# $pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling)

The Simpsons, season 5, episode 10 (S05E10), first aired December 16, 1993.
Written by Bill Oakley and Josh Weinstein. Directed by Wes Archer. Production code 1F08.
Guest stars: Marcia Wallace as Mrs. Krabappel; Phil Hartman as Lionel Hutz; Michelle Pfeiffer as Mindy Simmons; Werner Klemperer as Colonel Klink; Robert Goulet; Gerry Cooney.
Chalkboard gag: "I will not say 'Springfield' just to get applause". Couch gag: Clapboard couch gag, take one: Shattered Family.

With Springfield's economy failing, Principal Skinner proposes legalized gambling, and Mr. Burns opens a casino that turns him into a germ-obsessed recluse. Homer becomes a blackjack dealer and Bart, thrown out for being underage, sets up his own gambling den in the treehouse. After one lucky pull on a slot machine, Marge is hooked and leaves Homer to cope at home, including Lisa's costume for the school pageant.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Otto Mann, Jasper Beardsley, Ralph Wiggum, Patty Bouvier, Reverend Lovejoy, Lewis Clark, Richard, Jimbo Jones, Maude Flanders, Snowball II, Kearney Zzyzwicz, Sherri Mackleberry, Terri Mackleberry, Mayor Quimby, Kirk Van Houten, Nina Skalka, Janey Powell, Larry Dalrymple, Hans Moleman, Luann Van Houten, Sam, Agnes Skinner, Dolph Starbeam, Horatio McCallister, Girl with glasses, Lionel Hutz, Squeaky-Voiced Teen, Troy McClure, Dave Shutton, J. Loren Pryor, The Rich Texan, Scott Christian, Joey Crusher, Lowblow, Mindy Simmons, Ernst, Gunter, Anastasia, Colonel Klink, Robert Goulet, Angry Audience Member, Blackjack dealer, British casino designer, British waitress, Casino attendant, Charlie Babbitt, Freeman Gosden, Gambler, Gerry Cooney, Henry Kissinger, Hillbilly, Hobo, Joe Quimby Sr., Man with quarters, Painter, Professor Rubbermouth, Raymond Babbitt, Waitress.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the spiky-haired boy in an orange shirt and blue shorts, stands at a classroom chalkboard filled with rows of chalk writing reading "I will not say 'Springfield' just to get applause." He writes with chalk at first, then turns and skips sideways with his arms out and a wide grin, a clock on the wall and a trash bin beside him. Before this, a sky of clouds shows the title card "The Simpsons" in yellow letters.

> The Simpsons

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## 0:12–0:23

Homer, Lisa on her red bike, Bart, a small child, and Marge appear in a suburban driveway beside a yellow garage, then inside a purple bedroom and a pink living room. A pink car pulls into the driveway, Lisa rides past Homer, who is holding a wall panel in the bedroom, and in the living room Homer and Marge throw up their arms as Bart holds the child and a purple lamp tips over. The final shot shows the living room wrecked, with a knocked-over lamp, a telephone, and scattered debris, including yellow pieces that look like cartoon bodies, on the teal carpet, and no people left in view.

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## 0:23–0:33

No regular Simpsons characters appear; the moment is a title card sequence on a pink-backed retro television set with a blue screen. First the screen reads "Created by Matt Groening" in yellow letters, then it changes to "Developed by James L. Brooks, Matt Groening, Sam Simon" in the same style. The screen then fades to solid black and stays black while the sequence ends.

> The News on Parade Corporation presents News on Parade.

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## 0:33–0:43

A cartoon newsreel cameraman in a flat cap and suspenders, not any of the regular Simpsons characters, peers through the viewfinder of a tripod-mounted film machine against a plain grey backdrop while turning its crank. He then stands behind the machine as the titles NEWS ON, then NEWS ON PARADE CORPORATION, and finally NEWS ON PARADE CORPORATION NEWS appear across the screen. The title card goes black and partly broken lettering reading CURRENT E... slides and tumbles across it.

> Corporation News.
> Bringing you the world of current events.

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## 0:43–0:54

A grey-helmeted soldier in a black-and-white cartoon stands before a mushroom cloud over a desert with Joshua trees and a row of helmeted soldiers, first looking off to the side, then grinning and giving a thumbs-up, then smirking with a missing-tooth grin. The screen then cuts to a black title card reading "NEW GADGETS" in white block letters. Next, a black-and-white 1950s-style living room shows a woman with a tall dark hairdo seated on a stool, two children sitting on the floor, and a man in a dark suit with glasses at the right, all watching a television that shows a mushroom cloud.

> New gadgets.
> And Hollywood.

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## 0:54–1:05

A slick-haired, black-and-white cartoon man in a white tuxedo with a black bow tie and cummerbund stands in front of a potted palm, first with a hand on his hip and then with his arms spread and mouth open in a startled look, then gesturing with one raised hand. The scene opens on a black title card reading "HOLLYWOOD" and closes on a black card reading "SPRINGFIELD: CITY ON THE GROW".

> Look, it's Amos from Radio's Amos and Andy.
> Hello, everybody.
> Springfield, city on the grow.

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## 1:05–1:16

Black-and-white Simpsons footage shows a grinning man in a dark suit, who looks like Herb with brown hair, shaking hands with a bespectacled grey-haired man in a suit at a podium with microphones, while a hatted man and a woman in a hat watch behind them in front of a courthouse-style building. The grey-haired man holds up a plaque reading 'SPRINGFIELD' and speaks, then the two clasp hands over the microphones. Later, a worker with a name badge on his shirt stands near conveyor belts and a factory interior, and a moustached man in glasses and suspenders, a Springfield factory worker, holds up a black rubber galosh and examines it.

> It's a proud day as Springfield is declared one of America's 400 fastest growing cities.
> And why not? Business is booming.
> Half the country wears Springfield galoshes.
> And say hello to the state's first aqua car factory.

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## 1:16–1:27

Black-and-white cartoon scene at the Springfield Aqua-Cars factory, where a driver in a cap on the ramp steers a dark sedan down into the water while a worker in white overalls watches from the doorway. A second car drives out from the building's lower entrance and rolls down the ramp, splashing into the choppy water as the first car sinks back toward the river. Cut to a row of seated well-dressed men and women in a theater audience clapping with big grins, including a bald man with a hooked nose and a thin man with glasses. Finally, a gowned, mortarboard-wearing old man with round glasses and grey hair stands before a dark circular backdrop, then leans forward with his mouth stretched wide around a ring of numbered balls, labeled with the number 1, as hats and a bow in the audience sit in the foreground. Visible on-screen text includes the sign reading SPRINGFIELD AQUA-CARS over the factory entrance.

> Keep them coming, boys.
> The city's even in the celebrity business.
> Everyone knows Professor Rubbermouth hails from Springfield.

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## 1:27–1:40

Santa's Little Helper, the brown greyhound, strains forward pulling a wagon whose sign reads "I'M PULLING FOR SPRINGFIELD" past the legs of people in the street, tongue hanging out. The scene then cuts to a split-screen of panels: a giant bearded figure with workers in caps and overalls on ladders, Smithers in glasses peering through a circular viewfinder, Mr. Burns holding numbered pool balls in his mouth, and a car sinking into floodwater. Smithers keeps peering through the viewfinder as the car sinks lower into the water.

> Everybody's chipping in.
> Even this fella has Springfield's can-do spirit.
> So watch out, Utica.
> Springfield is a city on the... Grove.

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## 1:40–1:51

Unnamed one-off characters in a sepia-toned, 1940s-style street: first a man in suspenders and a woman with long dark hair seen from behind, then a man in a vest and tie and a bearded man in a white fedora beside a black car outside a theatre whose marquee reads "Featuring Ray Milland in ... ame the Mighty Hudson." The car drives past a storefront sign reading "Vinegar Par...", with a grinning driver and the bearded passenger peering out, while the captions "Co-Executive Producer JACE RICHDALE," "Supervising Producer HAROLD KIMMEL," and "Supervising Producer FRANK MULA" appear in turn. The sequence closes with a man in suspenders standing on a street beside a parked car, with a row of buildings behind him, as the caption "Supervising Producers BILL OAKLEY & JOSH WEINSTEIN" appears.

> Ha! The way people act around here, you think the streets were paved with gold.
> They are.

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## 1:51–2:00

A man in suspenders and a bearded man in a hat step out of Heinrich's Monocle Shop, then Mr. Burns, stooped and leaning on a cane, walks with a companion past a boarded-up gun shop and a movie theater whose marquee reads "XXX Sperms of Endearment / I'll Do Anyone." Homer and Bart duck behind a red station wagon parked by the theater, peeking over its roof, while Mr. Burns and his companion pause beside a parking meter. Mr. Burns, still stooped with his cane, continues past a scruffy bearded man in a long green coat standing outside a shop with a red "BC" sign.

> Got any spare change, man?

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## 2:00–2:11

Grampa, the wrinkled old man with white tufts of hair in a cream coat, stands in a room with a bearded man in a green jacket and a bald, white-bearded old man in a blue jacket, all in front of a dark chalkboard-style wall. The group talks while the bald old man and the bearded man look on, and the scene then pans right to a blue letter board reading "SOCIAL SECURITY OFFICE" before cutting to an aerial view of the Springfield Nuclear Power Plant, with its two cooling towers, domed reactor buildings, and parking lots.

> Yes! And you ain't getting it!
> Everybody wants something for nothing!
> I'm old! Gimme, gimme, gimme!

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## 2:11–2:15

Homer, the bald, heavy man in a white shirt, pink striped tie and ID badge, is in a men's restroom with pale blue walls, sinks, and toilet paper rolls on the floor. He walks up to a white toilet, stops and stares into the bowl with a startled expression, then grins as he leans over and reaches toward the water, where a pair of black-framed glasses lies. The scene ends with him gripping the rim and peering down at the glasses.

> Hey, there's something you don't see in a toilet every day.

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## 2:15–2:23

Homer Simpson, the bald, heavy man in a white shirt, pink striped tie and blue pants, leans over a white counter in an office, then straightens up to hold up a pair of black-rimmed glasses and gesture with his other hand while small droplets fall from them. He then stands before a mirror, looking at his reflection as he holds the glasses. On-screen credits read "Creative Consultant GEORGE MEYER," "Co-Produced by JOSEPH A. BOUCHER" and "Produced by RICHARD RAYNIS."

> Anybody lose their glasses?
> Last chance!
> Woo-hoo!

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## 2:23–2:30

Homer Simpson, bald and heavyset in a white shirt, pink striped tie, glasses and an ID badge, stands in a restroom beside a sink and green stall doors. He scratches his head with one hand, then grimaces and looks uncertain, and later raises a finger in a lecturing gesture. Credit text appears over the scene, first reading 'Produced by David Silverman', then 'Produced by Richard Sakai', and finally 'Written by Bill Oakley & Josh Weinstein', while a pair of shoes lies on the floor at the right.

> And some of the square roots of any two sides of an isosceles triangle is equal to the
> square root of the remaining side. That's a right triangle, you idiot!

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## 2:30–2:37

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, who wears glasses, a purple bow tie and an ID badge, stand in a wood-paneled hallway lined with bookshelves and stacked TV monitors. A heavy man in a black suit with dark wavy hair stands at the left, and Burns grips his arm and grins, first steering him past a wooden door, then leaning in with a sly expression while the heavy man turns and listens. Smithers speaks with his mouth open, and the white caption 'Directed by Wes Archer' appears over the lower middle of the early scene.

> Thank you so much for visiting our plant, Dr.
> Kissinger. It was fun.
> Well, I'll let you know if your glasses turn up.

