# Marge on the Lam The Simpsons, season 5, episode 6 (S05E06), first aired November 4, 1993. Written by Bill Canterbury. Directed by Mark Kirkland. Production code 1F03. Guest stars: Phil Hartman as Larry Dalrymple; Pamela Reed as Ruth Powers; Phil Hartman as Lionel Hutz; Phil Hartman as Troy McClure. Couch gag: Backdrop. With his arms trapped inside two of the plant's vending machines, Homer misses the ballet, so Marge takes her neighbor Ruth Powers instead and the two become close friends. On a second night out, Marge learns Ruth is driving a car she took from her ex-husband, and Chief Wiggum, with Homer riding along, chases them across Springfield. Back home, Lionel Hutz watches Bart, Lisa and Maggie for eight dollars. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Grampa Simpson, Ned Flanders, Barney Gumble, Chief Wiggum, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mr. Burns, Waylon Smithers, Kent Brockman, Otto Mann, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Groundskeeper Willie, Santa's Little Helper, Maude Flanders, Snowball II, Kearney Zzyzwicz, Mayor Quimby, Kirk Van Houten, Larry Dalrymple, Luann Van Houten, Helen Lovejoy, Ruth Powers, Gareth Prince, Lionel Hutz, Gloria Prince, Troy McClure, Bleeding Gums Murphy, Ms. Norton, Assistant 1, Assistant 2, Can Owner, Comedian, Friend 1, Friend 2, Friend 3, Friend 4, Jittery Joe's Waiter, Lenny Leonard's girlfriend, Maggie's Husband, Military Doctor, Seething Sisters chef, Seething Sisters owner, Seething Sisters waitress. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart, the spiky-haired boy, leaps over a pink car in the driveway of the Simpson house, and Homer, the bald heavy man in a white shirt and blue pants, stands beside the car with one hand on his hip. The scene opens on drifting clouds in a blue sky with the orange title 'The Simpsons' before cutting to the driveway, where a garage holds boxes and a bicycle and a blue mailbox sits on the lawn. Bart's jump ends as Homer stands still by the car. > Don't! Frame: https://ultrahouse3k.com/img/S05E06/1043.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/6256 ## 0:12–0:23 Homer, in a white shirt and blue pants, tumbles backward through a doorway into a red-walled room with a wastebasket. In a pink living room, black silhouettes of Marge with her tall beehive, Bart, Lisa and Maggie leap and wave on a red couch beside a lamp and TV. The TV screen then shows yellow on-screen text reading "Created by Matt Groening," followed by "Developed by James L. Brooks, Matt Groening, Sam Simon," which stays on screen. Frame: https://ultrahouse3k.com/img/S05E06/13555.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/18143 ## 0:23–0:31 A bespectacled man with short black hair, suspenders and a bow tie, who is not one of the regulars, stands at a silver microphone on a wooden stage in front of an orange spotlight and a red curtain, reading from a small blue book. The first frames show the caption "Co-Executive Producer JACE RICHDALE" and the last shows "Supervising Producer HAROLD KIMMEL" over the lower third, while the audience of silhouetted heads sits in the foreground. Across the frames he stays in place, holding the book with both hands and looking down at it as he reads, with the scene fading from black at the start. > Well, sir, it has been an uneventful week in Badger Falls. > where the women are robust, the men are pink-cheeked, Frame: https://ultrahouse3k.com/img/S05E06/24816.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/27736 ## 0:31–0:41 A bespectacled man with a black bowl haircut, bow tie and red suspenders stands at a microphone in front of an orange curtain, holding a blue book and reading from it while on-screen captions credit him as supervising producer Frank Mula, then as supervising producers Bill Oakley and Josh Weinstein, then as supervising producer Conan O'Brien. Behind him an audience claps and laughs, with a grey-haired man in a brown jacket, a woman with a black bob, and a blonde woman in pearls prominent among them. The scene then cuts to Homer, Marge with her tall blue beehive, Lisa, Maggie with her pacifier, and Bart sitting on a brown couch in a pink living room, staring at a television, with the caption naming supervising producer David Richardson. > and the children are pink-cheeked and robust. Frame: https://ultrahouse3k.com/img/S05E06/32741.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/36703 ## 0:41–0:44 Marge, Maggie, Lisa, Homer and Bart sit side by side on a brown couch in the pink living room, with a window and lamp behind them, and the words 'Co-Producer GREG DANIELS' overlaid across the lower middle. Homer, in the white shirt and blue pants, turns his head sharply and glares with his eyebrows furrowed while his mouth opens to speak, and in the final moments his mouth is open wide and he leans forward slightly, while the others keep staring ahead with blank expressions. > What the hell's so funny? Frame: https://ultrahouse3k.com/img/S05E06/42960.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/43377 ## 0:44–0:57 A one-off man with short black hair, thick-rimmed glasses, a grey bow tie, red suspenders and a white shirt stands at a microphone against an orange wood-paneled backdrop, reading from a small blue book. Across the five frames he looks down at the book, pinches the bridge of his nose, and keeps reading with his mouth moving, while the on-screen credit caption changes from 'Producer JONATHAN COLLIER' to 'Producer GERRY RICHARDSON', 'Producer DAVID SACKS', 'Producer JOHN SWARTZWELDER' and finally 'Consulting Producers AL JEAN & MIKE REISS'. > At the Apple Biscuit Cafe, where the smiles are free, don't you know, > Sven Inquist studied the menu, and finally he ordered the same thing he has every day. Frame: https://ultrahouse3k.com/img/S05E06/45879.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/50884 ## 0:57–1:07 Homer, Marge, Lisa, Maggie and Bart sit on a brown couch in a pink living room, with Maggie in a blue bow and Bart in an orange shirt, as a TV screen shows a clapping studio audience captioned Creative Consultant George Meyer. Bart is then shown wide-eyed in a close-up captioned Produced by Richard Raynis, and Homer leans over a purple TV set with clenched fists, glaring at it. He raises both fists above his head in anger while the family watches from the couch, with the credits Co-Produced by Joseph A. Boucher and J. Michael Mendel and Produced by David Silverman appearing on screen. > Maybe it's the TV. > Stupid TV. Be more funny. > Duh! > Duh! Well, sir, I think it is time to turn this pledge. Frame: https://ultrahouse3k.com/img/S05E06/58183.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/62145 ## 1:07–1:17 A thin, bespectacled man with neat black hair, a white shirt, red suspenders and a bow tie sits at a desk holding a blue book and a microphone, reading and speaking on a public-television style pledge drive set. Behind him, two women sit at the same desk: one with a tall curly blonde hairdo looks down, and an older grey-haired woman reads a open book. A sign above reads "PLEDGES RECEIVED $0,000,023.58" and a credit caption at the bottom changes from "Produced by Richard Sakai" to "Written by Bill Canterbury" and then "Directed by Mark Kirkland" as he keeps reading from the book and gesturing slightly with the microphone. > Drive over to Troy McClure. I can't keep up this pace forever. > Hi. I'm Troy McClure. Frame: https://ultrahouse3k.com/img/S05E06/68193.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/72155 ## 1:17–1:24 Troy McClure, a man with swept-back reddish hair in a black tuxedo and bow tie, stands at a telethon desk holding a microphone while two women sit behind him, one in a pink blouse with a hair bun knitting and the other in a green sweater with curly reddish-brown hair and glasses. McClure speaks and gestures with his raised fist and free hand, and in the final moment the woman in green covers her face with her hand. Two turquoise telephones and papers sit on the desk against an orange curtained backdrop inside a purple border. > You might remember me from such telethons as Out With Gout 88 and Let's Save Tony > Orlando's House. Frame: https://ultrahouse3k.com/img/S05E06/78203.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/80706 ## 1:24–1:31 Troy McClure, an actor with swept-back reddish hair, wearing a black tuxedo with a bow tie and red cummerbund, stands at a wooden backdrop holding a microphone while addressing an audience on a television-style screen. Behind him at a desk sit a woman with a tall brown bun and a man with messy brown hair in a green sweater who is seated beside a teal telephone, with the pair of them holding pencils at the desk. He pauses to point toward the desk in the second frame, then raises an open hand and gestures toward a teal rotary telephone on the desk while speaking and smiling. Across the sequence he keeps the microphone in his right hand and gestures with his left, and the telephone and desk remain in place at the right of the wood-paneled stage. > Folks, do you realize without your support, > public television can't afford to bring you such award-winning shows as Edward the > Penitent? I'm really, really, really sorry. Frame: https://ultrahouse3k.com/img/S05E06/85502.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/88005 ## 1:31–1:41 A bearded old king in a red robe and pink hat sits on a throne while a young man in green tunic and boots kneels and kisses the ring on his hand in a stone castle hall with a barred window. The king then sits scowling and raises his hand to show a glowing red ring, and the scene cuts to Troy McClure, in a tuxedo and bow tie with swept-back reddish hair, holding a microphone beside a mint-green telephone against an orange backdrop. > I'm afraid sorry doesn't cut it with this, Pope. > What the hell? > Oh, we got a call. Frame: https://ultrahouse3k.com/img/S05E06/92593.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/96555 ## 1:41–1:46 Homer, Lisa, Maggie and Bart sit side by side on a brown couch in a pink living room, with Homer's mouth open and then laughing with his eyes shut while Lisa looks on, Maggie stares wide-eyed, and Bart smiles. On their television, a man in a black tuxedo with a bow tie and red cummerbund holds a microphone in one hand and a teal telephone receiver to his ear, grinning and then smiling with half-closed eyes beside a teal telephone with a coiled cord on a wooden-paneled set. A sailboat picture hangs on the wall behind the family. > Some idiot actually called in. Hello, what's your name? > Mark Simpson. Frame: https://ultrahouse3k.com/img/S05E06/102811.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/104271 ## 1:46–1:54 Marge Simpson, with her tall blue beehive and green dress, sits on the brown couch in the living room holding a green phone to her ear, while Homer, in his white shirt and blue pants, sits beside her and Lisa and Maggie peek in from the right edge. In the first three moments Marge smiles and talks on the phone as Homer sits with his arms folded, then Homer raises one hand and gestures while Marge looks at him, and in the final moment Marge lowers the phone and Homer extends his hands toward her in a pleading gesture. The room has pink walls, a framed sailboat picture above the couch, and a green rotary telephone on a side table. > I'd like to pledge $30. > Oh, thank you. > Oh, it's public TV. > They never have anything good. Frame: https://ultrahouse3k.com/img/S05E06/107816.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/110527 ## 1:54–2:01 Marge Simpson, with her tall blue beehive and beaded necklace, and Homer Simpson, bald and heavy in a white shirt, sit on a brown couch in the family living room, with a sailboat picture on the pink wall and a green telephone at the left edge. Marge sits with her hands clasped in her lap and then at her chin, looking sideways at Homer, while Homer sits with his arms crossed, glancing toward her with a grumpy, skeptical expression. Across the frames Homer's eyes shift and his mouth tightens, and Marge's expression grows more pensive and questioning as she speaks. > Where are the Geraldos? > Where are the Eubanksises? They need our support. > Besides, they gave me two tickets to the ballet. Frame: https://ultrahouse3k.com/img/S05E06/115324.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/118243 ## 2:01–2:10 Homer Simpson and Marge Simpson sit together on a brown couch in the living room with a pink wall, a sailboat picture in a window frame, and a green telephone on a side table. Marge, with her tall blue beehive and orange bead necklace, sits on the left in a green dress with a wide-eyed, unsure expression, while Homer in a white shirt and blue pants first gestures with one raised hand and talks, then folds his arms across his chest and looks skeptical and annoyed. The pair stay seated side by side as the scene settles into Homer's sullen, arms-crossed stance facing Marge. > The ballet? > Woo-hoo! > You like ballet? > Marjorie, please. > I enjoy all the meats of our cultural stew. > Ah, ballet. Frame: https://ultrahouse3k.com/img/S05E06/123040.