# All Singing, All Dancing The Simpsons, season 9, episode 11 (S09E11), first aired January 4, 1998. Written by Steve O'Donnell. Directed by Mark Ervin. Production code 5F24. Guest stars: Phil Hartman as Lyle Lanley; Patrick Stewart as Number One. Chalkboard gag: "I will not celebrate meaningless milestones.". Couch gag: Treadmill. Homer rents Paint Your Wagon expecting a violent Clint Eastwood and Lee Marvin Western, only to find it is a musical, and he denounces singing. The family reminds him how often they have sung, setting up clips such as Lyle Lanley's monorail number and Mr. Burns's "See My Vest," while Snake keeps climbing in through the open window to threaten them. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Kent Brockman, Otto Mann, Jasper Beardsley, Ralph Wiggum, Patty Bouvier, Reverend Lovejoy, Selma Bouvier, Groundskeeper Willie, Lou, Lewis Clark, Wendell Borton, Jimbo Jones, Eddie, Miss Hoover, Maude Flanders, Rod Flanders, Kearney Zzyzwicz, Sherri Mackleberry, Terri Mackleberry, Mayor Quimby, Sideshow Mel, Kirk Van Houten, Hans Moleman, Luann Van Houten, Helen Lovejoy, Professor Frink, Agnes Skinner, Dolph Starbeam, Horatio McCallister, Snake, Dewey Largo, Sarah Wiggum, Herman Hermann, Sanjay Nahasapeemapetilon, Lunchlady Dora, Bumblebee Man, Charlie, Ms. Albright, Marvin Monroe, Martha Quimby, Jerri Mackleberry, George Harrison, Gertie Feesh, Number 51, Belle, Greyhound Puppies, Lyle Lanley, Nanny, Number One, Sailor, The Egg Council Guy, The Human Fly, Timothy Lovejoy Sr.. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Homer, the bald heavy man in a white shirt and blue pants, and Bart, the spiky-haired boy in an orange shirt, appear in a suburban driveway beside a yellow garage and a pink car. The scene opens on drifting clouds in a blue sky while the yellow title 'THE SIMPSONS' appears, then cuts to the pink car pulled up to the garage, with Homer stepping out of the driver's door and Bart on a skateboard at the left edge. Bart then rides a small red bicycle past the car as Homer leans against it, and Homer is next seen stumbling back with his arms flung wide and his mouth open in alarm, while an orange car enters at the bottom right beside a mailbox on the lawn. > The Simpsons > Don't! Frame: https://ultrahouse3k.com/img/S09E11/1043.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/6256 ## 0:12–0:23 Homer, the bald heavy man in a white shirt and blue pants, stands at the edge of a red bed in a purple room, gesturing with one arm and looking startled, with a wall door behind him and a cardboard box on the right. The scene then cuts to the living room, where Homer, shown from behind, runs toward the couch with his arm outstretched while Marge, Lisa, Maggie and Bart sit side by side on the brown sofa. Homer then tumbles headfirst over the back of the sofa, his legs in blue pants and black shoes flailing in the air, and comes to rest sprawled on the teal carpet. The closing frames show a television screen reading "CREATED BY MATT GROENING," which changes to "DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON." > I've done this crazy thing! Frame: https://ultrahouse3k.com/img/S09E11/13555.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/17935 ## 0:23–0:36 Marge, with her tall blue beehive and holding a bowl of popcorn, stands with Maggie in her arms, while Homer in his white shirt and Bart in his orange shirt stand near Lisa in her red dress in a pink hallway. Lisa and Bart are visible in the early part of the moment, and Homer walks in from the doorway at the start. The scene shifts to a close view of Marge and Maggie beside Homer, who opens his mouth and talks while his expression grows irritated and his brow furrows. Bart then stands beside Homer and Lisa, and a purple-coated figure is partly visible at the right edge. Credits read 'Consulting Producer' with names such as MIKE SCULLY, DAVID S. COHEN and RICHARD APPEL on screen, and a teapot sits on a counter behind the family. > We got the popcorn. > Did you get waiting to exhale? > Well, they put us on the waiting to exhale waiting list, > but they said don't hold your breath. > Did you get Emma? Did you get Emma? Did you, did you, did you, huh? Frame: https://ultrahouse3k.com/img/S09E11/24608.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/30239 ## 0:36–0:47 Homer and Lisa stand together in a pink room beside a red lampshade lamp and a framed picture of Maggie, with a wall hanging of a colorful vase-shaped decoration nearby. Homer, in a white shirt and blue pants, holds Lisa, who wears a pearl necklace and a red dress, and they talk with each other while Homer scratches his head and then gazes sideways, as Lisa looks on with half-closed eyes. Later, Marge, with her tall blue beehive and red beads, holds a bowl of popcorn in one arm and carries Maggie, who has a pacifier and a blue bow, in the other, and she speaks with her mouth open. Opening credits text reading 'Consulting Producer' and the names Jace Richdale, Kevin Curran, Bill Oakley and Josh Weinstein appear over the frames. > Whoa, whoa, whoa. > Calm down, little lady. Take it easy, take it easy. > No. What did you get? Frame: https://ultrahouse3k.com/img/S09E11/38163.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/42125 ## 0:47–0:55 Homer Simpson stands in the pink living room in front of a framed sailboat picture, first holding a green cloth and gesturing with a raised finger while credits like Supervising Director Jim Reardon and Produced by Colin A.B.V. Lewis appear over the scene, then he raises a black videocassette and waves his other hand as he talks. Behind him, Marge with her tall blue beehive holds a bowl of popcorn and cradles Maggie, who has a pacifier and blue bow, while Lisa in a pearl necklace sits in the foreground with a flat expression. The family watches with unimpressed faces as Homer keeps gesturing with the tape. > Something very close exactly along those lines. > Our Clint Eastwood, Lee Marvin, shoot-'em-up Western. > So prepare yourself for the bloody mayhem and unholy carnage of Joshua Logan's Paint Your Frame: https://ultrahouse3k.com/img/S09E11/48590.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/51510 ## 0:55–1:06 Bart Simpson stands in front of a blue television set in the living room, first holding a black remote toward it, then clapping, gesturing with open arms, hands on his hips, and shrugging, while the credits read 'Produced by J. Michael Mendel, Bonita Pietila' and then 'Produced by Richard Raynis' appears as Homer Simpson sits on the couch clapping his hands together. Homer, Marge with her blue beehive, baby Maggie holding a pacifier, and Lisa in her red dress watch from the couch area under a framed sailboat picture. In the final moments Bart runs over to Homer, who raises his hand for a high-five, and then Bart drops to his knees in front of the family on the rug. > Wagon. With blood, I bet. Frame: https://ultrahouse3k.com/img/S09E11/56723.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/61103 ## 1:06–1:16 A yellow-skinned man in a brown hat and red vest, unnamed, smokes a cigarette and then drives a horse-drawn wagon past a 'UNION' storefront while a booted leg passes in the foreground. A mustached man in a black hat and black suit, not a regular, stands with his hands on his hips beside the wagon and horse as the credits 'Produced by Richard Sakai, Denise Sirkot' and 'Written by Steve O'Donnell' appear. The moment opens on a purple television showing a dusty Western town street, where a small rider on horseback moves between the buildings. > Hey! > That's a pretty sorry-looking wagon you got there, mister. Frame: https://ultrahouse3k.com/img/S09E11/67568.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/71738 ## 1:16–1:26 A stern, grey-mustached old man in a black wide-brimmed hat appears in close-up against a pale sky and hills, squinting, scowling, and shifting his gaze before speaking. The scene then cuts to a man in a rust-brown hat and red poncho with white stripes, sitting at the reins of a wooden wagon on a western street lined with a barber shop and a hotel sign, with a lit cigarette in his mouth that he smokes, then pulls from his lips and holds up while he talks and frowns. The on-screen credit "Directed by MARK ERVIN" appears over the lower part of the image for a few moments. > I reckon it could use a coat of paint. Frame: https://ultrahouse3k.com/img/S09E11/77995.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/81540 ## 1:26–1:37 Two characters stand on a dusty western-style street beside a wooden wagon and a brown horse, with a building sign reading "GENERAL" and a partial "SALOON" sign behind them. A man in an orange poncho and wide-brimmed hat, and a thin older man in a black suit and top hat (who looks like a stooped, hook-nosed figure, not a regular, so he is described rather than named), begin by standing and gesturing, with the older man spreading his arms wide. They then break into a jaunty dance, kicking and swinging their arms beside the wagon, before ending up leaning on the wagon's wheel and bench in a close, scowling exchange. > Well, what are we waiting for? > Gonna paint our wagon, gonna paint it good. > We ain't bragging, we're gonna coat that wood. Frame: https://ultrahouse3k.com/img/S09E11/87170.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/91550 ## 1:37–1:48 A poncho-wearing cowboy and an old man in a dark suit and black hat, who resembles Mr. Burns, stand beside a wooden wagon hitched to a horse on a Western street, gesturing and patting each other as a crowd of townsfolk in period dress approaches and kicks up their legs in a dance near a HOTEL sign. A rider in a black vest on a brown horse points from in front of a GENERAL STORE sign while a sheriff in a white hat and light vest gestures, and Homer, wide-eyed and open-mouthed, is shown against a pink wall before the view drops to an overhead look at the dancers, the empty wagon, and the poncho-wearing cowboy and suited man still standing near the horse. > They're gonna paint that wagon, they're gonna paint it good. > They ain't pregnant, they're gonna cook that wood They're singing! Frame: https://ultrahouse3k.com/img/S09E11/98223.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/102811 ## 1:48–2:02 Homer, the bald heavy man in a white shirt and blue pants, sits on a brown couch in a pink living room, first with his hands raised to his head in alarm, then gesturing with open hands while Marge, with her tall blue beehive and green dress, holds baby Maggie in her blue bow and pacifier beside him. Bart, the spiky-haired boy in an orange shirt, stands by a purple lamp and a stack of books and points toward the floor while Homer grips his shoulder, with Homer's expression shifting from wide-eyed panic to a grimacing and then a toothy grin. A framed sailboat picture hangs on the wall behind them. > They're singing, Marge! Why aren't they killing each other? > Yeah, their guns are right there. Wait, wait, wait. > Here comes Lee Marvin. > Thank God, he's always drunk and violent. Frame: https://ultrahouse3k.com/img/S09E11/109693.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/115324 ## 2:02–2:15 Three one-off characters stand in a Western-style town street: an elderly white-haired man with a long white moustache and a black top hat on the left, a young man in a white cowboy hat and red neckerchief in the middle, and a man in a brown hat and rust poncho with a paintbrush at a green covered wagon on the right. The old man stands with his hands on his hips and glares, then the wagon painter in the brown hat turns, scowls and clenches his teeth in close-up while the old man glowers and speaks with his mouth open. A wooden saloon-style building, a blue building and a sign reading 'Sheriff' sit behind them, and a bucket of white paint rests by the wagon wheel. > What the hell is going on in my town? > We're just painting this wagon. > You got a problem with that? > As a matter of fact, I do. > You missed a spot. Frame: https://ultrahouse3k.com/img/S09E11/123040.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/128670 ## 2:15–2:26 An elderly white-bearded man in a black top hat and grey coat and a brown-haired man in an orange cowboy hat and red poncho with white trim stand on a Western town street by a green wooden wagon, with BANK, JAIL and DOCTOR signs and a horse in the background. The cowboy holds a paintbrush dripping green paint, and the two men argue, point at the wagon, and then stand arm in arm with the cowboy grinning, before the cowboy grows agitated, shakes his fists and gestures while the old man holds the brush and points back at the wagon. > Well, grab a brush and join in. > Gonna paint your wagon, gonna paint it fine. Frame: https://ultrahouse3k.com/img/S09E11/136178.