# Burns' Heir

The Simpsons, season 5, episode 18 (S05E18), first aired April 14, 1994.
Written by Jace Richdale. Directed by Mark Kirkland. Production code 1F16.
Guest stars: Phil Hartman as Lionel Hutz.
Chalkboard gag: "The Pledge of Allegiance does not end with 'Hail Satan'". Couch gag: Bouncing Balls.

A near-drowning in the bath convinces Mr. Burns he needs an heir, and he picks Bart after the boy vandalizes the mansion in revenge for being rejected. Spoiled with everything he wants, Bart moves in with Burns, and the family's efforts to get him back, from lawyer Lionel Hutz to a hired deprogrammer, fail. Told to fire Homer, Bart drops Burns through a trapdoor instead and goes home.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Chief Wiggum, Krusty the Clown, Lenny Leonard, Mr. Burns, Waylon Smithers, Nelson Muntz, Martin Prince, Ralph Wiggum, Maude Flanders, Mayor Quimby, Kirk Van Houten, Hans Moleman, Luann Van Houten, Itchy, Scratchy, Gareth Prince, Lionel Hutz, Sarah Wiggum, Gloria Prince, Blue-Haired Lawyer, Roy Snyder, Jacques, Estonian Dwarf, Boat Hippie 1, Boat Hippie 2, Broken Teeth Man, Burns' Nanny, Candy Bar Mascot, Candy Box Mascot, Christmas Boy, Conformco Worker, Crane Operator, Drink Mascot, Employee of the Month Model, Employee of the Month Presenter, Exploded Head Man, Hobo, Homer Fraud, Lee Majors, Marge Fraud, Popcorn Mascot.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e18-burns-heir
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

The opening credits show drifting clouds and the yellow title THE SIMPSONS, then Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands at a classroom chalkboard writing repeated lines that read THE PLEDGE OF ALLEGIANCE DOES NOT END WITH HAIL SATAN. He turns away from the board, skipping with his arms flung out and a big grin on his face, while a wall clock, a green wall and a red trash can remain in the room.

> Simpsons

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/6048

## 0:12–0:23

Homer, Marge, Bart, Lisa and Maggie appear in a pink-walled living room, with Homer, Marge and the children later seated together on a brown couch beside a lamp and telephone. The scene begins outdoors, where Homer parks a pink car in the driveway of a yellow house with a blue mailbox, then unloads boxes while a child rides a red bicycle. Homer then stands in a purple room with a red bed, arms outstretched and mouth open, before the family gathers on the couch in front of a framed sailboat picture, with Bart's head popping up near the lamp and Maggie sitting in Lisa's lap.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/17726

## 0:23–0:35

No characters appear in this moment, which is a title sequence on a pink-backed vintage television set. The screen first reads "Created by Matt Groening," then switches to "Developed by James L. Brooks, Matt Groening, Sam Simon," held for two frames before fading to black. The scene then cuts to an aerial view of the Springfield Nuclear Power Plant, with its two cooling towers, orange domes, and parking lot visible in the bright green surroundings.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/29196

## 0:35–0:40

Homer, the bald, heavy man in a white shirt and tie, sits at the nuclear plant control console in the Springfield power plant control room, his cheek propped on his hand and his eyes half-closed in boredom while he holds a donut. The room has radiation-symbol doors, a wall-mounted fire extinguisher and a yellow phone, and a scrolling credits caption naming a producer appears in the lower middle of the screen. Across the sequence Homer barely moves, only slumping slightly and lifting his head a little while he keeps chewing on the donut at the panel.

> Ugh, lousy job.
> Nothing exciting ever happens.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/37955

## 0:40–0:52

Homer Simpson sits at a round control console in a control room with a nuclear-symbol door, while a man in a dark suit and red tie holds a microphone and a blonde woman in a red dress stands beside him. Homer first rests his hand on his face, then the man talks into the microphone as the woman points up toward a "BIG WINNER" sign, and Homer raises both arms in celebration. Homer later claps his hands while the man gestures with an open palm, and rotating producer credits appear over the scene.

> Congratulations, Homer Simpson!
> You've just won the employee raffle!
> Woo-hoo! What do I get? The job of industrial chimney sweep for day!
> Woo-hoo!

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/46922

## 0:52–1:03

Homer, the bald, heavy man in a white shirt, is lowered by a crane's cable headfirst into the top of a brick smokestack at a power plant, with a small figure visible in the yellow crane cab on the right. He sinks into the stack with his arms flailing and his eyes wide and mouth open, then emerges wrapped in a thick black cloud of soot as smoke and puffs billow around him. Credits over the scene read Producer John Swartzwelder, Consulting Producers Al Jean & Mike Reiss, Creative Consultant George Meyer, and Co-Produced by Joseph A. Boucher.

> Whoa!

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## 1:03–1:14

Homer Simpson, covered in a thick coat of black tar and feathers, hangs by a rope against a blue sky with clouds and a dark smoky mass below him. He dangles and wobbles in the air, his arms flailing outward and his face shifting from wide-eyed alarm to an open-mouthed shout and then a drooping, resigned expression. The tar-black feathered coating shows on his head and body, and at the end the credits 'Produced by RICHARD SAKAI' and 'Produced by DAVID SILVERMAN' appear on screen as he hangs there.

> Hey, this isn't such a great prize.
> Oh well, this may be a dirty job, but the big guys at the top work even harder.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/69027

## 1:14–1:23

Mr. Burns, the frail, stooped old man with a hooked nose and a black top hat, soaks in a pink bubble bath while smoking a cigar, with a bag of Extra Fancy Potato Chips on a stool beside the tub and a television showing smokestacks behind him. He lounges, reaches for the chips, and then his thin assistant Smithers, in glasses, leans in from the side holding a purple sponge as Burns sours and gestures with the cigar. The caption 'Written by Jace Richdale' appears over the scene while the smokestacks on the TV keep puffing black smoke.

> Will five o'clock never come?

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/78829

## 1:23–1:32

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and blue-grey hair at the sides, wearing a black top hat and sitting naked in a pink-foamed bath with a cigar in hand and a wristwatch on his wrist. Smithers, his thin assistant with glasses and a purple bow tie, leans over the tub at first, holding a purple sponge, then later stands behind Burns and sets a purple sponge on top of Burns's hat. Steam curls from the cigar, and brass taps and a pink globe-shaped fixture sit on the left, with a blue towel monogrammed MB hanging on the right. Burns's expression shifts from scowling to wide-eyed alarm as he sinks lower into the water, and the sponge sits atop his hat while the bath foam rises around him.

> Careful, Smithers, that sponge has corners, you know.
> I'll go find a spherical one.
> I...
> Help Smithers. I'm sinking.
> I'm sinking.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/88005

## 1:32–1:42

Mr. Burns, the frail, thin, stooped old man with a hooked nose, grey hair at the sides and a tall black top hat, sinks in a bathtub filled with pink-and-blue bubbly water in a bathroom with gold faucets and a blue door marked with the letters ME. In the first frames he sits upright with his head above the foam, then slides lower until only his top hat and eyes show, and he finally disappears beneath the water, leaving the top hat floating and bubbles rising on the surface as he goes under.

> Life...
> lashing... before...

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/97598

## 1:42–1:50

Mr. Burns, shown first as a frail, hook-nosed old man in a top hat, later appears as a bald baby in a white diaper, held by a woman in a lavender uniform and cap in a blue nursery with a crib, teddy bear, bottle and hanging mobile. The woman holds a white bottle and frowns while the baby reaches toward her and opens his mouth, then the scene moves to an arched brown doorway with a white railing where a figure in a dark suit raises a grey, pistol-like object.

> eyes...
> You're fired!
> Dance!

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/106773

## 1:50–2:02

Mr. Burns, a thin man with a hooked nose and grey hair at the sides, wearing a purple suit and hat, stands on a brick street and gestures at a stout man in a long brown coat and hat with a moustache. Burns then raises a pistol and aims it at the man, who stands with his hands at his sides. Offshore, a grey cargo ship with a radiation symbol on its hull and a crane lifting barrels marked with radiation symbols, leaking green goo, is followed by a green boat labelled "GREENPEACE" carrying two people.

> That!
> All right, we're finally gonna stop those corporate pigs from dumping that nuclear waste.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/116992

## 2:02–2:10

Two non-regular characters, a woman with long dark hair, a grey knit cap, an orange puffy jacket and purple overalls, and a man with dark hair, olive overalls and a yellow sweater, stand at the rail of a green boat lettered PEACE beside a large grey hull. They gaze up and ahead, with one smiling and the other grinning and then looking startled, while a splash of white spray erupts on the left. In the final moment the woman raises her arm and points as both look alarmed and the boat's wooden deck tilts amid spray.

> Oh, no!
> Our boat is sinking.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/126585

## 2:10–2:17

A thin, stooped old man with a hooked nose and grey hair at the sides, apparently Mr. Burns, stands on a wooden deck beside a white cabin with a blue sea behind him and a splash of water at the right edge. He wears a red vest over a purple turtleneck and blue bell-bottoms, and he first appears with a long brown wig, strumming an acoustic guitar before throwing one arm out toward the cabin. He then pulls off the wig to show his bald head, keeps playing, and finally holds the guitar tucked against his body while the splash continues on the right.

> It was I, you fools.
> The man you trusted isn't wavy gravy at all.
> And all this time I've been smoking harmless tobacco.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/133675

## 2:17–2:30

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, wears a brown fringed vest with a peace-sign pendant over a purple turtleneck and stands against a blue backdrop, holding up a red tube with a mouthpiece. He then crawls through white foamy liquid across a purple background with bubbles drifting above, and finally appears in a blurred close-up wearing a black top hat with a red band, cheeks puffed and a hand raised to his chin. The scene moves from him standing, to crawling, to a dazed, distorted face.

> I got a mink shanty, sir. I hope that...

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/143894

## 2:30–2:41

Smithers, the thin assistant with glasses, bow tie and grey hair, and Mr. Burns, the frail, thin old man with a hooked nose, are in a bathroom with a black-and-white checkered floor. Mr. Burns lies in a white clawfoot tub filled with blue water and pink bubbles, while Smithers stands and gestures beside it, then jolts with his hands on his head and shouts in alarm before kneeling at the tub's edge with his hands clasped and looking anxious. Notable objects include a blue towel monogrammed "MB" hanging on the wall and a pink glass vase on a shelf.

> Oh, my God! Mr. Burns is dead!
> Why did a good always die so young?

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/156198

## 2:41–2:53

Mr. Burns, a frail, very thin, stooped old man with a hooked nose, is in a bathroom with a white tub and checkered floor, gripping the throat of a thin, unnamed man in a white shirt and green trousers who kneels by the tub. Burns rises from the bathwater and leans over the tub edge, a blue towel draped over the side, while the kneeling man flails his arms and stares wide-eyed. The scene then shifts to Burns seated scowling in a red armchair, wearing a purple robe, in a room lined with bookshelves.

