# Burns, Baby Burns

The Simpsons, season 8, episode 4 (S08E04), first aired November 17, 1996.
Written by Ian Maxtone-Graham. Directed by Jim Reardon. Production code 4F05.
Guest stars: Rodney Dangerfield as Larry Burns.
Couch gag: Bubble Family.

Mr. Burns learns that Larry Burns, a brash souvenir seller who catches a lift into town with the Simpsons, is his son from a fling at a Yale reunion. Larry's crude manners soon embarrass his father, who hands him a plant job to keep him away, and he befriends Homer there. Homer and Larry then fake a kidnapping to make Burns show he cares, ending in a police standoff.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Lenny Leonard, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Kent Brockman, Otto Mann, Jasper Beardsley, Reverend Lovejoy, Groundskeeper Willie, Lou, Eddie, Maude Flanders, Rod Flanders, Larry Dalrymple, Hans Moleman, Luann Van Houten, Bernice Hibbert, Ruth Powers, Dr. Nick, Herman Hermann, Alice Glick, Jacqueline Bouvier, Disco Stu, Dowager, Handsome Pete, Admiral Carstairs, Débutante, Larry Burns, Actor 1, Actor 2, Conductor, Costume Shop Clerk, Dink, Fancy Chef, Female Yale Admissions Agent, Janitor, Lily Bancroft, Male Yale Admissions Agent, Mimsy Bancroft, Randy.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

The scene opens on black, then drifting pale clouds against blue sky give way to the yellow-orange title text "THE SIMPSONS" over the clouds. In a suburban driveway in front of a yellow house with an open garage, Bart, the spiky-haired boy in an orange shirt, waves both arms while riding a skateboard near a brick wall at the top right, and a small spiky-haired figure sits in a pink convertible. Homer, the bald, heavy man in a white shirt and blue pants, then stands beside the pink car with his arms outstretched, while a bicycle, boxes and a red mailbox sit nearby.

> The Simpsons

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## 0:12–0:24

Homer, Marge, and their kids Bart, Lisa, and Maggie, all rendered in a blue tint, move about the pink living room, with Homer and Marge standing near the maroon couch before the children and parents settle into a row on it facing the television, beside a purple lamp, a green telephone, and a floor lamp. The TV screen shows yellow text reading "Created by Matt Groening," which is then replaced by "Developed by James L. Brooks, Matt Groening, Sam Simon."

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## 0:24–0:36

Homer in his white shirt and Marge with her tall blue beehive, along with Bart in his orange shirt and a few other family members, walk and gather beside a pink car parked among autumn leaves. They then follow a path past trees and bushes toward a yellow house with a red roof, where a small figure walks along a stone wall beside a wooden sign. On-screen text reads "Co-Executive Producer GEORGE MEYER" over the parked car scene.

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## 0:36–0:43

Lisa stands beside a wooden sign reading "Mt. Swartzwelder Historic Cider Mill, Now 40% Quainter!" as autumn leaves drift down around her. Homer, Grampa, Marge holding baby Maggie, Bart and Lisa walk together along a leafy path past the sign, with Lisa stretching her arms out to the side. The family continues down the path, and Marge pauses by a tree with her eyes closed and a smile while Maggie rests against her.

> What a perfect outing for a beautiful autumn day.
> I feel sorry for everyone who's cooped up inside watching the seventh game of the World

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## 0:43–0:51

Marge with her tall blue beehive and Maggie with her pacifier and blue bow stand together on a grassy park path, Marge smiling and Maggie grimacing with a red pacifier in her mouth, beside a bright red-orange autumn tree and a pink sky. Homer, in a white shirt, walks into view at the left, turning his head and looking off to the side with a sour, skeptical expression, then continues onward and turns his head to the right, mouth open as if talking. Fallen leaves lie on the grass, and white on-screen credits read "Supervising Producer" with the names Jonathan Collier and Ken Keeler appearing over the scene.

> Series.
> Yeah, they won't learn anything about apples today.
> And the cider mill operated continuously until 1941,

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## 0:51–0:58

Homer in his white shirt and blue pants, Marge with her tall blue beehive, Lisa in a red dress, Bart in an orange shirt, and Grampa in his pink sweater stand with an elderly woman in a blue dress with a lavender bun and an older man in a blue shirt and glasses, all facing a uniformed guide in a green hat and shorts in front of a wooden log cabin with a brown door. The guide stands on the cabin steps with his arms behind his back, then extends one arm toward the group and gestures as the onlookers listen, and the scene holds with him standing still again. White on-screen credits reading 'Producer DAVID S. COHEN' and 'Producer RICHARD APPEL' appear over the middle of the scene, with autumn trees visible to the left.

> when its workers left to fight in the Second World War.
> When they returned, the old girl was just as they'd left her,

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## 0:58–1:07

Homer, Marge, Maggie, Bart, Lisa and Grampa stand outdoors among autumn trees by a stone wall, staring with wide eyes and open mouths, while an elderly woman in a blue dress and an orange scarf and a man in a green cap stand nearby. A park ranger in a green uniform, wide-brimmed hat and blond ponytail, with a name tag reading RANDY, stands beside a wooden post at a log cabin wall, first with one hand on the post and then gesturing and raising clenched fists, while the credits 'Consulting Producer IAN MAXTONE-GRAHAM' and 'DAVID MIRKIN' appear over him.

> only now she was infested with thousands upon thousands of rats.
> Right, and if you listen real carefully,

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## 1:07–1:20

A tour guide in a green ranger-style hat and uniform with a long blonde ponytail stands beside a wooden log wall and a doorway, a one-off character not matching any regular. As the captions credit a series of staff names (Consultant John Swartzwelder, Co-Producer Colin A.B.V. Lewis, Produced by J. Michael Mendel, and Produced by Richard Raynis), the guide raises a finger, then a fist, cups hands around the mouth, and rests hands on hips with eyes closed and a grin. The scene ends with the guide holding out a metal tin labeled TIPS toward the viewer.

> you can still hear them gnawing away at the apples and splashing around in the toilets.
> And that concludes this portion of the tour.
> One of the most historically significant fruit presses in this part of the state is based

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## 1:20–1:26

Grampa, Homer, Bart, Lisa, Marge and Maggie stand together at a wooden railing, with Grampa on the left and Maggie held by Marge on the right, while a large wooden vat of red fruit pulp churns below a stone wall and a gift shop sign reads GIFT SHOP. The scene begins with a wide view of the vat and a conveyor of red fruit, then the family's gathered crowd appears above it, with workers carrying baskets at the right. The camera then pushes in on the family at the railing, Homer staring ahead with his eyes shifting, and finally Homer closing his eyes and frowning as the scene holds. On-screen text reads Produced by DAVID SILVERMAN.

> on a German design but modified for the last year.

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## 1:26–1:37

Grampa, Marge with her tall blue beehive, Lisa, Bart in his orange shirt and Maggie stand with other people on a wooden porch, looking out toward the left. Later, outside a wooden building with a GIFT SHOP sign, Homer, bald in a white shirt and blue trousers, gestures and steps back while a moustached man in a peach shirt and orange shorts stands in front of a woman and two children wearing giant red apple hats in the doorway. Opening credits reading 'Produced by RICHARD SAKAI, DENISE SIRKOT' and 'Written by IAN MAXTONE-GRAHAM' appear over the scene, and Homer ends up standing with his arms at his sides, looking annoyed.

> Well, if God didn't make little green apples, it's Homer Simpson.
> How long have you been here? 20 of the suckiest minutes of my life.

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## 1:37–1:50

Ned Flanders, with a moustache, glasses and a green-brown sweater, and Homer, bald in a white shirt, stand before a wooden plank wall at the Mt. Swartzwelder Historic Cider Mill, each wearing a red apple-shaped hat ornament on his head. Flanders gestures and speaks while Homer looks on with a skeptical expression, and Flanders holds up a Season Pass card reading 'Mt. Swartzwelder Historic Cider Mill, Season Pass, Flanders, N. No. 00001' showing his grinning photo. A curly-haired boy in a red apple hat and blue shirt, who is not one of the regulars, stands at the left edge listening as Flanders gestures toward Homer.

> Oh, sucking down the cider, huh?
> Hey, word to the wise, season pass.
> Pays for itself after the 16th visit.
> You know, most people don't know the difference between apple cider and apple juice.
> But I do. Now, here's a little trick to help you remember.

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## 1:50–1:55

Ned Flanders, with his bushy brown moustache, large round glasses and green-collared pink sweater, stands in front of a wooden shelf lined with blue jugs labeled CIDER and red apples. He grins widely, first with a raised index finger, then wagging that finger, and finally flashes a V-sign with his fingers, showing his teeth as he speaks in a shop-like setting.

> If it's clear and yellow, you've got juice there, fella.
> If it's tangy and brown, you're in cider town.
> Now, there's two exceptions, and it gets kind of...

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## 1:55–2:02

Homer Simpson, the bald, heavy man with stubble and a white shirt, appears in close-up against a brown wooden wall, his wide eyes staring and his mouth set in a flat, puzzled expression across the first four moments with little change. In the final moment he is gone and only a bright orange, cloud-like blob hovers on the wood-grain wall, which is the only object visible on screen.

> Oh, you can stay, but I'm leaving. ...and the yellow if they're using late-season apples.

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## 2:02–2:09

Homer Simpson stands on a wooden floor before a log-cabin wall marked with a GIFT SHOP sign, facing a group of people who all wear large red apples on their heads: a curly-haired woman in a pink top, a moustached bespectacled man in an orange shirt and shorts, and two small children in blue and pink. Homer stands still at first, then drops face-down onto the floor at the right, arms splayed, while the moustached man turns his head and raises a hand toward his face. The others stay in place and watch, with the man glancing back toward the fallen figure as the scene ends.

> And, of course, in Canada, the whole thing's flip-flop.
> Oh, my.
> I better get you some cider.

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## 2:09–2:23

Marge Simpson, with her tall blue beehive, holds baby Maggie in a blue outfit with a pacifier and blue bow while Lisa, with star-shaped spiky hair and a red dress and pearl necklace, stands beside them in an autumn wooded park under a large red apple-shaped tree top. Marge gestures and speaks while the group stands among red and orange trees and blue sky, and in the later moments the view narrows to Lisa alone, grinning nervously with wide eyes, then shifting her gaze and smiling slightly in front of a tree trunk and blue sky. No on-screen text is visible.

> Next to spring and winter, fall is my absolute favorite season.
> Just look at all this beautiful foliage.
> It's not foliage, Mom. It's foliage.
> Foliage. That's what I said.

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## 2:23–2:31

Marge Simpson, with her tall blue beehive, holds baby Maggie, who sucks a pacifier and wears a blue bow, while Lisa Simpson stands beside them in a red dress with a pearl necklace, all in a wooded autumn setting with orange and red trees and a giant red apple hanging above Marge's hair. Marge gestures with one open hand and looks worried or puzzled as she turns her head, while Lisa stares with a flat, unimpressed expression, and across the frames the group stays in place with only small shifts in posture and expression. A single red-orange leaf drifts near the tree trunks in the background.

> Foilage.
> It doesn't take a nuclear scientist to pronounce foilage.

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## 2:31–2:39

Marge Simpson, with her tall blue beehive, and Lisa Simpson, in her red dress, walk away along a dirt path through an autumn forest with orange and red trees, Lisa following behind Marge. Over the next moments, golden and brown maple leaves drift and flutter across a plain blue sky. One leaf is blown past a white cloud, and another drifts over a view of trees and rooftops as a silver passenger train with blue and orange stripes passes a station. The title text reads "MEANWHILE IN NEW HAVEN, CONNECTICUT..." over a yellow station building with a clock and a train platform.

