# Bart After Dark The Simpsons, season 8, episode 5 (S08E05), first aired November 24, 1996. Written by Richard Appel. Directed by Dominic Polcino. Production code 4F06. Guest stars: Marcia Wallace as Mrs. Krabappel; Phil Hartman as Lionel Hutz; Maurice LaMarche as Dwight D. Eisenhower. Couch gag: Sgt. Pepper's Lonely Hearts Club Band. While Marge and Lisa travel to the coast to help clean up after an oil tanker spill, Bart breaks a gargoyle at a creepy old house, and Homer makes him work off the damage for its owner, Belle. The house is La Maison Derrière, a burlesque house, and when Marge finds out she rallies the town to tear it down, until Homer and Belle answer with a song. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Otto Mann, Jasper Beardsley, Martin Prince, Ralph Wiggum, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Groundskeeper Willie, Lou, Jimbo Jones, Eddie, Miss Hoover, Maude Flanders, Snowball II, Kearney Zzyzwicz, Mayor Quimby, Sideshow Mel, Kirk Van Houten, Hans Moleman, Luann Van Houten, Helen Lovejoy, Sam, Professor Frink, Bernice Hibbert, Agnes Skinner, Dolph Starbeam, Horatio McCallister, Comic Book Guy, Snake, Itchy, Ruth Powers, Scratchy, Dr. Nick, Gareth Prince, Dewey Largo, Superintendent Chalmers, Lionel Hutz, Sarah Wiggum, Herman Hermann, Gloria Prince, Sanjay Nahasapeemapetilon, Cletus Spuckler, Old Jewish Man, Lunchlady Dora, Bumblebee Man, Rainier Wolfcastle, Raphael, Princess Kashmir, Brandine Spuckler, Jack Marley, Ms. Albright, Dave Shutton, Disco Stu, The Rich Texan, Martha Quimby, John Swartzwelder, Dwight D. Eisenhower, Belle, Timothy Lovejoy Sr., Environmentalist, Eugene and Rusty. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart, the spiky-haired boy in an orange shirt, stands on the roof of a pink car in a suburban driveway, arms raised, while a small figure sits inside, and Homer, bald and heavy in a white shirt and blue pants, then appears beside the car with his arms spread in a shrug. The scene opens on a black screen and then drifts past blue sky and puffy clouds, with the yellow title text "THE SIMPSONS" displayed over the clouds. The setting includes a yellow garage with boxes, a bicycle, a red door, a brick wall, and a blue mailbox on the lawn. Frame: https://ultrahouse3k.com/img/S08E05/1043.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/6256 ## 0:12–0:24 Homer, the bald heavy man in a white shirt and blue pants, enters a purple room through an orange-framed doorway, moving into the pink hallway beyond while holding a white cup or bucket, with a red bed in the foreground. He is shown from behind as he walks away from the viewer's side of the room. Later the Simpsons family and crowd of characters gather together in a large group portrait around a spinning wheel and a pink SIMPSONS logo, with Santa's Little Helper and Snowball II nearby, and the scene closes on a pink-framed television reading 'Created by Matt Groening' and then 'Developed by James L. Brooks, Matt Groening, Sam Simon'. Frame: https://ultrahouse3k.com/img/S08E05/13555.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/18143 ## 0:24–0:37 Homer, the bald heavy man in a white shirt and blue pants, lies on the red couch reading a newspaper while Lisa, with star-shaped spiky hair and a red dress, and Bart, the spiky-haired boy in an orange shirt, lie on a colorful oval rug in the living room. The scene opens from black to the family lounging, then the two children crawl forward on the rug and grin wide-eyed toward the left. The image cuts to a red television screen showing a cartoon of a blue mouse wielding a large club-like baguette against a black cat with a huge mallet, with a cartoon cat leaping forward. The view returns to the living room, where Lisa and Bart are back on the rug, now shown lying with their heads raised, while Homer continues reading on the couch beside a lamp and a telephone. Frame: https://ultrahouse3k.com/img/S08E05/25025.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/30656 ## 0:37–0:49 Itchy and Scratchy, the cartoon show-within-the-show, appear in this moment from The Simpsons: a black cat-like Itchy sits in an orange armchair, tongue out, holding a remote-like object while a caption reads "Says mouse friend mistreats him," and then Scratchy, a blue mouse in an orange vest with white gloves, stands in a yellow room beside a small red television on a stand that shows the cat in the chair. As the scene continues, Scratchy gestures and turns his head, with a caption reading "Feels he is the victim," while a small white object sits on the purple floor near him. The title card earlier reads "Itchy & Scratchy in Good Cats Bad Choices" in purple lettering on a green screen with the characters drawn below it. Frame: https://ultrahouse3k.com/img/S08E05/38580.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/43585 ## 0:49–1:01 A black cartoon cat sits wide-eyed in an orange armchair, then recoils with white-gloved hands raised, while a blue cartoon mouse gestures at it in a waiting room full of animal audience members, with the caption "Doesn't know slashing is imminent" shown over the cat scenes. A white TV title card reads "SPECIAL REPORT," and then Lisa with her pearl necklace and Bart with his mouth open sit on a colorful rug in the living room, while Homer grins from behind the red couch. > We interrupt this cartoon for a special report. > Someone found my keys. > Kent Brockman at the Action News Desk. Frame: https://ultrahouse3k.com/img/S08E05/50884.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/55681 ## 1:01–1:14 Kent Brockman, the grey-haired news anchor in a red jacket and blue tie, sits behind a desk holding papers on a TV screen, reporting that a tanker has run aground and is spilling oil onto a coastline with a beach and pine forest. The oil slick spreads across the blue water and sandy shore while the ship sits on the water, unchanged in the later views. Then Homer, in a white shirt on a red couch holding a newspaper, and Lisa, with spiky star-shaped hair and a red dress, sit side by side, with Homer looking wide-eyed and then opening his mouth to speak as the on-screen credit cards read Co-Executive Producer George Meyer and then Mike Scully. > A massive tanker is run aground on the central coastline, > spilling millions of gallons of oil on Baby Seal Beach. > Oh, no. > It'll be okay, honey. There's lots more oil where that came from. Frame: https://ultrahouse3k.com/img/S08E05/62771.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/68193 ## 1:14–1:28 A grey-haired man in a red jacket and blue tie holds a white bowl and then lifts a sheet of paper, with on-screen credit captions reading "Co-Executive Producer Steve Tompkins" and "Supervising Producer Jonathan Collier." The scene then shifts to a ship deck where a bearded man in a white captain's cap and blue jacket, with a pipe in his mouth, stands surrounded by reporters thrusting microphones at him, while a woman with a notepad and a man in a fedora holding a plate watch from a doorway. The captions change to "Supervising Producer Ken Keeler" and "Producer David S. Cohen" as the reporters keep pressing close around the captain. > Preliminary reports indicated the ship's captain was drunk at the helm. > Those reports were later confirmed. > I'm in a lot of trouble now. > Hey, I'll give you a hundred bucks to take the blame. Frame: https://ultrahouse3k.com/img/S08E05/75701.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/81540 ## 1:28–1:39 An older white-haired man in a red jacket and blue tie holds a white bowl in front of a teal backdrop, with on-screen captions reading Producer RICHARD APPEL and then Consulting Producer IAN MAXTONE-GRAHAM. He then looks up with wide eyes and speaks, and the scene changes to a rocky beach with pine trees, where a blond man in a fur-trimmed parka and a white-haired woman in a fur hat and pink top crouch beside a white seal pup, with captions reading Consulting Producer DAVID MIRKIN and then DAN McGRATH. > A cleanup effort is already underway, And as always, > the first to pitch in are those unsung heroes, Hollywood movie stars. > This isn't about publicity. Frame: https://ultrahouse3k.com/img/S08E05/89256.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/93635 ## 1:39–1:51 Inside a television screen, a pale-haired man in a brown fur-collared jacket and a woman with long white hair and a tall golden fur hat speak into microphones in front of a rocky mountain backdrop with pine trees. Their on-screen captions change from John Swartzwelder and Colin A.B.V. Lewis, labeled Consultant and Co-Producer, to J. Michael Mendel and Richard Raynis, both labeled Produced by. The woman raises a small black-and-white object, then a small spotted bird-like figure, while she talks and gestures. > This is about peening off gunk. As a Golden Globe nominee, > I just think it's our duty to make the real globe a little more golden. Frame: https://ultrahouse3k.com/img/S08E05/100309.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/105105 ## 1:51–1:52 Lisa Simpson, with her spiky yellow hair and orange dress, kneels on a striped rug in the living room, clasping her hands under her chin and wearing a pearl necklace. She smiles and glances to the right toward a lavender appliance, while a red couch and a red shelf of books sit in the background. She stays kneeling and nearly motionless throughout, with only her gaze shifting slightly. > We'd be doing our part for the environment. Frame: https://ultrahouse3k.com/img/S08E05/112404.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/111987 ## 1:52–2:01 Marge, with her tall blue beehive and green dress, and Lisa, in her red dress and pearl necklace, are in the Simpsons' kitchen. Marge stands at the counter stirring a red mixing bowl with a whisk while Lisa stands by the oven, clasping her hands together and looking up at her. Marge turns from the counter toward Lisa, then the scene settles with Marge stirring and Lisa still by the stove. On-screen credits appear over the scene: 'Produced by David Silverman', then 'Produced by Richard Sakai, Denise Sirkot', then 'Written by Richard Appel'. > Plus, we get to clean up all those cute animals. > Honey, we don't need to drive 400 miles to clean animals. Frame: https://ultrahouse3k.com/img/S08E05/113864.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/117200 ## 2:01–2:10 Marge Simpson, with her tall blue beehive, and Lisa Simpson, in her red dress, stand in the purple kitchen, with Marge whisking a bowl at the counter while Lisa stands clasping her hands near the green oven. Snowball II, the black cat with a red collar, enters from the left and walks past Lisa, its tail curling up beside her. Lisa then squeezes her eyes shut and grits her teeth while Marge keeps mixing. Visible details include the yellow corn-patterned curtains, a potted plant outside the window, and a checkered floor, with the on-screen text 'Directed by Dominic Polcino' across the lower middle of the early frames. > You can stay right here and give the dog a bath. > Or trim the cat's nails. > Oh, Mom, please. > You can make this my birthday and Christmas presents. Frame: https://ultrahouse3k.com/img/S08E05/122623.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/125959 ## 2:10–2:20 Marge, with her tall blue beehive and green dress with a red bead necklace, and Lisa, in a red skirt with a pearl necklace, stand in the kitchen with its purple cabinets, green stove and checkered floor. Lisa gestures with open arms and then flails them while Marge looks on and then turns toward the window, extending her arm toward a peach tree outside. The kitchen sink holds a red dish rack and a yellow corn-patterned curtain hangs by the window. > You've already used up your birthday and Christmas presents on that peach tree we got you. > And you hardly ever play with that anymore. > Yes, I do. Sure I do. Frame: https://ultrahouse3k.com/img/S08E05/131381.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/135344 ## 2:20–2:32 Marge Simpson, with her tall blue beehive and green dress, stands in the kitchen by the sink while Lisa Simpson, in a red dress with star-shaped spiky hair, stands beside her. Lisa then runs out into the backyard through the window view, hugs the trunk of an apple tree and poses with her arms spread, while Marge watches and gestures with one hand. Corn-patterned curtains, a potted plant, a toaster and a wooden fence frame the scene. > Look. > Well, here I am, flying on my beach tree. > Oh, all right, we'll go. Frame: https://ultrahouse3k.com/img/S08E05/141600.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/146396 ## 2:32–2:44 Homer, holding Maggie with her pacifier and blue bow, stands in front of the family house with Bart in an orange shirt and Lisa in a green jacket holding a brown bag, while Marge in a tall blue beehive and orange hooded jacket stands on the right. Marge raises a finger and gestures as Homer grins, then Homer gestures toward the arched window and the house, while Bart and Marge look on. The scene is set on the front lawn beside a pink door with a pacifier-shaped knocker and a window with a brown awning, and the group remains mostly in place as Homer's hands move through the exchange. Earlier, Marge is seen driving through a street lined with houses in the back of an orange car, with the road ahead and a purple house visible. > Now the cat needs his medication every morning. > No problem. Can do. And the furnace has been giving off a lot of carbon monoxide, > so keep the window open. Cat in the furnace. Frame: https://ultrahouse3k.com/img/S08E05/153487.