> You almost killed me!
> Please, sir!
> You'll catch... cold.
> Smithies, do you realize if I had died, there would be no one to carry on my legacy.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/167668

## 2:53–3:03

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey-blue hair at the sides, sits in a purple robe in a tall red armchair in a library lined with bookshelves, while Smithers, his thin assistant with glasses, stands at the left beside a white pillar and a wall sconce with a lit candle. Across the frames Burns shifts slightly in his chair, his mouth opening as he speaks with a sardonic, weary expression, and his hands rest on the armrests. Smithers stays standing in place, looking toward Burns with his head slightly lowered, and the setting remains unchanged throughout.

> Due to my hectic schedule and lethargic sperm, I never fathered an heir.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/178303

## 3:03–3:15

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and blue wisps of grey hair at the sides, sits in a red armchair in a purple robe, while his thin assistant Smithers, with glasses and a neat side-parted hairdo, stands by a lit fireplace with a purple bow tie and olive jacket. Burns turns his head toward the fireplace, grins with his teeth showing, and then turns back with a sly, sidelong look and parted lips, while Smithers stands still and listens. A bookshelf, a glowing wall sconce and a lit fire are visible in the background.

> Now I have no one to leave my enormous fortune to.
> No one.
> You smithers? Oh, no, my dear friend. I have planned a far greater reward for you.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/189356

## 3:15–3:28

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, wearing a purple robe, sits in a library at a dark wooden table with a model mausoleum on it and opens its lid. Smithers, his thin assistant with glasses, green jacket, purple bow tie and an ID badge, stands beside him looking on. Burns then opens a purple coffin with a hand, revealing a man in a dark suit lying inside and Smithers sitting in the coffin's base with his hands raised in alarm, and Smithers's wide-eyed, open-mouthed face is shown in close-up. The scene ends on a theater marquee reading "SISKEL & EBERT: THE MOVIE" with the line "TWO THUMBS UP" - SISKEL & EBERT.

> When I pass on, you shall be buried alive with me.
> Oh.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/202077

## 3:28–3:38

Homer, Marge, Bart, Lisa and Grampa sit in a movie theater, with Homer and Grampa in the back row and Lisa and Bart in front. A THX Sound System logo reading "The Audience Is Listening" fills the screen above rows of audience members seen from behind. The audience then grows tense, with a bald man in glasses, a red-haired man in a purple jacket, and others clenching their teeth and staring wide-eyed as the screen shatters into blue shards that scatter across the dark theater.

> Goodie.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/213755

## 3:38–3:50

Grampa, the wrinkled old man with white tufts of hair, sits among a row of audience members seen from behind in a theater as the THX Sound System logo with the text "THE AUDIENCE IS LISTENING" appears on the screen. The screen then goes black while the audience raises their arms and cheers, and Grampa cups his hands to his ears and shouts. Mr. Burns, the frail, stooped old man with a hooked nose and a bowler hat, appears on the screen standing in a green grassy hillside with his hands clasped, and then the audience watches him.

> Turn it up! Turn it up!
> Hello, I'm Montgomery Burns.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/224808

## 3:50–4:03

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands waist-deep in tall grass on a green hillside under a blue sky, wearing a purple bowler hat, teal coat and red bow tie. He turns his head and gestures with his hands, at one point spreading both arms wide with a grin, then lowers them and looks off to the side with his eyes half-closed. No on-screen text or other objects appear.

> Now then,
> I'm looking for a suitable young male heir to leave my fortune to when I pass away.
> My vast, vast, vast fortune.
> Vast.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/236903

## 4:03–4:05

Dozens of Springfield residents, including Mrs. Krabappel with her tall brown hairdo in a green top at the front centre and a grey-violet-haired woman at the left, sit packed in blue theatre seats. Their mouths hang open as they gasp and shout, and their heads turn and bob, with a woman with long black hair at the centre left grimacing and a man in a sweater at the back centre speaking more loudly by the end. The crowd stays seated in the same tight rows, and no on-screen text is visible.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/244411

## 4:05–4:14

Mr. Burns, the frail, stooped old man with a hooked nose, grey hair at the sides, purple bowler hat, blue jacket and pink bow tie, stands in a grassy green hillside shown on a theater screen while the backs of audience members in blue seats watch in the foreground. He first stands with his hands clasped, then smiles with his hands together, then extends one arm out to the side in a presenting gesture, and finally hunches forward with a scowl and looks down. The rolling green field stays the same throughout, with no on-screen text visible.

> Auditions will be tomorrow at my estate.
> And now, a feature presentation.
> Oh, for... Very well.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/250250

## 4:14–4:23

Mr. Burns, the frail, stooped, thin old man with a hooked nose, grey hair at the sides and a purple bowler hat, walks across a green hillside on a movie screen while seen from behind by the audience in theater seats. He strides past, then is joined by walking snack characters: a wrapped pink-and-orange snack bar, a blue-striped soda cup with a straw, a box labeled CANDY, and a red popcorn tub with white stars, all with arms and legs. Burns gestures with his hand and then raises his hat high in the air while the snack characters march alongside him.

> Let's all go to the lobby.
> Let's all go to the lobby. Let's all go to the lobby,
> get ourselves some snacks.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/259217

## 4:23–4:34

Homer, Marge, Lisa, Bart and Maggie's neighbours wait in a crowded room as Chief Wiggum points, and Mr. Burns, frail and thin with a hooked nose, sits in a theater seat beside Smithers in a purple bow tie. The scene opens on a sign reading "BURNS' HEIR AUDITIONS IN LILLIE LANGTRY THEATER, ALL OTHERS GO TO HELL" at a wrought-iron gate before a lit mansion at night, then moves to a family standing in a wood-floored hall, with Homer holding two cards and Milhouse, in a cap and glasses, clinging to a blue-haired woman in a pink dress. The final frame shows Burns rubbing his hands together in the theater while Smithers watches.

> Now one of the two is enunciate and energy.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/268810

## 4:34–4:41

Milhouse, with blue hair and glasses in a black tuxedo, walks onto a bare wooden stage before rows of empty red theater seats, then gestures outward with one arm and stands with his hand on his hip. Mr. Burns, a frail, stooped old man with a hooked nose, wearing a green jacket and blue scarf, sits in a red theater seat gesturing with both hands while Smithers, in glasses and a purple bow tie, sits behind him beside a clipboard and pencil.

> I have nothing to offer you but my love.
> I specifically said no geeks. But my mom says I'm cool.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/277778

## 4:41–4:53

On a wooden stage with a grey backdrop and green patches, Milhouse, with blue hair, red glasses, and a black tuxedo with a bow tie, stands and then turns away, hunched and walking to the side. A brown-haired boy in a pink shirt and blue overalls then stands on the stage, scowling with his fist clenched and an arm raised. The scene shifts to a theater, where Mr. Burns, bald with grey hair at the sides, a hooked nose, a green sweater and a blue scarf, sits in a red velvet seat, gesturing and shouting. Smithers, in a purple bow tie and glasses, sits beside him and writes on a clipboard.

> Next.
> Give me your fortune or I'll pound your withered old face in!
> Ooh, I like his energy. Put him on the callback list.

Frame: https://ultrahouse3k.com/img/S05E18/282783.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/287370

## 4:53–5:04

A one-off boy in a black conductor-style cap with a red band, black vest and trousers, a red bow tie and a light blue shirt performs a jaunty song-and-dance routine on a wooden stage with a purple front edge and a beige backdrop patched with green squares. He skips and struts across the boards, grins with his eyes shut while bouncing on his feet, waves one arm high, then crouches with a hand cupped to his ear, and finally spreads his arms wide in a shrug as a scowling brown-haired boy appears at the left edge of the stage.

> Clang, clang, clang with the trolley!
> Ring, ring, ring with the bell!
> Zing, zing, zing with my heart strings!

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/298632

## 5:04–5:17

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and a blue hairpiece, wears a green jacket and blue scarf and sits in a red theater seat beside Smithers, his thin assistant with glasses and a purple bow tie, who looks on from behind him. Burns first sits with a scowl, then gestures with his hands and speaks with a sneer, and later leans forward with his hands on the seat backs and shouts angrily. Between them, Lisa, the girl with star-shaped spiky hair in a white dress with a red sash, stands on a wooden stage in front of a gray wall with green patches, first with a finger to her mouth and eyes lowered, then with arms out and eyes wide as she speaks.

> Thank you.
> Give the bully an extra point.
> I propose to you that your heir need not be a boy.
> In this philocentric society of ours... I don't know what phallocentric means,
> but no girls.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/310936

## 5:17–5:20

A yellow-skinned one-off character with curly blonde hair, a blue headband and red-framed glasses, wearing a pink dress with puffy sleeves and red shoes, stands on a wooden floor in a bare room with a mop and blue bucket on the left, a brown punching bag hanging from a rope, and a green patched wall on the right. She stands with her arms held out to her sides, first looking worried with a frown, then grimacing with her mouth open, and finally giving a tight, closed-mouth smile while her arms stay spread.

> So much for plan B.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/318860

## 5:20–5:32

Homer, in a dark blue suit and green tie, stands on the left beside Marge, who has a tall blue beehive and wears a green dress with a pearl necklace, while Bart, in a small blue suit with a purple tie, stands between them against a red curtained backdrop with a rope tie at the top left. Bart is shown fidgeting and looking up, then Marge leans in to fix his collar and tie, and in the final moment she bends forward with her hand resting on top of Bart's spiky hair while he looks off to the side. Homer watches with a wide-eyed, uneasy expression throughout, and no on-screen text is visible.

> That's it, boy. You're our last hope.
> Oh, I just don't want to be your dad.
> Besides, I started a fire this morning that I really should keep an eye on.
> Bart, this isn't the kind of thing I normally would think was a good idea,
> but you wouldn't have to live with Mr. Burns.

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Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/326159

## 5:32–5:45

Marge Simpson, with her tall blue beehive and pearl necklace, speaks and then smiles in close-up before the scene widens to a Harvard University graduation ceremony, where rows of graduates in caps and gowns stand on a red-draped stage in front of a crowd seen from behind. A boy in a graduation gown and mortarboard shakes hands with a bespectacled man in academic robes at a microphone-equipped podium, then holds a rolled diploma while the speaker keeps talking. The white 'HARVARD UNIVERSITY' sign hangs above the columned building.

> You'd just get all of his money someday.
> This could provide for your entire future.
> Congratulations. Congratulations!
> You've just graduated from the most expensive and therefore best school there is!

