# The City of New York vs. Homer Simpson The Simpsons, season 9, episode 1 (S09E01), first aired September 21, 1997. Written by Ian Maxtone-Graham. Directed by Jim Reardon. Production code 4F22. Couch gag: Harlem Globetrotters. Months after Barney Gumble, fed up with being designated driver, disappears in Homer's car, it turns up in Manhattan, clamped with a parking boot and covered in tickets. Homer, who hated his last trip to New York, reluctantly takes the family to fetch it. While Marge and the kids see the sights, Homer waits all day for the parking officer before smashing the boot off with a jackhammer. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Barney Gumble, Lenny Leonard, Carl Carlson, Larry Dalrymple, Sam, The Rich Texan, Hazel, Dowager, Della, Ian, Karen, Gillian, Mrs. Spencer, Roberta, Woody Allen, Adil Hoxha, Alfred E. Neuman, Duffman, Khlav Kalash vendor, Camera Thief, Carriage Driver, New York Police Officer, Pimp, Steve Grabowski, Wallet Thief. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Homer, Bart and Lisa appear in the Simpsons' driveway beside a yellow garage and a pink car, following a title sequence of tan clouds against blue sky where the words THE SIMPSONS in yellow letters gradually form. Bart rides a skateboard past the mailbox while Homer leans into the pink car's open door holding a long board, and Lisa pedals a small red bike carrying a stack of books. Homer then stands beside the car with both hands raised to his head. > The Simpsons Frame: https://ultrahouse3k.com/img/S09E01/1043.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/6256 ## 0:12–0:23 Homer, Marge, Lisa and Bart, all in red, white and blue athletic outfits, appear first with Homer in a white shirt and blue pants, gesturing in a purple room beside a red bed, then gather in the pink living room on a red couch under a framed sailboat picture. Marge holds a striped beach ball while Bart flips upside down over the couch's arm and the ball bounces through the air, until the family settles together on the couch. The scene ends on a television screen reading "CREATED BY MATT GROENING," which changes to "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON." Frame: https://ultrahouse3k.com/img/S09E01/13764.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/18143 ## 0:23–0:34 Moe, the grey-haired bartender, leans on the bar of his tavern with a rag and a bottle of cleaning spray, then wipes the counter and looks at his wristwatch, which shows 4:59 in green digital numbers. The scene opens on Moe's exterior with the MOE'S sign and King Toot's Music Store beside it, then cuts to the dim bar interior with its red ceiling, stools, pool table and shelves of bottles. On-screen credits read 'Co-Executive Producer' with the names George Meyer, Mike Scully and Steve Tompkins. > What? Uh-oh. > Here comes the evening rush. Clear out, fellas! Frame: https://ultrahouse3k.com/img/S09E01/25025.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/28987 ## 0:34–0:42 Moe, the grey-haired bartender in a blue vest and bow tie, stands behind the bar of his tavern holding a broom, first resting it at his side and then gripping it upright. Across the blue-tiled floor, a horde of grey rats scurries past the pool table and bar stools toward the wall. One rat runs along the floor and then disappears through a small hole in the red wall, where only its pink tail and whiskers are visible at the opening, while the bottom edge of the wall shows a narrow gap. Yellow text on the screen reads Supervising Producer Jonathan Collier and then Supervising Producer Ken Keeler. Frame: https://ultrahouse3k.com/img/S09E01/35244.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/38163 ## 0:42–0:49 Moe, the grey-haired bartender in an apron, stands behind the bar as Homer in a white shirt and tie enters through the back door, followed by Carl, a Black man in a pink shirt, and a dark-haired man in a green sweater. Homer gestures expressively at Moe while the group crowds behind him, then Moe turns away to look across the empty bar at a pennant, a wall sign reading "...f!" and a pool table. Last, a man in a white bathrobe and pink slippers appears at a doorway, holding a cigar-like object and later stepping up to the bar opposite Moe. > Evening, Mo. > Morning, Mo. > Yeah, all right, listen up, guys. Frame: https://ultrahouse3k.com/img/S09E01/43168.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/45879 ## 0:49–1:01 Moe, the grey-haired bartender, stands behind the bar while Homer, Barney in his white shirt with messy brown hair, Carl, and a few one-off customers crowd around the counter. Moe leans forward and points, then lifts a drink and gestures with his arm as the group reacts, with Homer raising a hand and Barney grinning and laughing. Rolling credit titles such as 'Consulting Producer DAVID MIRKIN' and 'Produced by RICHARD RAYNIS' appear over the bar scene. > The Springfield police have told me that 91% of all traffic accidents are caused by you > six guys. I'm ready! > Yeah, I know, I know. But the bad news is we gotta start having designated drivers. Frame: https://ultrahouse3k.com/img/S09E01/50676.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/55681 ## 1:01–1:10 Moe, the grey-haired bartender in a bow tie and vest, stands behind the bar of his tavern, scowling and speaking in the early frames. Homer in a white shirt and pink tie, Carl in a grey jacket and pink shirt, a heavy man in a green sweater, a blond man in an orange top, and a red-haired man in a white bathrobe lean on the wooden bar watching him, with Homer gesturing and looking uneasy. Moe then leans forward over the bar, glaring at the group, while mugs sit on the shelves behind him and white credit text, 'Written by Ian Maxtone-Graham' and 'Directed by Jim Reardon', appears over the scene. > We'll choose the same way they picked the pulp. Frame: https://ultrahouse3k.com/img/S09E01/62980.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/66108 ## 1:10–1:18 Moe, the grey-haired bartender in a bow tie and dark apron, stands behind the bar in a tavern lined with bottles and glasses, holding up a large glass jar of pickled eggs. He glowers and speaks, then reaches into the jar, pulls out a green egg, and stares at it with a sour look. A yellow hand, possibly another character's, then appears at the top of the jar and dips into the brine, while Moe grimaces and then sighs, eyes narrowed. The jar of murky green pickled eggs sits on the orange bar counter throughout. > Everybody reach in and draw a pickled egg. > Whoever gets the black egg stays sober tonight. Frame: https://ultrahouse3k.com/img/S09E01/71530.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/74241 ## 1:18–1:29 Inside a bar with a jar of green pickled eggs on the counter, Carl gestures with one arm while Homer leans in beside him, then Homer sits alone with an egg in his hand. A brown-haired man in a green sweater, Mr. Burns in an orange jacket, Milhouse in a green cap and glasses, and Barney in a white robe each take a turn at the counter, holding up an egg. Barney finally leans back with his mouth wide open, shouting, and a black ball is visible in his hand. > No! Frame: https://ultrahouse3k.com/img/S09E01/79037.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/83625 ## 1:29–1:39 Homer Simpson, in a white shirt, stands beside a slumped man with messy brown hair in a white bathrobe, who rests his head on his hand at a bar while Homer gestures at him and talks. Behind them are red and green diamond-patterned walls and a green sign reading "TRY" with a partial word beneath. The scene then cuts to the pink exterior of Moe's at night, next to King Toot's Music Store, under a purple starry sky. Finally, Homer, in only white briefs, raises two Duff beer bottles overhead while green sleeves hold him up from behind against a red ceiling. > You got your black one. > Hey, everybody! > I'm Peter Pantsless! Frame: https://ultrahouse3k.com/img/S09E01/90090.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/94261 ## 1:39–1:49 Barney, the heavy man with messy brown hair in an orange shirt, leans on the bar counter beside a bowl of popcorn while Homer, in only his underwear, is hoisted upside down over the shoulders of two men in a green jacket and an orange jacket, with a Black man in a grey jacket and pink sweater helping. The carried Homer waves two beer bottles, and the men shuffle along the bar past a Duff sign, a teal-shirted patron with a mug, and a row of shot glasses. Barney's mood shifts as he talks and gestures, then he slumps forward, covers his face with both hands, and shakes his head while Homer is still carried through the bar. > I can't take this much longer. > I gotta have a beer! Frame: https://ultrahouse3k.com/img/S09E01/100517.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/104479 ## 1:49–1:59 Barney, the heavy drunk with messy brown hair and a loud orange shirt, leans on the bar counter at Moe's Tavern, pressing both hands against his face in dismay. Through the early moments he hides his eyes and sags forward, then his hands slide down and his eyes widen as he looks sideways. Near the end he jerks upright, mouth open and teeth showing, hands gripping at his cheeks while he grimaces. A bowl of popcorn sits on the bar in front of him, and a grey-haired man in a teal shirt holding a coffee cup sits at a booth behind him, with Moe's stacked glasses along the counter edge and the red-and-green diamond-patterned wall behind them. > Oh, no. > Not tonight. Frame: https://ultrahouse3k.com/img/S09E01/110736.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/114698 ## 1:59–2:13 Duff Man, a muscular costumed hero with a red cape, blue suit, red cap and sunglasses, stands in a bar holding Duff beer cans on his belt, flanked by two cheerleaders in red and white uniforms with white pompoms, one with long blonde hair and one with a dark ponytail. In the first frames he steps out from a red curtain beneath an EXIT sign, with a Duff Partymobile advertisement shown in a framed picture nearby, and the cheerleaders part to reveal him. Later he raises his arms and poses while Homer, shirtless, cheers with his arms up beside a bald man in a white shirt and other patrons near a pool table and bar, and a man in a green sweater points toward the stage. Signs read Duff and Duff Beer. > Are you ready to get duffed? > Hey, it's Duff Man, a guy in a costume that creates awareness of duff. Frame: https://ultrahouse3k.com/img/S09E01/120954.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/126793 ## 2:13–2:24 Duffman, a muscular cartoon man in a blue Duff logo top, red cape, red cap and sunglasses, stands center stage on a blue tiled floor between two large cheerleaders in red and white outfits, with Homer Simpson in a yellow shirt and blue pants behind him and a Black man in a light jacket and a thin man in a green sweater at the edges. Duffman starts with hands on his hips, then pumps a fist, spreads his arms wide, and flexes and gestures while the cheerleaders' backs stay turned to the camera. Behind them the bar has a red-and-green diamond-patterned wall, a Duff sign, and a red cigarette vending machine. A Duff logo is on his shirt and cap, and a 'Duff!' sign hangs on the wall in an earlier scene where he holds two cans of Duff beer near a blond man in an orange jacket. > Duffman wants to party down with the man who sent in 10,000 Duff labels > to bring me here today. Frame: https://ultrahouse3k.com/img/S09E01/134718.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/138889 ## 2:24–2:36 A muscular, sunglasses-wearing man in a red DUFF cap, blue DUFF tank top, white gloves and red cape, who is not one of the regulars, laughs and gestures in a red-walled hall with Springfield Atoms pennants, then poses with his cape flapping and walks out of a doorway marked Duff Partymobile. Two women, a long-haired blonde in red and a brown-haired woman, wheel a barrel-shaped keg topped with foam toward the door as he claps his gloved hands. Barney, the messy brown-haired man in a pink shirt, grins with closed eyes behind the foamy keg, then looks anxious and wary. > I've got a bottomless mug of new Duff Extra Cold for... > Barney Gumball! > Chug! Chug! Frame: https://ultrahouse3k.com/img/S09E01/145562.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/150776 ## 2:36–2:49 Two cheerleaders in red Duff uniforms with white pom-poms, one blonde and one with dark hair, cheer while a muscular man in sunglasses, a red Duff cap and a red cape wheels a barrel of foam on a dolly in a bar. Behind them a crowd watches, including Homer with a bottle, a brown-haired man in a green sweater holding a mug, a bald man in an orange robe raising a Duff bottle, and Barney, sweating and wide-eyed in a pink shirt near the counter, while a Duff sign hangs above. The scene moves from the cheering and drinking crowd to tight close-ups of Barney's sweaty, panicked face as he stares off with a nervous expression. > Chug! Chug! I can't! > Chug! I'm the schizik's made, it's driver! > Yeah, that's swell. Duff wholeheartedly supports the designated driver program. Frame: https://ultrahouse3k.com/img/S09E01/158075.