# The Two Mrs. Nahasapeemapetilons

The Simpsons, season 9, episode 7 (S09E07), first aired November 16, 1997.
Written by Richard Appel. Directed by Steven Dean Moore. Production code 5F04.
Guest stars: Marcia Wallace as Mrs. Krabappel; Jan Hooks as Manjula Nahasapeemapetilon; Andrea Martin as Mrs. Nahasapeemapetilon.
Couch gag: El Barto.

Apu becomes the hit of a fire department bachelor auction and starts dating around Springfield, until his mother writes from India to remind him that his arranged wedding to Manjula is due. On Homer's advice he writes back that he has a wife already, so when she visits, Marge reluctantly poses as Apu's bride. The ruse falls apart, and the wedding goes ahead in the Simpsons' backyard.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Kent Brockman, Otto Mann, Jasper Beardsley, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Miss Hoover, Maude Flanders, Sideshow Mel, Kirk Van Houten, Larry Dalrymple, Hans Moleman, Luann Van Houten, Sam, Professor Frink, Bernice Hibbert, Horatio McCallister, Comic Book Guy, Ruth Powers, Sarah Wiggum, Sanjay Nahasapeemapetilon, Old Jewish Man, Alice Glick, Brandine Spuckler, Manjula Nahasapeemapetilon, Disco Stu, Pyro, Hazel, Lois Pennycandy, Hester, Retirement Castle Nurse, Ernst, Gunter, Mrs. Nahasapeemapetilon, Retirement Castle orderly, Apu Nahasapeemapetilon Sr., Gladys, Prudence, Apu's Relative, Asa, Beatrice, Cornelius Talmadge, Emile, Hatty, Indian Elephant, Ingrice, Lamuel, Lucky, Manjula's Father, Manjula's Mother.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

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From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:07

No characters appear in this moment; it is the opening title sequence of The Simpsons against a bright blue sky filled with drifting, tan-shaded clouds. The first frames are black, then the clouds slide across the screen as the words "THE SIMPSONS" in orange, bubbly lettering appear partway through, first showing as "THE SIMPS" and then in full. The title then shifts and grows larger, with the clouds moving past, and the last frame shows "THE IMPSO" with the letter P partly covered by a brown wooden-looking shape, as the clouds continue drifting behind the text.

> The Simpsons

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## 0:07–0:17

Homer, a bald heavy man in a white shirt and blue pants, and Bart, a spiky-haired boy in an orange shirt, first appear in a driveway beside a pink car parked outside a yellow garage with a mailbox nearby. Homer leans into the car and then flails his arms in a frantic gesture as a red vehicle rolls in at the lower right. The scene then moves indoors to a pink living room with a brown couch and a framed sailboat painting, where Bart sprays green paint from an aerosol can, then stands before the couch as glowing spray-painted outlines of figures appear across it, with the signature "El Barto" written in black above the painting.

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## 0:17–0:23

No characters appear in this moment; it is a title card showing a purple retro television set against a pink background. The screen first reads 'Created by Matt Groening' in yellow lettering on blue, then switches to 'Developed by James L. Brooks, Matt Groening, Sam Simon' in the same style. The television's knobs and speaker grille stay fixed throughout, and the text is the only thing that changes.

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## 0:23–0:35

A man in a blue cap and orange shirt climbs a ladder beside the Springfield Civic Center sign, which reads 'Tonight: Charity Bachelor Auction' and 'Tomorrow: I Retire, Ya Bastards!', and he reaches up to the lettering before climbing down so the ladder stands empty. The scene then cuts to the auditorium, where a man in a dark suit stands at a podium on a stage before a packed, seated crowd, with a 'REJECTS' sign on the left wall.

> Good evening, I'm Kent Brockman. Our top story, punks and lots of them.

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## 0:35–0:44

A heavy-set grey-haired man in a black tuxedo with a bow tie stands on a red stage in front of green curtains, holding a microphone on a cord, with a wooden podium at the left edge. As he speaks, his expression shifts from a sneer to a wide smile, and in the later frames he opens one hand outward in a gesture. On-screen captions in sequence name Co-Executive Producers George Meyer, David S. Cohen and Richard Appel, and the captions disappear in the final frames.

> And all to raise money for the Springfield Fire Department to buy a fire engine so they
> can get to fires.
> Lazy bums. Yeah, why don't we buy mink stoves while we're at it?

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## 0:44–0:54

In a theater audience, Homer, Marge, Bart, Lisa, Apu and Dr. Hibbert-like balding man sit in rows of blue seats while a man in a tuxedo with grey hair stands at a microphone on a red stage before green curtains, with the credits reading Producer Dan Greaney, Producer Ron Hauge, Producer Donick Cary, and Co-Producers Brian Scully and Julie Thacker. Homer leans his head toward his hand and mouths words while Bart and Lisa look on, and the tuxedoed man gestures with his free hand, first raising it and then extending it toward the audience. Marge stares ahead with her tall blue hair while a woman with brown hair in a red top sits behind Homer.

> Yeah, good one.
> And now let's hear it for our celebrity auctioneer, Krusty.

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## 0:54–1:05

Audience members in a theater, including a woman with a tall brown hairdo and a man with a grey mane, sit with mouths open and watch an older grey-haired man in a black tuxedo gesture at a microphone beside a wooden podium in front of green curtains. The audience then turns toward open doors in a dark aisle, where Krusty the Clown, in a pink robe with green hair and a red nose, enters holding a martini glass with an olive, and the audience applauds as he grins and raises the glass. On-screen credits read 'Consulting Producer JACE RICHDALE', 'IAN MAXTONE-GRAHAM', 'DAVID MIRKIN', and 'Consulting Producers BILL OAKLEY & JOSH WEINSTEIN'.

> Who's that? I don't know.
> I don't know.
> I don't understand.
> The clown!

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## 1:05–1:12

Krusty the Clown, with his green hair and red nose and wearing a pink jacket, walks up a short set of steps onto a stage and stands at a wooden podium with a microphone, holding a martini glass with an olive. A man in a tuxedo with grey hair is standing next to him on stage and then moves aside as Krusty takes the podium, while a seated audience of yellow-skinned people in the background claps. Krusty raises the martini, sips from it, and a green sign reading HEY! HEY! glows on a stand in the final moments, with the caption CONSULTANT JOHN SWARTZWELDER shown on screen.

> Thank you!
> Hey, hey!

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## 1:12–1:22

Krusty the Clown stands at a wooden podium with a microphone in front of green curtains, holding a martini glass. He sips from the glass, wipes his mouth with a white glove, taps his temple, then opens one arm wide while talking. Behind him, an audience of women in a theater cheers, claps, and raises their arms, while on-screen credits read 'Supervising Director Jim Reardon' and then 'Produced by Colin A.B.V. Lewis' and 'Produced by J. Michael Mendel Bonita Pietila'.

> I ain't mean that.
> No, not that either.
> Okay, let's bring on our first bachelor!
> All right, ladies. This sexy fellow describes himself as a big thirsty teddy bear.

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## 1:22–1:30

Krusty the Clown, with teal hair, a big orange nose and a red-and-pink suit, stands behind a wooden podium with a microphone and a green curtain behind him. He holds a small white card in his gloved hand, grins and gestures, first with one hand raised and then with both arms spread wide, then leans over the podium reading from a card while the credit 'Produced by Richard Sakai and Denise Sirkot' and later 'Written by Richard Appel' appear on screen. He finishes by extending one arm toward the side as he talks.

> Say hello to Barney Gumbel!

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## 1:30–1:43

Krusty the Clown stands behind a wooden podium with a microphone in front of a green curtain, gesturing with his white-gloved hands and pointing toward the left. Barney, the heavy man with messy brown hair in a salmon shirt and blue jeans, walks in from the right behind the curtain, steps onto the red stage, and stands there with his hands at his sides while blue- and red-haired audience members sit in the foreground. Krusty's pose changes as he speaks, and the caption "Directed by STEVEN DEAN MOORE" appears across the lower part of the screen.

> Okay now, what am I doing? Hey now, I got zero, I got zero, I got no bid here, I got zero.
> I'm standing at zero, anybody wanna go higher than zero?

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## 1:43–1:55

Krusty the Clown stands at a wooden podium with a microphone in front of a green curtain, gesturing and speaking, first pointing up, then clasping his gloved hands, then pointing toward the side, and later waving one hand while looking weary. Behind him in the seats, Homer in a light blue shirt and Marge with her tall blue beehive sit beside Bart in an orange-red shirt and Lisa in a red dress and pearl necklace, while a crowd of neighbors, including Patty and Selma with grey-violet hair in the back row, watches; in the first frames a row of seated women in blue, green and purple, including Mrs. Krabappel-like figures, looks toward the stage. The scene shifts from the audience in the early frames to Krusty at the podium, and the seated family and crowd remain steady and attentive as he speaks.

> I got zero right now, okay, over there, no, zero.
> I got not, I got silch, I got bupkis, I got zero, nothing, hey!
> Poor Barney.
> Ugh, this line is withdrawn.

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## 1:55–2:07

Krusty the Clown stands at a wooden podium on a stage with green curtains, while a heavy man with messy brown hair in a pink shirt and jeans stands on the stage beside a long-blonde-haired woman in a short red dress. The woman takes his arm and steers him offstage, and he walks toward a purple wall with a REJECTS banner, where he halts behind a red velvet rope with gold posts and stands glumly while she watches. The scene then cuts to an old captain with a white beard, peaked cap and blue coat, pipe in hand, standing beside Krusty at the podium as blue-haired audience members sit in the foreground.

> Come on!
> He likes sunsets! What more do you want?

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## 2:07–2:16

Krusty the Clown stands behind a wooden podium with a microphone, gesturing with a gloved hand and shouting in front of green curtains, before an old sea captain with a white beard, cap, and blue coat and a long-haired blonde woman in a short pink dress, red heels, and blue-tinted eye makeup, stand center stage holding a pipe. The captain puffs his pipe and winks while the woman rests her hand on his arm, then the pair step off to the left as Krusty watches from the podium.

> Yarr, I'm not attractive.
> Our last bachelor likes women who take their clothes off for money.

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## 2:16–2:26

Krusty the clown stands behind a wooden podium with a microphone on a stage with green curtains, holding a small card, speaking and gesturing with a white-gloved hand toward the side. Moe, the grey-haired bartender in a red suit and bow tie, strolls in from the right with a wide grin and clenched fists, then stands in a close-up grinning and glancing sideways in front of the green curtain. In the final moment he walks across the stage past the podium while Krusty stays behind it, and a blonde figure in a red dress is partly visible at the left edge.

> Let's hear it for Moe.

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## 2:26–2:39

Several women in a theater audience, including a grey-haired woman in a blue dress and another in a green jacket, scowl at the stage. Marge in a green dress and red beads sits beside Lisa in a red dress and pearls, who turns to speak and then looks worried. Behind them, Patty and Selma appear in the crowd. On the stage, a line of muscular, uniformed men in suspenders and olive pants stand and sit beside a purple wall, one in a red fire helmet, another in a tan coat, while a sign above them reads REJECTS. Earlier, a sign reading EJECTS hung over a velvet curtain where a woman in a red dress stepped out, and Mr. Burns in a red sweater, Moe in a red suit with a bow tie, and Sideshow Bob in purple sunglasses stood near the rope line as a row of men waited.

> Why do we have to stand here? This is so humiliating.
> Aren't there any good bachelors in this town?
> Uh, we're never gonna get that fire engine.

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## 2:39–2:44

Krusty the Clown, with his green hair and red nose, stands in a pink robe with a belt at a wooden podium on a stage in front of green curtains, holding a microphone. He starts out gesturing with the mic at the podium, then steps out to the right with the cord trailing behind him while he gestures and talks. He then pauses with a sad, drooping expression, lifting the microphone to his face, before shifting back into a wide-mouthed, animated speech at the mic.