Frame: https://ultrahouse3k.com/img/S05E18/333250.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/339089

## 5:45–5:56

Marge Simpson, with her tall blue beehive and red bead necklace, stands in a green dress among a crowd on a green lawn while a stranger in a red jumpsuit with a white band across his chest, brown-haired and not one of the regulars, talks and gestures at her, then smiles and watches her. He then lifts Marge into his arms against an orange sky with white clouds, and she rests her arm on his shoulder as onlookers, including a woman with light blue curly hair at lower left and a brown-haired woman at right, look on.

> Hello Marge, I'm Lee Majors.
> Will you come away with me?
> Sure.

Frame: https://ultrahouse3k.com/img/S05E18/346805.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/350976

## 5:56–6:07

Marge Simpson, with her tall blue beehive and pearl necklace, stands against a red curtain while a crowd under an orange sky watches something overhead, including a man in a blue suit with brown hair who looks like Herb, a woman in a green dress with teal curly hair, a man in a purple shirt with a camera, and a woman in a lavender dress. Marge's view shifts from speaking with her mouth open and eyes half-lidded, to a sly, dismissive look with closed lips, and then to a smug, eyes-shut smile. Above the crowd, a small blue object drifts in the upper right while white clouds float across the orange sky.

> I've gotta stop fantasizing about Lee Majors.
> One more.

Frame: https://ultrahouse3k.com/img/S05E18/357440.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/361611

## 6:07–6:15

Homer in a blue suit and Marge with her tall blue beehive and green dress stand beside a red curtain, with Bart in a small blue suit and purple tie between them. Homer holds a folded paper and leans toward Bart, who raises the paper to his face, and then Homer gestures outward as Bart steps toward the stage. From the back of an empty theater, two seated men watch Bart walk onto the stage between the red curtains, one with a blue cap-like hairdo and the other with grey hair holding a clipboard.

> Okay, boy.
> I wrote down exactly what to say. Just read it and you're a shoo-in.
> Hello, Mr.

Frame: https://ultrahouse3k.com/img/S05E18/368076.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/371204

## 6:15–6:28

Bart Simpson, the boy with spiky hair in a blue suit and purple tie, stands alone on a wooden stage in front of a plain beige wall with two green rectangular patches. He holds a small white card in both hands, glancing down at it and then up, with his mouth open as if speaking. In the later images he stretches one arm out toward the side while still holding the card, then returns to reading it with a worried expression.

> Kearns.
> I bad want money now. Me sick.
> Ooh, he card reads good.
> So pick, please, me, Mr. Burns. It's Kearns, stupid!

Frame: https://ultrahouse3k.com/img/S05E18/376418.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/382257

## 6:28–6:41

Homer, in a blue suit with a hand cupped to his mouth, and Marge, with her tall blue beehive and green dress and pearls, stand beside a red curtain at the left, then Mr. Burns, the frail, stooped old man with a hooked nose and a blue knit cap, sits in a red theater seat next to Smithers, his thin assistant in glasses and a purple bow tie, and gestures with his hands while grimacing. Burns then rises, stands at the aisle of an empty purple-walled theater, and points toward the stage, where a small boy in blue walks across the stage past a green bill on the floor under a red curtain. Burns finally turns to a large wooden wheel mounted on the wall and cranks it with a wooden lever, with an armchair in the foreground.

> No, it's not. Disregard. Oh, he's the worst yet.
> That's it. Everyone out. Except you, one step to the left.

Frame: https://ultrahouse3k.com/img/S05E18/389973.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/394978

## 6:41–6:50

Bart Simpson stands on a wooden theater stage holding a sheaf of papers while a giant boot dangles on a spring-like leg above him, and Mr. Burns, frail and stooped with a hooked nose, works a large wooden wheel crank in the wings. Smithers, thin and bespectacled, watches beside Burns as Burns grins and grips the wooden lever, and the boot-and-spring contraption drops toward Bart, who jumps back as his papers scatter into the air near a red curtain and rows of red seats.

> Ow!
> Excellent.

Frame: https://ultrahouse3k.com/img/S05E18/402277.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/405822

## 6:50–7:01

Homer, a bald, heavy man in a blue suit and green tie, and Marge, with her tall blue beehive, green dress and pearl necklace, stand against a red wooden wall with a rope hanging at the upper left. Homer flails his arms, leans forward with his mouth wide open, then grins nervously with his hands at his chest before covering his face with one hand, while Marge looks sideways with a pained, sour expression.

> The boot kicked Bart.
> It kicked him right in the butt.

Frame: https://ultrahouse3k.com/img/S05E18/411661.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/415832

## 7:01–7:09

Marge Simpson, with her tall blue beehive and green dress, holds baby Maggie in a blue bow and pacifier while Homer, bald and heavy in a dark blue suit, walks with Lisa in a pink dress and Bart in a blue suit along a dark, tree-lined path before a large, lit white building with a domed roof. As they walk through the night, Homer stops and turns to face the two older children, who stand still with worried expressions, while Marge watches from the left. Homer gestures with his hands as the family gathers in a tense, wordless exchange on the dark grass beside the path.

> I think Bart and Lisa are feeling a little upset right now.
> Isn't there something you'd like to say?
> There sure is.
> Kids, you tried your best and you failed miserably.

Frame: https://ultrahouse3k.com/img/S05E18/422297.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/425216

## 7:09–7:22

Homer, in a blue suit and tie, stands at left holding a stack of yellow papers while gesturing, with Marge in a green sweater and pearl necklace and baby Maggie in blue with a bow beside him, and a large yellow figure (Lisa) partly visible at the bottom right against a dark purple night sky with trees. Homer talks animatedly, pointing and gesturing with his hands, then shrugs with his palms out and finally grins with his eyes closed, while Marge and Maggie look on wide-eyed. The last shot shows Bart from behind, in a blue shirt with spiky hair, looking across a lawn and dark road toward a lit, domed government-style building at night.

> The lesson is never try.
> Right in the butt.
> That was great.

Frame: https://ultrahouse3k.com/img/S05E18/430221.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/435644

## 7:22–7:34

Mr. Burns sits in a red armchair beside purple curtains and a window while Smithers, in an olive jacket and glasses, stands facing him. Shards of broken glass cover the blue carpet around a grey rock, and Burns then raises the rock in one hand, grinning and speaking to Smithers.

> It's no use.
> I guess I'll have to leave all my money to the egg advisory council.
> Eggs have gotten quite a bad rap lately, you know, Smithers.
> Look, a bird has become petrified and lost its sense of direction.

Frame: https://ultrahouse3k.com/img/S05E18/443151.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/448573

## 7:34–7:45

Principal Skinner, with neat grey hair and a purple bow tie under an olive jacket, stands in a library lined with books. Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, holds a grey rock beside purple curtains and a red armchair strewn with broken glass. He turns toward the armchair, then peers out a shattered window at a small boy in a blue shirt walking across a green courtyard past cracked pavement and starred windows.

> I think it's a rock, sir.
> We'll see what the lab has to say about that.
> Why, that rapscallyness breaking all my windows.

Frame: https://ultrahouse3k.com/img/S05E18/456081.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/460043

## 7:45–7:55

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses and a bow tie peer through a bookshelf-lined window with stern expressions. Outside at night, a spiky-haired boy in a blue suit and tie turns the valve of a spigot and drags a green hose past a blue car toward white marble statues of men, one holding a spear and another on a pedestal. The hose wraps around the statues as water flows through it, under purple clouds in the dark sky.

Frame: https://ultrahouse3k.com/img/S05E18/466299.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/470470

## 7:55–8:09

Bart, in an orange shirt, peeks over a green hedge beside a 'NO SOLICITORS' sign and an ornate iron gate, waving one hand. Mr. Burns in a purple jacket and a group of men, including one in a red jacket, cling to a blue rooftop panel, while four marble statues stand on a winding green path in a dark garden. Mr. Burns and Smithers, in a bow tie and glasses, peer through a cracked window, Burns first grinning and then scowling.

> Look, Smithies, a creature of pure malevolence.

Frame: https://ultrahouse3k.com/img/S05E18/476518.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/482357

## 8:09–8:19

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, and Smithers, his thin assistant in glasses and a tan jacket with an ID badge, stand at a window lined with bookshelves. Burns first clasps his hands and grins, then leans toward the glass beside Smithers, and finally extends an arm to point outside while scowling. Outside, a boy in a pink knit cap, grey coat, mittens and lavender pants stands in falling snow under a dark cloud, looking up with a grin.

> He's the perfect one to suckle at my proverbial teat.
> You there, boy, what day is this? Today?
> Sir, why, it's Christmas Day. I was talking to him.
> You, what day is this? Huh? I'll tell you what day it is.

Frame: https://ultrahouse3k.com/img/S05E18/490281.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/494452

## 8:19–8:30

A spiky-haired boy in a blue outfit holds a tan wooden mallet beside a cracked stone pillar on a dark lawn, then the frail, hooked-nosed Mr. Burns and his thin assistant Smithers, who wears glasses, lean from a bookshelf-lined window and point outward. Burns keeps gesturing and talking with his arm extended, and finally he is alone at the window, mouth open, beside rows of colorful books.

> Today is the day you become my heir.
> Oh, I like him a lot.

Frame: https://ultrahouse3k.com/img/S05E18/500709.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/505088

## 8:30–8:41

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses stand at a conference table beside Homer in his white shirt, while Marge, Maggie, Lisa, Bart and Grampa crowd in behind. A brown briefcase rests on the table next to a printed document, and Burns hands Homer a pen, and Homer leans over the paper to sign it as the scene opens on a quiet two-storey house with a garage and a mailbox at the curb.

> Just sign here, and your son will stand to inherit my entire estate.

Frame: https://ultrahouse3k.com/img/S05E18/511761.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/515932

## 8:41–8:53

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands on the left in a dark suit while Homer leans over a tan desk, pen in hand, to sign a document. Bart, Lisa, Maggie and Marge crowd in at the right, and Homer grins widely before glancing upward with wide eyes as the others watch. Through the large window behind them, houses and green lawns are visible, and the pen rests on the paper.

> Woo-hoo!
> We're rich!
> Bart, get over to the mansion and open up all the windows.
> You want to get the old people's smell out before we move in?
> Dad, Mr. Burns hasn't passed away yet. Huh?
> Oh, right.

Frame: https://ultrahouse3k.com/img/S05E18/522397.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/527610

## 8:53–9:05

Mr. Burns, the frail, very thin stooped old man with a hooked nose and grey hair at the sides, and Homer, the bald heavy man in a white shirt, stand at a window beside a wooden desk holding a document and pen. Homer first stands talking with Burns, then raises his hands and jumps back in alarm while Burns, holding a small green object, glares at him. Behind them Marge with her tall blue beehive, Maggie with a pacifier and blue bow, Bart in his orange shirt, and Lisa in her red dress lean in from a doorway, with Grampa shouting in the foreground. The moment ends with the family watching the two men with wide eyes, while the paper and pen remain on the desk.

