# Homer's Enemy The Simpsons, season 8, episode 23 (S08E23), first aired May 4, 1997. Written by John Swartzwelder. Directed by Jim Reardon. Production code 4F19. Couch gag: Static Bart. Frank Grimes, a self-made man who has struggled for everything since childhood, takes a job at the power plant and comes to despise Homer for coasting through life. When his plan to humiliate Homer with a children's power plant design contest backfires, Grimes snaps and electrocutes himself while imitating Homer. Meanwhile, Bart pays a dollar for an abandoned factory and runs it with Milhouse. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Barney Gumble, Chief Wiggum, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mr. Burns, Waylon Smithers, Kent Brockman, Martin Prince, Ralph Wiggum, Reverend Lovejoy, Gareth Prince, Dewey Largo, Sarah Wiggum, Gloria Prince, Old Jewish Man, Charlie, David Crosby, Gerald Ford, Springfield Nuclear Power Plant Employee, Frank Grimes, The Smashing Pumpkins, Auction Announcer. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s08e23-homers-enemy From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart, the spiky-haired boy in an orange shirt, stands on a skateboard atop a pink car in the family driveway, arms raised, while Homer, the bald heavy man in a white shirt and blue pants, steps into view beside the car and spreads his arms. Blue sky with drifting cream-colored clouds opens the scene, and the yellow words "THE SIMPSONS" appear over the clouds before the cut to the driveway. The yellow house with its open garage, stacked cardboard boxes, a bicycle, and a blue mailbox are visible. > The Simpsons > The Simpsons Don't! Frame: https://ultrahouse3k.com/img/S08E23/1043.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/6256 ## 0:12–0:23 Homer, Marge, Bart, Lisa and Maggie sit together on the red living room couch, where Bart glows green and then pink while Lisa leans toward him and Maggie sits at the far end. The pink room holds a purple table lamp, a green telephone and a tall floor lamp, and the scene then cuts to a boxy television whose blue screen reads "Created by Matt Groening" before changing to "Developed by James L. Brooks, Matt Groening, Sam Simon". Frame: https://ultrahouse3k.com/img/S08E23/13555.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/18143 ## 0:23–0:30 A grey-haired man in a brown suit and blue tie sits behind a desk against a teal backdrop, holding a sheet of paper in both hands. He smiles and speaks, then a caption reading "Co-Executive Producer GEORGE MEYER" appears across the lower part of the screen while he keeps smiling at the paper. He then closes his eyes in a smug grin as he lowers the paper slightly, after the scene opens from a black screen. > Which, if true, means death for us all. Frame: https://ultrahouse3k.com/img/S08E23/24816.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/27110 ## 0:30–0:42 Kent Brockman, the grey-haired news anchor in a brown suit and blue tie, sits at a desk with papers beneath a pink "Kent's People" sign and a framed portrait of a dark-haired man with glasses. He smiles and then speaks while the lower-third caption "Co-Executive Producer MIKE SCULLY" appears, which is replaced by "Co-Executive Producer STEVE TOMPKINS" as he keeps talking with his mouth open. The portrait remains on the teal wall throughout. > And now, Kent's people. > Tonight's inspiring story is about Frank Grimes, > a 35-year-old Springfieldite who's earned everything the hard way, > but never let adversity get him down. > Abandoned by his parents at age four, Frank never got to go to school. Frame: https://ultrahouse3k.com/img/S08E23/31490.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/36703 ## 0:42–0:53 A man with dark hair, thick-framed glasses and a striped shirt looks out the back window of a car onto an empty highway, then a hand waves out the window toward a small figure in a cap and glasses standing on the road. The scene shifts to a stylized black-and-white picture of that same cap-wearing, bow-tied delivery figure holding a wrapped gift beside a house and a train, then to him handing the gift at a grand doorway to a white-haired boy in a formal uniform while a tall man in a tuxedo stands in the doorway. On-screen captions read "Supervising Producer Jonathan Collier," "Supervising Producer Ken Keeler" and "Supervising Producer David S. Cohen." > He spent his childhood years as a delivery boy, > delivering toys to more fortunate children. > Then, on his 18th birthday, he was blown up in a silo explosion. Frame: https://ultrahouse3k.com/img/S08E23/44002.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/48173 ## 0:53–1:05 A heavily bandaged, mummy-like figure with a yellow face-patch lies in a hospital bed, one arm raised with a flower bouquet and a traction apparatus, while green telephones sit on a nearby table. In the opening frames a tiny figure walks along a railroad track beside a tall grey silo under a blue sky, and then the silo explodes in a burst of fire, smoke, and flying corn cobs. The scene ends with credits on screen reading 'Producer RICHARD APPEL' and then 'Consulting Producer IAN MAXTONE-GRAHAM' over the bandaged patient. > During his long recuperation, he taught himself to hear and feel pain again. > As the years passed, he used his few leisure moments each day to study science by mail. Frame: https://ultrahouse3k.com/img/S08E23/54846.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/59434 ## 1:05–1:10 A bespectacled man with dark hair and glasses, wearing a grey shirt, sits at a desk in a drawn room, resting his cheek on one hand while reading an open book. Stacks of books labeled PHYSICS, CHEMISTRY, THE ATOM and BIOLOGY flank the desk beside a window. Across the moment he stays seated, leaning on his hand and turning the page with his other hand, while the on-screen credit reads Consulting Producer, first DAN McGRATH and then DAVID MIRKIN. > And last week, Frank Grimes, Frame: https://ultrahouse3k.com/img/S08E23/66316.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/67985 ## 1:10–1:24 A man in a pith helmet, blue shirt and brown satchel stands outside a house beside a window and shrub, and on-screen captions read "Consultant John Swartzwelder," then "Co-Producer Colin A.B.V. Lewis," then "Produced by J. Michael Mendel." The bespectacled, black-haired man in a white shirt and black tie, who may be Frank Grimes, takes a rolled scroll from the satchel man, and the two shake hands while he holds the scroll. He then stands holding the scroll by the doorway, and a black bird swoops in from the left to snatch it from his raised hand. > the man who had to struggle for everything he ever got, > received his correspondence school diploma in nuclear physics with a minor > in determination. Frame: https://ultrahouse3k.com/img/S08E23/71947.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/77786 ## 1:24–1:35 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, sits in a red armchair in his book-lined study while his thin assistant Smithers, in a green sweater and glasses, stands before him. Burns dabs his nose with a white handkerchief, and a small television on the desk shows a grey-haired man in a red jacket. Earlier, a yellow-skinned man with black hair and glasses holds a rolled paper at a house doorway as a black crow swoops down past him, and the same man appears on the television screen. > That's the kind of man I need in my team, Smithers. > A real scrapper. > A self-made man like me. > Bring this Grimes fellow to me. I want to make him my executive vice president. Frame: https://ultrahouse3k.com/img/S08E23/85711.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/89881 ## 1:35–1:45 Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, leans toward his thin assistant Smithers, who wears glasses, a green jacket and a purple bow tie, while the credit 'Written by John Swartzwelder' appears over them. Burns then sits in a tall red armchair in his office, gesturing with a raised finger as Smithers stands beside a desk, with the credit 'Directed by Jim Reardon' shown first and then the caption 'The next day' over an aerial view of a nuclear power plant with two cooling towers. Finally, a dark-haired man in a white shirt and tie with glasses walks past a wall clock and a counter where Smithers looks at a television showing a golden dog. > Yes, sir. > Smithies, I've just seen the most heroic dog on television. Frame: https://ultrahouse3k.com/img/S08E23/96138.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/100100 ## 1:45–1:56 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red high-backed chair behind a purple desk, dressed in a blue suit with a black tie, while a figure in a dark green sweater with his back to the viewer stands at left facing him. In the first two images he dabs his mouth with a white cloth and then gestures with his hands, and in the third he points a finger while speaking. In the fourth he leans forward with a stern, scowling look, and in the last he extends his arm and points toward the standing figure with an open-mouthed, animated expression. A dark cabinet and a window with diagonal glare sit behind them. > He pulled a toddler from the path of a speeding car, > then pushed a criminal in front of it. > Find this dog. I want to make him my executive vice president. Frame: https://ultrahouse3k.com/img/S08E23/106148.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/110944 ## 1:56–2:10 Two men in a library lined with bookshelves stand together, a thin dark-haired man in a white shirt, black tie and glasses reaching out to shake hands with a stouter, grey-haired man in a green jacket, pink bow tie and ID badge. The handshake holds as they face each other, and then Mr. Burns sits at a desk beside a red tufted chair and a window, gesturing with a clenched fist before lifting a hand and waving it dismissively with his eyes closed. > Uh, yes, sir. > In the meantime, here's Frank Grimes. > The self-made man? > What? > Oh, yes, that fellow. We'll just put him somewhere out of the way and find that dog. Frame: https://ultrahouse3k.com/img/S08E23/117618.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/123457 ## 2:10–2:18 Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, angrily points his finger at a man in a green sweater across a counter with a small TV in the corner. Smithers, a thin man with glasses, a white shirt and a black tie, stands by bookshelves as the man in green sweater leans toward him, then gestures with an open hand while Smithers looks on. Homer, in his white shirt and blue trousers, swivels in a black chair at a control console with many dials and buttons, hazard-striped doors, and a red fire extinguisher on the wall behind him. > Yes, sir. > Chair goes round. Frame: https://ultrahouse3k.com/img/S08E23/131381.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/134509 ## 2:18–2:30 Homer, in a white shirt and orange tie with a badge, sits in a rolling chair in the plant's control room while Lenny, with spiky black hair and a green sweater, and Carl, a Black man in a pink sweater and grey jacket, stand by the door. Homer spins and rolls toward the purple control console, flinging his arms out as a figure appears in a monitor window, then he leans close to the panels marked CORE TEMP, eyes wide and mouth open, before slumping with heavy-lidded, drooping eyes. The gauges, dials, and switches of the control panel fill the background throughout. > Hey, homie, you busy? > Yes. > There's a new guy at the plant. > Maybe we ought to say hi to him. > I don't know. > I'm kind of dizzy. > I should probably go home sick. Frame: https://ultrahouse3k.com/img/S08E23/139723.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/144728 ## 2:30–2:42 Smithers, a thin man with glasses in a white shirt and black tie, stands at a desk in a nuclear plant office, then sits and leans on his elbow while holding a blue mug beside a telephone and a DANGER sign. Homer in a white shirt and tie, Carl in a pink shirt, and a green-sweater man with brown hair crowd at a window, gesturing with open hands and talking to him. They then press through a doorway beside a yellow radiation-symbol door while Smithers watches them, with a pencil cup and desk lamp on the desk. > You new? > Yes. Frame: https://ultrahouse3k.com/img/S08E23/151610.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/156615 ## 2:42–2:55 A thin, bespectacled man in a white shirt and black tie stands in an office with a blue-green desk, a mug, and a cup of pencils, then shakes hands with Lenny, a spiky-haired man in a green sweater and suspenders, while Carl, a Black man in a grey jacket and red sweater, and Homer, bald and wearing a white shirt and orange tie, look on. The men then break apart as the thin man grits his teeth and gestures tensely, and Homer holds pencils in front of his face like glasses while the thin man reacts, with pencils spilled across the desk. Wall certificates, a bookshelf, a calendar showing a power plant, and a radiation symbol on the door are visible throughout. > My name is Frank Grimes. > I'm Lenny. > This is Carl and Homer. > I'm Lenny. > How do you do? > Wow, you got pencils with your name on them, just like a pencil company executive. Frame: https://ultrahouse3k.com/img/S08E23/163914.