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/163288 ## 2:49–2:56 Duff Man, a muscular costumed hero in a red cap, sunglasses, light blue Duff tank top and red cape, stands in Moe's bar with Duff beer cans strapped to his waist, while Barney, the heavy drunk with messy brown hair, sits at the counter and a bald man in a blue shirt holds a beer glass at the right edge. Duff Man talks, then flexes his arms and dances with a kick, and in the final moments several foaming beer mugs are raised toward him from the foreground, with Moe watching from behind the bar. The Duff logo appears on his cap, tank top and cans, and a Duff sign hangs on the wall behind the bar. > Now! > Who wants to party? Frame: https://ultrahouse3k.com/img/S09E01/170587.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/173090 ## 2:56–3:08 Barney, the heavy drunk with messy brown hair, first grins wide-eyed in front of a crowd of cheering bar patrons waving foamy beer mugs, then the scene turns to flying mugs against a black background. Barney then sits driving a purple car at night with Homer, in a white shirt and pink tie, and Ned Flanders, with a moustache and green sweater, in the back seat beside a dark-skinned man, all laughing and sharing a red soda can. The last frames show foam spraying over the car, drenching Homer's hand and Barney's face as the passengers keep laughing. > Hey, Margarita! Frame: https://ultrahouse3k.com/img/S09E01/177678.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/182683 ## 3:08–3:11 A heavy, sweating man with brown hair and a salmon-pink shirt grips a steering wheel inside a purple-lined vehicle, with trees and a small house visible through the windows. Over the moment he grimaces, grins nervously, squeezes his eyes shut, and then glances sideways with wide eyes and an open mouth while beads of sweat run down his face. The scene ends with him still hunched over the wheel, looking alarmed as the scenery slides past outside. > I'm trying to drive. Frame: https://ultrahouse3k.com/img/S09E01/189773.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/190190 ## 3:11–3:23 Homer, bald and wearing a white shirt and pink tie, sits in the front passenger seat of a purple car at night, drinking from a red-and-white can while a man in a green sweater with a moustache and a Black man in a grey jacket sit behind him. The heavy driver with messy brown hair and a pink shirt grips the steering wheel and grimaces as the passengers swig from cans, and Homer lowers his can, points ahead, and gestures and shouts while the others keep drinking. Through the windows, houses and trees slide past in the dark street, and the frames end with Homer raising a can to his mouth again. > Hey, let's go to the girls' college. > No, to Playboy Manson. Playboy Manson. Shut up! > It's my car and I say we're going to the lost city of gold. > Well, that's just drunk talk. > Sweet, beautiful drunk talk. Frame: https://ultrahouse3k.com/img/S09E01/192693.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/197280 ## 3:23–3:29 Barney, a heavy man with messy brown hair and a peach shirt, sits in close-up in a pink car, grinning and slurring as he talks, while a Black man in a pink sweater watches from the left edge. The pink car then pulls away from a green house with a pink door marked with a question mark, its headlight beam sweeping ahead, before stopping at the curb as Homer, bald in a white shirt, leans in through the driver's window to say goodbye. A small red object lies on the street beside the car's wheel. > Good night, Barnish. Don't forget to bring back my car back tomorrow. Frame: https://ultrahouse3k.com/img/S09E01/204162.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/206456 ## 3:29–3:43 Barney, a heavy man with messy brown hair in an orange shirt, sits grinning and grimacing at the wheel of a purple car, while Homer, bald and stubbly in a white shirt, leans in at the driver's window and gestures with his hand. The car is parked outside a mint-green two-storey house with a purple arched front door, a purple garage door and dark shrubs. Homer then pulls back from the window, turns away and walks off across the blue driveway toward the house, and the car is left behind with Barney still inside. > Just slide it under the door. > Yes, tomorrow. Frame: https://ultrahouse3k.com/img/S09E01/210627.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/216258 ## 3:43–3:55 Homer, the bald heavy man in a white shirt and blue pants, walks up the path to the front door of the green Simpson house at night, then stands at the door and disappears inside. Later, Moe, the grey-haired bartender in a blue vest and bow tie, stands with arms folded beside the open door of Moe's tavern, where a harlequin-patterned board holds several 'Have You Seen Me?' flyers with a car and a heavy man with messy brown hair as 'Last Seen With.' Caption reads 'TWO MONTHS LATER' as Homer, seen from behind, reaches up and pins a flyer to the board. The closeup of a flyer shows a faded car drawing and a portrait of the heavy drunk Barney, with a yellow hand reaching into the frame to touch it. > Face it, homer, the car is gone. Oh? > Barney ain't never coming back. Frame: https://ultrahouse3k.com/img/S09E01/224182.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/229396 ## 3:55–4:06 Homer Simpson and Moe, the grey-haired bartender, stand near a doorway at first, with Homer's gaze fixed on the street. A uniformed chauffeur in a cap and sunglasses stands beside a white limousine and watches as Barney, a heavy man with messy brown hair in an orange shirt, is pulled from the open trunk, clutching a green bottle and waving. Homer then grabs Barney by his shirt while Moe steps in beside them, and the three stand together on the street in front of shopfronts, including the Twelve-Day Dry Cleaners sign. > Here we are, Mr. Gumbel. > Huh? > Thanks for the lift! > Barney! Where's my car? > Well, all I remember about the last two months is giving a guest lecture at Villanova. Frame: https://ultrahouse3k.com/img/S09E01/236695.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/241074 ## 4:06–4:14 Homer, the bald, heavy man in a white shirt, grabs the collar of a heavyset, brown-haired man in an orange-pink shirt in front of a building with teal-framed windows. The man, who has messy brown hair and bloodshot eyes, talks and grins in one moment, then clenches his teeth and grimaces, then leans his chin on his hand with a sly, drowsy look. Homer keeps a firm hold of his shirt throughout, and the man's expression shifts from a rambling, slurred talk to a smug, smirking pose. > Or maybe it was a street corner. So you lost my car, eh? Frame: https://ultrahouse3k.com/img/S09E01/247748.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/250459 ## 4:14–4:27 Homer Simpson, bald and wearing a white shirt and blue trousers, stands in front of a red-green diamond-patterned panel arguing angrily with a heavyset man in a pink shirt with messy brown hair, who leans toward him; Homer clenches his fist and grits his teeth before turning away. Homer then rides a red kick scooter along a sidewalk past a red door and a building with purple-framed windows, moving down a street lined with orange and tan shopfronts under a blue sky with a single white cloud, and gradually shrinks into the distance on the left side of the street. > Well, that's just grand. > I ought to punch you in the nose, but I have to pick up my kids at school. Frame: https://ultrahouse3k.com/img/S09E01/255464.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/261094 ## 4:27–4:35 Homer Simpson, a bald heavy man in a white shirt and blue jeans, and Marge Simpson, with her tall blue beehive and green dress, stand in the family garage, while Bart Simpson, the boy with spiky hair in an orange shirt, watches from the side. A homemade vehicle made from a mattress with four wheels and a license plate reading KLS-311 sits in the middle of the floor. Homer lifts a tire and fits it onto the mattress cart while Marge steps in beside him, and the three keep working on the contraption as the garage door stays open to the house's front lawn and driveway. The scene is set in the Simpsons' house, with a mailbox at the edge of the driveway and a purple door visible from outside. > Homer, I don't want you driving around in a car you built yourself. Frame: https://ultrahouse3k.com/img/S09E01/268810.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/271730 ## 4:35–4:48 Homer, the bald, heavy man in a white shirt, stands in a purple room with a shovel and a pegboard of tools, glaring and gesturing at Marge, who has a tall blue beehive, a green dress and a red bead necklace. Marge sits on a wooden stool knitting a light blue seatbelt while Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits beside her holding a notepad and then waves a white envelope. Lisa crosses to Homer, offers him the envelope, and he waves it off with a dismissive hand gesture while he keeps talking. Homer then folds his arms and frowns at Lisa, who stands holding the envelope against the wall. > Marge, you can stand there finding fault, or you can knit me some seatbelts. > Sorry, sorry. > Dad, you got a letter from the city of New York. > Pheh, throw it away. > Nothing good has ever come out of New York City. Frame: https://ultrahouse3k.com/img/S09E01/276943.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/282365 ## 4:48–4:55 Lisa Simpson, the girl with star-shaped spiky hair, red dress and pearl necklace, stands in front of a large coiled tape roll against a blue and purple wall, holding a folded white paper letter and reading it aloud with a smile, then a wide-eyed expression, then a grin with her eyes closed while mouth open in laughter. Her mouth moves through talking, grinning and laughing as she reads the paper, and in the final moment Homer Simpson, the bald man in a white shirt, appears at the right edge with his mouth wide open and eyes looking upward in an exclaiming expression. > Dear motorist, your vehicle is illegally parked in the borough of Manhattan. > My vehicle! If you do not remedy this malparkage within 72 hours, Frame: https://ultrahouse3k.com/img/S09E01/290081.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/292375 ## 4:55–5:04 Marge with her tall blue beehive, Lisa in a red dress holding a paper, Homer in a white shirt and blue pants, and Bart in an orange shirt stand in a room with a purple wall and a wooden door. Lisa reads from the paper while the others look on, and Homer turns away and raises his hand to his head as Lisa keeps reading. A red object sits on a shelf behind them, and a pegboard with tools hangs on the wall. > your car will be thrown into the East River at your expense. > Oh? Frame: https://ultrahouse3k.com/img/S09E01/296963.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/300300 ## 5:04–5:16 Homer Simpson, the bald heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and green top with red beads, stand in the pink living room in front of an orange cabinet with purple shelves. Homer starts out gaping and wide-eyed, then speaks and grimaces while Marge looks on with a worried, unsure expression. Lisa, in her red dress and pearl necklace, then stands by a cabinet holding a white cloth and gestures with her hands while speaking, and her eyes droop as Bart, in his orange shirt, talks beside her. Bart and Lisa then stand side by side on the teal carpet as Bart grins anxiously and Lisa frowns with her eyes half-closed. Visible objects include a glass cabinet with martini glasses, a green vase, and a blue television set. > I don't want to go to New York City. > Why not? > New York is a hellhole. And you know how I feel about hellholes. > Dad, you can't judge a place you've never been to. > Yeah, that's what people do in Russia. Frame: https://ultrahouse3k.com/img/S09E01/305931.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/310727 ## 5:16–5:27 Homer, the bald heavy man in a white shirt, stands with his back partly turned in a pink room beside a window with a yellow curtain. He slowly turns his head and moves his mouth, then gradually faces forward with wide eyes and an open mouth as the scene ends. A purple dresser with an open book and framed pictures sits at the right. > Ugh. > It's time I told you about a chapter of my life I hoped would be closed forever. > I was on my way to the Harrisburg Coat Outlet to buy an irregular coat. Frame: https://ultrahouse3k.com/img/S09E01/317609.