# Homer's Phobia The Simpsons, season 8, episode 15 (S08E15), first aired February 16, 1997. Written by Ron Hauge. Directed by Mike B. Anderson. Production code 4F11. Guest stars: John Waters as John. Chalkboard gag: "The boys' room is not a water park". Couch gag: Loading Screen. The Simpsons befriend John, a clerk at Cockamamie's, a nostalgia shop at the mall, but once Marge tells Homer that John is gay, Homer turns cold and fears John is influencing Bart. Homer tries to toughen up his son with a visit to a steel mill and a hunting trip with Moe and Barney. When reindeer at Santa's Village attack them, John comes to the rescue. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Principal Skinner, Barney Gumble, Waylon Smithers, Ralph Wiggum, Lewis Clark, Richard, Todd Flanders, Adrian Belew, Santa Claus, Roscoe, Godzilla, John, Steel Mill Workers, Steel Mover. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s08e15-homers-phobia From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 The sequence opens on a black screen, then a blue sky with drifting clouds shows the orange title "The Simpsons" over it. The scene moves to a suburban driveway in front of the yellow house with an open garage, where a pink car sits with a small yellow figure inside, and Bart, the spiky-haired boy in an orange shirt, leaps up above the brick wall at the right. Homer, bald and wearing a white shirt and blue pants, then stands beside the pink car's front fender as a mailbox sits at the lower left and bicycles and cardboard boxes are visible in the garage. > The Simpsons Frame: https://ultrahouse3k.com/img/S08E15/1043.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/6256 ## 0:12–0:23 A partly hidden figure in blue pants and a yellow arm peeks from a doorway into a purple-walled bedroom with a red bed and a wastebasket. The scene then shows a computer window titled The Simpsons with America Online's logo and Load Family and Exit buttons, under an Adding artwork. Please wait... dialog reading Receiving item 1 of 5. The cursor moves from Load Family down to Exit as the progress bar slowly fills. Frame: https://ultrahouse3k.com/img/S08E15/13555.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/18352 ## 0:23–0:35 A television screen shows the credits "Created by Matt Groening" and then "Developed by James L. Brooks, Matt Groening, Sam Simon" in yellow lettering against a blue background, before the picture fades to black. The scene then cuts to a laundry room with yellow washing machines, a shelf of detergent boxes and bottles, and a purple sink, where a group of kids crowd around a front-loading washer. Bart, the boy with spiky hair in an orange shirt, is among them as they lean in toward the round door. > All right, come on. Frame: https://ultrahouse3k.com/img/S08E15/25025.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/29821 ## 0:35–0:45 Bart Simpson, in his orange shirt and blue shorts, holds a fistful of cash beside a large yellow lottery drum with a round glass door and numbered balls scattered at its base. An older grey-haired man in a blue shirt and white pants stands at the left, and a blond boy in a blue-grey shirt and red pants is at the right. Bart gestures at the machine, climbs onto a small purple stool, and reaches toward the drum as the balls tumble inside. A caption reads "Co-Executive Producer MIKE SCULLY," and later the group crowds behind a counter where Bart leans forward, joined by a curly red-haired girl, a blond boy, a dark-skinned man in an orange-striped shirt, and Milhouse in his blue cap and glasses. > All right, everybody got their ticket? > Then get ready for today's Super Bardo jackpot drawing. Frame: https://ultrahouse3k.com/img/S08E15/36703.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/40249 ## 0:45–0:55 Bart and Milhouse, along with a curly red-haired kid in a pink shirt and a blond boy in a green shirt, crowd together peering through a round porthole in a purple wall, surrounded by numbered balls (1 through 12) and a pink shoe marked 12, while Milhouse grins and the group jostles for a look. A large yellow hand reaches in to press a dial on a tan control panel beside buttons labeled ON and OFF. The kids then stare wide-eyed and startled over an orange cabinet with gauges, switches and a dial, with Bart leaning over the top of it. > Come on, kill him! > And round and round... Uh-oh. Frame: https://ultrahouse3k.com/img/S08E15/46088.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/50050 ## 0:55–1:07 Bart Simpson leans head-first into a large yellow front-loading dryer in a laundry room, then a blank white screen follows. The scene moves to a burning room where Milhouse in a pink shirt, blue cap and red-framed glasses, a blond boy in a blue sweater, and a grey-haired man in a blue jacket run in fear past flames, stacked boxes and a blue couch, while Bart, clutching a fistful of green cash, runs up wooden stairs past the fire and a long metal pole. It then cuts to Homer in a white shirt and blue trousers holding a sheet of paper beside Marge, with her tall blue beehive and green dress with red beads, in front of their house next to a white van with partial lettering reading LD. > No refunds. Force majeure. > Read the back of your ticket. > Oh, $900. Frame: https://ultrahouse3k.com/img/S08E15/56306.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/61311 ## 1:07–1:18 Homer Simpson, bald and heavy in a white shirt and blue pants, first holds up a Springfield Gas Company repair bill showing a total of $900.00, then stands outside his house with Marge, who has a tall blue beehive and red beads, as he shows her the bill. The scene then shows an envelope addressed to Springfield Gas Co., P.O. Box 2323, Springfield USA, with a 32-cent stamp, before Homer strains to carry a large jar full of coins through a pink room with a framed painting and a chair toward an orange door. > Well, we'll have to dip into the retirement fund again. > Ow! > I get... Frame: https://ultrahouse3k.com/img/S08E15/68402.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/72990 ## 1:18–1:29 Homer, the bald man in a white shirt and blue pants, hugs a large jar of brown cookies with a white label outside a house with a pink arched doorway and a blue mailbox, while the credit 'Supervising Producer KEN KEELER' appears over the bottom of the scene. He then stands looking to the side with no jar in his arms, and next he is shown inside a round hole in a dark, cracked wall, lying sprawled in the blue circle. In the final images he stays wedged in the hole, shifting slightly amid the radiating cracks. > Oh, nuts. > Hello? > Gina? > Little help? > Well, I never thought I would come to this. Frame: https://ultrahouse3k.com/img/S08E15/79663.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/84251 ## 1:29–1:40 Marge, Homer, Bart, Lisa and baby Maggie are gathered in a pink living room. Marge, holding a sheet of paper, reaches toward a shelf holding a Civil War doll in a grey uniform and kepi that clutches a Confederate flag, while Homer and Bart look on and Maggie stands below. Later Bart takes hold of the doll as Marge looks at it, and Lisa turns with an open hand, with white credit text reading DAVID S. COHEN, RICHARD APPEL and IAN MAXTONE-GRAHAM appearing over the scene. > But I guess we'll have to sell Grandma's Civil War doll. > Oh, Mom, are you sure you want to sell a family heirloom to pay the gas bill? > I mean, what would your Grandma say? Frame: https://ultrahouse3k.com/img/S08E15/90924.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/95095 ## 1:40–1:50 Marge, with her tall blue beehive and green dress with a red necklace, stands holding a red-and-silver trophy-like award beside Homer, who sits in a green armchair in a white shirt and blue jeans, and Lisa, in an orange dress with a pearl necklace, who sits at the right edge. In a pink room with shelves of dishes behind them, Marge stands with the award, then Homer sits with his hand on the chair arm while Lisa leans toward him and speaks, and Homer looks thoughtful with a finger to his chin before he raises the small red card in his hand. On-screen credits appear in white letters over the scene, first reading 'Consulting Producer DAN McGRATH', then 'Consulting Producer DAVID MIRKIN', and finally 'Co-Producer COLIN A.B.V. LEWIS'. > I'm sure she'd be proud that her descendants had piping hot tap water and plenty of warm, > dry underwear. > That is so true. Frame: https://ultrahouse3k.com/img/S08E15/101351.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/105314 ## 1:50–1:59 Homer, Marge, Bart and Lisa walk through a mall past Cockamamie's, where Krusty stands on a scale beside a sign reading "We Buy Antiques & Collectibles," while an elderly man sits on a bench nearby. Inside the shop, a brown-haired man in a blue suit leans over a tray of campaign buttons, including "I Fell for Dole" and "Click with Dick," as a woman in a grey top watches from the counter. The on-screen text "Produced by J. Michael Mendel" appears over the button tray. > Hmm. > These campaign buttons are all partisan. Frame: https://ultrahouse3k.com/img/S08E15/111361.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/114906 ## 1:59–2:09 Troy McClure, a man in a blue suit with swept-back reddish-brown hair, leans over a shop counter and gestures toward a woman with reddish-brown hair, glasses, a grey top and a beaded necklace, who stands behind it. He steps back and looks down at the counter while she gestures and speaks, and the two keep facing each other across the counter. The cluttered shop has a Velvet banana poster, a Fudd sign, a Drink Buxie sign, a black cat wall clock, and a guitar leaning against the wall, while the on-screen credits read Produced by Richard Raynis, David Silverman, Richard Sakai and Denise Sirko, and Written by Ron Hauge. > Don't you have any neutral ones? May the better man win, let's have a good, > clean election, that sort of thing? > Uh, no, but we do have some old shirt buttons. > They're kind of kooky and fun. Missy, you just talked yourself right out of a sale. Frame: https://ultrahouse3k.com/img/S08E15/120537.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/124708 ## 2:09–2:12 A tall, slender woman with long reddish-brown hair and a grey dress stands at the counter of a toy shop, facing a thin, balding older man with a grey-brown side-swept hairstyle, a blue suit and a pink tie, who points at a small rocket model tagged $50 on a shelf. In the first frames the man leans forward gesturing while the woman listens with her hand resting on the counter, then in the final frame the man has moved out of view to the right and the shelves hold toy rockets, a green robot, a Atomic Pocket-Dinosaur-style box, and two green troll dolls. Visible objects include a cash register, a cuckoo clock, a toy UFO, a stuffed monkey, and the on-screen credit text 'Directed by Mike B. Anderson'. Frame: https://ultrahouse3k.com/img/S08E15/130756.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/131381 ## 2:12–2:24 Bart Simpson, in an orange shirt and blue shorts, bounces on red pogo stilts in a novelty shop while Lisa Simpson, with star-shaped spiky hair and an orange dress, watches from the aisle. He wobbles on the stilts, then loses his balance and falls, and the stilt clatters to the floor as he rubs his backside and the two stand face to face. Shelves around them display sunglasses, a gumball machine, a bowling pin, a tiger-striped hat and a Route 66 sign. > Hey, Lise, check it out. > Pogo stilts. These were banned in all 50 states. > Ow! > What happened? Frame: https://ultrahouse3k.com/img/S08E15/133884.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/138889 ## 2:24–2:38 Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair in a red dress, stand in a pink room beside a purple and grey robot that holds a cleaver and a knife raised in its two upper arms. Beneath the Clank Clank, You're Dead! poster are a lamp, a bowling pin, a bowling ball, a bicycle and a flower-patterned bin. Bart and Lisa look up at the robot, and Bart raises his hands to his face while Lisa clasps her hands together, and by the last moment both children have left the frame, which now shows only the robot with its chest panel open. > Wow, an actual robot from the movie Clank Clank, you're dead. > Ooh, think of how awful it would be for the poor midget inside. > Oh, boo-hoo. > That's what they get paid for. Frame: https://ultrahouse3k.com/img/S08E15/145979.