# The Last Temptation of Homer

The Simpsons, season 5, episode 9 (S05E09), first aired December 9, 1993.
Written by Frank Mula. Directed by Carlos Baeza. Production code 1F07.
Guest stars: Marcia Wallace as Mrs. Krabappel; Phil Hartman as Lionel Hutz; Michelle Pfeiffer as Mindy Simmons; Werner Klemperer as Colonel Klink.
Chalkboard gag: "All work and no play makes Bart a dull boy". Couch gag: David Letterman Show.

Homer is drawn to Mindy Simmons, a new plant worker who shares his love of doughnuts and beer, and tries to keep his distance. Mr. Burns then sends them both to an energy convention in Capital City, where a romantic hotel dinner tests him, but Homer stays faithful to Marge. Meanwhile, Bart gets glasses and corrective shoes and is picked on as a nerd.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Lenny Leonard, Carl Carlson, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Martin Prince, Patty Bouvier, Selma Bouvier, Santa's Little Helper, Lewis Clark, Wendell Borton, Richard, Jimbo Jones, Miss Hoover, Todd Flanders, Rod Flanders, Kearney Zzyzwicz, Nina Skalka, Janey Powell, Hans Moleman, Professor Frink, Dolph Starbeam, Dewey Largo, Lionel Hutz, Black Weasel, Charlie, Yellow Weasel, Sherri and Terri, Joey Crusher, Lowblow, Mindy Simmons, Zutroy, Colonel Klink, Giant Handed Man, Isaac Newton, Agent Wessom, Burns' Flying Monkeys, Capital City Plaza Hotel bellhop, Chess Nerd, Department of Labor Female Agent, Dermatologist, Fossil Fuels Agent, Hazmat Employee, Hillbilly bully, Indian Nerd, Jeeves, Madame Chao's Employee 1, Madame Chao's Employee 2, Math Nerd, National Energy Convention Announcer, National Energy Convention Model 1, National Energy Convention Model 2, National Ringworm Association Spokeswoman, Optometrist, Otolaryngologist, Podiatrist, Prune Juice Nerd, Star Trek Nerd, Stewart Duck.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the boy with spiky hair in an orange shirt and blue shorts, stands in a classroom writing on a blackboard filled with the repeated line "All work and no play makes Bart a dull boy" in white chalk. In the first part of the moment he is at the board with chalk in hand, and then he turns and kicks one leg back while grinning with eyes shut and his arm stretched out, moving away from the board. A wastebasket of crumpled paper sits in the corner, and a clock hangs on the wall above the board.

> The Simpsons

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## 0:12–0:25

Homer in a yellow hazmat suit with a visor holds orange tongs gripping a glowing green object beside a red counter and a CAUTION sign with a radiation symbol, while Mr. Burns and Smithers watch from the right. Homer, seen from behind, reaches up toward the floating green glow, and then Maggie, with a blue bow, reads a "Mom Monthly" magazine at a store counter stocked with shelves of products. The scene blurs into a streaky orange wash, then Maggie, sucking a pacifier, peers over a metal cart grate as Marge, with her tall blue beehive and red beads, waves with her eyes closed.

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## 0:25–0:38

Lisa, the girl with star-shaped spiky hair in a red dress, plays clarinet in a crowded school band led by a white-haired conductor in an orange sweater, then carries a large white horn down an orange-walled hallway with a blue tiled floor. Outside a yellow house, Bart in an orange shirt rides a skateboard along a brick wall while a figure sits in a pink car in the driveway beside a blue mailbox. Homer, the bald, heavyset man in a white shirt and blue pants, then stands beside the pink car with one hand on his hip, in front of an open garage holding a bicycle and boxes.

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## 0:38–0:51

Homer appears in a doorway of a red-walled room, arm outstretched, with a small wastebasket in front of a red bed. The scene then shows Homer, Marge, Lisa, Maggie and Bart seated together on a brown couch in the living room, beside a lamp, a blue telephone and a window with a bridge view. The moment ends on a television screen displaying yellow credit text: first 'CREATED BY MATT GROENING', then 'DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON'.

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## 0:51–1:03

Bart, the spiky-haired boy in an orange shirt, and Milhouse, with blue hair and glasses, stand on a sidewalk beside a school building with a flagpole. Bart holds a paintbrush and Milhouse holds a paint can, and Bart is seen painting white stripes across the road as a paint can labeled PAINT sits nearby. Paint drips from the top of the can as Bart works the brush along the crosswalk, and the scene ends with the on-screen credits Co-Executive Producer JACE RICHDALE and Supervising Producer HAROLD KIMMEL, shown in white text at the bottom of the frame.

> is a mere one foot narrower, indistinguishable to the naked eye.
> But therein lies the game.

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## 1:03–1:16

Bart Simpson, in his orange shirt, and Milhouse, with blue hair, glasses and a pink shirt, stand before a brick wall and dark hedge, with Bart holding a small object with a white top and Milhouse looking on. Credit captions for supervising producers and a co-producer appear over them, and then the scene shifts to Mr. Burns, frail and thin with grey hair at the sides, sitting in a green car with a grimacing expression. He glances sideways and then scowls while gripping the steering wheel, with a blue sky and white clouds behind him.

> I fear to watch, yet I cannot turn away!
> Blasted woman, you parked too close. Move your car!

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## 1:16–1:28

Mrs. Krabappel, with her tall brown hairdo, sits in a car with her mouth open while Principal Skinner, with neat grey hair and a suit, sits behind the wheel of a green car, and the credits name producers Jonathan Collier and Mike Scully. The scene then cuts to a crowded parking lot of colorful cars, where Bart, the spiky-haired boy in an orange shirt, stands with a smaller child in a red outfit between a red car and a pink car as the credits read Producer David Sacks, Producer John Swartzwelder, and Consulting Producers Al Jean & Mike Reiss.

> I'm in the lines. You got a problem? Go tell your mama.
> Oh, don't worry. She'll hear about this.
> I can't get out! I'm trapped. I can't breathe!

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## 1:28–1:39

Mrs. Krabappel, with her tall brown hairdo and green sweater, stands at the front of a classroom beside a desk stacked with books and an American flag on the wall, addressing her pupils and gesturing toward them before clasping her hands behind her back. Students in their seats, including Milhouse with his blue hair and glasses and Bart in his orange shirt, look up at her with wary, uneasy expressions while Bart grins nervously. On-screen credits overlay the scene, reading 'Creative Consultant George Meyer' over a parked purple car in the opening shot, then 'Co-Produced by Joseph A. Boucher, J. Michael Mendel', 'Produced by Richard Raynis' and 'Produced by David Silverman'.

> Class, I know there's no way to prove who actually did this,
> and in our American democracy, everyone is innocent until proven guilty.
> God bless America.
> But my classroom is not a democracy.

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## 1:39–1:48

Mrs. Krabappel, with her tall brown hairdo, blue earring and green sweater, stands in a classroom before a chalkboard under a yellow alphabet strip, first grimacing and speaking, then clasping her hands and breaking into a wide toothy grin. White capital credit text across the lower part reads PRODUCED BY RICHARD SAKAI, WRITTEN BY FRANK MULA and DIRECTED BY CARLOS BAEZA as she shifts her expression from sour to smug.

> Ha!
> For the rest of the year,
> Bart Simpson will be the first student called on for every question.

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## 1:48–1:59

Mrs. Krabappel, Bart's teacher, with a tall brown hairdo and green cardigan, stands beside a blackboard reading PHOTOSYNTHESIS, tapping a piece of chalk against her chin and smiling, then crosses her arms and underlines the word in white chalk. In the classroom, a student with blue hair and glasses sits at a wooden desk in the middle row while a large yellow hand in the foreground holds up a piece of chalk, and a curly-haired girl with glasses sits to the left. Bart, the boy with spiky hair in an orange shirt, sits at a desk with wide, uneasy eyes, with a blue-haired kid with green-tinted glasses and a spiky-haired kid with round eyes beside him, and a wall notice and a corkboard visible behind.

> Well, let's get started.
> Can someone pronounce this word?
> Hmm, Bart?

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## 1:59–2:03

Bart, the spiky-haired boy in an orange shirt, stands in a classroom beside a wide-eyed blond boy with spiky hair, while a man with short brown hair in a white shirt raises one hand nervously near a window under the ceiling panels. The scene opens on a dark green board with an orange top edge showing the underlined chalk title "PHOTOSYNTHESIS", which then blurs into an indistinct white text. Bart glances sideways with half-lidded eyes, and the man keeps his raised hand up while grimacing and looking upward.

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## 2:03–2:17

Bart, the spiky-haired boy in an orange shirt, leans on a wooden counter in a classroom with green walls, a wood-panelled ceiling and a fluorescent light, while a spiky-haired blond boy in a red shirt stands behind him and a man in a white shirt with a purple pin, tan hair and no suit stands at the counter. The man raises one hand, then grips his head and cheeks in exasperation, and Bart's expression shifts from a bored, half-lidded look to wide-eyed alarm as he reaches toward the blond boy's head. An older grey-haired man with glasses watches from the background by the window, and a paper notice is pinned to the wall beside Bart.

> Go pick me, teacher! I'm ever so smart!
> It's photosynthesis!
> Damn your feeble brain!
> Oh, I couldn't read it. The letters are all blurry.
> Is it possible all your misbehavior and miserable grades have been caused by a simple

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## 2:17–2:27

Mrs. Krabappel, with her tall brown hairdo, green cardigan and teal earring, stands at a classroom chalkboard holding a piece of chalk while Bart, in his orange shirt, watches from a desk beside Milhouse, who has blue hair and glasses, and a spiky-haired blond boy. Krabappel's expression shifts from wide-eyed to a toothy grin, and she gestures with the chalk and then spreads a hand outward as she talks. Bart's wide-eyed grimace softens into a grin. The chalkboard shows partly visible white lettering reading "NTHESIS" with an underline.

> vision disorder?
> You mean it ain't me noggin, it's me peepers?
> Oh, well, that's just lovely.

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## 2:27–2:38

Homer, in a white shirt and lab coat, stands with Carl, a Black man in a grey hoodie, a blond scientist in a white lab coat with glasses, and a dark-haired man in a green sweater and purple suspenders, all in a laboratory. Homer gestures with a raised hand, then later stands at a window with the others watching a machine, while a figure in a cream protective suit and yellow goggles handles glowing green vials near a DANGER box and a blue robotic arm. Vials sit on a lab counter beside a wall of handwritten equations and a control panel, and the scene closes with the suited worker carrying a vial toward the arm.

> Watch this, guys.

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## 2:38–2:48

Lenny, with spiky black hair and a green sweater, Homer, bald in a white shirt, and Carl, a Black man in a grey hoodie, stand at a control panel in a laboratory, watching a person in a yellow hazmat suit and goggles behind a glass window. The hazmat figure raises both fists while the group reacts, and a red-tinted cloud of smoke rises over the room as Lenny gestures and Homer and Carl lean back in alarm. A box marked DANGER with a radiation symbol sits on a pedestal, and a small device with a radiation symbol sits on the bench behind the glass.

> Uh-oh, he's starting four. Don't worry, the safety glass will protect us.
> Run! We'll hide at my house!