> So, I guess you're in okay shape, huh? No heart problems or anything?
> Well, I... Boo!
> I'm okay.

Frame: https://ultrahouse3k.com/img/S05E18/534701.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/539497

## 9:05–9:17

Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers in glasses and a green jacket walk past a pink door as a line of grey-suited workers carrying briefcases files out of a room. Burns then stands in a doorway facing Grampa, Homer, Marge, Lisa, Maggie and Bart clustered in an archway, clasping his hands and pleading while a suburban house with a red roof shows through a window. He then leans in with a scowl and clenched grin as the family stares back wide-eyed.

> Now that you've all agreed to reap the windfall of my death,
> I must return to my large empty mansion to rattle around and await the inevitable
> alone.

Frame: https://ultrahouse3k.com/img/S05E18/546171.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/551176

## 9:17–9:19

A dark-suited, yellow-headed man in a light blue hat walks away from the viewer down a pink hallway, moving steadily toward the white doorway at the top of the scene while drifting slightly left. Marge, Lisa and Maggie stand huddled together against the pink wall on the right, watching him go. The scene includes a green rug, a staircase at left with framed pictures on the wall, and a potted plant on a small table.

Frame: https://ultrahouse3k.com/img/S05E18/558266.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/558058

## 9:19–9:28

Marge Simpson, with her tall blue beehive and red bead necklace, and Homer Simpson, bald and wearing a white shirt, stand side by side in a pink-walled room with an arched doorway and a potted plant at the left. Their expressions shift from wide-eyed and worried to a sidelong, suspicious glance, with Homer's mouth opening and closing as he speaks and Marge's eyes narrowing. The scene then cuts to Marge hugging Bart, who wears his orange shirt and stands stiffly with wide eyes, his face pressed against her shoulder beside a window with yellow curtains and a small television.

> Are you thinking what I'm thinking?
> Yeah, let's push him down the steps. No!
> Oh.
> You know, Bart, since he is giving you all of his money,

Frame: https://ultrahouse3k.com/img/S05E18/560351.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/563688

## 9:28–9:37

Marge Simpson, with her tall blue beehive and red bead necklace, hugs Bart Simpson, the spiky-haired boy in an orange shirt, from behind while holding him close in a pink room. Marge's face shifts from a wide-eyed open-mouthed expression to a smile, and Bart's eyes roll and his mouth opens and closes as he looks uneasy. Partway through, Bart leans his head against Marge and closes his eyes, then Homer Simpson, the bald man in a white shirt, appears at the right edge with a grimacing, worried look while Marge and Bart remain embraced. A tall curtain and a small television are visible in the background.

> maybe it would be nice if you spent some time with him.
> Well... Come on, honey.
> All right.
> Oh,
> how come Bart gets to do that and I can't spend one night lurking in the bushes outside

Frame: https://ultrahouse3k.com/img/S05E18/569527.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/572864

## 9:37–9:46

Marge, with her tall blue beehive, Bart in his orange shirt, and Homer in his white shirt stand huddled together indoors in a pink room, Marge holding Bart's shoulders while Homer grins beside them and the group stays motionless. The scene then cuts to a columned building at night with a domed roof, a large letter B on its triangular pediment, and one lit window, as the view draws closer to the pale blue steps leading up to the entrance.

> Chef Boyardee's house?

Frame: https://ultrahouse3k.com/img/S05E18/578703.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/582040

## 9:46–9:59

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits at the head of a long dining table draped in a cream cloth with an MB monogram, holding a glass of red wine and a plate of food. His thin assistant Smithers, with glasses, stands at the left end of the table, while a spiky-haired boy in a blue shirt, Bart, sits at the right end with a glass of milk in front of him. Burns talks and gestures, first raising two fingers in V shapes, then opening a palm outward and pointing at his plate, as a candelabra, suit of armor and purple upholstered chairs fill the formal dining hall.

> Bart, I know you children see me as some sort of booger man,
> but I'm really not such a bad dude.
> Oh, your milk's gone cold. I'll ring for the maid.

Frame: https://ultrahouse3k.com/img/S05E18/587879.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/593093

## 9:59–10:11

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits at the head of a long dining table in a grand hall while Smithers, his thin assistant with glasses, stands at the left edge, and Bart, in a blue suit, sits at a place setting. Burns leans on the table and points with one finger, and Bart glances over with wide eyes, then slumps and opens his mouth in alarm beside a plate of food and a white bust on a pedestal. Lit candelabra, purple upholstered chairs, and wall sconces fill the room.

> Oh, sorry.
> Wrong button.
> Um, I think I'd like to go home. Oh, if you stay, you can have anything you want to eat.

Frame: https://ultrahouse3k.com/img/S05E18/600600.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/605605

## 10:11–10:24

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits at a formal dining table in a dark suit and black tie, a plate of dark food and a glass of red wine before him. He talks with his mouth open, then rests his hands clasped on the table. Bart, in a blue suit and purple tie, sits at the same table beside a plate of dark food and a glass of water, first staring ahead, then crossing his arms, then raising his arm to point off to the side. The purple tufted wall and wooden door form the backdrop.

> Even some sort of gelatin dish. It's made from hooves, you know.
> Anything, huh?
> Okay.
> I want pizza.
> And I want it delivered by Krusty the Clown.

Frame: https://ultrahouse3k.com/img/S05E18/612695.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/617909

## 10:24–10:35

Smithers, a thin assistant with glasses, and Mr. Burns, a frail, stooped old man with a hooked nose, stand beside a long dining table in a purple-walled room while Bart sits in a tall purple throne chair in a blue suit. Krusty the Clown bursts through brown doors, waving, then strides to the table holding a white PIZZA box toward Bart. Krusty then reaches his hand toward Mr. Burns as Bart stares wide-eyed with his mouth open, a plate and glass set before him.

> Hey, it's Krusty the Pizza Man!
> Alright, where's my 400 bucks?
> Hey, wait. How can you be here when your show's on live?

Frame: https://ultrahouse3k.com/img/S05E18/625416.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/630004

## 10:35–10:42

Krusty the Clown, with green curly hair, a red nose and a white knit cap, stands in the foreground in a white collared shirt, grimacing and looking up with wide eyes in the first three frames. In the lower left corner Bart, with spiky hair and a glass of water on a table, looks toward a grey television on a stand, which shows a rerun of Krusty in a purple shirt and green pants juggling blue balls on a red-and-gold circus stage with curtains and a striped ball. The clown in the foreground stays fixed in place while the television picture fills the final frame.

> I just threw on an old rerun. No one will know the difference.

Frame: https://ultrahouse3k.com/img/S05E18/636678.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/638972

## 10:42–10:54

Krusty the Clown, with green hair, a red nose, and a lavender shirt with a blue bow tie, stands before a red curtain on a television screen. In the first moments he holds a white card up beside his face with one gloved hand while a purple-sleeved arm reaches in from the left, then he lowers the card to read it, and his mouth opens as he speaks with wide eyes. He then steps to the right edge of the frame holding a pointer. In the final moment he stands before a map labeled FALKLAND ISLANDS and ARGENTINA on a blue sea, pointing with the pointer at the islands while a compass rose sits beside him.

> Children, remain calm.
> The Falkland Islands have just been invaded.
> I repeat, the Falklands have just been invaded.
> The disputed islands lie here, off the coast of Argentina.

Frame: https://ultrahouse3k.com/img/S05E18/643143.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/648565

## 10:54–11:05

Mr. Burns, Smithers, Krusty and Bart gather in a room, with Krusty holding his head at a counter with a glowing monitor while Bart watches. Burns and Smithers then stand at a purple control console in a circular room lined with blank monitors, Burns gesturing toward the panel as Bart stands between them. The group huddles near a wall, where Burns, grinning and holding a small black device, has his arm around Bart while Smithers, wearing a lanyard badge, looks on.

> This is my pride and joy.
> I've had hidden cameras planted in every home in Springfield.
> I got the idea from that movie Sliver.
> What a delightful rump.

Frame: https://ultrahouse3k.com/img/S05E18/655864.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/660243

## 11:05–11:17

Milhouse, with his blue hair, and Bart, with his spiky hair, watch from the foreground as a row of TV monitors shows scenes, including Chief Wiggum, a fat police chief in a cap, and a curly-haired woman behind a counter of ICE CREAM tubs. On the largest screen, a thin man with messy dark hair, wearing a dark jacket with a round patch, stands in a shabby room with a table and scattered papers, pointing at his reflection in a tall oval mirror. The reflection, mirroring his gestures, grows cracked and shards fall to the floor as he reaches for the table and then glares at his fractured reflection, which now shows a dark mark over its chest.

> Are you talking to me?
> There's no one else here. You must be talking to me.
> Well, that was an antique.
> Crap!

Frame: https://ultrahouse3k.com/img/S05E18/666916.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/671713

## 11:17–11:28

Homer Simpson, bald and heavy in a white shirt and dark trousers, first peeks around the edge of a grey bathroom door, then steps inside and sits on the toilet while clutching a bunch of small, colorful, bundled items. He lifts them toward his mouth, bringing one piece up to his lips, and in the final moment raises a thin dark stick in his other hand. The room holds a wall cabinet, a toilet paper roll, a toilet brush, a wastebasket, a towel rack with hanging towels, and a rug on the floor.

> Oh, yeah.
> So good.

Frame: https://ultrahouse3k.com/img/S05E18/678803.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/682974

## 11:28–11:42

Bart, in a dark blue suit and lavender tie, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair at the sides, in a dark suit and black tie, indoors near a wall with a window to the right. In the first two frames Bart stands with his mouth open and eyes wide while Mr. Burns holds a small dark blue object toward the viewer, then Bart's eyes close and his mouth stays open. In the later frames the scene shifts to the family's living room: Homer in a white shirt and blue pants sits at the left, Bart in an orange shirt and blue shorts sits on a brown couch gesturing with outstretched arms, Maggie in a blue bow and pacifier is held by Marge with her blue beehive, and Lisa's spiky hair is partly visible at the left edge. Bart's grin widens and then he talks while the family listens, with a framed sailboat picture on the pink wall behind them.

> Oh, that explains his mysterious trip to Holland.
> And I had the greatest time.
> Mr. Burns' house has everything. a hedge maze, a moat, bleached hardwood floors,
> and a bottomless pit. It couldn't possibly be bottomless.

Frame: https://ultrahouse3k.com/img/S05E18/689439.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/695278

## 11:42–11:53

Lisa Simpson, with her star-shaped spiky hair and pearl necklace, sits at the dining table in the first frame looking tired and unimpressed, while Homer, Marge, Bart and Maggie are gathered around the table in the next. Bart, in his orange shirt, leans over the table and gestures with his hand toward Maggie, who sits in her high chair in a blue outfit and bow, holding a spoon and a tray of food. In the following frames Marge, with her tall blue beehive and red beads, and Lisa sit side by side at the pink dining room table, with Marge lifting a fork of dark meat toward her mouth while Lisa scowls beside her. The table holds plates of dark meat and green garnish, a fork and knife, and a framed picture hangs on the wall behind them.