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/140557 ## 2:26–2:37 An elderly white-bearded man in a top hat and grey coat walks beside a large green wagon on a dusty western street, then stops to paint its side with a purple-handled brush while holding a green paint bucket. Five women in matching pink-and-purple dresses and feathered hats stand on a wooden boardwalk in front of a barber pole, singing and gesturing with their arms. Afterward, five women in pastel dresses lean on a green rail by swinging saloon doors, with a brown horse behind them and a faint painted letter visible on the wagon. > Gonna use oil-based paint, cause the wood is pine. > Ponderosa Pine Hill. > Yee-haw! Frame: https://ultrahouse3k.com/img/S09E11/147022.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/151610 ## 2:37–2:51 Homer, Marge, Bart, Lisa and baby Maggie gather in the pink living room, where Bart gapes and Lisa scowls at a television while Marge grins and then looks on. Homer leans in and presses the EJECT button on a VCR with STOP, PLAY and REWIND buttons, then stands by a window with a wooden fence and trees outside, holding an orange bucket and glancing sideways. > Who knew that Lee Marvin could do such marvelous splits? > Hey, dreamy. > Why did they have to screw up a perfectly serviceable wagon story with all that fruity Frame: https://ultrahouse3k.com/img/S09E11/158492.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/164331 ## 2:51–3:02 Homer, Marge, Bart, Lisa and Maggie are in the pink living room near the kitchen. Homer stands with his hands on his hips and talks while Bart and Lisa sit on the rug and Marge holds Maggie, who sucks a pacifier, on the brown couch. Homer then leans toward the couch, and in a close view he frowns and yells with his mouth open beside a yellow curtain. > singing? I thought it was toe-tapping fun. > Singing is the lowest form of communication. > Homer, you sing all the time. > No, I don't. I hate to rhyme. You like musicals, don't you, Dad? Frame: https://ultrahouse3k.com/img/S09E11/172255.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/176635 ## 3:02–3:13 Homer, Marge, Lisa, Maggie and Bart are gathered in the pink living room with its brown couch, purple lamp and striped rug, with Homer at the center of the action. Homer begins by standing with his hands on his hips and then gestures with both palms out, later dancing and swinging his arms wide while Marge holds Maggie and Lisa and Bart stand or sit nearby. Bart ends up on the rug in an orange shirt and blue shorts, spreading his arms and singing with an open mouth against a purple speaker, while Homer and Lisa watch from the side. > No, I don't. I think they're bad. They're fake and phony and totally wrong. > Wake up, Dad. > You're singing a song. I wouldn't, I couldn't, I hate that stuff. Frame: https://ultrahouse3k.com/img/S09E11/183308.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/188105 ## 3:13–3:26 Homer, Marge, Bart, Lisa and baby Maggie are in the pink living room. Homer clutches his head and waves his hands in alarm while Marge stands with her hands on her hips, then Marge kneels at a purple end table beside a turquoise telephone and slides out a drawer packed with videotapes. Afterward Marge stands by the purple television holding a remote as the children watch beside her and Homer stands at the right. > Now Homer, listen, I've had enough in our family videos. > We have plainly seen your singing, dancing, entertainment machine. Frame: https://ultrahouse3k.com/img/S09E11/194986.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/200409 ## 3:26–3:39 Homer in a red jacket, heavy Barney with messy brown hair in a brown jacket, grey-haired Principal Skinner in a suit, and a dark-haired man in a dark jacket are shown on a TV screen after a hand presses a button on a blue VCR. The picture starts as a blank purple screen, then shows the four at microphones on a rooftop against a city skyline, with Barney singing eyes-closed, Skinner playing a small guitar, and the dark-haired man pointing. Amplifiers and cables sit on the roof as they perform together, with Homer swaying in front. > And a one, and a two, and a three. > Baby on board, > how I'm adored. Frame: https://ultrahouse3k.com/img/S09E11/208125.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/213547 ## 3:39–3:50 A crowd of yellow cartoon characters first gathers on the roof of Moe's bar on a street lined with shops, a hotel sign, and a red car, while a man in a grey suit and fedora with a moustache and an older woman carrying a loaf of bread stand at a doorway. Next, a row of grinning women in blue, lilac and teal jackets, plus a man with glasses and a woman in a pink shirt, stand in front of a tower with a clock, and a man in a white cap and a figure in a red-trimmed suit join them. Finally, a black-costumed figure with a red hat and white cape clings to the ledge of a grey tower under a blue sky, climbing up and reaching for the edge, while the crowd below watches. > That sign on my car's windowpane Hello? > Human fly here. > Come on! Frame: https://ultrahouse3k.com/img/S09E11/221054.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/225225 ## 3:50–3:54 A cartoon masked figure in a black bodysuit with red trim, red gloves, round goggles, a red-and-black hood with dangling spring antennae, and a flowing white cape is mid-leap against a grey wall and a blue backdrop. Across the sequence the figure's mouth opens wide in a shout, then clenches into a grimace, and the cape flaps and billows as the figure stretches one arm up and the other out, appearing to jump or dash forward. Its red-gloved hand grips a ledge at the top of the wall while the body is in the air, and a red ball-like object sits on the ledge in some frames. > I stayed up all night, die in my underwear. Frame: https://ultrahouse3k.com/img/S09E11/231690.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/232733 ## 3:54–4:06 A freckled red-haired newsboy in a brown cap, cream turtleneck and tan overalls, carrying a satchel and papers, holds up a Springfield Shopper with a headline about steam over the Midwest while shouting on a city sidewalk. A man in a brown suit walks past, then a man in a blue suit and lavender fedora approaches, takes a paper and talks with the boy, who holds a bit of money and looks wary. The boy then leaves, the man is left reading the paper beside a white car parked along a red-awninged street, and the car drives off to the left. > Extra, extra! > B-sharps sing on rooftop! > What? Give me one of those. > Wait a minute. > There's nothing in here about the B-sharps. > Come back here! Frame: https://ultrahouse3k.com/img/S09E11/235861.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/240449 ## 4:06–4:14 A thin man with dark wavy hair in a dark suit sits behind the window of a black limousine while onlookers watch from the sidewalk, including a man with tall blue hair and a pink shirt, a dark-haired woman in pink, a dark-skinned man, a lilac-haired woman, and a blonde woman in a maroon dress grinning at the car. The limo then pulls away, and Homer, in a red shirt, stands on the roof of Moe's with three other men, arms outstretched and gesturing above a sign reading MOE'S. Back on the street, the crowd stays put as a girl with pink-red hair, a red bow and a blue skirt steps forward in front of them. > It's been done. > That old sign can't be ignored. Pretty, huh, Chief? Frame: https://ultrahouse3k.com/img/S09E11/247330.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/250459 ## 4:14–4:24 Chief Wiggum, the fat police chief in a cap, stands at the front of a row of uniformed officers and onlookers outside a pink building, smiling and then laughing as he speaks into a microphone, while a blonde woman watches beside him. He then raises a hand and points toward a wooden structure with a sign reading MOE, where Homer in a red coat and three other men with microphones perform on a rooftop under a blue sky. The singers gesture and sway as they keep performing, with a guitar and amplifiers on the rooftop stage. > It sure is, Lou. > It sure is. > Get the tear gas. > It's a trip to paradise With my baby Frame: https://ultrahouse3k.com/img/S09E11/255881.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/259634 ## 4:24–4:32 Homer, in his red jacket, stands at the left edge of the roof of Moe's with his arms raised, beside a spiky black-haired man in a dark jacket, a grey-haired man in a suit, and Carl, a Black man in a dark jacket, all of them waving and swaying. Below, a large crowd fills the street in front of King Toot's Music Store, where police officers stand by parked cars with flashing lights and a man in blue overalls looks up at the roof. As the moment goes on, the group on the roof bunches closer together and leans toward the edge while the crowd and the MOE'S sign stay in place. > on board. Frame: https://ultrahouse3k.com/img/S09E11/265682.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/268810 ## 4:32–4:41 Chief Wiggum carries a slatted wooden bench past a crowd gathered outside Moe's at night, while Homer and Bart stand together by a wrought-iron fence in a park under a starry sky. Bart clings to Homer's side and looks up at him as Homer stares ahead and gestures, and Ned Flanders in his green sweater walks up with a flame beside him. A wooden object flies through the air, and Bart stands beside Homer with a sullen expression as Homer turns toward him. > Dad, we can't let this happen to Belle. Do something. > Don't you worry, son. Frame: https://ultrahouse3k.com/img/S09E11/274024.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/276943 ## 4:41–4:51 Mr. Burns, a frail stooped old man in a grey suit and pink bow tie, works a jackhammer on the lawn of a blue house while a bespectacled man in a red sweater swings a sledgehammer at a broken white bowl. Homer stands on the porch with his arms spread as showgirls in pink outfits and a woman in a red dress with a feathered hat look on, then Otto in a cap and headphones holds an axe beside a brown-haired man with a crowbar. Moe, a grey-haired bartender in an apron and bow tie, raises a crowbar by a fountain as Carl and an older grey-haired man in a red jacket watch, while Homer gestures and clutches his chest as he talks on the porch. > My friends, stop! > We could tear it down, but we'd be tearing down a part of ourselves. Frame: https://ultrahouse3k.com/img/S09E11/282157.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/286328 ## 4:51–5:02 Homer, in his white shirt and blue pants, stands on a blue-sided porch at night in front of a crowd, with several women in pink feathered showgirl outfits and a stern older woman in a long dark red dress behind him. He gestures with his hands, looking nervous, then spreads his arms wide toward the crowd while onlookers, including a police officer in a cap and a bald man with glasses, watch. The scene shifts to a close group of onlookers under a dark purple sky: a brown-haired woman in a pink vest, a teal-haired woman with a bone stuck in her hair, and a bearded old man in a sailor cap, all staring ahead, with a potted plant and a watering can beside the porch. > You could close down Moe's or the Quickie Mart, > and nobody would care but the heart and Frame: https://ultrahouse3k.com/img/S09E11/292584.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/296755 ## 5:02–5:13 Homer, the bald man in a white shirt, stands with two feathered showgirls in purple bras and a grey-haired woman in a long dark red dress at the blue doorway of a large mansion. He gestures and reaches toward the older woman's face, then turns to rest his arms around the showgirls beside a wall lamp. The scene widens to show the blue mansion at night with lit windows, the group on its porch and steps, and a crowd of townspeople holding candles on the lawn. > soul Of Springfield's in our Maison Derriere Frame: https://ultrahouse3k.com/img/S09E11/303220.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/307808 ## 5:13–5:25 A grey-haired older woman in a maroon gown with a cigar in her mouth, along with several showgirls in pink feathered headdresses and bras, and a pianist in a red sweater, sits and stands on a wooden stage with a blue-paneled wall, a staircase, and an upright piano. The pianist plays while the showgirls pose, and a few musicians in sailor caps march in carrying a tuba and a trombone. The woman in maroon gestures and sings with her hands raised, then the line of dancers kicks their legs high in unison beside her. > We're the sauce on your steak We're the cheese in your cake We put > the spring in Springfield We're the lace on the nightgown The point Frame: https://ultrahouse3k.com/img/S09E11/314689.