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## 2:39–2:50

Mr. Burns, in a straw boater and dark cloak, walks along a train platform beside his assistant Smithers, who wears glasses and a green jacket with a purple bow tie and carries two suitcases. A fur-coated stranger waving a BEAT HARVARD banner gestures toward them, and a mustached man in overalls, suspenders and a red hat joins the group as they pass a red, white and blue striped passenger train. They head to a gold-trimmed private car bearing an M B monogram, with a sign reading PRIVATE CAR at its rear platform.

> Honestly, Smithies, I don't know why Harvard even bothers to show up.
> They barely even won.
> Their cheating was even more rampant than last year, sir.

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## 2:50–3:02

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, in glasses and a bow tie, appear first beneath a white 'PRIVATE CAR' sign with 'YOU' crossed out in red on a fence. Inside a lavish parlor with a pool table, chandelier and monogrammed armchairs, a stranger in a long brown fur coat with a blue Y pin walks in while Smithers, holding suitcases, stands by a sash-wearing man near the bar. Burns then walks across the red carpet past the fireplace, where flames are burning in the hearth beside Smithers, who is holding a suitcase.

> Well, I say let Harvard have its football and academics.
> Yale will always be first in gentlemanly club life.

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## 3:02–3:12

Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, talks with an unnamed grey-haired man in an olive jacket and glasses inside a train compartment with red curtains, while a older man in a white sweater with a blue Y sits by the window. The scene then cuts to a long view of an orange passenger car and a silver train on tracks passing a green field and tree. Finally, Mr. Burns leans over a red-carpeted billiard table with a cue while a thin man in a white shirt holds a triangle rack of colored balls, with a bar of bottles behind them.

> Every friend I have, I made right here. Hello, Bunsy.
> It's your roommate, Dink.

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## 3:12–3:23

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses stand in a room with a red curtain and shelves of bottles. Burns chalks his cue, then leans over the green pool table and strikes the white ball, scattering the colored balls, while a close view of a train's grey wheels rolling along a track briefly appears. A blue chalk cube sits on the table rail, and the two men are later seen holding cues beside the bar shelves.

> Steady.
> Oh, nicely played, sir. Attention, passengers.

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## 3:23–3:32

Mr. Burns and Smithers, the thin assistant with glasses, play pool in a richly furnished room with red curtains and a lamp, then Burns peeks out of a train window as the train rolls across a green field. The train stops beside a battered orange couch on the tracks, where rail workers in blue overalls and caps gather while a conductor leans from the engine cab.

> The train has been temporarily delayed because of a discarded couch on the tracks.
> Yeah, looks like some sort of a couch.

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## 3:32–3:45

Mr. Burns, frail and hook-nosed in a green suit, and his thin assistant Smithers, with glasses, white shirt and purple bow tie, stand by a window overlooking a grassy landscape. Burns grips the sill, then turns and gestures with an open palm while Smithers listens and then grins, holding up a teal bottle. Outside, a roadside stand with a pink SOUVENIRS sign has a grey-haired vendor in a white shirt leaning on the counter with his head propped on his hand, surrounded by shelves of oranges, blue bottles and potted flowers.

> Oh, this may take a while, Smithers.
> Why don't you get drunk and stumble around comically for my amusement?
> I'll be a one-man conga line.
> Hey, customers, thank God.

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## 3:45–3:55

A stout grey-haired vendor in a white shirt and red tie, wearing a Waynesport brown-ribbon pin, stands at a roadside stall stocked with bottles, orange crates, and squash candy, then walks along the train tracks beside a silver-and-red passenger train. He points at a green-skinned young passenger with spiky blue hair staring out a window, then holds up a googly-eyed brown walnut on a brown sign reading WAYNESPORT against a green field and purple hills.

> Papa needs a new pair of everything.
> Hey, how you doing? Welcome to scenic Waynesport.
> And remember your visit with a googly-eyed walnut.
> How about a googly-eyed rock? Some nice local squash candy?

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## 3:55–4:08

A heavy grey-haired man in a white shirt and red tie, who is not named in the who's-who, stands in a bus with red, white and blue walls and holds up a googly-eyed rock, a bag of squash candy and a blue stretched Pepsi bottle while a pale green-skinned passenger with dark teal hair and a dark green jacket sits behind the window and looks sideways at him. The vendor keeps offering his wares, grinning wide-eyed and speaking, and in the final bus view he holds the candy and a bottle against his chest. The scene then cuts to a red-curtained room where a grey-haired man with glasses, a white shirt and a purple tie pumps one fist and holds an ornate lamp, while Mr. Burns, frail and stooped with a hooked nose, sits in a red armchair with his hands steepled.

> A stretched out Pepsi bottle?
> Come on, if this stuff is too nice for you, I've got some crap.
> Uh-huh. Da-da-da-da.
> Uh-oh. Ha-ha-ha.

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## 4:08–4:19

Mr. Burns, the frail, stooped, very thin old man with a hooked nose and grey hair at the sides, sits in a plush train car with red and teal curtains, grinning and clapping while an unnamed heavyset older man with grey hair and a green shirt holds up a bottle and a small pastry beside a lamp. Burns keeps clapping and smirking as the scene moves outside, where the heavyset man in a white shirt, blue suspenders and grey trousers runs alongside the train clutching the pastry in both hands, with Burns leaning at a window. The gold letter N is visible on the side of the passenger car.

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## 4:19–4:30

A heavyset, grey-haired man in a white shirt, red tie and grey trousers runs along a railway platform, holding a cracker in one hand and a small framed portrait of a man with reddish hair in the other, while a uniformed conductor in a dark cap and jacket leans on the railing of a brown-and-purple train car marked with gold initials MB. The scene is set outdoors under a bright blue sky with pink hills and a green field beside the tracks, and as the man reaches the car the conductor watches him, and then the man runs off past the right edge of the frame, leaving the conductor alone on the platform.

> Hey, Casey Jones, where's this train headed?
> Springfield.

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## 4:30–4:37

A thin man in a white shirt and red tie runs along a railroad track in a flat landscape, then a heavy, grey-haired man in a white shirt and grey trousers runs after a small red trolley car with a conductor on the track ahead. The heavy man stops and watches the car recede toward the distance. The scene cuts to a dark purple night road lined with trees under a bright full moon and drifting red-orange autumn leaves, where a pink car with its headlights on drives toward the viewer, carrying Marge with her tall blue beehive and other passengers, including a bald man at the wheel.

> Yeah, yeah, what state?

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## 4:37–4:51

Homer, bald and wearing a white shirt, drives the family car while Marge, with her tall blue beehive and a giant red apple on top of it, sits beside him holding two jugs of Apple Cider. Lisa with her star-shaped spiky hair, Bart in his orange shirt and Maggie with her pacifier and blue bow ride in the back seat. In the first frames Marge sits with her eyes closed and a grimace, then she turns to glance sideways at Homer, and in the final frames she looks to the side with her eyes wide open and a fixed grin while the others stare ahead, with Homer's expression unchanged throughout. The interior of the car is purple, with a dark, starry sky and a glimpse of landscape through the windows.

> I can honestly say that was the most fun I've ever had.
> The mill, the history, all that gorgeous foliage.
> I can't escape Lisa, our little walking library.

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## 4:51–5:03

Homer, driving, Marge with her tall blue beehive, Bart and Maggie with a bow sit in a purple station wagon at night, with Homer's hand raised and grimacing as they debate. Outside on a dark road lined with utility poles, a small yellow hitchhiker stands by the roadside. Bart leans forward and grins at the windshield while Marge looks back over her shoulder with her mouth open and Homer scowls and gestures with one hand, and two brown jugs sit at the front on the seat. The sign on the windshield is shown alongside a dashboard radio.

> Can't they get a pole for that sign? That's a hitchhiker, Homer.
> Ooh, let's pick him up. No, what if he's crazy?
> And what if he's not? Then we'd look like idiots.

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## 5:03–5:14

Marge Simpson with her tall blue beehive, Bart Simpson in his orange shirt, and Homer Simpson in his white shirt sit crammed together in the back and front seats of a purple car, with Maggie's blue bow visible in the lower foreground and brown jugs or bags beside her. Homer grips the steering wheel and turns to speak with an angry, tense expression while Marge and Bart sit stiffly, Marge glaring and Bart narrowing his eyes. In the later images Homer's mouth opens wide as he argues, and he raises a hand toward his face, while Marge scowls and Bart stares sideways. Houses and a fence pass by outside the window as the car drives.

> We're not picking him up. Oh, yes, we are.
> There's not enough room. Yes, there is.
> I just don't think it's a good idea.
> And I think it's the best idea I've ever had.
> We're picking up the weirdo, and that's final.

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## 5:14–5:23

Homer drives the pink family car with Marge, who has a tall blue beehive, Maggie in a baby seat, Bart and Lisa in back, and Grampa at the rear window. The car leaves a quiet suburban street with a green two-story house and heads out onto a dark, starry highway, where a thin grey-haired man in a dark suit, possibly Mr. Burns, stands by the road holding a sign and a suitcase. The car stops beside him, and he leans in at Homer's window, gesturing with a raised hand while Homer grips the wheel and Marge glares, with red jerry cans on the seat beside her.

> Hey, you folks are all right.
> Man, it was rough getting a ride out there.

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## 5:23–5:34

Homer Simpson drives a purple car while a grey-haired man in a brown suit and red tie sits beside him, talking and gesturing with his hand near his chin. Later the man leans forward and points ahead while Marge with her blue beehive, Grampa with white tufts of hair, Lisa in her red dress, and Maggie with her pacifier and blue bow crowd into the back seat. A pie in a dish sits on the seat in the foreground, and the scene is set at night along a roadside.

> The only car that stopped was the hearse that thought I fell out.
> It was rough, I tell you.
> Careful of the apple pie on the seat. Uh-oh.

Frame: https://ultrahouse3k.com/img/S08E04/324699.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/329079

## 5:34–5:45

Marge, Grampa, Lisa and Bart ride in the back of a car at night, with Marge and Maggie also in view, and Homer driving the pink sedan along a dark road under a starry sky. A grey-haired man in a dark suit and red tie, seated among the kids, lifts a small framed portrait of a man with reddish swept-back hair while Bart looks on with a skeptical expression. The scene includes the car's bright headlight beam and a lavender cloud above the road.

> Grandpa, are you sitting on the pie?
> I sure hope so.
> Hey, I'm looking for this guy. Anybody know who he is?
> Yeah, sure, we know him. That's Mr. Burns.

Frame: https://ultrahouse3k.com/img/S08E04/335961.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/340131

## 5:45–5:55

Lisa, Grampa, Homer, Marge, Bart, Maggie and a grey-haired man in a dark suit and red tie ride in a purple car, with Homer gripping the steering wheel and looking anxious with his mouth open. Lisa grimaces and Grampa scowls and squints in close-up as the car moves through a dark, starry night. Inside the car, the grey-haired man turns from staring ahead to wincing and raising a hand, while Marge's eyes narrow and Maggie sits in her car seat in front, with a red apple-shaped hat visible above Marge's beehive.

> He tried to kill our puppies. He sexually harassed me.
> He stole my fiancé.
> He made fun of my weight.
> Okay, so there's been a little friction.
> Know his address?

