# A Milhouse Divided

The Simpsons, season 8, episode 6 (S08E06), first aired December 1, 1996.
Written by Steve Tompkins. Directed by Steven Dean Moore. Production code 4F04.
Couch gag: Static Bart.

Marge's dinner party ends in shock when Luann Van Houten demands a divorce from her husband, Kirk, leaving Milhouse with separated parents. Kirk sinks into a dismal bachelor life while Luann dates Chase, a TV gladiator. Fearing his own marriage is next, Homer secretly divorces Marge, then surprises her by asking to marry her again in the proper wedding she never had.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Grampa Simpson, Ned Flanders, Dr. Hibbert, Nelson Muntz, Otto Mann, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Santa's Little Helper, Todd Flanders, Maude Flanders, Snowball II, Rod Flanders, Kearney Zzyzwicz, Kirk Van Houten, Luann Van Houten, Helen Lovejoy, Sam, Bernice Hibbert, Jacqueline Bouvier, Pyro, The Larry Davis Experience, Armando, Kearney Zzyzwicz Jr., Milford Alexander, Cracker executive, Jazz Band, Starla.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart, the spiky-haired boy in an orange shirt, leaps above a brick wall beside a pink car in a driveway, with a small yellow figure visible in the car window. The scene opens on drifting clouds under a blue sky with the orange title text "THE SIMPSONS" before moving to the yellow house, where a garage holds a bicycle and a mailbox stands on the lawn, and Homer, bald and heavy in a white shirt and blue pants, stands beside the pink car after Bart has disappeared.

> The Simpsons

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## 0:12–0:23

Homer and Marge sit on the red couch in the family living room while Bart, tinted glowing green, dashes across the carpet in front of them and Lisa in her red dress hugs baby Maggie in her blue bow. Homer then walks past the couch with Marge and the girls behind him, and the scene ends on a boxy television displaying yellow credits, first "Created by Matt Groening" and then "Developed by James L. Brooks, Matt Groening, Sam Simon."

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## 0:23–0:33

Homer, Marge, Lisa and Bart sit eating from TV trays in the living room while Maggie sits in her high chair, with Santa's Little Helper and Snowball II nearby on the colorful rug. Maggie then slides down to the floor beside a bowl as the greyhound walks past, and the scene cuts to a close-up of Homer with his tongue out holding up a blue plate beside Lisa. On-screen credits read "Co-Executive Producer GEORGE MEYER" and "Co-Executive Producer MIKE SCULLY".

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## 0:33–0:47

Marge Simpson sits on the brown couch with a fork over a plate of spaghetti while Homer Simpson, bald and heavyset in a lavender shirt, raises a pale green plate to his face. The scene shifts to the rug, where Maggie, sucking a pacifier and wearing a blue bow, sits between Santa's Little Helper, the brown greyhound, and Snowball II, the black cat. Producer credit captions such as "Co-Executive Producer Steve Tompkins" and "Producer David S. Cohen" appear across the bottom of the scene.

> Marge, can't we get some clear plates?
> I can't see the TV.
> Is it really necessary to watch TV while we're eating?
> We're getting food all over.

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## 0:47–0:57

Santa's Little Helper, the brown greyhound, and Snowball II, the black cat with an orange collar, face off over a brown cookie on a colorful rug while Maggie, the baby with a pacifier and blue bow, sits nearby in her blue outfit. The cat leans in with bared fangs and reaches a paw toward the treat, and Maggie raises her small yellow hands as the cat closes in. The moment ends on a close-up of the dog's wide, startled eyes as blue bars stand in the background.

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## 0:57–1:06

Maggie, the baby with a pacifier and blue bow, stands beside Homer's blue-trousered legs under a table as Santa's Little Helper, a brown greyhound, and Snowball II, a black cat, watch a brown lump of food on a striped rug. Homer then appears in close-up, mouth open and holding a fork, and Bart follows in close-up with wide eyes and a fork in hand, both against bright striped backgrounds. The scene is set in a cartoon dining room with a table, orange-striped floor, and a pink wall.

> If you really wanted us to be neater, you'd serve us out of one long bowl.
> You're talking about a trough.

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## 1:06–1:17

Marge, with her tall blue beehive, and Homer, bald with stubble, sit at a blue folding table in the living room, Marge holding a fork and Homer holding a red soda can that he sips from while Marge talks. The whole family then gathers at the table, with Lisa in a red dress beside them, while Bart lies on the rug in his underwear eating from a plate and Maggie sits on the rug with Snowball II and Santa's Little Helper nearby. White credit text overlays read "Producer Richard Appel", "Consulting Producer Ian Maxtone-Graham" and "Consulting Producer David Mirkin".

> We're not going to eat from a trough.
> And another thing, it's only 5.15. Why are you in your underwear?
> Hey, this ain't the Ritz.

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## 1:17–1:31

Marge, with her tall blue beehive, Homer, bald with stubble in a light blue shirt, and Lisa, with spiky hair and a red dress and pearl necklace, sit together at a small blue table in the dining room, eating from plates with forks. Marge sits on the left beside a purple lampshade, while Homer sits in the middle and Lisa on the right, and a glass of water and a red-and-white can sit on the table. Across the moment Marge glances sideways and grimaces, Homer stares ahead with a flat expression, and Lisa turns her head and looks wide-eyed, with her mouth opening as if about to speak. White credit captions appear over the bottom of the scene, each naming a different producer or consultant, and the scene holds in the pink-walled room with a framed picture on the wall behind them.

> At least, let's have a civilized conversation, shall we?
> Lisa, how was school? How was what, what?
> School, school.
> It's not time for school. I know it's not to- Mmm.
> I'm going into the dining room to have a conversation.

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## 1:31–1:38

Homer, Lisa, Bart and Maggie sit in the pink living room eating from TV trays and a rug, with Santa's Little Helper and Snowball II nearby, while Marge stands at the kitchen counter in the early frames. Marge then walks across the room in her green dress, past the brown couch and red magazine rack, and exits through the doorway on the right. Homer keeps eating at his tray table with a glass and plate in front of him, while Bart and Maggie stay on the rug and Lisa remains at her tray.

> Anyone who wants to join me is welcome.

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## 1:38–1:46

Homer sits at a folding TV tray in the living room, holding a drink and a plate, with Lisa eating at a second tray beside him on the brown couch. Maggie, with her pacifier, sits on the rug near Snowball II the black cat, while Bart lies on his stomach on the rug with a plate of food in front of him. Santa's Little Helper, the brown greyhound, sleeps on the floor to the left by a blue box, and the room has a sailboat painting, a pink lamp and a floor lamp. Across the middle of the scene a caption reads "Directed by STEVEN DEAN MOORE" over the title card, and the characters stay mostly still throughout the few seconds.

> Hello, Marge. How's the family?
> I don't want to talk about it. Mind your own business.
> Keep it down in there, everybody.

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## 1:46–1:54

Homer and Marge Simpson lie in bed in their bedroom, with Homer on the left wearing glasses and a light blue shirt and Marge on the right with her tall blue beehive and pink dress with a white collar. Homer holds open a magazine titled "Hot Lotto Picks Weekly" with a green-number cover, and Marge sits beside him with her hand resting on the blanket. Over the five moments, Homer keeps reading the magazine with his eyes shifting toward the page while Marge's head turns and her expression changes from a wide-eyed stare to a glance toward him. A framed portrait of Bart and Lisa hangs on the wall above, with lamps on either side of the bed.

> Homer, is this the way you pictured married life?
> Yeah, pretty much. Except we drove around in a van solving mysteries.
> Well, I picture cocktail parties and candlelit dinners.

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## 1:54–2:01

Marge Simpson, with her tall blue beehive and pink nightgown with white ruffled collar, sits up in bed in a blue-lit bedroom beside a dark blue bedpost and a lamp with a pleated shade. She widens her eyes, grimaces with a clenched-teeth grin, then stares ahead with a flat expression, leans her head toward the bedpost with a sideways glance, and finally looks up with her mouth slightly open, one hand pressed to her chest in the earlier frames.

> I picture napkins.
> Homer, I want to throw a dinner party.

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## 2:01–2:08

Homer Simpson, bald and wearing black-rimmed glasses with a light blue shirt, and Marge Simpson, with her tall blue beehive and pink top with white collar, lie side by side in bed under a dark blue blanket in a blue bedroom. Homer holds an open paperback labeled Hot Lotto Pick Weekly and talks while Marge listens, then in the later frames Marge turns toward him, raises her index finger as she speaks, and eventually folds her arms across her chest with a frowning, pursed-lipped expression while Homer keeps reading. Framed pictures hang on the blue wall behind them.

> Oh, I hate having parties. The toilet always gets backed up.
> I don't care if the sink shoots sludge. We're having a party.

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## 2:08–2:18

Homer, Marge, and Bart walk into Stoner's Pot Palace, a kitchenware shop with its name in large letters above the entrance, while a long-haired man in a red cap, pink shirt, and blue shorts, who is not Carl or any regular, steps out of the doorway and strolls onto the sidewalk. Marge, with her tall blue beehive, follows Homer, who pushes a small shopping cart, and Bart, in his orange shirt, walks behind them as the three disappear inside the glass doors. Pots and pans hang from the front window, and cardboard boxes are stacked beside the entrance. The stranger then stands on the sidewalk, glancing down and to the side, while the family remains inside the store.

> Man, that is flagrant false advertising.

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## 2:18–2:27

Marge Simpson, with her tall blue beehive and green dress, stands at a kitchenware store counter while Homer, in his white shirt, stands behind her, and Bart, Lisa, and Maggie in her stroller come up the aisle from the right. Marge first looks around, then holds up a small metal utensil, and then a second metal tool with a dark handle, in front of shelves of pink plates, glassware, bowls, and rows of red and black kitchen tools. The store's displays of dish towels, storage containers, and cutlery fill the background.

> Huh? It's just not a dinner party without a melon baller.
> And we'll need a citrus zester, a ravioli crimper.

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## 2:27–2:36

Marge Simpson, with her tall blue beehive and green apron over a yellow top, stands behind a kitchenware shop counter lined with blue goblets, green glasses, pink plates and spoons in a bin below. She first holds up a gear-shaped metal citrus zester with a red handle, then pulls out a metal crimper and clutches it against her chest while raising a wooden mallet. She holds the mallet up while speaking, then lowers it to the counter as she keeps the metal gadget pressed to her chest.

> Ooh, an oyster mallet.
> Made in USA.
> Mm, no thank you.

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## 2:36–2:42

Lisa, with spiky hair, a red dress and a pearl necklace, stands at a counter in a lavender kitchen working a lab stand with a glass funnel and a clamp, while Bart, in an orange shirt and blue shorts, stands on a wooden stool beside a large dark wok on a yellow stove base. Bart lifts Maggie, in a blue jumpsuit with a pacifier, and places her into the wok, where she sits and then climbs back out and up toward the shelves. Behind them, shelves hold green and teal pots and cups and grey pots, and the wok is set on a yellow stove base with a dark rounded frame.

> Hey, Lise, check this out. Non-stick coating.

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## 2:42–2:54

Marge Simpson, with her tall blue beehive and red bead necklace, and Homer Simpson, bald and stubbly in a white shirt, stand at a counter in the Kwik-E-Mart, shelves of bottles and jars behind them. Marge leans over and peers at a large glass punch bowl set on a display with a row of blue-rimmed cups, while Homer looks on with a skeptical scowl. Marge then leans in closer and grins, and Homer shifts his gaze and speaks with a hand raised to his chest, looking unimpressed.