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## 2:37–2:46

A heavy-set, balding... no, a heavy-set man with curly grey hair, a dark suit, white shirt and grey tie stands in a yellow-walled hallway beside a wooden door with a small red light fixture above it. He glances sideways with a sly look, then closes his eyes and speaks with his mouth open, before turning his head to the side with heavy-lidded eyes. He remains in place near the door throughout, looking off to the side as the moment unfolds.

> Yes, well, I'm sure I left them in the car.
> No one must know I dropped them in the toilet.
> Not I, the man who drafted the Paris Peace Accords.

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## 2:46–2:57

In a wood-panelled hallway, a grey-haired man in a black suit stands beside a door while Mr. Burns, frail and stooped with a hooked nose, rubs his hands in a blue suit, and Smithers, in a brown jacket and purple bow tie with a badge, looks on over his shoulder. Burns then steps through the door, leaving the man alone in the hallway as the door stays ajar. Inside the library, Smithers holds a clipboard and speaks while Burns sits in a tall dark leather chair in front of bookshelves and wooden cabinets.

> Sir, bad news from accounting. The economy's hit us pretty hard.

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## 2:57–3:08

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red armchair in a library-like office, holding a thick stack of manila folders and reading them with a scowl and then a grimacing, toothy expression. A tall, unnamed man in an olive-brown suit stands at the left edge of the frame beside him. Burns glances up and out, then returns to the folders, while bookshelves full of colorful books line the background. In the final moment, Smithers, the thin assistant with glasses, appears in a brown jacket and purple bow tie in front of a bank of monitors showing security screens, looking surprised with his mouth open and a badge clipped to his jacket.

> Tough times, huh? I've lived through 12 recessions, eight panics,
> and five years of McKinley-nomics. I'll survive this.
> Even so, sir, we could stand to lay off a few employees.
> Whoa, very well. Lay off him, him, him, him.

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## 3:08–3:17

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, steeples his hands in a red armchair, and an unnamed figure in a white hooded suit with blue goggles holds a blue device on a screen. A yellow hand pushes buttons on a brown TV-style control panel as the view switches to Homer, bald with glasses, white shirt and blue tie, arms folded at a control console. The scene ends in a living room where Homer sits on a brown couch in glasses, while Bart in his orange shirt and Lisa in her orange dress and pearl necklace stand beside him facing him, with a blue device on the coffee table in front of them.

> Hmm.
> Better keep the egghead. It just might come in handy.
> Dad, you shouldn't wear glasses that weren't prescribed for you.

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## 3:17–3:24

Bart, Homer, and Lisa appear in a living room, with Homer seated on a brown couch between the two children, arms folded, and Lisa on the right holding a pair of orange glasses. Bart stands on the left by a purple lamp and a low table. Before this, a huge, warped yellow face with pale, shifting eyes fills the screen against a pink background with orange and blue blobs, and a yellow hand-like shape reaches in from the right.

> Lisa, just because you're ten feet tall doesn't mean you can tell me what to do.
> I'm bored. Give me those.

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## 3:24–3:31

A one-off TV newscaster with a black pompadour, blue jacket and green tie, labeled SCOTT CHRISTIAN by a caption, reads from a sheet of paper in front of a red television screen with a purple border and a channel 6 logo. An inset picture in the corner first shows a bespectacled grey-haired man in a dark suit, and later changes to a scene of a white-haired man holding a microphone beside a red-haired woman and a man in a brown jacket at a window. The newscaster grimaces with clenched teeth, then widens his eyes and pouts his mouth open, then settles into a flat, sullen frown while looking down at his paper.

> And finally, Henry Kissinger was hospitalized today after walking into a wall.
> Now over to Kent Brockman with some grim economic news.

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## 3:31–3:41

Kent Brockman, the grey-haired news anchor in a brown jacket and blue tie, holds a microphone in an unemployment office corridor marked with a large number 4 and a notice reading "FRA". Over the sequence he gestures and talks while the crowd shifts around him: a red-haired woman with glasses and a man with dark hair and a moustache, then an elderly man with white tufts, a man with blue hair and glasses in a green sweater, a grey-haired woman in an orange dress, and a bald man with a green tuft. In the last moment a man in a teal suit stands at right beside a woman in a grey hat holding the microphone toward the group.

> Scott, things aren't as happy as they used to be down here at the unemployment office.
> Joblessness is no longer just for philosophy majors.
> Useful people are starting to feel the pinch.

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## 3:41–3:50

Principal Skinner, with neat grey hair and a brown jacket and blue tie, stands at left while Barney, a heavy man with messy brown hair in a pink shirt, stands at right. A grey-violet-haired woman in a dark dress with a pink flower stands behind them, and a man with glasses and a partly visible figure in teal appear at the edges. In a hallway beside a wall sign reading ROOM, Skinner speaks and turns his head while Barney grimaces, gestures with one hand and holds a handheld microphone toward his mouth as he talks, with the microphone passing between their hands as the exchange continues.

> I haven't been able to find a job in six years.
> Huh. And what training do you have?
> Five years of modern dance, six years of tap.
> The economic slump began last spring when the government closed Fort Springfield,

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## 3:50–4:03

Kent Brockman, the grey-haired news anchor in a red jacket and blue tie holding a microphone, stands in a newsroom with Lenny, a spiky black-haired man with glasses holding papers, and a red-haired woman in a green skirt nearby. A chain-link gate beneath a Fort Springfield sign hangs a CLOSED sign, then two red-haired women stand by a roadside holding a Fort Bragg sign, one in a green dress with fishnet stockings and the other in a purple dress pointing, beside a building with partial lettering and a desert landscape. Back in the newsroom, Brockman leans forward as a huge yellow hand swells across the foreground until it fills the screen.

> devastating the city's liquor and prostitution industries.
> Now, at the risk of being unpopular,
> this reporter places the blame for all of this squarely on you, the viewers.

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## 4:03–4:16

Outside Springfield Town Hall at night, a few small figures stand on the steps, and a dark car sits in the foreground. Inside, a heavyset man with brown hair in a purple suit and blue tie speaks at a wooden podium before a packed audience, then stands beside a red suitcase stuffed with cash and bearing an airline tag. Homer, Marge, Bart, and Lisa sit among the crowd, with Carl in a yellow sweater seated nearby, and several spectators raise their hands and clap as he finishes.

> I propose that I use what's left of the town treasury to move to a more prosperous town
> and run for mayor.
> And a once elected I will send for the rest of you.

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## 4:16–4:29

Lisa, the girl with star-shaped spiky hair in a red dress, stands in the aisle of a packed auditorium holding a white piggy bank with a red flower on it while a heavy man in a purple suit and blue tie speaks at a podium and points out toward the crowd. The crowd, including Homer in his white shirt and Marge with her tall blue beehive, watches from rows of seats with red curtains behind them. Lisa then stands in a room with a US flag and a wall lamp, clutching the piggy bank close to her chest and looking up anxiously as a woman in a pink top with a mustache sits nearby.

> Excuse me, Mr. Mayor.
> The chair recognizes the little chick with the gleam of hope in her eyes.
> This piggy bank contains $15 I saved from my allowance.
> It isn't much, but I would like to help.

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## 4:29–4:34

Herb, a heavy man with brown hair in a purple suit and blue tie, stands at a wooden podium with a microphone, holding up a white piggy bank with a red flower while he talks and grins. He then looks on with a sly, unimpressed expression as an older bearded man in a peach sweater, with a grey beard and a few white wisps of hair, raises his fist at him. Open red suitcases stuffed with cash and loose dollar bills sit on the stage below the podium, with the backs of audience members' heads in the foreground.

> Oh, just what I need to tip the sky caps.
> I'll tell you what made this town great.

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## 4:34–4:47

Grampa, wrinkled with white tufts of hair and wearing a peach sweater, stands in a living room beside a framed painting of a ragged figure pointing at clouds, first raising a fist, then gesturing with his hands and shouting with his mouth wide open while Marge's blue beehive and a red-haired onlooker watch from the left. The scene then cuts to an auditorium with red curtains, where a man in a purple suit speaks at a wooden podium with a briefcase beside it, while Grampa stands in the audience with his back to us and the crowd listens in the foreground.

> Good old-fashioned gumption.
> There's nothing here a little elbow grease won't fix.
> So let's roll up our sleeves and...
> People, people, let's be a little more realistic.
> Now, I hesitate to bring this up,

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Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/281114

## 4:47–4:56

Principal Skinner, with neat grey hair and a purple suit and orange tie, stands center in a crowd of onlookers that includes a woman with grey-violet hair, a woman with a tall black-haired look and red headband, and a ginger-haired man at left, as he speaks and gestures with one hand near his chest. He grimaces with wide, uneasy eyes, then keeps talking with his mouth open, and the view widens to show a seated audience in rows of chairs facing a stage with red drapes, a small figure at a wooden podium, and a flag at the right edge.

> but a number of cities have rejuvenated their economies with, uh, legalized gambling.

Frame: https://ultrahouse3k.com/img/S05E10/288830.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/292167

## 4:56–5:07

Principal Skinner, with neat grey hair and a grey suit, pink tie and purple shirt, stands at a wooden podium on a stage draped in red curtains, speaking and gesturing with his hands at a seated audience. In the first two frames he talks with one hand raised to his chin, then spreads both hands out, while an audience member with red hair and a red cap watches on the left. Later, Skinner's eyes are closed as a purple-haired woman with a blue beaded necklace in the foreground raises her arm, and in the wide view the audience sits in rows of chairs in a hall with an American flag and a standing man in a grey suit near the aisle. The scene is a formal meeting hall with red swagger curtains, a framed picture on the wall, and a flag on the right side.

> There is an added bonus.
> Some of the revenue can go to help our underfunded public schools.
> Well, I like the part about the gambling.

Frame: https://ultrahouse3k.com/img/S05E10/297798.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/302177

## 5:07–5:19

Ned Flanders, with his moustache, glasses and green sweater, stands in a crowd beside a dark-haired man in a white jacket and a woman with long dark hair and red lipstick, while a bald, thin, hook-nosed man in a dark blue suit with blue hair at the sides, who matches Mr. Burns, is later seen gesturing and grinning. The crowd moves from looking up and talking to cheering with raised fists and open mouths, while Burns raises a hand to address them under red and white drapes. No on-screen text is visible.

> What do you think, Reverend?
> Once something has been approved by the government, it's no longer immoral.
> Yay!
> By building a casino, I could tighten my stranglehold on this dismal town.

Frame: https://ultrahouse3k.com/img/S05E10/309059.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/313855

## 5:19–5:32

A crowd of townsfolk cheers with raised fists, including a stout man with brown hair in a pink shirt, a Black man in a white shirt, and a dark-haired woman in purple. A stout man in a purple suit with a blue tie stands at a wooden podium, smiling and striking a gavel beside a microphone against red curtains. Seated in the packed hall are Homer in a white shirt, Marge with her tall blue beehive and red beads, and Lisa in pearls, beside a man with red hair and glasses in a green sweater and a dark-skinned man in a black tuxedo with a red bow tie. An American flag and framed paintings hang on the walls, and no on-screen text is visible.

> Uh... Yay!
> Well now, are there any objections?
> Probably margins.
> Actually, I think it might really help our economy.

Frame: https://ultrahouse3k.com/img/S05E10/320946.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/326368

## 5:32–5:44

Homer, with his bald head and white shirt, and Marge, with her tall blue beehive, sit among a row of seated townspeople in a wood-paneled auditorium with red drapes, a flag, and a small man speaking from a wooden podium on the stage. The speaker gestures with one raised arm while the audience sits still, and then the crowd bursts through the tall double doors of a domed building, cheering with arms raised, with Homer in a green shirt at the center of the group. A sign is mounted on the wall beside the doors.