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/151610 ## 2:38–2:50 Marge, with her tall blue beehive and green dress, and Homer, bald in a white shirt and blue pants, browse a shop crowded with novelty shelves and a red couch display. A TV Guide cover reading "LAVERNE and SHIRLEY Too daring for TV?" sits on the couch beside a $8,500 price tag, while Marge leans over it and Homer looks toward the shelves. A thin, black-haired salesman in a green shirt with a name tag reading "SHIRLEY" then grins and talks in close-up. > Oh, look! > Look, a TV guide owned by Jackie Ho! > Oh, you should see the crossword puzzle. > She thought that Mindy lived with Mark. > Give her a break. Her husband was killed. Frame: https://ultrahouse3k.com/img/S08E15/159117.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/164539 ## 2:50–3:00 Homer and Marge stand at the counter of a shop with pink walls, a flamingo, and a winged eyeball on the wall, facing a thin, black-haired clerk in a green shirt with suspenders, who is not Carl or Lenny and is simply described. In the first frames, a dark-haired man in a green shirt and suspenders stands in the foreground on the left as Homer, scowling and clenching his teeth, leans over the red counter beside Marge, who looks worried and wears a red beaded necklace. The scene then shifts to the clerk behind the counter, where Homer on the left and Marge on the right talk to him, with Marge holding a brown leather bag and an egg-shaped blue figurine and a pumpkin sitting on the counter. Marge's expression softens as she speaks, while Homer glances toward her and the clerk, and the clerk watches them with a flat, unimpressed look. > Oh, I know. Wasn't that awful? > Hi, I'm John. Can I help you with anything? > Yes. I have something that I'd like to sell. > Please tell me it's your hair. Frame: https://ultrahouse3k.com/img/S08E15/171838.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/175801 ## 3:00–3:12 Marge Simpson, with her tall blue beehive and green dress, stands at a shelf-lined counter in a cluttered room, holding a chocolate-dipped cupcake and then a brown furry-looking object, while a Civil War-era toy soldier figurine stands on a patch of brown dirt on the counter. Behind her, shelves hold a toy motorcycle, a jukebox, Buzz Cola cans and a sign, gas pump toys, and small figurines of men in hats. Marge shifts the cupcake and object as she moves to the side, and Lisa Simpson, with star-shaped spiky hair and a pearl necklace, peeks up over the counter edge with wide eyes and a clenched grimace. > No. > It's an heirloom my grandmother passed down to me. > A very rare old figurine from the Civil War. > Please don't construe our ownership of this as an endorsement of slavery. Frame: https://ultrahouse3k.com/img/S08E15/182057.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/186436 ## 3:12–3:20 A thin, unnamed man with black hair combed back and a green shirt with a black collar stands in a pink room beneath a winged eyeball on the wall, holding a Johnny Reb whiskey bottle shaped like a Confederate soldier with a red-and-blue flag. He first rests his other hand on his chin while studying the bottle, then lifts it higher and turns it sideways with a grimace, before setting it upright again and glancing aside. A pink ornament and a wooden shelf with a small framed object sit in the background. > Hmm. > Well, see, here's the thing on this. It's a Johnny Reb bottle, early 1970s, > one of the J&R Whiskey Liquor Lads. Two books of green stamps, if I'm not mistaken. Frame: https://ultrahouse3k.com/img/S08E15/193110.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/196238 ## 3:20–3:29 Marge Simpson, with her tall blue beehive and red bead necklace, stands behind a shop counter in a green dress, while a black-haired man in a green shirt and suspenders, seen from behind, holds a figurine shaped like a blue-coated soldier. Over the moment Marge's expression shifts from wide-eyed to clenched-teeth grimacing and then to talking with her mouth open, and her hands move onto the counter as the man keeps turning the figurine in his hands. The shelves behind them hold a model motorcycle, a Buzz Cola sign, a jukebox, a glass globe, and a poster reading Candlepins Bowl-A-Rama. > Oh, no. > Oh, no, no, no, no, no. It's a very, very old figurine. > No, it's a liquor bottle. Frame: https://ultrahouse3k.com/img/S08E15/201660.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/204996 ## 3:29–3:41 A thin, moustached man in a green shirt with a black collar and suspenders, and Marge Simpson with her tall blue beehive, red bead necklace and green dress, stand in a pink room decorated with a winged eyeball, a flamingo and a fishbowl. The man holds up a bottle shaped like a figure in a blue uniform with a red-and-blue flag, showing it to Marge, then pours its contents into a brown mug with a skull-like face while his eyes are closed and he speaks. In the last moment, Marge stands at a table with half-lidded eyes, holding the bottle and a small glass. > See? > Ah, that'll make your bull run. > Hmm. > Well, I guess it'll always be a monument to Grandma's secret drinking problem. Frame: https://ultrahouse3k.com/img/S08E15/210419.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/215215 ## 3:41–3:50 Homer Simpson, the bald, heavy man in a white shirt, and Marge Simpson, with her tall blue beehive, stand at a shop counter across from a thin man with slicked-back black hair, a green shirt and dark suspenders, who stands behind it under a winged decoration on the pink wall. Marge holds a folded red-and-blue item while Homer gestures with an open hand toward the counter, then spreads both arms wide while Marge looks on sceptically and the clerk's eyes drift shut. Objects on the counter include a wooden tiki-style mug, a small orange pumpkin, and a tiny egg-shaped figurine, and a partly visible sign reading 'JBB' sits at the top left. > Okay, so maybe that thing's a hunk of junk, but look at what you're selling. Frame: https://ultrahouse3k.com/img/S08E15/222305.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/225642 ## 3:50–4:00 Homer, the bald, heavy man in a white shirt, stands at a toy shelf beside a thin shopkeeper with slicked black hair and a green shirt with a black collar. Homer's yellow hand reaches in to lift the blue Rex Mars Atomic Discombobulator box, which has a $50 tag on it, while green alien figures with orange hair and a robot figure sit on the shelves nearby. The shopkeeper gestures toward the box and then stands with his hands clasped as Homer frowns at the toy. > Fifty bucks for a toy? No kid is worth that. > Oh, but this is the Rex Mars Atomic Discombobulator. > Don't you just love the graphics on this box? > No. Frame: https://ultrahouse3k.com/img/S08E15/231064.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/235026 ## 4:00–4:11 Homer, bald and heavy in a white shirt, stands in a toy shop chewing on a green rubber worm, with his expression shifting from blank to a clenched grimace. Behind him on the shelves sit the Rex Mars Atomic Disembobulator box and a row of toys, and in the later scene Marge with a tall blue beehive and a dark-haired shop clerk in a green shirt stand beside him in the aisle. The clerk gestures with an open hand while talking, then turns toward Homer as Homer stares ahead with the worm still in his mouth. > How can you love a box or a toy or graphics? > You're a grown man. It's camp! > The tragically ludicrous? The ludicrously tragic? Frame: https://ultrahouse3k.com/img/S08E15/241283.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/245871 ## 4:11–4:21 Homer, the bald, heavy man in a white shirt, stands in a toy shop chewing a green rubber toy while a thin, black-haired man in a green bowling shirt with a black collar talks to him. The man gestures with his open hands, then clasps them, then spreads his arms again while Homer stares, and finally he turns to show the back of his shirt, which reads "Pin Pals" over a bowling-pin print, grinning with his eyes shut. Shelves behind them hold toys, a cuckoo clock, a box labelled "Atomic Discombobulator," a red wagon and a "Seagull" tin sign. > Oh, yeah, like when a clown dies. Well, sort of. > But I mean more like inflatable furniture, or Last Supper TV trays, > or even this bowling shirt. > Can you believe somebody gave this to Goodwill? Frame: https://ultrahouse3k.com/img/S08E15/252544.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/256715 ## 4:21–4:33 Homer, the bald, heavy man in a white shirt, and a thin black-haired man in a green shirt with a HOMER name tag, stand in a shop lined with shelves of toys and collectibles. The clerk first gestures with his hands while Homer looks on, then the two face each other as the clerk's back, with its Pin Palace logo, comes into view. Homer spreads his arms wide beside a green toy monster, a pink flower-marked piggy bank, and a $50 price tag. > And that kind of stuff is worth money? Boy, howdy. > Man, you should come over to our place. It's full of valuable worthless crap. > Well, if you're inviting me over... I practically insist. Frame: https://ultrahouse3k.com/img/S08E15/262971.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/267559 ## 4:33–4:45 Homer, the bald, heavy man in a white shirt, and a thin man with slicked black hair and a green shirt with a black collar stand talking in front of shelves of toys, including an Atomic Discombobulator box, a Hot Tires box and Mad Itz gum, while the thin man smiles and rests a hand on his chest. The scene then cuts to a kitchen where Maggie, a baby with a pacifier and blue bow, watches from a high chair beside a microwave as a large yellow hand shakes a shaker of seasoning over a tray of small round pizzas topped with olive slices and red pimento, then reaches to adjust one. > Shall we say five o'clock? The snacking hour? > My heart is palpitating. > Woo-hoo! > Pimento nose and voila! Frame: https://ultrahouse3k.com/img/S08E15/274232.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/279237 ## 4:45–4:55 Marge Simpson, with her tall blue beehive and green dress, stands at the kitchen counter spraying a tray of cookies with an orange spray bottle while Bart, in his orange shirt, watches from the foreground. Lisa, in her red dress, is not present; instead the baby Maggie, with a pacifier and blue bow, sits in a high chair at the table beside the microwave. Marge keeps spraying the cookies while the tray is shown in front of her, then Maggie reaches for the spray bottle and begins sucking on its nozzle, with the pacifier lying on the table nearby. On-screen objects include the tray of round cookies, the orange spray bottle, a blender, and a green star-shaped sticker on the cabinet. > Mommy's patented Happy Cracker snack platter. Frame: https://ultrahouse3k.com/img/S08E15/286536.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/290707 ## 4:55–5:06 Marge, with her tall blue beehive and green dress, stands at the front door while a thin stranger with slicked-back black hair, a teal shirt and a boxy device hanging on a strap around his neck points and gestures outside. He then walks into the pink living room past Homer and Bart, who sit on the brown couch with a snack bowl, and crosses the red and purple rug to stop on the blue mat. There he lifts and fiddles with the device while Marge watches from the archway, and a small television on the right shows a figure in the corner of its screen. > Ding dong! > Classic. > I mean, that says it all, doesn't it? > Oh, man, you weren't kidding about this place. > Well, I just love it. Do I know you? Frame: https://ultrahouse3k.com/img/S08E15/296963.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/300926 ## 5:06–5:19 A thin, dark-haired one-off man in a light green shirt, with a boxy black device on a strap around his neck, gestures with both hands in a living room with pink walls, then points toward a framed family portrait showing Homer, Marge, Bart, Lisa and Maggie, and finally clasps his hands and grins. Lisa, in a red dress and pearls, stands by a television holding a plate of food, and a potted plant, a sailboat painting and a purple lamp are visible in the room. > Oh, the color scheme and the rabbit ears And the 2.3 children, I mean, where's the high C? > High C and flipper nutters. Oh, and pearls on a little girl. > It's a fairy tale. Frame: https://ultrahouse3k.com/img/S08E15/307182.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/312813 ## 5:19–5:32 Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits at the table eating a sandwich in the first part, then the Simpson family stands in the yellow-and-grey checkered kitchen with Homer, Marge, Bart, Lisa and baby Maggie in her high chair while a black-haired man in a teal shirt and vest holding a camera gestures toward the window with its corn-patterned curtains. Marge turns to talk with him, then in the final part she stands by the coffee maker and dish rack, first with her eyes half-closed and mouth open, then gesturing with one hand while holding a dish towel-like sponge near a red-handled utensil on the wall. The corn-print curtain hangs beside the window throughout, and a green rotary telephone and a purple lamp sit on the counter near Lisa. > Oh, I've got the exact same curtains, only in my bathroom. > Didn't you just die when you found these? > Not really. > They just had corn on them. > Kitchen, corn. Frame: https://ultrahouse3k.com/img/S08E15/320529.