# Lady Bouvier's Lover

The Simpsons, season 5, episode 21 (S05E21), first aired May 12, 1994.
Written by Bill Oakley and Josh Weinstein. Directed by Wes Archer. Production code 1F21.
Guest stars: Phil Hartman as Troy McClure.
Chalkboard gag: "I will not retransmit without the express permission of Major League Baseball.". Couch gag: Clapboard couch gag, take one: Shattered Family.

At Maggie's first birthday party, Grampa and Jacqueline Bouvier, Marge's mother, hit it off and start dating, to Homer's dismay. Mr. Burns soon steals Jackie away and proposes, and Grampa bursts into the wedding to win her back, though Jackie ends up turning down both men. Meanwhile, Bart secretly charges a $350 Itchy & Scratchy animation cel to Homer's credit card.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Otto Mann, Jasper Beardsley, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Todd Flanders, Maude Flanders, Rod Flanders, Mayor Quimby, Sideshow Mel, Kirk Van Houten, Hans Moleman, Luann Van Houten, Bernice Hibbert, Comic Book Guy, Sanjay Nahasapeemapetilon, Troy McClure, Old Jewish Man, Alice Glick, Blue-Haired Lawyer, Jacqueline Bouvier, Luigi Risotto, Roger Meyers Jr., Gerald Samson, Dorothy, Florist, Hullabalooza Fan, Mr. Burns' Security Guards, Frank Sinatra Representative, Golfer, Mailman, Monkeytown Philharmonic, Physical Trainer, Red Breem and His Band of Some Esteem, Single Worker, Worker in Love 1, Worker in Love 2, Worker in Love 3, World War I Veteran.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the spiky-haired boy in an orange shirt and blue shorts, appears in a classroom at a chalkboard that repeatedly reads 'I will not re-transmit without the express permission of Major League Baseball.' He first stands writing on the board with chalk, then turns and hops sideways with his arms out and a grimacing grin, while a red trash can and a wall clock sit nearby. Before this, the frames show a blue sky with drifting clouds that gives way to the title card reading 'THE SIMPSONS' in yellow letters.

> The Simpsons

Frame: https://ultrahouse3k.com/img/S05E21/1043.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/6048

## 0:12–0:23

Homer, a bald heavy man in a white shirt, and Lisa, the girl with star-shaped spiky hair, appear at a yellow house as a pink car pulls into the driveway and Lisa rides a red bicycle carrying a stack of books. Homer then stands in a purple room with a red bed, leaning toward a wall panel with his mouth open, before the family, including Bart and Marge with her tall blue beehive, flails and scatters in the pink living room. The scene ends with the room strewn with torn debris and litter while a brown greyhound peeks from behind the couch.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/17726

## 0:23–0:29

No regular characters appear in this moment; it shows a retro television set with a pink background and a blue screen. The screen first reads "CREATED BY MATT GROENING" in yellow lettering, then changes to "DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON" in yellow lettering stacked over three lines. The TV's knobs and speaker grille remain unchanged throughout.

Frame: https://ultrahouse3k.com/img/S05E21/24399.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/26693

## 0:29–0:37

Krusty the Clown, with green hair, a red nose, a purple shirt and a blue bow tie, and a man in a black suit with a teal bouffant and a bone stuck in it stand before a red and orange polka-dot circus backdrop. The screen fades in from black as Krusty laughs broadly beside a striped star-decorated ball, then looks glum while the suited man points at him, with the caption "Co-Executive Producer JACE RICHDALE" shown across the bottom. The suited man then rests a hand on Krusty's shoulder as the caption changes to "Supervising Producer HAROLD KIMMEL."

> Please, Krusty, this is very demeaning. Shut up and conduct.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/33575

## 0:37–0:44

Krusty the clown, with green hair, a red nose and a blue bow tie, stands beside a yellow-skinned man with light blue curly hair, a bone stuck through it, a black tuxedo and a purple bow tie, while white credit text reads "Supervising Producer HAROLD KIMMEL" and then "Supervising Producers BILL OAKLEY & JOSH WEINSTEIN". Krusty gestures at the man, who then turns to conduct a row of brown monkeys in suits and purple ties seated on tiered risers in front of a banner reading "MONKEYTOWN PHILHARMONIC", waving a baton as they play.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/40874

## 0:44–0:58

Krusty the Clown stands beside a green-haired man in a tuxedo with a bone stuck through his hair, in front of a purple wall with gold coins floating past, while rows of brown monkeys in lavender vests sit at a red-and-blue bench holding small white objects. The man is then knocked to the floor, where a monkey bites his tie and others swarm over him, and the monkeys finally pile up in a heap on the ground beside a stage set with red curtains and a star-spangled cap. White on-screen credits read 'Producer DAVID SACKS' and then 'Producer JOHN SWARTZWELDER' over the scene.

> Maggie!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/51301

## 0:58–1:11

Homer sits in a green armchair in a pink living room while baby Maggie, with a pacifier and blue bow, sits on his lap, and Lisa in a red dress with pearls joins them on the right as the family watches a TV showing monkeys. Behind them hang a Krusty poster, a blue target with an arrow, and a framed portrait of an old man, and the white on-screen credits for Al Jean & Mike Reiss, George Meyer, Joseph A. Boucher and Richard Raynis appear in turn over the scene. Homer's expression shifts from open-mouthed and talking to grinning and then to a frown while Maggie points and chews her pacifier, and Lisa leans in beside them.

> Can you point to the monkey?
> What do babies know? Maggie, can you point to the credenza?
> Don't! Homer, you didn't do a very good job frosting Maggie's birthday cake.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/64648

## 1:11–1:24

Homer, the bald heavy man in a white shirt, and Maggie, the baby with a pacifier and blue bow, stand in front of a Krusty poster in the first two scenes, Maggie's pacifier bobbing beside a blue dartboard-like target on her head. Then Marge, with a tall blue beehive and green dress, stands with her hands on her hips in a kitchen while Homer, looking startled, works at a table, frosting a pink cake reading "HAPPY BIRTHDAY MAGAGGIE" with a candle shaped like a large 1. A knife rests on the blue tablecloth beside the cake, and in the last shot the icing reads "MAG GIE" with the letters spaced apart, showing that Homer has ruined the lettering on the cake.

> What? It's not McGaggy's birthday?
> Oh.
> Hey, hey, hey, hey, stop it. I made a special cake for you to ruin.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/77578

## 1:24–1:34

Homer, in a white shirt, stands at a kitchen counter working on a pink-frosted cake with letters on it while Marge, in a green dress with her blue beehive and red bead necklace, watches him and then turns away. Homer raises his hands in a shrugging gesture beside the cake, and later Bart and Lisa stand in a hallway looking on as Marge stands before a mirror with Patty and Selma, grey-violet-haired, beside her. On-screen credits read "Produced by Richard Sakai" and "Written by Bill Oakley & Josh Weinstein."

> It's over there.
> Ooh.
> Hello, everyone except Homer.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/89256

## 1:34–1:41

Marge Simpson stands in the pink doorway holding baby Maggie, with Patty and Selma, Marge's twin sisters with grey-violet hair, beside her; Selma holds a purple and yellow striped gift. An elderly woman with tall lavender hair, a pink shawl and a cane arrives at the door, points across the street toward a brown-roofed house, and then leans in close to Marge and Maggie while Selma and Patty stand near. The scene shows a small pink doorway with a round door knocker and a sidewalk and lawn outside.

> Happy birthday, granddaughter.
> Marge, I think that's your father-in-law across the street.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/98223

## 1:41–1:48

Marge, with her tall blue beehive, and Maggie, who has a pacifier and a blue bow, stand on the left watching a scene across the street. Homer, bald and in a white shirt, stands at the red front door of a tan house holding a small wrapped gift, while a bald, heavy man in blue overalls, who looks like Carl, opens the door and greets him. Over the next moments Homer hands the gift over and the man takes it in his hands, with the door open and a sidewalk and hedges in front of the house. The caption 'Directed by WES ARCHER' appears in the first moment, lower center of the scene.

> Happy birthday!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/105105

## 1:48–1:57

Marge, in a green dress, walks through a pink room decorated with a Happy Birthday banner, balloons and streamers, while Patty and Selma, Grampa, Homer, Bart and Lisa watch from a table. Baby Maggie, in a lilac dress with a blue bow and pacifier, clings to a doorway and reaches up to hold her mother's arm, then stands alone beside the door. The family looks on from the table as the baby stands by the doorway.

> Everybody, get ready.
> Here comes the birthday girl in her very first dress.
> Aww.
> She's a little angel.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/113030

## 1:57–2:07

Patty and Selma, Marge's twin sisters with grey-violet hair, sit behind a counter under pink party streamers, with Patty talking and Selma smirking and nodding beside her. Grampa, an elderly man with white tufts of hair and glasses in a cream sweater, leans in between them and talks with his mouth open, while the sisters' eyes close and they smile. The scene then cuts to Marge, with her tall blue beehive and green dress, standing beside Maggie, who sucks a pacifier and wears a pink bow, in a pink room with a mirror and gnome-like wall decorations.

> Yeah.
> I want to put a hook in her and hang her from our Christmas tree.
> What smells?
> Uh-uh.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/122414

## 2:07–2:18

Lisa, Bart, Marge, Homer, Maggie, Grampa, Patty and Selma gather in the pink living room around a stack of gift boxes, with Grampa seated in a green armchair and Patty and Selma on the brown sofa. Maggie, in a blue sleeper with a pacifier and blue bow, crawls toward the presents while Bart and Lisa kneel beside the boxes watching her. The scene ends with a close-up of Lisa, eyes shut and mouth open in a sour grimace, wearing a pearl necklace as Homer's arm is visible at the left edge. Notable objects include a purple gift box with a green bow, an orange box with a blue ribbon, and framed pictures on the pink wall.

> Shouldn't we wait for the other babies before we open the presents?
> We didn't invite the other babies.
> Maggie doesn't seem to get along with the other babies.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/132841

## 2:18–2:28

Maggie, with her pacifier and blue bow, watches through a window as a grey-haired woman in a red dress pushes a pram past a red house with a closed garage door. Back in a pink room she stares wide-eyed and gasps beside a framed picture of herself, while a blue-haired baby holding a juice box glares at a red-dressed woman who swings a black frying pan. A tall blue beehive edges into the foreground as the framed portrait of Maggie remains on the pink wall.

> Maggie, we have a surprise for you.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/143268

## 2:28–2:41

In a pink-walled room, Marge holds a pink-frosted birthday cake with a lit candle while her sisters Patty and Selma, both with grey-violet hair, stand nearby watching. Maggie sits in a red high chair with a pacifier and blue bow, eyes glancing sideways, as Homer and Lisa, in her pearl necklace, raise small gadgets beside Marge and the cake, whose candle is shaped like a 1. Grampa leans in with glasses and white tufts of hair, mouth open, while Marge keeps holding the cake.

> Ooh!
> Put some Lister's carbolic unguent on a wad of cotton.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/154946

## 2:41–2:54

Marge, with her tall blue beehive and pink top, sits at a table across from Grampa, the wrinkled old man with white tufts of hair and glasses, while Maggie, the baby with a blue bow, watches from her high chair beside a pink-frosted birthday cake with one lit candle. Marge then appears at a counter near a teacup and saucer, looking weary with her mouth open, before turning back toward Grampa, who folds his arms and listens with a sour expression. He raises one hand and clenches his fist as he shouts, and Marge looks on with narrowed eyes.