> Oh, yeah.
> Thank you.
> Very well then. Instead of fleeing this town,
> I'll stay here and grow fat off kickbacks and slush funds.
> Yay!

Frame: https://ultrahouse3k.com/img/S05E10/334084.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/338463

## 5:44–5:54

Principal Skinner, in a grey suit with an orange tie, gestures toward a woman with teal hair in a purple dress while Carl, a Black man in a grey jacket over a red turtleneck, stands nearby and Marge in her green dress and red beads watches in a hallway with dark slatted panels. Marge raises a finger beside Homer, who wears a white shirt and blue shorts, and he grins before stepping in to hug her from behind as she glances sideways with heavy-lidded eyes. The embrace holds in the doorway, with Homer's wide grin and Marge's wide-eyed stare ending the moment.

> This could be a whole new beginning for Springfield.
> And you know what the best part is?
> We've really done something for the children.

Frame: https://ultrahouse3k.com/img/S05E10/345136.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/349307

## 5:54–6:02

Troy McClure, grinning with swept-back reddish hair in a grey suit and red tie, is at the edge of a night plaza as a red-haired boy in a sailor cap dances with a white-haired woman in a red dress, and Marge in a black outfit with a tall blue beehive dances with Herb in a tan suit. Behind them a large grey statue has a child perched on its shoulders, and Mr. Burns, frail and hooked-nosed with grey hair at the sides, raises a bottle near a stone pedestal, while a crowd moves across the plaza in front of a lit blue building with tall windows. Over the sequence the dancers keep moving, and in the final moments Mr. Burns stands by the pedestal with his bottle held up as the people behind him and the plaza crowd continue about the scene.

Frame: https://ultrahouse3k.com/img/S05E10/355564.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/358275

## 6:02–6:15

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands beside an unnamed heavyset man in a dark suit, both wearing white hard hats. The scene opens on black, then glides along a purple wooden boardwalk under a pink sky, past lampposts, the blue sea, a red wheel and old storefronts, with two distant figures walking ahead. It then settles on the two men in front of a sign reading MAJESTIC, where Burns grins and grips the other man's sleeve while stacked lumber sits beside them.

> We're thrilled you've decided to build your casino on our waterfront.
> I'll never forget my carefree boyhood days on this old boardwalk.

Frame: https://ultrahouse3k.com/img/S05E10/363280.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/368702

## 6:15–6:22

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits in a pink-and-gold bumper car in a red hat and maroon coat, holding a green hand mirror. Nearby, a little girl with a pink bow sits in another bumper car while a man in grey overalls and a cap leans on a wooden railing, holding a red object and a small bottle. Later, the car drives toward the camera beneath the huge grey trouser legs of the man in overalls, with a patched knee, and finally a mustached man in a grey hat and overalls paints the railing red from a bucket with a brush, all under a green mesh canopy.

> Why, you... Master Burns! I mean, carry on!

Frame: https://ultrahouse3k.com/img/S05E10/376418.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/378920

## 6:22–6:32

Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, sits in a pink upholstered chair wearing a dark red cap, while a man in grey overalls, a light blue shirt and a brown bowler hat stands at a wooden railing holding a paintbrush dripping red paint. The man gestures with his free arm and steps back from the railing, then leans on it and glances down and back toward the seated figure, with a striped awning overhead and blue sky behind them. The brush's red paint and red splotches on the overalls are the most visible details.

> Ah, me legs gone, Gimpy!
> Who'll provide for me little ones?

Frame: https://ultrahouse3k.com/img/S05E10/383508.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/387262

## 6:32–6:45

Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair at the sides, appears with Smithers, his thin assistant in glasses, both wearing white hard hats; a man in a tall red hat with curly brown hair stands at the start, and a red sign is partly visible behind them. The scene dissolves into golden, ornate fixtures where Burns stands under spraying golden showerheads, water streaming past him and a purple towel hanging nearby, mouth open and eyes squeezed shut. It ends with Burns lying in a bed with a pink nightcap, laughing with his eyes closed under a blue blanket, between purple curtains with a wall lamp above him.

> Ha-ha-ha!

Frame: https://ultrahouse3k.com/img/S05E10/393310.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/398940

## 6:45–6:54

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits in a church pew beside other worshippers, one in a pink sweater and another in a light blue shirt holding a book. He then slumps forward with his head down on the pew, his raised arm limp, as the scene dissolves into a view of him seated in a red leather chair at a counter. Smithers, his thin assistant with glasses, a purple bow tie, a tan coat and an ID badge, stands beside him as Burns covers his face with his hand, then leans forward and speaks.

> Oh,
> what was I laughing at now?

Frame: https://ultrahouse3k.com/img/S05E10/406656.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/409784

## 6:54–7:02

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits in a red tufted chair at a table in a blue suit and black tie, while Smithers, his thin assistant with glasses, stands beside him in a brown jacket, purple bow tie and ID badge. Burns speaks with his mouth open and points at his own nose, then clasps his hands and laughs with his eyes shut as Smithers looks on, grinning at times. A large window with a dark frame stands behind them.

> Oh, yes, that crippled Irishman.
> Sir, the designers are here with some prototypes for your casino.

Frame: https://ultrahouse3k.com/img/S05E10/415206.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/418335

## 7:02–7:16

Mr. Burns, the frail, stooped old man with a hooked nose, sits at a desk while a silver-haired, moustached man in a navy suit with a crest pin pulls a white cloth off a grey clock, then gestures toward a miniature castle model with a Big Ben-style tower on a green base, lit by a pink neon BRITANNIA sign against bookshelves. The man turns and gestures expansively while a red-haired showgirl in a Union Jack swimsuit and white boots enters carrying a tray with a drink and sways beside him as Burns looks on.

> Gentlemen, I give you Britannia!
> Gambling with all the glitz and glamour of the British Isles.
> And best of all, the waitresses and showgirls are all real brits.
> Fresh from the Strait of Sussex, they are.
> Fresh in your drink, governor.
> Get out.

Frame: https://ultrahouse3k.com/img/S05E10/423757.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/429596

## 7:16–7:25

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and a long-haired hippie man in a purple headband, round glasses, and tie-dye vest stand in Burns's office beside a tabletop model of Britannia, with a glowing pink neon sign reading "Britannia" and a model of Big Ben. The hippie moves to a model of a Woodstock campsite with tents, a stage, and a "Woodstock" banner, where he scratches his head and looks dazed while Burns glares and grins with a clenched-teeth smirk. A small clock sits on the desk in front of the models.

> Okay, all right, wait, now dig this, man.
> Get out.
> Oh, wow. Oh, let me just get my head together.
> Now.
> I'll need three ships and 50 stout men.

Frame: https://ultrahouse3k.com/img/S05E10/437520.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/441274

## 7:25–7:36

An elderly sea captain with a white cap, white beard and blue coat over a green sweater stands in a wood-panelled study with bookshelves and a wall clock, holding a pointer and a pipe while gesturing toward a framed painting of a sailing ship on an easel. He keeps gesturing and pointing at the painting with his hands and pointer as he talks. The scene then cuts to Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, seated in a red high-backed chair at a desk by a window, where he jabs a finger forward and scowls. Smithers, in a purple bow tie and a green jacket with an ID badge, stands beside him looking on.

> We'll sail round the horn and return with spices and silk,
> the likes of which ye have never seen. We're building a casino.
> Arr, can you give me five minutes?

Frame: https://ultrahouse3k.com/img/S05E10/447113.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/451284

## 7:36–7:48

A white-bearded sea captain in a white cap, blue jacket and green shirt, pipe in hand, speaks in a wood-paneled room with a ship painting and a wall clock. Mr. Burns, frail and thin with a hooked nose and grey hair at the sides, scowls from a red tufted leather chair while Smithers, in a brown jacket, purple bow tie and ID badge, stands by a window. Burns leans forward and gestures outward with one hand, then turns his head with a sidelong glance.

> Idiots, I'll design it myself. I know what people like.
> It's got to have sex appeal and a catchy name.

Frame: https://ultrahouse3k.com/img/S05E10/457958.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/462337

## 7:48–7:58

Marge Simpson with her tall blue beehive and Lisa Simpson with spiky hair and a pearl necklace sit at a kitchen table with bowls and glasses of water, with a silhouetted crowd and a neon sign reading "Mr. Burns' Casino Grand Opening" shown earlier in the scene and the lit Simpson house at night in between. Marge talks and gestures with open hands while Lisa listens, and the sign and house are shown before the two are seen at the table.

> Mom, we're having a geography pageant at school, and I don't know which state to go as.
> In honor of legalized gambling, why not go as the state of Nevada?

Frame: https://ultrahouse3k.com/img/S05E10/469010.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/473390

## 7:58–8:10

Lisa, Marge, Bart and Homer sit around a kitchen table with bowls, glasses and a pink wall behind them. Lisa, wearing her pearl necklace, looks up and then grins while Marge sits beside her, and Bart drinks from a glass as Homer leans in from the foreground. Homer holds a fanned deck of cards and raises a finger while Maggie, with her blue bow, sits at the table holding a card, with a pink door and shelves behind them.

> No, Nevada makes my butt look big.
> Then how about going as Florida?
> You enjoy orange juice? Old people like you?
> Dad, what do you think? Shh! I'm trying to teach the baby to gamble.
> Why?

Frame: https://ultrahouse3k.com/img/S05E10/480063.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/484859

## 8:10–8:18

Marge Simpson, with her tall blue beehive, green top and red bead necklace, and Homer Simpson, bald in a white shirt, stand in a room with a lavender wall and a yellow striped wall behind Marge. Homer holds a spoon with a small pink morsel, first wide-eyed with gritted teeth, then shuts his eyes in a pained grimace, then opens his mouth wide in alarm while Marge stares with wide eyes and her mouth open. A red trailing scarf hangs behind Marge's shoulder and another red shape sits behind Homer.

> I got a job at Burns' Casino. As you know,
> it's been my lifelong dream to become a blackjack dealer.
> Your lifelong dream was to be a contestant on the gong show,

Frame: https://ultrahouse3k.com/img/S05E10/492158.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/494869

## 8:18–8:28

Homer, bald with a white shirt, first stares wide-eyed in a close-up beside a green refrigerator and a pink wall with a light switch, then he and Bart, the spiky-haired boy in an orange shirt, are shown struggling with a long rod on a stage with orange curtains. Their movements grow more frantic as they tug and twist the rod, and two judges sit behind a desk: a white-haired man with glasses and a bow tie, and a dark-haired man in a green suit who swings a mallet at a large gold gong, with a blonde woman in a black choker and pink top beside them.

> and you did it in 1977, remember?

Frame: https://ultrahouse3k.com/img/S05E10/499874.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/503628

## 8:28–8:38

Homer Simpson, bald and heavy in a white shirt, holds a long purple harmonica-like instrument to his face beside a brown-haired man in a red shirt against an orange wooden wall. Homer's bulging eyes and then his sideways glances and open, moving mouth are shown in close-up as he reacts and talks. The scene then shifts to a lilac building with blue columns and a lit marquee reading "D BANK ON PREM".

> We got more gongs than the breakdancing robot that caught on fire.

