# Girly Edition The Simpsons, season 9, episode 21 (S09E21), first aired April 19, 1998. Written by Larry Doyle. Directed by Mark Kirkland. Production code 5F15. Guest stars: Marcia Wallace as Mrs. Krabappel. Couch gag: Smeared. Channel 6 launches a children's news show to satisfy regulators, and anchor Lisa reluctantly adds Bart to the staff. Producer Lindsey Naegle promotes Bart to co-anchor, and his sappy human-interest pieces make him the star, so a jealous Lisa sends him to the dump, where a vengeful Groundskeeper Willie waits. Homer, meanwhile, gets a helper monkey named Mojo, who adopts his slovenly habits. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Krusty the Clown, Apu Nahasapeemapetilon, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Nelson Muntz, Kent Brockman, Jasper Beardsley, Martin Prince, Ralph Wiggum, Groundskeeper Willie, Lewis Clark, Wendell Borton, Richard, Sherri Mackleberry, Terri Mackleberry, Nina Skalka, Janey Powell, Itchy, Long-haired girl, Scratchy, Squeaky-Voiced Teen, Buck-toothed girl, Lewis' lookalike, Old Jewish Man, Lunchlady Dora, Black Weasel, Yellow Weasel, Lindsey Naegle, Lard Lad, Animal Assistants clerk, Apu's helper monkey, Cocoa, Crazy Cat Lady, Gooey, Joe Banks, Major Nougat, Mojo, Ms. Mouse, The Chocobots' leader. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s09e21-girly-edition From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Homer, bald and heavy in a white shirt and blue pants, and Bart, in an orange shirt with spiky hair, appear in a driveway beside a pink car, with Lisa in a red dress riding a red bicycle past the car as Homer leans over its open hood. The scene opens on a blue sky with drifting clouds and the title card 'THE SIMPSONS' gradually appearing in orange letters before cutting to the house with a yellow garage, a mailbox on the lawn, and a red car entering from the lower right. Homer then jumps back with his arms flung out as the red car passes below. > The Simpsons Frame: https://ultrahouse3k.com/img/S09E21/1043.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/6256 ## 0:12–0:23 Homer Simpson, Marge, Lisa, Maggie and Bart sit on the living room couch in the Simpson house, and Homer, in a white shirt and blue pants, first gestures with an outstretched arm while standing near a red couch, then the family settles in. A large hand sweeps across the view, the screen swirls into a colorful spinning vortex, and the scene cuts to a retro television set displaying the on-screen text "CREATED BY MATT GROENING" and then "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON" in yellow letters on a blue screen. Frame: https://ultrahouse3k.com/img/S09E21/13555.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/18143 ## 0:23–0:33 Scratchy, the black cartoon cat from The Itchy & Scratchy Show, and the blue mouse Itchy appear first on the show's title card and then on a pink title card for "The Glass Moan-agerie" with both characters beside the lettering. Scratchy, in a grey suit and red tie, then walks past the red brick storefront of Itchy's Glass-Blowing, with a smokestack puffing grey smoke, and stops at its purple door. He reaches up and presses a white "Apprentice Wanted" sign onto the door. Frame: https://ultrahouse3k.com/img/S09E21/24816.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/28570 ## 0:33–0:46 Itchy, a blue mouse with glasses, and Scratchy, a black cat in a grey suit and red tie, appear in a stone-walled room with shelves of glassware and a glowing red furnace arch, with the credit caption 'Co-Executive Producer' and names such as GEORGE MEYER, DAVID S. COHEN and RICHARD APPEL shown on screen. Scratchy first stands beside Itchy, then Itchy turns to the furnace holding a long metal rod, and in the later moments Itchy uses the rod to thrust Scratchy's head into the glowing opening, where it is pushed back and forth in the red glow until Scratchy is shown dazed and charred. > I want a job. > You got it. > Oh, no. Frame: https://ultrahouse3k.com/img/S09E21/34826.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/39831 ## 0:46–0:53 A blue cartoon mouse with a red-spotted cartoon mouse companion and a dark cartoon cat-like creature appear in this Itchy and Scratchy-style scene. A blue mouse jabs a long metal rod at the cat's head as it pokes out of a glowing orange oven in a room with shelves of glass vases and wine glasses, and a credit reading "Producer DAN GREANEY" is overlaid on the lower half. The scene then cuts to a pink motel at night under a crescent moon, with a green car parked outside and a "Motel" sign, before two blue mice sit in a bubbling hot tub under a glowing "NO VACANCY" sign, one holding a wine glass and the other hugging her with a glass raised. > I quit. > No, no, no. Frame: https://ultrahouse3k.com/img/S09E21/47130.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/49841 ## 0:53–1:04 Krusty the Clown, with green hair, a red nose and a blue bow tie, sits at a wooden table across from a woman in a tan suit with a white ascot and dark bobbed hair, both facing a television labeled CHANNEL 6. The first frames show a glowing NO VACANCY neon sign with a blue cat on the screen, then the screen goes blank and on-screen credits appear: first 'Producer RON HAUGE', then 'Producer DONICK CARY', then 'Co-Producers BRIAN SCULLY JULIE THACKER'. Krusty waves a cigar, gesturing and shaking his head while talking, and the woman holds a remote control and stares sideways with a flat expression. An ashtray sits on the table and the bright blue screen stays empty in the later frames. > Man, you'd think the quality would dip after 5,500 shows. > Well, the FCC isn't laughing. Frame: https://ultrahouse3k.com/img/S09E21/54846.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/59226 ## 1:04–1:16 Krusty the Clown, with green-tufted hair, a purple shirt and blue bow tie, stands at a table in a studio beside a dark-haired woman in a pink blazer and white bow blouse, who sits at the table with a remote in front of her. A blank blue television marked CHANNEL 6 sits behind them, with an ashtray on the table. Krusty holds a cigar, gesturing toward the screen, rubbing it to his lips, then waving his arm and pointing at the screen while the woman glances at him and gestures; smoke drifts above the set and he waves his hand again. Name captions read Consulting Producer Jace Richdale, Ian Maxtone-Graham, David Mirkin, and Bill Oakley & Josh Weinstein across the lower part of the scene. > They don't believe kids are learning anything from Itchy and Scratchy. > Oh, please. > What don't they learn? Don't trust mice, cats are made of glass... Frame: https://ultrahouse3k.com/img/S09E21/66108.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/70696 ## 1:16–1:27 Krusty, the clown with teal hair, purple suit and blue bow tie, stands in a studio office and talks, then holds a cigar, with a poster reading "The Mattel and Mars Bar Quick Energy Chocobot Hour" showing four chocolate-bar robots on the wall beside him. A woman with a short brown hairdo, pink jacket and white bow blouse sits at a desk with a telephone, gesturing and talking, then smiles with her hands clasped while Krusty's back is turned to the viewer. On-screen captions identify her as "Consultant John Swartzwelder" and then "Supervising Director Jim Reardon," and the lower caption reads "Produced by Colin A.B.V. Lewis" in the final shots. > Our license renewal is on the bubble. We need educational programming fast. > What about that Mattel and Mars bar quick energy Chocobot hour? > That's barely legal as it is. Here's what I was thinking. Frame: https://ultrahouse3k.com/img/S09E21/77369.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/81957 ## 1:27–1:30 A woman with a short brown bob, pink jacket and white bow blouse sits in a dark leather chair behind a desk, with a window showing purple mountains behind her and a remote control at the lower left. She talks and gestures with her hands, alternately waving and opening an arm outward, while smiling and speaking. The white on-screen credit text reads "Produced by J. Michael Mendel Bonita Pietila" over the lower middle of the scene. > A newscast for kids by kids. Frame: https://ultrahouse3k.com/img/S09E21/88839.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/89256 ## 1:30–1:42 Krusty the Clown, with green hair, a blue bow tie, purple shirt and white gloves, sits at a desk across from a woman with a short brown bob and a grey jacket, who looks on with a sweat drop on her face. Krusty waves a cigar, shouts and gestures with his gloved hands, then rises and turns toward a wall poster for Chocobot, its text partly visible as 'Quick Energy', before gesturing again with the cigar. Credits such as 'Produced by Richard Raynis', 'Written by Larry Doyle' and 'Directed by Mark Kirkland' appear over the scene. > Well, you're not taking any time out of my show. > It's jammed up as it is. There's the monologue, those idiot puppets, Krusty's nap time. > The second monologue, Paul Harvey, Senior Pepino. Frame: https://ultrahouse3k.com/img/S09E21/91967.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/96555 ## 1:42–1:50 Krusty the Clown, with teal curly hair, a red nose and a lilac shirt with a blue bow tie, stands in a room with a blue door and later a blue wall cabinet and a robot poster reading 'Atomic Energy' first in front of a woman in a pink jacket and white bow blouse seated at a desk with a remote, who sits with her arms folded and speaks while glancing sideways. Krusty holds a cigar, gesturing with it toward the blue door and waving his hands while talking. In the later frames he stands in front of the cabinet with the robot poster on the left, looking worried, mouth open, then lifts the cigar to his mouth and chews on it. The woman is not named here; she is a one-off character with a short brown bob, matching neither Principal Skinner nor Mrs. Krabappel. > I tell you, it's the tightest three hours and ten minutes on TV. > We're cutting ten minutes from your show. > Well, I guess we could trim the hobo parade to a lean 20. Frame: https://ultrahouse3k.com/img/S09E21/103437.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/106565 ## 1:50–2:00 A red-haired, red-bearded groundskeeper in green overalls and a yellow cap rakes fallen autumn leaves beside a bare tree and a chain-link fence, with a large orange leaf pile growing beside him. He pauses, takes a small bottle from his hand and drinks, then walks to a wooden tool shed with a brown door and a small window, and steps inside as the door swings shut behind him. Meanwhile, children play hopscotch and jump on a purple jungle gym in the schoolyard behind him, and a pink ball hangs in the air. > Look, she's a bunny pile. Now for a wee nip and a wee nap. Frame: https://ultrahouse3k.com/img/S09E21/111987.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/115949 ## 2:00–2:13 Milhouse, with blue hair and glasses, stands holding a skateboard on a playground while Bart, in an orange shirt and spiky hair, launches off a swing and flies through the air over the swing set. Bart then lands on a purple merry-go-round near Milhouse's side, and he balances on his skateboard as he rides the spinning merry-go-round. A girl in a dress, a bespectacled girl with a pink shirt and purple hair, and a dark-skinned boy with a purple afro, along with Bart, cling to the spinning rails and are flung off in opposite directions, landing on the playground ground. Bart is seen balancing his skateboard as he flies across the scene, and a jump rope and swing set are visible in the background along with a chain-link fence and a peace-symbol painted on the asphalt. > Ready, Milhouse? > Ready! Frame: https://ultrahouse3k.com/img/S09E21/121997.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/127002 ## 2:13–2:25 Bart Simpson rides down a purple playground slide, then rolls along the blacktop on a green skateboard with purple wheels, pausing to spread his arms while Milhouse, with blue hair and glasses, stands beside him. The scene then pans past a chain-link fence and a backdrop of trees to a pile of orange leaves blowing in the wind. Finally, a red-bearded man in blue overalls and a light shirt, who is not a named regular, scowls from a wooden shed doorway while holding a brown bottle, then steps forward. > You owe me a quarter. I didn't crack my skull. > Rats. > Ah, me pile, it's been reaped of its boniness. Frame: https://ultrahouse3k.com/img/S09E21/134092.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/139306 ## 2:25–2:36 Bart, the spiky-haired boy in a red shirt and blue shorts, stands on leaf-covered grass beside a tree and a chain-link fence, first holding a green skateboard with purple wheels and then reaching out as a red-haired, bearded man in blue overalls and a grey shirt takes it. The man scowls, puffs steam from his nose, and carries the board toward a wooden shed while Bart stares up in alarm and then follows. The man goes inside through the shed's brown door, which closes behind him, and Bart is left at the door with his arms raised. > My board! > It's Willy's board now, and she'll make a fine piece of kindling. Frame: https://ultrahouse3k.com/img/S09E21/146605.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/151193 ## 2:36–2:47 A red-bearded, red-haired man in green overalls and a grey shirt sits on a bed in a wood-panelled room with a blue-paned window and a pin-up poster on the wall. He first holds a green and red striped object and talks, then leans over to turn the dials of an old wooden radio on a red cabinet beside the bed. He finally lies back on the pillow with his eyes closed and his hands on his stomach. > Sorry, Willy can't hear ya. Frame: https://ultrahouse3k.com/img/S09E21/157866.