> Put the cotton in your ear. That'll stop them shakes.
> No, no. What she needs is a balsam specific.
> Balsam specific?
> While we're burning money, why don't we give her a curative galvanic bell, too?
> Don't forget to give her Smellers powder.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/168085

## 2:54–3:08

Bart, with spiky hair and an orange shirt, points across a yellow table while Marge with her tall blue beehive and Grampa with his white tufts lean in beside him. The scene then cuts to a reel-to-reel tape recorder with a glowing red light under the table, its cord running to a wall outlet. Back at the table, Lisa, Homer, Maggie, Patty and Selma sit around as a birthday cake with a lit candle is placed in front of them in a pink room with a checkered hallway.

> Don't make fun!
> I remember Lisa's third birthday.
> She in part did this adorable little song and dance routine.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/181431

## 3:08–3:19

Marge, Bart and Lisa sit at a kitchen table while Grampa, wearing glasses, sits across from them on the right, grinning and talking as the family listens. Bart and Lisa glance sideways toward him, then the scene narrows to a close-up of Grampa grimacing with clenched teeth against a pink wall. Visible details include a teal-framed mirror, a green refrigerator with a red heart magnet, and red chairs.

> Oh, that was a real horn honker.
> Let's see it.
> Now, do it.
> Do it.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/193944

## 3:19–3:26

Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair, a rust-colored skirt and a pearl necklace, first sit at a kitchen table with its shelves of dishes behind them, then stand side by side against a yellow wood-paneled wall, looking sullen and grimacing as they talk. Grampa, the wrinkled old man with white tufts of hair, glasses and a big white moustache, appears in a tan coat in a pink room, playing a harmonica and pointing with his free hand, while one of Marge's twin sisters, Patty or Selma, with curly grey-violet hair and a blue top, stands beside him.

> Hot dogs.
> Armor hot dogs.
> Sing it like I mean it.
> What kinds of kids eat armor hot dogs?

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/203120

## 3:26–3:37

Bart Simpson, a spiky-haired boy in an orange shirt and blue shorts, and Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stand in front of a yellow wood-paneled wall on a pink floor. Bart starts with his mouth open and then shrugs with both hands out while Lisa shrugs alongside him, and they exchange a wary look. Lisa then grins tensely while Bart looks at her sideways, and finally Lisa steps forward with her arms out and a determined expression as Bart stands with his hands at his sides. Later in the moment, outside a window, Milhouse in blue glasses and a blue cap, covered in red spots, holds up a hot dog and makes an OK gesture with his other hand.

> Fat kids. Skinny kids. Kids who climb on rocks.
> Tough kids. Lizzy kids. Even kids with chicken pox.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/212087

## 3:37–3:49

Homer, Marge, Grampa, Patty and Selma, Bart and Lisa gather in a pink-walled diner with red chairs and a framed painting. Grampa, in a pink sweater, stands at the counter holding a microphone and waving while Patty and Selma clap, then the group gathers around a pink-frosted cake on a table with Bart and Lisa standing behind it. Homer ends up holding up a white sign reading "PLEASE BUY ARMOUR BRAND HOT DOGS." as Marge gestures beside him.

> Like hot dogs.
> Mom are hot dogs. Hot dogs.
> Kids love to bite!
> Doesn't this family know any songs that aren't commercials?

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/223557

## 3:49–4:01

Lisa, the girl with star-shaped spiky hair in a red dress, and Bart, the boy with spiky hair in an orange shirt, stand at the edge of a long dining table with a small frosted cake in a red-and-pink dining room. Marge with her tall blue beehive, Homer, Grampa with white tufts of hair, and Patty and Selma with grey-violet hair crowd around the table, leaning and bobbing in a swaying group, while the tablecloth shifts and the table is moved across the room. Lisa and Bart walk alongside the table, with Lisa frowning and Bart glancing around as the family keeps swaying and gesturing.

> I feel like chicken tonight.
> Like chicken tonight. Like chicken tonight.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/235652

## 4:01–4:10

Grampa, Bart, Homer, Lisa and Marge stand in a row on a suburban sidewalk, with Marge's tall blue beehive prominent. Patty and Selma, both with grey-violet hair, sit in an open olive-green jeep at the curb, and one of them leans out to clasp hands with Marge while sticking out her tongue. The family stays lined up watching as the sisters remain in the jeep, with a brick house, green hedges and a pale evening sky behind them.

> It's been great spending time with my family again.
> I guess the next time I see you won't be until Thanksgiving.
> Or if not then, Christmas.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/246288

## 4:10–4:23

Homer, a bald heavy man in a white shirt, stands beside a window with Marge, the tall blue-beehive woman in a green dress and red beads, and then Grampa, a wrinkled old man with white tufts of hair, pink sweater and glasses, talks to Homer, taps his arm, and points at a wristwatch on his wrist. Finally the whole family, Grampa, Homer, Bart in an orange shirt, Lisa in a red dress, and Marge, stands on a sidewalk in front of a yellow car while a woman with grey-violet hair leans out of its window under a dusky sky.

> I suppose I'll be getting home too.
> At least I got Matlock to keep me company.
> Nope! He's on in five minutes! He is!
> Step on it!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/257132

## 4:23–4:28

Homer, Marge, Bart, Lisa and Grampa stand on the front walk of the Simpson house, with Grampa in a pink sweater and grey trousers, as a blue bus lettered 'THE SENIORVILLE TROLLEY' pulls up to the curb with elderly passengers crowded at its windows. The bus then drives off to the left while Homer and Marge remain on the walk beside the lawn. A small blue object lies on the grass as the bus leaves the scene.

> Hurry up! Hurry! Each Matlock could be on last!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/265891

## 4:28–4:36

Homer, bald with stubble and wearing a blue pajama top, lies in bed under an orange blanket holding a white handheld device while glancing at it, as Marge, with her tall hairdo, stands beside a pleated lamp in a pink bedroom with framed family pictures on the wall. Marge keeps talking with her mouth open and her eyes wide while Homer glances up at her, then his eyes droop shut and his mouth falls open in a yawn while he still grips the device. Marge looks sideways with a sober expression, and Homer's eyes snap open and he looks up again.

> Homie, you know it's funny.
> Both my mother and your father seem pretty lonely.
> That is funny. Yeah.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/272147

## 4:36–4:44

Homer, the bald heavy man with stubble, lies in bed under an orange blanket, holding a white tablet-like card and looking to his side, while Marge, with her tall blue beehive, sits up beside him in a pink dress and white collar. In the bedroom with pink walls and framed pictures of the family, Marge first sits with her hands folded, then grips a lamp shade and bites at its fringe, and finally raises one index finger as she speaks and gestures with her other hand. Homer keeps his position and gaze throughout, and a purple lamp with a fringed shade sits on the nightstand.

> Anyway,
> maybe they could go to a matinee together or shopping or to that room in the library
> that's always full of old people.
> Periodicals, that's it.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/280697

## 4:44–4:54

Homer Simpson, the bald, heavy man in a blue shirt, and Marge Simpson, with her tall blue beehive and pink dress, sit together in a bed with a purple headboard and an orange blanket in a pink bedroom. Homer holds a small white card or paper in his hands and gestures with his arms, alternately talking wide-eyed with his mouth open, grimacing with his eyes squeezed shut, and staring with a grin-like expression, while Marge looks on beside him. A framed picture of Maggie hangs on the wall behind them, and a purple bedpost and a small blue object sit at the edges of the scene.

> Marge, please. Old people don't need companionship.
> They need to be isolated and studied so it can be determined what nutrients they have that
> might be extracted for our personal use.

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/289873

## 4:54–5:03

Marge, with her tall blue beehive and pink nightgown, stands beside the bed in the bedroom and Homer, bald with stubble in a blue shirt, sits up in bed holding up a hand while looking at her; Marge's face is shown tensed and grimacing at first, and she is seen holding a book overhead as she leans toward him. The scene then cuts to the front of the Hal Roach Apartments, a yellow building with a pink awning and a sign reading 'HAL ROACH APARTMENTS RETIREMENT LIVING IN THE HEART OF THE CEMETERY DISTRICT', where a pink car pulls up at the curb with Homer driving and Marge in the passenger seat.

> Homer, would you please stop reading that Ross Perot pamphlet?
> Oh!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/299049

## 5:03–5:14

Homer drives a pink car with Marge in the passenger seat and Grampa, the wrinkled old man with white tufts of hair, in the back seat behind them. Marge turns toward Homer and then looks ahead as Grampa leans forward, and the car pulls away from the curb past a yellow building with a red-canopied entrance. A small figure in a wheelchair sits near the entrance as the car drives down the street lined with shops and blue sky.

> Say, I've got a neat idea.
> Why don't you go in and pick up my mother and we'll all go out to dinner?
> I'll be back in a jiffy!

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Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/308642

## 5:14–5:25

Homer, in a white shirt, and Marge, with her tall blue beehive and red bead necklace, sit in the front of a car in the foreground. Outside the car window, a woman with tall grey-violet hair and a pink jacket stands on a front walk in front of a house with a red awning, and a moustached man in a pink shirt and glasses stands behind her. The man walks away toward the house while the woman stays at the window, smiling and glancing at the car, until she is alone and looking back toward the front seat.

> That's not my mother.
> I'll be back in a jiffy!
> Can I come too?

Frame: https://ultrahouse3k.com/img/S05E21/315106.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/319694

## 5:25–5:32

No characters appear in this moment; the scene shows the neon sign of P. Piggly Hogswine's Super-Smörg, with a grinning neon pig chef in a blue apron holding a platter with a roasted pig that has steam rising from it. Across the frames, the eyes of the roast pig and the chef change between open and squinting, while the sign's glowing yellow and red lettering stays lit. The wider view then reveals the building's green roof and a maroon car parked in the lot in front of the entrance.

> You know, Mom, you and Abe have a lot in common.

Frame: https://ultrahouse3k.com/img/S05E21/326576.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/328870

## 5:32–5:41

Marge Simpson, with her tall blue beehive and red beads, sits at a cafeteria-style table beside Grampa, the wrinkled old man with white tufts of hair, and one of Marge's grey-violet-haired sisters, Patty or Selma, sits at the right edge. Marge holds a knife and fork and talks, looking toward Grampa, while Grampa cuts and eats his meat from a tray of food, pausing with a fork in hand, and Marge's eyes narrow and then open as she keeps speaking. Plates of meat, vegetables and potatoes sit on blue trays, with a folded napkin and utensils on the table in front of them, and a potted plant and teal double doors are visible on the wall behind.

> Um, you both got swindled by that telemarketing scam.
> Oh, it's not a swindle. What you do is see,

Frame: https://ultrahouse3k.com/img/S05E21/333458.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/337003

## 5:41–5:51

Marge, with her tall blue beehive and red beads, sits at a cafeteria table beside Grampa, the wrinkled old man with white tufts of hair, and one of Marge's grey-violet-haired sisters in purple at the right edge. Grampa talks with his mouth open, waving a spoon and then pointing a finger while Marge watches with a flat expression. Plates of food on brown trays, a teal double door, and a ceiling with a drop-tile panel fill the dining room behind them.

> you give them all your credit card numbers, and if one of them is lucky,
> they'll send you a prize.
> I was just happy to talk to someone on the phone.

Frame: https://ultrahouse3k.com/img/S05E21/342843.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/346596

## 5:51–6:00

At a dinner table, Selma, with curly grey-violet hair and a chunky white necklace, looks sullen and then yawns widely. Grampa, a wrinkled old man with white tufts of hair, glasses and a beige sweater, grins beside her and then picks up a knife and fork to cut a brown patty on a plate of gravy-smothered food. Marge, with her tall blue beehive, watches from across the table as he cuts into the meat.