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## 2:48–3:00

Homer, Lenny and Carl crowd together in a red corridor with a man in a white lab coat and blue-tinted glasses. The lab coat man points at a sign reading "EMERGENCY EXIT" painted on the wall beside a pink door, while Carl shouts, Lenny clutches at Homer, and the group jostles and grabs at one another. They end up in a tangled embrace near the door, with Carl and the lab coat man held in Homer's arms and the painted sign partly hidden.

> Hey, this emergency exit is painted on. There's no way out.
> There's no way out. We're doomed.
> Doomed!

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## 3:00–3:07

Mr. Burns, the frail, thin, hook-nosed old man with grey hair at the sides, sits at the left edge of the frame, fidgeting with a small object in his hands, while a grey-haired man in a green jacket and glasses stands at the right edge, talking to him. Between them, a bespectacled man in a white lab coat and tie stands behind a purple counter holding a round glass globe, which he keeps steady as the scene goes on. A large knife-like blade and a wooden block lie on the counter beside him, and a dome-topped object sits on a wooden cabinet at the right.

> Well, sir, I won't bore you with the details of our miraculous escape,
> but we desperately need a real emergency exit.
> Why, that's a fabulous idea.

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## 3:07–3:18

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits behind a desk in a dark suit and black tie, gesturing with his hands and talking animatedly, then pauses to lean forward and write with a quill pen on a sheet of paper. A thin man with glasses, wearing a white lab coat and brown tie, stands beside a bookshelf of colorful books on the right, holding a white garment and looking on with a pursed mouth. On the desk sit a quill pen, an inkwell, and a paper pad, with dark wooden cabinetry behind Burns.

> Anything else you'd like? How about real lead in the radiation shields?
> Urinal cakes, maybe?
> Smithies, throw this at him.

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## 3:18–3:30

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits in a red chair behind a long desk in his office, while Smithers, a thin man with glasses in a green jacket, stands beside the desk and a lab-coated man with glasses stands on the red carpet facing them. A tall column of light with a ring at its base rises in the room, and a green book lies open on the floor near the desk, with stacked green and yellow boxes on the desktop. The scene then shifts to a domed turquoise city by purple water, with a camel and palm trees, before ending on a close view of blue legs in grey shoes beneath a purple tube above red drapes.

> Smithies, where does that tube go? I'm not sure sir.
> It was here when we moved in

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## 3:30–3:40

In a dim blue room with red arched curtains, a man in a white lab coat and glasses stands on a round pink table while turbaned men in robes sit cross-legged on cushions around it, first with hands pressed together and then raising their hands and clapping excitedly. The scene then cuts to an office where Mr. Burns, frail and hook-nosed with grey hair at the sides, sits behind a wooden desk beside a stack of gold bars while a grey-haired man in a green jacket and purple bow tie holds a small cup and speaks to him.

> Sir will need a new dangerous emission supervisor.

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## 3:40–3:50

Smithers, the thin assistant with glasses and a purple bow tie wearing a green jacket and ID badge, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, in a blue suit seated at a desk in his office. In the first three moments they stand and sit talking, with Smithers smiling and Burns scowling, then Burns grins and bares his teeth. In the last two moments a flurry of dollar bills swirls around Smithers, who grabs money and gestures toward a stack of gold bars, while Burns sinks back in his red leather chair, covered in cash. Stacks of gold bars and a green money bag sit on the desk and floor, with bills drifting through the air.

> Yes, we'll find someone cheap. It's been a very lean year for us
> Money fight!

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## 3:50–4:00

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands beside a moustached man with black hair, suspenders and a green tie, who wears a name tag reading ZUTROY, at a control panel in a blue-walled room lined with monitors and colored buttons. Burns rests a hand on the man's shoulder, then raises a finger, taps his chin, and holds up a small shiny penny, which he bites while the man squints and grimaces, eyes shut. Ropes hang from the ceiling, and a dangling figure in dark clothing is visible at the top of the frame.

> Excellent, Zootroy.
> Work hard and each day you'll get a shiny penny.

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## 4:00–4:11

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands in a dark blue suit and black tie beside a seated moustached man in suspenders and a green tie, while a dark-skinned man in a black hood with a red sash faces them, and a second hooded figure with blonde hair stands beside him holding up a card labeled AGENT. In a control room lined with monitors and colored indicator panels, Burns gestures with raised palms and then rests a hand on the seated man's shoulder as the seated man spreads his hands and looks up nervously. A name tag is pinned to the seated man's shirt.

> Agent Woods and Department of Labor.
> This man's an illegal alien.
> That's preposterous.
> Zootroy here is as American as apple pie.
> Doch, ni krabka, Mr.
> Boons. This plant violates every labor law in the book.

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## 4:11–4:21

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, in a blue suit, scowls and clenches his fists in a blue-walled room with a tiled floor and a window with blinds, facing a tall hooded figure in black with a white tube strapped to its back and a second hooded figure with blond hair at the right. A close-up of the blond hooded figure shows it talking and then pausing with a dark object between its lips, while the tall hooded figure stands with its arms at its sides as Burns glares at it. Nothing legible appears on screen.

> We found a missing Brazilian soccer team working in your reactor core.
> That plane crashed on my property. Look, Mr.
> Burns, we want to see some changes.

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## 4:21–4:35

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, stands in a blue-walled room beside a seated man with a moustache and glasses, facing two black-hooded figures in ninja-style outfits with swords on their backs, one a Black man and the other a blonde woman with red lips. Burns jabs his finger at the ninjas and gestures with his other hand while they stand their ground, and a small yellow duckling in a white cap waddles near a red wagon and a white cooler in the corner. By the end, Burns points toward the Black ninja, who grins and frowns, as the duckling walks past a locker and an open doorway.

> For starters, you can reverse your sexist employment policies and hire at least one woman.
> All right.
> I'll bring in a woman.
> But I still stand by my hiring policies.
> Get back to work, Stuart.

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## 4:35–4:45

Marge, with her tall blue beehive, and Bart, the spiky-haired boy in an orange shirt, sit in chairs across a desk from a doctor in a white coat with a stethoscope. The doctor rests his chin on his hands, then leans back in his leather chair and folds his arms while the pair listens, with diplomas and a scales-of-justice plaque on the wall behind him. The moment opens on the exterior of a building with a sign reading "Hibbert Moneymaking Organization" in purple letters.

> Now, with my new HMO, I can provide every medical service you'll ever need under one roof.
> You do have insurance, don't you?

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## 4:45–4:57

Marge, with her tall blue beehive and green dress, and Bart, in his orange shirt, sit in chairs before a desk in an office with framed diplomas while a Black doctor in a white coat sits behind it. Next, a close-up shows an elderly bald man with white tufts of hair holding a bright light up to one eye. Finally, in an exam room with cabinets, the elderly man in glasses, a white coat and a stethoscope gestures with one hand while Bart sits on an exam table and Marge and the Black doctor look on.

> Yes.
> Well, that's wonderful.
> Let's go visit the optometrist.
> Your son has a temporary condition called lazy eye,
> where one eye is weaker than the other.

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## 4:57–5:08

Bart, the boy with spiky hair in an orange shirt, stands in a clinic room with blue cabinets facing an older bald doctor with white side tufts, glasses, a white lab coat and a stethoscope. The doctor holds a pair of black glasses up to Bart's face, then grins and folds his arms, and later rests a hand on Bart's head while Marge, with her tall blue beehive and red beads, looks on. Finally, a green-gloved hand presses a yellow medicated salve onto Bart's scalp.

> You'll have to wear these for two weeks.
> Menachem Begin wore a pair just like them.
> Hmm, that scalp's a little dry. Better see our dermatologist.
> Rub a palmful of this medicated salve into your scalp.

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## 5:08–5:16

Marge, with her tall blue beehive and green dress, stands beside a Black man in a white lab coat with a stethoscope, while Bart, seen from behind with spiky hair and an orange shirt, is in the foreground. A red-haired woman in a white lab coat and yellow-green gloves holds up a spray can and talks to them in a clinic room with cabinets and a wall chart behind them. The scene then drops to a lower angle, where a bald, bespectacled man in a white lab coat and brown tie kneels and speaks to Bart, whose blue shorts, white socks and black shoes are visible, as a yellow hand reaches down from above.

> every half an hour.
> Keep him away from open flames and pregnant women.
> These should help those fallen archers. Enjoy.

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## 5:16–5:22

Bart, the spiky-haired boy in an orange shirt and glasses, sits at the left of an examination room with pink cabinets, a paper towel dispenser and a sink, while a dark-haired woman in a white lab coat and purple shirt holds his chin and looks into his open mouth. She then raises a green spray bottle toward his face and sprays his throat, and Bart grimaces with his mouth shut as she lowers the bottle and pulls back to a small object at her side.

> Throat looks a little red. I better spray it.

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## 5:22–5:33

Bart Simpson, wearing big black-framed glasses, an orange shirt, blue shorts and oversized black shoes, stands in a clinic room with checkered floor and speaks while looking up and to the side. Beside him on the left, Marge Simpson with her tall blue beehive and a green dress and red beads, and on the right a person in a white lab coat and purple skirt holds a green object in their hand. Bart's expression shifts from wide-eyed talking to a sly, sideways smirk as he keeps chatting, with the exam table and a chair behind him.

> Thanks, nice lady. My voice is crazy with this brain already.
> I feel so much better, Mr.
> Medical Science type person.

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Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/327828

## 5:33–5:44

Lenny, with spiky black hair, a green sweater and suspenders, stands with arms folded beside Carl, a Black man in a grey jacket and pink sweater, while Homer, in a white shirt and pink tie, looks on from the right. They stand in a nuclear plant control room with yellow-and-black hazard stripes and radiation symbols on the blue walls, and a control panel with buttons and dials sits in the foreground. Lenny talks and smirks, Carl listens and then grins with his teeth showing, and Homer grows increasingly wide-eyed and uneasy as the three keep standing by the panel.

> If they hire a woman, we won't be able to spit on the floor.
> And we can't take off our pants when it gets real hot.
> And we won't be able to pee in the drinking fountain?
> Yeah, I mean, not, you know, if we wanted to.

Frame: https://ultrahouse3k.com/img/S05E09/334501.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/338672

## 5:44–5:52

Homer, in a white shirt and pink tie, sits at a nuclear plant control console beside Lenny, a spiky-haired man in a green sweater and suspenders, and Carl, a Black man in a grey jacket and pink sweater. Homer talks and gestures with one hand, then folds his arms and looks worried while Lenny keeps his arms crossed and Carl stands watchful beside them, all in front of blue walls with radiation symbols and yellow-black hazard stripes. The view then widens to a control room where Homer sits in a swivel chair while Lenny and Carl stand facing each other, with a woman with tall orange hair in the foreground and a bespectacled man in a green sweater at the right edge.

> Not that I ever did.
> Gentlemen, I'd like you to meet your new co-worker, Mindy Simmons.

Frame: https://ultrahouse3k.com/img/S05E09/345136.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/348265

## 5:52–6:02

Homer Simpson, arms folded, stands at a nuclear plant control console beside Lenny (spiky black hair, green sweater), Carl (a Black man in a grey jacket and pink sweater), an unnamed thin grey-haired man with glasses in a green jacket and purple bow tie, and an unnamed woman with long orange hair in a blue blouse and tie. Over the frames the bow-tied man gestures with an open hand, Lenny lifts his hands near his chest, and Homer's eyes widen as he stares ahead, ending in a close-up of his mouth hanging open in surprise. The blue room has radiation warning symbols on the walls, and the console is covered in colored buttons, switches and gauges.