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/319486 ## 5:25–5:38 Ned Flanders in his green sweater and Mrs. Krabappel with her tall brown hairdo and red skirt stand at night beside a blue clapboard house, with an unnamed grey-haired woman in a long red dress and bustle. Earlier, feathered showgirls in pink bras and yellow stockings lean and sway from a window and on a porch stage while a man at a piano and a horn player back them, and the grey-haired woman in red steps down the stairs and then gestures with open hands and a V-sign. The scene shifts from the lively stage performance to the quiet night yard, where the grey-haired woman talks and gestures to the couple as a dark-haired man in a grey shirt watches from below. > after touchdown Yes, > we put the spring in Springfield We're that little extra spice that makes > existence extra nice. A giddy little thrill at a reasonable price. Frame: https://ultrahouse3k.com/img/S09E11/326576.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/331790 ## 5:38–5:50 Outside a purple clapboard house with bushes and windows, a row of onlookers stands on a sidewalk: a suited man, a dark-skinned man in a green jacket, and a man with black hair in a pink shirt and blue tie, while a woman with a tall brown hairdo, pink top and teal skirt stands nearby. A grey-haired woman in a red Victorian gown with a ruffled collar gestures and talks animatedly toward them. Later, the man in the red shirt and dark tie points angrily with his arm folded at his side while the brown-haired woman stands with her arms crossed, then two showgirls in pink feathered headdresses and pink bustier dresses appear, one clutching his shoulder and the other reaching toward the brown-haired woman, and finally both flank him, one with her hand on his chest, as the scene darkens into night. > Our only major quarrels with your total lack of morals. > Our skimpy costumes ain't so bad. They seem to entertain you, Dad. Frame: https://ultrahouse3k.com/img/S09E11/339089.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/344302 ## 5:50–6:01 Mr. Burns, a frail, thin, stooped old man with a hooked nose and grey hair at the sides, leans out of an upstairs window in a white shirt, red bow tie and suspenders, then raises a hand and waves. Below on a wooden porch in front of a blue clapboard building, showgirls in pink feathered headdresses and bustiers dance while a band with a tuba and trombone plays and a pianist sits at an upright piano. A crowd gathers on the steps, including a woman in a long maroon Victorian dress with grey hair, a uniformed officer, a Black man in a grey jacket, and a man in a yellow-and-black bee costume on the right, while the showgirls gesture with their arms outstretched. > The gin in your martini. > The clams on your linguine. > Yes, we keep the in Springfield. Frame: https://ultrahouse3k.com/img/S09E11/351601.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/355981 ## 6:01–6:11 Chief Wiggum, Krusty the Clown, and a brown-haired man in a pink shirt lean out of a dormer window of a blue house at night, first wide-eyed and open-mouthed, then grinning, while a crowd on the driveway below watches a group of pink-costumed dancers and a woman in a dark red gown. Herb, the brown-haired man in a purple suit with a blue tie, gestures in front of the house while a dark-haired woman in a red dress, red pillbox hat and pearls scowls beside him, then stands with her arms crossed as he clenches his fist and points at her arm. A stone gargoyle sits on the roof edge and the sky is full of stars. > We remember our first visit. That service was exquisite. > Why, Joseph, I had no idea. > Come on now, you were working here. Without it, we'd have had no fun since March of 1961. Frame: https://ultrahouse3k.com/img/S09E11/362445.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/366616 ## 6:11–6:25 Grampa, with his white beard and cane, dances in front of a blue house while a marching band of old men in sailor caps plays trombone and sousaphone behind him, and a bald man in a red sweater and glasses watches nearby. Bart, wide-eyed and grinning in an orange shirt, stands in the foreground by a pillared iron gate with angel statues. Three figures, a heavy bald man in a white shirt, a fellow in a purple beanie and skull shirt, and a long-haired redhead in an olive shirt, then sing and shout with arms flung wide and mouths open against a purple dusk sky and a pink tree. > To shut them down now would be twisted. > We just heard this place existed. Frame: https://ultrahouse3k.com/img/S09E11/372873.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/378712 ## 6:25–6:36 Four dancers in pink feathered headdresses, bikinis and yellow stockings kick and strut along a grassy lawn by a pool at night while Apu, in a green jacket, holds a tray with a blue many-armed Vishnu figurine as two women watch, one with grey-violet hair and one with a tall brown hairdo in a pink top and red skirt. The dancers link arms and reach out to one another as the line keeps moving, and Barney, heavy with messy brown hair and an orange shirt, cranks a pink jack-in-the-box until a Krusty clown head pops up on a spring. Pool, lawn and dark trees with stars fill the background. > We're the highlights of your hairdo. The extra arms on Vishnu. > So don't take the... > We won't take the... Frame: https://ultrahouse3k.com/img/S09E11/386845.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/391224 ## 6:36–6:45 Ned Flanders in his green sweater and Carl in his grey jacket and pink sweater stand with a bald man in a navy suit and red tie, Smithers-like figures and others among a night-time crowd with arms raised and cheering, while a blue-haired woman in green beads holds up a red microphone. The scene shifts to a stage where Homer in his white shirt and blue pants stands beside Bart in his orange shirt, in front of a line of dancers in pink feathered headdresses and yellow outfits, as an older woman in a long red dress stands between them and the audience raises their hands. Last, Moe in his apron and bow tie lifts a grey trash can lid beside overflowing bins by a hedge. > Yes, let's be the... Frame: https://ultrahouse3k.com/img/S09E11/397689.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/401026 ## 6:45–6:56 Homer and Bart stand on the porch of a large blue mansion, flanked by costumed dancers in pink and a woman in a long red gown, while a crowd below raises their arms and cheers. As night falls and the house glows with lit windows, the crowd keeps cheering and figures appear at upstairs windows. Sideshow Bob, with his red mane, grips a wooden-handled mallet beside a brown-haired man in a green sweater and purple suspenders, who looks startled. Mr. Burns, in a dark suit, drives a green antique open car past the grounds. A white-capped man in a blue coat talks on a telephone beside a satellite dish, and the scene ends on a close view of Barney, with messy brown hair and a salmon shirt, speaking. > In spring beer. Frame: https://ultrahouse3k.com/img/S09E11/406656.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/410827 ## 6:56–7:08 Bart, the boy with spiky hair in an orange shirt, stands in the living room in front of a brown couch and a lamp, first pondering with a finger to his chin, then gesturing with open arms and grinning with eyes closed. Behind him, Marge with her tall blue beehive, Lisa, Maggie with her pacifier, and Homer, bald with a white shirt, stand by a dark television set and watch Bart. In the final moments Homer, in his white shirt, grabs Bart by the collar with one hand and pushes him back against the couch while Bart's mouth hangs open in a yelp, with a turquoise telephone and a purple lampshade visible in the background. > Mom was right. > Your singing's a sin. > You're as lame as a Robble as Lee Marvin. > I'm sure your dad's singing could make your hair curl. Frame: https://ultrahouse3k.com/img/S09E11/417292.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/422088 ## 7:08–7:19 Marge Simpson, with her tall blue beehive and red bead necklace, stands in the living room by the window and curtains, talking and gesturing, then tugs at her hair and points upward with a finger. Next she leans over a purple shelf holding a red bottle and a yellow object, pointing at the bottle and then pressing her hands together nervously. Homer, bald and wearing a white shirt, hugs Bart, who has spiky hair and an orange shirt, in front of a brown couch and purple lamp. Marge returns to the room, holding a remote control toward a purple television that switches on to show the Kwik-E-Mart storefront with its sign. > But you two, Bart, have sung and danced like a girl. > Ah! Frame: https://ultrahouse3k.com/img/S09E11/429179.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/433767 ## 7:19–7:32 Bart, a spiky-haired boy in an orange shirt and blue shorts, and Milhouse, who has blue hair and red glasses and wears a lavender shirt and red shorts, share a large white cup of green slushy drink through straws outside a storefront. Bart grabs the cup and yanks it toward himself while Milhouse grips the other side and sips, then the two tug at it and Milhouse pulls it back, with Bart's mouth open in protest. The scene shifts to an outdoor street with a blue sky, where Milhouse sits on a curb sipping happily with his eyes closed and then leans back, while a dollar bill is visible in his hand earlier in the sequence and a sign reading 'Kwik-E-Mart' style lettering appears on the store window behind them. > Woo-hoo! > It's so thick! > You're turd, Bart! Frame: https://ultrahouse3k.com/img/S09E11/440649.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/445862 ## 7:32–7:43 Bart, the spiky-haired boy in an orange shirt, stands by a chain-link fence in front of an orange wall with a partly visible sign reading "CUS... PA... O" and eats green squishy from a white cup, smearing green goo across his face as his eyes roll and cross. He keeps scooping and gulping, then the scene dissolves into a blurred, overlapping set of Milhouse, the blue-haired boy with glasses, multiplied and swaying with hands raised to his ears. > Whoa, that's good squishy. > What you like, Bart? Bart? > Bart? Frame: https://ultrahouse3k.com/img/S09E11/453161.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/457749 ## 7:43–7:53 Bart Simpson, in his orange shirt, and Milhouse, with blue hair, red-rimmed glasses and a lavender shirt, stand outside beside an orange wall, a wall phone and a chain-link fence. Bart's mouth and chin are smeared with green slime, while Milhouse holds a white cup full of the same green goo, grinning and eyeing it as he tilts it toward his mouth. Bart gapes wide-eyed, then clenches his fists and grins with his teeth showing, as a white sign with red lettering hangs above them. > Give me that! > Okay, we're young, rich, and full of sugar. > What do we do? Frame: https://ultrahouse3k.com/img/S09E11/464631.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/468593 ## 7:53–8:03 Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, and Milhouse, with blue hair and glasses in a purple shirt and red shorts, first stand together by a glass door, Bart holding a cup with a green top while Milhouse pumps his fists and grins. They then move in front of the dusk-lit statue of Jebediah Springfield on its pedestal, where the partly visible inscription reads "JEBEDIAH SPRINGFIELD," and they dance with their arms out. The scene ends on a rooftop above a yellow TAXI cab and stacked bundles of newspapers, with Bart pointing outward and Milhouse beside him holding the cup. > Let's go crazy Broadway style! > Yeah! > Springfield, Springfield, it's a hell of a town. > The school yard's up and the shopping mall's down. Frame: https://ultrahouse3k.com/img/S09E11/474849.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/478812 ## 8:03–8:07 Milhouse, with blue hair and red-framed glasses in a lavender shirt and red shorts, and Bart, with spiky hair in an orange shirt and blue shorts, first stand on a high ledge near a dark pole, pointing outward with their arms. They then hop down to stand before the grey double doors marked ANIMAL SHELTER, grinning and gesturing, before crouching in a street at dusk and bouncing with arms raised and then spread wide in front of the same doors. A street lamp, colorful buildings and a tree are visible, with dark specks drifting in the night sky. > The stray dogs go to the animal pound. > Springfield, Springfield, Springfield, Springfield. Frame: https://ultrahouse3k.com/img/S09E11/484859.