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/126168 ## 2:10–2:22 Homer, the bald heavy man in a white shirt, sits in the foreground at left, eyes half-lidded, while a bear wearing a pink fez and a bow-tied brown bear costume rides a small pink toy car across a purple stage. In the upper balcony behind a red rail, Homer appears again, first watching with his mouth open, then raising both arms and cheering, and later holding up his hands in a gesture as the bear keeps rolling along the stage. Marge with her tall blue beehive, Maggie with her pacifier, and other small figures in the balcony look on, and the bear's pink toy car with yellow wheels moves steadily from the center of the stage toward the right. Nothing but the performance and the balcony crowd is visible, with a framed window with a sailboat picture on the pink wall at left. > All right. Woo-hoo! > Yay! > Yeah. Frame: https://ultrahouse3k.com/img/S05E06/131381.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/136178 ## 2:22–2:35 Marge, with her tall blue beehive and green dress, and Homer, bald in a white shirt, sit on a brown couch in a pink room with a sailboat picture in the window, Homer gesturing with his hands and eyes squeezed shut. Homer's face then appears behind the bars of the round window in the arched brown front door, while Marge stands beside it. The door swings open onto a sunny yard, where a woman in a red headscarf and lavender sweater talks and gestures with her hand as Marge listens in the doorway. > Hello, Ruth. > Hi, Marge. I was wondering if you had a power sander I could borrow. > Homer? Nope. Frame: https://ultrahouse3k.com/img/S05E06/143060.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/148482 ## 2:35–2:45 Bart, the spiky-haired boy in an orange shirt, watches from behind a couch as a pair of legs in blue trousers and grey shoes stomps onto a small white remote-controlled toy vehicle with a sign reading "PROPERTY OF NED FLANDERS" on its carpet. Marge, with her tall blue beehive, presses a round doorbell beside a barred window while a dark-haired woman in a red bandana and lavender sweater stands next to her at the door. Homer, eyes shut and mouth open in a white shirt, sits by a window with a sailboat, and the scene closes on the exterior of the Simpson house with its yellow garage door. > That's one right there. All right, but remember, it's mine. Frame: https://ultrahouse3k.com/img/S05E06/156198.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/160160 ## 2:45–2:55 Homer, bald and wearing a white shirt, sits at the dinner table reading a pink book titled "Ballet" while Lisa in her red dress and pearls listens beside him and Bart in an orange shirt eats at the right edge. Maggie in her high chair sucks a pacifier, and Marge with her tall blue beehive and red bead necklace spoons food from a red bowl beside a glass of orange juice, grimacing with eyes shut and then staring wide-eyed with her mouth open. The kitchen has green cabinets, a pink wall with an arched doorway, and a wall phone on the right. > That's what ballet is? Oh. > You promised. > You can't back out like when you volunteered for that army experiment to avoid dinner at > my sister's. Frame: https://ultrahouse3k.com/img/S05E06/166625.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/170587 ## 2:55–3:04 Homer, shirtless in white underwear and looking unimpressed, sits on an examination table in a clinic while a doctor in a white lab coat with brown hair holds a syringe to his arm. Two military police officers stand behind them: a Black MP in a helmet with an MP band, and an older officer in a green uniform cap with a grey moustache. Across the frames Homer's mouth opens and closes as he speaks, the doctor keeps the needle pressed to his upper arm, and the scene blurs and then sharpens as it fades in and out. A blue syringe and a white wall with a ceiling panel are visible. > Mr. Simpson, you do realize this may result in hair loss, giddiness, > and the loss of equilibrium. > Yeah, yeah, yeah. Just give me the syrup. Frame: https://ultrahouse3k.com/img/S05E06/176635.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/180180 ## 3:04–3:14 In a kitchen with a green cabinet and a pink arched doorway, Marge with her tall blue beehive, Lisa in her red dress, and baby Maggie in a high chair drinking from a pink bottle sit around a blue table with Bart at the right edge holding a spoon over his plate, while Homer in a white shirt sits at the table in the first two frames, laughing with his eyes shut and then grinning with his eyes open. In the later frames Homer is no longer visible, and Marge and Lisa look toward the right as Maggie keeps sucking on her bottle, with salt and pepper shakers and a glass of orange juice on the table. > It was worth it. Frame: https://ultrahouse3k.com/img/S05E06/185811.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/189356 ## 3:14–3:15 No characters appear in this scene. It shows the exterior of the Springfield nuclear power plant, with two white cooling towers marked with atom symbols, orange domed tanks, and a large blue glass office building in the foreground. The view stays static across the moment, with no visible movement beyond the unchanging buildings, a small red car in the parking lot, and a clear blue sky. > Hey, Homer, you want to get a beer on the way home? Frame: https://ultrahouse3k.com/img/S05E06/195195.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/194778 ## 3:15–3:29 Homer Simpson stands in an indoor hallway between Carl, a Black man in a gray jacket and pink sweater, and Lenny, who has spiky black hair and wears a green sweater with suspenders, with a window showing pipes behind them. Homer gestures toward the two men's faces, then stands before a light blue vending machine labeled "TRY NEW CRYSTAL BUZZ COLA" while Lenny and Carl move up beside him to look at it. > I can't. I gotta take my wife to the ballet. > Heh. > Gotta go see the bear in the little car, huh? > Hm? > Mmm, invisible cola. Frame: https://ultrahouse3k.com/img/S05E06/196655.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/202285 ## 3:29–3:40 Homer Simpson, the bald, heavy man in a white shirt and blue pants, first stands with his back to the viewer as he stuffs his hands into the pockets of his trousers, then turns to face a vending machine advertising new Crystal Buzz Cola. Beside him, Carl, a Black man in a grey jacket and pink sweater, and Lenny, a spiky black-haired man in a green sweater with suspenders, watch on. Homer then gestures with one hand and leans in toward the machine's coin slot, reaching for the coin return with his other hand and pressing his lips together as he tries to get a drink. > Time to stick it to the man. > Hey, careful there, Homer. I heard somebody lost an arm in there once. > That's just an old wives' tale. Frame: https://ultrahouse3k.com/img/S05E06/210210.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/215006 ## 3:40–3:52 Homer Simpson strains at a vending machine labeled "Crystal Buzz Cola" in a bright hallway while Lenny, with spiky black hair and a green shirt with suspenders, and Carl, a Black man in a grey jacket over a pink sweater, stand beside him watching. Homer grips the machine and shakes it, then reaches into its dark delivery slot, and his hand emerges clutching a green "fresca" can tangled in green vines and cobwebs. The scene ends with Homer hunched over the machine and Lenny and Carl still watching impassively. > Just a little more. > Got it! Frame: https://ultrahouse3k.com/img/S05E06/221888.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/226685 ## 3:52–4:03 Homer Simpson, Lenny with spiky black hair and a green sweater, and Carl, a Black man in a grey jacket and pink sweater, stand in a corridor lined with lockers beside a vending machine advertising Try New Crystal Buzz Cola. Homer bends over the machine with his arm stretched into its coin slot and dispenser, then turns toward Carl and Lenny with a strained, wide-eyed look as they watch. Homer ends up squeezed against the machine with a pained, clenched expression while the Crystal Buzz Cola sign stays beside him. > I'm stuck! Help me! He's done for! Let's get out of here! Frame: https://ultrahouse3k.com/img/S05E06/233567.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/238155 ## 4:03–4:15 Homer Simpson, the bald, heavy man in a white shirt and blue pants, struggles through a plant corridor in the power plant, hauling a tall blue vending machine on its side across the floor. In the first three moments he grunts and strains with the machine, tilting and dragging it past a wall of windows with round gauges, and he stays beside it as it slides toward the left edge of the scene. Later the view shifts down a corridor lined with green and blue control panels and pipes, with an orange cabinet, a sign reading KEEP THIS AREA CLEAN, and a red-trimmed doorway at the far end. A loose cable trails across the floor behind the machine. > Must get to ballet! > Promise. > Hello? > Can I get some help? > Snack-related mishap! Frame: https://ultrahouse3k.com/img/S05E06/245036.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/249624 ## 4:15–4:26 A dim, empty corridor with purple overhead pipes, a glowing orange CAFETERIA sign and a bright ceiling light is the setting at first, with a green slime puddle on the floor. Homer, the bald man in a white shirt, then appears beside a candy vending machine under a sign reading "TRY NEW CRYSTAL BUZZ COLA," first gritting his teeth and jabbing at the machine, then turning to stare blankly. Last, a yellow hand in a purple sleeve presses down on the top of a brown-haired head against a pink background. > Candy. Frame: https://ultrahouse3k.com/img/S05E06/256298.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/260677 ## 4:26–4:34 Marge, with her tall blue beehive and pink fur-collared coat, sits on a dark red couch in a pink living room beside a red lamp and a green telephone, first holding a small purple object and then pressing a phone receiver to her ear while her red handbag rests on the cushion. Homer, the bald heavy man in a white shirt, stands in a vending alcove with a brown corded phone to his ear, arms spread wide, in front of a wall of drink machines with a sign reading CRYSTAL, BUZZ and COLA; he grimaces and then speaks into the receiver while holding his pose. > Hello? > Marge, this may be hard to believe, but I'm trapped inside two vending machines. Frame: https://ultrahouse3k.com/img/S05E06/267142.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/270270 ## 4:34–4:44 Marge Simpson, with her tall blue beehive and a pink fur-collared coat, sits on a dark red couch in a pink room, first talking on a green telephone and then reaching to set the receiver down beside a red lamp, while a framed painting hangs on the wall. Patty and Selma, Marge's grey-violet haired twin sisters, sit beside her; Selma smokes a cigarette with her arms folded, and Patty holds a red cup, as Marge holds up a small purple card and speaks to them. Notable objects include a red handbag on the couch and a teal lamp on the far side. > Sure, Homer. Trapped in vending machines, okay. > Would you two like to go to the ballet? > That's girl's stuff. Frame: https://ultrahouse3k.com/img/S05E06/275692.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/279446 ## 4:44–4:58 Marge Simpson, with her tall blue beehive and lavender coat with a fur collar, and a brown-haired woman in a red cap, lavender sweater and jeans stand at a pink front doorway beside a purple coat on a wooden coat rack and a round mirror. Marge grips the door handle, glances back at the woman, who looks surprised and then grins, and then Marge steps out into the doorway holding a small purple purse while the woman is no longer visible. Through the arched doorway, a tree and a sunset-orange sky are visible outside. > Thanks, Marge. When my husband left, he took all our power tools, along with the car, > my youth, my faith in mankind. > Well, see ya. > Hey, wait! Frame: https://ultrahouse3k.com/img/S05E06/285494.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/291333 ## 4:58–5:09 Troy McClure, with swept-back reddish hair and a pink leotard, and a dark-bunned ballerina in a white tutu and tiara perform on a brown gymnasium floor marked with blue circles and lines. The scene opens on the Springfield High School sign at night, reading "Tonight: Professional Ballet, Tomorrow: Closed to Fix Gas Leak" beside a "GYMNASIUM" sign. The dancers then pose in turn: he lifts his arms and kneels, she stands en pointe with her arms raised, and finally she extends one leg high while he supports her waist. Frame: https://ultrahouse3k.com/img/S05E06/299257.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/303637 ## 5:09–5:21 Marge Simpson, with her tall blue beehive and red bead necklace, sits in a crowd in a gymnasium while a ballet troupe performs on the basketball court under a scoreboard, with an orchestra seated on the bleachers behind them. She turns to a dark-haired woman in a green sweater and then laughs, her hand raised to her mouth. Mr. Burns, frail and hook-nosed, raises a pair of glasses to his eye in a red-curtained box beside Smithers, who wears glasses and a purple bow tie, while audience members in the foreground look on. > I ought to suppose, loins ought to be outlawed. > Far too much dancing, not nearly enough prancing. > A little mincing would be nice. Frame: https://ultrahouse3k.com/img/S05E06/310101.