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/321780 ## 5:27–5:37 Homer, the bald, heavy man in a white shirt, first stands in a pink room with a window, a framed picture and a purple desk, then faces the viewer against a black background and speaks. The scene shifts to a blue-sky city skyline with tall buildings, then to a street where a red-haired woman in purple, a heavy dark-skinned man in a white shirt, and a man in a red shirt carrying a brown bag walk past two movie theatres, with marquees reading "The Godfather's Parts II" and "Jeremiah's Johnson." An usher in a white uniform and cap stands near a blonde woman in a pink dress, and a red car pulls up to the curb with a driver inside. > But it required a stopover in New York City. Frame: https://ultrahouse3k.com/img/S09E01/328245.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/332415 ## 5:37–5:50 A brown-haired, mullet-styled man in a red plaid shirt, jeans and a strap-hung photo gadget walks along a city sidewalk past marquees reading "Jeremiah Johnson," "The Godfather Part II" and "Five Easy Pieces," with a young Black man in an orange shirt and a dark-haired person in a purple shirt nearby. He then stands with hands on hips beside a flower-patterned suitcase at a bus stop while an older white-haired man in a green vest and purple pants raises a small device to take his picture, and the man grins, then turns to face the doorway as he speaks. > All I had to do was walk a few blocks from the Port Authority bus terminal to my train at > Penn Station Frame: https://ultrahouse3k.com/img/S09E01/338880.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/344094 ## 5:50–5:59 A young man with shoulder-length brown hair, a red plaid shirt and jeans, and Chief Wiggum, a heavyset police officer in a cap with a nightstick, stand on a city sidewalk in front of a Diner sign with a suitcase covered in flower and footprint stickers between them. The man gestures while talking, then the officer leans down toward the suitcase as a yellow taxi drives past, and afterward the man stands alone looking up the street as a red pickup truck passes and a large box goes by at the edge of the scene. He ends by holding a hot dog with mustard dripping onto the pavement and taking a bite while the sidewalk, with small stains and leaves, is seen from above. Frame: https://ultrahouse3k.com/img/S09E01/351393.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/354729 ## 5:59–6:08 Under a scrolling marquee reading "CRIME UP 8 MILLION PERCENT" on a city street, a man with shoulder-length brown hair in a red plaid shirt and jeans stands on the sidewalk beside a pink vintage car with a pigeon perched on it. A figure in a brown vest over a green shirt, with dark spiky hair, rushes in from the right holding something, and the plaid-shirted man raises a brown cup or bottle while a pigeon flies past. The plaid-shirted man then spreads his arms as debris and bits of wall fly around him, and a trash can comes tumbling from a window where a man in a green jacket, black-rimmed glasses and swept-back reddish hair, Troy McClure, leans out and throws it down to the street. Frame: https://ultrahouse3k.com/img/S09E01/360360.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/363905 ## 6:08–6:20 A brown-haired man in a red plaid shirt, stained and with a banana peel draped over his head, stands beside a brick building on a city street next to a pink car, then gestures toward a flamboyant man in a purple feathered hat, sunglasses, fur-trimmed brown coat and bell-bottoms, who angrily points back at him. The man in the plaid shirt then runs down the sidewalk in panic while the flamboyant man chases after him past a green convertible, with a banana peel lying on the road. Street scenery includes a yellow-and-orange storefront facade, a pole, and an orange car. > Anyhow, I must have looked at somebody the wrong way, because the next thing I knew, > I was running for my life. Frame: https://ultrahouse3k.com/img/S09E01/369744.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/374749 ## 6:20–6:34 In a narrow back alley lined with grey trash cans, a dumpster, and pink and red graffiti, a spiky-haired boy in an orange shirt walks along, then crouches near the trash while a figure in a pink hat is near the bins. A man with brown hair, a bald patch and a red plaid shirt grips horizontal bars in a purple-walled space, shouting and struggling, with a man in a fur-collared brown coat, pink feathered hat and sunglasses beside him. The red-shirted man then sinks into a dark manhole in the muddy ground, waving one arm, and the final frames show the empty hole with a crumpled paper cup nearby. > And that's when the chuds came at me. Oh, Homer, Frame: https://ultrahouse3k.com/img/S09E01/381631.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/387262 ## 6:34–6:37 Homer Simpson, bald and heavyset in a white shirt and blue pants, stands in the living room facing Marge Simpson, who has her tall blue beehive and a green dress with a red bead necklace, while Bart and Lisa stand at the left edge; Lisa wears a red dress with a pearl necklace and Bart's orange shirt is partly visible. Homer's mouth opens and closes as he talks, his eyes wide and his brow furrowed, while Marge looks up at him and Lisa and Bart remain still. Behind them a framed picture sits on a dresser beside a yellow curtain and a window, and the pink wall stays unchanged throughout. Frame: https://ultrahouse3k.com/img/S09E01/395186.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/395812 ## 6:37–6:50 Marge with her tall blue beehive stands in a pink room beside a wooden shelf, first looking wide-eyed and anxious, then shrugging with open hands, while Lisa in a red dress and pearl necklace stands near a TV set and clutches a folded newspaper, reacting with a gasp before holding it up. The newspaper ad reads "NEW YORK $9" above a drawing of a tour bus with a family special coupon at the bottom. Bart, the spiky-haired boy in an orange shirt, then steps in to look at the ad, mouth open, and finally holds the ad in one hand while pulling a wad of green cash from his other hand. > of course you'll have a bad impression of New York if you only focus on the pimps and the > chuds. Oh, I'd love to see New York. > We could all go with the bus company's special Super Sitter Fair. > Nine bucks? This one's on me. Great! We're all going to New York. Frame: https://ultrahouse3k.com/img/S09E01/398732.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/403737 ## 6:50–6:58 Homer, the bald heavy man in a white shirt, stands at the left of a living room with a pink wall, a framed Maggie portrait, and a wooden cabinet of trophies and glassware, while Marge with her tall blue beehive, Bart in an orange shirt, and Lisa in a red dress crowd in on the right. Bart holds up a New York travel brochure and Marge raises a fist, then the scene cuts to Homer alone with his arms crossed, scowling, before he unfolds his arms, clasps his hands together and pleads with his eyes closed, then turns to shout and finally raises a clenched fist beside the mantel. > You lousy barton's money. All right, New York, I'm coming back! Frame: https://ultrahouse3k.com/img/S09E01/411036.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/414164 ## 6:58–7:06 Homer, the bald, heavy man in a white shirt and blue jeans, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stand in the living room by a red brick fireplace with a burning log. At first Homer, scowling, pulls a wallet from his back pocket and tosses it toward the fire, then glares at it and holds it up, and the wallet's photos are then seen as he lets it drop into the flames. Next he gestures at the fireplace while Lisa, standing beside him, looks up at him with wide eyes. Homer's wallet, now burning, sits in the flames as Lisa watches. Framed family photos sit on the mantel beneath a large family portrait, and a pink wall sconce and a wooden china cabinet are visible on the right. > But you're not getting this! > Ted, our baby pictures were in there. Don't you start. Frame: https://ultrahouse3k.com/img/S09E01/419377.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/422297 ## 7:06–7:12 A passenger with light hair sits in the back seat of a pink sedan that moves through a green-tiled tunnel alongside a blue-and-white bus marked SIT-N-STARE BUS LINES. The scene fades in from black onto the bus rolling down the lane, then the pink car pulls up behind it, passes close beside it, and drops back again while the bus keeps steadily moving forward. The moment ends with the bus alone in the lane, its rear lights glowing. > Wake up, everyone. We're almost there. Frame: https://ultrahouse3k.com/img/S09E01/427510.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/429179 ## 7:12–7:19 Bart, Lisa, Homer and Marge sit in a bus seat row while Maggie lies in a hammock strung across the luggage rack above them. In the early frames Maggie sucks her pacifier and looks alarmed, then she slumps and dozes in the netting as the bus rocks. Bart and Lisa are shown bouncing and jolting in their seats, with Bart's mouth open and Lisa's eyes half-closed, while Homer sleeps with his head tipped back. Later, Bart yawns widely and Lisa leans on her arm with a bored, sleepy expression while Homer slumps behind them, and the final frames show Bart and Lisa half-awake and drowsy. Luggage bags and green-tinted bus windows are visible throughout. > That took too long. How come we had to transfer to Atlanta twice? Frame: https://ultrahouse3k.com/img/S09E01/433141.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/435852 ## 7:19–7:27 Bart, with spiky hair and an orange shirt, sits in a red-backed bus seat next to Lisa, who has star-shaped spiky hair and a red dress, while Marge with her tall blue beehive sits behind them and Homer is partly visible in the seat behind, all looking out from the bus interior with mesh luggage racks overhead. Bart's mouth opens and closes as he talks, and his eyes narrow while Lisa's eyes widen and her mouth falls open and moves in several expressions, with her head turning as she speaks and then settling into a dour, tired look. Their posture stays mostly fixed throughout, with the bus window framing the scene and a white background visible below. > I just think we should have paid the extra $1.50 and gotten a bus with restrooms. Frame: https://ultrahouse3k.com/img/S09E01/440857.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/443360 ## 7:27–7:35 Homer, a bald yellow man in a white shirt, and Marge, with her tall blue beehive and green dress, sit side by side on a bus seat, with a bald man in a purple shirt and glasses, a brown-haired man in a green sweater, and a grey-haired man in a light blue shirt nearby, and a sliver of Lisa's spiky-haired head at the lower left. Homer first throws his arms up and cheers with his mouth wide open, then clutches his head and grimaces, looks down at his legs with wide eyes, and slumps forward across Marge's green lap while she raises her hand. The bus has green-tiled windows and red seat backs, and Homer's legs are stretched out over the seat in the foreground. > Hey, Marge, I can't feel my legs. > I can't feel my legs! Frame: https://ultrahouse3k.com/img/S09E01/448365.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/451284 ## 7:35–7:43 Homer and Marge sit side by side on a bus seat, with Homer, in a white shirt, gripping a large green blanket that covers his lap and ends in blue-striped socks and grey shoes. Marge, with her tall blue beehive and red beads, gestures with her hands and raises a finger as Homer's wide-eyed expression turns toward her. A man with glasses, reddish hair and a lavender shirt sits in the seat in front of them, and then leans over the seat back while a grinning older man in a red cap looks down from above; Homer, mouth open and eyes wide, reacts in alarm as Marge looks on. Other passengers sit in the background, including a man in a light blue shirt on the right with his arms crossed. > Homer! > Homer, those legs belong to the man behind you. > Hi. Frame: https://ultrahouse3k.com/img/S09E01/456289.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/459209 ## 7:43–7:52 Bart, Lisa, Marge, Maggie and Homer ride inside a window-lined bus, with Bart gesturing with his hands and Marge gazing wide-eyed and grinning, while a thin, grey-haired passenger in a dark vest sits at the left and two women with reddish and grey-violet hair sit at the right. Maggie peers over the luggage rack above them as the bus rolls on. The view then cuts to a skyline of green, blue and tan skyscrapers under a clear sky, and a large cream sign reading "WELCOME TO MANHATTAN HOME OF THE WORLD-WEARY POSEUR" stands over a red brick building as a white-and-blue "SIT-N-STARE BUS" passes beneath it, followed by a green car driving past the sign. > We're here! > Wow, I feel like such a nobody. > It's wall-to-wall landmarks. The Williamsburg Bridge? Frame: https://ultrahouse3k.com/img/S09E01/464214.