Frame: https://ultrahouse3k.com/img/S08E04/346596.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/350767

## 5:55–6:09

A grey-haired man in a dark suit and red tie, carrying a yellow suitcase, walks up a curving driveway at night toward a grand domed mansion. He passes winged stone statues and a stone balustrade, pauses to gesture with one hand while glancing around and speaking, then continues forward. Behind him an iron gate topped with an ornate 13 stands under a purple night sky.

> Oh, this guy's got more bread than a prison meatloaf.
> He's rich, I tell you.
> I've never seen a place with a walk-in mailbox.
> Hey, who am I talking to?

Frame: https://ultrahouse3k.com/img/S08E04/357023.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/362863

## 6:09–6:20

Mr. Burns, a stooped old man in a dark suit with grey hair at the sides, carries a yellow briefcase up the steps to a large brown mansion door and reaches for the handle. Smithers, in a green jacket, glasses, a purple bow tie and an ID badge, opens the door and speaks with him, then the two stand outdoors under a purple night sky where Smithers straightens Burns's red tie and Burns gestures with both open hands.

> Yes?
> Yeah.
> Hi, my name is Larry.
> I'm here to see Mr. Burns.
> Well, I hate to break it to you, Larry, but if Mr.

Frame: https://ultrahouse3k.com/img/S08E04/370787.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/375166

## 6:20–6:31

Smithers, the thin assistant in glasses, green jacket, bow tie and ID badge, is shown in close-up at first, then in a wider view with Principal Skinner, the grey-haired man in a dark suit, at left and Mr. Burns, the frail, hook-nosed old man in a red robe and tie, at right in a doorway. In the close-ups Smithers' eyes shift and he grimaces, baring his teeth, while in the wider shots Burns speaks and scowls at the others as they stand together in a brown-walled hallway beside a blue doorway. No on-screen text is visible.

> Burns ever wants to see a stranger, he will observe him through a powerful telescope.

Frame: https://ultrahouse3k.com/img/S08E04/382048.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/386428

## 6:31–6:45

Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, sips through a straw from a green striped cup beside Smithers, his thin assistant in glasses and a purple bow tie, while they stand near a window. Outdoors at night under a purple sky with dark trees, Burns leans in toward a heavy, grey-haired man in a brown jacket and red tie, who looks nervous and tugs at his tie with both hands. Burns then glares in close-up with narrowed eyes and clenched teeth, the drink cup still in his hand in an earlier moment.

Frame: https://ultrahouse3k.com/img/S08E04/392893.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/398523

## 6:45–6:53

Kent Brockman, the grey-haired news anchor in a dark suit and red tie, is first seen at night against a purple sky with his hands clasped at his chest, then stands in an indoor hallway beside Smithers, the thin assistant in glasses, a purple bow tie and a green jacket with an ID badge, and Mr. Burns, the thin, hook-nosed old man in a red coat with a blue-grey hair fringe. Brockman's hands move as he gestures and grins, while Smithers stares ahead and Burns looks sideways with a frown, in front of a brown door and blue wall.

Frame: https://ultrahouse3k.com/img/S08E04/406448.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/409367

## 6:53–7:03

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and a blue-grey hairdo, and a grey-haired man with a white tuft in a grey suit and red tie, stand in a library-like study lined with bookshelves, with a framed Angus Burns portrait and a wall clock nearby. The grey-haired man smiles and sits beside Burns, who then reaches up to pat or brush the grey-haired man's tuft of hair, while Burns keeps his eyes wide and speaks. Later Burns stands beside a green armchair, and the grey-haired man turns to hand him a glass of amber drink, while Smithers, the thin assistant with glasses, a pink bow tie and a lanyard badge, looks on from the right.

> Now, if you'd be... It's true.
> He is my son. Hey, now you're talking.
> Good God.

Frame: https://ultrahouse3k.com/img/S08E04/414372.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/418335

## 7:03–7:08

A heavyset grey-haired man in a dark suit and red tie sits in a green armchair in a book-lined library, holding a brandy glass and gesturing as he talks. Beside a lit fireplace, a stooped older man in grey and a blond man in a dark suit sit in armchairs, while a man in a green jacket stands at a drinks cart on a blue rug at the right. In the later moments the grey-haired man gestures with an open hand, then closes his eyes and raises his other hand to his chin, with a framed picture of a figure in a blue hat above the fireplace.

> Pop, don't get me wrong.
> It's great to be here. But how's a guy like you wind up with a son like me?

Frame: https://ultrahouse3k.com/img/S08E04/424591.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/426259

## 7:08–7:16

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a green wingback armchair beside a brick fireplace with bright orange flames on the left. He holds a snifter of brandy in his right hand, first lifting it while looking sideways with a sly expression, then gesturing with his other hand as he smiles broadly and closes his eyes. He keeps sipping and gesturing with his glass and free hand in a relaxed, reminiscing manner while wearing his green suit and black tie.

> Larry, my lad, I've gone over this story in my mind a million times.
> It was 1941.
> The... no, 39.

Frame: https://ultrahouse3k.com/img/S08E04/430013.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/432724

## 7:16–7:24

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a high-backed green armchair beside a stone fireplace, holding a brandy glass and gesturing with his free hand, then tilts his head and leans back in the chair beneath a white Yale pennant on a bookshelf. The scene then moves to an outdoor lawn party in front of a brick building with a banner reading "WELCOME CLASS OF 1914", where guests stand in small groups around buffet tables of food and drinks and rows of empty folding chairs.

> My 25th Yale reunion.
> Who should appear but the unrequited love of my college years, Mimsy Bancroft.

Frame: https://ultrahouse3k.com/img/S08E04/437520.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/440231

## 7:24–7:35

A toothy, big-nosed man with brown wavy hair in a beige suit and red tie grins with wide eyes beside a dark-haired man in a blue jacket and a blond-haired woman in a pink top, as they stand near a hedge and a tiled wall. Earlier, the same group stands with wine glasses at an outdoor party, where the beige-suited man sneers and the woman in a blue dress glances sideways. Next, a grey-moustached man in a brown jacket and green tie holds a pipe and talks to a grey-haired woman in a white hat and pink jacket among trees and bushes.

> Of course, by then, Mimsy had her share of wrinkles and a gray hair or two,
> but my adoring eyes saw past those minor imperfections to her 21-year-old daughter, Lily.

Frame: https://ultrahouse3k.com/img/S08E04/445236.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/449616

## 7:35–7:47

A grey-haired man with a mustache, brown suit and green tie holds a pipe beside a woman in a white hat with a pink band and a pink jacket, then a blonde woman in a pink dress with a tied sash stands with her hand on her hip in a park by a tree. Next, the New Haven Uptown Uniplex marquee, showing Gone with the Wind, stands over the ticket booth, and the dark-haired man in a grey suit and red tie is led through a lobby by the blonde woman in pink while a red-uniformed bellhop looks on. The two then stand together grinning, the man's cheek marked with red lipstick prints.

> I took Lily to the local cinematorium,
> where our passions were inflamed by Clark Gable's reckless use of the word damn.
> We sneaked into the nearby Peabody Museum.

Frame: https://ultrahouse3k.com/img/S08E04/456081.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/461086

## 7:47–7:53

Bart, in an orange shirt, and Lisa, in a red dress, walk up to the lit entrance of the Peabody Museum of Natural History at night under a crescent moon, with the museum's sign at the left. Inside the hall, a large dinosaur skeleton looms at the left as Homer and Marge, she with a tall blue beehive and a pink dress, embrace and kiss in a snowy diorama beside two penguins and four stuffed figures in parkas, while a KEEP OUT door sits at the right.

> There, under the smiling eyes of four stuffed Eskimos,
> we expressed our love physically, as was the style at the time.

Frame: https://ultrahouse3k.com/img/S08E04/468176.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/470470

## 7:53–8:05

A blonde woman in a pink dress with a big curly hairdo and a dark-haired man in a grey coat kiss on an icy shore, while a fur-hooded parka-clad person and a blue-capped man in overalls holding a wooden staff look on. Then, indoors, Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits in a green armchair across from an older grey-haired man in a suit and red tie, both holding wine glasses. A lit fireplace, bookshelves and a screen showing a blue figure sit behind them.

> How do you like that? I have been in a museum.
> So what happened with you and Ma?
> There was a terrible scandal.

Frame: https://ultrahouse3k.com/img/S08E04/474849.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/479854

## 8:05–8:17

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and blue-grey hair at the sides, sits in a deep green tufted armchair in a library, holding a brandy glass in his left hand and wearing a teal suit and black tie. He begins with eyes closed and a wry grimace, then opens his mouth and speaks with a scowl, then sits with a sour, flat expression, and later grins with a sly, sidelong look while gesturing with his free hand. Across from him, the back of a heavyset man with a thick white pompadour and dark jacket fills the left side of the frame, and in the last moment Burns's hands clap together in an eager gesture. Bookshelves filled with blue, red and green volumes stand behind them.

> Lily's family forced her to give you up and bundled her off to a convent in the South
> Seas.
> I never heard from her again.
> But I prattle on. Tell me everything about your life.
> Oh, what's to tell? I was at the orphanage till I was 18.

Frame: https://ultrahouse3k.com/img/S08E04/486945.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/491741

## 8:17–8:29

An unnamed heavyset older man with a white swept-up tuft of hair and grey at the sides, wearing a dark grey suit and red tie, sits in a green tufted armchair beside a bookshelf holding a brandy glass. He gestures with an open hand, raises a finger, grins, and at one point closes his eyes with a smile. In the final moment, the scene changes to Mr. Burns, frail and thin with a hooked nose and bald head, in a teal suit and dark tie, seated in the same green armchair and holding a brandy glass.

> Then I got my job at a souvenir stand.
> Oh, and once I saw a blimp.
> Will, you must be tired.

Frame: https://ultrahouse3k.com/img/S08E04/498832.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/503420

## 8:29–8:35

In a book-lined library, a seated figure in a green armchair sits by a crackling fireplace while a thin man in a teal suit stands beside the other armchair, and a framed picture hangs above the mantel. The scene darkens as the two move toward a doorway, then they walk into a lavish purple bedroom with a canopy bed, a chandelier, and a large potted plant. A man in a white jacket with a red flower and the teal-suited man enter together through the open door.

> Let me show you your room.
> Oh, is this Posh?
> Ah, Pop, nobody's ever been so nice to me.

Frame: https://ultrahouse3k.com/img/S08E04/510301.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/512178

## 8:35–8:45

Mr. Burns, in a green suit with grey hair at the sides, and a heavy man with swept white hair in a grey suit and red tie stand in a blue-walled hallway lined with wooden doors. The heavy man first gestures warmly with an open hand, then grabs Burns's cheeks, then hugs him tightly and lifts him off the floor. Afterward the two walk down the corridor together while Burns points toward a door on the right.

> Yes.
> All right.
> Good to see you, too.
> Now then, in case you get bored, here's the playroom.

Frame: https://ultrahouse3k.com/img/S08E04/516141.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/520520

## 8:45–8:56

Kent Brockman, a heavy grey-haired man in a grey suit and red tie, stands in a doorway beside Mr. Burns, a frail, stooped old man with a hooked nose and blue-grey side hair wearing a green suit. Beyond the doorway, two small figures stand on a stage with a red curtain, a painting and a table with chairs behind them, one in blue overalls holding a tall item. Brockman's gaze stays fixed on the stage while Burns grins, grips his hands together and leans forward, and the stage figures stay in place.

> You can't just eat the orange and throw the peel away!
> A man's not a piece of fruit! This show was supposed to close last week.