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/315106 ## 5:21–5:31 A grey-haired man with glasses and a green jacket and purple bow tie stands near Marge, who has her tall blue beehive and red beads, while a crowd in an audience looks up with worried expressions. A conductor leads an orchestra of musicians on tiered risers, with trumpets, a harp, violins and cellos playing. On a brown stage with blue lines, Troy McClure, with swept-back reddish hair and pink tights, lifts a dark-haired ballerina in a white tutu, her arm stretched overhead and one leg raised in a pointe shoe. The scene ends on a blue-walled building with the words "FOULS" and "OUT" partly visible, above a pink box with four large horns attached to it. Frame: https://ultrahouse3k.com/img/S05E06/322197.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/326368 ## 5:31–5:42 Two women stand in a blue-walled court with broken glass and a shattered tennis racket at their feet: a reddish-haired woman in a pink leotard and ballet shoes stretches her arms out beside a dark-haired woman in a white tutu, tiara and grey tights. The scene then shifts to a night-time outdoor fence with dark trees and purple sky, where Marge Simpson, in a green dress with a red bead necklace, a watch and a red handbag, talks with a long-haired brunette woman in a navy jacket, green top and hoop earring. Marge looks at her watch and clutches her purse while the brunette woman speaks and then breaks into a wide, toothy smile. > Well, thank you for a lovely time. > You're not going home already, are you? It's almost 9.30. > Right, we better turn in. Frame: https://ultrahouse3k.com/img/S05E06/332624.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/336795 ## 5:42–5:52 Marge, with her tall blue beehive and red bead necklace, stands beside a woman with long auburn hair, a navy jacket and a hoop earring, outdoors at night beside a hedge. The woman speaks and then pauses with a skeptical squint while Marge looks on. The scene moves to a taped-off room where Homer sits sprawled on the floor with his arms raised beside a Crystal Buzz Cola machine and a candy machine, watched by firefighters with axes and a man in a white lab coat holding a clipboard, and then he slumps forward and the image dissolves into a blur, with yellow police tape reading 'ENTER POLICE DO NOT ENTER' across the floor. > Oh, you were serious. > Oh, I'm gonna have these things on my arms forever. Frame: https://ultrahouse3k.com/img/S05E06/343260.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/347639 ## 5:52–6:03 Lisa Simpson in a white wedding dress with a veil and blue bow, holding a bouquet, stands beside a dark-haired groom in a tuxedo with a pink boutonniere and blue ascot, while Homer in a black suit and bow tie stands at a vending machine labeled CANDY next to a machine reading TRY NEW CRYSTAL BUZZ COLA. The groom and Lisa kiss, then separate, and the seated audience below raises their hands as soda cans and a candy box fly through the air. Homer remains at the machines as the crowd surges toward the flying treats. > Candy and sodas for all! Frame: https://ultrahouse3k.com/img/S05E06/354104.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/358066 ## 6:03–6:13 Homer, the bald, heavy man in a white shirt, stands at a wooden cabinet of shelves holding red boxes and a yellow cylinder, his arm reaching up toward the shelf. A worker in a tan shirt, brown trousers and a white hard hat, who is not one of the regulars, kneels beside him and grips a circular saw. In the first frame Homer smirks at the shelf, then the worker speaks to him and Homer's eyes widen in alarm. The worker lifts the spinning saw toward Homer's arm, then in the last frame he rests a hand on Homer's arm while Homer looks on in worry. > Mmm, convenient. > Homer, this is never easy to say. > I'm going to have to saw your arms off. They'll grow back, right? > Oh, yeah. Frame: https://ultrahouse3k.com/img/S05E06/364114.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/368076 ## 6:13–6:25 Homer Simpson, bald and in a white shirt, appears first in a close-up with a smug, sidelong look beside a wall of lettered and numbered panels, then peeks into a storage room where two hard-hatted coworkers, one holding a circular saw, stare toward him past shelves of red and blue cans marked with numbers. Homer's wide-eyed, open-mouthed expression turns to alarm before he is seen outside at the Springfield Nuclear Power Plant, hunched with his hands clasped, walking past the Employee Entrance and Authorized Personnel Only signs and the guard booth, then striding on along the fence. > Homer, are you just holding on to the can? > Your point being... Frame: https://ultrahouse3k.com/img/S05E06/374124.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/379129 ## 6:25–6:37 Marge Simpson, with her tall blue beehive and red bead necklace, sits in a diner booth across from a brown-haired woman in a green sweater and gold hoop earring, both holding steaming coffee cups at a table with a pastry on a plate. Outside the large window the sky is dark purple with a crescent moon and stars, and they sip their coffee as the woman talks and frowns while Marge listens. The scene opens on the exterior of Jittery Joe's Coffee Shop, with its glowing sign and parked cars, before cutting to the two women inside. > I envy you and Homer. > Thank you. > Why? > If you ever met my ex-husband, you'd understand. > All he ever did was eat, sleep, and drink beer. Frame: https://ultrahouse3k.com/img/S05E06/386011.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/391224 ## 6:37–6:47 Marge Simpson, with her tall blue beehive and pearl-like beaded necklace, sits on a red couch at night beside a window with a starry sky, holding a cup of coffee. A woman with shoulder-length brown hair, hoop earrings and a teal top, who is not one of the regulars, sits beside her holding a white cup and looks sideways with a flat, unimpressed expression, then grimaces. Marge glances sideways with wide eyes, grimaces, and then looks off to the side with her mouth slightly open, while the other woman keeps sipping and shifting her gaze in the same room. > Your point being? > And to top it off, he's been stiffing me on child support for the last four months. > Well, you were unlucky. > But there are a lot of good men out there. Frame: https://ultrahouse3k.com/img/S05E06/398732.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/402903 ## 6:47–7:00 Marge Simpson, in a green dress with red beads and her tall blue beehive, sits in a diner booth beside a dark-haired woman in a green jacket and hoop earrings, while a heavy man in a salmon shirt leans across the table and gestures at a black-haired waiter in a bow tie who holds a coffee pot. Then Homer, in a white shirt and blue pants, walks out of a pink dining room archway into the entryway, past a coat rack and a red stool, and stops in front of the orange front door, where Marge stands holding a red purse and opening it. The room has a striped rug, a staircase, a framed picture, and a small green mat by the door, and no on-screen text is visible. > Hey! Can I throw up in your bathroom? > I'll buy something! > Marge, I know you didn't believe me about the vending machines. Frame: https://ultrahouse3k.com/img/S05E06/409159.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/414372 ## 7:00–7:12 Homer, the bald, heavy man in a white shirt, and Marge, with her tall blue beehive and red bead necklace, stand together in a pink hallway with an oval framed portrait of Marge on the wall. Homer first looks off to the side with a worried expression and points toward his own chest, while Marge turns to face him with wide eyes. Marge then takes a small white folded note from Homer's hand and reads it with a concerned look, and in the final moment Marge speaks while Homer stares ahead looking uneasy. > That's why I had the fireman write me a note. > Mrs. Simpson, while we were rescuing your husband, a lumber yard burned down. > Don't! Lumber has a million uses. > I'm disappointed in you, but it turns out I had a wonderful time with Ruth Powers. Frame: https://ultrahouse3k.com/img/S05E06/421880.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/426676 ## 7:12–7:23 Homer Simpson, the bald, heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and red bead necklace, stand facing each other in the pink hallway of their home. Marge is at first wide-eyed and open-mouthed, then smiles tightly and touches her chin, and she later extends an open hand toward Homer while he stares back with a worried look. In the last moment Homer stands with his hands on his hips, mouth open and brow furrowed, as Marge looks at him with a calm, slight smile. A framed portrait of Marge hangs on the pink wall behind them, and a cardboard box and a wooden cabinet sit in the background. > In fact, we're going out again tomorrow night. > Marge, that's twice. I think you're spending entirely too much time with this woman. Frame: https://ultrahouse3k.com/img/S05E06/433767.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/437938 ## 7:23–7:35 Marge Simpson, with her tall blue beehive, sits with three women in a pink living room, pouring tea and passing plates of cookies and pastries, while a dark-haired woman in a navy suit and a brown-haired woman in a pink jacket sip from cups. Homer, in a white "NO FAT CHICKS" shirt, appears in the archway holding a skunk upside down by its tail, then pinches his nose as the women look on, with blurred transitions briefly overlapping the scene. > Oh, please, you know it's hard for me to make friends. > Oh, Marge, we should do this every Thursday. > Marge, I got sprayed by this skunk. Oh, look, it's doing it again. Frame: https://ultrahouse3k.com/img/S05E06/444402.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/449199 ## 7:35–7:37 Homer Simpson, wearing a white T-shirt reading "NO FAT CHICKS" and floral swim trunks, holds a skunk aloft by its tail in the pink living room while Marge, with her tall blue beehive, and two women guests on the red couch sit with teacups and cookies on the blue table. The guests jolt and shout in alarm, Marge gestures and leans back, and a teacup and coins fly and scatter across the table and floor. The guests are then gone, leaving Homer alone in the empty room with the skunk, coins on the carpet, and framed paintings on the walls. Frame: https://ultrahouse3k.com/img/S05E06/456289.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/456289 ## 7:37–7:50 Homer Simpson, the bald heavy man in a white shirt and blue pants, and Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stand facing each other in a pink hallway with an arched doorway and a wooden box nearby. Homer gestures with both hands while talking and looks flustered, then folds his arms across his chest and scowls, while Marge stands still with a worried, wide-eyed expression. A purple object sits on a shelf behind Homer, and the scene ends with Homer's arms crossed and his eyes closed in a sulk. > Marge, you can't go out on Saturday. > That's our special night. What's so special about it? > What the? Oh, I don't know. > A little so-called Dr. Quinn? > Medicine woman? Frame: https://ultrahouse3k.com/img/S05E06/458583.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/464214 ## 7:50–8:04 Marge and Homer appear, with the Simpson house shown at night first, its windows lit and a mailbox out front. Marge, with her tall blue beehive, applies lipstick at an oval mirror while Homer, in a white shirt, stands behind her and watches. She keeps applying lipstick and talking, then turns toward Homer, who now has red lipstick on his lips, and rests her hand on his arm. > Where are you going? I don't know. When will you be home? > I'm not sure. > Where are you going? You already asked me that. > Will you bring me back something? > Don't wait up. Frame: https://ultrahouse3k.com/img/S05E06/471930.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/477560 ## 8:04–8:15 Marge, with her tall blue beehive and pink top, steps out of the arched front door of a pale green house, carrying a red purse. Behind her, Homer, Bart, Lisa and baby Maggie crowd into the doorway, with Lisa waving and Maggie sucking on her pacifier. Homer throws both arms up and shouts in alarm, then glares, with a blue ornament on the purple door beside him. > How can you do this, Marge? How can you desert your children? > Have a blast, Mom. Rock the casbah. > Man's best friend indeed. Frame: https://ultrahouse3k.com/img/S05E06/485276.