> Well, I guess that's it, folks.
> Had some laughs.
> Killed some time.

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## 2:44–2:54

Apu, in his green jacket, sits in the front row of a theater with blue seats, first talking and then gesturing with his hands, while Marge Simpson, with her tall blue beehive and red beads, sits beside him in a green dress. Marge then stands up, points a finger and raises her arm to wave, as Homer's bald head peeks out behind her and other audience members watch from the purple-walled auditorium.

> Uh, Pru, you're a bachelor. Get up there.
> No, no, no, please. I am. Nothing special.
> Don't be shy.
> Uh, excuse me.
> Excuse me. We have one more bachelor. Mr.

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## 2:54–3:05

Krusty the Clown, with green hair and a red nose and wearing a pink robe, stands on stage holding a microphone and gesturing with his hands while he speaks. In a theater audience behind him, Apu in his green jacket and tan pants sits in a blue seat, then stands and walks along the row with Marge and Lisa visible behind him and Homer partly hidden. Further along the row, a woman with grey-violet hair (likely Selma) smokes a cigarette, while a bespectacled woman with a brown bob, a woman with long black hair, and a man in a purple jacket sit in the seats and react, with no on-screen text visible.

> Chalk.
> Just tell them about yourself.
> Well, I have a doctorate in computer science.
> Sounds pretty good to me.

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## 3:05–3:10

Apu, with black hair and a green jacket with orange trim over beige trousers, stands in a purple-walled room with blue seats while Marge, with her tall blue beehive and red beads, and Lisa, with spiky hair and pearls, watch from behind him. He shifts his gaze, rubs his chin, then talks and gestures with his hands out as he turns to face the audience. The scene then cuts to a row of women seated in the same room: a black-haired woman in a pink top speaks, a bespectacled woman with swept-up hair in a mint shirt smiles and talks, and a curly-haired woman in a red dress beside them chatters, while a woman in a brown jacket at the right listens with her hand at her chin.

> I run my own business, of course.

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## 3:10–3:22

Apu, the Kwik-E-Mart owner in a green cardigan with orange trim and cream pants, stands in a purple-walled room in front of a row of blue seats, with Marge (tall blue beehive, red beads, green dress) and Lisa (spiky hair, pearl necklace) behind him in the audience. Across the moment he shifts from standing still with a faint smile to talking and gesturing with one hand, then grinning widely, turning and gesturing with an open palm toward the side, and finally settling back into a calm pose with his hands together at his waist. Other audience members, including a red-haired woman on the left and a bespectacled person behind him, look on throughout.

> I do like to cook.
> I'm not much of a talker, but I love to listen.
> And in my leisure time,
> I like to build furniture and then to have a discussion about where it could be placed in
> a room.

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## 3:22–3:32

Apu stands tall above a packed theater audience with purple walls, with Homer and Marge seated behind him as a woman in the back raises her arm. Milhouse, with blue hair and glasses, stands up and points a finger skyward while a line of people behind a red velvet rope, including a heavy man in a blue shirt and a tall man in a sailor cap, watches under a partly visible sign. Patty and Selma, with grey-violet hair, sit in blue seats and one raises a finger, before Milhouse points upward again in a close-up.

> $50.
> $75.
> You better have enough left to pay my alimony, Luanne.
> $300.
> $350.

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## 3:32–3:40

Marge, with her tall blue beehive, and her sisters Patty and Selma, plus an unnamed brown-bobbed woman in glasses clutching a fan of cash and a black-haired woman in a grey sweater, gather in front of green drapes. Krusty stands behind a wooden podium with a cigar in his hand, then points his yellow-gloved finger toward the curtain at the side while the group leans in and watches. The women then raise their arms and hands, and the brown-bobbed woman holds the money high above her head as the others cheer and gesture.

> $926.
> Sold to the five desperate chicks. Woo-hoo!
> All right, we got him.

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## 3:40–3:50

Apu, in his green jacket with orange trim, stands at the front of a crowded purple-walled auditorium with blue seat backs, while Marge, with her tall blue beehive and green dress, and Lisa, wearing pearls, watch from the row behind him. He first stares wide-eyed and then grins and laughs with his eyes shut, leaning on a seat rail, while Marge raises a hand to her cheek and later plants her hands on her hips. Apu then glances sideways with a sly smirk, and Homer's bald head is partly visible at the right edge, with no on-screen text shown.

> Holy moly! Wow, look who's the ladies' man.
> Come on!

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## 3:50–4:03

Apu, the grey-haired Kwik-E-Mart runner in a green sweater, sits beside an unnamed woman with brown hair and round glasses in a red convertible at night, with a panda plush and other stuffed toys in the back. The car drives past a purple-roofed house with glowing yellow windows and then pulls to a stop at the curb. In the car, the woman leans toward Apu and grins while he looks wide-eyed and speaks, then he gives a tight, uneasy grin.

> I had a great time, Appu. And thanks for winning, Wubbsy.
> I had no idea you were such a great shot.
> Oh, yes. All quickie-mutt managers must be skilled in their deadly arts.

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## 4:03–4:12

Apu, the orange-skinned man with grey hair and a green sweater, sits in a parked car in front of a purple house while a woman with brown hair, glasses, pearls and a pink dress leans toward him from the driver's seat. A large white-and-black costumed figure pushes forward between them, and the woman then steps out of the car and walks to the house's purple front door as the figure follows her inside. Apu drives off down the street, and Marge, with her tall blue beehive, waves from a lit window as the car passes.

> That date will not be easy to top.
> But we shall see.

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## 4:12–4:22

A dark-skinned man with grey hair and a green sweater drives a car while a yellow-skinned woman with short blue hair, red-rimmed glasses and an orange dress stands beside him, first gesturing with open arms, then leaning in to hug him from behind. He holds up a pair of red-strapped clogs with metal plates and grins, and she sits beside him, until the car pulls away from a purple house with a dark purple door, green shrubs and yellow windows.

> Anybody up for some clog dancing?
> Why don't you try and stop me?

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## 4:22–4:34

Apu, the Kwik-E-Mart clerk in a green jacket and apron, stands behind the counter holding up a pink heart-shaped card that reads "Thinking of You" while Homer, bald and heavy in a white shirt and blue pants, sips a blue slushie through a straw. Apu keeps the card raised as Homer's attention drifts toward it, then Homer reaches over and ends up holding the heart-shaped card near his face while Apu gestures with one hand. The NUKE arcade machine, a JACK POT cash register and a "NO:" sign on the counter are visible behind them.

> This is just a note to say I think about you every day.
> And when I get you all alone, well, it gets a little bit personal here.
> I understand.
> Yoink!

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## 4:34–4:47

Homer Simpson, the bald, heavy man in a white shirt, stands in a store aisle lined with greeting cards, holding a large brown box and a pink heart-shaped card reading "Thinking of You." Apu, the Kwik-E-Mart clerk in a green jacket and black vest, leans in beside him and looks at the card, then later stands behind the store counter by the blue cash-register machines, holding up an open white envelope and slitting it with a tool. Homer reacts with a wide-eyed, open-mouthed expression and clenches his fists in excitement, while the aisle outside the window shows rain streaking down.

> Wow!
> I know. Whoa!
> Tell me about it. Oh,
> here's one from my mother.
> Ooh, let's see what she wrote. Brrrr!

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## 4:47–4:55

Apu, the heavy man with grey hair in a green shirt, works behind the counter of the Kwik-E-Mart, where a Jack Pot cash register and a Snack Treat rack of backpacks sit nearby. He takes a folded white paper from his hand and then glances at it while a pink lotus flower lies on the gray counter mat beside a blue-and-orange cup with a straw. Homer, in his white shirt, stands at the counter facing him, and as Apu clutches the paper and papers-and-cups scatter in the air, Homer leans in with his mouth open and then grimaces with his eyes shut, while Apu looks on with a sour expression.

> You hate lotus flowers too? Don't get me started on lotus flowers.

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## 4:55–5:06

Apu, who runs the Kwik-E-Mart in a green jacket, stands behind the counter beside a blue Slurpee cup on a pink flower mat, gesturing with his hands and talking while Homer, bald in a white shirt, stares at him. Homer leans in and presses his hand against the JACK POT cash register, then turns away and stands alone in front of a rain-streaked storefront window, grinning uneasily. The background shows a NUKE arcade cabinet and a box marked Yodel.

> No, no, it is the sign that it is time for my arranged marriage.
> Oh, well, congratulations!
> No, no, no, don't you know what it means?
> Not really.

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Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/300926

## 5:06–5:17

Apu, the Kwik-E-Mart clerk in a green jacket, stands behind the counter with a pink flower and a blue-and-green drink cup while Homer in his white shirt faces him. Apu gestures with his hands and then Homer slumps forward with his chin on his hand, looking bored, beside a JACK POT register and a NUKE arcade machine. The scene blurs into a sunset view of a blue gazebo where several people sit at a table, with peacocks strutting on stone paths in the garden below.

> It all happened shortly after my eighth birthday.
> Okay, here we go.
> Ten goats and an electric fan? You call that a dowry?

Frame: https://ultrahouse3k.com/img/S09E07/307182.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/311770

## 5:17–5:30

Four adults and two small children sit at a round grey table on a open-air terrace with a sunset sky and hills behind them: a man in a cream kurta and a woman in a green headscarf and purple sari on the left, and an older woman in a pink sari with a red bindi and a man in a white kurta on the right, while two children peek over the tabletop. The left woman gestures as she talks, the pink-sari woman raises a finger and later taps the table, and the men sit by quietly. The green-scarfed woman then stands at a black easel holding a board of small photographs and marks one with a white marker.

> Okay, we will throw in a textile factory.
> But only because Manjula is getting on in years.
> Then it is agreed.
> Your third daughter will marry our first son.

Frame: https://ultrahouse3k.com/img/S09E07/318443.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/323657

## 5:30–5:42

Beginning on a family-tree board, a hand with yellow bangles circles a young man's photo and draws a line to a woman's portrait on the right. A woman in a pink sari and a man in a white shirt sit at a table beside a pink lotus, then a close-up of a black-haired young man with closed eyes holding the flower blurs into view. Finally Apu, grey-haired with a moustache and green sweater, stands before a Buzz Cola sign in the Kwik-E-Mart, holding the lotus and gesturing with his hand.

> It is done.
> Oh, I cannot get married. I'm just beginning to enjoy my bachelorhood.

Frame: https://ultrahouse3k.com/img/S09E07/331164.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/336378

## 5:42–5:52

Homer Simpson, the bald heavy man in a white shirt, stands at the counter of the Kwik-E-Mart talking with Apu, the Kwik-E-Mart owner in a green jacket and black shirt, who stands behind the counter beside a cash register marked JACK POT and a NUKE arcade machine. Apu gestures with open hands and then presses his fingertips together while Homer looks on, and Apu later holds a slice of pizza and raises one hand as he speaks. Homer alternates between wide-eyed, mouth-open looks and a broad grin toward the rainy street outside, with a blue slushie cup on the counter by him. On-screen signage includes a NO sign in the lower foreground and a SQUISHEE cup on the wall.

> What am I going to do? Tell her the truth.
> You're not ready to get married. No, no, no, no.
> You do not know Mother. She will never quit until I am married.
> Then just tell her you're already married.

Frame: https://ultrahouse3k.com/img/S09E07/343885.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/347639

## 5:52–5:58

Apu, the man with grey-violet hair and a green jacket over a black shirt, stands behind the Kwik-E-Mart counter, and Homer, bald with a white shirt, stands facing him at the counter. Apu raises both hands, then Homer gestures with both hands and speaks, and Apu later turns his head and watches him while Homer lifts an arm. The store shows a Jack Pot cash register, a Nuke arcade game, and a cup with a straw on the counter.

> No, I cannot lie to my mother. Then get married.
> What the hell do you want from me?