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/325742 ## 5:32–5:35 Marge Simpson, with her tall blue beehive and red beaded necklace, stands in a kitchen facing a thin dark-haired man in a teal shirt with a boxy black gadget hanging from a strap around his neck. Marge gestures with open hands as she talks, then the man raises an arm while she rests a finger on her chin, and finally she folds her arms and glances sideways at him as he stands with his arms at his sides. Behind them are a window with corn-patterned curtains and a sink with blue faucets. > Oh. Frame: https://ultrahouse3k.com/img/S08E15/333250.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/333667 ## 5:35–5:48 Homer, Bart, Marge, and a dark-haired man in a teal shirt stand in the Simpson kitchen with purple cabinets and a checkered floor. Homer grabs Bart and lifts him off the floor by the head and shoulders, then holds him against his chest while Bart's feet dangle. Homer then sets Bart back down, keeping a hand on his shoulder, while Marge and the man watch. > Why, you little... > Dad! > Company! > Oh. > I'll just be another minute, John. Have a seat. Frame: https://ultrahouse3k.com/img/S08E15/336169.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/341800 ## 5:48–5:56 Homer, the bald heavy man in a white shirt and blue pants, stands beside a shelf of records in a pink living room while a dark-haired man in a green shirt kneels and browses the records. The stranger pulls out and shows albums titled The New Christy Minstrels, Ballads of The Green Berets (SSgt Barry Sadler), and Loony Luau, which he holds up in turn. Above them sits a turntable on a stereo, flanked by purple speakers, and a yellow curtain hangs in the window. > So do those records have camp value? Frame: https://ultrahouse3k.com/img/S08E15/349516.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/352227 ## 5:56–6:07 Homer Simpson, bald and heavyset in a white shirt, stands beside a thin man with slicked black hair in a teal button-up shirt in a pink room with a potted plant and yellow curtains. The man holds up a black record with a red label, then turns toward Homer as he speaks, sets the record onto a turntable on a purple cabinet, and lowers the tonearm onto it. In the final moment Homer looks over with a wide grin while the man stands by the turntable, with a white stereo unit visible at the right edge. > Everything here does. > You yourself are worth a bundle, Homer. > why I could wrap a bow around you and slap on a price tag. > Come on, Homer. Join the party. Frame: https://ultrahouse3k.com/img/S08E15/357232.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/361820 ## 6:07–6:18 Carl, a Black man in a teal shirt and navy pants, and Homer, in a white shirt and blue pants, stand in the Simpsons' living room beside a pink wall with two oval portraits, a television set and a bookshelf. Carl gestures with a hand over his chest, then grabs Homer's arm while Marge in her green dress and tall blue beehive, Bart in an orange shirt and Lisa in a red dress with a pearl necklace come through the archway to watch. Carl and Homer then clasp hands in front of the family, who look on. > Mom, John loves Itchy and Scratchy as much as we do. > Maybe more. > Yeah, and he collects toy robots. Frame: https://ultrahouse3k.com/img/S08E15/368493.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/372873 ## 6:18–6:29 Marge Simpson, with her tall blue beehive and red bead necklace, grins from an archway at the start, while Homer, in a white shirt and blue pants, stands beside a slim, black-haired man in a teal shirt and vest inside a pink room with a purple lamp and bookshelf. As the scene goes on, the stranger gestures with his hands and talks while Homer laughs with his mouth wide open and leans forward, and by the end Lisa in her red dress and Bart in his orange shirt peek in from the doorway behind them. > He is quite a charmer. > Your father's certainly taken a shine to him. > Oh, Homer, you are the living end. Frame: https://ultrahouse3k.com/img/S08E15/379337.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/383925 ## 6:29–6:37 Marge sits at the blue-covered kitchen table with a plate and cup while Lisa eats from a bowl beside her, and Homer in blue pajamas and brown slippers moves between the table and the counter. Homer first stands behind Lisa's chair with a hand on her shoulder, then goes to the counter by the coffee maker, where he holds a pink mug and pours from the glass carafe. Purple cabinets, a green appliance, and a checkered floor surround them. > That, John, is the greatest guy in the world. > We gotta have him and his wife over for drinks sometime. > Hmm, I don't think he's married, Homer. Frame: https://ultrahouse3k.com/img/S08E15/390599.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/393310 ## 6:37–6:50 Homer Simpson, in a light blue shirt and holding a pink mug, stands in the kitchen by the coffee maker, gesturing and talking, then pauses with his hand to his chin. Marge Simpson, with her tall blue beehive and pink dress, sits at the table with a plate of toast and a mug, while Lisa Simpson, in her blue dress, sits beside her with a bowl and looks on as Homer turns and gestures toward them. Later Homer stands by the window with its corn-patterned curtains, sipping from his mug, while Marge sits at the table with toast and a bowl nearby, and a plate of donuts rests on the counter. > Oh, a swinging bachelor, eh? > Well, there's lots of foxy ladies out there. > Homer, didn't John seem a little... festive to you? > Couldn't agree more. Happy as a clam. Frame: https://ultrahouse3k.com/img/S08E15/398523.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/403945 ## 6:50–7:03 Homer, a bald heavyset man in a light blue shirt, and Marge, with her tall blue beehive and pink dress, are in their kitchen. Homer holds a chocolate donut and a pink mug while Marge moves from the counter to the table, where a plate of toast sits, and then leans toward him with her hands clasped near her face. Carrot-patterned yellow curtains hang at the window, and a coffee maker and rooster-decorated canisters stand on the counter. > He prefers the company of men. > Who doesn't? Homer, listen carefully. > John is a ho-mo- Right. > Sexual. Frame: https://ultrahouse3k.com/img/S08E15/411453.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/416875 ## 7:03–7:14 Homer Simpson, bald and heavyset in a white shirt, first appears in close-up with his hands pressed to his cheeks and wide, alarmed eyes, then stands at the dining table in the kitchen with Marge, who has a tall blue beehive and holds a mug, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, seated beside them. Homer throws his hands to his head in a panic, then leans forward over the blue tablecloth with a pained, clenched expression and his hand gripping Lisa's shoulder as he speaks to her. The kitchen has an orange china cabinet filled with plates and glasses, a colorful painting on the wall, and a wall calendar, with plates of food and a coffee cup on the table. > Oh my god, oh my god, oh my god, oh my god, I danced with a gay. > Marge, Lisa, promise me you won't tell anyone. > Promise me. > You're being ridiculous. Frame: https://ultrahouse3k.com/img/S08E15/424591.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/428762 ## 7:14–7:15 Marge Simpson, with her tall blue beehive and red bead necklace, is in close-up against a pink and purple wall with a green and orange shelf above her. Her eyes shift sideways and narrow with an exasperated look as her mouth opens to speak, then she presses her lips together and grimaces, showing her teeth. Her expression sours into a flat, unimpressed frown as she glances to the side. Frame: https://ultrahouse3k.com/img/S08E15/435226.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/435018 ## 7:15–7:23 Homer Simpson, bald and heavyset in a white shirt, stands at the kitchen table beside Marge, whose tall blue beehive is in the left foreground, and Lisa, in her red dress and pearl necklace, sits at the right. Homer gestures with open hands, turns his head, and then stands with his hands on his hips while looking stern, as Marge and Lisa remain seated. Behind them are a hanging fruit basket, a wall shelf with books, and a china cabinet with wine glasses. > Am I, Marge? Am I? > Think of the property values. > Now we can never say only straight people have been in this house. > I'm very sorry you feel that way. Frame: https://ultrahouse3k.com/img/S08E15/437103.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/439606 ## 7:23–7:30 Marge Simpson, with her tall blue beehive and green dress, and Homer Simpson, bald and wearing a white shirt, stand together in the Simpsons' kitchen beside a blue table, with Lisa Simpson in a red dress and pearl necklace seated at the table. Marge holds a plate and speaks to Homer, who listens with a sour expression, while a wall of white dishes, glasses and a hanging fruit basket surround them. As the moment goes on, Marge stands holding plates and looks toward Homer, then Homer leans on the table with his hands resting on it and frowns, glancing aside, before he steps to the left and turns his head toward the shelves, where a small book and jars sit on a wall shelf. Lisa remains seated at the table throughout, and a cabinet of plates and glasses fills the background. > Because John invited us all out for a drive today. > And we're going. > Oh, not me. And not because John's gay, but because he's a sneak. Frame: https://ultrahouse3k.com/img/S08E15/444194.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/446696 ## 7:30–7:40 Homer Simpson, the bald heavyset man in a white shirt, stands in a pink arched hallway and gestures with his hand toward a framed still-life painting on the wall above a blue cabinet, looking annoyed and talking. Marge Simpson, with her tall blue beehive and green dress and red beads, stands at the kitchen sink holding a light blue dish towel, looking sideways with a wary expression. Homer keeps talking and pointing at the painting while Marge stays by the sink, then Marge turns her head toward the window with its corn-patterned yellow curtains, showing a fence and greenery outside. Notable objects include a pink dish rack, a blue faucet, a shelf of plates in the background, and a bottle-and-fruit painting. > He should at least have the good taste to mince around and let everyone know that he's > that way. > What on earth are you talking about? You know me, Marge. Frame: https://ultrahouse3k.com/img/S08E15/451493.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/455246 ## 7:40–7:51 Homer Simpson, the bald, heavy man in a white shirt, stands in a pink hallway beside a framed still-life painting and a dark cabinet, gesturing and talking in several animated poses, first with both hands raised and then shrugging with palms out and eyes wide. The scene then shifts to the kitchen, where Homer stands in his white shirt and blue pants while Marge, with her tall blue beehive and green strapless dress, looks on, and Lisa sits at the blue-draped table in the background with a pearl necklace. Kitchen details include orange cabinets, a window with a carrot-patterned curtain, and utensils hanging on the wall. > I like my beer cold, my TV loud, and my homosexuals flaming. Frame: https://ultrahouse3k.com/img/S08E15/461503.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/465674 ## 7:51–8:04 Homer, bald in a white shirt, pulls back the yellow curtains to look out at a dark-haired man in a light blue shirt behind the wheel of a yellow car with a zebra-print seat, who holds up a small red toy. Marge in a green dress with a brown handbag, Lisa in her orange skirt, and Bart in his orange shirt gather at the open pink front door to look at the car parked on the street beside a two-storey house. Later, Marge and Homer stand in the pink hallway beside a framed painting, Marge gesturing with open hands while Homer turns away and raises a palm to wave her off. > Zzzzap! > Homer, at least come out and say hello. > Oh, come on. > You liked John this morning. Frame: https://ultrahouse3k.com/img/S08E15/472138.