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/162037 ## 2:47–2:58 Bart Simpson, in his orange-red shirt and blue shorts, waves his arms beside a wooden fence and then peeks around its edge at a tanker truck labeled "DANGER! CREAMED CORN" that leaks a black sludge onto the pavement. The sludge winds across the ground and through the grass toward a brick building, where a purple pipe pours it out. Inside, Principal Skinner in a grey suit and tie gestures and rubs his chin beside Mrs. Krabappel, who has a tall brown hairdo, an apron and red lipstick, at a counter heaped with creamed corn. > It's pure. > Hmm. Frame: https://ultrahouse3k.com/img/S09E21/168502.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/173298 ## 2:58–3:10 Bart Simpson, a spiky-haired boy in an orange-red shirt and blue shorts, stands beside a wooden shed and then climbs onto its roof, where he pours a thick, yellow creamy liquid from a tanker truck labeled DANGER! CREAMED CORN, which runs down the shed's side. On the roof he pulls a dark hose-like tube and sits with it, grinning and then looking uneasy as the stuff pours out, before he slides down the shed wall and walks away along a fence. In the final frames, a red-haired figure lies in bed in a wooden cabin with a pile of creamed corn heaped in front of a stove, a radio on a nightstand, and a framed picture on the wall. > I really didn't want it to come to this. Frame: https://ultrahouse3k.com/img/S09E21/179971.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/184559 ## 3:10–3:23 Principal Skinner, a neat grey-haired man in a blue suit, sits behind a large black desk in his office, a cigarette-like pencil held between his clasped hands. Lisa, the girl with star-shaped spiky hair in a red dress and a pearl necklace, sits across from him in an orange chair. In the first frames he sits with his hands clasped and a slight smile while she looks at him, then in the later frames the scene shifts to a room with red chairs and framed pictures, where Skinner smiles at Lisa and she grins, then gasps and holds her cheek with a hand, and finally puts her hand to her cheek and looks thoughtful. A green desk lamp and a sign reading PRINCIPAL SKINNER on a purple door are visible. > Lisa, Channel 6 is launching a children's news program, > and they've asked me to select an outstanding student-to-be anchor child. > Oh, my gosh! Today's top story, Little Girl on Cloud Nine and Stream Comes True. Frame: https://ultrahouse3k.com/img/S09E21/191441.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/196863 ## 3:23–3:33 Principal Skinner, with neat grey hair and a blue suit, sits behind a desk in a red wingback chair, steepling his fingers around a pencil while he talks to Lisa Simpson, who sits across from him in a pink chair wearing her red dress and pearl necklace. The office has framed certificates on the wall, a green desk lamp, a potted plant, and a bookshelf. Lisa first watches him intently, then leans back and laughs with her mouth open, then folds her arms and looks unimpressed while Skinner keeps gesturing with the pencil. > Lisa, I've selected you to be that child anchor. > I know. I already jumped to that conclusion. > Oh, all right. > If you're so smart, tell me who I selected to be Lunchroom Monitor. Frame: https://ultrahouse3k.com/img/S09E21/204371.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/208542 ## 3:33–3:38 Lisa Simpson, with her star-shaped spiky hair, red dress and pearl necklace, sits smiling at a desk by a telephone and window in an office. Smithers, the thin assistant with glasses, is not present; instead a balding, grey-haired man in a blue jacket and pink tie sits in a red armchair, pencil in hand, beneath certificates on the wall, with a green desk lamp and blue telephone on the desk. He glances down, grits his teeth, and tears a paper labeled MONITOR while Lisa keeps smiling. The scene then cuts to a wooden shed with a red door, where a tanker truck labeled DANGER! CREAMED CORN has a black hose running across the grass to the shed roof, where a yellow ... sits on a dark pipe. > Me? > Take your sash and go. Frame: https://ultrahouse3k.com/img/S09E21/215006.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/216049 ## 3:38–3:46 A stocky yellow-skinned man with bushy red hair, a huge red moustache and a grey shirt under green overalls is buried in a heap of yellow straw against a wooden wall beside a small blue-paned window. He struggles and squirms, his head and shoulders sinking and rising as he grimaces, gapes and glances sideways, and then he tries to pull himself free, clawing at the straw, while a dark doorway stands to the right. He ends up chest-deep in the straw, wide-eyed and open-mouthed, staring toward the doorway. > This isn't right. This isn't right at all. Frame: https://ultrahouse3k.com/img/S09E21/219386.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/222514 ## 3:46–3:54 A stocky man with bushy red hair, a large red moustache and blue overalls is buried in a heap of yellow grain against a wooden barn wall beside a dark door. He opens his mouth wide, grimaces and squeezes his eyes shut, then grins with clenched teeth while sinking lower until only his head and shoulders stick out of the grain. Yellow oats fill the foreground and spill over the top of the pile. > I'll have to eat my oats. > Ah, it's terrible. Frame: https://ultrahouse3k.com/img/S09E21/227728.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/230856 ## 3:54–4:06 Bart Simpson, in his orange-red shirt, leans out of a purple-framed window of a brick house with a woman with purple hair and a figure in a red cap and white shirt beside him, while yellow splats fly around them and across the wall. He then drops onto a green skateboard with purple wheels and rides down the brick wall onto the grass. Later, Bart sits at a desk with a skateboard and a paper, looking out a window at a pile of yellow foam and broken wooden planks where a figure in a red cap and blue clothes is digging and sinking into the debris, beside a wooden shed covered in yellow foam and a black smoking pipe. > My shark! > My beautiful shark! Frame: https://ultrahouse3k.com/img/S09E21/236069.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/240866 ## 4:06–4:14 Bart Simpson, in an orange shirt and holding a green skateboard, and Milhouse, with blue hair, a pink bow and glasses, watch from a broken-glass window of an orange brick house while straw and debris spill out. Outside on the lawn, Sideshow Bob, with a huge mane of spiky red hair, sits in a heap of hay beside broken wooden fence boards, and two nurses in white caps and aprons approach, then lift him onto a white stretcher. Later, Bart sits at a pink desk in a green classroom with a pencil and paper, glancing out the window as the nurses carry Bob away across the yard. > And I just got it the way I like it. > You did this, Bart Simpson! Frame: https://ultrahouse3k.com/img/S09E21/247748.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/250667 ## 4:14–4:26 Bart, the spiky-haired boy in an orange shirt, sits at a classroom desk beside a girl with long purple hair, a pink bow and a pink sweater, and the two talk and gesture at each other, with the girl pointing toward the desks. Then a red-haired, red-mustached bully in a grey vest grabs Bart by the leg and dangles him out of a window, his blue shoe flying off as he yells, while other kids watch from the window. In the final moment the bully's arm rests on the sill as a girl with a hair bun looks on, and Bart's shoe is held in the air above the desks as his legs are dragged out of view. > The man knows quality work. This time you're in for it, Bart. > What's he gonna do? > I'll kill ya! > All right, back on the stranger. Frame: https://ultrahouse3k.com/img/S09E21/256089.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/260677 ## 4:26–4:34 Lisa Simpson, the girl with star-shaped spiky hair and a red dress and pearl necklace, appears in the first frames of a house exterior at dusk with its garage and fence. Inside the pink dining room, Marge Simpson, with her tall blue beehive, stands by the table holding a plate and a vase of red flowers, while Lisa sits at the table reading from a notepad. Lisa then stays seated at the table in a doorway setting holding a blank spiral notepad, her eyes wandering and her mouth opening as she talks, then smiles and gestures with one hand. Her expression shifts to a wide-mouthed grin and she raises her hand to the notepad, with a red stool, blue rug and a lamp visible behind her. > And I'll be able to tackle all the hard-hitting children's news the grown-up controlled > media won't touch. Plus, they get to be on TV. Frame: https://ultrahouse3k.com/img/S09E21/267350.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/270479 ## 4:34–4:41 Marge Simpson, with her tall blue beehive and red bead necklace, stands in a green dress in front of a gold curtain, holding a stack of light blue plates and a red oven mitt. Over the sequence she keeps the plates steady in her hands while her eyes shift and her expression changes, grinning widely at one moment, then smiling with eyes half-lidded, and at the end she looks down with a closed-mouth smile while still holding the plates. > Oh, honey, I'm so proud of you. > All your hard work and grade grubbing have finally paid off. > So who's on your news team? Frame: https://ultrahouse3k.com/img/S09E21/275692.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/277986 ## 4:41–4:49 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, and Bart Simpson, the spiky-haired boy in an orange shirt, sit together at a table in a pink room, with a red stool and a purple cabinet behind them. Bart holds a blank spiral notepad while Lisa talks, gesturing with her hands and folding her arms at one point, and Bart reacts with wide eyes, grimacing, and then speaking. Across the moment Lisa's expression shifts between sharp and skeptical and Bart's between nervous and smug, as they trade lines over a notepad that stays blank. > Nerd. Nerd. > Nelson! > Well, he used to date, plus he threatened me. > Well, don't worry about sports. I got that covered. Frame: https://ultrahouse3k.com/img/S09E21/282157.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/285285 ## 4:49–4:57 Lisa Simpson, a girl with spiky star-shaped hair in a red dress and a pearl necklace, and Bart Simpson, a spiky-haired boy in an orange shirt, sit side by side at a table in a pink room with a shelf of ceramic items behind them. Lisa holds a spiral notebook and talks animatedly, gesturing with her hands clasped and then pointing at Bart, who frowns, folds his arms and stares at her. Lisa's mouth opens wide as she speaks and she leans toward him, then Bart raises his hands and later speaks with his mouth open in surprise while Lisa looks on with a flat expression, still holding the notebook. > Back off, Bart. > This may be the only chance I get as a second grader to produce my own TV show, > and I'm not gonna let you screw it up. Mom! Frame: https://ultrahouse3k.com/img/S09E21/290499.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/293627 ## 4:57–5:06 Marge, Lisa and Bart stand at a dining table in the pink kitchen, Marge holding a stack of plates while Lisa clutches a notepad and then gapes in alarm, and Bart looks on with a sour, tongue-out expression. The scene moves to the Kwik-E-Mart storefront, with a pink car parked outside and a sign reading "Kwik-E-Mart" above the entrance. Then a yellow hand reaches into a display box labeled "NEW! Bubble Crum, It's Crun-Chewy!" and takes out a pink pack of gum. > Let your brother do sports. > Mom! > That mom stuff doesn't work on me. > Ooh, the gum with the cracker center. Frame: https://ultrahouse3k.com/img/S09E21/298840.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/302385 ## 5:06–5:19 Homer, the bald, heavy man in a white shirt, stands at the Kwik-E-Mart counter holding a pink packet of gum, first looking at it wide-eyed and then reaching toward a pile of cash, as a grey monkey in a green jacket crouches behind the register beside stacks of Duff cans. Homer then jerks back in alarm with his hands clutched at his chest in front of shelves of Sweet Treat boxes, while the monkey stares blankly from behind the counter. Apu, the store's owner, rolls into view in a wheelchair near the coffee machines and looks over at the monkey beside the register, which has GIVE labels on its tray. > Mm. > That'll do it, Appu. > Ah! Do not be alarmed. > That is just my helper monkey, sir. > I got him after a robber shot me six times and left me for dead. Frame: https://ultrahouse3k.com/img/S09E21/308016.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/313438 ## 5:19–5:30 Homer stands at the counter of the Kwik-E-Mart, facing Apu, a man in a green shirt seated in a wheelchair, while a small grey-haired old man in a green sweater sits behind the counter with a monkey on his shoulder. Homer looks on, then raises a hand to his chin and bites his fingers in thought, next standing before a red Snack Treat rack. Then the scene cuts to the Kidz Newz set, where Milhouse, in a pink shirt and red shorts, hangs from a rail on the right beside a rainbow backdrop and sign, while a grey-haired figure sits at the news desk with the sun and sailboat painted behind. > Helper monkey, eh? Frame: https://ultrahouse3k.com/img/S09E21/320946.