# Homer and Apu The Simpsons, season 5, episode 13 (S05E13), first aired February 10, 1994. Written by Greg Daniels. Directed by Mark Kirkland. Production code 1F10. Guest stars: James Woods. Chalkboard gag: "I will not go near the kindergarten turtle". Couch gag: Peeking Heads. After Apu sells him spoiled meat, Homer wears a hidden camera for Kent Brockman's consumer show, getting Apu fired from the Kwik-E-Mart and replaced by actor James Woods. To repay his karmic debt, Apu moves in with the Simpsons and does their chores, then travels with Homer to India to beg the chain's leader for his job. Taking a bullet for Woods in a robbery wins it back. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Grampa Simpson, Barney Gumble, Chief Wiggum, Apu Nahasapeemapetilon, Dr. Hibbert, Kent Brockman, Martin Prince, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Jimbo Jones, Squeaky-Voiced Teen, Just Stamp the Ticket Man, Jacques, J. Loren Pryor, James Woods, Angry Customer, Angry Mom, Comedian, Hobo 1, Hobo 2, Kwik-E-Mart Inspector, Kwik-E-Mart President, Kwik-E-Mart Recruitment Agent, Robber. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart, the boy with spiky hair in an orange shirt and blue shorts, is in a classroom writing on a blackboard that repeatedly reads "I will not go near the kindergarten turtle" in chalk. He chalks the lines in a row, then turns and hops sideways with his arms outstretched and a gleeful grin, moving away from the board past a red wastebasket and a wall clock. The sequence opens on a blue sky with drifting clouds, and then the title card "THE SIMPSONS" appears in yellow letters over the clouds. > The Simpsons Frame: https://ultrahouse3k.com/img/S05E13/1043.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/6048 ## 0:12–0:25 Homer, in a yellow protective suit and goggles, handles a glowing green rod with tongs beside a CAUTION sign while Mr. Burns and Smithers watch from a control booth. Homer then turns away to reach for a control panel with red and green buttons as Burns and Smithers look on. Marge, with her tall blue beehive, and Maggie, with a blue bow, are in a store where Maggie reads a 'Mom Monthly' magazine with a 'Frosted Krusty Flakes' cover, and a 'Checks' sign hangs on a blue machine. An orange blur wipes across the screen, then Maggie, sucking a red pacifier, stands at a mesh playpen while Marge, in a green dress and red beads, gestures toward her. Frame: https://ultrahouse3k.com/img/S05E13/13347.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/18560 ## 0:25–0:38 Lisa, in her red dress with star-shaped spiky hair, plays clarinet in a crowded school band room while an elderly white-haired conductor with a bushy orange-sweater build leads from a music stand covered with sheet music, and other band members play brass and woodwinds around them. Lisa then walks down an orange hallway with a blue tuba-like instrument, past posters and a blue double door. Outside a yellow house, Bart rides a skateboard along a brick wall while a pink car sits in the driveway, and Homer, in his white shirt and blue pants, stands beside the pink car next to a mailbox and an open garage. Frame: https://ultrahouse3k.com/img/S05E13/26068.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/31907 ## 0:38–0:51 Homer, Bart, Marge and Lisa appear in a living room, first with Homer stumbling out of a pink doorway with one shoe flying off, then peeking wide-eyed over the back of a brown couch beside a lamp and telephone. The scene then cuts to a television screen in front of a pink wall, showing the on-screen text "CREATED BY MATT GROENING" followed by "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON." Frame: https://ultrahouse3k.com/img/S05E13/40040.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/45045 ## 0:51–1:04 Apu stands behind the counter of the Kwik-E-Mart while several customers gather before him, including a bald, heavy man in a light blue shirt (Homer) and a small child in a purple outfit, with a man in a purple shirt on the right. The scene opens on a black screen, then shows the storefront with a red pickup parked outside and a blue crate stack by the fence. White credit captions appear over the exterior and then the interior, reading 'Co-Executive Producer JACE RICHDALE' and 'Supervising Producer HAROLD KIMMEL' followed by 'FRANK MULA', and a 'Bargain Table' sign hangs beside the counter. > I need one 29 cents to am That's $1.85. > I want $2 worth of gas, please. $4.20. Frame: https://ultrahouse3k.com/img/S05E13/52344.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/57766 ## 1:04–1:15 At the Kwik-E-Mart counter, Apu stands smiling and gesturing while a dark-haired man in a light blue shirt and green tie, a small child with orange hair and a white shirt, and a curly red-haired person in a purple shirt crowd in front of him. The red-haired person scowls at a wrapped candy in hand, then turns and walks out through the sliding glass doors, leaving the candy behind on the blue Welcome mat beside orange candy bins and a rack of colorful packets. Signs for Squishee-style soda and a Nuke display are visible in the store. > How much is your penny candy? > Surprisingly expensive. > What a rip-off. > This is what I think of your store! Frame: https://ultrahouse3k.com/img/S05E13/65274.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/69653 ## 1:15–1:25 Apu, the Kwik-E-Mart clerk with black hair, a light blue uniform and a name tag, stands in the store beside shelves of wrapped snack cakes. He lifts a packaged snack toward the viewer, then turns to glance out the window with a wary look while holding it up, and later he bends over a clipboard in front of a wall calendar marked FEB. Credits overlay the scene, including Supervising Producers Bill Oakley and Josh Weinstein and Co-Producer Greg Daniels. > Silly customer! > You cannot hurt a Twinkie! Frame: https://ultrahouse3k.com/img/S05E13/76326.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/80289 ## 1:25–1:32 Apu, the Kwik-E-Mart owner with black hair and a light blue shirt, stands in the store holding a white package and reads it, then looks down at it. The package shows a block of food marked "EXP. FEB 6, 1989," and a black marker scribbles over the date until it is obscured. He then places a can labeled "CHICKEN SOUP" on a lilac tray beneath a pink "BARGAIN TABLE ANY ITEM 10¢" sign, with bananas nearby. White producer credit captions for Jonathan Collier, Mike Scully and David Sacks appear over the scene. > Jiminy Cricket. > Ooh, expired hemp. > This time I've gone too far. Frame: https://ultrahouse3k.com/img/S05E13/86545.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/89047 ## 1:32–1:43 Apu, the Kwik-E-Mart clerk in a light blue smock, stands beside a rack of snacks at the store counter as Homer, in his white shirt, reaches in and grabs a packet of ham from the shelf, then lifts a slice up toward his mouth while Apu watches. Shelf signs read "NUKE" and "BARGAIN," with a can and boxed goods nearby, and white opening-credit captions appear over the scene. The moment then cuts to the yellow Simpson house with its arched front door, bay windows, and attached garage under a green tree. > No, no one will forfe- Woohoo! > Cheap meat! > Ooh, this one's open. Frame: https://ultrahouse3k.com/img/S05E13/93844.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/98015 ## 1:43–1:50 Homer Simpson, the bald, heavy man in a white shirt and blue pants, sits on the brown couch in the living room beside a purple lamp and a turquoise telephone. He lifts a sandwich to his mouth and takes a bite, then holds it in both hands and chews with a grimacing, strained expression. He keeps gripping the sandwich, eyes wide and looking sideways, and finally lowers it to his lap while still chewing. A stack of papers sits on the armrest at the right. > Tomoch churning. > Bowels clenching. Frame: https://ultrahouse3k.com/img/S05E13/104479.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/106982 ## 1:50–1:57 Homer Simpson sits on a brown couch in the living room beside a purple lamp and a turquoise phone, gripping his belly and grimacing while holding a bitten sandwich. He doubles over, then vanishes, leaving the empty couch and a plate with a slice of food on the side table. On-screen credits read "Written by GREG DANIELS" and "Directed by MARK KIRKLAND." > Not much time. > Must... Frame: https://ultrahouse3k.com/img/S05E13/111570.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/114281 ## 1:57–2:10 Two uniformed men drive a white ambulance with flashing red lights along a tree-lined road, with the word AMBULANCE painted on its front. The scene moves to a hospital room where Homer lies in bed beside a heart monitor and IV stand while a white-coated doctor holds a clipboard and Marge, holding Maggie, stands with Bart and Lisa. Patty and Selma, the grey-violet-haired twins, then stand at a shelf of orange pill bottles, and one holds up a small Homer doll. > Well, sir, > Homer's illness was either caused by ingesting spoiled food or some sort of voodoo curse. > Hey, I've just been working the eyes. Frame: https://ultrahouse3k.com/img/S05E13/118869.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/124291 ## 2:10–2:18 Homer appears first as a stitched, pin-studded doll against a green backdrop, then Homer and Apu are seen at the Kwik-E-Mart counter, with a Bargain Table sign and Great White Hunter and Nuke arcade cabinets behind them. Homer, in a white shirt and blue pants, jabs a finger toward Apu, who shifts from calm to nervously wringing his hands before lifting a blue bucket of shrimp from the counter while Homer looks down at it. > Your old meat made me sick. Oh, I'm so sorry. > Please accept five pounds of frozen shrimp. Frame: https://ultrahouse3k.com/img/S05E13/131798.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/134718 ## 2:18–2:27 Homer Simpson, the bald, heavy man in a white shirt, stands behind the Kwik-E-Mart counter beside a cash register and a bucket of pink shrimp, holding one up and sniffing it with a wary, squinting look. He then raises the shrimp higher and grins, and next leans back with fists raised in triumph beside two buckets of shrimp, with a red SNACKS sign and shelves of snacks behind him. The scene then cuts to an white ambulance with a red siren light on its roof, driving along a tree-lined road, with two men in the cab, one wearing an orange cap and the other a dark cap, and the word AMBULANCE reversed across its front windshield. > This shrimp isn't frozen, and it smells funny. > Okay, ten pounds. Woo-hoo! Frame: https://ultrahouse3k.com/img/S05E13/139931.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/143477 ## 2:27–2:34 A cartoon brown hound dog in a white trench coat and white fedora, a character resembling Kent Brockman's Channel 6 consumer watchdog segment, appears against a dark blue, purple-framed television-style backdrop. The dog stands at the left and opens its mouth to bark or bite while the on-screen title text reads BITE, then BITE BACK, then BITE BACK WITH KENT BROCKMAN, then BITE BACK WITH KENT BROCKMAN AND HIS CHANNEL 6, and finally BITE BACK WITH KENT BROCKMAN AND HIS CHANNEL 6 CONSUMER WATCHDOG, with the text building line by line to the right of the dog as it turns slightly to face the viewer. > Brought to you by... Frame: https://ultrahouse3k.com/img/S05E13/149107.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/151401 ## 2:34–2:44 Homer Simpson, bald and in a blue pajama top, lies on the brown couch under a red blanket with his head propped on a white pillow, one arm reaching up to the blanket's edge. Lisa, the girl with star-shaped spiky hair and a red dress and pearl necklace, sits cross-legged on the striped rug in front of a purple TV set, arms folded. In the first frames Homer's eyes are open and he looks toward the TV while Lisa stares ahead; in the middle frames Lisa's eyes close and then reopen. In the final frame Homer's eyes are shut and he appears to be asleep while Lisa still sits with her eyes open. The room has a pink wall, a framed sailboat picture, and an orange lamp beside the couch. > That dog can sell anything. Frame: https://ultrahouse3k.com/img/S05E13/155989.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/159534 ## 2:44–2:51 Kent Brockman, the grey-haired news anchor in a dark red jacket and dark tie, sits at a news desk holding a sheet of white paper in front of a teal backdrop with a 'BITE BACK' sign that has a chewed-looking edge. He reads from the paper, speaking with his mouth opening and closing, and his expression shifts from neutral to a tight, grimacing look before he returns to speaking. The desk and backdrop stay still while only his face and mouth move. > Good evening. Here's an update on last week's nursing home expose, geezers in freezers. > It turns out the rest home was adequately heated. > The footage you saw was of a fur storage facility. Frame: https://ultrahouse3k.com/img/S05E13/165374.