> Ooh.
> A punch bowl like that just screams good taste.
> Wouldn't it be perfect for the dinner party?
> Well, we can't afford that. Who do you think I am, Liz Taylor?
> Well, maybe we could use it once and then return it.

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## 2:54–3:07

Homer, the bald man in a white shirt, and Marge, with her tall blue beehive, stand together in a shop aisle lined with jars and bottles, Marge raising a hand to her cheek while Homer glances sideways at her. They stay in place as Marge keeps talking, her expression shifting as she speaks. Later, Marge stirs a pot on the stove in a bright kitchen while Bart and Lisa peek in from the archway, and a blue-clothed table holds a salad bowl, stacked plates and a tray of food.

> Marge, we're not talking about a toothbrush here.
> Bar, company's coming. Go put doilies under the coasters.

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## 3:07–3:18

Marge, with her tall blue beehive and green dress, is in a kitchen with her children Bart (spiky hair, orange shirt, holding a small white doily) and Lisa (star-shaped spiky hair, red dress and pearl necklace). Marge leans over a blue dishwasher with a green star sticker and pulls out its rack of white plates while Lisa watches, then Lisa takes a plate and holds it as Marge pushes the rack back in. Stemmed glasses sit on the counter and a red dish rack holds utensils above the cabinets.

> Hurry, hurry.
> Lisa, quick, screw these back on. Mom, calm down.
> The party's not for another three hours.
> Oh good!

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## 3:18–3:30

Marge, with her tall blue beehive and green dress, and Lisa, in a red dress holding a white plate, stand in a kitchen with purple cabinets and a checkered floor. Marge takes an oven mitt-covered pan of glazed food out of the oven and then holds a small pot and brush, while Lisa watches from beside the dish rack. The scene then cuts to a long dining table set with green plates, folded white napkins, blue goblets and a covered silver dish, and Marge stands in the doorway of the dining room, hands on her hips.

> That will give me time to add another coat of glaze to the hand.

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## 3:30–3:42

Marge Simpson, in a blue sleeveless dress and pearl necklace, stands at a dining table set with stemmed glasses, folded napkins, and tall red candles, first with her hands on her hips, then placing a candle into a silver holder and raising a second red candle, before returning to stand with her hands on her hips. Finally, Lisa with her star-shaped spiky hair, Bart with his spiky hair, and Maggie in a blue bow and sucking a pacifier stand in a row beside the staircase, watching Marge while she waits by the table.

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## 3:42–3:54

Marge in a blue dress and pearl necklace wipes Bart's face with a white cloth in a pink hallway, while Lisa in a white dress and Maggie with a pacifier and blue bow watch nearby. The scene then shifts to a living room where Homer, in only a diaper, sits on the teal carpet holding two blue remotes beside a toy race track, with Marge, Bart, and Lisa peeking from behind a red couch. Finally the family stands together in the doorway, with Marge speaking and Bart and Lisa looking ahead beside a coat rack.

> Homer!
> What?
> Are you ready?
> Just gotta put my shoes on.
> The only thing I asked you to do for this party was put on clothes and you didn't do it.
> And now it's too late!

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## 3:54–4:05

Marge with her tall blue beehive holds baby Maggie, who has a pacifier and blue bow, while Lisa in her red dress and Bart in a purple-tie suit stand beside them in a pink hallway, with Homer shirtless and bald in the background. Bart then walks alone in his suit to a closed orange door with a keyhole and a doorbell-like knob, before turning back toward the entryway. Bart in a blue jacket and blue shoes stands on a green rug facing an unidentified thin man in a white shirt, dark tie and trousers holding an umbrella, and a grey-haired woman in a beige dress and pearl necklace, both framed in the arched open doorway, next to a red bench and a round mirror.

> They're here!
> Bart, greet our guests and take their coats.
> Mom, Reverend Lovejoy doesn't have a coat.
> Should I let him in? My coat was stolen at last week's interfaith banquet.

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## 4:05–4:10

A black-haired man in a white shirt and dark tie and a tall-haired woman in a peach turtleneck with a green pendant stand together at an orange doorway, the woman glancing sideways with a worried look while the man turns to speak. A pink elephant-shaped doorknocker hangs on the orange door, and a purple-blue house and hedges show through the window. The man then grips a dark red umbrella with metal tips, holding it up and talking as he looks toward it.

> So I helped myself to a few of the better umbrellas.

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## 4:10–4:23

Bart stands in an entryway holding umbrellas and a cane, with a row of unfamiliar one-off visitors gathered at an arched doorway: a tall man in a white shirt and blue tie, a woman in a pale dress, a girl in a pink dress with pigtails, and a man in a striped vest with a woman in a purple dress and a boy in a teal suit. The group steps into the hall past a coat rack and a fur coat that ends up in a heap on the floor beside Bart, and a bald man in red glasses and a dark suit walks through the door. The scene ends with a blue-haired woman, a boy with glasses, a red bow tie and a cap (Milhouse), and the bald man in red glasses standing together in the doorway as the boy stands next to Bart.

> Well, as you can see, we don't believe fur is murder.
> But paying for it sure is.
> Sorry we're late, but Luann had to put on her face.
> She doesn't want anyone to know she's got no eyebrows.

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## 4:23–4:34

A bald man with red-framed glasses and a purple tie rests his hand on the shoulder of a woman with a blue bob, glasses and a blue dress in a doorway, then the two stand side by side looking ahead. The scene moves to a living room with a fireplace, green armchair and small table, where Bart, arms outspread, talks while Lisa, Marge with her tall blue beehive, and other guests sit around a table with plates of food. The camera pans to a long dining table where the group is seated for a meal, with Marge at the far end and Homer in the foreground.

> What? You don't.

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## 4:34–4:40

Marge Simpson stands in a kitchen doorway beside a green refrigerator, holding a fork with a bite of food, first smiling with her mouth open and then wincing with a tight-lipped, wide-eyed grimace. Ned Flanders, with his moustache, glasses and green jacket, sits at a pink-walled dining table beside an orange-haired woman in a purple top and a grey-haired woman in a pink sweater, all holding utensils as they glance sideways, and Ned raises his spoon while the women look on. Plates of meat and green beans and two blue wine glasses sit on the table in front of them.

> Did anyone see that new Woodsy Allen movie?
> You know, I like his films, except for that nervous fella that's always in him.
> If you want to talk nervous,

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## 4:40–4:50

A bald man with red-rimmed glasses, a dark suit and purple tie sits beside a woman with a blue bob, red-rimmed glasses and a navy sleeveless top at a dining table set with plates of meat, vegetables and mashed potatoes, wine glasses, a gravy boat and a butter dish. The man lifts a fork toward his mouth, then talks while gesturing with his utensil near a potted plant with red blossoms, and the woman eats with her fork, lifting a bite to her mouth before leaning back and smiling as she cuts into her food. The pink-walled room has a colorful abstract painting hanging behind them.

> you should have seen Kirk deal with the high school boys who egged Arbonneville.
> Ha!
> Should have asked him to hurl some bacon.
> Then maybe I could have had a decent breakfast for once.

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## 4:50–5:03

Homer, in a blue jacket and green tie, sits at a dinner table beside an unnamed bald-spotted man with curly black hair in a striped sweater and an unnamed woman with a curly brown hairdo and purple top, while a blue-haired older man in a suit and red glasses writes on a notepad. Homer grins, raises a hand, and then holds a wine glass as he gestures, while the others remain seated, and the scene cuts briefly to Marge, with her blue beehive, pearl necklace and teal vest, standing in a hallway beside a green refrigerator and a wall phone. Back at the table, Homer gestures with an open hand near a red candle, with plates of lasagna-like food, a wine glass and a butter dish in front of him.

> You know what you two need?
> A little comic strip called Love Is.
> It's about two naked eight-year-olds who are married.

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## 5:03–5:09

Bart, seen from behind with spiky hair and an orange shirt, sits at the front of a long dining table with Ned Flanders in his green sweater and moustache on the left, Marge with her tall blue beehive at the back centre, and Mr. Burns, frail and stooped with grey hair at the sides, at the back right beside a one-off woman with blue hair and Carl in a striped sweater on the right. At first they hold wine glasses and lift covered dishes, then the scene dissolves into everyone sipping from teacups beside a silver teapot, a small candle and a tray of cake slices. Smoke rises near Marge and Burns as the table settles into tea and conversation.

> Well, Marge, if that was my last meal, I'd tell the warden, bring on the lethal injection.

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## 5:09–5:16

Marge Simpson with her tall blue beehive sits at a dining table beside a balding man in glasses and a suit and a blue-haired woman in glasses, all holding teacups, while a heavy, balding Black man in a patchwork sweater and a woman in a purple top with curly brown hair sit at a nearby table of teapots, cups and a frosted cake. The heavy man gestures with open hands, then leans back laughing with his eyes shut as the woman smiles and reaches toward a teacup. The scene sits under a framed still-life painting of a bottle, bread and a red ball on a pink wall.

> Yeah, Marge. I know I haven't eaten that well since I was in the army.

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## 5:16–5:24

Marge Simpson, with her tall blue beehive, sits at left beside a bald, bespectacled man in a dark suit and purple tie and a blue-haired woman in a navy sleeveless top and red glasses, all seated at a dining table set with teacups, saucers, a plate and a teapot. Over the scene, Marge clasps her hands and talks, the bald man smiles and sips from his cup while glancing sideways, and the blue-haired woman raises her cup to drink and then speaks, while the pink room with its arched doorway and wooden chairs stays unchanged. Marge's hands are clasped and she gazes off at the end as the man stares ahead and the woman leans back.

> Or that noisily.
> All right, that's it. So, who wants to play a game?
> Hmm?

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Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/320737

## 5:24–5:36

Ned Flanders, in a green suit with a moustache and glasses, stands beside an easel with a blank pad, first holding a white card and a marker, then drawing small blue dots on the paper. Homer sits on the red couch at right, Milhouse with blue hair and glasses sits in an orange chair at left, and a man with dark skin is seen at the lower right, while a woman with orange curly hair, a purple dress and a gold necklace stands near Ned. In the room are a fireplace, a trophy on a shelf, a plate of crackers and a red wine glass on the coffee table, and a blue marker held in Ned's hand. Ned gestures toward the woman, then covers his mouth with his hand as she grins and places her hand near his face.

> Oh, that's a noodle scratcher.
> Corn starch!
> All righty-o!
> It's good for keeping down the urges.

Frame: https://ultrahouse3k.com/img/S08E06/325742.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/330747

## 5:36–5:48

A bald, heavyset man in a dark suit, purple tie and red glasses first stands beside an easel holding a sketchpad with a blue outline of a head, then gestures toward the drawing while a blue-haired woman in a navy dress sits nearby. He turns and walks across a pink room past a seated audience on a couch and a bench, including Ned Flanders in a green sweater with a moustache, and a framed picture hangs on the wall. He then stops in front of the blue-haired woman, holding the sketchpad up with the head outline and blue lines beneath it, and holds a blue pen as he speaks to her.

> Come on, Luen, you know what this is. Kirk, I don't know what it is.
> It could not be more simple, Luanne.
> You want me to show this to the cat and have the cat tell you what it is?