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/325116 ## 5:30–5:40 Nelson, in a blue vest over a pink shirt, and Lisa, with spiky hair, pearls, a blue jacket, a red skirt and a briefcase, are on a studio set with a rainbow backdrop and a large black recording unit on a stand. Nelson first stands grinning and gesturing, then raises both hands in the air, while Lisa walks in with her briefcase and looks toward a pink chair where Bart, in an orange shirt, sits with his legs crossed and hands clasped. Bart's expression shifts from a half-lidded smirk to a grimace and then an open-mouthed grin as he leans back, with TV monitors on stands showing the scene. > Hey, I'm on TV, fart! > Come on, quit fooling around, you guys. > So, we meet again, Mr. Bond. Frame: https://ultrahouse3k.com/img/S09E21/331373.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/335335 ## 5:40–5:50 Lisa Simpson, in her blue jacket, pearl necklace and red dress and carrying a brown briefcase, stands at the left in a purple-tiled hallway beside a green EXIT sign and double doors, while Bart Simpson, in an orange shirt and blue shorts, sits in a pink armchair in front of a rainbow. Lisa, first facing the chair with her mouth open, then turns to Bart, who is seated with one leg crossed and an arm stretched out toward her, and he gestures back as she reacts. The scene then shifts to Lisa alone outside the doors, where she grimaces, looks around and speaks, then clutches a brown clipboard and gestures with her fist while talking, with a green tree and the rainbow behind her. > Fart, get out of my anchor chair. > Silence, Octopussy. Come on, this isn't a joke. > All over town, kids are just waking up from their naps cranky and hungry for the news. Frame: https://ultrahouse3k.com/img/S09E21/341591.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/345554 ## 5:50–6:02 Lisa, Bart, and a boy with blue hair and glasses stand near a Kidz News counter with a rainbow mural while an older man in a red jacket and white bib, accompanied by a thin man in a green shirt, walks out through an EXIT door, and the older man reaches toward Lisa's face. The scene then cuts to an "ANIMAL ASSISTANTS" storefront with a sign reading "AS FELT IN BRAILLE WEEKLY," and inside, Homer, in a white shirt and blue pants, carries a pet carrier toward a counter where a mustached man in a blue suit and glasses sits behind a window. Monkeys, a green parrot, a black cat, a grey monkey, a brown dog, and a white cat are among the animals on display. > Wow, Ken Brotman. > Good luck, kids. > Where the hell's my grilled cheese? > I'd like a monkey, please. > And maybe one of those dogs. What do they do? Frame: https://ultrahouse3k.com/img/S09E21/351601.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/356398 ## 6:02–6:15 Homer Simpson, bald and heavy in a white shirt, stands at a counter across from a man with red hair, glasses, a moustache, a blue jacket and a purple tie. A brown monkey hangs from a yellow bar in the background while Homer talks, gestures with a raised hand, and listens. The man speaks and nods, and the scene cuts to close-ups of him on a wall with a corkboard and papers, with a pink box on the counter. > Uh, they serve as seeing eyes for the blind, sir. > Do they do any other tricks? > No. > Just the monkey, then. Uh, may I inquire as to how you are differently abled? Frame: https://ultrahouse3k.com/img/S09E21/363280.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/368702 ## 6:15–6:29 Homer Simpson, bald and heavy in a white shirt and blue pants, and a man with a moustache, glasses and a blue suit with a purple tie stand on opposite sides of a long grey table in a plain office with a small orange wooden folding ruler standing on it. Homer gestures with his arms, laughs with his mouth open, and then points at the man, who stands with his hands resting on the table and talks calmly. The man is alone at the table in the last moment, while Homer is gone from the right side of the frame. > Oh, I'm not handicapped. I'm just lazy. > Sir, helper monkeys are only for the physically challenged or enfeebled. > Enfeebled? Ooh, I know just the guy. > Be right back. Frame: https://ultrahouse3k.com/img/S09E21/376209.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/382048 ## 6:29–6:42 Homer and Grampa, the wrinkled old man with white tufts of hair, stand on a city sidewalk beside a red storefront whose sign reads partly as "ANI" and "AS FELT IN BRA". Grampa leans on a cane and walks out of the shop with a small brown monkey at his side, and the two make their way to a boxy pink car with a "300" plate. Homer opens the driver's door and climbs in while Grampa stands beside the car holding his cane, with the monkey perched near the open door, and then Grampa is left alone on the sidewalk in front of the row of buildings. > Oh, son! > This monkey's gonna change my life! > Mind if I take him for a ride? Sure, I'll just stand here. > Mmm, I can't wait to eat that monkey. Frame: https://ultrahouse3k.com/img/S09E21/390181.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/395812 ## 6:42–6:54 Grampa Simpson, the wrinkled old man in a pink coat, stands outdoors in front of a brick building with a window and a green bush, first looking to the side and then smiling and speaking. The scene then shifts to a purple-walled room with a globe on a wooden stand, where Nelson, the bully in a blue vest over a salmon shirt, spins the globe with one hand and then holds a microphone while speaking and gesturing. The globe slows and turns to show Africa, then the Pacific and Asia, and finally the Americas as Nelson talks into the microphone. > And now, Kids News! > With Kids News anchor, Lisa! > Thank you. Frame: https://ultrahouse3k.com/img/S09E21/403737.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/408742 ## 6:54–7:07 Lisa Simpson, the girl with star-shaped spiky hair in a blue jacket, red dress and pearl necklace, stands behind a desk reading from a sheet of paper in front of a 'KIDZ NEWZ' sign. Across the moment she looks down at the paper, then glances up and speaks with her mouth opening and closing, her eyes shifting and her expression changing as she reads. The scene is a cartoon news set with a blue sky, a white cloud and a rainbow at the left edge. > Our top story today, in a move that could affect children town-wide, > the Library Book Purchase Committee slashed its budget by 3%. > First on the chopping block, periodicals. Frame: https://ultrahouse3k.com/img/S09E21/416041.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/421254 ## 7:07–7:09 Krusty the Clown, with blue-green hair, a blue bow tie, and a pink shirt, stands beside a brown-haired woman in a grey jacket and bow tie in a purple control room with a wall clock and a monitor showing Lisa Simpson with spiky hair. Krusty starts with a calm stare, then opens his mouth to speak and grimaces, while the woman keeps her eyes on the screen and then narrows them and glances sideways with a sour look. As the moment ends, Krusty's eyes roll and he keeps grimacing, and the woman's face sours further as she stares ahead with pursed lips. > Boring! > And now, sports. Frame: https://ultrahouse3k.com/img/S09E21/428553.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/428345 ## 7:09–7:18 Bart Simpson, the spiky-haired boy in a green plaid jacket over a dark turtleneck, sits behind a desk in front of a KIDZ NEWZ sign, reading from a sheet of paper as he anchors a segment. He looks up, gestures toward the side, then picks up a red dodgeball and holds it up while grinning and talking. He sets the ball aside, spreads his hands in front of him, then returns to the desk with the paper, speaking and smiling. Notable objects are the KIDZ NEWZ sign, the sheet of paper, and the red dodgeball. > Bart Simpson telling you to lock the doggy in the barn because here comes dodgeball > action. > The shirts continued their domination over the skins today. Frame: https://ultrahouse3k.com/img/S09E21/430221.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/433767 ## 7:18–7:27 Bart, the spiky-haired boy in a green plaid jacket over a dark turtleneck, sits behind a desk in a blue-screen studio labeled KIDZ NEWZ, with a painted backdrop of two bald, scowling men with hooked noses, and reads from a sheet of paper. As he reads, he turns to show a grey dog-do-on-a-stick style prop by lifting a grey dish-shaped object and a small gavel-like mallet, then pauses wide-eyed and open-mouthed, looks down at the paper, and finally points with both index fingers toward the side while grinning. The paper, clutched in his hands, is set on the desk throughout. > And in schoolyard fights, the highly anticipated match between Kearney and Mr. > Largo ended in a disqualification for use of dog-do on a stick. > Lisa? Frame: https://ultrahouse3k.com/img/S09E21/439189.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/442525 ## 7:27–7:38 Lisa Simpson in her blue jacket and pearl necklace, Bart Simpson in a green jacket over a dark turtleneck, and Milhouse in a blue cap, glasses and red tie sit at the Kidz News anchor desk under a yellow sun and cloud backdrop. A brown-haired woman in a beige suit holding a clipboard and pen, who looks like a network staffer, walks over to the desk, while Milhouse glances over and Lisa reads from a paper in her hands. The woman later stands at the desk, talking and gesturing with her pen toward the sun, as Bart and Lisa look on and a sheet of paper lies on the desk, and near the end she taps the desk with her pen while Bart looks uneasy. A sign reading KIDZ NEWZ hangs above the set, with studio lights overhead and a control booth window in the background. > And we are out. > All right, kids. We learned a lot today. > Now, this is what makes my job difficult. > Bart, you're off the sports beat. What? Sorry, Bart, Frame: https://ultrahouse3k.com/img/S09E21/448156.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/452535 ## 7:38–7:48 Bart Simpson sits at a news desk on a sunny studio set, his eyes wide and mouth open, with a sheet of paper in front of him. Lisa Simpson, in her blue jacket and pearl necklace, leans in beside him with a hand on his shoulder and gestures as she talks. Mrs. Krabappel, in a pink suit with a white bow blouse and a tall brown hairdo, stands in a purple-tiled room holding a blue pen. Back at the desk, Bart grins and strikes a round grey gong with a mallet while Lisa looks on, and in the last moment he lifts the gong with his other hand. > but you gotta take something seriously. > From now on, you're Lisa's co-anchor. > What?! Ooh, that's gotta hurt. Frame: https://ultrahouse3k.com/img/S09E21/459209.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/463588 ## 7:48–8:01 Bart and Lisa stand on a rooftop set with a rainbow behind them, beside a news desk with two purple chairs, while a tall woman with a brown bouffant, pink suit and white bow stands at left. Bart, in a green turtleneck and plaid jacket, touches his chin and gestures with his hand as he talks, then the two turn toward each other and Lisa, in a blue jacket, red dress and pearl necklace, raises her hands and speaks, with Bart glancing toward her. A blank opening and a green Channel 6 building with a 'CHANNEL NEWS' sign bearing a portrait of Kent Brockman, a Channel News van and a helicopter on the roof, appear at the start of the scene. > Anchorman, huh? > Well, if I'm gonna be an anchorman, I better go bleach the crud off my teeth. > I'll be in makeup. > I don't need a co-anchor. I'm a straight-A student. Frame: https://ultrahouse3k.com/img/S09E21/470053.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/475266 ## 8:01–8:11 Lisa Simpson, with spiky yellow hair, a blue jacket, pearl necklace and red dress, stands facing a woman with a short brown bouffant, tan suit and white bow blouse in front of a rainbow painted on a wall with a green bush and purple tiles. The woman talks and gestures with her hands, sweeping toward the bush and pointing with a finger while Lisa looks up at her. The scene then shifts to a seaside setting with a sailboat and a sun, where Lisa, wide-eyed, spreads her hands palms up and shrugs before returning to the rainbow backdrop as the woman keeps gesturing. > Lisa, Bart's got something you can't learn in school. > Zazz. > What is zazz? Zing, Zork, Kapauza, call it what you want. > In any language, it spells Mazuma in the bank. Frame: https://ultrahouse3k.com/img/S09E21/482565.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/486736 ## 8:11–8:23 Lisa Simpson, the girl with star-shaped spiky hair in a blue jacket, pearl necklace and red dress, stands facing a woman with short brown hair in a beige suit and white bow blouse, who is not one of the regulars. They begin at a counter in front of a sailboat-and-sun backdrop, where Lisa's eyes go wide, her mouth opens as she talks, and then she squeezes her eyes shut and grimaces. Later the woman turns and gestures toward a large black studio unit on a stand, with a rainbow and purple wall behind them, while Lisa glances at it and then holds out an open hand as she speaks. > Zork? What is Zork? > I didn't say Zork. > The point is, the camera loves him. > But that trivializes the whole idea of kids' news. > I mean, let's be honest. > Bart's not exactly the brightest penny in the fountain. Frame: https://ultrahouse3k.com/img/S09E21/492993.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/497789 ## 8:23–8:37 Bart Simpson, a spiky-haired boy in an orange-and-green plaid shirt over a green turtleneck, sits at a vanity with a lit mirror in a red bedroom, brushing his teeth and then holding a toothbrush-like tool to his mouth, while his reflection in the mirror mirrors him. A small TV on the wall shows Lisa in a red dress on a Kidz News set with a rainbow backdrop and the sign reading KIDZ NEWS, with a grey-haired news anchor beside her. Bart stops brushing, looks ahead at the mirror, and the scene ends with him still seated at the vanity holding a brush near his mouth, with a pink slipper and bottles and a red canister on the counter. > In English, Lisa? > Goddamn blueberry stains. > Look, I love Bart, but he's never even read a newspaper. > Between you and me, he's, well... > Kind of dumb. Frame: https://ultrahouse3k.com/img/S09E21/504671.