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/169127 ## 2:55–3:09 Homer Simpson, bald and wearing a white shirt and tie, first holds a pencil marked FRANK GRIMES crosswise over his face, then in the office with a pencil in his mouth, while Lenny, a spiky black-haired man in a white shirt and black tie, grips the pencil and gestures at him near a desk holding a teal mug, a cup of pencils, and a telephone. Lenny then holds the pencil up, and Homer raises a hand toward it. In the final frames, Lenny in a white shirt and blue pants stands by the desk while Carl, a Black man in a grey jacket, and Frank Grimes, a thin man with long black hair and a green sweater, stand before a framed Correspondence College certificate for a Master of Science in Nuclear Physics on a beige wall, with a water cooler at the right edge. > I'd give anything for one of these. > Any office supply company can have them made up for you. > Can I have this one? No. > Can Lenny have it? No. > Oh, that's my degree in nuclear physics. > I'm sure you all have one. Frame: https://ultrahouse3k.com/img/S08E23/176635.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/182474 ## 3:09–3:19 Carl, a Black man in a pink sweater and grey jacket, stands beside a dark-haired man in a green sweater and purple suspenders as they look at a framed certificate on a beige wall. The green-sweater man grimaces and gestures with one hand toward his stomach while Carl's eyes glance sideways at him. The scene then shifts to a plant corridor, where a dark-haired man with glasses, white shirt and black tie stands in front of Homer, who wears a white shirt, orange tie and ID badge. Homer's eyes roll and his mouth opens as if speaking, with a blue door, a red "DA" sign, a control panel and yellow-and-black hazard stripes behind them. > Oh, yeah. Carl and I each have a master's. > Of course, old Homer. He didn't need a degree. > He just showed up the day they opened the plant. > I didn't even know what a nuclear panner plant was. Frame: https://ultrahouse3k.com/img/S08E23/190607.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/194361 ## 3:19–3:32 Homer Simpson, in a white shirt and loosened tan tie, stands in a beige office with a framed certificate and a calendar on the wall, talking with a thin, bespectacled man with black hair, a white shirt, black tie and ID badge. Homer's gaze shifts as the man glances at his wristwatch, and Homer then stretches and yawns while tugging at his tie as the man watches him with a stern look. Beside a desk with a telephone, a framed plaque reading Master of Science, Nuclear Physics hangs on the wall behind them. > Um, yeah. > Well, listen, I'm sure we all have a lot of work to do. > Hey, you seem like a great guy, so I'll give you a little tip. > If you turn that security camera around, you can sleep and no one will ever know. Frame: https://ultrahouse3k.com/img/S08E23/200409.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/206039 ## 3:32–3:45 Homer, bald and wearing a white shirt, orange tie and ID badge, stands in a small office with a security device mounted in the corner, beside a black-haired man in glasses, white shirt and black tie. Homer holds a sheet of paper and looks uneasy as he talks with the man, who frowns and speaks with his mouth open, then glances sideways while Homer turns away. Framed certificates and a notice hang on the beige walls, and a small blue cup sits on a desk nearby. > I don't think we're being paid to sleep. > Oh, yeah, they're always trying to screw you. Frame: https://ultrahouse3k.com/img/S08E23/213755.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/218760 ## 3:45–3:46 No characters appear in this moment. The scene is the exterior of a large neoclassical civic building (the Springfield courthouse or town hall) with columns, a clock in the pediment, and an American flag on the roof, viewed from the front across a lawn. Two stone lion statues flank the wide steps, and small plaques sit on their pedestals. Across the five frames the view stays static with no visible movement, except that a small blue car on the left and a piece of litter on the sidewalk remain in place, and the scene holds steady throughout. Frame: https://ultrahouse3k.com/img/S08E23/226059.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/225851 ## 3:46–3:55 Marge, with her tall blue beehive and green dress with red beads, leans on a counter at a window marked PERSONALIZED LICENSE PLATES, facing a clerk in a dark blue suit and red tie who sits at a computer monitor; Bart, in the bottom corner with spiky hair, is partly visible. Marge leans in and then rests her chin on her hand while the clerk glances sideways and then back toward her, with the sign hanging above the window. Across the moment the clerk's expression stays mostly flat and patient while Marge's eyes shift and her posture stays bent forward over the counter. > Marge is already taken? > How about Marjorie? > Sorry, ma'am. > How about Mitzi? Frame: https://ultrahouse3k.com/img/S08E23/227519.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/230856 ## 3:55–4:03 Marge Simpson, with her tall blue beehive and green dress, stands at a window marked PERSONALIZED LICENSE PLATES, gesturing and talking to a thin, dark-haired clerk in a blue suit and red tie seated at a computer. Marge then leans on the counter with a finger to her chin while the clerk looks on with a flat expression. Bart Simpson, in an orange shirt and blue shorts, walks away from the counter with a sulky look and a sideways glance. The sign and the computer are the visible props in the office. > Uh-uh. > You can have Nitsy. > Hmm, Nitsy. > I'm out of here. Frame: https://ultrahouse3k.com/img/S08E23/236278.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/239614 ## 4:03–4:14 Bart Simpson, in his orange shirt and blue shorts, walks down a hallway past a door marked "Fish License" and a purple trash can, then stops at a door labeled "TAX SEIZURES" and steps inside, raising a hand in greeting. Inside, a row of seated bidders in grey chairs, including an older man with white tufts of hair and a man in a blue sweater with glasses, faces an auctioneer in a red jacket at a wooden podium beneath a chalkboard. As Bart enters, the auctioneer raises a finger and keeps speaking to the room. > Ladies and gentlemen, our next lot is number 751. > How much am I bid for item 751? > 751. > Nothing. No bids for item 751. Frame: https://ultrahouse3k.com/img/S08E23/245036.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/248999 ## 4:14–4:17 A thin black-haired man in a maroon jacket and black tie stands behind a wooden podium before a chalkboard listing numbered items 1 to 5, gesturing with his open hand as he speaks. Bart Simpson, in his orange shirt and blue shorts, stands in an open doorway of a room where a man with glasses in a blue sweater, a bald man in a grey suit, and a bald older man in a brown shirt sit or stand, and the podium man faces them with his back to us. Bart raises both arms and waves toward the room while the seated men look on, with a stack of paper or a sign pinned beside the doorway. > A buck. > I have a buck. I have one dollar one dollar there. Frame: https://ultrahouse3k.com/img/S08E23/255255.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/255464 ## 4:17–4:24 A man with swept-back black hair, a red jacket and a black tie stands behind a wooden podium in a classroom, with a chalkboard listing numbered items behind him, a stack of papers on a nearby desk, and a bulletin board with purple shapes on the right. He leans forward, jabbing a finger down at the podium, then raises his arm to point off to the left while his mouth moves as he speaks. He keeps gesturing insistently toward the left, his face scrunched and his mouth opening and closing as he talks. > One dollar one dollar one dollar one dollar... > Two dollar two dollar... Frame: https://ultrahouse3k.com/img/S08E23/258175.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/260469 ## 4:24–4:31 A balding-free man with black slicked-back hair, a red jacket and a black tie stands behind a wooden podium in a classroom with a green chalkboard and a stack of papers on a table, while a boy with spiky hair in an orange shirt and blue shorts stands on the green stage below. The man points at the podium, then holds up a wooden gavel and strikes it down, raises it high with a wide grin, and finally leans on the podium with a sly look while reading papers as Bart stands in front of the stage. The chalkboard shows a numbered list, 1) through 4), and a poster of colored shapes hangs on the right. > Two dollar one dollar... Two dollar one dollar... > Sold for a buck. > Cool. What'd I buy? Frame: https://ultrahouse3k.com/img/S08E23/265265.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/267559 ## 4:31–4:42 Bart, the boy with spiky hair in an orange shirt and blue shorts, stands in a room holding a green banknote and a DEED document up near a wall, then he is seen outside a black iron gate with a sign reading "35 INDUSTRY WAY" beside a yellow factory with purple smokestacks under a blue sky. He grips the bars of the gate with both hands, first with his back to the viewer and a can in one hand, then peering wide-eyed through the bars as the gate's metal rails frame his face. > 35 industry way. > Looks like my years of hard work have finally paid off. Frame: https://ultrahouse3k.com/img/S08E23/272147.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/276526 ## 4:42–4:44 Homer, a bald, heavy man in a white shirt, stands at the back cafeteria table while a dark-haired man in a white shirt walks across the floor past the vending machines and then moves toward the table. Seated nearby, a dark-skinned man in a green shirt sits at the left table, a brown-suited man with brown hair sits at the right, and a figure with orange hair sits at the front table. The room has a food counter on the left, orange chairs, green-topped tables, a bulletin board, a wall clock, and red, blue, and pink vending machines, with the scene staying almost still apart from the walking figures. Frame: https://ultrahouse3k.com/img/S08E23/283200.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/282991 ## 4:44–4:52 Homer Simpson, bald and stubbled in a white shirt, sits at a green counter eating a burger while a thin, bespectacled man with black hair, a white shirt, black tie and ID badge stands beside him. The man talks and gestures, first with a hand near the counter and then with an outstretched hand toward the burger, while Homer keeps chewing and glances sideways at him. A brown paper bag reading "Property of Frank Grimes" sits on the counter, and a wall clock, a notice board and an orange-trimmed booth are visible in the room. > Hiya, Stretch. > What's the good word? My name is Grimes, uh, Simpson. > Frank Grimes. I took the trouble to learn your name. > The least you can do is learn mine. Frame: https://ultrahouse3k.com/img/S08E23/285285.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/288205 ## 4:52–5:00 Homer Simpson, in a white shirt, stands at a counter eating a small sandwich while a thin man with black hair, glasses, a white shirt and black tie, and an ID badge stands beside him, and a brown paper bag reading 'Property of Frank Grimes' sits on the counter. Homer takes bites of the sandwich, then reaches toward the bag and looks up, while the man glares and leans forward to grab the bag and pull it toward himself. The background shows a wall clock, an office sign, a bulletin board and a green cabinet. > Okay, Grimey. > Uh, you're eating my special dietetic lunch. > Huh? Frame: https://ultrahouse3k.com/img/S08E23/293210.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/296129 ## 5:00–5:09 Homer, the bald, heavy man in a white shirt, eats a sandwich while standing at a counter in an office break room, and a thin man with glasses and neat black hair, wearing a white shirt and dark tie, stands across from him holding a brown paper bag labeled "Property of Frank Grimes." Homer first sits chewing with a sandwich in hand, then the thin man, holding the bag, speaks to him while Homer turns his head and looks toward him. Homer then lifts his sandwich to his mouth and takes a bite, looking off to the side, while a figure in a brown bag-like outfit appears at the left edge. A green EXIT sign, a red wall alarm, a bulletin board, and purple lockers are visible in the room. > Uh, ahem. Oh, gee. > Oh, I'm sorry. The bag was clearly marked. > Please be more careful in the future. Frame: https://ultrahouse3k.com/img/S08E23/301134.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/304888 ## 5:09–5:22 Homer, bald and in a white shirt, sits on an orange chair at a diner counter while a thin man with black hair, glasses, a white shirt and a black tie stands across from him holding a wrapped sandwich. The man turns and walks off to the left as Homer watches him, and the scene then moves to a close view of a green desk with two yellow pencils labeled FRANK GRIMES, with the man's glasses and face appearing behind them. Frame: https://ultrahouse3k.com/img/S08E23/310936.