Frame: https://ultrahouse3k.com/img/S08E06/338046.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/342634

## 5:48–6:01

Principal Skinner, a man with neat grey hair in a dark suit and purple tie, and Milhouse, a boy with blue hair and glasses in a navy sleeveless top, are in a pink room with a framed family portrait and a framed photo on a wooden sideboard. Milhouse sits in a wooden chair sketching with a blue pen on a spiral sketchpad that Skinner holds up, and Skinner gestures with his pen, then presses his hand against Milhouse's forehead while Milhouse looks startled with his mouth open. A wall sconce and a small framed picture hang nearby, and the sketch shows only a faint blue outline.

> Because the cat's gonna get it. I'm sorry, I'm not as smart as you, Kirk.
> We didn't all go to Gudger College.
> It's dignity!
> Gah!
> Don't you even know dignity when you see it?

Frame: https://ultrahouse3k.com/img/S08E06/349307.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/354729

## 6:01–6:11

Principal Skinner, in a dark suit and tie with neat grey hair and red glasses, stands in a pink living room holding a sketch pad and a marker as an unnamed blue-haired woman in a blue dress stands by a blank easel pad in front of a brick fireplace. The seated audience on a pink couch and bench includes Ned Flanders in a green sweater with a moustache and a woman with reddish hair. Skinner steps toward the easel, then turns to face the woman, who looks back at him with a skeptical expression, gestures with a pen near her face, and then turns toward the easel as framed photos sit on the mantel and a plate of snacks rests on the coffee table.

> Kirk, you're spitting. Okay, genius, why don't you draw dignity?
> Oh, that's dignity, all right.

Frame: https://ultrahouse3k.com/img/S08E06/362445.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/366616

## 6:11–6:23

Marge Simpson, a dark-haired man in a white shirt and tie, and a grey-haired woman sit together on a maroon couch in a pink room, with crackers, a board game and wine glasses on the table in front of them. Later, a bald man in a suit with red-rimmed glasses stands beside an easel with a blank pad in a living room, pointing toward it while Ned Flanders, a woman with curly hair, and a blue-haired woman look on, and Homer sits on a green chair beside Marge. The man in the suit gestures with a pointing hand, and the easel pad, a family portrait on the wall, and a trophy shelf are visible.

> Worthy of Webster's.
> Well, it's no wonder I can't draw dignity.
> I gave it up when I married her. Now, Kirk, it's only a game.
> Sometimes we... Ah, cram it, Churchy.

Frame: https://ultrahouse3k.com/img/S08E06/373081.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/377878

## 6:23–6:28

Marge Simpson, with her tall blue beehive and pearl necklace, sits on a red couch in a living room beside an unnamed man with black hair, a white shirt and a blue tie, and a woman with a tall brown hairdo in a pink dress. Marge gestures with open hands as she talks, then clasps her hands at her chest with a startled look while the man glances at her. A red lamp, a potted plant and a framed picture hang on the pink wall behind them.

> Maybe we should all have a few drinks. I'd have a drink, but it might loosen my tongue.

Frame: https://ultrahouse3k.com/img/S08E06/384968.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/386219

## 6:28–6:40

A blue-haired woman in a navy dress with red-framed glasses stands with her arms crossed while a heavyset bald man in a dark suit and purple tie, also wearing red-framed glasses, stands beside an easel with a blank pad in a pink room. He gestures with open hands and then rests a hand on his hip as he talks, leaning toward her while she keeps her arms folded and glances sideways. On the wall behind them hangs a framed family portrait, and a shelf with a trophy and glassware sits nearby.

> You want to talk?
> Go ahead, Luann, talk. I want you to tell them one of your little bedtime stories, huh?
> Like the one about how rotten it is to be married to a loser.
> Or how about the one about how I carry a change purse?

Frame: https://ultrahouse3k.com/img/S08E06/389556.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/394561

## 6:40–6:46

Marge Simpson, with her tall blue beehive, sits at the left edge of a sofa beside a man in a white shirt and dark tie and a woman with a brown updo and a tan sweater, all in a pink living room. Later, a grey-haired man in a dark suit gestures toward a woman with blue hair and a blue dress who stands at an easel, while seated guests watch, Homer sits in a green armchair, and a wine glass and a board game sit on the coffee table. The scene closes on Homer in his blue suit and green tie, eyes wide and mouth open as he sits in the green armchair.

> Yeah, a purse!
> Shut up and let your woman talk! Okay, Kirk, I'll tell a story.

Frame: https://ultrahouse3k.com/img/S08E06/401860.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/403737

## 6:46–6:58

A blue-haired woman in a navy sleeveless dress and red-framed glasses faces a bald man in a dark suit with red glasses, seen from behind, in a pink-walled room with yellow curtains and a purple window. She stands with her arms crossed, then gestures with open hands, clasps her hands near her chin with a grin, and finally plants one hand on her hip while tugging at the curtain with the other. A red lamp, a white plate and wooden chairs sit nearby.

> It's about a man whose father-in-law gave him a sweet job as manager of a cracker factory.
> Boring!
> A man whose complete lack of business sense and managerial impotence Ooh, here we go!

Frame: https://ultrahouse3k.com/img/S08E06/407699.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/412495

## 6:58–7:09

Homer Simpson, in a blue suit and green tie, sits in a green armchair in a pink living room, while Marge Simpson, with her tall blue beehive and pearl necklace, leans forward on the sofa to set a plate of crackers on a coffee table. Next to her, a blue cracker box with a red and gold design sits on the floor. A woman with a blue bob, orange-framed glasses and a navy sleeveless dress stands by a yellow curtain and points upward, then turns to talk with a bald man in a dark suit and red-framed glasses, who has his back to the viewer. Other details include a potted plant in a wall niche, a window with purple panes, and a small table lamp.

> sent the number one cracker factory in town into a tie for six with table time and allied
> biscuit.
> You want to hear a secret, everybody?
> The lamb loves it, loves it when I fail.

Frame: https://ultrahouse3k.com/img/S08E06/419377.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/423757

## 7:09–7:20

In a pink living room with a fireplace, Ned Flanders in a green sweater sits beside a red-haired woman, while Marge with her tall blue beehive and a bald man in a suit sit at the right. A grey-haired man in a suit stands at a blank easel pad and gestures toward it as a blue-bobbed woman in a navy dress beside him gestures with open hands, then turns to the viewer with a tight smile. In the foreground, a man with a black pompadour and a woman with grey-brown hair look startled, and Marge, wearing pearls, grimaces uneasily beside a red lampshade.

> Oh, yes, Kirk. I love having to borrow money from my sister.
> I love having to steal clothes from the church donation box.
> Oh, sweet Jesus.

Frame: https://ultrahouse3k.com/img/S08E06/430221.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/434809

## 7:20–7:32

Lisa, a girl with spiky hair in a pink dress, walks into a pink living room and joins a bald man in a dark suit, purple tie and red glasses who leans on a crutch, while a woman with a blue bob and blue dress stands with folded arms. Behind them, Homer sits in a green armchair and Marge, with her tall blue beehive, watches from the sofa as the woman turns and points at the man while he gestures with his hands. A blank easel, a fireplace with a framed photo and a set of fire tools fill the room.

> Lisa, why don't you come sing for us? You're a grand old flag.
> Oh, great. You got the kids singing. I hope you're happy now.
> I am not happy and I haven't been happy for a long time.
> I want a divorce!

Frame: https://ultrahouse3k.com/img/S08E06/441483.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/446279

## 7:32–7:41

Marge Simpson with her tall blue beehive and Homer, bald with stubble in a white shirt, sit on a red couch in a pink living room, with Lisa standing nearby. A woman with a blue bob, red-rimmed glasses and a navy vest stands beside an easel, next to a suited older man with glasses. On the couch, a man with dark hair in a white shirt and tie covers his face with his hand while a woman with grey-brown hair, a necklace and a Black woman in a purple dress look on with wide eyes and open mouths, and a Black man in a patchwork sweater looks off to the side. A board game and a plate of snacks sit on the coffee table as the group reacts to the moment.

> I... I...
> A... Divorce?
> Sure!

Frame: https://ultrahouse3k.com/img/S08E06/453161.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/456915

## 7:41–7:52

A woman with a short blue bob, glasses, a blue dress and arms crossed stands beside a bald, grey-sided man with red-framed glasses, a suit and a purple tie, who stands at an easel in front of a brick fireplace. The man gestures with his hands, then picks up a blue marker and sketches on the large white pad, first a rectangle and then a doorknob circle, which he points to as the woman watches. Pulling back to the living room, the easel stands near two empty orange chairs, with Marge in her tall blue beehive, Homer in a white shirt, Lisa in a pale dress, and a man on the red couch with a few others watching, while a board game and a wine glass sit on the coffee table and framed family portraits hang on the pink wall.

> Divorce! Hey!
> You got it, toots! And here's a picture even you can figure out!
> It's a door! Use it! That's a door?

Frame: https://ultrahouse3k.com/img/S08E06/462754.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/467133

## 7:52–8:05

Milhouse, with blue hair and red-framed glasses, sits hunched in a brown fur coat and red bow tie on a teal floor in front of an orange couch, while Bart, in a white doctor's coat with a stethoscope and pink tie, kneels beside him. Bart leans in with his hands near Milhouse, then presses the stethoscope against Milhouse's back, eyes wide, before straightening, closing his eyes and looking over at Milhouse, who grins. The room has yellow curtains, a pink-based table lamp and a small framed picture on the left.

> Hello, I'm Dr. Hibbert.
> I'm afraid I'm going to have to amputate your butt.
> Hoo, hoo, hoo, hoo, hoo, hoo. All right, if you think you must.

Frame: https://ultrahouse3k.com/img/S08E06/473807.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/479229

## 8:05–8:16

Milhouse, with blue hair, glasses, a red bow tie and a long brown fur coat, sits beside Bart, who wears a white lab coat and stethoscope, in a pink-walled room with a green carpet, an orange sofa and a lamp, while a blue-haired woman in a purple coat and several unnamed children look on. Milhouse later stands at an orange counter talking with the woman, then she walks out through an arched doorway while he follows, dragging his fur coat across the floor. A round window, a blue cabinet and a green stool are visible in the background.

> Come on, Milhouse, we're going.
> Aw, can't I come home later?
> There's not going to be a home later.
> Oh, OK.
> Ta-ta!
> I'm off to the beauty salon!

Frame: https://ultrahouse3k.com/img/S08E06/486736.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/491116

## 8:16–8:23

Homer, in his blue suit and green tie, and Marge, with her tall blue beehive and pearl necklace, see off a group of departing guests at their pink front door. A Black man in a striped sweater carries a bag, a woman in a purple dress walks ahead, and Ned Flanders in his green sweater and moustache leads a girl with a pink bow past them. An older man in glasses and a suit stands near the door, and by the end Homer is talking while Marge rests a hand on the door in a hallway with a small red table.

> Good night.
> Thanks for coming.
> We'll see you.
> Bye-bye. Well, I think that went pretty well.

Frame: https://ultrahouse3k.com/img/S08E06/497580.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/500291

## 8:23–8:31

Marge Simpson, with her tall blue beehive and pearl necklace, stands in an open doorway at left, and a man in a dark blue suit stands beside her in the foreground as they watch the street. Outside, a bald man in a dark suit stands by a parked teal car, with another figure visible through its window, then gestures with one hand and walks away along the sidewalk past a garage and a green house. A wooden door, a doorknob and a pale blue lawn fill the scene.