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/510510 ## 8:37–8:41 Bart, the boy with spiky hair in an orange-trimmed green jacket over a dark turtleneck, stands before a mirror framed by round bulbs in a room with a colorful abstract painting on the wall. He first looks wide-eyed and open-mouthed, then his expression sags into a worried, downcast look with his eyes drifting sideways and his mouth turned down. The scene then cuts to the Simpsons' house, a two-story pink-and-tan home with a brown roof, pink front door, and a blue mailbox on the lawn, which stays unchanged across the final frames. > Hmm. Frame: https://ultrahouse3k.com/img/S09E21/518643.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/519477 ## 8:41–8:54 Marge Simpson, with her tall blue beehive and green dress, sweeps and mops around the Simpsons' kitchen while a brown monkey, Mojo, scampers across the counters, stove and floor. Homer, in his white shirt and blue pants, peeks out from the pink doorway, then stands by the table as the monkey climbs over the table and fridge while Marge swings a broom at it. Marge chases the monkey with a broom and mop handle around the table and counter near the sink, while Homer gestures and stares, and the monkey ends up on top of the green refrigerator behind him. > Is there a problem, honey? > Monkey! > There's a monkey in the house! > Relax, it's only Mojo. > Mojo, Marge. Marge, Mojo. He can do anything you show him. Frame: https://ultrahouse3k.com/img/S09E21/522605.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/528236 ## 8:54–9:08 Homer, the bald, heavy man in a white shirt and blue pants, stands in his kitchen beside a green refrigerator as a red monkey in a blue harness rides on his shoulder and back. He gestures with an open arm, then reaches to lift the red wall phone, and the monkey grabs the receiver and holds it to its face while Homer looks up and speaks. Marge, with her tall blue beehive and green dress, stands at the stove holding a blue mop handle, reacts with wide eyes, then pours red juice from a glass pitcher into a glass on the counter. Notable objects include a 'God Bless This Mess' sign, a clipboard note on the wall, and a stovetop with a clock-like dial. > Watch. > Simpson residence. > Why didn't you tell me you were bringing home a filthy monkey? Frame: https://ultrahouse3k.com/img/S09E21/535952.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/541791 ## 9:08–9:20 Homer, the bald, heavy man in a white shirt and blue pants, stands angrily in the kitchen beside the green refrigerator, with a brown monkey clinging to his shoulder, and he gestures with a pointing finger and clenched fist. Marge, with her tall blue beehive and green top and red beads, stands at the counter holding a glass of orange juice and looking displeased beside a glass pitcher of juice. Outside, a rolled-up newspaper lies on the driveway, then Bart, the spiky-haired boy in an orange-red shirt, looks angry and stares toward the window, walks to the pink front door and picks up the newspaper, then stands reading it on the front walk. On-screen the kitchen shows a 'GOD BLESS THIS MESS' sign and a red telephone on the wall. > This filthy monkey made the orange juice you're drinking. > I'll show Lisa who's dumb. > Supreme Court reverses... I won't turn to the comics. Frame: https://ultrahouse3k.com/img/S09E21/549507.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/554721 ## 9:20–9:28 Bart Simpson, the spiky-haired boy in an orange-red shirt, sits on a front step beside a green bush and a welcome mat while reading a large newspaper. He grimaces with his eyes squeezed shut, then opens them wide, staring and gritting his teeth, and later lowers the paper slightly while his mouth gapes and then grins. Across the moment he keeps turning the newspaper's pages and holding the open sheets in front of him. > I won't turn to the comics. > All right, I'll read one comic just to get me rolling. Frame: https://ultrahouse3k.com/img/S09E21/561811.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/564314 ## 9:28–9:35 Bart, the boy with spiky hair in an orange-red shirt, stands on a front porch beside a green hedge and a green doormat, holding a open newspaper in both hands. He starts out grinning with his eyes wide as he scans the paper, then his grin fades to a relaxed open-mouthed look. Gradually his eyes droop and close, his head tilts down and he slumps toward the newspaper, which dips and folds as he drowses off. > Archie. > Hey Jughead, did you hear? The Supreme Court reversed... > No. Frame: https://ultrahouse3k.com/img/S09E21/569110.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/571613 ## 9:35–9:45 Bart, the boy with spiky hair in an orange-red shirt and blue shorts, sits on a front step holding a newspaper while Marge, with her tall blue beehive and a green dress, walks through a pink arched doorway and then reaches to ring the doorbell. Marge turns away from the door, glancing back with a grimace, and later a face appears in the window as Bart stands alone by the door. Bart then turns to look at the house, and a wide view shows a modern building with a blue ivy-covered entrance, where a small figure heads toward the double doors before Bart walks toward the school-style glass doors, pausing at the frosted glass panels with a pair of wavy motion marks on the door. > Mom, am I dumb? Honey, I'd love to reassure you, but right now, > Mommy needs a tetanus shot. Frame: https://ultrahouse3k.com/img/S09E21/576201.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/580371 ## 9:45–9:54 Bart, the spiky-haired boy in a red shirt and blue shorts, stands on a sidewalk outside a brown door while an older heavy-set man with white hair and a pink sweatsuit, holding a drink with a cucumber garnish and straw, leans in the doorway. Bart looks up, talks, and grimaces, and the man, looking down at him, speaks in return. The scene starts as a close view of the door with its green-and-purple window, then widens to show both of them on the step. > Mr. Brockman, I need your help. > I've got to become a great anchor so I can show up my sister. > Sister, huh? > I've got a sister. Frame: https://ultrahouse3k.com/img/S09E21/586836.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/589964 ## 9:54–10:04 Bart, the spiky-haired boy in a red shirt and blue shorts, stands at the open door of a house while an older, heavyset man with white flat-top hair, a pink sweatsuit and a drink with a lime wedge rests his hand on Bart's head, waves and talks, then steps back inside as Bart follows and the brown door swings shut. They then walk down a long purple-carpeted hallway lined with shelves of gold trophies, plaques and pyramid-shaped awards, the man ahead of Bart with his drink in hand. > Miss Big Shot CNN Washington correspondent. > Well, she's not the boss of me. Come in. > Let's take the trophy route to the den. Frame: https://ultrahouse3k.com/img/S09E21/595178.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/599140 ## 10:04–10:13 Moe, the grey-haired bartender in a pink sweater, stands behind the bar holding a red cocktail with a lime wedge and straw, and Bart, the spiky-haired boy in a red shirt, stands before him. Moe gestures with his free hand, then raises a green can with a red-lipped logo while Bart looks on. Behind the bar are rows of golden trophies, blue seat-shaped awards, blond bust figures, and a framed sign reading "MY TWO CENTS". > Twelve newsies, seven iron mics, four golden quaffs. > This is the most prestigious award that Del Monte gives. Frame: https://ultrahouse3k.com/img/S09E21/605396.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/608733 ## 10:13–10:23 Bart, the spiky-haired boy in an orange shirt, sits at a wooden desk in an office with a large blank blue television and VCR on a stand against a yellow wall. An older, heavyset man with white hair and a gold chain, dressed in a pink tracksuit and white sneakers, gestures with a raised finger, then with open hands, before turning to a bookshelf and pulling out a black videotape labeled "KENT CARES #47." He inserts the tape into the VCR, then stands holding a black remote while Bart keeps watching from his seat. > Do you want to hear my award-winning secret? > Human interest stories. > They tug at the heart and fog the mind. > Observe. > Hear that? > It's the sound of children's laughter. Frame: https://ultrahouse3k.com/img/S09E21/614155.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/618118 ## 10:23–10:30 On a television screen framed in dark red, an older man with white swept hair and a red jacket holds a microphone and speaks in front of a pink-and-purple carousel in a park, with horses on poles and green trees behind it. Across the sequence he keeps talking, sometimes squinting or smiling, and in the final moments he raises his free hand toward the carousel as if gesturing at it, while the carousel stays still behind him. > Silence. That's because tomorrow this old carousel, Frame: https://ultrahouse3k.com/img/S09E21/624374.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/626876 ## 10:30–10:38 An older man with white hair in a red suit, identified only by his appearance, holds a microphone and speaks on a TV screen showing a pink-and-white carousel with white and orange horses under trees in a grassy park. He gestures with his free hand toward the carousel, sometimes with both hands, and his expression shifts between a wide-eyed look, a sideways glance, and a calm stare as he talks. The dark bezel of the television and the VCR-style machines beneath it are visible throughout. > which has delighted young Americans perlowe these past six years, > will be torn down to make way for the future. > A store that sells designer mouse pads. Frame: https://ultrahouse3k.com/img/S09E21/631673.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/634384 ## 10:38–10:41 Kent Brockman, the grey-haired news anchor in a red jacket, appears on a television screen behind a black microphone, first with half-lidded eyes and a flat, sceptical scowl. His eyes then widen and his mouth drops open in alarm, before he speaks with a grimace and eyes squeezed shut, and finally settles back into his wary, unimpressed expression. A green shrub sits at the left edge of the screen, a pink crown-like object at the right, and a VCR-style machine is visible below the screen. Frame: https://ultrahouse3k.com/img/S09E21/639180.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/640014 ## 10:41–10:53 Kent Brockman, the grey-haired news anchor in a red jacket, stands beside a white carousel horse with an orange bridle against pink and purple curtains, holding a microphone in one hand and resting the other on the horse's mane. He talks into the microphone, then swings up and sits astride the horse's back, still holding the mic and gripping the mane as the horse stands on its pole. > Well, I guess there's no room in this modern world for old blackie here. > But if you don't mind, > this reporter is going for one last ride. Frame: https://ultrahouse3k.com/img/S09E21/642934.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/647522 ## 10:53–11:04 Kent Brockman, a grey-haired man in a red jacket, holds a microphone while riding a white carousel horse with a blue saddle and orange trim. He moves around a carousel decorated with pink and purple panels and blue poles dotted with yellow lights, passing a red-draped horse with a grey mane that bobs along beside him, and at one point he slides out of view to the right before circling back into the scene. > This is Kent Brockman. > Reporting. Frame: https://ultrahouse3k.com/img/S09E21/654404.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/658992 ## 11:04–11:09 A glowing white dot appears on a dark monitor, then an older man with white hair, a pink sweater and a lanyard glances sideways with a smug, half-lidded look beside Bart, the spiky-haired boy in an orange shirt, who sits in a red chair and smirks with his eyes narrowed. The scene then cuts to a purple-framed TV screen where a green-and-blue globe with an orange stand turns slowly, first showing Asia and Australia, then Africa and the Atlantic, and finally the Pacific Ocean. > And now, kids news. Frame: https://ultrahouse3k.com/img/S09E21/665874.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/667333 ## 11:09–11:20 Homer, the bald heavy man in a white shirt and blue jeans, sits on the red couch in the pink living room, drinking from a red soda can, while a brown monkey in a blue vest sits on the sofa beside him holding a can. Marge, with her tall blue beehive and long green dress, enters from the left and then stands by the couch with her hands on her hips or arms folded, while Homer slumps back, sometimes raising his arm and gesturing toward the monkey. Empty red cans lie on the teal and purple rug, a red lamp sits on the side table, and a framed sailboat picture hangs on the wall. > Bart, the kids are on. > The monkey's on my part of the sofa. > Honey, he's clearly marked his territory. Frame: https://ultrahouse3k.com/img/S09E21/671087.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/675258 ## 11:20–11:21 Marge Simpson, with her tall blue beehive and red bead necklace, stands in a green dress with her arms crossed in front of a pink wall, an arched doorway, and a red lamp in the foreground. Across the moment her eyes narrow and her brow lowers, her expression growing more sullen and unimpressed while she holds her pose without moving her arms. > We'll bring you more on this chalk shortage as it continues. Frame: https://ultrahouse3k.com/img/S09E21/681306.