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/158283 ## 2:44–2:52 Homer, bald and wearing a white shirt, stands on the sidewalk facing Marge, who has a tall blue beehive and wears an orange jacket over a green turtleneck. Maggie, the baby with a blue bow, is lifted into Marge's arms beside Homer, and Maggie sucks a pacifier as she is held. Marge then turns to look at an orange car while Homer watches it from the curb, before Bart, with spiky hair and an orange shirt, joins Homer at the front door of a peach house with a round window and a green hedge, in a suburban street with houses and trees in the background. > Uh, you know, I think I'll take Maggie with us. > And if anything happens, just choose your best judge... > Mmm, just do what I would do. Frame: https://ultrahouse3k.com/img/S08E05/165165.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/168502 ## 2:52–2:59 Homer and Bart stand on a street in front of a white house with a green tree, as Marge with her tall blue beehive sits in an orange station wagon wearing an orange jumpsuit and a green turtleneck, gripping the steering wheel and looking out with a worried expression. Homer, in a white shirt and blue pants, raises a hand toward the house and then spreads his arms wide with a joyful grin while Bart, in an orange shirt, mirrors him with his arms up, both cheering with eyes closed as the scene ends. > Woo-hoo! > A whole week of just father and son. Frame: https://ultrahouse3k.com/img/S08E05/173924.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/176218 ## 2:59–3:06 Homer Simpson, the bald, heavy man in a white shirt and blue pants, and Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stand in a pink hallway by an arched orange front door with a green mat, a purple bench, and a round mirror on the wall. Homer opens the door and steps through while Bart peeks in behind him, then the two stand facing each other on the mat, with Homer gesturing with an open hand and Bart looking up at him. Homer then leans toward Bart with hands near his hips as Bart stands with his arms at his sides, and afterward Homer stands upright with his hands in his pockets while Bart shifts to the left. The scene ends on the empty hallway with the closed door, mat, bench and mirror, and no one in view. > See you at dinner. > What time? Frame: https://ultrahouse3k.com/img/S08E05/180597.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/183100 ## 3:06–3:14 Homer and Bart appear in a pink hallway with an arched orange front door, a teal mat, a purple bench, and a round mirror on the wall. Homer first stands anxiously beside the door, then Bart walks in from the left and gestures with an open hand while Homer rubs his chin and bites a finger. Homer then moves off to the right, leaving Bart alone at the left edge of the empty hallway. > You know? I don't know. > Shall we say ten? > All right, just wake me up. Frame: https://ultrahouse3k.com/img/S08E05/188105.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/190816 ## 3:14–3:21 Homer and Bart Simpson sit at a dining table in front of a television, eating plates of food with forks in a purple-walled room. In the first image Homer and Bart look toward the TV, and over the sequence Homer grins and reaches for a red ketchup bottle, then shakes it over his plate while Bart keeps eating. Notable objects include two water glasses, a remote control on the table, and the red bottle, which ends up sitting between the two plates. > Yeah, but I'm starving, brother. Frame: https://ultrahouse3k.com/img/S08E05/195612.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/198115 ## 3:21–3:29 Homer, the bald heavyset man in a white shirt, and Bart, the spiky-haired boy in an orange shirt, sit side by side at a dining table with plates, a glass, a remote and a red bottle, facing a television set in the foreground. Homer raises food to his mouth and chews while Bart eats, then Bart grins with wide eyes as they keep staring at the screen. Both remain fixed on the TV as they continue eating. > Live from the grand ballroom of the Habsburg Imperial Palace, > it's the World Series of Bumper Cards. > More food. Frame: https://ultrahouse3k.com/img/S08E05/202911.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/205831 ## 3:29–3:40 No characters appear in this moment. A dimly lit blue hallway with an open bathroom on the left, a pink-framed bathroom doorway, and a red arched door at the end stays still for the first four stretches of the clip, with a dark ceiling light and a striped rug on the floor. The scene then changes to a rocky shoreline with pine trees, where a large dark oil slick spreads across blue water. > Dad, do I have to brush my teeth? > No, but at least rinse your mouth out with soda. Frame: https://ultrahouse3k.com/img/S08E05/210836.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/215006 ## 3:40–3:40 No characters appear in this moment. A wide, pale sandy shoreline with scattered grey and brown rocks and a cluster of dark green pine trees on rocky slopes at the upper left borders a river of dark brown oil slick. The blue-edged black sludge spreads and shifts across the water from the lower right toward the upper left, its blobs stretching and reshaping as the slick moves along the bank. Frame: https://ultrahouse3k.com/img/S08E05/220220.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/220220 ## 3:40–3:50 Lisa Simpson, in a green jacket and orange pants, and Marge Simpson, with her tall blue beehive, appear at a rocky mountain site with an orange van and a winding blue stream. Lisa stands by the stream holding a small grey animal while Marge stays near the van, and then Lisa stands beside a bearded man in a purple jacket and blue cap who holds a clipboard and pen, facing him as he writes. > I'm gonna rescue a baby seal and then I'm gonna save an otter. > Oh, I'm sorry, but all the animals have already been reserved for celebrities. Frame: https://ultrahouse3k.com/img/S08E05/221680.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/225225 ## 3:50–3:59 Lisa Simpson in her green jacket and red skirt stands on a sandy beach beside a bearded man in a blue knit cap and purple hoodie who holds a clipboard, while an older man with pale hair in a brown fur-trimmed jacket holds a grey sack. The men speak and gesture, and then the sack is set down on the sand, where it lies as a lumpy grey pile covered in small spikes and a tan bone-like shape, with Lisa looking down at it and the bearded man standing nearby. Calm water and a pale blue sky with small clouds fill the background. > There. > That's 104 pounds of sandpipers. > You mean there's nothing left to clean? > Well, there are rocks. Frame: https://ultrahouse3k.com/img/S08E05/231273.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/235026 ## 3:59–4:09 Lisa Simpson, in a green sweater and orange pants with spiky hair, stands on a rocky beach beside a bearded man in a blue knit cap and purple zip jacket, who gestures toward the grey cliffs while Lisa holds a clipboard. The scene then shifts to Lisa and Marge Simpson, Marge with her tall blue beehive and orange jacket, kneeling together in dark gloves among scattered dark rocks. Marge works at one rock with her gloved hands while Lisa holds a small blue tool and digs beside her, with sand and pebbles covering the ground. > Thousands and thousands of rocks. > I've got rocks that need washing at home. Frame: https://ultrahouse3k.com/img/S08E05/240866.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/244828 ## 4:09–4:20 Homer Simpson and Bart Simpson are in the messy living room, with Bart sitting on the red couch reading a book while Homer stands on the heaped clutter of trash behind the couch, leaning over its back. Homer lifts a red soda can to his mouth in the first moment, then turns to look at Bart, and by the last moment he has been flung backward into the air with his arms raised while Bart tumbles head-first onto the pile of garbage below. Objects visible include a cranberry juice jug, a teal telephone on a side table, a sailboat painting on the pink wall, and an orange floor lamp. > Geez, look at this place. We gotta do something. > Hmm, garbage angels? Frame: https://ultrahouse3k.com/img/S08E05/250876.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/255046 ## 4:20–4:27 Homer, the bald heavy man in a white shirt and blue pants, and Bart, the spiky-haired boy in an orange shirt, stand with arms spread amid a room knee-deep in scattered trash and debris, with a brown couch at the lower left. Homer and Bart then tumble backward into the heap, Homer falling first with his legs flipping up while Bart drops beside him, and both end up sprawled on their backs on the litter as the view tilts over them. Visible objects include crumpled paper, cardboard boxes, cans, and a computer monitor at the lower right, and no on-screen text is shown. Frame: https://ultrahouse3k.com/img/S08E05/261303.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/263805 ## 4:27–4:40 Bart sits up amid a heap of litter on the living room floor while Homer lies face-down in the trash beside him, then lifts his head and turns toward Bart. Next, the scene shifts to an empty Springfield Park entrance with a stone-pillared gate, a wooden bench, and a leafy tree. Finally, a small red-and-white propeller plane flies low over a green field where Bart, Milhouse with blue hair and glasses, and a boy in a vest stand together between orange-trunked trees. > Dad, I think I need some fresh air. > Can I go to the park? > Do I have to sit up? No. > Knock yourself out. Frame: https://ultrahouse3k.com/img/S08E05/268602.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/274232 ## 4:40–4:48 Milhouse, with blue hair and red-framed glasses in a pink shirt, holds a black remote control with an antenna against a sunny sky and green bushes. Then Marge, with her tall blue beehive and pink dress, stands beside Bart in his orange shirt and a brown-haired woman in a grey-blue top, all gazing up at a small red-and-white plane flying across the blue sky. Bart gestures with a raised hand and then looks up as the plane drifts to the right, passing a white cloud. > Millhouse, this is boring. > Make it crash or something. Frame: https://ultrahouse3k.com/img/S08E05/282157.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/284659 ## 4:48–4:59 Bart, Milhouse and Nelson stand outdoors among green bushes and trees, Bart with his arms crossed, Milhouse holding a black remote control, and Nelson in a vest. Nelson raises the remote toward the sky while Milhouse looks up at him, and a red-and-white model plane then flies across a bright blue sky with white clouds. The scene then shifts to a lake where a small orange motorboat with two passengers speeds across the water past a stone embankment and trees. > Perfectly level flying is the supreme challenge of the scale model pilot. > Give me that! Hey! Frame: https://ultrahouse3k.com/img/S08E05/289664.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/293835 ## 4:59–5:09 A stocky man in a white shirt and a blond boy in a blue shirt and red pants are in a small orange motorboat on a blue lake, with trees on the banks and a small plane flying overhead. They sit calmly at first, with the man steering by a tiller, then the man becomes agitated and gestures with his arms while the boy looks on blankly. The boat begins to tip and take on water until the man is clinging to its side with the boy, and finally both are in the water beside the boat, the man crawling away while the boy stands waist-deep looking alarmed. > It's standing on us! I'm paddling backwards. > A man's a ship! > I don't like being outdoors, Smithers. One thing, there are too many fat children. Frame: https://ultrahouse3k.com/img/S08E05/300300.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/304471 ## 5:09–5:21 Mr. Burns, the frail, thin, stooped old man with a hooked nose and grey hair at the sides, sits on a checkered picnic blanket beside a man in a brown jacket and glasses, with a wicker basket, cake and tea set nearby, then turns to scowl and gesture with open hands in a park. Behind him, a small red-and-white toy-like airplane flies over the lawn and trees while a bespectacled man in a brown jacket and pink bow tie looks up at it, and the plane swoops low over a stone-walled paved path lined with pink flowers and an ornate green lamppost. Frame: https://ultrahouse3k.com/img/S08E05/310727.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/315732 ## 5:21–5:27 A red biplane flies across a bright blue sky over white clouds. The view then moves down to a purple mansion with red tiled roofs, stone gargoyles, a pink gable and a dark red front door flanked by potted plants. Bart in his orange shirt and Milhouse in his pink shirt, with several other kids, peer through an iron fence beside a red-and-white NO TRESPASSING sign facing the house. Frame: https://ultrahouse3k.com/img/S08E05/322614.