# Rosebud

The Simpsons, season 5, episode 4 (S05E04), first aired October 21, 1993.
Written by John Swartzwelder. Directed by Wes Archer. Production code 1F01.
Couch gag: Duplicate Family.

Mr. Burns longs for Bobo, the teddy bear he abandoned as a boy, which has passed through history before ending up in a block of ice delivered to the Kwik-E-Mart. Bart finds it and gives it to Maggie, who refuses to let go even after Burns offers a fortune and cuts off Springfield's beer and television. Seeing how miserable Burns is, Maggie finally hands the bear back.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Otto Mann, Jasper Beardsley, Martin Prince, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Groundskeeper Willie, Jimbo Jones, Miss Hoover, Snowball II, Kearney Zzyzwicz, Mayor Quimby, Kirk Van Houten, Larry Dalrymple, Luann Van Houten, Helen Lovejoy, Professor Frink, Bernice Hibbert, Agnes Skinner, Dolph Starbeam, Dr. Nick, Gareth Prince, Lionel Hutz, Sarah Wiggum, Herman Hermann, Gloria Prince, Sanjay Nahasapeemapetilon, Troy McClure, Bumblebee Man, Charlie, Fat Tony, Jack Marley, Ms. Albright, Dave Shutton, Richard Nixon, Adolf Hitler, The Devil, George H. W. Bush, Ronald Reagan, Jimmy Carter, Daphne Burns, Barney the Dinosaur, George Burns, Ms. Finch, Wainwright Montgomery Burns, Bear Robot, Bobo, Burns Guard, Charles Lindbergh, Clifford Burns, Ice Excavator, Simpson fish, The Ramones.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e04-rosebud
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the boy with spiky hair in an orange shirt, balances on a skateboard atop a pink car, and Homer, the bald heavy man in a white shirt and blue pants, comes walking up beside it in the driveway of the house with an open garage, a bicycle, and a mailbox. The moment opens on black, then clouds drift across a blue sky, and the title card reads "THE SIMPSONS" in yellow letters before the scene cuts to the driveway, where Bart stands with his arms raised and Homer steps in from the side with his arms out.

> The Simpsons

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/6256

## 0:12–0:23

Homer runs through a doorway from a pink hallway into a purple room with a red bed in the foreground, holding a white cup. He then appears with Marge, whose tall blue beehive stands out, and the kids, Lisa, Maggie and Bart, who crowd together on a couch in a pink living room, with Marge standing at the right beside a boxy grey television. The TV screen shows the credits in yellow letters: first "Created by Matt Groening," then "Developed by James L. Brooks, Matt Groening, Sam Simon."

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/17935

## 0:23–0:32

No characters appear in this moment; it opens on black and then reveals an ornate white wrought-iron gate with green leaf backdrop reading BURNS MANOR. The view moves down past a KEEP OUT sign on a chain-link fence to stacked signs reading ELECTRIFIED FENCE and WARNING KEEP OUT in red and blue lettering.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/28153

## 0:32–0:42

No characters appear in this moment. A chain-link fence overgrown with green vines carries signs reading "TRESPASSERS WILL BE SHOT" and "DANGER ELECTRIFIED" in red and black lettering, then a handwritten sheet reading "FREE KITTENS INQUIRE WITHIN" hangs from the fence and is taped at the top. The view then pans away from the fence toward a large purple-tinted mansion with columns, a gated entrance bearing an ornate scrolled letter B, and a yellow moon in a purple sky, while the credit "Co-Executive Producer JACE RICHDALE" appears over the gate.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/37538

## 0:42–0:50

A line of yellow-skinned figures in tall dark bearskin-style hats marked with a large B and black coats trimmed with red and gold epaulettes marches in step along a paved street past a columned building with tall wooden double doors and steps. Over the first four moments the credits "Supervising Producer HAROLD KIMMEL," then "Supervising Producer FRANK MULA," then "Supervising Producers BILL OAKLEY & JOSH WEINSTEIN" appear in white lettering across the marchers, while the group keeps moving. In the final moment, Principal Skinner, with neat grey hair, glasses, a purple bow tie and a dark suit, leans out of an open window beside bookshelves, one finger pressed to his lips.

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## 0:50–1:00

A line of identical hooded figures in black robes with red trim and tall black hats marked with a B marches in step along a street in front of a columned building with wide steps and a large wooden door. They keep advancing across the frames, and the procession shifts from the front of the building toward the sidewalk. Credit text overlays the scene, reading 'Supervising Producer Conan O'Brien', then 'Supervising Producer David Richardson', then 'Co-Producer Greg Daniels'. The scene then cuts to a barred window with purple drapes, a gargoyle statue on the right, and a dark cat-like shape lounging on a ledge inside.

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## 1:00–1:10

Mr. Burns, the frail, very thin old man with a hooked nose and grey hair at the sides, lies in bed in striped pink pajamas and a nightcap, grimacing and then drifting into sleep. A boy with a bowl-cut of brown hair and a grey coat, not one of the regulars, holds a brown teddy bear named Bobo outside a wooden cabin in the snow, speaking to it with a wide-eyed grin. Behind him, an elderly thin woman in a purple dress and apron and an elderly thin man in a green vest with grey hair at the sides look on near a parked car, with the cabin's lit windows glowing in the dusk.

> I'm the happiest boy there is, aren't I, Bobo?

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/65691

## 1:10–1:17

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands beside an elderly woman with a grey bun in a purple dress and white apron, both by a blue vintage car parked in snow outside a wooden cabin. At first they look on as a small boy with brown hair and a grey coat walks toward them holding a teddy bear, and the car's rear window shows a dark top-hatted silhouette with glowing eyes and a lightning streak beside it. Mr. Burns then turns and points at the car while the woman gestures, and the boy keeps close to the car as the scene plays out, with white producer credits such as 'Producer JONATHAN COLLIER' and 'Producer GERRY RICHARDSON' overlaid on the lower part of the screen.

> Happy!
> Come here, Happy.
> Yes, Mumsy.

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## 1:17–1:27

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands beside an elderly grey-haired woman in a purple dress and white apron, facing a small child with a round orange-brown head seen from behind, while a top-hatted silhouette with glowing eyes watches from the window of a blue vehicle. Burns gestures with his hands, then grips the child's shoulder as on-screen credits such as "Producer DAVID SACKS" and "Creative Consultant GEORGE MEYER" roll over the scene. The scene then shifts to a grey-coated, scarfed man in a brown hat standing in the snow beside a brown teddy bear lying on its back, next to the blue vehicle's wheel.

> Happy, would you like to continue living with us, your loving natural parents?
> Who would you rather live with this twisted, loveless billionaire?

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## 1:27–1:38

Mr. Burns, the frail, stooped old man with grey hair at the sides and a hooked nose, is seen in a snowy mountain setting, first with a bowl-cut stranger in sunglasses and a grey collar seated on a red bench, then alone on a snowy road lined with pine trees and a distant blue vehicle. Burns, wearing a grey vest over a dark sweater and green trousers, raises a small teddy bear overhead, gestures outward, then walks away down the road and leaves the bear behind on the snow as the credits 'Produced by Richard Raynis,' 'David Silverman,' and 'Richard Sakai' appear over the scene.

> Let's roll.
> Wait! You forgot your bear! A symbol of your lost youth and innocence!
> Oh well. At least we still have his little brother George.

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## 1:38–1:47

A yellow-skinned, bespectacled man with short brown hair, a bow tie, grey shirt, dark green suspenders and trousers, and black boots stands in a snowy yard beside a wooden building with a lit window and a wooden fence behind him. He holds a black microphone-like object, first smiling calmly, then grinning with an arm flung outward, then talking with his mouth open as he lifts the object toward his face, while the credits "Written by JOHN SWARTZWELDER" and "Directed by WES ARCHER" appear over the lower part of the scene.

> Bum bum bum bum! Oh, the sun shines bright on my old Kentucky home!
> Bum bum bum bum!
> Trust me, it'll be funny when I'm an old man.

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## 1:47–1:58

A brown teddy bear lies on a white snowy ground while snowflakes fall, then its limbs come loose and scatter across the snow as it sinks until only its head and arms show. Next, a yellow-skinned man in a pink-striped nightcap and pajamas lies in bed under a blue blanket, with a blue bandage on his forehead, clutching a glass snow globe and waving one arm and opening his mouth wide in a shout. A purple curtain and a wall lamp sit behind the bed.

> I want my teddy...

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## 1:58–2:09

Mr. Burns, the frail, stooped old man in a white nightcap, lies in a blue canopy bed in a purple bedroom, and his thin assistant Smithers, in a green jacket, pink bow tie and glasses, is nearby. Smithers appears to emerge from a large cracked snow globe, and glass shards and a broken house globe scatter across the rug as snow spills out. Smithers then moves over to stand at the bedside beside Burns, who reaches out from under the covers and then sits up, while a wooden crate labeled "NEV-R-BREAK SNOW GLOBES" sits at the right edge of the bed.

> Bobo.
> Oh, it's you.

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## 2:09–2:21

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, lies in bed under a blue blanket wearing a pink nightcap, while Smithers, his thin assistant with glasses and a purple bow tie, stands beside the bed in a dark green jacket. In a bedroom with a lamp on the wall, Burns gestures with one raised finger and talks animatedly, and at one point he clutches the bedsheet and scowls with his hand to his chin. The scene moves from Smithers standing near the bed's metal railing to a closer view of Smithers' back in the foreground as Burns sits up and speaks, then to Burns gesturing and looking off to the side.

> The bedpan's under my pillow.
> Who's Bobo, sir?
> Bobo?
> I meant Lobo.
> Sheriff Lobo. They never should have canceled that show.

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## 2:21–2:27

A bespectacled man with grey hair, a green jacket and a purple bow tie stands before a blue lattice grille, first looking intently to the side, then smiling slightly and speaking with his mouth open. The scene cuts to Mr. Burns, the frail, hook-nosed old man in a pink-and-white striped nightcap, lying in bed under a blue blanket with his mouth open and his hand resting on the covers. The man at the grille then returns, eyes wide, mouth open mid-speech as he talks.

> I see. On another topic, the preparations for your birthday have begun.
> I won't get what I really want. No one does.

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## 2:27–2:37

A bespectacled man stands at the left edge while Mr. Burns, frail and thin with a hooked nose and a sash reading MR. BURNS, pops up from the top tier of a three-tiered cake inside a pink cloud-shaped bubble. He first sits hidden in the cake, then rises with arms spread, then gestures with one hand and points with another, all against a purple background with a lattice pattern. The scene then cuts to an exterior view of the Simpsons' yellow house under an orange sky, with a pink tree in the yard, a tricycle on the driveway, and no people visible.

> Happy birthday, Mr.
> Smithers.
> Lobo.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/152653

## 2:37–2:48

Homer and Marge lie in a bed, with Homer asleep at first and then waking beside a red alarm clock on the nightstand. Homer sits with a worried, frowning face while Marge, with her blue beehive, looks startled with her mouth open. A September wall calendar follows, with red arrows converging on a circled date labeled "BURNS BIRTHDAY."