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/316358 ## 5:22–5:33 Smithers, a thin man with glasses in a white shirt and black tie, stands in a blue control room with a radiation symbol on the wall, while Homer, bald and heavy in a white shirt, sits sprawled in a circular control console covered with pencils, holding two more in his hands and another in his mouth. Smithers gestures with a pencil, then glares with his arms at his side, and the scene cuts to a green power plant behind a black iron fence, with smokestacks, a water tower and a yellow sign-free yard. > Simpson, do you know who chewed my... Frame: https://ultrahouse3k.com/img/S08E23/324074.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/328036 ## 5:33–5:40 Bart, the boy with spiky hair in an orange shirt and blue shorts, walks into a dusty, purple-walled warehouse with a wooden floor and hanging lamps, and a mouse is seen scurrying in the foreground near a grate. Bart walks across the floor, then strides forward with an arm raised, before stopping to stand with his hands on his hips. In the final moment, a large yellow hand reaches down to pick up a rusty metal bolt lying on the floorboards, with blue barrels and a striped wall in the background. > Wow, it's filthy. > And it's mine. Frame: https://ultrahouse3k.com/img/S08E23/334292.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/336586 ## 5:40–5:47 Bart Simpson, the boy with spiky hair in an orange shirt, stands in a purple room with a row of cracked, broken windows along the upper wall and a dark blue ceiling with hanging lights. He first stands facing forward holding a small object in one hand, then turns to glance up toward the ceiling, and next reaches up with one arm toward the broken windows. He then turns his back and walks away across the reddish-brown floor in his blue shorts and blue shoes, with red drips visible on the purple wall. Frame: https://ultrahouse3k.com/img/S08E23/341174.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/343677 ## 5:47–5:56 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, is in a large purple room with a dark arched ceiling and wooden floor. He pushes a wooden swivel office chair across the floor and then sits on it, leaning back as it rolls toward a red fire extinguisher against the wall. In the last moments the room is empty, with the chair and Bart gone, and the wall bears only faint marks and a few lights overhead. > Whee! Frame: https://ultrahouse3k.com/img/S08E23/348473.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/352227 ## 5:56–6:06 Homer Simpson, bald and heavy in a white shirt and blue pants, and a dark-haired man with glasses, a white shirt and a tie are in an office. Homer peeks in from the blue doorway, then steps fully inside and stands by it while the seated man keeps working with a compass and pencil at a wooden desk beside a black telephone. The seated man glances up with a scowl, and Homer raises an open hand and gestures as he talks, while the man returns to his drawing. > So, how's it going, Grimey? > I'd appreciate it if you'd stay out of my office, Simpson. > I wish I had a nickel for every time I heard that. Frame: https://ultrahouse3k.com/img/S08E23/358066.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/361820 ## 6:06–6:16 Homer, the bald, heavy man in a white shirt and blue pants, stands near a blue door in a plain office while a black-haired man with glasses, a white shirt and a black tie sits at a wooden desk, drawing on paper with a compass and pencil beside a black telephone and a framed certificate on the wall. Homer steps out of view to the left and then returns, standing with his mouth open as if speaking, while the seated man keeps working at the desk with a stern expression. A striped orange-and-black panel is visible on the wall behind the desk. > Take me out to the ball game. Frame: https://ultrahouse3k.com/img/S08E23/367868.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/371621 ## 6:16–6:26 Homer Simpson, bald and heavy in a white shirt and blue pants, stands at a wooden desk in an office, facing a thin man with glasses, a black tie and a white shirt who sits at the desk writing on a sheet of paper beside a black telephone. Homer leans over and shouts with his mouth wide open, then stands upright with his hands folded over his belly and a wristwatch visible, looking up and to the side while the seated man keeps his eyes on the paper and then glances up. Homer then sighs and talks with a tired expression as the seated man listens, and the scene ends with Homer staring upward, his eyes wide, and the seated man looking over at him. Behind them a yellow radiation-warning sign with a black-and-yellow striped barrier is mounted on a grey wall next to a blue door, and a framed notice hangs on the wall. > Take me out to the ball. > So, what's new, Grimey? > Simpson, you got a 513. > No, a 513. Frame: https://ultrahouse3k.com/img/S08E23/377669.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/381423 ## 6:26–6:30 Homer, the bald man in a white shirt, stands facing Smithers, a thin man with glasses, black hair, a white shirt, black tie and ID badge, who sits at a desk with a green top in an office. Smithers gestures with his hands, at one point holding a dark folder and at another spreading his palms open, while Homer listens with wide eyes and an open mouth. A framed certificate hangs on the beige wall, a yellow and black hazard-striped sign is mounted nearby, and a purple bookshelf stands at the right. > In your procedures manual, a 513? Frame: https://ultrahouse3k.com/img/S08E23/387470.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/388513 ## 6:30–6:40 Homer Simpson, bald and wearing a white shirt, stands in a grey corridor with a man in a white shirt, red tie and glasses who has black hair, a clue to Lenny or Carl's build and hair only loosely; he is not clearly Lenny or Carl, so he is described as a dark-haired man with glasses and a lanyard badge. The two talk beside a yellow-and-black hazard-striped door marked with a radiation symbol. Homer looks at the man, then points toward a pink-lit control room behind glass, where a red panel reads DANGER. Homer turns to gaze at the control room, then turns back and gestures with his hand while the man talks, and finally Homer folds his arms and frowns as the man keeps speaking. > Look at your control panel. > Oh, a 513. > I'll handle it. Frame: https://ultrahouse3k.com/img/S08E23/391641.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/395812 ## 6:40–6:50 Homer Simpson, bald and heavy in a white shirt and blue pants, stands in the nuclear plant control room between two doors marked with radiation symbols, then tips a bucket of liquid onto the control panel while blue electrical sparks crackle around him. Behind a window, the thin, bespectacled Smithers waves as wisps of smoke rise from the console. The scene then shows the exterior of the plant, a green building with purple smokestacks and a shattered window under a blue sky. > That got it. Frame: https://ultrahouse3k.com/img/S08E23/402068.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/406031 ## 6:50–7:04 Bart Simpson, the spiky-haired boy in an orange shirt, sits slumped in a big worn-out red armchair behind a desk in a dusty, cluttered office, with a sign reading "PRESIDENT BART SIMPSON" on the door and loose papers scattered on the red floorboards. He then turns in the chair to face the window, looking out at Milhouse, the boy with blue hair and glasses, who stands on the sidewalk outside a green factory with a gate and broken windows. Milhouse, in a pink shirt and red shorts, looks up toward the building as the scene ends, with a leaf-strewn sidewalk and a black iron gate visible. > Hey, Millhouse, you want a job in my factory? > You don't have a factory. > Hey, I'm a busy man. You want a job or not? Frame: https://ultrahouse3k.com/img/S08E23/412078.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/417709 ## 7:04–7:08 Bart, the boy with spiky hair in an orange shirt, leans on the windowsill of a green brick building with his arms folded, glaring and then opening his mouth to speak as he looks down at the street. Below, Milhouse, a boy with blue hair and glasses in a pink shirt and red shorts, stands on a sidewalk between two black iron gates with spiked tops, first standing still and then stepping forward and bending over as he moves through the gap. The gate posts have round stone caps, and the scene is lit with blue sky visible through the upper windows. > Okay. Frame: https://ultrahouse3k.com/img/S08E23/425425.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/426468 ## 7:08–7:19 Homer Simpson sits at a lilac table in a break room, first lifting a hand to his face and then holding a sandwich and eating while his coworkers Carl, a Black man in a grey jacket and pink sweater, and Lenny, with spiky black hair, green sweater and suspenders, stand nearby holding paper coffee cups. A third man with black hair and a white shirt stands with his back to the viewer as Homer gestures with his hands, then rubs his face. On the table sit a pink box, a green bowl, a sandwich and crumbs, with a bar chart poster on the corkboard behind and a crumpled napkin on the floor. > God, he eats like a pig. > I don't know. > Pigs tend to chew. > I'd say he eats more like a duck. Frame: https://ultrahouse3k.com/img/S08E23/429804.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/434392 ## 7:19–7:22 Homer Simpson, bald and stubbled in his white shirt, stands in an office beside a brown door with a wall graph and a pinned notice. He bites into a dark candy bar held up to his mouth, then raises his free hand and opens his mouth wide, eyes squeezed shut as he gestures. He finishes with half-lidded eyes and a smug sideways look. > Well, some kind of farm animal anyway. Frame: https://ultrahouse3k.com/img/S08E23/441066.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/441483 ## 7:22–7:35 Lenny, with spiky black hair and a green sweater over a white shirt with blue suspenders, stands beside Carl, a Black man in a grey jacket over a pink sweater, while a slim man with glasses, black hair, a white shirt, a black tie and an ID badge stands at left. All three hold white paper cups in a hallway between a green wall and a yellow wall. The man at left talks and gestures, scratching his head with one hand and then looking smugly at the others, while Carl glances sideways and Lenny keeps a sleepy, sidelong look as his mouth moves. > And earlier today, I saw him asleep inside a radiation suit. > Can you imagine that? He was hanging from a coat hook. > He had three beers at lunch. That would make anybody sleepy. > I've never seen him do any work around here. Frame: https://ultrahouse3k.com/img/S08E23/443985.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/448990 ## 7:35–7:38 A thin, bespectacled man with short black hair, a white short-sleeved shirt, a black tie and an ID badge stands beside a green wall and a brown door with a pink letter, holding a small white cup. As he talks, he gestures with his free hand, first pressing his hands together, then lowering one hand and opening the other palm outward in a shrug, while the cup stays in his other hand throughout. > What is his job? Safety inspector. That irresponsible oaf? Frame: https://ultrahouse3k.com/img/S08E23/456289.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/456706 ## 7:38–7:51 Carl, a Black man in a grey jacket over a pink sweater, and Lenny, who has spiky black hair and wears a green sweater with blue suspenders, stand beside a man with a flat black hairdo, glasses, a white shirt and a black tie in a yellow hallway beside a green door, each holding a white paper cup of coffee. The man in the tie talks with a wide-open mouth and an indignant look, gestures with his free hand, and then holds his cup out while speaking to the other two, who listen with blank stares. He keeps gesturing and talking, then leans in with a sly, smug expression, and finally pats his stomach while Lenny looks on with a dour frown. > A man who by all rights should have been killed dozens of times by now? > 316 times by my count. > That's the man who's in charge of our safety. > It boggles the mind. It's best not to think about it. Frame: https://ultrahouse3k.com/img/S08E23/459417.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/464839 ## 7:51–7:54 Carl, a Black man with short curly black hair in a grey jacket over a pink shirt, stands against a yellow wall holding a white cup, his eyes rolling sideways and his mouth grimacing and opening as he speaks. Then Homer, bald and yellow in a white shirt, sits at a desk before a corkboard with an EMERGENCY chart and a red-bar ACCIDENTS graph, a pink box in front of him and a soda can at the edge. He lifts his hand to his nose, then rests his chin on his hand with heavy-lidded eyes while a crumpled white napkin sits on the desk. Frame: https://ultrahouse3k.com/img/S08E23/472347.