# Dumbbell Indemnity

The Simpsons, season 9, episode 16 (S09E16), first aired March 1, 1998.
Written by Ron Hauge. Directed by Dominic Polcino. Production code 5F12.
Guest stars: Marcia Wallace as Mrs. Krabappel; Helen Hunt as Renee.
Chalkboard gag: "Silly string is not a nasal spray". Couch gag: Compressor.

Homer takes the lonely Moe Szyslak to a nightclub, where Moe meets Renee and falls for her. Spending wildly to impress her, he has Homer dispose of his car for an insurance payout, but Homer is caught and jailed. Moe nearly leaves him behind for a Hawaii trip, then schemes to torch his tavern to free Homer, which drives Renee away before a dropped match sets the bar ablaze.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Principal Skinner, Barney Gumble, Chief Wiggum, Lenny Leonard, Carl Carlson, Mrs. Krabappel, Otto Mann, Groundskeeper Willie, Lou, Eddie, Larry Dalrymple, Hans Moleman, Luann Van Houten, Sam, Snake, Sanjay Nahasapeemapetilon, Princess Kashmir, Pyro, Bacardi Woman, Balloon Seller, Disco Woman, Marine World Guard, Police Photographer, Renee, Willy.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:12

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at a classroom chalkboard writing repeated lines reading "SILLY STRING IS NOT A NASAL SPRAY" in white chalk, then stops and finishes with "SILLY STRING IS NOT A" before dropping the chalk and running off past the wastebasket and desks toward the door. Earlier, the screen opens on a blue sky with drifting clouds, and the orange title text "THE SIMPSONS" appears and grows across the clouds.

> The Simpsons

Frame: https://ultrahouse3k.com/img/S09E16/1043.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/6048

## 0:12–0:23

Homer, Bart, Marge, Lisa and Maggie appear in a suburban driveway and a pink living room. Bart rides a skateboard on the roof of a pink car while Homer walks up, leans on the car, then leaps back with his arms raised as a red car speeds toward him, its driver with yellow hands on the wheel. Homer then disappears into the house, and the family sits together on the red couch until a heavy grey slab drops from above and squashes them into a compact yellow cube.

Frame: https://ultrahouse3k.com/img/S09E16/13347.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/17726

## 0:23–0:29

No regular characters appear in this moment; it shows only a pink-backed retro television set with a blue screen and two green-and-white knobs on its right side. The screen first reads "CREATED BY MATT GROENING" in yellow letters, then changes to "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON" in the same style. Nothing on the set moves apart from the text changing from one credit to the other.

Frame: https://ultrahouse3k.com/img/S09E16/24399.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/26693

## 0:29–0:40

Bart, the boy with spiky hair in an orange shirt, and Lisa, the girl with star-shaped spiky hair and a red dress, appear in a pink living room with a red couch, red lamp and yellow-curtained window. Bart first stands holding a tub labeled ICE CREAM and eats from a spoon, then holds up a spoonful of chocolate ice cream and grins. Lisa, carrying the ice cream tub and a spoon, walks past the window while a title card reads Co-Executive Producer GEORGE MEYER, and then a title card reads Co-Executive Producer DAVID S. COHEN while only Bart's arm and shoe are visible at the couch. The final frame shows Bart hurrying across the room with the tub under his arm and the spoon raised.

Frame: https://ultrahouse3k.com/img/S09E16/31073.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/35452

## 0:40–0:50

Lisa Simpson, in her red dress and pearl necklace, and Bart Simpson, in his orange shirt, are in the Simpson living room, throwing dark mud-like splatter and white goop at the red couch and lamp. Lisa flings something from a cup and later stands with a dark smear on her face, while Bart hurls a handful from a bucket. Homer Simpson, in his white shirt, comes down the stairs and then turns to stare in shock at the splattered arch and wall, while Bart stands beside the fireplace holding the bucket as Homer looks on. Notable objects include the red lamp, the splattered couch, a framed family portrait, and the 'Producer Donick Cary' credit along the bottom of the scene.

Frame: https://ultrahouse3k.com/img/S09E16/41917.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/45462

## 0:50–1:01

Homer Simpson, a bald heavy man in a white shirt and blue pants, stands in the pink living room with Lisa, who has spiky hair and a red dress, and Bart, the spiky-haired boy in an orange shirt. Lisa and Bart each hold a bowl while Homer gestures and speaks, lifting a hand and then turning toward the wall. In the later moments Homer reaches down with both hands and grips the top of Bart's head while Lisa looks up at them. Around the room are a red sofa, a framed picture, a lamp, a staircase, and white and dark splotches on the walls and floor, and on-screen credits for consulting producers appear over the scene in several of the moments.

> fix it.

Frame: https://ultrahouse3k.com/img/S09E16/51093.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/55681

## 1:01–1:11

Homer Simpson, wearing a dark welding mask and white shirt, is hunched over a white water heater in a basement, first gripping a wrench to its fitting and then swinging a hacksaw at the tank's side while Bart and Lisa watch nervously from the left. Homer then steps back and the heater's pipes and vent wobble as blue water sprays from the tank and smoke rises from its top. Homer, now without the mask and a cap on his head, grabs his head in panic beside the heater, with Lisa and Bart standing beside him as water jets out around them. The white tank is scarred with slashes and has a red panel, a yellow triangle sign, and the caption "Consultant JOHN SWARTZWELDER" appears over the scene.

> Out of my way! She's gonna blow!

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/66316

## 1:11–1:25

Marge, with her tall blue beehive and green skirt, stands outside the house in the first frames, then Homer, bald and wearing a white shirt, hugs her while she holds a grocery bag, and she walks away on the wet lawn. Lisa and Bart watch from the stairs beside a white water heater that spews water, while a sheet of blue water spills over the house wall and bursts from the pipes. The Supervising Director Jim Reardon credit and Produced by credits appear over the scenes, with a bright red car parked beside the house.

> What on Earth?
> Hi, sweetie! I'm off to Moe's. Love ya!
> Mwah!

Frame: https://ultrahouse3k.com/img/S09E16/72573.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/78412

## 1:25–1:37

Moe, the grey-haired bartender, stands behind the bar at his establishment as Homer, bald in a white shirt, raises a foaming mug in a toast while Barney, a heavy man with messy brown hair in an orange shirt, leans on the counter beside a green-capped man and a blond man. Barney drinks heavily while Moe, scowling with hands on hips, grabs frothing mugs and sprays beer toward him before walking forward with two mugs. The scene opens on the exterior of Moe's, with its red sign and red-framed door, and the bar is decorated with pennants and a cigarette machine.

> To Marge. and all the blissful years I've spent hiding from her in this bar.
> Big deal, you got a wife. I got a rash. Who cares?

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/91133

## 1:37–1:48

Homer Simpson, bald and wearing a white shirt, stands at the bar of Moe's Tavern, where Moe, the grey-haired bartender in a bow tie and vest, faces him across the counter holding a mug of beer. Moe talks and gestures with a hand while Homer listens wide-eyed, and Moe moves the mug between them as the exchange goes on. Behind them are shelves of bottles and glasses, a cash register on the left, and a red sign reading 'Du...' above a red-and-green diamond-patterned panel. In the final part, Homer sits alone at the bar with a foamy mug, grimacing and gulping, with a red stool and blue trash can beside him.

> I'm sorry, Homer. It's been four years since my last date with a whatcha call it, woman.
> Whatever happened to your mail-order bride?

Frame: https://ultrahouse3k.com/img/S09E16/98015.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/102603

## 1:48–2:00

Moe, the grey-haired bartender with a blue bow tie and suspenders, stands behind a bar lined with bottles and glasses, while Homer, bald and wearing a white shirt, leans on the counter holding a foamy mug of beer. Moe talks and gestures, pointing a finger and then glancing into a mirror where his reflection faces him, and Homer's mouth opens and closes as he talks while holding his mug. Behind them a DJ sign hangs above a purple booth and a red trash can, and the bottles on the back shelves glow in red, green and blue.

> She got homesick for her old life, diving for tourist pennies in a Micronesian swamp.
> So her career got in the way. Yeah, I don't blame her.
> No girl wants to end up with a Joe Puke pair like me.
> Now, now, I won't hear of it, Mo. You're a fabulous catch.

Frame: https://ultrahouse3k.com/img/S09E16/109067.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/114281

## 2:00–2:13

Moe, the grey-haired bartender in a white shirt, blue bow tie and dark blue vest, stands at the left of a long wooden bar in Moe's Tavern, while Homer, the bald heavy man in a white shirt, leans on the bar at the right with a beer mug. In the early frames Homer stands behind the bar with arms crossed, then gestures with a raised finger. Later Moe leans toward the bar and gestures with one hand while Homer raises a hand and talks, and then Homer grins and reaches over a slumped, drunk man with messy brown hair, Barney, who rests his head on the bar near a pile of peanuts and a beer mug. A red ceiling, a pennant and a Duff sign hang in the background, and a small framed picture is on the wall.

> Oh, yeah? Well, how come I ain't fending off movie starlets with a pointy stick?
> Oh, it's probably due to your ugliness. But that doesn't mean we can't find you a woman.
> Come on. We're going to the darkest bar in town.

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/127002

## 2:13–2:22

Homer, in a white shirt and blue pants, gestures with a small purple television at a bar while Moe, the grey-haired bartender, watches from behind the counter stocked with bottles and a Duff Beer sign. The scene shifts to a glowing orange neon sign reading STU'S DISCO, with a neon dancing figure, against a purple night sky. At the blue-walled entrance under a red awning, a man in a white jacket and pink pants beside a sandwich board says 'YOU MUST BE AT LEAST THIS SWARTHY TO ENTER,' and Homer, in a red plaid shirt, walks through the doorway as a grey-haired man in a dark coat looks on.

Frame: https://ultrahouse3k.com/img/S09E16/134718.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/138263

## 2:22–2:30

A lively party on a checkered dance floor under a mirrored disco ball has Sideshow Bob, with his huge spiky red mane and beard, glowering in the foreground while a man in a grey suit with pale hair dances and gestures beside a woman in a red dress with a brown bob and glasses. A girl with a long orange ponytail and pink scrunchie dances in black, and a man in an orange cap and pink shirt bobs nearby, as white flecks drift across the scene. Later, Homer in an orange plaid jacket and blue jeans stands near the bar with Moe, the grey-haired bartender in a maroon suit, who gestures toward him as they face each other.

> I don't know, Homer. Women can smell panic.

Frame: https://ultrahouse3k.com/img/S09E16/143894.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/146605

## 2:30–2:38

Homer, the bald heavyset man in a red plaid overshirt and blue jeans, and Moe, the grey-haired bartender in a purple suit and bow tie, stand together on a checkered tile floor in a bar with blue tiled walls and red booths. Moe gestures with his fists and talks while Homer stands with his arms crossed, then throws his arms wide and points at Moe with both hands. Moe walks off to the side with his fist raised while Homer follows behind him, and the scene ends with Moe moving away from Homer across the floor.

> And right now I gotta be reeking of it.
> Relax.
> All I smell is garlic and fish.

Frame: https://ultrahouse3k.com/img/S09E16/151401.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/154321

## 2:38–2:46

Homer, bald and heavy in a red plaid shirt over a white shirt, is partly visible behind an unnamed thin-to-average older man in a maroon suit and bow tie, who dances on a checkered floor in front of a blue tiled wall and red curtains. The man gestures and talks while a woman in a short pink dress with a black bob stands beside him with a hand on her hip, looking unimpressed. Homer fades from view, and the man is left alone on the dance floor, still gesturing and speaking, with a speaker on the wall behind him.

> Uh, you look pretty clean.
> You, uh, mind if I had this dance?
> It's all yours.
> Ha.