> Bring back Sheriff Lobo.
> Lobo! Lobo!
> What, homie? Oh, no!
> Burns' birthday!
> What's wrong?

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## 2:48–2:54

Homer and Marge Simpson lie in a bed with an orange blanket and purple pillows, in a pink bedroom with framed pictures of Bart and Lisa on the wall. Homer, in a light blue shirt, sits up beside Marge, who lies on her back in a pink top with white cuffs, and he gestures with one hand while speaking, his eyes wide and his expression anxious. Marge looks up toward him, and Homer keeps gesturing and talking as he continues to look worried. On the nightstand beside them sits a blue-framed calendar with a pink starburst mark on one day.

> Every time Mr. Burns has a birthday, all his employees have to help out at the party.
> And I always get some terrible job.

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## 2:54–3:06

Homer Simpson, wide-eyed and open-mouthed, lies against lavender pillows, then stands outdoors with Mr. Burns, a thin, stooped old man in a dark blue suit and red headband, who swings a purple bat while Homer grips the rope of a red donkey-shaped piñata hanging from a purple tree. A crowd of children watches behind a chain-link fence under a bright blue sky. Back in bed, Homer looks sideways with a worried expression beside a sleeping Marge, her blue beehive on the pillow, under an orange blanket by a pink nightstand.

> Where is that dreaded piñata?
> Ow.
> Missed me.
> Ow.

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## 3:06–3:16

Homer, bald and wearing a white shirt, stands in a crowded room with exposed pipes overhead, surrounded by coworkers including a man with long black hair in a green sweater and a woman with orange hair in a tan jumpsuit. He gestures with his arms, rubs his belly and then his rear, and turns to look back as the group reacts with open-mouthed expressions and laughter. The scene opens on an aerial view of a nuclear power plant with two cooling towers beside a river and a small parked car near the entrance.

> It's not funny. And the one in my pants really hurts.

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## 3:16–3:20

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits in a green chair beside his thin assistant Smithers, who wears glasses and a green jacket, in a room lined with a grid of wooden-framed security monitors. Burns extends a pointing finger toward a monitor showing a crowd of workers in blue-tinted light around a bald, heavy man in a white shirt, who is Homer, while Smithers looks on. Burns then lowers his hand to his chin as Smithers keeps watching him, and the other screens show a control room, a corridor and a small figure at a counter.

> That man who's getting all those laughs, Smithers, who is he?
> Homer Simpson, sir, one of the carbon blobs from Sector 7G, but I don't think that...

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## 3:20–3:31

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a green tufted armchair while his thin assistant Smithers, wearing glasses, a purple bow tie, a green jacket and an ID badge, stands beside him in a wood-panelled room. Burns first sits with his hands resting on the chair arm, then grins and claps his hands together, then gestures with his fingers and hands while Smithers stands with his hands behind his back and a wary expression. Burns leans forward with a sly, toothy smile, gesturing with both hands, and in the final moment he sits back with a scowling grin while Smithers looks on. A framed picture of a figure in a teal suit hangs on the wall behind them.

> I want this Simpson fellow to perform comedy at my party.
> I must harness his fractured take on modern life.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/206039

## 3:31–3:35

Principal Skinner, with neat grey hair, glasses, a green jacket and a purple bow tie, stands in a room with green walls, wooden shelving and books on the left. Over the moment he smiles closed-mouthed, then talks with his mouth open, flashes a toothy grin, and speaks again while his eyes glance sideways. No on-screen text appears.

> Fine, sir.
> I'll get him started on some snappy Sinbad-esque material.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/213338

## 3:35–3:46

Homer Simpson, bald and wearing a white shirt, stands at the kitchen table holding a pencil, while Bart Simpson in an orange shirt stands beside him and later Marge Simpson with her tall blue beehive and Lisa Simpson in her red dress join them, with Maggie in her high chair at the left edge. Homer talks and grins with an open mouth, then in the later part of the moment he leans toward the table holding the pencil while Marge looks on and Bart watches him, all in a purple kitchen with a blue tablecloth, cabinets above, a green range hood, and a blue oven mitt hanging on the wall. No on-screen text is visible.

> I'm so funny. This is going to be great.
> What are you doing?
> I'm writing a delicious send-up of Mr. Burns for his birthday party.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/220846

## 3:46–4:00

Homer, bald and heavy in a white shirt, stands at a blue counter in a purple kitchen, holding a pencil and gesturing with his hands while Bart, spiky-haired in an orange shirt, leans on the counter beside him and looks up at him. Marge, with her tall blue beehive and green dress with a red bead necklace, stands behind them and turns her head toward Homer, then glances away with a sour expression. Lisa, with her star-shaped spiky hair and pearl necklace, appears at the counter on the left and talks to Homer, raising a finger in one frame before wearing a knowing, self-satisfied look. Pink utensils hang on a rack on the wall behind the counter, with a microwave and a cabinet of plates visible in the background.

> Is Poop-a one word or two?
> I don't think it's a good idea to humiliate your boss on his birthday.
> Actually, Mom, a tweaking of Mr. Burns' foibles, if done with the greatest of care,
> could earn Dad a special place in the old man's heart.

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## 4:00–4:10

Homer Simpson stands alone in the kitchen beside a blender and yellow canisters, first looking sideways with a sly expression and then laughing with his mouth wide open. Marge, Bart, Lisa, and Maggie in her high chair then gather at the kitchen table as Homer holds a pencil and gestures with his hand. He ends up laughing with his eyes shut while Bart gapes open-mouthed and Marge stares ahead, with a cork board, a blue oven mitt, and a red pot holder on the walls.

> Well, I also do a delightful impression of him.
> I paint a frowny face on my butt and pull down my pants.
> Ha, ha, ha, ha!

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/245454

## 4:10–4:22

Lisa and Marge stand together in a kitchen, Lisa with spiky star-shaped hair and a pearl necklace, Marge with her tall blue beehive and red beads, both looking off to the side. A small glowing object appears against a black background, then a newspaper headline reads "Burns' Birthday Today, Credits Long Life to Satan" above a cartoon of a suited old man handing a check for one billion dollars to a horned devil labeled Satan. Homer, in a maroon sweater, holds up a spatula-like tool while facing his reflection in a pink mirror, wearing a pink jacket and green tie that matches a grinning, eye-rolling mirror image.

> Now, I'm not saying Mr. Burns is incontinent.

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## 4:22–4:30

Homer Simpson, in a maroon jacket and green tie, stands in a pink room with tall cabinets and an arched mirror, holding a silver hand tool while Marge Simpson, with her tall blue beehive and green dress, stands nearby with Maggie, who wears a blue bow, Bart, who has spiky hair, and a little girl in a pink dress and hat. Homer turns from the mirror to face the group, gesturing with the tool and speaking, and then Marge, looking unimpressed, rests her hand on his shoulder as she speaks to him. The mirror reflects Homer and the room throughout the scene, and a green-and-white checked pattern is visible on the floor.

> Incontinent.
> Too rich. Does either of you know what incontinent means?
> Lisa, don't spoil our fun. Come on, dear.
> It's time to go. Okay, stupid.

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## 4:30–4:43

Homer Simpson, bald and stubbled in a maroon jacket and green tie, stands in a pink room gesturing with a golf club while Marge Simpson, with her tall blue beehive and green dress, faces him beside Maggie in a light blue bonnet and Lisa in a white dress and bonnet, with Bart in a brown jacket at the right edge. Homer's first pose is a wide-eyed stare at the doorway, then he turns to Marge, spreads his arms and talks while holding the club, and finally points at the family with his free hand, still gesturing as he speaks. Beside the arched brown doorway and a blue dresser with a round mirror, the family stands on a green carpet while Homer keeps talking and waving his arms.

> Homer, you've got to stop insulting everyone, especially your boss.
> Marge, the comedy roast is an American tradition.
> It's what gives us the freedom to criticize our social betters.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/276943

## 4:43–4:54

Ned Flanders, with his moustache, glasses and white shirt, clips a hedge with large shears while Homer, bald and heavy, peeks over the fence behind him. Flanders then looks uneasy at the fence, where Homer, seen from behind in a maroon shirt, faces him over the top of the boards. Outside a glass building under a 'HAPPY BIRTHDAY MR. BURNS' banner with balloons, Chief Wiggum stands by the doors as a line of people carry wrapped gifts inside, including Lenny with spiky black hair pushing a large present on a hand truck and Carl, a Black man in a dark suit, carrying a white box.

> Hey, Flanders, you smell like manure.
> Uh-oh.
> Better cancel a dinner party tonight. Thanks for the nose news, neighbor.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/288622

## 4:54–5:05

Chief Wiggum, the fat police chief in a green uniform and cap, grips the shoulders of a dark-haired man in a purple suit beside a glass door in a corridor, while a thin man in a grey suit holds a white gift box with a red cross. Wiggum then turns away with his radio on his shoulder, and later grips the shoulder of a glum, balding man in a blue suit and red tie in the same corridor. Outdoors at night, a grey-haired man in a grey suit with a green gift bag grins widely at a thin, hook-nosed man in a blue suit who is holding a pink gift box with both hands, and the grinning man's expression sours as the other man frowns and reaches out.

> Hey!
> No one term is.
> You too, huh?
> Hey, I know a good yogurt place. Get away from me, loser.

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## 5:05–5:17

Marge, Lisa, Bart and Homer sit at round tables in a banquet hall, facing a projector screen that first shows a sketched figure of Mr. Burns in a hat, then goes blank white. The screen then shows Mr. Burns riding a penny-farthing bicycle across a field, then planting a white flag with his face on it atop a rocky hill with soldiers, and finally standing over a fallen opponent in a boxing ring while a crowd watches.

> Ladies and gentlemen, I give you Montgomery Burns a life.

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## 5:17–5:25

Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, sits at a table in a dark green suit, phone pressed to his ear and one hand raised, while a grey-haired man in glasses and a purple bow tie stands in the foreground beside him. A yellow, cartoonish woman in a white pleated dress, like the famous subway-grate pose, stands on a purple floor mat against a brick wall, her skirt billowing, and then steps out of the frame to the right. A grey-toned boy in a dark coat and scarf hugs a grey teddy bear in a snowy landscape with a wooden fence, and the scene ends with Burns and the grey-haired man at the table under a blue ceiling beside a potted red flower.

> Oh, boo-boo.

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Page: https://ultrahouse3k.com/episode/s05e04-rosebud/321154

## 5:25–5:36

Smithers, the thin assistant with glasses in a green jacket and bow tie, walks onto a stage with a blue curtain and a large projected caricature of a top-hatted figure, then stands holding a microphone and gestures as a band of black-haired musicians emerges through a gap in the curtain. Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits in the audience with his arms crossed and a sly grin, beside a man in a green suit and a woman with an updo and red lipstick. Yellow lettering and sound cues are absent, and the audience members stay seated while Burns watches with a smirk.

> There are several fine young men who I'm sure are gonna go far.
> Ladies and gentlemen, the Ramones.
> Ah, these minstrels will soothe my jangled nerves.
> I'd just like to say this gig sucks.