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/472764 ## 7:54–8:06 Homer in a white lab coat is seated at a counter in a break room while Lenny, a man with spiky black hair, glasses and a black tie, shouts at him and points. Carl, a Black man in a pink jacket, stands nearby holding a cup as Homer holds up a beaker of green liquid, and earlier a gloved yellow hand reaches for a flask labeled ACID at a Research Lab window. The acid eats a ragged green hole in the wall behind the counter, where a head is lodged, and a pink DONUT box sits on the counter beside a can of Buzz soda. > Beep, beep. > Ah, ah, ah, ah, ah. > You idiot! > You nearly drank a beaker full of sulfuric acid. > Acid egg? Frame: https://ultrahouse3k.com/img/S08E23/475475.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/480480 ## 8:06–8:15 Homer, bald and heavy in a white shirt, sits at a pink-topped desk in a small office while a dark-haired man with glasses, a white shirt, black tie and ID badge stands beside him, extending one arm toward him. Homer first squints and purses his lips, then opens his mouth to speak and finally throws his head back, eyes squeezed shut, laughing as the standing man stays with his hands at his waist. Visible objects include a pink box on the desk, a bulletin board with a bar chart, and a poster reading "Children's Model-Building Contest: Kids! Design your own power plant!" > Gee, that would've been stupid. > Boy, would my face have been red. Frame: https://ultrahouse3k.com/img/S08E23/487779.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/491116 ## 8:15–8:28 Smithers, a thin man with glasses and black hair in a white shirt and black tie, presses Homer's bald head down onto a purple table in a room with a green wall and a pink box on the table, then leans in and shouts at him while Homer looks up. Mr. Burns, frail and stooped with grey hair at the sides, appears through a jagged hole in the green wall beside a brown dog wearing a purple VICE PRESIDENT vest, pats the dog's head, and then stands with the dog as it sits in the opening. > Stop laughing, you imbecile! > Don't you realize how close you just came to killing yourself? > Who did this to my wool? Frame: https://ultrahouse3k.com/img/S08E23/496538.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/501960 ## 8:28–8:41 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at the right edge pointing a finger while a brown greyhound wearing a 'VICE PRESIDENT' sash stands nearby in a room with a green wall and a bulletin board. Smithers, the thin assistant with glasses, stands beside a seated Homer, who has brown... > He did. > Is this true? > Well, technically it is true, sir, but... > Come with me. > He likes you. Frame: https://ultrahouse3k.com/img/S08E23/509467.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/514889 ## 8:41–8:51 No characters are visible in this moment; the scene shows a pair of tall orange double doors in a yellow-walled corridor with wood paneling along the lower walls and arched blue transom windows above. A gold-lettered nameplate reading "C. M. BURNS" is mounted on the left door, and two curved brass handles sit at the center where the doors meet. A dark object, likely a piece of furniture, is partly visible at the left edge. Across the sequence the view drifts slightly, shifting the doors and nameplate gradually toward the right and enlarging them, as if the viewpoint is slowly moving closer to Mr. Burns's office entrance while the doors stay closed and empty. > How dare you destroy my valuable wool and spill my priceless acid? > Did you really think you were going to get away with it? > I wasn't... Silence! > I'm going to give you one more chance at a reduced salary. Frame: https://ultrahouse3k.com/img/S08E23/522605.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/526359 ## 8:51–9:01 Smithers, the thin assistant with glasses and a black tie, pushes open the double doors marked C. M. BURNS and walks out into a hallway with a red carpet, his face stern. The doors stay closed in the first four frames, then one door swings open as he steps forward. The brass-handled doors and the yellow nameplate reading C. M. BURNS are the only other visible details. > So speakin' up and fly right. > But sir, if I could... Frame: https://ultrahouse3k.com/img/S08E23/532407.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/536369 ## 9:01–9:13 Homer Simpson stands at a control panel in a nuclear plant control room when a dark-haired man in glasses, a white shirt, and a black tie grabs him and pulls him close. The two glare at each other face to face, the man gripping Homer's shirt before pushing him back and then standing squarely in front of him beside a wall with a radiation symbol and yellow-and-black hazard stripes. Dials, gauges, and a round gold emblem on the wall are visible. > Hi, grimy old buddy. I'm not your buddy, Simpson. > I don't like you. In fact, I hate you. > Stay the hell away from me. Because from now on, we're enemies. Frame: https://ultrahouse3k.com/img/S08E23/542417.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/547422 ## 9:13–9:24 Homer, bald and heavy in a white shirt and tie, sits at a control panel while a stern man with short black hair, glasses, and a white shirt and black tie stands beside him, scowling and glancing sideways as Homer looks uneasy. The screen fades to black, then shows the exterior of Moe's at night, its purple facade with a 'MOE'S' sign and a neighboring King Toys music store with glowing windows. > Okay. > Do I have to do anything? > Oh, I can't believe it. I got an enemy. Frame: https://ultrahouse3k.com/img/S08E23/554721.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/559100 ## 9:24–9:37 Moe, the grey-haired bartender, and Homer, in a white shirt, stand at the bar of Moe's tavern while Barney, the heavy drinker with messy brown hair, sits beside Homer with a beer mug. Moe wipes the counter, then Homer sips his beer and looks glum as Moe leans in and speaks to him with a scowl. Pennants reading "Springfield" hang on the wall above a cigarette machine, and an exit sign and a fan are visible in the background. > Me, the most beloved man in Springfield. > That's a weird world, Homer. As hard as it is to believe, > some people don't care for me neither. > No, I won't accept that. No, it's true. Frame: https://ultrahouse3k.com/img/S08E23/565356.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/570779 ## 9:37–9:42 Moe, the grey-haired bartender in a blue vest and bow tie, stands behind the bar lined with bottles in the first three frames, leaning on the counter with a scowl, then speaking and squinting with a stern frown. In the later frames he is at the bar holding up a folded paper list to Homer, the bald man in a white shirt who sits with a beer mug and a hand to his cheek, while Barney, the heavy drunk with messy brown hair in an orange shirt, sits beside Homer with his own mug. Moe passes the paper across the bar, then rests a hand on the counter as Homer and Barney watch, with a cigarette machine and stained glass window behind them. > I got their names written down right here in what I call my, uh, enemies list. Frame: https://ultrahouse3k.com/img/S08E23/578286.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/579954 ## 9:42–9:51 Barney, the heavy drunk with messy brown hair and a pink open-collared shirt, sits at the bar in front of a red-and-green diamond-patterned wall and a glass of beer. He holds up a sheet of paper, looking at it with squinting, bleary eyes, then reads it with his mouth open. In the later frames he points at the paper with his finger and raises his eyebrows in surprise, his mouth open as if speaking. The paper is covered with horizontal lines of writing. > Jane Fonda, Daniel Shore, Jack Anderson. > Hey! > This is Richard Nixon's enemies list. You just crossed out his name and put yours. Frame: https://ultrahouse3k.com/img/S08E23/583708.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/587253 ## 9:51–10:00 Barney, the heavy drunk with messy brown hair and a salmon shirt, sits at the bar holding a sheet of paper while Moe, the grey-haired bartender in a blue bow tie and suspenders, leans in and gestures at him. Moe then holds the paper and a pen, scowling and talking, and Barney gestures back and looks uneasy as a beer glass sits on the bar beside him under a red ceiling and a green and red diamond-patterned wall. Behind the bar, Homer, in a white shirt, appears with his mouth open in an outburst as Moe stands glaring with the paper in hand. > Okay, give me that. Give me that. > Bonnie Gumbel. > Oh. > What'll I do, Moe? Why don't you invite him over to dinner? Frame: https://ultrahouse3k.com/img/S08E23/592884.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/596221 ## 10:00–10:13 Moe, the grey-haired bartender in a blue bow tie and apron, stands behind the bar at his tavern and faces Homer, the bald, heavy man in a white shirt seen from behind with his spiky hair visible. Moe's expression shifts from a stern scowl to a clenched-teeth glare, and he raises a fist toward Homer, who then leans on the counter with his palms out while looking up and wide-eyed. Bottles line the shelves behind the bar, and a frothy beer mug sits on the wooden counter at the right. > Turn him from an enemy into a friend. > Then when he's not expecting it, bam! > The old fork in the eye. > Do you think it might work without the fork in the eye? > So is the first time. Frame: https://ultrahouse3k.com/img/S08E23/601851.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/607273 ## 10:13–10:25 Homer Simpson, in a blue suit, and Lisa, in a pink dress, appear in a pink dining room, with Marge (tall blue beehive) and Maggie (pacifier, blue outfit) later standing nearby. The scene opens on the Simpson house at night, then Homer's hand sets a light blue plate on a table laid with silverware. Homer paces past the table with Lisa trailing behind him, then stands wringing his hands before pointing at Lisa while Marge and Maggie watch from the doorway. > This dinner has to go absolutely perfect if Grimey and me are going to be friends. > Lisa, be perfect. Okay. Frame: https://ultrahouse3k.com/img/S08E23/614989.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/619369 ## 10:25–10:32 Homer, in a blue suit, and Marge, with her tall blue beehive and pearl necklace, stand in a pink room beside a staircase and a shelf holding S and P shakers. Homer jabs his finger first toward Bart, the boy with spiky hair in a suit and pink tie, then toward Maggie, the baby with a pacifier and blue bow, while Marge spreads her hands in a shrug and then clasps them together under her chin. Their wide-eyed, anxious expressions suggest the family is nervously preparing for something. > Marge, perfect. Bart, perfect. > Other kid, perfect. I only have five lobsters. > Are you sure he's not bringing in one with him? Frame: https://ultrahouse3k.com/img/S08E23/626042.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/628962 ## 10:32–10:44 Homer Simpson, in a blue suit and green tie, and Marge Simpson, with her tall blue beehive and green dress, stand in a pink room with a framed painting, a red flower arrangement, and a small table with a lamp-like object. Homer gestures with both hands, first with palms out and then pointing and waving, while Marge stands facing him. In the later frames Homer jumps up and down with his arms raised, and Lisa, in her red dress, peeks out from behind a chair near a purple dresser in the background. > No, no. He doesn't know he's coming to dinner. > I didn't think he'd come, > so I called and said I have something really important to tell him and that I can only > tell him about it here. > Ah, it's him! > It's him, it's him, it's him, it's him, it's him, it's him, it's him, it's him, it's him. Frame: https://ultrahouse3k.com/img/S08E23/633967.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/638763 ## 10:44–10:56 Homer Simpson, bald and heavy in a blue suit with a green tie, and Marge Simpson, with her tall blue beehive and green dress with pearl necklace, stand together in a pink hallway. Marge looks on while Homer clutches his hands to his chin, then leans with a worried expression and his mouth open, Marge's hand resting on his shoulder. Homer's face then goes slack and eyes half-closed as he speaks, with a small teapot and a tray on a shelf behind them. In the final moment Homer stands in a doorway with a blue doorknob, one arm outstretched toward a staircase with purple carpeted steps and a wooden railing, smiling with his other hand tucked behind his back. > Homer, calm down. Answer the door. > Welcome to the Simpson residence, or Casa de Simpson, as I call it. Frame: https://ultrahouse3k.com/img/S08E23/645854.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/650650 ## 10:56–11:06 Homer, in a blue suit and green tie, and Smithers, a thin man with glasses in a grey suit and dark tie carrying a briefcase, stand together in a pink doorway at night. Smithers gestures and talks, then Homer raises a finger, drapes an arm around Smithers's shoulder with a grin, and waves his other hand toward the viewer. A green welcome mat lies at their feet beneath a purple night sky with houses visible outside. > Yeah, what did you want to see me about, Simpson? > This better be important. > It is, it is. But first, let me introduce you to my family. > My perfect family. This is my wife, Marge. Frame: https://ultrahouse3k.com/img/S08E23/657740.