Frame: https://ultrahouse3k.com/img/S08E04/526985.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/531364

## 8:56–9:09

Two men stand in a theater with rows of red seats: a brown-haired man in a white shirt and red suspenders faces a reddish-haired man in a blue vest and red tie, while a thin figure in a suit stands in a lit doorway marked EXIT behind them. The scene then cuts to Homer, bald and heavy in a white shirt, slumped asleep with his arms folded over a control panel in a plant with yellow-and-black hazard stripes. He then jolts upright, rubs his eyes with both hands, and raises a fist beside his head as he wakes.

> Close this show. Close it, I say.
> Hey, don't worry about it. You're all right.

Frame: https://ultrahouse3k.com/img/S08E04/537829.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/543043

## 9:09–9:19

Homer, the bald, stubbly man in a white shirt, and a heavy older one-off character with grey hair at the sides, a red tie and an ID badge sit side by side at a control console in a nuclear plant control room with yellow-and-black hazard stripes, dials, and a red fire extinguisher on the wall. The older man grins and fidgets in his seat while Homer glances at him, then closes his eyes and sighs. Homer's hand then reaches across the panel and dumps a heap of orange, green, and red jigsaw pieces onto the console.

> Hey, you're that hitchhiker. What are you doing here?
> Learning a family business.
> I'm Larry Burns, the boss's son. Uh-oh.
> Hey,

Frame: https://ultrahouse3k.com/img/S08E04/550341.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/554304

## 9:19–9:30

Homer Simpson, the bald, stubbled man in a white shirt and tie, sits beside a heavyset older man with grey hair, a red tie and an ID badge at a nuclear plant control console lined with lights and buttons. Homer first points at the controls and then turns to talk with the man, who gestures with his hands, points a finger and raises a fist as he speaks. Radiation symbols and yellow-and-black hazard stripes decorate the metal walls behind them, and a small box of food sits on the console near a green display screen.

> relax.
> I don't want to work. I'm so lazy I took lessons on a play of piano.
> Wow, that's really lazy. Lazy, you're not kidding.
> Well, I'm like a rug on volume. I'm talking lazy.

Frame: https://ultrahouse3k.com/img/S08E04/560351.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/564731

## 9:30–9:41

Homer Simpson, the bald heavy man in a white shirt and tie, is first seen at a control panel in a nuclear plant, then the scene cuts to the Simpson house glowing warmly at night under a purple sky with snow on the lawn. Homer later sits at the kitchen table beside a can of Duff beer, raising a fork and talking, then gesturing with his hand while still seated, and finally grinning and reaching toward the table as the green refrigerator with a child's drawing and magnets stands behind him. Notable objects include the Duff can, the fork, the green refrigerator, and the glowing house windows.

> So lazy.
> And Larry and I have so much in common, Marge, way more than you and me.
> If I could be stranded on an island with anyone, it would definitely be Larry.

Frame: https://ultrahouse3k.com/img/S08E04/571404.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/575992

## 9:41–9:52

Marge, with her tall blue beehive and red bead necklace, sits at the dinner table with her chin in her hand, eyes half-closed and mouth open in a yawn, then grimaces with a fork in her other hand while a glass of milk and a plate of food sit before her. Homer, in a white shirt, sits at the table holding a can of beer, mouth open as if speaking, with a green refrigerator and a child's drawing behind him. Bart in an orange shirt and sunglasses, Lisa in her red dress with a pearl necklace and bib, and Maggie with a pacifier and blue bow, wearing a 'CUTEST BABY' sash, eat together at the table. The scene then cuts to a large, lit house at night beside a curving road, with a sign reading 'SPRINGFIELD GLEN COUNTRY CLUB' in the foreground.

> I think we've heard enough about Larry Burns for one evening.
> Why, it's not like anything interesting happened to anyone else today.

Frame: https://ultrahouse3k.com/img/S08E04/582874.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/587253

## 9:52–9:58

Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, grabs the lapel of a heavyset older man with neat grey hair in a black tuxedo in an ornate hall with a red carpet, gold walls, and a buffet table with fruit and silver dishes behind them. Earlier, a woman in a blue gown with peach-coloured hair chats with the grey-haired man while another guest in a pink dress talks with a dark-haired man in a black suit, and a white-haired man in a blue uniform holds a drink. The grey-haired man stares sideways, then throws his arms out wide as Burns keeps tugging at his collar.

> Hey, Pop, this crowd is pretty swanky. I'm not going to fit in here.

Frame: https://ultrahouse3k.com/img/S08E04/593927.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/595595

## 9:58–10:11

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, fusses with the bow tie of a heavy, grey-haired man in a black tuxedo in a formal room. The heavy man then lifts a wine glass and gestures while Burns grins beside him, as a white-mustached older man in a blue naval uniform with gold epaulettes, holding a glass, stands nearby and a dark-haired waiter in a bow tie watches. A green bottle sits on a tray in the background among mingling guests in a purple-walled room.

> Nonsense, Larry. Your blood is bluer than any of theirs.
> Just give them a snootful of the old Burns charm.
> Oh, Admiral Carstairs, I'd like you to meet my son, Larry.
> Hey, Skipper, good to meet you.

Frame: https://ultrahouse3k.com/img/S08E04/599349.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/604979

## 10:11–10:18

Principal Skinner, with neat grey hair and a black tuxedo with bow tie, stands beside an older bald man with a white mustache who wears a blue naval uniform with gold epaulettes and medal ribbons, in front of a purple tiled wall. Skinner holds a glass of amber drink while gesturing with his free hand, and the uniformed man first grins, then squints and scowls as he speaks and leans in. Skinner's expression shifts from a sly grin to wide-eyed alarm as his hands fly out, with the glass still in one hand and a partially visible figure in a uniform at the left edge.

> Where'd you start out, on the Merrimack?
> Hey, I should talk. I hope I look that good when I'm 200.
> That's such insupportable.

Frame: https://ultrahouse3k.com/img/S08E04/612695.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/614781

## 10:18–10:31

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands at a formal party in a dark tuxedo beside a heavy, grey-haired man in a black tuxedo holding a small glass of wine. Burns raises a hand to his face and then turns toward a tall, lavender-haired woman in a tiara, pearl necklace and purple gown who holds a cane and speaks to him, while a woman with a brown updo and pink glasses stands nearby. Guests in evening wear, waiters carrying trays of glasses, purple paneled walls and a red carpet fill the room behind them.

> Larry, please, he's very sensitive about his age.
> Oh, Monty, this must be the son I've heard so much about.
> Larry, you must meet our daughter, the debutante.
> She came out last spring.

Frame: https://ultrahouse3k.com/img/S08E04/619160.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/624582

## 10:31–10:43

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, appears at a formal banquet alongside a woman in a purple gown and tiara and a grey-haired man in a tuxedo. The man gestures with a raised hand and holds a pink drink while the woman touches her pearl necklace, then a gloved waiter carries a plate with a slice of cake, a green garnish, a pickle and a cutlet across a blue-draped buffet. Guests in evening wear queue at the buffet on a red carpet beneath tall purple windows, where chefs in white toques serve food as Burns and the others move along the line.

> Whoa, put her back in. She's not done yet.
> Smithers, there's something a bit odd about young Larry.
> I can't quite put my finger on it. Well, he is a bit rough around the edges, sir.

Frame: https://ultrahouse3k.com/img/S08E04/632298.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/637512

## 10:43–10:49

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, with glasses and neat grey hair, stand together in tuxedos holding small plates with dessert and a green garnish at a formal party. Over the five frames, Burns glances sideways with a sour expression while Smithers keeps talking and looks toward the crowd, with a mustached man in a tuxedo, a white-haired woman in a dress, and a dark-haired woman in a purple dress moving in and out of view behind them. Burns and Smithers stay in place holding their plates, and the background guests shift around them.

> One might blame his truly heroic intake of cocktails.
> Pull up a seat, Pop. You too, Chuckles.

Frame: https://ultrahouse3k.com/img/S08E04/645019.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/646896

## 10:49–10:59

Smithers, a thin man with glasses and a dark suit, stands at a buffet table beside Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, while a heavy older man with grey hair and a white bib sits at the table eating from a fork. The table holds a pyramid of pink molded food on a lettuce-lined platter, a pink bowl, a bowl of olives and a ladle, and the seated man gestures and talks as he eats. A chef in a tall white toque and grey mustache steps up behind him and grips his shoulder with a scowl, and the seated man turns, grins and keeps chewing on his forked meat.

> I mean, the food ain't great, but the portions are terrific.
> Hey, I'm kidding. Relax.
> Hey, give my regards to Mrs.
> Boyardee.

Frame: https://ultrahouse3k.com/img/S08E04/651067.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/654821

## 10:59–11:09

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers, with glasses, stand in formal black tuxedos with bow ties at a gathering, a blonde woman in a purple dress holding a glass of wine beside them. Burns sneers and speaks while Smithers stands stiffly at his side, and a chef-hatted figure appears in the background. The scene then shifts to a library lined with colorful books, where a man in a green jacket and a woman in a blue dress and a pink scarf stand with a grey-haired older man in a brown jacket and a small girl in a blue dress, all facing Burns as he sits at a large purple desk by a window, a small book and a document on the desk. In the final moment, Burns sits behind the desk with a check in hand, while the visitors, including a bespectacled man in a brown jacket and a grey-haired woman in pink and blue, look on, with a green-jacketed man with glasses and a bow tie standing behind them and a stack of books on the desk's edge.

> Ugh.
> A total lack of refinement.
> Smithy sent for the boys at Yale admissions, hmm?
> Well, did you meet Larry?

Frame: https://ultrahouse3k.com/img/S08E04/660660.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/664831

## 11:09–11:20

Two older characters stand side by side in a dim, wood-paneled room lined with bookshelves: on the left a woman with grey-brown hair, blue-framed glasses, a pastel blue suit and pink ascot, and on the right a heavy, bald-topped man with black-framed glasses, a brown jacket over a blue sweater and a red tie, both with hands at their sides or behind their backs. Across the frames the man's expression shifts from a flat stare to a grimace with clenched teeth, then a smirk and a pursed-lip look, while the woman keeps a stern, unimpressed frown. The scene then cuts to Mr. Burns, the frail, hook-nosed old man with grey hair at the sides, leaning on a blue desk beside a stack of papers, with a red curtain behind him, smirking with narrowed eyes and a grimace while his hands rest on the desk.

> Oh, yes. He made light of my weight problem,
> then suggested my motto should be Semper Fudge.
> At that point, he told me to relax.
> How are his test scores? Let's just say this.

Frame: https://ultrahouse3k.com/img/S08E04/671087.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/675258

## 11:20–11:31

Patty or Selma, Marge's sister with grey-violet hair, a pink bow and a blue suit, stands beside a grey-haired man in glasses, a brown jacket and a blue sweater, while thin Smithers, in glasses and a pink bow tie, stands behind them. Mr. Burns, with his hooked nose and grey hair at the sides, sits at a desk covered with papers and a blotter, in front of bookshelves and a red curtain. Burns raises a finger to his chin, then later grins and holds a pen while the women speak and the others listen.

> He spelled Yale with a six.
> I see.
> Well, I... Oh, you know, I just remembered it's time for my annual donation.
> I wonder how much I should give.

Frame: https://ultrahouse3k.com/img/S08E04/681723.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/686311

## 11:31–11:40

A heavyset, balding older man with grey hair at the sides, black-rimmed glasses, a brown jacket, blue sweater and red tie stands before a wall of colorful bookshelves. He first looks sideways with a smug, sly expression, then pulls his mouth into a tight, pursed frown. He then opens a small black notebook labeled YALE, runs his finger down its page while glancing at it and grinning, and keeps reading it as he smiles.