> I think she has a degree in engineering or something.
> Hi, how's it going? Oh, pleased to meet you.
> Yeah, ditto. Hi.

Frame: https://ultrahouse3k.com/img/S05E09/353270.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/357440

## 6:02–6:10

A naked, long-haired redheaded woman in a parody of Botticelli's Birth of Venus stands on a large pink clam shell by the sea, one hand covering her chest, while two winged cherubs hold a white sheet behind her. The cherub on the left is a yellow-skinned man with black hair, and the cherub on the right is a dark-skinned man with a white-winged halo. Later, Homer, in a white shirt and pink tie, appears in a close-up in front of green leafy branches, looking wide-eyed and uneasy. Across the moment the woman shifts slightly and smiles, and the cherubs keep holding the sheet as the scene stays still in the seaside setting.

> Mama, what's the matter? Ain't you never seen a naked chick riding a clam before?
> Gotta go!

Frame: https://ultrahouse3k.com/img/S05E09/363488.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/366616

## 6:10–6:22

Homer, in a white shirt, pink tie and ID badge, first stands in a corridor by a blue door marked with a skull-and-crossbones KEEP OUT sign, reaching toward green goo dripping from a purple pipe, then steps back wide-eyed and fiddles with his tie. The scene then shifts to a classroom where Patty and Selma, with grey-violet hair and pink bows, sit at desks beside a figure in glasses, under a portrait of a top-hatted man and next to an American flag. The setting moves from the corridor to the classroom, with the sign and pipe as the key objects.

> What the hell was that?
> I probably shouldn't have eaten that packet of powdered gravy I found in the parking lot.
> Nice glasses, Four Eyes.

Frame: https://ultrahouse3k.com/img/S05E09/372038.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/376835

## 6:22–6:34

Two one-off girls with long purple hair and pink bows sit side by side at classroom desks in front of a green wall, a chalkboard, and a framed portrait of Abraham Lincoln, with an American flag at the left. Nelson, the bully in a vest, sits at a desk with a sly grin while a boy in blue pants and black shoes is tucked beneath the desk, his feet and legs visible. Bart, in an orange shirt and glasses, sits at his desk beside a light-haired boy in a white shirt, looking over with a flat expression.

> Yeah, nice shoes.
> Uh, two feet.
> Your appearance is comical to me.

Frame: https://ultrahouse3k.com/img/S05E09/383717.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/388513

## 6:34–6:45

Milhouse, with blue hair and red-framed glasses, faces Bart, who wears black-framed glasses and an orange shirt with a red backpack, in front of a green wall, and Milhouse's reflection appears in Bart's lenses. The scene then cuts to Homer, in a white shirt and pink tie, beside a pink car under a bright blue sky, adjusting his tie before leaning over a brown counter. On the counter, Homer's hand rests on a white box of blue-capped pens, and more boxes of pens spill across the lower left.

> I'm a nerd!
> So am I!
> Yeah, another day, another box of stolen pens.
> Have a good night, Homer.

Frame: https://ultrahouse3k.com/img/S05E09/395604.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/399983

## 6:45–6:55

Homer Simpson, bald with stubble and a white shirt and pink tie, sits in the driver's seat of a purple car, first looking forward with a worried expression, then glancing sideways at a woman with a red beehive hairdo, black jacket and glasses riding a red scooter beside him in a parking lot. He turns his head to look at the scooter rider and the cars around him, then slumps back with his eyes closed and both hands on the steering wheel, before jerking upright with wide, startled eyes and gritted teeth. The parking lot holds rows of parked cars under a blue sky with lampposts.

> You too!
> No goosebumps, no hallucinations.
> That last time was just a fluke.

Frame: https://ultrahouse3k.com/img/S05E09/406448.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/410619

## 6:55–7:05

Homer Simpson, bald and yellow-skinned in a white shirt, drives a pink sedan along a highway past a green road sign with a shield emblem, while a one-off man in a teal car screams in alarm ahead of him. Homer's pink car then heads through a gap in a tall pink wooden fence flanked by hanging signs, and the car ends up floating in a circular concrete water tank on the grounds beyond the wall.

Frame: https://ultrahouse3k.com/img/S05E09/416875.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/420837

## 7:05–7:13

Homer, the bald, heavy man in a white shirt, stands waist-deep in blue water beside a purple cabin, gripping a black handle while a crowd of green fish-like creatures with open mouths surrounds him. His eyes shift from wide to narrowed as he stares ahead, and his expression stays grim. Two winged figures then appear above him, a yellow one with dark hair at upper left and a dark-skinned one at upper right, both hovering near the cabin ceiling as Homer keeps glaring.

> Hey, Holma, you're hallucinating again. Not a good sign.

Frame: https://ultrahouse3k.com/img/S05E09/427093.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/429596

## 7:13–7:20

Homer, in a white shirt, stands waist-deep in water surrounded by green fish-like creatures with human eyes and gripping a black hose, while a winged yellow figure with dark hair and a winged dark-skinned man hover above him. He looks to the side as the scene fades to black, then the view cuts to an aerial view of the Springfield nuclear power plant, with its grey reactor building, cooling towers, and tiny workers in the grounds.

> So, uh, what do you guys think of Mindy?

Frame: https://ultrahouse3k.com/img/S05E09/434184.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/436686

## 7:20–7:32

Homer Simpson, bald and heavy in a white shirt and pink tie, stands at a break-room table with a green mug while Carl, a Black man in a grey jacket and pink sweater, sits holding a cookie and Lenny, with spiky black hair and a green sweater, sits holding a white mug. Homer talks and gestures with the mug as the men sit by a coffee maker, a pink box, a red soda can and scattered cookies on the table, and the scene then cuts to close-ups of Homer speaking with his mouth open and of Lenny frowning sideways with a skeptical look.

> Seems okay.
> Anybody see the game last night? Yeah, that Mindy seems real nice.
> Homer, what's with you? You're talking during a coffee break.

Frame: https://ultrahouse3k.com/img/S05E09/441483.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/446279

## 7:32–7:44

Homer stands holding a green cup beside a table where Carl, a Black man in a grey jacket over a pink sweater, sits with a mug and a donut, while Lenny, with spiky black hair and a green sweater, sits at the right with a backpack on his chair, all in a break room with a coffee maker and a pink donut box. The scene then cuts to Bart, in glasses, an orange shirt and blue shorts, standing by an open grey locker holding a green skateboard and spreading his arms, before he rides the skateboard across the hallway while a group of unfamiliar schoolchildren looks on.

> Yeah, you usually just take the box of donuts into the bathroom.
> Mindy has a motorcycle.
> Look, everybody, I'm the same person I always was.

Frame: https://ultrahouse3k.com/img/S05E09/453370.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/458375

## 7:44–7:58

Bart Simpson, in his orange shirt and blue shorts, is at school, first seen with his black sneakers on a green skateboard, then with his arms flung out as classmates crowd behind him by the lockers. He then sits buried in a heap of scattered textbooks, holding up an Advanced Calculus book in front of his face while a Daily Aviation History book lies nearby, and a sheet of strange glyph-like writing is raised close to the camera's view. Three tough-looking kids then stand with clenched fists: a black-haired boy in a skull shirt on the left, a bald, heavy boy in grey in the middle, and a long-haired kid in an olive shirt on the right.

> Hey, he's learning on his own.
> Get him!

Frame: https://ultrahouse3k.com/img/S05E09/465674.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/471304

## 7:58–8:00

Three cartoon characters, a bald man in a grey shirt in the middle, a black-haired woman in a dark top on the left, and a brown-haired woman in an olive vest on the right, stand close together in a tiled room under pale ceiling lights, all scowling with clenched teeth. Over the moment they repeatedly raise their clenched fists, with the bald man's fist swinging up in front of his face and then pumping back up beside his head while the others keep their fists high and glare fiercely.

Frame: https://ultrahouse3k.com/img/S05E09/479020.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/479229

## 8:00–8:12

Moe, the grey-haired bartender in a blue apron and bow tie, wipes a glass with a towel while Barney, the heavy drunk with messy brown hair, leans on the bar beside Homer, who holds a beer mug. Barney turns toward Homer and talks while Homer looks wide-eyed and rattled, and Barney gestures with his hand. Behind them a man in a blue suit and glasses sits at a table, then stands up and waves his arm, as pennants hang on the wall and a TV sits on a shelf in the bar.

> Oh, I need your advice. Yeah?
> See, I got this friend named Joey Jojo Jr.
> Shabadoo. That's the worst name I ever heard.
> Hey, Joey Jojo!

Frame: https://ultrahouse3k.com/img/S05E09/481523.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/486528

## 8:12–8:16

Barney, the heavy drunk with messy brown hair in an orange shirt, leans on the bar at left beside Homer in a white shirt, while Moe, the grey-haired bartender in blue overalls, stands at right facing them. Under a red tiled ceiling, Barney grimaces and talks, and Homer looks alarmed, with wide eyes and an open mouth. In the final moment Homer raises a hand to his cheek and winces, while Moe keeps a stern expression, with rows of glasses on the bar and a pink, lit cooler with glasses beneath it in the foreground.

> Oh, what the hell, it's me.
> I'm attracted to another woman. What am I going to do?

Frame: https://ultrahouse3k.com/img/S05E09/493618.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/494452

## 8:16–8:27

Homer Simpson sits at the bar with his hands pressed to his cheeks and a worried grimace while Moe, the grey-haired bartender in blue overalls, leans on the bar across from him beside a beer mug. Later Barney, the heavy man with messy brown hair in a pink shirt and gold chain, sits beside Homer, who rests his chin on his hand and glances sideways while Barney grins and talks. Two beer mugs, a folded slip of paper on the bar, and a green and red diamond-patterned stained glass window fill the scene.

> Your infatuation is based on a physical attraction.
> Talk to the woman, and you'll realize you have nothing in common.
> Barney, that is so insightful.

Frame: https://ultrahouse3k.com/img/S05E09/497372.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/501751

## 8:27–8:35

Homer Simpson, bald with a white shirt, appears in the first four frames, first in close-up looking to the side, then with a hand at his chin and a worried grimace, all against a red tiled wall with a small round light fixture. In the fifth frame, Barney, the heavy man with messy brown hair in a salmon shirt, sits at a bar beside Homer, holding up a white paper napkin with handwritten text that reads 'Your infatuation is based on a physical attraction. Talk to the woman and you'll realize you have nothing in common.' Both men have beer mugs on the bar in front of them, and a green and red diamond-patterned wall and a framed sign with lettering hang behind them.

> How did you come up with that? That was on one of these bar napkins.

Frame: https://ultrahouse3k.com/img/S05E09/508008.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/511136

## 8:35–8:41

A huge close-up of a yellow-skinned face with red lips opens and closes its mouth beside a plate of pancakes on a kitchen counter, while a brown greyhound, Santa's Little Helper, appears at the lower left and bottom edge. The scene then moves to a counter holding a stack of white paper cups beneath a blue window and a green-and-red dripping sign, and Homer, bald with a white shirt and blue pants, steps into a green doorway and nervously fiddles with his pink tie with both hands.