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/477769 ## 8:04–8:16 Homer, Marge and Bart stand in a pink hallway by a wooden door, with Homer scowling and pointing at it while Marge holds a red handbag and Bart looks up at him. Bart then stands beside a red coat rack with a purple coat, and the scene moves outside, where Marge sits behind the wheel of a yellow convertible in front of a beige house while Lisa and Bart wear zebra-print outfits in the back seats. A dark-haired man in a teal shirt leans on the car door beside a small red-and-green figurine on the dashboard, and the car pulls away past the house and a garage. > No, I'm not setting foot outside this house until that man is gone. > Oh, Dad, you are the living end. Frame: https://ultrahouse3k.com/img/S08E15/485694.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/490699 ## 8:16–8:27 Bart sits on a zebra-striped couch beside a robot Santa in a red suit and white beard, while a thin, black-haired man in a green shirt leans on the back of the couch and speaks as a thin pole with a motion-streaked wire slants past the blue sky. The scene then shows Marge with her tall blue beehive at the steering wheel of a moving car, with Lisa and Bart in the back, the black-haired man in a green shirt in the passenger seat, and the robot Santa behind them. It ends with Homer peeking out from behind a red curtain through the barred arched window of an orange house beside a round orange door and trimmed green shrubs. > Hey, where'd that cool creepy Santa come from? > Japan. > Except over there, they call him Annual Gift Man and he lives on the moon. Frame: https://ultrahouse3k.com/img/S08E15/497789.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/502168 ## 8:27–8:38 Homer drives a yellow convertible carrying Marge with her tall blue beehive, Lisa in her red dress, Bart in his orange shirt, Grampa with white tufts of hair, and Santa's Little Helper wearing a Santa hat in the back. The car cruises down a Springfield street past the Aztec marquee and a plumbing supplies shop with toilets in its window, while pedestrians on the sidewalk, including a man in a blue shirt and a woman in green sunglasses, look on. The convertible moves steadily along the road, with a 'SPRINGFIELD' sign visible overhead at the start and the storefronts sliding past as the family looks around. > And that's where Kent Brockman was caught cheating in the Springfield Marathon. > And there's where Lupe Velez bought the toilet she drowned in. Frame: https://ultrahouse3k.com/img/S08E15/508633.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/513013 ## 8:38–8:48 Marge, Lisa, Bart, and a dark-haired man in a green shirt arrive in a yellow convertible outside the Sha-Boom Ka-Boom Cafe, whose sign lists "Little Boy $3.95" and "Fat Man $12.95" beneath a pink mushroom cloud. The group then sits in a teal diner booth under a hanging model plane, with a waiter in a black vest and red bow tie standing nearby as Bart and Lisa lean toward the table holding tall glasses with straws. The scene ends with the family seated and looking across the table, with the framed aircraft pictures on the walls around them. > That was a killer tour, man. > I never realized how many celebrities humiliated themselves right in our own backyard. Frame: https://ultrahouse3k.com/img/S08E15/519477.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/523440 ## 8:48–8:57 Marge Simpson with her tall blue beehive, Bart and Lisa Simpson sit in a diner booth beside a black-haired man in a light green shirt, who sits at a table with a glass of cola with a straw and a plate of food, while a tall man in a blue vest and khaki trousers stands at the table with his back to the viewer. The seated man talks, grimaces and grins while gesturing with his hand, and in the early moments a man in an argyle sweater vest stands at the right edge beside him. The booth has pink-framed pictures of a rocket and a cloudy landscape on the walls, and a red patterned carpet below. > This is a sordid little burg, isn't it? Makes me sick in a wonderful, wonderful way. > John. Uh, Waylon, I'd like you to meet the Simpsons. > I know the Simpsons. Frame: https://ultrahouse3k.com/img/S08E15/529487.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/533033 ## 8:57–9:06 An unnamed man with brown hair, glasses, and a blue vest with green trim leans toward a second unnamed man with smooth black hair and a light green shirt and suspenders, who looks uneasy and sideways, as the vest man speaks with his mouth open and holds a small round object near his face in front of a cluttered shelf of pictures. The scene then cuts to the Simpson house, with arched windows, a garage, and a cream-colored convertible in the driveway, where Marge with her tall blue beehive stands by the car with Bart and Lisa nearby. > So this is your sick mother. > Don't do this to me, Waylon. Frame: https://ultrahouse3k.com/img/S08E15/538872.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/542417 ## 9:06–9:20 Marge Simpson, with her tall blue beehive and green dress, stands at the open front door of the Simpsons' pink house, holding a brown purse, while Homer, bald and in a white shirt, stands with his arms crossed beside the staircase. Lisa and Bart, in an orange dress and orange shirt, step in through the doorway from the outside, Lisa holding a shopping bag and Bart with his hand on his hip. Homer then stands behind Marge with his arms crossed and a scowl, and Marge turns slightly and looks uneasy by the stairs, a red bead necklace around her neck, with framed family portraits on the pink wall and a coat rack nearby. > How'd it go? Tell me everything that happened. > He didn't give you gay, did he? Did he? Oh, jeez, Louise, > you don't even know what you're worried about anymore. > John's a witty urbane person. Frame: https://ultrahouse3k.com/img/S08E15/547839.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/553678 ## 9:20–9:31 Homer and Marge Simpson stand in a pink hallway beside a yellow wall, Homer glaring and gesturing at his chest while Marge, with her tall blue beehive and green dress, looks up at him. Bart, in an orange shirt and blue shorts, steps onto a teal rug holding a red toy ray gun and pointing it, with a purple door knob on the wall behind him. Homer then stands alone in the pink archway in his white shirt, eyes glancing sideways, and his expression stays wary and unimpressed as the scene holds on him in the final frames. > Oh, and I'm not. > Hey, Dad, look what I got. Zap! > Zap, zap, zap! Frame: https://ultrahouse3k.com/img/S08E15/561811.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/565982 ## 9:31–9:42 Homer Simpson, bald and heavy in a white shirt and blue pants, sits on the red couch in the living room holding a red soda can, while Bart Simpson, spiky-haired in a green patterned shirt, stands beside him. Homer lounges with one leg stretched out and a hand propped on his head, then sits up and rests a hand on Bart's shoulder as Bart stands near the couch by the purple lamp and a side table with a yellow phone. Bart steps forward into the room, then turns to face Homer with his arms spread in a shrug while the rainbow rug and a framed sailboat picture hang in the pink-walled room. > Bart, where'd you get that shirt? > I don't know. > Came out of the closet. > Uh... huh. Frame: https://ultrahouse3k.com/img/S08E15/572447.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/576826 ## 9:42–9:50 Homer, Bart and Lisa sit at the kitchen table with plates of food while Marge, in a green dress and red beads with her tall blue beehive, enters from the hallway carrying a green tray. Homer sits with his chin in his hand, and Bart and Lisa look toward her. Marge sets the tray down on the table, which now shows two rows of snack cakes, chocolate ones on top and pink ones below. Bart reaches out toward the tray with an open-mouthed, excited expression while Homer watches from the foreground. On the table are a bowl, a stick of butter, salt and pepper shakers, a glass of milk and a red soda can. > I hope you all saved room, because I made your favorite dessert. > Store-bought snack cakes. Both kinds. Frame: https://ultrahouse3k.com/img/S08E15/583500.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/586211 ## 9:50–10:01 Homer Simpson, bald and wearing a white shirt, stands at a counter behind a green tray of pink frosted cookies and chocolate brownies with white icing, with a jar of Nutella-style spread at the left edge. He looks uneasily at the tray and shifts his gaze and hands as a large yellow hand reaches in from the right to point at and then pick at the treats. The scene then cuts to the pale green Simpson house with its pink front door and pink garage door, and finally to Homer and Marge asleep in bed under a blue lamp, with Homer's arm behind his head and Marge's blue beehive on the pillow. > Hmm. Frame: https://ultrahouse3k.com/img/S08E15/591216.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/595804 ## 10:01–10:10 Homer, a bald man in a light blue shirt, and Marge, with her tall blue beehive, are in a bed with an orange and pink blanket beside a lamp and framed pictures on a pink wall. Homer lies down at first, then sits up beside Marge, who stares wide-eyed while he chews on something in his mouth. Marge is then alone in bed, grimacing and clutching the pink blanket, with a dark-tiled bathroom visible through an arched doorway. > Homie, I can hear you chewing on the pillow. > What's wrong? > Marge, the boy was wearing a Hawaiian shirt. > So? > There's only two kinds of guys who wear those shirts. Frame: https://ultrahouse3k.com/img/S08E15/602477.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/606022 ## 10:10–10:22 Homer Simpson, in a light blue shirt, sits up in bed in a pink bedroom with a lamp and purple headboard, looking anxious and wide-eyed as he glances sideways and then slumps down under the orange blanket, mouth open in a tired expression. Marge Simpson, with her tall blue beehive and pink nightgown, sits up in the bed beside him, gesturing with one hand and looking toward the doorway into a blue bathroom with towels and a wastebasket. Notable objects include the lamp with a pleated shade, the pillows, and the open doorway. > Gay guys and big fat party animals. > And Bart doesn't look like a big fat party animal to me. > So if you wore a Hawaiian shirt, it wouldn't be gay. > Right. Frame: https://ultrahouse3k.com/img/S08E15/611653.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/616241 ## 10:22–10:29 Homer Simpson, the bald heavy man in a light blue shirt, and Marge Simpson, with her tall blue beehive and pink top, sit side by side in a bed with a purple headboard and orange blanket, under framed pictures of Lisa and Maggie on a pink wall. Homer gestures with his hand and talks while turning his head toward Marge, who sits with her hands clasped and listens with a flat, unimpressed look. Homer's expression shifts from wide-eyed and talking to a sideways glance and a worried frown, then back to talking with his hand raised, while Marge keeps her arms folded in her lap and her eyes fixed on him. > Thank you. > I hope you realize this is all your fault. > I mean, do you have to be so effeminate around a boy? > Homer, I don't think there's a problem with Bart. Frame: https://ultrahouse3k.com/img/S08E15/623123.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/625834 ## 10:29–10:37 Homer and Marge Simpson sit side by side in bed under a purple headboard, with framed pictures of Lisa and Maggie on the pink wall behind them. Homer, in a light blue shirt, stares ahead with a worried expression while Marge, in a pink top with a white collar, turns toward him and talks. As she speaks, her expression shifts from calm to wide-eyed and emphatic, and in the final moment she raises her hand, pointing a finger at Homer. The orange blanket covers their laps, and the scene has no on-screen text. > But if there is, it's probably because you're not spending any time with him. > Good night. Frame: https://ultrahouse3k.com/img/S08E15/630839.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/633550 ## 10:37–10:49 Homer lies awake in bed beside Marge's tall blue beehive, wide-eyed and worried, then climbs out and walks down a pink staircase with purple railings beneath a framed picture of Bart. At the top of the stairs in the living room, Homer stands looking on while a small child with a large black hairdo, orange shirt and blue shorts stands with his back turned near a record player, and Lisa in an orange dress sits on the red couch beside a red lamp. > All right, boy. Come on. > Today we're gonna... Frame: https://ultrahouse3k.com/img/S08E15/638555.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/643768 ## 10:49–11:02 Bart, in an orange shirt and blue shorts, dances in front of the brick fireplace while wearing a tall black bouffant wig with a pink bow, and baby Maggie in a blue sleeper with a pacifier watches from the left. Homer, in a white shirt, then grabs the wig and pulls it off Bart's head as Bart stands with his hands on his hips, after which a close view shows a record spinning on a turntable. The scene then moves to a kitchen where Marge, with her tall blue beehive, holds up a card with a red flower across a table from a thin, dark-haired man in a light blue shirt, with a cup and saucer in front of her and a small box on the table. > Go to what, Homer? > And Helen Lovejoy, sure, she looks blonde, > but I've heard cuffs and collar don't match if you get my drift. Frame: https://ultrahouse3k.com/img/S08E15/651067.