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/485694 ## 8:07–8:21 Bart Simpson, the spiky-haired boy in an orange shirt, and Milhouse, the blue-haired boy with glasses in a lavender shirt and red shorts, stand on a dark blue backdrop and gesture with outstretched arms, then Bart and Milhouse are joined by a sailor in a white uniform and hat who stands between and behind them, with the two boys reacting and pointing. Bart and Milhouse then stand alone again, mouths open and laughing or chattering with their arms spread and one hand raised. The scene ends on a bird's-eye view of a city street with a small yellow figure, presumably Bart, walking along a lane marked with a white arrow between tall buildings, a blue-roofed building, and a pink-trimmed sidewalk. > New York, New York. > New York is that-a-way, man. > Thanks, kid. It's a hell of a town! Frame: https://ultrahouse3k.com/img/S09E11/488613.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/494452 ## 8:21–8:33 Bart, in his orange shirt with a glass of milk, stands at a counter beside a man in a grey suit with swept-back blond hair who gestures with open hands while Milhouse, with blue hair and glasses, tumbles down a curved glass slide above them. Milhouse then sits in a purple-and-blue arcade area behind a velvet rope with a gold stanchion, a sign reading "VIP ONLY", and a waiter in a tuxedo holding a tray, while Bart peeks out from behind a cabinet. The scene closes under a glowing "CATS" marquee where a crowd queues at a ticket booth before cat-costumed dancers perform on a stage beside a red car. Frame: https://ultrahouse3k.com/img/S09E11/502377.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/507173 ## 8:33–8:45 Bart Simpson, with spiky hair and an orange shirt, and Milhouse, with blue hair and glasses in a pink shirt and red shorts, stand in a theater aisle among spilled cups and bottles while seated audience members watch behind them. Bart sips a drink through a straw as Milhouse gestures and hops around, then the two move to a bin overflowing with purple Toothless Joe's Gum-Flavored Chewing Product packs. Holding packs in their hands, they finally blow a large pink bubble of gum between their faces. Frame: https://ultrahouse3k.com/img/S09E11/514264.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/519686 ## 8:45–8:58 Homer Simpson, in a white shirt and blue pants, first stands by a pink goo puddle on a tiled sidewalk beneath a Candy Shoppe sign, then picks up a purple squishy toy from a nearby trash can and examines it before walking off. Next, a Rub-On Tattoos sign reading "Open 24-Hours" appears, and Bart Simpson in an orange shirt and blue shorts stands with a green dragon tattoo on his arm beside Milhouse, who has blue hair, glasses and a purple shirt, showing off his own tattoos. Milhouse then holds a skull-faced object up near his head while Bart grins and gestures with one hand. > Mmm, freku. > Hey, don't forget that squishy. Frame: https://ultrahouse3k.com/img/S09E11/526985.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/531990 ## 8:58–9:09 Bart, a spiky-haired boy in an orange shirt, and Milhouse, who has blue hair and glasses and wears a pink shirt and red shorts, stand on a night sidewalk in front of Green's Lounge, with a Bonds Cashed sign on the left, while Barney, a heavy man with messy brown hair in an orange shirt, stands behind them. Barney raises a cup to drink, lowers it, and raises it again while the boys grin, fidget, and sometimes shift beside him. In the final close-up, sparkling stars surround Bart and partial lettering reading DECIS appears on a sign behind them. > I don't know where you magic pixies came from, but I like your pixie drink. Frame: https://ultrahouse3k.com/img/S09E11/539289.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/543877 ## 9:09–9:21 A laughing dark-skinned man with bushy grey-brown hair grins through a rapid, distorted sequence among flashing neon signs, including All Night Arcade, Bottle Records, and a partly visible TRA... RA sign, which blur into swirling colors. The scene then cuts to Bart, the spiky-haired boy, lying in bed under a purple blanket with a white ice pack pressed to his head, eyes half-closed and mouth open as he groans. > Oh, my head. Frame: https://ultrahouse3k.com/img/S09E11/550759.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/555555 ## 9:21–9:30 Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stand in the living room in front of a brown couch, with Homer's legs and white shirt looming behind them. Lisa, grinning, hugs Bart from behind and then shifts to his side, pointing off to the left while Bart stands with a flat, sullen expression. Lisa keeps close to him, gripping his arm and then leaning in as he folds his arms. The scene ends with Lisa smirking beside a still-glowering Bart, with the purple and pink room and an oval rug behind them. > That was pretty bad, Bart, but it could have been worse. > You could have been carrying a sequined purse. > I hate to dance and prance and sing. Frame: https://ultrahouse3k.com/img/S09E11/562228.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/565982 ## 9:30–9:44 Bart Simpson, a boy with spiky hair in an orange shirt and blue shorts, first stands in a purple-walled room beside a purple television and a speaker, then dances and bounces across a striped rug, flailing his arms and shuffling his feet. Later, Bart stands with arms crossed and a scowl in the pink living room, where Marge with her tall blue beehive and red beads, Homer holding baby Maggie with a pacifier and blue bow, and Lisa in her red dress and pearl necklace gather behind him. Marge then leans in beside him with her hands on his shoulders as she speaks to him, while he keeps his arms folded and stays sullen. > That's really more of a Milhouse thing. > I think you move like a young Baryshnikov. > Nobody move or I'll blow your heads off. Frame: https://ultrahouse3k.com/img/S09E11/571821.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/577452 ## 9:44–9:54 A scruffy, mullet-haired man in a denim vest with a green snake tattoo on his arm, who is not one of the regulars, first aims a long dark shotgun at the viewer in a pink room with an arched brown door and a small radio on a shelf. He then raises the gun to his shoulder and aims it toward the right side of the room. In the final frames, Homer, kneeling in a white shirt and blue pants, holds his arm around Marge, Bart, Lisa and Maggie, who huddle together in front of the arched doorway on the right, all wide-eyed and frightened as the gunman keeps his weapon trained on them. A pink lamp with an orange shade stands at the left edge of the room. Frame: https://ultrahouse3k.com/img/S09E11/585168.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/589339 ## 9:54–10:07 Homer, Marge, Bart, Lisa and Maggie huddle together on the pink living room floor, with Homer kneeling in front of them and the children clutching one another. A scruffy man with shoulder-length reddish-brown hair, an earring, a blue denim vest and a green tattoo on his arm appears in close-up, aiming a long shotgun at the family, then stands at left aiming it at them across the room. The screen fades to black briefly before returning to the family cowering beside a brown sofa, a lamp and a side table while the gunman keeps the shotgun trained on them. > Eww. > It's a desperate criminal on the run from the law. > Please spare my children. Frame: https://ultrahouse3k.com/img/S09E11/595386.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/600809 ## 10:07–10:16 Marge, with her tall blue beehive, Bart, Lisa and baby Maggie with her pacifier and blue bow huddle together in a pink room near an arched doorway, while Homer, bald and in a white shirt, appears beside them, looking worried and then speaking with his mouth open. Troy McClure, with swept-back reddish hair, a blue denim vest and a green snake coiled on his arm, stands before a red door with a round barred window and holds a shotgun, grimacing, glancing sideways, and then talking with his mouth open as he keeps the gun raised. > And their damp-trousered paw. A singing family, > it's worse than I feared. Frame: https://ultrahouse3k.com/img/S09E11/608316.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/612070 ## 10:16–10:27 Nelson, the bully in a vest, stands by the living room window holding a shotgun while Homer, Marge, Bart, Lisa and baby Maggie, with her pacifier and blue bow, kneel together near the pink arched front door. He gestures with one hand, then crouches and raises the gun toward the window, where a figure with reddish hair and a blue shirt appears outside, and the family rises to stand together, with Homer talking, mouth open, beside them. The room has yellow curtains, a stereo on a purple shelf, and a stack of records and tapes. > For hostage purposes, you're just too weird. > Bye. > See, all this singing scared him away. Frame: https://ultrahouse3k.com/img/S09E11/618118.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/622080 ## 10:27–10:35 Homer Simpson sits on a brown couch in the living room with a sailboat painting on the pink wall, his hand propped against his cheek as he looks off to the side and speaks, first shrugging with both arms out in front of the painting. He then slumps back down onto the couch with a weary, dismayed expression while his mouth moves. Lisa Simpson, in her red dress and pearl necklace, sits beside him and leans in, clasping her hands together and then reaching a hand toward his arm. She places her hand on his arm and gestures with her other hand, while Homer keeps his cheek propped in his hand and gazes ahead, looking unconvinced. > If we just hugged like normal, he'd probably stay. > Many people in this town sing like we do. > There's Mr. Burns, there's Krusty, and even Appu. Frame: https://ultrahouse3k.com/img/S09E11/628128.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/631256 ## 10:35–10:44 Lisa Simpson stands in the pink living room with framed portraits of Homer and Marge on the wall, gesturing with open hands and a shrug while the circular insets of Mr. Burns, Krusty and Apu appear beside the purple TV and the curtains, and then Apu's inset is shown blurred as she raises her hand. The scene moves to the kitchen, where Marge, Lisa, Maggie, Bart and Homer sit around a blue-clothed table with food plates, and Apu, in a green shirt with his hands clasped, sits at the head under a window with yellow curtains, speaking as the family listens. > Whether igloo, hot, or lintu, or a geodesic dome, Frame: https://ultrahouse3k.com/img/S09E11/636469.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/640014 ## 10:44–10:54 Apu stands at the kitchen table with his hands clasped while Homer, Marge, Lisa, Bart and Maggie sit around it with plates of food. Grampa, a wrinkled old man with white tufts of hair, appears at the table and leans in as Apu gestures and talks. Apu then raises a wooden crook above his head, and Grampa slumps low behind the table, all in a kitchen with orange cabinets and yellow corn-patterned curtains. > there's no structure I have been to which I'd rather call my home. > Hello! > When I first arrived, you were all such church, but now I've come to love. Frame: https://ultrahouse3k.com/img/S09E11/646062.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/649816 ## 10:54–11:05 Apu, the Kwik-E-Mart owner in a green jacket and white pants, swings down a purple-railed staircase with a cane while Homer, Marge holding Maggie in a blue bow, Bart, and Lisa watch from the arched foyer. He then stands close to Marge, gesturing toward Maggie, and leans in beside Lisa, who is wearing a pearl necklace, as she first looks wide-eyed and then smiles with her eyes closed. A pacifier-shaped wall sconce and a hanging chandelier are visible in the pink hallway. > York works, Maggie with her eyes so bright, Marge with hair by Frank Lloyd Wright. > Lisa can philosophize, parts adept at spinning lies. Frame: https://ultrahouse3k.com/img/S09E11/655655.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/660034 ## 11:05–11:16 Apu, the Kwik-E-Mart owner in a green jacket, leans on a wooden cane beside Bart in his orange shirt and then Homer in his white shirt in a pink living room with an arched doorway and a framed picture. Apu grins and gestures at Homer, who laughs with his eyes shut. Later, a heavy elderly man in a cream sweater and grey trousers, with glasses, stands by an orange wooden chair, then falls to the teal carpet with his glasses on the floor, while Apu stands on the chair with arms outstretched and the cane raised. A lamp with an orange shade, a red wooden chair, and a small vase on the wall are visible. > Oh, mercy, delightful fella, Sorry about the salmonella. > That's okay. > Who needs the quickie mart? Frame: https://ultrahouse3k.com/img/S09E11/666708.