Frame: https://ultrahouse3k.com/img/S05E09/516558.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/518435

## 8:41–8:51

Homer Simpson, bald and heavy in a white shirt and pink striped tie, stands beside a woman with a tall orange beehive hairdo and a blue tie, who sits at a pink table eating a donut from an open pink box. In the office break room, Homer gestures and talks awkwardly while holding a small paper cup, then turns his head toward her as she chews, her mouth full, and he keeps fidgeting with the cup. Behind them are a black coffee maker, a red canister, a red paper cup on the table, and a stack of white cups on the right.

> Uh, so, let's have a conversation. Uh,
> I think we'll find we have very little in common.
> Can't talk.
> Eden.

Frame: https://ultrahouse3k.com/img/S05E09/522397.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/526568

## 8:51–9:04

Homer Simpson, the bald, heavy man in a white shirt and pink tie, stands in a hallway beneath a purple ceiling with a pipe, next to a sign reading "CLEAN UP YOUR OWN..." He first gazes sideways with wide eyes and a clenched, open-mouthed expression. A heavy-set woman with tall orange hair, a blue tie and red lipstick, her mouth wide open with her tongue out, holds up a pastry in front of a wall of blue lockers. Homer then turns to look at her and, with his mouth open and hands raised near his chest, stares at the pastry with a worried expression as he talks.

> Hey, my favorite.
> Raspberry swirl with a double glaze. Double glaze.
> Oh!
> Okay, so we have one thing in common. But you know what I hate?

Frame: https://ultrahouse3k.com/img/S05E09/533033.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/538455

## 9:04–9:12

Homer, in a white shirt, pink tie and ID badge, stands in a hallway beside an orange-haired woman in a blue tie and red lipstick, with a wall sign reading "CLEAN UP YOUR OWN" behind them. The scene moves to a kitchen, where the woman sits at a table holding a pink box of donuts and a red mug while Homer stands by the counter, and she clasps her hands and smiles nervously. Homer then lifts his hand to his face and looks sideways with a grimace.

> Drinking beer and watching TV.
> Oh, not me.
> That's my idea of heaven.
> Oh, me too.
> Really?

Frame: https://ultrahouse3k.com/img/S05E09/545962.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/548882

## 9:12–9:26

Homer, in his white shirt and pink tie, stands at a kitchen counter with a sink and a plate of food facing a woman with voluminous orange hair, a light blue blouse, a dark blue tie and a name tag. She leans toward him and then grips her shoulder bag strap while speaking, and afterward lifts her hand to her cheek with a dismissive look. Homer grips his pink tie with both hands, grimacing with clenched teeth, then shuts his eyes and yawns with his mouth wide open. A coffee maker sits on the counter behind them, and a stack of paper cups rests at the right edge.

> I can see I'm gonna love working with you.
> Well, gotta go.
> I wanna sneak in a quick nap before lunch.
> Ha-ha!
> Foul temptress. I'll bet you think Ziggy's gotten too preachy, too.

Frame: https://ultrahouse3k.com/img/S05E09/554095.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/559517

## 9:26–9:34

Homer, the bald heavy man in a white shirt, pink striped tie and ID badge, opens the scene in an aerial view of a nuclear power plant with two cooling towers, domed buildings and parking lots. He then walks along a hallway to a lattice-gated elevator, stops beside it, and glances sideways. He folds his arms and stands waiting with a sullen, bored expression beside the elevator doors, under a round dial-like indicator above them.

> I made it the whole day without seeing her again.

Frame: https://ultrahouse3k.com/img/S05E09/567233.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/570570

## 9:34–9:43

Homer Simpson, bald and heavyset in a white shirt and pink tie with a badge clipped to his pocket, stands in a small elevator beside a woman with voluminous orange hair, red lipstick, a white blouse and a blue tie, who is not a regular character. At first Homer's mouth hangs open in alarm, then he smiles and gestures with his fingers pressed together while the woman grins and leans toward him, her lips pursed and eyes half-closed as she moves closer. By the end she closes her eyes with a smug smile, nearly touching his face, while Homer looks wary, mouth open, against the elevator's panel of buttons and walls.

> I mean, hello!
> I guess we'll be going down together.
> I mean, getting off to get, I mean... That's okay.
> I'll just push the button for the stimulator.

Frame: https://ultrahouse3k.com/img/S05E09/575992.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/579329

## 9:43–9:53

Homer, in a white shirt and pink tie, and an unnamed woman with a tall orange hairdo, blue tie and red lipstick stand close together in an elevator with a crisscross gate. She leans toward him while he stares with wide eyes and a grimace, then he turns his head away and squeezes his eyes shut as the picture blurs. Cut to a green bathroom where Patty and Selma, with grey-violet hair and pink dresses, stand over a steaming toilet, one of them holding a cigarette.

> I mean elevator.
> Think on sexy thoughts, think on sexy thoughts, think on sexy thoughts.
> Oh, that's unsexy.

Frame: https://ultrahouse3k.com/img/S05E09/584959.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/588505

## 9:53–10:02

Patty and Selma, Marge's twin sisters with grey-violet hair, stand in a green bathroom holding glasses of beer over a toilet with steam rising. The scene shifts to a plain blue backdrop where Barney, a heavy man with messy brown hair in a red polka-dot bikini, puts a hand on his hip, then swings his arms out and dances. A slim woman with long auburn hair and glasses in a red bikini appears and raises her fists beside her shoulders.

Frame: https://ultrahouse3k.com/img/S05E09/594135.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/597680

## 10:02–10:11

Homer, the bald, heavy man in a white jacket with shoulder pads and a pink tie, stands beside an orange-haired woman in a white collared shirt and blue tie, in front of a diamond-latticed metal gate with a brown wall beside it. At first Homer squeezes his eyes shut in a blurred close-up, then he and the woman lean toward each other, with her eyes closed while she speaks and his eyes wide. Over the following moments she glances sideways and smirks while he grins, and they hold their close, faces-near pose as the scene ends.

> Think on sexy thoughts, think on sexy thoughts.
> Well, this is my floor.

Frame: https://ultrahouse3k.com/img/S05E09/603311.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/606648

## 10:11–10:20

Homer, a bald man in a white shirt and pink tie, and an unnamed woman with voluminous orange hair, red lips and a blue tie stand face to face beside a latticed gate, with her glancing sideways as he grins. The scene cuts to two tall cooling towers marked with atom symbols under a blue sky. Homer then runs up a driveway past a pink car to a peach house and stops at a pink front door with a pacifier-shaped knocker, looking up at it.

> See you tomorrow!
> Ah, home to my loving family.
> What more can a man ask for?

Frame: https://ultrahouse3k.com/img/S05E09/612278.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/616032

## 10:20–10:31

Marge Simpson, with her tall blue beehive and orange robe, stands in the front hallway by a coat rack, first looking at Homer with a tired expression and then dabbing her nose with a white tissue while holding her chin. Homer, in a white shirt and striped tie, stands in the open doorway with a surprised look and then raises a hand in greeting. Bart, in an orange shirt with spiky hair, stands beside the door with his head tilted down. The pink walls, brown door and blue entryway rug frame the scene as Marge's sneezing and stuffed-up face is shown in close-up before the family greets one another.

> Hi, Homer.
> Don't kiss me. I'm all stuffed up.
> Hi, Dad.
> Hi, son. How are you?

Frame: https://ultrahouse3k.com/img/S05E09/621871.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/625834

## 10:31–10:42

Homer, in a white shirt and pink tie, stares wide-eyed while gripping a bitten yellow food item in a hallway with a blue arched window, and Lisa, with star-shaped spiky hair and an orange dress, stands holding a metal tray of dark, burned-looking fish sticks at the foot of a purple staircase. Homer then stands with his arms folded in the doorway as Grampa, a wrinkled old man in a tan sweater and grey trousers, moves forward in the foreground while Marge, with her tall blue beehive, looks on from behind him. Bart in glasses and an orange shirt stands by the front door, and the lamp-lit pink wall and wooden door frame the group.

> Dad, look. I made fish sticks. They're burned on the outside,
> but they're frozen on the inside, so it balances out.
> Yeah, good.
> That raccoon stole my lamb chop.

Frame: https://ultrahouse3k.com/img/S05E09/632090.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/636886

## 10:42–10:51

Homer Simpson, bald and heavy in a white shirt and blue pants, sits on the arm of a brown couch in the living room, holding a remote control, while Marge Simpson, with her tall blue beehive and tan bathrobe, sits beside him at the end of the couch. In the first moments Homer looks up at the viewer with wide eyes, then he sits beside Marge, grinning and leaning toward her as she looks up at him. Homer raises the remote in his right hand as Marge turns toward him, then in the last moment Marge turns her head away with a sheepish, grimacing expression and clasps her hands together near her lap. Behind them a purple lamp, a framed sailboat picture, and a blue television set with cables are visible on a pink wall.

> Let's have a little quality time together.
> Just you and me.
> Oh, that's sweet.
> Guess what?

Frame: https://ultrahouse3k.com/img/S05E09/643977.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/647522

## 10:51–11:02

Homer Simpson, bald and wearing a white shirt, sits on a brown couch beside Marge Simpson, who has a tall blue beehive and wears a tan bathrobe, in a pink living room with a purple lamp and a sailboat picture on the wall. Marge first grins and glances sideways at Homer, then turns to face forward with a toothy smile, and Homer leans in while holding up a TV remote with his right arm. Marge then holds up a white t-shirt printed with a large cartoon face of herself, her blue hair and yellow features showing on the shirt, while a faint motion mark appears near the wall.

> There's a new place at the ball. They'll put your picture on a t-shirt.
> I got $2 off because my god speared.
> Hey, we haven't watched TV in a while.

Frame: https://ultrahouse3k.com/img/S05E09/653153.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/657323

## 11:02–11:13

Kent Brockman, the grey-haired news anchor with a moustache and a brown suit and blue tie, sits at a desk in front of a TV-style backdrop reading EYE ON SPRINGFIELD, holding a sheet of paper in both hands as he reads it to the viewers. He grimaces and gestures with one hand while speaking, then the backdrop switches to a blue panel showing two cartoon figures, a top-hatted man and a red-haired woman, running in place as Brockman continues to hold the paper and look out at the audience.

> Tonight, Ion Springfield takes a look at the secret affairs of Kennedy, Eisenhower,
> Bush and Clinton.
> Did fooling around on their wives make them great?
> We'll find out next when we play Hail to the Cheat.

Frame: https://ultrahouse3k.com/img/S05E09/663788.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/668168

## 11:13–11:24

Homer, the bald, heavy man in a white shirt, stands at the left of the room holding a blue remote control toward the viewer while looking at a TV set. On the TV, two large grey-brown flies with blue compound eyes and curly orange legs hover over green hills and a winding river, and one of them flies off to the right in a blur. The scene then cuts to a TV showing a blue gym where a woman in a pink leotard works an exercise machine beside a woman in yellow sweats and a white headband lying face down on a bench. The screen then goes black with a purple border, and the word "JUST" appears in white capital letters on the left.