Frame: https://ultrahouse3k.com/img/S05E04/326159.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/330539

## 5:36–5:46

Four long-haired punk musicians in black leather jackets perform on a stage with pink walls, purple Marshall amplifiers and green shell-shaped lights along the edge. The singer in red sunglasses and a red shirt grips a microphone at center while a guitarist on each side strums and a drummer on a red kit keeps time behind them. As they play, the singer leans into the mic and sings, and the band's movements shift between the close-up and the full stage, with the drummer tapping sticks on the cymbals and snare.

> Hey, up your Springfield. One, two, three, four.
> Happy birthday to you. Happy birthday to you.

Frame: https://ultrahouse3k.com/img/S05E04/337212.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/341174

## 5:46–5:56

Three long-haired musicians in black leather jackets and dark pants perform on a purple-draped stage, with the lead singer in red sunglasses and a red shirt at the center. The singer grips a microphone and sings, then kicks one leg high while a guitarist plays on each side. Stacks of amplifiers labeled Marshall, a red drum kit, and green shell-like decorations along the stage edge are visible.

> Happy birthday, Bernsie. Happy birthday to you.
> Go to hell, you old bastard.

Frame: https://ultrahouse3k.com/img/S05E04/347430.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/351601

## 5:56–6:06

A yellow-skinned woman with long black hair and a black leather jacket plays bass at a microphone in front of a Marshall amplifier, while a drummer in sunglasses and a second singer appear behind a red drum kit against blue curtains. Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits at a round table draped in purple with Smithers, who wears glasses, a green jacket and a purple bow tie, and cake slices and green cups in front of them. Burns scowls and speaks, then clenches his fist as Smithers gestures with both hands.

> Hey, I think they liked us.
> Have the Rolling Stones killed.
> Sir, those aren't... Do as I say.

Frame: https://ultrahouse3k.com/img/S05E04/358066.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/361820

## 6:06–6:13

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits behind a heap of gold coins and stacked cash, while Smithers, his thin assistant with glasses, and a crowd of suited men look on. A white unicorn looms over a group of onlookers in a purple room, and Marge with her tall blue beehive and Homer in a red jacket stare on with wary expressions. Burns lifts a jeweled object and handles it over a counter spilling with neckties, a clock, and a sparkling pendant nearby.

> Stinks.
> Piffle.
> Dustbuster.
> Yuck.
> Sir,

Frame: https://ultrahouse3k.com/img/S05E04/367659.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/370161

## 6:13–6:23

Mr. Burns, a frail, stooped, bald old man with a hooked nose and grey hair at the sides, sits at a table piled with gold coins, cash and a jeweled necklace, while his thin assistant Smithers, with glasses and a pink bow tie, stands at his side in a green jacket. Surrounded by onlookers in a blue-lit hall, Smithers gestures toward a monitor that first shows a blank blue screen and then a glowing Australia-shaped map reading "MONTY BURNS" in lights, while Smithers points at it and rests a hand on Burns' shoulder as Burns grins and then grimaces.

> I've arranged for the people of Australia to join hands tonight and spell out your name
> with candles.
> There's a satellite hookup on that monitor, if you'll just turn your head slightly.
> Bah, no time. Next!

Frame: https://ultrahouse3k.com/img/S05E04/374958.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/378920

## 6:23–6:36

A bespectacled man with short brown hair, a purple bow tie and an olive-green jacket stands before a pale blue sketched backdrop, gripping a microphone with a wide, nervous grin, then freezes with his eyes bulging. The scene cuts to a crowded restaurant where Marge, with her tall blue beehive and maroon dress, sits at a table beside Carl in a lavender suit, and a bug-eyed woman with a curly brown hairdo and glasses leans forward in alarm. Diners across the room gape with open mouths at the man at the microphone, and the scene ends back on his wide-eyed, grinning face.

> I have some sad news to report. A small puppy, not unlike Lassie,
> was just run over in the parking lot.
> And now it's time for the comedy stylings of Homer Simpson.

Frame: https://ultrahouse3k.com/img/S05E04/384968.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/389973

## 6:36–6:47

Homer Simpson, in a red jacket and green tie, stands on a stage holding a microphone and raising one fist as he talks to the audience. Behind him a large screen shows a pale sketched outline of a figure in a top hat, while Marge with her tall blue beehive, Lisa and Bart sit at round tables with purple tablecloths and watch. Homer keeps gesturing and speaking with his mouth open and eyes wide, and the diners around the room turn their heads toward the stage.

> Are you ready to laugh? Oh, that poor dog.
> I said, are you ready to laugh? Quiet,

Frame: https://ultrahouse3k.com/img/S05E04/397272.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/401651

## 6:47–6:57

Homer, in a red jacket and green tie, stands on a wooden stage facing a banquet room where Mr. Burns and Smithers sit at a table near a crowd of diners. He first raises one fist, then stands before a blue backdrop of loose sketched lines, holding a microphone in one hand and a small white card in the other. He speaks, smiles, and looks down at the card as he reads from it.

> you awful man.
> You know, Mr. Burns is so cheap. What?
> I mean, you know, Mr. Burns is so old. How dare you.

Frame: https://ultrahouse3k.com/img/S05E04/408533.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/412495

## 6:57–7:06

Mr. Burns, a frail, stooped old man with a hooked nose, sits at a purple-draped table beside his thin assistant Smithers in glasses, while Homer in a red jacket and green tie stands on a stage in front of a projected caricature of Mr. Burns. Homer, wide-eyed and speaking, turns his head and then gestures with his hands as he holds a microphone near his chest, with Marge's tall blue beehive, Lisa and Bart visible in the foreground of the banquet hall. He continues speaking and gesturing toward the audience seated at round tables with purple cloths and place settings.

> Woo hoo.
> Tough crowd.
> Better bring out the big guns.
> Here's an impression of Mr. Burns that you might find a little cheeky.

Frame: https://ultrahouse3k.com/img/S05E04/418752.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/422297

## 7:06–7:17

Homer, in a red jacket and green tie, stands holding a microphone on a dimly lit stage with purple arched panels, speaking and smiling at first, then glancing sideways. In the second and third frames he is seen from behind, mid-performance, while Mr. Burns, frail and thin with a hooked nose and grey hair at the sides, sits at a round table with a small flower vase and reacts with a scowl that turns into a wide-eyed look of alarm, as an older man and a woman with red hair watch from nearby tables. The final frame returns to Homer with the microphone raised as he looks off to one side. Bart in a brown jacket and purple tie, Lisa in a white dress, Maggie with a pacifier and blue bow, and Marge with her tall blue beehive and pearl necklace sit at a table with cake slices and green cups in the closing frame, watching the stage.

> I'm Mr. Burns.
> Blah, blah, blah.
> Do this, do that. Blah, blah, blah.
> I think I'm so big blah blah blah destroy him blah blah

Frame: https://ultrahouse3k.com/img/S05E04/427928.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/431890

## 7:17–7:28

Homer, in a red jacket and green tie, speaks into a microphone on a stage in a banquet hall while Marge, Lisa and Bart sit watching at round tables. Mr. Burns and two uniformed police officers stand at a table nearby, and then a man with glasses and a purple bow tie sits beside Burns as a row of silver robot guards lines the back of the room. Pink and purple tablecloths, flower vases and a stage curtain with a projected image fill the room, and the scene shifts from the stage to the tables and the robots.

> blah
> This party is over

Frame: https://ultrahouse3k.com/img/S05E04/438146.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/442734

## 7:28–7:39

Grey-helmeted riot police swarm a dim purple restaurant, pushing past unnamed patrons at round tables amid overturned chairs and scattered debris. The scene then moves to the Simpson living room, where Homer sits on the red couch with Bart beside him, Lisa stands at the left edge, Maggie crawls on the green carpet below, and Marge stands on the right. Homer scratches his head, then leans forward with Bart's face near his hand, and finally slumps back with his mouth open, looking downcast.

> Where did I lose them?
> I'll never wiggle my bare butt in public again I'd like to believe that this time.

Frame: https://ultrahouse3k.com/img/S05E04/449616.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/453787

## 7:39–7:43

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a white pearl necklace, appears in a close-up against a pink and brown room. She first has her mouth open and eyes wide, then grimaces with clenched teeth, then settles into a pursed-lip, sidelong worried look, and finally grits her teeth again with her wide eyes glancing sideways. A wooden picture frame is partly visible at the top of the background.

> I really would Bart, run down to the store and get a big bag of ice for your father.

Frame: https://ultrahouse3k.com/img/S05E04/460460.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/461294

## 7:43–7:55

Homer, Marge and Bart stand in a pink living room with a framed portrait of Grampa on the wall, Homer on the left in a white shirt and Marge on the right with her tall blue beehive and a red beaded necklace. Bart, the spiky-haired boy in the middle, glances around and then looks up at Marge, who rests her hands on his shoulders in the first image. Bart then stands with his hand near his mouth and his head tilted, and Homer, seated on a red chair, turns to face him, opens his mouth to speak and gestures with his hand, while Marge stays beside them with a calm smile.

> Yes, um.
> Dad, I know you're discouraged, but please don't deny the world your fat can.
> Don't worry, boy.
> She'll be ready for your Aunt Selma's birthday.

Frame: https://ultrahouse3k.com/img/S05E04/464214.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/469427

## 7:55–7:59

Lisa Simpson, with her star-shaped spiky hair and pearl necklace, stands at the left edge of the frame, first wide-eyed and open-mouthed, then grimacing with a clenched-teeth smile. Behind her, Mr. Burns, the frail stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses and a green suit stand on a staircase among crowded antiques, including a lamp, stone tablets, a sword and a drum. A grey owl-like statue and a wine glass sit on a wooden crate, and a sign reads PRICELESS ANTIQUITIES, while Burns's expression sours and he looks toward the girl. The scene shifts from bright to dim lighting as the group gazes at the clutter of treasures.

> I knew it.
> Look at all the wonderful things you have, Mr.

Frame: https://ultrahouse3k.com/img/S05E04/476726.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/477560

## 7:59–8:10

Smithers, the thin assistant with glasses and a purple bow tie, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, in a dim cluttered storeroom full of antiques. A pale winged gargoyle-like creature perches on a gold candelabra, while a shadowy figure in black and a bandaged mummy move among the crates. Smithers gestures with an open hand toward Burns, and Burns glares as the mummy and the shadowy figure shift position behind them. Visible objects include a framed painting of a blue-haired nude woman, a gold Egyptian sarcophagus bust, a marble Venus statue, a suit of armor, and a crate of coins. No readable on-screen text is shown.

> Burns. King Arthur's Excalibur, the only existing nude photo of Mark Twain,
> and that rare first draft of the Constitution with the word suckers in it.
> Yes, yes, yes. So what?
> You want your bare bobo, don't you? Liar, I'll give you the threshing of a lifetime.