> Oh, feeling blue, eh? I got something that'll cheer you up.

Frame: https://ultrahouse3k.com/img/S05E21/352227.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/355981

## 6:00–6:11

Grampa, the wrinkled old man with white tufts of hair, sits at a cafeteria counter with a tray of food, gripping a fork in each hand and glancing sideways, then raises a forkful toward his mouth while brown food clumps sit on the fork tines and a bowl of food waits on the tray. The scene then shifts to Marge, with her tall blue beehive, seated in a room with a framed picture on the wall, laughing with her hand at her chin.

Frame: https://ultrahouse3k.com/img/S05E21/361611.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/365991

## 6:11–6:24

Grampa, the wrinkled old man with white tufts of hair and a pink sweater, sits at a counter holding a fork and a patty while Milhouse, with blue hair and glasses, leans in beside him. Lenny, with spiky black hair in a pink suit, and a bald heavy man in a brown suit stand close by as the group continues the exchange. The scene moves to a room with chairs and a ceiling of tiles, where Grampa sits holding a patty as Marge, with her tall blue beehive, stands behind him and the bald man in a maroon suit leans toward him. Lenny gestures beside them, and patties lie on the floor near a black object beneath the chair.

> Sir, I represent the estate of Charles Chaplin.
> I have a court order demanding an immediate halt to this unauthorized imitation.
> Boys?

Frame: https://ultrahouse3k.com/img/S05E21/372247.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/377878

## 6:24–6:36

Two elderly figures walk up the path toward the entrance of the Hal Roach Apartments, a building whose sign reads "Retirement living in the heart of the cemetery district," as an orange car sits parked at the right edge of the frame. Marge, with her tall blue beehive, sits beside an elderly man with a moustache and glasses while they look at a large open photo album. In a black-and-white photograph in the album, two uniformed policemen escort a woman in a white dress and black bow along a beach while onlookers watch from behind, and the picture stays unchanged across the final frames.

> And here's a picture of me getting arrested for indecent exposure.
> It was the most embarrassing day of my life.
> Lamp those gams.
> You were one nifty number.

Frame: https://ultrahouse3k.com/img/S05E21/385594.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/390390

## 6:36–6:49

Marge, with her tall blue beehive, pink cardigan and pearl necklace, sits on a green couch beside Grampa, the wrinkled old man with white tufts of hair, glasses and a moustache in a tan shirt. Together in the living room, under a framed portrait and an oval family photo on a red wall, they hold a large dark red book, and Marge talks and gestures while Grampa looks on with a half-smiling expression. Marge's mouth moves as she speaks, and she glances sideways while Grampa keeps his eyes on the book.

> The boys all paid attention to me, and it drove my friends crazy.
> Oh, who were your friends?
> Oh, Zelda Fitzgerald, Francis Farmer, and little Sylvia Plath.
> You know, you remind me of a poem I can't remember,

Frame: https://ultrahouse3k.com/img/S05E21/397272.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/402694

## 6:49–7:01

A bald yellow-skinned older man with a thick tan moustache, round glasses, and a pink shirt sits on a green couch beside a woman with a tall blue beehive, pink jacket, and pearl necklace, in a red-walled living room with framed pictures and a lamp. The woman glances sideways at him, then the man grimaces with clenched teeth and looks away while the two sit close together, hands resting in their laps. In the final moment the woman raises her hand to his moustache and touches it while he stares ahead with a strained expression.

> and a song that may never have existed, and a place I'm not sure I've ever been to.
> You're so sweet.

Frame: https://ultrahouse3k.com/img/S05E21/410410.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/415415

## 7:01–7:10

Grampa, the wrinkled old man with white tufts of hair, sits in a peach jacket with a large white clasp, his round glasses and bushy tan moustache filling the view against a red wall and a green couch. Over the moment his eyes shift from half-lidded to wide open and then narrow again, while his head tilts slightly and his mouth purses and relaxes. The scene stays in close view with no other people or objects beyond the couch and wall.

> Oh, I feel all funny.
> I'm in love.
> No, wait, it's a stroke.
> No, wait.

Frame: https://ultrahouse3k.com/img/S05E21/422505.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/425842

## 7:10–7:18

A man with a moustache and glasses, lying on a stretcher covered by a blue blanket, is carried in the back of a white ambulance with red stripes and flashing red and orange lights. The ambulance drives down a suburban street lined with lawns, trees, fences, and houses in pink, white, and purple, then pulls up beside a small white house with a blue door and its rear doors swung open. Once it stops, the man lies with his mouth open, looking upward and to the side as the ambulance's lights keep flashing.

> It is love.
> I'm in love!

Frame: https://ultrahouse3k.com/img/S05E21/431473.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/434184

## 7:18–7:27

Bart, in his orange shirt and blue shorts, lies in bed at night clutching a small portable TV with an antenna, while a lamp glows on the nightstand. On the TV screen, a man with swept-back reddish hair, a pink sweater and white pants, who matches Troy McClure, stands on a talk show set with a couch, plants and an audience. Before this, a small blue car travels around a curving freeway on-ramp marked 'Frwy On Ramp' past a grassy embankment, a pond and a tree, with traffic visible on the highway beyond.

Frame: https://ultrahouse3k.com/img/S05E21/439189.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/442525

## 7:27–7:37

Troy McClure, an actor with swept-back reddish hair, wearing a pink V-neck sweater over a light blue shirt and maroon tie, stands in front of a window with lavender curtains and a blue vase while holding a microphone. He grins, gestures with his free hand, and shifts between a smug smile and a wide-mouthed grimace, at times holding the microphone with both hands. The on-screen caption in the lower left reads "IBN IMPULSE BUYING NETWORK."

Frame: https://ultrahouse3k.com/img/S05E21/448156.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/452118

## 7:37–7:47

Troy McClure, an actor with swept-back reddish hair, a pale pink sweater and a maroon tie, speaks into a microphone on a television screen bearing an IBN Impulse Buying Network logo, gesturing with one hand and grinning, his eyes shifting sideways. The scene then cuts to a room with a red electric guitar, an amplifier and a lava lamp, where a blond young man in a blue plaid shirt sits in a red armchair with his fingers pressed together at his lips.

> Generation X.
> Yeah.
> Groovy.

Frame: https://ultrahouse3k.com/img/S05E21/458375.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/462545

## 7:47–7:58

Troy McClure, with swept-back reddish hair and a pink sweater, sits beside an unnamed man in a brown suit and red tie with blue hair at the sides, who holds up a framed yellow cel showing Itchy and Scratchy. The man grins and gestures with one hand, then leans in with wide eyes and an open mouth while keeping the framed cel raised. The on-screen caption reads "IBN" with "ITCHY & SCRATCHY CEL, LIMITED EDITION OF 800,000" across the bottom.

> Troy, I'm proud to offer your viewers these hand-drawn,
> itchy and scratchy animation cells. Each one is absolutely, positively,
> 100% guaranteed to increase in value. Not a guarantee.

Frame: https://ultrahouse3k.com/img/S05E21/469010.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/473181

## 7:58–8:10

Bart, the boy with spiky hair in an orange shirt, first lies in a blue bed, then Homer, the bald man in a white shirt and blue pants, leads him by the shoulders down a pink hallway with an arched doorway and a hanging blue chandelier. The two stand facing each other gesturing, then Bart peeks sideways from behind a pink wall with a sly look while Homer, mouth open, stares at a red-banded slingshot he holds.

> Ooh.
> Pardon me, sir.
> Forgive my clumsiness.
> Not at all.
> Uh, yes. My name is Homer Simpson, And I'd like to order an itchy and scratchy cell?

Frame: https://ultrahouse3k.com/img/S05E21/479646.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/484442

## 8:10–8:18

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in the family hallway holding a telephone receiver to his ear, with a grandfather clock on the left, a potted plant and vase on an orange cabinet beside him, and a staircase behind. He looks bored and sleepy at first, then his eyes widen and he glances sideways while talking into the phone. In the last moment he lifts a brown credit card-like card in his other hand near the phone's cord and base, looking toward it while still holding the receiver.

> My credit card?
> Uh, do you accept the federal breast inspector's card?

Frame: https://ultrahouse3k.com/img/S05E21/491533.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/494452

## 8:18–8:26

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands in a pink hallway beside a purple grandfather clock and an orange cabinet holding a telephone and a potted green plant. He holds a brown telephone receiver to his ear with one hand and grips the handset with the other, his expression shifting from a sly, half-lidded look to wide-eyed and toothy as he talks. He stays in place throughout while his face and mouth change, with the clock and staircase visible behind him.

> License to Ogle?
> Visa?
> Oh, yes, of course. That's what I meant.
> Visa. It's these new dentures.

Frame: https://ultrahouse3k.com/img/S05E21/499666.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/502794

## 8:26–8:39

Homer Simpson, Marge Simpson, Lisa Simpson, Maggie Simpson and Bart Simpson sit around the kitchen table with bowls and glasses of juice, Marge in her tall blue beehive and Maggie in her high chair with a pacifier. Marge leans in holding a spoon toward Maggie, who is eating from a bowl, while Homer sits at the table with his arm raised. Homer then stands at the stove holding a spoon with food on it and scowling, and Bart, in his orange shirt, sits at the table with his eyes squeezed shut and his fists clenched. A window with a view of a house, fence and trees and yellow corn-patterned curtains sits behind the table, and a blue oven mitt hangs on the wall.

> Well, I think it's wonderful that your father has fallen in love with my mother.
> Well, I'm opposed to the whole thing.
> Damn opposed!
> He's damn opposed. Damn, damn, damn opposed!
> Bart?

Frame: https://ultrahouse3k.com/img/S05E21/508008.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/513013

## 8:39–8:44

Marge, Homer, Lisa, and Bart sit around the kitchen table in front of a window showing a rainy backyard with a fence, with Maggie absent from the table. Marge stands at the left with her blue beehive, leaning toward the table and gesturing with one hand while speaking, as Homer looks on. Bart sits with a bowl in front of him and Lisa eats from her bowl at the left, while Homer, with his eyes closed in one moment, glances at Bart and then back toward Marge. Notable objects include a row of bowls, orange juice glasses on the table, dish racks at the left, and a corn-patterned curtain framing the window.

> What possible reason could you have against Grandpa being in love?

Frame: https://ultrahouse3k.com/img/S05E21/520311.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/521771

## 8:44–8:54

Homer Simpson, the bald, heavy man in a white shirt, stands in the family kitchen beside a green stove with a purple toaster, blue oven mitt and red pot holder on the wall, and a utensil crock on the blue counter. He grimaces with clenched teeth, then turns his head with wide eyes and an open mouth, then raises both hands to his cheeks in a distressed pose, and finally gestures with both hands while talking animatedly and looking off to the side.

> If he marries your mother, Marge, we'll be brother and sister.
> And then our kids. They'll be horrible freaks with pink skin, no overbites,
> and five fingers on each hand.

Frame: https://ultrahouse3k.com/img/S05E21/525316.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/529487

## 8:54–8:58

Two spiky-haired blond children, a boy in an orange shirt and a girl with frizzy hair and a pearl necklace, sit with a baby in a blue outfit with a blue bow and pacifier at a blue table in a bright kitchen, each with a bowl of food and a glass of orange juice. Then Marge with her tall blue beehive, Lisa with spiky hair, Bart, and bald, heavy Homer in a white shirt sit at the dining table, where Homer gestures with raised hands and mouth open while Marge looks on, and he later gestures with both arms outstretched. Last, a yellow hand with a green sleeve presses the keys of a purple telephone with a coiled cord on an orange table, with a blue bucket of green plants beside it.