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/167876 ## 2:51–2:58 Kent Brockman, the grey-haired news anchor in a dark red jacket and dark tie, sits at a desk holding a sheet of paper while the on-screen sign behind him reads BITE BACK. He glances down at the paper, grimaces, and then parts his lips as if speaking, looking at the paper as he reads. He keeps reading from the paper with a sombre, pained expression as the scene holds at the news desk. > We've also been told to apologize for using the term geezers. > Now, coming up next, the case of the cantankerous old geezer. Frame: https://ultrahouse3k.com/img/S05E13/172673.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/175175 ## 2:58–3:10 A grey-haired man in a red jacket, white shirt and dark tie, who may be Kent Brockman, sits at a desk on a small purple television screen, glancing down at a sheet of paper in the first frames and then looking wide-eyed and tense while his mouth stays tight. Homer Simpson lies in bed in blue pajamas under a pink blanket and a blue pillow, his eyes wide and his mouth alternately open in alarm and pressed shut. Across the sequence, Homer's expression goes from shouting with his mouth wide open to a grimace with teeth showing, and the scene ends with his mouth closed and his eyes still staring. > Oh, rancid meat attack, stupid parasites. > Is there no way I can find justice? > If you have a consumer complaint, just call this number. Frame: https://ultrahouse3k.com/img/S05E13/179971.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/184976 ## 3:10–3:14 A grey-haired man in a brown suit and dark tie, seated behind a desk and reading from a sheet of paper, appears on a television screen in a purple frame under a sign reading "BITE BACK" with a bitten-looking edge. He speaks and grimaces, then a phone number, 555-6425, appears in large white letters across the bottom of the screen as he continues reading. > Boring. Frame: https://ultrahouse3k.com/img/S05E13/192067.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/192693 ## 3:14–3:26 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits on the left side of a brown couch with a pink cushion beside Homer Simpson, the bald heavy man in a light blue shirt who lies reclined on the armrest with a blue pillow behind his head. Lisa starts out wide-eyed and talking, then her face turns to a sour, unimpressed look and she folds her arms across her chest while Homer sits with a bored, scowling expression. Homer's eyes close and he dozes with his mouth open, then he jolts awake with a groggy, annoyed look while Lisa stares ahead with a flat expression. The pink wall and brown couch fill the background, and no on-screen text appears. > Dad, you should blow the whistle on the quickie mark. > And now a message from the Church of Latter-day Saints. > Daddy, listen to me. Pshh, Lisa, the dog is barking. Frame: https://ultrahouse3k.com/img/S05E13/195404.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/200200 ## 3:26–3:38 A bald, heavy-set Homer in a white shirt and blue pants starts the scene outside the pink, purple-walled CHANNEL 6 building at night, under a crescent moon with satellite dishes on its roof. Inside a dim bar, Homer leans on the counter toward an older grey-haired man in a loose tie and red trousers, who holds a smoldering cigarette beside an ashtray. Homer gets increasingly agitated, pacing with clenched fists and shouting, then leans in and jabs a finger at the seated man. > All right, are you willing to go undercover to nail this creep? > No way, man. No way, man. Get yourself another Patsy Man. > No way am I wearing a freaking wire. > All right, all right, all right. Frame: https://ultrahouse3k.com/img/S05E13/207290.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/212504 ## 3:38–3:49 A grey-haired man in a yellow shirt and dark tie sits smoking in a dim office lined with golden trophies, then gestures with his cigarette while talking. The scene cuts to the exterior of the Kwik-E-Mart, where a pale green van labeled ORDINARY VAN is parked in the lot. Inside the van, the grey-haired man in a maroon jacket and a dark-haired man in a tan coat hold up a large orange capsule-shaped novelty hat, with the grey-haired man leaning in and both looking at it. > Would you be willing to wear a hidden camera and microphone? > Oh, that I'll wear. > We've come up with a camera so tiny it fits into this oversized novelty hat. Frame: https://ultrahouse3k.com/img/S05E13/219803.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/223974 ## 3:49–3:59 Homer, in a white shirt and blue pants with a large orange hat with a dark round lens on his head, is squeezed in a cramped vehicle interior with a round gauge on the wall. Principal Skinner, with neat grey hair and a maroon jacket over a navy tie, grips the brim of Homer's hat and tilts it while Homer grimaces and wide-eyes him, then the two stand close together as Skinner talks. A dark-haired man in a tan coat and tie, holding a boom microphone, and a white-haired man in a dark red jacket stand at the edges, and the scene ends with Skinner staring steadily while Homer looks on, startled. > Now, go get us some incriminating footage. > And remember, > you have to get in and out in ten minutes or you'll suffer permanent neck damage. > He's not kidding. Frame: https://ultrahouse3k.com/img/S05E13/230230.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/234609 ## 3:59–4:10 Homer, in his white shirt and blue pants, stands outside the Kwik-E-Mart beside a pale green van marked ORDINARY VAN, pulling an orange cap down onto his head with both hands before stepping toward the store's glass doors. Inside, Apu, who runs the Kwik-E-Mart, stands behind the counter with wide eyes, beneath a BARGAIN TABLE sign and an OPEN 24 hr sign, with a DONUTS display to one side. A paper sign on the counter reads NO, followed by CHECKS, CREDIT CARDS and FOOD STAMPS. Frame: https://ultrahouse3k.com/img/S05E13/241074.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/245036 ## 4:10–4:19 Apu, the dark-haired Kwik-E-Mart clerk in a light blue shirt, stands behind the checkout counter beside a CASH sign while Homer, the bald heavy man in a white shirt, comes to the counter. Homer lifts a large orange hat with a black dot on its crown, holds it up with both hands, and then raises one hand as Apu glances at him. The scene ends with Homer holding the hat overhead, looking tense as Apu keeps watching, with a Bargain Table sign and jars of goods visible in the store. > Don't be alarmed, Appu. Just go about your daily routine like I'm not wearing the hat. > Your headgear seems to be emitting a buzzing noise, sir. Frame: https://ultrahouse3k.com/img/S05E13/251084.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/255046 ## 4:19–4:32 Apu, the Kwik-E-Mart clerk with a black bouffant and a stubbled chin, stands behind the counter by a sign reading 'No Checks, Credit Cards, Food Stamps' and a pink 'Bargain Table, Any Item 10¢' sign, first pointing and speaking, then glancing sideways as Homer, in an orange cowboy hat and white shirt, runs past toward the glass doors while an orange hat-like object lies on the floor. Later, Homer in a grey shirt and blue jeans stands in a cluttered room gesturing and shouting at an elderly white-haired man in a brown suit with his back turned, while a bearded man in headphones watches a monitor on the right, with a green dollar-sign display and wires on the floor nearby. > Perhaps you have a bee in your bonnet. > Bee! > Homer, that hat's been with the station for 20 years. Frame: https://ultrahouse3k.com/img/S05E13/261094.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/266308 ## 4:32–4:40 An older man with swept-back white hair, a red jacket and dark tie stands in a cramped control room, pointing off-screen with a stiff finger while his expression shifts from stern to wide-eyed and his mouth opens to speak. Later, Homer, bald with a white shirt, leans toward a small TV monitor showing a colorful image, while a smaller figure in a cap and headphones works a control panel beside the older man. Wall-mounted monitors, cables and a barred window fill the background. > He had one day left till retirement. > Well, time to replenish the hot dog roller. Frame: https://ultrahouse3k.com/img/S05E13/273607.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/276318 ## 4:40–4:49 Apu, the Kwik-E-Mart clerk in a white shirt with green trim and a name tag, works behind the store counter beside a hot dog roller and a sign reading NO CHECKS. He reaches into the roller holding a small white plate, then sets down a huge, grime-caked hot dog on the counter and studies it. He then lifts a filthy hot dog in one hand while balancing a plate in the other, with one leg raised onto the counter and a wary expression on his face. > Oh, > no, it is encrusted with filth. Frame: https://ultrahouse3k.com/img/S05E13/281323.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/284868 ## 4:49–4:59 Apu, the Kwik-E-Mart clerk in a white shirt with a name badge, stands behind the store counter holding a plate in one hand and a hot dog in the other, first looking up while speaking, then grinning with wide eyes and leaning on the counter with his fist. Shelves and a sign reading NO, CHECKS, CREDIT, FOOD are behind him. In the final moment the view shifts to a small purple television on a desk showing Apu laughing with his mouth open and holding the hot dog up beside his face, while yellow-skinned figures sit at the screen's edges. > Oh, well, let's sell it anyway. > Now this is just between me and you. > Smashed hat. > Hot diggity dog, we've got him, Mr. Simpson. Frame: https://ultrahouse3k.com/img/S05E13/290707.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/294252 ## 4:59–5:10 Principal Skinner, with neat grey hair and a suit, appears in a close-up in front of a control panel, glancing to the side. Homer, in his white shirt and blue pants, leans across the counter at the Kwik-E-Mart to point at Apu, who smiles behind a sign reading BARGAIN TABLE, and then Homer bites into a hot dog. The Simpson family sits on their brown couch watching TV: Lisa and Homer on the right, Marge holding Maggie with her pacifier in the middle, and Bart standing at the left by the television. > Now let's... Mr. Simpson? > One hot dog, please. Frame: https://ultrahouse3k.com/img/S05E13/300091.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/304471 ## 5:10–5:20 Apu, in his white Kwik-E-Mart coat with an API badge, stands beside Kent Brockman, the grey-haired news anchor in a brown suit and purple tie, who holds a microphone toward him outdoors at night. Apu's eyes go from narrowed to wide and startled as he speaks, and then the scene shifts indoors to the Kwik-E-Mart counter, where Apu smiles with his eyes closed while a woman with orange curly hair in a maroon vest and two curly-haired children look on, and a pink sign hangs on the counter. > Apu, will you ever stop selling spoiled meat? > No. > I mean, yes. I mean... Uh-oh. > I think I come off very well. Monster! > Run, children! Frame: https://ultrahouse3k.com/img/S05E13/311144.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/315106 ## 5:20–5:29 Apu, the Kwik-E-Mart clerk with his name tag, stands behind the counter as Mr. Burns, a frail stooped old man with grey hair at the sides and glasses, speaks to him while Carl, a Black man in a suit, and Troy McClure, a tall man with swept-back reddish hair, stand beside Burns. In a store with a WELCOME mat, a curly-haired woman in pink first runs in at the entrance as a group of men in suits and two children enter behind her, and then the group gathers at the counter where Burns grimaces and Apu speaks with a skeptical look. Burns's mouth moves as he speaks, while Carl and McClure stare on, and the magazine racks and a small television sit in the background. > Apu Nahasapimapetalan, you have disgraced the Quickie Mart Corporation. > But, sir, I was only following standard procedure. Frame: https://ultrahouse3k.com/img/S05E13/321363.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/324699 ## 5:29–5:37 A grey-haired man in glasses and a dark suit stands in front of two men in grey suits, one dark-haired and one with reddish hair, beneath a red sign, and he grimaces, grits his teeth, then opens his mouth to speak. The scene then shifts to Apu in a light blue lab coat beside a blue cabinet and a green dollar-sign display at the Kwik-E-Mart, where he stares with wide eyes, speaks, and finally clenches his teeth in a tense grin. > Ah, true. > But it's also standard procedure to blame any problems on a scapegoat or sacrificial lamb. > Uh-huh. And if I can obtain for you these animals? > I'm sorry, Appu. I have no choice. Frame: https://ultrahouse3k.com/img/S05E13/330121.