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/324699 ## 5:27–5:36 Milhouse, with blue hair and glasses, stands at the left gripping the black iron bars of a fence beside Bart in his orange shirt, a blond boy in a blue shirt with a red belt, and a figure with brown hair partly hidden behind them, while a man with green-topped hair and a white shirt with a red emblem stands at the right. Dusk sky, trees, and a stone wall show beyond the gate. The group stares steadily through the bars, and the blond boy's mouth opens to speak while the others' expressions shift slightly. > Thanks a lot. Now it's stuck on that haunted house. > I heard a witch lives there. I heard a Frankenstein lives there. > You guys are way off. Frame: https://ultrahouse3k.com/img/S08E05/329079.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/331998 ## 5:36–5:48 Milhouse, with blue hair and red-rimmed glasses, stands at iron gates in front of a large purple Victorian house, first gesturing with his hands, then reaching up to grip the bars and pull his head up over the gate. Later, Nelson in a vest and Bart in a red shirt and blue backpack stand with a smaller boy in a white shirt on a sidewalk in front of the gates, with Nelson gesturing and Bart looking on, and Milhouse appears in the same scene with them at the gate. Trees and a blue sky with a cloud sit in the background, and the house features a round emblem above its door. > It's a secret lab where they take the brains out of zombies and put them in the heads of > other zombies to create a race of super zombies. > That's the house? > Stand aside, wussies. Frame: https://ultrahouse3k.com/img/S08E05/337212.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/342217 ## 5:48–6:00 Milhouse in his pink shirt and red glasses, Bart in his orange shirt, and two other boys stand on a sidewalk by a stone wall as a yellow finger presses an intercom button on a gate. The boys look on uneasily, and the taller boy with brown hair and the blue-shirted boy at right gesture and shout while Bart turns away. Bart then grips a tree branch beside a black iron fence and climbs upward, as a brown dog's head appears at the bottom right. > Go away. > No children. > Enough talk. Frame: https://ultrahouse3k.com/img/S08E05/349516.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/354521 ## 6:00–6:13 Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, first walks along a thick tree branch, then climbs up through the leafy treetop and hangs from a branch. He drops onto a bush and then scrambles up onto the red shingled roof, where he runs along the peak behind a metal railing while holding a small red and white toy airplane. Blue sky, clouds and a tree at the right edge frame the scene, and a red brick chimney appears at the left. > S-U-C-C-E-E-S, that's the way you spell success! Frame: https://ultrahouse3k.com/img/S08E05/361820.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/367242 ## 6:13–6:23 Bart Simpson, in his orange shirt and blue shorts, slides down a steep red-tiled roof, then slips off the edge and falls past a grey winged gargoyle perched on the roofline. The gargoyle later lies shattered into chunks of stone on the grassy lawn below. Milhouse, with blue hair and red-rimmed glasses, stands with several other open-mouthed children, including a brown-haired boy and a blond boy in a blue shirt, peering through the black bars of a fence or gate. In the final moment, Bart is sprawled face-down on a street beside a house with a purple roof, his orange shirt visible as he lies flattened on the pavement. Frame: https://ultrahouse3k.com/img/S08E05/374749.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/378712 ## 6:23–6:36 Bart Simpson, the spiky-haired boy in an orange shirt, raises his yellow hand toward a small black-and-orange bug on a red roof edge, then holds the bug on his fingertip as he pulls his hand back. The scene shifts to a blue hedge in front of purple siding and a window, with red vines climbing the wall, where Bart peers over the bushes with a wary, sideways glance. > No, no! > Help! Help! > I'm gonna die! > Whoa! > Oof! Oof! Frame: https://ultrahouse3k.com/img/S08E05/384759.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/389973 ## 6:36–6:48 Selma, a grey-violet-haired woman in a black cape, stands facing Bart in his orange shirt under a bright blue sky as Bart reaches toward her. Behind vertical bars, Milhouse, with blue hair and glasses, and other kids, including a bowl-cut boy in a blue shirt and a red-haired boy in a white shirt, press against the bars with wide, alarmed eyes and open mouths, then turn to look outward at the greenery. Bart, arms spread, hurries along a walkway toward a cream house with an arched door while the caped woman points at the doorbell. > Whoa! > The witch has barked! We've got to hurry! Frame: https://ultrahouse3k.com/img/S08E05/397480.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/402277 ## 6:48–6:57 Bart, in an orange shirt and blue shorts, stands on the front porch of a house with an orange door and a WELCOME mat, beside an older woman with a tall blue hairdo and a long black cape with red lining. Before them is a purple doorbell on a brown door, and the bell is pressed as the scene opens. The door then opens to reveal Homer, bald and heavyset, wearing only a brown towel wrapped around his waist, as the woman in the black cape stands at the edge of the doorway beside Bart. > Just a minute! > Hello? > Your son was trespassing on my property and destroyed a very valuable stone gargoyle Frame: https://ultrahouse3k.com/img/S08E05/409159.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/412913 ## 6:57–7:09 A grey-haired woman with green eyeshadow and a black jacket with a yellow flower brooch stands in front of a red-roofed suburban house, speaking with a stern expression and then glancing sideways. Later, Homer, wearing only a brown grocery bag as shorts, stands with hands on hips on a doorstep beside a pink door and arched window, while Bart in an orange shirt and blue shorts looks up at him. The grey-haired woman in a long black cape stands beside Bart, looking at Homer with a wary expression. > and... Are you wearing a grocery bag? > I have misplaced my pants. > I'm not going to press charges, but I assume you'll want to punish him. Frame: https://ultrahouse3k.com/img/S08E05/418752.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/423548 ## 7:09–7:21 Homer, shirtless and wearing a brown towel, and Bart, in an orange shirt and blue shorts, stand on a doorstep at a pink-and-tan house, while an older grey-haired woman in a black cape with a yellow flower brooch faces them, first standing still and then speaking with her arms folded. Homer reaches an arm toward her and then points at a window, and Bart looks up at him; in the final moments Homer stands in the doorway with a hand on Bart's head, beside a staircase and a framed picture on the wall. > Yeah, appreciate the suggestion, lady, but he hates that. > And I gotta live with him. You're the man, Homer. > Well, if you won't discipline him, I'll come back and speak with his mother. Frame: https://ultrahouse3k.com/img/S08E05/430430.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/435226 ## 7:21–7:31 Homer, shirtless in brown pants, stands in the arched doorway of the pink house while Bart in an orange shirt watches from the left and a woman in a black cape with a tall lavender hairdo waits outside on the right. Homer turns from facing the visitor, gestures with his hand and rubs his chin with a clenched fist, then turns his back and grips the purple doorknob as Bart reaches for him. Framed pictures, a pacifier hanging on the wall beside the door and a purple staircase are visible in the hallway. > No, wait, wait. > Madam, I run a house of discipline. > The boy will be disciplined and disciplined severely. > Good day. > Oh, I don't know how to punish you. What does Marge usually do? Frame: https://ultrahouse3k.com/img/S08E05/442317.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/446279 ## 7:31–7:42 Homer, bald and heavy in a white shirt-less torso wrapped only in a brown tattered towel, and Bart, the spiky-haired boy in an orange shirt and blue shorts, stand in a pink hallway by a brown arched door and a purple coat rack. Homer puts a finger to his chin, then turns to Bart, and a banana, a can, a carrot and a small paper bag spill onto the green mat at Homer's feet as he spreads his arms in a shrug. Bart looks up at him while Homer, now scowling, points at the scattered groceries, with a can rolling away on the floor near Bart's shoes and a purple stool at the right edge of the frame. > She makes me taste beer. > Come on, boy. Give your old man a little credit. > Yeah, well, I still get to punish you. Frame: https://ultrahouse3k.com/img/S08E05/452327.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/457123 ## 7:42–7:53 Homer Simpson, bald and wearing a white shirt, sits behind the wheel of a pink car parked on a street in front of a large purple mansion with a red roof, iron fence, and gargoyle-topped gate pillars. Bart Simpson, in an orange shirt and blue shorts, stands on the sidewalk facing the driver's window and the car's side, with a stone gatepost and round lamp behind him. Homer leans out the window and gestures with his hand while speaking angrily, his brow furrowed, then his expression tightens into a scowl and he keeps pointing and lecturing Bart before glancing away to the side, while Bart remains still with his back partly to the viewer. A small red mailbox stands by the curb at the bottom of the first frame. > Now, you're gonna do chores for that lady until you work off the damage you did. > It's called responsibility. Frame: https://ultrahouse3k.com/img/S08E05/463797.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/467968 ## 7:53–8:06 Bart, the spiky-haired boy in an orange shirt and blue shorts, walks along a sidewalk past a pink car, then heads up a front path between stone gargoyle statues and iron gates toward a lavender house. He climbs the wooden porch steps, pauses before large red double doors beside a blue wall lantern, and then the door swings open as he steps toward it, revealing a person in a red dress standing inside. Potted plants flank the porch, and an overturned red wheelbarrow lies on the sidewalk near the gate. > Come on in, Bart. > Oh, > I can't believe I gotta spend all my free time dusting doilies in a smelly run-down dump Frame: https://ultrahouse3k.com/img/S08E05/474224.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/479646 ## 8:06–8:15 Bart Simpson, a spiky-haired boy in an orange shirt, stands in a room with teal walls, a red wainscot, and framed portraits, first scowling and speaking with his mouth open, then glaring with a stern expression as he stares off to the side. The view then shifts to a blue curtain-like backdrop where Bart's yellow shape appears at the lower right. Finally, a stage shows four dancers in black outfits and black stockings kicking their legs high and raising their arms with canes, while a crowd of seated audience members watches from the foreground. > for a creepy old witch. Frame: https://ultrahouse3k.com/img/S08E05/487153.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/490699 ## 8:15–8:27 A grey-haired older woman in a maroon jacket and black blouse stands beside Bart Simpson, in an orange shirt, as both grip teal curtains and peer out of a casino. Earlier, top-hatted dancers in black kick their legs with canes above a seated crowd, and a man in a blue suit and red tie stands at a roulette table flanked by showgirls in pink feathered headdresses. Bart's wide eyes and open mouth shift to a grimace, then to a closed-eyed grin, while the curtains sway around him. > Lady, I gotta tell ya. > I have been grossly misinformed about witches. Frame: https://ultrahouse3k.com/img/S08E05/496538.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/501543 ## 8:27–8:28 Three identical-looking yellow showgirls with tall black hats, black strapless corsets, fishnet panels, black garter stockings and pink feathered bustles dance in a line against a purple diagonally striped backdrop dotted with yellow ovals. In the first moments they stand upright with arms linked, then kick their legs high in unison, the leftmost woman with auburn hair, the middle one with platinum blonde hair and the rightmost one with long black hair. The kicks continue into a sweeping, high-legged chorus line in which their legs fill the upper frame, and the dancers keep their arms linked as they move together. Frame: https://ultrahouse3k.com/img/S08E05/508633.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/508216 ## 8:28–8:42 A tall woman with a grey-lavender updo in a maroon dress and a folder under her arm stands near a bar where a grey-haired older man in a brown sweater sits on a stool beside a woman in a pink dress, while Bart in his orange shirt watches from the bottom right. The group moves through the purple-walled lounge, where Bart follows the woman past a tabletop bar with rows of blue and green bottles, and then a line of dancers in black hats and garters performs on a red-curtained stage above rows of empty chairs and tables with martini glasses. The scene ends with the woman in maroon at a dark wooden door with a brass handle, Bart standing behind her beside a potted fern and wall sconces. > Wow, man, what is this place? > I prefer not to be called man. > My name is Belle, and this is the Maison Derriere. > That means the back house. > Are you having a party or something? Frame: https://ultrahouse3k.com/img/S08E05/509884.