Frame: https://ultrahouse3k.com/img/S05E21/535744.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/536786

## 8:58–9:08

Marge Simpson, in her green dress and red bead necklace, talks on a lilac telephone by a pink-and-orange sideboard with a potted plant, a pink vase and a teal jar, beside a staircase, while a split-screen panel on the left shows a grey-violet-haired woman on a phone in an armchair. Grampa, the wrinkled old man with white tufts of hair, steps up beside her and gestures with open hands as he speaks, and Marge turns to listen while the woman on the left keeps talking on her phone.

> Hello, Mom?
> Fine.
> You know, Abe had a very nice time with you last Sunday.
> Tell her I love her! Grandpa, shh. I know my mother.
> If you come on too strong, she's going to get scared away.

Frame: https://ultrahouse3k.com/img/S05E21/539914.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/543877

## 9:08–9:19

Split-screen view of three people on telephones: on the left, one of Marge's twin sisters, Patty or Selma, with grey-violet hair and a pink shawl, holds a receiver to her ear with narrowed eyes; in the middle, Marge with her tall blue beehive, green dress and red beads talks into a purple phone, her eyes wide and mouth open, then she clutches the receiver against her chest; on the right, Homer, bald with stubble and wearing glasses and a beige shirt, holds a red phone to his ear and grins widely. Behind Marge are a pink wall, a staircase, a potted plant and a lamp, with a blue jar and pink vase on a wooden shelf.

> I love ya! What?
> I love ya, Mom! I love ya! I love ya! I love ya!
> I love ya! I love ya, Mom! Gotta go!

Frame: https://ultrahouse3k.com/img/S05E21/550133.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/554095

## 9:19–9:29

Bart Simpson, in an orange shirt and blue shorts, sits reading a Radioactive Man comic on a brown couch, then walks to a pink front door. He opens it and stands in the doorway talking with Herb, a heavyset man with brown hair in a dark suit and tie who stands on a green doormat outside. Bart keeps his hand pressed to his chest while Herb keeps talking, with bushes beside the entrance and a blue sky behind Herb.

> Yeah, hi. I got a special delivery for Homer Simpson.
> That's me.
> Don't write no more letters to Mr. Sinatra.

Frame: https://ultrahouse3k.com/img/S05E21/560143.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/564522

## 9:29–9:40

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, starts inside the house by a coat rack, touching his nose, then stands at the open pink front door, hand on the purple knob, as a man in a brown jacket, brown trousers and a belt stands on a green doormat reading "WE" outside. Bart leans toward the doorframe and speaks, and the man, with light swept-back hair and a brown shirt, turns to face him, clasping his hands and talking, with a sunny street and a house visible behind him.

> I've got a special delivery for Homer Simpson.
> Uh, that's me.
> Stop stealing golf balls from the driving range!

Frame: https://ultrahouse3k.com/img/S05E21/570987.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/575158

## 9:40–9:53

Bart Simpson, the boy with spiky hair in an orange shirt, stands beside a brown front door with a purple knob and a mail slot, next to a purple coat on a red coat rack against a pink wall. He first rubs his eye with one hand, then his eyes glance up and to the side with a worried, uneasy look while he keeps his mouth set in a flat line. He holds this wary, sidelong expression as he stays by the door, glancing back and forth with an unsure, reluctant look on his face.

> Homer Simpson, I've got a special delivery for you.
> Go away.
> You do not open the door, Mr. Simpson. I cannot give you your special delivery.

Frame: https://ultrahouse3k.com/img/S05E21/581414.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/587045

## 9:53–10:04

Bart Simpson, the boy with spiky hair in an orange shirt, stands at the front door of the Simpson house, a red door with a purple knocker. A delivery man in a blue cap and blue jumpsuit, with long dark hair, holds a clipboard and then hands over a long tube labeled ANIMATION CEL, DO NOT ROLL, addressed to Homer Simpson at 742 Evergreen Terrace. Bart begins with a bored, eyes-half-closed expression, then steps forward to take the tube and smiles, while the deliveryman grins and gestures. The welcome mat reads WELCOME and a clipboard and a sealed package sit in the scene.

> Here's your special delivery.
> Thanks.
> That's for keeping me waiting.

Frame: https://ultrahouse3k.com/img/S05E21/594969.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/599140

## 10:04–10:15

Bart and Lisa Simpson are in the living room, with Bart perched on the arm of a brown couch in an orange shirt and blue shorts, holding a grey tube-like object while grinning, and Lisa in her orange skirt and pearl necklace standing nearby looking up at him. Lisa's expression sours and she gestures with her hands as Bart leans forward and holds a clear sheet up in front of her face, with small sparkle marks glinting beside the couch. Pink walls, a framed picture, a side table, and a colorful striped rug fill the background, and the moment opens on a black screen with a yellow and white circular logo.

> Hey, Lise, guess who's got a genuine itching and scratchy animation cell?
> Oh, that is so cool! That is so exciting!
> That is so...

Frame: https://ultrahouse3k.com/img/S05E21/605605.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/609776

## 10:15–10:25

Lisa, the girl with star-shaped spiky hair, and Bart, the boy with spiky hair in an orange shirt, are together first at a brown surface with a clear panel of printed text reading "SC-136" and "F21/7621" that Bart holds with both hands. Lisa leans in to look at the panel, which has a small gloved-hand object with a dark handle, and Bart's expression turns alarmed as he raises the panel toward his face and the object ends up pressed against his nose. In the final moment Lisa, wearing a pearl necklace, stands in a pink room beside a window with a potted plant nearby, her eyes wide and mouth open in distress.

> Crappy.
> It looks like part of Scratchy's arm.
> Oh, no.
> I used Dad's credit card to buy this.
> Yeesh. How much was it?

Frame: https://ultrahouse3k.com/img/S05E21/616241.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/620411

## 10:25–10:37

Bart, in an orange shirt and holding a cigarette with a white glove, looks uneasily at a clear pane in a brown-cushioned room, then stares at a translucent ghostly figure in a pink shirt and vest beside him. In the Kwik-E-Mart, a brown-haired boy in a pink shirt, vest and grey shorts stands stunned beside a spilled green slushie cup, and Apu, the dark-haired clerk in a green shirt, leans over the boy as he slumps across the counter in front of the 'CASH' sign and 'NUKE' display. A cup lies tipped on the floor.

> $350.
> Ooh.
> Oh my god, this boy is having an out of body experience.
> This is very bad for business.

Frame: https://ultrahouse3k.com/img/S05E21/626668.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/631673

## 10:37–10:48

Homer sits on a dark red couch beside Troy McClure, an actor with swept-back reddish hair wearing a pinstripe suit and bow tie. Troy first raises a comb high in one hand while waving the other arm, then he settles back onto the couch, grinning, clasping his hands and gesturing with his fingers as he talks. Pink walls behind them hold framed pictures of Marge and Bart.

> Ha, stiggity!
> I'm gonna smooch her like a mule eating an apple!
> Mwah!
> I even bought me some special novelty dentures!

Frame: https://ultrahouse3k.com/img/S05E21/638972.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/643143

## 10:48–10:58

Homer, in his white shirt and blue pants, sits on a maroon couch in a pink living room with a man in a pinstriped suit and brown bow tie, who has a moustache and glasses and is not identifiable as a regular. The man first gestures toward a red lamp on a purple side table, then grins to show novelty dentures with green "KISS ME SWEETIE" written across the teeth. Homer talks and gestures beside him, then turns away with a hand on his chest and a sidelong, skeptical look beside the red lamp and a teal vase, while a framed portrait of Marge hangs on the wall behind them.

> See?
> Dad, that will never work. If you wanna make your move, you gotta play it.
> Cool.

Frame: https://ultrahouse3k.com/img/S05E21/649607.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/653778

## 10:58–11:11

Homer, the bald man in a white shirt and blue pants, sits beside an older mustached man with glasses, a bow tie and a brown pinstriped suit on a blue couch in a blue room with lamps and zigzag-patterned walls. Homer talks animatedly, leans in with his mouth open, then grabs the older man's lapels with both hands, and finally stands up with one arm stretched out to the side and the other raised high while the older man remains seated, watching him.

> Now what you gotta do if you wanna get a kiss is
> act real smooth and make your move like this.
> Oh, I see.

Frame: https://ultrahouse3k.com/img/S05E21/659826.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/665039

## 11:11–11:22

Homer and Herb, the brown-haired man in a brown pinstriped suit and bow tie, sit together on a blue couch in a blue room with white table lamps and a purple zigzag wall. Herb leans in toward Homer's face, then gestures with his hands and grins while Homer looks on warily. Herb rises and turns toward a blue abstract painting on the wall, then leans back toward Homer and rests a hand on his knee as Homer glances sideways.

> So if I take your advice and make your patented move,
> then my chances for love will slightly improve.

Frame: https://ultrahouse3k.com/img/S05E21/672338.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/676718

## 11:22–11:33

Homer Simpson, a bald, heavy man in a white shirt and blue pants, and Mr. Burns, a thin, stooped old man with a hooked nose, glasses and grey hair at the sides in a brown pinstriped suit and bow tie, are in a blue living room with a sofa, green-shaded lamps and a striped arched backdrop. Burns throws his arms up and shouts, then sits beside Homer on the sofa with an arm around him while Homer grins, and Homer raises a finger as Burns points and yells. The scene then shifts to a pinkish room where the two stand side by side, Homer looking sideways and Burns with his hands clasped in front of him.

Frame: https://ultrahouse3k.com/img/S05E21/683183.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/687979

## 11:33–11:45

Homer stands on the left in a white shirt and blue pants while an older man in a pinstriped suit and glasses perches on the back of a maroon couch in a pink living room, arms spread wide. The scene shifts to night outside the Springfield Community Center, whose sign reads "Today: Senior Citizens Swing Dance / Tomorrow: Cat Spay-a-Thon," with a few figures on the walk. Marge, in a purple dress with a tall blue beehive, walks through the glass doors with the same pinstriped older man in a fedora, his hand at her back, holding his coat over his arm. The final shot shows The Android's Dungeon & Baseball Card Shop, where a robot in the window with the speech bubble "Take me to your comic books & baseball cards" waves beside a sign reading "Yes We're Open."

Frame: https://ultrahouse3k.com/img/S05E21/694861.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/699449

## 11:45–11:58

Bart, the spiky-haired boy in an orange shirt and blue shorts, stands at a glass display counter in a cramped shop, looking up at a heavy, stubbled man in a blue shirt behind the counter. The shopkeeper, a bulky figure with a pointed moustache-like stubble and a ponytail of brown hair, first leans in toward Bart, then holds up a framed picture of a pink cartoon cat in a top hat, presenting it to him with both hands. Bart leans in and reaches toward the framed picture, then the shopkeeper hunches forward and raises a blue-and-white beach ball on his fingertip while gesturing with his other hand. Behind them, the wall displays posters reading SPACE and RISK, a blue cap, a sign reading CARD HOLDERS 25 cents, and shelves of trading cards and a few small items sit under the glass counter.

> drawn by Hig Heisler. It is worth something.
> This, this is an arm drawn by nobody.
> It is worth nothing.
> Can't you give me anything for it? I can give you this telephone.