> Well, for all intents and purposes.
> Hey, Mom!
> Bart's throwing peas. Bart, don't throw peas at your sister.

Frame: https://ultrahouse3k.com/img/S05E18/703203.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/707790

## 11:53–11:55

Bart Simpson, the boy with spiky hair in an orange shirt, sits at a table in a pink room, wide-eyed and grinning tensely over a plate of peas and a brown mound of food. He gapes with his mouth open, then returns to a tense grin, and finally lifts a forkful of peas toward his mouth with his tongue out. A fork rests beside the plate, and a red arched shelf with a blue kettle hangs in the background.

> Mr. Burns throws peas at Smithers.

Frame: https://ultrahouse3k.com/img/S05E18/714464.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/714672

## 11:55–12:03

Homer, Marge, Lisa and Bart sit around the dining table in the pink dining room, eating dinner from plates of meat and peas. In the first frames, Lisa, in a red-beaded necklace-free pearl necklace and red-trimmed pink room, grimaces and clutches her throat with both hands while Homer and Marge look on, with Marge holding a fork. Lisa then calms and looks down at her plate, while Homer glances sideways and Marge stares ahead. In the final frames, Bart, in his orange shirt, sits at the left in a red chair, with Homer seated between him and Marge, a glass of milk in front of Homer, and Lisa at the right, all looking over at each other as the moment ends. A green refrigerator and an arched doorway stand behind them, with a vase of red flowers on the sideboard.

> Ow, that was a big one.
> Homer, say something.
> Okay.
> Lisa, quit getting in the way of your wealthy brother's peas.

Frame: https://ultrahouse3k.com/img/S05E18/716966.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/719677

## 12:03–12:10

Homer, Marge, Bart and Lisa sit at the dining table with plates of meatloaf, a glass of milk and a fork on the cloth, in a pink-walled dining room with a red-flowered vase and a green arched doorway. Across the four early moments Bart glances around and picks up a fork, while Homer stares ahead and Marge stands beside the table with her hand raised. In the final moment, Santa's Little Helper, the brown greyhound, trots in along the red carpet toward the table as Bart sits on a red chair looking at the dog.

> Oh, yuck, meatloaf. My most hated of all loaves.

Frame: https://ultrahouse3k.com/img/S05E18/724474.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/727185

## 12:10–12:21

Homer Simpson, bald and heavyset in a white shirt, stands at the dining table scolding the family, first with a stern face and then with a finger raised, while Marge with her tall blue beehive, Lisa in her red dress and pearls, and Bart in an orange shirt sit watching. Maggie with her pacifier sits in a high chair at the left edge. On the table are plates of food, a dark dessert loaf with a fork, and a green framed picture hangs on the pink wall behind them. Across the moment Homer shifts from a glowering expression to a pointed finger, then plants his hands on his hips while the family's expressions stay wide-eyed and still.

> That was the end piece!
> That's it!
> Being abusive to your family is one thing,
> but I will not stand idly by and watch you feed a hungry dog.
> Go to your room! No!

Frame: https://ultrahouse3k.com/img/S05E18/731981.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/736152

## 12:21–12:33

Bart Simpson, a spiky-haired boy in an orange shirt, sits at a kitchen table with a plate of green peas, glaring and gesturing angrily as he yells. Homer Simpson, bald and heavy in a white shirt and blue pants, stands in an arched purple doorway beside a green cabinet and shelves, first watching with a stern look and then clutching his head and mouth in agitation, a green flower with a small red bloom near his face. Pink walls, a teal-framed mirror on the left, and a shelf with a blue vase and green bowls are visible in the background.

> This family stinks!
> Mr. Burns nurtures my destructive side! I'm suffocating here!
> All right, you listen! I'll go eat some flowers.
> My secret shame!

Frame: https://ultrahouse3k.com/img/S05E18/742408.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/747205

## 12:33–12:45

Homer, Marge, Lisa and Maggie sit around the dining table in a pink kitchen, with Homer holding a donut and Maggie in a high chair. Later, at night, Bart rides a bicycle up a dark curving road toward a large white domed mansion with lit windows. Mr. Burns, frail and hook-nosed, leans in toward Smithers, who wears glasses and a green sweater and stands at a doorway, and Burns then reaches for a brass door handle as Smithers looks on. Bart is shown through a window, shifting from the mansion's lit doorway to the grounds as Burns gestures and speaks, with the text-free scene staying focused on the family and the mansion.

> Smithers, my plan worked perfectly.
> Bart Simpson will live here as my son, and I will mold him in my own graven image.
> Who knows? I may even grow to love him.

Frame: https://ultrahouse3k.com/img/S05E18/754087.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/759300

## 12:45–12:58

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, first stands at the wooden doors of a mansion, then pulls one door open and steps through while Bart, in an orange shirt and blue shorts, clings to his waist as a grey-haired man in glasses and a green jacket watches from the right. Afterward, a pink car sails across a dark gap above a flight of lavender steps, and Homer, bald and heavy in a white shirt and blue pants, runs across the same gap clutching a tangled bundle of green vines, with the pink car now parked beyond the steps at the right.

> Bartholomew!
> Ugh! Smithers, get it off me!
> Bart, you're coming home! I want to stay here with Mr.

Frame: https://ultrahouse3k.com/img/S05E18/766599.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/772021

## 12:58–13:09

Homer stands on the blue steps outside a building, first looking up at Mr. Burns, who grips Bart by the shoulder in a doorway while Smithers, in a purple bow tie and ID badge, watches beside him. Homer then stands with hands on hips in front of a dark backdrop with a white railing, shrugs with both arms spread wide, and finally scowls and shouts with his hands back on his hips. The scene has no visible on-screen text.

> Burns. I suggest you leave immediately.
> Or what? You'll release the dogs or the bees, or the dogs with bees in their mouth,
> and when they bark, they shoot bees at you?

Frame: https://ultrahouse3k.com/img/S05E18/779320.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/783700

## 13:09–13:22

Homer Simpson stands at the foot of a wide blue staircase at night while Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands at the top with Bart in his orange shirt beside a lit window where Smithers, in glasses, peers out. A grey-haired man in an olive jacket and a woman with a tall blue beehive, in a green coat, open the tall blue double doors, and Homer then turns and shouts angrily under purple clouds. The moment ends on the closed blue doors with gold handles and a gold knocker.

> Well, go ahead.
> Do your worst.
> He locked the door.
> I'll show him.
> I'm very concerned. Mr. Burns has stolen our son and he won't give him back.

Frame: https://ultrahouse3k.com/img/S05E18/790373.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/795795

## 13:22–13:33

Chief Wiggum, the fat police chief in uniform and cap, sits behind a desk at the Springfield police station while Homer and Marge sit in red chairs facing him, Marge with her tall blue beehive. A map labeled SPRINGFIELD and a WANTED poster hang on the wall, and a paper, pencil and blue folder lie on the desk. Wiggum gestures with his hands, then raises both hands in a double peace sign, while Homer and Marge listen, Marge's head tilted in a worried expression. The scene opens on the exterior of the Springfield Police Station, with its double doors and POLICE signs on the columns.

> Oh, for gosh, can't you people solve these problems yourselves?
> I mean, we can't be, uh, policing the whole city.

Frame: https://ultrahouse3k.com/img/S05E18/803511.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/807682

## 13:33–13:45

A reddish-haired lawyer in a light blue suit and red tie hammers a shoe at his desk in front of shelves of books, then sits back with his hands clasped while Homer and Marge listen from chairs across the desk. Earlier, the storefront sign reads "Lionel Hutz Attorney, Also Expert Shoe Repair" beside a "Gum for Less" sign, where a woman and a boy blowing pink bubble gum stand by a gum machine as a man reads a newspaper and another man walks through the open door.

> Damn clogs.
> Well,
> you good folks can rest easy now because you've come to the very best in legal representation.

Frame: https://ultrahouse3k.com/img/S05E18/814355.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/819569

## 13:45–13:53

Marge Simpson with her blue beehive and Homer Simpson in a white shirt stand at a table in a mall, with Principal Skinner in a grey suit and orange tie and Troy McClure in a light blue suit and red tie beside them. Skinner stands in the middle of the mall gesturing with a raised hand while Homer and Marge look on and McClure listens at the table. McClure then sits at a desk before bookshelves, holding up a cup with a straw, and Skinner returns in a close view, gritting his teeth and gripping his tie as a green 'SHOES FOR TOTS' sign and a palm plant are visible behind him.

> Uh, excuse me, is there an Orange Julius stand on this floor?
> I'll sell you this one. It's almost full.
> Well, why don't I drink out of a toilet bowl?
> He'll be back. And as for your case, don't you worry.

Frame: https://ultrahouse3k.com/img/S05E18/827076.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/829787

## 13:53–14:06

Homer and Marge sit in yellow chairs facing a man in a blue suit and red tie behind a desk in a bookshelf-lined office, with a drink cup with a straw on the desk. He raises a finger, then shuts his eyes while adjusting his tie and gestures with an open hand. The scene then moves to a close-up of a wooden gavel held in a yellow hand, followed by an elderly judge with white curly hair and beard in a black robe seated in a courtroom beneath a blue seal reading 1932.

> I've argued in front of every judge in the state, often as a lawyer.
> This court rules in favor of Montgomery Burns.
> I find that he is clearly the boy's biological father.

Frame: https://ultrahouse3k.com/img/S05E18/834792.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/840006

## 14:06–14:17

Homer and Marge Simpson sit side by side at a courtroom table while Troy McClure, an actor with swept-back reddish hair in a light blue suit, holds up a shoe and a small hammer-like tool, then sets them down and gestures with a shoe. Earlier, Mr. Burns, a frail, stooped old man with a hooked nose, shakes hands with a man in a grey suit across a cluttered table of papers and briefcases while others look on, and a judge sits at the bench beneath a seal with Chief Wiggum standing nearby. Homer and Marge end up in close conversation, Marge speaking with her mouth open and Homer looking at her, with the courtroom wood panels behind them.

> Uh, Judge, these won't be ready until Thursday.
> You know, we should really stop hiring him.

Frame: https://ultrahouse3k.com/img/S05E18/847513.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/852101

## 14:17–14:28

Milhouse, in a blue cap, glasses, pink shirt and red shorts, and Bart, with spiky hair and a red vest over a dark shirt, stand together in a lavish toy room with arched orange walls and a train track running across the floor. The scene opens on the exterior of a columned mansion bearing a large letter B on its pediment, then moves inside, where the boys stand beside the yellow engine numbered 97 and later beside a line of cars that pass along the track while a purple dinosaur toy, an arcade cabinet and a toy plane sit nearby. Across the moment the boys watch the train and a red-orange ball rolls across the floor near the dinosaur, with scattered toys and a board game in the foreground.