Frame: https://ultrahouse3k.com/img/S09E07/353687.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/355564

## 5:58–6:07

Apu, the Kwik-E-Mart owner with dark grey hair, a green jacket over a black shirt and beige pants, holds a purple phone to his ear behind the store counter while Homer, in his white shirt, leans on the counter beside him. Apu grimaces, grins, then shuts his eyes and tilts his head as he talks, while Homer watches with a wide-eyed stare and at one point starts writing on a notepad. Behind them stands a red 'Slush Treat' cooler stocked with green and blue bags and snacks, with fluorescent lights overhead.

> Yes, that is right, Mother. I already got married.
> Why did not I bother to tell you?
> Well, the reason is...

Frame: https://ultrahouse3k.com/img/S09E07/359734.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/363280

## 6:07–6:17

Apu, the grey-haired shopkeeper in a green sweater, stands behind the counter of the Kwik-E-Mart talking on a purple phone while Homer, bald in a white shirt, leans on the counter beside him holding a sign that reads "Where are the Sticky Buns?". Apu shuts his eyes, then opens them wide and talks into the receiver, leaning in over the counter and gripping the phone with both hands. The red Snack Treat display with green and blue bags sits behind them, and by the end Apu is turning toward the viewer with a stunned, wide-eyed look.

> Well, I guess I didn't think you'd understand.
> Oh, got to go. Bye, bye, bye. Love you, love you.
> It worked.

Frame: https://ultrahouse3k.com/img/S09E07/368910.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/372455

## 6:17–6:29

Apu, the Kwik-E-Mart clerk in a green jacket, stands behind the snack counter facing Homer, then raises both fists and climbs onto the counter to dance. A translucent Hairy Shearers sign appears over the store as Apu keeps dancing, and the scene shifts to a bus-like interior where Homer sits reading a book with GUIDE on its cover beside a red-haired woman leaning over a man in a light blue shirt. Homer then gives a thumbs-up while a pink bottle sits on the table in front of him.

> It worked. Their lie has set me free.

Frame: https://ultrahouse3k.com/img/S09E07/378086.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/383508

## 6:29–6:42

Apu, the Kwik-E-Mart owner, sits in a booth beside Homer, who reads a magazine titled Guitar, while a red-haired woman with a red lipstick stands behind them in a white top. In the early frames Homer reads, then looks up, and in later frames he gestures with a raised thumb while Apu's hair changes between a short cap and long dark hair with a wig-like look. The booth has a pink bottle on the table at left. The scene then cuts to a disco floor with a mirror ball, where Apu, in a mint-green jacket and white pants, dances with a pose on one foot in front of four women in pink minidresses while a crowd watches.

Frame: https://ultrahouse3k.com/img/S09E07/391016.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/396021

## 6:42–6:52

A red convertible with a 'HI LIFE' vanity plate drives down a street, carrying Lisa and Bart's sister-like companions? No: two women with big hair, one in a pink top and one in a yellow top, plus a dark-skinned man in the passenger seat, all cheering with arms raised and holding drinks as the car speeds past Dress Up Plus and then a Kwik-E-Mart, where the car fades in and out. At the Kwik-E-Mart, Homer stands behind the counter holding a long pink measuring tape up beside a slumped, sleeping man in a green sweater with a dark hood-like hairdo, while a blue mailbox and traffic lights sit on the sidewalk outside. The car's license plate reads 'HI LIFE' in blue letters framed by a row of colored lights.

> You know what I have in mind
> Honey, you oughta know
> Loser. Loser.

Frame: https://ultrahouse3k.com/img/S09E07/403111.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/407282

## 6:52–7:04

Homer Simpson first stands before a bright, glowing screen, studying a long strip of lottery tickets printed with 'LOSER' and '$500' labels. He then turns to the Kwik-E-Mart counter, where Apu, in a green sweater, is slumped asleep with his head down, and Homer waves the strip, leans in, and talks to him while Apu stays dozing. Jars of jam, a red cabinet, a box labeled 'Yo...' and a sign reading 'NO' are visible around the counter.

> $500?
> Appu, wake up! I want to buy a yodel and this lottery ticket.
> I have this much.

Frame: https://ultrahouse3k.com/img/S09E07/413538.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/418752

## 7:04–7:16

Apu, the Kwik-E-Mart clerk in a green sweater, stands behind the store counter beside a LOTTO machine and a sign reading NO CHECKS, CREDIT CARDS, FOOD STAMPS, while Homer, bald and wearing a white shirt and blue pants, approaches and holds up a small bundle of papers and a small cup. Homer gestures toward the counter and then stands at the cash register, eyes wide, as Apu sits and then leans in and taps the register keys, with a "Yoo..." sign and a stack of shelved goods in the background.

> Sorry, you do not have enough for both.
> Oh, oh, oh, oh.
> Yodel.

Frame: https://ultrahouse3k.com/img/S09E07/426051.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/430639

## 7:16–7:27

Homer Simpson, the bald heavy man in a white shirt, stands at the counter of the Kwik-E-Mart while Apu, the store clerk in a green jacket and dark hair, leans on the counter across from him. Homer holds a small pack of cigarettes near the cigarette display, which shows CARTON and PACK price signs and a SMOKE sign. Homer first looks at the pack, then turns his gaze toward Apu, who talks and smiles, then rubs his cheek with one hand while grinning. Homer smiles faintly and keeps holding the pack. Apu then gestures with his hand and points toward the side of the store, and Homer looks sideways with a skeptical, sidelong expression. Visible on-screen and store signage includes the CASH mat on the counter and a Yodel sign on a candy box.

> Late night, huh?
> Not the type to kiss and tell, sir.
> But listen to this.
> Whoa!
> Oh, you dog.
> It is my mother.

Frame: https://ultrahouse3k.com/img/S09E07/437520.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/442108

## 7:27–7:39

Apu stands behind the counter of the Kwik-E-Mart while Homer, in his white shirt and blue pants with a lighter in hand, talks with him, and Apu gestures and grins as Homer stares ahead. Outside, an older woman in a purple dress steps out of a yellow taxi in front of a Coffee & Tea shop, and inside, Homer glances over a cigarette display marked Carton 10.95 and Pack 1.10 while Apu keeps gesturing, with a Yodel box and a Cash mat on the counter.

> Oh, no. Oh, no. What am I going to do? It's the big problem.
> Don't you see she is here to meet my wife?
> The wife that I told her I had.

Frame: https://ultrahouse3k.com/img/S09E07/448990.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/453578

## 7:39–7:48

Homer, the bald heavy man in a white shirt, and Apu, the Kwik-E-Mart clerk in a green sweater with a dark hair bun-like mop of hair, are at the Kwik-E-Mart counter, with Homer holding a small pack of cigarettes near the Cigarettes Smoke'm display showing Carton 10.95 and Pack 1.10 price signs. Homer first stands by the counter looking uneasy while Apu leans forward gesturing and talking, then Apu covers his face with his hands in distress. The scene then cuts to a view through the glass entrance doors where a man in a purple and green robe is flung through the air and lands on the ground, with a yellow taxi parked outside and a Coffee & Tea shop across the street.

> I do not have a wife. Then maybe you shouldn't have told her you did.
> She's going to be here any second.
> Yes, that will buy me some time.

Frame: https://ultrahouse3k.com/img/S09E07/460251.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/464005

## 7:48–7:58

Apu, the grey-haired Kwik-E-Mart clerk in a green jacket over a black shirt, first stands behind the counter in a close-up, gripping his hands together and then pressing his cheeks with his palms as he looks anxious and frowns. Later, Homer, the bald man in a white shirt and blue pants, stands in front of the counter holding a small object in one hand as Apu leans on the counter with his hands on a 'Hush' mat. Homer's eyes narrow and he moves his mouth in a slight smirk, and Apu talks while looking to the side. The Kwik-E-Mart shelves, coffee pots, and a cash register sit in the background.

> Homer, you've got to help me.
> Okay.
> Seems to me...

Frame: https://ultrahouse3k.com/img/S09E07/470053.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/473598

## 7:58–8:07

Homer, the bald, heavy cartoon man in a white shirt and blue pants, and Apu, the Kwik-E-Mart clerk in a green jacket, stand behind the store's counter by the 'CASH' mat and rows of jars. Homer holds a small object in his hands while Apu gestures and talks at him, then grabs Homer's shirt collar and pulls him closer. Homer grimaces and rubs his face with his fist, then Apu lets go of him and steps back. Coffee pots sit on the shelves behind them.

> What you ought to do is... What, what, what, what, what?
> Well, you can always move into my house and tell your mom that Marge is your wife.

Frame: https://ultrahouse3k.com/img/S09E07/479437.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/482983

## 8:07–8:17

Homer, in his white shirt, stands at a counter in the Kwik-E-Mart while Apu, in his green jacket, grips Homer's shoulder with one hand and leans in beside him. Homer holds a small white object in his hand and his eyes shift sideways as his mouth tightens and then opens, while Apu's expression changes as he speaks, his mouth moving and his eyes glancing away. Behind them are a red cabinet, a shelf of glass coffee pots, and a jar on the left, with partly visible lettering on the counter's front.

> Is it me or do your plans always involve some horrible web of lies?
> It's you.

Frame: https://ultrahouse3k.com/img/S09E07/488822.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/492367

## 8:17–8:29

Homer, in his white shirt and blue pants, stands at the counter of the Kwik-E-Mart talking with Apu, who wears a green sweater and has black hair. An older woman in a purple and green sari, with a grey bun and a cane, enters through the glass doors over the WELCOME mat, then walks up to the counter while Apu gestures and talks with Homer. Apu comes out from behind the counter to stand beside Homer as the woman faces them, with signs reading BC DOUGHNUTS, NO CHECKS CREDIT CARDS FOOD STAMPS, and BUZZ COLA visible.

> Welcome to the Quirky Mart.
> May I help... Mother!
> What are you doing here?
> I have come to meet this wife of yours.

Frame: https://ultrahouse3k.com/img/S09E07/498206.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/503003

## 8:29–8:41

Apu, the Kwik-E-Mart clerk in a green jacket and cream pants, stands behind the counter beside an older woman in a purple sari with a green shawl and a grey bun, while Homer, bald and heavy in a white shirt, stands at the counter first at left and later at the right edge. Apu fidgets and gestures with his hands near his chin, then the woman grips his arm and reaches up to touch his face, and he turns and dashes off to the right while she watches with a stern look. The scene is set in the store with a NUKE arcade cabinet, shelves of boxed items, and a window showing a sunny street outside.

> And meet her you shall.
> It is a very reasonable request that can easily be grunted in a timely and efficient...
> Let's go.
> And we shall, because it is in the going that we...
> Oh, that yoder was so good. I wish I was eating it right now.

Frame: https://ultrahouse3k.com/img/S09E07/510301.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/515306

## 8:41–8:51

Homer, the bald heavy man in a white shirt, lies on the maroon couch with a green pillow and a can in hand, while Marge, with her tall blue beehive and green dress, stands by the lamp table reaching up to straighten a framed picture. Homer then sits up and looks out the bay window toward a man in green and a small child on the sidewalk outside, before turning back with a startled, wide-mouthed expression. Visible objects include the teal lamp, a framed portrait of Lisa, a red chair, and a painting of Bart on the wall.

> Oh, crap! I forgot!

Frame: https://ultrahouse3k.com/img/S09E07/522814.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/526359

## 8:51–9:01

Marge Simpson, with a tall blue beehive and red bead necklace, dusts a pink wall with a feather duster while Homer Simpson lies on a red couch holding a red soda can. Homer then kneels beside the couch with his hands clasped, pleading, as Marge looks down with a weary, unimpressed expression. The room has a lamp on a side table, a purple nightstand, a green carpet, and a green pillow on the couch.

> Marge, I need a small favor. For the next few days, will you pretend to be a poo's wife?
> What?
> Please!
> It's just for as long as his mother's living here.