Frame: https://ultrahouse3k.com/img/S05E21/706331.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/711753

## 11:58–12:10

Bart, the spiky-haired boy in an orange shirt, gestures with open hands in a shop while a heavy man in a blue shirt and orange shorts, who is not a listed regular, scowls at him across a dark counter. Behind them, an older grey-haired woman in a black dress holds up a large white telephone handset above a keypad. The scene then moves to a ballroom where a sign on an easel reads "Red Breem and his Band of Some Esteem" beside a band in light blue jackets playing brass instruments. Couples dance on a checkered wooden floor under a purple chandelier, and Homer, bald and in a dark suit, dances with Marge, who has a tall blue beehive and a purple dress.

> It is shaped like Mary Worth.
> No groaning in my store.

Frame: https://ultrahouse3k.com/img/S05E21/719469.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/724682

## 12:10–12:17

Marge Simpson, with her tall blue beehive and purple dress with a white collar, dances closely with a heavyset bald man in a dark pinstriped suit in a room with purple curtains and a pink hanging lamp. He holds her at the waist while she sways, eyes closed and smiling, and her head drifts to rest against his chest. She then leans back and laughs with her mouth open and eyes squeezed shut, and the two keep swaying together in front of the purple window.

> Oh, my favorite song.
> This is so nice.
> I can't remember when I felt this young.

Frame: https://ultrahouse3k.com/img/S05E21/731981.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/734067

## 12:17–12:27

An elderly man with bushy grey-blue hair at the sides, a big moustache, glasses, a pinstriped suit and a brown bow tie dances with a woman in a purple dress and a tall grey-violet hairdo in a dim red-walled room under a pink chandelier. He holds her waist and they sway together, then she leans toward him and he speaks with his mouth open, looking sideways. They end facing each other, her with a sly sideways glance and him with heavy-lidded eyes and a faint closed-mouth smile.

> Oh, I really can't.
> Say, sport, mind if I have the next dance?

Frame: https://ultrahouse3k.com/img/S05E21/738655.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/742617

## 12:27–12:38

Mr. Burns, a thin, hooked-nosed old man in a white tuxedo with a red carnation, stands in a red-walled room under a chandelier with a grey-violet-haired woman in a purple dress, likely one of Marge's twin sisters, Patty or Selma, and a heavyset man in a pinstriped suit with a brown bow tie. Burns reaches toward the man's face and then gestures toward the woman, with the man at first pushing a hand up in alarm and then standing with a sour scowl while Burns rests his hand on the woman's arm and grins. The moment ends with Burns still beside the woman and the scowling man at the right.

> What the? Don't sneak up on her!
> No need for the blown gasket, Charlie.
> I'll have her back in one piece.

Frame: https://ultrahouse3k.com/img/S05E21/748873.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/753253

## 12:38–12:48

Mr. Burns, frail and hook-nosed in a white tuxedo with a red boutonniere, dances with Marge, who wears a tall blue beehive and a purple dress with a white collar, while an elderly man in a pinstripe suit and brown bow tie watches beside them in a ballroom with a parquet floor, red walls and purple curtains. Burns flings his arms out, kicks a leg and gestures, then holds up a small flower as he turns toward Marge. The scene shifts to a close view of the pinstriped man standing near a seated blue-haired woman at a white-clothed table, and ends with Burns clasping Marge in a close, tango-like embrace as a man in a brown coat and a blue-haired woman stand behind them.

Frame: https://ultrahouse3k.com/img/S05E21/759926.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/763888

## 12:48–13:02

Marge, with her tall blue beehive and purple dress, twirls on a wooden parquet dance floor while a man in a white suit and yellow hat dances with arms raised and guests look on, including Mr. Burns, a stooped, thin old man in a dark suit, at the right edge. Near the wall, a woman in a green dress stands beside Mr. Burns, who clasps his hands and grins, while a moustached man with glasses, a brown pinstriped suit and bow tie speaks with his mouth open. Against a dark red wooden wall, the moustached man keeps talking, then furrows his brow and scowls with his mouth open.

> Grrr!
> That big ape thinks he can muscle in on my girl, does he?
> I'll show him. I'm gonna give him the frowning of a lifetime!

Frame: https://ultrahouse3k.com/img/S05E21/769936.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/775775

## 13:02–13:12

Mr. Burns, frail and stooped in a white tuxedo, and Marge, in a purple dress with a tall blue beehive, struggle over a small object in a crowded formal room while Homer looms in the left foreground and Herb, in a pinstriped suit, watches nearby. Burns then grips Marge's hand, and later he holds Herb's face and pushes it aside as Marge pulls back. The scene cuts to a dim, night-time street outside a building with an orange facade, where silhouetted people stand behind glass doors beneath a tan awning, and an old man in a brown coat sits alone on a green bench under a streetlight, holding a hat.

Frame: https://ultrahouse3k.com/img/S05E21/783491.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/787662

## 13:12–13:26

Grampa, the wrinkled old man with tall white tufts of hair, moustache, glasses, bow tie and brown coat, sits on a green bench, stroking a brown greyhound with a red collar. Nearby, Mr. Burns, the frail, stooped old man with a hooked nose and a white suit with a red rose, stands beside a curly-haired blue-haired woman in a purple dress, first leaning in close with a toothy grin, then at a building entrance where the woman holds a gold trophy and Burns gestures with one hand, his expression smug. The setting shifts from an outdoor bench at dusk to a glass-doored building with a golden trophy in the woman's grip.

> I swear, Monty, you are the devil himself.
> Who told you?
> Yes, well, I'd say you're an angel,

Frame: https://ultrahouse3k.com/img/S05E21/793918.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/799549

## 13:26–13:36

Mr. Burns, a frail, thin, stooped man with a hooked nose and grey hair at the sides, in a white suit with a red flower, shakes hands with Marge, who has a tall blue beehive and a purple dress and holds a gold trophy, in front of a glass entrance. Elsewhere at night, a child in white pajamas and a blue nightcap stands beside a dark blue car while a woman with lavender hair in a purple dress and a man in a dark green coat stand nearby. Smithers, the thin assistant with glasses, wears a purple bow tie and green jacket with an ID badge, and an elderly man in a brown coat sits on a park bench under a streetlight holding his hat.

> but angels don't dance like that.

Frame: https://ultrahouse3k.com/img/S05E21/807265.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/811436

## 13:36–13:38

An elderly yellow-skinned man with a brown beard, round glasses, a brown bow tie and a brown coat stands in front of a green wall and wooden boards. He first stands still with a weary expression, then lifts a hand to his cheek while holding a brown fedora with a red band. Next he raises his hand to the brim of the hat and finally brings it to his face, rubbing his eyes beneath the hat.

Frame: https://ultrahouse3k.com/img/S05E21/817692.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/817692

## 13:38–13:47

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wears a brown trench coat, striped trousers and a fedora. He walks in from the left along a moonlit sidewalk lined with lamp posts and pools of light, then slows and stands still under a lamp while holding a brown briefcase. Hedges, tall trees and dark lawns surround the empty path at night.

> Good night, Mrs.
> Bouvier, wherever you are.

Frame: https://ultrahouse3k.com/img/S05E21/819777.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/823114

## 13:47–13:56

Homer, in a brown trench coat and striped suit, walks along a lit sidewalk at night, carrying a brown briefcase in his left hand. He first appears bareheaded and then wears a brown fedora as he strolls past lampposts and pools of light, with hedges and trees behind him. He steadily moves away from the viewer toward the right, growing smaller in the distance down the empty walkway.

> Mr. Simpson, I represent the estate of Jimmy Durante.

Frame: https://ultrahouse3k.com/img/S05E21/828536.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/831664

## 13:56–13:59

An elderly man in a brown fedora, brown trench coat, bow tie and bushy moustache stands beside a thin, blue-haired man with round green glasses, a grey suit and a red tie, outdoors at night against dark trees and a blue sky. The older man glances sideways and then turns his head toward his companion, who speaks with his mouth opening and closing while one hand rests at his hip. Both men remain standing together in the same spot, with the older man's expression stern and unmoving.

> I have a court order demanding an immediate halt to this unauthorized imitation.

Frame: https://ultrahouse3k.com/img/S05E21/837086.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/837712

## 13:59–14:06

On a dark, tree-lined street at night, an older man in a brown fedora and long brown coat stands on the sidewalk beside a lamppost, facing Principal Skinner, a grey-haired man in a grey suit and red tie who holds a yellow envelope, while a bald, heavy man in a dark brown suit and a black-haired man in a brown suit and green shirt look on. Skinner gestures and speaks, then the black-haired man lifts his leg and stomps the older man's fedora, which lands on the pavement under his shoe. The hat is then left lying on the sidewalk while the older man stands alone, looking downcast.

> Well, I...
> Well, would it be all right with you if I just laid down in the street and died?

Frame: https://ultrahouse3k.com/img/S05E21/840423.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/843134

## 14:06–14:14

A balding, mustached man in a brown overcoat and striped suit stands on a night sidewalk beside a tall lamppost, with a brown fedora lying upside down on the pavement near his white shoes. He stays mostly still, his face shifting from a worried, downcast look to a wide-mouthed exclamation and then a pained grimace while his eyes glance off to the side. Dark trees, hedges and a lit backdrop sit behind him in the blue night scene.

> Yes, that would be acceptable.

Frame: https://ultrahouse3k.com/img/S05E21/848139.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/850850

## 14:14–14:21

Smithers, the thin assistant with glasses and a purple bow tie, and Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair, stand together in a wood-panelled room near a window and a sideboard, with Burns leaning toward Smithers, who looks startled and grimaces. Behind them, a few people stand on a red carpet in front of a large purple desk, a bookshelf lines the left wall, and a white polar bear stands by the right edge, while the scene fades from the wide view of a nuclear plant at night with two cooling towers and a large grey building in the foreground to the indoor scene.

> Smithers, guess what happened to me last night?
> I don't know, sir.
> You had sex with that old woman? She said no to me.

Frame: https://ultrahouse3k.com/img/S05E21/855646.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/858149

## 14:21–14:34

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a wood-panelled room in a blue suit and black tie, first gesturing with his hands together and then waving one arm and taking a step while grinning. Beside him, Smithers, the thin assistant with glasses and a purple bow tie, wears a brown jacket and a badge, and he stands with his head bowed, then glances over at Burns as Burns gestures. A purple cabinet and a white bear-like figure stand at the edge of the frame, and the red carpet runs along the floor.

> Do you know how many women have said no to me?
> 130, but only one since I've become a billionaire.
> And she's the one for me. I'm in love!
> Whoop-dee-doo, sir.
> Yes, whoop-dee-doo. Whoop-dee-doo to the world!

Frame: https://ultrahouse3k.com/img/S05E21/862737.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/868159

## 14:34–14:45

Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers, in an olive jacket, purple bow tie and ID badge, start in a wood-paneled library lined with bookshelves, where Burns raises a finger beside a window. They then meet a tall, red-haired man in a green polo shirt and necklace and a red-haired florist in an apron and bow tie holding a large bouquet, while Burns takes a pink flower. Burns walks past the shelves as Smithers sniffs the pink flower, and the scene ends with Burns glaring through glass at a tank of dark spiders with purple hair before standing at a desk with a bell beside Smithers.

> Whoop-dee-doo, Mr. Florist. Whoop-dee-doo, Mr.
> Physical Trainer. Whoop-dee-doo, Mr. President.
> I'm happy you finally found love. Whoop-dee-doo, Tarantula Town!
> Whoop-dee-doo, employees!