> What?

Frame: https://ultrahouse3k.com/img/S08E06/505088.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/508008

## 8:31–8:42

Homer Simpson, in light blue pajamas and glasses, sits up in bed reading a maroon book in a blue bedroom, with framed pictures of the family on the wall and lamps on both nightstands. Marge, with her tall blue beehive and pink robe, stands beside the bed at first, then sits down on the edge of it and later ducks under the covers, her eyes wide and her tongue poking out as she peeks up. Homer keeps reading the book throughout, glancing over his glasses, while Marge's face shifts from a concerned stare to a wide-eyed, mouth-open look.

> I feel terrible.
> The Van Houtens split up at our party.
> Marge, please.
> That was 20 minutes ago.
> I shouldn't have served those North Korean fortune cookies.

Frame: https://ultrahouse3k.com/img/S08E06/513013.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/517392

## 8:42–8:55

Marge, with her tall blue beehive, lies in bed under a purple-blue blanket and pillows, first wide-eyed and silent, then gasping with her mouth open as she stares upward. Homer, bald and wearing glasses and a light blue shirt, sits up in bed beside her holding a open maroon book, looking down at it and then glancing sideways while Marge's hand rests on the edge of the bed. The room is dim and blue, with a purple lampshade partly visible at the top of the scene.

> They were so insulting. You are a coward.
> No one likes to hear that after a nice meal.
> You can't keep blaming yourself.
> Just blame yourself once and move on.
> You know who the real victim is in all this?

Frame: https://ultrahouse3k.com/img/S08E06/523648.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/529279

## 8:55–9:06

Homer, in glasses and a light blue pajama shirt, sits up in bed reading a book while Marge, with her tall blue beehive, peeks out from under the covers wearing a wide-eyed, nervous grin, and he lowers the book and glances toward her. Then Bart in his orange shirt and Milhouse in blue hair, red glasses and a pink shirt sit side by side on an orange bench in a train car, Milhouse resting his chin on his hand and gazing out the window. A brown-haired older boy in a vest-like top scowls and steps into the aisle as Bart and Milhouse look on, and a small figure sits in the corner.

> Milhouse.
> Hey, Van Houten, I heard your folks broke up.
> Aren't you gonna say, ha ha?

Frame: https://ultrahouse3k.com/img/S08E06/536995.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/541166

## 9:06–9:09

Bart Simpson, in his orange shirt and blue shorts, sits beside Milhouse, who has blue hair, red-framed glasses, a pink shirt and red shorts, on an orange bench in a bus, with a man in a red hat seated behind them. Milhouse talks and gestures with an open hand while Bart glances sideways and then looks ahead, and Milhouse's expression shifts from a grimace to a sly smile as he keeps talking. Green scenery passes in the windows behind them.

> Oh, by no means.

Frame: https://ultrahouse3k.com/img/S08E06/547839.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/548048

## 9:09–9:20

Nelson, the bully in a vest with a long brown hairdo, sits on an orange train seat and talks animatedly, gesturing with his hands, while Bart sits beside him reading nothing but looking on with wide eyes. Milhouse, with blue hair and red glasses, sits on the right listening. Behind them a small child reads a book in the seat, and the red train car has windows and a rounded blue ceiling. Nelson's hands flutter outward in the first frame, then he leans forward and gestures toward Bart, then settles back into his seat with a grimacing, uneasy look.

> My dad left my mom after she got hooked on cough drops.
> By the end, her breath was so fresh, she wasn't really my mother anymore.

Frame: https://ultrahouse3k.com/img/S08E06/550341.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/554929

## 9:20–9:31

Bart, reading a book in an orange shirt, sits beside Nelson in a blue vest and Milhouse in red-framed glasses and a pink shirt on a red-seated train car, with Nelson grimacing and Milhouse talking. The scene changes to Homer, bald and stubbly in a white shirt with spiked wristbands, sitting with a small bald boy in a striped shirt and dark sneakers; Homer raises a hand in a gesture and then grins while the boy looks up and smiles. Blue sky and fluffy clouds show through the train windows behind them.

> Huh, so I guess I'm not alone.
> Yeah, you'll do fine.
> My divorce was tough on my kid, but he got over it.
> I sleep in a drawer.

Frame: https://ultrahouse3k.com/img/S08E06/561811.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/566399

## 9:31–9:45

Milhouse, the blue-haired boy in red-framed glasses, a grey sweater and jeans, and Marge, with her tall blue beehive and green dress, are in a lavender-walled room with a curtained window and cardboard boxes. Milhouse pulls open a wooden dresser drawer, then carries a tall stack of papers while Marge watches, and later sets a box on another box and presses down its taped seam. He ends by writing the letters "KIRY" in blue marker on the box's top.

> I dig the nightlife, Gonstabookie.
> I must say, Luann, you're really handling this splendidly.

Frame: https://ultrahouse3k.com/img/S08E06/573073.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/578912

## 9:45–9:58

Marge Simpson, with her tall blue beehive and green dress, stands beside a wooden dresser in a lavender room with a window and a framed family photo, while a blue-haired woman with red-framed glasses and a grey sweater pours a stream of liquid from a can with a flame emblem onto the dresser. She then holds up a lit match, crosses her arms as the dresser's top bursts into flames, and rests her hands on her hips while the fire keeps burning. Marge watches the fire with a wide-eyed, worried expression, her hand raised to her chest in the final moment.

> From now on, forget everything you thought you knew about Luann Van Houten.
> Actually, Luann, I don't really know anything about you.

Frame: https://ultrahouse3k.com/img/S08E06/587045.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/592467

## 9:58–10:08

Milhouse, with blue hair and glasses in a grey sweater, and Marge, with her tall blue beehive and red beads, stand in a room with a door on the left while a cardboard box burns behind Milhouse. Milhouse gestures at his chest, then throws his arms up in alarm, then stands with his arms folded as Marge watches. The scene then cuts to an outdoor view of several apartment buildings along a curving road, with a sign in the foreground reading "CASA NOVA A TRANSITIONAL PLACE FOR SINGLES".

> Forget it.
> She's gone.
> Presto chango.
> Kaboom!
> Sweet Fanny Adams.
> Bye-bye.

Frame: https://ultrahouse3k.com/img/S08E06/599974.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/603520

## 10:08–10:16

A bald, heavyset man in a white tank top, red shorts and flip-flops, wearing glasses, stands with a can in hand and Homer Simpson, in his white shirt and blue pants and holding a drink, faces him in a living room with a kitchen counter, bar stools, a dining table and a blue sofa. The man sips from his can, gestures with his open hand as he talks, then lowers and holds the can toward Homer as Homer keeps his cup in hand. Magazines and a blue item sit on the wooden coffee table, and a wall clock hangs on the beige wall beside a hanging lamp.

> Single's life is great, Homer. I can do whatever I want.
> Today I drank a beer in the bathroom.
> You went down the hall.

Frame: https://ultrahouse3k.com/img/S08E06/609150.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/612278

## 10:16–10:29

Milhouse, the blue-haired boy in red glasses, white tank top and red shorts, and Homer, bald in a white shirt, stand facing each other in a bedroom holding soda cans. Milhouse grins and gestures toward a red racing-car bed beside a floor lamp, then looks back at Homer, whose wide-eyed expression shifts to a stern, blank stare. A sliding glass door with a balcony, a teal-cushioned chair and a kitchen counter with tiled edges are visible behind them.

> Yeah.
> And another great thing, you get your own bed.
> I sleep in a racing car. Do you?
> I sleep in a big bed with my wife.
> Oh, yeah.

Frame: https://ultrahouse3k.com/img/S08E06/617283.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/622914

## 10:29–10:42

A heavy, bald-topped man with blue hair, red glasses and a white tank top with red shorts stands in an open doorway, holding a can and gesturing toward the doorknob, while a man in a lavender tracksuit with brown hair and glasses stands beside him with a straw in his mouth. A dark-haired boy in a white shirt and purple shorts and a figure partly visible in the background, possibly Homer, look on as the tracksuit man's expression changes and he starts speaking. The scene then cuts in close on the red-glasses man, mouth open as he talks, holding a red-labeled can, with the tracksuit man's shoulder in the foreground.

> Hey there, Kirk.
> Oh, boy, what's going on? Patio party? Nah, possum drowned in the pool.
> You have any garbage bags?
> Just throw it over the fence. Let Arby's worry about it.

Frame: https://ultrahouse3k.com/img/S08E06/630630.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/635844

## 10:42–10:54

Homer Simpson, bald and heavy in a white shirt and blue pants, stands in a kitchen with a wall clock and a hanging lamp, facing a bald, heavy man with red-framed glasses, a white tank top, red shorts and a black wristwatch, who is not a named regular. The man holds a red-labeled can and talks, first grinning, then gesturing with a hand toward his chest while Homer listens, holding his own can and raising a hand in reply. Two red-and-white cans sit on and near a small wooden table beside a chair, and the scene ends with the man still holding his can and talking.

> That's Jerry.
> He's a major player down at the sewing store.
> Well, thanks for introducing me. Oh, don't worry, Homer.
> You know me. And I'm a superstar at the Cracker Factory.

Frame: https://ultrahouse3k.com/img/S08E06/643351.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/648148

## 10:54–11:07

A thin balding man in a grey suit and purple tie sits behind a desk with his hands clasped while a seated man with blue hair, red-rimmed glasses and a red sweater listens across from him in a window-lit office, with a stream of crackers flying from a bin on the right. He talks and then falls silent, his expression turning stern and unimpressed as the seated man keeps listening. Before the office, a sign outside a multi-storey building reads "SOUTHERN CRACKER 'the dryyyyyy cracker'", with a fountain and a parked blue car nearby.

> You're letting me go?
> Kirk, crackers are a family food.
> Happy families.
> Maybe single people eat crackers. We don't know.
> Frankly, we don't want to know.
> It's a market we can do without.
> So that's it after 20 years. So long, good luck?

Frame: https://ultrahouse3k.com/img/S08E06/655238.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/660869

## 11:07–11:16

A bald elderly man in red glasses and a maroon sweater sits behind a wooden desk in a green-walled office, tossing crackers into the air while a man in a white shirt sits in a large brown armchair with his back to the viewer. Bart, in an orange shirt and blue shorts, then stands in a living room beside a wooden hutch, as Milhouse, with spiky blue hair and red glasses, drives a red convertible through a window, scattering leaves and debris. The car crashes into the dining room, knocking over chairs around an oval table with two red candles and a green plant, while Bart watches.

> I don't recall saying good luck.
> And the winner of the Milhouse 500 is...

Frame: https://ultrahouse3k.com/img/S08E06/668585.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/671921

## 11:16–11:28

Milhouse, with blue hair and red-framed glasses, sits at the wheel of a red convertible indoors, first gripping the steering wheel in a pink shirt and then leaning out of the driver's door with a grin as he drives past a window and shelves holding jars. Bart, in an orange shirt with spiky hair, stands behind the car watching in the later frames, while Milhouse grins and grips the wheel as the car rolls through a room with a lamp and a red wall phone with a coiled cord.

> Milhouse!
> Milhouse, are you sure you want to drive that inside?
> Yes!
> Okay, be careful, sweet, sweet treasure.