> The Burmese melon fly has over a thousand sex partners and suffers virtually no guilt.
> Ooh, just do it.

Frame: https://ultrahouse3k.com/img/S05E09/674841.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/679220

## 11:24–11:34

Homer Simpson, the bald, heavy man in a white shirt and blue pants, sits on the edge of a brown couch in the living room, mouth open and arms out in alarm, beside a purple lamp and a blue television. On the TV screen a white-haired blonde woman in a pink top and fur cuffs leans on her hand and smiles while the caption 'National Ringworm Association (The Other N.R.A.)' appears below her. Homer then turns to a newspaper and his yellow finger points at a grey-toned ad reading 'Marital Stress Hotline KL5-1680', showing a stressed woman in a robe on the phone and a man in a suit.

> Examine your scalp for ringworm.

Frame: https://ultrahouse3k.com/img/S05E09/685894.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/689647

## 11:34–11:47

Homer Simpson, the bald, heavy man in a white shirt, stands inside a glass phone booth marked PHONE, holding a black receiver to his ear while looking worried and wide-eyed. Across a split screen, Ned Flanders, with his moustache, glasses and green sweater, sits at a desk beneath a MARITAL STRESS HOT LINE sign, talking into a red phone and gesturing with one hand. Homer then leans toward the booth glass with his mouth wide open and his tongue hanging out, as if shouting or reeling in alarm, while the phone cord dangles from his hand.

> Hello, hotline.
> I'm very tempted by another woman.
> Homer Simpson? That's a dilly of a pickle.
> Hey, let's conference you with Marge, huh?
> No!

Frame: https://ultrahouse3k.com/img/S05E09/695904.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/701117

## 11:47–11:56

Homer, bald in a white shirt, is first sprawled inside a PHONE booth, then slumps on the sidewalk outside it while a second, standing Homer looks on. A translucent, long-haired figure in a red coat and powdered white wig, who is not one of the regular characters, appears beside the booth and then beside the standing Homer. The scene plays out on a city street with brick buildings under a blue sky, and the figure fades in and out as the standing Homer raises a hand to his face and looks at it.

> Who are you?
> Elmer, I'm your guardian angel.
> I've assumed the form of someone you would recognize and revere.

Frame: https://ultrahouse3k.com/img/S05E09/708416.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/711753

## 11:56–12:06

Homer stands on a city sidewalk beside a PHONE booth with a small figure crouched inside, while a man in a long white curly wig, brown coat and white stockings faces him and gestures with one hand. The wigged man then turns and walks away across the pavement as Homer watches with wide eyes, and his shadow falls on the ground beside the staring Homer. The scene ends on a balding man in a gray uniform with shoulder boards, smiling and gesturing with one hand in front of a blue cabinet.

> Sir Isaac Newton.
> Sir Isaac who?
> Oh, very well.
> Colonel Clink! Did you ever get my letters?

Frame: https://ultrahouse3k.com/img/S05E09/717175.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/721137

## 12:06–12:16

Homer Simpson stands on a city sidewalk facing Mr. Burns, a bald, thin, stooped old man in a dark suit and tie with grey hair at the sides. Beside them a figure in blue is crouched inside a booth marked PHONE, and a partly visible marquee sign is at the upper right. Burns gestures with his hand while Homer looks at him and then turns his head and raises his hands, and Burns later lifts a hand toward his face as Homer looks startled.

> I'm not actually Colonel Clink. I'm just assuming his form.
> Did you know Hogan had tunnels all over your camp?
> Elmer!
> That's not why I'm here.

Frame: https://ultrahouse3k.com/img/S05E09/727393.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/731564

## 12:16–12:27

Homer, a bald heavyset man in a white shirt, and Mr. Burns, a frail, stooped old man with a hooked nose, grey hair at the sides and a dark suit, stand on a city sidewalk in front of a brick building and parked cars, with Burns pointing and Homer looking on. Homer then grabs Burns by the arm and flies with him over the clouds, Burns looking worried as his suit hangs limp. The scene ends with a view of Burns's large white mansion with a fountain, a tennis court and gardens, with Homer perched on its roof.

> My job is to show you how miserable life would be if you married Mindy instead of Marge.
> Ooh, I would live in a big mansion.

Frame: https://ultrahouse3k.com/img/S05E09/738029.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/742200

## 12:27–12:39

Homer Simpson, in a white tennis outfit, runs across a clay court with his arms spread wide, then stands holding a racket and ball while a woman with long orange hair, a pink top and a white skirt smiles beside him. A man in a black tuxedo stands by a tall umpire's ladder near the net, and a large white house with arched windows sits behind the court under a blue sky with green trees. Homer turns his head to glance toward the ladder and the man, who keeps standing near the net.

> I'm so happy, darling.
> I as well. Are you happy, Jeeves?
> Yes, sir.
> Quite.
> Then we're all happy. Let's get out of here.

Frame: https://ultrahouse3k.com/img/S05E09/748873.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/753670

## 12:39–12:52

Homer, in his white shirt and purple trousers, grips a bald man in a dark suit and tie against a blue sky, then the two are shown flying together over a city of parks and buildings, with a dark blue jacket with shoulder stripes drifting in the first moment. They soar toward the White House, where a large American flag flies from the roof and two figures fly above the lawn near the flagpole, with the scene holding steady on the building and its green grounds.

> Sure, life is good for you, but what about Marge?
> Marge lives here? Madam President, your approval rating is soaring.
> This dream is over.

Frame: https://ultrahouse3k.com/img/S05E09/760760.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/766182

## 12:52–13:03

Homer, in a white shirt and purple pants, grabs the hand of a thin, bald man in a dark suit as they tumble through a blue sky dotted with clouds. The sky then empties, and Homer is shown wedged inside a glass booth labeled PHONE, his legs sticking out, while a brown-haired man in a lavender suit and red tie stands beside it, gesturing and holding a briefcase. The scene then shifts to a row of blue lockers, where Bart, in an orange shirt and glasses, stands among a group of kids who crowd around him.

> Hey, you! Get out of my office!

Frame: https://ultrahouse3k.com/img/S05E09/773690.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/778278

## 13:03–13:15

Two unnamed boys, one in a purple knit cap with long brown hair and one with curly black hair, glare at each other beside a row of blue lockers while a bald boy in a white shirt and a boy in a tan cowboy hat and blue overalls chew on a green stick. Several other kids crowd the lockers, then the hallway is shown empty under bright ceiling lights, and Bart, in glasses, an orange shirt and blue shorts, leaps forward down the middle of it with his arms out and his feet off the floor.

> You're goofy looking.
> Whoa!

Frame: https://ultrahouse3k.com/img/S05E09/784951.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/789539

## 13:15–13:25

Bart Simpson, in his orange shirt and black-rimmed glasses, and an unnamed red-haired boy in a white shirt and red shorts, holding a lit candle, first appear in a long corridor of blue lockers under bright ceiling lights. They then stand together in a dim pipe-lined basement with a spiderweb and a drip of green slime, the candle-holder glancing sideways and flicking a drop from his fingers, before walking single file down the dark passage. Bart then squeezes through a narrow gap beside a large pale-blue sliding panel in a brick wall, with a stack of books and puddles on the floor and a molecule-like diagram on the wall.

> What the hell?
> Shh!

Frame: https://ultrahouse3k.com/img/S05E09/796212.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/800174

## 13:25–13:37

Milhouse, with blue hair and glasses, stands at a blackboard covered in equations, including the quadratic formula and 3X + 5 = Y, and writes "2a" with chalk. Behind him, Bart in an orange shirt and glasses stands beside a boy with orange hair in a white shirt, and a few one-off characters, including a woman with a tall light-blue hairdo, crowd into a dim blue-walled room with pipes overhead. The woman looks up wide-eyed and gasps, and the orange-haired boy clenches his fists and cheers, while Marge's blue beehive is visible in the foreground beside a cardboard box holding model airplane parts.

> What is this place?
> The Refuge of the Damned.
> A place where we can work on our extra credit assignments without fear of reprisal.

Frame: https://ultrahouse3k.com/img/S05E09/806431.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/811227

## 13:37–13:48

Bart, the spiky-haired boy in an orange shirt and black glasses, holds a lit candle in a holder in a blue-walled room, standing beside a heavyset man with curly black hair, blue-framed glasses, a light blue shirt and a lavender bow tie. The man first gestures with an open hand, then clasps his hands together and grimaces while Bart looks on with a flat expression. The scene then widens to a crowd of cartoon men with raised fists and arms linked around Bart, who grips hands with an orange-haired man in a white shirt, under a dangling pipe and a molecule model on the wall.

> Cub, you must be tired from the chase.
> Oliver, bring our friend a hard-boiled egg and some prude juice.
> Finally, Bart's one of us! S-L-C-R!

Frame: https://ultrahouse3k.com/img/S05E09/818109.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/822488

## 13:48–14:01

Homer, a bald, heavy man with stubble, stands shirtless in an orange towel in a bathroom, first facing the blue-framed mirror above the sink as he sprays something from a blue can onto his chest and face. He then stands with the can held near the sink, grinning at his reflection, before he looks down at a green bottle on the counter and turns toward the sink. In the final moment he holds the blue can against his chest, which is dotted with a swirl pattern, and raises his other hand toward a brown cabinet door beside a purple shelf holding a bowl of cotton balls and a red tin.

> Oh, Mindy, you came and you gave without flaking.
> But I sent you Ben Gay, oh, Andy.
> You kissed me and stopped me from something.

Frame: https://ultrahouse3k.com/img/S05E09/829162.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/834584

## 14:01–14:15

Homer, bald and bare-backed, stands at a bathroom sink gazing into a blue-rimmed medicine cabinet mirror where Lisa, in her red dress and pearl necklace, appears beside his own reflection. The scene then moves into tight views of Homer's wide-eyed, stubbled face as his expression stays frozen in alarm and his mouth opens to show his teeth. A green bottle, a cup and a pink soap dish sit on the sink.

> And I... uh-oh. Dad, why are you singing?
> Tell a lie, tell a lie.
> Because I have a small role in a Broadway musical.
> It's not much, but it's a start.
> Bravo.
> Are you hiding something from me? Like what?

Frame: https://ultrahouse3k.com/img/S05E09/842300.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/848139

## 14:15–14:25

Lisa Simpson, the girl with star-shaped spiky hair and a red dress, stands in front of an orange and blue patterned backdrop with flower decorations, wearing a white pearl necklace. Across the moment she looks sideways with wide eyes, opens her mouth to speak, and gestures with one hand, then her expression shifts to a skeptical, narrow-eyed grimace with clenched teeth before she relaxes into a smug, sideways-glancing look while talking. The only objects are the pearl necklace and the patterned wall with flowers in the corners.

> Judging from your song, you're infatuated with a woman named Mindy.
> Or a man named Andy. Lisa, look out behind you!
> Dad, I'm not gonna fall for that.

Frame: https://ultrahouse3k.com/img/S05E09/856272.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/860234

## 14:25–14:38

Homer, shirtless and wearing an orange towel around his waist, points emphatically at Lisa, a girl with star-shaped spiky hair and a red-and-pearl necklace, while she stands in a bathroom with a window, a ceiling light, and a framed picture on the wall. Homer then sets a hand on Lisa's head and she looks on with a flat, unimpressed expression. Homer turns to a grey tiled wall in a white shirt, pink striped tie and ID badge, and holds up his palm, which bears handwritten ink reading 'Mindy, because of our uncontrollable attraction, I think we should avoid each other from now on.'