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/467968 ## 7:52–8:06 Bart, Lisa, Marge and Homer sit crammed together on a bus, with Bart and Lisa gaping and gesturing excitedly while Homer frowns with his arms crossed, and Lisa's hand presses on Bart's head. The scene then moves outside to a sidewalk where three bearded men in black hats and long dark coats stand beside a red fire hydrant, in front of Jewelry Center and Diamond Exchange signs. Bart leans from the bus window, waving, as the bus lettered T-N-STARE rolls past. > Fourth Avenue? > Governor's Island? > Look, it's ZZ Top! > You guys rock! > Eh, maybe a little. Frame: https://ultrahouse3k.com/img/S09E01/474015.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/479646 ## 8:06–8:17 Homer, Marge, Bart, Lisa and Maggie Simpson come out of the doors of the Port Authority Bus Terminal, passing a Sit-N-Stare Bus Lines coach parked nearby and taxis and cars on the street. Homer then stands alone on the sidewalk beside a red-and-white 'NO PARKING TAXI ONLY' sign, gesturing with his hands and looking unimpressed while his family stays at the terminal doors. > Now remember, criminals prey on small-town folk like us. > So if anyone asks, we're sophisticated millionaires from the Ozarks. Frame: https://ultrahouse3k.com/img/S09E01/487362.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/492158 ## 8:17–8:30 Homer Simpson, Marge Simpson, Bart Simpson, Lisa Simpson and baby Maggie Simpson stand together, first inside a building with blue lockers and then outside a building with a Port Authority sign above glass doors on a sidewalk. Homer, in a white shirt and blue pants, stands frowning and gesturing with his hand toward the doors and the family, and later he stands with his hands on his hips while a man in a blue suit carrying a brown briefcase walks past behind him. Marge raises a finger and holds Maggie, while Bart and Lisa look up at Homer. A woman in a purple outfit walks by on the left, and the family's reactions shift from stares to wary, closed-eyed expressions by the end. > Homer, you're scaring the children. Good! > I don't want to spend one extra second in this urban death maze. > You wait here at the bus station while I get the car. > The bus station is just one of the sights we came to see. > We'll meet you in Central Park at 5 o'clock. Frame: https://ultrahouse3k.com/img/S09E01/499040.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/504045 ## 8:30–8:42 Homer, bald and in a white shirt and blue pants, stands on a city sidewalk beside a yellow taxi while Marge, with her tall blue beehive and red bead necklace, and Maggie, with a pacifier and blue bow, watch from the right. Homer crosses his arms, then gestures and talks animatedly with his hands. He then turns to a man in a dark suit carrying a briefcase, who walks past along the sidewalk, and Homer leans into the open taxi door and points at him. > Oh, all right, but not a minute later, because once the sun goes down, > all the weirdos turn crazy. > I'm on to you. Frame: https://ultrahouse3k.com/img/S09E01/511344.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/516558 ## 8:42–8:56 Homer Simpson, bald and wearing a white shirt, sits in the back of a yellow Calloway taxi, then is seen in traffic with other yellow cabs, one marked Laramie, as he glances at a slip of paper and a wallet-like item. The taxi pulls up to a curb lined with potted shrubs, and Homer climbs out, pays or looks at papers, and stands on the sidewalk reading a document. He then stands between tall office towers at One World Trade Plaza, holding a sheet of paper and looking up with his mouth open, while a figure in green walks past the parked cab earlier in the sequence. > Your vehicle is illegally parked at one World Trade > Plaza. > Hmm. > Ooh. Frame: https://ultrahouse3k.com/img/S09E01/524065.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/529696 ## 8:56–9:08 Homer, the bald, heavy man in a white shirt, appears in a New York City street scene of tall towers and a pink car stuffed with cash bills on its hood. He walks along the sidewalk past a no-parking area, then stands by a building with his eyes shut and mouth open, and finally throws his hands up in alarm beside a sign reading "NO SCREAMING $50 FINE." The scene closes on the Statue of Liberty on its island, with the twin towers behind it and sailboats on the water. > Ah! Frame: https://ultrahouse3k.com/img/S09E01/537620.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/542417 ## 9:08–9:16 Bart, Marge, Lisa and Maggie look out through the arched windows in the crown of the Statue of Liberty, with Homer and Lisa and Maggie also seen earlier inside the crown. The statue's green face stays fixed as the family gazes out over the blue sky and water. Bart, in his orange shirt, cups his hands to his mouth and shouts toward a small steamboat with a smokestack puffing grey smoke on the water below. Marge, with her tall blue beehive, and the girls remain at the windows beside him, with Maggie clutching a pacifier-holding baby blue bow near the window ledge. > Wow. Wow, Governor's Island looks so insignificant from up here. > Hey, immigrants, beat it! Country's full! Frame: https://ultrahouse3k.com/img/S09E01/549299.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/552427 ## 9:16–9:26 A uniformed ship officer in a white cap and blue coat stands on the dock beside a gangway plank, with the Statue of Liberty and a city skyline behind him, while a line of immigrants in old-fashioned clothes waits on the pier, including a woman in a red headscarf and a woman in a blue bonnet and apron. Over the moment the officer gestures and turns toward the group, which shuffles and draws back as the woman in red and others react with alarm, and a boy in a dark outfit at the right edge stands by a man with a bowler hat and suitcase. Two sailors lean on the railing of the ship's tower above, one holding a pipe, with a white life ring on the rail. > Okay, folks, you heard the lady. > Back into the hold. > We'll try Canada. Oh, no, no, no, no, no, no, no, no, no. Frame: https://ultrahouse3k.com/img/S09E01/557640.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/561603 ## 9:26–9:38 Homer Simpson, a bald heavy man in a white shirt and blue pants, appears with two unnamed men in suits, one wearing a dark suit and one in a purple suit, plus a worker in blue overalls and a red cap, all beside a pink car. The scene opens on a wide view of the twin towers of a city with a plaza below. Then the pink car, its hood and back seat piled with cash and a red jack under one wheel, sits on a tarmac while Homer stands by it, first hands on hips and scowling, then gesturing with open arms. Homer then crouches at the front wheel, straining and grimacing as he wrestles with it, and the closeup shows his yellow hands gripping and turning the grey wheel and its hex lug nuts on the red jack. > Stupid city. > What the hell is this thing? > Come up! > All right, you. Frame: https://ultrahouse3k.com/img/S09E01/567650.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/572447 ## 9:38–9:50 Homer Simpson, bald and heavy in a white shirt, first stands glaring and shouting near a tall building, then kneels beside a pink car stuffed with cash through its windshield and hugs a tire while a wrench is clamped in his mouth as he strains against it. He lets go, raises his hands, and by the end he kneels still beside the car, a hand to his cheek, looking dejected and glancing sideways. The orange lug wrench sits on the ground by the wheel, and the pink car's windshield is packed with bundles of pink bills. > Oh. > Hey, when you're done with that, I got something up here you can fight on. Frame: https://ultrahouse3k.com/img/S09E01/579329.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/584125 ## 9:50–10:00 Homer, seen from behind with his bald head and white shirt, watches a small figure climb the face of a tall grey skyscraper, and the figure shifts across to the right-hand tower as Homer tilts his head to follow it. Mr. Burns, frail and thin with grey hair at the sides and a red tie, leans from a window in that tower, waving and gesturing. The scene then cuts to Homer standing beside a pink car fitted with an orange wheel boot stamped "CITY OF NEW YORK (212) 555-BOOT." > And why don't you be polite, you stinkin' pusbag? > Pal, you gotta call that number on a boot. > Sorry about that, guy. They stick all the jerks in Tower One. Frame: https://ultrahouse3k.com/img/S09E01/591216.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/595595 ## 10:00–10:09 Mr. Burns, a frail, stooped old man with a hooked nose and grey hair at the sides, leans from a window of a tall grey office tower, pointing and shouting. Across a narrow gap of blue sky and a rooftop, a man with reddish-brown hair in a white shirt and red tie leans from the opposite tower, and the two gesture at each other. Homer, bald and in white underwear, then hangs from a clothesline strung across the gap, clutching it among colorful shirts, pants and underwear as he reaches toward the other side. > That's it! I'm coming over there! Yeah, why don't you come over here? > I got something for you. Shut up! The both of you! > Thank you for calling the Parking Violations Bureau. Frame: https://ultrahouse3k.com/img/S09E01/601851.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/605188 ## 10:09–10:16 Homer Simpson, bald and heavyset in a white shirt and blue pants, stands at a blue public payphone on a plaza in front of a tall brick office building, holding the receiver to his ear. Behind him a lavender sedan with a pile of pink and orange material on its roof and trunk sits on the pavement, while a woman in a pink dress and a man with a briefcase walk past it and a small figure in the distance crosses the plaza. Over several moments the woman and the man move across the background, with the man setting his briefcase down by the car, and the scene ends in a close view of Homer's yellow finger pressing a key on the payphone's keypad, which shows the digits 2 through 9 with letters beneath them. > To plead not guilty, press 1 now. > Thank you. Your plea has been... Rejected. Frame: https://ultrahouse3k.com/img/S09E01/610610.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/612904 ## 10:16–10:24 Homer, the bald, heavy man in a white shirt, stands outdoors in front of a tall orange-brick building and a grey fence, holding a dark telephone receiver to his ear with a cord hanging down. His eyes are wide and he looks worried and uneasy as he listens. Over the course of the moment his expression slowly shifts into a more grim, downcast look, with his eyes drifting sideways and his mouth tightening, while the black rectangular sign or panel stays fixed on the right edge of the scene. > You will be assessed the full fine plus a small... > Large lateness penalty. > Please wait by your vehicle between 9 a.m. Frame: https://ultrahouse3k.com/img/S09E01/617492.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/620203 ## 10:24–10:32 Homer Simpson, the bald, heavy man in a white shirt, stands outdoors against a backdrop of a tall orange brick building and a grey fence, holding a black phone receiver to his ear with a cord hanging down. He scowls, glances sideways and grimaces, then in the final frames lowers the receiver from his ear and holds it near his chest while looking to the side with a frustrated expression. Beside him is a dark, flat panel or screen on the right edge of the scene. > and 5 p.m. for Parking Officer Steve... > Grabowski. > They expect me to sit here from 9 to 5? Frame: https://ultrahouse3k.com/img/S09E01/625416.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/628128 ## 10:32–10:42 Homer Simpson, the bald heavy man in a white shirt and blue pants, sits on the hood of a pink car parked in front of a metal roll-down shutter, with a jack under the bumper and the trunk packed with stacks of pink cash-like bundles. A small figure in a brown jacket stands at the right edge, partly out of view, while a dark-haired figure is glimpsed behind the car's rear. Homer slumps with his chin in his hands, then leans over to check his wristwatch, his mouth open and eyes shifting in impatience. He gazes off to the side with a scowl and stiff posture as he sits beside the car and the shutter, his expression souring further through the sequence. > That's... how many hours? > 10-11 denominator. > Oh, where's Lisa when you need her? Frame: https://ultrahouse3k.com/img/S09E01/633341.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/637303 ## 10:42–10:55 Marge with her tall blue beehive, Lisa in her red dress and pearl necklace, baby Maggie with her pacifier and blue bow, and their greyhound Santa's Little Helper ride a subway car marked A through a graffiti-covered tunnel. Inside, Marge holds a strap as an unnamed bearded old man in a green cap and maroon coat sits on the bench, talking and gesturing while Lisa looks on, and a 'Beware of Subway' sign and an 'Have you been injured in a subway accident?' ad hang nearby. The man keeps talking and waving his hands as the train rolls on. > Here's a better idea. > You give me your address and I'll write to you. > Uh, okay, I just sent it to Jesus, uh, care of the Pentagon. Frame: https://ultrahouse3k.com/img/S09E01/643351.