Frame: https://ultrahouse3k.com/img/S05E04/480480.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/484859

## 8:10–8:20

Mr. Burns, the frail, stooped old man with a hooked nose and a tall blue-grey hairdo, and his thin assistant Smithers, with glasses, a purple bow tie and a green jacket with a name badge, stand together in a dim storage area. Burns grabs Smithers by the jacket and leans in toward him, then gestures with a raised hand while Smithers looks anxious with his hands held out at his sides. Burns clutches Smithers' arm and scowls at him, with a pale statue of a nude woman and stacked crates behind them.

> Resistance is futile.

Frame: https://ultrahouse3k.com/img/S05E04/491324.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/495286

## 8:20–8:30

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, who wears glasses, a purple bow tie and a green suit with an ID badge, stand among shelves of stacked boxes and papers. Smithers hugs Burns from behind and then lets go as Burns, looking dejected, stands with his mouth open, and the two then stand side by side as Burns gazes off to the side. The scene then cuts to a brown teddy bear lying face down in the snow beneath a bare, icy tree branch, with purple patches of sky-coloured ground behind it.

> Oh, God, how I want my bear.
> But he's gone, gone forever.
> I'd give anything to know what happened to him.

Frame: https://ultrahouse3k.com/img/S05E04/501334.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/505296

## 8:30–8:40

A small brown cartoon bear cub with a pale yellow belly, none of the regular Simpsons characters, is seen first sprawled and sliding across snow near rocks and a bare tree. It then slides along a rocky riverbank, floats down an icy river past green bushes and reeds, and drifts toward a city skyline on a blue river. White on-screen text reads "1927 - NEW YORK" over the water.

Frame: https://ultrahouse3k.com/img/S05E04/511553.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/515515

## 8:40–8:50

A young brown-haired aviator in a green flight suit, hugging a teddy bear, stands on a dusty airfield in New York in 1927, captioned "1927 - NEW YORK", while a mechanic in blue overalls and a cap works near his single-engine plane, whose side reads "Spirit of St. Louis". The aviator speaks, then climbs into the cockpit window still clutching the bear, and the plane takes off over a crowd gathered below the Eiffel Tower under a clear blue sky. He leans out of the cockpit and waves cheerfully as the plane flies past.

> Why, put some grease in your garter, Lindy.
> You're late.

Frame: https://ultrahouse3k.com/img/S05E04/521563.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/525734

## 8:50–9:02

A black-haired man with a moustache, wearing a brown suit and white tie, holds a teddy bear in a crowd before the scene shifts to burning buildings captioned "1945 - BERLIN." In a dim, cracked office, the same moustached man slumps in a chair, then leaps up shouting and jabbing a finger at the teddy bear on the desk beside a revolver, stacked books, and crumpled paper. The scene ends on a surfacing submarine near icy shores captioned "1957 - THE NORTH POLE."

> This is all your fault!

Frame: https://ultrahouse3k.com/img/S05E04/531990.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/536995

## 9:02–9:11

A brown bear-like creature rests its paws on a white pipe rising from dark arctic water, and then a figure with orange hair floats on a melting ice chunk among ice floes. Next, several bundled workers in parkas, one swinging a pickaxe and another carrying a bucket, stand on snow beside a white truck and stacks of ice bags, with the on-screen text '1993' below them. Finally, a man in a brown parka and blue boots stands at the open door of a white ICE truck parked in front of the Kwik-E-Mart storefront, which has a 'Cash Only' sign and a stack of cardboard boxes beside it.

Frame: https://ultrahouse3k.com/img/S05E04/544085.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/547213

## 9:11–9:21

Apu, the Kwik-E-Mart clerk in a green shirt with dark hair, stands behind the counter facing a bearded explorer in a bulky brown parka, fur-trimmed hood, goggles and green mittens, who leans in and then steps back. Bags of ice sit on the counter in front of them, with freezers and shelves of goods behind. As the talk goes on, Apu grins tightly while more fur-hooded figures in brown parkas come in from the right, one of them carrying a tall purple and green cup topped with white, and the scene ends with the group gathered among the stacked goods.

> You've got to start selling this for more than a dollar a bag.
> We lost four more men on this expedition.
> If you can think of a better way to get ice, I'd like to eat it.
> He's got to say. He eats me.

Frame: https://ultrahouse3k.com/img/S05E04/552427.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/556389

## 9:21–9:33

Bart, the spiky-haired boy in an orange shirt and blue shorts, stands at the Kwik-E-Mart freezer and lifts a clear plastic bag of ice holding a small brown furry head. Apu, the dark-skinned store clerk with blue-black hair, green shirt and moustache, stares at the bag with wide eyes, then turns to glance aside and grin. Red letters reading ICE sit on the white freezer, and a blue wall sign shows part of the word KEEP.

> Hey, Apu, this bag of ice has a head in it.
> Ooh, a head bag.
> Those are chock full of... heady goodness.

Frame: https://ultrahouse3k.com/img/S05E04/562437.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/567650

## 9:33–9:40

Bart, with spiky hair and an orange shirt, handles a ragged brown teddy bear with a pink ear in a kitchen with purple cabinets and a checkered floor. He first holds the bear down inside a jar packed with ice cubes at the sink, then lifts it out and holds it at arm's length before pulling it close to his face and recoiling in disgust as its face comes near him. Notable details include the bear's patched, stitched fur, a cookie jar decorated with a chicken, and a corkboard with a pizza sign pinned to it.

> Hey, it's a teddy bear.
> Ugh, gross.
> It's probably diseased or something.

Frame: https://ultrahouse3k.com/img/S05E04/574949.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/577243

## 9:40–9:48

Maggie Simpson, the baby in a blue sleeper with a pacifier and blue bow, sits on a checkered floor in a nursery beside purple dressers and scattered blocks, and a pink duck pull-toy on wheels. She grabs a brown teddy bear and hugs it, then drops it, and the bear's stuffing is shown spilling out. Maggie's blue sleeper fills the lower frame as she sits on the floor, and a close-up reveals a white '100% COTTON' tag on the torn, stuffing-spilling bear.

> Here, Maggie.

Frame: https://ultrahouse3k.com/img/S05E04/581623.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/584542

## 9:48–10:00

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red wingback armchair in his purple room with a white fireplace. The scene opens on a fuzzy grey background with a white tag reading "Bobo", then goes black before a door swings open onto the room, revealing a framed portrait, a vase, and a white rug. Mr. Burns hides his face with his hands in the chair, then a person in a brown bear costume with glasses steps out beside the chair and spreads their furry arms wide in front of the crackling fireplace.

> Here's something that should cheer you up, sir.
> It's me, sir, Bobo. Hug me.

Frame: https://ultrahouse3k.com/img/S05E04/589547.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/594344

## 10:00–10:10

Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red armchair in a dark suit and tie, first holding a person in a brown bear costume on his lap, then tugging at the costume's fur and gripping the figure's face while it looks alarmed. He later sits with his fingers pressed together and the costumed figure beside him, and in the final moment the bear-suited figure stands in an open doorway while Burns remains seated in the chair with his hands clasped. The room has a green lamp, a wooden cabinet, a framed picture, and a small white rug on the floor.

> Squeeze me. Tug at my fur.
> Enough.
> Stop this grotesque charade. and I'll find my teddy.
> Oh, and leave the costume.

Frame: https://ultrahouse3k.com/img/S05E04/601434.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/605605

## 10:10–10:20

Smithers, the thin assistant in a green jacket, purple bow tie and glasses, stands beside a row of orange-roofed display boxes holding small figures and studies a small card in his hands. Mr. Burns, frail and grey-haired at the sides, sits at a desk reading a sheet of paper beneath a framed picture of a brown teddy bear. Homer leans on a brown couch while Maggie, in a blue outfit with a pacifier and blue bow, crawls across a rug toward a brown teddy bear with white trim.

> The Burns Bear, perhaps the most valuable whittle bear in the world, could be anywhere.

Frame: https://ultrahouse3k.com/img/S05E04/612070.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/615824

## 10:20–10:31

Homer, seen from behind and then in profile, sits on the brown couch in a white shirt while Maggie, in a blue sleeper with a blue bow, kneels on a striped rug holding a brown teddy bear. On the purple television, first an older grey-haired man with a suit appears, then a brown teddy bear on the screen, and finally the bear is lifted up in front of the set, held by Maggie's small hands in front of the TV. Other objects include a framed sailboat picture on the pink wall, a lamp, and a side table with books.

> It could be in your house. You could be looking at it right now.
> It could be right in front of your face as I'm saying this,
> waggling back and forth, perhaps being held up by a loved one.

Frame: https://ultrahouse3k.com/img/S05E04/621871.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/626459

## 10:31–10:42

Homer Simpson, in his white shirt and blue pants, sits on the brown couch in the pink living room, with a sailboat picture, a purple lamp and a green phone nearby. A large, tattered brown teddy bear with stitched seams and matted white patches is held up and waggled in front of him by unseen yellow hands, while Homer stares with his mouth open. The bear is then pulled back and shifted, and Homer sits with his eyes shut and mouth flat, before ending wide-eyed and blank-faced in a close view of his head.

> Maggie, I'm trying to watch TV. Hey, put that moldy old bear down.
> Moldy?
> Old?
> I'm gonna get something to eat!

Frame: https://ultrahouse3k.com/img/S05E04/633133.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/636886

## 10:42–10:53

A bespectacled man in a green jacket and blue bow tie, who is not one of the regulars, works a remote control with red buttons on a stone-railed terrace lined with cypress trees. Mr. Burns, frail with a hooked nose and grey hair at the sides, stands beside Smithers, his thin assistant in a dark green jacket, purple bow tie and ID badge. A fluffy white robotic toy with a glowing red eye lurches toward them, sparks flying from its side, and Smithers and Burns recoil in alarm while Burns raises his hands to his face.

> Well, it's not your original bear, of course, hey.
> But it is programmed to be just as cuddly.
> Ah, dog dog.
> It's supposed to be doing a little dance.

Frame: https://ultrahouse3k.com/img/S05E04/643143.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/647939

## 10:53–11:05

Mr. Burns, the frail, stooped old man in a dark suit, is grabbed by a white, furry robotic bear with glowing red eyes on a stone terrace outside a mansion with tall windows and cypress trees. Smithers, in a dark green jacket with a purple bow tie and glasses, runs across the paved terrace with his arm outstretched, then struggles against the bear beside Burns while a bespectacled man in a lime-green jacket and pink trousers holds a remote control. The bear is driven backward and smashed into the wall, where it sticks in a crater of cracked plaster and rubble, and Burns and Smithers end up sprawled on the tiles as the bespectacled man stands by with the remote.

> Get the bear off!
> I'm trying to turn it off. No bear wants to live.

Frame: https://ultrahouse3k.com/img/S05E04/654821.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/659617

## 11:05–11:17

Lisa, with her star-shaped spiky hair, reaches toward a lumpy, patched brown stuffed bear beside a glass fish tank, then the scene cuts to a spinning black record on a turntable with its tonearm. Bart, in an orange shirt and blue shorts, runs across a teal-carpeted room waving one arm and holding a green cushion, while Lisa stands by purple speakers and a shelf of records, and a blue, shaggy poodle-like toy sits in a fish tank below a framed portrait of Homer and Marge. Last, the view is low on a green skateboard with purple wheels rolling past a pair of blue-trousered legs in grey shoes beside a pink wall and purple cabinet.