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/671087 ## 11:16–11:25 Apu, the man in the green jacket and cream trousers, stands in a pink room with Homer, Bart, Lisa and Marge gathered around him. He first smiles and raises his arms wide, then grips a crooked cane horizontally in both hands and sways it back and forth like a bow, grinning with his eyes shut and then wide open. A yellow vase with green foliage sits at the left edge of the scene. > Now here's the tricky part. > Oh, won't you rhyme with me. > Who needs the quickie mart? Frame: https://ultrahouse3k.com/img/S09E11/677343.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/680680 ## 11:25–11:34 Marge with her tall blue beehive and red beads, holding Maggie in a blue bow and pacifier, grins beside a curved brown hook-shaped prop against a patchwork backdrop of purple, blue, red and green. Lisa, wearing a pearl necklace, closes her eyes and grins, then spreads her arms wide while Bart in his orange shirt holds up a brown brick-like block at the edge of the frame. Homer, bald with a white collar, opens his mouth wide, then lowers his head and squeezes his eyes shut as the scene ends. > Their floors are sticky mart. > They made that sticky mart. > Let's hurl a brickie mart. > The quickie mart is real. Don't! Frame: https://ultrahouse3k.com/img/S09E11/686102.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/689647 ## 11:34–11:47 In a pink hallway, Apu, in a green jacket and white pants, sits on a red wooden chair holding a stick, then stands on it and holds a cane while spreading one arm wide. Homer, Bart, Lisa and Marge, with their arms raised, watch and cheer around him. Later he sits again and tilts his head back with his arms raised, and the cheering family keeps their hands up, with a small figurine on a shelf and a framed picture on the wall nearby. > Who needs the quickie mart? Not me. > Forget the Quickie Mart. > Goodbye to Quickie Mart. > Who needs the Quickie Mart? > Not me. Frame: https://ultrahouse3k.com/img/S09E11/695486.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/700909 ## 11:47–11:50 Apu, the Kwik-E-Mart shopkeeper in his green jacket and white trousers, first stands on an orange chair in a pink room, gesturing with his arms and waving a cane while Homer (left) and Marge (right) watch. He then steps down and walks past the chair toward the archway on the left, disappearing from view while Homer and Marge look on. Frame: https://ultrahouse3k.com/img/S09E11/708416.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/709042 ## 11:50–12:01 Marge, holding baby Maggie, Lisa, Bart, and Homer stand in the living room in the first frames, with Grampa, a wrinkled old man with white tufts of hair, at the right edge beside Homer. The family then settles onto the brown couch, with Lisa and Bart perched on the arms, Homer slouching in the middle as his mouth moves and he shifts and scratches his belly, while Marge and the others glance around. A framed sailboat picture hangs on the pink wall and a lamp hangs overhead. > Everything really wrapped up nicely. > Much quicker than usual. > I guess we learned that happiness is wherever you find it. Frame: https://ultrahouse3k.com/img/S09E11/711753.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/716132 ## 12:01–12:12 Homer Simpson, Marge Simpson with baby Maggie in her lap, Lisa Simpson and Bart Simpson sit side by side on the brown couch in the living room, beneath a framed sailboat painting and a hanging lamp. Homer gestures with his hands and turns his head toward Bart, then looks ahead with a wide-open mouth and raised eyebrows, while Marge and Lisa glance off to the side. Homer then settles with a remote in hand and stares forward, and in the final frames he looks up and to the side with a frown as the family watches attentively. > And we've all found happiness. > Every one of us. > Hey, what's that sound? Frame: https://ultrahouse3k.com/img/S09E11/722597.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/726768 ## 12:12–12:24 Apu, the Kwik-E-Mart proprietor with dark hair and a green jacket over a black shirt, sits hunched on a rooftop against a huge full moon at night, first looking down with a sour expression and then tilting his head back with eyes closed. In the middle frames the Simpsons family, Homer with blue-haired Marge, Lisa and Bart, stands below gazing up at him from the street in front of their pale green house with a purple door. The view then shifts to the glowing Kwik-E-Mart sign and storefront across the rooftops, with Apu's figure at the edge of the scene, and the final frames return to Apu on the roof with his eyes shut and head raised toward the moon. > Who needs that quickie mart? > I do. Frame: https://ultrahouse3k.com/img/S09E11/733441.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/738655 ## 12:24–12:32 Homer, Marge, Maggie, Lisa and Bart stand together against a flat blue background in the first part, with Homer scowling and shouting while he jabs a finger upward toward Marge's tall blue beehive as the others look on wide-eyed. The scene then shifts to a night street in front of a mint-green house with a purple arched door, where a dark-skinned figure in yellow sits on the chimney under a full moon. Homer, Marge, Lisa and Bart peer up at him, and Homer's expression turns angry as he raises a fist and shouts. > Hey, he's not happy at all. > He lied to us through song. > I hate when people do that. Frame: https://ultrahouse3k.com/img/S09E11/745954.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/748665 ## 12:32–12:44 Krusty the Clown, with his green hair and orange nose, appears in a black tuxedo and red cummerbund on a glowing stage, first seated on a round platform and then sitting and holding a microphone with his eyes closed. The first frames are almost entirely black before the glowing marquee letters of KRUSTY appear in a slanted row, and the sign's bright lights run along the letter outlines. Krusty then appears on a spotlit disc beside the sign, rises into view, and finally sits on the platform with the microphone in hand while the faded KRUSTY lettering stays behind him. > Live from Springfield, the entertainment capital of this state, > the Krusty Comeback Special. > Send in the clowns, Frame: https://ultrahouse3k.com/img/S09E11/753461.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/758258 ## 12:44–12:55 Krusty the Clown, with his green hair, red nose and white gloves, sits on a stage edge under glowing marquee lights and sings into a handheld microphone. He sways and gestures, first pointing a gloved finger, then grinning with eyes shut and waving a hand, and later singing with his mouth wide open while holding one arm out. He settles into a quieter, eyes-closed pose, and in the final moment a translucent, enlarged ghostly image of Krusty's face with an open mouth overlaps him as he sings with eyes shut. > those daffy, > laffy clowns. > Send in those soulful and doleful, Frame: https://ultrahouse3k.com/img/S09E11/765348.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/770144 ## 12:55–12:59 Krusty the Clown, with green curly hair, a red nose and a black suit with a purple tie, sings into a handheld microphone against a dark blue background. He sings with his eyes shut and mouth wide open, then sways and gestures with a white-gloved fist raised, before grinning widely with bulging eyes. He then turns away, drawing the black sleeve of his suit across his face as he holds the microphone lower, with a purple-tied figure partly visible at the bottom. > schmaltz by the bowful clowns. Frame: https://ultrahouse3k.com/img/S09E11/777026.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/777652 ## 12:59–13:12 Krusty the Clown, a clown with teal curly hair, a red nose and a dark suit, sings into a microphone while seated on the edge of a striped stage platform beneath marquee lights. He starts with his eyes closed and mouth wide open, then looks worried and drops his gaze, and his expression shifts to a grimace while he clutches the mic in both white gloves. Later he sits hunched and sad, one gloved hand raised to his face and his head bowed, with the microphone resting by his knee. The scene ends with him still hunched over on the bench, his hand covering his face. > Send in the clowns. Frame: https://ultrahouse3k.com/img/S09E11/780363.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/785994 ## 13:12–13:25 Krusty the Clown, in a black tuxedo with teal hair and a microphone, performs on a dark stage under a glowing pink marquee reading KRUSTY, first pacing across a spotlight and then swinging his arms wide in a close-up where he laughs. In the wide shots he dances and leaps while a seated clown in a striped-collared outfit sits on a striped platform, and a foreground audience with a blue beehive and other heads watches as a small teal object tumbles across the stage. > They're already > here. Frame: https://ultrahouse3k.com/img/S09E11/793710.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/798923 ## 13:25–13:36 Krusty, the clown with green hair and a red nose, hugs a thin man in a black tuxedo and red sash who has a tall blue bouffant topped with a bone, standing before a purple backdrop ringed with marquee lights. Krusty then grins and keeps an arm around him, and his grip tightens into a clenched-teeth glare while the man looks sideways. Lisa and Bart, Lisa with star-shaped spiky hair and a pearl necklace, Bart in an orange shirt, then lean on a blue-latticed window and look at each other, with a checkered-floored hallway and a red door visible behind them. > I love you, Krusty. > Quiet. > Maybe we were wrong about burns on this one. Frame: https://ultrahouse3k.com/img/S09E11/806222.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/811019 ## 13:36–13:48 Bart and Lisa cling to a narrow ledge outside a blue building, reaching toward their windows before peeking into a purple room. Inside, Mr. Burns in a white shirt and black tie holds a small stuffed toy while Smithers in a green jacket and pink bow tie talks and gestures beside him. The kids press their faces to the lattice window as Burns smirks, then Smithers looks across the room toward Burns, who grins slyly beside a lamp and an orange vase. > Are you sure you want to go through with this, sir? > You do have a very full wardrobe, as it is. > Yes, but not completely full. > For you see, some men hunt for sport, Frame: https://ultrahouse3k.com/img/S09E11/817900.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/822697 ## 13:48–13:59 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, holds Santa's Little Helper, the family's brown greyhound, under one arm in a room with a purple wall, a side table with a lamp, and a framed picture. He sets the dog down and then strides across the room, gesturing with one hand and adjusting his black tie. He stops in front of a tall oval standing mirror with gold posts, where he poses, puffs out his chest, and fidgets with his tie and sleeves while his reflection mirrors him. > others hunt for food. > The only thing I'm hunting for > is an outfit that looks good. Frame: https://ultrahouse3k.com/img/S09E11/829787.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/834167 ## 13:59–14:10 Mr. Burns, a frail stooped old man with a hooked nose and grey hair at the sides, and his thin assistant Smithers in glasses, a green jacket and pink bow tie stand in a purple room with glass display cases and a gilt-framed painting, Burns gesturing with long arms while Smithers watches from the background and later reaches toward the painting. Smithers then holds a spotlight beside a brown door, and Bart in an orange shirt and Lisa in a red dress with spiky hair peer through a leaded window with red cushions below. Burns ends alone, grinning and waving his hands expansively near the wood-panelled wall. > See my vest, see my vest made from real gorilla chest. Frame: https://ultrahouse3k.com/img/S09E11/840631.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/844802 ## 14:10–14:21 Mr. Burns, the frail, very thin, stooped old man with a hooked nose, stands in a richly decorated clothing shop with chandeliers, racks of coloured garments and a Santa suit on a stand. He steps out through tall wooden doors, then holds up a shaggy brown fur vest with a large round chest, models it with his arms spread wide, and later hugs the vest and a red fur jacket hanging on a rail. In the final frames, a ginger tabby cat lies draped over the rail behind him as he points at his own head and shouts. > Feel this sweater, there's no better than authentic Irish setter. > See this hat, it was my cat, my evening wear vampire bat. Frame: https://ultrahouse3k.com/img/S09E11/851267.