> No, Lisa, I swear to you, I'm 100% completely serious!
> You've gotta turn around right now before it's too late!
> Huh? Sucker!
> Wow, wow.
> Mindy, because of our uncontrollable attraction,
> I think we should avoid each other from now on.

Frame: https://ultrahouse3k.com/img/S05E09/866491.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/872121

## 14:38–14:51

Homer Simpson, in his white shirt and tie, and Lenny, with spiky black hair and a green sweater, stand in a grey industrial corridor beside blue pipes and control panels at the Springfield nuclear plant, with Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, nearby. Lenny gestures at a pipe leaking green goo as Burns stands to the left, then Burns lifts a giant yellow hand toward the viewer, and the hand's palm is shown in close-up with the handwritten words "I'M TIRED OF THESE JOKES ABOUT MY GIANT HAND" followed by smaller lettering beneath.

> Max, what I did, I did because of alcohol and anger.
> I am tired of these jokes about my giant hand.
> The first such incident occurred in 1956 when...

Frame: https://ultrahouse3k.com/img/S05E09/879629.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/885051

## 14:51–15:01

Homer Simpson, bald and wearing a white shirt, pink tie and ID badge, stands near a blue door with a tall orange-haired woman in a white blouse and blue tie, who smiles slyly and flashes a red-lipped grin. In a corridor with panels on the wall, Homer looks annoyed and raises his hand toward her, and then the woman holds up her yellow hand, which has scribbled black writing across the palm that is hard to read.

> Hi, Homer. Mindy!
> Oh, no. I'm sweating like Roger Ebert.
> M-Murphy, you are an elf.

Frame: https://ultrahouse3k.com/img/S05E09/892558.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/896521

## 15:01–15:05

Homer Simpson, the bald, heavy cartoon man in a white shirt and pink tie, is in close-up against a grey and green background, a large yellow hand reaching in from the right edge. He starts with his eyes half-lidded and mouth open, then furrows his brow and presses his lips together while glancing sideways. He grimaces, mouth open with teeth showing, then looks upward wide-eyed, and finally squeezes his eyes shut and clenches his teeth as his head tilts back.

> Uncontrollably, I think.

Frame: https://ultrahouse3k.com/img/S05E09/902568.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/903194

## 15:05–15:13

Mr. Burns, frail and stooped with a hooked nose, and his thin assistant Smithers in glasses sit in the foreground watching a TV monitor. On the screen, Homer in a white shirt and tie, holding a small object, stands beside a woman with a tall curly grey hairdo and tight jeans in a pipe-lined corridor with a puddle on the floor. Homer fidgets with his tie and looks around while Burns leans in with a scowl and speaks, and Smithers looks on beside him.

> A wee nam-yoho rengi-kyo. Look at those two inseparable chums, Smithers.
> That's exactly the teamwork we'd like to showcase at this year's energy convention.

Frame: https://ultrahouse3k.com/img/S05E09/906114.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/909450

## 15:13–15:22

Mr. Burns, frail and hook-nosed, and his thin assistant Smithers, with glasses, stand in the foreground staring at a small monitor-like screen. On the screen, Homer in a white shirt and tie gestures with his hands while Marge, with her tall beehive, stands facing him in a grey industrial corridor. The view then cuts to a scientist in a white lab coat raising his arms in a dim hallway, while an older man with white hair works at a control console.

> Are you sure, sir? Well, no one else seems to share the same spirit of camaraderie.

Frame: https://ultrahouse3k.com/img/S05E09/914872.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/918209

## 15:22–15:32

Homer, in a white shirt and striped tie, stands in a grey-walled corridor between Smithers, a thin man with glasses, green jacket and purple bow tie, and a tall orange-haired woman in a light blue shirt and blue tie, while Smithers grins and then speaks to them. Earlier, a man in a white shirt and black tie lies sprawled on the floor beside a table in a room with an "AREA CLEAN" sign, as a small white-capped bird-like figure stands nearby. Nearby objects include a cylindrical water cooler, a cardboard box and a wall panel with a dial.

> Simpson, Simmons,
> you two have been chosen to represent us at the National Energy Convention.
> Congratulations.
> You'll be spending two nights together in glamorous Capital City.

Frame: https://ultrahouse3k.com/img/S05E09/923631.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/927385

## 15:32–15:42

Homer Simpson, bald and wearing a white shirt, pink tie and ID badge, stands in a corridor between a man in a green sweater with glasses and a woman with voluminous orange hair, red lips and a blue tie. The two women's close-ups show her wide-eyed and then smirking, and in the corridor she stands beside Homer as the man talks to him. Homer raises his hands in a gesture and then clasps both hands to his head, mouth open in dismay, beside a grey wall with dark red vertical rails, a blue ceiling and a blue door with a small window.

> Wow.
> Capital City.
> The Windy Apple.
> Come on, I'll get you the tickets.
> Oh, this is the worst crisis my marriage has ever faced.

Frame: https://ultrahouse3k.com/img/S05E09/933433.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/937603

## 15:42–15:54

Homer Simpson stands in a metal corridor with blue doors, pipes, and puddles on the floor, first flinging his arms wide and then covering his face with his hands as a shimmering, multicolored figure appears beside him. He then turns to an older bald man in a dark military-style uniform with epaulettes and a tie, gesturing and arguing with him, before leaning in with a sly smile and fiddling with his pink tie.

> Colonel Clink, why have you forsaken me?
> What is it? Do you have a question?
> Did you know Kinch had a radio in the coffee pot?
> He did.

Frame: https://ultrahouse3k.com/img/S05E09/944068.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/948865

## 15:54–16:04

Homer, the bald, heavyset man in a white shirt and pink tie, stands wringing his hands in a hallway beside blue pipes, then the screen fades to black. The Capital City Plaza Hotel comes into view, its pink-roofed tower behind a sign reading "Legionnaires' Disease-Free Since 1990." A man in a red uniform with a white glove knocks on the door of room 61, his shadow falling across the door.

Frame: https://ultrahouse3k.com/img/S05E09/955955.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/959709

## 16:04–16:12

Homer Simpson, in a white shirt and pink tie, stands beside a king-size bed in a hotel room while a man in a red sweater and black trousers, with dark curly hair and a small red cap, stands in an open doorway marked 61. The man gestures with his hand toward the room, then steps forward and jabs a finger toward Homer's chest as Homer looks on wide-eyed. The room has a green table lamp, a framed mountain painting on the wall, and a purple carpet along the bottom of the scene.

> TV's there, bathroom's there, and there's your king-size bed for...

Frame: https://ultrahouse3k.com/img/S05E09/965548.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/968259

## 16:12–16:25

Homer, the bald man in a white shirt and pink striped tie, stands in a beige hallway beside a curly-haired bellhop in a red pillbox hat and red uniform with gold buttons, who holds white gloves. The bellhop grins and clasps his gloved hands together while Homer scowls, then the bellhop smirks sideways and looks away as Homer's glare sharpens. Homer leans in with his mouth open and jabs a finger toward the bellhop, who stays smug, while a brown door stands open on the left wall.

> Stop that. I love my wife and family. All I'm gonna use this bed for is sleeping,
> eating, and maybe building a little fort.
> That's it.

Frame: https://ultrahouse3k.com/img/S05E09/973264.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/978895

## 16:25–16:36

Homer Simpson, in a white shirt, tie and blue pants, stands arms outstretched in a bathroom doorway beside a giant bottle labeled COMPLIMENTARY MOUTH WASH, then holds a blue shower curtain and gazes off wide-eyed while pale rings hang on a rod above. He then steps into a bedroom doorway draped with a green cloth, where a woman with tall orange-red hair, a blue tie and dark pants stands beside him, and a lamp, window and framed picture hang on the walls.

> Free mouthwash! Free shampoo!
> Free shower curtain!
> Free shower curtain! Mindy? Homer?
> Wow.

Frame: https://ultrahouse3k.com/img/S05E09/986611.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/990781

## 16:36–16:50

Homer Simpson, in a white shirt and pink tie, stands in a doorway with a pink wall and a mountain painting beside him, next to a woman with voluminous orange-red hair, red lipstick, a white blouse and a blue tie who is not a regular. Homer gestures and talks, then raises a hand to his face with his eyes shut, then glances sideways while the woman grins with bared teeth and smeared red lips. In the final moment she steps forward into the foreground as Homer is partly hidden behind her beside a small wooden table.

> If it weren't for this wall, we'd be sleeping in the same bed.
> Yeah.
> Walls are a necessity in today's society.
> Homer? I got a really wicked idea that could get us into a lot of trouble.
> Oh, Mindy. We have to fight our temptation.

Frame: https://ultrahouse3k.com/img/S05E09/997246.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1003085

## 16:50–17:01

Homer, the bald, heavy man in a white shirt and pink tie, stands in a hotel room beside an orange-haired woman in a white shirt and blue tie with a name tag, who sits on a bed with a pink telephone nearby. As she grins, speaks, and then holds up the pink receiver and gestures with her other hand, Homer watches her, and the scene ends on a brown screen with a glowing red cloche icon above the words "ROOM SERVICE ALERT".

> No, Homer.
> Let's do it.
> Let's call room service!
> Oh.
> Someone is charging room service to the company, sir.

Frame: https://ultrahouse3k.com/img/S05E09/1011219.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1015806

## 17:01–17:06

Smithers, the thin assistant with glasses, a purple bow tie and a green jacket with an ID badge, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, who wears a blue suit and black tie. In the first frames Smithers looks wide-eyed and startled while Burns sits in a red chair at a purple-edged desk, then Burns rises and walks toward a blue door at the left, glaring and rubbing his hands together. In the final frame Burns stands at the right beside a white sheet draped over an object, with a red and yellow shield bearing a letter B, as he reaches toward it with a sly expression.

> Well, we'll just see about that.

Frame: https://ultrahouse3k.com/img/S05E09/1022480.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1024148

## 17:06–17:19

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at a window in a blue suit and reaches toward a cage of small winged gray creatures with red bows. In the first frame he gestures toward the open cage door while the creatures sit inside. In the second he raises a hand to his head and turns away from the cage as the creatures press against the bars. Then the cage is empty with its door hanging open, and Burns gestures in the air by the window. In the final frame, Burns rests a hand on the purple ledge beside Smithers, his thin assistant with glasses, a purple bow tie and a green jacket with an ID badge, who looks on. The scene is set in a room with red walls, a dark curtain and a large window showing a blue sky with clouds.

> Fly, my pretties.
> Fly!
> Continue the research.

Frame: https://ultrahouse3k.com/img/S05E09/1027902.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1032907

## 17:19–17:28

Homer Simpson and an unnamed woman with voluminous orange-red hair, a blue tie and a light blue blouse sit on a rumpled bed eating, Homer chewing pizza slices in both hands while she holds a burger-like sandwich over a green plate. Plates of pizza crusts, a glass, a bowl with a spoon and scattered food cover the table and floor around them, and in the final moment a roasted turkey with its drumsticks sticking up is wedged between the bed frame and the wall on the purple carpet.