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/661911 ## 11:06–11:19 Marge stands holding baby Maggie, who has a pacifier and a blue bow, while Lisa in her pink dress and a boy with spiky hair in a blue suit and pink tie stand nearby in a pink living room with a lamp, a sofa, and an arched doorway. A heavy bald man in a blue suit and green tie gestures toward the family as a thin man with glasses and dark hair stands by the doorway holding a briefcase. The boy turns to the side and points with a smirk while Lisa keeps smiling and looking up. > Hello. > And our beautiful baby. > My daughter, Lisa, IQ 156. Hi. See? And my son, Bart. > He owns a factory downtown. Frame: https://ultrahouse3k.com/img/S08E23/667959.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/673173 ## 11:19–11:33 Marge in a green dress with her tall blue beehive, Homer in a blue suit and green tie, and a thin man with glasses and black hair in a lavender jacket and black tie stand together in a pink hallway, with Lisa and Bart partly visible at the bottom edge and Maggie at the left. Homer and the thin man then talk face to face beside a framed portrait of Grampa, and the thin man reaches toward Homer's arm. The scene then moves into a pink living room with a bay window and cushioned seat, a piano, a green armchair, fireplace tools, and a trophy-filled cabinet. > How do you do? > Look, Homer, I'm late for my night job at the foundry, so if you don't mind telling me... > Good heavens! > This is a palace! > How in the world can you afford to live in a house like this, Simpson? Frame: https://ultrahouse3k.com/img/S08E23/680263.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/686102 ## 11:33–11:43 Homer in a blue suit and green tie, Marge with her tall blue beehive and green dress, and Lisa in a red dress stand in a pink room with a framed family portrait and a lamp, alongside a thin man with glasses, dark hair and a grey suit. The man gestures with one open hand while holding a briefcase, then keeps talking and turning toward the group as Homer stares on and Marge looks to the side. A framed portrait of the family hangs on the pink wall above a wooden desk. > I don't know. Don't ask me how the economy works. > Yeah, but look at the size of this place. > I live in a single room above a bowling alley and below another bowling alley. > Wow. Frame: https://ultrahouse3k.com/img/S08E23/694235.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/698406 ## 11:43–11:55 A tall man with dark hair and glasses, wearing a light purple jacket, stands before a pink wall hung with four framed pictures, and his gaze turns toward them. In the upper left, Homer in a white shirt and an older man in a blue sweater clink two frothy beer mugs while a golden trophy and a football sit on the shelves behind them. Later, a pointing hand enters the framed picture of Homer and the older man, who keep toasting the beers. In the upper right, a shirtless, heavy Homer with a white towel on his head drinks from a can beside a long-haired woman and a man, all against an orange wall. In the lower right, Homer in a white spacesuit floats through a blue spacecraft interior, surrounded by drifting potato chips from a Potato Chips bag labeled Peanut Oil. In the lower left, several men in dark suits stand around a table in a red-curtained room, with one man in a dark suit shaking hands with a figure at the table. > I'm sorry, isn't that... Yeah, that's me, all right. > And the guy standing next to me is President Gerald Ford. > And this is when I was on tour with the Smashing Pumpkins. > Oh, and here's a picture of me in outer space. Frame: https://ultrahouse3k.com/img/S08E23/704662.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/709667 ## 11:55–12:04 Homer, in a blue suit and green tie, stands in a pink room beside a thin man with glasses, black hair and a grey jacket. The man looks sideways and points toward a purple piano while Homer grins and gestures with his hand. Homer then lifts a small gold award toward the man, who looks on with a faint smile, as framed pictures hang on the walls and sheet music rests on the piano. > You. > When in outer space. You. > Sure. > You've never been? > Would you like to see my Grammy Award? No, I wouldn't. Frame: https://ultrahouse3k.com/img/S08E23/716758.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/719886 ## 12:04–12:17 A thin man with black hair, glasses, a grey suit and a black tie stands in a doorway of a pink room, talking to a bald man in a blue suit at the right edge of the frame, and the man, who matches the description of Smithers, first gestures with an open hand. He then covers his face with one hand, and afterward holds a brown briefcase while gesturing with his free hand. The room has a framed picture of two cooling towers on the pink wall, a night window with purple frames at left, and a desk with a keyboard at right. > God, I've had to work hard every day of my life. > And what do I have to show for it? > This briefcase and this haircut. > And what do you have to show for your lifetime of sloth and ignorance? Frame: https://ultrahouse3k.com/img/S08E23/725099.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/730730 ## 12:17–12:30 Smithers, the thin bespectacled assistant in a lavender suit and black tie, stands holding a brown briefcase and gestures with one hand, then points past a doorframe toward a window showing a brown station wagon outside. Next he rests a hand on the head of Lisa, who stands with Bart and Marge with her blue beehive behind them in a pink room with framed pictures on the wall. Homer, bald and heavy in a dark blue suit, turns to face Smithers at an arched doorway, and Smithers keeps talking and gesturing while holding the briefcase as Bart looks on at the right. > What? Everything! > A dream house, two cars, a beautiful wife, a son who owns a factory, > fancy clothes, and lobsters for dinner! > And do you deserve any of it? No! Frame: https://ultrahouse3k.com/img/S08E23/738238.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/743868 ## 12:30–12:38 Homer Simpson, bald and heavy in a blue suit and green tie, faces a bespectacled man with neat black hair in a lavender suit and black tie, who holds a brown briefcase in a pink hallway with a staircase and framed portraits of Marge and Bart on the wall. The man squares up and scowls, then clenches a fist and leans in as Homer raises his own fists and seems to protest, before the man smirks and waves an open hand, and finally grabs Homer's tie and pulls at it while Homer looks on warily. > What are you saying? > I'm saying you're what's wrong with America, Simpson. Frame: https://ultrahouse3k.com/img/S08E23/751793.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/754504 ## 12:38–12:45 Smithers, the thin assistant with glasses, black hair, and a lavender suit with a black tie, confronts Homer in a blue suit and green tie in a pink hallway of the Simpson home. Smithers grips Homer's tie and lapel, then holds a brown briefcase and gestures with an open hand while Homer stares off to the side, and finally stands near the purple staircase as Homer waits in the hall. A framed portrait of Marge hangs on the wall, a framed picture of Bart is nearby, and a lamp sits on a small table at the left. > You coast through life, you do as little as possible, and you leech off decent, > hard-working people, like me. Frame: https://ultrahouse3k.com/img/S08E23/759300.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/762011 ## 12:45–12:57 Homer in his blue suit, Marge in her green dress with her tall blue beehive, Maggie in Marge's arms, Lisa in her pink dress, and Bart in a blue suit stand in the pink Simpson living room under a family portrait. A thin, bespectacled man in a grey suit with a briefcase first rubs his forehead and gestures in the arched hallway doorway, while Homer clasps his hands nervously and Bart looks up in alarm. The man then points, and in the final moments he walks out through the archway with his briefcase while the family watches from the teal carpet. > If you lived in any other country in the world, you'd have starved to death long ago. > He's got you there, Dad. > You're a fraud. > A total fraud. > It was nice meeting you. Frame: https://ultrahouse3k.com/img/S08E23/766808.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/771604 ## 12:57–13:05 Homer, bald and wearing a blue suit and green tie, stands in a pink room with his wife Marge, whose tall blue beehive hair is visible, and their children Maggie with her pacifier, Lisa in her red dress, and Bart in his orange shirt. In the first frames Homer looks worried and lifts a fist while the family watches him, then Homer stares ahead looking anxious as the family gathers closely around. The scene then cuts to an outdoor view of a green factory building with two purple smokestacks, a water tower, and a black spiked iron fence in the foreground, where a small figure with an orange glow moves across a dark red carpeted interior with yellow lamps and a green rectangular mat. Frame: https://ultrahouse3k.com/img/S08E23/778486.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/781614 ## 13:05–13:16 Milhouse, with blue hair and red-framed glasses in a pink shirt and red pants, and Bart, with spiky hair in an orange shirt and blue shorts, stand on a wooden floor in a purple-walled room. Behind them a pile of beige adding machines sits beside two tall blue barrels with orange drips, stenciled with the partly visible word WASTE, and a spider web hangs in the corner. Milhouse gestures with open hands while talking, then smiles with hands on hips as Bart, hands on hips, grins with narrowed eyes. > Wow. Adding machines. > Industrial waste. > What should we do with all this stuff, Bart? > I think we both know the answer to that. Frame: https://ultrahouse3k.com/img/S08E23/786828.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/790999 ## 13:16–13:29 Milhouse, with blue hair and red glasses, and Bart, with spiky yellow hair and an orange shirt, lean over a large blue vat of bubbling red liquid, steam rising in a room with wooden walls. The scene then shifts to a purple-walled warehouse, where a tiny figure stands on the wooden floor beneath a hanging crane hook and chains. Milhouse turns to hold a long wooden pole beside a scaffold with a warning triangle sign, while Bart waves from a raised platform above. > Get to work! Frame: https://ultrahouse3k.com/img/S08E23/797255.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/802677 ## 13:29–13:40 Bart, the spiky-haired boy in an orange shirt, and Milhouse, with blue hair and red glasses in a pink shirt and red shorts, stand at the top of a rickety wooden staircase in a purple-walled unfinished building, leaning on a railing hung with DANGER, BUILDING UNSOUND and UNSAFE signs. Milhouse raises one arm and gestures outward while Bart stares ahead wide-eyed, and the scene then pans down to the base of the stairs, where a DO NOT USE! sign is posted beside a blue barrel. > Wacky Shack! > Better be careful, Bart. Look at those warning signs. > Solve your problem, Milhouse? Yep. Frame: https://ultrahouse3k.com/img/S08E23/810393.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/815189 ## 13:40–13:52 Bart, in an orange shirt and blue shorts, and Milhouse, with blue hair, red-framed glasses and a pink shirt, lean on a wooden railing in front of a purple wall and a cracked window, with Bart talking to Milhouse and Milhouse grinning and laughing. The scene then cuts to Marge, with her tall blue beehive and green dress, walking out of a front doorway between two bushes. Finally, Marge stands beside a pink convertible where a man with a bald head sits at the wheel, while she leans toward the car and a folded newspaper lies on the driveway. > Ha ha ha ha ha! > Huh? Frame: https://ultrahouse3k.com/img/S08E23/822071.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/826659 ## 13:52–14:02 Homer Simpson, bald with stubble and wearing a white shirt, sits behind the wheel of a pink car with brown upholstery, gripping the steering wheel and glowering at first, then looking worried and wide-eyed. Marge Simpson, with her tall blue beehive and red bead necklace, leans in through the open driver-side window beside him, her expression shifting from wide-eyed questioning to a skeptical, unimpressed look. Outside, a suburban street with a beige house and a hedge is visible through the windshield, and the blue sky is cloudless. Across the five frames Homer's face moves from scowling to uneasy while Marge stays leaning at the window, gazing at him. > Homer? Homer, why aren't you at work? > The car won't start. > I don't feel very good today. > I am at work. You're afraid to go to work because Frank Grimes will be there, aren't you? Frame: https://ultrahouse3k.com/img/S08E23/833541.