> Well, frankly, test scores like Larry's would call for a very generous contribution.
> For example, a score of 400 would require a donation of new football uniforms,

Frame: https://ultrahouse3k.com/img/S08E04/692984.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/696321

## 11:40–11:49

A stout, grey-haired man in glasses, a brown jacket and a red tie stands in a library before tall bookshelves, reading a black book labeled YALE and speaking as he looks down at it. A grey-haired woman in blue-framed glasses, a light blue jacket and a pink ascot moves in beside him, leaning close to his shoulder with a stern expression. She then raises her index finger while he keeps reading the YALE book.

> 300 a new dormitory, and in Larry's case, we would need an international airport.
> Yale could use an international airport, Mr.
> Burns.

Frame: https://ultrahouse3k.com/img/S08E04/701951.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/705288

## 11:49–11:59

Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, leans over a purple desk in a bookshelf-lined study while a grey-haired woman with glasses and a pink scarf and a man in a brown jacket with glasses look on, and Smithers, the thin assistant in glasses, pink bow tie and green jacket with a badge, stands nearby. Burns raises a pen above his head, then holds it to his chin while Smithers stands against the shelves, and Smithers later sits on a wooden pillar. The scene then cuts to a view through a window of a blue control room with radiation symbols, consoles and a 'GONE DRINKIN'' sign on a control panel, with a grey-haired figure in profile at the right edge.

> Are you mad?
> I'm not made of airports. Get out!
> Summon my son at once.
> Uh, it appears he's gone drinking, sir.

Frame: https://ultrahouse3k.com/img/S08E04/710919.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/714881

## 11:59–12:06

Mr. Burns, frail and stooped with a hooked nose, glowers at his thin assistant Smithers, who stands beside him in a library lined with bookshelves and a wall of small TV monitors, then Burns's scowling face is shown in close-up. The scene cuts to the exterior of Moe's bar, with a red door, a sign reading MOE'S, and a King Toots Music Store next door, litter on the sidewalk. Inside the bar, Homer in a white shirt leans on the counter beside a heavy man in a red tie and a man in an orange jacket, while a curly-haired bartender in blue overalls faces them, and in the final frames the man in the red tie raises one arm and reaches toward the orange-jacketed man's face.

> Everybody go nuts.
> I'm buying.

Frame: https://ultrahouse3k.com/img/S08E04/720929.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/723014

## 12:06–12:15

Moe, the grey-haired bartender in a bow tie, stands behind a bar lined with bottles and upturned glasses, jotting on a notepad while a heavy older man in a white shirt and red tie leans on the counter holding a foamy mug. The man then tilts the mug back to drink while Moe keeps writing. Barney, the heavy man with messy brown hair and a pink shirt, leans on the bar beside an empty mug, grinning and talking with Moe still behind him and a purple cash register nearby.

> Hey, handsome, send the bill to my dad.
> Okay, but the last guy who charged the drink to burns turned up in a landfill.
> Yeah, but it was worth it.

Frame: https://ultrahouse3k.com/img/S08E04/727185.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/730730

## 12:15–12:22

Homer, bald with a white shirt and loosened tan tie, sits at the bar beside Moe, the grey-haired bartender in a white shirt and red tie, under a Duff sign and a Springfield pennant. Moe gestures with open hands while talking, then leans his forearms on the counter, grimaces and glances sideways at Homer, who watches with half-lidded eyes beside two green mugs. In the final moment Moe leans forward and points his finger at Homer while Homer keeps staring ahead.

> What's everybody in this burg have against my dad?
> He's a pussycat. I tell you, he's a doll baby.
> Come on over, I'll show you.

Frame: https://ultrahouse3k.com/img/S08E04/736361.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/739072

## 12:22–12:30

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits at the near end of a long banquet table in a grey suit, sipping from a cup, while Homer, bald and heavy in a white shirt with a napkin tucked in, sits at the middle of the table eating. Smithers, a thin man with glasses, sits at the far right end of the table in a dark suit, and remains seated throughout as the others eat and drink in a formal dining hall with red carpet, purple chairs, candelabras, a suit of armor on the left, and a gold monogram on the tablecloth. Across the moment the figures barely move: Burns lifts his cup, Homer raises food to his mouth, and Smithers stays still.

Frame: https://ultrahouse3k.com/img/S08E04/743868.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/746579

## 12:30–12:38

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, sits at the near end of a long table draped in yellow cloth, while Homer, bald and heavyset in a white shirt, sits midway along it and Smithers, thin and bespectacled, sits at the far end in a purple chair. The setting is a grand purple-walled hall with a red carpet, a suit of armor, a bust on a pedestal and two lit candelabra on the table, which bears a monogram. Across the moment Burns slowly lifts food from his plate with his utensils and Homer reaches toward his plate and raises food to his mouth, while Smithers remains seated and nearly still.

> Oh, this is some party.
> If it gets me lively or a funeral's gonna break out.
> Quiet, you.
> Nobody likes a comedian.

Frame: https://ultrahouse3k.com/img/S08E04/751584.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/754295

## 12:38–12:49

A heavy older man with swept grey hair, a grey suit and a red tie sits at a formal dining table holding a wine glass and gesturing as he talks, with a plate of food before him. The candlelit room has purple upholstered chairs and a silver candelabra. Mr. Burns, frail and thin with a hooked nose and grey hair at the sides, then sits at the table in a green suit and black tie, lifting one hand as he speaks beside his plate and glass of red wine. Homer, in a white shirt, holds a drumstick and a fork, closes his eyes and chews, then turns to speak while still holding the drumstick, with a silver dome cover on the table at the right.

> Jeez, come on, Dad.
> We got company.
> Make with the yakety-yak-yak.
> Oh, yakety-yak. You, food bag, do you have a son?
> Yes, sir, I do.

Frame: https://ultrahouse3k.com/img/S08E04/759092.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/763888

## 12:49–12:59

Mr. Burns, a frail, thin, stooped old man with a hooked nose and blue-grey hair at the sides, wearing a green suit and black tie, and Homer, a heavy bald man in a white shirt, sit at a dining table in a formal purple-and-gold room with a suit of armor and wall sconces. Homer eats a fried chicken drumstick with a fork in hand, grimacing and then gesturing with the drumstick while talking, as Burns scowls and grimaces beside him. The scene widens to show Homer in the foreground with a large wine glass and a bowl of fries, and Burns eating at the far end of a long table lit by candelabra beside a tall purple chair.

> And is he a constant disappointment? Does he bring home nitwits and make you talk to them?
> Oh, all the time. Have you ever heard of this kid, Milhouse?
> He's a little wiener who... Fascinating.
> Good night.

Frame: https://ultrahouse3k.com/img/S08E04/770561.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/774732

## 12:59–13:11

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, wears a teal suit and black tie in an ornate dining room with purple panels, gold trim, candle sconces and a coffered ceiling. Seated at a table in the background is an unnamed older man in a dark suit and red tie, with a glass and plates before him. Burns scowls and grits his teeth, then stands pointing off to the left, raises his hand to his neck, and finally reaches toward a gold door handle on a purple panel.

> Dad.
> What's with you tonight?
> I mean, I'm getting frostbite over here.
> I'll tell you what's with me. The humiliation of having a coarse,
> boorish ignoramus for a son.

Frame: https://ultrahouse3k.com/img/S08E04/780989.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/785576

## 13:11–13:17

Homer, in a white robe, sits alone at a long gold-draped table marked with a TMB emblem, while Mr. Burns, frail and stooped in a green suit, stands at the right end and a grey-haired man in a dark suit and red tie stands at the left. A suit of armor stands behind the table between tall purple panels with candelabras and wine glasses. Over the frames Homer reaches for and lifts a wine glass, while the grey-haired man at left leans forward and the right end of the table is left empty.

> Eh, I should go.
> What's the matter, Pop?

Frame: https://ultrahouse3k.com/img/S08E04/792041.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/794544

## 13:17–13:31

Homer Simpson, bald in a white shirt and blue pants, and an older man in a grey suit with a red tie and swept-up grey hair, first stand beside a candelabra and a glass of red wine at a candlelit table, where the older man gestures and speaks while Homer looks on. Homer then rests a hand on the older man's shoulder while holding a drumstick, and the older man hangs his head. The two then walk together down a dark garden path at night, past a fountain and hedges with statues, with Homer gesturing as they go.

> Don't you love me anymore?
> Jeez, Dad and I, we started out great.
> But now it's falling apart like a Chinese motorcycle.

Frame: https://ultrahouse3k.com/img/S08E04/799132.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/804762

## 13:31–13:45

Homer, the bald, heavy man in a white shirt, stands beside an unnamed grey-haired man in a dark suit and red tie, who holds a pink drink with a green garnish. Against a dark green hedge and a blue ledge, Homer holds a half-eaten drumstick, grimaces and gestures with an open hand while the man looks on glumly. Homer then turns toward him, rests a hand on his shoulder and raises a finger as if making a point.

> It's so unfair.
> You're everything a dad could hope for. Yeah.
> I tell you, I don't get no regard.
> No regard at all.
> No esteem either. Larry,
> there's only one sure way to make him realize how much he loves you.
> And that is a phony kidnapping.

Frame: https://ultrahouse3k.com/img/S08E04/812687.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/818318

## 13:45–13:56

Homer Simpson and a grey-haired man in a dark jacket and red tie, who is not Mr. Burns or any named regular, stand outdoors against a dark green hedge under a purple night sky with stars. Homer, at first wide-eyed and then grinning with his mouth open, leans in beside the man, who glances sideways with a sour, tense expression and a closed-mouth frown. Homer raises one hand near his chest while the man's mouth opens as if he is speaking, and a red drink cup appears at the lower right edge of the scene.

> Yeah, right.
> I don't know. Maybe I should just leave town.
> Phony kidnapping?
> Nah.
> I know what I gotta do. I gotta clean up my act.

Frame: https://ultrahouse3k.com/img/S08E04/826242.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/831039

## 13:56–14:08

A heavy, grey-haired man in a dark jacket, white shirt and red tie stands outdoors at night under a purple starry sky, beside dark cypress trees and a green hedge, holding a pink cocktail with a green umbrella garnish. He first glances sideways with a wary frown, then closes his eyes and lifts the drink, then looks off to the side with the glass raised. He scowls and speaks with his mouth open, then glares off to one side with his fist clenched near the bottom of the scene.

> No more joking around all the time. No more slacking off at work.
> And most important, no more booze.
> I know I can do it.

Frame: https://ultrahouse3k.com/img/S08E04/837712.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/842717

## 14:08–14:20

Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, first stands in a red robe beside a wooden door, holding a letter and a crumpled envelope and glancing sideways. After a brief black screen, he appears in a green suit in a book-lined study with purple curtains and a blue rug, resting a hand on a dark wooden table while police officers in blue uniforms stand around him, one holding a sheet of paper. A man in a green jacket stands near the bookshelves as an officer with red-brown hair and a clipboard steps forward, and a skull sits on a shelf.

> Your son has been kidnapped.
> I can't believe someone would kidnap my Larry.
> I won't rest until he's returned to me. Not to be impertinent, sir,

Frame: https://ultrahouse3k.com/img/S08E04/849807.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/854604

## 14:20–14:27

Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, and Smithers, his thin assistant in glasses, a green jacket and a purple bow tie, stand at a wooden desk in a room lined with bookshelves of colorful books. Burns leans on the desk, then covers his face with both hands while Smithers points a finger and talks, and later Burns leans forward with a sly grin as Smithers gestures with an open hand. A large blue book sits on the desk at the right edge.