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/648773 ## 10:55–11:06 Marge Simpson, with her tall blue beehive and red bead necklace, stands holding a subway pole in a train car, looking around and talking with her mouth open while the other passengers sit behind her. Lisa, in her red dress and pearl necklace, and Maggie, with a pacifier and blue bow, stand beside her, and a long-haired passenger reads a pink book on the bench. The car's ads read "Stamps for Tickets," "Canary Fl...," "Throw Ball," and "Earn Cash for Your Teeth," with a "Give" can held up at the end. > I'm so glad we took the subway. > Laser wart removal, wow! > The future is here! > Hey, where's Bart? Frame: https://ultrahouse3k.com/img/S09E01/656489.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/660660 ## 11:06–11:18 Bart Simpson, in his orange shirt, stands in the middle of a crowded subway car holding a can marked "Give" and spreads his arms while speaking, with Homer seated among the passengers on the left and a woman in a purple dress holding a purse on the right. He then grips the door edge with one hand, grimaces with his mouth open and eyes squeezed shut, and finally sags with heavy eyelids and a dazed, sighing expression. Graffiti is scrawled on the door behind him, and the car's ads include a "BE WARE" sign on the left wall. > Ladies and gentlemen, I'm sorry to disturb your pleasant ride, but unlike yourselves, > I was born without taste buds. > Let me demonstrate. > I'm in over my head here. Frame: https://ultrahouse3k.com/img/S09E01/667125.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/672130 ## 11:18–11:25 Bart, the spiky-haired boy in an orange shirt, walks down the aisle of a subway car and raises one hand while seated commuters read newspapers and books. Homer, the bald man in a white shirt and blue pants, then sits slumped against a pink car on a city street, glancing irritably at the grey wristwatch on his arm. He leans forward with his mouth open in a shout, and a red tow hook and a stack of pink items sit near the car. > Thank you for your time. > Aw, come on, pick up the pace. Frame: https://ultrahouse3k.com/img/S09E01/679429.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/682140 ## 11:25–11:36 Homer Simpson sits slumped on a city sidewalk beside a pink car with a red jack under its wheel, in front of a metal shutter and a blue office building. A woman with a black bun and a pink handbag passes behind him, and a man in a dark suit carrying a brown briefcase walks up beside the car. A man in a purple suit with a long ponytail strides away while Homer grimaces and clutches his chest. Later, a tall man with reddish hair and a blue tie stands next to Homer, who gestures with open hands, and a woman with a tall brown hairdo in a blue suit and heels stands with arms crossed, then leans against the car while Homer sits with his arms folded and frowns. > Hey, I'm not a bum. > Thanks, but I don't need... Okay, if you insist, but... > Spare change, lady. > Well, the cheapskate Frame: https://ultrahouse3k.com/img/S09E01/686936.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/690899 ## 11:36–11:46 Homer Simpson, the bald, heavy man in a white shirt, is first seen on a city sidewalk in front of Original Famous Ray's pizza shop, staring at his fingers and then clutching the front of a pink car stuffed with pink pizza boxes. He grips the car's hood, mouth open and eyes wide, then slumps and turns away while a red-capped boy in an orange shirt and a blonde woman in a purple top walk past the Tobacco Shop. Later Homer, in a white shirt and blue jeans, stands beside the pink car on a plain tan lot with a wrench clamped to its wheel, then leans forward and sprawls flat on the pavement with his arms stretched out toward the car. Visible on-screen text includes the yellow sign reading ORIGINAL FAMOUS RAY'S, NOT AFFILIATED WITH FAMOUS ORIGINAL RAY'S, WE DELIVER 555-PIZZA, and the Tobacco Shop sign. > So hungry can't leave car > Well getting closer closer Frame: https://ultrahouse3k.com/img/S09E01/697155.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/701326 ## 11:46–11:58 Homer, the bald, heavy man in a white shirt, is the main figure, first seen with both arms raised in front of tall blue-and-white striped skyscrapers, then grimacing with eyes shut. The view tilts down to a city street where tiny figures walk along sidewalks past parked cars, a white bus and a purple car lying crooked in the plaza. Homer then swings his arm forward holding a stick toward a running man in a pink jacket and white pants while another figure in blue hurries past a grated storefront. Homer is next shown sprawled on the pavement in front of a glass office building, with two briefcase-carrying men walking by, and then standing with arms crossed as a woman in a pink suit and a man in a green jacket pass. In the last moment he stands with arms folded beside a hot dog cart labeled with lettering on its side, as a vendor in green waits behind it. > Almost there > Get your club college hey, yeah, Frame: https://ultrahouse3k.com/img/S09E01/707790.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/712587 ## 11:58–12:09 Homer Simpson, bald and wearing a white shirt, stands on a city sidewalk gesturing and talking to a mustached vendor in a white shirt and green plaid pants who runs a cart with a striped red-and-white umbrella and a sign reading 'Kalash' on its side. A pink car sits at the left edge, and a man in a dark suit with a briefcase and sunglasses walks past the cart in the background. Homer keeps talking with his finger raised and then grimaces, while the vendor, with a thick mustache and reddish-brown hair, gestures with both hands and holds up a skewered brown food item. Homer then stands in front of a blue vertical-blind backdrop, looking alarmed, wincing, and finally sighing with his eyes closed and his hands held out. > could you go across the street and give me a slice of pizza no pizza only a club college > Shoo all right. All right. Give me one bowl no ball stick stick Frame: https://ultrahouse3k.com/img/S09E01/719677.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/724057 ## 12:09–12:23 Homer Simpson, in a white shirt and blue pants, stands beside a food cart under a striped umbrella with a moustached vendor in a white shirt and green plaid pants, while a thin man in a suit with glasses and a black-haired woman in a light green top appear behind the cart. Homer bites into a fried chunk on a stick, then holds the stick out at arm's length with a sour grimace, licks the stick, and gestures with one hand while talking, before turning to face the vendor with his hands on his hips. The cart, marked "Khlaw Kalash" on its side, sits on a sidewalk in front of a glass-walled building. > Yeah, she's that just awful > Hmm now what do you have to wash that awful taste out of my mouth Mountain Dew or crab Frame: https://ultrahouse3k.com/img/S09E01/730521.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/736361 ## 12:23–12:36 Homer, bald and in a white shirt, stands at a street cart with a heavyset man who has a thick moustache, reddish-brown swept hair, a cream shirt and green pants, while a woman with a brown bun in a red suit watches nearby. Homer grimaces, looks thoughtful, then exclaims, and afterward tilts his head back to drink from a silver can with a red crab logo. A man in a blue suit walks by in the background as Homer gestures, and then Homer rests a hand on the vendor's arm, with the cart's partly visible lettering and the blue lockers behind them. > juice? Yeah? > Oh > Sheets I'll take a crab juice Frame: https://ultrahouse3k.com/img/S09E01/744285.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/749916 ## 12:36–12:49 Homer, the bald heavy man in a white shirt and blue pants, stands by a pile of cans at a street cart while a moustached, heavyset man in a white shirt and green pants counts money at the orange cart marked Khlav Kalash under a striped umbrella. A woman with a tall reddish beehive in a teal outfit and a man in a dark suit walk past and pause near the cart. Homer points at the vendor, who gestures and then shouts while pointing upward. Homer looks up at a tall, pale grey tower against a blue sky, holding the umbrella, as the vendor points skyward beside him. > Uh-oh. > Uh, you got a men's room in there? > Only have cash. > Men's room in tower. Tower. > Observation deck. Oh, but I can't leave my car until the parking guy gets here. Frame: https://ultrahouse3k.com/img/S09E01/757840.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/762845 ## 12:49–12:58 Homer Simpson, the bald, heavy man in a white shirt and blue shorts, appears first standing beside a scattered pile of coins and later beside a stack of soda cans in a parking lot, clutching his hands in front of him and squirming with an uncomfortable look on his face. Behind a row of blue bins, Nelson-style vest-free passersby and a man in a tie walk across the lot, while a pink car sits at the left edge and a red-and-white striped cart with a bystander stands at the right. In the final moments Homer turns to face the viewer with a sheepish smile, while a man in a brown suit and hat walks past a tall glass building behind him. > Oh, why did I drink all that crab juice? Frame: https://ultrahouse3k.com/img/S09E01/770144.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/773690 ## 12:58–13:10 Homer, a bald heavy man in a white shirt and blue pants, kicks at and then squares off with a mail carrier in a blue cap, shorts and satchel beside a blue MAIL box on a plaza by office buildings, while a man in an orange shirt and purple pants walks past behind them. The scene then moves to a Chinatown street under red banners, where Marge with her tall blue beehive, Lisa in her red dress and Bart in his orange shirt walk along the sidewalk past signs for Yee's Olde Tavern, the Furniture Store and The Emperor's Used Clothes. Traffic moves along the street, and the three Simpsons continue walking away from the camera-side toward a pagoda-style kiosk. > Don't even think about it, pal. > Are we still in Little Italy? > Actually, I think we're in Chinatown now. Frame: https://ultrahouse3k.com/img/S09E01/779529.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/784534 ## 13:10–13:22 Marge, with her tall blue beehive, holds baby Maggie in a blue bow while Lisa in her red dress and Bart in his orange shirt stand outside a shop window where pink rabbit carcasses hang on hooks, with Chinese-character signs on the storefronts. As they look on, Lisa covers her cheeks in alarm and then looks unimpressed, Marge talks and grimaces nervously, and a delivery man carrying a cardboard box passes at the edge of the frame. A dark-haired woman in a green top and pink pants and a man in a green shirt are also on the street. > Only in New York. > Mom, are those rabbits dead? > No, no, Lisa, they're just sleeping. > Upside down and inside out. Frame: https://ultrahouse3k.com/img/S09E01/792041.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/796629 ## 13:22–13:34 Lisa in her red dress and Marge with Maggie in her arms watch from a street in Chinatown as Bart, in his orange shirt, holds a rocket near a fireworks stall with a dark-haired vendor behind the counter. Bart walks toward the red FIREWORKS shop while a fuse on the stall catches fire, and Mr. Burns, frail and stooped with grey hair at the sides, stumbles out of the shop doorway as sparks and explosions erupt among the crates and buckets of fireworks. Smoke puffs fill the air as Burns stands in the doorway, shaken and singed, with the shop's sign and Chinese lettering visible above. > Bart, no fireworks, put that back. > You're the boss. > Oh no, Chinese bars will! No! > Serious this time! Frame: https://ultrahouse3k.com/img/S09E01/803720.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/808516 ## 13:34–13:44 Homer Simpson, bald and heavyset in a white shirt and blue jeans, is sprawled and wriggling on the hood of a pink car whose windshield and back seat are packed with pink banknotes, with an orange car jack under the front bumper. He slides off the hood, his legs kicking and flailing as he goes, and then stands looking away down a city street, where a white bus and a small pedestrian in a hat pass a red car. A blue-and-white sign reading "FLUSHING MEADOWS" appears in the lower frame, above two blue silhouetted heads. > Come on, boot guy! Frame: https://ultrahouse3k.com/img/S09E01/815606.