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/333250 ## 5:37–5:46 Apu, the Kwik-E-Mart proprietor with a name patch on his white coat, stands behind the counter beside a bespectacled man in a dark suit and blue vest with purple-grey hair, while a taller unnamed man in a purple suit and green tie looks on from the right. The bespectacled man leans in, speaking with his mouth open, then reaches a yellow hand toward Apu's chest as Apu looks back, and Apu's hand moves to his coat near the patch. The scene then cuts to a close-up of a red-bordered oval sign reading "ASK ABOUT OUR FRIED PICKLES" with a yellow finger pointing at it. > You can no longer wear this name patch. > And you can no longer tell people about our fried pickles. Frame: https://ultrahouse3k.com/img/S05E13/338672.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/342008 ## 5:46–5:58 Apu, the Kwik-E-Mart clerk with black hair and a white shirt, stands behind the cash counter while Mr. Burns, the frail stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, in a dark suit and glasses, confront him in the store. Burns gestures with one hand as he speaks, and Apu looks down and then holds out a grey pricing gun, which he takes from the counter. In the final moment, a close-up shows Apu's hand and his black shoes, with a store-like blue floor beneath him. Visible objects include a red Snack sign, a cash register sign reading CASH, and a pink microwave behind the counter. > Now, turn in your pricing gun. > The other one, too. Frame: https://ultrahouse3k.com/img/S05E13/347639.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/352644 ## 5:58–6:09 Apu, the Kwik-E-Mart clerk with black hair, a white shirt with teal trim and a name tag, stands at the store counter holding a small grey object near his face, then presses his hand to his forehead and grimaces with clenched teeth. In the final moment he leans on the counter, gesturing toward a tray of sausages while Smithers, a thin man in a dark suit and glasses, stands at the right holding a small grey object and a folder. A white paper is pinned to the wall behind them, and the windows and shelves of the store are visible in the background. > Fired. > After all these years of loyal service. > I don't want to live anymore. Give me that wiener. Frame: https://ultrahouse3k.com/img/S05E13/359734.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/363905 ## 6:09–6:16 Apu, the dark-haired man in a white shirt, and a grey-haired, bespectacled man in a navy suit struggle over a sausage at a counter in the Kwik-E-Mart, with a tray of sausages in front of them and a window behind. Apu grabs the sausage and the suited man pulls it, with motion lines showing the tug-of-war, until Apu holds it while both shout. The scene then cuts to a night bridge lit by a streetlamp, where a small figure in dark clothes walks alone along the railing toward the far end, with trees and a river below. > I don't want to live, sir. Give me that wiener. > No, it's not worth it. > What do I do now? Frame: https://ultrahouse3k.com/img/S05E13/370370.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/373081 ## 6:16–6:28 Apu, in a green robe with a black collar, leans on a purple railing at night, his expression shifting from glum to wide-eyed as he looks down and speaks. Below a stone bridge arch beside a dark brook, a heavy man with messy brown hair and a man in a tan fur-trimmed hat face each other, both with mouths open, and the man in the hat holds a small white object between them. > I've been drummed out of my profession. > I'm a disgrace. > Even this babbling brook sounds almost like mocking laughter. > Who needs money when we got fetits? Frame: https://ultrahouse3k.com/img/S05E13/377878.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/382883 ## 6:28–6:40 A heavy man in a black cap and brown sweater and an older man in a fedora and tan jacket sit on rocks against a purple wall, laughing and passing a white feather back and forth. Apu, the Kwik-E-Mart owner in a green jacket and yellow pants, then walks past a shop marked PETS with a CLOSED sign on its door and a window sign reading TODAY ONLY LAUGHING MONKEYS, where four brown monkeys hang from a bar beside a tire and a life ring. The monkeys laugh wildly as Apu, in a close-up at night, glances sideways with a sour expression. Frame: https://ultrahouse3k.com/img/S05E13/389973.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/394561 ## 6:40–6:50 Apu, the Kwik-E-Mart owner in a green cardigan, white trousers and black shoes, walks along a rainy suburban sidewalk at night, past a fence and a house with a pink door, toward a pink garage and a mailbox. He stops, covers his ears with both hands with his eyes squeezed shut and his teeth bared, then cups his hands beside his face and winces, while a small figure in green walks far off down the street and the rain falls around him. > This is all because of Homer Simpson. Frame: https://ultrahouse3k.com/img/S05E13/401234.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/405405 ## 6:50–6:54 Homer Simpson, the bald, heavy man in a white shirt and blue jeans, sits on a lavender sofa in the dim living room, holding a red can in one hand. He laughs with his eyes squeezed shut and his mouth open, then leans forward and raises his free hand in a waving gesture. In the last moment he turns toward the viewer with a wide grin and extends his arm outward, while the red-framed sailboat picture hangs on the wall behind him and a red lamp glows at the left. > Yo, check this out. Black guys drive a car like this. Frame: https://ultrahouse3k.com/img/S05E13/411661.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/412704 ## 6:54–7:04 Carl, a Black man in a purple jacket with yellow cuffs and a blue shirt, stands against a brick wall framed by a TV-style border. He first gestures forward with one hand, then leans back with an arm stretched out, then raises both open hands beside his shoulders, and finally bends forward, clenching his fists and grinning as he moves his arms and shoulders in a jerky, exaggerated motion. > Yeah, but white guys, see, they drive a car like this. Frame: https://ultrahouse3k.com/img/S05E13/415832.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/419794 ## 7:04–7:16 Homer Simpson, the bald, heavy man in a white shirt, sits on a purple couch holding a red-and-silver can, first laughing with eyes shut and an arm outstretched, then slumping glumly in a rainy window. Outside, Apu, the man with the black hair, orange skin and a prominent nose, stands in the rain beside the window, glancing sideways with a sly expression. In the final moment a dark silhouette of a figure with a tall beehive-like hairdo and a raised arm is shown against a glass door in the rain, the door's handle and a round knob visible. A pink framed picture of a sailboat hangs on the purple wall behind the couch. > It's true. It's true. > We're so lame. > It is time to settle the score. Frame: https://ultrahouse3k.com/img/S05E13/426051.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/430847 ## 7:16–7:26 Homer, the bald heavyset man in a white shirt, and a man in a green jacket with black hair stand together at a rainy doorway, where a dark silhouette with a question mark appears on the door's glass. The man in green spreads his hands in a worried, sweaty gesture while Homer stares and gapes at the mark, then Homer stands in the pink hallway beside a staircase and hung pictures, arms raised and mouth wide open in a scream. Frame: https://ultrahouse3k.com/img/S05E13/437729.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/441900 ## 7:26–7:29 Homer, the bald yellow-skinned man in a white shirt, appears in close-up in a pink room with a red chair and a draped table behind him. He opens his mouth wide, showing his teeth and tongue, and his face shifts into a gaping, distorted expression with bulging eyes. The sequence begins on a black screen, and the face is then shown with a more rounded, wider open mouth in the later image. Frame: https://ultrahouse3k.com/img/S05E13/447948.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/448365 ## 7:29–7:39 Homer Simpson, the bald, heavy man in a white shirt and blue pants, and Apu, the Kwik-E-Mart clerk with black hair and a green sweater, stand in a doorway with a red door and a blue doorknob against a pink wall. Apu peeks out from the purple-framed doorway with his hands pressed against the door while Homer, at first wide-eyed and open-mouthed, grips his own arm and then clutches the door, pulling back and shouting. Homer then drops his head into his hands while Apu, still grinning and holding the door, watches him. > No, don't kill me. I didn't know there was film in that camera and that hat. > I was unaware. > Mr. Simpson, you misunderstand me. In my village, this is the traditional pose of apology. Frame: https://ultrahouse3k.com/img/S05E13/450867.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/454412 ## 7:39–7:48 Homer, the bald heavy man in a white shirt, and Apu, in a green jacket with gold trim, stand at a red door with a blue knocker set in a pink wall. Homer first bends forward with both hands covering his face while Apu peeks out from the doorway with his hands raised toward him. Homer then straightens up with his eyes shut and arms at his sides, while Apu presses his palms together and gestures toward him with his mouth open. > Oh. > You know, now that I think about it, it may be a little confusing. Frame: https://ultrahouse3k.com/img/S05E13/460251.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/463797 ## 7:48–8:01 Apu, the Kwik-E-Mart clerk with black hair and a green jacket over a white apron, stands in a purple archway and presses his palms together in a pleading gesture, then spreads his hands and gestures with them while looking earnestly at Homer, who stands at the left in his white shirt with a blue-tinted mirror-like reflection in his head area. Outside, a suburban street shows a yellow house, a pink house with a garage, and a dark hedge under a purple evening sky. Apu grins and widens his eyes at Homer, then turns to face him with open, pleading hands and finally clasps his hands together in front of his chest. > Many have died needlessly. > I have come to make amends, sir. At first, I blamed you for squealing, > but then I realized it was I who wronged you. > So I have come to work off my debt. I am at your service. Frame: https://ultrahouse3k.com/img/S05E13/469636.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/474849 ## 8:01–8:12 Homer, the bald, heavy man in a white shirt, and a dark-haired man in a green sweater with yellow trim stand in a pink-walled archway. The sweater man looks uneasy, then grins and crosses his fingers in a gesture, while Homer raises a finger and talks. The sweater man then walks to a bright orange door with a blue knocker and a round doorknob, stands on a blue doormat between bushes, and glances back over his shoulder. > You're selling what now? I'm selling only the concept of karmic realignment. > You can't sell that. > Karma can only be portioned out by the cosmos. > He's got me there. Frame: https://ultrahouse3k.com/img/S05E13/482148.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/486945 ## 8:12–8:24 Marge, Bart and Lisa peer through the barred bay window curtains at a man in a green jacket and white pants raking leaves on the street outside. Homer, in his white shirt and blue pants, comes down the staircase lined with family portraits, then stops beside the orange front door and gestures toward it. He opens the door, and Marge, wearing a red bead necklace, stands facing him on the threshold with a view of the street and a house with a garage behind her. > Is he still out there? Yes, he's raking leaves. > What? That's your job. If he starts doing Lisa's wood chopping... > If he wants to make it up to you so badly, I think you should let him. Frame: https://ultrahouse3k.com/img/S05E13/494035.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/498832 ## 8:24–8:36 Homer, the bald, heavy man in a white shirt, stands at the left edge of a pink room beside a dark red coat rack and a brown wooden door, first wide-eyed and then with a flat, unimpressed look. At the dinner table, Bart in his orange shirt and Lisa in her red dress with pearls sit on orange chairs with Marge, her tall blue beehive and red beads, while Apu, in a green jacket, carries a plate of food with steam rising from it in one hand and a bowl of meat sauce in the other. Apu sets down a dish and moves the bowl across the table, and the plates of spaghetti and a folded napkin sit on the table as the family watches him. > Okay, okay, I'll let him. > But then I get a chip with you, okay? > It is an honor to begin repaying my debt to you. > Back in Ramadpur, I was considered quite the gourmet. Frame: https://ultrahouse3k.com/img/S05E13/505714.