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/162454

## 2:46–2:58

Homer, in an orange plaid jacket and blue pants, stands on a checkered floor in a lounge with red booths and blue tiled walls, while Moe, the grey-haired bartender in a purple suit and bow tie, talks to him and points. Moe leans in close and Homer raises a hand toward him, then Moe moves to a small round table where a blonde woman in an orange dress and red choker sits beside a drink and a glass with a straw. Moe stands beside her adjusting his bow tie and gesturing with open hands as he speaks.

> Okay, I won't lie to you. A lot of people saw that.
> But you gotta keep trying.
> So hi there.
> Don't scream.

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/172255

## 2:58–3:08

Moe, the grey-haired bartender in a purple jacket, and a blonde woman in an orange dress with a red choker sit and talk at a small round table in a lounge with red curtains and blue tiled walls. The woman sips a yellow cocktail with a striped straw, raises a clear glass and points at Moe, while he stands in a green bow tie grinning and grimacing, then sits back down with a tall yellow drink. Glasses and a speaker sit on the table and the back of a red booth nearby.

> Oh, hi.
> Want to join me for a Bacardi and soda?
> Yeah.
> Yeah, that'd be great.
> Or maybe you'd prefer a cool, refreshing Bacardi colada.
> Sure, whatever.
> Because Bacardi makes the night come alive with freshness.

Frame: https://ultrahouse3k.com/img/S09E16/179137.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/183517

## 3:08–3:19

A blonde woman in an orange top, red choker and orange earring sits at a small round table in a bar with blue tiled walls and red booth seating, holding a tall cocktail with a striped straw and talking as she raises and sips it. Across from her, a grey-haired man in a maroon suit and green bow tie rubs his face and gestures with his hand while she keeps speaking, then he turns his head aside. A close-up shows the man with the words DRINK RUM written in a strip across his forehead, and a small glass of amber liquid sits on the table between them.

> Uh, do you work for Bacardi?
> No.
> I'm in love with you.

Frame: https://ultrahouse3k.com/img/S09E16/189981.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/194152

## 3:19–3:24

Homer, bald and heavy in an orange shirt and blue pants, and Moe, the grey-haired bartender in a dark maroon outfit, are on a blue-tiled sidewalk beneath the red scalloped awning of Stu's Disco, with its pink and orange neon sign above. Moe starts out partly hidden under the awning, Homer comes into view beside him, and the two walk together down toward the lower left, Moe leading and Homer trailing at the awning's right post, past a brass and red velvet rope barrier. The pair keep moving steadily along the pavement until they disappear from the view at the edge of the frame.

> Hey, don't give up, Moe. The girl of your dreams has gotta be in some bar.

Frame: https://ultrahouse3k.com/img/S09E16/200617.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/202285

## 3:24–3:35

Moe, the grey-haired bartender in a maroon suit and bow tie, and Homer, bald and heavy in an orange plaid jacket over a white shirt and blue pants, stand together in a dim alley beside a metal trash can and a chain-link fence. Moe first raises a hand to his head, then lifts a small white object in his other hand, and later rests his hand on Homer's shoulder and chest while gesturing with both hands. Homer stands wide-eyed and stiff, and the scene ends with Moe spreading his hands in front of a lit blue window.

> Ah, there's no body for Moe. I'm just gonna die lonely and ugly and dead.
> Well, hello, Mary Sunshine.
> Huh?

Frame: https://ultrahouse3k.com/img/S09E16/206039.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/210001

## 3:35–3:43

Moe, the grey-haired bartender in a purple suit and bow tie, approaches a woman with a short reddish-brown bob and a light blue t-shirt who is tending a flower cart under a pink scalloped umbrella on a dim blue street. She pokes out her tongue, then holds up a white daffodil wrapped in pink paper beside a pole. Moe moves to a flower stall of potted tulips and gladiolus under a pink awning, where he holds the daffodil out toward her, scowling and then grinning as he gestures with it, and she reaches out to take it.

> Aw, cheer up.
> Here, have a flower.
> All right, come on, what's the catch?
> A gorgeous woman don't just hand you a free daffy dill.

Frame: https://ultrahouse3k.com/img/S09E16/216049.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/218969

## 3:43–3:53

Moe, the grey-haired bartender in a maroon coat and green bow tie, stands at a flower stall under a pink scalloped umbrella, talking with a woman who has a short reddish-brown bob and a light blue top. Moe gestures with an open hand over the rows of tulips and daisies on the counter while the woman leans on the flowers, then she crosses her arms and glances sideways. Later she pulls a face with her tongue poking out and her red lips pursed, with a blue window and dark brick wall behind her.

> Really?
> You think I'm gorgeous?
> Yeah, well, the part that's showing.
> I guess you could have a lot of weird scars or a fake ass or something.
> You don't talk to a lot of women, do you?
> Well, no, well, not a lot.

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/228562

## 3:53–4:02

Moe, the grey-haired man in a maroon jacket and black bow tie, stands at a street flower stall under a pink awning, beside potted tulips and gladiolus, speaking with a woman who has a short dark red bob and a light blue top and stands at the right edge facing him. He gestures with open hands, rubs his chin, taps his temple with a finger, and rubs his neck as he talks, his expression shifting between grimacing, squinting and speaking. The woman remains still while he keeps gesturing.

> Gee, I'm sorry. I used to box, you know.
> My brain's... well, it's kind of in and out.
> Oh, that's awful. And look at your little ears.

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/238155

## 4:02–4:11

Moe, the grey-haired bartender in a maroon suit and blue bow tie, and a woman with a short auburn bob in a light blue top stand outside beside a flower stall with yellow, orange and red blooms under a pink scalloped awning. The woman, first chewing on a stem and resting a hand on the flowers, turns to Moe, who leans in and lifts a finger to his nose while she speaks. Moe later stands stiffly with his mouth open as she watches him, then she reaches up to fix his bow tie at his collar, and he grins broadly as she adjusts it with both hands, his own hands resting at his sides.

> Yeah, it is extensive cauliflowering.
> Well, your bow tie's just darling.
> Aha!
> Well, thanks.

Frame: https://ultrahouse3k.com/img/S09E16/243368.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/246913

## 4:11–4:20

A grey-haired man in a maroon suit and blue bow tie stands outside a blue-windowed building with a pink awning while a woman with a short auburn bob and a light blue top grips his bow tie, then cups his chin and face as he grins and glances sideways. Bald, heavy Homer in an orange plaid shirt and blue trousers stands watching beside a dark door, and the woman keeps her hand on the man's face as the scene ends.

> Yeah, it kind of draws the eye away from the old mug.
> I like a face with character.
> Let's get out of here, Moe. This is going nowhere.
> Yeah, I... Look, I don't suppose you'd never want to, uh...

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Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/256298

## 4:20–4:32

A grey-haired man in a maroon jacket and bow tie and a woman with a reddish-brown bob and a light blue top stand together on a city street, with her back to the viewer at first. He touches his ear, gestures with his hands and talks nervously while she listens, and in the later part of the scene the setting darkens to night, with a pink awning visible behind her. She turns to face him, grimacing with her teeth bared and glancing sideways, then settles into a calmer, more neutral expression as he looks at her.

> I don't know, get together sometime?
> You mean like a date?
> Well, I don't know.

Frame: https://ultrahouse3k.com/img/S09E16/262137.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/266933

## 4:32–4:41

Homer Simpson, in his orange plaid jacket and white shirt, stands on a city sidewalk beside Mr. Burns, the stooped old man with grey hair at the sides and a maroon suit and bow tie, while a woman with a short dark-red bob, a light blue top and a green skirt waits nearby. In front of a storefront with a pink awning and a flower cart, Mr. Burns gestures with his hands as he talks, then he turns and Homer steers him away to the left while the woman stays behind, gesturing after them. The closing views center on Mr. Burns's scowling face, with the woman standing behind him and motioning, and a potted plant and flower cart sit by the window. No readable on-screen text appears.

> Ah, what was I thinking? A beautiful girl like you and a gargoyle like me.
> I'm sorry. Hold on, hold on. I didn't say no exactly.
> Really?

Frame: https://ultrahouse3k.com/img/S09E16/273815.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/277152

## 4:41–4:51

Moe, the grey-haired bartender in a maroon suit and bow tie, stands on a blue-tiled sidewalk outside a brick building with a large window and door, facing a woman with a short reddish-brown bob and a pale blue top. He gestures animatedly, pointing at the door, raising his hands, and at one point resting a hand on her shoulder as he grins and talks. The woman then closes her eyes, clasps a hand at her throat and sticks out her tongue, while a pink awning hangs at the right edge of the scene.

> Hot damn!
> Don't eat nothing for the next three days,
> because I'm taking you out for a steak the size of a toilet seat.
> Well, when you put it that way, my name is Renee.

Frame: https://ultrahouse3k.com/img/S09E16/282365.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/286536

## 4:51–5:02

Moe, the grey-haired bartender in a maroon suit and bow tie, first stands in a narrow alley talking with and reaching toward a woman with a reddish-brown bob and a light blue top, then raises both hands in the air. He walks down the alley past a tan cat, grabs it, and holds it up against a chain-link fence, kissing it while it struggles, then holds it at arm's length with a worried look. The scene shifts to a park where Moe and the woman walk hand in hand across a stone bridge over a pond with cattails and lily pads, while an elderly white-haired woman sits on a bench feeding ducks and two children play in the background.

> Who cares? You're going out with me.
> She's going out with me, cat.
> Stop kissing that cat and get in the car.
> I thought love was only true and fairytale

Frame: https://ultrahouse3k.com/img/S09E16/292793.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/296963

## 5:02–5:10

Moe, the grey-haired man, and a woman with a short reddish-brown bob in a light blue top walk hand in hand through a park holding a bunch of colorful balloons, while Apu, the mustached man in a white cap and blue bow tie, hands over a wad of cash. Moe and the woman then walk away past a red post with the balloons still in tow, as a group of children watch from the left and Apu stands on the right holding money. Behind them, a skate rental stand, a Squidport arch and a pizza stand line the street, where a few people skate and ride a small bike, and a red-haired man in a striped shirt walks two dogs on a leash.

> And for someone else but not for me

Frame: https://ultrahouse3k.com/img/S09E16/303220.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/306139

## 5:10–5:22

A grey-haired man in a striped shirt and helmet rides rollerblades outside a Skate Rental shop, beside a pink-topped skater with dark curly hair while a long-haired clerk in blue overalls watches from the window. He wobbles, falls and sprawls flat on the street, then is passed by a horse-drawn carriage driven by a thin, top-hatted Mr. Burns-like man, with a couple in the back. The scene cuts to a Marine World entrance with a dolphin-topped arch, where Moe, grey-haired with a white shirt, holds up a wad of cash to a uniformed police officer beside a sign reading "WILLY (FORMERLY 'SHAMU')".

> Then I saw her face
> Now I'm a believer
> I heard a trace of doubt in my mind

Frame: https://ultrahouse3k.com/img/S09E16/311353.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/316149

## 5:22–5:32

Two orange-jumpsuited women, a grey-haired woman and a brown-haired woman, hold hands on a stage before red tiered bleachers full of cartoon spectators, then sit atop a huge black-and-white orca at a pool's edge. The whale swims off with a grey-haired man in an orange jumpsuit riding it, and it splashes and dives past a white railing while the figures vanish into the blue water, leaving only distant splashes and a dark shape at sea. The scene ends on a blue building with a red awning marked 61 and a sign reading The Gilded Truffle beside a street lamp.

> I've been alone
> I'm a believer I couldn't leave her if I tried

Frame: https://ultrahouse3k.com/img/S09E16/323240.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/327410

## 5:32–5:46

Marge, with her tall blue beehive, and Homer, in a blue suit and red tie, sit at a restaurant table with champagne glasses. Moe, in a tuxedo with grey hair, gestures and talks beside a woman with a red bob in a red dress, while a thin, moustached waiter with a white towel stands nearby. The waiter then stands alone in close-up, jotting on a notepad, and finally gazes calmly while Moe grins, all against red walls, potted plants and red script lettering on the wall.