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/855646 ## 14:21–14:31 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, appears first in a blue jacket, grey trousers and a black cape against a magenta curtain, flapping the cape wide like bat wings and pointing with both hands. He then sits in a purple armchair in blue pajamas, waving his hands excitedly beside a pair of white fluffy slippers on his feet while a pink box lies tipped on the floor. Next he stands in a brown fur loincloth beside a folding screen with a pink garment in his mouth, and finally he climbs a wooden ladder in a green quilted vest and blue turtleneck past shelves of folded clothes and hanging coats in a closet. > These white slippers are albino, African endangered rhino. > Greasly bear underwear, turtle's necks, I've got my share. Frame: https://ultrahouse3k.com/img/S09E11/862320.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/866282 ## 14:31–14:43 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, first fiddles with a pink poodle-headed puppet in a cluttered clothing shop lined with coats on racks, then puts it on his head, points, and raises a red fur vest on a hanger while red feathers drift down around him. He then appears on a purple stage under a spotlight, slouching and bending his knees, before flinging open a green cape to reveal a brown fur-trimmed vest over his bare chest. > Burree of poodle on my noodle, it shall rest. > Dry my red robin suit, it comes one breast or two. > See my vest, see my vest, see my vest. Frame: https://ultrahouse3k.com/img/S09E11/872538.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/877543 ## 14:43–14:49 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, appears in a spotlight among rows of colorful suits hanging on racks. He steps between an orange suit and a yellow spotted suit, then leans on a red cane while holding a white boater hat, and his gopher-shaped loafers are shown close up on a purple wooden floor. He raises the white hat, then grins and tips it onto his head while gripping the cane. > Like my loafers, former gophers. Gophers, it was that. Frame: https://ultrahouse3k.com/img/S09E11/884842.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/886719 ## 14:49–15:01 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wears a blue suit and a white hat while holding a red cane in a purple room with a wall lamp and a brown door. He first fidgets with a folded newspaper and a hat, then twirls his cane and points it at a green chalkboard that shows a row of twelve gophers beside a drawing of a tuxedo, with the equals sign between them. A plump woman in a white apron and blue dress, with her hair in a bun, appears at the left edge of the board, and Burns leans in toward her while she raises a hand and gestures, with the gopher drawings on the board visible behind them. > Skin my chauffers, but a greyhound for tuxedo would be best. > So let's prepare these dogs. You too for matching dogs. Frame: https://ultrahouse3k.com/img/S09E11/890681.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/895478 ## 15:01–15:14 Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair at the sides, shows off the brown furry vest under his open blue suit jacket against a brown wooden wall, first grinning with arms spread and then patting and gesturing at his chest. He moves through a purple room with a mantel clock, framed painting and mirror, then returns to stand before the doors beside Smithers, his thin assistant in glasses, green jacket, purple bow tie and a name badge, who looks on and reacts with a surprised expression. Objects include the open jacket, the furry vest, the mirror, and the clock on the mantel. > See my vest, see my vest. Oh, please, > won't you see my vest? > I really like the vest. > I gathered you. We gotta get the dogs out of there. Frame: https://ultrahouse3k.com/img/S09E11/902568.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/908199 ## 15:14–15:20 Lisa Simpson, in her red dress and pearl necklace, and Bart Simpson, in his orange shirt and blue shorts, crouch side by side on a narrow blue ledge outside a diamond-paned window, with dark ivy on the walls around them. They first face each other with hands raised, then they turn toward each other with worried, scowling expressions, and the picture blurs into a wobbly transition. The scene then shifts indoors to a pink room with a framed oval portrait on the wall and a purple bookshelf. Lisa, arms spread wide and grinning, gestures at the bookshelf while Marge, with her tall blue beehive, and Homer, in a white shirt, stand beside her, and Lisa's expression changes to a wide-eyed, toothy grin with narrowed eyes and a raised hand. > Because he was singing, > we overheard his plan And could save those dogs from that mean old man It Frame: https://ultrahouse3k.com/img/S09E11/915915.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/917583 ## 15:20–15:30 Lisa Simpson in her orange dress and pearl necklace, Bart in his orange shirt and blue shorts, Homer in his white shirt, Marge with her tall blue beehive, and baby Maggie in her blue outfit stand in the Simpson living room in front of the pink wall and arched doorway. Lisa gestures and talks, covers her face with her hands, then flings her arms wide while Bart stands with his arms crossed, then spreads his arms in protest and folds them again with a sour look. Near the end, an unnamed man with reddish-brown hair in a blue jacket crouches on the left beside the shelves while Lisa and Bart face each other, and the family looks on. > still wasn't worth Burns' song and dance > I'm back, Sir Resume, Frame: https://ultrahouse3k.com/img/S09E11/921546.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/925508 ## 15:30–15:43 A rough-looking man with swept-back reddish hair, a hoop earring, a snake tattoo on his arm and a blue denim vest holds a shotgun in a pink living room with a stereo, bookshelf and window with yellow curtains. Marge with her tall blue beehive, Lisa in a red dress, and Homer in a white shirt stand near the arched doorway as he scowls, aims the gun at the window, clutches his head with his hands, then lowers the gun, gestures toward the family, and grins while aiming again at the curtains. > wedding your pants Okay Because of you all, > I got a tune in my head And the only way to stop it is to make you all dead > Ugh, I knew I should have shut that window Frame: https://ultrahouse3k.com/img/S09E11/931764.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/937186 ## 15:43–15:56 Homer, Marge, Bart, Lisa and Maggie stand together in the pink living room beside a framed sailboat painting and a red lamp, then the screen fades to black. When the family reappears, a man with reddish hair, a purple earring and a green snake tattoo on his arm enters from the left holding a shotgun, scowls, and raises the gun to his shoulder aimed at the window with bushes beyond it. The family watches in silence while he stays focused on his aim. > Say your prayers and then it's Ka-Blammo! Frame: https://ultrahouse3k.com/img/S09E11/944694.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/949907 ## 15:56–16:05 Homer, bald with a white shirt, is in a pink room with a sailboat picture when a yellow hand holding a brown shotgun swings its barrel across the family: first at Homer's face, then at Marge with her blue beehive and green top, then at Lisa in her red dress beside a red-and-blue crib, and finally at Maggie in her blue sleeper with a pacifier and blue bow. Nelson, the bully in a blue vest with a green snake tattoo on his arm, then aims the shotgun from a living room with yellow curtains and a shelf of books, lowers it to his side, and raises one finger while speaking. > Uh-oh, I'll be back when I get some ammo! > Bye! Frame: https://ultrahouse3k.com/img/S09E11/957206.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/960960 ## 16:05–16:16 Homer and Marge stand in the pink living room beside a red arched doorway, with Lisa visible at the bottom edge, as a man in blue overalls with a green snake tattoo on his arm leaps through the window holding a rifle. The intruder disappears from view, and the couple then talk in the doorway: Homer scowls and gestures, Marge looks unimpressed and gestures back, Homer stares dazed, and Marge speaks and then clasps her hands with a smile. Notable objects include a purple shelf with a turntable and speakers, and yellow curtains framing the window. > Even the criminals are beginning to groon. > Homie, this whole town runs on a tune. > Our churches, our clubs, Frame: https://ultrahouse3k.com/img/S09E11/967008.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/970970 ## 16:16–16:20 Marge with her tall blue beehive, Lisa, Bart, Maggie with her pacifier, and Homer stand together in the pink living room, with framed portraits on the wall, a TV on the left, and a stereo on a shelf. Marge spreads her arms and gestures, then points and clasps her hands, and at one point rests a hand on Bart's head. Throughout, Lisa and Bart stand still and look up at her while Homer watches, and Maggie stays at the front right near Homer's leg. > our government too Springfield swings like a pendulum do Frame: https://ultrahouse3k.com/img/S09E11/977226.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/978060 ## 16:20–16:32 Bart and Lisa Simpson are in the family living room, with a purple television on the left, a bookshelf with speakers on the right, and a red-and-purple oval rug on the floor. Bart, in his orange shirt and blue shorts, first stands with his arms crossed, then moves about with his hands on his hips and arms spread wide while he gestures and sways. Lisa, in her red skirt and pearl necklace, stands with her hands clasped near her chest, then grins and raises her fists, and finally spreads her arms wide with her mouth open as she sways from side to side. > We can't even get any local laws passed Without everyone singing Frame: https://ultrahouse3k.com/img/S09E11/981189.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/986194 ## 16:32–16:41 Lisa Simpson, a girl with star-shaped spiky yellow hair in a red dress and pearl necklace, stands with her arms crossed and mouth open in a pink living room while Marge with her tall blue beehive, Homer in a white shirt, Bart in an orange shirt and Maggie with a pacifier and blue bow watch her near a brown couch. Lisa then steps forward, gesturing and singing, and walks across the room past a television and bookshelf, with framed portraits of Homer and Marge on the wall. She drops to her knees with arms raised and mouth wide open, then leans back with arms spread wide, and the scene cuts to a night view of the blue Springfield Town Hall, where a few small figures stand on the steps and a dark car sits in the foreground. > Like a big Broadway cast > Very well We will now hear suggestions for the disbursement of the $2 million. Frame: https://ultrahouse3k.com/img/S09E11/993284.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/997038 ## 16:41–16:52 An unnamed man in a purple suit and blue tie, with brown hair, stands at a wooden podium in front of a red curtain, reading from a sheet of paper and tapping a wooden gavel before grimacing, speaking, and clenching his teeth. A crowd behind him includes Lisa, with her spiky star-shaped hair and red dress, and Marge, with her tall blue beehive, and Lisa raises her hand while the speaker stands at the podium with a microphone and a grin, then with a smug smile, while Chief Wiggum in his police cap watches from the right edge. > Don't you mean $3 million? > Of course. > How silly of me. Frame: https://ultrahouse3k.com/img/S09E11/1003085.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1007256 ## 16:52–17:05 A crowd sits and stands in a hall with a brown door and a framed painting, and a smooth-talking man in a red jacket, cream vest, red bow tie and straw boater hat, possibly Lyle Lanley, leans against a tan trunk. He crosses his arms, tips his hat, then points and gestures with both hands while grinning. Nearby, Mr. Burns in a pink bow tie, Homer in a green jacket with wide, then closed and smiling, eyes, and Bart with spiky yellow hair at the bottom edge watch in the crowd. > You know, a town with money is a little like the mule with a spinning wheel. > No one knows how he got it, and dang if he knows how to use it. > Mule. The name's Landly. Frame: https://ultrahouse3k.com/img/S09E11/1013721.