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/681306 ## 11:21–11:29 Bart and Lisa, both in blue suits, sit behind a curved news desk under a Kidz Newz sign with a rainbow and a sunny sky behind them. Lisa holds a sheet of paper and speaks, then glances down at it and back up while Bart listens with a half-smile and his hands resting on the desk. At the edges of the set, a woman with headphones and a clipboard and a man in a blue cap with headphones and a cord stand watching, and a boxy video unit marked 6 sits at left. > And now, Bart's been looking into that alleged ham salad from yesterday's school lunch. Frame: https://ultrahouse3k.com/img/S09E21/682765.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/685685 ## 11:29–11:37 Bart and Lisa, both in blue suits, sit behind a curved news desk beneath a colorful KIDS NEWS sign, with a rainbow and hills behind them. Bart glances sideways, speaks, and grimaces while Lisa smiles, then looks worried and fixed on him, and at the end Lisa speaks with her mouth open while Bart looks at her. Papers rest on the desk in front of Lisa. > No, I haven't, Lisa. Because I went out with a camera and did a different kind of story. > Bart, I really think we should... It's about a man. Frame: https://ultrahouse3k.com/img/S09E21/690899.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/693610 ## 11:37–11:43 Bart and Lisa Simpson sit side by side at a curved desk in blue suits, Bart with a red tie and Lisa with a pearl necklace, in front of a rainbow and a sunny sky. Bart gestures toward Lisa with one hand while speaking, then later raises his palm and grins, before both settle back into still, neutral poses with hands folded on the desk. A pink heart-shaped sign reading "BART'S PEOPLE" appears on the backdrop in the final frames, and a sheet of paper sits on the desk in front of Lisa. > A simple man. > He's one of... Bart's people. Frame: https://ultrahouse3k.com/img/S09E21/698823.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/700700 ## 11:43–11:52 A spiky-haired yellow-skinned boy in a blue blazer and red tie stands at the left holding a microphone, speaking and gesturing with an open hand in a park. Behind him, an elderly man in a purple cap, dark jacket and grey trousers sits on a wooden bench beside a small blue pond, reaching into a brown paper bag. The boy keeps talking throughout, moving his mouth and open hand while the seated man continues to eat from the bag. > Joe Banks, 82 years young, > has come to this pond every day for the past 17 years to feed the ducks. > But last month, Joe made a discovery. Frame: https://ultrahouse3k.com/img/S09E21/704871.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/708416 ## 11:52–11:58 An older man in a purple baseball cap, navy jacket and white turtleneck, with grey hair at the sides and a thick moustache, stands outdoors in front of an orange and green striped fence with purple hills and a blue sky behind him. He holds a brown paper bag, at first gesturing outward with one open hand while talking, then looking down to fiddle with the bag's folded top and raising a hand near his chest. He ends by glancing off to the side with a downcast, weary expression, his hands still clutching the bag. > The ducks were gone. > Some say the ducks went to Canada. Frame: https://ultrahouse3k.com/img/S09E21/714047.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/715715 ## 11:58–12:07 Bart, a boy with spiky hair in a blue blazer and red tie, stands on a dirt path beside a blue pond holding a microphone and speaking to the viewer, gesturing with his free hand and pointing as he talks. An elderly man in a purple cap, dark jacket and grey trousers sits on an orange park bench holding a brown paper bag, reaching into it and gesturing with his hand while small white birds sit on the water. Bart's gestures grow more animated, and the scene shifts so that the bench is partly out of view and then reveals three white ducks swimming on the pond beneath a large tree. > Others say Toronto. > And some people think that Joe used to sit down there, near those ducks. > But it could be that there's just no room in this modern world for an old Frame: https://ultrahouse3k.com/img/S09E21/719677.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/723014 ## 12:07–12:16 Bart, the boy with spiky hair in a blue blazer and red tie, stands on a grassy park path holding a microphone as if reporting on location. Beside a pond with white ducks, a wooden bench sits under a leafy tree with purple mountains behind. Over the course of the moment he speaks into the mic, looks to the side, raises his eyebrows, and grimaces with a closed-eyed grin, while a duck on the water drifts across the left side of the scene. > man and his ducks. Where have all the flowers gone? Frame: https://ultrahouse3k.com/img/S09E21/728436.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/731773 ## 12:16–12:28 A man in a purple cap, navy jacket and white shirt stands in front of an orange fence holding a paper bag, then the scene shifts to his blue-trousered legs and brown shoes at the edge of a blue pond where several ducks float among ripples. Mr. Burns, bald with grey hair at the sides, sits slumped in a light blue bean bag chair beside Smithers, who wears glasses and a pink jacket, in a blue-walled room with a speaker, a lamp, a wooden cabinet and a bookshelf. Through a large window the ducks keep drifting on the pond, and across the frames the two men stay seated, with Burns's mouth opening as he speaks while Smithers sits beside him. > Smithers, you think maybe my power plant killed those ducks? > There's no maybe about it, sir. Frame: https://ultrahouse3k.com/img/S09E21/737195.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/742408 ## 12:28–12:33 Mr. Burns, frail and thin with a hooked nose and grey hair at the sides of his bald head, sits wrapped in a large blue blanket, while his thin assistant Smithers, wearing glasses, a pink jacket and a magenta bow tie, sits beside him on the left in a blue-walled room with a dark wooden cabinet at the edge. Smithers glances sideways and at one point speaks with his mouth open while Burns keeps a narrow-eyed, unimpressed look, then Burns raises a hand to his nose, pinches and rubs it, and speaks again as the moment closes. > Excellent. Frame: https://ultrahouse3k.com/img/S09E21/749916.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/751167 ## 12:33–12:43 Homer Simpson sits on the red couch in the living room, eating a slice of pizza, with Marge Simpson standing to his left in her green dress and red beads, and a monkey sitting on the couch's right side beside a pizza box. The monkey takes a slice and eats, then the monkey reaches a hand toward Homer and turns its head, and Marge stands with arms crossed watching. The monkey then leaps up with arms spread wide and mouth open, and then bounces off the couch with arms outstretched while Homer keeps eating. In the final moment the monkey holds an open box labeled PIZZA above its head while slices fly through the air near the orange floor lamp, and a blue VCR sits on the low table in front of the couch. > Marge, can I get a duck? You already have a monkey. > Can he get a duck? No! Frame: https://ultrahouse3k.com/img/S09E21/754504.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/758466 ## 12:43–12:53 Bart Simpson, in a blue suit and red tie, sits behind a desk at a news set, first with eyes closed and then wide-eyed and grimacing with his teeth showing, while a rainbow and a sign reading KIDZ NEWZ frame the scene. Lisa Simpson, in a matching blue suit with pearl necklace, sits beside him and then holds up a sheet of paper, appearing anxious. The scene then cuts to a purple-tiled wall where Nelson, in a red shirt and blue vest, stands with a white towel, first with a tearful, grimacing face and then pressing the towel to his face and eyes. > One man, no ducks. > Lisa? That's kids' news. Good night. > Way to go, Bart. Frame: https://ultrahouse3k.com/img/S09E21/764514.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/768476 ## 12:53–13:06 Lisa Simpson, the girl with star-shaped spiky hair in a blue jacket, pearl necklace and red dress, and Bart Simpson, the spiky-haired boy in a blue suit and red tie, stand together in a studio set with a painted backdrop of a sailboat, green hills and a sun. At the start, Lisa stands behind a grey news desk with a pink chair while Bart walks in from the lower right, and Lisa gestures toward the desk. The two then stand side by side facing left, Lisa speaking and looking sideways, before Bart turns to face her and rests a hand on her shoulder. Lisa then stands close to Bart, raises both hands to her face and mouth, and Bart lifts his hand to his chest. In the final frames Lisa faces Bart and speaks with a stern expression while a woman in a grey-pink suit with red lips and a tall hairdo enters from the right edge, and the two watch her. > That wasn't news. That was sappy, manipulative drivel. > Well, I'm sorry you couldn't feel for old Joe. > You didn't feel for him either, you big, fat phony. > Bart, look up here. This is where the tears would be if I could cry. Frame: https://ultrahouse3k.com/img/S09E21/774524.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/780154 ## 13:06–13:17 A short-haired brown-haired woman in a beige suit with a white bow blouse and red lipstick stands against a purple wall, touching her face, gesturing with her hands, and pointing to the left as she speaks. Lisa Simpson, in a blue jacket and pearl necklace, appears beside her, and then the scene moves outside to a small white house with an orange-red roof, brown front door, and wooden fence. Lisa, holding a shoulder-mounted camcorder, walks up the front path toward the house. > But I can't. Botched facelift. You could learn a lot from him, Marianne. > It's Lisa. > Marianne's better. > They want cheap sentiment? Frame: https://ultrahouse3k.com/img/S09E21/788079.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/792458 ## 13:17–13:22 Lisa, the girl with star-shaped spiky hair, wearing a blue jacket, pearl necklace and red skirt, stands on a suburban street behind a tripod-mounted movie recorder marked with a 6. She grips its crank with one hand and gestures with the other while she talks, grinning, squinting and scowling as her expression shifts. Pink and tan houses, hedges and trees line the street under a blue sky. > I'll pump them so full of sap they'll be blowing their nose with a pancake. Frame: https://ultrahouse3k.com/img/S09E21/798923.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/800383 ## 13:22–13:30 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and blue jacket with a pearl necklace, stands on a front walkway holding a silver microphone while speaking to the viewer in front of a small house with a brown door and a brown-tiled roof. Across the scene she alternates between a sneering, squinting expression, a wide-eyed grimace, and a bland, open-mouthed look, with her gaze shifting and her head tilting slightly. Her mouth moves as she talks, and she keeps the microphone raised in her right hand throughout, with a wooden fence and trees behind her. > They call her the Cat Lady. > People say she's crazy just because she has a few dozen cats. > But can anyone who loves animals that much really be crazy? Frame: https://ultrahouse3k.com/img/S09E21/803928.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/806848 ## 13:30–13:39 Lisa Simpson stands on a front lawn holding a microphone, speaking to the camera-less scene while a house with a brown-roofed entry porch sits behind her. An elderly woman with wild grey hair, a pink dress and apron appears in the open doorway, then comes down the walkway clutching several cats, one orange and one white, as Lisa turns to watch her. The woman stumbles forward with arms outstretched and mouth open in alarm while the cats cling to her and fly loose around her. Frame: https://ultrahouse3k.com/img/S09E21/812061.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/814981 ## 13:39–13:50 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and blue jacket, stands on grass beside railroad tracks holding a microphone, with a crossbuck railroad sign behind her under a blue sky. In the early moments she stays mostly still, shifting her gaze and expression, then an orange Union Pacific train rolls in from the right, its boxcars passing behind her one after another, lettered UNION PACIFIC in red, until the last car slides out of view on the right. > The old Union Pacific doesn't come by here much anymore. Frame: https://ultrahouse3k.com/img/S09E21/820194.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/824574 ## 13:50–14:01 Lisa Simpson, in her blue jacket, red skirt and pearl necklace, stands beside railroad tracks holding a microphone as a long orange Union Pacific freight train rolls past behind her, its wheels and red lettering visible. As the train clears, she turns and flings her arms wide, then runs off to the left of the tracks with a startled, wide-eyed expression. Behind her, a wild-haired woman in a pink dress and brown coat stands by a crossing sign, first holding two black cats, then clutching one black cat and one orange cat against her chest as she walks along the tracks, while a striped orange cat leaps in the top-left corner. Frame: https://ultrahouse3k.com/img/S09E21/831247.