Frame: https://ultrahouse3k.com/img/S05E10/509467.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/513430

## 8:38–8:48

A tall, long-haired woman with a curly black hairdo, a pink cap and headphones, wearing a pink shirt and blue jeans, stands beside an easel sign reading 'GERRY COONEY OFFICIAL GREETER OF MR. BURNS CASINO' in a lavish purple casino lobby with a chandelier and statues. She shakes hands with a grey-suited man with swept-back reddish hair and a black tie, who then gestures with his hand as he talks to her while she listens with a dubious expression. A dark-skinned man in glasses and a blue shirt is visible at the left edge of the frames, and the sign is partly blocked by the men as they stand together.

> Hello, I'm retired heavyweight boxer Jerry Cooney.
> Welcome to Mr. Burns' casino.
> If there's anything I can do to make your visit more enjoyable, please, just let me know.

Frame: https://ultrahouse3k.com/img/S05E10/519269.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/523231

## 8:48–8:58

Troy McClure, a grey-suited man with swept-back reddish hair and a black tie, and an unnamed curly-haired woman in a pink shirt, orange cap and headphones stand at a velvet-roped casino entrance beside a small fountain statue and a sign reading partially "ONEY," "GREETER" and "NS CASINO." McClure gestures and talks at her, then drapes an arm around her shoulder while she grins and sways, before she pushes his hand away and covers his face with her palm as he stands stiffly watching. She turns away from him while he looks on with wide eyes, and a partly visible dark-skinned man stands at the left edge.

> Yeah, great. See ya.
> Uh, don't forget to apply for our VIP Platinum Club for special discounts on...
> Hey, I said bug off!

Frame: https://ultrahouse3k.com/img/S05E10/529279.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/533241

## 8:58–9:05

Homer, in a red vest and bow tie, works as a casino dealer at a green felt table lined with red and blue chips, with slot machines behind him. He stares wide-eyed as he holds a deck, then lays out a row of face-up cards that grows from four to six, and he spreads his hands in a helpless shrug beside a face-down red deck. Earlier, a waitress in a mint-green dress carries a tray past a crowded casino floor and a bar where Krusty sits on a stool.

> Uh, let's see.
> 182735, dealer bust. Looks like you all went again.

Frame: https://ultrahouse3k.com/img/S05E10/539289.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/542000

## 9:05–9:19

Homer, in his red dealer vest, stands at a green felt casino table with Krusty, the green-haired clown in a bow tie, and a blue-haired man in a brown cowboy hat and purple jacket behind him. An older grey-haired man in a tan suit and white hat lifts the hat overhead, then passes it across the table to Homer, who takes it and puts it on his head while a man in a sweater and red tie grins beside him. Stacks of red, blue and white chips, scattered cards and rows of slot machines fill the setting.

> Yee-haw!
> Homer, I want you to have my lucky hat. I wore it today Kennedy was shot,
> and it always brings me good luck.
> Why, thanks, Senator.
> Oop, looks like my shift is over.

Frame: https://ultrahouse3k.com/img/S05E10/547005.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/552635

## 9:19–9:23

At a green felt card table in a red-walled casino, Krusty the clown with green hair sits at the back beside a man in a brown wide-brimmed hat and purple shirt, while a man in a pink sweater, a grey-haired man in a brown suit, and an older man in a tan suit sit around the table holding chips and cards. A man in a white hat and red vest stands at the table's edge, and in the following frames a large yellow fist in a tan sleeve presses against a dark panel beneath a red lattice and a row of bright lights, shifting its position slightly across the frames.

> Uh-oh.
> Come on, Lucky Seven.
> Papa needs a new pair of pants. I want some of that sweet, sweet Do-Re-Mi.

Frame: https://ultrahouse3k.com/img/S05E10/560351.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/561603

## 9:23–9:33

A bald-patched, wrinkled old man with white tufts of hair, glasses, and a beige shirt and white tie, stands at a craps table with his fist raised, and beside him a Black man in a green sweater and glasses rests his chin on his hand. At the right, a thin man in a red jacket and a woman with a tall, curly orange hairdo and teal dress look on as the old man's mouth moves and his fist pumps. The green felt table shows a chalked layout with 'PASS LINE' and 'FIELD' written on it and numbers along the side, while crowded silhouettes and bright lights fill the casino behind them. Over the five frames the old man gestures and talks, then the Black man sits up and speaks with his mouth open while the old man raises his fist again.

> Fat City, here I come.
> Please throw the dice now, please, now. Don't rush me.

Frame: https://ultrahouse3k.com/img/S05E10/564939.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/568902

## 9:33–9:45

Apu, in his green jacket, stands at a casino craps table while Mr. Burns, a frail, stooped old man in a beige coat with a hooked nose and grey hair at the sides, argues with him. Burns jabs a finger toward Apu, then leans over the green felt table, peering down at the dice with a scowl. A man in a red vest and bow tie holds a dice stick near stacks of chips, and a showgirl statue on a clamshell stands in the background under chandeliers. Burns then slumps over the table, looking down at the dice, and a small die rests on the felt near the bottom edge.

> I have arthritis. Will the gentlemen please roll the dice?
> All right, all right, smart guy. Oops!
> Oh, for crying out loud, I dropped one. Oh, now it's in my shoe!

Frame: https://ultrahouse3k.com/img/S05E10/574949.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/579537

## 9:45–9:56

A heavy man in a beige sweater clutches the head of a man in a green sweater at a red-lit bar, while Moe, the grey-haired bartender in a red vest, watches beside stools and a crowd of onlookers. The group then turns toward a sign reading "TODAY: THE FLAMBOYANT MAGIC OF ... NTER AND ERNST," and on a pink, starburst-framed stage two bearded magicians in white outfits stand at an arch as a striped-suited performer rides a unicycle past them and fire bursts out. Disco balls hang above the stage as the audience's silhouettes fill the bottom of the picture.

> Ow!
> Ooh!
> Ow!
> Ooh! Ow!
> A round of applause, please, for Anastasia.

Frame: https://ultrahouse3k.com/img/S05E10/586419.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/590590

## 9:56–10:02

A white tiger with black stripes, wearing a blue cap with a propeller and a grey harness, puffs on a pipe on a stage with a pink and purple backdrop, gesturing with open arms beside two men in white jumpsuits with gold trim, one with long curly black hair and one with swept-back blond hair. The tiger then gestures expansively, smoke drifting from the pipe, before the scene cuts to a blurred jungle of green foliage where a white tiger with orange eyes peers out.

> She loves show business.
> So much nicer than the savagery of the jungle, yeah?

Frame: https://ultrahouse3k.com/img/S05E10/597055.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/599349

## 10:02–10:11

Two small yellow-skinned figures, one with spiky hair, sit in an open safari jeep parked at the left edge of a dark-blue night jungle with a full moon and a palm tree at upper right. A white tiger with black stripes lies curled asleep on the grass in the middle of the scene, and it barely moves while the jeep stays put behind it. The figures stay in the vehicle, looking toward the sleeping tiger, with pink flowers and green foliage in the foreground.

> Hey tiger, wake up!

Frame: https://ultrahouse3k.com/img/S05E10/603937.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/606856

## 10:11–10:19

A white tiger with black stripes lies on the grass in a dusky jungle clearing while a dark-haired man in white and a small yellow child sit in a parked safari jeep under a pale moon. The tiger slowly opens its eyes and lifts its head, then the scene cuts to a close-up of the same tiger wearing a blue propeller cap and a leather harness, gripping a pipe in its teeth and bracing its white paws against a pink and red background with bright flashes. The tiger's expression turns fierce as it leans forward, with no visible on-screen text.

Frame: https://ultrahouse3k.com/img/S05E10/612070.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/615198

## 10:19–10:31

Bart, the boy with spiky hair in an orange shirt, is at a casino, cheering with raised fists and an open mouth in front of a big red button, while slot machines glow around him. Early on, a shattered white and purple pattern covers a purple wall with a yellow-and-pink arch, then the broken pieces resolve into a yellow-framed slot display showing cherries, a lemon and a mermaid-like figure. Bart then drops to a crouch among scattered coins, and a red-vested casino attendant with a bow tie and neat grey hair, who looks like Smithers with a mustache-less face, leans in and grabs at Bart's shoulder with an alarmed, open-mouthed expression.

> Woohoo, jackpot!
> Wait a minute, are you over 21?

Frame: https://ultrahouse3k.com/img/S05E10/620203.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/625208

## 10:31–10:42

Bart, the boy with spiky hair in an orange shirt, is held up by a man in a brown suit and red tie inside an elevator, while a thin man in a grey suit and a red-vested attendant with a bow tie stand nearby. In the first moments the attendant, a bow-tied man with a nametag, gapes with his mouth open, and the group is squeezed between the gold elevator doors under a blue ceiling with recessed lights. As the moment continues Bart is set down and stands facing the group, which watches him with stern expressions, and the attendant ends up with his hands on his hips while the grey-suited man with a black collar and spiky dark hair looks on. A red-and-purple patterned wall is visible in the first frame, and the scene stays static apart from Bart's shifting position.

> Are you? I'm not authorized to answer that.
> By the way, your martinis suck! Oh, yeah?
> What are you gonna do? Start your own casino?
> In your treehouse? And get all your little friends to come?

Frame: https://ultrahouse3k.com/img/S05E10/632507.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/636678

## 10:42–10:52

Bart, in his orange shirt and blue shorts, sits on a wooden boardwalk while a couple sits on a bench to the left and a man in a brown suit sits on a bench to the right. Later a boy in a red vest and bow tie gestures and talks beside a tall man in a brown jacket, and a blue-haired boy with glasses stands near a small wooden treehouse under a 'BART'S CASINO' sign. Children in a crowd climb the wooden rungs of a large tree trunk, with Bart in a black tuxedo and bow tie standing at its base, gesturing toward them.

> I'd like to see that! Ah, ha, ha, ha, ha!
> Ah, yeah, welcome. Have a looky day.
> Mm-hmm.
> Well, he certainly showed me.

Frame: https://ultrahouse3k.com/img/S05E10/643143.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/647105

## 10:52–11:03

Homer, in a red vest and bow tie, stands behind a green casino card table holding a hand of cards while a man in a grey suit with his back to the camera faces him, and Carl, in a teal shirt, watches from behind the table. Homer's cards spill across the felt as Marge, with her tall blue beehive and red beads, leans in across the table, then Homer grins and points at her while she turns away. In the final shot Marge stands in front of rows of slot machines with orange lights, eyes wide and mouth open in surprise.

> Hi, homie.
> Hey, Marge. After your big tantrum against legalized gambling,
> I bet it feels pretty weird to be in a casino.
> I was for the casino.

Frame: https://ultrahouse3k.com/img/S05E10/653361.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/658158

## 11:03–11:12

Homer, the bald, heavy man in a white shirt and black bow tie, stands before purple slot machines with red lights in a casino, first holding up three fingers, then with his mouth open looking wide-eyed, and finally tapping his temple with a finger while his eyes narrow. Later, a yellow-skinned woman with green hair wrapped in blue and pink curlers and a multicolored bead necklace grips a brown wooden club and points upward in a round grey-blue room, where a black-and-white penguin with an orange beak and a green crocodile-like creature watch nearby.

> Strike three, Marge. I remember that meeting and I have a photographic memory.
> Legalized gambling is a bad idea.
> You can build a casino over my dead body.

Frame: https://ultrahouse3k.com/img/S05E10/665039.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/668168

## 11:12–11:23

Marge Simpson stands on a red stool in a domed room, holding a rolling pin overhead and pointing upward while Homer sits arms crossed among onlookers that include Ned Flanders, a green alligator in a brown suit, a penguin perched on a man's head, and a red-haired woman. Homer then holds a red telephone to his ear with a startled expression, and finally he wears a red vest and black bow tie at a casino table, hands raised and eyes squeezed shut as he shouts, with rows of slot machines and scattered cards and chips behind him.

