# Lisa vs. Malibu Stacy

The Simpsons, season 5, episode 14 (S05E14), first aired February 17, 1994.
Written by Bill Oakley and Josh Weinstein. Directed by Jeffrey Lynch. Production code 1F12.
Guest stars: Kathleen Turner as Stacy Lovell.
Couch gag: Monty Python's Flying Circus Foot.

Lisa is outraged by the demeaning lines spoken by Talking Malibu Stacy, the newest version of the doll. When the toy company brushes off her complaints, Waylon Smithers helps her find Stacy Lovell, the doll's original creator, and together they design Lisa Lionheart, a doll that encourages girls to think for themselves. Its launch is undercut when the Malibu Stacy makers roll out a new version wearing a hat.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Grampa Simpson, Krusty the Clown, Dr. Hibbert, Mr. Burns, Waylon Smithers, Kent Brockman, Jasper Beardsley, Nina Skalka, Janey Powell, Hans Moleman, Becky Shorter, Squeaky-Voiced Teen, Old Jewish Man, Hans, Fritz, Hester, Dr. Colossus, Stacy Lovell, "Stone Cold" Steve Austin, Ashley, Brittany Brockman, Andy Griffith, Assembly Line Worker, Audio Recording Specialist, Ben Matlock, Buzz Cola Actor, Celeste, G.I. Joe, Johnny, Ken, Leroy, Malibu Stacy Executive, Malibu Stacy Tour Guide, Mall Guard 1, Mall Guard 2, Senator.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands atop a pink car in the driveway with his arms raised, after an opening sky-and-clouds title card reading "THE SIMPSONS". Then Bart is gone and Homer, the bald, heavy man in a white shirt and blue pants, stands beside the pink car with his arms outstretched and his hand near the fender. The yellow house garage with boxes, a bicycle and a mailbox at the edge of the lawn remain in place throughout.

Frame: https://ultrahouse3k.com/img/S05E14/1043.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/6256

## 0:12–0:23

Homer, Marge, Maggie, Lisa and Bart are first seen with Homer's back to the viewer as he stands in a doorway of a purple room with a red bed, then sit together on a brown couch in a pink living room. The television in front of them shows yellow text on a blue screen, first reading 'Created by Matt Groening' and then 'Developed by James L. Brooks, Matt Groening, Sam Simon'.

Frame: https://ultrahouse3k.com/img/S05E14/13555.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/18143

## 0:23–0:35

On a stage in front of a large crowd of elderly people outside the Center for Geriatric Medicine, a row of figures sits behind a podium beneath a banner reading "GRAND OPENING MEET TV'S MATLOCK!" The opening frame is black, then the stage comes into view with a few seated people, and the crowd grows in view as the scene progresses, with the wide shot of the bald Homer-like figure and a grey-haired woman in the foreground's crowd of spectators. The crowd remains largely still while a caption reading "Supervising Producer HAROLD KIMMEL" appears in white letters over the lower middle of the scene.

> Welcome to the new Springfield Center for geriatric medicine.
> You know, health care for the aging is an important priority.

Frame: https://ultrahouse3k.com/img/S05E14/24608.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/29404

## 0:35–0:40

An elderly man with spiky yellow hair, round glasses, a bushy white mustache, and a pink coat with a large white brooch stands in an outdoor crowd beside a bald older man with a white beard in a grey suit and a woman in sunglasses and a blue hat. He cups his hands around his mouth and shouts, then raises his hands to his cheeks while his mouth stays open, with trees, a building, and a blue sky behind the crowd. White on-screen credits read 'Supervising Producers BILL OAKLEY & JOSH WEINSTEIN' across the lower middle of the scene.

> Get to Matlock!
> Matlock!
> Well, without further ado,

Frame: https://ultrahouse3k.com/img/S05E14/36495.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/37746

## 0:40–0:51

A bearded man in a white lab coat, purple shirt and teal tie stands at a wooden podium before a red-lettered banner reading "...EET TV'S M...", gesturing with his hand near his face and grimacing, then grinning, while a man with a moustache in a blue suit and a woman with a tall dark hairdo and pink top look on at the left and right edges. Lower-third credits change from Co-Producer Greg Daniels to Producer Jonathan Collier, Mike Scully and David Sacks as he speaks. The view then shifts to a crowd of townspeople at the left and two men in blue suits applauding beside a building doorway at the right, across an empty tiled stage.

> I give you the man who puts young people behind bars where they belong,
> TV's Matlock.

Frame: https://ultrahouse3k.com/img/S05E14/41291.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/45879

## 0:51–1:02

A crowd of cartoon townspeople gathers outdoors at a grand opening event under a banner reading "GRAND OPENING MEET TV'S MATLOCK!" An elderly man with grey hair and a cane sits, then rises from a chair on a stage while two men in blue jackets and a bald man in a white coat stand by a podium and clap, and the crowd raises their hands and cheers. In the final frame the crowd surges toward the old man, a woman in a green dress reaches toward him, and the on-screen credit "Creative Consultant GEORGE MEYER" appears over the scene.

> We love you, Matlock.
> Yes, we do.

Frame: https://ultrahouse3k.com/img/S05E14/52553.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/56932

## 1:02–1:09

Grampa Simpson, in a brown jacket with a spiky tuft of hair and glasses, sits on a bus beside a bald, white-bearded old man in a grey jacket who grips a wooden cane. Earlier, a white-haired old man in a grey suit and purple tie is slumped on a blue-striped walkway outside a glass building, held up by a figure in a pink skirt and green top, then he reaches out and pulls himself upright. On the bus, the bearded man gestures with one hand and talks while Grampa stares ahead with a sour, unimpressed expression, and the white caption 'Produced by Richard Raynis' is shown across the bottom.

> Oh, what's eatin' you, Abe? For three weeks,
> all you been talkin' about was meeting Madlock.

Frame: https://ultrahouse3k.com/img/S05E14/63397.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/65899

## 1:09–1:18

An elderly bald man with a long white beard and a grey coat, who is not one of the regulars listed, stands on a street sidewalk holding a small brown pill bottle in his yellow hand and looking to the side. Across the frames he keeps holding up the bottle, lifting and shifting it while he talks. Behind him a red car with a flashing light and a driver at the wheel pulls past, and a teal bus with red stripes passes by, while a 'Produced by' credit with names such as David Silverman and Richard Sakai appears over the lower part of the screen.

> Now you met him, swiped his pills.
> Take one every hour to prevent spastic heart convulsions.
> But you ain't said a word.

Frame: https://ultrahouse3k.com/img/S05E14/70487.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/74032

## 1:18–1:31

Two elderly men sit side by side on a bus seat: a bald man with a white beard, grey jacket and wooden cane on the left, and a man with spiky yellow hair, glasses, a moustache and a brown jacket on the right. Houses and trees pass through the bus windows behind them. The man on the right gestures with his hand and talks, then the credits "Written by BILL OAKLEY & JOSH WEINSTEIN" and "Directed by JEFFREY LYNCH" appear over the scene. He then grimaces and reaches his hand toward his own shoulder, and later raises his hand to the side of his head while the bearded man on the left keeps a stern, sidelong look and grips his cane.

> Lookin' at that tired old freak has made me realize I'm no spring chicken myself.
> I can feel that clammy hand on my shoulder.
> Wait, that's my hand. Hello.

Frame: https://ultrahouse3k.com/img/S05E14/79871.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/85085

## 1:31–1:43

Grampa, the wrinkled old man with white tufts of hair in a pink sweater, stands in a pink living room as Homer, in his white shirt, watches from the green armchair at right while Marge, with her tall blue beehive, and the children Bart in his orange shirt and Lisa in her red dress sit on the dark red couch. In the early frames Grampa stands behind a dark red table near a mantel with framed family photos and a wall painting of the family, then he raises a finger as if speaking and lifts his hands together. In the later frames he turns to face the family, and Homer leans forward to grab his shoulder while Marge reaches out toward him, with a cardboard box on the floor in front of the couch and a trophy-filled cabinet at the right edge.

> As you may know, I might not be around much longer.
> So I've decided to give you your inheritance before I die.
> That way I can see you enjoy it.
> Lisa, I know you like reading and so forth.

Frame: https://ultrahouse3k.com/img/S05E14/92593.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/97389

## 1:43–1:53

Grampa, the wrinkled old man with white tufts of hair and glasses, and Lisa, in her red dress and pearl necklace, stand in a pink room beside a cardboard box and a wooden cabinet of plates. Grampa leans over the box, gripping a bundle of papers and then handing them toward Lisa, who takes a white sheet and looks down at it with wide eyes. A dark maroon chair sits in the foreground, and a pink vase and teapot sit on a shelf at the top right.

> To you, I give you my lifetime of personal correspondence.
> Thanks.
> Mr. Simpson, stop.

Frame: https://ultrahouse3k.com/img/S05E14/104271.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/108650

## 1:53–2:05

Lisa, the girl with star-shaped spiky hair in a red dress, sits holding a white sheet of paper, and Grampa, the wrinkled old man with white tufts of hair, wears a pink robe in a pink room. The moment opens on a close-up of a yellow Western Union telegram whose text reads MR SIMPSON STOP YOUR CONSTANT LETTERS ARE BECOMING A NUISANCE and is signed BORIS KARLOFF HOLLYWOOD CALIF. Lisa reads the paper with wide eyes, then the scene cuts to Grampa, who opens his mouth wide beside a wall lamp and a cabinet holding trophies and dishes.

> Your constant letters are becoming a nuisance.
> Stop. If you do not cease, I will be forced to pursue legal action.
> Stop.
> Signed, Boris Karloff, Hollywood, California.
> And to my son, Homer... Woo-hoo!

Frame: https://ultrahouse3k.com/img/S05E14/114906.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/119494

## 2:05–2:18

Grampa, the wrinkled old man in a peach sweater, and Homer in a white shirt sit in a pink-walled living room. Grampa lifts the blue box labeled HABANA and opens it to reveal rows of silver coins while Homer looks on, and then Marge, Bart, Lisa and Maggie, who has a pacifier and a blue bow, crowd around the open box beside a red lamp and a wooden stand of pipes on the table.

> And his entire family... No! I leave these.
> A box of mint condition 1918 Liberty Head silver dollars.
> You see, back in those days,
> rich men would ride around in zeppelins dropping coins on people.

Frame: https://ultrahouse3k.com/img/S05E14/126168.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/131590

## 2:18–2:27

Grampa, the wrinkled old man with white tufts of hair, wears a peach cardigan with a white brooch and stands in a pink-walled room, with Marge's tall blue beehive visible at the right edge in the first moment. He spreads his arms wide, then shrugs with palms turned up, gestures with one hand, raises a pointing finger, and finally points toward the viewer with his other hand on his hip. A small framed picture of a yellow-haired child sits on a wooden side table beside him, and a red-framed item hangs on the upper left wall.

> And one day, I seen J.D.
> Rockefeller flying by.

Frame: https://ultrahouse3k.com/img/S05E14/139306.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/142851

## 2:27–2:36

Grampa, the wrinkled old man with white tufts of hair, glasses and a peach cardigan, gestures and talks in a pink living room, first close up with raised hand and then flustered with clenched teeth and hands held together. In the later wide view, Homer holds a blue box while Bart, Maggie in a blue bow, and Lisa in a pink top and orange skirt stand near him, with Marge in a lavender coat and pearl necklace facing them as Grampa stands by the fireplace. Framed family portrait hangs above the mantel, and a small photo sits on the side table.

> So I run out of the house with a big wash tub and...
> Where you going? Dad, we'd love to stay here and listen to your amusing antidotes,
> but we have to take these coins to the mall and spend them.

Frame: https://ultrahouse3k.com/img/S05E14/148482.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/152027

## 2:36–2:48

Homer, the bald heavy man in a green jacket and white shirt, grins while holding a blue box labeled HABANA in front of a brown arched doorway. The scene shifts to an aerial view of the Simpson house with its brown roof and attached garage, as an orange car drives along the street beside it. Inside a purple car, Marge with her tall blue beehive, Lisa, Maggie with her blue bow, Grampa with white tufts of hair, and Bart sit in the back seat while Homer drives, and Grampa's mouth moves as he talks.