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/835626 ## 14:01–14:13 Homer, a heavy bald man in a white shirt and blue pants, stands on a sidewalk beside the teal Lard Lad Donuts shop, whose giant blue donut-holding statue looms over the roof. A small orange-haired monkey named Mojo, wearing a stack of pink and brown donut-shaped bracelets, peers out of a purple wall vent and reaches toward Homer, who holds his arms out and gestures toward him. Mojo climbs out of the vent onto the roof and then up a utility pole, with donuts strung along his arm and tail, while Homer spreads his arms at the pole's base and looks up at him. The visible text is the Lard Lad Donuts sign held overhead. > Come on, come to papa. > Good boy, Mojo. > Now bring him down and I'll give you one. Frame: https://ultrahouse3k.com/img/S09E21/842091.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/847305 ## 14:13–14:20 A brown monkey wrapped in pink and brown coiled bands sits atop a wooden utility pole under a blue sky with power lines, chewing at the coils, grinning, and flexing one arm. Homer, a bald heavy man in a white shirt and blue pants, then stands on a brown ground below, shouting with his fists pumped while he looks up. The monkey returns to the pole, straining and tugging at its wrapping until an orange piece breaks loose and drops away to the left. > Stop that! You're a helper monkey! > This isn't helping! Frame: https://ultrahouse3k.com/img/S09E21/854604.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/857106 ## 14:20–14:30 Homer stands beside a teal brick wall in an alley while Grampa's white-tufted head sticks out from a green dumpster, and Homer raises a clenched fist. He then slumps forward onto the dirt, propping his chin on his hands beside an orange object, and stares glumly ahead under a blue sky with a white cloud, with trees and a low grey wall behind. > I don't need your pity. Frame: https://ultrahouse3k.com/img/S09E21/861694.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/865865 ## 14:30–14:37 The exterior of the Veterans of Popular Wars Hall is shown first, a beige building with blue lettering, a No Parking sign, and an orange object at the left edge. The scene then moves inside to a pink-walled room where a circle of elderly men and women sit in folding chairs, stitching large patchwork quilts with bright pastel squares and needles. Over the course of the clip, several of them lift their hands, bring them to their faces, and gesture with their needles while the quilts stay in their laps, and a wicker basket sits among them. > Our forgotten veterans, their guns are quiet now, their helmets lost or pawned. > And yet here they are, making flags out of old clothes. Frame: https://ultrahouse3k.com/img/S09E21/872121.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/873998 ## 14:37–14:48 Bart, in a blue jacket, speaks into a microphone at left while elderly workers sit sewing striped rainbow fabric in a pink-walled room. Grampa, in an orange sweater and red glasses, stitches and gestures with a raised finger, while a man in a green knit cap and round glasses sews and rubs his eyes. At right, Mr. Burns in a pink sweater lifts his hands beside a bald, moustached man in an orange shirt who snips fabric with scissors, and a green bucket of scraps and a purple ball of yarn sit on the floor. > Sure, they may not have the right number of stripes. > And the colors are all wrong. > And some purists will tell you the American flag doesn't contain the word Jordache. Frame: https://ultrahouse3k.com/img/S09E21/878169.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/882757 ## 14:48–14:59 Bart Simpson, holding a microphone in a blue jacket, stands in the foreground of a salmon-walled room with folding chairs and an open window, while Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, sits in a pink sweater and purple trousers working with yarn. Behind them, older men sit stitching a patchwork quilt, and a heavyset man in a red cardigan and dark flat cap holds up a patchwork quilt covered in colorful stars and patches as Bart speaks and gestures toward it with an open hand. Bart keeps talking into the microphone while the quilt is held up and the other figures remain seated and working. > But you know, if they run this up the flagpole, I'll salute. > I'm Bart Simpson. Frame: https://ultrahouse3k.com/img/S09E21/889222.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/893601 ## 14:59–15:09 Lisa Simpson, with star-shaped spiky hair, a red dress and a pearl necklace, sits at a desk holding a sheet of paper and reading from it, while Bart Simpson, in a blue suit and red tie with spiky hair, sits beside her with his hands clasped. Behind them a pink heart-shaped sign reads "Bart's People" against a blue sky with clouds. Lisa keeps reading and glancing up with a skeptical, sideways look, and at times she speaks with her mouth open. Bart's expression tightens and he fidgets as she talks, and near the end the view shifts to a closer angle with no sign visible, showing Lisa smirking as she reads while Bart stares ahead nervously. > Hmm, thank you, Bart, for yet another touching Bart's people. > Now, turning to... I just think our veterans deserve a little recognition. > That's what Veterans Day is for, Bart. Frame: https://ultrahouse3k.com/img/S09E21/900274.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/904445 ## 15:09–15:22 Lisa Simpson, the girl with star-shaped spiky hair and a pearl necklace, sits at a curved desk on the left holding a sheet of paper, while Bart Simpson, the boy with spiky hair in a blue suit and red tie, sits on the right with his hands clasped. Against a blue sky with a rainbow and white clouds behind them, Bart talks and gestures with his hand while Lisa glances at her paper and looks back at him. Bart's expression shifts between wide-eyed worry and a tight-lipped frown, and he later points down at the desk with one finger before the moment ends with him speaking and Lisa looking on, both still seated at the desk with a sheet of paper on it. > But is that really enough to honor our brave soldiers? > They also have Memorial Day. > Oh, Lisa, maybe you're right, maybe you're wrong. > The important thing is veterans deserve a day to honor them. Frame: https://ultrahouse3k.com/img/S09E21/910701.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/916124 ## 15:22–15:34 Lisa and Bart sit in matching blue suits at a desk in front of a colorful banner, with Lisa reading a sheet of paper while Bart talks and then holds up a notepad. Maggie, wearing a white hat and a pacifier, sits atop a heap of envelopes clipped with colored clips while Marge leans over to steady her. Later, Marge stands holding Maggie beside Bart and Lisa at a kitchen table covered in letters, Marge raising an envelope as Lisa rests her chin on her hand. > They have two. > Well, maybe they should have three. I'm Bart Simpson. > Oh, my, look at all these letters from people who want to be Bart's people, Bart. > I wish they could all be Bart's people, Mom. Frame: https://ultrahouse3k.com/img/S09E21/923631.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/928428 ## 15:34–15:46 Marge, with her tall blue beehive and green apron, stands holding Maggie, the baby in a blue outfit with a pacifier and blue bow, while Bart in a blue suit and red tie sits at a kitchen table covered in envelopes and Lisa in a red dress and pearls rests her chin on her hand beside him. As Bart reads a letter and talks, Marge smiles, shifts her weight and closes her eyes, and then the view moves to Bart in the right foreground looking toward Marge at the left edge, with a pink spatula, a mixing bowl, a red laundry basket and a green range hood in the kitchen. > I truly do. > I'm proud of you, honey. > You're finally giving something back to the community after taking so, so much. Frame: https://ultrahouse3k.com/img/S09E21/935309.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/940523 ## 15:46–15:56 Bart, in a blue suit and red tie, and Lisa, in a red dress with a pearl necklace, sit at a kitchen table piled with white envelopes stamped with red and blue seals. Bart rests his chin on his hand and looks skeptical, then grins smugly and folds his hands on the table while Lisa glances sideways at him. Lisa then leans forward, sits up and throws her arms out wide in exasperation, and next picks up an envelope from the pile and turns it over in her hands while frowning and gasping. She lifts the envelope up in front of a red potholder hanging on the wall, then grins through clenched teeth and opens the envelope to read the letter inside. The kitchen has purple cabinets, a green toaster-style appliance, a blender and a utensil holder in the background. > Hmm. Really makes you think. > What does that even mean? > Mom might not see through you, but I do. > You don't care about any of these people. > Well, if I'm guilty of anything, maybe it's caring too much. Frame: https://ultrahouse3k.com/img/S09E21/948030.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/951576 ## 15:56–16:09 Bart Simpson, the spiky-haired boy in a blue suit and red tie, and Lisa Simpson, the star-haired girl in a red dress and pearl necklace, sit at a blue-covered table piled with envelopes in the kitchen, with Bart's eyes first half-lidded and annoyed and then wide and nervous as Lisa glares beside him. The scene shifts to Lisa alone, clutching her head and screaming with her eyes shut beside a stove and a blender. Back at the table, Bart sits wide-eyed as Lisa grabs his cheeks and pulls his face toward her, while Marge Simpson, with her tall blue beehive and apron, stands at the counter by a bowl and watches, looking surprised and then concerned. > I'm Bart Simpson. Stop talking like that! > Stop it! Lisa, please. > You have absolutely no reason to be jealous. > You're still a very important part of Bart's show. Frame: https://ultrahouse3k.com/img/S09E21/957415.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/962628 ## 16:09–16:22 Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, appears first in a kitchen where Marge, with her tall blue beehive, stirs a bowl at the counter while a spiky-haired boy in a blue jacket and red tie sits at a blue-draped table covered in envelopes. Lisa covers her face with her hands, then walks across the checkered floor past the table and into her pink bedroom, where she stands at a desk holding a comb, a pencil and a perfume bottle beside a shelf of toys and books. She turns, then raises one finger in the air as she speaks. > Bart Show? > If everybody knew what a phony Bart was, he'd be off that show so fast! > I've got it! Frame: https://ultrahouse3k.com/img/S09E21/970136.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/975766 ## 16:22–16:34 Lisa Simpson, in her red dress and pearl necklace, laughs and gestures in her pink bedroom beside a light blue shelf holding books, toys and a small pink handbag, while a brown toy monkey in a blue vest perches on top of the shelf and moves into different poses. The scene then fades to black before showing a purple door with a yellow star reading BART SIMPSON, where Lisa, now in a blue sweater with a white envelope in hand, stands and looks up at the star. Frame: https://ultrahouse3k.com/img/S09E21/983691.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/988488 ## 16:34–16:44 Bart, the spiky-haired boy, sits at a lighted vanity mirror in a blue jacket and dabs his face with a pink sponge while his reflection mirrors him, as Lisa, with star-shaped spiky hair, a blue jacket, a red skirt and pearls, enters and stands beside him. Bart then sprays a cloud of mist from an aerosol can onto his face, and Lisa turns to hold up a white envelope, smiling, while a framed portrait of Bart hangs on the pink wall behind them. > Hey, Elise, be a doll and hand me that sealant. > Hey, here's another letter for Bart's people. Frame: https://ultrahouse3k.com/img/S09E21/995578.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/999540 ## 16:44–16:50 Bart, seated at a vanity in a blue jacket, faces his mirror reflection while Lisa, in a blue jacket, red skirt and pearl necklace, stands holding out an envelope. Bart takes the envelope and feeds it into a purple machine with three red lights and a slot, then sits in a red tie holding a sheet of paper and gesturing as Lisa watches. A torn envelope lies on the desk beside him. > So many souls, so little airtime. > Dear Bart, I came to this country hoping to share the American dream, Frame: https://ultrahouse3k.com/img/S09E21/1006005.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1007882 ## 16:50–16:59 Bart Simpson, the boy with spiky hair in a blue suit and red tie, sits in a red chair at a desk and reads a sheet of paper held in both hands, his eyes darting across it and his mouth opening and closing as he reads aloud. A framed picture of a figure in a blue suit hangs on the pink wall behind him, and a small green-and-white object sits on the desk at the right edge. Across the frames his expression shifts from wide-eyed and mouth-open to a flat, grimacing look and then a clenched-teeth grin, with his gaze tracking down the page. > that after many years of back-breaking labor, > I find myself homeless and sleeping in a junkyard. Frame: https://ultrahouse3k.com/img/S09E21/1012053.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1015181 ## 16:59–17:08 Bart Simpson, in a blue suit with a red tie, sits on a pink swivel chair in a dressing room, reading a sheet of paper, while Lisa Simpson, in a blue jacket, red skirt and pearl necklace, stands beside him. Bart reads aloud with his mouth open and then closes his eyes, and Lisa's expression shifts from a neutral look to a wide-mouthed, grinning smile as she gestures with her hands and speaks. A bulb-lit vanity mirror, a pink heart poster reading "Bart Simpson" on the wall, and a sun-ray backdrop appear in the room. > Oh, how terrible, read-on. > Should I abandon hope or fight on bravely against impossible odds? > Oh, this is too perfect. > It is, isn't it? Frame: https://ultrahouse3k.com/img/S09E21/1020603.