Frame: https://ultrahouse3k.com/img/S08E06/677343.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/682557

## 11:28–11:41

A woman with a short blue bob, glasses, a white blouse and purple pants walks down a hallway with a green runner rug, past a potted plant, a blue umbrella stand holding an umbrella and a cane, and a wooden chair with a mint seat, then grasps the knob of a brown door. She opens it to a man with short greyish-blond hair in a blue polo shirt and jeans, who reaches toward her in the doorway. They embrace and hold each other while Milhouse, with blue hair and red-framed glasses, peers in from the left edge and a bald figure, likely Homer, watches wide-eyed from the right edge.

> God, I missed you, Lulu.
> Chase, it's only been three hours.
> Who's Chase?
> Oh, that's Mom's new boyfriend. Hey, I know you from American Gladiators.

Frame: https://ultrahouse3k.com/img/S08E06/690064.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/695069

## 11:41–11:50

Marge, with her tall blue beehive and white blouse, stands in a doorway embracing a blond, square-jawed man in a light blue polo shirt and dark trousers, while Bart in his orange shirt and Milhouse in glasses and a blue cap look on from the green rug of a living room. The man grins and talks as Marge leans in, then the two hold each other close in the doorway, with Marge smiling and the man smirking. Notable details include a wall clock, a fishbowl on a sideboard, and a potted plant beside the open purple door.

> You're pyro.
> Only on weekends.
> During the week, I'm just your average work-a-day stuntman.
> Really?
> Go ahead.

Frame: https://ultrahouse3k.com/img/S08E06/702160.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/705914

## 11:50–12:02

Milhouse in a blue cap and red shorts and Bart in his orange shirt stand in a living room with Marge, who has a tall blue beehive and glasses, while an unnamed man with short blond hair and a light blue polo shirt carries a long wooden plank through the purple front door. The man then swings the plank, and broken wooden pieces scatter across the green rug as Bart bends to pick them up. Afterward the man embraces Marge in the doorway and she kisses him, then Bart walks out the open door into the yard while the broken wood lies on the floor.

> Break a chair on me.
> Wow, thanks.
> Okay, boys, I gotta go. Come on, Lulu. Let's roll.

Frame: https://ultrahouse3k.com/img/S08E06/711961.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/716758

## 12:02–12:10

Bart, in his orange shirt, and Milhouse, with blue hair and glasses, watch from the sidewalk as a man in a light blue shirt and jeans, with a small child in pink beside him, is tumbled inside a red wire hamster ball across a suburban lawn and driveway. The ball rolls past a grey two-storey house and then away down the road toward an orange house with a garage, while Bart looks on with a sly, sideways grin. A red hamster ball rolling down a tree-lined street, passing hedges and a wooden fence, is the last thing seen.

Frame: https://ultrahouse3k.com/img/S08E06/723640.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/726351

## 12:10–12:20

Homer, the bald, heavy man, sits in a bathtub full of suds in a blue-tiled bathroom, scrubbing his arm with a green sponge. He then thrashes and yells with his mouth wide open, and Bart, the spiky-haired boy in an orange shirt and blue shorts, stands by the tub holding a brown object and watching him. Homer grimaces and hunches in the tub while Bart glares and shouts back, with a towel hanging on the wall, a shelf of folded towels above, and a soapy sponge on the purple floor.

> Whee-whee-whee-whee-whee-whee-whee!
> Ow!
> What the hell is wrong with you?
> Geez, sorry.

Frame: https://ultrahouse3k.com/img/S08E06/731564.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/735318

## 12:20–12:29

Homer, the bald, heavy man with stubble, sits in a green bathtub full of suds, shirtless and staring to one side with a worried look, while Bart, the boy with spiky hair in an orange shirt and blue shorts, stands on the purple bathroom floor holding a brown object in each hand. In the early frames Bart stands near the tub and then walks across the room with the objects, and Homer lifts a green sponge to his shoulder and rubs it on his arm. A white towel hangs on the tiled wall, a shelf of folded towels sits above, and scattered brown bars and suds lie on the floor near the tub.

> It's a pretty standard stunt, Homer.
> Homer, get ready!
> For what?
> Remember?
> Luann and Chase are taking us out to here Spaulding Gray!

Frame: https://ultrahouse3k.com/img/S08E06/741157.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/745119

## 12:29–12:39

Homer, the bald, heavy man with stubble, sits naked in a green bathtub full of white suds in a blue-tiled bathroom, with a yellow shower curtain behind him. He starts out gazing to the side with a wide-eyed, worried look, then grips a green sponge and scrubs his chest and arm while grimacing, then pauses with his mouth open and reaches an arm toward a white towel hanging on the wall rack. Scattered orange bath mats and suds lie on the purple floor, and a pink shelf sits at the top of the frame.

> I don't wanna go to that.
> You said you'd do it as a favor to me. That doesn't sound like something I'd say.
> Fine, I'll go without you.
> Okay, love ya!

Frame: https://ultrahouse3k.com/img/S08E06/750959.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/754712

## 12:39–12:50

Barney, the heavy drunk with messy brown hair in a green cap and pink shirt, sits at a bar holding a beer, while Homer, bald and heavy in a white shirt, stands and then sits beside a bald, red-glassed man in a tan jacket. The man chats with Homer over their mugs, and then a white-haired woman in a blue jacket and pink top, smoking a cigarette, steps up to the counter beside them. The scene takes place in a bar with blue tile floors, argyle-paneled walls, a brown door, and a red-lettered CIGARETTES machine.

> Homer, I want you to meet my new special lady.
> Say hello to Starla.

Frame: https://ultrahouse3k.com/img/S08E06/760760.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/764931

## 12:50–12:51

A one-off yellow-skinned woman with a voluminous white bouffant, blue eyeshadow, red lipstick and a light blue jacket over a pink top stands in a room with red ceiling tiles, a green wall, a framed picture and a wooden cabinet with bars. With a cigarette in her mouth, she raises a glass of red liquid to her lips, tilts it back and drinks, with smoke drifting up past her face. The glass and cigarette are the notable objects, and no on-screen text is visible.

Frame: https://ultrahouse3k.com/img/S08E06/771187.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/770979

## 12:51–12:59

Homer, in a white shirt, and a man in a tan jacket with red glasses and a blue cap sit at a bar counter with beer glasses in front of them, while a white-haired woman in a light blue jacket and magenta skirt leans in beside the man in the tan jacket, holding a cigarette to her lips. Homer looks on with a sidelong glance as the woman leans closer, rests her hand on the man's shoulder, and talks to him with her mouth open. The woman then pulls away and holds the cigarette near her face, while the man smiles and rubs his chin, and in the last moment she has turned her back to the bar, her white hair and cigarette now partly hidden, as the men look on. The blue-tiled room behind them has an arcade-style machine and a purple booth.

> Can I have the keys to the car, lover? I feel like changing wigs.
> Okay.

Frame: https://ultrahouse3k.com/img/S08E06/772855.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/775775

## 12:59–13:07

Homer Simpson, bald with a white shirt, sits at a bar beside a bald-topped man with a blue fringe, red-framed glasses and a tan jacket, while a white-haired woman in blue stands behind Homer early on. The man talks animatedly and grins, then closes his mouth and looks ahead as Homer glances sideways, with a glass of beer on the orange counter in front of them and a partial glass at the far end. The blue-tiled room has a purple booth and a framed picture on the wall behind them.

> Starla's a temp at Kazug, Radio 530. She's going to help me launch my singing career.
> My car!

Frame: https://ultrahouse3k.com/img/S08E06/780989.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/783908

## 13:07–13:18

A balding man in a tan suit and red vest, with red-framed glasses, steps out of the doorway of Moe's at night while Homer watches from inside in his white shirt, and a red convertible driven by a grey-haired woman passes on the street. The man walks into the empty street, where a cassette and its case lie on the asphalt, then clutches his head in alarm as Homer peers out. Homer then holds up a case showing a balding man with red glasses, labeled "Kirk Van Houten, Can I Borrow a Feeling?", next to a cassette with the same title, its tangled cord trailing below.

> Oh, my demo tape!
> Can I borrow a feeling?

Frame: https://ultrahouse3k.com/img/S08E06/788913.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/792875

## 13:18–13:30

Milhouse, with blue hair and red-rimmed glasses in a tan jacket, stands outside a purple building with a red neon MOE'S sign at night while Homer, bald and wearing a white shirt, leans toward him. Homer talks with his mouth open, then grins while holding up a small card with a picture on it, and later leans in with a hand on Milhouse's shoulder, eyes squeezed shut and mouth open. Milhouse watches with a steady, unimpressed stare, and the card remains in Homer's hand throughout.

> Ah, there's your picture on the front!
> Go ahead, Homer. Laugh at me.
> I already did.

Frame: https://ultrahouse3k.com/img/S08E06/799132.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/804345

## 13:30–13:42

Homer, a heavy bald man in a light blue shirt and blue pants, and a thin, stooped elderly man with red glasses and grey hair at the sides, wearing a tan coat, are outside King Toot's Music Store. In the first frame Homer stands holding a small green card while the older man sits hunched on a ledge beside him. Over the following frames the two sit side by side on the ledge while the older man talks and gestures, and in the final frame he reaches up and touches Homer's chin. The storefront sign reads 'KING TOOT'S MUSIC STORE' and has a purple wall with a diamond-patterned window.

> You know why all this happened, don't you?
> Because I took my marriage for granted.
> You know, in 12 years, I never once helped out with the housework.
> Oh, yeah, you gotta do that.
> I could have at least stayed in shape for her.

Frame: https://ultrahouse3k.com/img/S08E06/811644.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/816649

## 13:42–13:55

Homer, in a light blue shirt and blue pants, sits on a bench beside a balding man in red-framed glasses and a tan suit, both in front of a shop with a 'KING MUSIC' sign and a window showing drums and cymbals. Homer gestures toward the window while speaking, and the man turns to him with open hands, then hunches forward with his hands on his knees, looking downcast. Homer watches with a worried expression as the man straightens up and speaks with a frown, with the purple wall and diamond-patterned window behind them.

> Oh, and for yourself.
> I could have taken just a little time to make her feel special.
> It can't just be sex, it can't. God, I was so self-centered.
> No wonder I didn't see it coming.

Frame: https://ultrahouse3k.com/img/S08E06/823948.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/828953

## 13:55–14:07

Milhouse, a bespectacled man with blue hair and red-framed glasses, sits in a tan jacket and maroon vest before a green and orange diamond-patterned wall, grinning, grimacing, and then glancing sideways with a frown while a partly visible blue-haired figure appears at the lower right. A heavy bald man in a light blue shirt, resembling Homer, then leans in from the right, grinning and looking up with wide eyes. The purple setting includes a purple ledge and steps, and the scene has no on-screen text.

> That's how it is, though.
> One day your wife is making you your favorite meal,
> the next day you're thawing a hot dog in a gas station sink.
> Oh, that's tough, pal.
> But it's never gonna happen to me.
> Well, how do you know? What makes you guys so special?

Frame: https://ultrahouse3k.com/img/S08E06/836252.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/841466

## 14:07–14:20

Milhouse, with blue hair, red-framed glasses and a tan coat, stands with his arms crossed on a city sidewalk beside Homer, who wears a light blue shirt and has a prominent belly. Homer talks animatedly, gesturing toward Milhouse with an open hand and then spreading his arms wide, before pressing a fist to his chest as he keeps speaking. Behind them are purple walls, a green and orange checkered panel, and a building with a small figure in a window above.