> Anyway, about my wash tub.
> I just used it that morning to wash my turkey,
> which in those days was known as a walking bird.

Frame: https://ultrahouse3k.com/img/S05E14/157658.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/162454

## 2:48–2:59

Bart, the spiky-haired boy in an orange shirt, stands at a railing in an indoor mall atrium with signs for One Size Fits All Lingerie, House of Refunds, the Leftorium, Just Vinnegar and Origami Designs. He scowls, then Homer in his white shirt appears at the right with Marge, whose tall blue beehive is visible, holding baby Maggie in a blue bow while Lisa in her red dress and pearls stands in front of them. Grampa, the wrinkled old man with white tufts of hair, in a tan sweater, shuffles past from the right, and the scene then empties, leaving only the atrium with its railings and potted trees.

> We'd always have Walking Bird on Thanksgiving with all the trimmings,
> cranberries, engine eyes, and yam stuffed with gunpowder.

Frame: https://ultrahouse3k.com/img/S05E14/169336.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/174132

## 2:59–3:10

Homer, bald and in a white shirt, and Marge, with her tall blue beehive, stand at the entrance of Kidstown USA, a storefront with a sign reading "NOT AFFILIATED WITH KIDSTOWN JUVENILE CORRECTIONAL FARM" and smiling kid statues on its striped pillars. The doors open and the scene moves inside to a brightly lit play area where Maggie, with her pacifier, crawls across the purple carpet pushing a toy car while Lisa sits at a small green table and a dark-haired girl holds a green ball beside a spotted giraffe toy. Colorful blocks lie on the floor, and a large maroon teddy bear sits on a shelf near the ceiling.

> Then we'd all watch football, which in those days was called baseball.

Frame: https://ultrahouse3k.com/img/S05E14/181014.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/185185

## 3:10–3:12

Maggie Simpson, the baby with a pacifier, is not visible in person; her presence is shown only through a red Etch A Sketch held by two cartoon hands in blue sleeves, with the words "MAGGIE SIMPSON" scribbled in grey lines on the screen. The scene is set against a plain green background. Across the sequence the hands turn the knobs, and the lines of the name are wiped away until a dark shadow of a large head and a purple shape sweeps down from the top of the frame, passing over the screen and blanking the drawing while the lettering in the final moment appears partly erased. A purple tablet-like object and a spotted pale wedge of light appear at the top as the shadow falls across the board.

> Look, Maggie.

Frame: https://ultrahouse3k.com/img/S05E14/191650.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/191858

## 3:12–3:21

Homer Simpson, kneeling in a white shirt and blue pants, gestures and talks while Maggie Simpson, a baby with a pacifier and blue bow, sits nearby watching him at a low round table holding a toy mountaintop fortress with grey rock walls, a central gate, and two red-and-white missile launchers. Homer first raises a finger, then grabs a purple-and-orange toy from the table and holds it up as he talks. Then Marge Simpson, with her tall blue beehive, stands behind Maggie as Homer flails his arms in alarm and points upward, with the purple-and-orange toy still in his hand. The scene is a toy store with shelves of blue and pink boxes and a plush red bear on top of the shelf.

> It's Sergeant Thug's mountaintop command post,
> complete with Deathbringer missiles that really launch.
> That toy isn't safe for a baby like Maggie.

Frame: https://ultrahouse3k.com/img/S05E14/193944.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/197489

## 3:21–3:30

Homer, the bald heavy man in a white shirt, kneels at a low table in a toy store while Marge, her tall blue beehive towering above, stands behind him and Maggie, the baby with a blue bow, kneels beside the table. Homer lifts a small toy and raises his other hand as he shouts indignantly, then his outline turns fuzzy and bristling as he gestures with a fist, before settling into a sullen look as he holds a small orange toy near his mouth. A dark grey toy fortress with red and white towers sits on the table, and shelves of colorful boxes line the wall behind them.

> Oh, come on, Marge. You're way too...
> When I was young, toys were built to last.

Frame: https://ultrahouse3k.com/img/S05E14/202911.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/206456

## 3:30–3:42

Grampa, the wrinkled old man with white tufts of hair, stands in a toy store among shelves of boxed toys, first holding up a teal box and then a blue and red toy rocket. He turns the rocket over, squints at it up close with it pressed against his chest and face, and then lifts a tiny green toy soldier between his fingers while pointing and speaking. Shelves behind him hold a football, stacked boxes and a basketball, with no readable on-screen text.

> Look at this junk.
> It breaks the ball. It's the first time you take it out of the box.
> Yeah.
> And look at these toy soldiers.
> They'll break the second I step on them.

Frame: https://ultrahouse3k.com/img/S05E14/211878.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/216883

## 3:42–3:53

Grampa, the wrinkled old man with white tufts of hair, wearing a peach shirt, grey trousers and red slippers, is in a toy shop with purple tiled floors and shelves of games. He steps forward across a scatter of small green plastic toy soldiers, crushing some of them underfoot, while two police officers in blue uniforms and caps stand on either side of him. In the final frames, the officers hold his arms as he stands among the toys, and one officer's baton is visible at his side.

> Stupid toy soldier breaks you stupid. All right.
> Come on, pups.
> Soldiers won't bother you anymore.

Frame: https://ultrahouse3k.com/img/S05E14/223974.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/228145

## 3:53–4:04

Homer Simpson stands in a playroom beside a toy cabinet, then steps onto a giant floor piano and dances across its keys, swinging his arms and kicking his feet. A row of onlookers, including a man in a grey suit, an old man in a green vest, a figure in a pink dress, and a child in green, watches from behind him. Nearby are a blue toy car, a red toy train, a green toy robot, and a blue cushion with a yellow star.

> 1, 2, 3 o'clock, 4 o'clock, rock. 5, 6, 7 o'clock, 8 o'clock, rock.

Frame: https://ultrahouse3k.com/img/S05E14/234401.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/238989

## 4:04–4:15

Homer Simpson, in a white shirt and blue pants, jumps onto a giant piano keyboard in a toy store while a crowd of townspeople, including a man in a grey suit and a woman in a pink dress, clamps their hands over their ears and winces. Homer then sprawls face-down across the keys and, in the final shot, lies with his mouth wide open in a scream as the crowd around him keeps covering its ears. The scene cuts to a storefront marked "PETS" with a "PET SALE TODAY" sign outside and dogs and a white cat in the display windows.

Frame: https://ultrahouse3k.com/img/S05E14/245662.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/250250

## 4:15–4:26

Carl, a Black man in a blue shirt, points forward while a woman with an orange ponytail in a purple jacket and a man in a turquoise sweater look on, and Homer stands before a giant piano with cracked, smoking keys, arms spread wide. Three girls pop up above an orange arch reading "Valley of the Dolls" in a store, and Marge, with her tall blue beehive and green dress, walks down a shelf-lined aisle with a small child, then Marge and Lisa in a red-beaded necklace glance to the side. Shelves of dolls in boxes line the aisle beneath a blue ceiling.

Frame: https://ultrahouse3k.com/img/S05E14/256923.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/260886

## 4:26–4:37

Marge Simpson, with her tall blue beehive and green dress, and Lisa Simpson, in a pearl necklace, stand in a toy store as a crowd of children reaches toward a pyramid of boxed Malibu Stacy dolls beneath a red MALIBU STACY sign. Marge and Lisa look on in alarm and then glance to the side, while a black-haired girl in a green top gestures outward with her arm extended and a freckled redheaded girl watches nearby. Stacked colorful boxes and shelves fill the background.

> Get your ugly pie hooks off that summer fun set!

Frame: https://ultrahouse3k.com/img/S05E14/267142.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/271730

## 4:37–4:48

Two unnamed yellow-skinned women, one with a dark bob and lilac blouse and the other with curly reddish-brown hair and a green shirt, stand behind a store counter piled with boxed Malibu Stacy dolls beneath a blue-and-white CLOSE-OUTS sign. One of them lifts an Achy Breaky Stacy box showing a doll in a red fringed cowboy outfit, then the pair pick up and look over other boxes, including a Live from the Improv Stacy box whose doll wears a Comic Relief T-shirt and holds a microphone. They end up holding pink and red boxes together while glancing at the merchandise.

> Look! Achy-breaky Stacy for $1.99!
> Live from the improv Stacy's only 89 cents!
> Ew!

Frame: https://ultrahouse3k.com/img/S05E14/278403.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/282783

## 4:48–5:01

A thin clerk with freckles, a yellow bow tie and a red vest stands behind a store counter holding a purple-boxed doll, while a girl with orange hair and a bow and a dark-haired girl in an orange shirt with a pink bow lean in to talk to him. Excited children, including a spiky-haired girl in pearls, then crowd together near shelves of candy and pencils, and the crowd presses forward with raised arms toward a tall yellow doll with long hair stretched across the scene.

> Hey, mister, what's in the box? Um, it's the, uh, new talking Malibu Stacy.
> Get up, Stacy!
> Help!
> Mr. Wise!

Frame: https://ultrahouse3k.com/img/S05E14/289456.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/295086

## 5:01–5:11

Homer, the bald heavy man in a white shirt, and Marge, with her tall blue beehive and red beads, sit in a purple car with an orange dashboard. Homer grips the steering wheel and looks sideways with a worried expression while Marge looks on. Behind them, an orange stove with a white envelope-shaped label sits in the dashboard, and in the next moments Marge's yellow hand reaches in to pull out a small golden cake from the oven. Green trees and blue sky pass by outside the window as the car moves along the road.

> I don't know if it's a good idea to do that while you're driving.
> Marge, that's what I bought it for.

Frame: https://ultrahouse3k.com/img/S05E14/303011.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/306556

## 5:11–5:19

Bart, in an orange shirt, Lisa, and Grampa, a wrinkled old man with white tufts of hair, sit together in the back seat of a moving car, holding a gray and blue toy vehicle with red rockets across their laps while a pink box rests beside Lisa. Trees and sky slide past the windows as Grampa leans in between the kids, grinning, scowling, and at one point raising a hand toward the toy as Bart's eyes go wide and Lisa looks on with narrowed eyes. The moment ends with Grampa grinning beside Bart as the trees keep passing outside.

> Hey, watch it with that ding!
> I scull his eggshell thin.
> Thanks for buying us these toys, Grandpa.

Frame: https://ultrahouse3k.com/img/S05E14/312187.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/315524

## 5:19–5:30

Lisa, with star-shaped spiky hair and a red dress, sits in the back seat of a purple car holding a pink box, while Grampa, a wrinkled old man with white tufts of hair and glasses, sits beside her. Grampa leans toward her, gestures with his hand, and talks with his mouth open, and in the final moment the whole family is visible in the car, with Marge, Maggie wearing a blue bow, and Bart in the middle row and Homer gripping the steering wheel in the front.

> Baa!
> Why didn't you get something useful like storm windows or an ice pipe organ?
> I'm thirsty.

Frame: https://ultrahouse3k.com/img/S05E14/320737.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/324908

## 5:30–5:37

Grampa sits between Lisa, with a pearl necklace, and Bart, who holds a grey toy with red parts, in the back seat of the family car, while Marge with her tall blue beehive and Maggie with her pacifier sit in front and Homer drives. Grampa talks and leans forward, then raises a hand near his face as Marge closes her eyes and Maggie looks alarmed, and Homer glances sideways and lifts his hand to his mouth and nose while gripping the steering wheel. The car, with its purple interior and a view of trees and utility poles through the windows, drives along a sunny road.

> Ew, what smells like mustard? It sure a lot of ugly people in your neighborhood.
> Oh, look at that one!

Frame: https://ultrahouse3k.com/img/S05E14/331164.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/333667

## 5:37–5:44

Tiny yellow cartoon figures, including one with a tall blue hairdo that suggests Marge, cluster around the sides of a parked pink car in an overhead view of a driveway beside a brick house, with a blue mailbox and a curving paved walkway nearby. The figures are seen crowding the car, then they scatter as one lands on the driveway by the car's rear and another tumbles along the walkway. By the end, a yellow figure walks along the walkway while a blue-topped figure lies sprawled near the curve.