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1024148 ## 17:08–17:18 Bart and Lisa Simpson, both in matching blue blazers, stand in a dressing room with a lit vanity mirror, a poster of a smiling Bart in a heart, and a red chair. Bart gestures and holds Lisa's hands, then walks toward a door while Lisa watches, and he peeks back through the doorway as she stands alone in the room. The scene then cuts to the exterior of the Simpson house, a two-story pink and cream home with a brown roof, a pink front door, a driveway, and a mailbox at the curb. > I'm gonna put him on the air tonight, live! > Oh, Bard, you'll have to ride your bike pretty fast to get out there in time. > No, I'll just take the chopper. > They gave you a chopper? Frame: https://ultrahouse3k.com/img/S09E21/1029987.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1033950 ## 17:18–17:26 Homer Simpson, bald with stubble in a white shirt and blue pants, lies sprawled on a pink rug in the living room, surrounded by spilled snacks, a tipped-over popcorn tub, a donut box and a cheese puffs box. A small brown monkey in a diaper, Boudja, sits propped against a blue pillow beside him, and in the early moments Homer lifts his head and gapes his mouth open while the monkey looks on. As the sequence goes on, the monkey raises an arm and opens its mouth wide in a shriek while Homer's head stays slumped back on the pillow with a smear of red food on his mouth. Visible objects include a banana peel, a chocolate bar, a bowl, a box labeled Cheese Bits, and a scattering of peanuts and crumbs. > Boudja, will you wipe my mouth? Frame: https://ultrahouse3k.com/img/S09E21/1039997.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1042917 ## 17:26–17:34 Marge, with a tall blue beehive and green skirt, stands in a pink room holding a laundry basket of folded clothes while Homer, bald in a white shirt and blue pants, lies sprawled on a pink rug beside a brown monkey wearing a diaper. As the moment unfolds, Homer lifts one arm to rest it on his head with his mouth open, while Marge looks down at them with a worried expression. Spilled snacks lie around a tipped jar on the floor, a banana peel hangs over the back of the dark red couch, and a sailboat picture hangs on the wall. > Oh, for Pete's sakes! > Why is that monkey wearing a diaper? I thought he was housebroken. Frame: https://ultrahouse3k.com/img/S09E21/1047713.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1050424 ## 17:34–17:46 Marge Simpson, with her tall blue beehive and green skirt, stands in the pink bedroom holding a tall stack of folded laundry in a plaid basket, glaring and grimacing as she looks down at Homer, who lies in bed on the blue sheets with his mouth open, eyes rolled upward. Beside the bed a brown-and-orange monkey wearing a white diaper lies back on a pink pillow, mouth agape, one hand raised to its head, while its tail curls across the pink sheet; a green Cheese Bits box sits on the red shelf behind it. Dark brown splatter stains mark the pink walls, and in the later moments Marge's expression shifts from gritted teeth to wide-eyed alarm. > You said this monkey would be sweeping the floors and cleaning the gutters. > And now he just lies there struggling to breathe. > What do you want? His cholesterol's through the roof. Frame: https://ultrahouse3k.com/img/S09E21/1055221.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1060434 ## 17:46–17:59 Marge, with her tall blue beehive and green dress, stands holding a laundry basket of folded clothes while Homer, in a white shirt and blue pants, sprawls on a pillow and rug beside a brown monkey lying on a cushion at the right. Homer lies back with his arms outstretched, eyes half-closed and mouth open, then raises one arm and lolls his head as beer cans and crumbs lie scattered on the floor. The scene then shifts to a pink room with dark splatter stains on the walls, where Marge stands holding the basket of laundry while Homer's head fills the foreground. > I want you to take that monkey back so he can be rehabilitated and get a second chance. > No, no. He's fine. > Go on, Mojo. > Show Marge your happy dance. Frame: https://ultrahouse3k.com/img/S09E21/1067942.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1073364 ## 17:59–18:11 A brown monkey in a white diaper sits and crawls around a pink bedroom with a teal carpet, pulling books out of a red drawer and stacking them, past a banana peel and a spilled soda can, while Homer, the bald heavy man in a white shirt and jeans, lies on a pillow on a rug nearby and Marge, with her tall blue beehive, stands holding a laundry basket. Marge then glances at a brown splatter on the wall before the scene closes on a door reading "ANIMAL ASSISTANTS PROGRAM" with blue arrows pointing at it. > And so on. Frame: https://ultrahouse3k.com/img/S09E21/1080871.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1085459 ## 18:11–18:18 Homer, the bald, heavyset man in a white shirt and blue pants, stands at a red-walled door marked "Animal Assistants Program," pointing at the sign, then stumbles back with an alarmed look and raised fist. The empty door then swings open to reveal a partly visible figure inside, and a bespectacled man with a moustache, reddish hair, a blue suit and a purple tie stands in the doorway, gesturing with one hand and looking uneasy. He stays there, shifting his hand and glancing aside, with the sign and the door handle still in view. > Mojo, what have they done to you? Frame: https://ultrahouse3k.com/img/S09E21/1092341.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1095052 ## 18:18–18:26 A moustached man with glasses, wearing a blue suit and purple tie, steps out of a red doorway and then stands behind a small laptop held in both hands above a small orange-haired monkey in a diaper, lying on a pink blanket on a red cushion on a grey walkway between green bushes. The monkey lifts an arm and points at the keyboard while its eyes look up, and the laptop screen spells out PRAY, then PRAY FOR, then PRAY FOR MOJO. > Pray for Mojo. So, Frame: https://ultrahouse3k.com/img/S09E21/1100057.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1102768 ## 18:26–18:36 Milhouse, the boy with blue hair and red-framed glasses, sits behind a desk in a blue suit and red tie, holding a sheet of paper, in front of a sign reading "NEWZ YOU CAN UZE" on a blue backdrop. He talks and smiles, his mouth opening and closing as he reads, grins broadly at one point, then his expression turns to a wide-mouthed, animated speech, and in the final frames he looks ahead with a toothy grin while the paper in his hands stays low on the desk. > by waking up a little early and having some extra sheets handy, no one's the wiser. > Tomorrow, destroying the evidence. Frame: https://ultrahouse3k.com/img/S09E21/1107773.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1111527 ## 18:36–18:44 Lisa Simpson sits at a desk in a blue jacket and pearl necklace, with papers in front of her and a blank monitor on the wall behind her. She shifts between a sour squint, a closed-eye grimace, and a toothy grin while speaking. The monitor then shows Bart in a blue suit standing in a junkyard heap of trash, and Lisa turns toward it with a smug, talking expression. > Ew. > Uh, thank you, Milhouse. > Now it's time for today's special live edition of BART People. Frame: https://ultrahouse3k.com/img/S09E21/1117575.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1120286 ## 18:44–18:52 Bart Simpson, the boy with spiky hair in a blue jacket and red tie, stands holding a microphone labeled KIDZ NEWZ while reporting in a junkyard. Behind him are heaps of wrecked cars, a red car hood, a pink appliance and discarded furniture under a blue sky. Bart speaks with his mouth open, looks worried and grimaces, then gestures outward with his free hand, gesturing back and forth as he talks. His expression shifts from a frown to a nervous grin while he keeps reporting at the dump. > Lisa, I've just arrived at the Springfield Dump. > A lot of things get thrown out here. > Sometimes, even a human being. Frame: https://ultrahouse3k.com/img/S09E21/1125291.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1128210 ## 18:52–19:00 Bart, in a blue suit and red tie, stands in a junkyard of twisted cars and soiled mattresses while holding a microphone labeled KIDZ NEWZ, speaking to the viewer with a serious expression. As he talks, he gestures with his free hand, sometimes stepping sideways and sweeping his arm toward the wreckage of crushed vehicles, a tire, and a stained purple mattress. The final frame shifts to Milhouse, wearing blue hair, red glasses and a blue suit with a red tie, seated behind a desk in front of a rainbow, with his fingers steepled while he looks off to the side. > Somewhere in this pile of twisted metal and soiled mattresses > lives a poor immigrant whose home was cruelly taken away. Frame: https://ultrahouse3k.com/img/S09E21/1133424.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1136344 ## 19:00–19:08 Bart Simpson, wearing a blue blazer and red tie and holding a microphone labeled KIDZ NEWZ, stands in front of a junk-filled lot and a row of purple corrugated sheet panels, speaking to the viewer and gesturing with one hand while his eyes shift and his mouth moves. Behind him a figure with bright red hair and a bushy moustache, dressed in blue overalls with a bandaged leg, pushes at the panels and then stretches out his arms in an angry pose as Bart looks toward him. The scene then cuts to Bart seen from behind against a heap of scrap cars and debris under a blue sky, after which he turns back to face the camera and gestures again while talking, with the KIDZ NEWZ microphone in hand. > Yeah, by you! > Groundskeeper Willie, um, so you're the immigrant I'm here to help. Frame: https://ultrahouse3k.com/img/S09E21/1141349.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1144268 ## 19:08–19:21 Bart, the spiky-haired boy in a blue jacket, holds a microphone reading Kidz Newz and interviews Groundskeeper Willie, a red-bearded man in blue overalls with a bandaged leg, in a junkyard of scrap heaps and wrecked cars. Willie glares and spreads his arms wide, then raises a fist and leans toward Bart, who grimaces and backs away, and Bart then stands alone in a blue suit and red tie among cars, a tire and an engine, still holding the Kidz Newz microphone. > Help! > You destroyed my house and reduced me to living in a dump. > Groundskeeper Willie, furious with the government that let him down. > I'm Bart... Frame: https://ultrahouse3k.com/img/S09E21/1149273.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1155112 ## 19:21–19:23 Lisa Simpson, with star-shaped spiky hair and a pearl necklace, sits at a table in a blue jacket with her arms crossed, looking sideways with a scowling, sceptical expression while her mouth opens and closes as if speaking. Behind her on the left, a framed picture on the wall shows a red-faced, grimacing cartoon man in the first moments, then switches to a scene of crashed, wrecked cars on a dirt ground, while a sheet of paper lies on the table in the lower right. > I'll kill ya! Frame: https://ultrahouse3k.com/img/S09E21/1163037.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1162620 ## 19:23–19:35 Bart in his blue jacket stands in a junkyard of wrecked cars and appliances facing Sideshow Bob, who has a huge mane of spiky red hair, a red beard, blue overalls, a bandaged leg and yellow gloves; Bob lunges and grabs Bart as Bart throws up his hands. The scene then dissolves into a blurred, streaked sequence of blue with falling white streaks and orange and purple shapes, before cutting to Lisa in a blue jacket and pearl necklace seated at a desk with a stack of papers, where she grimaces, talks and grips a cord. The desk is then shown empty with a pink chair, and finally a man with swept-back brown hair, a blue suit and red tie, who may be Troy McClure, leans over the same desk, fiddling with a microphone cord. > Oh no, what have I done? > Nelson, cover for me! Frame: https://ultrahouse3k.com/img/S09E21/1164288.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1169085 ## 19:35–19:47 A man with swept-back reddish hair, a blue suit and a red tie sits at a news desk with a microphone, a grey-violet wave-patterned board and a green hill behind him, and he may be Troy McClure. He first holds a stack of papers and looks sceptical, then peers over his glasses while reading, then rests his chin on his fist in thought. He later sets the papers down and repeatedly raises a clenched fist, leaning toward the microphone, while the papers lie on the desk in front of him. Frame: https://ultrahouse3k.com/img/S09E21/1176175.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1180971 ## 19:47–19:57 A bushy-haired, red-bearded man in green overalls and yellow gloves, not one of the listed regulars, walks along a muddy path between stacked piles of crushed, colorful cars, then stops and hoists a long metal blade toward a battered white car with blood-streaked dents. He grips the blade with both hands and swings it near the wrecked car while a grinning expression crosses his face, and the car's crumpled front is splattered with red. Bart, a spiky-haired boy in a blue suit and red tie, sits inside the open cab of the wreck, first throwing his arms up, then clasping his hands together as the bearded man stands beside him. > Oh Bart, it's me, a jolly policeman! Oh, we got Willy. > Come on out so we can give you a medal. > Way to go, officer. Frame: https://ultrahouse3k.com/img/S09E21/1188062.