Frame: https://ultrahouse3k.com/img/S05E04/666708.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/671504

## 11:17–11:28

Homer, the bald, heavy man in a white shirt and blue trousers, is at the family home, first seen tumbling head-first down a purple banister staircase past a framed family portrait on the pink wall. He then lies sprawled upside down over a wooden dining chair with a beige tablecloth, and next slumps face-down on the brown carpet beside it. Later he is shown wide-eyed and open-mouthed in close-up beside a wooden chair, and a blue fish-tank scene appears with a blue dog-like creature and a purple fish near a small white castle ornament.

> Oh!
> How long have we had these fish?

Frame: https://ultrahouse3k.com/img/S05E04/678386.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/682974

## 11:28–11:37

Homer, Bart, Lisa, Maggie and Marge sit around the kitchen table, with a soggy brown teddy bear on the tablecloth in the middle, and the bear is later seen waterlogged and tinted blue in an underwater view with a blue fish and a slumped figure. Homer lies sprawled on the floor beside a fish tank in the living room while the bear sits on the couch, and the family gazes at the bear as they talk around the table.

> Wait.
> The bear.
> Burns his bear.
> Bobo, it's Mr. Burns' bear, all right.

Frame: https://ultrahouse3k.com/img/S05E04/689856.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/693193

## 11:37–11:50

Homer, the bald heavy man in a white shirt and blue pants, appears first beside Marge's blue beehive at the kitchen counter next to a brown dog-like creature, then steps into a recording booth with a horn section and string players behind a wall of HS panels. He stands in a sunny room with a stool and a tiled wall, pointing one arm up and holding a microphone while singing, then turns his back to the audience with his arms raised and mouth open toward the mic. The musicians are seen playing violins, trombones and saxophones behind the HS-marked partition, and a mic stand and hanging lamp are visible in the studio.

> Well, Burns isn't getting this back cheap, I can tell you that.
> He's gonna have to give me... my own recording studio.
> Two all beef patties, special sauce, lettuce, cheese, pickles, onions,
> and sesame seed bun.

Frame: https://ultrahouse3k.com/img/S05E04/698615.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/703828

## 11:50–12:03

Homer, bald and in a white shirt, stands in a tiled bathroom drooling, then holds a glowing blue electrified ball while drool drips from his mouth. Later, in the family kitchen, Maggie with her pacifier and blue bow sits beside Lisa in her red dress and pearl necklace, who holds a worn brown teddy bear with a pink patch and stitches. Homer, drooling heavily, clutches his head at the kitchen table while Bart, in his orange shirt, sits beside him with his eyes shut and mouth open, crying.

> Homer, you're drooling on the mic again.
> I think we should just give him the bear that he cherishes so much.

Frame: https://ultrahouse3k.com/img/S05E04/711127.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/716758

## 12:03–12:16

Marge, with her tall blue beehive and red bead necklace, holds a stitched-up brown teddy bear that has a missing eye while Lisa, in her pearl necklace, watches beside her in a kitchen with pink hooks, a dish rack and a framed portrait on the wall. Bart, in his orange shirt, looks worried, then grins, and Homer, bald and in a white shirt, leans in from the left with his mouth open as Bart stands by him. The scene returns to Marge and Lisa with the bear, Marge holding it out while Lisa frowns.

> Better show that eye back on. No, let's send Burns the eye in the mail.
> He'll pay more money if he thinks the bear's in danger.
> Yes, we'll send the eye. I'm sure he'll offer us a fair reward.
> And then we'll make him double it.

Frame: https://ultrahouse3k.com/img/S05E04/724474.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/730104

## 12:16–12:30

Marge Simpson, with her tall blue beehive and beaded necklace, first looks wide-eyed and startled in a lavender kitchen, then stands at the counter hugging a tattered brown teddy bear with stuffing showing, her mouth open in worry. Later, the scene shifts to a grand white mansion behind an ornate iron gate bearing a large scrolled letter B, under a purple dusk sky with a glowing yellow moon, and a security camera mounted on the gate post. Back indoors, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, Mr. Burns, holds the battered bear close while Homer, in a white shirt and blue pants, watches with a flat stare beside a bespectacled man in a dark green sweater, and a red painting of a seated man with a dog hangs on the wall.

> Huh?
> Well, why can't I be greedy once in a while?
> Bobo.
> My beautiful Bobo.
> I promise I'll never leave you behind again.

Frame: https://ultrahouse3k.com/img/S05E04/737820.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/743660

## 12:30–12:38

Homer, in a white shirt, stands facing Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, who sits in a tall red throne-like chair holding a small brown koala-like toy. Smithers, Burns's thin assistant with glasses, a green jacket and blue bow tie, stands at the right beside a wooden coffee table with an ashtray. Homer scowls at first, then Burns gestures with his hand as he speaks, and Smithers stays still in the room. The room has mounted animal heads on the wall above, framed portraits, a lamp, and cabinets.

> Ah, yes.
> Naturally, I can't pay you much of a reward because I'm strapped for cash.

Frame: https://ultrahouse3k.com/img/S05E04/751584.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/754504

## 12:38–12:48

Homer stands on the left in a white shirt and blue pants while Mr. Burns, frail and stooped in a gold crown and dark suit, sits on a tall red throne beside a heap of gold coins and banknotes, with Smithers, a thin figure in glasses and a bow tie, standing at the right. Coins and cash rain down around a golden pile as a dollar-sign money bag tumbles through the air, and the scene tightens to Burns, eyes wide and mouth open in alarm, clutching a small fluffy brown creature, before his expression shifts to a sly, toothy grin while Homer watches him.

> As you can see, this old place is falling apart.
> But I'm sure we can come to an understanding.
> Yes, sir.

Frame: https://ultrahouse3k.com/img/S05E04/759717.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/763680

## 12:48–12:56

Homer, in a white shirt and blue pants, stands at left while Mr. Burns, frail and stooped with a hooked nose and a golden crown, sits on a red throne piled with gold coins and cash, and Smithers, in a green sweater and glasses, stands at right. In the early frames Homer stares ahead with a flat expression, and Burns gazes sideways with a sly look. In the later frames Homer turns to face Burns and lifts a small teddy bear in his hands while Burns raises his hands toward it, as Smithers stands by watching. The room is filled with stacks of gold coins, loose bills, a pearl necklace and a vase on the mantel.

> Reject the first offer. Reject the first offer.
> May I offer you a drink?
> Sorry, Burns. No deal.

Frame: https://ultrahouse3k.com/img/S05E04/769727.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/772438

## 12:56–13:08

Mr. Burns, a frail, thin, stooped old man with a hooked nose and a gold crown, stands beside a heap of money and cash while a blond man in green sweater and glasses watches him from the left. Burns first looks tearful, then grins and rubs his hands together with a scheming expression as the man keeps watching. The scene cuts to Homer in a white shirt, frowning and glancing sideways in front of a window, with Bart's spiky head at the edge. Homer then kneels on a purple-and-pink rug, holding a green phone receiver to his ear, while Marge stands behind the brown couch and Lisa and Bart sit on it; Bart holds a red soda can.

> Don't worry, Smithies. He's playing hardball now.
> But it won't take him long to crack.
> I gotta call Burns. I gotta call Burns. Maybe I can still get that drink.

Frame: https://ultrahouse3k.com/img/S05E04/777443.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/782448

## 13:08–13:20

Homer stands in the living room with a phone receiver to his ear, pointing at the telephone on a purple side table while Marge and Lisa look on, and Bart grabs his arm as Marge stands behind. Homer is then pulled back over the side table as Marge and Lisa take hold of him, and the family crowds in around the telephone, with Maggie on top of the pile and the phone's base and cord visible in the foreground.

> Dad, the longer he has to wait, the more he'll pay.
> Right.
> That makes sense.
> No! No! No!
> Let me go!

Frame: https://ultrahouse3k.com/img/S05E04/789330.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/794544

## 13:20–13:32

Mr. Burns and his thin assistant Smithers, in a dark suit and a green jacket with glasses, stand at a pink front door with a pacifier-shaped knocker, then are greeted inside by Homer, Marge, Bart, Lisa and Maggie, who crowd the entryway alongside the black cat Snowball II. In the pink living room, Burns sits on a red sofa beside Smithers while Homer and Lisa sit in a green armchair, Marge stands behind them, and Maggie clutches a teddy bear as Burns steeples his fingers and gestures while Homer looks uneasy beside a red lamp and a framed picture of Maggie.

> I knew you'd come crawling back. How much do you want?
> A million dollars and three Hawaiian islands.
> Good ones, not the leper one. Done.
> Now give me that bear.

Frame: https://ultrahouse3k.com/img/S05E04/801634.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/806639

## 13:32–13:43

Homer, Marge, and Maggie, a baby in blue pajamas with a pacifier and blue bow, are in the living room, with Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, standing beside the couch. Homer cheers with both arms raised, holding a potted plant overhead, while Marge raises a hand near her face, and later Homer lifts a tattered brown teddy bear with a stuffing hole for Maggie, who reaches up toward it. The scene ends on a close-up of Homer, looking dazed and sideways against a pink wall.

> Woohoo! I'm rich!
> Rich, I tells you! Here you go!
> It seems to be stuck.
> Bad baby. Bad Maggie.

Frame: https://ultrahouse3k.com/img/S05E04/813938.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/818109

## 13:43–13:55

Homer, Bart, Lisa and Maggie are in a pink room with a green sofa and a red lamp. Homer clutches a brown teddy bear while Maggie, in a blue sleeper and bow, reaches up for it and Bart and Lisa look on. Maggie then sits on the teal carpet beside the green cabinet, pacifier in her mouth and looking sad, before the scene cuts to close-ups of Mr. Burns frowning and Smithers scowling.

> Give me the bear. The bear.
> The bear.

Frame: https://ultrahouse3k.com/img/S05E04/824574.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/829370

## 13:55–14:07

Maggie, the baby with a blue bow and pacifier, appears first, then Homer in a white shirt holds up a brown teddy bear with a ribbon in a pink room while Mr. Burns, the frail, thin, hook-nosed old man with grey hair at the sides in a dark suit, gestures with open hands. Maggie then sits on the teal floor beside a green cabinet as Bart, in an orange shirt and blue shorts, stands at the left edge. The scene ends with close-ups of a worried Homer, mouth open, beside a framed picture of Maggie on a pink wall with a potted plant.

> Here you go, Maggie.
> The deal's off, Mr. Burns.
> The bear stays here.
> You've made a mistake, Simpson.