Frame: https://ultrahouse3k.com/img/S05E21/875666.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/880254

## 14:45–14:59

Homer Simpson, bald and heavy in a white shirt, stands in a power plant control room with Lenny and Carl in white hard hats, and Smithers in a suit and tie with a clipboard, while a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, Mr. Burns, sits at a desk and reads a sheet of paper. Early on, Carl gestures toward Smithers near a pink cart while a man in a blue shirt sits at a control console; Smithers then turns away from Carl, and Burns frowns as he scans the paper, with a nameplate reading 'C.M. Burns' on the desk. Notable objects include the pink cart, a wall of control panels, and a paper labeled as a memorandum.

> Everyone who's found true love may leave early today!
> Hooray!
> All right!
> Memorandum to Mrs. Bouvier.
> Read Delineation of Romantic Intentions.
> Too sappy.

Frame: https://ultrahouse3k.com/img/S05E21/886928.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/892767

## 14:59–15:03

Smithers, the thin assistant with glasses and a purple bow tie, stands in the foreground at right with his eyes glancing sideways, while Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits hunched at a purple desk in a red high-backed chair. Across the moment Smithers' expression shifts from a worried, sidelong look to a clenched, grimacing grin, while Burns leans forward over the desk and then sits upright, his hands resting on the desk beside a stack of papers and a pen. Smithers wears a green jacket with an orange-and-white ID badge clipped to it, and the dark wood-paneled office sits behind them.

> Smithies, come over here and help me write a mash note to my girlfriend.
> Fine.

Frame: https://ultrahouse3k.com/img/S05E21/900900.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/901734

## 15:03–15:10

Mr. Burns sits at a desk with a pen and a stack of papers, wearing a sly grin and a scowl, while his assistant Smithers, in a green jacket, purple bow tie and glasses, stands beside him as a large white polar bear with its mouth open rises on a pedestal behind them. Smithers speaks with his mouth open, then falls silent and looks increasingly tense and worried while Burns keeps his eyes lowered and continues writing on the papers. The wood-paneled office has a red chair at the left edge, and a name badge is visible on Smithers' jacket.

> Darling one, read my words and hear my heart speak of a love soft and undying.

Frame: https://ultrahouse3k.com/img/S05E21/904862.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/907365

## 15:10–15:17

Mr. Burns, a frail, stooped old man with a hooked nose, sits at a desk in a wood-paneled office, writing in a notebook with a blue pen, while Smithers, his thin assistant in glasses, purple bow tie, and green jacket with an ID badge, stands beside him. A large white stuffed bear looms at the right edge of the scene. Smithers talks and then folds his arms, while Burns looks up, speaks, and finally grins sideways toward him as the pen stays in his hand.

> A love that will be with you always.
> Sincerely, yadda yadda yadda.
> That's marvelous.
> How did you think of that so fast? I sent it to you on your birthday.

Frame: https://ultrahouse3k.com/img/S05E21/911953.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/914455

## 15:17–15:25

Mr. Burns, frail and hook-nosed, reads a sheet of paper at a desk while Smithers, a thin man with glasses wearing a green jacket, purple bow tie and ID badge, stands beside him. Smithers grins, touches his chest, then fidgets with his face and eye, while a white polar bear behind him on a blue pedestal throws up its paws and roars. The scene ends with Burns alone at the desk, smirking over the paper as the bear still roars in the background.

> Excuse me, I have something in my eye.

Frame: https://ultrahouse3k.com/img/S05E21/919043.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/921546

## 15:25–15:36

Marge Simpson, with her tall blue beehive and green dress with a red necklace, and Homer Simpson, bald and heavy in a white shirt and blue pants, stand in the pink hallway of their home. Marge starts on the staircase with its purple railing, then comes down and stands facing Homer near the arched doorway to the dining room, where a green teapot sits on a table. Homer stands still at first, then Marge and Homer clasp hands, and Homer raises his free arm to gesture outward while Marge looks at him. A framed painting of Bart hangs on the wall, a potted red flower sits by the stairs, and a dark coat hangs on the right.

> Mom's almost ready for her date. She sure seems taken by this new bow.
> I feel so bad for Grandpa.
> Dad says this new guy is a repulsive, obnoxious old billionaire.
> So let's all be extra nice to him.

Frame: https://ultrahouse3k.com/img/S05E21/926342.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/930930

## 15:36–15:46

Marge with her tall blue beehive and Homer in his white shirt stand beside each other in a pink hallway, Marge looking at Homer while he stares wide-eyed; Homer then turns to a tall open cabinet of blue and red machinery, reaching toward it. Outside a house with a lit arched window and a red door, Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, holds a pink-wrapped gift with a bouquet of dark red flowers. Marge and Homer step up to the doorway behind him, Marge in her green dress and red beads, Homer in his white shirt and blue pants, both staring at Burns, who grimaces and then smiles stiffly as they look on. The scene has a welcome mat reading as a doormat with a tiny decorative design on the front step.

> Hello.
> Why, it's... It's, uh... Oh, it's, uh...

Frame: https://ultrahouse3k.com/img/S05E21/937603.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/941566

## 15:46–15:59

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, holds a bouquet of red roses and a heart-shaped box of chocolates at night beside a blue car, while his thin assistant Smithers, with glasses and a purple bow tie, peers out of the car window and then looks ahead. Burns then stands on the front step of a house, presenting the roses and box to Marge, with her tall blue beehive and green dress, and Homer, bald in a white shirt, who stare at him in the doorway. Burns then bends toward a spiky-haired girl in the foreground, pointing, while a short grey-suited figure with blue-tinged hair takes the heart-shaped box from him and hands it to Marge as Homer gestures with an open mouth.

> Why, it's Fred Flintstone and his lovely wife, Wilma.
> Oh, and this must be Little Pebbles. Mind if I come in?
> I brought chocolates. Lava-dava-doo!

Frame: https://ultrahouse3k.com/img/S05E21/947613.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/953244

## 15:59–16:11

Marge Simpson, with her tall blue beehive and red bead necklace, and Homer Simpson, bald and wearing a white shirt, sit across from each other at a blue kitchen counter, holding hands clasped together on the tabletop. Marge's eyes are half-closed and she speaks with her mouth open, then her gaze shifts while Homer glances sideways with a worried look. Over the moments Marge's expression tightens into a sour, skeptical stare while Homer's head tilts and his mouth opens in speech with eyes squeezed shut. Behind them are a purple toaster, a green stove, purple cabinets and a blue dish towel hanging on the wall.

> He's an awful, awful, awful man.
> But I guess if he makes Mom happy, that's all that really matters.
> That's right, Money.
> Your money's happiness is all that money's.

Frame: https://ultrahouse3k.com/img/S05E21/960960.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/965756

## 16:11–16:24

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits on the edge of a dark brown couch in a lavender suit and bow tie, holding a bouquet of red roses, while Bart, the spiky-haired boy in an orange shirt and blue shorts, stands before him in a pink-walled living room with a red lamp and purple nightstand. Burns first sits grimacing and pressing a hand to his face, then rises and extends the roses toward Bart, who stares up at him with arms crossed and then grins slyly as Burns speaks. A framed picture hangs on the wall and a window with blue curtains is visible behind the couch.

> Hmm.
> Hi.
> You know, Grandma really likes it when her boyfriends are nice to me.
> She specially likes it when they give me money.
> Run alone, Pee-wee. Baby gets nothing. Very well.

Frame: https://ultrahouse3k.com/img/S05E21/972638.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/978269

## 16:24–16:37

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands in a pink room with a bookshelf, an arched doorway and a red lampshade, first with his hands behind his back and then aiming red toy guns, one in each hand. In the final moment, seen from behind, he points a gun at Mr. Burns, the frail, stooped, thin old man with a hooked nose and grey hair at the sides, who wears a lavender suit and steps back with a startled look beside a dark wooden bed and a window with curtains. The scene ends with Bart's gun leveled at Burns.

> You leave me no choice.
> This gun is filled with ketchup.
> This one with mustard.
> Now give me 350 bucks or you're gonna be a mess for your date.
> You don't have the guts.

Frame: https://ultrahouse3k.com/img/S05E21/985985.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/990990

## 16:37–16:50

Bart, a boy with spiky hair in an orange shirt and blue shorts, and Mr. Burns, a frail, stooped old man with a hooked nose, grey hair at the sides and a grey suit, stand in a pink living room with yellow curtains and a red lamp. Bart holds out a folded green bill while Burns scowls and gestures, and a red toy gun lies on the green carpet near his feet. Burns then crouches and aims a red toy gun at Bart, who raises a second red toy gun in return.

> Here, take your money, take it.
> Ooh, now the tables have turned, haven't they?
> Auntie, I'm ready.

Frame: https://ultrahouse3k.com/img/S05E21/998080.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1003711

## 16:50–17:00

Marge, with her tall blue beehive, first stares wide-eyed in a close-up, then in the pink living room Mr. Burns, frail and stooped in a grey suit and bow tie, walks past as Bart in his orange shirt runs by holding up a small red object. Grampa, in a brown robe with white tufts of hair, stands beside a dark bed in a red-walled bedroom, looks at a small object in his hands, then sits up in bed holding a dark rectangular item while a framed photo of Marge rests on the dresser.

> Oh, why'd she have to leave me?
> Hi, Abe. I heard there was a need of some cheering up.

Frame: https://ultrahouse3k.com/img/S05E21/1011636.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1015598

## 17:00–17:10

Grampa, a bearded old man in a purple jacket holding a cane, stands in a red-walled room while Homer watches from the foreground left, and Mr. Burns and an unnamed elderly man peek from a doorway. The unnamed man in a blue shirt with suspenders and Mr. Burns then wheel in a three-tier white cake with orange scalloped trim reading "CHEER UP, ABE!", and Grampa steps up beside it. Closing shots in a circular inset show Grampa holding a grey hand mirror, first with a wry expression and then with his mouth open as he speaks.

> We got you a special kick.
> Uh-oh.
> Better call the nurse.

Frame: https://ultrahouse3k.com/img/S05E21/1021854.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1025816

## 17:10–17:11

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits at a checkered-cloth table with Marge, who has her tall blue beehive and a pink top, and they hold hands across the table. Beside them, a mustached chef in a white hat and apron plays violin and drifts slowly leftward past empty wooden chairs in a green-walled Italian restaurant decorated with a Leaning Tower of Pisa poster, a map of Italy, and hanging plants. A small potted plant sits on the table between the two diners.

Frame: https://ultrahouse3k.com/img/S05E21/1031864.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1031447

## 17:11–17:21

Marge Simpson, with her tall blue beehive and pink shawl, sits across a checkered-tablecloth table from Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, in a dark suit and tie. A stout chef with a tall white toque and a thick black moustache stands between them in an Italian restaurant with a 'ROMAN... ITALY' poster on the wall. The candle stuck in a wax-dripping wine bottle flickers as the chef leans in, raises a hand as if to hold Burns back, and then presses a finger to his lips, while Marge looks on with a sidelong, unimpressed glance and Burns grins.

> Bravissimo, Luigi.
> Bring us your finest bottle of vino.
> Hey, you trust Luigi, huh? He knows what for to make a real nice de amore.
> Oh, Monty, I've never been to a more romantic restaurant.

Frame: https://ultrahouse3k.com/img/S05E21/1032907.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1036661

## 17:21–17:31

Mr. Burns, the frail, thin, stooped old man with a hooked nose, grey hair at the sides and a dark suit and tie, sits across a checkered red-and-white tablecloth from a woman with a tall lavender beehive and a pink top, who rests her chin in her hands. In a restaurant with teal walls, a potted plant and a poster reading "ROMAN... ITALY," the woman talks with her mouth open and then lets her eyes droop dreamily, while Burns smiles with his hand resting near a candle in a bottle-shaped holder. Across the sequence her expression shifts from lively and chatty to heavy-lidded and content, as Burns keeps smiling and watching her.