> Blah, blah, blah, blah, blah. Blah, blah, blah, blah, blah, blah, blah.
> For you, it's the president.
> Yellow.
> And then I said to the president, get this.

Frame: https://ultrahouse3k.com/img/S05E10/673590.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/678178

## 11:23–11:35

Marge Simpson, with her tall blue beehive and red bead necklace, stands at a row of purple slot machines in a casino alongside Maggie, the baby with a pacifier and blue bow, who is held against her side. Homer, in a red vest and white shirt, is seen earlier at a green card table, and a grey-haired older man in a red vest sits at a nearby table. Marge holds a coin up to a slot machine, then the coin is seen in close-up on a red carpet, and back at the machines Marge looks sideways while speaking with her mouth open. Ceiling lights, a 25 cent sign on a machine, and a silver fountain sculpture are visible.

> Marge, Marge.
> Hmm,
> I wonder if they have a lost and found.
> Oh, what the hay?

Frame: https://ultrahouse3k.com/img/S05E10/684851.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/689439

## 11:35–11:45

Marge Simpson, with her tall blue beehive and green dress, and baby Maggie, with a pacifier and blue bow, stand in a casino lined with purple 25¢ slot machines. Marge first stands beside the machines with one arm raised while Maggie clings to her shoulder and looks startled, then she turns and holds Maggie in front of the machines, smiling. Marge then walks toward a set of gold elevator doors in a purple hallway with blue ceiling lights, holding Maggie against her side.

Frame: https://ultrahouse3k.com/img/S05E10/696321.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/700283

## 11:45–11:56

Marge, with her tall blue beehive and red beads, holds Maggie, a baby with a pacifier and blue bow, in a mirrored hallway, then walks down a purple corridor past yellow doors. Next, a lit marquee reads 'Tonight: Milhouse, Next week: An Evening with Jimbo' above a wooden board listing odds for 'Krabappel Nervous Breakdown' at 2-1, 'Fat Kid Popular' at 50-1 and 'Bart Gets Own TV Show' at 1000-1. Bart, in a black tuxedo and red bow tie, stands at a purple counter with a pickle jar and bowl of snacks while a woman with long purple hair, a blond man with glasses and a woman with long hair look on, and a dark-haired person stands at the left edge.

> Hmm.
> Hey, how's it going? Hey, good to see you.
> Tell your friends, looking lucky. Hey, what's happening?

Frame: https://ultrahouse3k.com/img/S05E10/706539.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/711127

## 11:56–12:01

Bart, in a black tuxedo with a red bow tie, stands beside a green craps table in a wooden hall while a boy in a blue shirt and teal pants grins nearby, and a curly-haired woman in a lavender robe kneels at the table's edge. Bart points at the layout as a white die tumbles across the felt, and a boy in an orange shirt sits watching while a skull-shirted sweeper holds a broom and a bowl of food sits on a purple counter behind them. The scene ends on a green sign reading "MILHOUSE THE MAGICIAN" with stars around a top-hatted caricature, beside a black cat, and a "BREAKDOWN" and "ODDS 2-1" chalkboard appears earlier in the room.

> Love the jacket.

Frame: https://ultrahouse3k.com/img/S05E10/717800.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/718843

## 12:01–12:11

Milhouse, with blue hair, glasses, and a tall black top hat, stands on a wooden stage in a log-walled room, holding Snowball II, the black cat, in front of a green curtain and a poster reading "MILHOUSE THE MAGICIAN." A small table holds a box marked with a question mark, and a seated audience of the backs of heads and a bald man watches from below. Milhouse lifts the cat and pushes it toward the box, then the cat stretches its body and legs out, struggling and clawing at the air as Milhouse pushes it down into the box, which is left empty as the cat's fur bristles and it hisses.

> Behold the box of mystery.
> The cat goes in right here.

Frame: https://ultrahouse3k.com/img/S05E10/722180.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/726142

## 12:11–12:22

Homer, in a red vest and bow tie, deals blackjack at a casino table while two men in grey suits sit across from him, with onlookers and glowing slot machines behind them. The view then cuts to a wooden room where a black cat with green eyes looms in the foreground beside several people, one in a purple top. Back at the table, Homer gestures and leans toward the seated players as a man in dark sunglasses watches, with stacks of chips and playing cards on the green felt.

> 21. Do that card counting thing again.
> Come on, do it again. Definitely have to leave the table.
> No!
> Please, please, please, please, please!

Frame: https://ultrahouse3k.com/img/S05E10/732190.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/736569

## 12:22–12:32

Homer, in a red vest, deals cards at a green felt casino table stacked with chips while Mr. Burns, frail with grey hair at the sides, watches from the crowd behind, and a grey-suited man with dark hair sits at the table. The grey-suited man and Homer lean toward each other and shout, with the grey-suited man gesturing and cupping a hand to his ear, as onlookers including a woman with orange hair and a turquoise sweater and a man in a red jacket crowd around. Cards lie face up on the table, and a row of bright bulbs glows above the casino floor.

> Gotta watch Wapner. Leave the table. Yeah, leave the table.
> No!
> Yeah!

Frame: https://ultrahouse3k.com/img/S05E10/743243.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/747205

## 12:32–12:44

Homer, in a red vest and bow tie, laughs hard with his hands on his head at a green casino card table. A glowing neon sign reading "Mr. Burns" sits atop the casino building above a pink neon face. Inside a blue-walled suite, a man in green walks past a panel of colored buttons, then Mr. Burns, bald with blue-grey hair at the sides and wearing a purple suit, sits in a red chair while Smithers, in a dark jacket with a purple bow tie and badge, stands beside him gesturing with one hand.

> Sir, you haven't slept since the casino opened five days ago.
> No, I've discovered the perfect business.

Frame: https://ultrahouse3k.com/img/S05E10/753253.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/758466

## 12:44–12:55

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands in a row of blue-walled booths inside a clean, lavishly decorated room while Smithers, his thin assistant in glasses and a purple bow tie, stands beside him in a brown jacket. Burns, wearing a green and red-trimmed coat, first gestures with a pointing finger toward the booths, then leans forward, mouth open as he talks, and later closes his eyes and grimaces with his chin tucked down. In the last moment Smithers, looking anxious with wide eyes and his mouth open, grips Burns's arm and leans in toward him. Behind them, a blue curtain hangs beside a white sign on the wall, and a large red coat fills the right edge of the scene.

> People swarm in, empty their pockets, and scuttle off.
> Nothing can stop me now.
> Except microscopic germs.
> But we won't let that happen, will we, Smithers?
> Uh, no, sir.

Frame: https://ultrahouse3k.com/img/S05E10/765556.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/769936

## 12:55–13:06

Marge, with her tall blue beehive and green dress, feeds a slot machine in a casino while baby Maggie, in a blue sleeper with a pacifier and blue bow, crawls across the red carpet beneath the machines. Maggie then crawls past stools and through a crowd of legs, including a heavyset woman with curly orange hair and a man in a white hat, beneath a glowing blue-lit archway and pillar. Scattered coins, a dollar bill, a spilled paper cup, and a cigarette butt litter the floor around her.

Frame: https://ultrahouse3k.com/img/S05E10/776609.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/781197

## 13:06–13:17

Maggie, the baby with a pacifier and a blue bow, is first seen sitting on a red carpet among standing legs in a casino, then crawls onto the edge of a craps table while a heavy man in a green jacket holds a cup and well-dressed onlookers in pearls and suits watch. She ends up lying on the green felt table among chips and betting markings, and two white dice tumble across the table.

> Whoa, a baby on the table. That's good luck.
> Snake eyes. Sorry.

Frame: https://ultrahouse3k.com/img/S05E10/787870.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/792250

## 13:17–13:29

Two men in white jumpsuits with gold trim, one with long dark hair and one with swept-back white hair, walk a white tiger with black stripes on a red leash through a casino lined with purple 25c slot machines. A young man in a red cap and blue overalls grins and looks at them as they stop beside him, and the men exchange glances with him while the tiger waits at their side. The tiger then turns to face a small spiky-haired girl in blue clothes, who looks up at it as they stand face to face on the red casino carpet near a row of round stools.

> Darsh, it must be exciting to live in the casino.
> Yeah.
> You know, we're having a party tonight.

Frame: https://ultrahouse3k.com/img/S05E10/798923.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/803511

## 13:29–13:33

Maggie Simpson, the baby with a blue bow, grabs the whiskers of a white tiger with black stripes and a red collar on a red-carpeted floor beside a bright red wall of lights, then goes limp and sprawls on the floor as the tiger opens its mouth in a roar. Barney, the heavy man with messy brown hair in a salmon tank top, holds Maggie out by one arm in front of a row of 25-cent slot machines, and then Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stands at the machines holding a paper cup while the 25¢ signs glow around her.

Frame: https://ultrahouse3k.com/img/S05E10/810393.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/811436

## 13:33–13:47

Marge, with her tall blue beehive and green dress, and Barney, a heavy man with messy brown hair in an orange shirt and navy pants, are in a casino lounge lined with slot machines. Barney holds baby Maggie, who wears a blue bow and has a pacifier, while Marge leans over from her stool and reaches toward them. She then takes Maggie up into her arms and holds her close, after which Maggie is set down on the red carpet, where she sits while Marge turns back toward the slot machines and Barney looks on. A white cup sits on the bar counter and the slot machines show 25¢ labels.

> March, you gotta watch out. Your little boy bot could have been eaten by that pony.
> Oh, my God, Barney, thank you. I would never have forgiven myself.
> Now you stay put, young lady.
> Man, that's classic compulsive behavior.

Frame: https://ultrahouse3k.com/img/S05E10/814772.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/820611

## 13:47–13:57

Barney, the heavy man with messy brown hair and an orange shirt, stands in a bar lined with slot machines and purple cabinets, rubbing his head at first. A woman with an orange updo and a green dress carries a tray of cups toward him, and he reaches up to take one. A blue-haired man in a grey shirt then points at Barney, who glances sideways, before Barney leans in beside the woman, who grimaces with a forced smile. A trash can with a cup in it sits between them, and the red-lit arcade machines glow behind.

> Whoa, free beer!
> Buddy, those are my quarters.
> Hey, this guy's paying off.

Frame: https://ultrahouse3k.com/img/S05E10/828745.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/832498

## 13:57–14:05

Near a row of 25-cent slot machines, Barney, a heavy man with messy brown hair in an orange shirt, stands beside a woman with orange hair in a lavender dress as a crowd gathers around a man in a green shirt and a bald, kneeling man picking up scattered coins from the floor. The view then shifts to a red-doored entrance beside a sign reading "Krusty's Midnight Show, Adults Only" that shows Krusty's face, and the door swings open to reveal a dim theater with seated audience members and a figure in a top hat standing on a lit stage.

> I don't want to hit a sore spot, but can we talk about herpes?

Frame: https://ultrahouse3k.com/img/S05E10/838546.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/841257

## 14:05–14:17

Krusty the Clown, a green-haired clown in a black jacket, white shirt, red tie and red cummerbund, stands on a stage against a blue spotlit backdrop beside a red wooden stool. He holds a microphone in one white-gloved hand and a glass with a lit cigarette in the other, first speaking with his mouth open, then smiling and raising the glass, then leaning forward with a grimace and gesturing with the microphone while smoke curls up from the cigarette. He ends standing upright with the microphone in one hand and the glass and cigarette in the other, mouth open as he talks.

> Herpes, herpes, boberpes, banana, fana, fof, herpes, herpes!
> Ow!
> Hey, that spot on Gorbachev's head?