> Hey, hey, Sabu!
> I need another magnum of your best champagne here, huh?
> And bring us the finest food you got stuffed with the second finest.
> Excellent, sir.
> Lobster stuffed with tacos.

Frame: https://ultrahouse3k.com/img/S09E16/333667.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/339506

## 5:46–5:56

Marge Simpson, with her tall blue beehive and pearl necklace, sits at a restaurant table beside Homer Simpson in his blue suit and red tie, across from a woman with a dark bob and red strapless dress who is not one of the regulars. The scene opens at The Gilded Truffle storefront, with topiary plants flanking the sign, then shows a plated lobster garnished with a small sombrero-like hat and a lime wedge. At the table, the woman in red glances sideways while Marge talks, turns, and purses her lips, and then Marge leans forward and gestures toward a champagne flute before speaking again. Homer stays still with a wary expression, and the sign reading 'The Gilded' sits on the purple wall behind them, with champagne flutes and a single red rose on the table.

> So, Renee,
> it looks like you've taken quite a shine tomorrow Do you mind if I ask why?

Frame: https://ultrahouse3k.com/img/S09E16/347430.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/351393

## 5:56–6:06

Homer and Marge sit at a restaurant table with champagne flutes and a red tulip in a vase, first with Homer talking and then with him gazing glumly beside her. Marge, in a lavender off-shoulder top and pearls, then talks with a woman who has a short reddish-brown bob, a red dress and a pearl necklace, while Marge gestures with one hand and grimaces. The scene moves to Moe, grey-haired and in a tuxedo with a bow tie, sitting across from the same woman, who talks and gestures while Moe glances sideways and looks unimpressed, before returning to Marge alone at the table, mouth open as she speaks.

> I didn't mean any disrespect I just can't figure it out Well,
> to be honest, at first it was just pity Yeah, it's like out of a storybook, ain't it?

Frame: https://ultrahouse3k.com/img/S09E16/357440.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/361403

## 6:06–6:15

Moe, the grey-haired bartender, sits in a tuxedo and bow tie at a restaurant table with a red-dressed woman in a pink fur wrap and pearl necklace, with champagne glasses and a single red rose between them. Moe talks, grins and leans toward her, and the woman talks back, shows her teeth and tilts her head, while Moe's hand rests on the table and then on her shoulder. The scene then cuts to Homer in a blue suit and red tie, with Marge's blue beehive at the left edge, as he speaks with wide eyes and then grimaces with his hands clasped in front of him.

> But he's really grown on me He's got this insecure,
> sweaty charm Oh, yeah, I got that.

Frame: https://ultrahouse3k.com/img/S09E16/367450.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/370996

## 6:15–6:23

Marge, with her tall blue beehive and pearl necklace, sits at a restaurant table across from Homer, bald and wearing a blue suit and red tie, while a grey-haired man in a black tuxedo and bow tie and an auburn-haired woman in a red dress sit at the same table. Four champagne flutes, a red rose in a small vase, and a pepper shaker sit on the draped tablecloth, with reversed lettering on the purple wall behind them. The woman in red talks and gestures with her glass while the others sit still, and the grey-haired man leans in toward the table as the moment goes on.

> And he's so thoughtful.
> Last night he bought all the seats in a movie theater just so we could have a romantic
> evening together.
> Yeah, well, I just get so tired of idiots shooting their mouths off,

Frame: https://ultrahouse3k.com/img/S09E16/377043.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/379754

## 6:23–6:35

Moe, the grey-haired man in a black tuxedo and bow tie, and Mrs. Krabappel, in a red dress with a pearl necklace and a pink wrap, sit at a restaurant table with champagne glasses and a single red rose. Moe gestures, grimaces, and clenches his fists while speaking, then leans toward her with his fist raised as she rests her hand at her chin. Later he sits sweating and smiling while she dabs his forehead with a white napkin, and a waiter's arm in a brown sleeve appears at the right edge near a potted plant.

> laughing and clapping,
> makes you want to start poking eyes out and slashing guts and kicking throats.
> It's okay, Mom. I'm sorry.
> It's just I'm so happy I met you.
> Excuse me, sir. Will there be anything else?

Frame: https://ultrahouse3k.com/img/S09E16/384551.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/389556

## 6:35–6:47

Mr. Burns, a stooped old man with grey hair at the sides and a hooked nose, sits in a booth in a red-walled restaurant, with a thin waiter in a tuxedo, bow tie and thin moustache standing beside the table and a woman in a red strapless gown with a pearl necklace seated next to him. Burns talks, laughs and gestures over the tablecloth while the waiter stands with his hands clasped, and a small blue card appears in Burns's hand. The scene closes on a close-up of the waiter holding the same blue card and glancing to the side.

> Uh, yeah.
> Park the dessert card under this beautiful lady's nose and charge it all to my players'
> club card.
> Players club?
> Yes, sir.

Frame: https://ultrahouse3k.com/img/S09E16/396646.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/401443

## 6:47–7:00

Moe, the grey-haired bartender, talks on a red phone and Homer, the bald man in a white shirt, sits in the background of the bar, while the scene opens on the outside of Moe's, an orange building with a red door, a MOE'S sign, and a green car parked in front. Inside, Barney, the heavy man with messy brown hair in an orange shirt, leans on the counter laughing with his eyes shut, then sits up wide-eyed as Moe leans toward him and scowls, with beer mugs on the bar between them.

> Yeah, I want to send her two dozen roses.
> And I want to put something nice on the card, like, um...
> Uh, Renee, my treasure...
> Shut up! Or I'll wham a stool down your throat!

Frame: https://ultrahouse3k.com/img/S09E16/408533.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/414164

## 7:00–7:11

Moe, the grey-haired bartender in a white shirt, dark blue bow tie and apron, stands behind the bar holding a red telephone receiver to his ear while talking. Bottles and rows of glasses sit on the shelf behind him, and a cash register is at the left edge. He grimaces, shakes his head, gestures with his free hand, raises a finger, and rests a hand on his hip as he speaks, with his expression shifting from irritation to a sly scowl. The scene is a tavern bar with the phone cord hanging down to the counter.

> No, no, no, I don't want that on the card.
> Well, let me hear how it sounds.
> Nah, nah, take it out, take it out. And charge it to my players club card.

Frame: https://ultrahouse3k.com/img/S09E16/421880.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/426051

## 7:11–7:21

Moe, the grey-haired bartender in a white shirt, dark vest and bow tie, stands behind the bar holding a red corded telephone to his ear. Bottles and a row of upturned glasses sit on the shelf behind him, and a brown cash register is at his side. He grimaces, clutches his chest with one hand at times, and grits his teeth in frustration while speaking into the phone. As the call goes on he appears increasingly agitated, shaking his head and gesturing with his free hand, and at the end he holds the receiver out toward the phone base, mouth open as if still talking.

> Maxed out?
> Look, I really need these flowers, okay?
> I got a real tenuous hold on my girlfriend here.
> Hello? Hello?

Frame: https://ultrahouse3k.com/img/S09E16/432307.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/436269

## 7:21–7:33

Moe, the grey-haired bartender in a bow tie and apron, and Homer, in a white shirt, talk across the bar; the scene starts with Moe's hand on a red phone and a red phone and cash register behind the bar. Moe then stands at the bar, first with a hand near his ear by the phone, then facing Homer with his arms spread, then with his arms crossed, while Homer looks on wide-eyed. In the final part, the setting shifts to the tavern booth where Moe, seen from behind, faces Homer, who sits behind a mug of beer, and Homer's mouth opens as he speaks.

> Well, that's it. It's all over.
> Rene ain't gonna wanna hang around with no Joe Pinchpenny.
> Oh, come on, Moe. Think of all you have to offer besides money.

Frame: https://ultrahouse3k.com/img/S09E16/442525.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/447322

## 7:33–7:41

Moe, the grey-haired bartender in a bow tie and vest, stands behind the bar of his tavern at first with a hand to his forehead, then gestures with both hands while Homer, bald and in a white shirt, sits on a stool at the bar. Near the bar, Barney, the heavy drunk with messy brown hair in an orange shirt, leans on the counter and later jumps up and flails his arms as he backs away. In the foreground, Milhouse, with blue hair and glasses, and a bald patron in a red shirt sit at a table with two bottles, while a heavy patron in a green sweater watches from the right. Moe raises both arms high, and by the end Barney has risen from his seat with his arms out while a Duff sign hangs behind the bar, and Milhouse leans forward toward the pool table as a bottle lies on the floor.

> Hmm.
> I need cash and lots of it.
> Um, all right, everybody, I'm calling in your bar tabs.

Frame: https://ultrahouse3k.com/img/S09E16/454204.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/457123

## 7:41–7:54

Moe, the grey-haired bartender in a blue apron and bow tie, and Homer, the bald heavy man in a green jacket and white shirt, are outside Moe's bar. A drunk heavy man with messy brown hair in a blue shirt is tossed out through a broken window, shattering glass, and Moe then pumps his fist and marches out the door as Homer follows. Moe turns back and grabs Homer by the shirt, and the two stand on the sidewalk facing each other, with a wine bottle and a pale object on the pavement nearby. The scene settles as Moe and Homer stand close together talking, Moe with a sour expression and Homer looking uneasy, with the pool table visible through the doorway behind them.

> You bunch of ungrateful ingrates, you...
> Homer, what am I gonna do?
> Rene's my last chance for true love. If you really need money, you could sell a kidney.
> Or maybe even your car.

Frame: https://ultrahouse3k.com/img/S09E16/462337.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/467759

## 7:54–8:05

Moe, the grey-haired bartender in a bow tie and apron, and Homer, the bald heavy man in a blue jacket and white shirt, stand outside a bar with stained-glass windows. The scene opens on a close-up of a green car's tire beside a pair of legs, then Moe leans on the battered green car with a scratched windshield and dented roof, scowls and gestures, grins, and rests his hand on Homer's chest while Homer looks on nervously. A green bottle sits on the sidewalk nearby.

> Nah, my car ain't worth nothing.
> But it is insured for five grand.
> Homer, I need your help.
> You gotta steal this car and wreck it for me.

Frame: https://ultrahouse3k.com/img/S09E16/475475.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/480063

## 8:05–8:18

Homer, the bald heavy man in a blue jacket and white shirt, and Moe, the grey-haired bartender in a blue bow tie and dark apron, stand outside a orange building with red and green diamond-patterned windows. Moe gestures with open hands and pleads while Homer reacts with wide eyes and raised hands, then Homer turns and walks away along the sidewalk past a red fire hydrant as Moe follows him with outstretched arms. A green car with a MOE'S sign sits near them in one shot, and in a brief inset a pair of black shoes stands beside a small sign reading MOE'S as a green swirl passes. Homer finally stops by a brown door and a window while Moe stands by a brick pillar, with Homer looking back at him.

> Steal? Oh, no. You got the wrong guy.
> You dropped something. Come on, Homer. I'm one of your dearest friends.
> When everybody said you were too drunk to drive that time, who gave you your keys?
> Oh, you did. But I still don't know.

Frame: https://ultrahouse3k.com/img/S09E16/486736.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/492158

## 8:18–8:29

Homer, the bald man in a teal jacket over a white shirt, and Moe, the grey-haired bartender in a bow tie and dark vest, stand outside a brick building with diamond-patterned windows and a partly visible red sign. Homer gestures and speaks while Moe scowls, then Homer grimaces beside a small white cloud puff, and a pink thought bubble appears showing Marge with her tall blue beehive, red beaded necklace and green top, pointing her finger as she talks. The thought bubble shrinks to a trail of small bubbles, and Homer and Moe return to face each other, with Homer pointing and shouting while Moe holds his hands up.