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/490073 ## 8:15–8:25 Marge Simpson, with her tall blue beehive and pink scarf, stands beside a light blue convertible in a driveway in front of a mint-green house with a purple garage door, while a long-haired man in red-tinted sunglasses, a black leather jacket and a hoop earring smokes a cigarette at the wheel. Marge then climbs into the passenger seat and sits beside him as the car stays parked. In the final moments he holds a cassette tape case up to his ear, and a thin trail of smoke rises past the house's lit windows. > Whoa. > You look nice. > Tonight has nothing to do with nice. > Tonight's all about... Sunshine, lollipops, and green balls. Frame: https://ultrahouse3k.com/img/S05E06/496955.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/500709 ## 8:25–8:36 Marge Simpson, with her tall blue beehive and pink scarf, sits in the back seat of a white car at night while a long-haired man in red-tinted sunglasses, a black jacket and a white turtleneck, with a cigarette in his mouth, drives. Smoke drifts up as Marge glances at him and then closes her eyes, and the scene ends on a close-up of a dark shoe pressing a pedal on the floor of the car. > Oh, sorry, Marge, wrong tape. > Welcome to the jungle. > We got fun and games. > We got the... We know the name, we are the... Frame: https://ultrahouse3k.com/img/S05E06/506756.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/510927 ## 8:36–8:49 Bart, the boy with spiky hair in an orange shirt and blue shorts, sits on the dark red couch in a pink living room, and Homer, the bald heavy man in a white shirt, enters from the right while Lisa, the girl with star-shaped spiky hair in a red dress, clings to his leg. Homer looks worried as he walks past the couch, and Bart leans back with his arm stretched out, grinning and gesturing as he talks. Lamps, framed portraits of Maggie and the family, and a green telephone sit on the side tables. Before this, the scene opens on a dark purple night street lined with houses and trees, with a parked white car at the right, and the screen then fades to black. > I can't believe your mother went out to have fun without me. > Don't worry. > You'll feel better once we put your hair up in curlers and give you a makeover, Homina. > Oh, that would be delightful. Frame: https://ultrahouse3k.com/img/S05E06/517183.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/522814 ## 8:49–9:01 Homer Simpson, the bald heavy man in a white shirt and blue pants, stands in the pink living room near a framed portrait of Grampa, first holding his head with both hands in surprise, then turning to glare with clenched teeth as he grips a small potted plant. Bart, in an orange shirt and blue shorts, and Lisa, in a red dress with a pearl necklace, sit on the dark red couch, with Bart leaning back and Lisa looking up sideways as Homer moves across the room. Maggie, with a pacifier and blue bow, sits on the couch at the end in the last frame, while a green rotary phone sits on a side table by the window showing a dark night outside. > Quiet, boy. > There's nothing to feel ashamed of here. > Women have a right to a night out. Right, Lisa? > Sure, Dad. > That's it. I'm calling my buddies. Frame: https://ultrahouse3k.com/img/S05E06/530530.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/535118 ## 9:01–9:10 Homer Simpson, in a white shirt, first talks on a teal telephone beside a red couch and pink wall, then scowls angrily into the receiver, while a black-haired man in a green sweater and suspenders, possibly Lenny, holds a phone to his ear in a room with a pink dresser and a rose vase. That man then kneels on a wooden stool, applying lather from a bowl to and shaving the hairy leg of a woman reclining in a red armchair with a lit cigarette, beside a green telephone on the floor. > Marge is not the only one who can have a girl's night out. > Oh, no can do, Homer. I'm watching the game. > Shave up. Not down, you idiot. Frame: https://ultrahouse3k.com/img/S05E06/542208.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/545545 ## 9:10–9:23 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, lies stretched out on a shaggy pink rug, holding a red telephone to his ear while another red phone sits on the floor by his feet, its cord trailing across the rug. Heart-shaped red candy box, a record player and scattered records lie nearby. Nearby, Ned Flanders, with a moustache, glasses and a green sweater, stands by a green cabinet and an orange wall phone, first smiling as he holds the receiver to his ear, then speaking into it. Burns grits his teeth and mouths words into his phone while Flanders keeps talking on his call. > Ooh, sounds delish. > Let me just toss some jeans on and I... Wait a minute. > Who is this? > Well, how do you doodly do? > Hello? > Yeah, hello. > Hello-dly-odly. > Fine. I can have a great time all by myself. Frame: https://ultrahouse3k.com/img/S05E06/551176.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/556598 ## 9:23–9:30 Homer, the bald, heavy man in a white shirt, first stands in the pink living room near a red lamp and a green telephone, then pulls on a green jacket over his shirt. Lisa, the girl with star-shaped spiky hair and a red dress, holds Maggie, the baby with a blue bow, and walks past him toward the couch. Lisa then stands in close-up, eyes wide and mouth opening as she speaks, with a red background behind her. > Hey, Dad, I think state and federal laws require us to have a babysitter. Frame: https://ultrahouse3k.com/img/S05E06/564314.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/566608 ## 9:30–9:41 Homer, bald and heavy in a white shirt, green jacket and blue pants, stands by a yellow curtain in the pink living room with a framed portrait of Grampa on the wall, facing Lisa, who has star-shaped spiky hair and wears a pearl necklace. Homer gestures with open palms, then laughs with his eyes shut while Lisa listens. The scene widens to show Bart, in an orange shirt and blue shorts, spreading his arms beside Lisa in an orange dress as Homer watches, and then Bart is shown in close-up with wide eyes and an open mouth, beside a potted plant and a green chair with a blue back. > Oh, Lisa, haven't you seen Home Alone? If some burglars come, > it'll be a very humorous and entertaining situation. > You're absolutely right, Homer. We don't need a babysitter. Frame: https://ultrahouse3k.com/img/S05E06/571196.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/575992 ## 9:41–9:53 Homer, in his green jacket and white shirt, reads a small card in a pink living room, then holds up the card reading "Always do opposite of what Bart says." He angrily jabs a finger toward Bart, whose spiky hair and orange shirt are in the foreground, while Bart clenches a fist. Lisa, with her star-shaped spiky hair, stands beside Bart, holding up the same card as Homer leans in and Bart looks up at him, with framed family portraits on the pink wall. > Wait a second. > Hmm. > You kids do need a babysitter! Bless that infernal card. > Don't give that card to me. Frame: https://ultrahouse3k.com/img/S05E06/583083.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/587670 ## 9:53–9:54 Homer, the bald heavy man in a green jacket and white shirt, and his children Bart (spiky hair, orange shirt) and Lisa (star-shaped spiky hair, red dress) stand in the pink living room beside a dark red sofa and a blue telephone table. Homer holds out a small white paper to the children, then pulls it back and raises it up beside his head with a shocked expression while Bart and Lisa watch him, and the paper stays raised as the scene holds. > Here you go. No! Frame: https://ultrahouse3k.com/img/S05E06/594552.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/594135 ## 9:54–10:02 Homer Simpson, bald and heavyset in a green sweater, stands beside an arched orange door in a pink hallway with a purple coat hanging nearby. A brown-haired man in a light blue suit and red tie, carrying a briefcase, appears in a dark archway across from him. Over the moment the man's expression shifts from a steady look to a sly smirk and then a broad grin while Homer watches with wide eyes, and an electrical outlet and a purple doorknob are visible on the walls. > Mr. Simpson, > I was just going through your garbage and I couldn't help overhearing that you need a > babysitter. Frame: https://ultrahouse3k.com/img/S05E06/596012.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/598515 ## 10:02–10:09 Homer, bald and wearing a green shirt, stands at the left of an arched pink doorway with one hand on the door frame, facing a man in a light blue suit with a red tie and short brown hair who stands in the doorway on the right. The man starts with his hands at his sides, then picks up a brown briefcase with both hands, grins and clasps it in front of him, and finally opens his mouth to speak while still holding the case. A dark purple coat hangs on a hook at the left edge, and a light switch is on the pink wall beside the doorway. > Of course, being a highly skilled attorney, > My fee is $175 an hour. We pay $8 for the night, Frame: https://ultrahouse3k.com/img/S05E06/603311.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/605814 ## 10:09–10:21 Homer, bald and heavy in a green jacket over a white shirt, stands in a doorway with a pink wall, staring wide-eyed at a thin, stooped-looking man in a light blue suit and red tie who holds up a birdcage. Homer's face is strained as the man points at the cage, and the man then raises his hand to his tie while glancing sideways. Later, in a night scene, a white convertible with two passengers and a blue-haired figure drives away from a building with a glowing orange 'SH T KICKERS' neon sign, a crescent moon overhead and a red classic car marked 01 parked nearby. > and you can take two popsicles out of the freezer. > Three. Two. > Okay, two. And I get to keep this old birdcage. > Done. > Still got it. > Oh, I've heard a lot about shot kickers. Frame: https://ultrahouse3k.com/img/S05E06/610401.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/615615 ## 10:21–10:35 Marge, with her tall blue beehive, is dancing in a line of cowboy-hatted dancers in a red-walled country bar while a band with a guitarist and an upright bass player plays on a stage behind them. Sideshow Bob, with his huge spiky red mane, rides a mechanical bull as a blonde woman and a young man in overalls watch, and a man in a green hat with an eye patch sits on a stool holding a beer. The scene ends with Marge sitting at a round table beside a mustached man in a blue shirt, a brunette woman in sunglasses, and a cowboy with a cigarette. > How come no one else's chair is doing this? > Hey, baby. Feel like getting lucky? > I am lucky. Frame: https://ultrahouse3k.com/img/S05E06/623123.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/628962 ## 10:35–10:46 Marge Simpson, with her tall blue beehive and pink top with orange beads, is first seen in close-up at the left, wide-eyed and speaking, then grins with a bright toothy smile as she turns her head. In the later images she sits at a bar table facing a bald-headed man with a black moustache, a blue sleeveless shirt and a glass of pink drink, who scowls and sips while a man in a plaid shirt and cowboy hat with a cigarette leans behind them. Beside them a woman in sunglasses and a black jacket holds a pink drink, and shelves of bottles line the dimly lit red-walled bar. Marge looks from side to side, then leans toward the glowering man, with the bar's bottles and the wall-mounted TV visible behind her. > I have a husband and three wonderful children. > Thank you very much. Listen, baby, I always get what I want. > I said no. > Oh, did you? Oh, I completely misunderstood. Frame: https://ultrahouse3k.com/img/S05E06/636886.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/641266 ## 10:46–10:58 Marge Simpson sits at a small round table in a dim tavern holding a glass, while a mustached man in a blue shirt, a bearded man in a blue cap, and a woman with long brown hair, red glasses and a black leather jacket talk with her. Homer then walks past the purple Moe's Tavern storefront with its red arrow sign and MOE'S lettering, reaches the doorway, and throws his arms wide. Inside, he spreads his arms again before the bar, where grey-haired bartender Moe and heavy, messy-haired Barney sit at the counter beneath a Laramie sign and a bull skull. > Please accept our apologies. > Sometimes you gotta go where everybody knows your name. > Hey, guys! Frame: https://ultrahouse3k.com/img/S05E06/647730.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/652527 ## 10:58–11:08 Moe, the grey-haired bartender in a bow tie and suspenders, pours a draft from the tap and then glares as he hands a foamy mug to Barney, the heavy drunk with messy brown hair in an orange shirt, who leans on the bar holding a mug. Homer, in a green jacket and white shirt, gestures and talks beside them, while a dark-haired man sits with his head propped on his hand, and a small ashtray sits on the bar. The scene then cuts to the Simpson living room, where Lisa and Bart lie side by side on a rug watching television, with Santa's Little Helper asleep beside them and a crumpled red can on the floor. > Mo, get the darts. I want to play. No. > We're phasing out the games. People drink less when they're having fun. > Oh. Frame: https://ultrahouse3k.com/img/S05E06/659617.