> Hey, Salvatore, break out of the cheap hooch of a Mr.
> North Deep and a dried-up zombie. He's captured.

Frame: https://ultrahouse3k.com/img/S05E21/1042708.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1046462

## 17:31–17:43

Homer Simpson, in a white shirt and blue pants, and Bart Simpson, in an orange shirt and blue shorts, are in Bart's bedroom with pink walls, a red bed, a rocket picture, and a telephone on an orange-drawered dresser. Bart, holding a stack of green bills, sits on the bed and hands the money to Homer, who walks in from the doorway, accepts it, and then looks down at the cash while counting it. A green plastic alien toy and a toy airplane hang in the background.

> Dad, I'm really sorry, but I charged $350 on your credit card.
> What?
> Don't worry, here's the cash.
> Woo-hoo!
> $350!
> Now I can buy 70 transcripts of Nightline.

Frame: https://ultrahouse3k.com/img/S05E21/1052301.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1057515

## 17:43–17:57

Homer, the bald, heavy man with stubble in a white shirt and blue pants, stands in a pink room holding a phone receiver and talking animatedly, while Bart, the spiky-haired boy in an orange shirt and blue shorts, stands facing him by a brown door. On the orange dresser to the left sits a white telephone with a curly cord, beside a glass jar of dark objects and a framed rocket picture on the wall. Bart shrugs with one hand raised, then stands with his hands clasped and mouth open, and finally turns and walks out of view to the right while the phone and dresser remain in place.

> But, Dad...
> Oh, well. He's happy. I'm gonna keep this Mary Worth phone right here.
> Her stern but sensible face will remind me never to do anything so stupid again.

Frame: https://ultrahouse3k.com/img/S05E21/1065022.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1070653

## 17:57–18:04

Bart Simpson stands at a desk in a pink room, holding a telephone receiver to his ear with wide eyes, while an older woman with a tall blue-grey hairdo, black dress and pearl necklace stands on a white telephone base gesturing with her hands. Bart's mouth opens as he pulls the handset away from his head with its coiled cord stretched taut, and the scene then cuts to an outdoor picnic on a red checkered blanket under a tree, where the thin, bald Mr. Burns in a dark suit sips from a small glass beside Marge with her tall blue beehive. A wicker picnic basket, a cooler and a folding wooden table sit on the grass in front of a purple mountain.

> Hey, Bart, you want to go play with that x-ray machine in the abandoned hospital?
> Sure.

Frame: https://ultrahouse3k.com/img/S05E21/1078369.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1081080

## 18:04–18:14

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a dark blue suit and black tie, holding a martini glass with an olive on a pick. He raises his free hand, peers at the drink, then extends the glass toward someone off to the side, while one of Marge's sisters, Patty or Selma, with grey-violet hair, a pink shawl and a pearl necklace, lifts a glass to her lips, sips, and then touches her throat with her eyes closed. The scene is set against a plain purple backdrop with a brown tree trunk and green bushes at the right edge.

> Now, my dear, if you look in your champagne, I think you'll find a little surprise.

Frame: https://ultrahouse3k.com/img/S05E21/1085876.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1089422

## 18:14–18:21

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and a woman with a tall lavender beehive and pearl necklace sit on a red picnic blanket beside a steaming tureen, a bottle of wine chilling in an ice bucket, a glass, and a wicker picnic basket holding grapes and bread. Burns, kneeling on the left, gestures with his hands and raises a finger while speaking, then stares ahead with a sour, puzzled look as the steam keeps rising from the pot. The woman sits calmly on the right, glancing sideways at him, and the setting is a grassy hillside under a purple sky.

> Not to worry, I believe there's another one around here somewhere.

Frame: https://ultrahouse3k.com/img/S05E21/1095052.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1097763

## 18:21–18:28

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, kneels on a red picnic blanket and holds out a ring while smiling, proposing to one of Marge's twin sisters, Patty or Selma, who has tall grey-violet hair and sits across from him with a flat, unimpressed look. Over the moment he shifts from leaning in with a toothy grin to lowering his gaze to the ring, while a steaming pot, a champagne bottle in an ice bucket, a martini glass, and a wicker basket holding bread and grapes sit on the outdoor blanket.

> Drew, my darling, since my kneecaps are filling with fluid as we speak, I'll be brief.
> Will you marry me?

Frame: https://ultrahouse3k.com/img/S05E21/1102560.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1105271

## 18:28–18:41

Marge Simpson, with her tall blue beehive and green dress with red beads, and Homer, bald and in a white shirt, sit or stand near an older woman with a tall lavender-blue hairdo, a hooked nose, a pink shawl and a pearl necklace. The scene opens with a yellow hand offering a diamond ring toward her, then moves to a bedroom with corn-patterned curtains where Marge gestures toward her, and finally to a kitchen with a blender, a wall phone and a small toy house on the table, where Marge leans in while the older woman smiles with eyes closed and Homer stares wide-eyed and then grimaces.

> Oh, Mom, you can't marry Mr. Burns. He's an evil man.
> Evil shmeevil, Marge.
> Monty can provide for me.
> And besides, he's a great kisser.
> Yuck!

Frame: https://ultrahouse3k.com/img/S05E21/1110067.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1115281

## 18:41–18:49

Marge Simpson, with her tall blue beehive and red bead necklace, sits at a table facing her twin sister Selma, who has grey-violet hair, a pink jacket and a white bead necklace. In the first frames Marge sits wide-eyed and then opens her mouth to speak while Selma raises a hand toward her, and in the later frames Selma leans forward on the table, looking sideways with a sour, unimpressed expression. Behind them a bulletin board shows a 'GOD BLESS OUR MESS' sign and a red handprint drawing, with a window of yellow curtains and a kitchen counter in the background.

> What about Abe Simpson?
> Don't you have any feelings for him?
> Oh, he's a dear, but he's too much of an old fusspot.
> We're all aware of Grandpa's problems, but compared to Mr.

Frame: https://ultrahouse3k.com/img/S05E21/1122788.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1125708

## 18:49–18:59

Marge Simpson, with her tall blue beehive and red bead necklace, is seen in the foreground at first, staring ahead with a worried, grimacing expression while speaking in the first frames. Patty, with grey-violet hair and a pink jacket over a blue top, sits across a table from her, and in the later frames she leans on the table with her arms folded and speaks with a sly, half-lidded look. Behind them a corkboard displays a 'God Bless This Mess' sign and a green card with a red handprint. The scene is set in a cozy kitchen-like room with a window showing greenery, and a corn-patterned wallpaper hangs at the left.

> Burns, he's Judge freaking Reinhold.
> I don't know who that is.

Frame: https://ultrahouse3k.com/img/S05E21/1130713.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1134258

## 18:59–19:06

Grampa, the wrinkled old man with white tufts of hair, wearing glasses, a pink sweater, rolled-up blue jeans and red shoes, walks slowly and stooped along a grey tiled sidewalk beside a beige building with an orange window frame. As he shuffles across the pavement he looks down, and a small blue object lies on the tiles near his path, which he keeps watching as he moves past it. A teal trash can appears at the top edge of the scene near the building.

> Oh, who neither.
> Now I'll have more time to read things I find on the ground.

Frame: https://ultrahouse3k.com/img/S05E21/1140097.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1142808

## 19:06–19:17

Grampa, the wrinkled old man with white tufts of hair, stands outside a brown building with blue-paned windows, holding a blue foil-wrapped item and gesturing with it while peering toward the window. He holds the packet up near his face, then to his mouth, then back out toward the window. In the last moment he stares toward a window display at Venus Bridal Salon, where a blue-haired woman in a white wedding dress stands beside a man in a blue shirt amid mannequins in gowns and potted plants, with a sign reading 'Venus Bridal Salon, Not Affiliated with the Planet Venus' above it.

> Latex condo.
> Boy, I'd like to live in one of those.

Frame: https://ultrahouse3k.com/img/S05E21/1147813.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1152193

## 19:17–19:27

Homer, in a light blue tuxedo with a bow tie, and Barney, heavy with messy brown hair in a brown suit, appear together in the open doorway of a cream-colored church with stained-glass windows, while an elderly man with a bushy mustache and glasses, in a peach shirt, stands outside on the street. The sign in front reads "First Church of Springfield" with "PRIVATE WEDDING / PLEASE WORSHIP ELSEWHERE" on its board. Barney walks up the path in his brown suit toward the entrance, where Homer waits in the doorway, then the two stand side by side in the doorway as Homer raises one white-gloved hand.

> Hey, Barney, why don't you fill out the groom's sign?

Frame: https://ultrahouse3k.com/img/S05E21/1158866.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1162828

## 19:27–19:36

Lisa Simpson, in a pink dress and pearls, and Bart Simpson, in a blue suit, walk down a red carpet at a wedding, Lisa tossing flower petals from her basket while Bart carries a pink pillow. Seated on the pews are Carl in a blue suit, a grey-moustached man in a black bowler-style hat and dark suit, and a brown-haired man in a brown suit with a loose tie, who leans forward with his mouth open in a shout. Petals scatter across the carpet toward an open doorway that shows a sunny landscape with cypress trees, and stained-glass windows line the room.

> Hey!
> Down in front!

Frame: https://ultrahouse3k.com/img/S05E21/1169085.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1172213

## 19:36–19:47

Lisa, in a pink dress and pearl necklace, holds a flower basket while Bart, in a blue tuxedo with a black bow tie and pink boutonniere, holds a red pillow beside stained-glass windows, both glancing sideways. The scene then shifts to a wedding procession: Homer in a blue tuxedo leads the way down a red carpet, followed by Marge with her tall blue beehive, Patty and Selma in pink dresses carrying bouquets, and a man in a blue tuxedo with glasses, while seated guests in wooden pews watch them pass toward an open doorway.

> Where's Grandpa?
> Wasn't he invited?
> Yeah, but his reply envelope just had a check to the gas company in it.

Frame: https://ultrahouse3k.com/img/S05E21/1177635.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1182014

## 19:47–19:56

Mr. Burns, a frail, stooped old man in a black tuxedo with a pink boutonniere, walks down a red-carpeted church aisle while Homer in a blue suit stands at the left edge and pink-gowned bridesmaids, including Selma with grey-violet hair, line the way. Marge, in a white wedding gown with a tall blue beehive and holding a red bouquet, appears in the open doorway at the far end and then walks down the aisle past seated guests beneath stained-glass windows. Burns keeps walking forward, and the bride continues toward the front as the wedding procession moves along the aisle.

> And so when Eliphaz came down from Mount Hebron, bearing figs,

Frame: https://ultrahouse3k.com/img/S05E21/1188270.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1191816

## 19:56–20:07

Patty and Selma, Marge's twin sisters with grey-violet hair, stand side by side in pink dresses with bow ties and white pompoms, while Grampa with his white beard and Mr. Burns in a black tuxedo watch from the crowd. Inside a hall with arched stained-glass windows, a man in a white coat with swept-back black hair stands facing the group and speaks, turning to Marge with her tall blue beehive as Burns and Grampa look on. Pink bouquets and hanging teal lamps are visible, and the mood is that of a formal ceremony.

> he offered them to Moham,
> who you will remember as the father of Shechem,
> and to Hazor on the occasion of their matrimony, much in the same...