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/510719 ## 8:36–8:45 Marge Simpson, with her tall blue beehive and red bead necklace, sits at the dining table in a green top, holding a fork and knife over a plate of dark food, and her eyes glance sideways as she grimaces and then looks thoughtful. Lisa, in her red dress with pearls and star-shaped spiky hair, sits beside her in a red chair, holding a fork and a lidded purple pot, and she looks sideways with a wary expression as she eats from her plate of red and green food. The pink dining room has a shelf with plates, a candlestick, and a blue bowl of dark stew on the table in front of them. > It certainly is exotic. > Lisa, is that too spicy for you? > I can see through time. Frame: https://ultrahouse3k.com/img/S05E13/517809.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/520937 ## 8:45–8:58 Homer, the bald, heavy man in a white shirt, sits at a dining table with a plate of food, a glass of milk, and a knife and spoon, first poking at the food with a fork. He then picks up a white cloth napkin and grins while holding it up to his face, then stares at it in puzzlement as Apu, the Kwik-E-Mart clerk in a green shirt, stands beside him holding a stack of white napkins. The scene ends with Homer dabbing at his mouth with the napkin while Apu watches him. > Stop being such babies. You can't be afraid to try new things. > For instance, tonight, I'm using a... Apu, what do you call this thing again? > A napkin. > Outrageous! Frame: https://ultrahouse3k.com/img/S05E13/526359.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/531781 ## 8:58–9:09 The scene opens outside the KWIK-E-MART store, with a Kwik-E-Mart sign over the storefront and a 'Park Pass Only' sign nearby. Inside a back room under a HELP WANTED sign, Barney, a heavy man with messy brown hair in an orange shirt, sits and talks while a bespectacled man in a dark suit holds a clipboard and a standing blonde woman in a blue jacket folds her arms. Barney grins, gestures with one hand, and then clasps his hands and leans forward as the interviewer watches and writes on the paper. > All right, why do you want to become part of the Quickie Mart family? > Because I like people, and I need a place where I'll be out of the sun. > Thank you. Frame: https://ultrahouse3k.com/img/S05E13/539080.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/543668 ## 9:09–9:23 A tall blonde woman in a blue suit and lilac scarf stands beside a grey-haired man in glasses and a dark suit, who sits behind a small wooden desk beneath a Help Wanted sign, with a shelf and a pipe on the wall. An applicant in a brown jacket and tie sits across the desk, gesturing with open hands and occasionally holding up a sheet of paper, while the woman gestures and then looks on as the man reads the paper. A third person in blue stands at the right edge as the applicant keeps talking and the man listens and leans forward, the paper and clipboard on the desk between them. > He's head and shoulders above everyone else. > Wait, there's one more applicant. > Name? > James Woods. > Previous job experience? Ooh, True Believer, Salvador, > Onion Field, The Hard Way. Wait, wait a minute. Frame: https://ultrahouse3k.com/img/S05E13/550341.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/556181 ## 9:23–9:33 Principal Skinner, with neat grey hair, glasses and a suit, sits at a desk reading a sheet of paper, then frowns and rests his chin on his hand while a tall blonde woman in a blue scarf and blue earring stands beside him. Troy McClure, with swept-back reddish-brown hair and a brown jacket, sits facing them in an office with a HELP WANTED sign on the wall. The woman turns and gestures toward McClure while Skinner lifts a dark case onto the desk, and McClure opens one hand as he speaks. > Those aren't convenience stores. That sounds like the resume of a Hollywood movie star. > Yeah, well... > James Woods! > Why would you want to work at a quickie mart? Frame: https://ultrahouse3k.com/img/S05E13/564105.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/568276 ## 9:33–9:43 Troy McClure, a man with swept-back reddish hair in a brown jacket and dark tie, sits on a wooden chair in a small room with a blue pipe and wall vent, facing a grey-haired man with glasses in a dark suit who holds a flat case on his lap, while a blonde woman in a blue suit stands at the right edge. Troy gestures with open hands as he talks, then closes his eyes and lets his hands rest on his knee while the seated man listens with his head turned toward him. Troy's expression shifts from a smug half-smile to a calmer, drowsy look as he settles back, and no on-screen text is visible. > Well, to be honest, in my upcoming movie, > I'm going to be playing this tightly wound convenience store clerk, and, you know, > I kind of like to research my roles and really get into it. Frame: https://ultrahouse3k.com/img/S05E13/574532.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/578286 ## 9:43–9:55 Troy McClure, an actor with swept-back reddish-brown hair, wearing a brown jacket over a white shirt and dark tie, sits in a wooden chair beside a pale door with a blue vertical bar. He talks while gesturing with an open hand toward the side, then grins with his teeth showing, leans forward and glances sideways with a half-lidded look, and keeps speaking with his mouth open. The room has a teal wall on the left edge. > For instance, True Believer, I actually worked in a law firm for two months, > And the film Chaplin, I had a little cameo on that. > I actually traveled in time back to the 20s where... > Well, I've said too much. Welcome aboard. Frame: https://ultrahouse3k.com/img/S05E13/584125.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/589130 ## 9:55–10:04 A brown-haired man in a brown jacket sits facing an older grey-haired man in a suit, glasses and a vest, who rests his hands on a briefcase, while a blonde woman in a blue jacket stands between them beneath a HELP WANTED sign. Homer, bald and stubbled, then steps into a pink-tiled shower, scrubbing and turning the knobs while water sprays over him. In the final moment he reaches out to the faucet as a woman in red appears at the left edge, and Apu, with black hair and a green jacket, holds up an orange sweater in a room with flowered wallpaper. > Good morning, sir. > Relax, please. Frame: https://ultrahouse3k.com/img/S05E13/596429.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/599766 ## 10:04–10:14 Apu, a dark-haired man in a green shirt, grips the back of an orange chair in a pink room with flower wallpaper and a window while Homer, nude and bald with stubble, stands facing him. Apu grins and talks while Homer glances sideways with a wary, sheepish look. Homer then stands in a tiled shower stall beneath a showerhead, holding a red lollipop against his chest, wide-eyed and sweating as Apu watches from the side. > You do not have anything I have not seen before. > What? > Uh, I'd like to keep a lollipop there. Frame: https://ultrahouse3k.com/img/S05E13/605396.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/609150 ## 10:14–10:24 Apu, in his green sweater and white pants, stands in a purple-cabineted kitchen with a checkered floor and a stacked pyramid of canned corn, while Marge Simpson, in her green dress with her blue beehive and arms crossed, watches him. Apu gestures with a can in his hand, then turns to look at Marge, who stays with her arms folded beside the green refrigerator. Lisa, in her red dress, walks in holding a can of corn and stands between them as Apu and Marge look at her. > Mmm. > Now, Pooh, we usually store our cans in the cupboard. > Well, they'll never move that way. > Mmm, corn. Haven't had that in a while. Yeah, delicious corn. Frame: https://ultrahouse3k.com/img/S05E13/615198.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/619160 ## 10:24–10:34 Apu in a green sweater and white pants, Lisa in a red dress with pearls, and Bart in an orange shirt and blue shorts stand in a kitchen with purple cabinets and a checkered floor, while Marge, with her tall blue beehive and green dress, stands by a green refrigerator. Lisa and Bart hold cans, then Marge leans into the open refrigerator door while Apu turns to stack more cans on the counter beside a blender and a row of cans. > Bye. > Oh, we're low on milk for Maggie. > You want to come with me to the Quickie Mart? Frame: https://ultrahouse3k.com/img/S05E13/625208.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/629170 ## 10:34–10:45 Apu Nahasapeemapetilon, the Kwik-E-Mart proprietor with black hair, green jacket and black shirt, leans over the blue counter in the Kwik-E-Mart, with cans of corn in the foreground, while Marge Simpson, with her tall blue beehive and red bead necklace, stands behind him at the right. Apu leans forward with his eyes closed and then straightens up, his mouth open and eyes wide as he glances toward Marge, who looks on with a steady, sideways stare and then turns her head slightly with wide eyes. Shelves stocked with goods, a bulletin board with papers and a green refrigerator case fill the background. > Please, Mrs. Simpson, I cannot go there. > That is the scene of my spiritual depensing. > Oh. > Well, I guess we could go to that new Monster Mart. Frame: https://ultrahouse3k.com/img/S05E13/635218.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/639597 ## 10:45–10:54 Marge Simpson, with her tall blue beehive, pushes a shopping cart through the aisles of the Kwik-E-Mart, where Apu, a man in a green sweater with dark hair, leans into the cart from behind and pushes it forward. The early shots show the store's exterior, a white building with the red sign reading "MONSTROMART" and the slogan "WHERE SHOPPING IS A BAFFLING ORDEAL" above a parking lot of cars. Inside, the cart moves down the aisle past shelves stocked with boxes labeled "FUN SIZE FLAKES," "BIG MAYO," "EVEN BIGGER CHIPS," "POODLE BONES," and two boxes of "RICE," until Apu moves into the foreground and hides the cart behind him. Frame: https://ultrahouse3k.com/img/S05E13/646271.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/649607 ## 10:54–11:04 Marge, with her tall blue beehive and green dress, stands beside Apu, who runs the Kwik-E-Mart and wears a green jacket and white apron, in a store aisle lined with shelves of jars and bottles. Marge holds a large brown box labeled "NUTMEG" and "ECONOMY SIZE" while Apu leans in, touches the box, and then gestures with raised fingers as he speaks. Marge glances upward with a wary expression as Apu raises a hand near his chest, and a shopping cart sits at the lower edge of the scene. > Oh, that's a good price for 12 pounds of nutmeg. > Oh, great selection and rock bottom prices. > But where is the love? Attention, Monster Mart shoppers. > Just a reminder that we love each and every one of you. Frame: https://ultrahouse3k.com/img/S05E13/655029.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/659409 ## 11:04–11:16 Marge Simpson with her tall blue beehive pushes a cart through the Kwik-E-Mart aisles among other shoppers, while Apu, the store owner, looks sideways with a sour expression. Barney, the heavy man with messy brown hair in a pink shirt, leans on a cart handle beside a display of three bottles of Pancake Syrup, then points at them. A dark round wall-mounted speaker hangs above the shelves at the start of the moment. > Excuse me, ma'am. Where are the lampshades? Frame: https://ultrahouse3k.com/img/S05E13/665665.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/670461 ## 11:16–11:26 Barney, the heavy man with messy brown hair in a salmon shirt and navy pants, stands at a bar counter stocked with bottles and a Duff Beer keg, with brown pancake syrup bottles with red caps and a yellow-gloved hand reaching in at the left edge. He first stands with one hand on his hip and the other at his mouth, then clutches his head in dismay and covers his face with both hands. He then staggers backward, flailing off balance as a tipped-over brown pancake syrup bottle lies on the counter beside him. > Ma'am! > Oh no! > I've killed her! > It's all happening again! Frame: https://ultrahouse3k.com/img/S05E13/677552.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/681514 ## 11:26–11:39 Apu, in a green sweater, and Marge, with her tall blue beehive and green dress, stand in the aisle of the Kwik-E-Mart beside a shopping cart as a man with swept-back reddish hair, in a red vest and bow tie, bursts through a shelf of bottles and tumbles into a spreading pool of red liquid. He sinks into the red sea, then thrashes up, raising one arm and shouting with his mouth open, his white tank top reading partly 'ERRY'. Nearby shelves hold rows of cranberry-style jugs, rolled packages, and bottles, with a large red CRANBERRY jug and stacked jugs in the first scene. > Help me! > It's crantastic! Frame: https://ultrahouse3k.com/img/S05E13/687562.