# Lost Our Lisa

The Simpsons, season 9, episode 24 (S09E24), first aired May 10, 1998.
Written by Brian Scully. Directed by Pete Michels. Production code 5F17.
Guest stars: Marcia Wallace as Mrs. Krabappel.
Chalkboard gag: "I am not the new Dalai Lama". Couch gag: "Ha ha!".

With Marge busy having the joke-shop novelties Bart glued to his face removed, Lisa talks Homer into letting her ride the bus alone to see the Orb of Isis at the Springsonian Museum. She boards the wrong route and ends up lost across town while Homer frantically searches. Reunited, they sneak into the closed museum and learn the orb is really a music box.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Jasper Beardsley, Ralph Wiggum, Patty Bouvier, Selma Bouvier, Groundskeeper Willie, Miss Hoover, Todd Flanders, Kearney Zzyzwicz, Mayor Quimby, Sideshow Mel, Hans Moleman, Agnes Skinner, Comic Book Guy, Snake, Dewey Largo, Superintendent Chalmers, Lionel Hutz, Cletus Spuckler, Old Jewish Man, Alice Glick, Raphael, Brandine Spuckler, Hazel, Khlav Kalash vendor, Area 51-A guard, Balloon seller, Cherry Picker Operator, Drawbridge Operator, Larry, Plumbing accident victim, Plumbing accident victim's mother, Russian bear, Springsonian Guard.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:07

No characters appear; this is the opening title sequence of The Simpsons against a blue sky with drifting, puffy tan clouds. Starting from black, the clouds slide past as the yellow title text, first only partly visible as 'THE SIMP', gradually comes into full view reading 'THE SIMPSONS' in the center of the sky. The title then swings toward the viewer and the last letters are hidden by a dark purple nuclear power plant emblem with a green-tinted atom symbol that covers the middle of the title, leaving only fragments of 'MP' and 'S' visible.

Frame: https://ultrahouse3k.com/img/S09E24/1043.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/3754

## 0:07–0:15

Bart, a small spiky-haired figure, is glimpsed only at the end, standing inside a classroom seen through a purple-framed window of Springfield Elementary School. The scene opens on the Springfield Nuclear Power Plant, with a 'Welcome to Springfield Nuclear Power Plant' sign and atom-marked cooling towers above the town, then glides past streets and a shop with a striped awning to the school's double doors beneath a 'Springfield Elementary School' sign. The view then fills with plain orange wall before revealing the classroom window, with desks and a wall poster inside.

Frame: https://ultrahouse3k.com/img/S09E24/8759.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/11470

## 0:15–0:23

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, writes lines on a classroom chalkboard reading "I am not the new Dalai Lama" over and over, then drops the chalk and runs off through the classroom, past the clock and a red trash can. Outside, he rides a green skateboard past trees and a school building, first doing a grinding trick off a ledge in front of a sign that reads "Springfield Elementary" and then airborne with arms spread, before cruising along a sidewalk beside a large grey office building.

Frame: https://ultrahouse3k.com/img/S09E24/16475.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/19186

## 0:23–0:35

Homer, in a yellow protective suit, handles a glowing green rod with orange tongs in a control booth beneath a CAUTION sign, while Mr. Burns and Smithers watch from behind a window with a warning sticker reading BE CAREFUL. The scene then shifts to a store, where Marge, with her blue beehive, reads a copy of Mom Monthly at a checkout counter beside a bottle and a box of Frosted Krusty Flakes. Maggie, with her pacifier and blue bow, slides along the checkout belt, then stands up in a shopping cart as Marge pushes it and gestures to her.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/29613

## 0:35–0:44

Mr. Burns, a frail, stooped old man with a hooked nose, grey side hair and a pink jacket with a black bow tie, conducts a school band from a music stand while Lisa Simpson in her red dress and pearl necklace plays a light blue saxophone. Two girls in purple dresses with dark bobs play flutes beside them, and a boy with an afro looks startled as Burns gestures sharply with a baton, past a bulletin board and a bust of Beethoven. Lisa then walks alone down an orange hallway with posters on the walls, carrying the saxophone toward a pair of blue double doors, which she exits through.

Frame: https://ultrahouse3k.com/img/S09E24/37120.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/40249

## 0:44–0:55

Homer Simpson drives a pink car at night, scowling and shaking a fist with a green glow, then the car passes a cloud of smoke. Bart Simpson rides a skateboard down a city street past a brick building with an OPEN sign, and along a sidewalk where Barney, an unnamed woman with orange hair carrying shopping bags, and an unnamed dark-haired man in a green sweater stand near a dog. Chief Wiggum stops Bart with an outstretched arm beside a window of Krusty TVs, and Bart glides toward the road as a distant building with a sign comes into view.

Frame: https://ultrahouse3k.com/img/S09E24/45671.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/49841

## 0:55–1:07

Maggie, in a pacifier and blue bow, sits in a car seat gripping a steering wheel while Marge, with her tall blue beehive and red bead necklace, drives a pink car. The car pulls into the driveway of a yellow house with an arched orange door, a red-trunked tree, and a yellow picket fence, with a blue mailbox at the curb. Homer, bald with stubble and a white shirt, climbs out of the car with his arms spread and then leans against it, while a child in red rides a red tricycle past the car beside the open garage. Homer then bends forward beside the car, grabbing his head, as bikes, boxes, and a rake sit in the garage behind him.

> Eep, eep.

Frame: https://ultrahouse3k.com/img/S09E24/56098.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/61103

## 1:07–1:19

Homer, Marge, Bart and Lisa sit together on the brown couch in the pink living room, watching television, while a figure who matches Ned Flanders' moustache and glasses look...

> Ha-ha!

Frame: https://ultrahouse3k.com/img/S09E24/68402.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/73407

## 1:19–1:30

A man in a suit, a woman in a pink dress and a uniformed officer with reddish hair stand near a purple car outside a barber shop with a striped pole, and the credit 'Co-Executive Producer GEORGE MEYER' appears on screen. The officer then writes on a clipboard at a parking meter as Bart in an orange shirt and blue shorts and Milhouse with blue hair and glasses walk past the parked car. The moment opens on a wide view of a colorful town with a distant power plant.

> Hey, Bart, what's your favorite thing about Teacher's Conference Day?

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/85085

## 1:30–1:38

Bart, the spiky-haired boy in an orange shirt, and Milhouse, with blue hair and red glasses, stand together outside a pink building with an OPEN sign in its window and a trash can nearby. Milhouse talks and gestures with open hands while Bart glances sideways, then speaks with his mouth open as they stand by a door, and Milhouse later holds a wooden stick between his teeth with a hand on his chest. On-screen credits name David S. Cohen and Richard Appel as co-executive producers.