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/663580 ## 11:08–11:19 Bart and Lisa lie on their stomachs on a rug in front of a television while a heavy, bald man with stubble, Homer, sits on the couch with a red can in hand. The opening shot shows a California license plate reading LA LAW, then the scene shows Homer raising a hand to his brow and the kids staring at the TV, with Maggie lying face-down on the rug beside Santa's Little Helper, a brown greyhound, and a Krusty popcorn bag on the floor. Homer's expression shifts from looking at the screen with a frown to a wide-eyed, open-mouthed stare, and the closing shot shows a neon sign reading THE HATE BOX with a green scowling face on a dark street. > Oh, sure. Like lawyers work in big skyscrapers and have secretaries. > Look at him. He's wearing a belt. > That's Hollywood for you. > Ooh, I've never been to an underground club. Frame: https://ultrahouse3k.com/img/S05E06/669836.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/674215 ## 11:19–11:30 Marge Simpson, in a green dress and red beads, and one of her twin sisters with a tall grey-violet beehive stand in a crowd outside The Hate Box, a club with a neon sign showing a scowling face. The crowd queues at the neon-lit entrance, then moves into a dim room where people dance and wave their arms. Otto, with long curly black hair, an orange cap and headphones, holds up a pink drink topped with foam as Marge looks on. > Don't you think your hair's a bit much? > Hey, Mrs. Simpson, you should try one of these smart drinks. Frame: https://ultrahouse3k.com/img/S05E06/680680.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/685268 ## 11:30–11:44 Marge Simpson, with her tall blue beehive and green dress with red beads, stands in a crowded, dimly lit club beside a heavy man with brown hair whose bare belly is smeared with brown and pink paint. A person in a pink shirt, orange cap and headphones with curly black hair tips a bottle back to drink, then turns to talk while a thin, black-haired man in a dark shirt and a blonde woman in a halter top watch nearby. Marge moves her hand to her face, then to her mouth, and later laughs and waves beside a pink-haired woman in a polka-dot dress as the heavy man grins and the crowd shifts behind them. > Oh, wow. > I wasted my life. > Would you care to dance? Mayor Quimby, what are you doing here? > I'm here with my nephews. > Oh, that's nice. Frame: https://ultrahouse3k.com/img/S05E06/692150.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/697572 ## 11:44–11:56 Barney, a heavy man with messy brown hair, dances shirtless with paint smears on his belly while Marge, with her tall blue beehive and green strapless dress, moves through a crowded party. Homer, in a green jacket, stands at the Kwik-E-Mart counter reading a red Jet magazine and a Slurpee cup beside a RED dispenser, then grins before he dashes out of the store with Apu, a man in a green jacket, grabbing his arm. The shop's Jackpot poster, Duff Beer suitcase sign, and Open 24 hr sign are visible on the storefront. > Ooh, shit. > Woo-hoo! > It's Garrett Morris' birthday! > This is not a library. Frame: https://ultrahouse3k.com/img/S05E06/705288.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/710084 ## 11:56–12:00 Homer, the bald heavy man in a green jacket and blue jeans holding a doughnut and a red cup, stands on the sidewalk outside the Springfield Public Library while a woman with curly reddish-brown hair in a grey top and dark skirt grabs his arm and tugs him toward the open doors, then steps back inside and leaves him standing alone at the entrance. Later, Marge with her tall blue beehive and a dark-haired companion stand on a grassy hill beneath a large tree under a starry purple night sky, beside a white car with glowing headlights parked in the foreground. > This is not a quickie mart. > What was it you wanted to show me? Frame: https://ultrahouse3k.com/img/S05E06/717175.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/718218 ## 12:00–12:11 Marge Simpson, with her tall blue beehive, green dress and pink-red scarf, stands at night beside a black-haired woman in a black jacket, hoop earring and red lipstick, under a purple star-filled sky with hills and a parked white car behind them. The woman extends a silver revolver to the side, then rests it on a surface in front of Marge, who watches with wide eyes, while the woman speaks with a scowl and gritted teeth. > This. > You're not going to hunt me for sport, are you? > Relax, Marge. I'd never turn a gun on a human being. > My husband, on the other hand... Frame: https://ultrahouse3k.com/img/S05E06/721346.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/725934 ## 12:11–12:21 Marge Simpson, with her tall blue beehive, wearing a green dress and pink shawl, stands on a dark hilltop under a starry purple sky beside a long-haired woman in a black jacket, light blue shirt and jeans, who holds a silver revolver. The woman first offers the gun to Marge, then guides Marge's hands to hold it, and Marge fires it toward the hill while the woman steps back with her hands raised. In the background, three tin cans sit on a wooden fence rail, and a large white can with a blue arc is in the foreground, while a car is parked along the dark roadside. > Come on, you try it. No, I couldn't. Yeah, > just breathe slowly and squeeze the... > I hit it! I hit it! My cans! My precious antique cans! Frame: https://ultrahouse3k.com/img/S05E06/732815.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/736778 ## 12:21–12:35 Marge Simpson, with her tall blue beehive and pink top, aims a revolver at a dark-haired woman in a black jacket and hoop earring in a dim purple field at night. A white-bearded old man in red pajamas and a red nightcap runs in from the background holding a pitchfork, and crushed cans lie on the ground near a wooden fence. Marge then sits nervously behind the wheel of a convertible while the woman, now wearing red-framed sunglasses, leans toward her with a smirk as the wind blows her long hair. > Oh, look what you've done to them. Well, it's getting late. > Maybe we should call it a night. It's only midnight. > Come on, I know a place. Frame: https://ultrahouse3k.com/img/S05E06/743034.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/748873 ## 12:35–12:40 Marge, with her tall blue beehive, pink scarf and green dress, and a long-haired man in dark sunglasses, a black studded jacket and jeans stand on a dark hillside at night beside a river, under a large white SPRINGFIELD sign with a radio tower behind them. They then walk away from the viewer onto a vast purple grid dotted with stars, under a crescent moon and distant dark mountains, with Marge's arms spread wide as they move slowly forward toward two small lights on the horizon. > Beautiful, huh? > Homer and I used to come up here on dates. Frame: https://ultrahouse3k.com/img/S05E06/756798.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/758049 ## 12:40–12:48 Marge Simpson, with her tall blue beehive and pink top with an orange bead necklace, looks sideways in front of dark green hedges, then a man in a red jacket, blue jeans and white shoes with brown hair and glasses, who is not one of the regulars, drags a forked tree branch past a small weather station with spinning cups on a pole under a starry night sky. He carries the branch across a fenced hilltop with a crescent moon and mountains behind, and Marge, now in a green dress, stands to the right watching him as he turns and holds the branch up beside her. > Homer, stop that. It's just a weather station. Frame: https://ultrahouse3k.com/img/S05E06/761386.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/764305 ## 12:48–12:56 Marge stands at the right in her green dress and tall blue beehive while a brown-haired man in a red jacket and blue jeans, not one of the regulars, swings a wooden branch at a heap of debris in a graveyard under a crescent moon and starry sky. He bends over the heap, then straightens and walks away from it, leaving the branch lying on the grass. Gravestones line the background, and a broken, scattered pile sits on the left. > Come on, Marge. It's fun to smash things. > I smashed it good. > You got real purdy hair. Frame: https://ultrahouse3k.com/img/S05E06/769519.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/772438 ## 12:56–13:08 Marge Simpson, with her tall blue beehive, and a long-haired young man in red sunglasses, a black leather jacket and jeans, who is not one of the regulars, sit together on top of the giant white letters of the Hollywood-style sign under a starry purple night sky. In the first image, the man, in a red jacket with a brown mullet, reaches up and pats Marge's beehive while she gazes at him, and then they settle onto the letter's top edge, which is the S, with the P visible beside it. Marge's pink scarf and green dress stand out as they sit side by side, and the scene includes dark green bushes at the base of the letters. > You know, Marge, of all the places we've been tonight, I think I like this one the best. > Me too. > Look, you can see our houses. > There's an awful lot of black smoke coming from my chimney. Frame: https://ultrahouse3k.com/img/S05E06/777652.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/782657 ## 13:08–13:21 Marge, with her tall blue beehive, sits on a white ledge above a starry blue grid under a crescent moon as a dark smoke plume rises nearby. In a pink-walled living room, Bart and Lisa watch a stocky man in a white shirt and light blue trousers kneel beside an open suitcase, holding a fistful of papers before a roaring fireplace. He tosses the papers toward the flames, then looks up with a wide grin and spreads his arms, while scraps of paper litter the green rug. > Mr. Hutz, why are you burning all your personal papers? > As of this moment, Lionel Hutz no longer exists. > Say hello to Miguel Sanchez. Frame: https://ultrahouse3k.com/img/S05E06/789956.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/795169 ## 13:21–13:35 Marge Simpson, with her tall blue beehive and pink top, stands beside an unnamed woman with long brown hair, red-framed glasses and a black top, on a vast purple grid under a starry night sky with a crescent moon and a smoke plume rising in the distance. The two women talk and look at each other, then the woman turns away while Marge keeps watching. Homer, bald with stubble and wearing a green sweater and blue pants, walks along a winding dark path toward a wooded hillside, with large white letters reading "SPRIN" above the trees and mountains behind them. > Maybe we should call it a night. Okay. > I should get home to my daughter before that naked talk show comes on. > Ah, young love. > The old make-out place. Frame: https://ultrahouse3k.com/img/S05E06/802677.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/808516 ## 13:35–13:45 Homer Simpson, bald with stubble and wearing a green jacket over a white shirt, stands at the edge of a dark starry lot near a building with a dark ramp, then walks into view and grips a wooden bat. He gazes up at the sky with wide eyes, then steps forward with the bat raised toward a small brown weather station with a wind vane on a pole, and stands poised beside it. A crescent moon and mountain silhouettes sit above a blue-lit field of stars. > Hey, a new weather station! > I'll bash it good. > Oh, it's just no fun without Marge. Frame: https://ultrahouse3k.com/img/S05E06/816441.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/820403 ## 13:45–13:56 Homer Simpson, in his green jacket and white shirt, mopes beside a wooden still on a night lawn beneath a lamppost, then sits down on the contraption. Chief Wiggum, the fat police chief in his blue uniform and cap, arrives holding a stoneware jug marked with X's and a nightstick, while Homer stays slumped on the wooden box. Wiggum then stands among the dark bushes as a bright burst of fire flares up beside him under a purple, star-speckled sky. > Ah, there's nothing like moonshine from your own stills. > Oh, Simpsons. > What are you doing here? Frame: https://ultrahouse3k.com/img/S05E06/826451.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/831039 ## 13:56–14:06 Chief Wiggum, the fat police chief in a blue uniform and cap, stands talking beside Homer, who sits on a brown wooden box with dials in a green jacket and blue pants. At night under a starry purple sky by a utility pole, Homer looks uneasy and grimaces while Wiggum gestures with his hands and leans in closer. Homer glances sideways, and Wiggum keeps talking, with one hand raised near his face. > My wife's having a girl's night out. > Just get one of those inflatable women. But make sure it's a woman, though, > because one time I... Frame: https://ultrahouse3k.com/img/S05E06/837503.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/841674 ## 14:06–14:17 Homer in a green jacket and white shirt sits on a wooden box with dials at night in a dark park while Chief Wiggum, in uniform, stands beside him gesturing and talking. Next, Marge with her tall blue beehive drives a pale convertible down a dark road under a starry sky, a passenger with long dark hair and sunglasses beside her. Finally, Homer slumps across the back seat of a police car, looking dazed, while Wiggum drives with a stern expression. > Come on, I'll give you a ride home. > I missed you, Marge. > Huh. > The left tail light's a little smaller than the right one. Frame: https://ultrahouse3k.com/img/S05E06/847930.