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/692984 ## 11:39–11:50 Marge Simpson, with her tall blue beehive and red bead necklace, and Apu, the Kwik-E-Mart owner in a green shirt with a dark collar and dark hair, stand together at a shopping cart in the Kwik-E-Mart. Marge grips the cart handle while Apu talks to her, grinning and gesturing, then the two stand side by side looking off to the right with wide eyes. Behind them a white sign reads "EXPRESS LANE 1000 ITEMS OR LESS" in red and blue letters, with shelves of products and a red-and-white display in the background. > Mrs. Simpson, the express line is the fastest line, not always. > That old man up front, he has starved for attention. > He would talk the cashier's head off. Frame: https://ultrahouse3k.com/img/S05E13/700700.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/704871 ## 11:50–11:52 Marge Simpson, with her tall blue beehive, stands at the left edge pushing a wire shopping cart, with Apu of the Kwik-E-Mart and a few other shoppers close beside her under an 'EXPRESS LANE 1000 ITEMS OR LESS' sign in a store aisle. A red-dressed, red-haired figure in sunglasses and a man in a tan jacket holding a bottle and a bundled item stand in the middle of the crowd, while a tall, grey-haired man in a blue sweater stands at right with a sour, unimpressed expression. Across the sequence the figures barely move, with the group holding their items and the man on the right keeping his blank, sullen look as shelves of products line the background. Frame: https://ultrahouse3k.com/img/S05E13/711336.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/711127 ## 11:52–12:00 Grampa, the wrinkled old man with white tufts of hair and glasses in a tan jacket, stands at a shop counter beside an unnamed thin man in a blue turtleneck. Grampa holds a green wallet in one hand and raises a silver nickel between his fingers in the other, talking and gesturing with it, then extends the coin toward the counter while the taller man looks on with a flat expression. Behind them are a cash register, shelves of bottles and a blue curtain, in what looks like a store. > Ah, there's an interesting story behind this nickel. > In 1957, I remember it was. > I got up in the morning and made myself a piece of toast. Frame: https://ultrahouse3k.com/img/S05E13/713213.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/716549 ## 12:00–12:09 An elderly man with tall yellow tufts of hair, glasses, and a bushy mustache, wearing a tan jacket, stands at a store counter holding a green coin purse in one hand while he pinches and raises a small coin in the other. A bald man in a blue turtleneck stands behind him, watching with a flat, unimpressed expression. The old man gestures with the coin, talks, and then lowers his hand back toward the purse as the counter, a cash register, and shelves stocked with bottles fill the background. > I sent the toaster to three, medium brown. > Let's cut to that line. But that's the longest. Frame: https://ultrahouse3k.com/img/S05E13/721971.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/725099 ## 12:09–12:20 Marge Simpson with her tall blue beehive and red bead necklace stands beside Apu, who runs the Kwik-E-Mart, as they push a white shopping cart holding bottles and cans through the store. Apu turns and speaks while Marge watches, then the view moves to a checkout queue of men clutching magazines and goods, marked by hanging LANE signs, where a mustached man in a pink shirt and a redhead man with glasses shuffle forward. Behind them, a blond man in a red vest and black hat and a heavyset man in a white shirt wait in line beside shelves of merchandise. > Yes, but look, all pathetic single men. > Only cash, no chit-chat. Frame: https://ultrahouse3k.com/img/S05E13/730521.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/734901 ## 12:20–12:30 Marge, with her tall blue beehive and red bead necklace, is seen in close-up inside the Kwik-E-Mart, smiling and glancing sideways in the first two images. Behind the counter, a clerk with brown swept-back hair and a light blue striped shirt stands beside a B.C. Donuts display, a hot dog roller, and a Snack Treats stand, while a customer in a purple beanie and black shirt holds out money. The clerk folds his arms and then points at the customer, who looks startled and clutches a small red item. > 75, 85, 90, and a dollar. Thank you, and come again. > Hey, wait a minute. Hey, uh, could I just ask you a question? Frame: https://ultrahouse3k.com/img/S05E13/741574.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/745536 ## 12:30–12:42 A young customer in a purple knit beanie and black shirt, seen from behind, stands at the counter of a convenience store, facing a clerk in a light blue jacket with rolled sleeves and a name badge. The clerk spreads his hands, then rubs his forehead, then raises a finger and keeps talking while the customer listens with wide eyes. Behind the counter are a B.C. Donuts display case, a red cabinet, and jars of coffee and snacks. > Did you... > Did you believe that? I mean, the way I gave you the change, > did I sound like a real Quickie Mart, you know, kind of guy? Frame: https://ultrahouse3k.com/img/S05E13/751793.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/756381 ## 12:42–12:55 Inside a convenience store with a BC Donuts case, a hot dog warmer, and a snack rack, a person in a purple beanie and a black shirt with a white skull on it gestures with both hands while talking to a clerk with swept-back brown hair, who wears a pale blue jacket with a teal-striped sleeve and a pink badge. The clerk rests his chin on his hand, then shuts his eyes and gestures toward his chest as the customer leans toward the counter. The clerk ends up leaning on the counter with his hand near his face while the customer keeps talking, with jars of food and a glass-doored cooler behind them. > Actually, I thought it was a little labored. > You gotta lose yourself in the moment, man. > Yeah, like, yeah, okay, great. Okay, let's just try that again, okay? > Come on. > Hey, come on. Hey, hey, hey, hey, hey, get over here. > Okay, now you're you, I'm me. Frame: https://ultrahouse3k.com/img/S05E13/763263.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/768893 ## 12:55–13:06 A one-off customer in a purple knit cap, long brown hair and a black shirt stands at the Kwik-E-Mart counter, beside a BC Donuts case and a Hot Dog sign, as a clerk in a white shirt points at them. The scene then moves to a kitchen table with a blue cloth, where Apu, Marge, Homer, Bart, Lisa and Maggie eat from plates of food, with Homer raising a fork and Bart holding a spoon. > I'm me? > Hey, don't jerk me around, fella. > Oh, yeah. > Pass it, Jutney. > Apu, you've been so helpful. > If it weren't for him, we'd still be in line at the Monster Mart. Frame: https://ultrahouse3k.com/img/S05E13/776818.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/780989 ## 13:06–13:16 Marge, with her tall blue beehive and red bead necklace, sits at the kitchen table with Lisa, who wears a pearl necklace and red dress, and Bart in his orange shirt. Marge eats from a fork and talks while Lisa lifts a brass instrument to her mouth and plays it with her eyes closed. Plates of carrots and peas and glasses of milk sit on the blue table, and in the final moment Homer stands by the green refrigerator in the kitchen with a scowl. > And he taught me how to play the Shani. > That's even worse than the album Grandpa released. Frame: https://ultrahouse3k.com/img/S05E13/787245.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/791624 ## 13:16–13:25 Bart Simpson sits on a small red chair at the blue kitchen table in the Simpson home, eyes shut and mouth open as he sits still at first with his arms out to the sides. He then lifts two blue-and-white dumbbell-like weights overhead, with his eyes squeezed shut, and afterward his eyes pop wide open as he grins and holds the weights beside his head, then settles back with a slight smile while still gripping them. In the last frame, the scene widens to show the family seated around the table: Marge with her tall blue beehive, Lisa and Maggie on the left, Homer in his white shirt at the right, and Bart in the foreground, with Carl, a Black man in a green jacket, seated at the far end by the window with yellow curtains. Bowls of food, a plate with orange and green food, and a glass sit on the blue tablecloth. > And he taught me how to do this. > I got out of school because I told him I was mangled in a car wreck. > Just thank you all for the kind praise. Well, you deserve it. Frame: https://ultrahouse3k.com/img/S05E13/798089.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/801426 ## 13:25–13:33 Homer Simpson, the bald, heavy man in a white shirt, sits at the kitchen table holding a fork with a piece of broccoli on it, grinning and then grimacing as he chews beside a blender and a green refrigerator. He lifts the fork toward his mouth, eats, and his expression shifts from a wide-eyed smile to a sour squint. The moment then cuts to an animated red interior showing a pink vessel with a yellow, smiling blob of cholesterol-like material being cleared out, with branching tendrils along its sides and bottom. > All these vegetables are really clearing the cholesterol out of the old heart. Frame: https://ultrahouse3k.com/img/S05E13/807056.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/809559 ## 13:33–13:40 Homer Simpson first appears as a red silhouette with a yellow brain and a pink spinal cord, then his cartoon head fills the screen with half-lidded eyes glancing sideways. He later stands in a kitchen in a white shirt, eyes narrowed and mouth pursed, beside a blender, a green refrigerator covered in magnets, and a corkboard with a pizza sign. He stays largely still, looking to one side with a sullen expression as the moment plays out. > Herb, a poor friend me good. Frame: https://ultrahouse3k.com/img/S05E13/814355.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/816858 ## 13:40–13:44 Lisa Simpson, the girl with star-shaped spiky hair and a red dress, stands in the Simpsons' living room in front of a red armchair, a hanging basket of fruit and a white ceramic chicken on the left and a pink doorway on the right. She widens her eyes and talks with her mouth open, then lifts both hands palms-up beside her shoulders as if gesturing and explaining something, while her pearl necklace stays in place. > I think what my father's saying is you're like a member of the family now. Frame: https://ultrahouse3k.com/img/S05E13/821654.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/822488 ## 13:44–13:51 Apu, a dark-skinned man with a black bowl-cut hair, a green robe and a beard, stands at the head of a dinner table in a kitchen with yellow corn-patterned curtains, hands clasped in front of him, and speaks with an animated expression. Seated around the table are Marge with her tall blue beehive, Maggie in a high chair with a pacifier, Lisa in a red dress, Bart in an orange shirt, and Homer in a white shirt, all watching him. Across the moments Apu's head tilts and his eyes shift slightly as he keeps talking while the family sits still at the blue-clothed table, with plates of food in front of them and a red dish on the counter behind Marge. > I feel that way too. > You see, whether igloo, hut, or lean-to, or a geodesic dome, > there's no structure I have been to which I'd rather call my home. Frame: https://ultrahouse3k.com/img/S05E13/825408.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/828119 ## 13:51–13:59 Apu, the dark-haired man in a green jacket with a beard, sits at the dinner table with Marge in her tall blue beehive, Homer in his white shirt, Bart in orange, Lisa in her red dress and Maggie in her high chair, with Grampa, a wrinkled old man with white tufts of hair, leaning in behind Marge. Grampa then settles at the table while Apu, smiling and gesturing, lifts a hand and stands up, and in the final image Apu is on his feet at the back of the table with his arm raised while Grampa is gone and Homer looks on. The blue-clothed table holds plates of food in a kitchen with yellow curtains over the window and orange cabinets. > Hello! > When I first arrived, you were on such church, Frame: https://ultrahouse3k.com/img/S05E13/832915.