> Oh, my glaucoma just got worse!
> The president is a Democrat!
> Hello?
> I can't unbuckle my seatbelt!

Frame: https://ultrahouse3k.com/img/S05E14/338463.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/340966

## 5:44–5:51

No characters are visible in this scene. A pink car sits parked in a driveway seen from above, beside a curved stone walkway that runs across a green lawn toward a brick wall, with a small blue mailbox near the top and green hedges along the wall. Across all five frames the car, walkway, and wall stay in the same positions, with no movement or change.

> Hello?
> There are too many leaves in your walkway.

Frame: https://ultrahouse3k.com/img/S05E14/345554.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/348056

## 5:51–6:02

Grampa, the wrinkled old man with white tufts of hair, first stands in a pink hallway, looks up the staircase lined with family portraits, then crosses the teal-carpeted living room in his tan shirt, grey pants and red slippers and sits down on the maroon couch beside a purple grandfather clock and a turquoise telephone. Homer, bald and wearing a white shirt and blue pants, appears in the archway holding a bottle, mouth open as if shouting, while Grampa grimaces and gestures with his hands on the couch. Framed pictures of the family hang on the pink walls, and a potted plant and fruit bowl sit on a small table near the stairs.

Frame: https://ultrahouse3k.com/img/S05E14/352853.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/357023

## 6:02–6:11

Grampa, the wrinkled old man with white tufts of hair and round glasses, stands in a pink living room in front of a brick fireplace, first talking and gesturing with one hand, then grimacing with bared teeth and pulling at his face. Behind him hangs a portrait of the Simpson family, with small photos on the mantel and a wall sconce beside him. Homer, bald with stubble and a white shirt, appears at the right with wide eyes, holding a small red-rimmed picture of Marge with her blue beehive.

> Why are you people avoiding me?
> Does my withered face remind you of the grim specter of death?
> Yes, but there's more.

Frame: https://ultrahouse3k.com/img/S05E14/363488.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/367033

## 6:11–6:19

Homer Simpson and an elderly man with wrinkled skin, white tufts of hair, a moustache and glasses, who looks like Grampa, sit together on a dark red couch in a pink living room beside a teal lamp and a blue side table, with a staircase in the background. Homer leans toward him, gesturing and talking, then they sit side by side as Homer keeps speaking. Grampa looks sideways, then Homer grabs and points at Grampa's chest while Grampa raises his hands defensively. In the final moment Homer raises a hand toward Grampa while Grampa sits with his fists clenched and looks away.

> Dad, I love you,
> but you're a weird sore-headed old crank and nobody likes you.
> Good! Darn it!

Frame: https://ultrahouse3k.com/img/S05E14/372873.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/375375

## 6:19–6:26

Homer and Grampa sit side by side on a dark red couch in the living room, with a green-shaded lamp and a staircase behind them. Grampa, the wrinkled old man with white tufts of hair, wears glasses, a peach sweater with a brooch, and grey pants, and he starts with his fists clenched and grimacing, then opens his mouth to speak and gestures with an open hand. Homer, in his white shirt and blue pants, sits wide-eyed and tense beside him, his hands resting on his knees as he listens.

> I guess I have an old crank, but what am I gonna do about it?

Frame: https://ultrahouse3k.com/img/S05E14/380380.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/382883

## 6:26–6:40

On a TV screen, three elderly figures stand together against an orange backdrop: a bespectacled old man in a tan sweater and tie, a grey-haired old woman with a blue hairdo and shawl, and an old man with white hair, a black jacket and a cane, all holding red cans. The image then bursts into a starburst where an old woman in a pink hat and red dress dances beside a blonde woman in a red outfit. Next, two men play electric guitars on a beach with a blue sky, one wearing a backwards cap and white tank top, the other in red sunglasses, a green shirt and red shorts. The screen flashes the word "BUZZ" in jagged yellow letters over a palm tree and the sea. The moment ends on a large brown bottle of Buzz Cola with a red label, standing on the sand before a palm tree and blue sky.

> One ship and I'm totally hip. Buzz Cola.
> There's a little boogie in every bottle.

Frame: https://ultrahouse3k.com/img/S05E14/387888.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/393727

## 6:40–6:48

Grampa, the wrinkled old man with white tufts of hair, sits on a dark red couch beside Homer, who is bald with stubble and wears a white shirt and blue pants and holds a brown bottle with a white label. Grampa, in glasses and a pink sweater, first sits with his hands clasped, then raises a finger and waves his hand as he talks, and finally raises a fist, while Homer stares ahead and holds the bottle. The pink room has a red lamp on a side table and an arched doorway behind them.

> Holy smokes, that's it.
> From now on, I'm thinking, acting, and looking young.
> And I'm going to start with a bottle of Buzz Cola.

Frame: https://ultrahouse3k.com/img/S05E14/401651.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/404362

## 6:48–6:55

Grampa, the wrinkled old man with white tufts of hair, and Homer, the bald man in a white shirt, sit side by side on a dark red couch in a pink room with a red lamp and an arched doorway. Grampa lifts a bottle of cola to his mouth, then sticks out his tongue and waves his hands while Homer stays beside him with a wide-eyed, blank stare. Grampa then raises a finger and gestures with both hands as he speaks, while Homer keeps staring ahead.

> Oh, oh, oh, the bubbles are burning my tongue.
> Oh, oh, water.

Frame: https://ultrahouse3k.com/img/S05E14/409159.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/411870

## 6:55–7:08

Homer sits on a maroon couch in a pink room with framed portraits on the wall, looking off to the side. The scene then shows Lisa, with spiky star-shaped hair and a string of pearls, standing behind a white board, while a blonde-haired woman in a pink dress approaches a wooden podium and holds a glass of water. Seated women in lavender chairs watch as Lisa's hands rest on the board and the woman lifts the glass to her lips.

> A hush falls over the General Assembly as Stacy approaches the podium to deliver what will
> no doubt be a stirring and memorable address.
> I wish they taught shopping in school.

Frame: https://ultrahouse3k.com/img/S05E14/416666.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/422088

## 7:08–7:19

Lisa, the girl with star-shaped spiky yellow hair and a pearl necklace, stands behind a purple counter in a pink room with a potted plant in an arched alcove. A blonde woman with a tall curly hairdo and a pink ruffled dress stands at a wooden lectern with a microphone, smiling broadly with red lipstick. The woman leans toward Lisa and speaks, and Lisa's eyes widen and she clenches her teeth in a strained grin, leaning in toward her as the woman's face comes close to Lisa's shoulder at lower left.

> Oh.
> Let's bake some cookies for the boys.
> Come on, Stacy.
> I've waited my whole life to hear you speak.
> Don't you have anything relevant to say?

Frame: https://ultrahouse3k.com/img/S05E14/429596.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/434184

## 7:19–7:32

Lisa, with her star-shaped spiky hair, red dress and pearl necklace, and a blonde doll with curly hair and a pink outfit are first seen up close together beside a piano. The scene then moves to a living room with a large window showing a house outside, where Lisa kneels and then stands beside a white box, holding the doll and scowling while Bart, in his orange shirt, watches from the right with his back to the viewer. The doll, with curly blonde hair and a pink outfit, dangles from Lisa's hand over the box as her expression sharpens into an angry glare.

> Don't ask me. I'm just a girl.
> Right on, say it, sister. It's not funny, Bart.
> Millions of girls will grow up thinking that this is the right way to act.
> That they can never be anything more than vacuous ninnies whose only goal is to look

Frame: https://ultrahouse3k.com/img/S05E14/440857.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/446071

## 7:32–7:44

Lisa, in her red dress and pearl necklace, and Bart, in his orange shirt, face off with a blonde doll in a pink dress with big teased hair. First, Lisa stands beside the doll near glass doors that open onto a suburban street, shouting and scowling, while Bart looks on wide-eyed. She then turns into a tight close-up of her glaring face, and finally she grins and holds the doll up toward Bart, who leans back in alarm beside a pink-walled corner cabinet of glassware.

> pretty, land a rich husband,
> and spend all day on the phone with their equally vacuous friends talking about how damn
> terrific it is to look pretty and have a rich husband.
> Just what I was gonna say.
> Look at me!

Frame: https://ultrahouse3k.com/img/S05E14/453578.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/458375

## 7:44–7:54

Grampa, a shirtless old man with white tufts of hair and grey shorts, rides a silver bicycle down a suburban street lined with houses, arms flung wide and mouth open in delight. He then tumbles off the bike and sprawls face-first into a muddy patch of grass beside the road. The scene cuts to a cemetery where two men in blue caps sit beside a freshly dug rectangular grave, with a shovel and pickaxe on the grass, a purple toolbox, a red thermos, and gravestones around them.

> I'm acting young!
> Whoa!
> Hey, this ain't so bad.

Frame: https://ultrahouse3k.com/img/S05E14/465256.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/469427

## 7:54–8:04

Lisa Simpson, in her orange dress and pearl necklace, stands on the grass beside a purple tree while a group of kneeling girls surrounds her, including a blonde girl in teal, a redhead in pink with a ponytail, a bespectacled blonde girl with a braid holding a doll, and a curly-haired girl in lavender. Several identical blonde Malibu Stacy-style dolls in yellow dresses with pink trim are shown, one held up close to the camera, while a shiny ring hangs on a string among them. Lisa gestures and speaks to the kneeling girls, and a black screen opens the sequence.

> Let's buy makeup so the boys will like us.
> Don't you people see anything wrong with what Malibu Stacy says?

Frame: https://ultrahouse3k.com/img/S05E14/475892.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/479854

## 8:04–8:17

Lisa Simpson, in her red dress and pearl necklace, stands with a group of girls on a grassy lawn under a blue sky with trees behind them. A red-haired girl in a pink dress holds a small blonde doll in a pink dress, stands up and lifts it toward her face, then returns to the group while Lisa talks and a blonde girl with a pink bow and pink overalls frowns and looks on. A curly-haired girl in a lavender dress and a blonde girl in a blue top watch, with a bald baby in a blue bow tie in the foreground, and another doll is held near the bottom of the scene.

> Oh, there's something wrong with what my Stacy says.
> My spidey sense is tingling.
> Anybody call for a web slinger?
> No, Celeste. I mean the things she says are sexist.

Frame: https://ultrahouse3k.com/img/S05E14/485902.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/491116

## 8:17–8:27

Lisa, with star-shaped spiky hair and a red dress, stands in a grassy park with four other girls: a blonde woman in a teal top, a curly-haired girl in a lilac shirt, a red-haired girl in a pink pinafore holding a snack, and a blonde girl in a pink bow clutching a doll. The curly-haired girl and the blonde girl laugh with their eyes shut while Lisa scowls with her hand on her chin, and then the scene cuts to the pink dining room where Maggie, Marge with her tall blue beehive, Homer, Lisa and Bart sit at a table with teapot, butter, salt and pepper, ketchup, and a glass of water. In the final moment Lisa glares at her steak, baked potato and peas on a blue plate, gripping the back of her chair, while a doll with frizzy blonde hair sits on the blue-cabinet counter behind her beside a glass of ice water.

> Lisa said a dirty word.
> They cannot keep making dolls like this.
> Something has to be done.

Frame: https://ultrahouse3k.com/img/S05E14/498623.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/502585

## 8:27–8:39

Homer, Marge, Maggie, Lisa and Bart sit around the dining table in a pink dining room, with Maggie in her high chair at the left and Homer in the middle in front of an archway into the kitchen. Lisa, in her red dress and pearl necklace, and Bart, in his orange shirt, sit at the right end of the table with plates of food, a green teapot, a bowl, a carton of milk and a ketchup bottle in front of them. In the first three moments the family eats quietly while Lisa glances sideways and Bart looks over at her. In the last two moments the view shifts to a close-up of Marge, wearing her red beaded necklace and green top, who looks off to the side with wide eyes and her mouth open as she speaks, with a pot and a white plate on the counter behind her.