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/852101 ## 14:17–14:27 Chief Wiggum, the fat police chief in his cap, drives a police car at night along a highway, leaning forward over the wheel and talking to someone off-screen. He follows a light blue car with Marge, her tall blue beehive visible in the passenger seat, and a brown-haired woman in red sunglasses and a hoop earring at the wheel, then a long-haired driver in dark sunglasses appears in a convertible with Marge. The car's headlights glare as it speeds past a 'Speed Limit 45 Miles' sign under a starry purple sky and a crescent moon, with a police cruiser's red and blue lights flashing behind it. > I better pull him over. > I think they want us to stop. Bad chance. > This car's stolen. Stolen? Frame: https://ultrahouse3k.com/img/S05E06/858358.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/862528 ## 14:27–14:37 Chief Wiggum drives a police car at night while Homer lies sprawled across the back seat in a pink shirt and purple pants, and a sports car with red taillights speeds ahead on the open road under a starry sky. A dark-shoed foot presses down on a pedal, and a yellow hand pushes a white cassette into a purple dashboard stereo with a glowing level meter, which is shown empty in the final shot. > Looks like we got ourselves an old-fashioned car chase. > Sunshine, lollipops and rainbows, Frame: https://ultrahouse3k.com/img/S05E06/868993.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/872747 ## 14:37–14:49 Chief Wiggum, the fat police chief in a blue uniform and cap, drives a car while Homer, the bald heavy man in a white shirt and purple pants, slumps on the back seat beside him. Inside the dark, night-lit vehicle, Wiggum steers with both hands and his expression shifts from a calm, closed-eyed look to wide-eyed talking with an open mouth and a smile, while Homer sits with his eyes half-open and a dazed look. The car's windows show a purple night sky with stars, and the steering wheel and a police badge are visible in the foreground. > everything that's wonderful is what I feel when we're together. > Brighter than a lucky penny when you're near the rain cloud disappeared Frame: https://ultrahouse3k.com/img/S05E06/878586.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/883383 ## 14:49–14:58 Homer, bald and bearded in a white shirt, lies sprawled on a grey couch in the first frame, his eyes rolled to the side. Then the scene moves to a night highway under a purple star-filled sky with a crescent moon, where a white police car with a light bar drives away along the empty road past pine trees and a guardrail. The screen fades to black, then a view of a desert highway at night with cacti and a large green sign reading "ENTERING BADLANDS / HIGH-SPEED CHASES / USE DIAMOND LANE" appears as the same police car speeds toward the viewer. > here. Frame: https://ultrahouse3k.com/img/S05E06/890264.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/893810 ## 14:58–15:11 Marge Simpson, with her tall blue beehive and orange-red bead necklace, sits beside a dark-haired woman in red-framed sunglasses, red lipstick, a hoop earring and a black jacket, who grips the steering wheel of a car at night against a purple sky. In the first frames both women stare ahead while the woman in sunglasses turns her head and speaks with her mouth open, and Marge's eyes widen and her mouth opens in alarm. In the final frame the camera-free close view shows Marge alone, eyes wide, teeth clenched in a worried grimace, with stars and clouds behind her. The car's steering wheel and dashboard are visible at the lower left. > Ruth, is there something you want to tell me? > Remember when I said my ex-husband was behind on his child support? > Mm-hmm. > Well, to even things up, I kind of stole his car. > Well, didn't you realize all you had to do was report him to the police? Frame: https://ultrahouse3k.com/img/S05E06/899649.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/905071 ## 15:11–15:24 A sunglasses-wearing woman with a dark swept-back hairdo, red-framed glasses, a cigarette and a gold hoop earring stands at the left in front of a purple night sky, lighting her cigarette with a silver lighter. Beside her, Marge with her tall blue beehive and pink top glances sideways with a flat, uneasy expression. In the next moments, Chief Wiggum sits at the steering wheel of a car with a clipboard-like cup in hand while Homer slumps in the back seat, staring ahead; Wiggum turns his head toward the back and speaks with his mouth open, then faces forward again. Desert cacti and rocky scenery are visible through the car windows at night. > Marge, you're the level-headed friend I never had. > We're in pursuit of two female suspects. > One is wearing a green dress, pearls, and has a lot of blue hair. > A lot of blue hair. Frame: https://ultrahouse3k.com/img/S05E06/912370.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/917792 ## 15:24–15:30 Homer Simpson, bald with stubble and a white shirt, reclines in a grey airplane seat with his eyes half-closed and his hands on his stomach. He drifts off and a thought bubble appears above him, first blank, then showing a strange alien-like creature with antennae, bulging eyes and a blue bushy body, which dissolves into a smiling Marge Simpson with her tall blue beehive and an orange bead necklace, while Homer sleeps in the cabin with dark windows behind him. > What a freak. Frame: https://ultrahouse3k.com/img/S05E06/925508.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/927385 ## 15:30–15:39 Homer Simpson, bald and stubbled in a white shirt, and Chief Wiggum, the fat police chief in a blue cap and uniform, sit side by side in the front of a car, each gripping the steering wheel at the bottom of the frame. Homer's expression shifts from wide-eyed and grimacing to mouth agape and then to a hand pressed to his forehead, while Wiggum stares ahead with a tight, uneasy grin before settling back into a flat look. The purple-tinted interior and window stay static behind them as the two sit in the car's front seats. > It's Marge! She's become a crazed criminal just because I didn't take her to the ballet. > That's exactly how Dillinger got started. > Really? > I don't want to be a wet blanket, but maybe you should give yourself up. Frame: https://ultrahouse3k.com/img/S05E06/931764.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/935309 ## 15:39–15:50 Marge Simpson, with her tall blue beehive, sits in the passenger seat of a car beside a woman in red cat-eye sunglasses, dark bobbed hair, and a gold hoop earring, who is not one of the regulars and whose lips are pressed tight and teeth clenched as she grips the wheel. Marge looks sideways with wide eyes, her mouth opening to speak, then closing with a worried, pursed expression, while the woman's face tightens and she grits her teeth and stares ahead. Through the windshield and side window, a dirt bank with green shrubs and grass passes by as the car drives along, with the woman's grimace deepening and her gaze turning forward in the final moments. > Marge, it's a matter of principle. I just can't let that deadbeat win again. > You're with me, aren't you? Frame: https://ultrahouse3k.com/img/S05E06/940940.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/944902 ## 15:50–16:03 Marge Simpson, with her tall blue beehive and pink sweater and red beaded necklace, sits beside a slim, sharply dressed stranger with a brown pompadour, red-framed sunglasses, a hoop earring and red lipstick, who is wearing a black jacket and grips the steering wheel of a car at night against a purple sky. Marge starts out wide-eyed and worried while the driver speaks, then she grimaces and grits her teeth as the driver turns toward her with a cigarette clamped in the mouth, and finally Marge's expression tightens into alarm as the driver's gaze stays fixed ahead on the road. The car's interior with its gray steering wheel and dashboard fills the lower part of the scene, and the background shows a dark purple night sky dotted with small white stars. > I should say something reassuring you, noncommittal. > Look, Marge, there's no reason for you to get dragged into this. > Once we lose the cops, I'll let you out. > I don't think they're gonna be that easy to lose. > I mean, these are professional lawmen and... Frame: https://ultrahouse3k.com/img/S05E06/951159.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/956998 ## 16:03–16:17 Chief Wiggum, the fat police chief in a blue uniform and cap, grips the steering wheel of a police car at night, and Homer, the bald heavy man in a lavender shirt, sits beside him in the passenger seat. Wiggum first looks ahead wide-eyed with his mouth open, then Homer and Wiggum both turn their heads toward each other with worried expressions as they talk. Seen from the front later, the white police car with its roof light and glowing headlights speeds along a dark desert road under a purple starry sky with cacti at the roadside, and the two sit in the car as it continues on. > Oh, my God! It just disappeared! > It's a ghost car! > There are ghost cars all over these highways, you know. > Hold me. > Only if you hold me. Frame: https://ultrahouse3k.com/img/S05E06/965131.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/970761 ## 16:17–16:29 Homer hugs Chief Wiggum from behind in the cramped interior of a police car, with Wiggum gripping the steering wheel and looking nervous, and the two then drive down a desert canyon road at night under a crescent moon, headlights glowing and red and blue lights atop the roof. The car pulls into a lot beside a purple-awninged diner with a green sign reading "THE SEETHING SISTERS" and two gas pumps, where a lavender convertible sits with Marge, her tall blue beehive and pink wrap visible, beside a long-haired brown-haired woman in red sunglasses and a black jacket who is driving. Marge turns to glance at the woman, then speaks while the woman keeps both hands on the wheel. > You can call a cab in there. > Well, bye. Frame: https://ultrahouse3k.com/img/S05E06/978478.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/983691 ## 16:29–16:39 Marge Simpson, with her tall blue beehive and pink top with a red bead necklace, talks with a long-haired brunette woman in a dark jacket, white turtleneck, hoop earring and red sunglasses. The woman, who is not a regular, first fiddles with her red-framed sunglasses and then lowers them to the chin as she smirks and speaks. Marge stands facing her and listens with a steady look, and the scene is set against a plain grey and pink background. Marge later smiles broadly while the woman leans in with a sly grin and sidelong eyes. > I'm sorry about all this. > But you gotta admit, we did have some fun. > Yeah. > Everything before the high-speed chase was just lovely. Frame: https://ultrahouse3k.com/img/S05E06/990990.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/994535 ## 16:39–16:52 Marge Simpson sits in the passenger seat of a light blue convertible beside a woman with long dark brown hair, hoop earrings and red lipstick, under a pink dusk sky. The two clasp hands across the seat, then the driver turns to face the road as the car pulls up beside a roadside gas station with pumps. Marge climbs out and walks toward the station, then later holds a black pay phone receiver in a diner where a red-haired woman sits in a booth behind her. > Hey, you're a good friend, Marge. > This cross-country flight from the law would be hell if we didn't stick together. Frame: https://ultrahouse3k.com/img/S05E06/1000374.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1006005 ## 16:52–17:02 A woman with a tall red ponytail in a green top and a woman in a brown safari hat, a sleeveless tan vest, and a green-tinted necklace clasp hands tightly across a red booth table with a dark tabletop, both grinning and leaning toward each other, while a sunny pink sky with rain streaks shows through the window behind them. The safari-hatted woman, with blue-green hair, then drops her grin into a stern glare while still gripping hands. In the final moments the scene shifts to a different pair in the same booth: a brown-haired woman in a pink top and a woman with orange hair in a ponytail, a blue choker, and a sleeveless light-blue top, clasping hands over the table as the brown-haired woman speaks, with the safari-hatted figure's shoulder visible at the left edge. > Hey, friends stick together. > It's amazing how through all this adversity we managed to stick together. Frame: https://ultrahouse3k.com/img/S05E06/1013721.