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/515724 ## 8:42–8:52 Bart, the spiky-haired boy in an orange shirt, stands at a wooden door marked with a partly visible DRESSING ROOM sign while a grey-haired woman in a red dress with a white collar hands him a clipboard. She then stands beside him in a purple backstage hallway with a mirror and hanging costumes, as a woman with auburn hair, a red neckerchief and a blue-and-white dress gestures toward him beside a rope-and-pulley set. The woman with the clipboard raises her hand toward the set, and the scene ends with the two women gesturing while Bart looks up at them. > Non-stop. > We're a burlesque house. > A private club where a gentleman can play some cards and see a show. > Miss Bell, we're about to do our around the world number, Frame: https://ultrahouse3k.com/img/S08E05/523648.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/527402 ## 8:52–9:02 Bart, in his orange shirt and blue shorts, stands in a purple-walled backstage dressing room with a wooden door, a costume rack, and a hanging lamp while a curvy woman with orange-brown hair, a red neckerchief, and a blue-and-white striped dress with white stockings gestures with open hands. A second figure in a long dark-red gown with white trim, grey hair piled high, and a clipboard appears beside the door; the first woman reaches toward a wall rope and crank, and Bart's head is covered by a white dice-patterned object while he gapes in surprise. The older woman then stands with one hand on her hip and holds out a folded paper to Bart, who stares at it with half-closed eyes. > but Monte Carlo can't find her days. > Here you go, darling. > Normally we don't allow children in here, but your father was so insistent. > He's tough but fair. Frame: https://ultrahouse3k.com/img/S08E05/533450.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/537620 ## 9:02–9:13 Bart Simpson, in his orange shirt, works in a costume room with racks of colorful clothing and a door marked "DRESSING ROOM" as a grey-haired woman in a long red dress with green eyeshadow directs him. He handles a white garment on a hanger, then the woman stands beside him holding a bucket and a mop. Bart ends up holding a plunger in one hand and a grey bucket in the other, with a mirror in an ornate frame on the wall behind him. > I'll start sorting these bras. > That's a bit advanced for you. But I know a stopped-up sink that needs some attention. > Just glad to be on the team. Frame: https://ultrahouse3k.com/img/S08E05/543877.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/548048 ## 9:13–9:26 Bart Simpson, in an orange shirt and blue shorts, and an elderly woman with a piled grey-lilac hairdo and a long dark red dress with a white lace collar are in a green-walled room with purple curtains, a potted fern, and a wooden lectern topped with a small lamp. Bart first stands before the woman as she gestures with her hands, then sits on a tall stool beside the lectern while she faces him. She rests a hand on his head and leans toward him, then turns away to the side, a tear on her cheek, as a framed picture hangs on the wall behind them. > When you work the door, > the main things are to greet the visitors and toss out the troublemakers. > Ah, the old greet-and-toss. No problemo. > How did I ever get along without you? Frame: https://ultrahouse3k.com/img/S08E05/554512.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/559726 ## 9:26–9:37 Bart, the boy with spiky hair in an orange shirt, sits on a wooden stool at a podium in a green-walled room with a red carpet, a potted fern, and a gold coat rack by an open wooden door. A heavy older man in a tan fedora and pink sweater, not one of the regulars, comes in through the doorway and walks toward the podium while gesturing with an open hand. He then hangs his hat on the coat rack, later takes it back and turns toward the door, and in the final moment stands in the doorway with his hat on, pointing a thumb back over his shoulder while Bart watches from the stool. > Is your name Bart? Mm-hmm. Frame: https://ultrahouse3k.com/img/S08E05/567233.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/571613 ## 9:37–9:45 Bart, the boy with spiky hair in an orange shirt, sits at a wooden desk in a green-walled room with a lamp and framed pictures, first leaning forward and then gesturing with open hands and speaking. A stout older man in a tan coat, moustache, glasses and brown fedora appears in an open doorway, clenching his fists, then points angrily and shouts. He then turns, raises his hat, and heads away from the desk toward the open door, which looks out onto a garden with an iron fence and potted plants. > What? > Does your father know you're working here? > It was his idea. In that case, I'll have a whiskey sour. Frame: https://ultrahouse3k.com/img/S08E05/578078.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/581206 ## 9:45–9:56 Marge, in her orange jacket with a pink scrub brush, stands on a rocky beach beside Maggie, the baby with a blue bow, who sits on a large boulder, and Lisa, in her green vest, crouches near the water with an orange tool. As the moment goes on, a spreading black sludge creeps across the sand and over the boulder while Maggie lifts a dark object, and the black goo covers the ground and water's edge around them. Pine trees, distant rocks, and a blue sky with clouds frame the scene. > There's something unsatisfying about scrubbing these rocks, and I think I know what it is. > Hmm, Lisa, I know it's frustrating, but we made a commitment, Frame: https://ultrahouse3k.com/img/S08E05/586419.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/590590 ## 9:56–10:07 Marge, with her tall blue beehive and mud-smeared orange jacket over a green turtleneck, stands on muddy ground among pine trees, first squinting in irritation and then grimacing with eyes shut and mouth open. Maggie, with a blue bow, and Lisa, splattered with mud in a green top, stand nearby as a bearded man in a blue cap and lilac hoodie sits in a white buggy labeled BEGLEY 2000, then climbs out and stands with his hands clasped while gesturing. Dark mud patches cover the ground, and the buggy's roll bar and large tires are visible behind them. > and we have to see it through, no matter how unpleasant. > Quitting time. Okay. > Scrub up and head for the communal tarp. > We're having kelp burgers, and we're going to watch a tape of Johnny Arvik. Frame: https://ultrahouse3k.com/img/S08E05/597055.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/601643 ## 10:07–10:18 A bearded man in a blue beanie and purple hoodie with a ponytail looks around beside a railing among pine trees, then Lisa in a mud-splattered green vest, Maggie with a pacifier and blue bow, and Marge with her tall blue beehive in a mud-stained orange jacket stand together on a muddy mound in a pine-filled landscape. The bearded man in the purple hoodie then stands next to a white buggy at the edge of a muddy, puddled expanse under a blue sky. Finally, an orange car with oversized wheels and a blue license plate sits on dirt with pine trees behind it, with no people visible. > He's the Eskimo comedian. > Faster, Mom, faster! Frame: https://ultrahouse3k.com/img/S08E05/608525.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/612904 ## 10:18–10:30 Bart Simpson, in his orange shirt and blue shorts, sits on a wooden chest against a brick wall beside a wall-mounted telephone and a notice pinned up nearby, while a grey-haired woman in a red high-collared dress stands near the phone. She first gestures toward the phone, then turns to face Bart, who gazes up at her wide-eyed and speaks in a close-up. In the final moment she lifts a limp, tuxedo-clad dummy with a red bow tie by its head next to the phone as Bart watches, and the number 8 is visible on the chest. > Oh, that was our MC, Mel Zetz. > He got out of bed too fast and broke his hip. > So who's going to warm up the crowd tonight? > Well, whoever fits Mel's tuxedo. > The jokes are in the breast pocket. If you get in trouble, Frame: https://ultrahouse3k.com/img/S08E05/619577.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/624582 ## 10:30–10:37 A blue-haired woman in a red dress with a blue collar stands before a brick wall beside an old red wall-mounted telephone, holding up a small tuxedoed puppet with a red bow tie by its head. She speaks and gestures, first touching the bow tie, then pointing with her other hand at the puppet's chest, where a pocket is marked with a red glowing outline that appears and brightens over the following moments. The puppet stays raised in her hand throughout, with its tuxedo jacket and white shirt front visible, and the wood-paneled wall sits at the bottom edge of the scene. > there's a switch that makes the bow tie spin. Frame: https://ultrahouse3k.com/img/S08E05/631881.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/634175 ## 10:37–10:46 Bart Simpson, in a black tuxedo, stands on a small stage before a red curtain with a microphone, reading from a card while a balding man in a light blue suit, a dark-haired man in a white shirt, and a reddish-haired man in a brown vest sit at small tables. A showgirl in a pink feathered headdress and lingerie crosses the stage carrying a tray with a martini glass, then the view widens to a club with several seated patrons, including one in sunglasses and one with a cigarette, watching Bart read. Bart keeps reading from the card as the audience listens. > Nudist colonies are everywhere these days. > I'd love to go, but I can't get the wrinkles out of my birthday suit. Frame: https://ultrahouse3k.com/img/S08E05/638763.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/642100 ## 10:46–10:57 Bart Simpson, in a black tuxedo with a red bow tie and white flower boutonniere, stands before a vintage microphone against a red curtain, holding a small card and gesturing with it as he speaks, his eyes shifting and his mouth opening and closing. In the final moment he is seen from behind, facing a nightclub audience of one-off characters seated at round tables draped in blue cloths, with a bookshelf and red-curtained stage behind them. The card he holds is blank and white. > But I gotta tell you, Adam and Eve must have been the first bookkeepers. > They invented the loose leaf system. Frame: https://ultrahouse3k.com/img/S08E05/647730.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/651901 ## 10:57–11:08 Bart Simpson, the spiky-haired boy in a red bow tie and dark jacket, stands at a silver microphone against a red curtain, holding a small white card and speaking with his mouth open, his eyes glancing sideways. Later, Homer Simpson, bald and wearing a white shirt and blue pants, sits on a red couch in a pink living room with a rainbow rug, eating from a TV tray with a fork while he rests his hand on his face. He then raises one hand in a gesture while still holding the fork. Visible objects include a purple lamp, a green telephone, a framed sailboat picture, and a second tray holding food. > If there's a bad bookkeeping joke, I haven't heard it. > It's 11 o'clock. > Do you know where your children are? I told you last night. > No! Frame: https://ultrahouse3k.com/img/S08E05/658366.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/662745 ## 11:08–11:19 Homer Simpson, a bald, heavy man in a white shirt and blue pants, sits on a red couch eating from a tray table with a fork, then lifts a forkful of food and gestures with it while looking off to the side. The scene shifts to the outside of a large lavender Victorian house with gargoyle statues and glowing windows, where a pink car pulls up along the street at night. Homer then walks across a red carpet inside the house, mouth open as he calls out, passing a wooden cabinet, a stool, and an open doorway. Notable objects include a sailboat painting on the wall, plates of food on the trays, and the pink car. > Where is Bart, anyway? > His dinner's getting all cold and eaten. > Bart, where are you? > Come on! Frame: https://ultrahouse3k.com/img/S08E05/669419.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/673798 ## 11:19–11:29 Homer, a bald heavy man in a white shirt and blue pants, stands in a green-walled hallway beside a staircase with a purple runner, first raising a hand to his mouth and then staring at a wall of ornate oval and rectangular portraits. He keeps gazing at the wall, then his attention settles on a large gold-framed picture of a bald man in a black tuxedo grinning between four showgirls in feathered headdresses at a table with martini glasses, with a small gold plaque beneath it. The room has a red carpet, a pink-shaded lamp on a small table, and a glass-paneled ceiling. > I have to be up at 6 a.m. to swipe Flanders' newspaper. > What the? > President Eisenhower celebrates 40th wedding anniversary. Frame: https://ultrahouse3k.com/img/S08E05/680471.