> Lisa, ordinarily I'd say you should stand up for what you believe in,
> but you've been doing that an awful lot lately.

Frame: https://ultrahouse3k.com/img/S05E14/508633.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/513430

## 8:39–8:49

Lisa, with her star-shaped spiky hair and red dress, and Bart, with spiky hair and an orange shirt, sit scowling at a dinner table set with plates, a fork and a glass of milk beside a red flowerpot, then a newspaper headlined "LOCAL GAYS SHOW THEIR PRIDE" with a parade photo is held up. Homer, bald in a white shirt, sits across from Lisa at the table, gesturing with one hand and talking, then rests his chin on his hand while Lisa leans forward holding a small doll, her eyes wide and mouth open. The scene takes place in a pink dining room with an arched doorway and a red-trimmed cabinet.

> Yeah, you made us march in that gay rice parade.
> And we can't watch Fox because they own those chemical weapon plants in Syria.
> I can't believe you're just gonna stand by as your daughters grow up in a world where

Frame: https://ultrahouse3k.com/img/S05E14/520311.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/524274

## 8:49–8:53

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits at the dinner table in front of a plate of food and a glass of milk, holding a Malibu Stacy doll with blonde hair in a pink outfit. In the first two frames she holds the doll up at her side with a stern, narrowed-eyed expression, then in the third she clenches her teeth and grips the doll tightly. In the fourth she leans to the side with a wide-eyed, grimacing look while thrusting the doll forward, and in the last she turns toward the viewer with her mouth open, still holding the doll out over the table. The red chair and purple cabinet stand behind her, with a knife and fork resting beside the plate.

> this, this is their role model.
> I had a Malibu Stacy when I was little and I turned out all right.

Frame: https://ultrahouse3k.com/img/S05E14/530321.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/531364

## 8:53–9:04

Marge, with her tall blue beehive and green dress, Homer in his white shirt, and Lisa in her red dress and pearls sit at the dining table. Marge glares, then holds out a plate, while Lisa lifts a small blonde doll in her hand. The table holds a green teapot, a milk carton, a ketchup bottle, a bowl of food and plates.

> Now let's forget our troubles with a big bowl of strawberry ice cream.

Frame: https://ultrahouse3k.com/img/S05E14/534492.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/539080

## 9:04–9:12

A blonde woman in a pink dress gestures against a plain pink backdrop, then Marge Simpson, with her tall blue beehive and red bead necklace, glances sideways in a kitchen. Marge stands holding a plate beside the dining table, where Homer sits in a white shirt and Lisa, in her red dress, sits at the right holding a small toy. On the table are a green teapot, butter, salt and pepper shakers, a bowl of green food, a ketchup bottle, an orange juice carton and a plate of meat, with a mirror on the pink wall and an arched doorway to a kitchen behind them.

> That's it. I'm calling the company.
> Hello.

Frame: https://ultrahouse3k.com/img/S05E14/545962.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/548882

## 9:12–9:21

Lisa Simpson stands in a purple-cabineted kitchen, holding a red wall phone to her ear with its cord trailing down, a blonde Malibu Stacy-style doll with a pink top tucked under her other arm. She keeps a flat, annoyed expression, and her eyes narrow and then half-close as she listens, while the doll stays pressed against her side. Nearby are a shelf of containers, a crock of utensils, a yellow canister, and a green wall hanging with a drawing of a house and sun.

> You have reached the Malibu Stacy Customer Service Center.
> If you have a complaint about Malibu Stacy's appearance or odor, press 1.
> If you've given Malibu Stacy a haircut and need to order a replacement head, press 2.

Frame: https://ultrahouse3k.com/img/S05E14/553887.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/557015

## 9:21–9:29

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a white pearl necklace, stands in the kitchen holding a red telephone receiver to her ear while cradling Maggie, the baby with a pacifier and a blue bow, against her side. In the first three views she looks at the phone with a stern, unimpressed expression, and in the final view she pulls the phone's coiled cord taut while a large green figure with a raised arm looms in from the right and presses a stack of papers against her face. Behind them are purple cabinets with jars and pots, a yellow canister, and a wall picture of a red house and sun, with the phone cord running across the scene.

> For information on our factory tour, press 3.
> Mom, we can go on the factory tour and I can complain in person.

Frame: https://ultrahouse3k.com/img/S05E14/562228.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/565148

## 9:29–9:39

Marge, with her tall blue beehive and green dress, and Lisa, with her star-shaped spiky hair and red dress, are in a kitchen with purple cabinets and a green refrigerator. Lisa holds a phone cord by the wall phone while Marge leans over the counter, then Marge turns toward a window with clouds and a yellow curtain, grinning nervously and raising a hand. She ends wide-eyed with her mouth open, looking back toward the window.

> Honey, you're not going to throw red paint at the executives, are you?
> The Keebler people were very upset.

Frame: https://ultrahouse3k.com/img/S05E14/570361.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/574324

## 9:39–9:50

Marge Simpson, a woman in a blue suit and pink hat, and Lisa Simpson in a pink hat and orange skirt are shown first in a red station wagon that drives past a tall Petrochem Petrochemical Corp. sign reading "Proud makers of caustic polypropylene and Malibu Stacy" with flower beds and a chain-link fence topped with barbed wire. The wagon then vanishes from view and the scene moves inside a curved, pale blue corridor where a small pink car marked "Factory Tour" with green flower decals comes toward the viewer. The car gets closer, with the woman in the blue suit at the steering wheel, Marge beside her, and Lisa perched on the side, as a fire extinguisher cabinet hangs on the wall.

> Welcome to Enchantment Lane, where all the parts come together and Malibu Stacy is born.

Frame: https://ultrahouse3k.com/img/S05E14/580580.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/584751

## 9:50–9:54

Marge Simpson, with her tall blue beehive and green dress with red beads, sits beside Lisa Simpson, who wears a pink hat, red dress and pearl necklace, in a pink car with a white steering wheel. A short-haired woman with reddish hair, a pink helmet-style hat, blue jacket and gold earring is at the wheel and talks while gesturing with her hand near Marge, then smiles with her eyes closed. Marge and Lisa stay seated and watch her, with Lisa's gaze turned sideways and Marge's eyes wide.

> Some folks say there's a little touch of fairy dust in the air.

Frame: https://ultrahouse3k.com/img/S05E14/591216.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/592258

## 9:54–10:03

Marge, with her tall blue beehive, peeks out from behind a machine at the left, while several men in blue coats and grey caps stand at a factory conveyor belt, including a heavy-set man with a cigar and grey hair at the sides who stays central. A small pink toy car with a green clover and a tiny yellow object ride along the belt, and the cigar-smoking man grips the belt, puffs, speaks with his mouth open, and then rubs his chin with a clenched expression. The background shows riveted purple machinery, pipes, and a brick wall.

> Oh, crap.
> There's a clog in the torso, shoot!

Frame: https://ultrahouse3k.com/img/S05E14/595386.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/598723

## 10:03–10:11

A heavy man in a plaid cap and blue coat leans on a conveyor belt in a factory, gesturing and shouting in the first frames while a dark-haired man with spiky black hair stands behind him. The dark-haired man, who matches Lenny, then pushes a long pole into a machine, and orange-yellow lumps spill from a chute onto the belt beside a pale white figure. The heavy man in the cap watches and grips the conveyor edge.

> Leroy, get your ass in gear. Shut your hole.

Frame: https://ultrahouse3k.com/img/S05E14/604145.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/607482

## 10:11–10:23

Lisa and Marge sit in a row of grey theater seats in a purple-carpeted room with a wood-paneled TV cabinet, while a red-haired woman in a blue suit stands nearby watching the television. Early on, a ring of identical blonde dolls in varied outfits circles a globe against a radial blue burst, then the scene cuts to the seated pair, with Lisa's arm and leg moving as she shifts. On the TV screen a blonde doll-like figure is shown holding a gadget. The on-screen text is absent, and the dialogue introduces Malibu Stacy, the doll.

> Malibu Stacy, America's favorite eight and a half inch.
> In 1959, homemaker Stacy Lavelle had a design and a dream.
> The design, Malibu Stacy.

Frame: https://ultrahouse3k.com/img/S05E14/612904.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/617492

## 10:23–10:35

A woman with a tall white bouffant and black headband holds a knife to a small doll at a table, while rows of identical blonde women in bows and shorts stand in a line as a giant hand reaches in from the right. Three women in a checkered kitchen, one with long hair, one with a black bob, and an older white-haired woman, hold up dolls, then a woman in a white dress with a black collar stands on a turntable under a spotlight, turning from front to back with her arms outstretched.

> The dream, to mass market a fashion doll that was also edible.
> Kids didn't much like the taste of dried onion meal, but they loved the doll.
> A second plastic Malibu Stacy took America by storm.
> Just ask the owner of the world's largest Malibu Stacy Collection,

Frame: https://ultrahouse3k.com/img/S05E14/624165.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/629379

## 10:35–10:41

Waylon Smithers, a thin man with glasses, a purple bow tie and a brown jacket, stands with his hands on his hips in front of tall wooden shelves packed with blonde Malibu Stacy dolls in gowns, costumes and bridal wear. As the view slides across the shelves, the dolls in their display cabinets pass by, and a pink dollhouse sits at the lower left corner. The shelves are the main setting, and Smithers remains centered in the foreground as the rows of dolls move past him.

> Waylon Smithers of Springfield.

Frame: https://ultrahouse3k.com/img/S05E14/636886.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/638763

## 10:41–10:49

A one-off character, a grey-haired man with glasses, a purple bow tie, a green jacket and a name badge on his lapel, stands in front of shelves of Malibu Stacy dolls in a room that looks like a collectibles shop. He talks animatedly with his mouth open, then smiles and points a finger toward the viewer, and then tilts his head with a sly smirk. The shelves behind him hold dolls in red, blue and orange outfits, and a small round object hangs near his ear.

> Hello, Malibu Stacy Collectors.
> I'll see you at StacyCon 94 at the San Diego Airport Hilton.
> And what does Stacy think of her 35 years of success and millions of friends worldwide?

Frame: https://ultrahouse3k.com/img/S05E14/642725.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/645854

## 10:49–10:59

A glamorous, yellow-skinned woman with a huge pale blonde curly hairdo, red lipstick and a pink ruffled dress with a white frilly bodice stands against a dark blue backdrop. She turns from the back, glancing over her shoulder with a smile, and then faces forward, grinning broadly with her eyes wide and one hand resting at her side. The only objects are her dress and the plain blue background.

> Don't ask me. I'm just a girl.

Frame: https://ultrahouse3k.com/img/S05E14/651067.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/654612

## 10:59–11:08

Marge, with her tall blue beehive, sits in the foreground of an auditorium while a blonde woman with big curly hair and a strapless dress smiles from a television screen, and Marge then lifts a remote control in her hand. The television screen goes blank as a pink-haired woman in a navy suit stands in front of it with her hands behind her back, puffing air from her lips and then frowning. Lisa, with her star-shaped spiky hair, is seen from behind a seat at the bottom of the frame as she raises her hand while the woman keeps standing still.

> She sure is.
> Well, that's the tour. If you have any questions, I'd be happy to answer...
> I have one. Yes?

Frame: https://ultrahouse3k.com/img/S05E14/660451.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/663997

## 11:08–11:14

Lisa Simpson, a girl with star-shaped spiky hair in a red dress and pearl necklace, and Marge Simpson, with her tall blue beehive and green dress and red bead necklace, sit side by side on a row of blue auditorium seats, with a woman in a dark navy suit with a bun standing at the right edge of the scene. Lisa grips the armrest and sits up with a grimacing, wide-eyed expression while Marge leans slightly toward her, glancing sideways and then turning her head as she gestures with one hand. Lisa's grin tightens and she looks toward the standing woman, while Marge shifts back in her seat with her hands resting on the armrests. The seats, purple carpeted floor and teal wall fill the background.