> Cool train.
> Where's it go?
> Beats me, but it won't be back for three hours and 40 minutes.

Frame: https://ultrahouse3k.com/img/S05E18/858983.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/863363

## 14:28–14:41

Milhouse, with blue hair and glasses, and Bart, the spiky-haired boy in a red jacket, stand together in a hallway with orange walls and purple arches. In the first frame they face each other beside a tray of small items, then Milhouse turns toward an arcade cabinet with a red-framed screen and a joystick, gesturing with both arms outstretched while Bart looks on. They then stand side by side near the cabinet, with Milhouse talking and gesturing, and Bart glancing sideways at him, before Milhouse's expression shifts to a grimace in the final frame.

> Once it had snow on it. Wow, Bart, Mr. Burns gives you everything you could ever want.
> My parents used that old love excuse to screw me out of toys.
> Well, I'm sure you'd like to be alone with your possessions.

Frame: https://ultrahouse3k.com/img/S05E18/869827.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/875041

## 14:41–14:48

Bart Simpson, the spiky-haired boy in a red jacket over a white collar, and Milhouse, the blue-haired boy with red glasses in a lavender shirt, are in a tiled corridor beside a grey table and a netted pole. Bart first stands stiffly by a wall-mounted screen, eyes rolled sideways with a nervous grin, then steps forward beside Milhouse. He turns to face Milhouse, raises one arm toward the netting and speaks with his mouth open while Milhouse leans in close, as if they are arguing face to face.

> Um, Milhouse, if you stay a little while longer, you can have this blazer.
> It's a Bob Mackie original.

Frame: https://ultrahouse3k.com/img/S05E18/882131.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/885051

## 14:48–15:01

Bart, in a red jacket, stands with Milhouse, who has blue hair, glasses, a lavender shirt and red shorts, in a bright orange-and-purple arched hallway. The two face each other as Milhouse grins and gestures, then Bart glances sideways at a blue object at the top of the scene before turning and walking away down the hallway toward a teal doorway. Mr. Burns, frail and stooped in a dark suit with a hooked nose and grey hair at the sides, leans toward Bart with his mouth open and one hand raised as Bart looks up at him.

> Wow!
> A Bob Mackie!
> Oh, sorry, Bart.
> Bartholomew, you don't need him.
> I can be your schoolyard chum.

Frame: https://ultrahouse3k.com/img/S05E18/889847.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/895478

## 15:01–15:12

Mr. Burns, a frail, thin, stooped old man with a hooked nose, wears a leather helmet and a grey jersey marked with a large 1, and Principal Skinner, with neat grey hair, glasses, a suit and a purple bow tie, kneels on a grassy lawn in front of a white columned building with tall cypress trees. Burns hunches forward over the ground, then runs away across the grass while Skinner, still holding a brown football, reaches out an arm as the ball falls to the ground. Near the end a close-up shows a boy with spiky hair in an orange shirt looking off to the side against a blue sky.

> Five, twenty-three, skidoo, hut, hut!

Frame: https://ultrahouse3k.com/img/S05E18/902985.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/907156

## 15:12–15:23

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and Bart, in his orange shirt, descend a wide stone staircase toward a red car with a large blue bow. Burns then raises one hand and turns his open palm outward while Bart watches beside the car. The scene then shifts to a dashboard close-up, where a large dial reads 40,000 and yellow hands grip the steering wheel beside an MPH gauge.

> For me?
> But I don't know how to drive. Oh, pish posh, there's a Jaws of Life in the trunk.

Frame: https://ultrahouse3k.com/img/S05E18/913413.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/918000

## 15:23–15:33

A driver, seen only through yellow hands gripping the steering wheel of a car, drives through a bright blue sky with clouds while dollar bills flutter and scatter past the windshield, and a red-and-grey cylindrical object hangs at the top left. The car passes a green tree with a purple trunk and a red pole at the left edge, then a white sign with red letters partly visible at the right edge. A green-hatted figure in a green suit with a red collar leans into view, waving both hands beside the wheel, before the scene returns to empty sky and the driver's hands on the wheel.

Frame: https://ultrahouse3k.com/img/S05E18/924882.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/928428

## 15:33–15:42

Bart Simpson, in a black seat of a red convertible with smoke rising from its hood, is driven along a suburban road lined with bushes and tire tracks behind him. A grinning stranger in a green cap with a pom-pom and a dark jacket leans in from behind the seat and rests his hands on Bart's shoulders. The scene then shifts to a brown door with a white sign reading "CONFORMCO BRAIN DEPROGRAMMERS, A SUBSIDIARY OF MRS. FIELDS' COOKIES," showing "BEFORE" and "AFTER" portraits of a woman and a man, and the view moves closer to the sign.

> That was some ride.
> You're telling me?
> Mr. and Mrs. Simpson,
> your son has clearly been brainwashed by the evil and charismatic Mr.

Frame: https://ultrahouse3k.com/img/S05E18/934475.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/938020

## 15:42–15:53

A thin man with slicked-back dark hair in a dark teal jacket sits behind a wooden desk, hands clasped, with a black telephone, an ashtray, and a wastebasket full of crumpled paper nearby, while Marge, with her tall blue beehive and green dress, and Homer, bald in a white shirt, sit in chairs facing him. The man leans forward with a tight, sideways look, and the scene then cuts to a tighter view of him, still with clasped hands and a grimace. It returns to Marge and Homer seated at the desk by a water cooler and a framed picture, where Marge's eyes narrow to half-closed and Homer's eyes widen as he stares ahead.

> Burns. Are you sure you can get him back for us?
> Absolutely.
> I'm the one who successfully deprogrammed Jane Fonda, you know.
> What about Peter Fonda?

Frame: https://ultrahouse3k.com/img/S05E18/943860.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/948239

## 15:53–16:05

A thin, dark-haired man in a teal suit sits behind a desk with a phone, first with his hands clasped and then pointing a finger upward, while Homer and Marge lean over the desk toward him, Homer scowling and Marge looking on from behind. The scene then shifts to a purple night sky, where The Happy Earwig Motel sign, with its red and teal lettering and the board below reading "OUR CRAWL-SPACE NOW BODY-FREE", stands above the road as a man peers out of the window of a blue car.

> Oh, that was a heartbreaker.
> But I did get Paul McCartney out of wings.
> You idiot!
> He was the most talented one!

Frame: https://ultrahouse3k.com/img/S05E18/954704.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/959709

## 16:05–16:13

An unnamed man with dark hair and a dark jacket, carrying a bulky tan sack over his shoulder, hurries along a blue hallway past a red door and a bright light beam on the floor at left. He exits toward the left, and afterward only his shadow appears on the frosted window, which bends and shifts as it moves across the wall beside a large red door with a round handle. The small sign on the red door and the purple ceiling remain unchanged throughout.

> You do not love Mr. Burns.
> You love Homer and Marge. You are their son.

Frame: https://ultrahouse3k.com/img/S05E18/967008.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/969719

## 16:13–16:21

An unnamed bare-chested man with dark swept-back hair and a curly-haired woman with light brown hair lie in a bed in a pink bedroom, decorated with a mountain landscape painting, two lamps and a wooden headboard. A dark silhouette creeps along the blue exterior wall past a red door and presses against the window, as the man sits up and raises an arm above his head while the woman glares beside him. The man keeps his arm raised, and the woman's expression stays stern as the silhouette lingers at the window.

> What you are doing is wrong.
> Wrong.
> Do you mind? You're killing the romance in here.

Frame: https://ultrahouse3k.com/img/S05E18/974724.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/977435

## 16:21–16:33

Marge, with her tall blue beehive and green dress, and Homer, in his white shirt and blue pants, stand in a hallway beside a red door marked 101, first facing away, then turning to a thin, stooped old man with a hooked nose and grey hair at the sides who stands in the doorway in a dark teal suit. The old man gestures with an outstretched hand toward the door while the others listen, and then a bespectacled elderly man in a white shirt, blue tie and green trousers, leaning on a pink cane, peers out from behind the red door. Wood-plank flooring and large windows line the beige wall.

> Well, it was a grueling two weeks.
> But you have your son back.
> Mom, Dad. I missed you.

Frame: https://ultrahouse3k.com/img/S05E18/982440.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/987653

## 16:33–16:45

Homer, a bald heavy man in a white shirt, embraces a bespectacled man with a bushy brown moustache and white shirt outside a house, then keeps hold of him while Homer looks wide-eyed and excited. The scene shifts to Mr. Burns, frail and stooped with a hooked nose, seated on a red bench beside Bart, who wears a red jacket, in a hall with a red carpet and wooden doors. A pink sign reading "THE BUCK CHOPS HERE" then shows a black cat swinging an axe at a blue mouse running off with a money bag as dollar bills fly around.

> Homer, that's Hans Mooman. Can I keep him anyway?
> Huh? Huh?

Frame: https://ultrahouse3k.com/img/S05E18/994952.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/999540

## 16:45–16:58

A blue mouse in an orange shirt and a black cartoon cat with a long tail and a dripping tongue start out at the front of a U.S. Mint building with white columns and purple lettering on its sign. The mouse confronts the cat, then the two walk past shelves of yellow money bags marked with green dollar signs, with the mouse carrying one of the bags. The cat then lies flat on a pink and purple conveyor belt, and a large red stamping press descends and flattens it.

Frame: https://ultrahouse3k.com/img/S05E18/1006422.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1011636

## 16:58–17:08

A small, partly visible yellow-skinned figure appears at the far left edge, beside a grey armored truck with a red shield bearing a dollar sign. Green banknotes ride a red conveyor between spinning purple rollers, then tumble through a red-and-purple chute, and the truck's rear doors swing open to reveal a stack of cash before closing again in front of a purple city skyline. The scene ends on a white arched entrance with a 'TYCOON CONVENTION' banner and red rosettes.

Frame: https://ultrahouse3k.com/img/S05E18/1019143.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1023105

## 17:08–17:20

A frail, very thin old man with a hooked nose and grey hair at the sides, Mr. Burns, laughs on a red couch, holding a glass, while a spiky-haired boy in a red jacket sits beside him. Earlier, a TV-style screen shows three cartoon dogs in top hats and tuxedos puffing cigars and waving cash while a small blue mouse-like character in an orange shirt reaches for money, then a burning dollar bill with a green all-seeing-eye pyramid emblem gives way to a screen filled with orange flames. The sequence ends with Burns leaning forward, still laughing, the glass now balanced on top of his head.