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1192233 ## 19:57–20:07 A red-bearded, bald man in blue overalls and yellow gloves, identified by the dialogue as Groundskeeper Willie, raises a long metal blade over his head in a junkyard of stacked wrecked cars and old furniture under a clear blue sky, then swings it down into a crumpled white car with orange rust stains. He repeatedly lifts the blade again, grimacing and shouting, while Lisa, with star-shaped spiky hair, a blue jacket and a pearl necklace, appears at the lower left clutching a flowered box and a yellow phone. Willie then hoists the blade across his shoulders and glares forward, his eyes wide and teeth bared, as he advances toward the junk pile. > Willy, stop! > Get away with you. I gotta finish him off while I'm still temporarily in scene. Frame: https://ultrahouse3k.com/img/S09E21/1198489.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1202660 ## 20:07–20:14 Lisa Simpson, in her blue jacket, pearl necklace and red skirt, lies on a white quilted heap in a junkyard while a bearded man with a bald red-fringed head, red beard and overalls raises a long wooden plank over his head and grins menacingly. He then brings the plank down across his body, shouting with his mouth wide open, while Lisa rises and stands with her arms spread, eyes wide and mouth open in alarm. Behind them are piles of rusty junk, a grey trash can and a clear blue sky. > No, you can't hurt Bart. > He's, well, he's your son. > What? Frame: https://ultrahouse3k.com/img/S09E21/1208916.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1211001 ## 20:14–20:23 Lisa Simpson, in her blue jacket and pearl necklace, stands on the right talking with Sideshow Bob, who has a huge mane of spiky red hair and wears a tan shirt under green overalls, and is seen mostly from behind on the left. They stand in a junkyard before a towering stack of crushed cars, with a crumpled car in the foreground and a blue sky with clouds behind. Lisa speaks with wide eyes, gesturing with open hands and then raising a finger toward the wreckage, while Bob stays turned away and gradually drifts toward the left edge of the scene. No on-screen text is visible. > Well, not literally. > But in a way, isn't he everyone's son? For you see, > that little Hellraiser is the spawn of every shrieking commercial, Frame: https://ultrahouse3k.com/img/S09E21/1215172.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1218718 ## 20:23–20:32 Lisa Simpson, the girl with star-shaped spiky hair in a blue jacket and white pearl necklace, stands in a junkyard in front of a towering stack of crushed cars and a large lavender wreck. She gestures with her hands, points, and rubs her head while talking, her expression shifting from wide-eyed to squinting and frowning. Her hands move in front of her chest as she speaks animatedly, and the scene ends with her gesturing and looking frustrated, with rusted car hulks and a crushed vehicle behind her. > every brain-rotting soda pop, > every teacher who cares less about young minds than about cashing their big fat paychecks. Frame: https://ultrahouse3k.com/img/S09E21/1224348.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1227685 ## 20:32–20:41 Lisa Simpson, the girl with star-shaped spiky hair, a red dress under a blue jacket and a long pearl necklace, stands in front of a heap of old cars and stacked folded blankets in a junkyard-like setting. Across the moment she gestures with one hand held out at her side while her other hand is clasped low, then her expression shifts from wide-eyed and talking to a glum, half-lidded look with her teeth clenched. She keeps speaking and gesturing with her hand, and her mouth opens and closes as she talks, ending with her hands clasped behind her back and a wide-mouthed, earnest expression. > No, Bart's not to blame. > You can't create a monster and then whine when he stomps on a few buildings. > I'm Lisa Simpson. Frame: https://ultrahouse3k.com/img/S09E21/1233524.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1236861 ## 20:41–20:51 Lisa, the girl with star-shaped spiky hair in a blue jacket and orange skirt, stands beside a junkyard of old cars and piled debris, watching a red-bearded man in blue overalls with a bandaged leg. He hoists a long plank onto his shoulder, then sets it aside, scratches his head, gestures with his hands, and covers his face before limping away from her toward a chain-link gate topped with barbed wire, waving as he goes. Meanwhile a boy with spiky hair peers out from under a tarp-covered car in the foreground, while Lisa keeps watching the man leave. > You're right. > It's all Willie's fault. > I've been a terrible father. > Hey, Lise, thanks. Frame: https://ultrahouse3k.com/img/S09E21/1242491.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1246454 ## 20:51–21:01 Bart and Lisa Simpson, both in blue jackets, start beside a lavender junked car in a yard of stacked wrecked cars. Bart sits in the car's open driver's seat, then climbs out and stands next to Lisa, who wears a pearl necklace and an orange skirt. Outside a chain-link fence topped with barbed wire, they face each other and talk, with Bart gesturing with open hands and puffs of dust appearing around him as he moves. > Boy, that phony schmaltz of yours sure is powerful stuff. > Uh, yeah, > but I have a certain respect for that whole truth and hard work thing that you do. Frame: https://ultrahouse3k.com/img/S09E21/1252501.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1256464 ## 21:01–21:12 Lisa Simpson, in a blue jacket with a pearl necklace and orange skirt, and Bart Simpson, in a blue blazer with a red tie, stand together on a sunny day in a junkyard of stacked wrecked cars and debris. At first Lisa, at left, stands with her hand at her chin and eyes glancing sideways while Bart faces her from the right with his back partly turned, and then she gestures with open hands and talks animatedly. Later Bart, with a clenched fist and a grin, speaks and then spreads his arms in an open gesture as Lisa listens with a small smile. No on-screen text is visible. > You know, Bart, if we combine your showmanship with my integrity, > we could make kids really care about the news. > You're right. If we work together, there's no stopping us. Frame: https://ultrahouse3k.com/img/S09E21/1262928.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1267308 ## 21:12–21:24 Two cartoon figures in blue sleeves and a grey suit shake hands in close-up, then the scene cuts to a TV screen labeled KIDZ NEWZ, where Bart and Lisa stand back to back with arms crossed and smile. The screen then wipes away in black blocks to an ad showing four robot-suited figures holding up chocolate bars under a burst of light, with on-screen text reading "THE MATTEL AND MARS BAR QUICK ENERGY CHOCOBOT HOUR". > The new approved kids news has been canceled. > Stay tuned for the Mattel and Mars Bar Quick Energy Chocobot Hour. Frame: https://ultrahouse3k.com/img/S09E21/1273981.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1278360 ## 21:24–21:33 Robot toys with brown armour plates and green, red and pink limbs stand and sit on a blue floor in a room where a grey-haired man in a blue suit and red tie appears on a wall monitor, and one robot with goggles and antennae stands with hands on hips before another sits with a bottle. Then a giant white-gloved hand picks up a purple toy car beside a green plastic toy soldier aiming a rifle, and the hand then holds a blonde doll in a blue dress as the soldier keeps aiming. Earlier, the scene opens on a brown tower with glowing windows under a night sky with a ringed planet, and an orange sign reads 'FORTRESS OF OCLITUDE'. > You can count on us, Mr. President. > Major Nougat, Gooey, Cocoa, put down those entertaining Mattel products. > Colonel Katafi is up to his old tricks. Frame: https://ultrahouse3k.com/img/S09E21/1285242.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1288996 ## 21:33–21:46 Bart, the spiky-haired boy in an orange shirt and blue shorts, and Lisa, the star-haired girl in a red dress and pearl necklace, sit side by side on a dark red couch in their pink living room, watching a small television with a lamp and a striped rug nearby. On screen, a red horned robot in a brown armored suit stands in a metal corridor beside a group of colorful robot heroes, and the view then shifts to a yellow burst of light with their arms raised. Back in the room, Lisa leans forward with her arms out and Bart raises a hand in front of him as they keep looking at the set, which shows a white flash with orange-sleeved arms reaching out. > Let's power up! > I can't believe they cancelled us for this... > Shut up! I'm trying to watch this! > Chocolate away! Frame: https://ultrahouse3k.com/img/S09E21/1295044.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1300049 ## 21:46–21:56 Four armored robot fighters, one green with antenna-like horns, one purple, one red-horned, and one orange with spiky hair, stand on a blue platform on a TV screen. They land on a tumbling orange hexagonal crate with yellow vents, burst out of it on jet flames, and soar through blue space throwing punches, then form an X pattern with the green and purple robots sprawled at the bottom. On-screen credits read 'Executive Producer MIKE SCULLY' and then 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON'. Frame: https://ultrahouse3k.com/img/S09E21/1307556.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1311519 ## 21:56–22:07 Several yellow-skinned cartoon characters with raised fists and sprawled bodies appear in the corners of a purple television-shaped screen, behind white on-screen text reading 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON'. The image then dims to near darkness and fades to black, and the orange credits appear one after another: 'Starring DAN CASTELLANETA', 'JULIE KAVNER', 'NANCY CARTWRIGHT', 'YEARDLEY SMITH', 'HANK AZARIA', 'and HARRY SHEARER', and 'Special Guest Voice MARCIA WALLACE'.} Frame: https://ultrahouse3k.com/img/S09E21/1317983.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1321946 ## 22:07–22:17 No characters appear in this moment; it is a black closing credits sequence with no regulars or one-off characters on screen. Across the ten images, orange credit text in a stylized font appears centered on a plain black background, changing one credit at a time: first 'Also Starring Pamela Hayden, Tress MacNeille, Russi Taylor', then 'Animation Executive Producer Phil Roman' (shown twice), 'Animation Producers Lolee Aries and Michael Wolf', 'Executive Consultant Rich Moore', 'Story Editors Jane C. O'Brien, Larry Doyle and Matt Selman', 'Associate Producer Alison Elliott', 'Theme by Danny Elfman', 'Music by Alf Clausen', and finally 'Casting by Bonita Pietila'. Nothing moves except the text swapping in and out. Frame: https://ultrahouse3k.com/img/S09E21/1328410.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1332373 ## 22:17–22:28 No regular characters appear in this sequence of black end-credit cards with gold lettering that cycle through production credits: first 'Editors Michael Bridge and Don Barrozo,' then 'Animation Production Manager for Gracie Films Joel Kuwahara,' then 'Post Production Supervisor Dominique Braud-Stiger' and 'Post Production Coordinator Alexander Duke,' followed by 'Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod,' then 'Music Editor Chris Ledesma,' 'Sound Effects Editor Travis Powers' and 'Re-Recording Mixers R. Russell Smith and Bill Freesh.' The credits continue with a list of production crew names, then 'Assistants to the Producers' and post production assistants, then 'Animation Produced by Film Roman, Inc.,' then 'Overseas Production by Rough Draft' with 'Overseas Animation Director Utit Choomuang,' and finally 'Assistant Director Matthew Nastuk,' 'Animation Timer Milt Gray,' and a storyboard credit list led by Christian Roman. The cards simply change one to the next in order against the black background. > We'll be right back. Frame: https://ultrahouse3k.com/img/S09E21/1338838.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1343008 ## 22:28–22:38 No Simpsons characters appear in this moment; it is a black-background end credit sequence with gold text. Background design credits for Lance Wilder, Trevor Johnson, Chuck Ragins and Maria Mariotti-Wilder, plus character design credits for Joseph Wack, Kevin M. Newman, Matt Groening and Sam Simon, appear first and stay on screen. The text then switches to Mike B. Anderson as artist supervisor, followed by character layout, color design, animation production and post-production credits, with a copyright notice reading 'The Simpsons Episode #5F15, Copyright 1998, Twentieth Century Fox Film Corporation.' The sequence ends with creative consultant Matt Groening and executive creative consultant James L. Brooks on plain black screens. > Shh. Frame: https://ultrahouse3k.com/img/S09E21/1349265.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1353435 ## 22:38–22:48 In a dim cinema, silhouetted audience members sit in rows of seats, with a large-haired figure in the foreground on the left. A projector beam sweeps across the screen, where the white letters GRACIE FILMS appear over a blue panel while the seated figures stay still. The scene then changes to a golden 20th Century Fox Television logo against a blue sky, with the line A News Corporation Company below it, before fading to black. Frame: https://ultrahouse3k.com/img/S09E21/1359692.jpg Page: https://ultrahouse3k.com/episode/s09e21-girly-edition/1363237