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/684642 ## 11:29–11:42 Homer stands in a dim parlor with a grey-haired woman in a red dress with a high blue collar and Bart, who stands beside her, bored and wary. Homer glances at a framed photo of a man in a suit surrounded by showgirls, then turns back to them, holding a glass and gesturing as the woman stares at him. Behind them, a dancer in a feathered skirt performs under a spotlight on a stage framed by red curtains, next to a tall wall clock and a purple oval mirror. > Not pictured Mrs. > Eisenhower. > I'm sorry. This is all my fault. > Bart was filling in for... I don't care if he was filling in for Mel Zett. > He's my son and I don't want him working so late that... Frame: https://ultrahouse3k.com/img/S08E05/691107.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/696321 ## 11:42–11:55 Homer, in a white shirt, and Bart, in an orange shirt, stand with a tall woman in a red dress and grey-violet hairdo, who is the Simpson family's neighbor-like figure of Patty-style look, in a purple-curtained room with a stage spotlight on a dancer holding pink feathered fans in the background. The three then move to a doorway with purple drapes and a staircase behind them, where Homer and Bart stand with the woman as a man in a tan jacket and tie with a grey moustache and a man with a long brown beard and bow tie sit at a table in the foreground, a green-capped man holding a white cup at the left edge. Homer and the woman turn and speak to each other while Bart looks up at the others, and Homer's expression stays wide-eyed and unchanged as the woman gestures slightly toward Bart's shoulder. > Oh, I agree. > Kids need rules and boundaries. > Yes, everyone loves rules. > It's so tough to be a parent these days. > What with all the gangs and the drugs. Oh, yeah, drugs. Frame: https://ultrahouse3k.com/img/S08E05/703620.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/709042 ## 11:55–12:05 Homer and Bart stand in a dim, purple-curtained room lined with liquor bottles while an older woman with a grey updo and a red dress hovers nearby; Homer gapes at her as Bart points, and the woman then sits and rests a hand on Bart's shoulder as they look at each other. The scene then cuts to the outside of a lavender mansion with a red roof, stone gargoyles on its gate posts, and a mailbox at the curb. > You gotta have drugs. > Hey, you didn't pay the cover. Oh, Bart, he's your father. > We'll comp him tonight, start a tab tomorrow. Frame: https://ultrahouse3k.com/img/S08E05/716341.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/720303 ## 12:05–12:13 Bart, the spiky-haired boy in an orange shirt, sits on a red-cushioned stool beside a wooden lectern in a room with a red carpet, a potted fern, and an oval mirror on the green wall. A one-off man in a tan trench coat and brown fedora enters through a tall wooden door, then shrugs off his coat, which Bart holds, and steps behind the blue and magenta curtains. As the man peeks back around the drapes with a hand to his chin, Bart stands by holding the man's hat. > Oh, I hope I didn't miss the floor show. > Nope. Is Roxanne back? Yep. > Did she get my flowers? She did. Frame: https://ultrahouse3k.com/img/S08E05/726351.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/729479 ## 12:13–12:21 Bart, the boy with spiky hair in an orange shirt, stands at the right holding a brown fedora hat while Principal Skinner, a man with neat grey hair in a blue suit, pinkish shirt and orange tie, stands beside a pair of magenta and grey curtains. Skinner first looks down and to the side, then turns his head toward Bart and raises his hand to point down toward him, speaking with his mouth open. In the room behind them a red framed picture and an oval portrait hang on the dark green wall, and a wooden dresser and a red stool sit at the right edge. > Hello, Bart. Hello, Principal Skinner. > This is the National Air and Space Museum, isn't it? Frame: https://ultrahouse3k.com/img/S08E05/734692.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/737820 ## 12:21–12:28 Homer, bald and in a white shirt, stands at the doorway of a pink house in the first frames, facing Marge with her tall blue beehive and Ned Flanders in his green sweater and moustache, while a thin man in a white bathrobe stands between them. Later the group is outside a pink front door with purple stairs visible behind it, and Homer, eyes half-closed, stands in the doorway with his back to the stairs, while a man with black hair, a grey-haired woman, and a woman with a tall reddish hairdo watch him from the front with their backs to the viewer. Homer's mouth hangs open and his eyes droop as the group waits on the step, with a wall-mounted sailboat picture and a red table edge visible earlier in the scene. > Oh, this isn't gonna be about Jesus, is it? > All things are about Jesus, Homer. Frame: https://ultrahouse3k.com/img/S08E05/743034.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/745328 ## 12:28–12:42 Ned Flanders, with his moustache, glasses and green sweater, stands on the right beside a woman with a tall brown hairdo in a pink vest and a man with dark hair in a white jacket and blue tie, with a woman with orange-red hair behind them, all on a suburban street with houses and a blue sky. The man in the white jacket gestures with both hands and then stands with his lips pressed together, while the woman on the left folds her arms across her chest. By the final moment Ned has been replaced on the right by a grinning man with swept-back brown hair in a blue suit and orange tie. > Except this. Your son has been working in a burlesque house. > Principal Skinner saw him with his own eyes. > That's true, but I was only in there to get directions on how to get away from there. Frame: https://ultrahouse3k.com/img/S08E05/750124.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/755755 ## 12:42–12:49 Homer Simpson stands in a doorway beside a staircase and pink door, arms crossed, grimacing and speaking with his mouth open and closed. The scene then moves to a sunny street, where Homer, seen from behind in his white shirt, faces Ned Flanders in a green sweater and moustache, who gestures with his hands at his chest and then lowers them to his waist. A red-haired woman, a man in a blue suit and tan cap, and a dark-haired man in a white jacket stand behind them, watching. > Helen, as a responsible parent, I was already well aware of that. > Homer, I'm as permissive as the next parent. > I mean, just yesterday I let Todd buy some red hots with a cartoon devil on the box. Frame: https://ultrahouse3k.com/img/S08E05/763680.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/766182 ## 12:49–12:57 Ned Flanders, with his moustache, glasses and green sweater over a pink collar, stands in front of a suburban house with a red roof and a garage, speaking and gesturing with open hands. He then lifts both hands with pointing fingers near his chest, then lowers them and folds his arms and hands at his waist while continuing to talk. The blue sky, trees and a fence frame the scene. > But you can't possibly think it's appropriate for your 10-year-old son to work in a Frame: https://ultrahouse3k.com/img/S08E05/770979.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/773690 ## 12:57–13:08 Homer Simpson, the bald, heavy man in a white shirt, stands in a hallway in front of a pink wall and an orange arched door with a pacifier-shaped knob, with a staircase carpeted in purple behind him. At first he stands with his arms crossed and eyes closed, then he opens his eyes wide and crosses his arms tighter while speaking. He then turns his head and lowers one arm, pressing a hand to his chest, before settling with both hands on his hips and talking animatedly with a wide-open mouth. A framed picture hangs on the pink wall beside the door. > burlesque house. Oh, no? > Well, if Homer Simpson wants his 10-year-old son working in a burlesque house, > then Homer Simpson's 10-year-old son is going to work in a burlesque house. Frame: https://ultrahouse3k.com/img/S08E05/778486.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/782865 ## 13:08–13:18 Homer Simpson, bald and wearing a white shirt, stands in a front yard and faces Marge, who has a tall blue beehive and wears a red coat splattered with dark stains while holding purple suitcases. Behind them a woman in a pink sweater and a bearded man in white stand near the lawn and a red car sits in a driveway beside a brick house. Homer stands in front of a pink arched doorway with a purple staircase visible inside, and he gestures with both hands raised, palms out, in a pleading, defensive pose while his expression shifts from talking to clenched-teeth worry. > That's... > Hi! > Now, Marge, > you're going to hear a lot of crazy talk about Bart working in a burlesque house. Frame: https://ultrahouse3k.com/img/S08E05/789539.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/793293 ## 13:18–13:23 No recognizable regular character is visible, only a yellow cartoon hand holding a pink matchbook labeled "Maison Derrière" against a pink background. The screen starts black, then the matchbook appears with a large blue open eye on its cover and red match heads along one edge. The eye then closes to show a green lid with lashes, while the hand keeps holding the matchbook. > Maison Derrière? > I can't believe there's a place like that in our wholesome little town. Frame: https://ultrahouse3k.com/img/S08E05/799340.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/800800 ## 13:23–13:34 Homer Simpson, the bald, heavy man in a white shirt and blue pants, and Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, sit together on a red couch in the pink living room of their house. In the first frame Marge leans in beside Homer, who sits with his hands folded on his belly, and in the following frames she shifts, gestures with a raised fist, and sits upright while the two of them talk and glance at each other. A framed picture of Maggie hangs on the pink wall behind them, with a lamp and an archway leading to the staircase beyond, and the scene changes only through their posture and expressions. > Homer, did you know it was a burlesque house when you sent Bart to work there? > No, I only learned that four days ago. What were you thinking, Frame: https://ultrahouse3k.com/img/S08E05/804554.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/808933 ## 13:34–13:47 Marge, with her tall blue beehive and green strapless top and orange bead necklace, and Homer, bald and heavyset in a white shirt and blue pants, sit on a dark red couch in the pink living room of the Simpson house. Marge sits on the right, turned away, while Homer sits on the left, gesturing with open hands and talking, then pausing with his hand on his hip and looking at her as if listening. He then speaks again with his mouth open and gestures toward her with one hand, while a red table lamp, framed paintings on the walls, and a potted plant by the staircase stay in view. > sending Bart to such an awful place? > I was trying to punish him exactly like you would. > So in a way, you really dropped a ball on this one. > This is your mess and I'll be damned if I'm gonna clean it up. Frame: https://ultrahouse3k.com/img/S08E05/815398.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/820820 ## 13:47–13:57 Homer Simpson sits on a red couch with his arms crossed, scowling and then looking away with a worried expression, while Marge Simpson, with her tall blue beehive and red bead necklace, glares in a pink room with a red lamp and a framed sunset picture. Marge, now wearing a green dress, enters an ornate pink parlor with a gilded painting and a red sofa, where an older woman in a maroon gown and grey-blue updo extends a hand toward her while a woman in a purple bunny-style costume with feathered ears stands nearby. A small round table holding a glass bottle sits between them as the older woman gestures to Marge. > Please come in, Mrs. Simpson. > How can I be of service? > I have a favor to ask. Frame: https://ultrahouse3k.com/img/S08E05/828328.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/832081 ## 13:57–14:09 Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, sits in a red chair in a pink-walled room with purple curtains, while a tall, grey-haired woman in a dark red dress with a high blue collar and drop earrings, who is not a regular character, sits on a red sofa beside a framed painting of reclining nymphs. Marge starts out with her finger at her chin, looking up and speaking, then gestures with her hand as the woman talks back to her. In the fourth picture the woman's long-legged, fishnet-stockinged leg is extended into the room as Marge reaches out to touch a small candelabra on a side table, and in the last picture the woman turns toward Marge on the sofa, her hand resting on her knee. Visible objects include wall sconces, a gilt-framed mirror, and a small framed picture on the pink wall. > Please shut this place down and move away from Springfield. > Oh, honey, you can't be serious. Springfield doesn't want places like this. > I think I know what Springfield wants, sugar. > Oh? Frame: https://ultrahouse3k.com/img/S08E05/838129.