Frame: https://ultrahouse3k.com/img/S05E21/1197446.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1201826

## 20:07–20:18

A dark-haired man in a white jacket, sweater vest and tie stands at a lectern before a stained-glass window of orange, pink and purple panes, gesturing with both hands as he speaks, then closes his eyes and keeps gesturing, with a green wreath of pink flowers at the right edge. Mr. Burns, in a black tuxedo with a white bow tie and a pink flower on his lapel, scowls and speaks sharply beside a grey-violet-haired woman, and the scene then shifts to Marge Simpson in a red dress and pearl necklace, arms folded, standing near that same woman in a pink dress against the stained-glass window. The objects visible include the lectern, the wreath of flowers, and the pink corsage, and no on-screen text appears.

> We've heard enough about Blizz Blaz and Him-Hem already.
> Get to the bloody point.

Frame: https://ultrahouse3k.com/img/S05E21/1208499.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1213087

## 20:18–20:30

Mr. Burns, a frail, thin, stooped old man with a hooked nose and bald head with grey hair at the sides, stands in a black tuxedo beside Marge, who wears a white wedding gown and has a tall blue beehive, while a dark-haired man in a yellow vest speaks from a wooden lectern in a church with stained-glass windows. Bart, in a light blue tuxedo and bow tie, walks down the aisle carrying a pink ring cushion, then Burns grabs his collar and jabs a finger at him as Bart's eyes widen. Guests in pews watch, and a few small hanging glass lamps are visible above the aisle.

> Do you, Charles Montgomery Burns, take this woman to be your lawfully wedded wife?
> I do.
> The ring, you little imbecile, before I really lose my temper.

Frame: https://ultrahouse3k.com/img/S05E21/1219760.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1224557

## 20:30–20:42

Marge, with her tall blue beehive and pearl necklace in a pink bridesmaid dress, stands beside one of her grey-violet-haired twin sisters in a white gown holding a red bouquet, both before a stained glass window in a church. Marge scowls and the sister shoots her a sidelong, sour look while bickering, then a gloved hand in a white glove slides a ring onto the hand of a man in a black tuxedo at the window. The sister and Marge end by glaring at each other, with the stained glass panels and a wooden door frame behind them.

> I know, I know.
> Do you, Jacqueline Bouvier,

Frame: https://ultrahouse3k.com/img/S05E21/1231647.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1236444

## 20:42–20:55

Mr. Burns, stooped and thin in a black tuxedo with a white bow tie, stands beside Marge, who wears a tall blue beehive, a white wedding dress with a veil, and holds a pink bouquet, at a church altar where a lectern with an open book and a microphone stands on the right. Principal Skinner in a light blue suit, Bart, and Lisa in a pink dress with a pearl necklace stand on the left, while a man with swept-back black hair in a white vest and blue tie appears in the pews behind. Burns gestures with both hands as he speaks, then pauses and steps forward while Marge stares ahead, and the stained-glass windows and congregation remain in place around them.

> take this man to be your lawfully wedded husband?
> Oh, Monty, my favorite song.
> I specifically requested no romantic music.

Frame: https://ultrahouse3k.com/img/S05E21/1243325.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1248748

## 20:55–21:05

Grampa, the wrinkled old man with white tufts of hair, wearing a pink sweater, grey trousers and glasses, stands beside a pipe organ inside a church. He raises his fists and shouts before crashing through a glass window. He lands face-down on the red carpet among shattered glass as black-shoed feet stand nearby, and a white-gowned bride and a figure with a tall blue beehive are visible in the church aisle. He later stands again with arms outstretched, shouting and wide-eyed, while Marge with her blue beehive is at the left edge and a thin, hook-nosed man, Mr. Burns, is at the right edge.

> Mrs.
> Bouvier!
> Mrs.
> Bouvier!
> Mrs.
> Bouvier!

Frame: https://ultrahouse3k.com/img/S05E21/1256464.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1260426

## 21:05–21:15

Mr. Burns, frail and stooped in a black tuxedo with a white flower, stands beside a bride in a white gown and blue beehive veil holding a red bouquet, while Grampa Simpson, in a peach sweater with white tufts of hair, approaches with a smile. Marge, in a pink dress and pearls, and Patty and Selma, in lavender hair and pink bridesmaid dresses, watch from the right, and a small boy with spiky hair in a blue suit stands near the bride, with a man in a blue jacket at the left edge, on a red carpet in a church with stained glass windows. Grampa moves in closer, then claps and gestures with his hands and grins while the bride smirks at him, and a man in a dark hat with a moustache is visible behind her.

> Honey, are you sure you want to be Mrs. Montgomery Burns?
> Wouldn't you rather be Mrs.
> Abraham J.
> Simpson?
> No.

Frame: https://ultrahouse3k.com/img/S05E21/1266891.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1270853

## 21:15–21:27

Mr. Burns, frail and stooped in a black suit, stands beside Marge in a white wedding dress with a tall blue beehive and a red bouquet, while Grampa, in a peach coat with white tufts of hair, looks on in the church. Grampa then raises his fists excitedly as Marge and her sisters gather around him, and the scene moves outside to the church steps, where Homer in a peach shirt and Marge in her gown hurry down past a crowd of waving friends and relatives toward a black limousine parked in front. Stained-glass windows, a cross above the church doorway, and the long black car are visible throughout.

> I don't want to be either.
> Hot diggity jam! That's good enough for me!

Frame: https://ultrahouse3k.com/img/S05E21/1276901.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1281489

## 21:27–21:31

Marge, with her tall blue beehive and white dress with pink trim, and Grampa, the wrinkled old man with white tufts of hair, wearing a peach sweater and grey trousers, are at the curb outside a Seniorville Trolley bus. Marge reaches for the open door as Grampa steps up behind her, then he climbs aboard and the blue bus pulls away to the right past trees and purple hills. Inside, the two sit side by side by the window, Grampa grinning and gesturing while Marge looks ahead, and the bus's side reads "SENIORVILLE TROLLEY".

Frame: https://ultrahouse3k.com/img/S05E21/1288162.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1289205

## 21:31–21:42

A tall-haired woman in a white puffy-sleeved dress with a pink collar and a stout, moustached man in a salmon shirt with a white button sit side by side on a brown bench inside a moving vehicle, with blue sky, streaked orange clouds, and dark trees passing outside the window as motion lines show their speed. The woman stays mostly still with a sideways, sceptical glance while the man's wide-eyed stare shifts toward the side and then he scowls, leans forward, and opens his mouth to speak angrily.

> Turn off that racket!

Frame: https://ultrahouse3k.com/img/S05E21/1292541.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1297129

## 21:42–21:45

Otto, the bus driver with long curly black hair, a red cap and a pink shirt, sits at the wheel of a school bus while passengers including a stooped grey-haired old man, a woman with a tall dark bun in a green dress, and a bald man with grey hair at the sides sit in the rows. Over the moment Otto leans forward and reaches toward the boombox on the dashboard, her arm stretching across the front as the passengers stay seated, the woman in green glaring toward the front. No on-screen text is visible.

> Yeah, that chance, pups!

Frame: https://ultrahouse3k.com/img/S05E21/1304011.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1304011

## 21:45–21:54

A blue bus with a rear window showing a spiky yellow-haired child and a white-haired passenger drives away down a tree-lined suburban street lined with pink and red houses, white picket fences, and a 'NO LEFT TURN' sign. The bus rolls steadily into the distance, shrinking toward the road's vanishing point. The scene then fades to black, where the credits 'Executive Producer DAVID MIRKIN' appear in yellow letters.

Frame: https://ultrahouse3k.com/img/S05E21/1306305.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1310059

## 21:54–22:04

No characters appear; the moment is a black title sequence of credits. Gold lettering first reads 'Executive Producers' above 'JAMES L. BROOKS, MATT GROENING, SAM SIMON', then 'Starring DAN CASTELLANETA' appears alone, followed by 'JULIE KAVNER', 'YEARDLEY SMITH' and 'HANK AZARIA', each shown one at a time on the empty background.

Frame: https://ultrahouse3k.com/img/S05E21/1315898.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1319443

## 22:04–22:13

No characters are visible; the scene is a black screen with yellow credit text. It shows a sequence of credits: first 'Special Guest Voice PHIL HARTMAN', then 'Also Starring PAMELA HAYDEN', then 'Executive Consultant BRAD BIRD', then 'Animation Producers BILL SCHULTZ and MICHAEL WOLF', and finally 'Story Editor BRENT FORRESTER', each centered on the black background in a rounded yellow font as the credits change one after another.

> down the rest home hall,
> cause no one at all can stand the sound

Frame: https://ultrahouse3k.com/img/S05E21/1325282.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1329036

## 22:13–22:23

No Simpsons characters appear in this moment; it is a black screen with yellow credit text shown in sequence: 'Story Editor DAN McGRATH', then 'Staff Writers BILL CANTERBURY and DAVID S. COHEN', then 'Theme by DANNY ELFMAN', then 'Casting by BONITA PIETILA', and finally 'Editors MARK McJIMSEY and DON BARROZO'. Each credit appears alone in the center of the black background, replacing the previous one, in gold lettering.

> of Grandpa.
> I first took a fancy to Mrs.

Frame: https://ultrahouse3k.com/img/S05E21/1334875.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1338629

## 22:23–22:32

No regular Simpsons characters appear in these frames; the moment is a black end-credits sequence with yellow text. The credits list names such as Alison Elliott (Post Production Coordinator), Mark McJimsey, Bobby Mackston and Terry Greene (Dialogue Sound Editors), Chris Ledesma (Music Editor), Travis Powers (Sound Effects Editor), R. Russell Smith, Anthony D'Amico, Dan Hiland and Ronny Cox (mixers), and assistants including Trixie Flynn, Maria Kavanaugh and Michelle Berman. The text changes from the sound editors to the mixers, then to the assistants list, then to 'Animation Produced by FILM ROMAN, INC.', and finally to 'Overseas Production by ANIVISION J.C. PARK' on the black background.

> Bouvier because her raspy voice reminded me of my old Victrola.
> Oh,
> it was a fine machine with a vulcanized rubber listening tube which you crammed

Frame: https://ultrahouse3k.com/img/S05E21/1344468.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1348013

## 22:32–22:42

No characters appear in this moment; it is a black end-credit scroll with yellow text on a black background. Credits replace one another in sequence, listing Assistant Director Dominic Polcino, storyboard artists Tricia Garcia and Roy Meurin, character design credits including Matt Groening and Sam Simon, background design credits, color design credits, production managers, and an animation post production supervisor. The sequence ends with a copyright card reading 'The Simpsons Episode #1F21, Copyright 1994, Twentieth Century Fox Film Corporation', followed by 'Executive Creative Consultant James L. Brooks'.

> in the tube would go in easier with some sort of lubricant like linseed oil
> or Dr.

Frame: https://ultrahouse3k.com/img/S05E21/1353853.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1357606

## 22:42–22:51

Silhouetted audience members sit in rows of seats in a dark theater facing a blank screen, with one large head in the foreground. A blue projector beam lights up the screen with the white words "GRACIE FILMS" over the silhouetted crowd, then the screen goes black and the text "IN ASSOCIATION WITH" appears. Next, a gold "20th TELEVISION" logo rises against a blue sky with light beams, and the scene fades to black.

> Someways
> Shhh! I'm sorry!

Frame: https://ultrahouse3k.com/img/S05E21/1363445.jpg
Page: https://ultrahouse3k.com/episode/s05e21-lady-bouviers-lover/1366991