> Hmm, I guess that we don't have to go to school.
> Wow!
> Mine too!
> The world is completely different on a weekday morning.

Frame: https://ultrahouse3k.com/img/S09E24/91758.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/94469

## 1:38–1:45

Bart (spiky hair, orange shirt) and Milhouse (blue hair, glasses, pink shirt, red shorts) walk along a city sidewalk past a parking meter and a bank with large windows and a gold BANK sign. As they pass the bank's glass door, a man in a suit pulls it open and goes inside, and they stop to watch, then continue on as a group of elderly people with pink and blue parasols walks by them. Producer credits in white capital letters appear over the scene throughout.

> Banks are open. Old people are walking the streets with impunity.
> And look, Barney's not even drunk yet.

Frame: https://ultrahouse3k.com/img/S09E24/99266.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/101977

## 1:45–1:53

A man in a blue suit with a vest, watch chain and swept-back reddish hair, credited on screen as Jace Richdale, walks along a city sidewalk past a trash can, a fire hydrant and a window display of drums and a guitar at a store marked MUSIC STORE, while holding a small golden trophy. Bart in his orange shirt and Milhouse in his blue hair and glasses follow him to Moe's, where the man pushes open the red door and goes inside as the boys stop outside and watch the door swing open.

> Morning, boys.
> Can't stop the chat.
> Time is money.
> Morning, Barney.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/109484

## 1:53–2:01

Bart Simpson, in his orange shirt with spiky hair, and Milhouse, with blue hair and red glasses, stand side by side as they talk and walk through a school-like hallway and past a doorway. Milhouse grins and gestures with his fists while Bart glances sideways and smiles, and later they pass a staircase railing near red double doors. Captions credit consulting producers, including Ian Maxtone-Graham, David Mirkin, and Bill Oakley & Josh Weinstein, appear over the scene.

> You know what makes it even sweeter?
> While we're out having fun and walking around like crazy,
> those teachers are cooped up in school like morons.

Frame: https://ultrahouse3k.com/img/S09E24/114489.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/117409

## 2:01–2:09

Bart, in his orange shirt, and Milhouse, with blue hair and glasses, first stand talking on a sidewalk beside a green wall, then the scene shifts to a red roller coaster car where Mrs. Krabappel in her green cardigan, a red-bearded man in green overalls, Principal Skinner in a grey-haired suit with a pink shirt, and a bald man in a navy suit with a red tie sit holding green bottles. As the car climbs and passes a city skyline, they drink, cheer, and raise their arms, while the bearded man and the bald man lift their fists and a bottle is held up toward the sky.

> Hmm.
> Here we go again.

Frame: https://ultrahouse3k.com/img/S09E24/122623.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/125751

## 2:09–2:17

Bart Simpson, the spiky-haired boy in an orange shirt, and Milhouse, who has blue hair, glasses and a pink shirt, walk along a grey sidewalk beside a green wall. They come to a red storefront with a window display, and the scene then pans to the front of the Yuk-ingham Palace joke shop, where the two boys stand side by side looking at the window. A large spider and a dark round object are visible in the right-hand display, and the shop's sign reads 'Yuk-ingham Palace' with two small guard figures on either side. A caption at the bottom reads 'Consultant John Swartzwelder' over the sidewalk scene.

> Ah, no day would be completely wasted without a visit to the old joke shop.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/133467

## 2:17–2:27

Milhouse, with blue hair, red glasses and a pink shirt, is sprayed in the face with water beside a red door marked "RING FOR ENTRY" while Bart, in an orange shirt and blue shorts, steps onto a red mouth-shaped mat nearby. Bart then reaches for the gold knob of the brown oval door, and the two boys walk into a cluttered novelty shop lined with shelves of gadgets, a Krusty doll and an eight ball. On-screen text reads "Supervising Director JIM REARDON" as they enter.

> Rookie mistake, Milhouse.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/142434

## 2:27–2:41

Bart, in his orange shirt, and Milhouse, with blue hair and glasses, stand together at a novelty shop shelf lined with boxes of Itching Powder, Heart Attack Powder and Impotence Powder, and Milhouse holds up a card of swirl-lensed novelty glasses as Bart looks on. The scene then shifts to a moustached man with brown hair in a pink shirt and purple tie, who wears oversized black glasses, and the view turns to the lenses, where he gestures with a raised finger and talks. Lava lamps and a shelf of novelty items sit in the background.

> Check it out, Bert. X-ray specs.
> Hey, these don't work.
> Uh, a lead shirt.
> I'll take three pairs. Here's my prescription.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/154738

## 2:41–2:53

Milhouse, with blue hair and glasses, stands at a shop counter holding up a pair of swirl-lens glasses while a bald, moustached shopkeeper in a pink shirt and tie watches from behind the register, which sits near rockets and jars of alien figures. Bart, in an orange shirt, lifts a red fire extinguisher labeled "Genuine Fire Extinguisher" from a shelf of novelty items, then is suddenly surrounded by coiled toy snakes springing out around him. On-screen credits read "Produced by Colin A.B.V. Lewis" and later "J. Michael Mendel, Bonita Pietila" as the shopkeeper speaks.

> Hmm.
> Hey, you wanna not play with that?
> Just got it charged.
> Maybe you can help me. I don't think my face is as hilarious as it could be.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/167250

## 2:53–2:59

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands on a wooden floor beside a red fire extinguisher, then walks up to a blue counter and leans his arms on it. Across from him, a bald man with grey sides of hair, a moustache, a pink shirt and a tie stands behind the counter, gesturing with his hand while Bart talks, gestures and raises a finger. Blue decorative balls and a small clock sit on a shelf in the upper right, and the on-screen credits read 'Produced by Richard Sakai, Denise Sirkot' over the scene.

> What can you show me in a nose or forehead accessory?

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/176426

## 2:59–3:11

Milhouse, the blue-haired boy with hypnotic swirl glasses and a blue cap, stands behind a red counter in a shop beside Bart, who wears an orange shirt and has a toucan-beak-shaped object pressed to his face. Shelves behind them hold pink flowers in pots, a jar, toy false teeth, and a crystal ball. Milhouse talks and gestures with his hands, first pointing and then shrugging, while Bart stares ahead with wide eyes and the toucan-shaped suction cup stays stuck to his face. In the final frames Bart leans forward out of the bottom of the frame as Milhouse keeps talking and gesturing.

> Whoa, looking sharp. Well, thanks, Governor.
> Hello.
> If you put dog-dew on the suction cups, they'll stick better.