> I can't believe we ordered so much. Oh, something's missing.
> Ooh, one of the turkeys fell behind the bed.

Frame: https://ultrahouse3k.com/img/S05E09/1040206.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1043543

## 17:28–17:40

Homer, the bald heavy man in a white shirt and pink striped tie, sits on a rumpled blue bed with a woman who has voluminous orange hair, a light blue shirt and a dark blue tie, both surrounded by plates of food and crumbs. They turn toward each other, gesturing with open hands, and then she holds a large chili dog between them while he reaches in to grab it. They lean in and kiss, with a red smear of sauce on her lips, as green lamps and framed mountain paintings sit behind them.

> Mmm.
> Footlong, chilly dog.

Frame: https://ultrahouse3k.com/img/S05E09/1049173.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1054178

## 17:40–17:50

Homer, in a white shirt and blue trousers with his tie hanging loose, sits on a bed with plates scattered around him while Marge, with her tall blue beehive, is pressed close to his chest in a tight shot. A woman with long orange-red hair and a blue tie sits beside them, gesturing, as Homer throws his arms wide and Marge's face freezes in an odd expression. Homer then scrambles out of the room, arms outstretched, and a red-uniformed bellhop with a pillbox hat appears in the doorway of room 61, pushing a silver covered cart onto the hallway carpet.

> It's a sign!

Frame: https://ultrahouse3k.com/img/S05E09/1061269.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1065439

## 17:50–18:01

Bart, the spiky-haired boy in an orange shirt and thick black glasses, sits on a small teal chair in his bedroom while Marge, with her tall blue beehive and green dress, first appears in the doorway and then kneels beside him. Marge reaches up to touch his glasses, and then Bart gestures and speaks while she kneels smiling and facing him. Around them are a dresser with a jar and a pen holder, a soccer ball, a baseball bat, scattered papers, and books on the blue carpet.

> Good news, honey. Two weeks are up. You don't have to wear your glasses anymore.
> And your scalp and posture seem fine.
> Yes!

Frame: https://ultrahouse3k.com/img/S05E09/1071904.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1075866

## 18:01–18:13

Ned Flanders sits reading a newspaper on a purple couch while two curly-haired kids lie on the red carpet playing a board game with small pieces, one wearing a blue shirt and the other a green shirt. A star-shaped crack suddenly appears in the blue window and scraps of paper scatter across the floor, and Ned slowly lowers and shifts his newspaper. Later, in a blue locker hallway, a bald heavy man in a white shirt, a brown-haired boy in an orange shirt with a blue vest, a woman with long reddish hair in an olive top with arms crossed, and a boy in a purple beanie and black shirt stand together, the boy in orange clenching his fists and grimacing.

> Kids, did anyone pray for giant shoes?
> I did!
> Oakley-dokley. We've been doing a lot of upper body work on Bart.
> Today, let's pound his kidneys.
> Yeah!

Frame: https://ultrahouse3k.com/img/S05E09/1082123.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1087545

## 18:13–18:24

Bart, in his orange shirt and blue shorts, stands in a school hallway lined with blue lockers while Homer, the bald heavy man in a white shirt, looms over him beside a girl with a brown bob and a long-haired boy in an olive shirt and black shorts, with a boy in a purple beanie and black shirt nearby. At first Bart stands arms crossed against a locker as a large blue-shoed foot fills the foreground and an EXIT sign glows at left, then the group gathers and Bart steps forward, gesturing with a raised hand as he speaks. The others watch him with stern or wary expressions while the hallway's overhead lights and lockers stay still.

> Let's get... Huh?
> What gives?
> Gentlemen, the nerd you knew is dead.
> Beat me and you will be beating one of your own.

Frame: https://ultrahouse3k.com/img/S05E09/1095052.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1099015

## 18:24–18:32

Homer, the bald heavy man in a white shirt, stands with Bart, the spiky-haired boy in an orange shirt, in a row of blue lockers, with a brown-haired boy in a tan shirt and a woman with reddish-brown hair behind them and a man in a purple knit cap and black shirt on the right. Bart spreads his arms wide while the group looks on in anger, and then Homer's glaring face fills the view as the purple-capped man leans in close. The scene then shifts to the outside of the Capital City Convention Center, where a large marquee reads WELCOME and NATIONAL, and small pedestrians walk along the sidewalk beside a red car.

> Whatever.

Frame: https://ultrahouse3k.com/img/S05E09/1105271.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1108399

## 18:32–18:44

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands near the front of an energy expo hall with Smithers, his thin assistant in glasses, beside him, while a woman with an orange-red hairdo in a blue blouse speaks nearby. Booths labeled COLD FUSION, OIL POWER, WIND, COAL, WATER and SOLAR ENERGY (with the slogan CHEAP, CLEAN HOPE FOR TOMORROW) line the room. In the early frames, Burns stands among suited attendees and a Black man in red near the Cold Fusion booth, then the group drifts past the Oil Power and Coal/Water displays. In the last frame, Smithers, wearing round glasses and holding a stack of pamphlets, leans in beside a Solar Energy display board, while a man in dark sunglasses and a red tie grins next to him beside a panel of solar cells.

> So this stuff really works? Certainly does.
> Oh, well, lots of luck.

Frame: https://ultrahouse3k.com/img/S05E09/1113821.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1118618

## 18:44–18:55

Homer Simpson, bald and heavy in a white shirt and green pants, lies sprawled on the floor of a Solar Energy office beneath a 'Solar Energy: Cheap, Clean Hope for Tomorrow' sign, while a thin man in sunglasses and a dark suit stands beside a desk. Two suited men in green and brown then drag Homer's limp body across the room as red curtains close in from both sides, and the scene ends on a plain red curtain. The scene then shifts to a 'Fossil Fuel: Use Us and Nobody Gets Hurt' office, where a thin, grey-haired man in a blue suit and sunglasses, hand to his chin, walks past a desk where a dark-suited man sits with sunglasses, and a pie chart labeled 'Energy' sits on an easel nearby.

> Thanks for poisoning the planet, bastard!

Frame: https://ultrahouse3k.com/img/S05E09/1125708.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1130296

## 18:55–19:01

Homer sits behind a reception desk beside a red-haired woman in a light blue blouse, under a sign reading "Springfield Nuclear Power Plant As Seen on 60 Minutes" with a portrait of Mr. Burns on the wall. A brown-haired man in a blue jacket stands in the foreground with his back to the camera, then turns and shouts angrily at the desk while the seated pair stare ahead. A red-haired figure in a purple jacket, resembling Sideshow Bob, steps into the right foreground as the shouting continues. A stack of pamphlets and a "Nuclear Energy" poster sit on the wall beside the desk.

> Get bent!
> No more Cherdobos!
> Go to hell!

Frame: https://ultrahouse3k.com/img/S05E09/1136969.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1138638

## 19:01–19:12

Homer Simpson, in a dark blue suit and pink tie, stands at a counter beside a woman with big orange-red hair, a white blouse, a blue tie and a name tag, under a sign reading "CLEAR POWER PLANT AS SEEN ON 60 MINUTES" with a framed portrait of Mr. Burns and Smithers on the wall behind them. Homer raises a red booklet, then folds his arms and fidgets with his hands while glancing sideways and gesturing, as the woman stares ahead with her arms crossed. The scene then widens to a crowd of people in a hallway, including a bald man in a green sweater and a blonde woman in a pink jacket, all looking toward a dark stage at the right, with a POLLUTION chart on a wall behind them.

> You know, I was a little worried about coming to this convention with you.
> But I think as long as we're not alone together...
> And now the moment you've been waiting for.
> This year's King and Queen of Energy are Homer Simpson and Mindy Simmons!

Frame: https://ultrahouse3k.com/img/S05E09/1142391.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1146562

## 19:12–19:14

Marge, with her tall blue beehive and green skirt, stands in a line with Grampa, recognizable by his white tufts of hair, and a bald heavyset man in a navy suit in the foreground, while a dark-haired man in a blue short-sleeved shirt and several unnamed one-off characters, including a boy with spiky dark hair in a maroon sweater and a blonde girl in a pink dress, stand before a control panel with dials and a red and blue display beneath a wall sign reading 'NA'. Across all five frames the group barely moves, with everyone staring ahead at the panel while the bald man and the dark-haired man stay in place at the edges. A ceiling vent and a partially visible 'E' sign are also visible in the room.

Frame: https://ultrahouse3k.com/img/S05E09/1153027.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1153444

## 19:14–19:27

Homer Simpson, wearing a dark suit and later a gold paper crown, sits at a desk beside a woman with tall orange hair, a blue shirt and a badge, while a dark-haired woman in a red dress stands at the left and a blonde woman in a green dress stands at the right. A grey-haired man in a tuxedo with a red bow tie and red cummerbund walks in front of the desk holding a microphone and gestures with his free hand, then keeps talking as he stands beside the desk. A stack of books sits on the desk, and the backdrop reads "Springfield Nuclear Power Plant" and "As Seen on 60 Minutes" with a framed portrait on the wall behind them.

> Over, Mindy. You just won a romantic dinner alone at Madame Chow's,
> the sexiest Chinese restaurant in Capital City.

Frame: https://ultrahouse3k.com/img/S05E09/1155946.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1161160

## 19:27–19:38

Homer Simpson sits at a small candlelit table in a red-walled dining room with a red-dressed woman with auburn hair, while a waiter in a tuxedo and red bow tie leans in to their table. Outside, the Madame Chao's restaurant sign and a valet parking sign stand by the entrance, and a blue car pulls up beside a red carriage. Foreground glasses of champagne and a grey-haired man in a blue suit and orange tie sit at a nearby table as the couple talks.

> Is there any way to get out of this? No.

Frame: https://ultrahouse3k.com/img/S05E09/1168459.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1172838

## 19:38–19:48

Homer, the bald, heavy man in a suit and pink tie, sits across a candlelit restaurant table from an unnamed woman with voluminous orange hair and a red dress, beside a blue-and-white vase. She holds a wine glass, eats with her hand near her mouth, and reaches across the table while Homer clasps his hands, looks wide-eyed, and speaks. The scene ends with a cracked fortune cookie and crumbs on a plate beside the lit candle, and a yellow hand reaching in from the right.

> What a perfect evening.
> It was sure nice of them to make us cheeseburgers.
> Oh, yeah.
> You will find happiness with a new love.

Frame: https://ultrahouse3k.com/img/S05E09/1179303.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1183683

## 19:48–19:59

Homer Simpson, in a blue suit and pink striped tie, sits at a table beside a blue-and-white patterned vase and a glass, holding a fortune cookie slip reading 'You will find happiness with a new love' that he first shows up close and then holds near his face as he looks dismayed and grimaces. He pulls the slip back, leans into his chair and stares sideways with a pained expression. Then a woman with voluminous orange-red hair, a red sleeveless top and red lipstick, holding a glass of pale drink, glances to the side beside a purple curtain. The scene is set in a dim, reddish room with a purple curtain backdrop.

> Oh, even the Chinese are against me.
> What's the point? I can't fight fate.