Frame: https://ultrahouse3k.com/img/S05E04/836044.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/841257

## 14:07–14:19

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a pink room with a scowling expression beside his thin assistant Smithers, who wears glasses, a purple bow tie and a green jacket with a name badge. Homer, bald and heavy in a white shirt, stands near a dark red couch and a fish tank, then his scene shifts to Homer in the living room with Marge, whose tall blue beehive is visible, and with Bart in an orange shirt, Lisa in a red-and-green outfit and Maggie holding a teddy bear, all staring at Homer as he speaks. Next, Homer stands beside a dark red car whose driver's window reveals an older wrinkled man with white tufts of hair, while a purple box, a red wheel and scattered pink and green debris lie on the teal carpet. Framed pictures of the family hang on the pink walls throughout.

> Not a big deal.
> Who needs his money? We're getting by okay.
> Son, you gotta help me. I hit three people on the way over here,

Frame: https://ultrahouse3k.com/img/S05E04/848556.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/853770

## 14:19–14:26

Grampa Simpson sits behind the wheel of a red car, a cigar clamped in his mouth and one hand resting on the open window ledge. He talks and gestures with his free hand, grimacing and sweating, then slumps forward to rest his head on his hand as the cigar wobbles. Behind him are pink and tan houses under a blue sky, with a green tree at the right edge.

> and I don't have any insurance.
> So, how's by you?

Frame: https://ultrahouse3k.com/img/S05E04/860860.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/863363

## 14:26–14:35

Mr. Burns and Smithers, identified from the dialogue, are dressed in black ninja outfits with masks and crouch on a dark rooftop at night beneath a starry purple sky beside a chimney. One of them aims a bow-like device along a taut line strung across to a neighboring house with a yellow wall, while the two of them hold knives and a small crossbow-like gadget. The scene ends with one ninja scowling as he lifts a grey dumbbell in both hands.

> Excellent shot, Smithers. I'll be squeezing my bobo in no time.

Frame: https://ultrahouse3k.com/img/S05E04/867950.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/871079

## 14:35–14:43

Ned Flanders, wearing a teal cap and green sweater with a moustache, pops up through a rooftop hatch clutching a pizza box while two black-masked ninjas in hats crouch at the roof's edge, brandishing swords and knives against a purple night sky. Ned then sinks back down out of the hatch, leaving the open pizza box on the slanted roof as the ninjas stay poised, and one ninja turns to a close-up, holding a small jar and a dumbbell-like handle. A white chimney stands at the right edge of the roof and a few stars dot the sky.

> Howdy, gents. What can I diddly-do you for?
> Remember, Smithers, in and out in 18 seconds.

Frame: https://ultrahouse3k.com/img/S05E04/876501.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/879629

## 14:43–14:52

Two masked burglars in black with brown caps, possibly Mr. Burns and Smithers given the dialogue, slide along a cable strung between two rooftops under a purple night sky with stars. One lifts a dumbbell before launching onto the wire, then both hang from the line and ride across the street between the houses. At the end, a red fire truck with its ladder raised stands by a building where a figure sits on the roof, while Marge in a pink dress and firefighters in yellow coats gather near an ambulance with its rear doors open.

> More cocoa, Mr. Burns?

Frame: https://ultrahouse3k.com/img/S05E04/885051.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/888179

## 14:52–14:59

Marge Simpson, in a pink robe and with her tall blue beehive, holds a tray with two mugs of cocoa for Mr. Burns and Smithers, who sit wrapped in olive blankets in the open back of an ambulance. The scene then widens to the Simpsons' lavender house at dusk, where a red fire truck with its ladder raised to the roof stands beside the ambulance, with firefighters on the lawn and a figure on the roof. The vehicles and people then disappear, leaving the pale yellow house alone under a night sky with a full moon and stars.

> Yes.

Frame: https://ultrahouse3k.com/img/S05E04/893393.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/895895

## 14:59–15:11

Homer, the bald, heavy man in white underwear, moves through the Simpson kitchen with its purple cabinets and green refrigerator, while two uniformed police officers in black with caps float upside down in the air above him. He walks to the refrigerator, then reaches up to a cabinet and lifts a box of American cheese slices, speaking as he holds it. Earlier, a dim blue archway opens onto a purple garage with a purple car and a hanging light, and no one is visible yet.

> Mmm, 64 slices of American cheese.

Frame: https://ultrahouse3k.com/img/S05E04/900274.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/905488

## 15:11–15:12

Lenny, with spiky black hair, and Marge, with a tall blue beehive and a green top with a heart pin, stand close together in front of a purple wall with a framed picture. Over four nearly identical frames, both glance sideways with wide eyes while their heads barely shift, and Marge's eyes drift slightly toward the left. Behind them hang large black shapes with yellow round objects at the top, and a clipboard is pinned to Marge's top.

Frame: https://ultrahouse3k.com/img/S05E04/912787.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/912370

## 15:12–15:20

Homer Simpson, bald and stubbled in only his white briefs, sits on a wooden stool at a kitchen counter under a corn-patterned window showing a night sky with a moon. He holds a small brown box in one hand and a cookie-like object in the other, counting down by peering at the items, while a pile of cash grows on the blue table and a toaster and kitchen sink sit behind him. Across the frames the cash pile swells from a few bills beside the stool to a large heap, and the window sky turns pink as the moon fades to a pale sun, showing the passage of time.

> 64...
> 63...
> 2...

Frame: https://ultrahouse3k.com/img/S05E04/913830.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/916541

## 15:20–15:27

Homer Simpson, bald and heavy with stubble, sits in only a white diaper on a wooden chair at a kitchen table piled with cash in a kitchen with corn-patterned yellow curtains and a window showing a pink sky and moon. He begins by lifting a slice of food to his mouth and taking a bite, then fiddles with a wad of bills on the table, next raises a slice of orange cheese to his lips, and finally sits still, chewing and gazing sideways with a sleepy expression. A purple toaster and green appliance sit on the counter behind him.

> 1...
> Have you been up all night eating cheese?

Frame: https://ultrahouse3k.com/img/S05E04/921337.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/923840

## 15:27–15:38

Marge, in a pink robe with wide, worried eyes, and Homer, in only white briefs, are in the kitchen, where Homer sits on a wooden stool beside a blue-covered table piled with cash while Marge stands with her arms crossed and then looks on with a sour expression. A dark-haired stranger in glasses edges into view from the left, and the scene then moves to an aerial view of the Springfield nuclear power plant, with its two cooling towers, orange reactor domes, and a white office building beside a river.

> I think I'm blind.
> Good day to you.
> Excuse me,

Frame: https://ultrahouse3k.com/img/S05E04/928636.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/932807

## 15:38–15:50

Homer Simpson sits at a nuclear plant control panel with his head propped on his hand, while Lenny, with spiky black hair, and Carl, a Black man with glasses, stand behind him and a red-haired man in a white shirt stands at the left. Homer lifts his free hand to gesture as he speaks, then slumps back with his head in his hand while Carl eats popcorn from a paper bag. Radiation warning symbols and yellow-and-black hazard stripes decorate the blue walls of the control room.

> we wanted to see the geek who valued the happiness of his children more than money.
> Right here.
> You said his head was the size of a baseball.
> My life can't get any worse. Homer Simpson, report for much worse duties.
> No!

Frame: https://ultrahouse3k.com/img/S05E04/939480.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/944694

## 15:50–16:03

Homer and a masked figure in a yellow shirt, black hood and boots stand around a round purple platform on a pole, with a cable running between them, and the masked figure pulls the cable as the platform turns. The scene then shifts to a dark, close view of the spinning pole and its platform, and later to a cafeteria counter where Carl, in a pink shirt, and a yellow-skinned man in a green shirt hold a tray with a burger and milk beside a glass case of cupcakes and pastries, with the man glancing sideways.

> After lunch, can I whip you? Nope.
> No fair.
> I wonder what makes her turn. Who cares?

Frame: https://ultrahouse3k.com/img/S05E04/951993.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/957206

## 16:03–16:16

Homer, the bald, heavy man in a white shirt and blue pants, kneels on a striped rug in the pink living room while baby Maggie, with her pacifier and blue bow, sits nearby clutching a brown teddy bear. Homer leans toward her, then reacts with a grimacing, pleading expression and gestures with his hands, and in the final moments he has a brown cardboard box pulled over his head while he turns away. A bookshelf, a yellow curtain, a purple lamp, and a brown armchair are visible in the room.

> Maggie, I know you like the bear,
> but wouldn't you be just as happy playing with this box?
> See, Maggie? See the fun box? Do-do-do-do-do-do!
> Do-do-do-do-do-do!

Frame: https://ultrahouse3k.com/img/S05E04/964505.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/969719

## 16:16–16:21

Maggie, the baby with a blue bow and pacifier, sits on a green carpet in a pink room clutching a worn brown teddy bear and raising one arm, while Homer, bald and heavy in a white shirt and blue pants, enters from the left and then walks across the room with a cardboard box over his head. He ends up kneeling on the rug with the box still on his head as Maggie watches. Notable objects include a brown arched door with a round window, a purple speaker, a purple lamp, and a striped rug.

> No!
> My box! My box!

Frame: https://ultrahouse3k.com/img/S05E04/977018.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/978895

## 16:21–16:33

Marge Simpson, with her tall blue beehive and pink bathrobe, stands beside the bed in the pink bedroom holding a lavender hair dryer, while Homer Simpson lies on the orange bed in a light blue shirt with a pillow behind his head. In the first moments Marge looks down at the hair dryer, then she turns it toward Homer and he looks up at it with a worried expression. Marge smiles and speaks, then lowers the dryer and clasps her hands together over Homer's chest while he closes his eyes. A brass-shaded lamp, a framed picture on the wall, and an open doorway showing a bathroom with a mirror are visible in the room.

> I think we need a new hair dryer.
> Marge, you must hate me for not taking Mr.
> Burns' money. I don't hate you. I'm proud of you.
> You came through for your daughter when she needed you the most.

Frame: https://ultrahouse3k.com/img/S05E04/982648.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/987653

## 16:33–16:45

Marge Simpson, with her tall blue beehive and pink robe, and Homer Simpson, bald and in a light blue pajama shirt, are in the family's pink bedroom. Homer lies in bed under an orange blanket while Marge leans over him, holding his hands and smiling, then rests a hand on his chest. Marge then turns away with a cardboard box pulled over her head, and Homer, wide-eyed, reaches toward her as she clutches the box. A lamp with a pleated shade and a framed picture on the wall are visible in the room.

> Oh, thanks, Marge.
> But it'll take a lot more than that to comfort this tortured soul.
> Hey, boxy.
> Give me that. Oh.

Frame: https://ultrahouse3k.com/img/S05E04/994744.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/999540

## 16:45–16:56

Homer, in a white shirt, sits on the brown couch while Maggie kneels on a purple rug beside him, hugging a worn brown stuffed toy and facing a large lavender television. On the TV screen, a purple dinosaur with a green belly and a small green crest stands among leafy trees, gesturing and grinning. Homer stares wide-eyed toward the screen, his mouth opening and closing, with a sailboat painting on the pink wall behind him.

> Two plus two is four.
> I can see why this is so popular.
> Look at him.