Frame: https://ultrahouse3k.com/img/S05E18/1029362.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1034158

## 17:20–17:31

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and Bart, the boy with spiky hair in a red jacket, sit together on a red couch in a room with a red carpet and wooden cabinet. Burns leans back laughing with his eyes closed, pointing a finger and then raising a small glass, before he slumps forward with a hand on his knee. Bart sits stiffly with his hands in his lap, his eyes glancing sideways and then wide with an uneasy, sheepish smile.

> That was delightful!
> Did you see that? That mouse butchered that cat like a hog!
> Is all TV this wonderful?

Frame: https://ultrahouse3k.com/img/S05E18/1041040.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1045628

## 17:31–17:44

Bart Simpson, the boy with spiky hair in a red jacket, sits on a red couch beside Mr. Burns, the frail, stooped old man in a dark suit with a hooked nose and grey hair at the sides. Mr. Burns sits leaning forward, gesturing with his hand and talking, while Bart stays seated with his hands on his knees, looking uneasy and glancing sideways. Bart then appears in close-up in a room with a grey wall and red background, looking anxious, then lowers his head and closes his eyes in a weary, dejected expression.

> Um...
> I'm not sure. I'm not sure. I'm not sure.
> I'd kind of like to go home now. Like a hog!
> Hey, what?
> What was that?
> Mr. Burns, I don't want to seem ungrateful, but I want to go home to my family.

Frame: https://ultrahouse3k.com/img/S05E18/1052510.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1058140

## 17:44–17:53

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits beside Bart, the spiky-haired boy in a red jacket, on a red couch with his legs dangling. Burns talks and gestures while Bart looks anxious and downcast, and Burns then reaches over and rests his hand on Bart's shoulder. The scene shifts to a round control room with a ring of curved monitors above a purple console, where Burns stands at the panel with a small child in red beside him.

> I was hoping I wouldn't have to tell you this,
> but I'm afraid your family doesn't want you back.

Frame: https://ultrahouse3k.com/img/S05E18/1065856.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1069193

## 17:53–18:02

Homer sits in the middle of a dark couch in a black-and-white living room, holding a sandwich on a plate, while Marge stands to the left holding Maggie, who wears a pacifier and a bow, and Lisa in her red dress sits at the right. Under a lamp and a framed window picture, Homer's face tightens and he looks around, Marge glances sideways, and Lisa grimaces with her teeth bared. By the last moment, Homer's hands have dropped to his sides and the sandwich is gone.

> I do not miss Bart at all.
> I am glad he's gone.
> As am I.
> BOW!

Frame: https://ultrahouse3k.com/img/S05E18/1074615.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1077952

## 18:02–18:09

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands in a dark suit beside Lisa, the girl with star-shaped spiky hair in a red dress, in a control room lined with blank monitors and purple control panels. One monitor shows a black-and-white picture of people. Burns scowls at first while Lisa looks up at him, then he turns and gestures with an open hand as he speaks, and later he lifts his other hand to his chest and glances to the side while Lisa keeps watching him.

> It's probably my imagination, but something about them didn't seem quite right.
> Really?
> Excuse me for just a moment.

Frame: https://ultrahouse3k.com/img/S05E18/1083374.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1086085

## 18:09–18:17

Mr. Burns, a frail, stooped old man with a hooked nose, and Bart in his red shirt stand by a control panel beneath a wall of blank monitors, then Burns strides past a grey door into a studio with blue brick walls. There he turns to a pink-walled living room set where Homer, Marge, Maggie and Lisa sit on a brown couch, and he gestures and speaks to them beside an empty red director's chair while a crew member in headphones works a studio rig on a stand. A lamp, a framed sailboat picture and overhead lights are visible on the set.

> People, that was all wrong! Homer Simpson doesn't say BOW, he says...

Frame: https://ultrahouse3k.com/img/S05E18/1090673.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1093384

## 18:17–18:20

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands on a set in a dark suit and black tie, holding and flipping through a blue script booklet with a scowling expression. Behind him is a large film movie camera on a tripod and stacks of blue and colorful set pieces, with a red director's chair at the bottom of the scene. He starts by reading the open pages, then turns to lean in and flip the pages with his mouth nearly touching them, and finally lifts the booklet back up to read it again with his mouth open as if speaking.

> DO!

Frame: https://ultrahouse3k.com/img/S05E18/1098180.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1098806

## 18:20–18:30

A bespectacled heavy man with brown hair and a white shirt and blue pants sits on a brown couch, first holding a black object with yellow eyes overhead while Marge, with her tall blue beehive, stands beside him holding baby Maggie in her blue bow. The scene then changes to a woman with a short black bob, red bead necklace and green top sitting next to the man, who talks and raises a hand while she lifts a lit cigarette to her lips, then exhales a plume of smoke as he touches his head. A pink wall with a framed sailboat picture hangs behind them.

> Sorry MP, but I'm having trouble with this character.
> Is he supposed to have some kind of neurological empowerment?
> Like Rain Man or Awakenings? I mean, what the hell am I doing here?

Frame: https://ultrahouse3k.com/img/S05E18/1101517.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1105479

## 18:30–18:40

A black-haired woman in a green top with a red beaded necklace sits on a brown couch smoking a cigarette beside a bespectacled, brown-haired man in a white shirt and blue pants, both holding black wigs in their laps. The man gestures and talks while the woman looks sideways and taps ash. A bald woman in an orange top and pearl necklace then lifts a black wig onto her own head and afterward holds a cigar in her mouth, with a pink wall and a boat picture behind them.

> And this dialogue has none of the wit and sparkle of Murphy Brown.
> Hey, you know, we're getting into golden time.

Frame: https://ultrahouse3k.com/img/S05E18/1111527.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1115489

## 18:40–18:52

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands in a pink living room with a dark-haired woman in a green dress and a heavy man in a white shirt and glasses seated on a brown sofa beside a bald small child in an orange dress, and he jabs a finger toward the seated man. Burns then stands at a purple control console with a wall of blank monitors, where Bart, a boy with spiky hair in a red outfit, looks up at him, and Burns rests a hand on Bart's shoulder as Bart reaches toward the panel. The scene ends on a black-and-white television screen showing Homer on a couch with Marge, Maggie holding a pacifier, and Lisa in a dark dress, all looking startled.

> Yes, we'll just get it right.
> We'll all be back doing Come Blow Your Horn at the Westport Dinner Theatre.
> All right, then, let's see what the old Simpson family is up to now.
> Oh!

Frame: https://ultrahouse3k.com/img/S05E18/1121537.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1126334

## 18:52–19:03

Bart Simpson, the boy with spiky hair in an orange-red jacket over a white collar, stands in a dim room beside a purple control panel with dials and a small green screen, while Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, leans in close from the left in a dark suit. At first Bart looks sideways with heavy-lidded eyes, then turns to face Burns with wide, worried eyes and a closed mouth, and later his mouth opens as he speaks while Burns stays stooped toward him with a thin, sly smile. Notable objects include the purple console and a tiled floor visible at the bottom of the scene.

> That's them all right.
> I can't believe it.
> I guess you're the only one I can trust.

Frame: https://ultrahouse3k.com/img/S05E18/1133215.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1137595

## 19:03–19:13

Mr. Burns, a frail, stooped old man with a hooked nose and blue-grey hair at the sides, stands in a dark control room lined with monitors and gestures with open yellow hands before grabbing Bart, who wears a red jacket and has spiky orange hair and whose arms are raised near a purple control panel with dials and gauges. Burns then squeezes Bart tightly against his side in a hug as Bart's arms wave in the air. The scene moves outside to a tan house with a brown roof, a pink arched front door, bay windows, and an attached garage.

> Dad.
> That rib always breaks.

Frame: https://ultrahouse3k.com/img/S05E18/1144477.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1148648

## 19:13–19:21

Marge, with her tall blue beehive and red beads, sits in a brown armchair in a pink room holding a pink-framed photo of baby Bart with a pacifier and rattle, then looks over with a wary expression. Lisa, with her star-shaped spiky hair and pearl necklace, stands beside her and pulls at a pink curtain that tears away from the wall, revealing grey bare plaster underneath. Lisa grows increasingly anxious, grimacing and gripping the torn fabric as Marge gasps, and framed pictures hang on the pink walls.

> Lisa, what are you doing?
> Just trying to fill the void of random,
> meaningless destruction that Bart's absence has left in our hearts.

Frame: https://ultrahouse3k.com/img/S05E18/1155112.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1158032

## 19:21–19:33

Lisa stands in a pink living room with a framed seascape on the wall while Marge sits in a dark armchair holding a picture frame. Homer lies face down on the green carpet, and Lisa reaches toward him as Marge rises to stand with her hand against her cheek. The setting shifts to a wood-paneled office where Mr. Burns, frail and stooped with a hooked nose, presses on the back of a bent-over Bart in a dark suit beside tall mirrored doors, while a white-haired man with a gold chain watches from the left.

> Oh, that's sweet, honey.
> It's a little tight.
> Yes, that's to correct your posture.
> Soon you'll have a mighty hump.

Frame: https://ultrahouse3k.com/img/S05E18/1163037.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1167625

## 19:33–19:42

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and Bart, the spiky-haired boy, both in dark suits and black ties, stand in a mirrored corridor. Burns glares and then leans down toward Bart, gesturing with an open hand and then a clenched fist while Bart looks nervous and wide-eyed, and Bart's reflection stands behind them in the mirror. Burns ends with his hand on Bart's shoulder as Bart, now sullen and with his mouth open, clasps his hands together.

> Now, you really are my son.
> This calls for a celebration.
> Let's fire some employees.
> Excellent.

Frame: https://ultrahouse3k.com/img/S05E18/1174507.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1178052

## 19:42–19:52

Bart, in a dark blue suit and yellow tie, walks down a hallway lined with wood panels, then stands at a purple-topped desk beside Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, dressed in a dark suit. Burns clasps his hands, glares, then turns and raises one open hand as he speaks, while Bart watches with wide eyes. A red lever and a panel of red and blue buttons sit on the console, with a large window behind them showing a blue sky and grey structures outside.

> Okay, let's make this sporting, Leonard.
> If you can tell me why I shouldn't fire you without using the letter E,
> you can keep your job. Uh, okay. Okay, um,

Frame: https://ultrahouse3k.com/img/S05E18/1183683.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1187645

## 19:52–20:06

Lenny, a slim man with spiky black hair, green shirt and suspenders, stands beside a lever with a red ball knob, first looking alarmed with a hand near his mouth and then gesturing with both palms out. Mr. Burns, frail with a hooked nose and grey hair at the sides, appears in a dark suit and speaks with his mouth wide open. Mr. Burns then stands at a dark wooden desk with Bart, in a suit, beside him as Burns presses a red button and a square trapdoor opens in the red carpet below.

> I'm a good work guy. You're fired. But I didn't say...
> You will.
> Let me try one.