> but didn't you want Larry out of your life as recently as two hours ago?
> It's the principal, Smithers.

Frame: https://ultrahouse3k.com/img/S08E04/861486.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/863780

## 14:27–14:35

Mr. Burns, the frail, stooped old man with a hooked nose, grey hair at the sides and a teal suit, leans on a desk across from an unnamed man in a green sweater with glasses and grey hair. Set in a study with colourful bookshelves, a globe and a rain-streaked window, Burns scowls, grits his teeth and speaks while gripping the desk, then his eyes widen and dart sideways as he leans in and his mouth opens wider. A small brass scale and a stack of papers sit on the desk, and the scene ends with Burns glaring out with his head turned toward the listener.

> Nobody steals from Montgomery Burns,
> whether it be my Sunday newspaper or my loutish oaf of a son.
> All right, Mr. B. When the kidnappers call with the ransom demand,

Frame: https://ultrahouse3k.com/img/S08E04/868368.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/871496

## 14:35–14:49

Chief Wiggum, the fat police chief with blue hair under his cap, and a thinner police officer with short black hair stand in a room lined with bookshelves, with a wooden desk at the edge of the scene. Wiggum gestures with open hands, then points to his right, then raises a finger while talking, while the other officer stands with his arms at his sides and glances sideways. Wiggum grins and points toward the desk as he keeps speaking.

> you tell them you'll leave the money under the big net in the park.
> And then down comes the net, right, Chief?
> Hey, I like it.
> I like it a lot.

Frame: https://ultrahouse3k.com/img/S08E04/876709.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/882340

## 14:49–15:00

Marge Simpson, with her tall blue beehive and green dress, stands in a pink room where a tangle of cords runs from a power strip across the teal floor toward an arched doorway to a checkered-floor kitchen. She steps over the wires past a blue table with a cord plugged into the wall outlet, then walks to a wooden stairway and descends toward a water heater, with cords draped along the steps and a cracked wall beside her. The scene opens on the exterior of the brown-roofed Simpson house with its attached garage.

> Hmm.

Frame: https://ultrahouse3k.com/img/S08E04/890264.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/894644

## 15:00–15:10

Homer, Grampa, Lisa and Bart sit together on a brown couch in a cluttered basement with a fan, a small TV and a rainbow rug, while Marge, in a green dress under her tall blue beehive, stands on the wooden stairs. Marge then steps down and leans against a wall beside shelves of coiled wires, glancing sideways with a scowl, while Homer, holding a red can, keeps his eyes shut and then opens them to gesture with a raised hand. Behind Homer, a man in a red Santa suit stands near a stack of papers and a cardboard box.

> What are you doing in the basement?
> It's like you're hiding out down here. Hiding out?
> Marge, you've been reading too many hideout books.
> And what's that hitchhiker doing here? Is every drifter we meet going to move in with us?

Frame: https://ultrahouse3k.com/img/S08E04/901526.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/905279

## 15:10–15:23

Homer sits on a brown sofa with a stocky, grey-haired man in a green polo shirt, who holds a soda can, while Lisa and Bart sit beside them in a cluttered room with a ladder, a red lampshade, and a rainbow rug. Marge, with her tall blue beehive and green dress, stands facing them with an open hand extended, then the scene cuts to Homer grinning and gesturing with a can while the grey-haired man looks on beside a hanging Santa suit. Close-ups follow: Lisa in a pearl necklace speaks with her mouth open, and Bart, in his orange shirt, looks sideways with his hands raised.

> Of course not. We'll decide that on a drifter-by-drifter basis.
> He's not a drifter, Mom. That's Mr. Burns' son, Larry.
> He's great at pointing out everyone's foibles.

Frame: https://ultrahouse3k.com/img/S08E04/911119.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/916541

## 15:23–15:27

Moe, the grey-haired heavyset man in a green polo shirt, sits on a brown couch holding a can while Lisa in her red dress and pearl necklace and Bart in orange stand beside him, with Marge's tall blue beehive and orange bead necklace at the right edge. Against a backdrop of stacked boxes, papers, and carved wooden tiki-style faces, Moe raises a hand, gestures toward Marge, then points one finger upward with a grin while Lisa watches with her arms folded and her eyes narrowing, and he finishes with an open-palm gesture and a sly, leaning-back expression.

> Hey, how you doing? Ooh, look at your hair.
> What happened? You saw yourself in a mirror?

Frame: https://ultrahouse3k.com/img/S08E04/924257.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/925508

## 15:27–15:38

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, and Bart, the boy with spiky hair in an orange shirt and blue shorts, sit side by side on a brown couch in a living room. Lisa sits with her hands folded at first, then opens her mouth to speak and later raises one hand to point while Bart glances sideways, looks toward her with a half-lidded stare, and then gazes off with a slight smile. Their expressions shift from calm and attentive to talkative and smug as they keep their seated positions throughout. A grey patterned lamp shade and a stack of white plates on a shelf appear in the background.

> He's kidding, Mom. But seriously, I'd love to have hair like yours.
> I just can't get the zoning permits.
> Hey, that reminds me, Mom.
> Buckingham Palace called. They want their hat back.

Frame: https://ultrahouse3k.com/img/S08E04/928845.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/933224

## 15:38–15:50

Homer, an older grey-haired man, Lisa and Bart sit together on a brown couch in a cluttered living room, clapping as Marge stands in a green dress with her tall blue beehive and red bead necklace. Marge then looks unimpressed in a close-up beside a counter holding boxes, before the scene cuts to a police station where Mr. Burns and Smithers stand by a table of officers while a man points at a wall sign reading MAP OF SPRINGFIELD. The lead officer, at the right, jots notes on a pad as the others look on.

> Hey, kids, how about a hand for your mom?
> She's all right. Yeah, Mom! Run, Mom!
> Yeah, thank you.

Frame: https://ultrahouse3k.com/img/S08E04/939689.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/944694

## 15:50–16:01

Chief Wiggum, the fat police chief in a blue cap, stands at left with a hand to his head while Mr. Burns, frail and hook-nosed, presses a black telephone to his ear and Smithers in a green jacket and purple bow tie watches beside them. Homer, in a white shirt with a cigar in his mouth and a turquoise phone at his ear, looks wide-eyed and anxious, while an older grey-haired man in a green shirt on the left grins and laughs. Behind them a wall map, a white water heater and a stack of papers stay in place as Burns scowls and keeps talking into the receiver.

> Uh, hui hui? Hello, Mr. Burns.
> This is the kidnapper.
> Do you miss your son? Yes, I'm missing one son.
> Return it immediately.
> If you really love Larry, prove it. And you can have him back today.

Frame: https://ultrahouse3k.com/img/S08E04/951993.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/956164

## 16:01–16:12

Homer Simpson, with a cigar in his mouth and a teal telephone to his ear, stands beside Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, who holds a black phone to his head in a white shirt. An older man with grey hair and a green polo shirt watches from the left, and a blue police cap sits above, with a wall map, a water heater and stacked papers behind them. Homer scowls and grits his teeth, then his eyes widen as he looks up, while Burns speaks with his mouth open, grimaces, and later narrows his eyes and grins.

> Oh.
> How much proof do you need? Five thousand?
> Six thousand? I swear, that's all I've got.
> Don't you care about your son. This is more important than money.

Frame: https://ultrahouse3k.com/img/S08E04/962628.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/966799

## 16:12–16:22

Mr. Burns, thin and stooped with grey hair at the sides, holds a black phone to his ear at the right of a cluttered office, while Homer, in a white shirt with a cigar in his mouth and a teal receiver in hand, reacts with wide eyes and raised hands at the left. Grampa, in a green polo with white tufts of hair, stands by a white water heater and stacks of papers, and Chief Wiggum in his blue police cap leans in from behind Homer, scratching his head as the Burns and Homer reactions shift and a wall map of the states looms behind them.

> More important than money? Who is this?
> Uh...
> Beautiful.

Frame: https://ultrahouse3k.com/img/S08E04/973264.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/977643

## 16:22–16:33

Chief Wiggum, the fat police chief with blue hair under his cap, talks beside a thin uniformed officer wearing a headset-style earpiece, both standing in front of purple-and-gold wall panels. Wiggum frowns, then grins and pinches a small slip of paper in both hands while the officer looks on sourly. The scene then shows the Simpsons' yellow house with a brown roof and purple front door, a pink car parked by the garage, and a blue mailbox at the curb under a clear sky.

> Eddie, did you trace the phone number? Sure did, Chief.
> 555.
> Aw, jeez, that's gotta be phony.

Frame: https://ultrahouse3k.com/img/S08E04/984108.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/988070

## 16:33–16:43

Homer, Lisa, Bart, and Grampa sit around a card table in a cluttered storeroom stacked with boxes and papers, a Santa hat hanging on the wall above them, as Lisa deals cards and Bart scowls at his hand. Marge sits on a brown couch with her arms crossed, glancing sideways at the card game, then turns to a television showing a Duff beer can against a cloudy background. Objects include the stacked cardboard boxes, a standing lamp, a tiki-style carved statue, and a pile of white papers on the table beside Lisa.

> Hey, I think I got a pie gal.
> I hate pie gal. Can't we just play Quang Jong?
> Can't we just go upstairs?
> No!
> This is Kent Brockman in Chopper Copter 6 with a special report.

Frame: https://ultrahouse3k.com/img/S08E04/994118.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/998080

## 16:43–16:56

Kent Brockman, the grey-haired news anchor in a red jacket and blue tie with a headset, sits holding a clipboard in front of a television window showing a government building and the "6 LIVE" logo, and a "KIDNAPPED" inset picture of a grey-haired man waving appears over the broadcast. Marge, with her tall blue beehive and orange bead necklace, looks on wide-eyed and speaks in the foreground, while Homer, in a white shirt with his arms folded, and Bart, in an orange shirt, sit at a counter in a shop with a pleated orange lampshade. Homer raises his hand and talks, Bart gestures with a hand, and Homer then leans back with his mouth open as a heavy man in a green shirt and blue cap watches on the right.

> Montgomery Burns' son has been kidnapped.
> Kidnapped?
> Marge, it's not a real kidnapping.
> It's a simple hoax to win a father's love.

Frame: https://ultrahouse3k.com/img/S08E04/1004337.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1009550

## 16:56–16:59

Marge Simpson, with her tall blue beehive and orange bead necklace, stands behind a wooden counter in front of a stack of papers and a purple television, first glaring sideways, then turning to face forward with her arms folded tightly across her green dress and scowling while she speaks. Homer Simpson, bald with a white shirt, appears in a close-up at the bottom right of the scene, his mouth open as he talks, with his eyes wide and eyebrows raised beside a ladder and a stack of papers. Marge's expression grows more irritated as the moment progresses, and the scene ends with Homer still speaking in the foreground.

> You know how I feel about hoaxes. Still?
> I want you to take Larry back to Mr. Burns right now, before you get in a lot of trouble.

Frame: https://ultrahouse3k.com/img/S08E04/1017058.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1017683

## 16:59–17:11

Homer sits at a table playing cards with an older, heavyset man in a green polo shirt who has white swept-back hair, while Marge, with her tall blue beehive and red bead necklace, stands behind them. Marge scolds with a raised finger, then folds her arms as Homer gestures with an open hand and looks flustered, then holds his chin in thought while Marge keeps her arms crossed. The cards are purple with a red pattern, and a red lampshade hangs above a room with a blue-topped TV set nearby.