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/835626 ## 13:59–14:10 Apu, the dark-skinned man in a green jacket and white trousers, stands at the foot of a staircase with a wooden cane in the Simpson family's pink entryway, while Homer, Marge, Bart, Lisa and Maggie watch from the doorway. He then bounces up in a lively pose, arm raised and legs kicked out, as the family gathers around him, and later leans in close to Maggie, who has a blue bow, and then to Marge and Lisa, grinning and holding his cane. Notable objects include the purple-railed staircase, a chandelier, a table lamp, and a framed picture on the wall. > But now I've come to love York works, > Maggie with her eyes so bright Marge with hair by Frank Lloyd Wright Lisa can > philosophize Bart's adept at spinning lies Homer's a delightful fella Frame: https://ultrahouse3k.com/img/S05E13/840423.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/845011 ## 14:10–14:21 Apu, in a green jacket and white pants with a wooden cane, talks with Bart at first, then turns to Homer in a white shirt beside a window with purple curtains in a pink room. Apu gestures and grins, then climbs onto a small orange chair with his arms spread and cane raised while Homer lies sprawled face-down on the teal carpet beside his dropped glasses. > Sorry about the salmonella That's okay > Who needs the quickie mart? Frame: https://ultrahouse3k.com/img/S05E13/851684.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/855855 ## 14:21–14:31 Apu, a dark-skinned man with black hair, a green jacket and cream trousers, stands on a red stool in a pink room, first with his arms flung wide and then holding a curved wooden cane across his hands while grinning. Homer in his white shirt, Bart with spiky hair, Lisa with her star-shaped spiky hair, and Marge with her tall blue beehive and red beads gather around him, while Maggie with her pacifier and blue bow is held close to Marge at the right. A small bag of green produce sits at the left edge of the scene, and the family looks up at Apu as he speaks and gestures. > Now here's the tricky part Oh, won't you rhyme with me? > Who needs the quickie mart? Their floors are sticky mart. Frame: https://ultrahouse3k.com/img/S05E13/862320.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/866491 ## 14:31–14:39 Lisa Simpson, with star-shaped spiky hair and a red dress, spreads her arms wide and grins in the first two frames, while Bart, the spiky-haired boy in an orange shirt, holds a brown brick at the right edge and looks up with wide eyes. Homer, bald and open-mouthed in a white shirt, leans in from the right in the fourth frame, shouting in alarm, and in the final frame he has pulled back to lower his head as Maggie's blue-bowed figure appears above, with the brown curved hook of a shepherd's crook in the foreground. The setting is a colorful cartoon backdrop of blue, purple, red and teal stripes with a wooden door edge at the right, and no readable on-screen text appears. > They made that sticky mart. > Let's hurl a bricky mart. > The quickie mart is real. Don't! Frame: https://ultrahouse3k.com/img/S05E13/872955.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/875666 ## 14:39–14:52 Apu, in a green vest and white pants, stands on a red wooden chair in a pink hallway with an arched doorway, holding a cane and spreading his arms while singing. Homer, Bart, Lisa, Maggie and Marge gather around him with their arms raised, cheering and clapping. As he sings, he sits, then stands again on the chair, and the family keeps waving their hands in excitement. > Who needs the quickie mart? > Not me. Forget the quickie mart. > Goodbye to quickie mart. > Who needs the quickie mart? > Not me. Frame: https://ultrahouse3k.com/img/S05E13/880254.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/885676 ## 14:52–14:55 Apu, the Kwik-E-Mart owner in a green jacket and white trousers, gestures with one hand and holds a cane while talking, then climbs onto an orange chair in a pink arched room with a lamp and potted plant. Homer and Marge watch from the foreground as Apu steps down from the chair and walks off to the left, then slips out of sight behind the chair while Homer and Marge stay in place. Frame: https://ultrahouse3k.com/img/S05E13/893184.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/893810 ## 14:55–15:06 Marge with her tall blue beehive holds Maggie, who sucks a pacifier and wears a blue bow, while Lisa in her red dress and pearls and Bart in his orange shirt stand beside them in the living room, with Homer in his white shirt and an elderly man in a tan sweater at the right edge. The family then settles onto the brown couch, with Lisa, Marge holding Maggie, and Homer seated, and Bart perched on the armrest, while Homer rubs his belly and glances around. Framed sailboat art, a fringed lamp, a rainbow rug, and a small side table with a telephone decorate the room. > Everything really wrapped up nicely. > Much quicker than usual. I guess we learned that happiness is wherever you find it. > And we've all found happiness. Frame: https://ultrahouse3k.com/img/S05E13/896521.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/900900 ## 15:06–15:17 Homer, Marge, Lisa, Bart and baby Maggie sit side by side on the brown couch in the pink living room, beneath a framed sailboat painting and a hanging lamp. Homer gestures with an open hand while talking, then grips a remote and stares ahead as the family turns their heads, looking wary and attentive, while Maggie sucks her pacifier. The family's eyes shift toward something off-screen as they sit still on the couch. > Every one of us. > Hey, what's that sound? Frame: https://ultrahouse3k.com/img/S05E13/907365.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/911744 ## 15:17–15:29 A dark-haired man in a green jacket and yellow pants sits hunched on a rooftop at night under a full moon, beside a chimney. He gazes toward the nearby Kwik-E-Mart, whose glowing red-and-green sign and lit windows are visible across the rooftops, then tilts his head back with his eyes closed as the moon hangs behind him. > Who needs that quickie mart? > I do. Frame: https://ultrahouse3k.com/img/S05E13/918209.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/923423 ## 15:29–15:40 Homer, Marge, Maggie, Bart and Lisa stand together against a blue backdrop, with Homer scowling and shaking a finger upward while the family watches with wide eyes. The scene shifts to the Simpson house at night, where Homer, Marge, Lisa and Bart look up at a dark figure crouched on the chimney silhouetted against a full moon. The house is then shown in the dark with its arched windows glowing, the pink front door and pink garage lit by the lamps, and a mailbox at the curb, before the image fades to black. > Hey, he's not happy at all. > He lied to us through song. > I hate when people do that. > I can't lie to myself, you know. Frame: https://ultrahouse3k.com/img/S05E13/930930.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/934892 ## 15:40–15:52 Apu Nahasapeemapetilon, the man with a dark grey hairdo, green jacket and white trousers, sits on a dark red couch in the Simpsons' living room, flanked by Lisa, who wears a red dress and pearl necklace, and Homer, the bald heavyset man in a white shirt and blue jeans. Marge sits in a green armchair and Bart lies on the teal carpet reading a book beside an orange object. Apu speaks and raises his index finger while Lisa looks at him in a sober, attentive expression, and Homer's head turns toward Apu. Framed pictures of Maggie-style artwork hang on the pink wall, with a staircase and lamps in the background. > I do miss my quickie mart. Isn't there anything you can do to get your job back? > I must go to the head office and appeal my case. > I'm coming with you. I got you fired. It's the least I can do. Frame: https://ultrahouse3k.com/img/S05E13/941357.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/946154 ## 15:52–16:03 Lisa stands at the left edge of a pink living room while Homer, in his white shirt, leans toward Apu, a dark-skinned man with a black pompadour and green jacket. Homer then talks on a red phone beneath framed pictures, and afterward sits on a brown couch beside Apu, who looks sideways while Homer grins and drapes an arm around his shoulder. Apu finally smiles widely with a hand pressed to his chest as Homer leans in close, beaming. > Well, the least I can do is absolutely nothing. > But I'll go you one better and come along. > But, sir, the head office is in India. > Okay. Frame: https://ultrahouse3k.com/img/S05E13/953244.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/957623 ## 16:03–16:13 Lisa, Apu and Homer sit together on a couch in a pink-walled living room with a framed picture and a red lamp. Lisa's wide eyes and open mouth give way to a wince, while Apu stares ahead and Homer looks alarmed and clutches his chest. The scene then moves to an orange desert where rows of large footprints climb a sand dune toward two tiny figures at the crest under a blue sky. > Dad, that's over 10,000 miles away. > I'm aware of that. That's over 16,000 kilometers. Frame: https://ultrahouse3k.com/img/S05E13/964297.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/968468 ## 16:13–16:25 Homer, a bald yellow-skinned man in a white shirt and blue pants, and Apu, a dark-skinned man with black hair, ride donkeys loaded with red suitcases and a grey trunk across a dusty brown desert hillside under a blue sky. They climb the slope, then reach a cliff edge overlooking Springfield Airport, where a large sign reads "SPRINGFIELD AIRPORT" beside planes on the runways below. In the later frames Homer and Apu sit close together on the donkeys at the edge, with Apu glancing sideways and Homer looking back over his shoulder, while the donkeys stay still against the blue sky. > I'm sorry we couldn't take a cab, but I spent my last dollar on the plane tickets. Frame: https://ultrahouse3k.com/img/S05E13/974932.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/979729 ## 16:25–16:36 No regular characters appear in this moment. A white passenger jet with a red stripe flies across a bright blue sky above snow-capped purple mountains in the first four views, with its position shifting slightly as the mountains scroll past. The final view cuts to the exterior of a Kwik-E-Mart, an orange-roofed convenience store with two signs reading KWIK-E-MART, a graffiti-marked wall, a sign reading NO DUMPING, and dark red stains on the pavement, with no people visible. > Are we in India yet? No. Are we in India yet? > No. Are we in India yet? No. Are we in India yet? > No. > Oh, wait. > Now we are. Frame: https://ultrahouse3k.com/img/S05E13/986611.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/991199 ## 16:36–16:46 A one-off clerk in a pale blue uniform with green-trimmed sleeves and a round name badge stands behind the counter of a convenience store, a Squishee cup sign above him and a CASH mat on the counter. He starts bent low, head down inside an open cabinet or drawer, then straightens and turns partly away with a pink cordless phone held to his ear. He turns back to face the counter, eyes half-closed as he talks into the phone with a small item in his other hand, then leans slightly and keeps talking, the phone still at his ear. > Tony, Tony, you're my agent. You have to do something about this. > How can it be the same movie if they've changed my character from a tightly wound > convenience store clerk to a jittery Eskimo firefighter? Frame: https://ultrahouse3k.com/img/S05E13/998080.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1001834 ## 16:46–16:56 A store clerk in a light blue uniform shirt with a name badge and brown hair, who is not one of the regulars, stands behind the counter of a convenience store with a Squishee cup sign, jars of candy, and a CASH sign in front of him. He holds a cordless phone to his ear with one hand and a dark object in the other, glancing sideways, then grimacing and leaning an arm against the freezer case. He stays on the call while shifting his stance and gripping the dark item at his side. > Uh-huh. > Well, actually, that's a pretty good explanation. > Now, this is gross. This would be gross points, right, in this new... Frame: https://ultrahouse3k.com/img/S05E13/1007882.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1011844 ## 16:56–17:06 Apu, the Kwik-E-Mart clerk with a short brown hairdo, light blue shirt and a red-and-white badge, stands at the store counter holding a phone to his ear and a dark object in his hand. He grimaces, then gestures sharply with the object toward the blue shelving and a red display reading 'DRINK' while speaking animatedly. Behind him sits a large Squishee cup, a dark cabinet and an open freezer case, and jars of candy sit on the counter. Apu's expression sours as he leans against the cabinet, then he straightens and waves the object again in an emphatic, exasperated motion. > Okay. > Yeah, because those monkey points... Okay, great. > Okay, good. Book me a flight, rent me an igloo, > and tell those dorks at the Quickie Mart that, boom, I am out of here. > I'm a dot. I'm gone, okay? Frame: https://ultrahouse3k.com/img/S05E13/1017892.