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/819360 ## 13:44–13:55 Homer, the bald, heavy man in a white shirt, is first seen in a car stuffed with pink banknotes, looking nervous and then grinning before the car window blurs. He is then shown tumbling down a grassy hill lined with white toilets, arms flung wide, and he tries to keep his balance among them. Near the bottom he crouches, then staggers across the slope past a pink tree, and finally stands amid a field of upright toilets under a pink sky, with the toilets set out in rows around him. Only toilets, grass, pink trees and a pink sky are visible, with no readable on-screen text. > Oh, flushing meadows. Frame: https://ultrahouse3k.com/img/S09E01/825408.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/829787 ## 13:55–14:05 Homer, the bald, heavy man in a white shirt and blue trousers, tumbles head-first through a green void ringed by white toilets, then spins and flails past a swirling vortex and a close-up of his eye. He then sits behind a barred window, slumped in a tub heaped with pink papers, grimacing, sighing, and rubbing his face as his mouth opens and closes. > Oh, I can't take it anymore. > All right, I'll only be gone for a second. Frame: https://ultrahouse3k.com/img/S09E01/836461.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/840214 ## 14:05–14:17 Homer, the bald, heavy man in a white shirt and blue pants, stands beside a pink car piled with money outside a large glass building, gesturing and shouting while onlookers watch from the plaza. He dashes across the plaza toward the glass doors, then pushes into a queue of people at a ticket machine and later shoves his way along a railing through a crowd of onlookers, waving his arms. > Francis, Maxis, I'm with them. > BRP's coming through. Very important person. > Very important person. > They can move on to the next door. You're gonna be frantic. Frame: https://ultrahouse3k.com/img/S09E01/846262.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/851267 ## 14:17–14:28 Homer, the bald heavy man in a white shirt and blue pants, and an elderly woman in a green coat with a blue beehive-like grey hairdo and a small brown purse are in a museum-like lobby with rope barriers and a crowd in the background. Homer lunges and pushes past the lobby crowd, then crouches and slides behind the rope barriers and a potted tree, and peers around a wall at the rain-streaked windows. He then pushes at an elevator where the woman is squeezed in among other people, and Homer is left squeezed into the gap of the closing purple elevator doors. The woman turns to face the doors, glares, sets her purse and adjusts her collar, and stands indignantly beside the closed purple doors while holding her eyeglasses, with no on-screen text visible. > What the... > How frightfully rude. > I certainly hope someone stabs him in the eye. Frame: https://ultrahouse3k.com/img/S09E01/858566.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/862945 ## 14:28–14:41 Homer Simpson waits with a group of one-off characters at a row of elevator doors marked 102 and then 106: a woman with short brown hair and a pink top, a man with brown hair in a blue sweater, a dark-haired person in a red cap and dark jacket, and a woman with a pale bouffant and blue top. When the doors open onto 107, Homer hurries down a hallway toward the windows, passing a 'No Smoking' sign, then throws his arms out and yells in alarm. He reaches a purple restroom door with a padlock and an 'OUT OF ORDER, PLEASE USE OTHER TOWER' sign with a red arrow, then stands squirming with his hands clasped at his crotch. Frame: https://ultrahouse3k.com/img/S09E01/869619.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/874832 ## 14:41–14:50 Small cartoon figures stand and walk on a pale plaza between a tall striped grey skyscraper with a blue-glass base and a red-pink apartment block, with a pink car parked nearby, while the view starts tilted up at the tower's pointed top against a clear blue sky. The view sweeps down past the tower to the plaza, where a figure in red and others mill about and a figure in blue walks toward the right as the pink car sits near the middle. The scene then rises back up to the striped tower's top against the blue sky and holds steady there to the end. Frame: https://ultrahouse3k.com/img/S09E01/882340.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/885885 ## 14:50–14:59 No regular characters appear in this moment; it shows only a tall, narrow, sketchy pinkish-beige skyscraper with vertical hatch lines and a stepped setback near its base, seen from below against a flat bright blue sky. The building stays fixed in place across all the images, with its flat top at the upper left-center and no people, vehicles, or on-screen text visible. Across the sequence the view remains essentially unchanged, with only a slight drift in the tower's position and angle as the scene holds on the building. > Oh yes! Frame: https://ultrahouse3k.com/img/S09E01/891724.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/895061 ## 14:59–15:11 Homer, bald and heavy in a white shirt, stands at a window beside a wall-mounted device, first with his back to the viewer and then peering down at a plaza below with a fountain and a pink-purple car. Chief Wiggum, the fat police chief in a blue uniform and cap, wrenches at a wheel of the pink car on the street, then stands by its front with a tool in hand. Homer returns to the window, pressing his fists against the blue glass grid and grimacing with his mouth open. The final scene shows a blue police car with its light bar on speeding past a red brick building and a blue van along a city street lined with tall towers. > No! Frame: https://ultrahouse3k.com/img/S09E01/900900.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/905488 ## 15:11–15:24 Homer, a heavy bald man in a white shirt and blue pants, comes out through a pair of blue doors on a city street while a uniformed man in a brown hat holds one door open, after wide establishing views of a New York skyline with a tall spired skyscraper, pigeons flying over rooftops, and a small boat on the water. A stack of pink parking tickets is tucked under the wiper of a purple car in the foreground, and Homer pulls one free, studies it with a furious scowl, and holds it up as he reads. The scene ends with a brief fade to black. > What? > Failure to wait by vehicle $250! Frame: https://ultrahouse3k.com/img/S09E01/912161.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/917583 ## 15:24–15:38 Homer Simpson, the bald, heavy man in a white shirt and blue pants, stands beside a pink car in a sunny city street with a tall building and a barred window behind it. A large red-outlined $250 ticket appears on screen at the start. He first grips a pink ticket and scowls, then stuffs a wad of pink tickets into his mouth as he chews, then glances around nervously at the empty street before turning to look back at the car. He turns back to the car, which is packed with pink tickets, and angrily tears one off the windshield while holding a grey clipboard-like item. He then leans on the open car door, scowling, as loose pink tickets flutter down around him. > Oh, stupid, look. > Oh, no. > It's getting dark. > Well, that's it. I'm getting out of this town alive if it kills me. Frame: https://ultrahouse3k.com/img/S09E01/925299.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/931139 ## 15:38–15:50 Homer Simpson, the bald, heavy man in a white shirt, sits in his purple sedan in a plaza beside a tall orange-brick building, holding his keys near a dangling tree air freshener and a blue "LIGHTER" label on the dashboard. He grips the steering wheel and presses the pedal while smoke billows from the hood, but an orange wheel clamp stays locked on the front tire. The tire then shreds into dark ragged rubber as the clamp holds the car in place. Frame: https://ultrahouse3k.com/img/S09E01/939272.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/944277 ## 15:50–16:03 Homer, the bald man with stubble in a white shirt, sits behind the wheel of a pink car with a seatbelt on, while a bald-headed bearded old man in a suit peeks in and a thin man with glasses in a blue suit stands nearby. The car is parked in a plaza beside tall glass office buildings, with a small tree and benches around. A boy in a blue shirt and red pants watches from the foreground as the car's front wheel is jammed with a red object and its front end looks crumpled. Homer grins, then turns serious and winces, shutting his eyes and crying out in pain as a man in a brown fedora appears behind him and a man in a red tie stands on the sidewalk outside the car. > Ow! Frame: https://ultrahouse3k.com/img/S09E01/951367.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/956789 ## 16:03–16:10 Mr. Burns, a frail, stooped old man in a purple suit, watches from a plaza beside a glass office building as a pink car with an orange wheel clamp on one wheel climbs a set of steps, then rolls down onto a city street lined with yellow taxis and a PIZZA sign, driving away along the curb past planters. Afterward, Marge with her tall blue beehive, Lisa in her red dress and Bart in his orange shirt stand at a window marked Shoes, looking at the displayed footwear while a passerby walks along the sidewalk. > Look at all those beautiful shoes. Frame: https://ultrahouse3k.com/img/S09E01/964297.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/966591 ## 16:10–16:18 Lisa, wearing a pearl necklace, Marge with her tall blue beehive and red beads, and baby Maggie in a blue outfit with a pacifier stand together in a shoe shop, surrounded by shoes on a purple display cloth. Lisa gestures with her hands and grins while the others look on, and a woman in a pink suit with long brown hair appears behind them and steps forward to the left. A man with a dark suit and spiky hair enters at the far left edge, and a yellow Walloway Cab Co. sign and a blue shoe are visible on the shelves. > I know they're made from animals, but wow! > Hmm, if only I didn't know that. Frame: https://ultrahouse3k.com/img/S09E01/971387.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/974515 ## 16:18–16:27 Bart, Lisa, Marge and Maggie stand together in a shoe store, with a brown-haired man in a suit behind them. Amid purple cloth, a pink heel, a brown lace-up shoe and a blue high heel on a white pedestal, Bart's mouth opens while Lisa waves her hands and the man in the background turns his head. Later Lisa and Marge look increasingly alarmed as a green panel appears behind them and the blue shoe shifts on its pedestal. > I don't care about shoes. > I'll meet you ladies back here in half an hour. > Okay, Dad. > Stay where I can see you, honey. Frame: https://ultrahouse3k.com/img/S09E01/979729.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/982857 ## 16:27–16:38 Bart Simpson, a boy with spiky hair in an orange shirt and blue shorts, stands on a city sidewalk beside a yellow taxi and a tall office building, with a bald, heavy man in a blue suit (Herb-like, not Homer) and a thin man in a grey-and-tan suit nearby. Bart's gaze turns to a glass door's directory sign reading "6th Floor MAD Magazine" and "For Lease Call 555-8628", and he reaches out to press the building's door handle. Inside, Bart stands at an elevator bank with a row of lit floor numbers, then a crowd of people, including a bald man in a blue suit, waits beneath a sign reading "MAD Magazine" with an arrow pointing left and "Methadone Clinic" with an arrow pointing right. The bald man in blue and Bart look toward the signs as the crowd stands in the lobby. > Mad Magazine! Frame: https://ultrahouse3k.com/img/S09E01/988279.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/992867 ## 16:38–16:51 Bart, the spiky-haired boy in an orange shirt and blue shorts, walks down a red-carpeted hallway to a door marked MAD magazine and peeks at the doorknob. Inside the office, a woman with curly reddish-brown hair and a purple blouse sits behind a brown desk beneath a large red MAD sign, reading a magazine labeled AMOUR while Bart stands before her, and she looks up, narrows her eyes and grits her teeth. > Excuse me, is this Mad Magazine? No, it's Mademoiselle. > We're buying our sign on the installment plan. Frame: https://ultrahouse3k.com/img/S09E01/999749.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1005171 ## 16:51–17:03 Bart Simpson, the boy with spiky hair in an orange shirt, sits at a brown counter in front of a blue panel, first grinning with his eyes closed, then looking nervous with his hands clasped and eyes wide, then glancing sideways and gesturing with one hand as he talks. Across the counter, a woman with a tall reddish-brown curly hairdo, purple eyeshadow, red lipstick, a choker and a lilac top, holds open a blue magazine labeled "GLAMOUR" and speaks, gesturing with her free hand while Bart looks up at her. The setting is a plain room with a beige door and a light switch on the wall behind them. > Seriously, though, my name is Bart Simpson. > My father has a subscription. > I'd like the grand tour, please. > Listen, kid, you probably think lots of crazy stuff goes on in there, Frame: https://ultrahouse3k.com/img/S09E01/1012887.