Frame: https://ultrahouse3k.com/img/S05E04/1006631.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1010801

## 16:56–17:09

A purple dinosaur-like cartoon character stands in a grassy forest with tall pine trees, then the scene shifts to a club stage where a grinning Black man in glasses and a red jacket holds a microphone while dancers move behind him. Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, scowls and leans in beside the host as a blonde woman in a green cap and pink top poses nearby. On-screen text in bold white capitals reads THE SOUL MASS TRANSIT SYSTEM, with a small drawing of a van in the lower left.

> Two plus two is four.
> Give me my beer, Simpson.
> It's the Soul Mass Transit System.
> Give it to me.

Frame: https://ultrahouse3k.com/img/S05E04/1017058.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1022688

## 17:09–17:22

A man in a yellow-and-black bee costume with antennae stands in a living room, first holding a silver disc up beside a red armchair, then lowering his arm and gesturing toward the disc, which rests on the purple floor. Homer Simpson, bald with stubble and wearing a white shirt, sits in front of a pink wall with a framed picture, looking worried with wide eyes. Mr. Burns, frail and thin with a hooked nose, blue-grey hair at the sides, a dark green jacket and black tie, scowls in a framed television-style view with the red armchair behind him.

> El yo-yo es grande.
> Thank you, Awa!
> As you can see, Simpson, I have taken over all 78 channels.
> And you won't see any of your favorite shows again until you give in.

Frame: https://ultrahouse3k.com/img/S05E04/1030404.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1035826

## 17:22–17:31

A woman with long curly black hair, a tan cap and headphones, and a pink top sits at a wheel in a brown vehicle, with a gravestone-dotted landscape outside the window. Homer, bald and in a white shirt and blue pants, sits on a brown couch and then turns his head to the right, glancing at a framed sailboat picture. Maggie, wearing a pacifier and a blue dress, sits on a purple rug holding a brown teddy-like toy as Homer watches a television showing Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, wearing a suit and gesturing with his hands and speaking. Homer's face turns angry and he grits his teeth in the final moment as the sailboat picture hangs on the wall behind him.

> Oh, that bite.
> Holy crap.
> What's that you say? You can live without television as long as you have beer?
> That's right.

Frame: https://ultrahouse3k.com/img/S05E04/1043334.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1047088

## 17:31–17:38

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, appears on a television screen in a room with a red armchair, first glaring with his fingers steepled, then scowling and gritting his teeth, and finally smirking with his hands clasped. In the living room, Homer, the bald heavy man in a white shirt and blue pants, sits on the brown couch with his mouth open and eyes wide while Maggie, the baby with a pacifier and blue bow, sits on a purple rug hugging a brown plush toy, and the large television stands at the right edge of the scene.

> Wrong.
> All beer trucks heading towards Springfield have been diverted.
> This town will be as dry as a bone.
> And if the rest of you beer-swilling tube jockeys out there have a problem with this,

Frame: https://ultrahouse3k.com/img/S05E04/1052927.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1055429

## 17:38–17:51

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, appears in a dark suit and black tie before a red armchair and a framed picture on a olive wall, first looking to the side with a sly half-smile, then scowling with narrowed eyes and a pursed mouth, then grinning with a toothy smirk, and finally tilting his head back in a wide laugh with eyes squeezed shut. Homer Simpson, the bald, heavy man in a white shirt, then sits in the last moment with his hands clasped in front of a window showing a sailboat on blue water with clouds, his eyes wide and his mouth set in a flat, uneasy line.

> talk to Homer Simpson.

Frame: https://ultrahouse3k.com/img/S05E04/1060017.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1065022

## 17:51–18:03

Homer, the bald, heavy man in a white shirt and blue pants, stands in a pink hallway by a tan arched door, facing a stranger in a sleeveless brown vest and blue pants who stands in the open doorway with rain falling outside, pointing a handgun at Homer. Homer turns his body and holds his hand out toward the door, then the gunman steps back out of view and Homer leans away from the doorway, his arms out, looking toward the door. The scene then shows the empty hallway with a purple coat hanging on a red coat rack, a teal rug, and a red side table at the right edge, with the front door closed and no one present.

> Homer, give him what he wants.
> Oh, Barney, leave me alone.
> Whoops!
> Uh-oh.
> My old man can't get a beer because his old man won't give a bear to another old man.

Frame: https://ultrahouse3k.com/img/S05E04/1072321.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1077326

## 18:03–18:11

Bart, the spiky-haired boy in an orange shirt and blue shorts, crouches with his fists raised on a grassy field in front of a brick school building under a blue sky. Homer, the bald heavy man in a white shirt and blue shorts, stands behind him with a stern look, while a brown-haired boy in a lavender top and blue shorts on the left and a tall figure in a purple beanie and black shirt on the right watch. The left boy points and then reaches toward Homer and Bart, and by the last moment he has raised his hand toward Homer's chest as the tall figure on the right speaks. A girl-like figure with long brown hair in an olive shirt and black shorts stands between them.

> Let's get him! Wait, why are we getting him?

Frame: https://ultrahouse3k.com/img/S05E04/1084625.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1087336

## 18:11–18:18

Nelson, a brown-haired boy in a vest, Homer in a white shirt and blue shorts, Bart in an orange shirt and blue shorts, a long-haired boy in an olive shirt, and a boy in a purple beanie and black shirt stand on a grassy field before a school building under a blue sky. In the foreground, a pale-haired man in a white shirt with a purple logo holds up a pink snapdragon flower. Bart crouches forward with his hands raised while the group stands around him, and Nelson points toward the flower-holder as the man grins, then looks uneasy and wary.

> Look, fellas, the first Snapdragon of the season.
> Never mind, let's just get him! Yeah!

Frame: https://ultrahouse3k.com/img/S05E04/1092133.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1094844

## 18:18–18:29

Homer and Lisa sit on a brown couch in their living room, watching a television whose purple frame fills the foreground. The scene then shifts inside the TV to a hallway with a red rug and a wooden coat rack, where Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, enters through a door, hangs his brown hat and yellow umbrella on the rack, and turns to glance back. An older man in an apron and bow tie, holding a feather duster, appears at the left edge and talks with Burns, who then looks up with a sly, smiling expression as he stands beside the coat rack and a light switch plate.

> Smithies, I'm home.
> What? Already?
> Yes.

Frame: https://ultrahouse3k.com/img/S05E04/1099640.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1103811

## 18:29–18:39

Smithers, holding a purple feather duster, and Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stand on a red carpet in a hallway beside a coat rack and a door. The scene then shifts to a living room where Homer sits on a brown couch beside Lisa, facing a large blue television in the foreground. Homer turns and points toward the TV, then leans back with one leg kicked up and an arm raised while Lisa watches, with a sailboat painting and a lamp on the pink wall behind them.

> Is it my imagination or is TV getting worse?
> It's about the same. Uh-oh, look out, Smithers!
> I love this show.

Frame: https://ultrahouse3k.com/img/S05E04/1110067.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1114238

## 18:39–18:49

Homer, bald with stubble in a white shirt, first sits with a sour, sidelong look in front of a sailboat painting, then a crowd behind purple bars holds up a sign reading "GIVE BURNS THE BEAR" while protesters glare and shout. Homer returns in a pink room with a framed portrait of Lisa, a staircase, and a purple wall clock, speaking and then frowning, before the scene shifts to a crowd gathered around an easel: Bart in an orange shirt in the foreground, Carl in a purple shirt and tie, Moe in a blue apron and bow tie, and Marge with her tall blue hair on the right.

> Well, well, look who's come to apologize.
> Come on, let's go in there and get the bear!

Frame: https://ultrahouse3k.com/img/S05E04/1120494.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1124457

## 18:49–18:59

Bart, in an orange shirt with his fists raised, stands in a crowd of protesters holding a sign that reads

> Ha! I got it!

Frame: https://ultrahouse3k.com/img/S05E04/1130504.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1134675

## 18:59–19:10

A pink-walled house sees a worn brown teddy bear with stuffing showing lifted up a staircase by yellow hands in blue sleeves and a bracelet, then a heavy brown-haired man in a tan shirt holds the bear in a doorway with a purple curtain as a crowd of onlookers stares up at him. Moe, the grey-haired bartender, with a blue vest, grimaces among the onlookers beside a lamp, a red bag and a framed picture of baby Maggie, and the scene cuts to Maggie with a pacifier and blue bow sitting against a teal background. A woman with auburn hair in a teal dress glances aside by the framed Maggie picture and a potted plant as a blond figure stands at the right edge.

> Oh, jeez, will you look at that.

Frame: https://ultrahouse3k.com/img/S05E04/1140723.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1144894

## 19:10–19:20

Maggie, the baby with a blue bow and pacifier, sits on a teal floor pointing and staring while an old bald man with a long white beard and a heavy man in a lavender shirt and green tie stand nearby in a crowd, the older man glancing sideways and the heavier man's eyes half closed. The scene shifts to a pink room with an arched doorway and a staircase, where a hand in an orange sleeve lifts a torn, patched brown teddy bear while another yellow hand gestures toward the stairs.

> What have we become?
> We've given the word mob a bad name.

Frame: https://ultrahouse3k.com/img/S05E04/1151359.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1155529

## 19:20–19:31

Homer, Marge, Maggie with her pacifier and blue bow, Lisa, Bart, Grampa, Principal Skinner, Mr. Burns, Carl, Moe, Selma, and Nelson in a vest crowd together in a pink-walled room, with a stranger in a dark suit among them. Maggie clutches a brown teddy bear with a lightning-bolt patch, and the group shifts and jostles as Homer and Skinner lean in toward one another. Moe, Carl, and Grampa stand in a line against a green wall with a pink-and-purple archway behind them while Selma watches from the right.

> Well, what should we do now? Hey, everybody, let's go sing at the hospital.
> For we've got... High hopes!

Frame: https://ultrahouse3k.com/img/S05E04/1161786.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1166374

## 19:31–19:38

A crowd of townspeople, including Carl in a purple shirt and green tie, Grampa with white tufts of hair, and a man in a blue suit with an orange tie, gathers and walks forward from the arched pink doorway where Homer, Marge and Maggie stand. Homer, Marge and Maggie watch from the doorway as the crowd moves past the bushes and out onto the street, with a heavy man in an orange shirt and a man in overalls among them. The green two-storey house with lit windows, a pink garage door and a pink picket fence stands under a starry purple night sky, and at the end a mailbox sits by the empty walkway as the crowd moves on.

> We've got high hopes!

Frame: https://ultrahouse3k.com/img/S05E04/1173047.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1175341

## 19:38–19:50

Homer in an orange bathrobe with a green collar and belt stands in a doorway while Mr. Burns, in a dark suit, appears in the open door behind him. A kneeling elderly man in a dark green sweater and glasses clasps his hands and pleads, holding a small purple toy bear, as Burns looms over him. The pink hallway with a coat rack and an arched door is the setting, and the bear is the central object.

> Simpson, look what you've reduced me to.
> Please, please!
> But Mr. Burns, it's not my bear.
> It's Maggie's.