Frame: https://ultrahouse3k.com/img/S09E07/532198.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/536161

## 9:01–9:11

Marge, with her tall blue beehive and red bead necklace, stands in the pink living room holding a feather duster while Homer, in a white shirt and blue jeans, kneels by the red couch wiping it with a green cloth. Apu, in a green jacket with a black shirt, appears in the doorway with a woman in a green and purple sari behind him, and Apu gestures with an open hand and then clasps his hands together with a nervous grin. Homer glances up at Marge, who frowns, and he pleads with clasped hands while she holds the duster, and the group is set against the pink walls, a framed painting and a green lamp.

> What?
> Honey, I am in my home.

Frame: https://ultrahouse3k.com/img/S09E07/542417.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/546588

## 9:11–9:22

Homer and Marge Simpson stand in a pink hallway near a purple cabinet holding gold trophies, and Marge in a green dress and red bead necklace talks with a wide-eyed expression. They then move to a staircase with a red-and-blue carpet, where Marge shakes hands with Apu, who wears a green jacket, black shirt and cream trousers, while an older woman in a purple sari with a green shawl and grey bun looks on. Homer steps in beside them, grinning and leaning in as he grips Apu's hand, and by the end Homer and Marge have their arms around Apu's shoulders, with a framed picture and a potted plant on the wall and stairs behind them.

> How was your day, sweetheart?
> Can you feel the love?

Frame: https://ultrahouse3k.com/img/S09E07/553053.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/557223

## 9:22–9:35

Apu, in a green jacket and black shirt, and Marge, with her tall blue beehive, stand in a pink room with an arched doorway, a teapot and a red coat rack, while Homer stands at the left edge and an older woman in a purple sari with a green shawl stands at the right. The scene starts from darkness, then Apu raises a hand and grins while Marge smiles beside him, and later Marge rests a hand on his arm as they glance off to the side. The older woman stands with her arms at her sides and frowns, as Apu's expression shifts between grinning and a flat, sideways look.

> Father, I would like for you to meet my darling wife of many, many good years.
> March?
> Hello.
> So, what brings you to America?

Frame: https://ultrahouse3k.com/img/S09E07/563897.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/569319

## 9:35–9:42

An older woman with a grey bun, a red bindi and a green and purple sari, who is not one of the named regulars, stands beside a red coat rack in a pink room near an orange archway. She speaks with a stern, unimpressed expression, her eyes shifting sideways and her mouth opening and closing as she talks. Over the moment her face tightens into a clenched-teeth scowl, and she keeps glaring with narrowed eyes while she speaks.

> I have come to see the woman for whom Appu was willing to disgrace his family and spit on
> his culture.

Frame: https://ultrahouse3k.com/img/S09E07/577035.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/579120

## 9:42–9:51

Marge Simpson, with her tall blue beehive and green dress, stands beside a man in a green jacket and cream pants and a woman in a green and purple sari with a grey bun in a pink hallway. Marge gestures and speaks while the woman listens and then turns away toward a red coat rack holding a purple coat. Homer, a bald heavy man in a white shirt and blue pants, appears at the left edge, then stands at a pink door with an oval mirror, pointing with one hand and grinning before opening the door and peeking through it.

> Ah.
> Here I am.
> Okay, gotta run.
> Appu,
> I'm sure you want to get upstairs and fix that broken toilet before Marge yells at you
> again.

Frame: https://ultrahouse3k.com/img/S09E07/583291.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/586836

## 9:51–10:01

Marge Simpson, with her tall blue beehive, and Apu, the heavy man with black hair in a green jacket and black shirt, stand side by side in a pink room with an arched doorway, a framed picture and a red chair on the left. Facing them on the right is an older Indian woman with grey hair in a bun, a red dot on her forehead, and a purple blouse with a green sari. Across the moment her expression shifts from a flat, unimpressed stare to a broad grin and then a sly smile, while Marge's eyes dart around and she clasps her hands near her chest. In the final frames the older woman gives a sly look and a grin, and a purple suitcase sits at the right edge beside her.

> I'm just so honored to have you here in our home.
> Thank you.
> And having met you, let me say how deeply, deeply disappointed I am.
> Appu, your arranged bride, Manjula, is a sweet, refined, chaste woman.

Frame: https://ultrahouse3k.com/img/S09E07/592467.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/596638

## 10:01–10:13

Apu Nahasapeemapetilon, the Kwik-E-Mart owner in a green jacket over a black collar, and his mother, an older woman in a green and purple sari with a red bindi, stand in a pink room with a doorway. The mother stands facing Apu on the left, her eyes wide and her mouth gaping in an exasperated expression, and she raises her hand toward her cheek as she talks to him. Apu turns and answers her, then looks up with a sheepish, uneasy grin while raising his hands and waving them in a placating gesture. A bookshelf, a framed picture and a red flower pot are visible in the room.

> Are you nuts?
> Mother, come on. You know that one out of every 25 arranged marriages ends in divorce.

Frame: https://ultrahouse3k.com/img/S09E07/602894.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/607690

## 10:13–10:27

Marge, with her tall blue beehive and green dress, gestures with open hands in a pink entryway while Apu, in a green jacket and white pants, stands beside her and an older woman in a purple and green sari with a red dot on her forehead looks on. Bart in an orange shirt and Lisa in a red dress with a white bead necklace stand to the left by a purple staircase, looking up and then speaking, with Lisa raising a hand. Marge keeps gesturing as Apu grins and the older woman watches, with a red coat rack and a framed picture on the pink wall.

> Oh, Bart and Lisa, you remember your father, Appu?
> Well, this is your father, Appu's mother.
> Oh!
> Hi!
> I cannot believe you did not tell me I had two grandchildren.

Frame: https://ultrahouse3k.com/img/S09E07/614364.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/620203

## 10:27–10:34

Lisa, Bart, Marge and Apu stand in the pink entryway of the Simpson home, facing an older woman in a purple and green sari with a red dot on her forehead, who first speaks with her mouth open and then folds her arms and frowns. Maggie, a baby in a blue outfit, crawls in from the bottom left and moves up beside Bart and Lisa as the others watch the woman. A framed picture hangs on the wall, a red coat rack stands at the right, and a staircase is at the left.

Frame: https://ultrahouse3k.com/img/S09E07/628128.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/630839

## 10:34–10:42

Moe, the grey-haired man in a green shirt with orange stars, starts by holding up a white sign reading "ON VACATION- BACK MONDAY" on a red door, then steps back with a hand on his hip. Homer, bald and heavyset in a white shirt and blue jeans, arrives beside the door under a red and green diamond-patterned window and reacts with raised hands and wide eyes. Moe stands with a scowl while Homer pleads with open palms, then clutches his chest and gestures with his hand. The scene takes place on a sidewalk outside the building.

> But you can't leave.
> We're scamming an old lady at my house, and I need a place to hide out.

Frame: https://ultrahouse3k.com/img/S09E07/635844.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/638346

## 10:42–10:49

Moe, the grey-haired bartender in a green shirt with orange stars and grey trousers, and Homer, bald in a white shirt and blue jeans, stand on a sidewalk outside a red door with a sign reading "ON VACATION- BACK MONDAY" beside a diamond-patterned stained glass window. Homer gestures with open hands, then raises a pointing finger toward Moe, while Moe stands with his arms at his sides, then rests one hand on his hip, scowling and squinting as he speaks. Homer's mouth opens wide during his outburst, and Moe keeps his sour expression as the exchange continues.

> Sorry, home. I've been planning this vacation for years.
> I'm finally gonna see Easter Island.
> Oh, right. With the giant heads.

Frame: https://ultrahouse3k.com/img/S09E07/643143.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/645645

## 10:49–11:00

Moe, the grey-haired bartender in a green shirt with orange trim, grimaces with his eyes half-closed, then the scene cuts to the yellow Springfield Retirement Castle building with red-and-white striped awnings and a sign out front. In a red-walled room, Homer peeks around a doorframe, then steps in with his arms outstretched and moves toward Grampa, the wrinkled old man with white tufts of hair, who sits in a green armchair in a pink sweater with glasses and a moustache. Homer gestures and reaches toward Grampa, who grimaces and talks back, while a framed portrait hangs on the wall and a hat hangs on a coat rack.

> With the what now?
> Hey, Dad.
> I've come to spend some time with my favorite father.
> Baloney!
> You came here to put me in a home.

Frame: https://ultrahouse3k.com/img/S09E07/650441.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/654821

## 11:00–11:08

Grampa, the wrinkled old man with white tufts of hair and glasses in a pink cardigan, sits in a green armchair while Homer, in a white shirt and blue pants, stands beside him with his hand resting on Grampa's, Homer's eyes wide and then Grampa grimacing and grinning. The scene widens to a yellow-walled nursing home lounge with green carpet, where Grampa and Homer sit in red chairs beside an elderly woman with white hair, a man in a blue cap, and an old man in a wheelchair. A heavyset Black orderly in a white uniform pushes a metal tray cart with small cups past them.

> You're already in a home. Oh, how could you?

Frame: https://ultrahouse3k.com/img/S09E07/661494.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/664414

## 11:08–11:18

Homer, bald in a white shirt and blue pants, sits in a red armchair holding a small cup, while a Black man in a white uniform pushes a metal cart of cups and saucers beside him. A thin old man in a red cap, glasses and green sweater sits in the next red chair, and Grampa, in a pink shirt with white tufts of hair, leans in from the left and points at him. The room has a yellow-green wall, a hanging plant in a blue pot, and a framed mountain-lake painting, and the waiter's arm reaches toward the cups as Homer gestures with his free hand and then looks on as Grampa keeps pointing.

> Abraham Simpson?
> Poor Neelius Talmadge?
> Oh, no, I'm not... Well, let's see what you got here.
> The pink ones keep you from screaming.

Frame: https://ultrahouse3k.com/img/S09E07/669627.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/673590

## 11:18–11:22

Carl, a Black man with short dark hair in a white short-sleeved uniform shirt and belt, stands in a yellow-green room beside a door, a wall vent, and a leafy potted plant. He holds a small brass hand bell up near the plant and shakes it, with its clapper swinging, while speaking. Across the moment he keeps his hand raised, alternating between talking and pausing, and the bell's motion changes slightly from frame to frame.

> All right, folks, it's supper time.

Frame: https://ultrahouse3k.com/img/S09E07/679846.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/680471

## 11:22–11:35

Homer Simpson, in a white shirt and blue pants, sits on a red couch holding a small cup and talking, with an elderly woman with grey-blue hair and a pink scarf on one side and an old man in a red cap and green jacket on the other. He then stands up and walks past Grampa in a pink sweater and Mr. Burns, a frail, stooped old man in a pink shirt with a hooked nose and wisps of grey hair, who sits in a wheelchair. Homer stops beside the empty wheelchairs, looking worried, then sits down in one and wheels himself across the green-carpeted lounge under a hanging plant and framed landscape paintings.

> Supper at 4 o'clock? Oh, what a sweet deal.
> Hey, they got chairs with wheels. And here I am using my legs like a sucker.

Frame: https://ultrahouse3k.com/img/S09E07/683183.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/688605

## 11:35–11:45

Homer sits in a wheelchair in a yellow-walled hallway beside a red fire extinguisher, glancing sideways and frowning, while Grampa in a wheelchair appears beside him for a moment. The scene shifts to a pink bedroom where Apu kneels on green carpet unrolling a light blue mat printed with the Krusty the Clown logo, while Marge, in a pink nightgown with a tall blue beehive, sits up in a purple bed with orange sheets. Apu looks up and grins as the mat lies open on the floor.

> I must apologize for the inconvenience, Marge.
> You are a real sport.

Frame: https://ultrahouse3k.com/img/S09E07/696112.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/700074

## 11:45–11:57

Apu, the dark-skinned man with black hair and a light yellow shirt, and Marge, with her tall blue beehive and pink dress, are in a pink bedroom with framed pictures, a pleated-shade lamp, a yellow curtain and a blue dresser with orange drawers. Apu first sits at the foot of the orange-blanketed bed while Marge sits up against a blue pillow, talking, grimacing and smiling. Apu then stands by the dresser and grins, and Marge lies back down on the pillow with her eyes closed while Apu ducks out of sight behind the blanket.