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/837712 ## 14:02–14:12 Marge Simpson, with her tall blue beehive and red bead necklace, sits in the back seat of a car on the left, reacting with wide eyes and an open mouth. Homer Simpson, bald and heavyset in a white shirt and tie, drives the car with both hands on the wheel, glancing over at her with a tense, flustered expression. Through the windshield, a road with houses and a fence rolls past in the background, and the car's motion is shown by streaking lines on the glass. Marge leans forward and gestures with her hand, while Homer keeps his eyes on the road and grips the wheel tighter. > It's just crazy talk. > You're crazy, Marge. Get off the road! Frame: https://ultrahouse3k.com/img/S08E23/843968.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/847722 ## 14:12–14:19 Homer, bald with stubble and a white shirt, and Marge, with her tall blue beehive and orange bead necklace, sit side by side in the front seats of a pink car, Homer gripping the steering wheel and staring ahead with a worried, unhappy look. Marge turns toward him in the first frames, then faces forward and speaks while Homer looks stiff and glum, and in the final frames Marge grins nervously, clasps her hands together, and gestures outward with one hand while Homer's eyes glance sideways. Through the windshield a suburban street with houses and a green hedge is visible under a blue sky. > You'll have to face him sometime. And when you do, > I'm sure he'll be just as anxious to make up as you are. > No, he won't. He hates me. He doesn't hate you. Frame: https://ultrahouse3k.com/img/S08E23/853770.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/856064 ## 14:19–14:29 Marge Simpson, with her tall blue beehive and red bead necklace, and Homer Simpson, bald with stubble and wearing a white shirt and orange tie, sit side by side in the back seat of a purple-upholstered car. Marge sits upright and turns her head toward Homer, then gestures with an open hand while speaking, while Homer slumps with heavy-lidded eyes and a grimacing mouth. In the final moments Marge keeps her hand extended outward as Homer stares ahead, and the car's wood-paneled doors and window frame remain visible behind them. > He just feels insecure because you're getting through life so easily. > And it's been so difficult for him. > Yeah, yeah, that's his problem. He's a nut. Frame: https://ultrahouse3k.com/img/S08E23/860443.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/864405 ## 14:29–14:37 Homer Simpson, the bald, heavy man in a white shirt and orange tie, sits behind the steering wheel of a car with a purple roof and talks animatedly, gesturing with his hand and pointing a finger. His expression shifts from wide-eyed and pointing to grimacing, then to a frowning, eyes-closed look with a hand pressed to his chest. Through the car windows, a brown-roofed house and green trees pass by against a blue sky, suggesting the car is moving. > It's not about me being lazy. > It's about him being a crazy nut. Frame: https://ultrahouse3k.com/img/S08E23/870453.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/873581 ## 14:37–14:47 Marge Simpson, with her tall blue beehive and orange bead necklace, and Homer Simpson, in a white shirt and tie at the steering wheel, sit in a pink car with brown upholstered seats. Marge turns to look at Homer and speaks, then gestures outward with one hand while he glances sideways at her. In the final frames Marge is shown in close-up on her own, glancing to the side with a wary, uncertain expression as she talks. The background shows a brick wall and a street with houses and trees beyond the car window. > Well, maybe. But I'll bet he would be less crazy if you were just a little more... > professional in your work. What? > Just a little more? Frame: https://ultrahouse3k.com/img/S08E23/879003.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/882548 ## 14:47–14:58 Marge Simpson, with her tall blue beehive and orange bead necklace, sits in the passenger seat beside Homer Simpson, bald and wearing a white shirt and tie, who is driving a pink car. In a pink car on a residential street, Homer first looks worried while Marge talks to him, then he lifts a brown bottle with a red label and drinks from it while Marge looks on. The bottle is visible in his hand against the car's brown upholstered seat and steering wheel. > Then he won't have any reason to resent you. > I'll do it! > To professionalism! Frame: https://ultrahouse3k.com/img/S08E23/888388.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/892975 ## 14:58–15:09 Homer Simpson, in a white shirt and pink tie, sits at a control console in a blue room, cutting and then eating a small burger patty on a green plate, with stacks of donuts on either side of the counter. A thin, unnamed man with glasses and black hair, wearing a white shirt and dark tie, appears behind the doorway and then stands at the left, watching. Homer lifts a bite to his mouth, then turns to talk to him, gesturing with one hand beneath a 'MR. GOOD EMPLOYEE' poster on the wall. > Good morning, fellow employee. > You'll notice that I am now a model worker. Frame: https://ultrahouse3k.com/img/S08E23/899857.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/904028 ## 15:09–15:20 Homer Simpson, in a white shirt and orange tie, sits at a control console in a nuclear plant control room while a thin, bespectacled man with neat black hair and a white shirt (possibly Smithers) stands facing him. Homer talks, then raises a finger and smiles, while the man glances at the panels beside a red-lit DANGER sign. Homer then stands behind the man, waving one hand, as the man looks on with a stern expression and a black tie and ID badge visible. > We should continue this conversation later during a designated break period. > Sincerely, Homer Simpson. Frame: https://ultrahouse3k.com/img/S08E23/910493.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/915081 ## 15:20–15:27 Lenny, with spiky black hair and a green sweater, sits at a lilac table holding a blue mug, while Smithers, a thin man with glasses and a black tie, stands beside the door marked MEN and gestures as he talks. Carl, a Black man in a grey jacket and pink sweater, holds a purple candy bar and gestures with his other hand, and the group stays in a break room with a doughnut, a cup, a coffee urn and a microwave. Smithers keeps talking and waving his hands while Lenny watches and sips, then Carl is left alone at the counter by the coffee urn and microwave, holding the candy bar and extending one open hand. > Can you believe that guy? > He's in his office making a pathetic attempt to look professional. > What do you got against Homer anyway? Frame: https://ultrahouse3k.com/img/S08E23/921754.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/924048 ## 15:27–15:39 A man in a green sweater and purple suspenders, holding a mint-green mug, stands with Carl, a Black man in a grey jacket and pink sweater who holds a small brown-and-purple item, and a bespectacled man in a white shirt, black tie and ID badge. They stand in a break room beside a door marked MEN, and the bespectacled man scowls before the group turns to a corkboard. The bespectacled man then steps forward and points at a red bar chart titled ACCIDENTS, whose bars rise steeply, while nearby notices include a pink Children's Model-Building Contest poster and a Softball Sign-Ups sheet. > Are you kidding? > Does this whole plant have some disease where it can't see that he's an idiot? > Look here. > Accidents have doubled every year since he became safety inspector. > And meltdowns have tripled. > Has he been fired? No. Frame: https://ultrahouse3k.com/img/S08E23/928428.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/933433 ## 15:39–15:52 A bespectacled man in a white shirt and black tie, unnamed, stands by a bulletin board with a Children's Model-Building Contest poster, then in a break room with a Clean Up Your Own Mess sign he talks with Carl, a Black man in a grey jacket and pink shirt holding a cupcake, and Lenny, with spiky black hair and a green sweater, seated at a lavender table. The man pushes open a door marked MEN, then returns and rests a hand on Lenny's head while Carl sits holding the cupcake. A microwave, a water cooler, a glass of water and a plate are visible on the counter and table. > Has he been disciplined? No, no. Ah, everybody makes mistakes. > That's why they put erasers on pencils. > Yeah, Homer's okay. Give a break. No! > Homer is not okay. > And I want everyone in this planet to realize it. Frame: https://ultrahouse3k.com/img/S08E23/940731.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/945945 ## 15:52–16:02 A thin man with glasses, a white shirt, a black tie and an ID badge gestures and talks beside a brown door marked MEN in a hallway, then the scene moves to a break room. There, Carl, a Black man in a grey jacket and pink shirt, and Lenny, with spiky black hair and a green sweater, sit at a lilac table while a man in a white shirt stands with his back to the viewer, facing them. Lenny holds a light blue mug and Carl holds a small snack with a purple top as a vending machine with a partly visible pink "Hot C" sign stands behind them. > I would die a happy man if I could prove to you that Homer Simpson has the intelligence of > a six-year-old. > So, how are you doing? Frame: https://ultrahouse3k.com/img/S08E23/953244.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/957206 ## 16:02–16:14 Smithers, a thin bespectacled man with black hair, white shirt and black tie, stands beside a door marked MEN, then holds up a pink flyer reading 'Children's Model-Building Contest! Kids! Design Your Own Power Plant!' A uniformed figure in a peaked cap and white gloves sits at a yellow desk with a black telephone, studying the same pink paper. The bespectacled man then marks the flyer with a pen against a ruler while the poster's cartoon of a child building a power plant is visible. > Hmm? > Ah, here we go. Frame: https://ultrahouse3k.com/img/S08E23/963671.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/968259 ## 16:14–16:24 Smithers, thin and bespectacled, holds up a pink flyer for a Children's Model-Building Contest through a cut-out window that shows his tie, while a boy in a green cap and orange overalls grins as he pushes a model power plant along a green base beside a hammer. A ruler and a pointed tool sit at the top of the flyer, then a large blue figure with big yellow hands crowds in over the model, and finally the flyer is pinned over a power plant control panel reading 'Design your own power plant!' > Oh, design your own power plant, eh? Frame: https://ultrahouse3k.com/img/S08E23/975141.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/979520 ## 16:24–16:34 Homer Simpson, bald and heavy with stubble and a white shirt with an orange tie, sits at the control panel of the nuclear plant. He first studies a pink paper in his hands, then closes his eyes and grimaces, then turns to speak with his mouth open and eyes wide. He then looks sideways toward a framed caricature of Lenny, spiky black hair and green sweater, with a note reading 'Homer- have a cool contest! -Lenny', while holding the pink paper edge in the corner. The setting is the plant's control room with dials, levers and a hazard-striped panel on the wall. > This is my chance to show everyone how professional I am. > Lenny, tell Mr. Burns I've gone home to work on the contest. Frame: https://ultrahouse3k.com/img/S08E23/985776.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/989739 ## 16:34–16:46 Smithers, a thin man with glasses and a black tie, stands at a grey building window with his arms raised, while Homer, bald and heavy in a white shirt and blue pants, walks out of a doorway and gets into a pink car in the parking lot. The pink car then speeds off, and a dented brown car remains by signs reading "Reserved for Lenny" and "Reserved for Frank Grimes" as Smithers still gestures from the window. A cooling tower and chain-link fence stand in the background. > Oh, God! Frame: https://ultrahouse3k.com/img/S08E23/995995.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1000791 ## 16:46–16:52 No characters appear in this moment. The scene shows a closed orange door with a white paper sign reading "GENIUS AT WORK" pinned to it, a purple knob near the lower right edge, and a pair of crossed wooden sticks on the pink wall at the upper right. The first two images are fully black, then the door stays still with the sign unchanged through the final images, with no visible movement or action. Frame: https://ultrahouse3k.com/img/S08E23/1007673.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1009759 ## 16:52–17:03 Marge, with her tall blue beehive and red bead necklace, sits at a kitchen counter holding a light blue mug while Lisa, the girl with star-shaped spiky hair and a red dress, sits on a wooden chair beside her. In the first three images Marge gazes sideways toward Lisa and Lisa stays still, facing her; in the last two Marge turns to speak and Lisa looks up at her with a wide-eyed expression. The kitchen has a green refrigerator with a heart-shaped magnet, a framed crayon drawing of a sun and tree, a pink arched door with a 'GENIUS AT WORK' sign, and a red X on the wall. > Can I go downstairs and see what Dad's doing? > I wouldn't bother him, honey. He's making some kind of model for a contest. Frame: https://ultrahouse3k.com/img/S08E23/1013930.