Greg Cheever and Randy Piotroski, Script Supervisor Louise Jaffe, Skywalker Sound, Laser-Pacific, and a Dolby Surround logo. Each credit fades in and out against the black background. Frame: https://ultrahouse3k.com/img/S05E01/1337169.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1340923 ## 22:25–22:35 No characters appear in this moment; it is a black credits sequence with no people on screen. Gold text fades across the frames: first 'Animation Produced By FILM ROMAN, INC.', then 'Overseas Animation Directors MIKE GIRARD and JONG CHUL PARK', followed by long lists of crew names in two columns covering storyboard, character design, background design, color design, ink and paint, animation checking, and main title animation credits. The names are stacked in gold lettering on the dark background, and the text changes from one card to the next as the credits scroll. Frame: https://ultrahouse3k.com/img/S05E01/1346762.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1350307 ## 22:35–22:44 No characters appear in this moment; it is a black closing credits sequence with gold text on a dark background. Frames show, in order, the credits for Production Accountant Anthony R. Reyes, Negative Cutter Tim Heyen, D & A Neg Cutting, Telecine Unitel Video, Larry Field, and Production Assistants Richmond M. Horine, Steve Ingram and Geoffrey W. Mark, then Executive in Charge of Production for Gracie Films Michael P. Schoenbrun, Creative Supervisor Sam Simon, and a dedication to the memory of Michael P. Schoenbrun that remains on screen. > Shh. Frame: https://ultrahouse3k.com/img/S05E01/1356146.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1359900 ## 22:44–22:54 Silhouetted audience members sit in rows of theater seats, including a figure with a tall, voluminous hairdo in the front left. The scene is a dark movie theater where a blue projector beam lights the screen, which shows GRACIE FILMS in white letters, then fades to black with the words IN ASSOCIATION WITH in white text. A golden 20th Television logo, with a building topped by the number 20 and searchlight beams in a blue sky, appears before the scene ends in black. Frame: https://ultrahouse3k.com/img/S05E01/1365739.jpg Page: https://ultrahouse3k.com/episode/s05e01-homers-barbershop-quartet/1369285