> Right.
> How much longer is she going to be here?
> Homer was a little sketchy on the details.
> It should not be more than a few days.
> She really, truly hates you.

Frame: https://ultrahouse3k.com/img/S09E07/706331.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/711336

## 11:57–11:59

No characters appear in this exterior scene of the Simpson family house, a two-story salmon-colored home with a brown roof, a red front door, arched windows, and an attached garage with a light wooden door. Purple-trunked trees stand on either side of the lawn, a wooden fence runs along the left, and a blue mailbox sits by the curb under a clear blue sky with two small clouds. Across all eight frames the scene stays completely still, with no movement, actions, or on-screen text.

Frame: https://ultrahouse3k.com/img/S09E07/718635.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/718426

## 11:59–12:07

Lisa, the girl with star-shaped spiky hair in a red dress, sits at a kitchen table holding a bowl and spoon, while an older woman with grey hair in a bun, a red dot on her forehead and a green sari-style top sits across from her. The woman sips from a pink mug, lowers it, and then speaks while looking to the side. Bart, the spiky-haired boy in an orange shirt, leans in from the left and then sits down beside Lisa as the woman keeps her gaze on them. Visible objects include a microwave, pink utensils hanging on a rack, a red dish rack with plates, a coffee maker, and a blue tablecloth.

> Can I ask you about your dot?
> What would you like to know? What's the deal with that dot?
> Yeah, can you see out of it? Does it change colors when you're ticked off?

Frame: https://ultrahouse3k.com/img/S09E07/720303.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/723431

## 12:07–12:15

Lisa and Bart sit at a round table with a blue tablecloth in a purple kitchen, Lisa holding a spoon over a red bowl, while an older woman with grey hair, a red forehead dot and a green sari sits across from them. The woman turns her head and talks, leans forward on her elbows, and at one point Bart leans toward her and then back. Later she reaches for a red dish rack of plates, and at the end she brings her hands together in front of her. A pink mug sits on the table, with a microwave, a coffee maker and pink utensils on the wall behind.

> You tell me.
> Nothing yet.
> Surely you children are aware of your Brahman heritage.
> As long as you have absolutely no follow-up questions, yes.

Frame: https://ultrahouse3k.com/img/S09E07/728645.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/731564

## 12:15–12:26

Lisa Simpson, with her star-shaped spiky hair, red dress and pearl necklace, and Bart Simpson, in his orange shirt, sit at a blue table in a kitchen, Lisa holding a spoon over a red bowl. Bart gestures with his arms, grimaces, looks off to the side and then grins while the two of them stay seated, Lisa glancing at him. They then hurry off to the left across the checkered floor, past a red chair, while an older grey-haired woman in a green sari with a red dot on her forehead remains seated at the table beside a white mug.

> Yes, we are. Fully.
> We have to go now.

Frame: https://ultrahouse3k.com/img/S09E07/736778.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/741157

## 12:26–12:36

Homer Simpson walks into a yellow-walled room with a red armchair and a potted plant, then talks with an old man in a wheelchair wearing a green sweater, and later stands by a seated old woman reading a red book. At a card table, Homer leans over an old woman in pink holding cards while a stooped, thin old man with a hooked nose and grey hair at the sides, in a green sweater, sits across from a purple-haired woman with glasses who holds a blue hand. Homer then stands beside an old woman with a white bun and glasses in a blue-green dress and pink scarf, gesturing, before cupping his face and shouting with wide eyes, while a framed picture hangs on the wall behind them.

> Jasper?
> Gladys?
> Beatrice? Looking good, Harry.
> Asa?
> Hazel? Hazel.
> Hazel! Not a hell with her.

Frame: https://ultrahouse3k.com/img/S09E07/747622.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/751376

## 12:36–12:45

Homer, the bald, heavy man in a white shirt and blue pants, stands in a waiting room with a yellow-green wall and red chairs, where he is talking and gesturing to a group of elderly people. In the early part of the moment, a white-haired old woman sits on a red chair at left while Homer faces a grey-haired man in glasses and a grey shirt sitting at a table beside a blonde woman in pink. Homer then turns to a blue-haired old woman in a grey sweater, who sits with her eyes closed, and a bald old man in a green sweater with a bald head and white tufts. Next a mustached old man in a blue shirt sits with his eyes closed, and then Homer stands beside Grampa, the wrinkled old man with white tufts of hair, seated in a red armchair, while a dark-skinned man in a blue shirt sits behind him. Homer talks, grins, gestures and finally rests a hand on Grampa's armrest, with no on-screen text visible.

> Hester.
> Emile.
> Prudence.
> Lamule.
> Increase. Dad.
> Cornelius.
> Suppertime!
> Oh,

Frame: https://ultrahouse3k.com/img/S09E07/757215.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/760969

## 12:45–12:56

Homer, in a white shirt and blue pants, rides a motorized wheelchair through a yellow-walled room with red armchairs and a potted plant while a thin, stooped old man in a grey shirt and brown trousers, who looks like Mr. Burns, walks alongside and then stands behind him, and an elderly woman in a wheelchair sits nearby. Homer rolls down a hallway past a door marked STORAGE and a framed picture, then races beside Grampa, a bald old man with a long white beard in a green sweater, as both wheelchairs speed down a sloped yellow ramp. Grampa speaks and grips his controls while the close-up shows the spinning silver wheels of the chairs rushing forward.

> no, you don't. Yes, I do.

Frame: https://ultrahouse3k.com/img/S09E07/767016.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/771187

## 12:56–13:07

Homer, in a white shirt and blue pants, and Grampa, a wrinkled bald old man with a white beard, race wheelchairs down a yellow hallway with a bulletin board and potted plant, Homer pushing Grampa's chair. Homer then jumps out and runs past red-chaired tables, where he sits across from Carl, a Black man in a white shirt, with a bowl of brown food between them while Grampa rolls in behind them in his wheelchair. The moment ends with Homer lying in a hospital bed with an IV drip beside a window at night.

> Eat my dust.
> Wow, someone sure likes his kidney mush.
> Damn right.

Frame: https://ultrahouse3k.com/img/S09E07/777443.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/782031

## 13:07–13:21

Homer Simpson lies in a hospital bed in a white gown with a tube running to his face, while a red-haired nurse in a white cap stands in the doorway of room 6B, with another patient visible in the room behind her. Homer first sleeps with his eyes closed beside a call-button remote, then wakes, grimaces, and presses a button with his finger as IV bags hang from a stand nearby. He then looks toward the doorway with a worried, wide-eyed expression and an open mouth as the nurse speaks, and a sign on the door reads 6B.

> Who knew that Lay's made liquid potato chips?
> I can't suck just one.
> Another bag of chips, Mr. Talmadge. Please.
> Also, I think I'm getting a bed sore. What do you have to do to get turned around here?

Frame: https://ultrahouse3k.com/img/S09E07/788913.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/794544

## 13:21–13:33

Homer lies in a hospital bed in a white gown and underwear beside an IV stand, grimacing as a red-haired nurse in a white cap grins and tends to him, then leans over and struggles to turn him while he stares wide-eyed. Later, the nurse stands at the bedside as Homer lies behind her, and in the foreground a frail, thin old man with grey hair at the sides lies with an oxygen mask attached by a blue tube to a respirator unit.

> Hey, what's Lucky hooked up to?
> A respirator.
> It breathes for him.

Frame: https://ultrahouse3k.com/img/S09E07/802260.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/807473

## 13:33–13:44

Homer Simpson, the bald, heavy man, lies in a hospital bed wearing a white gown and grimaces while a red-haired nurse in a white cap and uniform stands beside an IV stand in a green-walled room. The nurse first watches him with her arms at her sides, then puts her hands on her hips, and later points toward an open doorway on the right that shows a toilet on a checkered pink floor. Homer strains and grumbles, glancing sideways and reaching toward the bed rail, before the scene closes on a close-up of his wide-eyed face with his mouth open against a grey pillow.

> Here I am using my own lungs like a sucker.
> And how come everyone gets a bedpan and I have to walk all the way over there?
> You mean there?
> Yeah!
> Hello, I'm Cornelius Talmadge. My family brought me here on Monday,

Frame: https://ultrahouse3k.com/img/S09E07/814772.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/818943

## 13:44–13:55

Homer, in a white hospital gown, lies on a bed with an IV drip beside him while a nurse with orange-red hair and a white cap stands with her hands on her hips. In the doorway marked 6B, a frail, stooped Mr. Burns in a dark suit and red tie watches, then steps forward and talks, raising one hand. The camera-free scene then moves to a close view of Mr. Burns speaking and gesturing, followed by the nurse, wide-eyed and talking, facing him in a room with a painting on the wall.

> but I broke free and went on a bit of a bender.
> Wait a minute. If you're Cornelius Talmadge, then who's...

Frame: https://ultrahouse3k.com/img/S09E07/825199.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/829787

## 13:55–14:05

Homer, bald and heavy in a blue shirt, and Marge, with her tall blue beehive, first appear with a red-haired nurse in a white cap beside an empty hospital bed, and the nurse watches through a window as a tiny Homer runs across a green field under a purple dusk sky. The view then shifts to the pink-doored house at dusk, and back in bed Homer talks and gestures, rubbing his ear, pointing, and waving, while Marge lies beside him with her arms crossed.

> When I get old, Marge, I want you to promise you'll put me in a home.
> It's like being a baby, only you're old enough to appreciate it.

Frame: https://ultrahouse3k.com/img/S09E07/836669.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/840631

## 14:05–14:10

Marge, with her tall blue beehive and red dress with white collar and cuffs, lies propped against large light-blue pillows, her hands folded at her waist. Over the sequence her eyes slowly droop and close, then she jolts awake with wide eyes and gritted teeth, her mouth opening and closing as she grimaces and strains, then turns her gaze sideways, ending with her eyes wide and mouth slightly open as she looks off to the side.

> Well, I'm glad you were having fun because I've had my hands full with Apu's mother.

Frame: https://ultrahouse3k.com/img/S09E07/846679.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/848139

## 14:10–14:19

Homer and Marge Simpson lie in bed under purple sheets in a purple bedroom, Marge with her arms crossed and a blue beehive, Homer in a blue shirt propped on one elbow. Homer talks and gestures with a pointing hand while Marge looks on, then he raises a hand to his ear and his mouth opens wide in surprise. The scene cuts to an empty bed beside a dresser with a lamp and framed photo, Homer sitting up at the right with his mouth agape. Then Apu, the Kwik-E-Mart owner in a green sash, stands in a doorway holding a small white device and a folder, looking toward the bed beside a round mirror.

> Oh, right, right. The fake marriage thing.
> How's that going?
> Okay, Apu. I am packed and ready to go to the airport.

Frame: https://ultrahouse3k.com/img/S09E07/851684.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/855021

## 14:19–14:27

A woman in a green sari with a grey bun stands in the arched doorway of a purple bedroom, first holding a small blue-cased item and then throwing her arms wide. Homer and Marge lie in a bed under a lavender blanket, with Apu appearing at the left edge of the bed beside a red apple on the nightstand. Homer raises a hand and looks alarmed while Marge stares wide-eyed, then Apu shifts and watches as Homer slides down under the covers and Marge pulls the sheet up, with a Bart-and-Lisa painting and a lamp on the wall and nightstand.

> For us!
> Oh, my God.
> Marge, how could you?
> Oh, Appu, give it up.