> Because Marge and I have one thing that can never be broken.
> A strong marriage built on a solid foundation of routine.

Frame: https://ultrahouse3k.com/img/S08E06/848973.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/853978

## 14:20–14:29

Homer Simpson, the bald, heavy man in a white shirt and blue trousers, enters a purple home through a red front door, stepping in and pausing to look around the hallway. He moves past a blue side table and a vase of pink flowers, then stands by the refrigerator, which is decorated with a child's drawing of a house and sun and a handwritten note. In the final moment he holds a small white paper in one hand and looks down at it with his mouth open. Notable objects include a teapot on the blue cabinet, a framed abstract picture, a red wall phone and a hanging blue coat rack.

> Marge, I'm home!
> Where are you?
> Are you okay?
> I don't smell dinner!
> Dear Homer, aw.
> Sorry you didn't want to join me tonight.

Frame: https://ultrahouse3k.com/img/S08E06/861277.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/864614

## 14:29–14:40

Homer Simpson, the bald, heavy man in a white shirt, stands in a dim kitchen with a clipboard in the first frames, grinning with wide eyes and then talking with his mouth open. The scene then shifts to a kitchen sink with a blue plate holding a stack of thawing red-orange hot dogs under running water from the faucet. Homer appears above the counter with his hands raised to his head, shouting in alarm, while several hot dogs lie on a blue platter on the counter and one has fallen onto the counter edge in the foreground. Cabinets and a row of colorful items sit on a shelf at the left.

> I left you hot dogs for dinner.
> They're thawing in the sink.

Frame: https://ultrahouse3k.com/img/S08E06/870244.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/874832

## 14:40–14:52

Homer, the bald, heavy man in a white shirt and blue jeans, sits cross-legged on a checkered kitchen floor with his cheek resting on his hand, holding a jar of mustard with a wooden spoon-like stick, and he stays slumped in that pose through the moment. A girl with star-shaped spiky hair in a red-and-teal dress, Lisa, stands at the right by a green wall with a child's drawing of a sun and tree, holding a red cup and then looking toward Homer while he keeps dipping and stirring the mustard. The kitchen has purple cabinets, a corkboard with pinned pictures, and a yellow canister. The scene ends with Lisa still standing and Homer still seated beside the mustard jar.

> Hi, Dad.
> You know, there's buns in the cabinet.
> Lisa, wait. I know you're only eight years old,

Frame: https://ultrahouse3k.com/img/S08E06/881506.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/886094

## 14:52–15:03

Homer Simpson, the bald, heavy man in a white shirt, first stands at a kitchen counter in the first two frames, looking wide-eyed and then lifting a hand to his mouth as he eats something round. In the later frames he is kneeling on a checkered kitchen floor in front of Lisa, the girl with star-shaped spiky hair in a blue dress, who holds a red can with both hands. Homer's eyes dart and his mouth opens as he leans toward her with his hands planted on the floor, while Lisa gazes up at him. The kitchen has purple cabinets, a blender, a green refrigerator, and a wall rack of utensils.

> and I don't want to put a lot of pressure on you, but you've got to save my marriage.
> Oh, okay.
> Can I stay up?
> All right.

Frame: https://ultrahouse3k.com/img/S08E06/893184.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/897772

## 15:03–15:16

Homer and Lisa sit at a blue kitchen table in the Simpsons' purple kitchen, with a red soda can on the table and a green stove and pink wall phone behind them. Homer, in a white shirt, sits with his hands clasped and then gazes off to the side while speaking, his face looking uneasy. Lisa, with her spiky hair and red dress, holds the red can in her hand, gestures with her other hand, and looks up at him as she responds.

> As you know, there's been a lot of talk about divorce lately,
> and I think your mom might not be happy with me.
> You've done a lot of crazy stuff over the years and she stood by you.
> Why would she leave you now?

Frame: https://ultrahouse3k.com/img/S08E06/904445.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/909867

## 15:16–15:22

Homer Simpson, a bald, heavy man in a white shirt, sits at a kitchen table with a blue tablecloth, first gazing wide-eyed and speaking with his mouth open, then gripping his hands together nervously at his chest. Beside him at the table, Lisa Simpson, with her star-shaped spiky yellow hair and red-collared blue dress, sits in a wooden chair with her hands clasped and her mouth open as she talks. Homer then clasps his hands on the tabletop as Lisa looks over, and the scene cuts to a close-up of Lisa with a narrowed, skeptical stare and clenched teeth in a living room with a framed still-life painting, a red flowering plant, and a bottle and wine glasses on a shelf behind her. Notable objects include a green refrigerator with magnets, canisters with rooster designs, and a red soda can on the table.

> Because there's lots of stuff she doesn't know about.
> You mean like your poker shack out in the swamp?
> Mm-hmm. She knows. Oh, I knew this would happen.

Frame: https://ultrahouse3k.com/img/S08E06/917375.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/919460

## 15:22–15:33

Homer Simpson and Bart sit at a blue kitchen table with a red soda can, Homer pressing his hands to his cheeks and then gesturing with both hands as he talks while Bart watches. The picture blurs into a wipe, and the scene moves to a bright Las Vegas street where a yellow car sits outside Shotgun Pete's chapel under a pink casino sign. Inside the chapel, Marge, with a tall blue beehive and a pink dress, stands beside Homer in a dark suit as a white-suited minister with a moustache reads from a podium beneath a wall clock.

> Our whole marriage started off on the wrong foot.
> Dearly beloved, we are gathered here in the sight of God and his casino to join...

Frame: https://ultrahouse3k.com/img/S08E06/923840.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/927802

## 15:33–15:45

Homer, in a blue suit and tie, and Marge, with a tall blue beehive crowned with white daisies and wearing a white wedding dress with a pink beaded necklace, stand at a wedding chapel while a thin-moustached man in a white suit and red tie, with slicked-back black hair, officiates from a pink podium. Homer and Marge stand facing the officiant, then Homer holds Marge's hands and the officiant gestures and pulls a small red item from the podium, with a sign reading "Wedding Photos $50, Please Pay First" on the wall behind them. The officiant gestures with open hands while the couple looks on, and the setting is a wood-paneled chapel with a lattice arch behind the altar.

> Homer.
> And... Marge. ...in holy matrimony.
> By the power vested in me by the state gaming commission, I pronounce you man and wife.
> He has $10 worth of chips. You may kiss the bride.

Frame: https://ultrahouse3k.com/img/S08E06/934058.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/939272

## 15:45–15:56

Herb, a brown-haired man in a blue jacket and suit, and Marge, with her tall blue beehive and white dress, are outside the Kwik-E-Mart. A red truck rolls past the pink-trimmed storefront while Marge sits alone at a picnic table with a pink balloon behind her. Herb then steps up holding a pink box, and afterward he pulls out a small pink object and leans toward her.

> See?
> You don't have to spend a lot of money to have a first-class wedding reception.

Frame: https://ultrahouse3k.com/img/S08E06/946779.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/951159

## 15:56–16:09

Marge, with a tall blue beehive crowned by white flowers and a pearl necklace, sits at a table in front of a pink box holding a blue cake reading "To a Whale of a Wife," while Homer, seen from behind in a blue shirt, sits across from her under a purple starry dusk sky. Marge starts out bright-eyed and smiling, then slumps with her chin resting on her hand and her eyes half-closed in boredom. Homer turns his head toward her, looking glum, then turns back with wide eyes and an open mouth as if speaking, while Marge keeps her bored pose.

> Hmm.
> It's getting less and less likely you're going to yell surprise and have all my friends
> jump out.
> Levi's. Hey, you think that truck is full of jeans?

Frame: https://ultrahouse3k.com/img/S08E06/957832.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/962837

## 16:09–16:22

Marge, with her tall blue beehive and white flower hairpiece, rests her cheek on her hand outside a brick wall beside a trash can while a pink car sits in the background. The scene shifts to the kitchen, where Homer, bald and heavy in a white shirt, sits at a blue-draped table with his hands clasped, and Lisa, with her star-shaped spiky hair and red dress, sits across from him with a can of food in her hand. Lisa stands up beside the table holding the can, while Homer keeps his hands clasped and glances to the side. Homer then sits alone at the table, looking off to his left, with a blender and yellow canisters with chicken designs on the counter behind him.

> You're very lucky to have, Mom.
> That's your advice?
> Go to bed!

Frame: https://ultrahouse3k.com/img/S08E06/970344.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/975975

## 16:22–16:32

Homer and Marge lie in a bed with an orange blanket in their purple bedroom, a red digital clock reading 6:00 on the nightstand beside them. Homer, in a white shirt, sits up and talks animatedly with his hand raised, then gestures and pauses with a furrowed, skeptical look, while Marge, in a pink top with her tall blue beehive, lies beside him with her eyes half closed and an orange lamp shade visible between them. Homer's expression shifts from wide-eyed chatter to a sidelong, doubtful stare, and then he returns to talking with his hand held up in front of his chest.

> Good morning.
> You know, Marge, I was thinking about how much I enjoy your interest.
> So I wandered over to that theater you went to last night,

Frame: https://ultrahouse3k.com/img/S08E06/984108.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/987862

## 16:32–16:42

Homer Simpson, in a white shirt, sits up in bed beside Marge, who has her tall blue beehive and wears a pink top, under an orange blanket, with a red digital clock on the nightstand. Homer holds a fanned stack of small white cards and tickets in both hands, grinning and then gazing at them, while Marge slowly shifts her eyes and head toward him. In the later images Homer wears black-framed glasses and pulls a card from the stack, and Marge, her hair now lowered, looks sideways with a flat, weary expression, while a framed picture hangs on the purple wall behind them.

> and I bought tickets to their entire season.
> Look, mostly madrigals.
> That might be good.

Frame: https://ultrahouse3k.com/img/S08E06/993910.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/997663

## 16:42–16:52

Homer Simpson, bald with stubble and glasses in a white shirt, sits up in bed on the left holding a small white card and a stack of cards, while Marge Simpson, with her tall blue beehive and pink top, lies beside him under an orange blanket in a purple bedroom. Homer raises the card toward his face, opens his mouth to speak, and then lowers it again while Marge looks over at him with heavy-lidded eyes. In the final moment he holds the card up in front of Marge's face as she turns toward it. A digital alarm clock glows red on the nightstand at the lower right, and a framed picture hangs on the wall above the bed.

> Oh, an evening with Philip Glass.
> Just an evening?
> Voices of the elderly poor.

Frame: https://ultrahouse3k.com/img/S08E06/1003711.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1007673

## 16:52–16:58

Marge Simpson, with her tall blue beehive, lies in bed under an orange blanket, pink nightgown and white collar, beside a nightstand with a red-and-green lamp and a digital clock reading 6:00. She starts with eyes closed and mouth open in a yawn, then her eyes snap open wide as her mouth gapes in a grimace. Her eyes stare upward in a tense, startled look, and then she slowly relaxes into a drowsy, eyes-shut smile with her mouth open. Her face settles into a grimacing, clenched-teeth expression as the clock still shows 6:00.

> Homie, I appreciate this, but I'd really like to get some sleep.
> Oh, of course, my sweet. I'll just make some soothing ocean sounds for you.

Frame: https://ultrahouse3k.com/img/S08E06/1013513.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1015806

## 16:58–17:08

Homer Simpson, in a white shirt, sits up in bed beside Marge, who lies under an orange blanket with her blue beehive hair against the pillow, while a red digital clock on the nightstand reads 6:00. Homer raises his hands and gestures with his mouth open, then pauses with wide eyes looking to the side, and in the final moments he remains upright with his mouth closed and eyes wide while Marge sleeps on. A tall lavender bedpost and an orange lampshade sit between them in the bedroom.