> I can just imagine what Marge would say.
> Homer, I insist you steal that car.
> I'll do it!

Frame: https://ultrahouse3k.com/img/S09E16/499666.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/504045

## 8:29–8:34

Homer, the bald, heavy man in a white shirt, and Moe, the grey-haired bartender, appear in Moe's tavern. The scene opens in darkness, then shows the outside of Moe's at night under a full moon, with a yellow car parked on the street beside the building and a red-fronted King Toots music shop next door. It then moves inside, where Homer sits on a red-topped bar stool at the counter facing Moe, who leans on the bar, with a pool table in the foreground and bottles lining the back shelves.

> Okay, here's the plan. This model car represents my car.

Frame: https://ultrahouse3k.com/img/S09E16/510510.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/511970

## 8:34–8:42

Homer, the bald heavy man in a white shirt, sits at a bar counter facing Moe, the grey-haired bartender in a bow tie and dark suspenders, beneath a Springfield Sports pennant and a Beer sign. Moe first holds a small green olive between his fingers while gripping a small red toy car in his other hand, and Homer stares at him. Moe then sets the red car down on the bar and, as Homer gestures with his hands and Moe lifts a finger, the olive is moved onto the counter and the red car stays in front of them. The scene ends with Homer and Moe gesturing at each other across the bar, with the red toy car and a green olive on the wooden surface between them.

> And this olive is you.
> Now...
> Mmm... me... Hey, hey, that's great. Now the car's gonna have to represent you,

Frame: https://ultrahouse3k.com/img/S09E16/515306.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/518435

## 8:42–8:51

Homer, the bald heavyset man in a white shirt, sits at the bar facing Moe, the grey-haired bartender in a bow tie and dark apron, while a small red toy car sits on the counter between them. Moe leans in and gestures with his hands, then picks up and slides the red toy car across the bar, and a small figurine appears beside it as he continues talking. Moe pulls the toy car back, scratches his head, and then rests his chin on his hand, while a Springfield Sotopes pennant hangs on the wall behind the bar.

> and this little toy man will represent the car.
> Forget it, forget it. Listen up here. Tomorrow night at 8,

Frame: https://ultrahouse3k.com/img/S09E16/523857.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/526985

## 8:51–9:03

Moe, the grey-haired bartender in a bow tie and suspenders, talks animatedly across the bar to Homer, seen from behind in a white shirt, in a tavern with a Springfield Isotopes pennant and a Duff Beer sign on the wall. Moe points at the Duff sign, pinches his fingers together, then spreads his hands in a shrug before grinning and resting his hands on the bar. Bottles line the shelves behind him as Homer leans forward on the counter.

> you go down to the waterfront, and you steal my car.
> What about the cops? That's the beauty part.
> Every cop in town's gonna be on the police department's Moonlight Charity Cruise,
> and I'm gonna be right there with him. So, as soon as you get back,

Frame: https://ultrahouse3k.com/img/S09E16/532198.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/537412

## 9:03–9:08

Homer Simpson, bald and heavy in a white shirt, leans on the bar at Moe's Tavern, with a Duff Beer sign and a dartboard on the green wall behind him. Moe, the grey-haired bartender in a blue shirt and dark overalls, stands facing him across the counter with stacked empty mugs in front. Homer rests his chin on his hand, then bites at his thumb and gestures with his other hand, his mouth opening and closing as he talks, while his eyes dart upward. Moe keeps his arm bent at the counter and watches him throughout.

> we steal the car, right? Right.

Frame: https://ultrahouse3k.com/img/S09E16/544711.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/545962

## 9:08–9:19

Homer, seen from behind with his bald head and white shirt, and Moe, the grey-haired bartender in a blue apron and bow tie, stand at a red bar counter in a dim tavern. Moe folds his arms, then gestures with his hands on his chest, points a finger at Homer, and leans on the counter with his hands together. He then reaches for a bottle on the bar, while a Springfield Isotopes pennant, framed pictures, a wall phone and shelves of colorful bottles hang or sit behind them.

> No, no, wrong. Listen. While I'm on the boat with the perfect alibi,
> you steal my car and park it on the railroad tracks.
> Then when the 1015 train comes along, wham!

Frame: https://ultrahouse3k.com/img/S09E16/549507.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/553678

## 9:19–9:29

Homer Simpson, the bald, heavy man in a white shirt, and Moe, the grey-haired bartender in a blue shirt, black apron and bow tie, stand at the bar of Moe's Tavern beneath a Duff Beer sign and a Springfield Isotopes pennant. Homer first rubs his face with a hand and then grins and gestures while Moe, at first leaning on the bar, holds up a dirty, chipped glass and inspects it. Moe then raises the glass to his eye and wipes it with a rag while Homer talks animatedly, gesturing with his hand, and beer mugs sit on the bar in front of them.

> Insurance company pays off 5,000 clams. I keep showing Rene the Suite Life.
> You're a genius, Moe. All your troubles will soon be over for a couple of months.

Frame: https://ultrahouse3k.com/img/S09E16/560143.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/564105

## 9:29–9:39

Marge with her tall blue beehive, Lisa in her red spiky hair and pearls, Bart in his orange shirt, and Maggie in her high chair with a blue bow sit at the dining table, while a heavy man with black hair and a black sweater, who is not bald as Homer usually is, eats beside them. The scene opens on the night exterior of the Simpson house with its lit windows and pink garage door, then cuts to the pink dining room where the family eats red sauced food from plates. The man glances around, fidgets with his fork and looks up at the wall clock, then turns to speak as the family keeps eating.

> Why all the blank? Why all the pearls? Why all the hair?
> Why anything?
> You look a little nervous, Dad.

Frame: https://ultrahouse3k.com/img/S09E16/570153.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/574532

## 9:39–9:51

Lisa, Bart, Marge and baby Maggie sit at a long dinner table in a pink dining room, and a heavyset yellow-skinned man in a black turtleneck and black wig, who looks like Homer, sits at the head with them. Homer eats, gestures with his fork, and reaches toward Lisa's plate, then gets up and walks out through the arched doorway while the rest of the family stays seated. Plates of food, glasses, a pitcher, a wall clock, a framed painting and a chandelier are visible around the table.

> No, you look a little nervous, Lisa.
> You're up to something, aren't you? No!
> I'm just going out to commit certain deeds.
> Suckers.

Frame: https://ultrahouse3k.com/img/S09E16/580997.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/585794

## 9:51–10:05

Police Chief Wiggum, a heavy-set officer in a blue uniform and cap, stands on a dock at night beneath a banner reading "POLICE MOONLIGHT CHARITY CRUISE" with a lit cruise ship alongside. A couple in casual clothes walks away from the camera up the wooden gangway toward the ship, and Wiggum later checks a card or ticket with a slim man in a green shirt and brown boots, then with a woman in a pink sweater and red pants, who walks off. A ship captain in a white cap and blue jacket arrives, Wiggum takes a small card from him, and a red-haired woman in a pink dress and pearl necklace stands behind the captain as the group talks by the railing under a starry purple sky with a full moon.

> Thank you. Welcome, folks. Have fun. Drink responsibly.
> To where am I allowed?
> Uh, excuse me there, officer. You see my car there with the rubber hippie daisy,

Frame: https://ultrahouse3k.com/img/S09E16/593093.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/598515

## 10:05–10:10

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wearing a white captain's cap and a lilac robe, stands at a railing beside a police officer with a blue cap and badge, who is a fat police chief in a dark uniform. In the first frames Burns points and speaks while leaning on a ledge with two yellow-lit windows behind him, and the officer stands by him with a stern look. Later, the view shifts outdoors to a night parking lot with rows of colorful cars, and the officer, seen from behind, turns his head to look at the lot, where a lime-green car with a large pink daisy on its hood sits in a space, while he speaks with his mouth open.

> Space 7A?
> Uh, yeah, what about it? I was just thinking what a good parking job I did with it.

Frame: https://ultrahouse3k.com/img/S09E16/606231.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/607690

## 10:10–10:17

Chief Wiggum, the fat police chief in a blue cap and uniform, and Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wearing a white captain's hat with an anchor and a lavender jacket, lean on the edge of a vehicle's window ledge side by side. Over the sequence Burns grins, then looks sheepish and grimaces, while Wiggum talks with his mouth open and gestures toward a spot off to the side. Later Burns raises a finger and points while Wiggum keeps talking, and both wear a serious, sideways-glancing expression, with no on-screen text visible.

> Yeah, hey, that is nice. Hey, Lou, Lou, check out that park job in 7A.

Frame: https://ultrahouse3k.com/img/S09E16/611236.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/613947

## 10:17–10:24

A fat police chief in a blue cap and a thin older man in a white captain's cap lean out of a car window together, the older man pointing ahead. Next, a mustached man with dark curly hair and a blue police-style cap sits at a counter under a purple night sky, holding a glass and grimacing while he looks sideways. The scene then cuts to a docked white ship with lit portholes, a red-topped funnel and a full yellow moon over a pier and hedge, and a man in a black coat and black cap peers over the hedge at the ship while the moon and ship stay in place.

> Ooh, that's sweet.

Frame: https://ultrahouse3k.com/img/S09E16/618743.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/621246

## 10:24–10:35

Homer Simpson, dressed all in black with a black beanie, hides in a teal hedge at night, then creeps out and circles a mustard-yellow station wagon with a pink flower on its hood and a raccoon-tail antenna topper in a parking lot. He climbs into the driver's seat, where a redheaded woman in a blue outfit is tangled up under the dashboard pulling at wires, and Homer's struggle with her leaves her sprawled on the pavement clutching her head beside the car. A brick building, chain-link fence and purple sky sit behind them, and a pale car is parked nearby.

> I'm going to be the best car thief ever.
> Hey!
> Oh, no, you don't!
> Ow.

Frame: https://ultrahouse3k.com/img/S09E16/626042.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/630213

## 10:35–10:48

A heavyset yellow-skinned man in a black knit cap and black sweater grips the steering wheel of a tan car at night, grinning, squinting, then wide-eyed and tense as he drives past a lifeguard tower, a dark shoreline, and parked cars under a purple sky. Outside, a large full moon hangs over an empty road lined with power poles, where a lime-green van with an orange stripe drives ahead of him. The scene returns to the driver, who stares with bulging eyes and a fixed grimace as he keeps both hands on the wheel.

> He thought he was gonna steal.
> Ow!
> Stealing, stealing, stealing a car for Mo.
> Da da da da da da da da, insurance fraud today.

Frame: https://ultrahouse3k.com/img/S09E16/636678.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/642100

## 10:48–10:57

A heavy, balding man in a black knit cap and black sweater drives an olive-green sedan into the Springfield Drive-In, past its red-lit marquee reading "HAIL TO THE CHIMP!" under a purple night sky. He continues along the road beside a railroad crossing, leaving a puff of exhaust, then pulls into the parking lot and parks between other cars, facing a ticket booth and a large screen that shows an image of the White House.

> They're showing hail to the chimp. Oh, I have time to see one little movie.
> Mr. President,

Frame: https://ultrahouse3k.com/img/S09E16/649607.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/653153

## 10:57–11:10

A chimpanzee in a dark suit sits behind a desk labeled PRESIDENT with a banana beside it while a green-haired man in a blue suit hands over a paper bag, a blond man in a blue suit and a grey-suited man look on, and the chimp scowls and then raises his arms. Later, in a room with a sofa, a blue-suited man with a black wig struggles with the chimp as he tumbles over the sofa and a bucket spills red liquid on the floor. The moment ends with a black-wigged man in a black sweater eating popcorn from a POP CORN tub while driving a car toward a drive-in entrance.