> Is the remark to be sexist drivel spouted by Malibu Stacy intentional,
> or is it just a horrible mistake?

Frame: https://ultrahouse3k.com/img/S05E14/669836.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/671713

## 11:14–11:22

A one-off woman with pinkish-red curled hair, a gold hoop earring and a blue suit stands with her hands on her hips, smirking and narrowing her eyes as she talks in an office with a green wall. A man with swept-back reddish hair and a dark suit leans through an open door, first speaking earnestly and then grinning and pointing a finger, while in the office behind a desk a seated man in a dark suit glances over and a man with glasses sits in a red chair. Ceiling lights, wood-panelled walls and a potted plant fill the office beyond the doorway.

> Believe me, we're very mindful of such concerns.
> Hey, Jiggles, grab a pad and back that gorgeous butt in here.

Frame: https://ultrahouse3k.com/img/S05E14/675675.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/678803

## 11:22–11:31

A woman with a pink bouffant hairdo and a blue suit stands in a doorway with a hand on her hip while a slick-haired man in a dark suit points and talks from the open door. She gestures, then turns and walks into a wood-paneled office where a grey-haired man sits at a desk and a bespectacled Black man in a suit sits in a red chair. The scene then shifts to Marge Simpson with her tall blue beehive, wide-eyed, looking toward Lisa, who peeks in from beside a closed grey door.

> Oh, you would get away.
> Don't act like you don't like it.
> Oh.

Frame: https://ultrahouse3k.com/img/S05E14/684017.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/686936

## 11:31–11:43

Grampa, the wrinkled old man with white tufts of hair, and Lisa, the girl with star-shaped spiky hair in a red dress, lean with their chins in their hands on a blue countertop in a kitchen, while Homer, the bald heavy man in a white shirt, stands behind them. The scene opens on the exterior of the Simpson house with its brown roof, pink front door, and a pink car in the driveway, then cuts inside where Grampa and Lisa both look glum, and Homer grins and gestures with his hand, leaning in between them. Visible objects include a green stove, a yellow curtain with bottle prints, purple cabinets, and hanging pot holders.

> It's awful being a kid. No one listens to you.
> It's rotten being old. No one listens to you.
> I'm a white male, age 18 to 49.
> Everyone listens to me, no matter how dumb my suggestions are.

Frame: https://ultrahouse3k.com/img/S05E14/692150.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/697155

## 11:43–11:53

Homer, the bald heavy man in a white shirt, reaches into a purple cabinet in the green-fridged kitchen and pulls out a red Nuts and Gum can, holding it up to show its label and the rooster card. He then grins with eyes shut while gesturing with the can, and the scene moves to Grampa, the wrinkled old man with white tufts of hair in a peach shirt, leaning on the blue counter with Lisa, who has star-shaped spiky hair and wears a red dress and pearl necklace. Canisters with rooster designs, a blender and a kitchen calendar sit on the counter behind them.

> Well, I'm not going to accomplish anything just sitting here.
> And griping, it's time for... Action!

Frame: https://ultrahouse3k.com/img/S05E14/704245.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/707999

## 11:53–11:57

Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, stands in the kitchen in front of a cabinet with a 'God Bless This Mess' sign, a dinosaur picture and yellow canisters decorated with red hens. She grits her teeth, then opens her mouth wide as she speaks, clenching her fists and gesturing with her hands in an animated, determined way. Her expression shifts from scowling to excited and talkative as she keeps speaking and waving her hands.

> I've got to talk to that woman who invented Malibu Stacy and see if I can get her to...

Frame: https://ultrahouse3k.com/img/S05E14/714255.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/715298

## 11:57–12:09

Grampa, the wrinkled old man with white tufts of hair, glasses and a pale pink cardigan with a white button, sits in a room with a corn-print curtain and a window showing a red-roofed house and fence. He grins with his hands clasped at his chest, then talks with his mouth open and fists clenched, and next raises a hand to gesture before pausing with a finger near his chin. He finally leans forward over a blue table, mouth open as if speaking, with a red chair and a purple cushion beside him.

> Come out of retirement!
> I'm gonna give me a job!
> A real Malibu!
> And see if Stacy can help invent me
> young...

Frame: https://ultrahouse3k.com/img/S05E14/718635.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/723431

## 12:09–12:20

Grampa, a wrinkled old man with white tufts of hair in a pink shirt, sits at a round table draped in blue cloth in a kitchen with green stove, purple cabinets and a blender, while Lisa, with star-shaped spiky hair, a red dress and a pearl necklace, stands beside him at the table. Grampa gestures with his hands and talks, and Lisa looks up at him with a wide-eyed expression, her hand near her mouth. The scene then shifts to a close-up of a man in a purple cap with a headset microphone and a grey-yellow moustache, wide-eyed and grimacing in front of blue panels with dials, as he speaks into the microphone.

> Help!
> You're getting a job!
> Yes! I'm going where the action is!
> Come in! Come in! Mayday!
> I'm losing your transmission!

Frame: https://ultrahouse3k.com/img/S05E14/730521.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/734901

## 12:20–12:32

Krusty the clown's face peeks over a drive-thru speaker box beside a sign reading PAY AT NEXT WINDOW, as a man in a blue shirt leans into a purple car at the window. Inside a fast-food counter, a bespectacled man in a headset and a purple uniform with a striped paper hat talks while a red-haired employee in a matching uniform stands beside him, glaring. Lisa, in her red dress with a pearl necklace, raises a hand toward a grey door marked 19.

> I said French fries! What the...
> do we sell French fries?

Frame: https://ultrahouse3k.com/img/S05E14/741574.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/746579

## 12:32–12:40

Lisa Simpson, the girl with star-shaped spiky hair in a red skirt and pearl necklace, stands on a blue tiled floor, and a man with brown hair, glasses, and a grey sweater vest with green trim is first seen peeking out of a doorway with a nervous grin. He steps out and leans toward her beside a door marked 17 in a cream-coloured hallway, while Lisa looks up at him with wide eyes and then speaks with her mouth open. As he leans in from the right edge of the picture, Lisa's expression shifts from a grimace to a wary, uneasy frown.

> Yes?
> Why, it's Homer Simpson's daughter.
> I thought you might be able to help me get in touch with the inventor of Malibu Stacy.

Frame: https://ultrahouse3k.com/img/S05E14/753461.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/756172

## 12:40–12:50

Lisa, the girl with star-shaped spiky hair in a red dress, stands with a grey-haired man in a sweater vest, glasses and a white shirt, in a purple room lined with shelves of Malibu Stacy dolls. He stands near a table with a doll and gestures with a finger while Lisa watches, then he walks to a desk with a computer and sits down in a red swivel chair as Lisa comes up beside him and looks on. A framed poster with red lettering hangs on the wall, and a wastebasket full of crumpled paper sits by the desk.

> Phew!
> That would be quite a feat.
> Stacy Lavelle is a total recluse. She hasn't appeared in public in 20 years.
> Here, I'm writing an article on her for my next Malibu Stacy newsletter.
> It contains her last known whereabouts.

Frame: https://ultrahouse3k.com/img/S05E14/761177.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/765348

## 12:50–13:04

Lisa Simpson, with star-shaped spiky hair, red dress and pearl necklace, stands at a counter beside Smithers, the thin assistant with glasses and a grey-green sweater vest, while shelves of dolls surround them. Smithers then sits at a computer and types as Lisa leans in with her arms folded, and the scene cuts to a grainy black-and-white image of Mr. Burns, hooked nose and grey hair at the sides, rubbing his shoulder. It returns to the shop with Smithers still typing at the monitor while Lisa watches him.

> I'll, uh, print you out a copy. Thanks.
> Hello, Smithers.
> You're quite good at turning me on.
> Um, you probably should ignore that.

Frame: https://ultrahouse3k.com/img/S05E14/771813.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/777652

## 13:04–13:16

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a green backpack, rides a unicycle along the crest of a grassy hill, then down a tree-lined suburban street under a blue sky. Her route passes a sign reading "Rancho Estates" arched overhead, with her moving steadily toward the distance. Later, she is seen up close gripping handlebars beside a white gate and a Tudor-style house, her eyes wide and her mouth open in alarm.

> No, it couldn't be.

Frame: https://ultrahouse3k.com/img/S05E14/785368.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/790373

## 13:16–13:24

Lisa Simpson, with spiky yellow hair and a green bag, approaches a wrought-iron gate in a tall brick wall, then stands with one hand raised to the gate as she looks through it. The scene moves from a stack of pink boxes and a box cover reading "Stacy's Dream House," which shows a pink colonial mansion with white columns and a woman in a purple dress at the left edge, to the actual pink mansion with a circular drive and a balcony. A yellow arm appears at the right edge of the early pink-box views, and the gate and wall are visible throughout the final views.

Frame: https://ultrahouse3k.com/img/S05E14/797463.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/800383

## 13:24–13:37

Lisa Simpson, with her star-shaped spiky yellow hair, green top and orange-red skirt, stands by a white wrought-iron gate beside a brick wall with a metal intercom panel holding a speaker grille and two red buttons. She points at the upper red button, then steps back and turns her head toward the speaker, leaning in close to it while her hand hangs at her side. The scene stays focused on her waiting at the intercom and looking toward the speaker.

> Excuse me, Miss Lavelle. I'd like to talk to you about Malibu Stacy.
> Do you have any idea how many kids have tried to track me down?
> Am I the first?
> Yes.
> I want you to hear what Malibu Stacy is telling a generation of little girls.

Frame: https://ultrahouse3k.com/img/S05E14/805388.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/811019

## 13:37–13:46

Lisa Simpson, with her star-shaped spiky hair, red dress and pearl necklace, stands beside a window on a red brick wall, next to a grey louvered vent with two red buttons. A tall blonde woman in a pink ruffled strapless dress, with a bouffant of curly hair, first appears at the vent, then leans toward it and turns to face Lisa, who gestures and looks at her with wide eyes. The woman stands smiling and posing by the vent while Lisa's eyes close and she turns away, with a pink-roofed house and a blue sky visible through the window.

> Thinking too much gives you wrinkles.

Frame: https://ultrahouse3k.com/img/S05E14/818943.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/822280

## 13:46–13:59

Lisa, with her star-shaped spiky hair and red dress, runs up the driveway toward the gates of a pink mansion while a small red bicycle leans against the wall on the right. A red-haired boy in a green shirt and blue shorts runs in from the left holding a red Frisbee, and the ornate iron gates then swing shut with the red Frisbee landing on the roof. Finally, a blonde woman in a pink dress with a fluffy white collar leans out from a dark curtain beside a window of the house.

> Alright, I've been waiting nine years to get my Frisbee back.
> My name is Stacy, but you can call me.

Frame: https://ultrahouse3k.com/img/S05E14/827910.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/833124

## 13:59–14:10

Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, sits beside an older blonde woman in a tan jacket and white turtleneck with a teal earring, who sits in a pink armchair holding a glass of amber drink. Lisa holds a small blonde doll in a pink outfit, first resting her hand on the woman's knee, then in the final moment lifting the doll and gesturing with her other hand while grinning. The woman sips from her glass in a pink-lipped, sideways-glancing pose, and the scene is set in a room with a window, a pink couch, a blue bottle and a wooden table.

> I see exactly what you mean.
> This is a problem.
> But what do you expect me to do? Change what she says.
> It's your company.

Frame: https://ultrahouse3k.com/img/S05E14/840840.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/845219

## 14:10–14:22

Lisa Simpson, a girl with spiky star-shaped hair in a red dress and pearl necklace, stands facing an unnamed older blonde woman with a tall swept hairdo, green earrings, a tan blazer and a white turtleneck. The woman sits in a pink armchair beside a sheer-curtained window, holding a glass of amber drink while she talks, glances sideways, and then smiles and raises the glass as Lisa listens. The scene is a quiet room with red drapes and a light blue window.

> Not since I was forced out in 1974.
> They said my way of thinking just wasn't cost effective.
> That's awful. Well, that and I was funneling profits to the Viet Cong.
> But you are Malibu Stacy, and as long as she has your name, you have the responsibility.