Frame: https://ultrahouse3k.com/img/S09E24/180806.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/185602

## 3:11–3:19

Bart Simpson, the spiky-haired boy in an orange shirt, stands beside a red door marked RING FOR ENTRY with a flower pot on the left, first scowling and then looking tired with half-closed eyes, mouth open as he talks. His expression sours and he turns to glare, then looks down and fiddles with a small silver object near the doorbell. The scene then cuts to an aerial view of a nuclear power plant with two white cooling towers marked with atom symbols, red reactor domes, and a parking lot, with on-screen credits reading Written by Brian Scully and Directed by Pete Michels appearing over the footage.

> Milhouse,
> I'm not gonna take dog-dew that's been on the dirty ground and put it on my face.
> I have a better idea.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/195404

## 3:19–3:29

Homer, bald and heavy in a white shirt, lies sprawled back in a chair at the nuclear plant control console while Bart, in a blue shirt and pants, leans over him and Milhouse, with blue hair and glasses, stands beside them. Bart pushes at Homer's belly and then throws his arms up in alarm, and Homer snaps upright, mouth open, arms flung wide in panic. The three then gather at the panel, with Homer pressing buttons and pointing at the controls as Bart and Milhouse look on, under the yellow radiation warning symbols on the blue walls.

> Hey, Dad, wake up. What?
> Hey, what? I'm awake. I'm awake. I'm a productive member of the team.
> You can't fire me, I quit.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/204579

## 3:29–3:41

Homer, the bald heavy man in a white shirt, Bart, the spiky-haired boy in an orange shirt, and Milhouse, with blue hair and glasses, stand in a blue room with a radiation symbol and a red fire extinguisher on the wall. Homer first gestures and fidgets with a worried look while the boys watch, then Bart points a finger and grins as Homer turns toward him, and later Homer sits in a red swivel chair at a purple console, leaning forward anxiously while the boys look on near a yellow-and-black hazard-striped door.

> Please, I have a family. Relax, Dad. It's just me.
> I was wondering if you had any industrial-strength adhesive I could use on my face.
> Well, let's see what we got in the old drawer.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/215215

## 3:41–3:52

A yellow hand rummages through a purple drawer full of a sandwich, a Chippos bag, a jar labeled NUTS, dice, candy, a comb, and a black revolver with a glowing green cloth, then pulls out a tube of glue. Homer, bald and heavyset in a white shirt and blue pants, sits on a red stool in a blue room and strains with a grimace while holding his backside. Bart in an orange shirt and Milhouse with blue hair and glasses watch beside him.

> Aha!
> There's some glue.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/226685

## 3:52–4:00

Homer, Bart and Milhouse are the characters in this moment. Homer's yellow hand grips a revolver with a green laser sight over a drawer holding a Chippos bag and a pencil, then Homer sits on a red stool in a blue room with hazard stripes, holding a purple package while Bart and Milhouse watch. The scene then shows the Simpson house with its red brick chimney and attached garage, followed by a folded brochure titled Treasures of Isis, with the Springmain Museum at 53 Museum Way, held up by Homer's hands.

> Hope this stuff holds.
> This exhibit is a once-in-a-lifetime event.
> It's the first time these Egyptian artifacts have been allowed out of England.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/236486

## 4:00–4:11

Lisa Simpson, in a red dress and pearl necklace, sits reading a glossy pamphlet headed "Treasures" in a pink room with a red lamp, a framed landscape painting, and a red-draped side table. Marge Simpson, in a green dress and red bead necklace, stands beside her holding a black boxy device and a small yellow film canister, fiddling with the canister and then raising it as she talks. Lisa glances up with a skeptical look while Marge grins with wide eyes, and Lisa turns back to her pamphlet.

> Just let me put some film in the camera and then we'll hop in the car.
> You can get a picture of your mommy with a mummy.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/245871

## 4:11–4:24

Marge Simpson, with her tall blue beehive and red bead necklace, holds a black handheld device with a strap in a pink room, first looking off to the side and then raising it to examine it. Lisa Simpson, in her orange-red skirt and pearl necklace with star-shaped spiky hair, stands nervously beside a purple coat rack, clasping her hands, grinning and gesturing, while a hand briefly holds a black box with purple compartments. Bart Simpson then appears in the doorway wearing novelty glasses with a big orange-and-blue fake nose, arms spread wide, with a house and garage visible on the street behind him.

> Whoops.
> There goes Carlsbad Caverns.
> Oh, well.
> Oh, I can't wait.
> In just 20 minutes, we'll be in a three-hour line to see the orb of Isis.
> Ta-da!
> Notice anything new? Bart,

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/257549

## 4:24–4:32

Marge Simpson, with her tall blue beehive and red bead necklace, and Lisa Simpson, in a red dress and pearl necklace, stand in the pink hallway beside the staircase, with Marge's arms crossed in the first frames. Bart, with spiky hair and an orange shirt, appears at the edge of the doorway wearing a novelty nose-and-glasses disguise with a rainbow-colored beak nose and a tap-like contraption on his head, shrugging with open hands in front of a suburban street. Marge then turns to face the viewer with a stern, skeptical expression and her lips parting as if to speak, while a purple grandfather clock and framed Simpsons portraits sit on the wall behind her. The scene ends with Marge pressing her lips together in a tight, disapproving look.

> what have I told you about throwing money away at that joke shop?
> Try and cut back a little? Take those silly things off.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/268393

## 4:32–4:38

Bart Simpson, in his orange shirt, stands pressed against a pink wall beside a coat rack, with a silver faucet fixture stuck to the top of his head and a rainbow-colored toucan beak stuck in his mouth. He tugs at the faucet with both hands and tries to pull away while Marge, with her tall blue beehive and long green dress, grips the fixture and pulls at it. Lisa, in her red skirt and pearls, watches from the left, and a suburban house with a blue awning shows through the doorway behind them.

> It won't come off.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/275901

## 4:38–4:51

Marge, with her tall blue beehive and red bead necklace, and Lisa, with her spiky star-shaped hair and red dress, stand beside Bart, the spiky-haired boy in an orange shirt, at a pink door outside a house with a green lawn. Bart has a toy-like plastic faucet and a rainbow-striped beak-shaped prop stuck to his face, and he flinches and grimaces as Marge tugs at a small metal fixture on his head and then at the prop. Lisa looks on and speaks, and Bart folds his arms and looks unimpressed while Marge sprays a can labeled with glue at his head before the moment ends.

> Ow!
> Bart, did you glue those on? Oh, don't be ridiculous.

Frame: https://ultrahouse3k.com/img/S09E24/280071.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/285494

## 4:51–5:02

Marge, with her tall blue beehive, green dress and red bead necklace, first holds a tube of Etern-A-Bond glue, its label reading 'Now with Death Grip' and a warning to consult a mortician in case of accidental ingestion, shown in close-up between yellow hands. She then looks startled, pressing her hands to her cheeks beside a purple coat on a red coat rack in a pink hallway. Lisa in an orange skirt and pearl necklace and Bart in an orange-red shirt and blue shorts stand by an open doorway onto a sunny street, Bart with hands on hips and a colorful blob stuck to his face as Lisa looks at him.