Frame: https://ultrahouse3k.com/img/S08E06/1019977.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1023731

## 17:08–17:17

Homer, bald and wearing a white shirt, sits up in bed beside Marge, whose tall blue beehive rests on the pillow, as she wakes and turns her eyes toward him. He stares wide-eyed, mouth open, grips his collar with both hands, and then slumps down under the orange blanket while the red digital clock on the nightstand reads 6:00. A framed portrait of two spiky-haired children hangs on the purple wall above the bed.

> Arr, matey.

Frame: https://ultrahouse3k.com/img/S08E06/1029570.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1033115

## 17:17–17:24

Marge Simpson, with her tall blue beehive, sits in a green salon chair reading a magazine with a baby on its cover while a stylist with curly black hair and a pink shirt trims her hair with scissors in a pink-walled room. Homer Simpson, in a white shirt, enters from the right, grabs the stylist's chin, then takes the scissors and snips Marge's hair while the stylist stands to the side with his hands out. The storefront sign reads "The Perm Bank" and a potted shrub sits outside the glass door.

Frame: https://ultrahouse3k.com/img/S08E06/1038955.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1041040

## 17:24–17:33

Marge, with her tall blue beehive, sits in a salon chair reading a magazine while Homer, in a white shirt, leans in behind her, and her grey-violet-haired sister sits to the right. Homer grins and reaches toward her hair as Marge glances up and then turns surprised and wide-eyed, mouth open. In the final moment Marge's hair has been teased into two tall blue columns with star-shaped marks, and Homer stands at the right watching her, with orange bottles on the pink-walled counter and framed pictures on the wall behind.

> Da-da-da-da-dee, da-da-doo-dee-dee.
> Armando, don't you think you're taking a lot off?
> Ah!
> Homer, what are you doing?
> I wanted to surprise you with a kicky summer dew.

Frame: https://ultrahouse3k.com/img/S08E06/1045211.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1048756

## 17:33–17:46

Homer Simpson, bald with stubble and wearing a white shirt, stands behind Marge Simpson, whose tall blue beehive towers above her, as she sits in a green salon chair in a pink room with framed portraits on the walls. Homer holds a pair of scissors and a comb, first snipping near her beehive and then, in the later moments, lifting the scissors up toward the hair while gesturing with a finger and grinning. A woman with a tall red hairdo and a grey-violet portrait of a woman with purple hair hang nearby, and a potted plant and a small table sit to the left.

> How many husbands would do that for their wives?
> Man, they'd have more sense than that. Ooh, you're feisty.
> I'm gonna give you a Madonna cut. Homer,

Frame: https://ultrahouse3k.com/img/S08E06/1054387.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1060017

## 17:46–17:57

Marge Simpson, with her tall blue beehive and blue sweater with a red bead necklace, sits in a salon chair in a pink room, reading a magazine and glancing up with a stern, irritated expression, then speaking with her mouth open in an exasperated tone. Homer Simpson, bald and in a white shirt, stands at the left by a counter with orange bottles while another Marge-like woman with a tall blue beehive sits in a salon chair beside a bald man with a white shirt, and a woman in a salon chair turns the pages of the magazine. Framed portraits of a red-haired woman hang on the pink wall, and a green dome lamp sits on the vanity at right as Marge continues to hold the magazine and look toward the others.

> I don't need you around me 24 hours a day.
> I'm a grown woman. I can take care of myself.
> Now, will you please just go away?

Frame: https://ultrahouse3k.com/img/S08E06/1067733.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1071904

## 17:57–18:08

Homer, the bald, heavyset man in a white shirt and blue pants, stands outside a pink salon with a glass door and a potted topiary, first with his head lowered and shifting his weight, then turning to peer through the window. Inside, Marge with her tall blue beehive sits in a green salon chair while a curly-haired man in a pink shirt works on her hair, and a dark-haired woman in a pink top reads a magazine beside them. Homer's eyes widen and his mouth drops open in alarm as he stares at the salon, where a partly visible sign reading "he" hangs above the row of mirror lights.

> Oh, I just made things worse.
> A few clumsy gestures aren't gonna make up for ten years of neglect.
> Marge deserves someone who will treat her right.

Frame: https://ultrahouse3k.com/img/S08E06/1078160.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1082748

## 18:08–18:21

Homer Simpson, bald with stubble and wearing a white shirt, stands outside a storefront with pink walls and a partly visible sign reading "...n Bar" in the first image, then the scene shifts indoors to an office-like room with orange walls and a ceiling of square panels. Behind a counter, a woman with a tall curly reddish-brown hairdo, blue earring, and a lit cigarette in her mouth sits at a computer, while Homer stands at the counter looking on, and a thin man in a green suit with glasses sits in a chair in the background. Homer's expression shifts from wide-eyed worry to a pained, subdued look as he stares ahead, while the woman keeps smoking and smoke curls upward past the ceiling. Notable objects include a potted green shrub by a glass door with a black-and-pink patterned floor, and a wall-mounted trash can.

> Marge deserves a fresh start.
> I'd like to file for divorce.
> These things happen, eh, Dollars?

Frame: https://ultrahouse3k.com/img/S08E06/1089422.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1094844

## 18:21–18:32

Homer stands at the window of the Town of Springfield Marriage Bureau, facing a curly auburn-haired woman with a cigarette in her mouth who holds a paper. Inside the home, Bart walks into the living room through an arched doorway as Lisa and baby Maggie follow, and Marge, with her tall blue beehive, carries a cardboard box past a blue table. Marge sets the box down, points toward the wooden cabinet, then gestures with her hand while the children stand watching beside the table.

> Only three cavities, Bart. Your best checkup ever.
> I'm going to make you my specialty, butterscotch chicken.
> Marge, can you come in here?

Frame: https://ultrahouse3k.com/img/S08E06/1102351.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1107148

## 18:32–18:43

Marge Simpson, with her tall blue beehive and green dress, is first seen standing in a kitchen doorway at the start of the scene, while Bart in his orange shirt, Lisa in her red dress with pearls, and Maggie in her high chair with a pacifier and blue bow look up at her. Marge turns and looks toward the kitchen cupboard and shelves holding a red apple, a yellow canister and a brown jar, then steps back. She then walks away down the hallway past a rug and a lamp, glancing back, and finally stands still in the pink hallway doorway, looking toward the viewer with wide eyes.

> We need to talk.
> Ooh.

Frame: https://ultrahouse3k.com/img/S08E06/1114030.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1117992

## 18:43–18:55

Marge Simpson, in a green dress with a red beaded necklace, stands in a pink archway with her hand on a light switch, looking startled as a crowd gathers in the living room behind her, including Milhouse, Ned Flanders, a wrinkled old man in a bow tie, and Patty and Selma in black dresses. Homer, in a black tuxedo with a pink rose, kneels before Marge and holds her hand while she looks down at him. Pastel balloons and a framed portrait of Lisa hang in the room, with a small potted plant and a table of bottles and cups nearby.

> Surprise!
> Marge, will you marry me? Why? Am I pregnant?
> No.

Frame: https://ultrahouse3k.com/img/S08E06/1124248.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1129253

## 18:55–19:03

Homer, in a black tuxedo, kneels on a teal floor in front of Marge, who wears a strapless green dress and a red beaded necklace and whose back is turned to the viewer, and he holds her hand in both of his. Guests in purple and blue formal wear stand behind them. Homer's eyes are squeezed shut as he kisses her hand, then he opens his eyes wide and his mouth drops open in a startled look, then he shuts his eyes again and grins with his mouth open, before bending his head over her hand again in the same kneeling pose.

> It's a second wedding, honey.
> Our first one was so crummy I had to make it up to you.
> I really love you.

Frame: https://ultrahouse3k.com/img/S08E06/1136344.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1139472

## 19:03–19:13

Marge Simpson, with her tall blue beehive and green dress with red beads, stands in the pink living room with Homer, who wears a black tuxedo, as they hold a small potted topiary with pink flowers between them. Balloons and a framed picture of Lisa hang in the background. Homer first fixes the topiary in Marge's hands, then the two embrace in a hug, and afterwards Homer adjusts his bow tie while Marge looks at him, and finally Marge stares wide-eyed and speaks as a hand holding a long white paper slips in from the right side of the frame.

> Oh, homie. I know you love me. We don't need to get married again.
> Yes, we do. I got us a divorce this afternoon.
> What?
> I didn't want a hokey second wedding like those ones on TV.

Frame: https://ultrahouse3k.com/img/S08E06/1144685.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1148648

## 19:13–19:24

Homer Simpson, in a black tuxedo with a pink boutonniere, stands in the foreground of a pink-walled room decorated with green and pink garland while guests with red cups mill behind him. A grey-haired man in red-framed glasses and a suit stands at right, and a bald-ish man in a green sweater with a moustache is nearby. Homer holds a sheet of paper in his lower left hand, talks and gestures, then fiddles with his lapel and boutonniere as he continues speaking. Guests in the background, including a woman with lavender hair and glasses in a purple suit and a woman in a red dress, look on and keep holding their cups.

> This one is for real.
> I want our marriage to be perfect right from the start,
> so we don't end up like Kirk and Luann. We never will.

Frame: https://ultrahouse3k.com/img/S08E06/1154904.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1159075

## 19:24–19:29

Marge, with her tall blue beehive and green dress, and Homer, in a black tuxedo with a bow tie, clasp hands in a pink room decorated with balloons and streamers, while a crowd of guests in chairs watches them. Apu, in a white robe, stands between them officiating a ceremony. In the foreground, Lisa in a red dress and blue shoes walks forward and then drops to the green carpet, lying face down on the floor as the guests look on. Bart, in an orange shirt, stands among the guests, and Patty and Selma with grey-violet hair sit at the right on a dark red couch.

> Dearly beloved.

Frame: https://ultrahouse3k.com/img/S08E06/1165539.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1166791

## 19:29–19:38

Marge with her tall blue beehive and green dress stands beside Homer, who wears a black tuxedo with a bow tie, as a man in a white robe officiates a wedding in a pink room decorated with green garlands and potted plants. Patty and Selma sit in the front pew on the left, and Grampa, with white tufts of hair and glasses, sits on the right. Marge and Homer hold hands, then Marge gestures with one hand and Homer glances away, nervous and wide-eyed, before his mouth opens as he speaks and the couple clasps hands again.

> Wait.
> I want one last chance to enjoy single life.
> Okay, ready.
> I will now read the special vows which Homer has prepared for this occasion.

Frame: https://ultrahouse3k.com/img/S08E06/1170127.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1173881

## 19:38–19:49

Homer in a black tuxedo and bow tie and Marge with her tall blue beehive and flower crown stand in a balloon-filled pink room with Ned Flanders, in his green sweater and glasses, and Patty and Selma with grey-violet hair behind them. An unnamed man in a white robe, pink shirt and blue tie, with a black pompadour, first holds a stack of cards and grins at them, then reads from a single card and turns his back to face the couple. A cake sits on a table at right, and balloons and a framed picture decorate the walls.