Frame: https://ultrahouse3k.com/img/S05E14/851893.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/856898

## 14:22–14:31

Lisa Simpson, the girl with star-shaped spiky hair, a red dress and a pearl necklace, stands on the left of a pink-toned living room while an unnamed woman with a tall olive-yellow hairdo sits in a large pink armchair, holding a glass of brown drink. Lisa gestures with an open hand, then holds a small white item near the armchair while her expression shifts from wide-eyed talking to a clenched, grimacing look. The room has a pink sofa, a framed barn picture on the wall, a wooden coffee table with an ashtray, and a dark bottle beside the lamp.

> I'd be mortified if someone ever made a lousy product with the Simpson name on it.
> I may have had things in common with Stacy in the beginning,

Frame: https://ultrahouse3k.com/img/S05E14/863988.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/867325

## 14:31–14:42

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands at the left while a blonde woman with feathered hair, a teal earring, a tan trench coat and a white turtleneck sits in a pink armchair holding a glass of amber drink. The woman talks with half-closed eyes, then shuts them and grimaces, and later leans back with her hand against her neck while glancing sideways. The setting is a room with a bright glass-block window, red curtains, and a fireplace mantel holding a framed photo and fire tools.

> but 30 years of living her lifestyle taught me some very harsh lessons.
> Five husbands.
> Ken, Johnny, Joe, Dr. Colossus, Steve Austin.

Frame: https://ultrahouse3k.com/img/S05E14/872955.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/877126

## 14:42–14:55

Lisa Simpson, with her star-shaped spiky yellow hair and pearl necklace, holds a small white pet and stands near a mantelpiece, while a bearded man in an olive uniform and tall boots stands in a doorway at the start. Framed portraits of a man in a red jumpsuit before a flag and of a grey-skinned man in a white coat in a round porthole sit on the mantel, and a man in a white shirt and tan trousers hangs above later. Lisa stares wide-eyed and gestures toward a blonde woman with a tall hairdo, a beige jacket and a white turtleneck, who sits in a pink chair by a window sipping a drink and looking toward her.

> But if you can learn from Malibu Stacy's mistakes, so can everyone.
> I'm sure we can think of something together.
> Come on!
> Not now. I'm too drunk.

Frame: https://ultrahouse3k.com/img/S05E14/883174.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/888805

## 14:55–15:06

Lisa Simpson, in a red dress and white pearl necklace, appears with a blonde woman in a tan jacket and green earring who sips from a glass with her eyes closed in a red-walled room with framed pictures on a white mantel. Lisa's wide eyes shift from side to side as she looks around, and the woman keeps drinking. The scene then changes to a man in a purple shirt and matching cap, with grey hair and hands on hips, speaking with his mouth open in front of a blue wall with a ruler-like marking and an orange door.

> No, you're not!
> Uh, I'll come back tomorrow.
> We need some more secret sauce.
> Put this mayonnaise in the sun.

Frame: https://ultrahouse3k.com/img/S05E14/896729.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/901109

## 15:06–15:15

Homer, the bald heavy man with stubble in a purple uniform and paper hat, stands in a Krusty Burger kitchen beside a red-haired worker in a matching uniform, while a grey-haired worker in the back doorway points toward the shelves of white containers. Homer and the red-haired worker then move to the counter, where she holds up a bun and a stack of patties sits between them, and Homer gestures with his hands and scratches his face. In a close-up, Homer's yellow hand lifts the top of a sesame bun to reveal a round patty, with a pink-and-white toothed novelty item and another bun beside it on an orange counter.

> Hey!
> Now that old man Peterson's off our backs, let's have some fun!

Frame: https://ultrahouse3k.com/img/S05E14/907782.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/911119

## 15:15–15:27

A heavy, bald man with a moustache, wearing a purple uniform and paper hat, and a red-haired woman in a matching purple uniform and paper hat stand behind a red-topped counter in a convenience store with shelves of wrapped goods behind them. The man lifts a large sandwich with a bite-shaped gap, turns it toward the camera-side, and then raises it so its toothy, open-jawed filling looks like it is snapping at him while the woman gestures and watches, with a paper bag and stacks of brown patties on the counter. The sandwich seems to bite toward the man as he holds it up, and he then lowers his hands and stands still beside the counter with the sandwich set down.

> Everything sandwich that could take a bite out of you.
> Ha ha ha!
> Look at this sandwich.
> It's gonna bite you.

Frame: https://ultrahouse3k.com/img/S05E14/916541.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/921337

## 15:27–15:38

Lisa Simpson, in her orange-and-red dress with a pearl necklace, kneels on a purple rug beside a teal bag while a blonde woman with a cigarette and a drink sits in a pink armchair in a room with dark red curtains. An older man in a purple uniform and a pale hat with a purple band stands by a shelf of folded white bundles and a blue-grey door, before the scene cuts to the exterior of a large pink mansion with white columns and a balcony. Lisa then rises and holds up a sheet of paper showing a drawn doll toward the seated woman.

> Ow!
> Damn sandwich took a bite out of me. Oh.
> I've got the solution.
> You and I are gonna make our own talking doll.

Frame: https://ultrahouse3k.com/img/S05E14/928428.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/932807

## 15:38–15:51

Lisa, with her star-shaped spiky hair, red dress and pearl necklace, and an unnamed blonde woman in a tan jacket and white top, are in a room with a pink sofa and a tiled wall. Lisa holds up a sheet of paper bearing a diagram of a slim blonde woman in a teal shirt and black pants, with lines and text pointing to its labels, while the woman sips from a glass and holds a cigarette. Lisa then lowers the paper and jabs a finger at the diagram, while a blue bottle and bowl sit on a wooden table nearby.

> She'll have the wisdom of Gertrude Stein and the wit of Kathy Geiswight,
> the tenacity of Nina Totenberg and the common sense of Elizabeth Cady Stanton.
> And to top it off, the down-to-earth good looks of Eleanor Roosevelt.

Frame: https://ultrahouse3k.com/img/S05E14/939480.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/944902

## 15:51–15:59

A glamorous blonde woman in a tan coat over a white turtleneck, wearing a teal earring, stands by a pink armchair in a richly decorated living room with red curtains, a fireplace and a framed portrait, holding a cigarette in one hand. Lisa, the girl with star-shaped spiky hair and a red dress, stands on the wooden floor near her. In the first frames the woman smokes by a window and smiles, then turns toward Lisa, extending an arm and pointing. In the last frame she steps to the doorway, opens the door with one hand and speaks, while the fire burns in the hearth.

> All right, we'll make your doll.

Frame: https://ultrahouse3k.com/img/S05E14/952618.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/955329

## 15:59–16:07

A blonde woman in a pale pink suit stands on a doorstep facing a bearded Black man in an olive-green uniform and black boots, who stands in the open brown double doorway with his arms spread wide. He steps forward and pulls her into an embrace with his hands on her waist and back while she leans away, looking up at him with wide eyes. She then tilts her head back with her eyes shut and mouth open as he holds her close, with an olive military vehicle with a mounted gun and a blue sky with clouds visible behind them.

> Stacy, please, I must have you back.
> Just come for a ride with me and my mobile command unit.
> Joe, I told you, it's over.

Frame: https://ultrahouse3k.com/img/S05E14/960126.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/963463

## 16:07–16:16

A bearded man in an olive military-style jacket with a gold chain and a blonde woman in a pink suit and white turtleneck stand together in an open brown doorway against a pink wall and blue sky with clouds. The man grips the woman's arm and then gestures and talks while she glances aside, touching her chest, before he scowls and speaks again, and the two stand beside a dark bag and a green-clad suitcase. Finally the man turns his back, reaches for the door handle and steps out into the doorway as the woman steps back behind him.

> Release me from your kung fu grip.
> Fine.
> I'll bomb your house into the ground, Missy.

Frame: https://ultrahouse3k.com/img/S05E14/968676.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/972013

## 16:16–16:26

Lisa, the girl with star-shaped spiky hair in a red dress and white apron, leans on a blue table beside an unnamed woman with a tall blonde hairdo, white turtleneck and pink apron, who holds a tool and a small grey clay figure on a stand. The scene starts on the brown-roofed house with its pink door and a lavender car in the driveway, then moves to the kitchen with a green refrigerator and a red wall phone. Lisa keeps watching as the woman gestures with the tool, and Lisa then smiles and leans back while the woman's hand rests on the table beside the figure.

> Make sure you get my mom's hair just right.
> Um, I think we'll use someone different for the hair.
> How about me? Um, there's something not quite...

Frame: https://ultrahouse3k.com/img/S05E14/977226.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/981606

## 16:26–16:39

Lisa, Maggie, Homer, Marge and Bart sit or stand around a kitchen table with a blue tablecloth and a small statuette, while an unfamiliar woman with a tall blonde bouffant, pink apron and green earring touches her chin and speaks. Homer gestures with an open hand as he talks, and Bart leans on the table beside him while Marge watches from the right. The scene then cuts to a recording booth where Lisa stands behind a glass window holding a red object before a microphone, and two people at a mixing console adjust its sliders, one wearing headphones and the other with blonde hair and a long tan coat.

> How about me? Uh, uh... How about me? You all have hideous hair.
> I mean, from a design point of view.
> Oh, well, put it that way, yeah.
> Talking Doll, take eight.

Frame: https://ultrahouse3k.com/img/S05E14/988070.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/993075

## 16:39–16:49

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands at the right holding a red book and reading aloud, then grimaces with eyes squeezed shut and mouth open before smiling and looking up. Behind a green-tiled wall in a recording booth, a thin man with brown hair, headphones and a white shirt rests his chin on his hand at the window, then straightens and speaks, gesturing with a hand as Lisa looks toward him. On-screen are reel-to-reel tape machines, a microphone, and a white mug on the console ledge.

> When I get married, I'm keeping my own name.
> Uh, you know, that should probably be if I choose to get married.
> Uh, look, little girl, we got other talking dollies to record today.

Frame: https://ultrahouse3k.com/img/S05E14/1000374.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1004337

## 16:49–16:59

Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, stands beside Krusty, a clown with green hair, a white cap and a pink shirt, outside a recording booth with a window, a microphone hanging on the wall and a control room behind them. Krusty raises a yellow hand, then holds a small bowl and a cigar and gestures with it while speaking, and Lisa listens with a red book in her hand. In the first image a man with a headset and a mug sits in the control room behind the window, and in the later images Krusty settles into a silent, unmoving pose with his mouth closed.

> All right, you poindexters. Let's get this right.
> One, hey, hey, kids, I'm talking Krusty.
> Two, hey, hey, here comes Sly Chumel. Again, here comes Sly Chumel.

Frame: https://ultrahouse3k.com/img/S05E14/1010593.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1014764

## 16:59–17:10

Krusty the Clown, in his white cap, green hair, red nose, pink shirt and purple pants, stands in a doorway facing Lisa Simpson, who is at the left edge with her spiky yellow hair and pearl necklace. Krusty holds up a small card and a dark cigar-like object, then turns and steps back through a brown door, which he pulls shut behind him. Lisa watches him go, and the empty brown door remains in view with a hanging mesh bag on the wall above it and a washing machine visible through the glass of the doorway.

> Sly Chumel. Three, wha-ha-ha-ha-ha-ha.
> Bada-bing, bada-boom, I'm done. Learn from a professional, kid.
> Okay, Krusty, we are ready to roll. Any...

Frame: https://ultrahouse3k.com/img/S05E14/1021020.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1024982

## 17:10–17:21

Lisa Simpson, in a red dress and pearl necklace, stands by a window where a man with swept-back reddish hair, headphones and a white t-shirt talks at a recording console beside a mug. The scene then shows the Simpsons' pink-doored house with a brown garage and a blue mailbox out front, before moving to rows of identical blonde dolls in teal tops and black pants standing in orange-lined green lockers. Lisa holds one of the dolls by its arm against a pink wall, looking at it as she turns it slightly, with other dolls in lockers beside her.