Frame: https://ultrahouse3k.com/img/S09E07/860443.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/863571

## 14:27–14:36

Apu, a short-haired man with a dark bun-like hairdo in a white undershirt, sits up in a bed beside Homer, who wears a blue pajama top and sits under the covers, and Marge, who lies beneath a pink blanket with her tall blue beehive on the pillow. An older woman with a grey bun in a green sari and pink blouse stands at the left foot of the bed in a purple bedroom with framed Simpsons-style pictures on the wall. Apu first looks up with wide eyes and his mouth open, then closes his eyes and speaks, and later gestures with one hand toward the bed while the older woman watches. Homer then sits alone, raising his hands and looking wide-eyed, before crossing his arms over his chest, closing his eyes and talking with his mouth open, then grimacing with his teeth showing.

> Mother, I am so sorry. I lied to you about being married.
> Lied to his mother.

Frame: https://ultrahouse3k.com/img/S09E07/868993.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/872330

## 14:36–14:45

Apu, the heavy man in a white tank top, stands in a pink-curtained room beside an older woman in a pink and green sari with a red dot on her forehead, who keeps her arms crossed and scowls at him. Apu gestures with open palms, then presses his hands together in a pleading pose with his eyes closed, then rests his hands on his chest and grins nervously. A framed picture sits on a blue cabinet at the right edge of the room.

> But the fact that I would stage this ridiculous farce surely proves to you how much I do
> not want to go through with this arranged marriage.
> I had no idea how strongly you felt, Appu.

Frame: https://ultrahouse3k.com/img/S09E07/877752.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/880880

## 14:45–14:53

Apu, the lanky man with dark hair in a white tank top, stands in a purple room with pink curtains while a stout older woman in a green sari and magenta blouse, with a red dot on her forehead, scolds him, gestures with her hands, and points at him. He stares back uneasily, then breaks into a wide grin as she jabs a finger toward him, and later looks worried again as she turns to frown. By the end, a bald man in a blue sweater appears at the right edge, and a framed portrait hangs on the wall behind them.

> Now wipe that smile off your face. We have a wedding to plan.
> You know what you could do, Appu? Shut up.

Frame: https://ultrahouse3k.com/img/S09E07/886094.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/889430

## 14:53–15:02

Apu, the dark-skinned man with a blue-black bun, moustache and white tank top, stands at left beside Homer, a bald, heavyset yellow-skinned man in a blue top. In a pink curtained room with a blue dresser, Homer points his finger and talks while Apu scowls, speaks, and clenches his fists at his sides. Homer's grin widens and his eyes shift toward Apu, and near the end both lean in with Apu gesturing; a small framed picture sits on the dresser beside them.

> You could fake your own death. Why would you shut up?
> All you need is a car bomb and you... I can't believe you don't shut up.

Frame: https://ultrahouse3k.com/img/S09E07/894644.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/897772

## 15:02–15:06

The scene opens on a black screen that gradually fades in to reveal the exterior of the Simpson family house, a two-story beige and brown home with a large brown roof, arched windows, a chimney, and a yellow garage, set on a green lawn with a yellow picket fence and a mailbox reading 742. No characters are visible in any of the frames. The house stands unchanged across the moment, with the blue sky and trees behind it, and the picture slowly brightens from darkness to full view.

> Yes, yes, Manjula. I will take care of all the wedding plans.

Frame: https://ultrahouse3k.com/img/S09E07/903194.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/904237

## 15:06–15:17

A woman in a green sari with a red bindi and grey hair in a bun stands in a purple-cabineted kitchen beside a green refrigerator, talking on a wall phone with a coiled cord and smiling as she gestures with her free hand. Marge Simpson, with her tall blue beehive, red beads and green dress, joins her at left, glancing at her wristwatch and holding a folder while the woman keeps talking and then smiles and nods. Kitchen items such as an hourglass, a utensil holder and a wall calendar are visible on the counter and wall.

> You just get on a plane and come to America.
> I have to go. Believe me, I'd like to.

Frame: https://ultrahouse3k.com/img/S09E07/907365.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/911744

## 15:17–15:28

In a purple kitchen with an hourglass and a utensil holder on the counter, Marge Simpson, with her tall blue beehive, green dress and red beads, stands holding a white notepad beside an older woman with grey hair in a bun, a red bindi, and a green and pink sari, who talks on a pink wall phone with a long cord. The woman keeps talking on the phone, then turns smiling toward the green refrigerator while Marge waits, and then the woman stands with a flat expression as Marge reads from the list on the notepad. Marge grimaces and looks up, then reads from the list again while the woman listens.

> Goodbye.
> I've been looking over this list of things for the ceremony.
> I've got the extra wine glasses, but I'm still short a tandoori oven,

Frame: https://ultrahouse3k.com/img/S09E07/918626.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/923005

## 15:28–15:39

Marge Simpson, with her tall blue beehive and red bead necklace, stands in the kitchen holding a sheet of paper and talking to an older woman in a green sari with a red bindi and grey hair in a bun, who is not one of the regulars and is only described here. In the first frames they stand side by side in front of purple cabinets, a sand hourglass and a teal utensil holder with spatulas and wooden spoons on the counter. Later Lisa, with her star-shaped spiky hair and pearl necklace, and Bart, in his orange shirt, step in beside Marge at the green stove, while the sari-clad woman walks toward the left edge of the frame and then Marge looks on. Through the window behind them a rainy yard is visible, and the scene closes with Lisa and Bart looking up at Marge while she holds the paper.

> an elephant, and four castrati. What's a castrati?
> I don't know, but I'm sure it's spicy.
> Why is that woman still living here?

Frame: https://ultrahouse3k.com/img/S09E07/929679.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/934267

## 15:39–15:53

Moe, the grey-haired bartender in a light blue shirt, stands behind the bar at Moe's, with a dark-haired man in a green sweater and blue straps, a grey-suited man in a pink sweater, and Barney, the heavy drunk with messy brown hair in a pink shirt, all holding beer mugs. They stay mostly still and sullen, then raise their mugs together and clink them in a toast, with Moe leaning in to hug Barney as the glasses meet. Beforehand, the exterior of Moe's is shown at night with its magenta door and MOE'S sign, next to King Toot's Music Store, with a bucket and dark stains on the dirt beside the building.

> Hey, has she not poo lately? He looks terrible.
> Yeah, rumor has it Marge threw him out.
> Tough break. She's a beautiful lady.
> You got that straight, Bond.
> To Marge!

Frame: https://ultrahouse3k.com/img/S09E07/940940.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/946362

## 15:53–16:05

Homer and Apu enter Moe's tavern through a red door past a cigarette vending machine, then lean at the bar where Moe, the grey-haired bartender in a light blue Easter Island t-shirt, pours a beer from a tap labeled Booze. Later, a row of drinkers, including Carl in a grey suit and Barney with messy brown hair in a pink shirt, sit with mugs under a 'Duff!' sign and a 'Can't get enough of the wonderful Duff!!' sign.

> Mo, what do you recommend for severe depression?
> Booze, booze, and more booze.
> Huh.
> Nothing like a depressant to chase the blues away.
> Yeah, you got that.

Frame: https://ultrahouse3k.com/img/S09E07/954078.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/959083

## 16:05–16:15

Homer sits at the bar with a beer mug beside a dark-skinned man in a green shirt and black vest, while Moe, the grey-haired bartender in a light blue shirt, leans in to talk with them, then steps away. Moe later stands behind the bar with a scowl, reading a magazine titled "Mail Order Brides" in front of shelves of bottles and a cash register.

> Manjula and I have not seen each other in 20 years.
> Two people cannot fall in love sight unseen.
> Hold on there. I'm counting on that. Well, just 24 hours of freedom left.

Frame: https://ultrahouse3k.com/img/S09E07/966382.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/970553

## 16:15–16:26

Apu, the Kwik-E-Mart owner with grey hair and a green shirt, sits at a bar counter beside Homer, who wears a white shirt, with a beer mug in front of each of them. Apu first holds his mug and looks uneasy with wide eyes, while Homer leans in and taps his wristwatch with a grin. Homer then slumps forward with his head down and his arm stretched across the bar, as Apu stares sideways with a worried look. Red and green diamond-patterned wall panels and purple booth seating fill the background.

> Actually, it's more like 12. Nope, I'm so stupid.
> Seven. It's seven hours.
> You have seven hours.
> See? Seven.

Frame: https://ultrahouse3k.com/img/S09E07/976809.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/980980

## 16:26–16:35

A grey-haired man in a green shirt with a black collar sits at a bar, gripping a beer mug in each hand, as a yellow-skinned man in a white shirt is partly visible at the left edge. He talks with his mouth moving, half-lidded eyes, and a grimace that clenches his teeth before he speaks again, while the red-and-green diamond wallpaper and purple booth seats stay behind him. Across the moment his expression shifts little, with his head tilting slightly and his mouth opening and closing as he continues speaking.

> Oh.
> Well, I'm hot-blooded.
> Check it and see.
> I go the fever of a hundred and three.

Frame: https://ultrahouse3k.com/img/S09E07/987445.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/990990

## 16:35–16:44

Homer Simpson, in his white shirt, leans in at a bar with a heavy-lidded, dark-skinned older man with grey hair, a green shirt and a black vest, who sits holding a beer mug. The man grimaces, opens his mouth and glances sideways while Homer's hand rests on his shoulder. Homer grins, gestures with a raised hand and then spreads his arms in a shrug, with two beer mugs on the counter and a red and green diamond-patterned wall behind them.

> Come on, you shouldn't be spending your last hours of bachelorhood in a dump like this.

Frame: https://ultrahouse3k.com/img/S09E07/996621.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1000166

## 16:44–16:56

Homer Simpson and Apu talk at a bar with rows of bottles behind them and a 'Ladies Night Tues' sign on the wall; Homer gestures with his arm outstretched, then points at Apu while grinning. The pair then sit in a wooden hot tub with bubbling water, white robes hanging on the wall behind them, while an elderly bearded man in the tub reaches toward a control panel on the wall. An empty wheelchair sits in the foreground beside the tub.

> You should be living like there's no tomorrow.
> And I know just the place.
> Is this the life or what?
> You want me to turn on the bubbles?

Frame: https://ultrahouse3k.com/img/S09E07/1005796.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1010593

## 16:56–17:10

Marge Simpson, a Indian woman in a sari with a red bindi, and Bart and Lisa Simpson stand in an Air India terminal, with Marge's tall blue beehive and Lisa's red dress visible, while Springfield Airport's purple building and Air India departure and arrival signs appear earlier in the scene. Later, two long-haired, white-suited men in tall boots, one with spiky black hair and one with a blond mane, stand at an Air India counter where a clerk with a moustache and grey hair, wearing a blue tie, looks on. The scene opens on the airport exterior with a control tower and a parked plane, then cuts to a cartoon poster reading "AIR INDIA - WE TREAT YOU LIKE CATTLE," showing a bull reclining in a chair while a stewardess serves him a drink on a tray.

> Which Bombay to Springfield flight is she on?
> The 10 o'clock, the 10.15 or the 10.30?
> Oh, I am so terribly sorry, sir. It appears that your tiger has been sent to St.
> Louis.

Frame: https://ultrahouse3k.com/img/S09E07/1017475.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1023314

## 17:10–17:19

Apu, the Kwik-E-Mart clerk with a moustache and blue tie, stands behind a counter in a lilac-walled room, while a long-haired, black-haired man in a white robe with gold trim and a blonde-haired companion in matching white outfits stand at the counter facing him. The black-haired man stands with a sour look, gestures and reaches toward a sign reading GATE 16 near a keyboard, and the blonde man later grabs and gestures with him before both turn toward Apu. Apu gestures with one hand beside a wall chart titled TIGERS IDENTIFYING CHARACTERISTICS showing six numbered tiger drawings, with a red sign reading DIA partly visible behind the counter.

> Mm-hmm.
> I should send you to St. Louis.
> No, no, he's not worth it. Can you please indicate your tiger type on this chart?