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1018935 ## 17:05–17:17 A stocky, white-haired man in a red jacket, red bow tie, tan vest and straw boater hat with a red band stands before a seated audience in a hall with a brown door behind him, and a wooden crate sits at lower left. He gestures with one hand and grins, then holds the boater in both hands and lifts it toward the crowd, flourishing it in one raised hand. He turns his back to the audience to adjust the hat on his head, then faces them again, smiling and gesturing as the seated spectators, including a red-haired man, a woman with lavender curls and a dark-haired child on the left, watch. > Lyle Landly. And I come before you good people tonight with an idea. > Probably the greatest... Oh, it's not for you. > It's more of a Shelbyville idea. Frame: https://ultrahouse3k.com/img/S09E11/1026234.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1031656 ## 17:17–17:29 A slim, grey-haired man in a straw boater hat, red jacket, red bow tie and tan vest first stands with his hands in his pockets before a seated audience in a hall with a red curtained stage, while a heavy man in a purple suit and blue tie bangs a gavel at a wooden podium. The man in the boater then stands in front of a brown door, gesturing and speaking, before turning and walking off to the left past the door. > Now, wait just a minute. > We're twice as smart as the people of Shelbyville. > Just tell us your idea and we'll vote for it. > All right. > I tell you what I'll do. > I'll show you my idea. > I give you the Springfield Monorail. Frame: https://ultrahouse3k.com/img/S09E11/1038955.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1043751 ## 17:29–17:40 A red-jacketed salesman in a straw hat, one-off character not a regular, pulls a white sheet off a table in a meeting hall while a seated audience watches, including a woman with a brown bob and a man with glasses. The sheet is then revealed to hide a pink-and-grey model of Springfield, with a white monorail train gliding along the elevated track past the pink building and cooling towers toward the left. The salesman later stands on a chair, waving a rolled paper and gesturing toward the painting on the wall while the audience looks on, and then gestures again toward the model. > I've sold monorails to Brockway, Ogdenville, and North Haverbrook. > and by gum it put them on the map. Frame: https://ultrahouse3k.com/img/S09E11/1050841.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1054804 ## 17:40–17:51 Ned Flanders in his green sweater and Patty and Selma with grey-violet hair are among a seated crowd in a hall with framed paintings, while a one-off showman in a straw boater, red jacket and cream trousers dances at the front. A map of the United States labelled North Haverbrook, Ogdenville and Brockway is held up at the start, and the showman leaps with arms spread, then points and runs across the stage past a briefcase on the floor. His large yellow leg later sweeps across the foreground, blocking the view of the room. > Well, sir, there's nothing on Earth like a genuine bona fide electrified six-car monorail. > What'd I say? > Monorail. What's it called? > Monorail. That's right, monorail. Frame: https://ultrahouse3k.com/img/S09E11/1061060.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1065856 ## 17:51–17:56 Moe, the grey-haired bartender in a blue bow tie, stands with a bald, stubbled, heavy man in a white shirt and blue tie and a man with brown hair and glasses behind them in a crowd. They talk and grin together, then the bald man smiles at a brown-bobbed woman with round glasses, a pink blouse and a red bow, who chats with him and then looks ahead and speaks. Blue drapes and a framed painting of a man pointing at clouds hang on the wall behind the group. > Monorail. > Monorail. I hear those things are awfully loud. > It flies as softly as a cloud. Frame: https://ultrahouse3k.com/img/S09E11/1072947.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1074407 ## 17:56–18:03 Grampa, a wrinkled old man in a straw boater and red shirt, plays a blue upright piano on a stage with red curtains while Apu, with blue-black hair, grins from the right and Mrs. Krabappel, with her tall brown hairdo, watches from the left in front of an audience that includes Marge's blue beehive. Grampa keeps playing, grinning, then leans back and stretches one arm out toward the crowd, and the audience's heads shift slightly as he does. In the final moments a spiky-haired boy in the audience raises a finger while Grampa keeps playing at the piano. > Is there a chance the track could bend? Not on your life, my Hindu friend. > What about us brain-dense slobs? You'll be given cushy jobs. Frame: https://ultrahouse3k.com/img/S09E11/1077952.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1080454 ## 18:03–18:11 An elderly man in a straw boater, red sweater and tan trousers plays a blue upright piano on a stage with red curtains, while a crowd of townsfolk watches from the foreground, including a brown-haired boy with his arm raised in the front-left. The pianist grins and glances out at the audience as he keeps playing, and a tufted, spiky-haired older man in a pink shirt on the right raises a pointing finger and gestures toward the piano. Near the end the pianist stands up and looks back at the man, who points at him while the crowd remains seated in front of the stage. > Were you sent here by the devil? > No good, sir. I'm on the level. The ring came off my pudding can. Frame: https://ultrahouse3k.com/img/S09E11/1085042.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1087545 ## 18:11–18:21 Chief Wiggum, the fat police chief in a blue uniform and cap, sits on a chair holding a small cup and a penknife on a red curtained stage while a thin man in a straw boater hat and red jacket with a red bow tie, who resembles Mr. Burns's type but is not him, offers and then takes the small object. The chief then lifts a pudding-can ring with a lit match-like flame, and the man in the straw hat moves to a blue upright piano, playing it with one hand and raising his other arm in a flourish. In the final frames the man stands by the piano while several large yellow cartoon hands reach up in front of the stage, as if the audience is raising their hands. > Take my penknife, my good man. I swear it's Springfield's only choice. > Throw up your hands and raise your voice. > What's it called? Frame: https://ultrahouse3k.com/img/S09E11/1092133.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1096095 ## 18:21–18:31 Grampa, with his white beard and cane, leads a cheering crowd with arms raised in a packed blue-walled hall, while a bald man with a moustache and a pompadour-haired man with glasses shout beside him. Mr. Burns, in a straw boater and red jacket, grins and plays a piano, then looks up at the crowd. Marge stands with her blue beehive and clenched teeth, looking uneasy, as Bart in his orange shirt grins and hugs a bundle of orange clothing beside her. > Once again. > But Main Street's still all cracked and broken. > Sorry, Mom. The mob has spoken. Mono! Frame: https://ultrahouse3k.com/img/S09E11/1102143.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1106105 ## 18:31–18:44 A small man in a red jacket, brown trousers and white shoes leads a large crowd of Springfield townspeople, including Chief Wiggum in a blue police uniform on the left and Ned Flanders in a green sweater near the top center, down the blue steps in front of a building with open doors. The crowd runs, dances and waves their arms, then gathers around the man in the red jacket, who ends up on his knees with his arms raised in the middle of the steps while the crowd cheers. The scene then cuts to a blonde woman in a pink dress and a man in a blue suit walking past a sign reading "First Church of Springfield, No Shoes, No Shirt, No Salvation" in front of a church with a tall steeple. > Mono! > Mono, don't! > Hymns here. I got hymns here. Get him Mother Holy, fresh from God's brain to your mouth. Frame: https://ultrahouse3k.com/img/S09E11/1112361.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1117992 ## 18:44–18:55 A spiky-haired boy in a brown suit carries a wicker basket marked with a 'Today's Hymns' sign down a church aisle, handing pink hymn sheets to churchgoers, including a tall woman in a purple dress and a small girl in a red dress with a bow. Behind him, a man with a moustache and glasses looks on as the boy grins and glances around. Meanwhile, a man in a white robe speaks at a wooden pulpit between flower arrangements and stained-glass windows, facing a congregation of people in hats and sweaters. > And now, please rise for our opening hymn. > Uh, Frame: https://ultrahouse3k.com/img/S09E11/1125708.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1129879 ## 18:55–19:08 A man with slicked-back black hair, a white jacket, pink shirt and blue tie stands before a stained-glass window, holding a pink sheet of paper, glancing down at it, looking up and speaking with a smile. Then a woman with curly lavender hair, an orange sweater, a pink skirt and green stockings sits at a pipe organ with sheet music on its stand, her hands moving across the keys as she plays, with the grey organ pipes rising behind her. > in the Garden of Eden by Iron Butterfly. > In the Garden of Eden, honey, Frame: https://ultrahouse3k.com/img/S09E11/1136135.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1141974 ## 19:08–19:19 Principal Skinner, with neat grey hair and a suit, and Mrs. Krabappel, with a tall brown hairdo and a white ruffled collar, stand with Sideshow Bob, who has a huge mane of red hair and a red moustache, and Grampa, with white tufts of hair, in a church choir singing from pink hymn sheets. Rows of singers in pews line a red-carpeted aisle toward double doors, and the group sings together as the view moves down the aisle, with Carl, a Black man in a blue shirt and tie, and a small boy in a blue shirt among those in the pews. The stained-glass windows and red carpet are visible, and the pink hymn sheets are held up as the singers sing. > don't you know that I love you? > In the Garden of Eden, baby, Frame: https://ultrahouse3k.com/img/S09E11/1149899.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1154278 ## 19:19–19:29 Milhouse, with blue hair and glasses, stands at the left in a blue jacket beside a grey-haired man in red-framed glasses and a rust-brown suit, while a woman with a short brown bob in a lavender suit sings from a pink hymn sheet in a church with pews and a few other congregants. Bart, in a brown suit and pink tie, sits in front of the pews as a hand holding pink hymnals reaches in from behind him, and he glances sideways, smirks, and then speaks with a wide grin. An elderly woman with lavender curly hair, glasses, an orange cardigan and a pink skirt plays a two-manual organ in front of shelves of grey binders, her hands moving across the keys as she plays. > don't you know that I'll always be true? > Hey, Marge, remember when we used to make out to this hymn? Frame: https://ultrahouse3k.com/img/S09E11/1160951.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1164497 ## 19:29–19:41 Homer, in a blue suit and loosened black tie and holding a lavender sheet of paper, stands beside Marge, who has a tall blue beehive, while Bart, Lisa, and a brown-haired man in a suit (who resembles Herb) crowd around them in a stained-glass-windowed room. Homer grins and laughs with a hand to his chin, then smirks with a smug look as Marge purses her lips and then grins and giggles with her eyes half-closed. Afterward, a lavender-haired woman in glasses, an orange sweater, and a pink skirt sits at an organ with sheet music on the stand and a row of gray binders behind her, playing with her head bobbing and her face scrunched in a pained expression. > Oh, Frame: https://ultrahouse3k.com/img/S09E11/1170336.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1175549 ## 19:41–19:55 Milhouse, with blue hair and glasses in a red bow tie, stands in front of a bald man in a red sweater and a blue-haired woman in a peach dress, all singing from pink sheets while Marge, Homer and other townspeople in rows behind them sing and sway. The scene then shifts to a dark-haired man with a sheet of paper at a wooden podium with a microphone before a colourful stained-glass window, where he reads, grimaces and looks up at the crowd. > won't you come with me again? > And take my hand! > Wait a minute, this sounds like rock and or roll. Frame: https://ultrahouse3k.com/img/S09E11/1183057.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1188479 ## 19:55–20:01 A lavender-haired woman in glasses, an orange sweater and a pink skirt plays a two-manual organ, her hands moving across the keys beside a open songbook while white pipes stand behind her, and the caption "SEVENTEEN MINUTES LATER" appears across the bottom. The scene then cuts to a packed hall where a red-bearded man in a green jacket and red tie, a white-bearded old man, a bald man with a cane and glasses, and a woman with purple hair and blue glasses in the pews all raise lit candles. Behind them a red carpet runs down the aisle toward double doors, with stained-glass windows along the walls, and the crowd stays raised and still while the candles glow. Frame: https://ultrahouse3k.com/img/S09E11/1196195.