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1017475 ## 17:03–17:16 Bart, in his orange shirt and blue shorts, stands in a hallway with a blue floor and looks on as a red-haired woman with curly hair and a purple top, seated behind a wooden desk, reads a magazine. Bart later stands behind the desk with a wide-eyed, uneasy look while a freckled, red-haired man in a black suit and red bow tie peeks out from a doorway, grinning with a missing front tooth. Behind him, a green-walled room has a pink ceiling, a blimp-shaped sign reading "BAD", and a figure in a polka-dot skirt on an exercise machine, and the man's grin later turns into a burst of orange flame. > but this is just a place of business. > Oh. > Okay. > Get me Kaputnik and Phone Bone. > I want to see the drawings for the new kids on the black. Frame: https://ultrahouse3k.com/img/S09E01/1024357.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1029779 ## 17:16–17:25 Bart Simpson, the spiky-haired boy in an orange shirt, stands in a room with a blue floor and a wooden desk at the left, first looking wide-eyed and open-mouthed. A man in a black suit with a red bow tie, reddish-brown hair and freckles peeks around a doorframe at Bart, grimacing and then ducking out of view, while a figure in a purple hat and white outfit hangs upside down in a green-walled hallway with a blue N-marked cap nearby. Bart's expression shifts from shock to a wide, grinning smile as he keeps staring, with the doorway and hallway visible behind. > And where's my forslugging her pastrami sandwiches? > Wow. > I will never wash these eyes again. Frame: https://ultrahouse3k.com/img/S09E01/1037078.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1041040 ## 17:25–17:39 Homer Simpson, bald and wearing a white shirt, sits behind the wheel of a pink car on a busy city street, while Carl, in a blue-grey shirt and orange cap, drives a green truck beside him and then appears in a dark-haired, neatly wheeled sequence... > Ha! > Get off the road, you freakin' maniac! > Yeah, you jackass! Frame: https://ultrahouse3k.com/img/S09E01/1047088.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1052927 ## 17:39–17:49 Homer, the bald, heavy man in a white shirt, sits behind the steering wheel of a car with a purple interior and brown upholstered seats, glaring at the road ahead. He first scowls and then opens his mouth wide as if yelling, and he later clenches his teeth and shouts while gripping the wheel. A dashboard stereo shows AM530 and FM88 bands and a cartridge labeled TRACKSTAR, and his hand reaches out to press its controls. Traffic with a green car and a red car is visible through the side windows. > Shut up, shut up, shut up! > Everything is beautiful > In its own way Frame: https://ultrahouse3k.com/img/S09E01/1060851.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1064814 ## 17:49–18:03 Marge, with her tall blue beehive and holding baby Maggie in a blue bow, stands on a city sidewalk with Lisa in her red dress and pearls and Bart in his orange shirt, all in front of the Kickin' It theatre marquee that reads 'A Musical Journey Through the Betty Ford Center' and a Hoofin'-N-Mouthin' sign above. As pedestrians walk past, including a man in a brown suit, Marge looks up and speaks while Lisa gazes ahead, Maggie stares forward, and Bart's eyes slowly close before the family stands together in the final moments, with the Midtown Urine Disposal sign and tall buildings behind them. > Kickin' Up, a musical journey through the Betty Ford Center You know, > when I was a girl I always dreamed of being in a Broadway audience Frame: https://ultrahouse3k.com/img/S09E01/1070861.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1076492 ## 18:03–18:13 Marge, with her tall blue beehive, walks with Lisa in her red dress and a baby Maggie in her arms, past a man in a green sweater and a uniformed attendant leaning out of a booth window on a city sidewalk. Later, on a courtroom stage with red curtains and a scales-of-justice emblem, a small man in a white suit stands before the judge's bench while a jury sits in a box, and Marge watches from the audience in the foreground. In the jury box, a woman in a green jacket raises her hand and gestures while Ned Flanders, with his moustache and glasses, speaks, as a bald man in a suit and a blue-haired older woman look on. > How do you find the defendant? > He's guilty of mayhem exposure indecent. > Freaked out behavior both chronic and recent. Frame: https://ultrahouse3k.com/img/S09E01/1084417.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1088379 ## 18:13–18:24 A dark-haired man in sunglasses and a white jacket stands beside a blue flag, then the scene shifts to a row of townspeople seated in a wooden jury box in a courtroom with orange curtains. Among them, a bald man in a grey suit and purple tie, a man with curly dark hair, and two older women with grey-blue hair watch, while a man in a blue suit at the far right raises one finger, then spreads his arms wide as the others look on with shifting expressions. The jurors, sitting in green-cushioned seats, remain in place throughout as the man at the end keeps gesturing. > Drinking and driving narcotics possession. > And that's just page one of his 10 page confession. > I should put you away where you can't kill or maim us. Frame: https://ultrahouse3k.com/img/S09E01/1094635.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1098806 ## 18:24–18:35 A slim man with spiky black hair, blue sunglasses and a white jacket stands at the left in front of a wooden podium, gesturing with open hands, while an elderly man with grey hair at the sides, round glasses and a dark suit stands behind the podium under a blue and gold scales-of-justice emblem with flags on either side. The slim man turns and faces the older man, who spreads his arms wide, then the older man grips the podium, raises a fist, and gestures emphatically with both arms, eventually throwing his arms out wide and open-mouthed as he speaks. Notable objects include the blue and gold scales-of-justice seal, the flags, and the dark wooden lectern. > But this is LA and you're rich and famous. Frame: https://ultrahouse3k.com/img/S09E01/1105271.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1109859 ## 18:35–18:43 A dark-haired man in a white suit walks down a stage under a red curtain while a spotlight picks him out, and a banner reading Reception, later Betty Ford Reception, hangs over a counter where people in white sit at tables. Next, a spiky-black-haired man in a tan jacket and sunglasses stands at a clinic desk as a bespectacled doctor in a white coat and a nurse with a clipboard look on, and he gestures and grins while holding dark glasses. Finally, a group of doctors and a nurse stand around two hospital beds, one holding a hockey stick beside a bandaged man in a jersey and the other with a blonde woman in a red dress, all looking toward the viewer. > I'm checking in He's checking in I'm checking in Checking, Frame: https://ultrahouse3k.com/img/S09E01/1116741.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1119869 ## 18:43–18:53 A slim man with spiky black hair, dark circles under his eyes, a white coat, white trousers and a black collar stands at a counter in a clinic, while a bespectacled man in a white coat and a nurse in a white cap with a clipboard watch him. He gestures and talks animatedly, then steps back beside a window under a sign reading "RECLI...", tugging at his coat and spreading his arms wide as the others look on. A small silver bell and clipboards rest on the counter. > checking in No more pills or alcohol No more pot or > Demerol No more stinking fun at all I'm checking Frame: https://ultrahouse3k.com/img/S09E01/1124874.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1128628 ## 18:53–19:03 A thin, spiky-haired man in a white lab coat and turtleneck stands before a RECEPTION sign, first clutching his head with both hands, then gritting his teeth and clenching his fists as he rages. The scene shifts to a hospital ward with blue-sheeted beds, where a woman in a pink feathered headdress waves beside the bandaged man holding a hockey stick, and Carl, in a white coat and green trousers, pushes a door past a nurse. A blonde woman in a red dress waves at a grinning man lying in bed as the lab-coated man stands by. > in > He's checking in He's checking in Frame: https://ultrahouse3k.com/img/S09E01/1134675.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1138429 ## 19:03–19:15 Carl, a Black man in a white coat and blue jeans, joins a thin black-haired man in a white coat, a nurse with reddish hair in a white cap, and several white-uniformed orderlies in a hospital hallway with round windows in green doors. Overhead views first show beds set around a small central figure, then the orderlies grab the thin man, restrain his arms, and wrap him in a green sheet, with a black strap appearing in one orderly's hands as they hold him between the doors. The group keeps moving him in a tight scrum as he struggles, and at the end the orderlies hold him at both arms while Carl gestures to the side. > No more looking pale and thin No more bugs beneath your > skin Hey, > that's just my aspirin Chuck it out You're Frame: https://ultrahouse3k.com/img/S09E01/1144268.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1149273 ## 19:15–19:24 Homer, in a white hospital-style outfit with blue slippers, and Carl, in a white coat and blue tie, lead a line of white-clad staff and costumed onlookers, including a football player in a number 7 jersey and a hockey player with a stick, in front of a pink Betty Ford sign. They dance and gesture with their arms, then the two men lunge into a kick pose and push open the central double doors as fireworks and streaks of light burst in the corners. The sign's letters are smeared red as the doors swing wide. > checking in Frame: https://ultrahouse3k.com/img/S09E01/1156572.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1160117 ## 19:24–19:35 Marge with her tall blue beehive, Bart, and Lisa in her pearls sit in a row of blue theater seats, with a dark-skinned man in a light blue shirt in front of them, an older man with glasses and a red bow tie behind, a brown-haired woman in a blue top at left, and a woman in a purple dress at upper right. As the moment plays, Bart grins and laughs with his eyes shut, Marge grimaces with her teeth showing and glances up, and Lisa leans in smiling and raises one finger as if making a point. The audience watches together in the dim theater, with the rows of seats filling the lower part of the scene. > When I grow up, I want to be in the Betty Ford Center You better start saving now, > it's very expensive Shh, they're strapping down Liza Minnelli Frame: https://ultrahouse3k.com/img/S09E01/1165956.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1169919 ## 19:35–19:45 Homer, the bald heavy man in a white shirt, sits at the wheel of his pink car on a city street lined with red brick buildings and orange barricades, with a metal boot clamped on its front wheel and smoke rising from the wheel area. He grips the steering wheel, scowls and shouts while a construction worker in an orange hard hat and pink shirt waves an orange paddle nearby, and a teal truck pulls up beside the car on the right. Homer's eyes squeeze shut and he clenches his teeth as steam billows around the pink hood and the truck looms behind. > Oh, it's gonna be dark soon. > I'll never make it out of here with this rotten boot on my car. > Aha! Frame: https://ultrahouse3k.com/img/S09E01/1176175.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1180137 ## 19:45–19:55 Homer Simpson, bald and heavy in a white shirt, drives a purple car with a purple ceiling, grinning and wide-eyed as a blonde woman in a pink dress and a man in a dark suit, sunglasses and red tie appear beside the vehicle. He grimaces and stares upward, then climbs out onto a brick-lined city street with a white street sign, where a red-haired woman in a pink sweater and a bearded man in a green sweater watch while Marge, with her tall blue beehive, stands behind the car as Homer throws his arms up in alarm beside the open door. > I've got it! > Brain, how could I ever thank you? Just don't bump me on your way out of the car. > Sorry. > Just a minute! Frame: https://ultrahouse3k.com/img/S09E01/1186394.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1190564 ## 19:55–20:02 Homer, bald and heavy in a white shirt, stands in a city street with his arms flung wide in front of a green truck, a pink car, and a green car whose driver sits behind orange barriers. He turns to face the viewer, scowling and then shouting with clenched fists, while a man in a brown jacket watches from the sidewalk and a figure waves from atop the green truck. Earlier, an overhead view shows a jammed street of parked cars, including a pink sedan, a green truck, and a yellow car, beside a construction pit with cones and a manhole. > Everything's under control! > Yes, I'd be upset too! > Hey! Hey! Frame: https://ultrahouse3k.com/img/S09E01/1196821.