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/656072 ## 11:02–11:16 Marge, with her tall blue beehive and red bead necklace, sits at the kitchen table across from a thin man with neat black hair, a light blue shirt and suspenders, both holding teacups beside a pink box of green candies. Homer, bald and in his white shirt, stands at the table with a scowl, then leans in and grabs the man's black hair, lifting a black hairpiece with a pink bow off the man's head while Marge looks on. The kitchen has purple cabinets, a red dish rack, a paper towel holder, and a framed star-shaped clock on the wall. > I don't, but I loved hearing it. > You! > I should have known! Well, good morning, sunshine. > Homer, John brought us cactus candy. > Look, John, you seem like a perfectly nice guy and all. > Just stay the hell away from my family. > Well, now you don't get any candy. Frame: https://ultrahouse3k.com/img/S08E15/663371.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/669210 ## 11:16–11:29 A man with short black hair, a teal shirt and a vest holds a pink box of green-and-white candies at a kitchen counter beside a green refrigerator and a wall phone while Homer, in a white shirt and blue pants, stands with his back to the camera. The scene then moves to a lilac dining area where the man sits at a blue table across from Homer and Marge, who has a tall blue beehive and a red necklace and holds a teacup. Homer gestures with open hands while speaking, then stands with a furrowed brow and clenched teeth as the man keeps looking at him, with a wall clock and a hanging basket of eggs on the wall behind them. > No, that's cruel. Take a teensy piece. No. > Homer, what have you got against gays? > You know, it's not usual. > If there was a law, it would be against it. Frame: https://ultrahouse3k.com/img/S08E15/677135.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/682765 ## 11:29–11:39 Marge, with her tall blue beehive and red beads, sits at a kitchen table with her arms folded, facing Homer, who is bald and wears a white shirt, and a dark-haired man in a teal shirt and suspenders sits at the left edge. Homer lifts the star-shaped wall clock off the wall and holds it up toward the table, then sets it back and spreads his arms wide in a gesture while Marge watches with wide eyes. Coffee cups and a small pink box rest on the blue tabletop beneath a hanging fruit basket and a pink arched doorway. > Oh, Homer, please. You're embarrassing yourself. > No, I'm not, Marge. They're embarrassing me. > They're embarrassing America. > They turned the Navy into a floating joke. > They ruined all our best names like Bruce and Lance and Julian. Frame: https://ultrahouse3k.com/img/S08E15/690690.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/694652 ## 11:39–11:48 Homer Simpson, the bald, heavy man in a white shirt, stands in a kitchen beside a pink arched cabinet and a cabinet with blue knobs, with a microwave on the counter at right. He starts with fists raised and mouth open in alarm, then grips a yellow broom, grimaces and clutches the broom to his chest, lowers the broom and clasps his hands together, then holds the broom again while gesturing with an open hand and a flat palm. His expressions shift from shock to unease to exasperated shrugging as he moves through the kitchen. > Those were the toughest names we had. > Now they're just... you. > Queer? > Yeah, and that's another thing. I resent you people using that word. Frame: https://ultrahouse3k.com/img/S08E15/700700.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/704245 ## 11:48–12:01 Homer Simpson, the bald heavy man in a white shirt, stands behind a blue counter in a cluttered purple-walled shop, facing a dark-haired man in a green shirt with a brown bag hanging at his side, who is seen from behind and stares back at him. Homer holds up a green star-shaped clock on the wall, jabbing a finger toward it and talking animatedly with a scowl, then clutches his own chest with both hands while looking up, before lowering his hands to rest on the counter and glaring with a flat, displeased expression. Behind them a red and yellow shelf display hangs with colorful items in netted baskets at the upper left. > That's our word for making fun of you. > We need it. > Well, I'm taking back our word, and I'm taking back my son. Frame: https://ultrahouse3k.com/img/S08E15/709876.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/715298 ## 12:01–12:14 Homer, in a white shirt, and Bart, in an orange shirt and blue shorts, ride in a purple car with orange seats, with trees and a house passing outside the windows. Homer grips the steering wheel with a wide-eyed, grimacing expression while Bart sits in the back seat, staring ahead or glancing sideways at him. Homer leans toward the dashboard, then drapes one arm around Bart's shoulder while still steering. > Don't worry, boy. > We're going to set you straight. > By tomorrow morning, you'll be a regular Burt Reynolds. > What are you talking about, Homer? Where are we going? > Just a couple of good old-fashioned manly places, father and son. > You're leaving the arm there too long. You want to make it worse? Frame: https://ultrahouse3k.com/img/S08E15/722805.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/728228 ## 12:14–12:27 Homer Simpson, bald and heavyset in a white shirt and blue trousers, sits behind the steering wheel of the family car while Bart, the boy with spiky hair in an orange shirt, sits beside him on the brown seat. Homer first raises a hand to his face and then grips the wheel with both hands, his eyes wide, as the scenery of trees and sky slides past the car windows. Bart glances sideways and then reaches out to grasp Homer's hand in a handshake, with Homer's face swinging between close-up and the car interior, and the scene ends with Homer clasping Bart's hand while staring ahead in alarm. > No, no, he'll know you're on to him. > Quick, shake his hand. > Just remember, son, whatever happens, I'll always love you. > As, as, as a father, a father, regular father. Frame: https://ultrahouse3k.com/img/S08E15/735735.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/740949 ## 12:27–12:37 Homer, the bald, heavy man in a white shirt and blue pants, and Bart, the boy with spiky hair in an orange shirt, are first seated in a purple car, Homer gripping the steering wheel while Bart sits beside him. Homer then stops the car on a highway median, and the two get out, with a folding lawn chair set down on the grassy strip. Bart stands beside the chair while Homer looks on, and then Homer walks off carrying the chair away from Bart, with traffic and overpass lanes behind them. Traffic cars, trucks and a blue sky with clouds fill the background, and a litter item lies on the grass. > What am I supposed to do here? Nothing, just sit. Frame: https://ultrahouse3k.com/img/S08E15/748248.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/752418 ## 12:37–12:50 Bart Simpson, in his orange shirt, sits wide-eyed in a white lawn chair on a grassy field as Homer, a bald heavy man in a white shirt, appears beside a billboard reading "Pure Enjoyment... LARAMIE SLIMS" that shows two women in a pillow fight with a cigarette pack. Bart then leans back and closes his eyes, and the view pulls back to show him alone in the chair beneath the tall billboard with a pack of Laramie Slims at its edge. Bart is last seen staring upward, dazed, against a blue sky with clouds. > I'll be back. Frame: https://ultrahouse3k.com/img/S08E15/759092.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/764097 ## 12:50–12:58 Bart, the spiky-haired boy in an orange shirt, sits on a green-and-white slatted bench in front of a pink billboard reading "Pure Enjoyment... Laramie Slims" showing two women with pillows. In the first part he looks wide-eyed and uneasy, and then Homer, the bald, heavy man in a white shirt, steps in from the right holding a red pack of Laramie Slims cigarettes. Homer leans in toward Bart with the pack, and by the end the two stand together against the billboard while Bart stares ahead nervously. > Well, it's been two hours. How do you feel? > I don't know. > I kind of want a cigarette. > That's a good start. Let's get you a pack. > What's your brand? Anything slim. Frame: https://ultrahouse3k.com/img/S08E15/771604.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/774524 ## 12:58–13:11 Homer and Bart sit on a green slatted bench on grass, with Homer gesturing as he talks while Bart looks up at him, and then Homer stares off to the side. The scene shifts to the Ajax Steel Mill, where grey smoke billows from tall smokestacks beneath a large AJAX STEEL MILL sign, with a fenced gate and rail tracks in front. Inside the mill, Homer stands behind Bart with one hand on his shoulder, facing a man in a white hard hat and blue overalls. > Okay, that didn't work. But I know something that will. > Hart, I want you to shake hands with... What's your name, fella? Frame: https://ultrahouse3k.com/img/S08E15/779946.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/784951 ## 13:11–13:23 Homer and Bart stand with a mustached man in a gray hard hat, blue overalls and black gloves beside a wall-mounted fire extinguisher marked "In case of fire" in a workshop. Homer gestures and talks while the man stands silently, and Bart looks up at them with a blank expression. The scene then shifts to a narrow hallway where Homer raises a hand to his face while Bart glances sideways, with a metal duct and pipes overhead. > Roscoe. > Roscoe here runs this mill. > He's gonna show us around and let you get a first-hand look at real all-American Joes > doing what they do best Why the hell would I want to see that? > You'll thank me on your wedding night Frame: https://ultrahouse3k.com/img/S08E15/792250.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/797463 ## 13:23–13:34 Homer and Bart lean over a blue railing in white hard hats, looking down at a crowd of hard-hatted workers in a factory. A mustached worker in overalls and a hard hat covers his ears with black gloves, then lowers his hands and speaks, while a hanging chain sits beside him and a blue spark flashes nearby. Below, a crane lowers a ladle over a red-lined vat as workers in the plant watch. > Hey, listen up. > I want all of you to say hello to the Simpsons Frame: https://ultrahouse3k.com/img/S08E15/804762.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/808933 ## 13:34–13:44 Homer Simpson, bald and wearing a white shirt, stands in a blue-walled factory with white hard hat-wearing workers, and at first he clutches a hard hat to his head as he looks alarmed. He then grips the hat in both hands while his mouth hangs open, and in the following images he stands in front of a glowing furnace while two workers in hard hats and tank tops, one with a moustache, flail their arms and jump back in panic as a spark or flames burst near them. Industrial details include a hanging chain and hook, a pipe, a wall clock, and a glowing furnace opening. > Has the whole world gone insane? > Stand still there's a spark in your hair Get it, get it, get it. Frame: https://ultrahouse3k.com/img/S08E15/815398.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/819360 ## 13:44–13:54 Homer Simpson, in a white shirt and purple pants, stands in a steel mill beside Bart Simpson in an orange shirt, while a shirtless muscular worker in a white hard hat, whom the regulars don't match, stands behind Homer near a cauldron of molten orange metal. Homer grimaces, clutches his chest, then raises his hands to his face as Bart looks up at him, and overhead crane hooks hang above them. Blue pipes, railings, a tiled wall with a damaged patch, and a small gauge on the right wall fill the background. > Hot stuff coming through. > Dad, why did you bring me to a gay steel mill? > I don't know. > This is a nightmare. Frame: https://ultrahouse3k.com/img/S08E15/825408.