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1017266 ## 17:02–17:11 Two women sit across a booth table in a diner with green curtains and a pink-and-purple window, clasping hands while a teal-ponytailed waitress in a pink uniform and white cap stands in the foreground. The waitress lifts a stack of waffles and holds them up, glancing sideways, while the two women in the background keep their hands joined across the table. A cook in a white cap and white tank top then steps in beside her, holding a spatula with a waffle on it, as the waitress keeps the waffles at the front of the scene. > If there's one thing decent folk do, it's stick together. > I hate it when the waffles stick together. > Sticking together is what good waffles do. Frame: https://ultrahouse3k.com/img/S05E06/1023105.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1026651 ## 17:11–17:21 Marge Simpson, with her tall blue beehive and pink scarf, stands at a payphone on a building wall, holding the receiver to her ear and looking worried. Behind her, a crowd of cartoon figures scrambles out of and around a row of convertibles in a gas station lot, with a small boy in a blue cap standing near the pumps. At the pump, a grey-haired attendant in a blue cap and white t-shirt fills a convertible's tank while a woman in sunglasses, a black leather jacket and purple pants stands beside him, and the pink sky and dark trees frame the scene. > Thanks, kid. Frame: https://ultrahouse3k.com/img/S05E06/1032490.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1036452 ## 17:21–17:32 Marge Simpson, with her tall blue beehive, pink sweater and orange bead necklace, sits beside a long-haired brown-haired woman in red-framed sunglasses, a black studded leather jacket and purple pants who grips the steering wheel of a vehicle. Inside the car, with a pink sky and a window behind them, Marge turns to look at the woman, speaks with her mouth open and wide eyes, and then lifts a pointing finger as she keeps talking. The woman's head and red sunglasses stay at the right edge of the scene while Marge gestures. > Marge, what are you doing? > Ruth, I've done a lot of thinking, and I really consider you a friend. > And an important part of friendship is... Frame: https://ultrahouse3k.com/img/S05E06/1042917.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1046879 ## 17:32–17:42 A dark-haired man in a white shirt and red bow tie stands in the doorway of a roadside diner with an orange facade and a purple awning, its sign reading only partly, '...ERE THE CUTE MEAL TO EAT', then shouts and thrusts his fist toward a yellow-skinned boy in a white shirt, blue shorts and grey helmet with a red top who pedals a red bicycle past a gas pump and a payphone. The boy rides away across a purple road into a pink-skied desert of mesas and cacti, while a white police car with a roof light trails smoke from its open hood behind him. > You stupid kid! You know that drives away all my business! > See you tomorrow, loser! Frame: https://ultrahouse3k.com/img/S05E06/1053135.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1057515 ## 17:42–17:53 Chief Wiggum, a fat police chief in a blue uniform and cap, and Homer, bald in a white shirt, stand together at the front of a vehicle with a pink sky and dark rock formations behind them. Wiggum works a spatula over two fried eggs cooking on a round engine block while steam rises from the pan, and Homer leans in and points toward the eggs. Wiggum looks over at Homer as the eggs keep cooking on the hot metal. > Mmm, engine block eggs. > If we can keep these down, we'll be sitting pretty. > That's them! Quiet. > I can't hear the eggs. Frame: https://ultrahouse3k.com/img/S05E06/1063980.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1067942 ## 17:53–18:02 Bart, Lisa and baby Maggie sit together on a brown couch in a pink-walled room beside a purple lamp. In the first moment all three have their eyes closed, with Bart's hand raised to his head and Lisa leaning against him while Maggie, sucking her pacifier, rests against Lisa's lap. Bart then opens his eyes and looks sideways with his mouth slightly open, while Lisa keeps her eyes shut, and in the next moment Bart glances over and speaks while Lisa stares wide-eyed toward him. In the final moment Bart looks off to the side and Lisa, with her mouth open and eyes wide, looks in the same direction, with Maggie's blue bow visible in the foreground. > Hey, it's morning and Mom and Dad aren't home yet. > Don't worry. Mr. Hutz is still here to take care of us. Frame: https://ultrahouse3k.com/img/S05E06/1074407.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1077743 ## 18:02–18:10 On a living room couch, Bart and Lisa sit holding baby Maggie, who wears a blue bow and has a pacifier. A heavy, brown-haired man in a white shirt and light blue pants first crouches on the colorful rug with his arms around his knees, then jumps up brandishing a knife, stands with the blade raised, and finally sits on the couch holding the knife while the children watch wide-eyed. The scene then cuts to a desert landscape with red mesas, where a lavender convertible with two women, one with violet hair, speeds down a road ahead of a white police car with flashing lights. > Don't touch my stuff! > Hey, this isn't the YMCA. > Dispatch, this is Chief Wiggum, back in pursuit of the rebelling women. Frame: https://ultrahouse3k.com/img/S05E06/1083374.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1086085 ## 18:10–18:17 Homer, the bald heavyset man in a white shirt, sits in the passenger seat while Chief Wiggum, the fat police chief in a blue uniform and cap, drives a blue car with both hands on the steering wheel and a police radio microphone held up to his mouth. Homer's eyes are wide and he stays fixed in place as Wiggum speaks into the radio, his mouth opening and closing, and the scene shows only the interior of the car with the rearview mirror above and blue sky and clouds through the windows. Wiggum's expression shifts slightly across the moment, from a look straight ahead to a squinting, eyes-half-closed talk, with no other objects or on-screen text visible. > All right. Your current location? > Oh, uh, I'm on a road. > Looks to be asphalt. Um, oh, jeez. Trees, shrubs. Frame: https://ultrahouse3k.com/img/S05E06/1091090.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1094010 ## 18:17–18:25 Homer, the bald heavy man in a white shirt, sits in the passenger seat while Chief Wiggum, the fat police chief in his blue uniform and cap, drives a car with both hands on the steering wheel. Inside the vehicle, Wiggum holds a blue object up in one hand, and his mouth opens and closes as he talks while his eyes shift and look sideways across the scene. Homer stares ahead with a worried, wide-eyed expression, and the view through the windshield shows blue sky with white clouds and the rearview mirror hanging at the top of the car interior. > I'm directly under the earth, son. > Mm, now. Frame: https://ultrahouse3k.com/img/S05E06/1099015.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1101934 ## 18:25–18:38 Homer sits in a recliner at the right, eating a red popsicle, while Bart in his orange shirt, Lisa in her red dress and Maggie with her pacifier and blue bow sit on a rug with Snowball II, all watching a television in the living room. The TV shows a Special Bulletin card, then a grey-haired news anchor in a red jacket and blue tie holding papers beside a Special Bulletin sign. The broadcast switches to a LIVE SKYCAM feed of a blue car kicking up dust on a desert highway, and then to several police cruisers with flashing lights closing in on it. > We now interrupt this program for a special bulletin. > We've just received word of a high-speed desert chase. > The suspects have been identified as Ruth Powers and Marge Simpson of Springfield. Frame: https://ultrahouse3k.com/img/S05E06/1106939.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1112153 ## 18:38–18:47 Bart Simpson, the spiky-haired boy in an orange shirt, and his sister Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, sit side by side on a teal floor in front of a kitchen counter and a cash register. Lisa rests her chin on her hand with a bored, sidelong look, then leans toward Bart and grins, nudging him with her elbow while he glances sideways with a wary, scowling expression. Bart grits his teeth and furrows his brow as Lisa smirks with her eyes half-closed, and the scene ends with Bart's sour expression next to her smug, eyes-closed smile. > Cool. > I always knew someday Mom would violently rise up and cast off the shackles of our male > oppressors. Eh, shut your gap. At the risk of editorializing, Frame: https://ultrahouse3k.com/img/S05E06/1119452.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1122788 ## 18:47–18:58 Kent Brockman, the grey-haired news anchor in a red jacket and blue tie, sits at a desk before a "SPECIAL BULLETIN" sign on a TV screen. He holds a sheet of paper and reads from it while a second sheet lies on the desk at right, and he later raises his right hand toward the sign as he speaks. He then returns to reading the page, with only small changes in his hands and facial expression throughout this mostly static news broadcast. > these women are guilty and must be dealt with in a harsh and brutal fashion. > Otherwise, their behavior could incite other women, > leading to anarchy of biblical proportions. Frame: https://ultrahouse3k.com/img/S05E06/1128210.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1132590 ## 18:58–19:11 Bart, a spiky-haired boy in an orange shirt, and Lisa, a girl with star-shaped spiky hair and a red dress with a pearl necklace, sit worried in a room with a cash register and shelves. The scene cuts to a TV screen reading "TECHNICAL DIFFICULTIES PLEASE STAND BY," showing a cartoon figure with a TV for a head and a chef's hat, surrounded by a bird, a spring and symbols, then to Bart and Lisa riding in a light-colored convertible with police cars trailing behind across a desert of mesas at sunset. The final frames show a blue "STATE LINE 2 MILES" road sign beside a highway lined with cacti and shrubs, with the car's approach no longer visible. > It's in Revelations, people! > Look, we're only two miles from the state line. > We're gonna make it. We're gonna be okay. Frame: https://ultrahouse3k.com/img/S05E06/1139055.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1144894 ## 19:11–19:21 Marge Simpson, with her tall blue beehive and pink scarf, sits beside a long-haired woman in red sunglasses and a black jacket who drives a lavender convertible across a desert road at sunset. Ahead, a long line of police cruisers with flashing lights waits across the road, and the car speeds toward them while Marge grimaces with her eyes squeezed shut and the driver's hair streams back. Cacti, red rock formations, and the blazing orange sun frame the chase as the car closes in on the blockade. > My God! > That must be every policeman in Springfield! Frame: https://ultrahouse3k.com/img/S05E06/1152818.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1156572 ## 19:21–19:32 Marge Simpson, with her tall blue beehive, sits in the passenger seat of a light blue car beside a woman with long wavy brown hair, red sunglasses, red lipstick and a black jacket, who grips the steering wheel and drives. Behind them a long line of white police cruisers with flashing lights stretches across a sunset-orange desert, and the pair appear to be pursued by them. As the scene goes on, the view shifts to a high overhead angle of the road cutting through red rock and cacti, where the car leads a convoy of police cruisers with dust trailing behind them. Marge's face is shown in close-up with a pursed mouth and a sideways look, and the sunset sky has pink and orange clouds. > That's it. I give up. > A single mother can't win in a man's world. > Ruth, that's a lot of hooey! > It's not over until it's over! > I'm sorry, I should've asked first. Frame: https://ultrahouse3k.com/img/S05E06/1162620.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1166999 ## 19:32–19:45 Marge, with her tall blue beehive and pink scarf, appears in a car beside a woman with long brown hair, red sunglasses, red lipstick and a black jacket who grips the steering wheel. The scene then cuts to a sandy desert canyon where a line of small cars speeds along a winding road, one leaving a dust trail, and the road drops toward a deep chasm. Finally Homer, in a white shirt, grips the wheel of a car beside Chief Wiggum in his blue police cap, both staring wide-eyed in alarm at the road ahead. > No, Marge, you did it! > We really are gonna make it now! > Oh, no! They're headed right for the grand chasm! > Oh, my God! They're gonna drive right into it just to teach us men a lesson! Frame: https://ultrahouse3k.com/img/S05E06/1173464.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1178678 ## 19:45–19:55 Homer Simpson, the bald, heavy man in a white shirt, sits in the back of a white car and stares ahead in alarm, then grimaces and grips the window with his hands. In the final moment he leans out of the open window, mouth wide with a white paper-like object pressed near his face, while the red-orange sky and dark ground show through the glass. A blue light glows at the top of the vehicle. > And it's all my fault! > Marge! Marge! Frame: https://ultrahouse3k.com/img/S05E06/1186185.