> your welfare proposal is nothing but a lot of technical jargon and partisan rhetoric.
> Get off me, Mr. President!
> That's what you get for not hailing to the chimp.

Frame: https://ultrahouse3k.com/img/S09E16/658992.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/664205

## 11:10–11:11

No characters are identifiable in this moment; the scene shows a lit-up cruise ship with a red Santa hat on its upper deck sailing across dark blue waves under a purple night sky dotted with stars, a large yellow full moon, and purple clouds. Across the six images the ship drifts slowly to the left, its rows of portholes and deck lights glowing, while the wave lines on the water shift subtly and the clouds drift slightly. No dialogue or on-screen text appears.

Frame: https://ultrahouse3k.com/img/S09E16/671713.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/671087

## 11:11–11:24

A white-capped ship captain in a blue jacket and a woman with a reddish-brown bob, pink dress and pearl necklace dance on a moonlit cruise ship deck at night, while a band with violins and a cello plays and other couples dance nearby, including a man in a grey officer's cap with a woman in a red dress. The captain pulls the woman close and holds her in a clinch, then grips her shoulders as she glances away with a strained, uneasy look and a sweaty face, and she finally twists back from him, leaving the captain leaning toward her. The scene includes a pink umbrella over a small table, a railing, a lifebuoy on the bandstand wall, and a pool edge at the right.

> Mo, you seem awfully distracted tonight.
> And you're sweating a lot, even for you.
> Am I?

Frame: https://ultrahouse3k.com/img/S09E16/672755.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/678178

## 11:24–11:37

On the deck of a ship at night, a stooped, thin old man in a captain's cap and blue jacket, identified as Mr. Burns, stands beside a woman in a pink dress with a pearl necklace and bob hairdo while a waiter in a black tuxedo with a red bow tie holds a tray with a bottle and glass. The waiter tips the glass toward the woman as Burns drips liquid from his chin onto the deck, then the woman turns to gaze at a large yellow moon in the purple starry sky while Burns checks his wristwatch and looks up in surprise. A young couple stands at the railing in the background, and a silent moonlit sky with clouds fills the final moments.

> I hadn't noticed.
> Isn't it a beautiful moon tonight?
> Huh? Oh, yeah, yeah, yeah. I'll look up at you in one minute.
> The train. You hear that? That's the train.

Frame: https://ultrahouse3k.com/img/S09E16/685894.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/690899

## 11:37–11:48

Mr. Burns, in a white captain's cap and blue jacket, stands at a ship's railing at night beside a brown-bobbed woman in a pink dress and pearl necklace. They lean together, talk, and smile, then share a kiss near a rack of bottles and a life ring. The scene then cuts to a billboard of a blue-and-white jet with "ICA" lettering and a presidential seal, flames pouring from its side as a monkey in a tuxedo tumbles out of a door clutching a briefcase.

> Ha!
> Isn't that the most beautiful sound you ever heard?
> It's almost as sweet as your voice.
> Oh.

Frame: https://ultrahouse3k.com/img/S09E16/698198.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/702785

## 11:48–11:59

Homer, the bald-headed... no, here Homer appears with his black hair, wearing a black shirt, is seen in a purple car at a drive-in theater, first watching a billboard where a monkey in a tuxedo parachutes from a burning airplane. Homer, in a black suit and with a sleepy expression, dozes in the driver's seat with a drool trail while the billboard image of the plane burns, then wakes wide-eyed and startled as a passing train rumbles by behind a wooden fence. The car's headlights then flash across the scene as a car drives off-road, the monkey-and-plane billboard and parked cars glowing in the purple night sky with stars and a fence in the foreground.

> Oh, no.
> The train!

Frame: https://ultrahouse3k.com/img/S09E16/709876.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/714255

## 11:59–12:09

Homer, wearing a black wig and black sweater, is first seen in a close-up beside a purple car at night, then drives a tan sedan toward a railroad crossing with a crossbuck sign under a starry purple sky. He turns to look at the tracks ahead, where a smoking train approaches in the distance, and grips the steering wheel while staring wide-eyed with his mouth open. The long straight tracks stretch between dark green trees and blue ground.

> Oh!
> I gotta find another way to wreck Mo's car.

Frame: https://ultrahouse3k.com/img/S09E16/721137.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/724474

## 12:09–12:20

A heavyset older man in a grey jacket and cap and a woman in a red dress walk along a confetti-strewn ship deck past a slumped, drunk man in a dark cap holding a bottle, with a lamp post and rocky shore behind them. A man in a white sailor cap and blue jacket and a red-haired woman in a pink dress lean on a railing facing each other, the rocky coastline and blue water behind them. As the scene ends, a uniformed police officer flails his arms and drops his baton while a large seagull attacks his shoulder, with the woman in pink watching from the railing.

> Oh, honey, this whole evening was so wonderful.
> Except when the drunken cops started firing at those seagulls.
> Ah!
> Get him off!
> Yeah, yeah, the plan went off without a hitch.

Frame: https://ultrahouse3k.com/img/S09E16/730313.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/734901

## 12:20–12:33

Mr. Burns, in a white captain's hat and blue jacket, stands at a railing beside a woman with a brown bob, pink dress and pearl necklace, gesturing and talking as she looks at him. Chief Wiggum, in his police cap and uniform, approaches from the left and salutes while Burns watches him with his hands on his hips. Against a purple night sky over a dark hillside, a flower-decorated van with its headlights on flies across the scene, leaving a light trail.

> What plan?
> The what? The wonderful evening plan.
> Hey, Mo, isn't that your car up there with the rubber hippie Daisy?
> The one that was parked in 7A. Hey!

Frame: https://ultrahouse3k.com/img/S09E16/741991.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/746996

## 12:33–12:43

A man in a white captain's cap with an anchor emblem, a blue jacket and grey hair at the sides stands at a railing beside Chief Wiggum, a heavyset police chief in a blue uniform and cap, at night under a purple sky with stars. The captain talks and gestures, rubs his head, and then points while Wiggum stares ahead stonily. A yellow car with a red flower decal and a striped flag on its antenna then speeds through a blue, snowy landscape with its headlights glowing. The scene ends on a close-up of the captain, mouth open as he speaks, against the starry purple sky.

> Hey, what's it doing there?
> We're supposed to be on the railroad tracks.
> No, I mean the parking lot.
> Homer, you moron. Homer, you genius.

Frame: https://ultrahouse3k.com/img/S09E16/754087.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/758258

## 12:43–12:55

Homer Simpson, bald with stubble and a black shirt, grips the steering wheel of the olive-green van with a pink flower decal and a wooden-paneled interior as he drives through a bright blue sky, grinning and wide-eyed at first and then looking alarmed. The van launches off a rocky ledge and flies over a blue landscape dotted with brown rock formations, with its headlights glowing and a vent-style antenna trailing behind. Homer leans out with his hands raised, then tumbles through the air away from the van, which keeps soaring, and finally the van lands on a cliff edge against a dark purple sky while Homer's mouth opens wide in a yell.

> Geronimo!

Frame: https://ultrahouse3k.com/img/S09E16/764514.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/769519

## 12:55–13:08

A yellow-skinned man with black hair and a black outfit thrashes and shouts in the water inside a sinking boat cabin under a moonlit purple sky, while a group of figures sits on the half-submerged vessel nearby and the sea is later empty. Before that, a yellow car tumbles through the starry night above a rocky canyon edge, a blue splash appears, and a green car with glowing headlights spins through spiral rings. The scene ends with a teal car with a striped antenna flying over the water and landing on a snowy slope with its headlights on.

Frame: https://ultrahouse3k.com/img/S09E16/776818.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/782031

## 13:08–13:19

Homer, in a black top, sits in a wooden boat under a tan canopy, gripping the edge with his yellow hands and grimacing before glancing around and then gaping in alarm. The boat drops from the cliff-side sky, and a teal station wagon with a raccoon-tail antenna falls past a dark rock face, trailing a puff of smoke and a glowing exhaust. The car lands upside down and then tilts into a cloud of white foam, before sinking underwater among large pale blue bubbles and trailing streams of bubbles as it goes down.

Frame: https://ultrahouse3k.com/img/S09E16/789330.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/793710

## 13:19–13:30

Chief Wiggum, the heavyset police chief in a blue cap, stands at a ship's railing at night beside a dark-skinned police officer and a man in a white captain's cap with an anchor emblem, while other officers watch from the deck above. Over several moments, the men peer down at a pink flower-shaped object bobbing in the dark blue water, its ripples spreading around it, and Wiggum's expression shifts as he speaks and grins while the others look on. The scene ends with the officers still gazing at the water from the ship's rail, with the pink object floating in the sea below.

> That car thief can't hold his breath forever.
> And if you can, Chief? Then God help us all.

Frame: https://ultrahouse3k.com/img/S09E16/800383.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/804762

## 13:30–13:43

Homer, in a black cap and dark top, is first seen splashing into a night-time lake below starry purple sky and brown mountains, then surfaces with a shocked expression and later sinks to his chin looking glum. Behind a blue railing, Chief Wiggum, the fat police chief, stands at the right beside three other uniformed officers, one of them dark-skinned, all aiming revolvers over the rail. A man in a white captain's cap and purple jacket and a red-haired woman in a pink top with pearls watch, and the captain talks and gestures with one hand while the officers keep their guns pointed at the water.

> Isn't that your friend Homer?
> Oh, oh!
> Homer!
> Oh, how could you?
> You're under arrest, Simpson, for Grand Theft Auto.

Frame: https://ultrahouse3k.com/img/S09E16/811227.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/816649

## 13:43–13:53

Chief Wiggum, the fat police chief in a blue cap, aims a revolver at a man with black hair and a black sweater who is floating in blue water with his arms raised in front of a purple mountain at night, and the screen then fades to black. Next, bald Homer in a white shirt holds a placard reading SIMPSON, HOMER J. 5F124670 against a striped wall in a studio with lights, while Wiggum adjusts a boxy photographic device on a stand.

> Now put up your hands.
> Brilliant, brilliant. Okay, let's do another.

Frame: https://ultrahouse3k.com/img/S09E16/824157.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/828119

## 13:53–14:03

A police officer, a lean man with orange-red hair under a blue cap, photographs Homer, a bald, heavy man in a white shirt and blue pants, at a mugshot wall marked with height lines 3 to 7. Homer, holding a placard reading SIMPSON, HOMER SF124670, pinches his fingers and makes faces while the officer snaps the picture from a crouch, with studio lights on tripods around them. The scene then cuts to close-ups of hands pressing Homer's inked fingers onto a fingerprint file card on a red table, beside an ink pad and a row of fingerprint boxes.

> But this time, try to look scarier. Kind of like...
> Gorgeous, gorgeous, baby.
> That's it, that's it.
> You know, fingerprints are just like snowflakes.

Frame: https://ultrahouse3k.com/img/S09E16/834375.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/838129

## 14:03–14:14

Homer and Chief Wiggum, the fat police chief in uniform and cap, sit at a desk in the police station, with Wiggum holding a sheet of paper and grinning as he talks while a small wallet-like object lies on the desk. Later, Homer sits hunched on a cell bench beside a sink under a barred window showing a full moon in a starry night sky. Finally, Homer stands with his back to the viewer facing Marge, Maggie and Bart behind cell bars, as a uniformed police officer stands in the background and Marge speaks and gazes at him.

> They're both very pretty.
> Simpsons, you have visitors.
> Homer, did you really steal a car?
> Whoa, hang on a minute.