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/829579 ## 13:54–14:06 Homer Simpson, a bald heavy man in a white shirt and purple pants, stands on a blue metal catwalk in a factory beside Bart, who wears an orange shirt, and a moustached man in purple overalls and a white hard hat. Below them a crowd of workers in white hard hats fills the foreground. In the first frames Homer raises one hand toward a hanging chain while the group watches the crowd, then Bart and Homer shift their stances on the railing. The scene closes on a close view of Homer against a dark blue wall with a chain and vent behind him, first gesturing with both hands and mouth open, then clasping his hands together at his chest with a worried, wide-eyed expression, and finally holding his hands up near his chest as he looks sideways. > You're all sick. > Oh, be nice. > Oh, my son doesn't stand a chance. > The whole world's gone gay. > Oh, my God, what's happening now? We work hard, we play hard. Frame: https://ultrahouse3k.com/img/S08E15/835835.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/840631 ## 14:06–14:17 A crowd of mustached factory workers in white hard hats gathers at a venue called The Anvil, where a sign reads "THE ANVIL" above the floor. A worker in blue overalls and black gloves raises a hand to his head near a hanging chain, then the workers in the crowd begin to dance and cheer under orange lights while one man on an upper balcony waves his arms. Purple, blue and yellow spotlights sweep across the room as the workers link arms, pump their fists and sway, and two muscular men in tank tops and blue shorts stand on a raised platform with their arms crossed or raised above the crowd. > Everybody dance now! Frame: https://ultrahouse3k.com/img/S08E15/847513.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/851893 ## 14:17–14:25 Homer and Bart stand on a steel mill catwalk under purple spotlight beams, with Homer hugging Bart, who covers his face with his hands, while cheering workers in hard hats wave their arms on the balconies above and an unnamed man in a tall hat dances in a round window. The shot then goes black, and the scene ends on an empty exterior of Moe's bar, with its MOE'S sign, a 'KING TOOT'S MUSIC STORE' sign beside it, and scattered debris on the sidewalk. > And the entire steel mill was gay. Frame: https://ultrahouse3k.com/img/S08E15/858358.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/861486 ## 14:25–14:36 Homer and Barney sit leaning on the bar of a tavern, each with a mug of beer, while Moe, the grey-haired bartender in a bow tie and apron, polishes a mug with a white towel. The view then moves closer to Moe as he keeps wiping the mug, with rows of bottles, a purple cash register, and upside-down cups on the shelves behind him. > Pfft, where you been, Homer? > Tire Steel Industries gay. > Yeah, aerospace too, and the railroads. > And you know what else? > Broadway. Frame: https://ultrahouse3k.com/img/S08E15/866908.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/871287 ## 14:36–14:43 Homer Simpson, bald with stubble and a white shirt, sits at a bar with a beer mug, beside Barney, the heavy drunk with messy brown hair in an orange shirt and gold chain, who also holds a beer. Moe, the grey-haired bartender in a blue vest and bow tie, stands behind the counter across from them, wiping a glass with a white cloth. Through the sequence Homer and Barney turn their heads toward Moe as he talks and gestures, and Barney's mouth opens as if speaking; in the final frame Moe leans on the counter, wiping it with the cloth while holding a mug, and Homer looks on with a wary expression. The red-ceilinged bar has a framed poster on the wall and a dark doorway behind them. > I always saw Bart grow up to be just like us. > What happened? > Oh, it ain't no mystery. Frame: https://ultrahouse3k.com/img/S08E15/877752.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/880046 ## 14:43–14:56 Moe, the grey-haired bartender in a bow tie and dark apron, stands behind the bar with his mouth open, first looking worried and then raising a finger and pointing. Homer, bald and in a white shirt, sits at the bar holding a beer mug, glancing sideways with a glum expression before gesturing with an open hand while he talks. A heavy man in a pink shirt sits at the right edge of the bar, and the setting is Moe's Tavern, with a Laramie High Tars sign, a Capitol City pennant, a Duff sign, rows of bottles, stacked cups and a cash register. > The whole modern world's got a swishifying effect on kids today. > And their MTVs and their diet sodas ain't gonna set them straight, neither. > You gotta do it yourself, Homer, and you gotta do it fast. > But what would turn Bart into a man fast? > You have to think for me. Frame: https://ultrahouse3k.com/img/S08E15/884634.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/890056 ## 14:56–15:07 Homer Simpson, Barney, and Moe Szyslak are at the bar in Moe's Tavern, with Homer and Barney seated at a red table holding beer mugs while Moe stands across from them in his bow tie and dark apron. Homer leans forward looking startled while Barney sits with a bored, sullen expression, and a white rag lies on the table. Moe then moves behind the bar, gesturing with open hands in one moment, leaning forward with his elbows on the bar and a frowning, pensive expression in another, and an empty mug sits in front of him. Shelves of white cups, rows of green bottles, and a purple cash register fill the background, and a framed picture hangs on the wall behind the table. > Well, let's see now. > Time was you send a boy off to war. > Shooting a man fix him right up. But there's not even any wars no more, > thank you very much, Warren Christopher. > Hey, better yet, Bart could shoot a deer. Frame: https://ultrahouse3k.com/img/S08E15/897772.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/902151 ## 15:07–15:21 At the bar of Moe's tavern, Barney, a heavy man with messy brown hair in an orange shirt, leans toward Homer, the bald man in a white shirt seen from behind, first with a wide-eyed look and then with a broad toothy grin. Moe, the grey-haired bartender in a green apron and bow tie, gestures with an open hand while talking to Homer, his expression shifting from a smirk to a frown with his mouth open. Rows of green bottles, upturned glasses on the shelves, and a mug on the bar stay in view throughout. > That's like shooting a beautiful man. Hey, he's right, Homer. > After the boy bags a deer, all the diet sodas in the world won't turn him back. > Then you just sit back and watch the grandkids roll in. Frame: https://ultrahouse3k.com/img/S08E15/908616.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/914455 ## 15:21–15:32 Homer, bald and in a white shirt, rests his chin in his hand in a dim room lined with framed pictures. He then walks out of the Springfield Hunting Supplies storefront with a thin old man in a green cap holding binoculars and an orange-vested hunter, while Marge, a small boy and a toddler stand near the entrance. Finally, Marge holds Maggie beside Lisa and Apu in a pink store with an arcade machine where Bart plays, and Krusty stands at the right edge, with the Springfield Hunting Supplies sign and gun-filled windows visible earlier in the scene. > Hunting, eh? Frame: https://ultrahouse3k.com/img/S08E15/922588.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/926759 ## 15:32–15:43 Homer, in a plaid hunting cap and orange-red plaid jacket, scowls and grits his teeth in a toy shop lined with shelves of knickknacks, including a toy cow, a green dinosaur, and cameras. Marge, with her tall blue beehive and red bead necklace, stands beside him holding Maggie, who sucks on a red pacifier and wears a blue bow. Marge's eyes close as she speaks and then open again to look sideways, while Homer's glare stays fixed and a teal rattle sits on a nearby shelf. > Stand aside, Marge. I'm taking the boy deer hunting. > He's going to grow up straight for once. > What? You never went hunting before and you're perfectly straight. Frame: https://ultrahouse3k.com/img/S08E15/933015.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/937812 ## 15:43–15:54 Homer, in a red plaid jacket and plaid cap, stands in the Kwik-E-Mart beside shelves stocked with Buzz Cola cans, a purple clamshell, a Duff sign and a 5¢ ale sign, while Lisa in an orange skirt and pearl necklace stands next to him. Homer jabs his finger and talks, then gestures with open hands and folds his arms, while Lisa looks up at him, and a thin man in a teal shirt with dark hair stands at the left, looking on. > Oh, yeah? How long since you've had a baby? > But, Dad, it's barbaric. How does killing a deer make you more of a man? > It just does. Name me one gay Indian. Uh-oh, something's gonna die. Frame: https://ultrahouse3k.com/img/S08E15/944694.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/948865 ## 15:54–16:07 Homer, in a red plaid hunting jacket and earflap cap, stands at the right of a cluttered novelty shop facing a slim man with black hair, a light blue shirt and suspenders, seen from behind in the early shots. The man first gazes sideways with pursed lips, then lifts a brown hat with a patterned band and studies it, while Homer talks and gestures with a raised finger and then grows animated and shouts. Shelves behind them hold a Santa figure on a red roller skate, a Victor sign, a toy school bus, a bowling ball with pins, and a pink wall with a thermometer and a mirror. > Butt out, Badinsky. What would you know about hunting? > I know this much. I wouldn't wear that hideous hat. > Here, take this one. It was worn by Yale Summers in Ductari. > Hang on to it, toy boy. You might need it when it starts raining naked ladies. Frame: https://ultrahouse3k.com/img/S08E15/955329.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/960960 ## 16:07–16:18 Homer, in a plaid cap and jacket, stands beside Bart, who wears an orange shirt and blue shorts and sits inside an Astro Blaster arcade cabinet while Homer gestures toward him. A pale blue van then rolls along a road above a town of houses, pine trees, and cooling towers under a purple-hilled sky. Inside the van, Bart sits beside Homer, with a heavy man in an orange jacket and camouflage cap next to them and an older man in a green cap and tan jacket at the wheel; the heavy man talks and grins while the driver squints and grimaces, all of them looking ahead through the windshield. > Today, you're gonna be a man, Bart. You guys gonna teach me to drive? > Oh, yeah, let her twinkle toes drive Betsy right. Frame: https://ultrahouse3k.com/img/S08E15/968676.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/973055 ## 16:18–16:27 Bart sits in the back of a vehicle beside Homer, who wears a plaid hunting cap with earflaps and a red-and-black plaid jacket and keeps an arm around him, while a man in an orange hunting vest and camouflage cap sits on the other side, with pine trees visible through the window. Homer grins and gestures with his hand as the others look on, and Bart glances toward him. In the final moment, Smithers, a thin man with glasses and a green cap, grips the steering wheel and talks while the man in orange stares ahead beside him, with a dashboard gauge in the corner. > No, boy. > You can't drive. > You're only ten. > You're going hunting. > You ever been hunting before there, Barty? > Nope. Frame: https://ultrahouse3k.com/img/S08E15/979520.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/982857 ## 16:27–16:39 Bart, sullen and sulking in a red jacket over an orange shirt, sits in the back of a car beside Homer, who wears a plaid cap and red-and-black plaid jacket, and a heavyset man in an orange hunting vest and cap. A thin man with glasses in a green cap and tan jacket drives, and a dark-haired figure is partly visible under a red plaid blanket at the right edge. Bart turns his head and closes his eyes, then Homer leans forward, gesturing and pointing at him while the car rolls past pine trees through a window. The camera pulls back to a wide view of a sunlit forest, where tiny figures in orange and red gather beside a pink rock near tall trees. > Something about a bunch of guys alone together in the woods. > Seems kind of gay. > That is a very immature attitude, young man. Frame: https://ultrahouse3k.com/img/S08E15/988279.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/993284 ## 16:39–16:47 Homer, in a red plaid jacket and earflap hat, and Bart, in a red shirt and blue pants, stand in a forest clearing with a heavy man in an orange hunting suit and cap and a man in a green cap and tan jacket. Homer holds a rifle, the orange-suited man holds a can and sits or stands among a stack of red soda cans, and the man in the green cap holds a rifle and talks with them. They then settle onto the rocks and sit together drinking, with more cans scattered on the grass in front of them, while the trees and pines frame the scene. > Remember, guys, the truck only holds six carcasses, > so don't shoot nothing for trophy bucks, huh? Frame: https://ultrahouse3k.com/img/S08E15/1000374.