> What?
> But... Marge, it's broad daylight and there's cops everywhere.
> No excuses, just do it.
> Oh!

Frame: https://ultrahouse3k.com/img/S08E04/1020394.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1025399

## 17:11–17:20

Grampa and Homer climb a wooden staircase in a cluttered room of cardboard boxes and a blue polka-dot kiddie pool while Marge, in a green dress with a tall blue beehive, watches from beside a brown couch and then sits on its arm. On a television in the corner, a grey-haired news anchor with a headset, red jacket, blue tie and clipboard appears under a '6 LIVE' caption, with a suburban house and a parked car shown behind him as he looks down at his clipboard.

> Of course, we'll bring you updates just as soon as they...
> Whoa, wait a minute! There they are, Larry Burns and his kidnapper.

Frame: https://ultrahouse3k.com/img/S08E04/1032490.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1035826

## 17:20–17:33

Homer Simpson, bald and wearing a white shirt and blue pants, knocks on a front door while a white-haired man in a green sweater stands on the path beside him. Homer then crouches and scurries across the lawn as the man in green jumps back toward the wall, and the scene shifts to Kent Brockman, the grey-haired news anchor in a red jacket and headset, holding a clipboard in front of an aerial view of a suburban house. A "6 LIVE" logo appears in the corner throughout.

> Appearing in broad daylight with police everywhere, ladies and gentlemen,
> there's only one word for that.
> Idiocy.

Frame: https://ultrahouse3k.com/img/S08E04/1041249.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1046671

## 17:33–17:41

Marge, with her tall blue beehive and orange bead necklace, looks sideways and speaks in a close-up before the scene opens on a pink car driving down a city street past a red stop sign and onlookers. Homer, in a white shirt, and an old white-haired man in a green sweater ride in the car, which then speeds down a narrow alley with a police car behind it, its red light flashing. The two men abandon the car and scramble up a chain-link fence beside an overflowing trash can as the pink car waits nearby.

> Well,

Frame: https://ultrahouse3k.com/img/S08E04/1054178.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1057515

## 17:41–17:53

Homer, in his white shirt and blue pants, and a heavy man in a green polo shirt with grey hair, crouch and then run across a mesh-floored area beside blue doors, with Homer lying flat on the mesh at first while the other man crawls near him. They then stand up, look alarmed, and sprint across the grass past a factory with a water tower, smokestacks, and barrels, toward the building's entrance. Inside a large warehouse full of workers in white shirts and hard hats, the two push through green double doors with their arms outstretched, while forklifts and stacked cardboard boxes fill the floor and a crane hook hangs overhead.

> we gotta find some place to hide.
> The abandoned warehouse!
> Oh, stupid economic recovery

Frame: https://ultrahouse3k.com/img/S08E04/1062937.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1067942

## 17:53–18:04

Outside the Springfield Costume Shop, a man in a red vest and dark hat stands in the doorway beside a figure in a black gorilla suit, both moving onto the sidewalk past windows with a clown figure and a bunny-suited mannequin, while a puddle of red liquid lies on the pavement. Inside, a heavy yellow-skinned man in a green shirt and purple pants walks past racks of costumes, a Darth Vader mask, and a top hat. Finally, Homer, in a white shirt and blue pants, sits on a tiled bathroom floor beside an older grey-haired man in a green sweater, both hugging their knees as a puddle spreads nearby.

> Hey buy a costume or get out fellas

Frame: https://ultrahouse3k.com/img/S08E04/1074824.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1078995

## 18:04–18:15

A bald, heavyset man in a white shirt and blue pants (Homer) stands on a sidewalk beside an older, grey-haired heavy man in a green polo, both pressed against a lavender wall and gazing upward. A younger man in a green open jacket and purple pants, fist raised, pushes open a purple door at the start, then the two gape upward as Homer's mouth opens in surprise and then grins. A lit marquee overhead reads "OLYMPIA DUKAKIS · BO DEREK IN TOO MANY GRANDMAS!" and a puddle sits on the pavement below.

> We gotta find someplace no one will ever go

Frame: https://ultrahouse3k.com/img/S08E04/1085459.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1089839

## 18:15–18:19

Homer Simpson and an older grey-haired man in a green shirt carry popcorn tubs and drinks down the aisle of a nearly empty movie theater with rows of blue seats, exit signs, and a projector beam of light cutting in from the upper right. The grey-haired man walks ahead, and then the two of them reach the front rows and sit down together, holding their popcorn and cups as the beam shines overhead.

Frame: https://ultrahouse3k.com/img/S08E04/1096512.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1097763

## 18:19–18:30

Homer, bald and heavy in a white shirt, and Moe, the grey-haired man in a green polo, sit side by side in a dark movie theater, each holding a red-and-white striped popcorn bucket. Moe sips a drink through a straw, then grins and talks while Homer keeps his eyes forward and lifts popcorn to his mouth. The scene then cuts to a bespectacled man in a white shirt and blue tie, gripping a seat rail with his mouth open and glancing sideways in the theater.

> They'll never look for us here.
> Yeah, this place is emptier than a Scottish pay toilet.
> Shhh!
> Some people are trying to watch the movie.

Frame: https://ultrahouse3k.com/img/S08E04/1100891.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1105062

## 18:30–18:40

Homer, in his white shirt, and a grey-haired man in a green polo shirt sit eating popcorn and sipping drinks in a movie theatre, while a bespectacled man with a moustache in a white shirt peeks over the seats behind them. Popcorn flies at the bespectacled man, who flinches and sputters as Homer laughs, and then a stooped elderly man in a white shirt and green trousers walks away up the aisle toward the double doors. The scene cuts outside to the theatre's marquee, which reads "OLYMPIA DUKAKIS BODEREK IN TOO MANY GRANDMAS," where police cars with flashing lights are parked and a Channel News 6 van waits.

> You don't like it? Call the cops.

Frame: https://ultrahouse3k.com/img/S08E04/1111527.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1115489

## 18:40–18:53

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, stands beside a police car with flashing red and blue lights behind him while an officer in a cap looks on. Kent Brockman, the grey-haired news anchor, holds a microphone in front of the Aztec Theatre as two police officers aim pistols from its entrance, and another officer stands behind him. Marge with her tall blue beehive stands in a living room beside a couch where Lisa in a red dress and Bart in an orange shirt sit, all three watching a television at the left edge of the frame.

> This is Kent Brockman, live from the Aztec Theatre,
> where police have learned that kidnaper Homer Simpson and hostage Larry Burns are inside
> talking loudly.
> Give yourself up, homie. No, Dad. Shoot your way out.

Frame: https://ultrahouse3k.com/img/S08E04/1121746.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1127168

## 18:53–19:01

Lisa, Marge and Bart sit side by side on a brown couch in their living room, staring wide-eyed in alarm. On a television screen, Homer, a bald heavy man in a white shirt and blue pants, bursts through a glass door into a red-carpeted room with framed tropical paintings, arms flung wide. As he staggers forward, glass shards fly through the air, a red burst of blood appears on his chest, and the family screams with mouths open and tongues showing.

> A bloody end for Homer Simpson.

Frame: https://ultrahouse3k.com/img/S08E04/1135092.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1137595

## 19:01–19:12

Homer Simpson lies face-down on a red carpet strewn with glass shards in a lobby with shattered glass doors and two framed beach paintings. News anchor Kent Brockman, grey-haired and holding a microphone, speaks to the viewer while a small inset shows Homer on the floor, and police officers with pistols stand in the lobby behind him. The officers vanish as Brockman keeps talking in front of an empty entrance with a pink planter.

> It's just one of several possible outcomes according to our computer simulation.
> Now, here's how it would look if the police killed him with a barrage of baseballs.

Frame: https://ultrahouse3k.com/img/S08E04/1142391.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1146562

## 19:12–19:24

Lisa, Marge, and Bart sit side by side on a brown couch in the living room, Lisa with her mouth open and Marge and Bart looking off to the side, while the room's lamp and a stack of towels sit behind them. The view then shifts to the couch's back and a grey statue head peeking over it. Next, three uniformed police officers stand in a hallway by a sign reading 'TOO MANY GRANDMAS': the chief in the middle points forward, one officer on the left crouches with a baton, and the officer on the right aims a pistol upward. One officer then leans through a doorway holding a pistol, and finally three officers stand together at the front of a dark, empty theater aisle lined with blue seats, near a red exit light.

> We've got to go down there and help, Dad.
> No!
> Stop it!
> Shh!

Frame: https://ultrahouse3k.com/img/S08E04/1153027.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1158449

## 19:24–19:36

Chief Wiggum, the fat police chief, stands in a theater aisle beside two other officers, one a tall officer with a grey-blue cap and one a Black officer (Carl) with a moustache-free face and a blue cap, all in blue uniforms. In the first moment Wiggum holds a pistol while the officers look ahead among rows of blue seats. Next Wiggum lifts a striped popcorn bucket toward his mouth while the others stand watching, with spilled popcorn, cups and a puddle on the floor below. Then Wiggum holds the popcorn bucket at his side as the Black officer gestures with an outstretched arm toward the seats. Finally Wiggum stands alone in the aisle with the popcorn bucket while the Black officer points toward the back of the theater, the scattered litter still visible in the foreground.

> Still warm.
> It can't be far.
> Chief!

Frame: https://ultrahouse3k.com/img/S08E04/1165956.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1170961

## 19:36–19:47

Homer and an older man in a grey-haired, heavy build scramble across the green roof of a theater marquee reading "OLYMPIA DUKAKIS BO DEREK IN TOO MANY GRANDMAS" while police officers run below. Homer then clutches his head, dazed, against a swirling pink and orange backdrop. He next looks down over a street crowd of police officers and onlookers, where Mr. Burns, frail and stooped in a green coat, shouts through a white megaphone atop a police car with flashing red and blue lights.

> Don't be a fool, Simpson.
> Let the kid go.
> The negotiations have failed. Shoot him.

Frame: https://ultrahouse3k.com/img/S08E04/1178052.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1182223

## 19:47–19:57

Homer Simpson, bald and in a white shirt and blue pants, stands on a ledge behind a billboard reading "UKAKIS BO DEREK IN ... NY GRANDMAS" while Moe, the grey-haired bartender in a teal polo shirt, stands in front of him gesturing with open hands and speaking. Next, a row of men and a woman stand together against a purple night sky: Barney, the heavy drunk with messy brown hair in an orange shirt, Moe in a bow tie, Mr. Burns, the frail stooped old man with a hooked nose in a blue suit, Ned Flanders with his red moustache and beard in overalls, and Patty or Selma with grey-violet hair in a green jacket. Back on the ledge, Moe stretches his arms wide while Homer peers over his shoulder with wide eyes, and then Moe shrugs with both palms out as Homer watches beside him.

> Wait.
> I mean, Homer's no kidnapper, but he's the best friend I ever had.
> We faked the whole thing.

Frame: https://ultrahouse3k.com/img/S08E04/1188479.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1192441

## 19:57–20:09

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at night beside his thin assistant Smithers, who wears glasses and a pink bow tie. Burns raises a white megaphone to his mouth and shouts toward the unseen crowd, then reaches over to grip Smithers by the face or head with one yellow hand while still shouting, before letting go and standing upright again with a sour expression. Behind them are a red vehicle, a wooden fence or desk and grey filing cabinets against a dark blue night sky.