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1198489 ## 20:01–20:11 An elderly woman with lavender hair, glasses, an orange top and a pink skirt plays a pipe organ with a music book open on the stand, then slumps forward with her head resting on the keys. The scene cuts to the pink pyramid-shaped Stonecutters' Headquarters with an eye above its doorway, with the caption "STONECUTTERS' HEADQUARTERS" across the bottom as cars sit parked out front. Homer, bald and heavy in a red robe with a purple collar, sits at a counter raising a stein with a shield emblem while another robed man holds a second stein. > Who controls the British crown? Who keeps the metric system down? Frame: https://ultrahouse3k.com/img/S09E11/1202868.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1206831 ## 20:11–20:22 Barney, the heavy drunk with messy brown hair, sits among a long row of identically robed men in red with pink collars at a banquet table in a dim hall, the rest of the crowd raising steins and mugs with metal lids. The men lift their drinks and gesture together, and in the close-ups a brown-skinned man in a red robe raises a stein, then Barney tips one back while another man balances a stein on his head. A green bowl sits on a blue side table by the windows and a pink curtain hangs at the left edge of the room. > We do. > Who leaves Atlantis off the maps? Who keeps the Martians under wraps? Frame: https://ultrahouse3k.com/img/S09E11/1212878.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1217258 ## 20:22–20:34 Krusty the Clown, Mr. Burns and Carl, in matching red robes, sit at a long wooden counter with a small green alien in a pink outfit beside them, all holding and lifting beer mugs. Behind them, red curtains frame an arch, and a figure sits on a golden throne in the center. Over the course of the scene they raise and clink their mugs in a toast, while the alien and others hold up mugs and the scene stays in the dim, curtained hall. > We do, we do. > Who holds back the electric car? > Who makes Steve Guttenberg a star? Frame: https://ultrahouse3k.com/img/S09E11/1223931.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1228519 ## 20:34–20:44 Homer, bald and mouth open with a stein raised beside him, and Krusty with green hair and a red nose drink from steins in a red-draped banquet hall with arched doorways and red robes bearing anchor emblems, while Mr. Burns, frail with a hooked nose and grey hair at the sides, sits at a long table. The men raise and drink from steins marked with blue and red shields, then Homer gestures with a clenched fist while a black-haired man beside him keeps his eyes shut, and the spilled brown liquid stains the table throughout. > We do, we do. > Who robs game fish of their sight? Who rigs every Oscar night? Frame: https://ultrahouse3k.com/img/S09E11/1235192.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1238946 ## 20:44–20:48 Robed men in red gowns with pink collars sit at a long wooden table strewn with spilled beer, including a white-bearded old man, a grey-haired man with a red-and-gold insignia, a teal-haired man, and a bald man resembling Homer, all gripping grey-lidded steins with blue crest shields. They lift and tilt their steins, drink, and gesture across the table while a blue-haired woman sits with her back to the viewer, and the steins are repeatedly raised and clinked together. Toward the end, a figure in a tall purple hat stands before a gold-framed clock on a green wall between red curtains and flaming torches, as the men's steins crowd the foreground. > We do, we do. Frame: https://ultrahouse3k.com/img/S09E11/1245202.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1246245 ## 20:48–20:57 Homer, the bald heavy man in a white shirt, and Marge, with her tall blue beehive and red bead necklace, stand together in a doorway. Homer talks animatedly and clasps his hands in alarm, then folds his arms and frowns while Marge listens with a faint smile. Behind them, a dim room shows a table in the foreground with two armored figures in metal suits bearing shield emblems, and a blurred yellow figure in a red robe with a glowing clock-like head stands between purple curtains and flaming torches. > All right, Mert, > you've convinced me There are more terrible things Than musical Frame: https://ultrahouse3k.com/img/S09E11/1249582.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1252710 ## 20:57–21:05 Homer Simpson, the bald heavy man in a white shirt, and Marge Simpson, with her tall blue beehive and red bead necklace over a green dress, stand together in front of a pink door in their house. Homer folds his arms at first, then talks animatedly, raising his hands and gesturing with open palms while Marge listens with a calm, slight smile. He turns to face her more directly and waves both hands outward, then ends the moment with his hand extended toward her as he speaks. > comedies where everyone sings There is Frame: https://ultrahouse3k.com/img/S09E11/1258132.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1261260 ## 21:05–21:15 Homer, Marge, Bart, Lisa and Maggie stand together in the pink living room in front of the brown arched doorway, with a window showing a fence and night sky behind them. Bart and Lisa hop and skip forward on the rug at the start, while Homer stands stiffly and Marge looks on. The family gathers into a tight group, with Homer and Marge leaning in close together, and Maggie sucks her pacifier in the middle. In the final moment they all throw their arms wide and grin, with Homer's arms spread across the scene. A shelf holds a yellow box and a small stack of papers on the left. > something worse And it really does blow When a home-running > series Does a cheesy clip show Frame: https://ultrahouse3k.com/img/S09E11/1266474.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1270644 ## 21:15–21:26 Homer, Marge, Bart, Lisa and Maggie are in the pink living room, first cheering with arms raised and then fixed in surprise as a tattooed man in a vest, with brown hair and a shotgun, enters from the left. The family scatters and then freezes in a row in front of the arched doorway while the gunman aims at them and scowls. A white banner reading "THE SIMPSONS CLIP SHOW #4 "5F24"" hangs above them, with fireworks and streamers near the top corners and confetti scattered on the rug. > I'm back to commit felonious assault because your Frame: https://ultrahouse3k.com/img/S09E11/1277109.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1281280 ## 21:26–21:34 A one-off man with swept-back reddish hair, a denim vest over a grey shirt, and a green snake tattoo on his arm stands in a pink room with yellow curtains, gripping a black shotgun and grimacing. He keeps the gun pointed forward, then raises it to his shoulder and aims upward toward the right. Marge, with her tall blue beehive and red beaded necklace, stands in a doorway with wide eyes and an open mouth, while Bart, in an orange shirt, peers nervously from behind the edge of a doorway at the left. > infernal singing just would not halt. > Actually, we're done. > Done, done. > Another moment too soon. Frame: https://ultrahouse3k.com/img/S09E11/1287536.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1290456 ## 21:34–21:45 Homer, Marge, Lisa, Maggie and Bart stand together in their pink living room at night while a rough-looking man in a blue vest with a green arm tattoo aims a rifle at them. He lowers the gun and gestures with his free hand, then backs away and ends up outside the rain-streaked window, peering in as the family keeps watching. Objects include a yellow curtain, a purple speaker, a turntable, a bookshelf and a round rug. > Oh, okay then. Well, then I got no beef with you. > Okay, who wants dinner? Me, I do. I do. I do. > I do. > Well, let's get eaten. Frame: https://ultrahouse3k.com/img/S09E11/1295461.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1299840 ## 21:45–21:55 Marge, with her tall blue beehive, stands in the pink living room in the first moments, while Homer kneels beside Maggie in her blue bow and pacifier, with Lisa and Bart nearby and the arched brown doorway behind them. Marge then walks across the room with Lisa, stops at the blue record player by the window, and flinches and shakes as lightning flashes through the rainy night outside, with debris scattered on the floor. The scene ends on a black screen with the gold on-screen credit 'Executive Producer DAVID MIRKIN'. > All right, all right. > Sorry. Frame: https://ultrahouse3k.com/img/S09E11/1306096.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1310476 ## 21:55–22:06 No characters appear in this moment; the black screen shows only opening credits in yellow lettering. It begins with 'Executive Producers' above James L. Brooks, Matt Groening and Sam Simon, which stays on screen before being replaced by 'Starring Dan Castellaneta', then single-name credits for Julie Kavner, Nancy Cartwright, Yeardley Smith and Hank Azaria, followed by 'and Harry Shearer' and 'Special Guest Voice George Harrison'. The text fades in and out one credit at a time against the plain background. Frame: https://ultrahouse3k.com/img/S09E11/1316732.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1321111 ## 22:06–22:16 No regular Simpsons characters appear in this moment; the frames show only a black screen with yellow credit text in sequence: 'Special Guest Voice PHIL HARTMAN', 'Also Starring PAMELA HAYDEN, TRESS MACNEILLE, MAGGIE ROSWELL' (shown twice), 'Animation Executive Producer PHIL ROMAN', 'Animation Producers LOLEE ARIES and MICHAEL WOLF', 'Executive Consultant DAVID SILVERMAN', 'Associate Producer ALISON ELLIOTT', 'Theme by DANNY ELFMAN', 'Music by ALF CLAUSEN', and 'Casting by BONITA PIETILA' appearing one after another against the plain black background. No people, locations, or actions are visible beyond the credits rolling in order. > Yo, I told you to stop the music, dudes. > I'm serious. Frame: https://ultrahouse3k.com/img/S09E11/1327368.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1331539 ## 22:16–22:27 No characters appear in this sequence, which shows only a black background with yellow credit text over ten frames. It moves through end-credit title cards: first 'Editors' Michael Bridge and Don Barrozo, then 'Animation Production Manager for Gracie Films' Joel Kuwahara, then Post Production Supervisor Dominique Braud-Stiger and Post Production Coordinator Alexander Duke, then Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm MacLeod. Subsequent cards list Music Editor Chris Ledesma, Sound Effects Editor Travis Powers, Re-Recording Mixers R. Russell Smith and Bill Freesh, a block of production and facility credits ending with Dolby Surround, assistants to the producers, 'Animation Produced by Film Roman, Inc.', overseas production by Akom and N.J. Kim, and a final set naming Assistant Director James Purdum, Animation Timers, and Storyboard credits for Christian Roman and John Mathot. > Oh, oh, oh, you're so not listening. Frame: https://ultrahouse3k.com/img/S09E11/1338003.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1342174 ## 22:27–22:38 No characters appear in this moment, which is a black screen filled with yellow end credits for The Simpsons. The credit cards appear one after another, listing names such as James Purdum as assistant director, Mike B. Anderson as artist supervisor, Karen Bauer-Riggs for color design, and Matt Groening as creative consultant, followed by copyright text for Episode #5F24 (1998, Twentieth Century Fox). The text is set in yellow against the black background, sometimes centered and sometimes in left and right columns. > Okay, I hear that. > I hear that, dudes! Frame: https://ultrahouse3k.com/img/S09E11/1348639.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1352810 ## 22:38–22:49 A row of dark silhouetted audience members sits in a theater, the one at left with a tall puffy hairdo, facing a blank screen under ceiling lights. A blue light beam sweeps across the screen as the words "GRACIE FILMS" appear, then "IN ASSOCIATION WITH" fades in over black. The 20th Century Fox Television logo, with gold lettering and searchlights against a sunset sky, appears with "A News Corporation Company" beneath it, and the screen then fades to black. > You too, Gracie Music Dude! > Thank you. Frame: https://ultrahouse3k.com/img/S09E11/1359275.jpg Page: https://ultrahouse3k.com/episode/s09e11-all-singing-all-dancing/1363654