Frame: https://ultrahouse3k.com/img/S05E10/846262.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/851476

## 14:17–14:28

Krusty the Clown, a green-haired clown in a black tuxedo jacket and red sash, stands on a stage with a stool and a blue curtain, holding a microphone in one hand and a glass with a lit cigarette in the other. He turns from his back to the audience, raises his glass, then leans in close to the microphone with a scowl and bared teeth, while the seated audience looks on, including a man with crossed arms and a woman with a stern expression. The smoke from the cigarette drifts upward throughout, and the stool and stage floor remain in place.

> Herpes, trust me!
> Anybody here have herpes?
> Huh? Huh?
> You people are the worst audience I've ever seen.
> Well, you're the worst comedian we've ever seen.

Frame: https://ultrahouse3k.com/img/S05E10/858775.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/863154

## 14:28–14:39

Krusty the Clown, with green hair, red nose and a black tuxedo with a red cummerbund, performs on a blue-lit stage, holding a microphone in one gloved hand and a cigarette in a cup in the other, before stepping away from a red stool and standing with a hand on his hip while audiences sit watching. Later, in a theatre seat, Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red chair in a white coat, holding a spray can with a no-smoking symbol that puffs a cloud of smoke toward the windows, while the other passengers look on in an enclosed cabin.

> Oh, great. Well, we'll just sit here silently for the next 90 minutes.
> Fine with us.
> They're all covered with filthy germs, aren't they, Smithers?

Frame: https://ultrahouse3k.com/img/S05E10/869827.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/874207

## 14:39–14:53

Mr. Burns, a frail, stooped old man with a hooked nose, sits in a red chair at the right while his thin assistant Smithers, wearing glasses, appears in close-up with wide eyes and a face dotted with grime, and a man in an olive jacket stands at the left beside windows showing a casino. The scene then moves into a neon-lit casino with a honeycomb red ceiling, where a man in a dark suit leans toward a slot machine and a man in a dark suit walks past. Marge, with her tall blue beehive, plays a slot machine while a heavy man in a light suit and white hat strolls toward a bar, where a bartender stands behind the counter.

> Why, what do you mean, sir?
> Freemasons, run the country!
> Eww.

Frame: https://ultrahouse3k.com/img/S05E10/880880.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/886719

## 14:53–15:06

Homer and Marge Simpson stand in a casino-style room with red walls and bright lights. Homer, in a white shirt and red vest with a green jacket slung over his shoulder, gestures while Marge, wearing her red bead necklace, looks unimpressed beside a counter. Marge then turns to a row of 25¢ slot machines and pulls a lever while Homer stands nearby, and she glances over with a scowl as Homer looks toward her.

> Mort, you waited for me.
> Okay, Marge, let's go. I'll catch up to you.
> Marge, I'm taking the car. I'll walk.
> This late through the bad neighborhood?
> Yeah.
> Marge. Go home, you're bad luck.

Frame: https://ultrahouse3k.com/img/S05E10/894644.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/900066

## 15:06–15:12

Marge Simpson, with her tall blue beehive and green dress with red beads, and Homer Simpson, bald in a white shirt, stand between purple machines with glowing yellow-framed windows. Marge first looks at Homer with a wary, sidelong stare, then raises her arm to a grey lever on the machine while Homer stares wide-eyed, mouth open. In the final moment she grips a grey knob near Homer's ear as he grimaces with clenched teeth.

> Wait.
> I see what's happening here.

Frame: https://ultrahouse3k.com/img/S05E10/907365.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/909242

## 15:12–15:22

Marge Simpson, with her tall blue beehive and green dress, sits on a blue stool at a row of slot machines in a casino, pulling a lever and feeding coins while she plays. Homer Simpson, bald and wearing a white shirt, red vest and black trousers, stands beside her with a fist on his hip and a bundle of cash tucked under his arm, glancing and scowling in her direction. In the later images Homer is gone from the scene, and Marge keeps playing alone under a glowing chandelier, with the room's red lights, bulbs and pillars around her. Visible on-screen details include slot machines with lit '7' and '2.50' displays and a dark red honeycomb ceiling.

> You're just mad because everyone in this town loves gambling except for you.
> Well, that's just sad.

Frame: https://ultrahouse3k.com/img/S05E10/913413.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/917375

## 15:22–15:33

Marge Simpson, with her tall blue beehive and red bead necklace, stands at a row of slot machines in a dimly lit casino, holding a bucket of coins, while she reaches toward a machine's lever. The scene opens from black, and Marge keeps working the machine as Carl, a bald man in a grey suit, Principal Skinner in a green jacket with a purple bow tie and ID badge, and a man in a brown suit with a red tie move in beside her. Skinner gestures with open hands and then clasps them together, while the others look on, and the neon lights and machines glow behind them.

> Uh... What?
> Excuse me, ma'am. Don't you think you've gabbled enough?
> No.

Frame: https://ultrahouse3k.com/img/S05E10/923840.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/928010

## 15:33–15:46

Marge, with her tall blue beehive and green dress, sits holding popcorn in a dim arcade, while Principal Skinner in an olive jacket and purple bow tie stands beside a bald man in a dark suit and a man in a brown suit with a red tie, all looking on. The scene then moves to the kitchen, where Lisa sits at a table with a blue cloth and a bowl, beside stacked dirty dishes and an overflowing pot. Lisa leans over the table next to Maggie in her high chair, and Bart, in a tuxedo, stands by the green refrigerator holding a red wall phone on its coiled cord.

> Okay.
> We're required by law to ask every 75 hours.
> Get her another free drink.
> Do you get the feeling this family is disintegrating?
> I mean, we haven't had a meal with Mom all week,
> and she hasn't even started my costume for the geography pageant.

Frame: https://ultrahouse3k.com/img/S05E10/934267.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/939689

## 15:46–15:57

Bart, in a black-and-white maid's outfit, talks into a red wall telephone while Lisa, in her red dress and pearl necklace, watches from a kitchen table covered with a blue cloth. Bart's scowl turns into a wide-eyed grin, and he then peeks around a green door decorated with a crayon drawing of a house, tree and sun. Homer, in a white shirt and blue pants, stands at the counter under a green range hood marked 33 while Lisa looks on.

> Put down, sister. I gotta book a new act for tonight.
> Turns out that Liza Minnelli impersonator was really Liza Minnelli.
> There's nothing to eat for breakfast. You gotta improvise, Lisa.

Frame: https://ultrahouse3k.com/img/S05E10/947196.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/951784

## 15:57–16:09

Homer Simpson, the bald, heavy man in a white shirt, stands at a kitchen counter with a blue tabletop, mixing a pie in a mint-green bowl beside a bottle of Tom Collins mix, a jar of cloves, and a spoon. He pours dark filling into the bowl, then lifts a pie with a lattice-free top crust, and later holds it up over the bowl before setting it down. Lisa, the girl with star-shaped spiky hair and a red dress, leans on the counter with a pearl necklace, her cheek in her hand and a worried expression, as Homer reaches toward the pie. In the last moment Homer, in profile, holds a small blue bowl and a red-handled utensil while looking aside, with the Tom Collins bottle, cloves jar, and a pie visible on the counter.

> Cloves, Tom Collins mix, frozen pie crust.
> Maybe Mom just doesn't realize we miss her.
> We could go down to the casino and let her know.
> Aw, come on, Lisa, there's no reason to...

Frame: https://ultrahouse3k.com/img/S05E10/958458.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/963254

## 16:09–16:12

Homer Simpson, bald and heavyset in a white shirt, sits at a blue table in the kitchen with a bowl of casserole, while Lisa Simpson, with spiky hair and a pearl necklace, watches him from the left. Homer raises a spoon to his mouth, then lowers it to the bowl and turns toward Lisa with his mouth open as if talking. A bottle, a can, and a corkboard with a pizza sign pinned to it sit nearby.

> Let's go see Mom.

Frame: https://ultrahouse3k.com/img/S05E10/970136.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/970970

## 16:12–16:24

Homer, Marge, Lisa, Maggie and Bart stand together in a casino lined with slot machines, including one reading "25¢ SLOTS" with a 7-7-7 display. Marge, seen from behind with her tall blue beehive and green dress, sits on a stool and reaches toward a machine, then turns with a drink in hand while Homer, eyes wide and mouth open, holds Maggie and looks up, and Lisa and Bart look on. Homer raises a paper cup and grins while Marge keeps her arm on the machine and Maggie, pacifier in her mouth, is held against him.

> Marge, we need to talk.
> You're spending too much time at the casino and I think you may have a problem.
> I won $60 last night. Woo-hoo!
> Problem solved!

Frame: https://ultrahouse3k.com/img/S05E10/973890.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/978895

## 16:24–16:38

Mr. Burns, frail and stooped in a white coat with grey hair at the sides, sits up in a bed while yellow-gloved hands set a wooden model airplane on the blanket. He lifts the model on its stand, then thrusts it toward Smithers, his thin assistant in a blue uniform, glasses and blue cap, who stands beside the bed. Burns keeps holding the plane out with his mouth open and then glances aside, while Smithers watches in a lavender room with blue cabinets.

> Smithies, I've designed a new plane.
> I call it the Spruce Moose,
> and it will carry 200 passengers from New York's Idlewild Airport to the Belgian Congo in
> 17 minutes.
> That's quite a nice model, sir.
> Model?

Frame: https://ultrahouse3k.com/img/S05E10/985985.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/991824

## 16:38–16:49

Homer lies in bed under an orange blanket beside a purple pillow, then sits up in his light blue pajamas while his daughter Lisa, with her spiky star-shaped hair, peers over the covers at him. Homer talks and then lies back with heavy-lidded eyes as Lisa watches anxiously in the dim bedroom lit by a blue lamp. The scene ends with Lisa standing alone in a blue-lit room, wearing a green nightgown with white trim, clasping her hands at her chest with her mouth open.

> Mom!
> Huh? What? Lisa!
> What's up? I just had a bad dream.
> Oh, sure.
> You just lie down and tell me all about it.
> Well, I know it's absurd, but I dreamed the boogeyman was after me, and he's...

Frame: https://ultrahouse3k.com/img/S05E10/999749.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1004337

## 16:49–17:01

Homer and Lisa appear at night in a dim bedroom: Homer peeks wide-eyed above a large orange blanket while Lisa, in a teal nightgown, stands by a lamp with her hand to her chin. Homer then appears in close-up with his mouth wide open and eyes strained, and a blue-pajama figure lies in the bed. Homer leans over Bart, who lies on a pillow with wide eyes in a green shirt, as Homer's mouth gapes open beside him. A framed picture hangs on the blue wall, and toys sit on a shelf in the upper right corner.

> Boogeyman!
> You nailed the window shut! I'll get the gun!
> Art, I don't want to alarm you, but there may be a boogeyman or boogeyman in the house!

Frame: https://ultrahouse3k.com/img/S05E10/1010801.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1015598

## 17:01–17:13

Bart, Lisa and Maggie, with Homer, are in a pink bedroom with a teal carpet, and Marge's face appears through a hole in the door, as Homer, Bart and Lisa lie low behind a torn mattress...

Frame: https://ultrahouse3k.com/img/S05E10/1022688.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1027485

## 17:13–17:18

Marge, with her tall blue beehive and green strapless top and red bead necklace, stands in a pink room with her eyes wide and mouth open, one arm stretched out to the side. Homer, in a blue shirt, sits in a purple armchair holding a shotgun over his shoulder, with a framed picture of Lisa hanging behind his head and a wire-shaped crack on the wall above. He gestures with an open hand while speaking, then sits back in the chair with a grimacing, angry expression and clenched teeth, his hands resting on his lap.