> Do you, Marge, take Homer in richness and in poorness, poorness is underlined,

Frame: https://ultrahouse3k.com/img/S08E06/1179929.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1184100

## 19:49–20:01

Marge, with her tall blue beehive and flower garland, stands on the left in a green dress, holding hands with Homer, seen from behind in a black shirt, as a dark-haired man in a white robe, tie and shirt stands between them holding a sheet of paper. In a pink archway with a wooden door and leafy plants at the edges, the man grimaces, scowls and reads aloud from the paper with his mouth open, then looks down and shifts to flip through a stack of papers while the couple remain holding hands. No on-screen text is visible.

> in impotence and in potence,
> in quiet solitude or blasting across the alkali flats in a jet-powered monkey
> navigated?
> And it goes on like this. It doesn't matter.

Frame: https://ultrahouse3k.com/img/S08E06/1190564.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1195778

## 20:01–20:12

Marge, with her tall blue beehive wrapped in a pink and white flower garland and a red bead necklace, and Homer, in a black tuxedo with a bow tie and a pink boutonniere, stand in a pink room decorated with balloons, a framed picture of Maggie, and a shelf holding trophies. Homer gazes at Marge and talks, then takes a small green bottle from her hand as he leans in with a smile. Marge turns her head toward the trophy shelf, mouth open and eyes half-lidded as she speaks, and Homer keeps holding the bottle near her.

> All I want to know is,
> will you make me the luckiest guy in the world again?
> I will.
> Oh, homie, of course I will.

Frame: https://ultrahouse3k.com/img/S08E06/1202868.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1206831

## 20:12–20:24

Marge, with a tall blue beehive, green dress and red beads, and Homer, in a black tuxedo with bow tie and boutonniere, stand beside a man in a white robe and blue tie under a pink floral arch with greenery. Their hands join over the officiant's, and in close-up a gold ring is slipped onto a finger. The officiant then grips Homer's hands as Marge leans in and Homer raises one arm outward, with pink flowers and a teal bow decorating the room.

> Come on, you stupid.
> By the power vested in me, I now pronounce you husband and wife.

Frame: https://ultrahouse3k.com/img/S08E06/1213087.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1218092

## 20:24–20:35

Homer, in a black tuxedo and bow tie, and Marge, with a blue beehive, a pink and white flower crown and an orange bead necklace, stand at a wedding. Homer first hugs Marge in front of a thin man in a white robe beside an arched doorway with a green garland and a potted topiary, then they turn to face the viewer by a window while Marge looks up and speaks. The scene ends with Homer smiling beside Marge as she talks.

> It's the most perfect wedding I could ever ask for.
> You even got a hip rock and roll combo Okay everybody, who likes the Doobie Brothers?

Frame: https://ultrahouse3k.com/img/S08E06/1225391.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1229770

## 20:35–20:44

Maggie is not shown; instead, a maroon-suited band performs in a pink room decorated with green streamers and balloons: a curly red-haired drummer sits behind a keyboard, a brown-haired lead singer sings into a microphone, and a Black bassist plays a red guitar. As the singer gestures and the bassist raises a hand, a long-haired saxophonist in sunglasses joins them, and Homer in a black tuxedo dances with Marge, who wears a tall blue beehive and a green dress. Then the dancing shifts to a man in a blue suit and a woman in a purple dress, while a woman with orange hair in a pink jacket and red skirt watches nearby beside a buffet table of plates.

> Because we got one of them
> What a wonderful evening A magical way for two people to renew

Frame: https://ultrahouse3k.com/img/S08E06/1236235.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1239989

## 20:44–20:54

Marge, with her tall blue beehive and orange bead necklace, and Homer, in a black tuxedo with a pink rose, stand close together in a pink room with a wooden cabinet, framed family portraits and a small wall sconce. Marge talks and smiles while Homer grins back, and the wall sconce comes into view near his head as they keep facing each other. A bald, bespectacled man in a dark suit and purple tie moves into view behind them, then steps forward holding a small cup and speaking, with a white object perched on his head.

> their love
> Marge is right

Frame: https://ultrahouse3k.com/img/S08E06/1245828.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1249582

## 20:54–21:05

Principal Skinner, in a blue suit and red glasses, sings into a microphone with his arms spread while a band in matching red jackets plays behind him, including a saxophonist in sunglasses and a man reading from a sheet of paper. The scene shifts to a pink party room where Ned Flanders in a green sweater stands near Homer in a black suit, who is dancing with Marge in her tall blue beehive. Grampa and Lisa then stand in a doorway, with Marge in a purple dress turned toward them, while balloons and green streamers hang overhead.

> I've got something I'd like to say Would you guys do a favor for a guy in love?
> Sure, yeah That's why we're here Uh, hi, everybody.
> Uh, hi. And hit it!

Frame: https://ultrahouse3k.com/img/S08E06/1255421.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1259800

## 21:05–21:12

A bald man with blue hair at the sides, red-rimmed glasses, and a dark suit stands at a microphone, pointing upward while a red-haired drummer and a long-haired saxophonist in red jackets play behind him. The scene moves to a pink party room with balloons and streamers, where Ned Flanders in a green suit and moustache hugs an orange-haired woman, Homer in a black suit and Marge with her blue beehive turn toward Carl in a blue suit, and guests mill about near a staircase. The sequence ends on a close-up of Milhouse in a purple jacket, blue hair and glasses, smiling and glancing sideways while holding a small red-and-white cup.

Frame: https://ultrahouse3k.com/img/S08E06/1266474.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1268768

## 21:12–21:21

A stocky bald man with red-framed glasses and a dark blue suit and purple tie sings into a microphone on a stand while a curly red-haired drummer in a red jacket and a sunglasses-wearing saxophonist with a long beard keep time behind him. He gestures with one hand, then reaches over to pinch the cheek of an orange-haired woman in a pink jacket as Homer in a tuxedo and Ned Flanders in a green jacket look on in a pink room with teal bows and garlands. The scene ends with Marge, in her tall blue beehive and green dress, standing beside Homer as the man holds the microphone close to them.

> Can I borrow a feeling?
> Could you lend me a jar of love?

Frame: https://ultrahouse3k.com/img/S08E06/1273355.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1277109

## 21:21–21:31

Marge, with her tall blue beehive and flower wreath in a green dress, stands beside a heavy bald man with red-rimmed glasses and a blue fringe of hair, dressed in a dark suit and purple tie, who holds a microphone in a pink room with gold drapes and a framed picture. Carl, a Black man in a blue suit and green tie, and a grey-haired man with a moustache and green jacket stand nearby, while a woman with curly orange-red hair in a pink jacket watches. The heavy man sings and gestures with his free hand, touching his tie and lapel, then turns to face a blue-haired woman in a purple jacket with her back to us, singing with his mouth open wide and his hands raised.

> Hurting hearts need some healing.
> Take my hand with your glove of love.

Frame: https://ultrahouse3k.com/img/S08E06/1282948.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1286494

## 21:31–21:41

A blue-haired woman with red-framed glasses and a purple jacket holds a small cup while a bald man in a dark suit with blue hair at the sides and red glasses holds a black microphone toward her in a pink room with a framed picture, a fruit bowl with a pineapple, and an orange side table. The man speaks with an open mouth and a smile, while the woman listens with a flat expression, then turns to the side. Finally she stands before a bunch of pink, grey, and white balloons with a green ribbon, raising her hand to her chest as she reaches toward her pocket.

> How about it, Luanne?
> Will you marry me?
> Again?
> Ooh, no.

Frame: https://ultrahouse3k.com/img/S08E06/1292333.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1296295

## 21:41–21:54

A bald, bespectacled man in a dark suit and purple tie is talking with a woman with short blue hair, red glasses and a purple suit who holds a coffee cup beside a pink arched doorway with a staircase behind them. A blond man in a grey suit then grabs the first man by the collar and steers him toward the entrance, and the two stand in the open doorway at night, with a house, trees and a driveway outside, as the blond man gestures at the door. The final shot shows the empty orange arched front door with a round knocker, a purple doorbell button and a light switch beside it.

> Oh, well, can I have my shirts back at least?
> Okay, you heard the lady. Why don't you take it outside, all right?
> I'll be back.
> Probably.

Frame: https://ultrahouse3k.com/img/S08E06/1302343.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1307765

## 21:54–22:03

No characters appear in this moment; the scene is a black screen with credit text in orange lettering. First, 'Executive Producers BILL OAKLEY & JOSH WEINSTEIN' is centered, then it fades and 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' appears, brightening and dimming as it changes. Next, 'Starring DAN CASTELLANETA' fills the screen, followed by 'NANCY CARTWRIGHT' alone in the center.

Frame: https://ultrahouse3k.com/img/S08E06/1315481.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1319026

## 22:03–22:12

No characters appear; the moment is a black screen with gold credit text that changes across the sequence. The text reads first "Yeardley Smith," then "and Harry Shearer," then "Also Starring Pamela Hayden, Tress MacNeille, Maggie Roswell," and finally "Animation Executive Producer Phil Roman" followed by "Animation Producers Bill Schultz, Michael Wolf." Each credit fades in and out in turn against the plain black background.

> guitar solo

Frame: https://ultrahouse3k.com/img/S08E06/1324657.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1327993

## 22:12–22:21

No Simpsons characters appear in this moment; it is a black title card sequence of credits in gold lettering on a black background. First, 'Executive Story Editor DONICK CARY' is centered on screen, then it gives way to 'Associate Producer ALISON ELLIOTT', followed by 'Theme by DANNY ELFMAN', 'Casting by BONITA PIETILA', and finally 'Editors MICHAEL BRIDGE, DON BARROZO, LEE HARTING' stacked in three lines.

Frame: https://ultrahouse3k.com/img/S08E06/1333624.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1337169

## 22:21–22:30

No characters appear in this sequence; it is a black end-credits roll with no people on screen. The frames show successive credit cards in gold lettering on a black background: first 'Dialogue Sound Editors' with Bobby Mackston, Terry Greene and Norm Macleod, then 'Music Editor' Chris Ledesma, 'Sound Effects Editor' Travis Powers and 'Re-Recording Mixers' R. Russell Smith and Greg Orloff, then a list of assistants including Maria Kavanaugh and Elizabeth Jacobs, then 'Animation Produced by Film Roman, Inc.', and finally 'Overseas Production by Anivision'. Each card fades in and out, with no movement beyond the text itself.

Frame: https://ultrahouse3k.com/img/S08E06/1342800.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1346136

## 22:30–22:39

No characters appear; this is an end-credits roll on a plain black background with gold lettering. The credits scroll upward in sequence, listing staff such as Assistant Director Nancy Kruse, Storyboard artist Adam Kuhlman, and Color Design Syd Kato, then animation post-production credits, then a 1996 Twentieth Century Fox copyright notice for The Simpsons Episode #4F04. The sequence ends with Executive Creative Consultant James L. Brooks shown alone in larger lettering.

> Shh.

Frame: https://ultrahouse3k.com/img/S08E06/1351767.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1355312

## 22:39–22:50

Silhouetted audience members sit in rows of theater seats, with a large-haired figure at left, facing a blank screen. The Gracie Films logo appears in white letters over a blue projector beam and the seated silhouettes, then gives way to the golden 20th Century Fox Television logo against a dusky sky with searchlight beams, which adds the text "A News Corporation Company" before the screen fades to black.

Frame: https://ultrahouse3k.com/img/S08E06/1360943.jpg
Page: https://ultrahouse3k.com/episode/s08e06-a-milhouse-divided/1364905