Frame: https://ultrahouse3k.com/img/S05E09/1190147.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1194318

## 19:59–20:08

A waiter with black bowl-cut hair and a red bow tie stands in a kitchen behind wooden barrels labeled "Stick with your wife" and "You will find happiness with a new love," lifting a wooden lid and holding a paddle-like board. A second waiter with the same hair and bow tie joins him at the barrels, and the scene then moves to a dim bedroom where Homer, bald and wearing a white shirt and tie, stands in the open doorway beside a woman with orange hair in a red dress, casting a long shadow across the floor.

> Hey, we're out of these new love cookies.
> Well, open up the stick with your wife barrel.

Frame: https://ultrahouse3k.com/img/S05E09/1200783.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1204120

## 20:08–20:13

Homer Simpson, bald and heavyset in a white shirt and pink tie, stands beside a woman with voluminous orange-red hair and a red sleeveless dress in a doorway with a ceiling light overhead. He starts out looking nervous and speaks with his mouth open while she stands with her arms crossed, eyeing him sideways. She then steps forward into the doorway in front of him, and he slips back out of view, leaving only his eyes and face visible at the edge of the door as the frame of the doorway and the wall stay in place.

> Well, I guess you'll want to come in. Okay.
> Okay.

Frame: https://ultrahouse3k.com/img/S05E09/1209333.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1211001

## 20:13–20:27

Homer, the bald, heavy man in a white shirt and pink tie, and a tall orange-haired woman in a short red dress sit side by side on the edge of a bed in a dimly lit bedroom at night, with a large glowing moon and city skyline visible through the window and a lamp and framed picture on the wall. The woman sits with her hands clasped, glancing sideways while Homer stares ahead looking uneasy, then he covers his face with both hands and grimaces as she speaks with her mouth open. He lowers his hands to his chin and mouth, looking nervous, and in the final moment he sits rigidly with a tense, grimacing expression while she watches him with a wary look.

> This was a really nice night, Homer.
> Yeah, yeah.
> What's wrong?
> Oh yeah, like you don't know.
> We're gonna have sex.
> Oh, well, we don't have to.

Frame: https://ultrahouse3k.com/img/S05E09/1214755.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1220386

## 20:27–20:38

Homer Simpson, bald with a white shirt and pink tie, stands beside a woman with voluminous orange-red wavy hair and a red top, in a blue room with a window showing a night city skyline. The woman first narrows her eyes skeptically, then widens them and grimaces with clenched teeth, while Homer goes from a slack, droopy-eyed stare with his mouth hanging open to wide-eyed, worried glances to the side with his mouth open and teeth showing.

> Yes we do.
> The cookie told me so.
> Well, desserts aren't always right.
> But they're so sweet.

Frame: https://ultrahouse3k.com/img/S05E09/1228310.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1232898

## 20:38–20:46

Homer, the bald heavy man in a white shirt and striped tie, sits on the edge of a bed beside a woman with voluminous orange-red hair and a short red dress, both lit by a large glowing moon through a window overlooking a night city skyline. The woman glances sideways and speaks while Homer slumps with his hands clasped between his knees, then he grimaces and rolls his eyes toward her. She turns her head toward him and keeps talking as he stays hunched in the blue-lit bedroom, with a lamp, a painting on the wall and a nightstand nearby.

> Homer, you don't have to do anything you don't want to.
> Well, maybe I want to.

Frame: https://ultrahouse3k.com/img/S05E09/1239780.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1242700

## 20:46–20:55

Homer Simpson, bald and heavyset in a white shirt, striped tie and blue jeans, sits on the edge of a bed beside a woman with voluminous orange-red hair and a red dress, who sits with her hands clasped on her knee. The scene is a bedroom at night with a large glowing full moon and a city skyline visible through the window, a lamp on a nightstand, and a framed picture on the wall. Homer starts out gazing sideways with wide eyes, then grimaces and grits his teeth, and finally turns to look at the woman with a scowling, frowning expression while she stares off to the side with a flat, uneasy look.

> But then I think about Marge and the kids.
> Well, not the boy. He drives me nuts. Sometimes I just like to...
> Homer, you know how I feel.

Frame: https://ultrahouse3k.com/img/S05E09/1247913.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1251041

## 20:55–21:02

A one-off character with voluminous wavy orange hair and a red top, a woman who resembles none of the regulars, appears in close-up against a purple city skyline at dusk. Her eyes narrow and she glances sideways with a sullen, unimpressed expression while her red-lipsticked mouth opens and closes as if speaking. Her lips pout and purse, then she grimaces with her teeth showing before settling into a skeptical, half-lidded look. The background shows dark purple buildings and a railing at the bottom of the frame.

> So, it's up to you.

Frame: https://ultrahouse3k.com/img/S05E09/1256255.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1258966

## 21:02–21:10

Homer, the bald, heavily built man in a light blue shirt and striped tie, sits on the edge of a bed beside a woman with voluminous orange-red hair and a sleeveless red dress. In a bedroom at night with a glowing moon and city skyline through the window and a lamp on the nightstand, she rests a hand on his leg and leans toward him, with Homer staring glumly ahead at first. Over the moment she shifts closer, and by the end she leans in nose to nose with him while he looks worried and wide-eyed.

> Look in your heart.
> I think you'll see what you want.

Frame: https://ultrahouse3k.com/img/S05E09/1263971.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1266891

## 21:10–21:18

Homer, the bald, stubbled man in a white shirt and pink tie, sits beside a woman with voluminous orange-red hair and a red dress, who leans toward him holding his hand against a window showing a night city skyline and a full moon. She leans in and then pulls back with narrowed eyes while Homer glances sideways with wide eyes, and a lamp glows at the right edge. The scene then cuts to a static exterior of a tall, yellow-windowed building at night under the same moon, with cars parked along a road and a faint sign on its facade.

Frame: https://ultrahouse3k.com/img/S05E09/1271896.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1274607

## 21:18–21:28

Homer Simpson and Marge Simpson stand together in a dim blue room with a window and a door behind them. Homer, in a white shirt, first gazes off to the side, then turns toward Marge, who wears a red dress and has a tall blue beehive. Marge puts her hands on her hips while Homer looks startled and speaks to her, then the two face each other closely, and Marge leans in and rests her hand on Homer's cheek as she talks to him.

> Oh, baby.
> This was a wonderful idea, homie.

Frame: https://ultrahouse3k.com/img/S05E09/1279820.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1283574

## 21:28–21:37

Marge, with her tall blue beehive and red necklace, leans over Homer, who is bald with stubble and a white shirt, as they lie together in a dim blue bedroom. In the first frame Marge smiles down at him, and in the second Homer raises his head and stares wide-eyed past a pale sheet toward a large roast turkey with a bone sticking out, held in the foreground. Marge then lifts the turkey by its bone and grins while Homer's eyes bulge and his mouth opens in a toothy grin, and in the final frame Homer's eyes droop and his head sinks as Marge keeps holding the turkey beside him. A framed picture of a tree hangs on the blue wall behind them.

> Hey, there's a turkey behind the bed.
> Marge.

Frame: https://ultrahouse3k.com/img/S05E09/1289830.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1292958

## 21:37–21:47

Against a solid black background, a pair of white eyes with black pupils and a round white form with a dark notch hover in the dark, with no recognizable character bodies visible. The eyes slowly narrow into flat, half-closed white slits while the lower shapes split apart and then drift into two overlapping white circles, each with a black dot, that sit low on the right side of the scene. No on-screen text or other objects appear.

> Oh, Margie, you came and you found me a turkey.
> on my vacation away from worky.

Frame: https://ultrahouse3k.com/img/S05E09/1298380.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1302551

## 21:47–21:57

Against a black background, white rounded figures with black dot eyes appear, with no identifiable Simpsons characters: a pair of overlapping blobs at upper left, a pair at top center, and a pair of half-moon shapes at lower right. The upper-left pair drifts apart, then the top-center pair stays still while the lower-right half-moons open and close like a mouth. In the final moment the upper-left pair is replaced by a curved white strip cut into pieces, and no on-screen text is visible.

Frame: https://ultrahouse3k.com/img/S05E09/1308599.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1312561

## 21:57–22:07

No regular characters appear in this moment; the scene is a black screen with gold credit text in the show's font. First it reads 'Executive Producer DAVID MIRKIN', then 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON', then 'Starring DAN CASTELLANETA', and finally 'NANCY CARTWRIGHT' alone, with the names centered and no characters, places or objects shown.

Frame: https://ultrahouse3k.com/img/S05E09/1318818.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1322780

## 22:07–22:18

No Simpsons characters appear; the moment is a black screen of gold credit text, with Hank Azaria's name shown alone first, then Phil Hartman, Werner Klemperer and Marcia Wallace each captioned 'Special Guest Voice', and finally Brad Bird captioned 'Executive Consultant'. Each credit appears centred on the screen and replaces the last one in turn, with no other movement or visible setting. The only on-screen text is these names and captions.

> Thank you.

Frame: https://ultrahouse3k.com/img/S05E09/1329036.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1332998

## 22:18–22:28

No characters appear in this moment; it is a black screen with orange credit text in a cartoon-style font. Successive title cards read 'Animation Executive Producer PHIL ROMAN', then 'Story Editor BRENT FORRESTER', then 'Story Editor DAN McGRATH', then 'Associate Producers COLIN A.B.V. LEWIS and JEFFREY GOLDSTEIN', and finally 'Music by ALF CLAUSEN', each centered and replacing the last.

Frame: https://ultrahouse3k.com/img/S05E09/1339255.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1343217

## 22:28–22:38

No characters appear in this moment; it is a black closing credits sequence with no animated figures on screen. Credits in gold lettering appear one after another on the black background: first "Editors MARK McJIMSEY and DON BARROZO", then "Post Production Coordinator ALISON ELLIOTT" and the dialogue sound editors, followed by production coordinators, sound recordists, script supervisor, and the Skywalker Sound and Laser-Pacific facilities with a Dolby Surround logo, then assistants to various directors and producers, and finally "Overseas Animation Director MIKE GIRARD".

Frame: https://ultrahouse3k.com/img/S05E09/1349265.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1353435

## 22:38–22:48

No characters appear in this moment; it is a sequence of black title cards carrying yellow end credits for The Simpsons. The first card lists Swinton O. Scott III as Assistant Director, Martin Archer, Carlos Baeza and Steven Markowski on Storyboard, and Matt Groening and Sam Simon among Character Design, with Dale Hendrickson as Character Design Supervisor. The next cards list color design, ink and paint, animation camera and assistant film editors, then production accountant Anthony R. Reyes, telecine credits, and production assistants. The last two cards credit Michael P. Schoenbrun as Executive in Charge of Production for Gracie Films and James L. Brooks as Executive Creative Consultant.

> Shh.

Frame: https://ultrahouse3k.com/img/S05E09/1359483.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1363445

## 22:48–22:58

Silhouetted audience members sit in rows of seats in a dim theater, one with a tall puffy hairdo, facing a blank screen. A beam of purple light sweeps out and the Gracie Films logo appears in white letters on a purple panel, then the words "IN ASSOCIATION WITH" fade in on black. The golden "20th Television" logo rises over a city skyline with searchlight beams, and the scene fades to black.

Frame: https://ultrahouse3k.com/img/S05E09/1369702.jpg
Page: https://ultrahouse3k.com/episode/s05e09-the-last-temptation-of-homer/1373455