> What happened here? Oh, nothing, Marge. Just a little incident involving the boogeyman!
> Wish none of this would have happened if you had been here to keep me from acting stupid!

Frame: https://ultrahouse3k.com/img/S05E10/1034367.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1035826

## 17:18–17:27

Marge, with a tall blue beehive and green dress, and Homer, bald and heavy in blue, are in a pink living room with Lisa and Bart in pajamas, who sit and stand at the back of an orange-covered couch. Homer, seated with his back to us, turns his head and gestures while Lisa and Bart look up at him, then Marge speaks with wide eyes as Homer turns toward her. The moment ends with Marge holding Maggie, who wears a blue bow and sucks a pacifier, beside a brown door in a pink hallway.

> Oh, I'm sorry. I have been spending too much time at the casino.
> I'll be around more from now on. Does this mean you'll help me with my costume?

Frame: https://ultrahouse3k.com/img/S05E10/1039580.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1043125

## 17:27–17:36

Marge Simpson, with her tall blue beehive and red bead necklace, holds baby Maggie, who sucks a pacifier and wears a blue bow, while Lisa, with her star-shaped spiky hair and blue dress, sits on an orange couch in front of a television in the pink living room. Marge first holds Maggie near Lisa, then stands beside Lisa with her hand on her shoulder as Lisa covers her face with her hands in dismay, and by the final moments Marge leans in and hugs Lisa with both of them smiling and eyes closed while Maggie watches from the left. A small framed picture on the pink wall and a brown door are visible in the background.

> Oh, sure, honey.
> I promise.
> Thanks, Mom.

Frame: https://ultrahouse3k.com/img/S05E10/1048548.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1052093

## 17:36–17:46

Homer, in blue pajamas, stands in a pink bedroom beside Marge, who hugs a spiky-haired girl in a green dress, then Homer flings his legs into the air and topples backward onto a purple couch while Bart, in a green shirt, watches from behind it. Homer lies sprawled on the teal carpet near two small red cylinders as Bart peers over the armchair, and later Bart in an orange shirt holds up a blank white sign in an airport area beside a moustached man in a blue suit, with a partly visible sign reading CLAIM and TERMINALS.

> Aw, just like on TV.
> Hi.
> You from the casino? I'm from a casino.

Frame: https://ultrahouse3k.com/img/S05E10/1057515.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1061686

## 17:46–17:59

Mr. Burns, a frail, thin old man with a hooked nose and grey hair at the sides, lies under a white blanket in a cryogenic-looking room, while a man in a blue hooded coat and a moustached man in a blue suit and black tie appear in the scene. A neon casino sign and a marquee reading "TONIGHT ROBERT GOULET ALSO CONCRETE AND ASPHALT EXPO 1993" are shown, and a blue window with streaks is seen in between. The standing man in blue gestures toward the bed beside a wall of coloured lockers and two small boxes on the floor.

> Good enough. Let's go.
> I'm afraid Robert Goulet hasn't arrived yet, sir.
> Very well. Begin the thawing of gym neighbors.

Frame: https://ultrahouse3k.com/img/S05E10/1068150.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1073155

## 17:59–18:02

Bart Simpson, in an orange shirt and blue shorts, rides a small green bicycle while Troy McClure, a swept-back-haired man in a blue suit and black tie with a mustache, sits on the back and holds a microphone. They ride along a city sidewalk past a purple storefront with a striped awning and a glass door, then across a grassy lawn toward a tree with a marquee sign reading "ROBERT GOULET." A stranger in a blue vest and grey shorts climbs the tree and works on the sign's letters, while Troy steps off the bike and walks away holding the microphone as Bart keeps pedaling on the green lawn.

> Are you sure this is the casino?

Frame: https://ultrahouse3k.com/img/S05E10/1080454.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1081080

## 18:02–18:13

Bart, a spiky-haired boy in an orange shirt, stands beside a moustached man in a blue suit and black tie, who holds a small blue object to his mouth in front of a large brown wooden structure with plank-like panels. The man grins and then lowers the object over his shoulder while Bart looks up at him, and Nelson, the bully in a blue vest, pops up over the wooden structure, shouting with a raised fist as the man glances at him. Nelson then leans on the structure with a smirk while the man grimaces and turns toward it, and Bart is no longer visible in the final moment.

> I think I should call my manager.
> Your manager says for you to shut up!
> Vera said that?
> Oh.

Frame: https://ultrahouse3k.com/img/S05E10/1084000.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1088170

## 18:13–18:26

Lisa, the girl with star-shaped spiky hair and a red dress, and Homer, the bald heavy man in a white shirt and blue pants, appear. The moment opens outdoors with a figure in a blue jacket climbing a large tree toward a wooden treehouse marked BART'S CASINO, where a spiky-haired boy in an orange shirt stands at the window beside a sign reading ROBERT GOULET. It then cuts to a pink living room with a purple lamp and rainbow rug, where Lisa reaches toward Homer's arm as he sits slumped on the couch, and she looks up at him anxiously while he clasps his hands over his belly.

> Dad, Mom said she'd be home to help me with my costume, and she's not,
> and the geography pageant is tonight.
> Lisa, your mom still loves you. It's just that she has a career now.
> She's a slot jockey.

Frame: https://ultrahouse3k.com/img/S05E10/1094635.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1099849

## 18:26–18:33

Homer Simpson, the bald, heavy man in a white shirt, sits at the left of the frame with a sly, bored expression, while Lisa Simpson, the girl with star-shaped spiky hair, wearing a red dress-like orange skirt and a pearl necklace, stands on a red and green rug in the family living room. Lisa gestures with open hands and speaks, then clasps her hands together near her necklace and grimaces with a worried look, her eyes narrowing as she talks. A purple speaker and a small television with a blue screen sit behind her, and Homer's arm rests on the back of the nearby chair at the right edge.

> But, Dad, if I don't show up in a rubber suit shaped like the state of Florida,
> I'll be the laughing stock of the whole school.

Frame: https://ultrahouse3k.com/img/S05E10/1107148.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1110067

## 18:33–18:44

Homer, bald and heavyset in a white shirt and blue pants, sits in a pink-walled room beside a framed picture while Lisa, with spiky hair and a pearl necklace, is visible only at the left edge of the scene. He talks animatedly, gesturing with an open hand, then grimaces and scowls with his eyes narrowed and mouth open. Finally he sits on an orange chair beside a wall-mounted red telephone with a note pinned above it and pulls a grey sock onto his foot.

> Ugh, it's always something, isn't it? First,
> I have to drive your pregnant mother to the hospital so she can give birth to you.
> And now this!
> Ow!

Frame: https://ultrahouse3k.com/img/S05E10/1115072.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1119243

## 18:44–18:58

Homer Simpson sews a grey costume at a sewing machine in the kitchen, then in a welding mask and blue gloves works a glowing blue torch on a purple car in the garage, a hammer and red fire extinguisher nearby. Later, in the living room, Homer kneels beside a yellow-skinned figure in a grey costume shaped like Florida, labeled FLORIDA, with its arms taped out and an orange held in one hand, as he gestures with his hands on his hips.

> Oh, yeah, the costume.
> Hello, Florida.
> I'm not a state.

Frame: https://ultrahouse3k.com/img/S05E10/1125499.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1131339

## 18:58–19:00

Homer, the bald heavy man in a white shirt, stands at right with a worried expression while a bandaged, eyes-closed person in a gray-blue chair and a gown printed with the letters "FLO" sits at left. The bandaged figure's mouth opens and closes as they speak, with a grimace and then a grin, and they raise and gesture with an arm while Homer reaches toward their hand in the early moments and then holds his hands low and apart. The red-brown wall behind them has a small round dent, and the background stays otherwise still.

> I'm a monster.

Frame: https://ultrahouse3k.com/img/S05E10/1139055.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1139472

## 19:00–19:12

Homer Simpson, the bald, heavy man in a white shirt, stands in front of a pink wall and a framed picture of a red-hulled sailboat on blue water, at a brown table. He first scowls with his arms folded on the table, then looks worried and grits his teeth, then clasps his hands while glaring. He next closes his eyes and flings both hands out in an exasperated gesture, and finally scowls and raises clenched fists beside the framed sailboat picture.

> No, Lisa. The only monster here is the gambling monster that has enslaved your mother.
> I call him Gamblor, and it's time to snatch your mother from his neon claws.

Frame: https://ultrahouse3k.com/img/S05E10/1141974.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1146771

## 19:12–19:23

Homer Simpson, a bald heavy man in a white shirt and blue pants, presses his hands against a glass door in a purple-walled casino corridor, then is flung through the air past a giant wheel while Mr. Burns, a thin stooped old man with a hooked nose and grey hair at the sides, looms nearby. Homer lands on the red carpet of the casino floor, lined with slot machines and a fountain statue, and walks toward a moustached man in a blue jacket and dark trousers standing beside a trash can and a partly visible sign reading "NING". Finally Homer stands at a spinning roulette-style wheel on a green table, watched by a croupier in a red vest and bow tie and a crowd of onlookers.

> Marge, where are you?
> Damn this casino!

Frame: https://ultrahouse3k.com/img/S05E10/1153861.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1158240

## 19:23–19:34

A blue-haired casino dealer in a red vest and bow tie stands beside a large spinning wheel with star markings, while a woman with orange hair in a red vest, Homer in his white shirt, a grey-suited Mr. Burns, Apu in his green vest and Carl in a white coat gather around a green craps table. The wheel spins as the crowd watches and Homer gestures, then the dealer watches the dice roll across the felt, and finally Mr. Burns and Apu raise their fists in celebration as two white dice show their dots on the table.

> Double stars!
> Everybody wins!
> Yay!
> Seven! Lucky seven! Yay!

Frame: https://ultrahouse3k.com/img/S05E10/1164914.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1168876

## 19:34–19:45

Homer Simpson runs down a purple hallway past a payphone while a man in a fedora, green shirt and tie clings to his back, then the man stands with a hand raised to his head as Homer hops in place beside a trash can and a rack of brochures. A wall of monitors shows casino scenes, including a roulette wheel, card tables, a LADIES door and an elevator, and Homer's wide-eyed face appears in one screen while the grey-haired back of Mr. Burns's head fills the foreground in front of the monitors.

> You can't talk now.
> Smithers, I don't want that unpredictable lunatic working in my casino.

Frame: https://ultrahouse3k.com/img/S05E10/1175132.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1179720

## 19:45–19:53

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, lies in bed in a white nightshirt while Smithers, in a blue robe and blue nightcap, stands beside him. Burns points a long finger and gestures while Smithers holds a small white cup, then Burns lowers his gaze and looks wistful, fingers resting near his beard. The room has lavender-blue wall panels, a red headboard, and a small bottle on a side table.

> Fine. We'll transfer them to the nuclear plant, sir.
> Oh, my beloved plant.
> How I miss her.

Frame: https://ultrahouse3k.com/img/S05E10/1186185.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1189313

## 19:53–20:03

A thin, stooped old man with a hooked nose and long grey hair at the sides, in a white robe, stands on two orange tissue boxes in a bedroom while a blue-coated attendant with glasses, a blue hat and white gloves watches nearby. He lifts one leg and shifts his weight, then turns to face the attendant as the attendant gestures with one hand. Behind them are a red headboard with white pillows, a dark wooden table holding a white pitcher and a cup, and a bald, bearded old man lying in bed under a blue blanket.

> Bah!
> To hell with this! Get my razor. Draw a bath.
> Get these Kleenex boxes off my feet.
> Certainly, sir.
> And, uh, the jars of urine? Oh, we'll hang on to those.