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/843343 ## 14:09–14:19 Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stands with one hand on her hip and scowls while speaking in a red-and-pink room with a gilt-framed painting of reclining figures behind her. A grey-haired woman in a maroon dress and green eyeshadow sits and talks with her mouth open, then turns to face Marge, who thrusts her arm out and points angrily toward the side. Notable objects include a tall candelabra stand, purple curtains, a small table with a green mug, and a red chair beside Marge. > I've lived in this town for 37 years. > I've lived here 52 years. I'm third generation. > Six. Get out of my town! Frame: https://ultrahouse3k.com/img/S08E05/850850.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/854604 ## 14:19–14:30 A stately older woman with a tall grey-blue beehive, green eye shadow, a dark red dress with a high collar and grey lace-trimmed skirt sits on a red velvet sofa in a pink room beneath an ornate gilded painting of reclining nudes, and Marge, with her tall blue beehive, green dress and red beaded necklace, sits in a chair beside her. The older woman talks and gestures with a raised index finger, then leans forward and speaks to Marge with her hand near her chest, while Marge listens with a wide-eyed, uneasy expression. In the later images the older woman leans in closer toward Marge, who sits back in her chair and looks on, and a small framed picture hangs on the pink wall between them. > Listen, darling, we're just as much a part of Springfield as the church, the library, > or the crazy house. So I think I'll stay right here, neighbor. > Is that so? Frame: https://ultrahouse3k.com/img/S08E05/860651.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/865031 ## 14:30–14:39 Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stands in a red-walled room beside a tall brass lamp, first with her arms folded and then gesturing with her hand and pointing her finger at someone. In the final moment she leans toward an older woman in a grey hat, maroon dress and patterned stockings who sits on a red sofa beneath a framed painting, while Marge holds a red chair with one hand. The scene shows a stiff, ornate parlor with pink walls, oval portraits and purple drapes. > Well, > sleazy entertainment and raunchy jokes will never be as popular as sobriety and self > -denial. > You're about to learn the two most dangerous words in the English language are Marge Frame: https://ultrahouse3k.com/img/S08E05/871704.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/875041 ## 14:39–14:50 Marge Simpson, with her tall blue beehive and green strapless dress with a red bead necklace, stands in a doorway at night, first pointing and talking to a uniformed usher with brown hair, a red vest and white pants who wears a bow tie and holds a small paper. In the following shots she stands with her hands on her hips, then lifts a hand to her necklace while a pink station wagon is parked beyond the iron fence, and in the doorway she hands the paper over to the usher. The scene ends on the Springfield Town Hall building at night, with a sign on the lawn reading 'TONIGHT: TOWN MEETING' and 'TOMORROW: TOWN MEETING BLOOPERS'. > Simpson. > It's a light pink 87 wagon. > And after visiting the area for the past two months, Frame: https://ultrahouse3k.com/img/S08E05/880463.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/884634 ## 14:50–15:00 Marge Simpson, with her tall blue beehive and arms crossed, sits in a packed auditorium audience beside Ned Flanders in his green sweater and moustache, while a woman with lavender hair sits at left. A man in dark sunglasses and a purple suit stands grinning at a wooden podium with a microphone against a red curtain, gesturing with one hand as the audience watches from the seats in the foreground. In the last moment, audience members including Apu in a pink sweater and Milhouse with blue hair and glasses have their mouths open as they talk, looking toward the stage. > I have determined it is not feasible to construct a super train between Springfield and > Aruba. > Aww. > Next on the agenda is, uh, the Citizens Committee on Moral Hygiene. Frame: https://ultrahouse3k.com/img/S08E05/891099.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/895061 ## 15:00–15:12 A heavyset man in a purple suit and blue tie reads from papers at a wooden podium with a microphone against a red curtain, then looks down with a frown. Behind him, a crowd of onlookers sits in the audience, several with open mouths. Marge Simpson, with her tall blue beehive and green dress, steps up to the podium and speaks while Ned Flanders in his green sweater and moustache and other people stand on the stage behind her. The scene moves from the speaker at the podium to Marge speaking into the microphone. > Aww. > I'm here to share my moral outrage. > But this time it's not about that giant inflatable Dos Equis bottle. Frame: https://ultrahouse3k.com/img/S08E05/901109.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/906114 ## 15:12–15:21 Marge Simpson, with her tall blue beehive and green dress with an orange bead necklace, stands at a wooden podium with a microphone in front of a red curtain, talking and gesturing with one hand on her hip while Ned Flanders, with his moustache, glasses and green sweater, stands at the left and a woman with a tan-grey hairdo and blue collar stands at the right. In the final frames, the view shifts to an audience in theater seats where Moe, the grey-haired bartender in blue overalls and a bow tie, sits frowning in the centre, flanked by a red-haired woman in a lavender dress on the left, a woman with orange hair in a green cardigan behind him, a man in a green suit and a bald, bearded man in a purple shirt at the right, and a man in a green tie at the far right. > It's about a certain house in our town. Yeah, well, what's wrong with this house? > Is it the plumbing? No. Frame: https://ultrahouse3k.com/img/S08E05/913204.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/916749 ## 15:21–15:33 Marge Simpson, with her tall blue beehive and a green dress with an orange bead necklace, stands at a wooden podium with a microphone in front of a red curtain, flanked by Ned Flanders on the left in his green sweater and glasses and a woman with a tall brown hairdo and a pink top on the right. Marge speaks animatedly, gesturing with one hand and then placing her hand on her chest, before shifting to a stance with her hand on her hip and a sterner, scowling expression. Behind them, an older grey-haired man in a red jacket and blue tie gestures to the side in a hall with a framed painting, blue and gold bunting, and a crowd of onlookers in the foreground, including a red-haired man with a scowl. The scene appears to be a public meeting where Marge addresses the crowd. > It's a house of ill fame. > A house of loose ethics. > Is there a building code violation? A drainage issue? > A surveying error? The house is perfectly fine. > Well, then quit badmoutin' the house. Yeah, leave the house alone. Frame: https://ultrahouse3k.com/img/S08E05/922171.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/927176 ## 15:33–15:43 Chief Wiggum, the fat police chief in his blue uniform and cap, stands at left in the crowd, pointing with one finger and scowling, while beside him a woman in a pink shirt, orange cap and headphones raises a fist and then lowers her arm. At the front, Marge Simpson, with her tall blue beehive and orange beads, stands behind a wooden podium with a microphone, gesturing with her hands while speaking, flanked by Ned Flanders in his green sweater and glasses on the left and a woman with a tan bouffant hairdo in a pink top on the right. Red curtains hang behind them in a meeting hall, and the scene is shown as a series of tense, gesturing reactions. > Oh, jeez, it's what's inside the house that's disgraceful. > drinking, gambling, and debauchery. It's right under our noses. Frame: https://ultrahouse3k.com/img/S08E05/934267.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/938438 ## 15:43–15:56 Troy McClure, an actor with swept-back reddish hair in a purple suit and blue tie, stands at a wooden lectern with a microphone on a stage with red curtains and a white screen, gesturing with both hands to a packed audience. Behind him Ned Flanders in his green sweater and moustache, a woman with curly orange hair and a pink vest, and Marge Simpson in her green dress and tall blue beehive stand on the stage. As the scene goes on, Marge, with clenched teeth and wide eyes, is seen up close, then a bespectacled brown-haired woman in a white blouse with a red bow gasps among the crowd, and Troy returns to the lectern, spreading his hands and grinning tensely. > A secret house of burlesque. > That's right. > People, this is an issue that we as a town are strong enough to ignore. > Let us give no more scrutiny to this bawdy house and its small clientele of loyal Frame: https://ultrahouse3k.com/img/S08E05/944694.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/949907 ## 15:56–16:06 A man in a purple suit and blue tie, with brown hair and a white pocket square, is first seen raising his hand as if taking an oath at a podium with a microphone before a red curtain, then grins nervously, closes his eyes with a tight smile, and stands listening while a second man in a pink short-sleeved shirt and dark tie gestures with an open hand and talks to him. The purple-suited man looks on with a skeptical, sidelong expression as the pink-shirted man keeps speaking, with a green wall and a white projection screen behind them. > perverts. Oh, I'm afraid this problem goes far beyond Eugene and Rusty. Frame: https://ultrahouse3k.com/img/S08E05/957415.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/961377 ## 16:06–16:17 Seated audience members include a red-bearded man in a white t-shirt, a bespectacled man in a green cap and plaid shirt, and a violet-haired woman in an orange dress beside a police chief with a fat build and blue uniform. A thin black-haired man in a pink shirt and blue tie gestures against a red curtain, then Marge, with her tall blue beehive and green dress, holds a remote beside a projector throwing a bright beam over the crowd. Next, Carl in a multicolored sweater stares sideways beside a dark-haired woman in a purple jacket and gold necklace, with two uniformed officers behind them, and the scene ends on the police chief scowling as the violet-haired woman glares. > Marge, if you please. > Julius! > Clancy! Frame: https://ultrahouse3k.com/img/S08E05/967425.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/972013 ## 16:17–16:28 Principal Skinner, in a blue suit with neat grey hair, walks down the front steps of a house on a screen while a red-haired man in a grey tank top, jeans and a black visor strolls down the same steps beside him. In the foreground, dark silhouettes of an audience watch from their seats, and in the later part of the moment Moe, the grey-haired bartender in a bow tie and blue overalls, sits among a crowd that includes Patty with grey-violet hair, Carl and Apu. The setting shows double wooden doors, a hanging lantern, potted plants and a striped awning. > Skinner! Seymour! Mother! > Patty! > Cletus! > Oh, uh, Bonnie! Frame: https://ultrahouse3k.com/img/S08E05/978686.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/983065 ## 16:28–16:42 Chief Wiggum, the fat police chief in uniform, waves from a lit stage framed by red curtains while a woman in a doorway behind him watches, and a row of dark silhouetted audience members sits in the foreground. The stage then fades to black before a bow-tied, bespectacled grey-haired man and a stern, hook-nosed, very thin old man in a dark suit and black tie sit among a crowd of onlookers in a dim room. Later, a heavy man in a purple suit stands in front of a purple-suited man wearing a 'MAYOR' sash and a black bar over his eyes, as three women in a doorway gesture behind them. > Clancy! > Hey, come on, you did me twice! > Smithies? > My parents insisted I give it a try, sir. > Mayor Quimby! Ah, well, there could be any mayor. Frame: https://ultrahouse3k.com/img/S08E05/989739.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/995578 ## 16:42–16:51 Marge, with her tall blue beehive, red bead necklace and green strapless top, stands with arms crossed, eyes shut and teeth clenched in a living room with blue swag curtains and framed pictures on the walls. Herb, a man with brown hair in a purple suit, white shirt and blue tie, then appears against a red wood-paneled wall, first glancing sideways with a hand to his chin, then grinning widely, then looking uneasy with his teeth gritted, and finally frowning with his mouth open as if speaking. > I rest my case. > Er, er, well, er, in light of these new facts, > of which I now realize I was largely aware, I must take action. Frame: https://ultrahouse3k.com/img/S08E05/1003503.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1006839 ## 16:51–17:03 Marge Simpson with her tall blue beehive, Patty and Selma with grey-violet hair, Ned Flanders with his moustache and green sweater, and Carl with his short black hair sit in rows of a crowded town meeting hall while a man in a purple suit stands at a wooden podium with a microphone in front of a red curtain. Several audience members, including Marge, Ned and the twins, raise their hands together and then hold them up, while the speaker keeps talking from behind the lectern. A projection screen and a green-walled room with framed art are visible behind the crowd. > All in favor of demolishing our beloved burlesque house, raise your hands. > Are they talking about the bordello? No, the burlesque house. Frame: https://ultrahouse3k.com/img/S08E05/1012470.