Frame: https://ultrahouse3k.com/img/S09E16/844177.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/848765

## 14:14–14:22

Homer stands behind the bars of a jail cell while Marge in her tall blue beehive and green dress, Bart with spiky hair, and Lisa with star-shaped hair and a pearl necklace watch from outside the gate. Homer grips the bars, grinning and talking, and the view then tightens on him and Lisa, who looks uneasy and clasps her hands at her chest as Homer's expression shifts from a sly smile to a sideways glance and a wide-mouthed grimace. A purple wall and the barred gate form the backdrop.

> The guard said I have visitors coming. Dad, where are the visitors?
> Oh, oh, oh, oh, great.
> Listen, I know it looks bad,

Frame: https://ultrahouse3k.com/img/S09E16/855646.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/858566

## 14:22–14:31

Homer, the bald heavy man in a white shirt, grips the bars of a jail cell with both hands, his eyes wide and his mouth opening and closing as he talks, while Marge, with her tall blue beehive, stands outside with her back to us and Lisa's spiky yellow hair is visible at the lower right edge. The cell has a sink, a small drawer with a keyhole, and a pink wall beyond the bars. The scene then shifts to behind Homer, who is at the left, as Marge and Maggie, the baby with a blue bow and pacifier, press close to the bars on the right, Marge's mouth moving and her eyes staring while Homer's jaw tightens and he speaks.

> but all I can tell you is I destroyed that car for all the right reasons.
> I'd like to believe you. That's my girl.

Frame: https://ultrahouse3k.com/img/S09E16/863780.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/867325

## 14:31–14:43

Homer Simpson stands behind jail cell bars, gripping them with both hands and a chain dangling from his wrist, first wide-eyed and grinning with his mouth open, then looking sideways with a sly expression. Marge, with her tall blue beehive and red bead necklace, stands outside the bars facing him. Later the scene shifts to a cell with Homer's back to the viewer as he passes a red and white carton labeled Cigarettes through the bars to Bart, who wears an orange shirt and blue sneakers, while Lisa and Maggie watch from behind the bars beside Marge.

> You just go home and don't worry your pretty blue head about it.
> Mo will take care of everything.
> Well, Dad, in the meantime, here's a carton of smokes you can use to buy stuff.

Frame: https://ultrahouse3k.com/img/S09E16/872955.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/877335

## 14:43–14:51

Homer, the bald, heavy man in a white shirt and blue pants, stands behind jail bars holding a pack of cigarettes, while Bart, the boy with spiky hair in an orange shirt, stands outside the bars holding a candy bar. Homer first looks at the pack and then points at Bart with a grin, but then he grabs Bart through the bars by the front of his shirt and pulls him against the bars, his teeth clenched and Bart's eyes wide with alarm. The final frames show the exterior of a building with a sign reading JAIL, with stairs and a blue sky with clouds.

> Oh, thanks, boy.
> I'll give you two packs for that candy bar.
> Three. Why, you little...
> Guard!

Frame: https://ultrahouse3k.com/img/S09E16/884008.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/887553

## 14:51–15:02

Homer, the bald heavy man in a white shirt and blue trousers, lies on a wooden plank chained to a grey prison wall with his mouth open, then sits up and slouches back against the wall with his shackled shoes propped up. Next he sits on the plank beside a small sink in a cell, turning toward a barred window where Moe, the grey-haired bartender in red suspenders, talks to him. Moe then pushes a folded green banknote through the bars with a grin while Homer leans toward the window.

> Psst!
> Homer!
> Homer, wake up!
> Mo!
> Oh, Mo! Thank God you're here!
> Yeah, congratulations, Homer.
> The plan worked perfectly.
> But I'm in jail.

Frame: https://ultrahouse3k.com/img/S09E16/892975.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/897355

## 15:02–15:13

Moe, the grey-haired bartender with suspenders, stands on the left facing a barred jail cell window, where Homer, bald with stubble and a white shirt, grips the bars and peers out. Moe gestures with one hand and scratches his head with the other while talking, then holds his palm out and shrugs, while Homer's expression shifts from worried to pleading, at one point pressing his fists to his cheeks and later leaning his chin on his hand with a sullen look. The scene is set against a brick wall with a small barred window and no on-screen text.

> Yeah, yeah, that's a kick in the pants.
> Mo, you gotta get me out of here.
> Tell the cops I didn't steal the car.
> Say you lent it to me! Yeah, I wish I could, Homer, but if I change my story,

Frame: https://ultrahouse3k.com/img/S09E16/903820.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/907990

## 15:13–15:22

Moe, the grey-haired bartender with curly grey hair and a red-striped tie, peers through a small barred window at Homer, who stands outside in a white shirt and holds a blue bar with one hand. Moe first looks annoyed and unmoved, then talks and gestures with a hand pressed to his chest, grimacing as he speaks. Homer grips the bars of a purple-walled cell with both hands, his eyes wide and his mouth open as he pleads, and in the final frames he lowers his head with eyes shut and looks miserable.

> they're gonna throw me in here. But, Mo, we're best friends.
> Oh, cripes the puppy dog look.

Frame: https://ultrahouse3k.com/img/S09E16/914455.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/918000

## 15:22–15:30

Moe, the grey-haired bartender in a white shirt and red suspenders, stands outside a barred window and talks to Homer, who is behind the bars with his hands gripping them and his face pressed near the bars, wearing a white collar. Moe first raises his hand to his forehead, then rubs his eyes and face with his hand, and then gestures with both open hands while speaking. The bars are blue-grey against a pinkish-tan wall with a dark purple sky visible behind them.

> All right, all right. I'll use the money to bail you out.

Frame: https://ultrahouse3k.com/img/S09E16/923631.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/926551

## 15:30–15:40

Homer, behind the bars of a jail cell window, clutches the bars and chews a donut while looking worried, with Moe, the grey-haired bartender, standing outside at the left edge. Homer reaches out and grabs Moe by his collar through the bars as Moe protests. Outside a building with a JAIL sign, a woman in a light blue top and skirt with a short reddish bob stands near Moe, who wears red suspenders, and then Moe walks away with his arm around her toward the steps.

> Harrymo, at 3 o'clock they're going to put us in the exercise yard.
> The exercise yard!
> Is everything okay, honey? Your shirt is so dry.

Frame: https://ultrahouse3k.com/img/S09E16/931556.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/935726

## 15:40–15:50

Moe, the grey-haired bartender in suspenders and a white shirt, and a woman with a short dark-red bob, light blue top and blue skirt, are first on a building's front steps, where she clutches his shoulder and he grimaces while holding a fold of cash. They then move together down the steps, with her gripping his waist and pointing up toward the street, before stopping in front of a red storefront with a Springfield Travel sign. The travel window shows a Hawaii display with a surfer riding a wave, a leaping dolphin, hula dancers and a volcano with a HAWAII banner.

> Yeah, yeah, I'm okay. There's just something I gotta do.
> Oh, look at that.
> Hawaii.
> Oh, that looks so romantic.

Frame: https://ultrahouse3k.com/img/S09E16/941983.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/945945

## 15:50–16:01

Moe, the grey-haired man in red suspenders and a light blue shirt, stands at a counter beside a dark-haired woman in a blue top and red lipstick, a one-off character, with a street of houses visible through the window behind them. In front of them sits a lumpy brown object scattered with small brown pieces, next to a small white box. Moe grins and gestures with his hands, then the woman leans toward him, rests her hand on his chest and then his face, and wraps her arms around him while he smiles with half-closed eyes.

> Well, if Hawaii's what my baby wants, Hawaii's what my baby gets.
> Oh, no, that's too expensive.
> Let's just get a can of poi and eat it in the tub.

Frame: https://ultrahouse3k.com/img/S09E16/951993.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/956164

## 16:01–16:14

Moe, the grey-haired bartender in a white shirt and red suspenders, walks outside Springfield Travel with a brunette woman in a light blue top and teal skirt, holding cash in his hand and linking hands with her. They pass a Hawaii poster in the window and reach a glass door marked OPEN, where Moe pauses and smiles while turning toward a nearby building with a partly visible JAIL sign. Through a barred window, Homer, bald with stubble, peers out as Moe watches him and the woman glances sideways beside him.

> No, no, no. We're going for the real thing.
> First class all the way.
> Come on, we can leave tonight.

Frame: https://ultrahouse3k.com/img/S09E16/962420.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/967633

## 16:14–16:25

Moe, the grey-haired bartender, counts a fat stack of dollar bills against a red brick wall, then Homer, bald and in a white shirt and blue pants, stands in a jail cell while a police officer with a baton walks the corridor past the bars. Homer later sits chained to the wall on a wooden bench, then turns to a barred window, and the view opens onto a street where a woman and a man walk toward the entrance of Springfield Travel, whose window shows a Hawaii poster.

> Ten minutes till fresh air and exercise.
> Hurry up, Mo. For the love of God, hurry up.
> Hawaii, here we come.

Frame: https://ultrahouse3k.com/img/S09E16/975141.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/979520

## 16:25–16:32

Moe, the grey-haired bartender, and a brown-haired woman with an orange hibiscus in her hair, both wearing Hawaiian leis, stand on a sidewalk in front of a beige house while Homer, bald and yellow, peeks out of a barred basement window in the background. The woman stretches her arms out in front of her while Moe gestures and talks, then he grabs her arm and pulls her as they move, until she slips out of the left edge of the scene and Moe, still wearing his lei and suspenders, walks off to the left, leaving the empty street with Homer still watching from the window. No on-screen text is visible.

> Ananakuli makawani ananana lulu waa.
> Hawaii?
> What about Hawaii?

Frame: https://ultrahouse3k.com/img/S09E16/986194.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/988488

## 16:32–16:44

Homer Simpson, bald with a yellow face and white shirt, stands behind the barred window of a jail cell, gripping the bars with his yellow hands and looking alarmed as he shouts and then falls quiet, his mouth opening and closing. Chief Wiggum, the fat police chief in a blue uniform, appears behind the cell bars on the left, and Homer turns away from the window toward him before the view fades to black. The scene then cuts to an empty pink corridor with a blue floor, cell doors lining both sides and a light-blue door at the far end.

> Mo? Hello? Who's going to Hawaii?
> Am I going to Hawaii?
> Stop saying Hawaii in there.
> Let me out! I'm innocent!

Frame: https://ultrahouse3k.com/img/S09E16/993284.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/998498

## 16:44–16:55

Homer Simpson stands behind the bars of a jail cell, gripping the bars with both hands while his mouth opens in distress and his eyes bulge. He slumps, rubs his face and eyes, and then looks sullenly through the bars. Chief Wiggum, the fat police chief in a blue uniform and cap, stands with his arms folded beside the cell in a pink-walled room with a blue floor, and he grimaces and looks on. A pair of handcuffs and a nightstick hang from Wiggum's belt.

> I changed my mind!
> I don't want to be in here anymore!
> Forget it, Simpson.
> You're going to the chair.
> The interrogation chair.

Frame: https://ultrahouse3k.com/img/S09E16/1006005.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1010384

## 16:55–16:58

Homer, the bald, heavy man in a white shirt, first grips the bars of a jail cell with both hands, looking anxious and wide-eyed, then sinks his face against the bars, eyes shut and mouth open. He then straightens up, pressing his face tight with a clenched grimace, and his eyes widen in alarm. In the last frames, he sits in a bar with purple booths, a red table and a 'Duff Beer' sign on the wall, where he reaches in to grab and lift a brown suitcase and set it on the table, its brass latches visible.

> Plug it in, boys.

Frame: https://ultrahouse3k.com/img/S09E16/1016849.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1017266

## 16:58–17:10

Moe, the grey-haired bartender in a white shirt, blue bow tie and blue apron, stands behind the bar at his counter with an open wooden box in front of him. He reaches into the box, lifts out two pineapples, then pulls out a pink thong and dangles it while looking sidelong. He next holds the pink item up to his face, then drops it back into the box and tosses small items aside. Blue paper pennants hang on the wall, a yellow Duff Beer sign is behind him, and shelves of bottles stand in the background. In the final close-up he opens his mouth wide and grins with a startled, excited expression.