Frame: https://ultrahouse3k.com/img/S05E04/1179720.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1184725

## 19:50–20:01

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, appears first in a close-up scowling, then stands with his arms crossed against a blue sky beside a giant yellow sunburst. Maggie, the baby with a pacifier and blue bow, peeks over a purple fence in a backyard with a brown teddy bear beside her, while a figure in a dark suit walks past in the foreground. Later, Maggie sits on the grass clutching the teddy bear as Mr. Burns leans toward her with an outstretched hand, and in the final moment he holds his palm out while sand trickles from it onto the ground beside her.

> So, good sand today, hmm?

Frame: https://ultrahouse3k.com/img/S05E04/1192024.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1196195

## 20:01–20:12

Maggie, the baby with a blue bow and pacifier, sits in a sandbox with a worn brown stuffed animal, behind a purple wooden border and a tall wooden fence under a blue sky. A frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wearing a dark suit and tie, is Mr. Burns. Maggie holds out her pacifier toward him, and he reaches over to take it from her hand. He then raises the pacifier to his mouth while Maggie watches, and in the last moment he turns his hands over and looks down at the grass, where the pacifier now lies at the bottom right of the frame.

> Oh, well, I don't usually... Well, just this once.
> Damn you, paparazzo!

Frame: https://ultrahouse3k.com/img/S05E04/1202451.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1206831

## 20:12–20:23

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, dressed in a dark suit and tie, leans over a purple ledge in front of a wooden fence and green bushes while baby Maggie, wearing a blue bow, watches wide-eyed and clutches a brown teddy bear. Burns rubs his long yellow hands together with a sly grin, then lunges forward with outstretched hands and grabs at the teddy bear while Maggie holds on to it tightly.

> Well, Maggie, I've given this a lot of thought.
> I'm sure we can come to some sort of agreement.

Frame: https://ultrahouse3k.com/img/S05E04/1213504.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1218092

## 20:23–20:35

Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, first crouches on his hands and knees in a backyard beside Maggie, who wears a blue bow and clutches a tattered brown teddy bear. He leans toward her with a sneer, then a photographer in a blue hat, holding a flash unit, peeks over the wooden fence while Burns glares and grins, and he rises and leans in again. The final shot shows Burns in profile against a plain blue sky, smoking a cigar and blowing out a small white cloud.

> Beaten by an infant.
> What could be more humiliating?
> What a scoop!
> Okay, Maggie.
> You win, but I want you to do something for me.

Frame: https://ultrahouse3k.com/img/S05E04/1224974.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1229562

## 20:35–20:45

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, points at a little girl in a blue sweater who hugs a worn brown teddy bear in front of a house with a purple wall. He then kneels down on the sidewalk, and the girl sits on the ground beside the bear while Burns's legs stand over her. Finally, Burns walks away, stooped, toward a tree, while Maggie, with her blue bow and pacifier, stays sitting in a purple sandbox in the backyard.

> Hang on to that bear.
> Don't make the same mistake I made.

Frame: https://ultrahouse3k.com/img/S05E04/1236444.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1240406

## 20:45–20:58

Mr. Burns, frail and stooped with a hooked nose, stands against a bright blue sky beside a wooden fence and hedges. He offers a tattered brown teddy bear to Maggie, the baby with a pacifier and blue bow, who reaches up to take it, and then he lifts the bear to his cheek as Smithers, in glasses and a purple bow tie, looks on beside them. Small white clouds drift in the background.

> For me?
> Bobo?
> Smithers, I'm so happy.
> Something amazing has happened. I'm actually happy.
> Take a note.

Frame: https://ultrahouse3k.com/img/S05E04/1246454.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1252084

## 20:58–21:09

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, holds a battered, stitched-up teddy bear while he waves his hand in a backyard lawn scattered with flowers, and Smithers, his thin assistant in glasses, a purple bow tie and a green jacket, stands beside him as baby Maggie sits on the grass looking up. The scene then moves to a playground with a red swing set, where Lisa in the foreground in her red dress with pearls looks toward Burns and Smithers, while Homer in a brown robe with a green collar and Marge with her tall blue beehive watch from behind and to the side, and Maggie sits small near the swings.

> From now on, I'm only going to be good and kind to everyone.
> I'm sorry, sir. I don't have a pencil.
> Don't worry. I'm sure I'll remember it.

Frame: https://ultrahouse3k.com/img/S05E04/1260009.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1263971

## 21:09–21:20

Homer, Marge, Bart, and Lisa stand side by side in a house interior with a purple lamp on the wall and blue radiators on either side. Marge, in a purple robe with a tall blue beehive, stands behind the children, while Homer, in a brown robe with a green belt, looks up and to the side. Bart in his orange shirt and Lisa in her red dress and pearl necklace stand in front, with Lisa glancing sideways and frowning. Across the frames Homer's expression shifts as he turns his eyes upward and then glances toward the right, and Marge's brow tightens and she looks over with a grimace, while the children remain motionless and wide-eyed.

> Well, we didn't get any money, but Mr. Burns got what he wanted.
> Marge, I'm confused.
> Is this a happy ending or a sad ending? It's an ending.
> That's enough.

Frame: https://ultrahouse3k.com/img/S05E04/1270227.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1274607

## 21:20–21:25

Mr. Burns, a frail, very thin, stooped old man with a bald head and grey hair at the sides, lies in bed under a blue blanket beside his teddy bear Bobo, while his thin assistant Smithers, with glasses and a purple bow tie, stands at the bedside. Outside a gated mansion with a large sun-like moon glowing over it, the scene shifts indoors to the purple bedroom, where Smithers leans over the blanket and gestures, then steps back out of the frame to the left as Burns lies propped on pillows, eyes shifting sideways. A lamp, a framed landscape painting and dark wooden headboard decorate the room.

> There you go.
> Ah, Bobo reunited at last. But I can't help but wonder what the future holds for you.

Frame: https://ultrahouse3k.com/img/S05E04/1281071.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1282740

## 21:25–21:38

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, lies in bed under a purple blanket beside a worn brown teddy bear with a pink patch. He sleeps, then opens his eyes to a narrowed, sly look, then dozes again with a toothy grin while the bear's large black eye fills the view. The scene then jumps to a purple-tinted version of the bear sitting amid purple rocks under a dusky orange sky, with the caption "1,000,000 A.D." across the bottom.

> Ah, yes.
> Wonder.

Frame: https://ultrahouse3k.com/img/S05E04/1286494.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1291916

## 21:38–21:50

Two chimpanzee-like figures in green coats stand on a rocky orange-sky plain, one holding a magnifying glass while the other lifts a small grey creature by the scruff, with a wagon wheel at right and a line of yellow, bald captives in loincloths behind them at the start. The scene then cuts to Mr. Burns, green-skinned, thin and hook-nosed with grey hair at the sides, sealed inside a glass pod on a stand, grimacing and talking while a shaggy grey creature with a patchy coat sits in the foreground beside him. Across the final frames Burns's head tilts and his mouth opens and closes as he speaks, while the grey creature stays in place at the lower left.

> Don't! Don't!
> Bobo, I know I say this every century, but I'll never leave you behind again.

Frame: https://ultrahouse3k.com/img/S05E04/1299423.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1304220

## 21:50–21:59

A blue robot with a glass dome on its head holding a green brain-like creature walks across a desert of mesas under an orange sky with pink clouds and a pale sun, leading a small grey furry creature on a leash. The robot then strides away toward the setting sun while a grey-haired old man in a blue robotic quadruped body leaps through the air behind it, and the sun sinks below the horizon as the scene fades to black with yellow on-screen text reading "Executive Producer DAVID MIRKIN".

> Wait for me, sir.

Frame: https://ultrahouse3k.com/img/S05E04/1311310.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1315064

## 21:59–22:09

No characters appear; the moment is a black screen with yellow credit text in the Simpsons title font. It first reads "Executive Producer DAVID MIRKIN," then "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON," then "Starring DAN CASTELLANETA," then "NANCY CARTWRIGHT," and finally "YEARDLEY SMITH," each name appearing alone in the center of the screen in turn over the dark background.

Frame: https://ultrahouse3k.com/img/S05E04/1321111.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1324865

## 22:09–22:19

No characters appear; the scene is a black screen with gold, hand-lettered opening credits that appear one after another. First "and HARRY SHEARER" shows, then "Also Starring PAMELA HAYDEN," followed by "Executive Consultant BRAD BIRD," then "Animation Producers BILL SCHULTZ and MIKE WOLF," and finally "Story Editor BOB KUSHELL." Nothing moves on screen except the text changing as each credit replaces the last.

Frame: https://ultrahouse3k.com/img/S05E04/1330913.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1334667

## 22:19–22:29

No regular characters appear; this is a black end-credits sequence with no animated figures on screen. Over a plain black background, yellow hand-lettered credits appear in turn and are replaced one after another: first "Story Editor DAN McGRATH", then "Associate Producers COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN", then "Music By ALF CLAUSEN", then "Casting By BONITA PIETILA", and finally "Animation Production Manager KEN TSUMURA". The text is centered and stays still on the screen, with no movement or action apart from the changing credits.

> We'll be right back.

Frame: https://ultrahouse3k.com/img/S05E04/1340714.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1344468

## 22:29–22:39

No characters appear in this moment; it is a black end-credits sequence in yellow lettering. The frames show credit lists: first Production Coordinator Jacqueline Sillo, Production Mixer Ronny Cox, Sound Recordists Greg Cheever and Randy Piotroski, Script Supervisor Louise Jaffe, and the Skywalker Sound and Laser-Pacific facility credits with a Dolby Surround logo. Next, assistant credits for various staff are listed in two columns, followed by a single card reading Overseas Animation Director Mike Girard. The credits then move to Assistant Director Swinton O. Scott III, a Storyboard credit for Wes Archer and Steven Dean Moore, and a Character Design list headed by Dale Hendrickson, Matt Groening and Sam Simon, then Background Design credits and layout and timing credits ending with Lip Sync by Kent Holaday.

Frame: https://ultrahouse3k.com/img/S05E04/1350516.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1354270

## 22:39–22:48

No characters appear in this moment; it is a black screen of white-and-gold end credits. Production staff names such as Anne Luiting, Miles Lewis Horst, Anthony R. Reyes, and Sharon D. Ramsay appear in turn, followed by the copyright notice reading 'The Simpsons Episode #1F01, Copyright 1993, Twentieth Century Fox Film Corporation.' The credits end with 'Creative Consultant Matt Groening' and 'Executive Creative Consultant James L. Brooks' centered on the black background.

> Shh.

Frame: https://ultrahouse3k.com/img/S05E04/1360317.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1364071

## 22:48–22:58

Silhouetted audience members, including one with a tall beehive-like hairdo resembling Marge, sit in rows of seats facing a blank screen in a dim theater. The screen then lights up with a blue beam and the words "GRACIE FILMS" in white letters, before the image fades to black. Next, a golden "20th TELEVISION" logo rises over a building with searchlight beams in a blue sky, and the scene ends in black.

Frame: https://ultrahouse3k.com/img/S05E04/1369910.jpg
Page: https://ultrahouse3k.com/episode/s05e04-rosebud/1373873