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1017475 ## 17:03–17:15 Two older one-off men, one with glasses and a mustache in a tan sweater and one bald with a white beard in a green sweater, sit in a crowded room and raise their hands in turn as the first one talks and then waves. The scene then shifts to a night street with a stone gargoyle on a pillar beside a fence marked "NO TRESPASSING," where a group of townspeople carrying a red light walks along the sidewalk toward a house, past a bare red tree. > So just keep your mouth shut. > There we go. No, there's no justice like angry mob justice. Frame: https://ultrahouse3k.com/img/S08E05/1024357.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1029153 ## 17:15–17:26 Ned Flanders, with his moustache and glasses in a green sweater, holds a lit torch while Principal Skinner, in a blue suit and orange tie, grips a sledgehammer, the two standing together at a dark wrought-iron fence under a purple night sky. Skinner talks and gestures with the hammer as the pair stand at the fence, then Lenny in suspenders with a torch, Moe in a bow tie and suspenders, and Sideshow Bob in overalls with his huge red spiky mane, holding a long pole, walk forward with the torches and the group heads toward a gate between stone pillars topped with winged statues, where a white winged gargoyle statue sits in the foreground. > I'm gonna burn all the historic memorabilia. > I'm gonna take me home a toilet. There's a better be too. Frame: https://ultrahouse3k.com/img/S08E05/1036035.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1040831 ## 17:26–17:37 Ned Flanders, in his green sweater and glasses, stands at a barred iron gate with a call box, gesturing with a raised fist and speaking while a man in a blue jacket, a dark-haired man, and a woman in a pink top with a black bob look on from the foreground. Flaming torches burn on both sides of the gate, and a partly visible sign reading "NO" is beside the right torch. The scene then shifts to behind the bars, where Sideshow Bob with his spiky red hair glowers beside a smirking dark-haired man in a pink shirt, with a grey-suited man at the right edge and the torches still blazing against the purple night. > Who is it? > Uh, it's an angry mob, ma'am. > Could you step outside for a twinkle while we knock down your house? > Just a minute. Frame: https://ultrahouse3k.com/img/S08E05/1047713.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1051884 ## 17:37–17:48 A crowd of torch-carrying townspeople gathers at a night-time iron gate beside a winged stone statue, then a stern grey-haired woman in a dark red dress stands in a blue doorway flanked by two showgirls in pink feathered headdresses and pink costumes. Mrs. Krabappel, with a tall brown hairdo and pink vest, waves a flaming torch and shouts at the crowd, with Ned Flanders in a green sweater and moustache and other torch-bearers behind her. She then coughs and waves smoke away from her face, while the grey-haired woman stands with arms crossed and shouts beside the showgirl at a blue house with a streetlamp and flames flickering in the dark purple sky. > Stand aside, you degenerate two-bit proprietress! > Don't you call me that! I'm an entrepreneur! > Oh, shut up! You're wasting valuable smashing time! Frame: https://ultrahouse3k.com/img/S08E05/1058349.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1062728 ## 17:48–18:01 Marge, with her tall blue beehive, stands shirtless with a bone stuck in her hair and grips a wooden mallet, while Apu in his green jacket stands at the left edge and a thin man in a blue suit and orange tie watches from the right. Under a purple dusk sky beside a dark hedge and a low rooftop, the scene shifts to Chief Wiggum in his blue uniform and police cap hefting a long wooden crate, with a figure in green hanging by the arms from a pink tree behind him. Later, at night under a starry sky beside an iron fence, Bart in his orange shirt clutches Homer, who is in a white shirt and blue pants, and Homer points while a wooden fragment tumbles through the air above them. > Dad, we can't let this happen to Belle. Do something! > Don't you worry, son. Frame: https://ultrahouse3k.com/img/S08E05/1069193.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1075032 ## 18:01–18:11 Mr. Burns, a frail stooped man in a pink bow tie, and a heavy man in a red sweater and glasses work with a hammer and a pickaxe at a dug-up patch of ground in front of a blue wooden house at night, while Homer climbs the front steps. Next, a long-haired man in a cap and pink shirt holds up an axe beside a second man in a pink shirt raising a tool overhead, with Homer arms-up in the doorway behind them and dancers in pink feathered headdresses nearby. Finally, a bespectacled bald man in a white shirt and blue tie holds a flaming arrow, and Homer gestures with open hands between two dancers in pink bikinis with feathered headdresses at the house. > My friends! > Stop! > Please hurry. Sure. > We could tear this house down. Frame: https://ultrahouse3k.com/img/S08E05/1082748.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1086711 ## 18:11–18:23 Moe, the grey-haired bartender in a dark vest and bow tie, raises a bent metal pipe overhead beside a pale blue fountain while a stooped older man in a red sweater stands at the right edge. Across a dim purple-lit lawn, a long-haired man in a cap and headphones swings a wooden stick as a dark-haired man in a pink shirt and blue tie raises a pole, with a crowd gathered before a blue house. On the blue porch, Homer, in a white shirt and blue pants, first raises both hands and then gestures with one hand and a pointing finger, flanked by several women in pink bikini-style outfits and an older grey-haired woman in a dark red dress, with a potted plant and lit windows behind them. > No! > My friend, stop! > Let me finish. > We could tear it down, but we'd be tearing down a part of ourselves. Frame: https://ultrahouse3k.com/img/S08E05/1092967.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1097555 ## 18:23–18:33 Homer Simpson, in his white shirt and blue pants, stands on a blue-clapboard porch stage with his arms spread wide while showgirls in pink bunny-eared bustiers pose behind him and a crowd of townsfolk watches. Among the onlookers are a woman with green-blue hair topped by a bone, a bearded man in a white captain's cap, a brown-haired woman in a pink vest, a police officer with blue hair, a bald man in red-framed glasses, and Carl, a tall Black man in a grey coat and pink sweater. Homer gestures and speaks toward the crowd in the dim purple night, with a potted plant and a watering can beside the porch. > You could close down Moe's or the Quickie Mart and > nobody would care But the heart and soul Frame: https://ultrahouse3k.com/img/S08E05/1104437.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1108608 ## 18:33–18:45 Homer Simpson, the bald, heavy man in a white shirt, stands center-left in the first frames, flanked by two showgirls in purple and pink costumes with feathered headdresses, one of whom is a dark-haired woman and the other a showgirl with auburn hair, and a grey-haired woman in a long red dress appears among them. In the second frame Homer, mouth open and arm outstretched, gestures beside the showgirls while holding a lamp-like torch, with the showgirls posing on either side of him. In the later frames the group, including Homer, the showgirls and the woman in red, stands on the front steps of a large blue mansion at night, with a crowd of onlookers gathered on the driveway and lawn below. The scene ends with the crowd and the mansion lit against a purple night sky with a few stars, and the group remains unchanged on the steps. > of Springfield's in our maize on derriere. Frame: https://ultrahouse3k.com/img/S08E05/1114864.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1119660 ## 18:45–18:57 A grey-haired woman in a maroon gown with a lace collar, a pianist in a red jacket and white trousers, three musicians in peaked caps playing a tuba and a trombone, and several showgirls in pink feathered headdresses, pink bras and yellow stockings appear on a blue-walled wooden stage porch. The pianist plays while two showgirls pose beside the piano, and the band stands near the doorway. The woman gestures with open hands and speaks while the band plays. The showgirls then form a line and kick their legs high while she stands centre stage with her hands clasped, and the band and piano remain in the background. > We're the sauce on your steak. We're the cheese in your cake. > We put the spring in Springfield. > We're the lace on the nightgown. Frame: https://ultrahouse3k.com/img/S08E05/1126334.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1131130 ## 18:57–19:09 Showgirls in pink feathered headdresses, pink bras and yellow stockings lean out of a blue clapboard house's window and then kick in a line across its porch, while a stern grey-haired woman in a dark red Victorian dress leads them. Carl, in a grey shirt, and a man in a pink top with a grey-haired companion watch from the steps and lawn, and a piano stands at the right. As the night scene goes on, the woman strides and gestures in front of the house, and Ned Flanders in his green sweater and a woman with curly reddish hair in a pink vest look on. > The point after touchdown. Yes, we put the spring in Springfield. > We're that little extra spice that makes existence extra nice. Frame: https://ultrahouse3k.com/img/S08E05/1138220.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1143434 ## 19:09–19:22 Outside a blue clapboard house with tall windows and hedges, a man in a pink shirt and dark tie stands beside a woman with brown hair in a pink sweater vest and green skirt, while an older woman in a maroon dress with a grey updo gestures and speaks to a crowd on the left, including a dark-skinned man in a green jacket. The man in the pink shirt glares and points a finger while the brown-haired woman folds her arms, then two showgirls in pink feathered headpieces and pink bustiers appear, one clutching his shoulder and the other grabbing his arm and chest as he looks startled. Their hands and the feathered headdresses are the most prominent details. > A giddy little thrill at a reasonable price. > Our only major quarrels with your total lack of morals. > Our skimpy costumes ain't so bad. They seem to entertain you, Dad. Frame: https://ultrahouse3k.com/img/S08E05/1150941.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1155946 ## 19:22–19:33 Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, leans from an upstairs window of a blue house in a red bow tie and waves one hand. Below on a blue-planked porch stage, showgirls in pink feathered headdresses and purple bras kick and dance while a brass band in white caps plays tuba and trombone and a pianist plays an upright piano, and a grey-violet-haired woman in a maroon gown gestures as she speaks. A crowd of onlookers, including a police officer and a man in a bee costume, watches from the steps and sidewalk in front of the building's double doors. > The gin in your martini. > The clams on your linguine. Yes, we keep the in Springfield. Frame: https://ultrahouse3k.com/img/S08E05/1163454.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1167625 ## 19:33–19:43 A crowd gathers on a driveway in front of a blue clapboard house while cheerleaders in pink outfits leap in the air near a figure in a red coat. Chief Wiggum, the fat police chief in a cap, and Krusty the clown lean out of an upstairs window with an unnamed man in a pink shirt. Below, a heavyset man in a purple suit gestures and talks, then a woman in a pink hat and pearl necklace scowls with her fist raised and hand on hip while he grabs her arm. > We remember our first visit. That service was exquisite. > Why, Joseph, I had no idea. > Come on now, you were working here. Without it, we'd have had no fun since March of 1961. Frame: https://ultrahouse3k.com/img/S08E05/1174090.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1178260 ## 19:43–19:57 Two elderly men, one with a long white beard in a grey vest and the other bald in a peach sweater, walk arm in arm past a uniformed brass band in white caps and red jackets playing tuba and trumpets in front of a blue house with shutters. Later, Homer in a white shirt and blue shorts stands between a teen with purple hair and a black skull T-shirt and a woman with reddish-brown hair in an olive top, all three shouting with arms spread before a black iron fence with stone statues on pillars and a pink tree under a purple sky. The scene ends with the three singing with eyes closed and mouths wide open, arms outstretched. > To shut them down now would be twisted. > We just heard this place existed. Frame: https://ultrahouse3k.com/img/S08E05/1184725.