> In case of accidental ingestion, consult a mortician.
> Oh, my goodness! Mom, I didn't eat any of it.
> I'm not stupid.

Frame: https://ultrahouse3k.com/img/S09E24/293001.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/297172

## 5:02–5:10

Marge, with her tall blue beehive and green dress, holds baby Maggie in a pink hallway by a staircase, while Bart in an orange shirt stands nearby with a red-and-black toy horn-like object in his mouth and a water faucet-like object on his head. Bart keeps looking at the others as Marge speaks and gestures, and Lisa in a red dress and pearl necklace then appears beside him holding a small card. Bart then turns and pulls the toy from his mouth while Lisa stands still clutching the card, and Lisa walks off through the arched front doorway of the pink house, holding the card, past two rounded bushes onto the walkway. She stops outside, looking back over her shoulder and gesturing with her free hand, while the card is visible in her hand against a pale blue-purple walkway.

> We've got to get you to a doctor right away.
> Wait!
> You promised to take me to the museum!

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/306556

## 5:10–5:18

Lisa, the girl with star-shaped spiky hair, a pearl necklace and a red dress, stands in the foreground beside a red station wagon in front of a pink house. Inside the car, Bart, the boy with spiky hair in an orange shirt, sits in the front passenger seat with a toy-like object in his mouth, while Marge, with her tall blue beehive, leans out of the driver's window. In the first frames Marge looks toward Lisa and talks with her mouth open, and Bart's eyes are wide. Over the following frames Marge's expression shifts and she turns toward the car interior, then Lisa's face becomes the focus of the scene as she looks toward the car with wide eyes and a worried, grimacing expression, while Marge and Bart sit half-hidden behind the car door and frame.

> I know, honey, but this is a very unusual situation.
> At least it would be for most families.
> What if I took a bus?

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/314689

## 5:18–5:29

Marge Simpson, with her tall blue beehive, sits behind the steering wheel of an orange family car while Bart, the spiky-haired boy in an orange shirt, leans out of the passenger window beside her. Bart holds an orange-and-black toy megaphone to his mouth and then pulls it away, and Marge's expression shifts from worried to talking, gesturing with one hand and then gripping the wheel. Bart's head turns and the megaphone bobs in and out of view as the pair stay in the car in front of a grey house with a roof rack and green hedges. The car's dashboard and windows are visible throughout, with the toy megaphone as the most prominent object.

> A bus?
> Alone?
> Absolutely not.
> It's just too dangerous for an eight-year-old.
> In a few years, when you're old enough to drive, then you can take a bus.

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Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/324074

## 5:29–5:41

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands on a street beside a red station wagon, holding a small white card. Marge, with her tall blue beehive, leans out of the car window with a red-and-blue object stuck to her face and her mouth open, sometimes sticking out her tongue and glancing sideways. The scene then cuts to a close-up of Lisa in front of a pink house, her eyes shifting sideways as she smirks.

> It's the last day of the ISIS exhibit.
> Well, you should have thought of that before I glued all this stuff to my face.

Frame: https://ultrahouse3k.com/img/S09E24/330539.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/335335

## 5:41–5:53

Homer Simpson sits in a nuclear plant control room lined with dials and panels, first lounging back with his feet up and mouth open, then jolting upright with arms flung out in alarm, and finally holding a red telephone to his ear with a grimace. Lisa Simpson, with her star-shaped spiky hair and pearl necklace, stands in front of a green door with a colorful picture on it, holding a pink telephone and twisting its cord; she grins wide-eyed, then looks weary and uneasy as she talks into the receiver. Two red-and-yellow hazard-striped doors with radiation symbols and a red fire extinguisher on the wall are visible in the control room.

> Hello?
> Dad?
> Who is this?
> It's Lisa.
> I just called to tell you how much I love you, and can I take the bus to the museum?

Frame: https://ultrahouse3k.com/img/S09E24/342217.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/347639

## 5:53–6:06

Homer Simpson, bald with stubble and a white shirt, first stands in front of a blue wall with a radiation symbol and orange-and-black hazard stripes, gripping a grey corded phone receiver and looking worried with his mouth open, then clenches his fist near his mouth as he grimaces. Lisa Simpson, with her star-shaped spiky hair, red dress and pearl necklace, takes over the scene in front of a green door with a framed picture of a house, holding a pink phone to her ear and twisting its curly cord with her other hand. Her eyes widen and her mouth opens as she speaks anxiously, and she keeps fiddling with the cord as she looks increasingly alarmed.

> Museum?
> I don't like the sound of that. What did your mother say?
> Um, I wasn't 100% clear on that.
> She said something, but she was kind of in a rush to get Bart to the emergency room.

Frame: https://ultrahouse3k.com/img/S09E24/355146.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/360151

## 6:06–6:16

Homer, the bald, heavy man in a white shirt, stands before a blue wall with a radiation warning sign and a hazard-striped panel, holding a grey telephone receiver to his ear with one hand. His expression shifts from wide-eyed and grimacing to open-mouthed and pleading, with his hand pressed to his cheek. Then Lisa, the girl with star-shaped spiky hair and a pearl necklace, appears on a green wall-mounted phone with a pink receiver, her face moving from a smile to a worried frown, with the pink cord hanging near her hand.

> Hmm, so you want to take the bus, huh?
> I don't know, that's a pretty big decision.
> Well, if it would put your mind at ease, I could take a limousine.
> Although that would cost $200.

Frame: https://ultrahouse3k.com/img/S09E24/367450.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/371204

## 6:16–6:26

Homer Simpson, bald and heavy in a white shirt, stands at the control console of the plant's blue control room, holding a grey phone to his ear and speaking, his eyes wide and his mouth moving. He then looks worried and gestures with one hand as he talks. Then Lisa Simpson, with her star-shaped spiky hair and red dress, appears in a green-walled booth, holding a pink phone to her ear and a pearl necklace around her neck. She stares wide-eyed, speaks, then grins with a pleased, sly smile while holding the phone cord.

> $200?
> Oh, isn't there any other way? Hmm,
> I guess I could take the bus if you think that's a better idea.

Frame: https://ultrahouse3k.com/img/S09E24/377252.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/381423

## 6:26–6:33

Homer Simpson, the bald yellow cartoon man in a white collared shirt, sits in a control room with blue cabinets marked by radiation symbols and yellow-black hazard stripes, holding a grey corded telephone to his ear. He squints, talks, and grimaces at first, then closes his eyes and grins broadly while holding the receiver, one hand raised with a pointing finger. In the final frames his eyes widen in surprise as he gestures with his free hand, still on the phone beside a pink control panel with teal dials and red buttons.