Frame: https://ultrahouse3k.com/img/S09E07/1031447.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1034992

## 17:19–17:30

A blond man in a white suit with gold trim and a dark-haired man with a moustache stand by a Gate 16 sign and a counter at an airport-style setting, then a figure in a purple robe walks across a decorated yard past rows of chairs and a blazing fire ring toward an arched gate. Bart, in a white robe, holds a book labeled HYMNS and waves a sheet of paper at a window while flames rise in the foreground and a grey-haired woman in a purple sari with a green shawl stands beside him with her arms crossed. The sheet later burns and falls into the bushes, and Apu, with black hair and a white shirt, appears at a window of the tree-lined house with his hands raised.

> Number six.
> How's that fire ring coming? Is it sacred yet?
> Almost.

Frame: https://ultrahouse3k.com/img/S09E07/1041040.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1045419

## 17:30–17:42

Homer Simpson, in a black tuxedo with a white shirt and bow tie, and Apu, the Kwik-E-Mart owner in a long white tunic and white trousers, stand in a pink bedroom with a lamp, a dresser and a flowered wallpaper doorway. At first Apu is seen through a blue-framed glass partition with his palms raised against it while Homer sits on the bed edge, then Homer gets up and the two stand facing each other on the green rug. Homer stands with his hands clasped in front of him while Apu gestures with open hands, and then Homer grimaces and speaks with his mouth open as Apu listens with a sideways glance.

> I...it...yeah! Can you believe it?
> Tradition forbids me even to speak to the woman I'm about to spend my life with.
> Has the whole world gone crazy?
> Nah, just your screwy country.

Frame: https://ultrahouse3k.com/img/S09E07/1051884.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1056472

## 17:42–17:55

Apu, the Kwik-E-Mart clerk with a dark grey hairdo, white high-collared jacket and moustache, stands against a pink wall, looking anxious and glancing sideways, while Homer, bald and wearing a black tuxedo with a bow tie, stands beside him. Homer places a hand on Apu's shoulder and grins, then speaks with a worried expression. The scene then shifts to a view through a window framed by a bare red tree branch, where Homer and Apu stand in a pink room with floral wallpaper, a lamp and a small wall plug. Apu grins nervously and shifts his eyes while Homer, holding a small green item, looks on, and Apu's expression eases into a tight smile as the two remain in the doorway.

> Your old friend Appu is a lamb being led to the slaughter.
> Don't worry, Appu. Someday you'll meet someone you really love.
> I am really doomed.
> Only the gods could stop this wedding now.

Frame: https://ultrahouse3k.com/img/S09E07/1063145.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1068568

## 17:55–18:00

Homer, in a black tuxedo with a bow tie, stands in a pink room beside a framed picture and a pleated lampshade, fidgeting with his bow tie and talking with a smirk. Then the scene moves to a backyard wedding with a green tent, a wooden fence and a flower-draped arch, where guests sit in rows and a man in a light blue suit walks up the aisle. Lisa in an orange outfit stands by a table of dishes, and a stooped, thin old man with a hooked nose in a green suit approaches her beside a pair of garlanded shrubs.

> Gods, eh?

Frame: https://ultrahouse3k.com/img/S09E07/1076284.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1077952

## 18:00–18:12

A stooped, thin old man in a green suit bends over to drape a pink and purple lei around a yellow-skinned girl in an orange sari at a backyard party beside a wooden fence, with a table of cookies and glasses behind them. A man in a blue suit with a red bow tie and grey hair at the sides then walks in, stands gesturing and pointing while the girl holds the lei, and a spiky-haired boy in a white tunic and red pants joins them. The man clutches his bow tie and waves his hand while the boy listens, with a striped pole, a flower-covered box and a pile of plates on the scene.

> No, no, no, no, no. Pansies for me. It's the tradition in India.
> Yeah, all right. It'll cover the gravy stains.
> Hey!
> Tradition.

Frame: https://ultrahouse3k.com/img/S09E07/1081706.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1086919

## 18:12–18:26

Marge, with her tall blue beehive and green dress with a pearl necklace, stands on a pink carpet under a flower-covered arch with a dark-haired man in a white robe who holds a small card, and flames flicker behind them at the right. The man looks at the card and then raises it and gestures as he speaks to Marge, who looks up at him. The scene then cuts to four men in colorful vests and tunics playing gold flutes in front of a wooden fence, one wearing sunglasses and another sporting a moustache.

> Thanks for helping us out, Reverend. I know you've never performed a Hindu ceremony.
> Well, Christ is Christ.
> Plus, I consulted a Hindu website. All right.

Frame: https://ultrahouse3k.com/img/S09E07/1094010.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1099640

## 18:26–18:32

Apu, the Kwik-E-Mart owner in a red turban, rides atop a grey elephant with a blue saddle cloth, wearing a gold canopy, while a crowd of guests in saris, kurtas and suits watches from folding chairs and the lawn. In the earlier frames, a gold-trimmed arch of flowers and a fire stand at the end of a grassy aisle where a wedding-like ceremony is set up, with Marge in her blue beehive and Mr. Burns' assistant Smithers seated among the guests and Homer's nearby family in view. The elephant then walks forward down the aisle toward the crowd, and Apu waves and speaks to the guests as Marge and others lean in on the right side. Nothing on screen shows any on-screen text.

> Hello, everyone.

Frame: https://ultrahouse3k.com/img/S09E07/1107356.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1109442

## 18:32–18:44

Apu sits in a yellow canopied howdah on a grey elephant with a blue saddle, wearing a red turban with a white feather, and waves while looking around with wide eyes. Bart and Lisa Simpson stand in a crowd of people in colorful traditional clothing, peeking out from behind a grey elephant leg and a blue-suited man, with Bart's mouth opening in surprise and Lisa grimacing and talking. Pink and yellow drapes frame the scene, and the crowd watches from a grassy lawn as the elephant lifts its trunk, blowing a puff of white smoke, with Apu still riding high above it under a blue sky.

> What a happy, happy day. Wow, I wish I had an elephant.
> You did. His name was Stampy. You loved him.
> Oh, yeah.
> Whoa!

Frame: https://ultrahouse3k.com/img/S09E07/1113821.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1118826

## 18:44–18:53

Apu, in a red turban and white tunic, rides a grey elephant with a blue saddle past a crowd outside a house and then climbs down its side, raising one arm. A small brown mouse scurries on the grass beneath the elephant while onlookers, including Marge with her tall blue beehive, watch with clasped hands and open mouths. Afterward Apu stands before a flower-covered arch beside a thin man in a white robe, and speaks with a sour expression as the crowd looks on.

> Lucky Mouse.

Frame: https://ultrahouse3k.com/img/S09E07/1125916.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1129045

## 18:53–19:04

Apu, in a red turban with a yellow flower and white feather and a white shirt, stands at a garden with pink flower garlands and stares in surprise with his mouth open, then faces a woman in a red sari with a long black braid and white flower, who stands before a seated crowd of guests beside a green tent. Four musicians in pastel kurtas play gold horns at a wooden fence, then lower them to play, and two women in saris, one in yellow and one in lavender, hold open the curtains of the green tent as the woman in red walks out between them. A gold-trimmed red and pink cloth hangs nearby, and the wedding setting has striped rugs and lanterns on poles.

> Manjula?
> Appu, remember me?

Frame: https://ultrahouse3k.com/img/S09E07/1134467.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1138846

## 19:04–19:15

Apu, in a red turban and white jacket, and a woman in a red sari with a gold headpiece stand together by a hedge at a garden wedding, reacting with wide-eyed shock as they turn toward an elephant-headed man in a red jacket and gold crown. The elephant-headed man flails his yellow-gloved arms beside a wooden fence and a table of plates, then strides past the fence while pointing at a woman with an auburn bob and teal top and a man in a blue suit with grey hair and a pink tie. He finally stands in front of a green tent with arms spread wide, with the blue-suited man on the left and Apu on the right.

> Obviously not.
> I am the god Ganesh. This wedding angers me.

Frame: https://ultrahouse3k.com/img/S09E07/1145311.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1149690

## 19:15–19:25

An elephant-headed man in a red jacket, white vest and gold turban, with grey skin and a tusk-like trunk, performs outdoors in a yard before a seated crowd. Marge, with her tall blue beehive, reaches toward him as he gestures with outstretched arms, and Ned Flanders, with his moustache, glasses and green sweater, watches nearby. The performer raises a hand, then bows and sways toward a seated old man in a grey suit with a hooked nose, who covers his face with both hands as a woman in a red sari looks on, while the caption "YOU ARE NOT GANESH!" appears across the bottom of the scene.

> All will die unless it is stopped.
> Oh, god. Please, listen to me.
> Uuuuuh!
> Tunganesh nahiyo, Ganesh bedunga nahiyo!

Frame: https://ultrahouse3k.com/img/S09E07/1156364.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1160534

## 19:25–19:32

A white-suited man with a black pompadour and bow tie, a police chief in a blue cap, and a lavender-haired woman stand near a wooden fence in a backyard, where the caption reads "GANESH IS GRACEFUL!" as the man points at a grey elephant in a gold turban and red coat. The man then chases the elephant across the lawn past a blue table of food and a purple tree, and the elephant's red sash drops to the grass as the two circle the trunk, with the man finally grabbing at it while onlookers watch.

> Stop chasing Ganesh! You're just gonna get more wrath!
> Oh, I'm afraid this is all my fault, Manjula.

Frame: https://ultrahouse3k.com/img/S09E07/1166791.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1169293

## 19:32–19:41

Apu Nahasapeemapetilon, in a red turban with a white feather and a white sherwani, stands under a teal flower-garlanded wedding canopy beside Manjula, who wears a red sari, gold jewelry and a long black braid, with a fire burning behind them. Apu first looks sheepish, then grins nervously with a grimace and a shifting glance while a figure drifts past behind him, and he eventually clasps his hands together and speaks with wide, uneasy eyes while Manjula looks on. The scene is an outdoor ceremony with pink drapery, pine trees and a blue sky in the background.

> To be perfectly honest with you,
> I have not exactly been looking forward to this arranged marriage.

Frame: https://ultrahouse3k.com/img/S09E07/1173881.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1177426

## 19:41–19:50

Apu, the Kwik-E-Mart owner in a white sherwani and red turban with a feather, stands with his hands clasped beside a young woman in a red sari with a long black braid, who is Apu's arranged bride. A older woman in a pink and green sari with her hands on her hips stands at the right, next to a striped pole. They stand in front of a wedding canopy draped in teal and pink flower garlands, with a bright orange fire burning behind them. Over the sequence the bride speaks and gestures with her hand near her chest, looking sideways at Apu, while Apu stays still with his eyes turned toward her; the older woman glances up and then looks sideways as she talks, and the bride's expression shifts from a frown to a tight, awkward smile.

> Nor have I.
> Marrying a complete stranger? It is crazy!
> Alright, Ganesh has been subdued. All will die.

Frame: https://ultrahouse3k.com/img/S09E07/1182848.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1186394

## 19:50–19:53

Apu, in a white coat and dark trousers, stands on a backyard lawn beside an elderly man in a light suit and a small child in blue, while a man in a light shirt holds a long stick up toward a dark-haired figure in red dangling from a purple tree. Beside the tree a girl in a pink dress with long black hair stands near the trunk, and the child in blue shifts and crouches over the grass. A grey elephant-headed figure in a gold crown sits on a branch above, and the scene stays largely still apart from these small movements as the stick is raised and lowered.

Frame: https://ultrahouse3k.com/img/S09E07/1191816.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1192233

## 19:53–20:01

Apu, the Kwik-E-Mart owner in a white sherwani and red turban, stands with his hands clasped beside a woman in a red sari with a long black braid, while an older woman in a green and purple sari stands at the right edge in the opening moments. Beneath flower garlands and a striped pole, with a fire burning behind them, Apu clasps his hands and turns toward the bride, who glances at him and then speaks with her mouth open, and the older woman gestures with her hands. The bride then breaks into a wide smile as Apu grins and continues to hold his hands together, with the flames flickering behind them throughout.