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1021646 ## 17:06–17:16 A brown-haired man in a light jacket with teal sleeve trim leans on a counter inside a small, blood-splattered booth, holding a pink telephone to his ear. He grimaces, reaches forward to grip a dark object, and then speaks with his mouth open while glancing ahead. The scene then cuts to an airport with several jets parked on the tarmac, a white plane in the foreground, a small van and cars nearby, and a domed building with minarets against a mountain backdrop. > What do you mean I gotta give two weeks' notice? > What? I'm freaking no good mother... > ...cheese! > No, not you. I'm just talking to my oven. Frame: https://ultrahouse3k.com/img/S05E13/1027693.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1031656 ## 17:16–17:26 Several one-off characters appear in an airport terminal: a woman in a purple hooded dress carrying a swaddled baby, and a group of shaved-headed men in orange robes with ponytails, one holding a drum and another a suitcase. The robed group walks past a 'Restaurant & Bar' sign and a large plane visible through the windows, then stops as a crowd of men in suits and glasses gathers around them, some waving and shouting. One suited man holds a basket of money while the robed figures stand close together, with a glowing red drink cup in one devotee's hand. > Oh, great Christians. > Attention passengers. Frame: https://ultrahouse3k.com/img/S05E13/1037912.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1041666 ## 17:26–17:33 Homer, in a white jacket, is packed among a crowd of passengers and attendants in white uniforms on the open carriage behind a red-cabbed steam locomotive marked 3, with black smoke rising from its stack as it chugs across a grassy plain toward snowy mountains. As the train rolls on, Homer reaches forward with one arm while the people around him lean over the railing, some waving their arms and others pressing close. Brass lanterns hang on the black boiler, and the carriage stays crowded throughout. > Dinner is now being served in the dining car. Frame: https://ultrahouse3k.com/img/S05E13/1047922.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1050216 ## 17:33–17:45 Homer and Apu, the latter with black hair, a green jacket and a large backpack, travel through the mountains and desert. A black steam locomotive with a red car numbered 3 pulls passenger cars across a grassy plain, then two silhouetted figures sit against a huge orange sunset over the sand. Homer and Apu climb a rocky mountain path with walking sticks, pause beside a snowy purple peak, and stand together looking ahead while Homer's mouth hangs open, with a canteen hanging from Apu's shoulder. > There she is. Frame: https://ultrahouse3k.com/img/S05E13/1054804.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1059600 ## 17:45–17:56 Homer, a bald heavy man in a white shirt and blue pants, and a dark-haired man in a green jacket with a green backpack, both holding purple ski poles, hike a winding dusty path up a steep rocky cliff under a blue sky with clouds. The path leads to a small white building with arched windows and a sign on its brown roof, perched on a peak. The pair stop on a rocky ledge, where Homer squints and grimaces while the man in green looks sideways at him with a frown. > There she is, the world's first convenience store. > This isn't very convenient. > Must you dump on everything we do? Frame: https://ultrahouse3k.com/img/S05E13/1066691.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1071070 ## 17:56–18:04 Homer, bald and wearing a white shirt and blue pants, and Carl, in a green jacket and white pants with a large rolled pack on his back, climb a wide white staircase toward a grand purple-doored entrance flanked by gold ornaments. They walk in together along a red-carpeted corridor with mountain views through the windows, Homer gripping a walking staff, then advance down a columned hall lined with shelves toward a glowing golden shrine at the end where a robed figure sits under a sign. Homer raises his staff as they approach the shrine. Frame: https://ultrahouse3k.com/img/S05E13/1077743.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1080454 ## 18:04–18:17 Homer Simpson, bald and heavyset in a white shirt and blue pants with a patch, and Apu Nahasapeemapetilon, in a green coat and cream trousers with a backpack of rolled mats and papers, stand together on a red carpet in a purple-columned hall. Homer holds a walking stick and Apu holds one too, with a bundle of papers on his back and a trash can nearby. Apu's arms stay at his sides while he speaks, and Homer glances over and then turns his attention toward a tall figure with a long white wig and a green-lidded drink cup in the right foreground. In the later moments the white-haired figure's shape fills the right side while Homer raises a hand to his chin and Apu shifts slightly, both still on the red carpet. > He is the benevolent, > enlightened president and CEO of Quickie Mart and in Ohio, Stapo Mart. > He is the one I must ask for my job back. > Approach, my sons. Frame: https://ultrahouse3k.com/img/S05E13/1085668.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1091090 ## 18:17–18:27 Homer, a bald, heavyset man in a white shirt and blue pants, and Apu, who runs the Kwik-E-Mart, stand on a red carpet before a long-haired, white-bearded man in a white robe seated on a cushioned throne under a sunburst sign reading "THE MASTER KNOWS ALL EXCEPT COMBINATION TO SAFE." The bearded man sips a green and pink drink through a striped straw, then raises three fingers while Homer grips a walking stick and Apu stands with a rolled bedroll and backpack. Homer and Apu then look up and speak to him as he keeps holding the cup, with shelves of goods behind them. > You may ask me three questions. > That's great, because all I need is one. > Are you really the head of the quickie mart? > Yes. Frame: https://ultrahouse3k.com/img/S05E13/1098806.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1102768 ## 18:27–18:38 Homer Simpson, bald and stubbled in a white shirt, sits at a teal desk beside a wooden organizer stuffed with folders, his mouth open and eyes wide in surprise. Then an elderly man with dark brown skin, long flowing white hair and a white beard sits before a pale yellow wall with a round window grid, talking with his eyes shut, looking down with a sly expression, and then laughing with his eyes closed and mouth open. A small light blue object sits at the bottom edge, and he finally frowns with a drop at his chin. > Really? > Yes. > You? > Yes. > I hope this has been enlightening for you. > But I must... Thank you. Come again. But thank you. > Come again. Frame: https://ultrahouse3k.com/img/S05E13/1108816.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1113195 ## 18:38–18:49 Apu, the dark-skinned man in a green jacket with a large rolled backpack, and Homer, the bald heavy man in a white shirt and blue trousers, hike along a rocky mountain path toward a white temple with a red roof and an inscription in non-Latin script, with snow-capped purple mountains behind them. They walk up the path, stop and face each other, with Homer holding a purple walking stick, and Apu gestures with his hands and grimaces. Apu then grips Homer's hands on the stick while Homer leans forward with his eyes half-closed, and the scene ends with Homer standing with an open hand while Apu, backpack on, turns away. > Well, that was a big bust. > Is he really the head of the quickie mart? > No need to apologize, Appu. It was as much my fault as it was yours. Frame: https://ultrahouse3k.com/img/S05E13/1119869.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1124040 ## 18:49–18:57 Apu, a dark-haired man in a green sweater with a backpack, holds Homer in a headlock on a rocky, grey-brown hillside under a blue sky with white clouds. Homer, bald and yellow-skinned with a white shirt, bulges his eyes and struggles as Apu grips him and bares his teeth. In the final scene Apu and Homer are gone from view, and only the tops of two black-tipped yellow feet and a purple-clad leg stick out from behind a tan dirt ridge beside a purple, snow-capped mountain. > Okay, Appu! > Accept your apology! Frame: https://ultrahouse3k.com/img/S05E13/1130296.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1133424 ## 18:57–19:09 Apu, in a green jacket, stands with Homer in the orange-framed doorway of a pink room, Homer holding a black briefcase and Apu holding a maroon suitcase and a grey case. Marge with her tall blue beehive, Bart in his orange shirt, Lisa in her red dress and Maggie with her blue bow gather in the room to face them, and Homer gestures with one hand as he speaks. Lisa then stretches an arm toward Bart, who leans in beside her while Homer and Apu look on. > Dad, Dad, what'd you bring us? What'd you bring? > How did it go? > Fine. > Oh, I mean, not good. I'm sorry, Appu. > But remember, who needs a quickie mark? Do you mind? Frame: https://ultrahouse3k.com/img/S05E13/1138638.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1143434 ## 19:09–19:19 Apu, in a green jacket over a black shirt, and Homer, bald and wearing a white shirt, stand together in front of a pink wall with a blue arched window showing white clouds. Homer leans in with his arm across Apu's shoulder, talking and gesturing, then his hand rises into a raised fist as he grimaces and shouts. Apu stays deadpan and unimpressed throughout. > I'm not in the mood. > Appu, if it'll make you feel any better. > I've learned that life is one crushing defeat after another until you just wish Flanders > was dead. Frame: https://ultrahouse3k.com/img/S05E13/1150316.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1154487 ## 19:19–19:30 Apu, the Kwik-E-Mart owner with spiky black hair, a long nose, and a green jacket over a black shirt, stands beside Homer, the bald, heavy man in a white shirt, against a pink and blue backdrop with a pale cloud. Apu first holds up both hands palms-out as if refusing, then closes his eyes and clasps his hands at his waist, then gestures with raised hands while Homer watches with wide eyes. In the final moment Apu clenches a fist in front of him with a stern, narrowed-eyed look while Homer stands by with half-lidded eyes. > Yes, yes, you are right, sir. I've got to accept my fate. > I have feared it for long enough now. > I'm going to go down to the quickie mart, and I'm going to face my demons. Frame: https://ultrahouse3k.com/img/S05E13/1160951.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1165331 ## 19:30–19:44 Apu, the Kwik-E-Mart proprietor with his dark hair and green cardigan over a black shirt, is first seen in front of the orange sunset sky, then appears at the store's glass door and later stands outside it, looking worried. Outside the Kwik-E-Mart at dusk, Apu walks across the empty parking lot, carrying a metal shopping basket that is empty, past dark stains on the asphalt. The store's signs read KWIK-E-MART, with PUSH on the glass doors and a DUFF beer poster in the window. Apu first appears in a close-up, then walks into the parking lot, pauses, and comes back toward the entrance, showing his nervous expression throughout. > Oh, that'll work out great. We're out of Lucky Charms. Frame: https://ultrahouse3k.com/img/S05E13/1171796.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1177426 ## 19:44–19:57 Apu, the dark-skinned clerk with black hair and a green shirt, appears in the Kwik-E-Mart with a worried look. The store contains a purple Squishee cup on a blue machine, green goo dripping from its spigots, a mop standing in a purple bucket surrounded by a puddle, and a sign reading "DO NOT ACCEPT CHECKS FROM" with names including Chief Wiggum and Homer J. Simpson. > Ah, my old squishy machine. > And my scum bucket with flies. > And a hot checklist. Frame: https://ultrahouse3k.com/img/S05E13/1185142.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1190564 ## 19:57–20:08 A thin, brown-haired man in a light blue short-sleeved jacket with teal trim and a white undershirt stands in a store beside a dark-haired man in a green top with an orange collar, who is seen from the side at the right edge. The man first points toward the other, then brings his hands together and opens his mouth in an animated way, before extending an open palm toward him and speaking. Behind them are stacked blue shelving with white round items, a red box with the word "NUKE" partly visible, and a window on the right wall. > Hey, hey, you're Abu Nahasapimapetalan, aren't you? > I mean, you're the... God, you're like the guy. > You're a legend around here. > Can I ask you something? Is it true you once worked 96 hours straight? > Oh, yes. It was horrible, I tell you. Frame: https://ultrahouse3k.com/img/S05E13/1198072.