> Frankly, I do.
> I know you had your heart set on a limo, but sometimes daddies have to say no, honey.
> I'm afraid you're gonna have to take the bus.

Frame: https://ultrahouse3k.com/img/S09E24/387888.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/390181

## 6:33–6:46

Lisa Simpson, in her red dress and pearl necklace, first talks on a pink wall phone beside a green door with a crayon drawing of a house, then clasps her hands and beams before walking over to a bus stop. At the shelter, an elderly woman with a lavender bun, Grampa with white tufts of hair, a bearded old man in a green sweater, a bow-tied man in a blue shirt and Troy McClure in a light blue suit with a briefcase sit or stand under a "BUS" sign and a Springfield Bus Routes map, and Lisa stands before them, hands clasped, as the scene ends.

> All right.
> Atta girl. I love you sir. Yes!
> Ah, the old number 22.
> Clean, reliable public transportation.

Frame: https://ultrahouse3k.com/img/S09E24/394769.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/399983

## 6:46–6:58

Moe, the grey-haired bartender with a blue bow tie, and Lisa, the girl with star-shaped spiky hair and a red dress with a pearl necklace, stand together beside a Springfield Bus Routes map on a bus-stop wall, while a tall, thin, stooped old man in a light blue coat and red tie stands behind Moe, with a brown briefcase near Lisa. Moe stands with a scowling look and at one point rubs his chin, while Lisa looks up at him, gestures with her hands, and at times clasps her hands at her mouth and speaks. Moe glances toward her, his expression grows more irritated, and the scene ends with Lisa looking up at him as he grimaces, the bus routes map and the briefcase still in place.

> The chariot of the people. The ride of choice for the poor and very poor alike.
> Sure, some folks prefer... Uh, you getting on this next bus, kid?
> Yes.

Frame: https://ultrahouse3k.com/img/S09E24/407699.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/412495

## 6:58–7:09

Lisa stands at a Springfield bus stop beside a grey-haired, thin old man in a red jumpsuit who looks like Mr. Burns, a bearded old man with white tufts seated on the bench who looks like Grampa, a grey-violet-haired woman in a green dress who may be Patty or Selma, and a red-haired man in a light blue suit who resembles Troy McClure. A yellow taxi pulls up and blocks the stop, then drives off as Lisa stretches her arms toward it, and afterward she stands at the curb while a white bus numbered 22 arrives and the waiting group crowds toward its doors, with the man in the suit helping the thin man climb aboard. Visible signs include a 'BUS' sign, a 'Springfield Bus Routes' map poster, and 'TAXI' on the cab door.

> Taxi!
> B-Day Clinic.
> Look, it's the bus! The bus! Come on, you're gonna miss the bus!

Frame: https://ultrahouse3k.com/img/S09E24/419586.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/423965

## 7:09–7:20

Lisa Simpson, in her red dress and pearl necklace, boards a bus through its folding doors, reaching for the handrail, then stands beside the heavyset driver in a blue uniform and cap as he steers. A sign reading "YOUR DRIVER TODAY IS: LARRY" appears on the bus wall, and the driver points toward a panel while Lisa keeps a hand on the wheel. The scene closes on a sign reading "DO NOT TALK TO DRIVER" with a yellow hand pointing at it from below.

> That's one small step... Whoa!
> Hi, Larry.
> I'm sorry, it's just that on the school bus...

Frame: https://ultrahouse3k.com/img/S09E24/430430.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/435018

## 7:20–7:26

Lisa Simpson, in her red dress and pearl necklace, stands beside the bus driver in a blue uniform and cap as he steers, and she leans in with her hands near the wheel while he points at a 'DO NOT TALK TO DRIVER' sign above the windshield. The sign is then shown up close with a yellow finger pointing at it, before the scene returns to the bus, where Lisa walks down the aisle past seated passengers, including a thin, stooped old man with a hooked nose and grey hair at the sides in a red outfit, and looks up at him.

Frame: https://ultrahouse3k.com/img/S09E24/441691.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/443777

## 7:26–7:34

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands in the aisle of a city bus beside an elderly woman with grey-violet curly hair, a purple dress and a blue jacket, who sits on a blue bench seat holding a small green coin purse. Lisa reaches toward the purse and touches it while the woman grins, then the woman lifts the purse and moves it away from Lisa as Lisa looks up at her. Lisa steps away to the right and out of the frame, leaving the woman seated alone with the purse on her lap as buildings pass in the windows, including one with a 'Duff' sign.

> May I sit there? Of course not, honey.
> That seat's for my coin purse.

Frame: https://ultrahouse3k.com/img/S09E24/447948.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/450659

## 7:34–7:45

Lisa Simpson stands in the aisle of a city bus, pointing at a heavy man in a metal helmet, a black Dungeon Master t-shirt and pink shorts who sits holding a green cup, while an elderly woman with lavender hair sits behind them. He gestures with his hand and keeps talking, then Lisa turns and walks away down the aisle. The bus then pulls off down a city street lined with tall buildings, leaving a puff of white exhaust behind it.

> May I have that seat? Yes, if you can answer me these questions three.
> Question the first. Never mind.

Frame: https://ultrahouse3k.com/img/S09E24/455664.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/459834

## 7:45–7:55

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits in the foreground of a train car, while a man in a green sweater reads a newspaper on the left and a bearded man in a horned helmet, black shirt and pink shorts sits on the right, later turning to look out the window. The train moves past brick buildings, the seats empty out, and two figures walk toward the front of the car, until the train stops at a station sign reading "CRACKTON" where a man lies slumped on a platform bench beside scattered papers.

> Sycamore Avenue.
> Little Newark, Little Newark.
> Crackton. Crackton is the stop.

Frame: https://ultrahouse3k.com/img/S09E24/466299.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/470470

## 7:55–8:07

Lisa Simpson, in her red dress and pearl necklace, looks out a bus window as it passes the Crackton stop, where a disheveled man lies sprawled on the bench while a bespectacled man in a green coat and red shoes stands reading a paper beside a 'CRACKTON' sign and boarded-up buildings. The bus, numbered 22, then drives past a smoky industrial plant with stacks and piles of grain, and the view shifts to an airport bus stop where a red-and-white jet is being refueled by a tanker marked 'FLAMMABLE' while the bus moves into view on the right.

> Crackton? That doesn't sound right.
> Industrial access road.
> Airport refueling way.