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1190564 ## 19:57–20:08 Four yellow-skinned showgirls in pink feathered headdresses, bikinis and thigh-high stockings dance in a line at night beside a pool, with Apu in a green jacket holding a tray in front of a blue multi-armed statue. Two women with bouffant hairdos stand watching, then Barney, a heavy man with messy brown hair in an orange shirt, cranks a pink jack-in-the-box while the dancers keep kicking their legs out. Krusty's head springs up on a coil from the box as the dancers and Barney continue, with the pool and dark trees behind them. > We're the highlights in your hairdo. > The extra arms and bishnu. So don't take the... Frame: https://ultrahouse3k.com/img/S08E05/1198489.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1202868 ## 20:08–20:17 A crowd of residents with raised hands includes Ned Flanders in his green sweater and moustache, and Carl in a grey jacket and pink sweater, with a bald man in a blue suit and red tie beside them and a teal-haired woman in a green dress singing in the foreground. Behind them, pink-feathered showgirls line a blue wooden stage, with Homer in a white shirt and blue pants and Bart in an orange shirt standing near an older woman in a dark red dress as the crowd keeps its hands up. At the right, Moe in a bow tie and apron holds a trash can lid beside overflowing bins by a hedge outside a blue building. > We won't take the... > Yes, let's meet the... Frame: https://ultrahouse3k.com/img/S08E05/1209542.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1212878 ## 20:17–20:27 Homer, in a white shirt and blue pants, stands in the lit doorway of a large blue house at night with Bart beside him and a row of dancers in pink feathered outfits on the steps, as a cheering crowd with raised arms fills the lawn and a woman in a long red dress stands among them. Residents watch from the upper windows while the crowd keeps waving. Later, Chief Wiggum crouches on a lawn beside a red-haired woman and a man in a white lab coat, facing a heavy man in a blue shirt and red shorts, and the scene ends on a close-up of a spiky-haired man in a salmon shirt glancing sideways. > In Springfield. Frame: https://ultrahouse3k.com/img/S08E05/1218300.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1222471 ## 20:27–20:37 Ned Flanders, with his moustache, glasses and green sweater, stands on a blue lawn with a red-haired woman in a pink vest, a black-haired man in a red shirt and tie, and a brown-haired woman in a blue blouse, all in front of a fence and stone wall. Ned gestures with a hand to his chest while speaking, and the man in red puts an arm around the brown-haired woman's shoulder as they stand together. Then Apu in the foreground watches an orange car with Marge's blue beehive crash through the stone-pillared gate, scattering debris, as a small crowd in white suits looks on from the roadside. > Well, I'm convinced the house stays. > This house is a very, very, very fine house. > Here I come, everybody! Frame: https://ultrahouse3k.com/img/S08E05/1228728.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1232690 ## 20:37–20:49 Marge, with her tall blue beehive and red bead necklace, sits at the controls of an orange bulldozer on a dark, lamp-lit driveway at night while Homer in his white shirt gestures toward her. Earlier, figures in a crowd run with arms raised toward the bulldozer parked before an iron gate. Ned Flanders in his green sweater, Chief Wiggum in his police cap, and a grey-haired man in a suit watch as Marge talks, and the scene ends with Homer and Ned staring at her from behind the bulldozer's blade. > What are you doing, Marge? Didn't you hear this song? > No, I had to go rent the bulldozer. Well, we all changed our minds. > Yeah, now we love the house. What about the sleaze and the depravity? Frame: https://ultrahouse3k.com/img/S08E05/1238946.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1243743 ## 20:49–21:02 Marge Simpson, with her tall blue beehive and orange bead necklace, stands at night beside a red suitcase-like object near a black iron fence and a pink-trunked tree, first glancing sideways and then talking with a smiling woman with a brownish mullet and a pink top, who grins and gestures. A man in a blue jacket with swept-back brown hair then leans in to talk with Marge, who listens with a steady expression. Later, Ned Flanders, with his moustache, glasses and green sweater, gestures with his open hands while Homer, in his white shirt, stands behind him watching and Marge listens in front of a gate, potted plants and a purple night sky. > It was a very convincing song, Marge. Mm-hmm. > There were kicks and everything. > Oh. > Can you sing it again? > I'm sorry. It really was one of those spur-of-the-moment type things. Frame: https://ultrahouse3k.com/img/S08E05/1251041.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1256046 ## 21:02–21:09 Marge Simpson, with her tall blue beehive and green dress with an orange bead necklace, stands on a stump at night in front of a large orange bulldozer-like machine, first glaring with a clenched grin and then gesturing with both hands while speaking. Homer, in his white shirt, and a uniformed police chief with a fat build and cap stand among a crowd of onlookers, including a woman with long curly black hair and a child in a green shirt, watching her. Marge's expression shifts from a tense, scowling grin to an animated, open-mouthed pose as she talks and waves her arms, with the crowd staying still around her. > Well, I also have a song to sing. > Don't make up your mind until you hear both songs. > Mm-mm. Frame: https://ultrahouse3k.com/img/S08E05/1263345.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1266056 ## 21:09–21:18 Marge Simpson, with her tall blue beehive and green dress with a red bead necklace, stands at night in front of a black iron fence and an orange vehicle, first with a finger to her chin, then raising a pointing finger as she talks. She gestures again with a finger raised and then spreads her arms wide with a smug smile in front of a blue pond. In the final moment, an orange bulldozer with tank treads plows through a pile of shattered blue ice and broken wooden debris near a crumbling brick wall. > Morals and ethics and carnal forbearance. Frame: https://ultrahouse3k.com/img/S08E05/1270853.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1273981 ## 21:18–21:28 Ned Flanders, with his moustache, glasses and green sweater, stands in a crowd outdoors at night under a purple sky, with Marge, her tall blue beehive and orange bead necklace, beside him. A dark-haired man in a pink shirt and blue tie stands with his arms folded, and the group gathers near a fence and trees. The dark-haired man speaks and grimaces in the early moments, then an older grey-haired woman in a red coat steps in toward Marge, leaning forward and talking as Marge looks on, while Ned and the others remain in the crowd. > Uh, sorry. > Thanks a lot, Marge. That was our only burlesque house. > I do love it when you drop by, Marge. > Next time, why don't we get together at your house? Frame: https://ultrahouse3k.com/img/S08E05/1279403.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1283365 ## 21:28–21:39 Marge Simpson, in a green dress and red bead necklace, stands with Homer, Bart, Chief Wiggum and Apu on a dark, starry street, while a grey-haired woman in a dark red dress with her arms crossed faces Marge in front of a blue house with debris scattered around it. Marge gestures, looks worried, and Bart glances sullenly at the group as they stand in front of a fence. Later, Marge sits on a chair on a red-curtained stage with a microphone, with a second blue-haired woman beside her, while a seated audience including Homer seen from behind and a Black man in the foreground watches. > I'm so sorry. How can we ever make this up to you? > Oh, there's a way, Mom. Frame: https://ultrahouse3k.com/img/S08E05/1289413.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1294001 ## 21:39–21:46 Marge, with her tall blue beehive, green dress and orange bead necklace, sits on a wooden chair against red curtains with her arm around a jointed wooden dummy that looks like her and wears the same necklace and green overalls. Marge's mouth moves and her eyes glance sideways, then she grins and gestures with an open hand while the dummy's jaw opens and closes. The dummy's mouth hangs wide open at the end as Marge keeps smiling. > So, Twiggy, I hear you and your husband, Woody, just had a baby. > What did you name him? > Chip. Frame: https://ultrahouse3k.com/img/S08E05/1300466.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1303177 ## 21:46–21:54 Seen from behind, Marge with her tall blue beehive and a second blue-haired figure in a green skirt sit at a wooden table in the foreground, facing a crowded, dimly lit bar with round tables against a blue wall. At the right, Homer, a bald heavy man in a white shirt, sits and then raises both hands to his face while Ned Flanders, with moustache and glasses, sits nearby and Chief Wiggum stands in a police cap near the back. Bart, the spiky-haired boy in an orange shirt, appears at the right edge, then walks in past the tables toward the center, while Homer lowers his hands and the other patrons remain seated. > Take it off! All right, Dad, you've been warned. > Let's go. > Hey. Come on. Frame: https://ultrahouse3k.com/img/S08E05/1307973.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1310684 ## 21:54–22:03 No characters appear in this moment; it is a black title card sequence of credits against a black background. First, orange text reading "Executive Producers BILL OAKLEY & JOSH WEINSTEIN" is shown centered, then the screen fades to black, then orange text reads "Executive Producers JAMES L. BROOKS MATT GROENING SAM SIMON", followed by "Starring DAN CASTELLANETA" and then "NANCY CARTWRIGHT" in the same orange lettering. Frame: https://ultrahouse3k.com/img/S08E05/1315272.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1318818 ## 22:03–22:12 No Simpsons characters appear in this sequence, which is a plain black title card series against a black background. Orange, stylized credit text appears in turn: first "YEARDLEY SMITH" centered on screen, then "and HARRY SHEARER", then "Starring TRESS MACNEILLE", then "Also Starring PAMELA HAYDEN, MAGGIE ROSWELL, RUSSI TAYLOR", and finally "Animation Producers BILL SCHULTZ and MICHAEL WOLF", each replacing the last with no movement other than the swap of text. Frame: https://ultrahouse3k.com/img/S08E05/1324448.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1327785 ## 22:12–22:21 No Simpsons characters appear in this moment; it is a black closing-credits screen with orange text. First, 'Executive Consultant BRAD BIRD' is centered on screen, then it is replaced by 'Story Editors DAN GREANEY, RON HAUGE, NED GOLDREYER', followed by 'Theme by DANNY ELFMAN', 'Music by ALF CLAUSEN', and finally 'Editors MICHAEL BRIDGE, DON BARROZO, LEE HARTING' in the same lettering, one credit after another. Frame: https://ultrahouse3k.com/img/S08E05/1333624.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1336961 ## 22:21–22:30 No characters appear in this moment; it is a black closing credits sequence with orange text on a black background. Credits roll upward in sequence: first 'Animation Production Manager for Gracie Films JOEL KUWAHARA' and 'Post Production Coordinator DOMINIQUE BRAUD-STIGER', then 'Music Editor CHRIS LEDESMA', 'Sound Effects Editor TRAVIS POWERS' and 'Re-Recording Mixers R. RUSSELL SMITH GREG ORLOFF', then assistant and post production assistant names such as MARIA KAVANAUGH, CLAUDIA DE LA ROCA, RICHARD CHUNG and ALEXANDER DUKE. The sequence ends with 'Animation Produced by FILM ROMAN, INC.' followed by 'Overseas Production by ROUGH DRAFT' on the black screen. Frame: https://ultrahouse3k.com/img/S08E05/1342591.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1346136 ## 22:30–22:39 No characters appear in this moment; it is a black closing credits sequence for a Simpsons episode. Orange credit text on a black background scrolls and changes in turn, listing Assistant Director Pete Michels, Animation Timer Andi Klein, Storyboard, Character Design, Color Design, Painters, Animation Camera, Lip Sync, and Track Reader Glenwood Editorial, Inc., then Animation Post Production Supervisor Rick Polizzi, Negative Cutter D and A Film Cutting, and Telecine Unitel Video, Mike Perry. The text then shifts to a copyright notice reading "The Simpsons Episode #4F06, Copyright 1996, Twentieth Century Fox Film Corporation," followed by the fictitious-persons disclaimer and legal notice, and ends with "Executive Creative Consultant James L. Brooks" on black. Frame: https://ultrahouse3k.com/img/S08E05/1351767.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1355104 ## 22:39–22:50 A row of silhouetted audience members sits in theater seats facing a blank screen, one figure with a big bushy hairdo in the foreground. A blue beam of light then spreads across the screen as the words GRACIE FILMS appear in white lettering over the silhouetted audience. The scene switches to a glowing golden 20th CENTURY FOX TELEVISION logo rising against a blue sky with light beams, which then reads A NEWS CORPORATION COMPANY beneath it before fading to black. Frame: https://ultrahouse3k.com/img/S08E05/1360734.jpg Page: https://ultrahouse3k.com/episode/s08e05-bart-after-dark/1364905