> Ukulele?
> Pineapples? Beach pistol?
> Scandalously revealing thong?
> Going somewhere?

Frame: https://ultrahouse3k.com/img/S09E16/1019977.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1024774

## 17:10–17:23

Moe, the grey-haired bartender in a bow tie and vest, stands behind the bar of his tavern with its red ceiling, green walls and argyle panels, first gesturing with his hands and then pointing at a translucent, ghostly figure of Homer, bald and heavy in a white shirt, who stands at the bar and lifts an arm to point back. Early on, a faded see-through figure hovers in the empty bar near a jukebox and a trash can, and later Homer thrusts his arm forward, mouth open, as Moe jabs a finger toward him. Bottles and glasses sit on the shelves behind the bar, and a small pennant reading "Duff" hangs on the wall.

> Homer!
> No!
> You killed me!
> No, no, you ain't dead. You're just in jail.

Frame: https://ultrahouse3k.com/img/S09E16/1031656.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1037286

## 17:23–17:33

Homer, the bald, heavy man in a white shirt, stands behind a counter in a room with a red ceiling, a green wall, and blue pennants reading "Atomic" and "Springfield" beside an argyle-patterned panel and a barred window. He first stares ahead with his mouth open, then scowls and grits his teeth while turning to the side, and then he raises one arm to point at the pennant as his other hand grabs his head in agitation. The whole scene is rendered in a translucent, tinted overlay.

> Oh, right.
> Wait a second! I'm in jail because of you!
> You were my friend and you betrayed me!

Frame: https://ultrahouse3k.com/img/S09E16/1045002.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1048756

## 17:33–17:42

Moe, the grey-haired bartender in a white shirt, black bow tie and dark vest, stands behind the bar of his tavern, which is lined with bottles, a cash register and glasses, with pennants hanging above. He starts out with a troubled, sidelong look and then gestures with both hands open at his sides while speaking. He then lifts both hands to his face and presses his palms against his head in a distressed, frowning pose, and he holds that position through the final frames.

> Oh my God, he's right.
> Oh, how could I treat a friend that way?
> Exactly.

Frame: https://ultrahouse3k.com/img/S09E16/1054595.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1057723

## 17:42–17:50

Moe, the grey-haired bartender in a white shirt, blue suspenders and bow tie, stands behind the bar of his tavern near the cash register and bottle shelves. He first covers his face with both hands in exasperation, then turns to shout at a translucent, ghostly figure that drifts toward the bar, waving his arms as puffs of steam rise from the beer taps. He finally leans on the bar and grips the tap handles with his eyes closed, while the tavern's banners and checkered windows hang behind him.

> Hey!
> Get your mouth off of that!
> You're yelling at me, Momo? Huh?

Frame: https://ultrahouse3k.com/img/S09E16/1063145.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1066482

## 17:50–18:04

Moe, the grey-haired bartender in a bow tie and apron, stands behind the bar under Duff signs and first turns away with his hands raised, then faces a woman with a short reddish-brown bob, a light blue t-shirt and a green skirt, who walks in from a doorway. Across the scene he talks at her, his eyes narrowing and his mouth open, while she stands by the bar, gesturing with open hands, pressing a hand to her head and fidgeting with her lips. The bar's background shows a Duff sign, a framed picture, a cash register and a jukebox.

> No.
> No, no, no. It's just that, um...
> Er... Renee, there's something I gotta tell you.
> Oh, no.
> You're gay, aren't you?
> Oh, boy, Renee, you sure can pick him.

Frame: https://ultrahouse3k.com/img/S09E16/1071904.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1077535

## 18:04–18:14

Moe, the grey-haired bartender in a white shirt, blue bow tie and dark blue apron, stands behind the bar at Moe's Tavern beside a woman with short auburn hair and a light blue top, who sits at the bar's side near a jukebox and a sign reading Can't Enough Duff. In the first frames Moe gestures with a raised hand and grimaces while the woman's lips are pursed, then Moe gazes sideways, looks uneasy, and gestures with his hand over a tray of snacks. Then the view shifts to a dim jail cell where a hand holding a large gold key and a ring of keys reaches toward a keyhole, and finally Homer sits hunched on a wooden bench chained to the wall beside a toilet, staring ahead with his arms wrapped around his knees.

> Nah, it ain't that.
> What, so you're married? No, no.
> I... Hey, why did you say gay first?
> Mm-hmm.

Frame: https://ultrahouse3k.com/img/S09E16/1085459.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1089630

## 18:14–18:27

Homer, bald and stubbled in a white shirt and blue pants with a chain around his ankle, sits chained to a wooden bench in a grey-walled cell with a blue floor while a bespectacled librarian in a blue cardigan with a 'LIBRARIAN' tag and green trousers pushes a wooden bookcart over to him. Homer takes a book titled 'How to Tunnel Out of Prison' from the cart and lifts it, then swings it at the librarian, who staggers backward and falls to the floor beside the cart. Homer stands over the fallen librarian holding the book, then lifts the bookcart over the librarian's sprawled body, with a toilet, a sink and a barred cell gate visible in the room.

> Would you care for some reading material?
> Hmm, this could be useful.
> So, like a coward, I let Homer take the rap for the whole scam.

Frame: https://ultrahouse3k.com/img/S09E16/1096095.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1100891

## 18:27–18:34

Moe, the grey-haired bartender with a bow tie and suspenders, leans on the bar counter across from a brown-haired patron in a light blue shirt seen from behind, with the back of his head toward us. Behind the bar, bottles and jugs line the shelves, and a 'Ladies Night Tues' sign hangs on the wall beneath a yellow 'Duff Beer' sign. Moe talks and gestures with an open hand toward the patron, grimaces and frowns, then folds his arms on the bar and looks down and to the side with a sullen expression while the patron keeps listening.

> And now the only way to clear him is to turn myself in.

Frame: https://ultrahouse3k.com/img/S09E16/1108190.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1110693

## 18:34–18:45

A woman with a short reddish-brown bob and a light blue shirt leans on the bar counter beside a blue candy machine in a tiled room, first crossing her arms, then touching her chin, shrugging with palms out, and gesturing toward the machine. Moe, the grey-haired bartender in a blue bow tie and suspenders, stands by the cash register and liquor bottles, looking glum, then turns his head away to the side. The scene is a bar with pennants on the wall and a diamond-patterned panel behind the candy machine.

> I don't know what to say. I'm shocked.
> I mean, you broke the law and betrayed a friend.
> Yeah, you're right.
> You shouldn't be wasting your time with a lowlife like me.
> Oh, Mo, don't say that. You made a mistake,

Frame: https://ultrahouse3k.com/img/S09E16/1115489.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1120077

## 18:45–18:59

Moe, the grey-haired bartender in a white shirt, bow tie and dark suspenders, stands in the bar while a brown-haired woman in a light blue top leans on the counter, gesturing with one hand and then pressing her hand to her chest. Moe then moves behind the bar, leans on the counter with a sheepish grin, speaks, and lowers his eyes. A cash register, rows of bottles and a shelf of upturned glasses fill the background.

> but at least you're trying to set things straight.
> Yeah, that's true. That's true, baby.
> It'll be hell being locked away from you, but I guess I gotta take my medicine.

Frame: https://ultrahouse3k.com/img/S09E16/1126959.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1132381

## 18:59–19:09

Moe, the grey-haired bartender in a bow tie and suspenders, and an unnamed woman with a short reddish-brown bob and a light blue top stand at the bar in a tavern. Moe leans on the counter, rests his chin on his hand, grins and points off to the side, then spreads his hands in a shrug while the woman's eyes shift and her mouth opens wide with her tongue showing. Behind them are a pink cash register, shelves of bottles, pennants on the wall, and a blue vending machine beside the woman.

> Unless... Unless I send a letter to the police clearing Homer.
> Yeah?
> Then we go to the graveyard and steal two corpses.
> Oh, my God. We switch clothes with them and leave them in the bar.

Frame: https://ultrahouse3k.com/img/S09E16/1140097.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1144060

## 19:09–19:17

Moe, the grey-haired bartender with a blue bow tie and blue apron, stands behind the bar in a Moe's-style tavern lined with bottles and a cash register, first pointing and gesturing with his hands, then grinning while leaning on the counter, and later lifting a green bottle and pouring an amber liquid onto the bar top. A red-haired woman in a light blue top, who looks like Moe's bar patron rather than a regular, stands beside him, sticking out her tongue and then grimacing as Moe keeps pouring the spilled liquid across the bar. Behind them, a red-and-green diamond-patterned wall, a blue booth and a hanging yellow sign reading D are visible, and the spilled brown liquid spreads along the counter.

> Then we pour some brandy around, like so.
> Yeah, would you hand me my keys? Uh, yeah, here you go.

Frame: https://ultrahouse3k.com/img/S09E16/1150107.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1153027

## 19:17–19:26

Moe, the grey-haired bartender in a white shirt, blue overalls and a bow tie, stands behind the bar of his tavern, first pouring a brown drink from a green bottle that spills over the counter. A woman with a tall reddish-brown hairdo, a light blue top and a brown shoulder bag watches from the left and holds out a small object toward him. Moe then tears open a small matchbook, strikes a match and lights it, holding the flame up while he grins, closes his eyes and smiles. Later he turns toward the woman, still holding the lit match, while she looks on. The final shots show Moe, wearing a white shirt and dark bow tie, looking to the side and then grinning broadly in front of shelves of bottles and glasses. A green bottle, a 'DUFF' sign and a red-and-green diamond-patterned wall are visible in the tavern.

> Then we light a match. And woof, we start a new life in Hawaii.
> Goodbye, Mo.
> Where you going, baby? You going to find the corpses?
> Yes, Mo, I'm going to find corpses.

Frame: https://ultrahouse3k.com/img/S09E16/1158032.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1161786

## 19:26–19:39

A one-off woman with a short reddish-brown bob, a light blue top, a teal skirt and a black handbag stands in a doorway with a red frame, gesturing with one hand, then turns and steps out, pulling the red door open onto a street with a purple sky. Moe, the grey-haired bartender in a blue bow tie and blue vest, stands behind a bar lined with bottles and salt shakers, holding a lit match to a bottle as the flame flares, first grimacing, then grinning and gesturing with his free hand, before squinting and clenching his teeth as the fire keeps burning.

> Uh, what do you want me to come with?
> Renee? Dearest?
> Ah, she ain't coming back.
> Ah!

Frame: https://ultrahouse3k.com/img/S09E16/1167625.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1173255

## 19:39–19:52

The scene opens with a bar counter engulfed in flames beneath a Duff Beer sign, then Moe, the grey-haired bartender, is shown among the fire. Homer, the bald heavy man in a white shirt, pushes a wooden cart of books down a night street lined with pink and blue houses, scowling and then grinning as he leans back while books slip out and scatter onto the sidewalk.

> Uh-oh.
> Must kill Mo.
> Must kill Moe.
> Wee!

Frame: https://ultrahouse3k.com/img/S09E16/1180971.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1186185

## 19:52–20:02

Moe, the grey-haired bartender in blue overalls and a bow tie, and Homer, the bald, heavy man in a white shirt and blue pants, are in Moe's Tavern as flames spread along the bar counter and over the red-cushioned stools. Moe sprays a fire extinguisher at the blaze while Homer comes forward in the foreground, next to an EXIT sign and a red and blue pennant, and grips a long wooden plank. Homer then swings and jabs the plank at the fire as Moe keeps spraying, with the MEN door visible behind them.

> You!
> Homer, thank God. You gotta help me here.
> I'll help you. Help you die!
> Die!