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1018100 ## 17:03–17:14 Marge, with her tall blue beehive and red beads, and Lisa, in her red dress with star-shaped spiky hair, sit at the kitchen counter, Marge holding a light blue mug while Lisa sits on a wooden chair beside her. Marge talks to Lisa as they look toward the pink arched doorway marked "Genius at Work," where Homer, bald and in a white shirt, pokes his head in and peers into the kitchen. Marge turns her eyes toward him while the green refrigerator with a heart magnet and a child's drawing of a sun and tree stays in view behind them. > He says it's really high-tech stuff that we wouldn't understand. > Marge, do we have any elbow macaroni and glue-on sparkles? Frame: https://ultrahouse3k.com/img/S08E23/1024565.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1028945 ## 17:14–17:22 Milhouse, with blue hair and glasses, swings a wooden bat at a riveted grey metal panel while Bart, in an orange shirt and blue shorts, watches with his hands on his hips. The scene opens on a green factory behind a spiked iron fence with smokestacks and a water tower, then moves inside a purple-walled room where Milhouse keeps batting the panel, and ends on a pale green cylinder hanging from a chain against a purple brick wall. > Oh, boy, quitting time! Frame: https://ultrahouse3k.com/img/S08E23/1035409.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1038120 ## 17:22–17:33 Milhouse, the blue-haired boy with red-framed glasses in a pink shirt and red shorts, first stands beside a large riveted grey vault-like door with a jagged hole in it, then walks past a grey panel with a power outlet, and finally heads toward a doorway in a purple room while pulling on a blue jacket. In the last frames Bart, the spiky-haired boy in an orange shirt and blue shorts, stands with his hands on his hips behind Milhouse, who turns and raises an arm, pointing upward. The setting is a purple-walled room with wooden floors, windows and a wooden railing, with a cardboard box near the vault door. > Just a minute, Van Houten. > Somebody needs to guard this place tonight so it doesn't get trash. > How'd you like to be night watchman? But I'm sleepy. Frame: https://ultrahouse3k.com/img/S08E23/1043334.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1047922 ## 17:33–17:44 Bart, the spiky-haired boy in an orange shirt, and Milhouse, with blue hair and glasses, stand in a purple hallway with wooden floors. Bart holds a baseball bat and a blue police cap, then Milhouse, wearing the cap and carrying the bat, stands in a doorway and later walks toward a brown vending machine. The machine has a "Warm Coffee" sign and a "5¢" price, and Milhouse raises the cap toward its front panel. > Ah, no problemo. > Here's a nickel for the coffee machine. Frame: https://ultrahouse3k.com/img/S08E23/1054595.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1058766 ## 17:44–17:55 Chief Wiggum, a heavy police chief in a blue cap with a black mustache and red-framed glasses, stands in profile at a coffee machine, watching a white cup fill from the dispenser with a steaming cup picture on the shelf above. The scene then cuts to Milhouse, slim with blue hair under a blue cap and round red glasses, holding a white foam cup beside labels reading COFFEE, ADD CREAM and ADD SUGAR as he glances sideways and speaks against a purple wall. > So this is my life. Frame: https://ultrahouse3k.com/img/S08E23/1065231.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1069610 ## 17:55–18:08 Milhouse, in a blue cap and red-rimmed glasses, walks across a purple-walled warehouse floor littered with crates, barrels and planks. Bart, in an orange shirt and blue shorts, is seen behind bars, then steps out through an open gate into a pink sunset with smokestacks and a chain-link fence. Outside, Bart shrugs with his hands open while Milhouse, holding a paper cup, stands by a black iron fence beside a pile of rubble. > At least I've done better than Dad. > Aw, jeez. > Milhouse, how could you let this happen? > You were supposed to be the night watchman. > I was watching. I saw the whole thing. Frame: https://ultrahouse3k.com/img/S08E23/1076284.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1081497 ## 18:08–18:14 Bart, seen from behind in his orange shirt, stands in front of Milhouse, who has blue hair, red glasses, a blue cap and a blue jacket over a pink shirt, and holds a white cup. They are in a cluttered pile of broken wooden planks and purple debris. Milhouse grimaces and wrings his hands, then looks alarmed with his mouth open and his arms out, and in the last moment he raises one hand toward his face while still holding the cup, as Bart listens. > First it started falling over, then it fell over. Frame: https://ultrahouse3k.com/img/S08E23/1089005.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1091299 ## 18:14–18:27 Bart, a spiky-haired boy in an orange shirt, and a smaller boy in a blue cap and jacket stand by a metal fence in front of a yellow building, looking at a heap of splintered wood. The building then sags and collapses into a pile of rubble beneath a pink sky, with a blue tank toppled behind it. The scene ends on an empty street outside Moe's, a purple-trimmed storefront with a red door, beside a King Zog Music shop, with debris scattered across the pavement. > Wow. > I wonder where all the rats are gonna go. > Okay, everybody tuck your pants into your socks. Frame: https://ultrahouse3k.com/img/S08E23/1095678.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1101100 ## 18:27–18:41 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands behind a purple lectern marked with an atom symbol on a stage before a red curtain, while Smithers, his thin assistant with glasses, stands beside him in a green jacket and pink shirt. Mr. Burns leans toward the microphone and speaks to the audience of seated heads in the foreground, and the scene stays largely still across the moment. Behind them a white-draped table sits empty on the stage, and in the earlier opening frame an aerial view of a nuclear power plant with two large cooling towers, orange domes, and a blue-roofed complex sits beside a river. > And the bold new ideas these tiny techs unveil for us today could make thousands of > jobs like yours obsolete. Frame: https://ultrahouse3k.com/img/S08E23/1108816.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1114447 ## 18:41–18:49 Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers, in glasses and a pink bow tie, stand behind a white-draped table on a stage with a red curtain. A small blond boy in a blue sweater and orange pants steps up to the table and presents a pink three-storey dollhouse with a sign reading "Nuclear Dream House" where "Malibu Stacy" is crossed out, then steps back as Burns leans in and Smithers looks on beside a purple podium with a microphone. > Our first little genius is Ralph Wiggum. > It's pretty good, sir. Frame: https://ultrahouse3k.com/img/S08E23/1122371.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1125082 ## 18:49–18:58 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, stands behind a white table in front of a red wall, beside a pink-and-blue multi-story model house under a pink script sign reading "Nuclear Mr. Burns's Dream House." He leans over the model with a scowl, then straightens and gestures with both hands toward it as if presenting it, before standing still and glancing aside. In the final moment he leans across the table toward a small blond boy in a blue sweater who stands on the left and looks up at him. > Hot tub? > Media room? > It's supposed to be a power plant, not Aunt Bueller's bordello. > Thank you. Get out. Frame: https://ultrahouse3k.com/img/S08E23/1130087.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1133841 ## 18:58–19:06 Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands behind a white-draped table beside Smithers, his thin assistant with glasses and a purple bow tie, while a small blond boy in a blue sweater and orange pants stands on the floor in front of the table. The boy's eyes close and then open as he steps up and reaches for the pink-and-blue three-story dollhouse on the table, under a pink cloud sign reading Mr. Burns' Dream House, and lifts it with both hands. The scene then cuts to a lavender-draped table holding a bulky grey machine with glowing blue lights, where the blond boy and a second small figure in a dark coat lean against its edge with one hand on the table, against a red curtained backdrop. > Next. > Uh, Ralphie, get off the stage, sweetheart. Frame: https://ultrahouse3k.com/img/S08E23/1139472.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1142391 ## 19:06–19:14 Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, stands behind a draped table beside Smithers, who wears glasses and a pink bow tie, in front of a red curtain. A small blond man in a dark suit and red bow tie walks in from the left, stops before the table, gestures toward the glowing cone-shaped machines and tower model, then throws his arms wide and grins with his mouth open while Burns looks on with a sour expression. No on-screen text is visible. > Behold! > The power plant of the future today! Frame: https://ultrahouse3k.com/img/S08E23/1147396.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1150316 ## 19:14–19:24 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at a control panel in a dark blue suit and black tie, speaking to a man in a dark jacket with a red bow tie and light blond hair, who sits at the console in the foreground. The setting is a room with red wooden paneling and blue-grey machinery with glowing lights, and a crowd of onlookers stands behind them. Burns leans in and gestures toward the panel, then the seated man's eyes widen and his mouth opens in alarm as he looks up at Burns, while Burns keeps leaning over the controls with a stern expression. > Too cold and sterile. > Where's the heart? > But it really generates power. > It's lighting this room right now. Frame: https://ultrahouse3k.com/img/S08E23/1155321.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1159283 ## 19:24–19:37 Mr. Burns, a frail, stooped old man with a hooked nose, stands at a podium beside his thin assistant Smithers while Bart, the boy with spiky hair in an orange shirt, is seen at a small table on stage and Homer, bald and heavy, walks across the stage carrying a tray of items. The scene takes place in an auditorium under a red curtain, where a banner reads "CHILDREN'S NUCLEAR DESIGN CONTEST" and rows of seated audience members look on. Lenny, with spiky black hair, and a man in a grey jacket and pink sweater react from the crowd as Lenny leans forward and grins. > You lose. Get off my property. > Let's have the next child. > Look, everybody. > Simpson's in a contest with children. Hey, shh. > You're making us miss the contest. Frame: https://ultrahouse3k.com/img/S08E23/1165331.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1171170 ## 19:37–19:45 Homer, in a white shirt and pink tie, and Mr. Burns, frail and stooped in a dark blue suit with a grey side-hair fringe, stand at a table beside a small grey-and-green nuclear plant model with paper cutouts, a cup, and a blue box. Homer is wide-eyed at first, then turns to look toward the seated audience, while Burns leans in and speaks with a toothy grin. Behind them, rows of blue-seated townspeople fill a hall, and in the final moments Burns is still speaking to Homer with his head angled toward him, the audience unchanged. > Could you explain your model, young man? > What's to explain? > He's an idiot. Type that. Frame: https://ultrahouse3k.com/img/S08E23/1179095.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1181806 ## 19:45–19:57 Homer Simpson, the bald, heavy man in a white shirt and pink tie with a name badge, and Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides wearing a dark suit and black tie, stand together behind a table in a red-walled room. On the table sits a model of a power plant with grey cooling towers, one striped green with a red stripe. Homer talks and gestures, and in the later images he raises his yellow hand and points at the striped tower, while Burns leans over to look at the model. Small cups, a blue box and a stand sit on the tabletop beside the miniature towers. > Well, basically, I just copied the plant we have now. > Hmm. > Then I added some fins to lower wind resistance, > And this racing stripe here I feel is pretty sharp. Frame: https://ultrahouse3k.com/img/S08E23/1187019.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1191399 ## 19:57–20:08 Homer, bald and wearing a white shirt, striped tie and ID badge, stands beside Mr. Burns, a frail, stooped old man in a dark suit, in front of a red wood-paneled wall. The scene then shifts to a packed row of blue seats where Smithers, in glasses and a black tie, gestures with outstretched hands beside a blonde man in a red sweater, while Lenny in a green sweater and purple suspenders raises a hand to his head and Carl in a grey jacket and pink sweater looks on. Smithers's expression hardens into a scowl and he shouts at Lenny, who looks alarmed, as a woman with a tall blue beehive watches from the background. > Agreed. First prize. > What? > Way to go, Homer. You're number one, Homer. > But this was a contest for children. > Yeah, and Homer beat their brains out. Frame: https://ultrahouse3k.com/img/S08E23/1198280.