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1199115 ## 20:02–20:14 Homer Simpson stands at a city construction site beside a cement mixer truck and a hole in the ground, gesturing and shouting at a heavyset worker in an orange hard hat and white tank top who operates a jackhammer. The worker hands off or turns from the jackhammer, Homer runs off with it, and then he grips it and drives it into the lug nuts of a huge truck tire marked with pink goo while an orange jack stands beneath the axle. Orange and white striped barricades and orange bollards line the street. > What? > The boy says you're fired. > I'll get him. > So long, Mr. > Boot. Frame: https://ultrahouse3k.com/img/S09E01/1203703.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1208499 ## 20:14–20:26 Homer, the bald, heavy man in a white shirt and blue pants, is on a city street lined with brick buildings, using a pneumatic drill with a hose to dismantle a pink car. He first looks startled while holding a phone, then drills into the car's wheel, which sits on an orange jack. He tears into the body panels and rips out the hood, then peers under it, and he finally sits in the driver's seat, where the windshield is shattered. Back outside, he goes back to drilling and pounding the wheel and tire while the orange jack stays in place. Shattered glass flies from a rounded window, and the car's tires and bodywork are torn apart in the process. Frame: https://ultrahouse3k.com/img/S09E01/1215589.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1220594 ## 20:26–20:40 Homer Simpson, bald and heavy in his white shirt, takes a pneumatic jackhammer to a pink car on a city street lined with tall buildings and a parked truck. He grips the jackhammer and it bursts into a cloud of smoke as it chews through the pink car's hood, sending gray debris and chunks onto the pavement. A worker in an orange hard hat and green shirt, who looks like a construction worker and is not one of the regulars, watches from behind orange barricades while a man in a teal truck cab leans out and waves. Homer then steps back, pumps his fists and gestures at the truck, and returns to the car, where the jackhammer leaves the car's front bashed and the license plate reads 117?^!. > Die! > Homer 1, New York nothing. Frame: https://ultrahouse3k.com/img/S09E01/1227685.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1233315 ## 20:40–20:50 Homer, in his white shirt and blue pants, waves an arm and yells beside a purple car parked under a red "No Standing Any Time" sign, then leans into the open driver's door. The car drives off down a city street past orange-and-white barriers, leaving a flattened figure lying on the pavement. The scene shifts to a sunset view of the Empire State Building, then to a park where a woman with a tall blue beehive and two small children ride in a white horse-drawn carriage driven by a thin old man in a top hat, while a boy in a red headband and a girl in a pink cap run alongside. > Thanks for your patience. > What a perfect way to end our day in New York. Frame: https://ultrahouse3k.com/img/S09E01/1241031.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1245411 ## 20:50–21:02 Marge, Lisa, Maggie, and Bart sit on a red park bench at dusk, with Marge's tall blue beehive and green dress, Lisa in her red dress and pearl necklace, and Maggie in her blue outfit with a pacifier, while Bart's spiky head is in the lower right corner. Their smiles and talk fade as Homer, wearing a white shirt and gripping the steering wheel, grimaces and rubs his nose inside a pink car with shattered windows. Nearby, a man and woman sit on a checkered picnic blanket with a wicker basket, the woman springing up in an orange skirt and gesturing while the man holds a bottle, and then a pink car with a spiked tire sits beside the blanket as the woman walks away on the grass, with Homer looking out the window. Back at the bench, Marge, Lisa, Maggie, and Bart are seen again in the same seating arrangement, with the park and city skyline behind them. > I hope your father had as much fun as we did. Frame: https://ultrahouse3k.com/img/S09E01/1251876.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1256672 ## 21:02–21:13 Homer is at the wheel of a battered pink car that speeds along a lamp-lit park road with a stone bridge at dusk, then crashes into a basketball court fence beside a graffiti-covered wall. Mr. Burns, in a top hat and black coat, holds the reins of a horse-drawn carriage on a river road while the pink car pursues him, and Bart, in an orange shirt, sits beside him as the chase passes over the water. The moment ends with the crumpled pink car pulled up beside the horse and carriage, with a basketball hoop and city skyline in the background. > My God, that maniac is heading straight for us. > Go, Secretariat. Go. Frame: https://ultrahouse3k.com/img/S09E01/1263763.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1268142 ## 21:13–21:24 Homer, Marge, Lisa, Maggie and Bart sit in the battered pink family car, its front crumpled against a horse-drawn carriage driven by Mr. Burns in a top hat and bow tie at sunset. Mr. Burns grips his whip and scowls, while Homer grips the steering wheel, rubs his face, then shouts and waves his arm as Bart leans over the seat and Marge folds her arms. A brown horse stands beside the wrecked car, and a street lamp glows on a tree-lined road. > Hey, it's Dad. > Right on time. We're getting out of here. > Now, jump in, Marge. Trust me. Throw the kids. > No time for the baby. We're not jumping, Homer. Frame: https://ultrahouse3k.com/img/S09E01/1274815.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1279195 ## 21:24–21:37 Marge Simpson with her tall blue beehive and baby Maggie, who has a pacifier and blue bow, are first seen beside a hedge, then join Homer, Lisa and Bart near a battered pink car with a horse and carriage behind it. Homer wrestles a dented door open while Marge hurries over with Lisa, then Homer drives the pink car with Marge and Maggie inside past a brown horse, and the car rolls by a glowing street lamp in a park at dusk. Frail, stooped Mr. Burns in a tuxedo and top hat stands by the lamppost and tips his hat as the car passes. > Come on, let's go. Everyone into the car now. > Tell your friends to ask for Jimmy. Frame: https://ultrahouse3k.com/img/S09E01/1285659.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1291081 ## 21:37–21:49 Bart, Lisa, and Marge stand together on a bridge at dusk in the first frames, gazing at a skyline of lit skyscrapers under a red-purple sky, with a large Chrysler-style spire at center. An orange vehicle and a white car drive along the roadway as the view glides forward. The scene then shifts to Homer, bald and stubbled, gripping the steering wheel of a car with shattered windows, his face scowling as he is shown with a grimacing expression, his head streaked with green slime and tears on his cheeks. Later he is shown with a wrinkled, disfigured mask-like face, and Lisa's excited expression and gestures are visible in the background, while the city skyline glows behind. > What a magical city. > Can we come back next to your dad? > We'll see, honey. Frame: https://ultrahouse3k.com/img/S09E01/1298589.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1303385 ## 21:49–21:54 Homer, covered in green goo and white foam with a silver utensil stuck in his head, sits behind the wheel of a car with a shattered windshield while Marge's blue beehive is partly visible at the right edge. The car drives along a road behind a green SANITATION garbage truck overflowing with colorful trash, and a foot-shaped object flies past in the background. A round orange blob labeled BIOHAZARD rises in front of the truck as Homer's expression shifts from a grimace to a dazed, wide-eyed stare. > We'll see. Frame: https://ultrahouse3k.com/img/S09E01/1310059.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1311727 ## 21:54–22:03 A pink sedan with yellow figures inside, likely the Simpson family, drives along a curving elevated highway among a green garbage truck, a white car and other traffic as the opening credits roll. White on-screen text lists the executive producers Bill Oakley and Josh Weinstein, then James L. Brooks, Matt Groening and Sam Simon, followed by the starring credits for Dan Castellaneta, Julie Kavner and Nancy Cartwright. The car moves steadily past blue glass buildings and the traffic while the credits change from one name to the next. > Start spreading the news Frame: https://ultrahouse3k.com/img/S09E01/1315689.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1319235 ## 22:03–22:12 No characters appear; this is the opening credits over a stylized elevated highway with small cars moving in its lanes and a blue and pink cityscape behind it. White credit cards appear in turn, reading Yeardley Smith, Hank Azaria, and Harry Shearer, then Special Guest Voice Joan Kenley, Also Starring Tress MacNeille, Additional Vocals by Michael Dees, Animation Executive Producer Phil Roman, and Animation Producers Bill Schultz and Michael Wolf. The view drifts along the bridge's curving cables and roadway as the cards change over the moving traffic. > I'm leaving today I > want to be a part of it In old Frame: https://ultrahouse3k.com/img/S09E01/1324865.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1328202 ## 22:12–22:21 This is the opening credits sequence of The Simpsons, with no regular characters clearly visible; a small dark-blue figure, too small to identify, appears against a purple sky and a city skyline of green, blue and pink towers over a blue bridge. Across the scene, white credit text fades in and out over the skyline, reading Executive Consultant BRAD BIRD, Executive Story Editors DONICK CARY and DAN GREANEY, Story Editors RON HAUGE and NED GOLDREYER, Associate Producer ALISON ELLIOTT, Theme by DANNY ELFMAN, Music by ALF CLAUSEN, Casting by BONITA PIETILA, and Editors MICHAEL BRIDGE, DON BAROZZO, LEE HARTING and KURTIS KUNSAK. The skyline stays mostly still while the credits change and the tiny figure drifts slightly along the bridge. > New York > If I can make it there I'd Frame: https://ultrahouse3k.com/img/S09E01/1333833.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1337378 ## 22:21–22:30 No regular Simpsons characters appear in this moment; it is a static animated end-credits sequence set against a stylized purple-sky city skyline with a blue suspension bridge and a brown riverbank. Over the 9 seconds, successive white-and-yellow credit cards appear and disappear: first Animation Production Manager Joel Kuwahara and Post Production Coordinator Dominique Braud-Stiger, then Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod, then Music Editor Chris Ledesma, Sound Effects Editor Travis Powers and Re-Recording Mixers R. Russell Smith and Bill Freesh, then a dense block of production and assistant credits, then Animation Produced by Film Roman, Inc., and finally Overseas Animation Director Utit Choomuang and Overseas Production by Rough Draft, Chang Myung Nam. > make it anywhere Come on, > come through New York, New York Frame: https://ultrahouse3k.com/img/S09E01/1343008.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1346345 ## 22:30–22:39 No Simpsons characters appear in this moment; it is a sequence of end-credit title cards over a stylized purple-and-pink city skyline with a blue suspension bridge. The credits list crew names such as Mark Ervin, Matt Groening and Sam Simon in white outlined lettering, first for animation roles like assistant director, storyboard, character design and layout, then for color design, ink and paint, and production staff. The text rolls upward and gives way to a copyright notice reading The Simpsons Episode #4F22, Copyright 1997, Twentieth Century Fox Film Corporation. The last two cards read Creative Consultant Matt Groening and Executive Creative Consultant James L. Brooks over the same skyline backdrop. Frame: https://ultrahouse3k.com/img/S09E01/1351976.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1355521 ## 22:39–22:50 A row of dark silhouetted audience members sits in a theater, with a large puffy-haired figure in the foreground, while a blue projector beam sweeps across the screen. The beam fades into the words GRACIE FILMS, then IN ASSOCIATION WITH appears on black, followed by the golden 20th Century Fox Television logo with the tagline A News Corporation Company against a blue sky. The scene ends in darkness. > Shh! Frame: https://ultrahouse3k.com/img/S09E01/1361151.jpg Page: https://ultrahouse3k.com/episode/s09e01-the-city-of-new-york-vs-homer-simpson/1365114