> I should have known you're the only one stupid enough to kidnap you.
> Now get down here so I can spank you in front of this gawking rebel.
> Smithies, take off my belt. With pleasure, sir.

Frame: https://ultrahouse3k.com/img/S08E04/1198698.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1203703

## 20:09–20:11

Homer, in his white shirt and blue pants, and Mr. Burns, thin and stooped in a green sweater with grey hair at the sides, stand atop a theater marquee reading "DUKAKIS BO DEREK IN MANY GRANDMAS" beneath a colorful arched sign. In the first moment both stand together, with Homer's arm near Burns, then Burns drops out of view and Homer stands alone looking down. Burns then returns to Homer's left as Homer clenches his fists at chest height, and the two remain perched on the sign edge while a bald man in a light blue striped beanie, a man in a blue cap, and a grey-haired man watch from the street below.

> Hold on, Mr. Burns.

Frame: https://ultrahouse3k.com/img/S08E04/1211001.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1210793

## 20:11–20:24

Homer Simpson, in his white shirt and blue trousers, stands beside a grey-haired man in a green polo shirt and dark trousers, who is not one of the regulars, on a red-and-purple ride car against a background of colourful geometric shapes and a partly visible sign reading "REK" and "S". Homer first spreads one arm wide and then clenches both fists near his chest, while the grey-haired man rests a hand on Homer's arm and then grips the car's edge with him. As the car tilts, both men grip the rail, Homer wide-eyed and grimacing, and the other man smiling smugly, with the sign and bright backdrop still behind them.

> Maybe we did fake a kidnapping, but is that really such a crime?
> All your son wanted was a little attention, a little love.
> I'm a father myself, sir.
> And sure, sometimes my kids can be obnoxious or boring or stinky,

Frame: https://ultrahouse3k.com/img/S08E04/1212670.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1217883

## 20:24–20:37

Bart, Lisa, Marge, and baby Maggie stand at night in front of a row of police officers and a parked police car, with Bart and Lisa looking up uneasily. The scene then shifts to a purple-lit raised platform where Homer, in his white shirt, drapes an arm around an unnamed grey-haired man in a green polo shirt, gestures outward, and then pulls him into a hug. Finally Homer rushes forward with an outstretched arm toward Mr. Burns, who is thin and stooped with grey hair at the sides, and Smithers, who wears glasses, while police officers and the Simpson family watch from the background.

> but they can always count on one thing, their father's unconditional love.

Frame: https://ultrahouse3k.com/img/S08E04/1225391.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1230813

## 20:37–20:42

Mr. Burns, the frail, stooped old man with a hooked nose, bald top and grey hair at the sides in a teal coat, stands facing a heavy, grey-haired man in a green polo shirt in a crowded street at night, with a woman with a reddish-brown bob and several onlookers behind them. The heavy man first looks away, then turns and extends his hands toward Burns, then spreads his arms in a shrug before raising both hands to point at his own chest with a smug, self-satisfied smile. Lit windows of brick buildings and a purple night sky form the backdrop.

> How about it, Pop?
> I know it's tough, but can you love me for what I am?

Frame: https://ultrahouse3k.com/img/S08E04/1238320.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1239989

## 20:42–20:50

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a crowd wearing a green jacket, white shirt and black tie, scowling and speaking with his eyes narrowed. Milhouse, with blue hair and glasses, and a uniformed police officer who looks like Chief Wiggum stand among the onlookers behind him. He then closes his eyes and is embraced by a heavy man with tall grey hair in a green jacket, while the crowd and a police officer watch on a street lined with buildings.

> There, there, sonny boy.

Frame: https://ultrahouse3k.com/img/S08E04/1243951.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1246662

## 20:50–20:57

Mr. Burns, the frail, stooped old man in a dark suit with grey hair at the sides, embraces a heavy man with a grey pompadour and green shirt in a crowded street while a police officer and onlookers watch. He holds the hug with his eyes closed, then pulls back with wide eyes and raised, open hands, gesturing and speaking. He steps away and extends one hand toward the man while the crowd stands behind them in front of a blue building.

> I suppose I have been a bit... Oh, no, I can't do it.
> It's just not me.

Frame: https://ultrahouse3k.com/img/S08E04/1251459.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1253961

## 20:57–21:02

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at the front of a crowd in a teal jacket and black tie, with a large bald dome. Behind him are a man with blue hair in a purple suit and tie, a woman in a pink top with a lanyard and headphones, a woman with a blue bob and red glasses, and a man with a red moustache, all in a dim, purple-lit room with a window and shelves. Over the moment his expression shifts from half-closed eyes to a sour scowl, and he raises both hands palms-up in an expressive shrug while speaking, his mouth opening and closing.

> I'm sorry, Larry.
> I can't be the family that you need. Oh, that's okay.

Frame: https://ultrahouse3k.com/img/S08E04/1258758.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1260217

## 21:02–21:11

A heavyset, grey-haired man in a dark green polo shirt and wristwatch stands in front of a crowd of background figures at night, under a purple sky beside a brick building with lit windows. He talks and gestures with an open hand, then lowers his eyelids and rubs his face with one hand while the crowd looks on, and he finally glances up and checks his watch. The bystanders include a man with messy brown hair in a tan shirt on the left and a dark-haired man in a purple shirt with suspenders on the right.

> I got a wife and kids.
> Oh, that reminds me.
> They're probably wondering where I went.
> I told them I'm going for coffee. That was a week ago.

Frame: https://ultrahouse3k.com/img/S08E04/1263763.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1267308

## 21:11–21:25

Moe, the grey-haired bartender in a teal polo, and Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides in a teal suit, stand among a crowd of onlookers outdoors at night under a purple sky. Burns extends his hand and the two shake hands, then Moe turns to the crowd, points his finger, and raises a blue margarita glass garnished with a lime wedge. Behind them a blonde woman in a peach dress, a woman with a reddish bouffant, and men in shirts and suits watch, with brick buildings and lit windows in the background.

> Well, son, delighted to have met you.
> It's good to know that there's another kidney out there for me.
> You got it, Pop.
> Just let me run a few pints through it first.
> As long as everybody's here, let's party!

Frame: https://ultrahouse3k.com/img/S08E04/1272938.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1278360

## 21:25–21:37

Homer, seen from behind with his arms spread wide, stands before a crowd gathered by a Channel News van, and the people around him cheer with raised fists and arms. The crowd then streams past a theater marquee reading "Olympia Dukakis Bo Derek in Too Many Grandmas" beside a red fire truck, while a party group nearby raises drinks, including Barney in a cap holding a bottle. Marge with her tall blue beehive, Lisa in her orange skirt and pearl necklace, Bart in his orange shirt, and Homer in his white shirt stand together in a crowd of partygoers, with Homer raising one arm and a gorilla-costumed figure beside them.

> Yeah!
> Who's playing that music?

Frame: https://ultrahouse3k.com/img/S08E04/1286076.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1291499

## 21:37–21:48

Lisa stands in the front with a pearl necklace, while Marge in her green dress and orange bead necklace frowns beside her and Homer in a white shirt grins and gestures with open hands, later wearing a flower lei and drinking from a paper-wrapped cup. Behind them in a crowded, purple-lit party room with red walls, a woman with a tall brown updo (likely Mrs. Krabappel), a man in a green cap and glasses, and other partygoers raise their arms and hold drinks. The guests cheer and lift cups as Homer lifts his drink to his mouth and Marge's expression stays unimpressed.

> And where's all that liquor coming from?
> It's a party, Marge. Doesn't have to make sense.
> Oh, yeah!

Frame: https://ultrahouse3k.com/img/S08E04/1299006.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1303385

## 21:48–21:58

A blonde woman in a light blue dress and a man in a white shirt and blue pants dance on top of a red vehicle in front of a Pawn Shop, while a large crowd cheers around them, including a bald, stubbly man in a white shirt (Homer) near the center and a blue-beehived woman (Marge) behind him. A heavy man in a green shirt stands on the roof of a Channel 6 News van, pumping his fist and swaying as the crowd raises its arms, and a Olympia-style marquee sign sits at the right edge. White end-credit text appears over the scene, first reading "Executive Producers Bill Oakley & Josh Weinstein," then "Executive Producers James L. Brooks, Matt Groening, Sam Simon."

> So hold tight, hold tight Oh, baby,

Frame: https://ultrahouse3k.com/img/S08E04/1309850.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1313813

## 21:58–22:09

No characters are visible; the moment is a black screen with gold credit text in a stylized font. First, 'Starring DAN CASTELLANETA' appears centered, then 'JULIE KAVNER' alone, then 'YEARDLEY SMITH', then 'and HARRY SHEARER', and finally 'Special Guest Voice RODNEY DANGERFIELD' fills the screen as the credits roll in sequence.

> hold tight Oh, she said Anywhere you want it,
> that's the way you need it Anywhere you want it,

Frame: https://ultrahouse3k.com/img/S08E04/1320069.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1324031

## 22:09–22:19

No Simpsons characters appear in this moment; it is a black closing credits sequence with gold lettering on a plain black background. Successive title cards read 'Executive Consultant BRAD BIRD', 'Animation Producers BILL SCHULTZ and MICHAEL WOLF', 'Story Editors DAN GREANEY, RON HAUGE and NED GOLDREYER', 'Associate Producer ALISON ELLIOTT', and 'Music by ALF CLAUSEN', each appearing centered in turn.

> she said Anywhere you want it,
> that's the way you need it Anywhere you want it,
> she said I was alone,

Frame: https://ultrahouse3k.com/img/S08E04/1330287.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1334250

## 22:19–22:29

No Simpsons characters appear in this moment; the screen is black with gold credit text in sequence, naming editors Michael Bridge and Don Barrozo, then Bobby Mackston, Terry Greene and Norm Macleod as Dialogue Sound Editors, Chris Ledesma as Music Editor, Travis Powers as Sound Effects Editor, R. Russell Smith and Greg Orloff as Re-Recording Mixers, a block of assistant names, and Utit Choomuang as Overseas Animation Director. The only visible content is this on-screen text, with no people or locations shown.

> I never knew what good love could do
> Then we're touched Then we sang

Frame: https://ultrahouse3k.com/img/S08E04/1340506.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1344468

## 22:29–22:39

No characters appear in this moment, which is a black screen with gold credit text in a hand-lettered typeface. The credits list crew roles and names, including Assistant Director Mark Ervin, Character Design Supervisor Scott Alberts, Background Design Supervisor Lance Wilder, and Animation Production Supervisors Martin Alvarez and Tony Garcia, followed by a copyright notice reading 'The Simpsons Episode #4F05, Copyright 1996, Twentieth Century Fox Film Corporation.' The sequence ends with the line 'Executive Creative Consultant James L. Brooks' centered on black.

> Of our beloved things All night
> All night Oh,
> every night Shh

Frame: https://ultrahouse3k.com/img/S08E04/1350724.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1354687

## 22:39–22:49

Silhouetted audience members sit in rows of theater seats in a dim room, one with a large round head on the left, all facing a blank screen. A blue projector beam sweeps across as the words "GRACIE FILMS" appear on the screen, which then fades to black with "IN ASSOCIATION WITH" in white capitals. The scene ends on a golden "20th Century Fox Television" logo over a sunset-lit building, with "A News Corporation Company" printed beneath and light beams rising behind it.

Frame: https://ultrahouse3k.com/img/S08E04/1360943.jpg
Page: https://ultrahouse3k.com/episode/s08e04-burns-baby-burns/1364488