Frame: https://ultrahouse3k.com/img/S09E16/1193275.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1197446

## 20:02–20:12

Moe, the grey-haired bartender with a bow tie and suspenders, and Homer, the bald heavy man in a white shirt and blue pants, are in the bar as a fire spreads across the walls and counter. Moe first stands by a wall phone and a flaming counter, then grips a red fire extinguisher and sprays it at the blaze while Homer, wide-eyed, grabs a burning wooden plank and holds it aloft. Later Homer runs past the bar stools carrying the flaming plank as a burning box flies through the air, and in the final moments he stands close to the camera-facing blaze, squinting and clutching the smoldering wood while flames surround him.

> I gotcha. You're going down, pal!
> Oh, boy.

Frame: https://ultrahouse3k.com/img/S09E16/1203703.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1207456

## 20:12–20:25

Moe, the grey-haired bartender, and Homer, bald with stubble in a white shirt, are trapped in a smoky, burning bar with red-cushioned stools. Moe grips a red fire extinguisher and sprays while coughing and squinting, and Homer leans beside him, dazed and coughing, as flames flare behind them. Both sink to the floor, Moe still holding the extinguisher and Homer lying face down, while fire spreads across the room and a heavyset man in a red shirt and blue trousers stands in a doorway among the flames.

> Oh, I really want to sleep.
> I also sleep.
> Good night, Mommy.
> Mo!

Frame: https://ultrahouse3k.com/img/S09E16/1213713.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1219135

## 20:25–20:36

Barney, the heavy drunk with messy brown hair, first appears in a close-up, wide-eyed and worried, as flames fill the space behind him and bottles glow on a bar shelf. The pink front of Moe's bar, with its sign and fire pouring from the roof and windows, is then shown, and its round-porthole door is seen unlit. Flames surge through the doorway, a red silhouette of a heavy figure appears there, and Barney then strides out of the burning doorway lifting two silver dumbbells labeled "Duff".

> Homer!
> Ah, the boos!

Frame: https://ultrahouse3k.com/img/S09E16/1226851.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1231230

## 20:36–20:41

Barney, the heavy drunk with messy brown hair, wearing an orange shirt and blue jeans, struggles across a blue-tiled room carrying two grey Duff beer kegs on his shoulders, then swings one out to the side as he passes a doorway engulfed in flames. He stumbles toward the burning doorway, dropping the kegs and running in with his feet kicking up as he disappears into the fire. The doorway is then left blazing, and two figures slowly emerge from the flames, a heavy man in a brown vest and a bulky white-haired figure beside him, while Duff kegs lie near the door.

Frame: https://ultrahouse3k.com/img/S09E16/1237695.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1238946

## 20:41–20:53

Barney, the heavy man with messy brown hair in an orange shirt, is at first leaning over Duff Beer cases next to Moe, the grey-haired bartender, and Homer, in his white shirt and undershorts, who are sprawled on a blue tiled floor. Barney stays upright and keeps pawing at the cases, then slumps forward onto the floor, and by the end Moe and Homer lie beside him while Moe speaks and Homer looks on with a worried expression. A glowing red fire burns in the doorway behind them, and the Duff Beer cases sit prominently in front.

> Oh!
> Oh, Homer.
> I've been the world's biggest rat.
> Can you ever forgive me? Oh, I could never stay mad at you, Mo.

Frame: https://ultrahouse3k.com/img/S09E16/1242074.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1247288

## 20:53–21:04

Moe, the grey-haired bartender in a black apron, and Homer, in a white shirt and blue pants, stand over a heavy, brown-haired man lying face-down on the blue tiles in front of the burning Moe's tavern, its sign and flaming windows visible behind them. Moe starts out kneeling beside the prone man with Homer crouched on the other side, then both rise and stand, with Homer's hands clasped at his chest as he talks. Moe and Homer then embrace in front of the fire, with Moe's arms around Homer, and they continue hugging as the prone man remains on the ground.

> After all, you get me drunk.
> Ah!

Frame: https://ultrahouse3k.com/img/S09E16/1254378.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1258758

## 21:04–21:06

Moe, the grey-haired bartender in a black vest, stands behind the bar while Homer, in a white shirt, hugs him from behind and rests his head on Moe's shoulder. Behind them the bar counter is engulfed in bright orange flames, with black smoke rising along the back wall and Duff Beer boxes sitting in the fire on either side. Moe's expression shifts from wide-eyed alarm to a grimacing, tearful look as he is held, while a small glass sits on the tray at the lower right. The flames flicker and the smoke billows throughout as the embrace continues.

> My poor bar.

Frame: https://ultrahouse3k.com/img/S09E16/1265014.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1265222

## 21:06–21:19

Moe, the grey-haired bartender in a bow tie and apron, and Homer, the bald man in a white shirt, stand in front of a burning building with flames and smoke behind them. Moe throws his arms out and cries out, then covers his face with both hands while Homer watches in shock and then pats his shoulder and grips his arm. Moe later lowers his hand and looks miserable, and Homer leans in to comfort him with a hand on his back. The scene ends with Homer grinning beside a sorrowful Moe as the fire glows behind them.

> It's all gone!
> Oh, Mo, Mo, Mo.
> Try those beady little eyes.
> Your buddy Homer will get you back on your feet.

Frame: https://ultrahouse3k.com/img/S09E16/1267725.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1272938

## 21:19–21:29

A jukebox with a spinning record sits empty at first, then a bald man in a red jacket with a foamy beer watches a thin man in a green jacket with swept-back brown hair drink from a glass mug in a booth. Moe, the grey-haired bartender in a bow tie and suspenders, pours beer from a bottle into a glass at the bar, and a heavy drunk with messy brown hair leans over a foamy mug in the foreground. Homer, in a white shirt, holds up baby Maggie with a pacifier and blue bow as the green-jacketed man lifts a frothy mug toward the table.

> Oh, another beer down here.
> Coming right up.

Frame: https://ultrahouse3k.com/img/S09E16/1280237.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1284408

## 21:29–21:41

Marge Simpson stands at the kitchen counter holding carrots while Bart and Lisa face her, and Homer, Maggie, Moe the bartender, Carl and Barney are gathered at the bar table nearby. Early in the moment Bart steps past a small table holding a basket with a white hen, then points off to the side, and Homer drinks from a glass as Maggie watches. Notable details include a Duff! sign above the bottles on the counter, a red pennant on the cabinets, and a sink and stove on the left.

> Hey, there's a balloon machine in the bathroom.
> Kids, from now on, I don't want you touching anything in our house.
> Dart!
> Woo-hoo!

Frame: https://ultrahouse3k.com/img/S09E16/1290664.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1295669

## 21:41–21:44

Moe, the grey-haired bartender in a blue apron and bow tie, and Homer, the bald heavy man in a white shirt and blue pants, stand in a bar with a red stool and a tavern background. Homer holds a red tulip-like cup or bundle of red items, then raises his fists in the air and grins while Moe gestures with open hands. Later Moe and Homer raise their hands high in celebration, then Moe slaps Homer's raised hand in a high five while Homer smiles. A thin man with dark spiky hair in a green sweater sits at the back, and a drinker with messy brown hair sits at the left edge of the bar.

> Yeah, nice shot, Homer.

Frame: https://ultrahouse3k.com/img/S09E16/1302968.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1303177

## 21:44–21:53

Two small figures, one a little taller than the other, walk up the front path toward the entrance of Moe's, a bar with a glowing red neon sign, while parked cars line the street. A pink car pulls in at the right and a puff of white smoke bursts out beside a green sedan, while the figures stop near the door and then a glowing white heart-shaped blob appears over the street. The scene ends with a glowing hand-like shape rising near the bar's door and a tall red rectangular object sliding up from the bottom of the scene in front of the building.

> One German, one Scott, one beer.

Frame: https://ultrahouse3k.com/img/S09E16/1305471.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1309016

## 21:53–22:02

No regulars are clearly identifiable; a faint, indistinct figure stands in the glowing doorway of Moe's bar at night, under the red neon MOE'S sign, with parked cars and a small pale figure on the street outside. The scene then fades to black as credits appear in turn: 'Executive Producer MIKE SCULLY', then 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' fading in and out, followed by 'Starring DAN CASTELLANETA', 'JULIE KAVNER' and 'NANCY CARTWRIGHT' in orange lettering on the black background.

Frame: https://ultrahouse3k.com/img/S09E16/1314855.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1318400

## 22:02–22:12

No Simpsons characters appear; the moment is a black screen with rolling credits in orange lettering. It cycles through names: Nancy Cartwright, then Yeardley Smith, Hank Azaria, and Harry Shearer, followed by Special Guest Voice Helen Hunt and Special Guest Voice Marcia Wallace. Next, Pamela Hayden and Tress MacNeille appear under Also Starring, and then Phil Roman as Animation Executive Producer and Lolee Aries and Michael Wolf as Animation Producers.

Frame: https://ultrahouse3k.com/img/S09E16/1324031.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1327576

## 22:12–22:21

No characters appear in this moment; it is a black closing credits sequence of The Simpsons. Gold lettering on a plain black background shows successive credit cards: Animation Producers Lolee Aries and Michael Wolf, Executive Consultant David Silverman, Story Editors Jane C. O'Brien, Larry Doyle and Matt Selman, Associate Producer Alison Elliott, Theme by Danny Elfman, Music by Alf Clausen, Casting by Bonita Pietila (shown twice), Editors Michael Bridge and Don Barrozo, and Animation Production Manager for Gracie Films Joel Kuwahara. The credits fade in and out one after another with no movement beyond the text itself.

Frame: https://ultrahouse3k.com/img/S09E16/1333207.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1336752

## 22:21–22:30

No characters appear in this black-background end credits sequence; only orange text is shown. The credits scroll through a series of title cards, starting with Post Production Supervisor Dominique Braud-Stiger and Post Production Coordinator Alexander Duke, then Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod, followed by Music Editor Chris Ledesma, Sound Effects Editor Travis Powers and Re-Recording Mixers R. Russell Smith and Bill Freesh. Next come production credits for Felicia Nalivansky, Ron Cox, Terry Brown, Bob Hile, Louise Jaffe, Sony Pictures Studio and Laser-Pacific, then assistant and producer credits, an Animation Produced by Film Roman, Inc. card, Anivision and J.C. Park overseas credits, and storyboard and animation timing credits. The last frames hold on the same storyboard and timing credits, with the names Michael Polcino, Christian Roman and Brad Ableson visible in orange lettering.

Frame: https://ultrahouse3k.com/img/S09E16/1342591.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1345928

## 22:30–22:39

No characters appear in this moment; it is a black-screen end credits sequence from The Simpsons episode 5F12 (1998). Orange text scrolls and cuts between credit cards, starting with background design credits for Lance Wilder, Trevor Johnson, Charles Ragins, Maria Mariotti-Wilder, Joseph Wack, Kevin M. Newman, Matt Groening and Sam Simon, then moving through layout, color, animation production and post-production credits, with the same post-production card reappearing. It ends with the fictitious-persons disclaimer and copyright notice, followed by title cards for Creative Consultant Matt Groening and Executive Creative Consultant James L. Brooks.

Frame: https://ultrahouse3k.com/img/S09E16/1351767.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1355312

## 22:39–22:50

Silhouetted audience members sit in rows of seats in a dim theater, with a bushy-haired figure in the foreground, and no one is identifiable by name. A blue projector beam widens across the screen, and the words GRACIE FILMS appear on it, followed by a black screen reading IN ASSOCIATION WITH. The scene then shows a golden 20th Century Fox Television building with searchlight beams, with A NEWS CORPORATION COMPANY lettering below, before fading to black.

Frame: https://ultrahouse3k.com/img/S09E16/1360943.jpg
Page: https://ultrahouse3k.com/episode/s09e16-dumbbell-indemnity/1364905