> what the...
> Trust in yourself and you can achieve anything.
> All right, now all we need is a name. How about Blabbermouth, a jerky doll for jerks?

Frame: https://ultrahouse3k.com/img/S05E14/1031239.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1035826

## 17:21–17:29

Lisa, Maggie, Homer, Marge and Bart stand in a pink-walled room beside stacks of green boxes, while an unnamed woman in a tan suit with a tall blonde hairdo stands with her hands on her hips. Bart points and speaks as Homer and Marge look on, then Lisa, wearing a pearl necklace and red dress, stands before a wall of mirrors reflecting a blonde woman in a blue shirt and smiles while talking. Maggie, with her blue bow, stays low near the green boxes.

> How about Minerva, after the Roman goddess of wisdom?

Frame: https://ultrahouse3k.com/img/S05E14/1042500.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1045419

## 17:29–17:37

In a pink living room with a framed Maggie picture, a red lamp, and a dark couch, Lisa in her red dress and pearl necklace holds up a small doll while a blonde woman in a tan trench coat and white turtleneck stands to the left beside Homer in his white shirt and blue trousers. Bart, in his orange shirt, shrugs and gestures with both hands, then turns to stand behind Lisa and Homer, while Marge with her tall blue beehive stands at the right with her arms folded.

> Not enough commercial appeal.
> Wendy Windbag?
> Ugly Doris?
> Hortense the Mule Face doll? I think we should name her after Lisa.

Frame: https://ultrahouse3k.com/img/S05E14/1050216.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1053344

## 17:37–17:45

Homer, Marge, Lisa and Bart stand in the pink living room with a framed Maggie portrait, lamps and a dark brown couch, while a tall blonde woman in a beige trench coat stands at the left holding Lisa's hand. The woman talks and gestures as Bart, in an orange shirt, climbs up beside Homer and holds up a small doll, and Lisa stays at the front with her head lowered. Bart's doll and the woman's trench coat are the main objects visible, and Marge stands on the right with her hand near her face.

> We'll call her Lisa Lionheart. No, loudmouth Lisa!
> Stupid Lisa garbage face!
> I can't stand this any longer. Somebody, please pay attention to me!

Frame: https://ultrahouse3k.com/img/S05E14/1058558.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1061686

## 17:45–17:54

Lisa stands in the center of the pink living room in her red dress, with Homer and Marge beside her and a blonde woman in a tan coat at the left, beneath a framed portrait of Maggie on the wall. Bart moves around the room: he first pops up behind Homer's head, then sits perched on the arm of the brown couch at right, then appears by the green armchair at left, and finally stands by the lamp table raising one hand while the others look on. No on-screen text is visible.

> Hello?
> Pay attention to me! Look at me! I'm Bart!
> I'm Bart! Look at me! Look at me! Look at me!

Frame: https://ultrahouse3k.com/img/S05E14/1066899.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1070027

## 17:54–18:04

Homer Simpson, in a white shirt, stands with Lisa Simpson, in her red dress, and a tall woman in a tan hat and long coat inside Kidstown USA, a store whose sign reads 'Not affiliated with Kidstown Juvenile Correctional Farm'. A pink-hatted, clown-like figure in a tan coat turns on the purple-tiled floor while a young clerk in a red visor and vest stands behind a pyramid of green boxes topped by a figure in a teal shirt holding a 'Lisa Lionheart' banner. Homer and Lisa watch the clerk as he holds a large white sheet, and the tall woman in the hat and coat waves one hand in the background, while the 'Lisa Lionheart' banner and doll display dominate the store.

> This is great! They're really gonna sell our doll!
> Well, it wasn't difficult.
> I just told them who I was and who you were.
> They couldn't resist.
> Really?
> Well, I didn't tell them who you were.

Frame: https://ultrahouse3k.com/img/S05E14/1075241.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1079412

## 18:04–18:15

A blonde woman in a tan wide-brimmed hat, blue-framed glasses, white turtleneck and tan coat speaks in front of shelves of boxed dolls, and a sign then reads "Petrochem Petrochemical Corp. Proud makers of caustic polypropylene and Malibu Stacy" beside barbed wire and a factory. Troy McClure, with swept-back reddish hair, dark suit and red tie, stands in a store beneath a "Malibu Stacy Division" sign, then turns his back with his hands clasped to face a row of seated men at a long table, including a man in a brown suit on the left.

> Gentlemen, we've got to sink this Lisa Lionheart doll in fast.
> It's time to call in a favor from Washington.

Frame: https://ultrahouse3k.com/img/S05E14/1085876.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1089839

## 18:15–18:25

A thin, grey-haired man in a blue suit and tie talks on a dark telephone at a desk with red curtains and a tall high-backed chair, first grimacing and then speaking with his mouth open, while a small blue device sits on the desk. Behind him is a daytime view of the domed Capitol building across a river, and after that the scene moves to a snowy suburban street at night, where the lit windows of a yellow-and-green house with a pink door and a pink garage stand near a mailbox. A blue car pulls up on the street, and a yellow hand in a dark blue sleeve reaches out of its window, holding a red-brown object.

> Yes.
> Yes, I understand.
> I'll take care of it personally.

Frame: https://ultrahouse3k.com/img/S05E14/1096304.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1100266

## 18:25–18:30

Mr. Burns, the frail, stooped old man with grey hair at the sides, leans out of the window of a blue car at dusk, smiling slyly, then ducks down out of sight below the window. The car is parked on the street in front of a two-storey house with a pink arched front door, arched lit windows, a pink garage door, and a red object on the walkway. The house stays still while the lights glow in its windows and the purple sky and dark trees sit behind it.

> Dad, did you hear something?
> Oh.

Frame: https://ultrahouse3k.com/img/S05E14/1106522.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1107982

## 18:30–18:43

Kent Brockman, the grey-haired news anchor in a blue shirt, sits at a desk with a typewriter, smoking a cigarette and typing while an overflowing ashtray, stacks of papers and a wall calendar sit nearby. A little girl with white tufts of hair and a purple dress stands at the right edge of the red-walled room, holding up a blonde doll in a teal top and black skirt. Over the frames, Brockman lifts the cigarette to his mouth, then stops typing and turns toward the girl while she keeps the doll raised.

> Dad? Uh-huh? My new doll's much better than Malibu Stacy.
> Do a newscast about her. Oh, please, honey.
> Daddy's job is to bring people important news.
> Right now, I'm very busy preparing a report about the 40th anniversary of Beetle Bailey.

Frame: https://ultrahouse3k.com/img/S05E14/1111527.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1117158

## 18:43–18:55

A tall-beehived woman in a purple top grimaces and rolls her eyes beside a young blonde woman in a teal top on a red carpet, then gestures with a raised hand while looking sideways. Kent Brockman, the grey-haired news anchor in a blue shirt, sits at a wood-paneled desk beside a typewriter and stacked papers, talking and lifting his hands as a wisp of smoke rises. The scene ends on the lit-up two-story green house with a pink door and attached garage at night, with a mailbox at the front.

> Oh, Daddy, that is boring.
> Talk about the dolly.
> Well, you were right about the Berlin Wall.
> Though it was unusual to spend 28 minutes reporting on a doll,

Frame: https://ultrahouse3k.com/img/S05E14/1124874.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1129462

## 18:55–18:59

Marge, Maggie, Lisa, Bart and Homer sit side by side on the brown couch in the pink living room, all watching the television in the foreground on the right, with Marge holding Maggie on her lap. Across the five frames they remain seated and largely still, with only slight shifts in their postures as they keep their eyes on the TV. A striped oval rug lies on the green carpet, a framed sailboat picture hangs on the wall, and a purple lamp and a small side table with a telephone sit at the left.

> this reporter found it impossible to stop talking.

Frame: https://ultrahouse3k.com/img/S05E14/1136135.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1137178

## 18:59–19:10

Kent Brockman, the grey-haired news anchor in a maroon jacket and purple tie, sits at a news desk in front of a green backdrop and an orange "NEW DOLL" sign showing a doll. He holds a small blonde doll in a teal top, lifts it toward the viewer, then sets it down on the desk and gestures over a stack of papers. He then shuffles and reads from the papers while the doll lies face-down at the bottom edge of the desk.

> It's just really fascinating news, folks.
> Good night.
> Oh, and the president was arrested for murder.

Frame: https://ultrahouse3k.com/img/S05E14/1140306.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1144685

## 19:10–19:20

Kent Brockman, the grey-haired news anchor in a maroon jacket and purple tie, sits at a desk holding a stack of papers in front of an orange "NEW DOLL" sign with a doll figure, glancing sideways and grimacing before turning his eyes back toward the viewer. Then Troy McClure, with swept-back reddish hair, a teal jacket and a red tie, stands beside a red couch and a dark TV set under a "MALIBU STA..." sign, scowling and then opening his mouth to speak.

> More on that tomorrow night. Or you can turn to another channel.
> Oh, do not turn to another channel.
> Our one effort to put a step to this Lisa Lionheart thing has failed miserably.

Frame: https://ultrahouse3k.com/img/S05E14/1151150.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1155321

## 19:20–19:33

Carl, the Black man in a green jacket, sits at a long table on the left, with a bald man in a tan jacket and a woman with tall grey-violet hair in a red jacket on the right, and other seated men around the table. A thin man in a dark blue suit and red tie stands at the center under a sign reading "MALIBU STACY DIVISION" with his hands on the table. The camera-free scene then shifts to a huge blue-sleeved arm reaching toward a man in a green suit, while a bald man with glasses and a man in a maroon hat sit behind. The central man then sits in a red chair, hands clasped, as the seated men look aside.

> Gentlemen, we have to reinvent Malibu Stacy for the 90s.
> We'll stay here all night if need be.
> Can we order Chinese food?
> Yes.

Frame: https://ultrahouse3k.com/img/S05E14/1161786.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1167416

## 19:33–19:44

At the Krusty Burger counter, a crowd of stooped and frowning customers waits with red trays of food, including a thin, long-haired man in a white shirt on the left and a white-bearded, grey-haired old man in a dark suit on the right, while a bespectacled brown-skinned man in a tie stands between them. The leftmost man opens and closes his mouth as if speaking, and the scene then tightens to a crowded close-up of a green-haired, pink-shirted figure and a man in a grey cap pressed against the counter, with the Krusty Burger sign and clown face seen earlier on the restaurant's roof outside.

> I cut my tongue in these pancakes.
> These eggs are difficult to digest.
> I want soft-boiled eggs. I told you, we don't have soft-boiled eggs.

Frame: https://ultrahouse3k.com/img/S05E14/1175132.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1179095

## 19:44–19:55

At a fast-food counter with burgers stacked on shelves behind them, a thin, bespectacled one-off man in a purple uniform, yellow paper hat and headset microphone talks and gestures with an outstretched hand toward a green-haired woman on the left, his expression shifting from speaking to a clenched, frustrated grimace. In the foreground at the bottom right, the bald, heavy Homer, in a white shirt, stays in place with his back to the viewer, while a partly visible figure stands at the right edge. Red trays and white paper sit on the counter in front of them.

> If you... I come, you're right. We should have them.
> I shouldn't be listening to complaints.
> I should be making them with you guys.

Frame: https://ultrahouse3k.com/img/S05E14/1185351.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1189939

## 19:55–20:05

A mustached man in a purple uniform, white cap and headset microphone stands before a store counter with his arms raised, then grins with his hands clasped and spreads them while speaking, as a crowd of older customers watches from behind the counter, one holding a tray with a pie. The scene shifts so that the mustached man turns and confronts a younger grey-haired clerk in a matching purple uniform and cap, who stands with folded arms, while the older man frowns and gestures. A cash register, shelves and stacked cardboard boxes are visible in the store.

> The good Lord lets us grow old for a reason.
> To gain the wisdom to find fault with everything he's made.
> Mr. Peterson, you can take this job and fill it.