> Resume the ceremony.
> Quickly tell me, what is your favorite movie, book, and food?
> The answer to all three is fried green tomatoes.

Frame: https://ultrahouse3k.com/img/S09E07/1194527.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1197446

## 20:01–20:09

Apu, wearing a red turban and a white sherwani with a pink sash, stands with clasped hands beside a woman in a red sari with a long black braid, both under a wedding canopy of teal flower-patterned drapes with flames burning behind them. They first stand still, smiling and glancing at each other, then Apu lowers his hands and points at the woman with a grin as a dark-haired man in a white robe with yellow trim enters from the right, holding a black book. The man frowns and looks uneasy while Apu keeps grinning and gesturing toward him.

> That is good.
> Double part.

Frame: https://ultrahouse3k.com/img/S09E07/1202660.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1205371

## 20:09–20:14

Apu, the Kwik-E-Mart owner in a red turban with a white feather and yellow flower and a white tunic, stands outside beside a woman with a long black braid decorated with white pompoms and a red outfit, in front of a tree and a window with pink flowering vines. Apu's eyes dart and he grins nervously, his mouth opening and closing as he speaks, while the woman's back remains turned to the viewer and she stays still throughout. Apu's expression shifts from wide-eyed worry to a stiff, toothy smile across the moment.

> I am so torn.
> You are clearly so quick-witted and beautiful.
> And when I look in your eyes,

Frame: https://ultrahouse3k.com/img/S09E07/1210584.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1212253

## 20:14–20:23

A woman in a red sari with a gold headpiece, a teal bindi and a white flower in her hair stands outdoors before a green hedge covered in pink flowers, facing a man in a red turban and white shirt with a purple sash, who is seen mostly from behind. She glances sideways, then smiles and grins with her eyes half-closed while speaking, then looks back toward him with a knowing, sly expression. Trees and a blue sky with clouds are visible behind them, and a wooden fence sits at the lower left.

> I see that sweet little boy who sold me my very first kiss.
> And I liked it.

Frame: https://ultrahouse3k.com/img/S09E07/1216006.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1219343

## 20:23–20:36

Apu, the Kwik-E-Mart owner in a white sherwani, red turban with a white feather and yellow flower, and a pink sash, stands beside a woman in a red sari with a long black braid and gold jewelry, in front of a blazing fire framed by teal curtains with pink flowers. Apu fidgets with his hands and gestures, then raises both fists and grins widely while the woman looks on with her eyes half-lidded. In the final moments Apu reaches out and clasps her hand as the two stand together before the flames, with trees and a building in the background.

> Do you think this marriage could really work?
> Who knows?
> We can always get divorced.
> Of course.
> God bless America.

Frame: https://ultrahouse3k.com/img/S09E07/1224765.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1229979

## 20:36–20:48

Apu, in a red turban and white robes with a pink sash, and a woman in a red sari with a long black braid and bindi stand under a green arch beside a ring of fire at an outdoor wedding, while a bespectacled man in a white robe holds a black book between them. Seated guests, including Marge with her tall blue beehive, watch from rows of chairs as the couple clasp hands with the woman's gold bangles and red nails visible, and earlier they walk along a wooden fence with a pink ribbon. The fire flares up behind the couple, with flames rising near the woman's side as the ceremony continues.

> And now, ladies and gentlemen,
> let me be the first to present to you Mr.

Frame: https://ultrahouse3k.com/img/S09E07/1237278.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1242491

## 20:48–20:57

Apu, in a white sherwani and red turban, stands with his bride in a red sari beside a man in a white robe holding a black book, all under green garland-draped wedding decorations. The officiant gestures toward Apu, then Apu takes the bride's hand and they embrace and kiss beneath a flower-covered arch with flames burning at its base. As the crowd, including Marge with her tall blue beehive, raises hands and cheers, pink petals fall around the couple.

> and Mrs.
> Apu Nahasapimapetalon.

Frame: https://ultrahouse3k.com/img/S09E07/1249790.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1252918

## 20:57–21:05

Moe, the grey-haired bartender in a blue jacket with a white ruffled collar and red bow tie, stands outside beside a striped tent, weeping and wiping his eyes with his hand while a crowd of onlookers watches behind him, including a man in a pink shirt and a man in dark sunglasses. The scene then shifts to a wedding where a groom in a red turban and white outfit kisses a bride in a red sari with a long black braid as pink petals drift down around them, and afterward the two stand side by side while the petals keep falling.

> Ah, jeez, I am no good at weddings. I am no good at weddings.

Frame: https://ultrahouse3k.com/img/S09E07/1258132.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1261260

## 21:05–21:14

Early in the scene, a young man in a white kurta and purple vest sings into a microphone beside a woman in a pink dress and blue shawl, while a small boy plays tabla, a seated musician plays sitar, and horn players in bright outfits stand behind them on a pink stage in front of a window. The scene then moves outdoors to a garden wedding under a green flower arch, where a man in a red turban and white robe holds a woman with a long black braid trimmed with white pompoms, and she reaches up to touch his face as guests watch. Marge, with her tall blue beehive, stands in a green dress at the right, and Ned Flanders, in a green sweater and glasses, embraces a woman with curly orange hair nearby.

Frame: https://ultrahouse3k.com/img/S09E07/1266265.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1269602

## 21:14–21:25

Homer Simpson, in a black suit and bow tie, sits on the grass in front of a fence eating peanuts from a burlap sack labeled PEANUTS while Lisa Simpson, wearing an orange sari and pearls, stands beside him. A circus elephant wearing a blue and gold headdress then grabs Homer by his suit with its trunk and lifts him over a hedge while he flails and shouts. The elephant swings him around until he ends up upside down with his legs in the air and his head near the elephant's face.

> Dad, those peanuts aren't for you. They're for the elephant.
> Screw him!
> Put me down!
> Ganesh commands you!
> Well, so far so good, don't you think? I cannot wait to show you our apartment.

Frame: https://ultrahouse3k.com/img/S09E07/1275024.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1280029

## 21:25–21:37

Apu, wearing a red turban with a yellow flower and a white tunic with a lilac sash, stands outside on a lawn in front of a wooden house and a pink-draped fence, holding the hands of a woman in a red sari with a long black braid tied with white flowers. She first looks at him wide-eyed with a fixed smile, then pulls back and grips his arm as her eyes widen in alarm, and a man in a blue suit and a grey-haired man in a light blue jacket watch nearby as a woman in a purple dress stands behind them. Eventually the woman steps back with her hands on her hips, mouth open and eyes narrowed, while Apu stands with his back to the camera and the scene ends.

> Apartment?
> Oh no, no, no. You must buy me a house. And you're getting a haircut.

Frame: https://ultrahouse3k.com/img/S09E07/1286911.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1291707

## 21:37–21:43

Apu, the Kwik-E-Mart owner in a red turban with a white feather and yellow flower and a pink sash, stands outside by a wooden fence and green hedges, holding a phone to his ear. A woman in a red sari with a long black braid and a bindi, likely Manjula, reaches over and pinches his nose, then grips his chin while he looks on with wide eyes. She then wraps her arms around his shoulders from behind, and he turns to face her as she embraces him close, their faces near each other.

> Got you.
> Oh!

Frame: https://ultrahouse3k.com/img/S09E07/1298798.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1300466

## 21:43–21:52

In a sunny decorated courtyard at a festive celebration, a bald, heavy man (Homer) in dark clothing clambers up near the head of a grey elephant while a crowd of guests in colorful saris and robes stands and mingles around an ornate green archway and a large tree. Over the sequence he lifts his legs and tips upside down, balanced on the elephant's raised trunk, as onlookers keep chatting and a blue-covered table with food and drinks waits at lower right.

> Come on, elephant!
> Hey!
> Hey! Everyone, up side down! Yay!

Frame: https://ultrahouse3k.com/img/S09E07/1304220.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1307765

## 21:52–22:01

Crowds of guests in colorful saris and dhotis stand on a grassy lawn at an outdoor Indian-style wedding, with a grey elephant on the left and a decorated ceremonial archway in the background. Across the scene, people mill about, embrace, and chat, and a figure in a red-and-white outfit stands near the center while a figure in black and white perches atop the elephant's trunk area. Over the lawn, white credits appear: first 'Executive Producer MIKE SCULLY,' then 'Executive Producers JAMES L. BROOKS MATT GROENING SAM SIMON,' with the credit text fading in and out. The scene then fades to black, where 'Starring DAN CASTELLANETA' appears in gold letters, followed by 'JULIE KAVNER' on a black screen.

Frame: https://ultrahouse3k.com/img/S09E07/1313604.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1317149

## 22:01–22:11

No characters appear; the moment is a sequence of black title cards with gold text centered on screen, showing the credits in order: NANCY CARTWRIGHT, YEARDLEY SMITH, HANK AZARIA, and HARRY SHEARER, then Special Guest Voice JAN HOOKS, Special Guest Voice ANDREA MARTIN (shown twice), and Special Guest Voice MARCIA WALLACE. The text then gives way to Also Starring TRESS MACNEILLE and MAGGIE ROSWELL, followed by Animation Executive Producer PHIL ROMAN, with nothing moving except the changing credit text.

> Thank you.

Frame: https://ultrahouse3k.com/img/S09E07/1322988.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1326742

## 22:11–22:20

No Simpsons characters appear in this moment; the black screen shows only credits in gold lettering, one name block after another. It begins with 'Animation Producers Bill Schultz and Michael Wolf', then 'Executive Consultant David Silverman', 'Executive Story Editor Ned Goldreyer', 'Story Editors Jane C. O'Brien and Larry Doyle', and 'Staff Writer Matt Selman', which repeats before 'Theme by Danny Elfman' appears twice. The sequence ends with 'Music by Alf Clausen' and 'Casting by Bonita Pietila' on the same black background.

Frame: https://ultrahouse3k.com/img/S09E07/1332373.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1336126

## 22:20–22:30

No characters appear in this moment; it is a sequence of black end-credit title cards from a Simpsons episode, shown one after another in gold lettering. The cards list editors Michael Bridge, Don Barozzo and Lee Harting, Animation Production Manager Joel Kuwahara for Gracie Films, post production supervisor Dominique Braud-Stiger and coordinator Alexander Duke, dialogue sound editors Bobby Mackston, Terry Greene and Norm Macleod, music editor Chris Ledesma, sound effects editor Travis Powers, and re-recording mixers R. Russell Smith, Bill Freesh and Robert Edmondson. Later cards credit production crew, assistants to the producers, Film Roman, Inc. as animation producer, AKOM and N.J. Kim for overseas production, and Utit Choomuang as overseas animation director, ending with storyboard credits.

Frame: https://ultrahouse3k.com/img/S09E07/1341966.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1345511

## 22:30–22:39

No characters appear in this moment; it is a black end-credit sequence for The Simpsons with gold text on a plain background. The cards show in order, listing Joseph Wack as character design supervisor, Kevin Newman, Hunilla Fodor, Matt Groening and Sam Simon as character designers, and the layout, color, ink and paint, animation production, and post-production credits, followed by a 1997 Twentieth Century Fox copyright notice with the episode number 5F04. The sequence ends on cards reading 'Creative Consultant MATT GROENING' and 'Executive Creative Consultant JAMES L. BROOKS'.

> Shh.

Frame: https://ultrahouse3k.com/img/S09E07/1351350.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1354895

## 22:39–22:50

Silhouetted audience members, including a large curly-haired figure on the left, sit in rows of theater seats facing a blank screen beneath three ceiling lights. The screen brightens into a blue beam, and the words "GRACIE FILMS" appear over it, followed by "IN ASSOCIATION WITH" on black. The gold "20th Century Fox Television" logo, with "A News Corporation Company" beneath it, rises against a dusky sky with searchlight beams, then fades to black.

Frame: https://ultrahouse3k.com/img/S09E07/1360734.jpg
Page: https://ultrahouse3k.com/episode/s09e07-the-two-mrs-nahasapeemapetilons/1364905