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1003294 ## 16:47–16:55 Four men and a spiky-haired boy sit on logs at a forest campsite, with the heavy man in an orange hunting suit and cap raising a red can to his mouth while the lanky man in the green cap and the man in the plaid earflap hat hold rifles. As the sky turns from pink sunset to purple night, the boy slumps beside them, and a glowing fire pit appears in front of the group while empty red cans lie scattered on the ground. A tree on the left shows a carved grinning face that brightens in the darkening scene. Frame: https://ultrahouse3k.com/img/S08E15/1008508.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1011427 ## 16:55–17:08 Homer, in a red plaid hunting cap with ear flaps and a red plaid jacket, sits on a log beside a heavy man in an orange hunting suit and camo cap, holding a beer can while the man talks and grins, with empty cans on the ground by a campfire in a purple-lit forest. Moe, with grey hair under a green cap, sits facing them and gestures with one hand as Homer holds a shotgun and looks on. Homer is then alone against the trees, gripping the shotgun, eyes wide and mouth open as he speaks. > Oh, we should have just stayed at the bar and shot some rats. > Hey, those ain't your rats, Bond. > Hey, Homer, you ready to call it quits? > What, but wait a minute. > Part's not fixed yet. He hasn't even... Homer. Frame: https://ultrahouse3k.com/img/S08E15/1016641.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1021854 ## 17:08–17:21 Bart lies sleeping by a campfire in a red scarf while a thin, unnamed man in a green cap and tan jacket sits on a rock gesturing beside him. Next, an orange-jacketed man, the same green-capped man holding a rifle propped against a tree, and a plaid-clad man stand around the fire. The blue station wagon then drives down a dark night road, with Homer in a red plaid shirt and plaid hat, the sleeping Bart, a man in an orange jacket, and the green-capped driver gripping the wheel inside. > Oh. > Come on, don't take her so hard, Homer. Still got that other kid, uh, Lisa. Frame: https://ultrahouse3k.com/img/S08E15/1029362.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1035201 ## 17:21–17:35 An older man with white curly hair under a red plaid cap, in a red plaid jacket, sits beside a driver in a green cap and brown jacket who grips the steering wheel of a vehicle. Through the side window, evergreen trees pass against a purple sky, and a round gauge sits on the dashboard. Across the frames the driver speaks, grimaces, and glances sideways, while the older man in the plaid cap looks ahead, shifts his eyes, and frowns with a tense expression. > Let's take her out hunting tomorrow. Make her into a man. > Oh, she'd never go. > She's a vegetarian. > Oh, jeez, Homer, jeez. > You and Marge ain't cousins, are you? Frame: https://ultrahouse3k.com/img/S08E15/1043125.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1048548 ## 17:35–17:48 Homer, in a red plaid cap with earflaps and a red plaid jacket, sits beside a man in a green cap and brown coat who grips a steering wheel inside a vehicle at night. Homer looks wide-eyed and anxious, then speaks while the driver keeps his eyes ahead and later scowls and talks through clenched teeth. Between these moments, a glowing roadside billboard reading "See Real Live Reindeer at Santa's Village", showing Santa's sleigh and reindeer, appears against a purple night sky framed by pine trees. > No. > This whole thing is my fault. I've been a lousy dad. > Cheer up, Homer. > Christmas is coming early this year. Frame: https://ultrahouse3k.com/img/S08E15/1056264.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1061894 ## 17:48–17:59 Grampa, in a red plaid coat, and a driver in a green cap and brown coat sit in a blue pickup truck that pulls up to the fenced red Santa's Village, where a 'Closed for Season' sign hangs on the gate beneath a 'Santa's Village' arrow. The truck then drives off down the road past the fence and a night forest, and the scene shifts to giant white bones curving up from the ground under a starry purple sky. Finally, a pale yellow convertible with zebra-print seats drives along the street past a light green two-story house with a pink door and a pink garage door. > Did he say where they were going? No, Frame: https://ultrahouse3k.com/img/S08E15/1070027.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1073990 ## 17:59–18:09 Lisa in her orange dress and pearl necklace stands in a purple kitchen with a checkered floor while Marge, with her tall blue beehive and red beads, sits at a blue-draped table holding a mug. A thin, black-haired man in a green shirt and vest stands by the table beside a white appliance, talking and gesturing as Lisa steps up to the table and sets down a tray of green items. In close-up, the man's expression shifts from a worried frown to a toothy grin, with purple cabinets and round blue knobs behind him. > they were just going to find a deer and make Bart shoot it. > Deer? > Not around here. They all migrated north from the state park, converted to AstroTurf. Frame: https://ultrahouse3k.com/img/S08E15/1080037.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1084000 ## 18:09–18:19 Lisa, with pearl necklace, and Marge, with her tall blue beehive and red beads, stand at a kitchen counter beside a thin, black-haired man in a green shirt and vest who gestures with one hand, then closes his eyes and reaches toward a coffee pot. The scene moves outdoors to a row of reindeer behind a chain-link fence in front of a red house with a 'Santa's Gifts' sign, where men in orange coveralls and a green-capped man holding a rifle stand at the fence beside a figure in a fur hat holding a small bundle, under a purple night sky with snowy evergreens. > But if there's no deer out there, then what are they hunting? > Well, the only thing around here that's even close to deer is... Frame: https://ultrahouse3k.com/img/S08E15/1090256.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1094427 ## 18:19–18:29 Homer, in a red plaid hunting cap and plaid jacket, carries a limp Bart in a red jacket and orange shirt while an orange-overalled hunter in a camouflage cap and a thin man in a green cap holding a scoped rifle walk together past a mesh-fenced glass wall lined with evergreen trees at dusk. As they move along, Bart slumps in Homer's arms with his eyes closed and then covers his face with both hands. The scene is set on a blue-lit walkway outside the fence, with the rifle and hunting gear prominent. > Hey, boy, wake up. Your old man found some deer. > Huh? > You did? Frame: https://ultrahouse3k.com/img/S08E15/1100683.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1104645 ## 18:29–18:40 Homer, in a plaid hunting cap with ear flaps and a plaid jacket, and Bart, in a red shirt and blue pants, stand at night in a fenced pen under a purple sky with pine trees. Homer raises a scoped rifle while Bart, holding his own rifle, looks nervously toward the herd of brown reindeer milling behind the fence, then turns to face his father. The scene ends with Bart still gripping his rifle as the reindeer keep moving in the snowy enclosure. > Wait, man, those are reindeer. > Yeah, and it's your shot, son. > What? > I'm not gonna shoot a reindeer in a pan. Frame: https://ultrahouse3k.com/img/S08E15/1110693.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1115072 ## 18:40–18:52 Homer, in a red plaid hunting jacket and earflap cap, stands with Bart, a boy in a red shirt and blue pants holding a rifle, on a dark snowy lot at night with pine trees and a chain-link fence behind them. A heavy man in orange coveralls and a camo cap stands at the left, and a thin man in a green cap and brown jacket stands behind Bart. Homer gestures with open hands and speaks sternly, the green-capped man raises a hand to his face while Bart lowers his head, and in the final moment Homer steps forward, frowning and talking, as the others watch. > Come on, Bart. Be a sport and kill Blitzen, okay? > Dad! > Aw, criminy. Here come the waterworks. > Bart, I'm gonna turn my back, and when I turn around, > I wanna see a whole pile of dead reindeer. Frame: https://ultrahouse3k.com/img/S08E15/1121746.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1126751 ## 18:52–19:03 Homer, in a red plaid hunting jacket and earflap cap, stands beside Bart, who wears a red shirt and blue pants and holds a rifle, while a heavy man in an orange hunting suit and cap and a thin man in a brown jacket and green cap stand nearby at a wire fence under a purple night sky lined with pine trees. Homer jabs a finger toward Bart as the group gathers around him, then all of the men, Homer included, clap their hands over their ears while Bart looks on with the rifle. The scene ends with Homer grinning and spreading his arms wide in front of the fence and the snowy ground. > And away, son. > It made your old man proud. I didn't do anything. Frame: https://ultrahouse3k.com/img/S08E15/1134050.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1138012 ## 19:03–19:14 Bart Simpson stands in a fenced pen at night, holding a scoped rifle while a large herd of antlered reindeer crowds around him. A heavy man in an orange jumpsuit and camouflage cap and a thin man in a green cap and brown coat stand beside him, gesturing and talking, with Homer in a red plaid jacket and flannel hat behind Bart. The reindeer press forward and mill about against the wire fence, with pine trees and a purple night sky behind them. > Hey, they're going nuts like in those nature films! > Must be mating season. Frame: https://ultrahouse3k.com/img/S08E15/1144268.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1148648 ## 19:14–19:24 Bart, a spiky-haired boy in an orange shirt, and Homer, a bald, stubbled man in a red plaid jacket and hat, stand wide-eyed and cowering among a crowd of reindeer while a brown-haired man in a red jacket and hat shouts at their side. The reindeer shuffle past a grey rounded object in a wire-fenced pen with evergreen trees and a red house behind, leaving a brown puddle with a yellow item on the ground. The father and son then walk forward together through the middle of the pen as the herd presses around them. > Dad, I'm scared. > Me too, son. Frame: https://ultrahouse3k.com/img/S08E15/1155321.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1159283 ## 19:24–19:37 Bart, the boy with spiky hair in a red-and-orange shirt, is held up by a heavy man in a red plaid coat and plaid cap with grey tufts, who is probably Homer or Grampa. They stand in a fenced pen surrounded by brown reindeer with antlers, with evergreen trees and a purple night sky behind them. The man stiffens and scowls, then tips backward into the snow with his legs sprawled while Bart stays clutched in his arms, and the reindeer crowd around them. > No, don't. You have to protect yourself. > Son, there comes a time in every father's life when he must... > Dad, are you hurt? Frame: https://ultrahouse3k.com/img/S08E15/1165331.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1170753 ## 19:37–19:48 Bart, the boy with spiky hair in an orange shirt, and Homer, the bald heavy man in a red plaid shirt, are in a pen surrounded by brown reindeer with large antlers, at a snowy outdoor enclosure with evergreen trees behind a wire fence. Bart is first seen wide-eyed and shouting at the top of the frame, then Homer appears upside down with his face gritted and eyes squinting as reindeer press in around him. The reindeer crowd closer and wave their antlers while Bart is held aloft over the herd, and the scene ends with Bart dangling limp in Homer's arms, a blue sleeve and bright purple night sky visible behind them. > Just... my bones... and organs. Frame: https://ultrahouse3k.com/img/S08E15/1178052.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1183057 ## 19:48–20:02 Bart, in a red shirt and blue pants, is lifted up and held aloft above a herd of brown reindeer at night, then Homer, in a red plaid shirt, is seen on the ground with Bart perched on his lap among the reindeer. The reindeer crowd closely around them against a purple night sky with evening trees and a fence. A giant robotic Santa, red with a white beard, black belt, and green buttons, looms over the scene, raising its white mechanical arms as it stands beside the fence. > What the... Oh, oh, oh! > Art! > Look! > It's ten o'clock! Frame: https://ultrahouse3k.com/img/S08E15/1189939.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1195569 ## 20:02–20:12 Homer Simpson in a red plaid shirt and Bart Simpson in a red jacket stand and kneel on a blue-lit lot, with a fence and pine trees behind them, while a robotic Santa with a glowing face and a box of gifts walks among a ring of brown reindeer. The giant robot Santa then raises its arms under a glowing star, and Homer kneels beside Bart as they talk and Bart stares, grimacing. The robot Santa later strides through the reindeer carrying a gift, with a red house visible in the background. > Whoa, it's Santa, all right. And he is kicking ass! Frame: https://ultrahouse3k.com/img/S08E15/1203285.