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1202451 ## 20:08–20:16 Apu, in his green jacket, stands in the Kwik-E-Mart in close-up, his eyes wide and blinking, then closing them with a weary look before speaking with his mouth open. Later, a one-off clerk with short brown hair and a light blue-and-white smock stands behind the counter, pressing his hands to his face before gesturing at a small TV showing static while Apu watches him. Nearby sit pink-labelled jars on the counter and a partly visible BARGA... sign. > By the end, I thought I was a hummingbird of some kind. > Oh, yeah. You know, I studied your old security tapes. Frame: https://ultrahouse3k.com/img/S05E13/1209125.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1212253 ## 20:16–20:27 Apu, the Kwik-E-Mart runner with dark skin, blue hair and a green shirt with a black collar and name tag, walks through the store past the counter and snack displays, then stands beside a purple appliance near the shelves of folded clothing. He faces a young clerk with brown hair in a light blue smock and name badge, who listens with half-closed eyes while Apu talks and gestures. Red signage reading 'AT' hangs on the wall behind them, and a large purple slushie cup sits on a shelf in the background. > In a few minutes, I tried to drink nectar out of Sanjay's head. > All right, you. Frame: https://ultrahouse3k.com/img/S05E13/1217675.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1222054 ## 20:27–20:39 A scowling man with swept-up orange hair and a green vest points a handgun across a convenience store counter while holding a stack of cash. Apu, in a green jacket and dark hair, gestures with both hands near a pink Bargain Table sign, and a brown-haired clerk in a light blue shirt stands behind the counter, first gesturing with his hands and then resting them on the counter. Visible objects include a Krusty arcade machine, a cash register, a wire basket on the Bargain Table, and a sign reading 'No checks, credit cards, food stamps'. > Hand away the cash and don't try any funny stuff. > Hey, pal, I assure you, if I tried any funny stuff, you would be in hysterics. > Hey, you're James Woods. Oh, thank you. Yes, thank you. Frame: https://ultrahouse3k.com/img/S05E13/1228936.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1233524 ## 20:39–20:49 A stocky man with swept-back orange hair, a moustache, and a green vest over a grey shirt aims a handgun in the Kwik-E-Mart, scowling and then grinning as he tightens his grip and waves the gun toward the counter. Apu, a dark-haired man with raised hands, stands by the counter beside a thin clerk in a white shirt, next to a pink Bargain Table sign reading any item 1.00 and a sign reading No checks, credit cards, food stamps. Behind the glass doors and the purple walls, the armed man keeps his gun trained on the shopkeepers while his expression hardens. > Well, Mr. Woods, your new song is going to be number three with a bullet. > Yeah, I'm not a singer. Shut up. Frame: https://ultrahouse3k.com/img/S05E13/1240197.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1244368 ## 20:49–20:54 Apu, the Kwik-E-Mart owner in his green jacket and black collar, shouts in alarm behind the store counter while a stocky, orange-haired man in a teal puffy vest points a handgun at him. The gunman grabs Apu, who flails his arms and is pushed against a thin young clerk in a light blue shirt with a name badge, who raises his hands and stares wide-eyed. Apu's head then slumps down behind the counter, with the clerk still standing and talking, while the gunman keeps the gun raised. The counter holds candy and cigarette boxes in a blue tray, a small dish, and a floor mat with lettering, and shelves and a red sign stand in the background. Frame: https://ultrahouse3k.com/img/S05E13/1250624.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1251876 ## 20:54–21:01 A brown-skinned man with black hair, wearing a dark shirt with a red star-shaped bloodstain, lies on a gurney while a brown-haired doctor in a light blue coat leans over him. The doctor holds a small white tube near the patient's mouth, then the patient's mouth opens wider as he grimaces and speaks, and his head tilts back and his eyes shut as the doctor watches. A bald, heavyset man in white stands at the right edge, and a cabinet with jars and a blue wall sit in the background. > Apu. > The soothing kiss of hot lead. > How I missed you. > I mean, I think I'm dying. Frame: https://ultrahouse3k.com/img/S05E13/1255212.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1257715 ## 21:01–21:08 Apu, the brown-skinned man with black hair who runs the Kwik-E-Mart, lies in a bed with a red stain on his chest while a brown-haired man in a pale blue shirt leans over him, supporting his head with one hand and holding his chest with the other. Apu's eyes open and then close as he slumps, and the scene dissolves into a translucent overlay of him and the man against the exterior of a white, multi-storey building with a dark water tower, where the blue sign reads "SPRINGFIELD GENERAL HOSPITAL" in front of a brown dirt path. The final view is the empty hospital exterior with the sign clearly visible. > Well, you are a very lucky man, Apu. Frame: https://ultrahouse3k.com/img/S05E13/1262511.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1265014 ## 21:08–21:17 Homer Simpson, a man in a brown suit and tie beside him, a doctor in a white coat holding a clipboard, Marge with her tall blue beehive, Lisa in her red dress, and Bart in his orange shirt stand around a hospital bed where Apu lies under a blue blanket with his head resting on a pillow. The doctor, initially looking at his clipboard, lifts a finger and gestures upward while speaking, then turns toward the bed. Beside the bed stands an IV stand with a drip bag and a wall-mounted monitor, and a framed landscape hangs on the pale green wall. Lisa and Bart lean in near the bedside while Marge and Homer watch. > You see the bullet ricocheted off another bullet that was lodged in your chest from a > previous robbery. > Appu, you saved my life. Frame: https://ultrahouse3k.com/img/S05E13/1269602.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1272938 ## 21:17–21:28 In a green hospital room, Apu lies in a bed with a blue blanket and a green wristband, his black hair and blue gown visible, while a brown-jacketed man with brown hair and a dark tie stands beside him near an IV drip stand and a wall-mounted medical monitor. The standing man looks down at Apu, rubs his forehead, rests a hand on the blanket, and then closes his eyes, while Apu glances up, smiles, and speaks with his mouth open. No on-screen text is visible. > And as a small token of my appreciation, I got you your job back at the Quickie Mart. > Oh, oh, Mr. Woods, you're... But as for me, Frame: https://ultrahouse3k.com/img/S05E13/1278360.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1282740 ## 21:28–21:40 Marge, with her tall blue beehive, holds baby Maggie in a green-walled bedroom with a framed mountain painting and a pink flower vase on a dresser. A man with swept-back brown hair, a brown jacket, and a dark tie stands by an open door, gesturing with a small object in one hand while he talks, and he is seen up close as he looks sideways and grimaces. He then stands in the doorway again, glancing aside with a wary expression, as Marge and Maggie remain near the bed. > I'm off to battle aliens on a faraway planet. > That sounds like a good movie. > Yes. > Yes, a movie, yes. > Hey, let's all hug Appu. Frame: https://ultrahouse3k.com/img/S05E13/1289413.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1294210 ## 21:40–21:43 Homer, the bald, heavy man in a white shirt, stands against a light green wall beside a wall vent and a cylindrical object at the right edge. He starts with his eyes closed and mouth open, then his eyes pop open and he raises both yellow hands, wide-eyed and speaking animatedly. He keeps his hands up as his expression turns to a grimace, then he lowers his head and looks sidelong with a flat, unimpressed expression. Frame: https://ultrahouse3k.com/img/S05E13/1301300.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1301717 ## 21:43–21:56 Homer, Marge with a blue beehive, Bart, Lisa, and baby Maggie in a blue bow gather in a hospital room with green walls and an IV stand around a dark-skinned man with short black hair lying in a bed under a lavender blanket. The family stands around the bed, Homer raises his arms in exclamation, and then they all lean in and hug the man tightly over the blanket, with Marge pressing close and Bart and Lisa reaching across his chest. A wall cabinet and a wooden chair sit in the background. > Hey, there's still time. > Let's hug him again. Frame: https://ultrahouse3k.com/img/S05E13/1304220.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1309850 ## 21:56–22:06 No Simpsons characters appear in this moment; it is a black title card sequence in the show's credits. First, the words 'Executive Producer DAVID MIRKIN' in gold letters are centered on the black background. Next, 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' replaces it and stays on screen, then the same credit remains briefly before 'JULIE KAVNER' appears alone in the center, followed by 'NANCY CARTWRIGHT' in the same gold lettering. Frame: https://ultrahouse3k.com/img/S05E13/1317775.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1321737 ## 22:06–22:16 No Simpsons characters appear in this sequence, which is a black title card sequence with no people or scenery. Against a plain black background, gold cartoon-style credits appear in turn: first 'HANK AZARIA', then 'and HARRY SHEARER', then 'Also Starring MICHAEL CARRINGTON PAMELA HAYDEN', then 'Animation Executive Producer PHIL ROMAN', and finally 'Executive Consultant BRAD BIRD'. Each credit fades in and out, one after another, with no movement other than the text itself. Frame: https://ultrahouse3k.com/img/S05E13/1327785.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1331747 ## 22:16–22:26 No regular or one-off characters appear in this sequence; it is a black title card with no people on screen. Across the five frames, gold text on a black background changes in turn: first 'Story Editor BOB KUSHELL', then 'Story Editor DAN McGRATH', then 'Associate Producer COLIN A.B.V. LEWIS', then 'Music by ALF CLAUSEN', and finally 'Casting by BONITA PIETILA', with the credits appearing one after another in the same centered position. > Thank you. Frame: https://ultrahouse3k.com/img/S05E13/1337795.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1341757 ## 22:26–22:36 No characters appear in this moment; it is a black closing credits sequence with yellow text on a black background. The frames show, in order, Animation Co-Producer for Gracie Films Ken Tsumura, then Post Production Coordinator Alison Elliott and Dialogue Sound Editors Bobby Mackston, Mark McJimsey and Terry Greene, then Production Coordinators Jacqueline Sillo and Linda Levine, Sound Recordists Greg Cheever and Randy Piotroski, Script Supervisor Louise Jaffe, Skywalker Sound and Laser-Pacific facilities, and Dolby Surround logo, followed by Animation Produced by Film Roman, Inc. and Overseas Animation Director Mike Girard. Frame: https://ultrahouse3k.com/img/S05E13/1347805.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1351767 ## 22:36–22:46 No characters appear in this moment; it is a black end-credits roll of yellow text over a plain black background. Successive credit cards list the crew: Assistant Director Bob Anderson, Storyboard artists Martin Archer, Tricia Garcia and Roy Muren, Character Design Supervisor Dale Hendrickson, and Character Design credits for Scott Alberts, Lucas Gray, Matt Groening and Sam Simon. Background Design Supervisor Lance Wilder and Background Design credits for John Krause and Maria Mariotti follow, then a card reads Executive Creative Consultant James L. Brooks over an empty black screen. Other credit cards show color, ink and paint, animation camera, and production staff names, and a copyright notice reads The Simpsons Episode #1F10, Copyright 1994, Twentieth Century Fox Film Corporation. Frame: https://ultrahouse3k.com/img/S05E13/1358023.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1361777 ## 22:46–22:57 Silhouetted audience members, one with a tall puffy hairdo at the left front, sit in rows of seats in a dark theater facing a blank screen. A beam of light then sweeps across to a blue screen reading "GRACIE FILMS," and the screen goes black with the words "IN ASSOCIATION WITH" appearing. Finally a golden "20th TELEVISION" building rises under searchlight beams against a sunset sky. > Shh. Frame: https://ultrahouse3k.com/img/S05E13/1368033.jpg Page: https://ultrahouse3k.com/episode/s05e13-homer-and-apu/1371996