Frame: https://ultrahouse3k.com/img/S05E14/1196821.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1200783

## 20:05–20:15

Two employees in purple Kwik-E-Mart uniforms and paper hats stand on a purple tiled floor in the store. A heavyset man with a thick mustache and headset, and the thin man with grey-brown hair and freckles who stands with his arms folded, face each other. The heavyset man points a finger at him, then plants his hands on his hips and gestures and speaks with his mouth open, while the thin man looks on uneasily. He then extends a hand toward the cash register on the counter behind them, with stacked cardboard boxes below and a dim elderly figure in the background at left.

> And one more thing.
> I never once washed my hands. That's your policy, not mine.

Frame: https://ultrahouse3k.com/img/S05E14/1206831.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1210584

## 20:15–20:25

Mr. Burns, a frail, stooped old man with a hooked nose and white hair, stands at a counter beside a bespectacled man in a white shirt and tie holding a burger and a bearded old man in a blue jacket, with a crowd of onlookers behind them. They scowl at first, then throw their arms up and cheer as Krusty the clown, in a purple suit and green hair, is hoisted high above the crowd at the Krusty Burger counter. Menu boards reading Cheese Burger, Krusty Kids Meal, Milk Shakes and Krusty Meal hang on the wall, and plates of food sit on the red counter.

> Good time!
> You whippersnapper!
> You shall remain!
> Pestid!
> Hooray!
> Ha-ha!

Frame: https://ultrahouse3k.com/img/S05E14/1216632.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1220386

## 20:25–20:37

Several cartoon characters are piled and sprawled on the purple tiled floor of a bright room with a red counter, a register and windows, with Grampa-like old men and a hooked-nose figure among them, while a clerk's face is tangled near a child in an orange shirt. Then the group is seen scrambling in a crowd, pressing and reaching toward red double doors under a sign reading 'KIDSTOWN JUVENILE CORR...', with a child in a teal bow and a woman in a brown dress pushing forward. Finally, the crowd of children crowds against the glass of a storefront with a 'FUN' sign, one girl with spiky hair and a blue top raising her hands to her head, while a tall woman in a tan coat stands at the right edge looking on.

> Oh, my God! I'm back!
> Oh!
> I want it, I want it, I want it, I want it.
> Me, me, me, me, me. I want it, I want it, I want it.

Frame: https://ultrahouse3k.com/img/S05E14/1226434.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1231439

## 20:37–20:48

A large, excited crowd of kids and grown-ups pushes down a purple-floored toy store aisle, with a tall blue beehive hairdo, a chubby figure in a green shirt and yellow shorts, and a pink-dressed woman with a blue beehive running ahead of other excited shoppers. They rush toward a stacked display of pink boxes topped by a banner reading "LISA LIONHEART," marked "NEW!", while a bespectacled man, a dark-haired girl, and a girl with green hair cheer and wave their arms behind them. The scene ends with several hands reaching toward the boxes, as a large grey silhouette fills the foreground on the first frame.

> Look, it's Lisa Lionheart. Keep running, we're almost there.
> Oh, no!

Frame: https://ultrahouse3k.com/img/S05E14/1238738.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1243117

## 20:48–20:57

A crowd of young girl characters with varied hairstyles gathers in a toy store near a red display of boxed Malibu Stacy dolls marked NEW HAT, with a large Malibu Stacy poster showing a doll in a pink dress and wide-brimmed pink hat. A girl with blue pigtails and bows, and a girl with a long orange braid, stand near the front, and the blue-pigtailed girl's mouth opens as she speaks excitedly while gesturing toward the display. In the later moments a small spiky-haired figure in an orange top stands at the bottom of the crowd near the boxes while the other girls look on, some with arms folded and others staring at the doll poster.

> They changed Malibu Stacy.
> She is better than ever. Wait, don't be fooled.
> She's just a regular Malibu Stacy with a stupid cheap hat.

Frame: https://ultrahouse3k.com/img/S05E14/1249790.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1252918

## 20:57–21:07

Lisa Simpson, the girl with star-shaped spiky hair and a red dress, stands in a pink toy shop lined with Malibu Stacy dolls in boxes and NEW HAT! signs, holding up a small straw hat and gesturing with her hand as she talks. She then pulls a doll with a white hat from the display and cradles it. In the later part of the scene, a crowd of kids with a bespectacled man in a suit and bow tie pointing near the top surrounds her, and Lisa is pushed forward in the crowd, mouth open and hands raised toward the doll, as the other children gather close around her.

> She still embodies all the awful stereotypes she did before.
> But she's got a new hat.
> I want it! I want it! I want it! I want it!

Frame: https://ultrahouse3k.com/img/S05E14/1258340.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1262303

## 21:07–21:08

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a pearl necklace, stands in a store aisle lined with boxed merchandise on purple floors, her eyes wide and mouth open. Several large dark hands with claw-like fingers reach up from the bottom of the scene toward her, rising and shifting position across the moment, some of them grabbing toward her and at one point covering the area near her face and chest. Her expression stays startled as the hands crowd closer and move around her.

Frame: https://ultrahouse3k.com/img/S05E14/1268559.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1268142

## 21:08–21:16

Lisa Simpson stands in a store with pearl necklace and red-orange skirt, facing a tall tiered tower of green-wrapped boxes topped by a banner reading LISA LIONHEART, with a blonde woman in a teal top perched on its peak. A man in a red cap, sunglasses and red vest sweeps scattered papers with a broom beside a grey cart, while an EXIT door and shelves of pink and blue boxes fill the background. Lisa's eyes narrow and her head droops into a sullen, grimacing expression as the sweeper keeps working.

> Well, I guess you can't beat big business.

Frame: https://ultrahouse3k.com/img/S05E14/1269810.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1272521

## 21:16–21:23

Lisa Simpson, the girl with spiky star-shaped hair and a red dress and pearl necklace, stands in a store aisle holding a crumpled paper, first looking dejected and then wincing with her eyes shut. Behind her, a tall tiered pyramid of green-and-gold boxes bears a banner reading "LISA LIONHEART," with a blonde woman in a teal top standing on top. Later, a small girl in a pink dress and pigtails stands by the pyramid holding a doll, while Lisa turns to look at her. Shelves of toys and an EXIT door are visible in the background.

> There's just no room for the little guy.
> Trust in yourself and you can achieve anything.

Frame: https://ultrahouse3k.com/img/S05E14/1277318.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1280029

## 21:23–21:25

A blonde girl with long braids, pink bow ribbons, a white blouse and a pink pinafore dress stands before a wall of green-framed posters that repeat the on-screen text "LISA LIONHEART" and show her likeness. She holds a black handled object with both hands, smiling with her eyes closed at first, then opening them and tilting her head as she turns and drifts toward the right side of the wall. By the end she has shifted to the right of the frame, still smiling and glancing sideways, with the posters behind her.

> You know, if we get through to just that one little girl, it'll all be worth it.

Frame: https://ultrahouse3k.com/img/S05E14/1284825.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1284617

## 21:25–21:36

Lisa Simpson, in her red skirt and pearl necklace, stands on the left beside a shop window while a tall, blonde, beehive-haired woman in a taupe suit and white blouse stands near a green and white SALE sign on the shop's orange pillar. The woman first steps toward the left, then folds her arms and stands with a sour, sidelong look, while Lisa glances up at her with wide eyes and a tense, grimacing expression. Shelves of boxed merchandise and a basket of red items fill the store behind them.

> Yes, particularly if that little girl happens to pay $46,000 for that doll.
> What? Oh, nothing.

Frame: https://ultrahouse3k.com/img/S05E14/1286494.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1291081

## 21:36–21:47

Lisa Simpson, in her red dress and pearl necklace, stands beside a tall blonde woman in a tan suit outside a shop with a SALE sign, while Marge Simpson with her tall blue beehive and green dress watches nearby. The woman rests her hand on Lisa's head, then holds Lisa's hand and walks with her toward the left as Marge looks on, and Homer, bald in a white shirt and blue pants, steps up on the right, gesturing with his hands and then pointing as he speaks. Shelves of boxed goods and glassware fill the store interior behind them.

> Kudos to you, Lisa.
> Kudos.
> Marge, Lisa, lady, if you'll excuse me, I've got something very important to attend to.

Frame: https://ultrahouse3k.com/img/S05E14/1297755.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1302343

## 21:47–21:57

Homer Simpson dances on a giant piano keyboard in a toy room, joined by a group of men in red caps and sunglasses, with a pink teddy bear, a green spotted dinosaur and a blue toy car nearby. The men crowd behind him in a synchronized dance, then Homer kicks a leg out and throws his arms wide while the others fall into a sprawl and stare at him on the keys. The scene ends on a black screen with the white credit text "Executive Producer DAVID MIRKIN".

> Whee!

Frame: https://ultrahouse3k.com/img/S05E14/1309016.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1312770

## 21:57–22:07

No Simpsons characters appear; this is a black opening credits sequence. It begins with the gold text 'Executive Producers' above 'JAMES L. BROOKS, MATT GROENING, SAM SIMON' on a black background, which then gives way to single gold names appearing one at a time in the centre: 'JULIE KAVNER', then 'NANCY CARTWRIGHT', then 'HANK AZARIA'.

Frame: https://ultrahouse3k.com/img/S05E14/1318609.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1322363

## 22:07–22:16

No Simpsons characters appear in this moment; it is a sequence of black title cards with orange cartoon lettering. First, 'and HARRY SHEARER' appears centered, then 'Also Starring PAMELA HAYDEN MAGGIE ROSWELL' replaces it, followed by 'Animation Executive Producer PHIL ROMAN', then 'Executive Consultant BRAD BIRD', and finally 'Story Editor BRENT FORRESTER' fades in on the black background.

Frame: https://ultrahouse3k.com/img/S05E14/1328410.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1331956

## 22:16–22:26

No characters appear in this moment; the scene is a plain black background with no people, locations, or actions. Centered orange hand-lettered credits appear in sequence: first 'Story Editor' over 'DAN McGRATH', then 'Staff Writers' over 'BILL CANTERBURY' and 'DAVID S. COHEN', then 'Theme by' over 'DANNY ELFMAN', then 'Music by' over 'ALF CLAUSEN', and finally 'Editors' over 'MARK McJIMSEY' and 'DON BARROZO'. Each credit card replaces the previous one with no other movement or objects visible.

Frame: https://ultrahouse3k.com/img/S05E14/1338003.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1341757

## 22:26–22:36

No regular characters appear in this moment; it is a black closing credits sequence with no people on screen. Orange text fades in and out across successive black screens: first 'Animation Co-Producer for Gracie Films KEN TSUMURA', then a column of sound credits headed by 'Music Editor CHRIS LEDESMA', 'Sound Effects Editor TRAVIS POWERS' and the re-recording and production mixers, followed by a list of assistants to various producers and a post production assistant C.J. GIBSON. The credits then switch to 'Animation Produced by FILM ROMAN, INC.' and finally 'Overseas Production by ANIVISION J.C. PARK', all in the same hand-lettered orange typeface.

Frame: https://ultrahouse3k.com/img/S05E14/1347596.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1351350

## 22:36–22:45

No Simpsons characters appear in this moment; it is a sequence of black end-credit title cards with orange lettering. First the credits for Assistant Director, Storyboard, Character Design Supervisor Dale Hendrickson, Character Design, and Background Design appear, followed by color design, ink and paint, animation checkers and animation camera credits, then production manager Anne Luiting, production coordinators and an associate, then a copyright notice reading 'The Simpsons Episode #1F12, Copyright 1994, Twentieth Century Fox Film Corporation,' and finally 'Executive Creative Consultant James L. Brooks' centred on the black screen. The cards change in sequence with no people or movement of characters shown.

Frame: https://ultrahouse3k.com/img/S05E14/1357189.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1360943

## 22:45–22:56

Silhouetted audience members sit in rows of seats in a dim theater facing a blank screen, with one figure at the left having a large bushy hairdo. The scene gives way to the words

Frame: https://ultrahouse3k.com/img/S05E14/1366782.jpg
Page: https://ultrahouse3k.com/episode/s05e14-lisa-vs-malibu-stacy/1370953