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1190147 ## 19:55–20:08 Marge, with her tall blue beehive and pink top, sits at the wheel of a car in a desert setting under an orange sky, glancing at a rearview mirror that reflects a line of vehicles behind them. Behind them, a white police car with a flashing blue light and a police officer driving it, with a heavy grey cloud of dust rising behind it, pursues in the distance, with other police cars on either side. Homer, in a white shirt, sits in the passenger seat of the police car, and then turns in the front passenger seat of the car as he presses a white donut-shaped object to his mouth, his eyes wide and worried, while Marge looks on from the foreground. > Homer? > Look, Marge, I'm sorry I haven't been a better husband. > I'm sorry about the time I tried to make gravy in the bathtub. > I'm sorry I used your wedding dress to wax the car. > And I'm sorry, oh well, let's just say I'm sorry for the whole marriage up to this point. Frame: https://ultrahouse3k.com/img/S05E06/1196404.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1201826 ## 20:08–20:16 Marge Simpson, with her tall blue beehive and pink sweater and beads, sits in the passenger seat of a car beside a woman with long dark hair, big hoop earrings, dark sunglasses and a dark jacket who grips the steering wheel and drives. Both talk and gesture as they ride along a road under a dusky orange-purple sky. Then Homer Simpson, bald with stubble in a white shirt, is shown in the back seat clutching a large white donut to his mouth, his eyes wide and his face strained. The car drives on against the sunset, with the mountainous horizon visible at the edges of the scene. > You're right, I am lucky to have him. But please, Marge, don't drive into that chasm! > Chasm? Frame: https://ultrahouse3k.com/img/S05E06/1209333.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1212461 ## 20:16–20:29 Marge, with her tall blue beehive, drives a light blue convertible along a cliff edge at sunset, then the car flies off the cliff and sails over the canyon. A white police car with a flashing light, driven by Chief Wiggum, glides through the orange sky, and later it tumbles down onto a heap of trash at the bottom of a rocky canyon. Smoke drifts up from the wreck, and a tiny blue-haired figure watches from a ledge above while a lightning-like streak flashes behind the truck. The scene fades to pale, washed-out tones as the car settles in the garbage. > Ha! Frame: https://ultrahouse3k.com/img/S05E06/1217466.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1223305 ## 20:29–20:38 Chief Wiggum, the fat police chief in his blue uniform and cap, peers out from the window of a white garbage truck as it rides up a towering, debris-strewn landfill mound among reddish canyon walls. Homer, bald with stubble and wearing a white shirt, leans out of the same truck window beside him, eyes wide and mouth open. The truck reaches the summit, where a lightning-like bolt of electricity flashes beside it and a small blue vehicle sits on a ledge in the background. Then the truck tumbles or slides down the pile, and the scene cuts to a view of Homer's and the policeman's sides, with Homer's purple pants and dark shoe poking out of the window and disappearing inside as the truck carries on. Scattered trash includes bottles, cans, paper and scraps across the mound. > And to think, those idiot environmentalists for protesting this landfill. > Solid waste. I could kiss you. Frame: https://ultrahouse3k.com/img/S05E06/1231021.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1234358 ## 20:38–20:50 Homer Simpson, bald with stubble and wearing a white shirt, lies face down on a dirt-strewn ground littered with trash, his mouth smeared with a brown stain, while his arm stretches out and he slowly turns his head and eyes to look sideways. Behind him is a white door frame. In the final frame a woman with a tall dark hairdo, red headscarf, gold hoop earring and lavender sweater stands with her hands clasped against a plain grey background, glancing sideways. > Yeah. > Mwah! > Ooh. > Mwah! > Ah! > Mwah! Ooh. > I think this was pizza. > Ruth Powers was tried in Springfield Superior Court. Frame: https://ultrahouse3k.com/img/S05E06/1239780.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1244368 ## 20:50–21:01 A one-off Springfield woman with a red headscarf, dark shoulder-length hair, gold hoop earring, lavender sweater and blue skirt stands with her hands clasped in front of her against a plain grey backdrop. She is not one of the regulars, so she is described rather than named. Across the moment she keeps her posture still while her eyes shift slightly to one side, her eyebrows narrowing into a skeptical, unimpressed look with her mouth pressed flat. No objects or on-screen text appear. > The judge dismissed her ex-husband's auto theft charges and forced him to pay all back > child support. > Mr. Powers blamed the outcome on his lawyer, one Lionel Hutz. > Lionel Hutz, a.k.a. Frame: https://ultrahouse3k.com/img/S05E06/1251250.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1255838 ## 21:01–21:13 Against a plain grey background, a brown-haired man in a lavender suit and red tie stands behind Lisa in her pearl necklace and Bart in his orange shirt, who both glance sideways with wary, skeptical expressions while their eyes shift. The scene then cuts to Marge, with her tall blue beehive and green strapless dress, holding a lit cigarette with smoke rising from it as she looks sideways with half-lidded eyes. > Miguel Sanchez, a.k.a. Dr. Nguyen Van Thok, > was paid $8 for his 32 hours of babysitting. > He was glad to get it. > Marge Simpson was charged with a violation of Penal Code Section 618A, Frame: https://ultrahouse3k.com/img/S05E06/1262511.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1267308 ## 21:13–21:24 Marge Simpson, with her tall blue beehive and wearing a strapless green dress with a red bead necklace, stands against a plain grey background holding a lit cigarette in her raised hand. She narrows her eyes and holds a sultry, unimpressed expression while exhaling a thin wisp of smoke that curls upward. In the final moment she brings the cigarette to her lips and takes a drag, the tip glowing red, before lowering her hand again. > wanton destruction of precious antique cans. > She was ordered to pay 50 cents to replace the cans and $2,000 in punitive damages and Frame: https://ultrahouse3k.com/img/S05E06/1274190.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1278778 ## 21:24–21:36 Marge Simpson, with her tall blue beehive and green strapless dress and red beaded necklace, stands smoking a cigarette in the first moment, her face unimpressed against a plain grey background. Homer Simpson, bald with stubble and wearing a white shirt, then appears in profile, eyes glancing sideways as he looks off to the left, and his expression shifts little across the following moments while he keeps his gaze shifting and his mouth set in a flat, uneasy line. No on-screen text or other objects are visible beyond the smoke curling up from Marge's cigarette. > mental anguish. > Homer Simpson was remanded to the custody of the United States Army Neurochemical Research > Center at Fort Meade, Maryland for extensive testing. Frame: https://ultrahouse3k.com/img/S05E06/1285659.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1290456 ## 21:36–21:46 Homer, the bald, heavy man in a white shirt, is shown in close-up against a plain grey background, his eyes wide and his mouth in a faint smile as he looks off to the side. The scene then moves into the opening credits on black and red backdrops: first 'Executive Producer DAVID MIRKIN' in yellow lettering on black, then 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' on black, then a red Springfield Police badge numbered 318 reading 'Starring DAN CASTELLANETA', and finally the same badge with 'JULIE KAVNER' displayed across its center. Frame: https://ultrahouse3k.com/img/S05E06/1297338.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1301091 ## 21:46–21:55 No characters appear in this sequence; it is a title card over a solid red background showing a gold Springfield Police badge numbered 318 with a building emblem. Across the five stages, the cast credits change in order: first NANCY CARTWRIGHT, then YEARDLEY SMITH, then HANK AZARIA, then HARRY SHEARER appearing with 'and' above his name, and finally 'Special Guest Voice PHIL HARTMAN' in white lettering at the center of the badge. The badge stays fixed in place while only the name text is replaced each time. Frame: https://ultrahouse3k.com/img/S05E06/1307139.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1311101 ## 21:55–22:05 No Simpsons characters appear in this moment; it is a title card sequence against a solid red background with a gold Springfield Police badge numbered 318 in the center. The badge stays fixed while the white credit text changes from 'Special Guest Voice Pamela Reed' to 'Also Starring Pamela Hayden, Maggie Roswell, Russi Taylor' to 'Executive Consultant Brad Bird' to 'Animation Executive Producer Phil Roman' to 'Story Editor Brent Forrester', with each credit replacing the last in turn. No characters move, and the only motion is the successive swapping of credit text over the badge. > Thank you. Frame: https://ultrahouse3k.com/img/S05E06/1317149.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1320903 ## 22:05–22:15 No regular characters appear in this sequence, which shows only a red background with a gold and white Springfield Police badge numbered 318 at its center. The badge stays in place while the credit text changes across the frames: first 'Story Editor BOB KUSHELL', then 'Story Editor DAN McGRATH', then 'Staff Writers BILL CANTERBURY and DAVID S. COHEN', then 'Theme By DANNY ELFMAN', and finally 'Music By ALF CLAUSEN', with no movement beyond these text changes. Frame: https://ultrahouse3k.com/img/S05E06/1326951.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1330704 ## 22:15–22:25 No characters appear in this sequence of credits over a solid red background with a gold Springfield Police badge numbered 318 at the center. The badge stays fixed while white text changes from casting credit for Bonita Pietila to editors Mark McJimsey and Don Barrozo, then to animation co-producer Ken Tsumura for Gracie Films. The text then shifts to a list of sound and production credits, including Music Editor Chris Ledesma, Sound Effects Editor Travis Powers, re-recording mixers R. Russell Smith, Anthony D'Amico and Greg Orloff, and production mixer Ronny Cox. The final credits list production coordinator Jacqueline Sillo, sound recordists Greg Cheever and Randy Piotroski, script supervisor Louise Jaffe, and post-production facilities Skywalker Sound and Laser-Pacific, ending with a Dolby Surround logo. Frame: https://ultrahouse3k.com/img/S05E06/1336752.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1340714 ## 22:25–22:36 No characters appear in this moment, which shows only end credits over a solid red background. A gold-and-white Springfield Police badge numbered 318 sits behind white text that moves from a list of assistants to the lines 'Overseas Animation Director MIKE GIRARD' and 'Overseas Production By AKOM STUDIOS N.J. KIM', then to credits for Assistant Director Susie Dietter, Storyboard, Character Design and Background Design, and finally Color Design and Ink & Paint. The credits change in sequence while the badge stays in place behind them. Frame: https://ultrahouse3k.com/img/S05E06/1346762.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1351141 ## 22:36–22:46 No characters appear in this sequence of credit cards over a solid red background bearing the Springfield Police Department badge number 318 at its center. The first card lists Studio Production Manager Anne Luiting, Production Manager Miles Lewis Horst, Post Production Supervisor Angela Ousey, Production Coordinators Laurie Biernacki and Raymond M. Iacovacci, and Production Associate Sharon D. Ramsay in white capital lettering. Next, the badge remains while cards for Production Accountant Anthony R. Reyes, Negative Cutter D and A Film Cutting Tim Heyen, Telecine Unitel Video Larry Field, and Production Assistants Donna Lafferty, Anthony Garcia and Steve Ingram appear. Then cards for Executive in Charge of Production for Gracie Films Michael P. Schoenbrun, Creative Consultant Matt Groening, and Executive Creative Consultant James L. Brooks follow in turn. Frame: https://ultrahouse3k.com/img/S05E06/1357815.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1361360 ## 22:46–22:55 Silhouetted audience members sit in rows of seats in a dark theater, with a large bushy-haired figure at the left edge, facing a blank, pale screen. The screen lights up with the words GRACIE FILMS over a blue beam, then the on-screen text IN ASSOCIATION WITH appears against black. A golden 20th Television logo with searchlight beams rises over a dusky sky and building, then the image fades to black. > Let's do it. Frame: https://ultrahouse3k.com/img/S05E06/1367199.jpg Page: https://ultrahouse3k.com/episode/s05e06-marge-on-the-lam/1370953