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1207665 ## 20:12–20:19 Homer, in a red plaid shirt, kneels and presses a hand to his chest while Bart, in a red jacket and blue jeans, stands beside him in a fenced lot at night. Nearby, a figure in a red Santa suit stands by a row of brown reindeer, and then Marge with her tall blue beehive, Lisa in a red dress, and Maggie with a pacifier stand with a thin man in a teal shirt holding a small purple device. The group stays still under a purple night sky with pine trees behind the fence. > It's a miracle! > No, ultra suede is a miracle. This is just good timing. Frame: https://ultrahouse3k.com/img/S08E15/1213921.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1216424 ## 20:19–20:30 Homer, the bald man in a red plaid jacket, and Marge, with her tall blue beehive and red bead necklace, stand outdoors at night beside a chain-link fence lined with pine trees, a wooden post, and a chain with a padlock. Marge wraps Homer in a tight hug while he rests his head against her with his eyes shut, then she grimaces with wide eyes as she keeps holding him. She then eases back and places one hand on his chest while they both look worried and wide-eyed at each other. > Oh, man, I'm so glad you're safe. > Hmm. > You feel softer than before. > I've been tenderized. How'd you know that thing would work? Frame: https://ultrahouse3k.com/img/S08E15/1221011.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1225182 ## 20:30–20:40 Bart, in a red jacket and blue jeans, stands with a worried look and gestures in a snowy yard at night while a thin, dark-haired man in a mint-green shirt holds a remote control with an antenna, and a small red robot Santa with a glowing blue light on its head approaches them across the blue-tinted ground. The man's expression shifts from a sideways glance to a sly grin as he steers the toy toward the boys. A red-roofed house with a giant candy cane, snow-covered eaves, pine trees, and a red cable car against a purple sky form the background. > Well, the sound is just brutal, > and I figured reindeer would naturally be afraid of their cruel master Santa Claus. > I mean, wouldn't you be? > Is it okay to come out now, Mr. Gay Man, sir? Frame: https://ultrahouse3k.com/img/S08E15/1231647.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1235609 ## 20:40–20:49 Bart, the spiky-haired boy in an orange shirt, crouches under a grey dome-shaped metal cover with wide eyes, and a second man in a brown coat and brown cap hides beside him under another grey cover, clutching his head and looking nervous. The two stay hidden against a blue windowed wall with a green plant at the top corner, and then a wider view shows a group of yellow-skinned townspeople walking out onto a snowy street lined with red-and-white candy canes, snowmen, and red houses with snowy roofs. > I'll do anything you say. > Anything. Frame: https://ultrahouse3k.com/img/S08E15/1241657.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1244994 ## 20:49–21:00 Barney, in an orange jacket and camouflage cap, and Moe, in a tan coat and green deerstalker cap with grey hair at the sides, stand before a red wall with snowy trim and a candy cane, then the scene opens to a snowy pine forest with a red-and-white cabin behind them. Barney grimaces and looks around while Moe glances sideways, grimacing and then talking. Homer, in a red plaid shirt, steps in and points toward Moe and Barney as a thin, bald man in a light blue shirt and glasses stands beside him, and the group faces one another among the pines. > Aw, Moe. We were saved by a sissy. Yeah, yeah, we'll never live it down. > Oh, boy, it looks like it's suicide again for me. > Hey, we owe this guy, and I don't want you calling him a sissy. Frame: https://ultrahouse3k.com/img/S08E15/1250624.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1255004 ## 21:00–21:11 Homer Simpson, wearing a red plaid flannel shirt and sporting a black eye, stands beside a thin dark-haired man in a green shirt and vest, with his arm draped over the man's shoulder. They stand outside a red cabin with evergreen trees and a stone wall at the bottom of the frame. Homer points his finger and talks, then raises a hand to his chin and grimaces before turning toward the other man, who keeps a flat, unimpressed expression throughout. > This guy's a fruit and a... No, wait, wait, wait, queer, > queer, queer. > That's what you like to be called, right? Frame: https://ultrahouse3k.com/img/S08E15/1261469.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1266056 ## 21:11–21:19 Lisa stands beside an unnamed thin, dark-haired man in a light green shirt with green suspenders outside a red chalet with snow-capped roof, candy-cane decorations, and pine trees. The man talks and grins while Lisa looks up at him, and he is later joined by Homer in a red plaid jacket with a gold star badge, who turns toward him and holds a candy cane at his side. > Well, that or John. > This is about as tolerant as Dad gets, so you should be flattered. > Great. > Well, Homer, I won your respect, and all I had to do was save your life. Frame: https://ultrahouse3k.com/img/S08E15/1272938.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1275649 ## 21:19–21:27 Homer Simpson, in a red plaid flannel shirt with a black collar and a yellow star pinned on it, stands outdoors beside a thin, dark-haired man in a light green vest over a pale shirt, with his arm draped across the man's shoulder. Evergreen trees and a red-and-white backdrop with a candy cane on a green panel surround them. The man talks with his mouth open while Homer smiles at him, then Homer's eye turns a bruised purple and he grimaces with clenched teeth as the man's mouth closes and his eyes glance sideways. > Now, if every gay man could just do the same, you'd be set. > Amen to that. Frame: https://ultrahouse3k.com/img/S08E15/1280654.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1283365 ## 21:27–21:39 Homer Simpson in a red plaid jacket, Bart Simpson in a red shirt, and a dark-haired man in a light green sweater sit close together, while Marge, Maggie, Lisa, Grampa and a man with a moustache and green sweater ride in a pale yellow convertible driving down a dark road lined with pine trees at night. Later in the scene the car is seen from close up as Homer, mouth open, eyes wide, turns his head toward the others, with a long thin rod stretching past his face and a dark-haired man glancing over at him. Homer's expression shifts from speaking to a dazed, blank look as the pine trees and purple night sky stay behind them. > You know, Bart, maybe it's just a concussion talking, > but any way you choose to live your life is okay with me. Frame: https://ultrahouse3k.com/img/S08E15/1288370.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1293167 ## 21:39–21:46 Bart and Lisa sit side by side on a zebra-striped couch outdoors, with dark pine trees and a purple night sky behind them. Bart, in a red jacket and orange shirt, first looks sideways with a sour expression, then turns toward Lisa, who wears a pearl necklace and a red dress, as she looks anxious. The scene cuts to close-ups of Bart against the striped backdrop: his eyes widen and his mouth opens in alarm, then his gaze drifts and he sits with a flat, puzzled expression, his eyes darting to the side. > Huh? > He thinks you're gay. > He thinks I'm gay? Frame: https://ultrahouse3k.com/img/S08E15/1300257.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1302968 ## 21:46–21:55 Marge, with her tall blue beehive, rides in a cream convertible with spiky-haired yellow-headed children in the back as it drives along a dark winding road past pine trees and a lake under a purple night sky with a bright moon. As the car shrinks into a small speck on the road at lower right, the white text "DEDICATED TO THE STEELWORKERS OF AMERICA / KEEP REACHING FOR THAT RAINBOW!" appears over the scene and stays fixed while the landscape remains still. Frame: https://ultrahouse3k.com/img/S08E15/1307765.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1311101 ## 21:55–22:04 No Simpsons characters appear in this moment; it is a title card over a night scene of a purple sky with a yellow moon, dark pine trees on the left, and a blue lake with green shrubs along the bottom. The white credit text changes across the sequence: first 'Executive Producers BILL OAKLEY & JOSH WEINSTEIN', then 'Executive Producers JAMES L. BROOKS MATT GROENING SAM SIMON' (shown in two frames), then 'JULIE KAVNER', and finally 'NANCY CARTWRIGHT' appears over the same landscape as the credits roll. > Here is the dome, back with the bass, pajamas live in effect and I don't waste time, Frame: https://ultrahouse3k.com/img/S08E15/1316941.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1320277 ## 22:04–22:14 No animated characters appear; the scene is a night landscape with a yellow moon, dark pine trees, and a blue lake under a purple sky. Credit text is overlaid in sequence: first "Hank Azaria", then "and Harry Shearer", then "Also Starring Pamela Hayden", then "Executive Consultant Brad Bird", and finally "Animation Producers Bill Schultz Michael Wolf" on the same unchanged backdrop. > on the mic with the dope rhyme, jump to the rhythm, jump, jump to the rhythm, jump, > and I'm here to combine, beats and lyrics to make you shake your pants, Frame: https://ultrahouse3k.com/img/S08E15/1326116.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1329453 ## 22:14–22:23 No regular characters appear in this moment; it is a static title card over a night scene of a purple sky with a yellow moon, dark pine trees on the left, and a blue lake with green shrubs along the bottom. The credits read 'Story Editors Dan Greaney, Ron Hauge, Ned Goldreyer' first, then 'Associate Producer Alison Elliott', then 'Music by Alf Clausen', then 'Casting by Bonita Pietila', and finally 'Animation Production Manager for Gracie Films Joel Kuwahara' and 'Post Production Coordinator Dominique Braud-Stiger'. The white text changes from one credit to the next while the landscape stays unchanged throughout the sequence. > take a chance, come on and dance, Guys, grab a girl, don't wait, > make a twirl It's your world and I'm just a squirrel Trying to get a nut to move your butt Frame: https://ultrahouse3k.com/img/S08E15/1335292.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1338629 ## 22:23–22:32 No Simpsons characters appear in this moment, which is a static credits sequence over a night scene of a purple sky with a pale yellow moon, dark evergreen trees on the left, a blue lake, and green bushes at the lower right. The white text changes across the sequence: first 'Dialogue Sound Editors' with Bobby Mackston, Terry Greene and Norm Macleod, then a list of production credits including Felicia Nalivansky, Ron Cox, Terry Brown, Bob Hile, Louise Jaffe, Sony Pictures Studio and Laser-Pacific with a Dolby Surround logo, then 'Animation Produced by Film Roman, Inc.', then 'Overseas Animation Director Utit Choomuang', and finally assistant director, storyboard and character design credits such as Matt Groening and Sam Simon. The scenery stays fixed throughout while the credit text is replaced each time. > to the dance floor So yo, what's up? Hands in the air Come on, say yeah, > everybody over here, > everybody over there The crowd is live and I will do this Party people in the house, move Frame: https://ultrahouse3k.com/img/S08E15/1344468.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1347805 ## 22:32–22:45 Silhouetted audience members, including one with a large puffy hairdo at left, sit in rows of seats in a dark theater. The scene opens over a purple night landscape with a moon, where credits list Color Design Supervisor Karen Bauer-Riggs, Animation Post Production Supervisor Rick Polizzi, and Creative Consultant Matt Groening. It then cuts to the theater, where a blue projector beam sweeps across the screen and the words GRACIE FILMS appear in white letters. Frame: https://ultrahouse3k.com/img/S08E15/1353644.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1359066 ## 22:45–22:51 No Simpsons characters appear in this moment; it is the 20th Century Fox Television logo. In the first three frames, the gold 20th Century Fox Television logo, with its stacked tower and searchlight beams against a blue sky with clouds, sits over a city skyline. In the second and third frames the words 'A News Corporation Company' appear beneath it, and the beams shift slightly between frames. The final two frames fade to an all-black screen. Frame: https://ultrahouse3k.com/img/S08E15/1366574.jpg Page: https://ultrahouse3k.com/episode/s08e15-homers-phobia/1368242