Frame: https://ultrahouse3k.com/img/S05E18/1193901.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1199532

## 20:06–20:19

Bart, in a dark suit, and Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stand at a purple counter in an ornate room where Bart presses buttons on a panel beside a red lever. Homer peeks out from a doorway clutching a stack of donuts to his belly, then leans out in alarm with one hand raised. Burns, wide-eyed and wringing his hands beside a dark curtain, then gestures toward Bart standing by a window.

> Hey, the trail of donuts ended.
> Bart!
> Homer! What a coincidence.
> And a perfect opportunity for you to prove your loyalty.

Frame: https://ultrahouse3k.com/img/S05E18/1207248.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1212670

## 20:19–20:28

Homer, in a white shirt and blue trousers, stands by a purple-trimmed table in a grand room with a tall window, while Mr. Burns, frail and stooped in a green suit, gestures toward Bart, who stands behind the table in a dark suit beside a large red button on a metal stand. Bart raises a hand near the button with a nervous look, and the scene then cuts to a close-up of Homer tugging at his pink striped tie in front of a bookshelf, his eyes wide and his mouth set in a worried frown.

> Go ahead, Bartholomew. You may fire when ready.

Frame: https://ultrahouse3k.com/img/S05E18/1220177.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1223514

## 20:28–20:38

Bart, in a dark blue suit and black tie, stands at a purple railing by a window and reaches up to touch a red button on a small gray control stand. Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, leans in beside him, pointing and scowling, then gestures with open hands and shouts angrily, his toothy mouth wide open. The scene is set in an office with a large window onto a blue sky and green bushes, and Burns stays close to Bart throughout the exchange.

> Hurry.
> Fire him now or I'll disown you. You'll lose everything.
> The fabulous toys, a lifetime of wealth and luxury,
> the gift certificate from Blockbuster Video, the freedom to do whatever you want.

Frame: https://ultrahouse3k.com/img/S05E18/1229145.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1233315

## 20:38–20:50

Mr. Burns, a frail, stooped old man with a hooked nose and light-blue hair at the sides, and Bart, in a dark suit and tie, stand at a purple-topped desk in a library lined with bookshelves, with Homer in a white shirt and pink tie standing behind them. Burns throws his arms up and then reaches a hand toward Bart, who grips a red button on a small lever, first gaping wide-eyed in alarm and then scowling and grinding his teeth, while Homer stares in startled surprise. Colorful leather-bound books fill the shelves behind them throughout.

> I'll miss you, son.
> I'm sorry, Dad.
> You're fired. What?
> Fire me?

Frame: https://ultrahouse3k.com/img/S05E18/1239572.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1244577

## 20:50–21:01

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and Bart, the spiky-haired boy in a dark suit and black tie, are at a purple-topped desk beside a window with a red lever. In the first frames Burns leans in close to Bart's face with an angry, gaping mouth. Next he stands at the desk pointing his finger at Bart, who looks up at him wide-eyed. Bart then stands alone at the desk, grinning nervously with his eyes bulging, while Burns turns away toward the wooden door. Burns returns to the desk, gesturing and pointing at Bart, who stands with his hands at the lever, looking anxious as Burns scolds him.

> That does it.
> You can never be my son.
> A little to the left.
> Oh, very well.
> You can never be my son!

Frame: https://ultrahouse3k.com/img/S05E18/1251667.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1256046

## 21:01–21:11

Smithers, a thin man with grey hair, glasses, a purple bow tie and a green jacket, leaps and throws his arms up beside a dark hole in the red carpet of an office while Bart in a dark suit watches from behind a wooden desk. Homer, in a white shirt and tie with an ID badge, appears at the window, then reaches up to his face, and later he hugs a downcast Bart at the desk. The scene closes on an exterior view of the Simpson house, with a pink front door, a two-car garage and a mailbox.

> Sir, try to land on Leonard's carcass!
> Son,

Frame: https://ultrahouse3k.com/img/S05E18/1262720.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1266474

## 21:11–21:24

Homer, the bald, heavy man in a white shirt, sits on the left end of a dark red couch in the family living room with pink walls, lamps and a staircase behind him, while Marge with her tall blue beehive, Lisa in her red dress, and Maggie with a pacifier and blue bow sit on the right and Santa's Little Helper, the brown greyhound, lies on the green carpet in front. Homer gestures with one hand and speaks to Bart, the spiky-haired boy in an orange shirt who stands between them and looks sideways with wide eyes and a worried mouth. Homer then turns his head toward the viewer with a smirking, sidelong grin and half-closed eyes, and the family's poses stay otherwise unchanged. Notable objects include a red lamp at the right edge and framed pictures on the walls.

> I know you're upset because you thought you saw us on TV saying we didn't watch you in our
> family. But those were just actors playing us.
> How do you know?
> Because one of them hung out with me for a week trying to get my character down.

Frame: https://ultrahouse3k.com/img/S05E18/1272521.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1277943

## 21:24–21:35

Homer, Bart, Marge holding baby Maggie, Lisa, and Santa's Little Helper gather in the Simpson living room around the dark red couch, with Bart at the center of the group in an orange shirt. In the first frames Bart and Lisa stand face to face, then the family arranges itself around the couch as Maggie sits in Marge's arms with her pacifier and blue bow, and the greyhound sits on the green carpet near Lisa. In the last frame Bart stands in the foreground with a sly, half-lidded look and his mouth open, while Marge and Maggie and Lisa remain behind him, with Homer seated on the couch edge with eyes closed and smiling.

> Yeah, me too. That Mitch had taught me a lot about his native Estonia.
> The point is, the real Simpson family missed you a lot and we're really glad you're home.
> I love you guys.

Frame: https://ultrahouse3k.com/img/S05E18/1285451.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1290039

## 21:35–21:46

Homer, Bart, Lisa, Marge and baby Maggie stand around the brown couch in the pink living room, with Homer gesturing and then hugging Bart and Lisa while Marge and Maggie embrace from behind. The family then separates and Homer spreads his arm out toward the group, while a stooped, bespectacled stranger with long blond hair, an orange shirt, blue shorts and blue sneakers walks past a doorway carrying a green skateboard. He stops beside a red chair and raises his hand toward it.

> Right back at you, son.
> And now I want you to meet your new brother, Hans Mole Man.
> Cowabunga, dudes.

Frame: https://ultrahouse3k.com/img/S05E18/1296712.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1300883

## 21:46–21:56

Homer Simpson, in his white shirt and blue trousers, stands in the living room with Bart, Lisa, and Marge holding baby Maggie, with Santa's Little Helper seated on the teal carpet at right. A stranger in an orange shirt, green shorts, blue sneakers, and round glasses, with a red cap, stands at left as Homer leans in and clasps the stranger's face with both hands to plant a kiss on his mouth. The family watches with wide eyes beside the dark red sofa, pink walls, and a framed portrait of Maggie on the wall.

> Give it a try.
> It's like kissing a peanut.

Frame: https://ultrahouse3k.com/img/S05E18/1307348.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1311310

## 21:56–22:06

A black screen shows opening credits in gold lettering with no Simpsons characters visible. First, 'Executive Producer DAVID MIRKIN' appears, then it switches to 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON'. The text fades to black, and a faint, unreadable line of credit text appears briefly before the screen goes dark again. Then 'JULIE KAVNER' appears, followed by 'NANCY CARTWRIGHT' in the same gold type, with no characters or locations shown.

> Homer, I want that thing out of my house.

Frame: https://ultrahouse3k.com/img/S05E18/1317358.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1321320

## 22:06–22:16

No Simpsons characters appear in this moment; it is a black closing credits sequence with no people on screen. The gold credit text on the black background reads first "HANK AZARIA", then "Special Guest Voice PHIL HARTMAN", then "Also Starring PAMELA HAYDEN and RUSSI TAYLOR", then "Animation Producers BILL SCHULTZ and MICHAEL WOLF", and finally "Executive Consultant BRAD BIRD", with each name replacing the previous one in the center of the screen.

Frame: https://ultrahouse3k.com/img/S05E18/1327368.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1331330

## 22:16–22:26

No characters appear in this moment, which is a black screen with centered gold hand-lettered credits that replace one another. The credits read 'Story Editor BOB KUSHELL', then 'Story Editor DAN McGRATH', then 'Associate Producer COLIN A.B.V. LEWIS', 'Music by ALF CLAUSEN', and 'Casting by BONITA PIETILA', each appearing in turn with no other objects or motion.

> Thank you.

Frame: https://ultrahouse3k.com/img/S05E18/1337378.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1341340

## 22:26–22:36

No characters appear in this moment, which is a black screen with yellow end-credit text. Successive credits appear and vanish: Animation Co-Producer for Gracie Films Ken Tsumura, Post Production Coordinator Alison Elliott with dialogue sound editors Mark McJimsey, Bobby Mackston and Terry Greene, then production coordinators Jacqueline Sillo and Marleen Williams, sound recordists Greg Cheever and Randy Piotroski, script supervisor Louise Jaffe, Skywalker Sound, Laser-Pacific and Dolby Surround, followed by Animation Produced by Film Roman, Inc. and Overseas Animation Director Mike Girard.

Frame: https://ultrahouse3k.com/img/S05E18/1347388.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1351350

## 22:36–22:46

No Simpsons characters appear in this moment; the five frames show black closing credits with yellow text. The first lists Assistant Director Steven Dean Moore, Storyboard by Gary Graham and Steven Dean Moore, Character Design Supervisor Dale Hendrickson, Character Design by Scott Alberts, Lucas Gray, Joseph Wack, Matt Groening and Sam Simon, Background Design Supervisor Lance Wilder, and Background Design by John Krause and Maria Mariotti. The second lists Color Design Supervisor Karen L. Bauer, Ink & Paint Supervisor Phyllis Craig, and Animation Camera Supervisor Robert Ingram, among other crew. The third lists Studio Production Manager Anne Luiting, Production Manager Laurie Biernacki, and Production Coordinator Raymond M. Iacovacci. The fourth reads 'The persons in this film are fictitious' and 'THE SIMPSONS EPISODE #1F16 COPYRIGHT 1994 TWENTIETH CENTURY FOX FILM CORPORATION' with a copyright notice. The fifth reads 'Executive Creative Consultant JAMES L. BROOKS' centered on the black background.

> Shh.

Frame: https://ultrahouse3k.com/img/S05E18/1357398.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1361360

## 22:46–22:56

Silhouetted audience members, none clearly identifiable, sit in rows of theater seats facing a blank screen in a dim room. The screen lights up with a purple beam and the words GRACIE FILMS in white letters, then the scene shifts to a gold 20th Television building with its raised lettering, shown first in shadow and then brightly lit with light beams shooting upward against a blue sky. The picture then fades to a black screen.

Frame: https://ultrahouse3k.com/img/S05E18/1367408.jpg
Page: https://ultrahouse3k.com/episode/s05e18-burns-heir/1371370