Frame: https://ultrahouse3k.com/img/S05E10/1194527.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1198280

## 20:03–20:14

Mr. Burns, a frail, thin, stooped old man with a hooked nose and long grey-lavender hair and beard in a white lab coat, stands in an office with blue curtains, a wooden model airplane and a glass jar on a desk. He gestures with his hands, then holds the model plane and a revolver toward a man in a blue hooded coat and face mask, who stands by in alarm. Homer, in a white shirt and blue pants, then runs down a red-lit corridor lined with purple panels and glowing windows.

> Now, to the plant. We'll take the spruce moose.
> Hop in.
> But, sir...
> I said hop in.

Frame: https://ultrahouse3k.com/img/S05E10/1204328.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1208708

## 20:14–20:24

Homer, the bald man in a white shirt and blue pants, and Marge, with her tall blue beehive and green strapless dress, stand in a casino lined with glowing slot machines and bright ceiling lights. Marge reaches up toward a slot machine marked 25¢ while Homer throws his arms out, gapes, then grimaces and gestures as they face each other. Homer ends with a hand pressed to his head and wide, startled eyes.

> I'm gonna run a kid for an hour! Homer, what is it?
> Slow down.
> You're gonna furt-a-rat-a-hour!

Frame: https://ultrahouse3k.com/img/S05E10/1215172.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1219343

## 20:24–20:31

Homer Simpson, bald and wearing a white shirt, and Marge Simpson, with her tall blue beehive and red bead necklace, stand in a dim casino lined with 25-cent slot machines under blue-white chandeliers. Homer first clutches his head with a grimace, then turns to Marge and jabs his finger toward her while she looks back at him wide-eyed and then argues with an open mouth. He sharply points at her with an angry scowl, and then he gestures toward the glowing slot machines as the two keep facing each other.

> Think before you say each word.
> You broke a promise to your child. What?

Frame: https://ultrahouse3k.com/img/S05E10/1225599.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1227893

## 20:31–20:42

Homer Simpson, the bald, heavy cartoon man in a white shirt, stands in a flashy room with glowing green fan-like discs, a tiered chandelier, and red and purple walls. He starts with a wide grin and wide eyes, then his expression sinks into a dejected, half-lidded frown. He stays still and stares ahead with a worried look, then lifts both hands beside his head and wails with his mouth wide open, tears visible in his eyes.

> You promised Lisa to help her with her costume.
> You made her cry.
> Then I cried.
> Then Maggie laughed.
> She's such a little trooper.

Frame: https://ultrahouse3k.com/img/S05E10/1232273.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1236652

## 20:42–20:52

Homer, the bald man in a white shirt, and Marge, with her tall blue beehive, green dress and red bead necklace, stand before rows of glowing 25¢ slot machines in a dark room. Marge touches her hair, then reaches toward a machine while Homer glances over at her. The two then move together into a tight embrace, Marge gripping Homer as he looks off warily, and the slot machines stay lit behind them.

> Lisa's costume!
> Homer, I didn't realize.
> I'm so sorry.
> Marge, I want you to admit you have a gambling problem.

Frame: https://ultrahouse3k.com/img/S05E10/1243325.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1247288

## 20:52–21:01

Homer Simpson, bald and wearing a white shirt, and Marge Simpson, with her tall blue beehive and red bead necklace, stand together in front of a row of glowing purple 25¢ slot machines in a dark room. Homer talks with his mouth open and his eyes wide, then looks off to the side, while Marge stands with her hand raised to her chin and a worried, pondering expression. Marge then turns her head and gazes to the side with a serious look, and Homer looks over at her with a stern, concerned expression as she stares ahead. The slot machines with yellow-and-green fish-like pictures on their screens stay in view behind them throughout.

> You know, you're right, Homer.
> Maybe I should get some professional help.
> No, no, that's too expensive.
> Just don't do it anymore.

Frame: https://ultrahouse3k.com/img/S05E10/1253127.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1256881

## 21:01–21:12

Bart and Grampa peek out from a wooden shack beneath a sign reading ROBERT GOULET, with ART'S CASINO lettering on the building beside them. Inside the shack, a mustached man in a blue jacket and black tie speaks into a microphone in front of a green curtain while a seated audience, including Bart and a blue-haired figure, watches him. He grins, holds the mic, then points toward the crowd while still talking.

> Jingle bells, Batman smells, Robin laid an egg.
> Batmobile lost its wheel and the Joker got away.
> Hey, thank you, thank you very much. Oh, I'm sorry, kid.

Frame: https://ultrahouse3k.com/img/S05E10/1262928.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1266891

## 21:12–21:26

Principal Skinner, with neat grey hair and a suit, stands at a wooden podium in front of a large American flag and a green U.S.A. map, holding two small gold trophies, while Lisa Simpson in a papier-mache Florida costume and Ralph Wiggum in a blue outfit with an IDAHO sign stand on a stage before an audience. Skinner smiles and speaks, then steps out from behind the podium and places a hand on Lisa's costume, with Ralph holding up his trophy beside him, and the three pose together on stage. Visible on-screen and printed text includes the green U.S.A. map and the words FLORIDA on Lisa's costume and IDAHO on Ralph's sign.

> And special awards go to the two students who obviously had no help from their parents,
> Lisa Simpson and Ralph Wiggum.
> I'm Idaho.
> Yes, of course you are.

Frame: https://ultrahouse3k.com/img/S05E10/1273147.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1279195

## 21:26–21:36

Homer and Marge stand in a casino lobby beside rows of lit slot machines, with a fountain holding a statue and a gold velvet rope nearby. Homer talks and gestures with his hands while Marge, in her green dress and red necklace, clasps her hands and listens. The pair then walk out along a pink-walled sidewalk, Homer in front and Marge following behind.

> You know, Marge, for the first time in our marriage,
> I can finally look down my nose at you.
> You have a gambling problem.
> That's true.
> Will you forgive me?

Frame: https://ultrahouse3k.com/img/S05E10/1287119.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1291290

## 21:36–21:44

Homer Simpson, the bald heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stand together against a sunset backdrop with orange and blue bands. Homer gestures and talks animatedly at first, then turns toward Marge, pointing with an accusing finger while she stands with a flat, unimpressed expression. In the middle of the exchange a black lamppost stands between them, and Homer, now with both arms out in a shrugging gesture, keeps talking to his wife as the scene ends.

> Oh, sure.
> Remember when I got caught stealing all those watches from Sears?
> Well, that's nothing because you have a gambling problem.

Frame: https://ultrahouse3k.com/img/S05E10/1297755.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1300674

## 21:44–21:52

Homer Simpson, the bald heavyset man in a white shirt, and Marge Simpson, with her tall blue beehive and red bead necklace over a green dress, stand together against a dusk sky with a dark blue ground and a lamppost behind them. Homer talks animatedly and gestures with his hands, then turns his head and grimaces, while Marge looks on with a flat, unimpressed expression. Homer's expression shifts to a wide-mouthed grin with eyes squeezed shut, and he then leans in to jab his finger toward Marge's chest as she stares ahead, unmoved.

> And remember when I let that escaped lunatic in the house because he was dressed like
> Santa Claus?
> Well, you have a gambling problem. Homer, when you forgive someone,

Frame: https://ultrahouse3k.com/img/S05E10/1305888.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1308808

## 21:52–21:58

Homer and Marge stand side by side on a wooden boardwalk at sunset, Marge in a green dress with a red bead necklace and her arms folded. Homer, in a white shirt and blue pants, shifts from a scowl to a wide-eyed sideways glance at her while she stares ahead with a sour look, and by the end he is glaring grimly. A partly visible neon CASINO sign glows on a building at left, with palm trees and streetlamps behind them.

> you can't throw a bag at them like that.
> Aw, what a jip.

Frame: https://ultrahouse3k.com/img/S05E10/1314021.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1315481

## 21:58–22:09

Marge Simpson, with her tall blue beehive and green dress, and Homer Simpson, bald and wearing a white shirt and blue jeans, embrace on a wooden boardwalk at sunset, with a pier railing, lampposts, and a building with a glowing sign on the right. In the first moment they hug closely facing each other, then they turn and walk away together toward the setting sun, Marge's arm around Homer's waist. The scene then fades to black, and white credit text appears on black, first reading 'Executive Producer DAVID MIRKIN' and then 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' before the screen goes fully black.

> Remember when I... Homer? Oh, yeah, I forgot already.

Frame: https://ultrahouse3k.com/img/S05E10/1319026.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1323614

## 22:09–22:20

No characters appear; the scene is a black screen with yellow cast credits shown one at a time in the centre. The text reads JULIE KAVNER, then YEARDLEY SMITH, then 'and HARRY SHEARER', then 'Special Guest Voice GERRY COONEY', and finally 'Also Starring PAMELA HAYDEN', each credit replacing the last in a rounded, hand-lettered font.

Frame: https://ultrahouse3k.com/img/S05E10/1330079.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1334458

## 22:20–22:31

No Simpsons characters appear in this moment; it is a black title card sequence of gold text on a black background in the show's credits. First, 'Animation Producers BILL SCHULTZ and MIKE WOLF' is centered on screen, then it is replaced by 'Story Editor BRENT FORRESTER', followed by 'Story Editor DAN McGRATH', then 'Associate Producer COLIN A.B.V. LEWIS', and finally 'Theme by DANNY ELFMAN', each credit appearing alone in the center of the empty black screen.

Frame: https://ultrahouse3k.com/img/S05E10/1341131.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1345511

## 22:31–22:42

No Simpsons characters appear in this moment; it is a black closing credits sequence with no people or animation visible. The frames show gold credit text on a black background, changing in order from 'Casting by BONITA PIETILA' to 'Animation Co-Producer for Gracie Films KEN TSUMURA', then a list of sound credits headed 'Music Editor CHRIS LEDESMA' with Travis Powers, R. Russell Smith, Anthony D'Amico, Greg Orloff and Ronny Cox, then a block of assistant names, and finally 'Overseas Animation Director MIKE GIRARD'. No movement of characters occurs; the text simply appears and gives way to the next credit card in sequence.

> Thank you.

Frame: https://ultrahouse3k.com/img/S05E10/1352184.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1356564

## 22:42–22:52

No characters appear in this moment; it is a sequence of black end-credit screens with gold text. Frames show, in order, a list of crew credits headed by Assistant Director Dominic Polcino, Storyboard by Kevin O'Brien and Swinton O. Scott III, and Character Design credits for Scott Alberts, Lucas Gray, Matt Groening and Sam Simon; then color design, ink and paint, and animation credits; then production staff such as Studio Production Manager Anne Luiting and Production Manager Miles Lewis Horst; then Executive in Charge of Production for Gracie Films Michael P. Schoenbrun; and finally Executive Creative Consultant James L. Brooks on a plain black background.

Frame: https://ultrahouse3k.com/img/S05E10/1363028.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1367408

## 22:52–23:02

Silhouetted audience members sit in rows of theater seats in a dim cinema, with a large blank screen ahead and a bright beam of projector light beginning to spill out across the scene. The silhouette of a large, tall-haired figure in the foreground is noticeable, though no regular is identifiable from shadows alone. The projector light sweeps across to reveal the words GRACIE FILMS in white letters on a purple panel, then the screen dissolves to a black card reading IN ASSOCIATION WITH, which gives way to a golden 20th Television logo rising against a blue sky with searchlight beams, before fading to black.

Frame: https://ultrahouse3k.com/img/S05E10/1374081.jpg
Page: https://ultrahouse3k.com/episode/s05e10-pringfield-or-how-i-learned-to-stop-worrying-and-love/1377835