Frame: https://ultrahouse3k.com/img/S09E24/476726.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/481314

## 8:07–8:17

Lisa Simpson, with her star-shaped spiky hair and red dress, first stands in the aisle of a bus, gazing out the windows with her hands raised in worry, then keeps gesturing nervously as the view outside shifts past a stretch of desert and sky. Otto, the bus driver with long curly black hair, sits at the wheel in his blue uniform and cap, glancing sideways, and in the final frames he turns his head toward the aisle and speaks while Lisa remains standing at the back of the bus. Blue bus seats, metal poles and tinted windows fill the interior, and the scene is a flat cartoon animation.

> Rural Route 9.
> Army proving ground. Um, excuse me, sir.
> When does this bus get to the museum?
> It doesn't. Oh, but isn't this the 22? Yeah, Monday, Wednesday, Friday.

Frame: https://ultrahouse3k.com/img/S09E24/488196.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/492158

## 8:17–8:28

Lisa sits on a blue bus seat in her red dress and pearl necklace, holding a small handheld device, then stands and unfolds a paper map while she looks around. Meanwhile, a bus driver in a blue uniform and cap steers past a water tower, smokestacks, and factories, and the scene ends on a sign reading DO NOT TALK TO DRIVER as a yellow hand points at it.

> Tuesday, Thursdays to 22-8. 22-8? Then where the heck am I?
> Don't make me tap the sign.
> But I'm lost and I need to know where...

Frame: https://ultrahouse3k.com/img/S09E24/498415.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/503003

## 8:28–8:39

Lisa Simpson rides alone in the rear aisle of a nearly empty bus while the uniformed bus driver in a blue cap steers through a desert road lined with telephone poles. A yellow hand points to a sign reading "DO NOT TALK TO DRIVER," then the driver leans toward the viewer with a wide, grimacing grin and bulging eyes. Lisa, in a red-orange dress and pearl necklace, steps down from the bus onto the dusty roadside beside a "BUS STOP" sign, looks dismayed, and a tumbleweed rolls past as the bus pulls away.

> Last stop.
> End of the line.

Frame: https://ultrahouse3k.com/img/S09E24/509884.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/514264

## 8:39–8:42

Lisa Simpson, a small yellow girl in a red dress, walks alone along a grey desert road lined with leaning utility poles and dead trees, with a white sign post beside her. In the early moments she is near the lower left of the road, and as the scene goes on a white bus with red stripes drives away along the road toward the upper right, growing smaller until it disappears off the edge of the frame while Lisa keeps walking the same way.

> I should have got off in Crackton.

Frame: https://ultrahouse3k.com/img/S09E24/520729.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/521146

## 8:42–8:54

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands alone on an empty two-lane desert road lined with telephone poles under a bright blue sky with white clouds. She starts by grinning and looking toward the viewer, then turns her back and looks down the road, scratches her head, glances around, and raises her arms out to the sides in a shrug. A black screen opens the sequence, and the scene ends with her turning her head to the side while the road and poles remain unchanged.

> Okay, the museum's gotta be north of here.
> Now, which way is north?
> Ah-ha!
> It's springtime, so the geese must be flying back north.

Frame: https://ultrahouse3k.com/img/S09E24/523857.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/528862

## 8:54–9:07

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands on a desert roadside beneath a bright blue sky lined with utility poles and sagging wires. Flocks of grey geese with orange beaks fly past, and some birds perch on the wires; later the geese scatter as they fly in a tangle, with feathers drifting through the air. Lisa watches them, then the flock of birds rises and disperses into a cloud of tiny flying shapes while she turns her head to follow them, her eyes wide.

> Hey!

Frame: https://ultrahouse3k.com/img/S09E24/535952.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/540957

## 9:07–9:14

Marge, Maggie and Bart sit together on a bench in a green hospital corridor beside a potted plant, Bart with a pacifier-like object and a bent metal hook stuck in his mouth and a clamp on his head, while Maggie clutches a blue toy and sucks a pacifier. At first the scene is still, with the red EXIT door closed on the left. The door then swings open and a woman in a pink top and purple pants with a brown handbag steps in, followed by a red-haired boy in a green shirt and blue pants with a metal hook stuck in his head, who walks forward and then stops as the woman and Marge look on. The boy and woman then walk toward the viewer, the boy holding the woman's hand, and the EXIT sign remains above the door. Springfield Hospital's sign reading "QUALITY CARE OR YOUR AUTOPSY IS FREE." stands outside the building in the earlier opening shots.

> See, Bart, there's another boy who played with glue.

Frame: https://ultrahouse3k.com/img/S09E24/548256.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/550759

## 9:14–9:21

Marge stands beside a bench holding baby Maggie, who wears a blue bow and a pacifier, while Bart sits on the bench with a faucet fixture stuck on his head and in his mouth. A woman in a pink top, purple pants and pink headband, with a small brown bag, walks in holding the hand of a red-haired boy in a green shirt, and they move past the bench toward the right edge of the hallway. Under a NO SMOKING sign and a bulletin board marked NOTICE, the woman and boy keep walking out of view while the Simpsons remain seated and standing in place.

> Actually, it was a plumbing explosion.
> That's the kind of faucet I want for your bathroom.

Frame: https://ultrahouse3k.com/img/S09E24/555346.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/558058

## 9:21–9:33

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, walks along a sidewalk past a large beige hangar-like building with a chain-link fence and barbed wire. She stops, looks around, then steps up to a fence sign reading "AREA 51" beside a uniformed guard in a cap who holds a rifle, and she clasps her hands and gasps. The guard's sign is then shown reading "AREA 51-A" as Lisa stands beside a stone pedestal with a plaque.

> How could I confuse bus 22 with 22A?
> Area 51?
> I found Area 51!
> No, ma'am. This is Area 51A.

Frame: https://ultrahouse3k.com/img/S09E24/563063.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/567442

## 9:33–9:44

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands beside a chain-link fence, first looking wide-eyed and worried, then gritting her teeth and waving a hand, then touching her cheek. A guard in a blue beret, a light blue shirt and blue trousers, holding a rifle beside a sign reading "1-A", is speaking, then Lisa walks over to a map table with a blue tabletop and looks down at it. Its close-up shows a city street map with a red star and the words "YOU ARE HERE. WE ARE NOT." printed on it.

> Well, um, I'm kind of lost. Can you tell me where I am?
> I'm sorry. The location of this location is classified.

Frame: https://ultrahouse3k.com/img/S09E24/574115.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/578703

## 9:44–9:56

Lisa Simpson, in her red dress and pearl necklace, first stands beside a grey metal box with a grated top, then walks along a grey pavement next to a pink wooden fence toward a junkyard with a large pile of old appliances and a sign reading JUNKYARD on the fence. She walks past a metal wheel and a small green sprout, looking grumpy, and in the final moment she stops and stares at a small figure in a zigzag-striped shirt and blue skirt lying on the ground.