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1202868 ## 20:08–20:18 Mr. Burns, frail and stooped with a hooked nose, stands center stage beside a purple podium marked with an atom symbol, flanked by Smithers in a green jacket and pink bow tie on the right and Homer in his white shirt on the left, as a cheering audience in blue seats applauds. Lenny, with spiky black hair, glasses, a white shirt, black tie and an ID badge, climbs up to the edge of the stage and raises both hands in an agitated gesture. He then turns to the crowd with his mouth wide open and hands splayed in a frantic, exasperated shout. > I can't stand it any longer. This whole plant is insane. > Insane, I tell you. > Ah! Frame: https://ultrahouse3k.com/img/S08E23/1209542.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1213504 ## 20:18–20:30 Lenny, the spiky-haired man in a white shirt and black tie, and Carl, a Black man in a light blue shirt with a red tie, stand in a locker room with a one-off man in an orange shirt and white cap on the right. In the locker room, Lenny throws his arms up, then grabs a blue-haired man in a red tie from behind, lifts him, and bends backward with him, before setting him down and walking forward smiling. Blue lockers line the hallway, and a small figure stands in the background near the doorway. In the opening moment, Homer, Mr. Burns and Smithers, in a pink bow tie and glasses, stand on a stage behind a purple podium marked with an atom symbol while audience members watch from the foreground. > I can be lazy too. > Look at me! > I'm a worthless employee just like Homer Simpson. > Give me a promotion! Frame: https://ultrahouse3k.com/img/S08E23/1219760.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1224765 ## 20:30–20:39 Lenny, with spiky black hair and glasses in a white shirt with an ID badge, stands at a counter of donuts in a pink box, pulling one off and gesturing while he talks, with crumbs spraying as he eats. Homer, in a striped tie with a blue ribbon badge, and Principal Skinner, with neat grey hair, glasses, a green jacket and pink bow tie, watch beside a blonde woman in a pink top, while a brown-haired man in a yellow shirt and tie looks on from the left. Lenny then lunges forward to grab Homer's tie in the doorway as Skinner and Homer stand back, and the donuts stay on the counter. > Ooh, I eat like a slob, but nobody minds. > Blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah. > I'm peeing on the seat. Give me a raise! Frame: https://ultrahouse3k.com/img/S08E23/1232064.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1235192 ## 20:39–20:49 Homer Simpson stands beside a brown door marked MEN at work, wearing a white shirt, pink striped tie, and a pinned award ribbon, while a thin man with grey hair at the sides, glasses, a green jacket, and a pink bow tie waits to his left. Lenny, with spiky black hair, glasses, and a white short-sleeved shirt with an ID badge, approaches Homer, grabs his hand and arm, and then grins and gestures as they talk near the restroom door. The scene ends with Lenny smiling and pointing at Homer while the bow-tied man looks on. > Now I'm returning to work without washing my hands. > But it doesn't matter because I'm Homer Simpson. > I don't need to do my work, because someone else will do it for me. Frame: https://ultrahouse3k.com/img/S08E23/1240406.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1244577 ## 20:49–20:58 A thin, dark-haired man with glasses and a white shirt, Lenny-like in appearance but not named by the regulars list, sits on a control panel stool in a nuclear plant control room, then jumps up with his arms raised and later leans back across the console with one arm stretched out. Behind him, Homer in his white shirt, pink tie and badge stands in a doorway beside the stooped, thin Mr. Burns and a heavy man with a pink-and-yellow look, all staring toward the console. Later a close view shows Homer with wide eyes and an open mouth beside Mr. Burns, while a dark-skinned man in a pink shirt peers in at the right edge. In the final shot, Homer, with his spiky hair seen from behind, faces a dark-haired man with glasses and a name badge in front of blinking control panels and monitors. > Doh, doh, doh! Hey, you okay, Grimey? I'm better than okay. > I'm Homer Simpson. Frame: https://ultrahouse3k.com/img/S08E23/1251041.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1254170 ## 20:58–21:11 Smithers, a thin man with glasses and a white shirt, and Homer Simpson, a bald heavy man in a white shirt with a pink tie and a badge, stand beside a blue locker, Smithers smiling while Homer gapes wide-eyed. Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, stands before Smithers, who clasps his hands and grins as Burns glares, with Homer watching from behind. Smithers then turns to look at a purple machine beside a sign reading DANGER EXTREMELY HIGH VOLTAGE, with thick black cables running down its front. > You wish. > Oh, hi, Mr. Burns. I'm the worst worker in the world. > Time to go home to my mansion and eat my lobster. > What's this? Frame: https://ultrahouse3k.com/img/S08E23/1259800.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1265014 ## 21:11–21:20 Homer, in a white shirt and pink tie, stands in a blue corridor with Carl in a hard hat and purple shirt, Smithers in a brown jacket and purple bow tie, and Mr. Burns, frail and stooped in a teal suit. Lenny, with spiky black hair and glasses, stands beside a purple cabinet marked DANGER EXTREMELY HIGH VOLTAGE, gesturing toward a thick cable while looking alarmed. The group then reacts nervously as Homer grips the badge on his chest and Carl covers his face with a hand. > Extremely high voltage. Well, I don't need safety gloves because I'm homer- Frame: https://ultrahouse3k.com/img/S08E23/1272313.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1275649 ## 21:20–21:30 A thin, dark-haired man in a white robe with a pink shirt and blue tie, holding an open black book, stands beside a reddish-brown coffin at a grave marked GRIMES, which is set on a green lawn under a blue sky with bushes and a tree at the left. In the first frame only the coffin and headstone are visible, then the robed man slides into view from the left and steps forward to stand by the tree. He stays in place reading from the book, and across the later frames he keeps reading with his eyes lowered and a faint moustache visible, while the coffin rests on its yellow lowering straps and the Grimes headstone remains behind it. > Frank Grimes, or Grimey as he liked to be called, > taught us that a man can triumph over adversity. Frame: https://ultrahouse3k.com/img/S08E23/1281280.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1285242 ## 21:30–21:36 Marge, with her tall blue beehive, sits among a row of mourners in black suits, alongside Carl, a Black man in a dark suit, and Santa's Little Helper, the brown greyhound, at the left end of the row. A minister in a white robe stands at a lectern on the right, holding an open book, and reads beside a wooden casket with gold handles set on a green lawn. Beneath leafy green trees and a blue sky, the mourners remain seated and still while the minister keeps reading, with a grey headstone at the far right and no on-screen text. > And even though Frank's agonizing struggle through life was tragically cut short, Frame: https://ultrahouse3k.com/img/S08E23/1291499.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1293584 ## 21:36–21:49 Homer, in a black suit, sobs with his mouth wide open and tears streaming down his face, while Marge with her tall blue beehive and pearl necklace sits beside Maggie, the baby with a pacifier and blue bow, in a row of mourners in black suits on folding chairs outdoors. Bart and Lisa sit nearby in dark clothing, with Lisa in a black dress, and a balding man and a tall, slouching man with a hooked, grey-haired look stand behind them under a tree. The mourners look on solemnly as Homer keeps crying and Bart and Lisa stare ahead, with the group seated on a green lawn beneath a blue sky with clouds. Homer's cane rests against his chair leg in the later images, and Maggie stares wide-eyed while holding a pacifier. > I'm sure he's looking down. > Change the channel, Marge. > That's our homework. Frame: https://ultrahouse3k.com/img/S08E23/1297755.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1302760 ## 21:49–21:59 Marge Simpson with her tall blue beehive sits with a row of mourners in black suits and Santa's Little Helper, the brown greyhound, at a graveside service under green trees, while a man in a white robe stands beside a grey headstone reading from a book. The wooden casket rests on a green carpet over the grave, then the scene shifts to the casket's lowering straps with the casket gone, and the moment ends on black title cards in yellow text reading "Executive Producers Bill Oakley & Josh Weinstein" and then "Executive Producers James L. Brooks, Matt Groening & Sam Simon". Frame: https://ultrahouse3k.com/img/S08E23/1310059.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1314021 ## 21:59–22:09 No characters appear; the screen is a plain black background showing a sequence of credit cards in yellow lettering. First it reads 'Starring DAN CASTELLANETA', then 'JULIE KAVNER' replaces it, followed by 'YEARDLEY SMITH', then 'and HARRY SHEARER' appears, and finally 'Also Starring PAMELA HAYDEN RUSSI TAYLOR' fills the screen. No people, places, or actions are shown beyond the text itself. Frame: https://ultrahouse3k.com/img/S08E23/1320277.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1324240 ## 22:09–22:19 No characters appear in this sequence of black title cards with gold text. The credits read 'Executive Consultant BRAD BIRD', then 'Animation Producers BILL SCHULTZ and MICHAEL WOLF', then 'Executive Story Editors DONICK CARY and DAN GREANEY', then 'Associate Producer ALISON ELLIOTT', and finally 'Music by ALF CLAUSEN', each name appearing in turn on the plain black background. Frame: https://ultrahouse3k.com/img/S08E23/1330287.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1334250 ## 22:19–22:29 No characters appear in this sequence; it is a black closing credits roll with no people shown. Gold cartoon-style text on a black background credits Editors Michael Bridge, Don Barrozo and Kurtis Kunsak, then Animation Production Manager for Gracie Films Joel Kuwahara and Post Production Coordinator Dominique Braud-Stiger. Next come Music Editor Chris Ledesma, Sound Effects Editor Travis Powers, and Re-Recording Mixers R. Russell Smith and Greg Orloff, followed by a list of assistants including Maria Kavanaugh, Claudia De La Roca, Elizabeth Jacobs and Felicia Nalivansky, and post production assistants Richard Chung and Alexander Duke. The sequence ends with Overseas Animation Director Utit Choomuang on screen. > We'll be right back. Frame: https://ultrahouse3k.com/img/S08E23/1340506.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1344468 ## 22:29–22:39 No characters appear in this moment; it is a sequence of black end-credit title cards with yellow text. It opens with 'Overseas Production by AKOM', then shows a list of Character Layout Artists (Brad Ableson, Sarge Morton, Jeannette Bose, Raymond Persi, Scott Brutz, Teresa Potter, Luis Escobar, Stephen Reis, Greg Lovell, Eric Stefani), Background Layout Supervisor Tim Bailey with artists John Berman and Rene Vega, Animation Checking Supervisor Younghee Higa, and Animation Checker Sam Im. Next come Animation Associate Producer Laurie Biernacki, Animation Production Manager Martin Alvarez, Animation Production Coordinator Elizabeth Hernandez, production associates Jason Manzatt, Reid Kramer and Eric Louden, accountant Kyle C. Hammans, and production assistants Jason Bikowski and Jeff Curtis. The text then gives the disclaimer about fictitious persons and 'THE SIMPSONS EPISODE #4F19 COPYRIGHT 1997 TWENTIETH CENTURY FOX FILM CORPORATION' with copyright notices and 'N.A.B.', before ending on 'Executive Creative Consultant JAMES L. BROOKS' on black. > Shh. Frame: https://ultrahouse3k.com/img/S08E23/1350724.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1354687 ## 22:39–22:49 Silhouetted audience members sit in rows of seats in a dark movie theater, including a large figure with a wild, bushy head at the left edge. The blank screen lights up blue, and the words "GRACIE FILMS" appear across it as the audience sits motionless. The text then gives way to "IN ASSOCIATION WITH" on black, followed by the gold 20th Century Fox Television logo against a dusky sky with the line "A News Corporation Company" below, before the screen fades to black. Frame: https://ultrahouse3k.com/img/S08E23/1360734.jpg Page: https://ultrahouse3k.com/episode/s08e23-homers-enemy/1364488