> Stupid bus. I can't even go to the stupid place it's supposed to stupid go.
> Yeah! I seen it first.

Frame: https://ultrahouse3k.com/img/S09E24/585376.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/590590

## 9:56–10:03

A wiry man with reddish hair, a thin mustache, a white tank top and a tattoo on his upper arm stands by a pink wooden fence in a junk-filled yard, gripping a long-handled shovel. A limp gray-striped cat hangs from the shovel near the fence while he works, and he later swings the shovel toward a red pickup truck heaped with junk, bundles and the cat. As the sequence goes on, he pivots with the shovel and a teal sign propped against his shoulder, while the truck bed grows fuller and the pile of junk and animals spills out.

> Ooh, girl, this is gonna have a elegant wedding feast.

Frame: https://ultrahouse3k.com/img/S09E24/597889.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/600183

## 10:03–10:13

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands on a gray sidewalk beside a pink wooden fence, clasping her hands and talking to a freckled, red-haired man with a wide nose and white tank top who leans in from the right, scowling and grinning. Her expression shifts from eager to uneasy as she fidgets, and a red can lies near the fence on the left. The scene then cuts to a red truck, where an orange-haired woman with a ponytail and green sweater leans from the driver's window under a clear blue sky, looking annoyed and frowning.

> Uh-huh.
> Um, listen, I'm kind of lost.
> Do you think you could give me a lift downtown?
> Cletus, what are you beating your gums about?

Frame: https://ultrahouse3k.com/img/S09E24/604771.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/608316

## 10:13–10:21

Lisa Simpson, in her red dress and pearl necklace with her star-shaped hair, stands on a grey sidewalk beside a pink wooden fence and a red can, while a freckled, long-nosed man with red swept hair, a big moustache, and a white tank top occupies the right foreground. He squints, smirks, grimaces, and opens his mouth as if speaking, then glances sideways toward Lisa with a scowl before turning back to her with a sly look, and in the final moment Lisa turns and walks away to the left.

> Never you mind, Brandine.
> You just go back to birthing that baby.
> Yeah, I'll fetch you a ride, little missy.

Frame: https://ultrahouse3k.com/img/S09E24/614155.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/617283

## 10:21–10:32

A scruffy, red-haired, mustached man in a white tank top and blue overalls, who is not a regular, stands beside a red truck heaped with dead animals and leans on a shovel while gesturing toward the truck bed. He lifts a striped skunk from the pile, then stands holding it near his shoulder while a little girl with spiky hair and a red dress, Lisa, winces with her hands on her cheeks and then stands beside him smiling. The blue sign with a white figure on a wooden fence and the wooden fence behind them frame the scene.

> Hop on in.
> Mind the skunk, them things can go off even after they's dead.

Frame: https://ultrahouse3k.com/img/S09E24/622497.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/627085

## 10:32–10:36

A man in a white coat with a head mirror and teal tie, unnamed here, stands in a room with a ceiling lamp and framed landscape pictures on the wall. He smiles and holds a magnifying glass up to a large red, orange and black rounded object, then leans in close, peering through the lens and shifting his gaze side to side. He tilts his head and presses the lens nearer to his eye, and the object stays in the foreground while the magnifier stays raised.

> Hmm.

Frame: https://ultrahouse3k.com/img/S09E24/633758.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/634801

## 10:36–10:49

In a doctor's examination room, a bearded... no, a doctor in a white coat with a head mirror and stethoscope, a Black man, stands at left while Bart, with a large red-and-yellow novelty beak clipped to his face, sits on an exam table beside Marge, who holds baby Maggie in her arms with a blue bow. The doctor gestures and speaks, then holds a magnifying lens up to his eye and looks toward Bart, and then gestures with his hand as he talks, while Bart and Marge look on. Medical instruments hang on the wall behind them, and a blue exam table sits in the middle of the room.

> Young man, there's nothing funny about novelties.
> I mean, they're humorous and all, but this is certainly no laughing matter.
> Can you help him, Doctor? Oh, my, yes.

Frame: https://ultrahouse3k.com/img/S09E24/637929.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/643143

## 10:49–11:00

In a clinic exam room, a Black doctor in a white coat, with a mirror headlamp on his forehead and a stethoscope around his neck, stands beside a blue examination table where Bart sits wearing a red-and-blue novelty beak and a spring-like gadget on his head. Marge, with her tall blue beehive and red bead necklace, holds Maggie in her arms by the window blinds and watches. The doctor shifts from standing at the counter to pulling on a pair of surgical gloves, then raises a gloved hand and gestures, and the scene ends with a close-up of him in profile, mouth open as he talks.

> Why, if I had $75 for every novelty I've removed...
> Oh, by the way, I'll need a check for $75.

Frame: https://ultrahouse3k.com/img/S09E24/650650.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/654821

## 11:00–11:11

A bald-headed doctor with a head mirror, white coat and green tie stands at an exam room counter, then holds up a cylindrical multi-needle injector with red, blue and teal caps while grinning and grimacing. Bart, in an orange shirt and wearing a rainbow-striped beak-like mask with a faucet-like fixture on his head, sits on the exam table as the doctor leans toward him with the device, while Marge, with her tall blue beehive and green dress, and Maggie, with a pacifier and blue bow, watch from the side. The scene shows the injector's needles aimed at Bart's back as the doctor readies the procedure.

> Yes,
> I think a series of painful injections directly into Bart's spine should
> get the job done.

Frame: https://ultrahouse3k.com/img/S09E24/661077.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/665665

## 11:11–11:19

Bart, the spiky-haired boy in an orange shirt and blue shorts, sits on a counter in a blue-cabineted kitchen while a contraption on the left fires a spray of needles and a stream of liquid from a tube with a rainbow-striped nozzle at his face. He stares wide-eyed and sweating under a faucet, then the device goes quiet and he clutches a set of dentures with a grimacing expression. He then gazes sideways, raises a hand and rubs his face, pinching the bridge of his nose and squinting in exasperation.

> What happened?
> You didn't do anything. Oh, didn't I?

Frame: https://ultrahouse3k.com/img/S09E24/672338.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/675258

## 11:19–11:29

Marge, with her tall blue beehive and red bead necklace, holds baby Maggie in her arms, with Maggie's pacifier and blue bow visible, while a bald-headed doctor-like man in a white coat, headlamp and teal tie, a Black man with a headlamp, stands beside them holding a silver, many-nozzled gadget. Marge looks on warily as the man grins and leans in, his eyes closing and mouth opening in a broad smile, then he glances sideways and grins again, the gadget's colored tubes and nozzles glinting in the hallway with pale green walls. Across the moment the man's expression shifts from sly smiling to a wide toothy grin and back, while Maggie stays nestled against Marge's arm.

> Nothing dissolves glue better than human sweat.
> I knew Bart would panic and start perspiring at the sight of this button applicator.

Frame: https://ultrahouse3k.com/img/S09E24/680471.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/684434

## 11:29–11:39

Bart Simpson sits on an examination table in a doctor's office, and a doctor with a head mirror, a stethoscope and a white coat, a Black man who is not a regular, holds a cylindrical device with rows of needles and colored tubes aimed toward Bart. The doctor grins and the needles advance toward Bart, who in the next frames looks wide-eyed and sweats, his shirt lightly marked with red spots. The doctor then tilts the device and closes his eyes with a grimace, and finally looks wide-eyed and speaks, while a blood pressure cuff hangs on the wall behind Bart, a pair of false teeth lies on the table, and a red-and-blue canister sits in the corner.

> Couldn't you have just turned up the heat a little?
> Oh, heavens no.
> It had to be terror sweat.

Frame: https://ultrahouse3k.com/img/S09E24/690690.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/694444

## 11:39–11:45

In a factory cafeteria with orange serving counter, vending machines, and olive-green tables, Homer Simpson sits in a white shirt at a table near the middle while workers in white hard hats and blue overalls eat and move around the room. A worker carrying a tray walks through the foreground from the left toward the seated diners, while a worker in blue overalls stands by the vending machines on the right and another worker at the back serves food at the counter. Over the course of the clip, the foreground worker moves steadily across the room, and the people at the tables keep eating, with no on-screen text visible.

> Mmm.

Frame: https://ultrahouse3k.com/img/S09E24/700491.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/702577

## 11:45–11:54

Homer, Carl and Lenny sit at a cafeteria counter lined with vending machines and an EXIT sign. Carl, in a grey-blue jacket and pink shirt, wears a tall pyramid-shaped straw hat, while Lenny, with spiky black hair and a green sweater with suspenders, eats from a plate of meat and potatoes. Homer, in a white shirt with his back to the viewer, lifts a fork to his mouth and then gestures with it as Carl talks and Lenny chews and speaks, with a milk carton and trays of food on the green counter.

> So, uh, ain't you guys gonna ask me about my hat?
> Hey, Carl.
> What's with the hat?
> Oh, what? This thing? I got it down at the museum.

Frame: https://ultrahouse3k.com/img/S09E24/706956.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/710293

## 11:54–12:01

A Black man with short black hair, a golden pyramid-shaped hat, a pink turtleneck and a light blue-grey jacket stands in a hallway by blue EXIT doors, a green and orange BUZZZ sign and a gumball machine, holding a red box under one arm. He gestures with a raised finger, then an open hand, grins with his eyes half closed, and glances sideways while the pyramid hat stays balanced on his head.

> It's what the ancient Egyptians call a souvenir.
> My daughter's at that Egyptian dealie right now.

Frame: https://ultrahouse3k.com/img/S09E24/715924.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/718009

## 12:01–12:12

Homer Simpson sits at a cafeteria table with a lunch tray holding food, a carton of milk with a straw, and a plastic container, and he talks, grins, laughs and gestures with his hand while holding a fork. Behind him a man in a blue cap with a moustache sits at another table near a green EXIT sign and a blue door. On the far left a worker in a white hard hat is partly visible. On the right, a green-shirted man with blue suspenders and a dark spiky mohawk-style hairdo, possibly Ned Flanders' type but not him, and a man in a grey jacket and pink sweater wearing a pyramid-shaped hat sit at a table, the man with the hat gesturing with a fork and the green-shirted man reacting with wide eyes and an open mouth, then gazing with a blank stare while a sign reading BUZZZ hangs on the wall.

> She wanted to take a limo, but I made her take the bus.
> You sent your little girl downtown on a bus?
> Alone?

Frame: https://ultrahouse3k.com/img/S09E24/722180.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/726976

## 12:12–12:26

Homer Simpson sits at a cafeteria table in his white shirt with a tray holding a drumstick, a fork, and a boxed snack, while a man in a green sweater with long black hair sits on the left and a dark-skinned man in a grey-blue jacket wearing a tall yellow brick-patterned hat sits on the right. Homer looks uneasy, scratches his head, grins, then talks and gestures with both hands, raising a finger and shrugging as the others listen. Behind them are a blue door, a green EXIT sign, and a milk carton with a red straw.

> Maybe, but you don't know Lisa.
> I mean,
> she's so smart they hooked her up to a big computer to try to teach it some things,
> but she had so much knowledge it overloaded and then it got really hot and caught on fire.

Frame: https://ultrahouse3k.com/img/S09E24/733650.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/739280

## 12:26–12:39

Homer, in a white shirt and blue pants, stands at a cafeteria table gesturing and talking while Lenny, with spiky black hair, a green shirt and blue suspenders, sits beside a man in a grey jacket, pink sweater and pyramid-shaped straw hat, both eating from trays. Homer then grips his tray, glances around and hurries away from the table toward a blue door under a green EXIT sign, leaving a tray of food scattered on the floor. Hard-hatted workers sit at nearby tables, and a carton of milk with a pink straw sits on the table, while a green sign reading BUZZZ hangs on the wall.

> That never happened, did it, Homer?
> Uh, yes, but now I have to leave on a totally unrelated matter.

Frame: https://ultrahouse3k.com/img/S09E24/747205.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/752835

## 12:39–12:43

Lisa Simpson, in her red dress with star-shaped spiky hair, walks along the left sidewalk of a street lined with Cyrillic-signed shops, including a book shop, a meat shop marked МЯСО, and a pharmacy sign reading АПТЕКА. A bald, heavy man in a white shirt, likely Homer, stands near the meat shop's counter while a man in a blue shirt steps down the stoop on the right and a townsperson stands by the sidewalk. Lisa moves steadily toward the foreground past a yellow fire hydrant and a puddle, while the man on the right walks out of view and a figure in a pink-trimmed balcony window remains in place.

> Oh, I didn't know Springfield had a Russian district.

Frame: https://ultrahouse3k.com/img/S09E24/760760.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/761594

## 12:43–12:55

Lisa Simpson, the girl with star-shaped spiky hair in a red dress, stands on a sidewalk holding a folded paper and asking for directions from a moustached man in a white embroidered shirt and dark apron. The man gestures with his arms, first raised and then extended to point the way, while an older man in a flat cap and grey vest sits on a crate beside a chess board on a barrel in front of a stall with a Cyrillic sign reading "СОСИСКИ". Lisa's expression shifts from attentive to wide-eyed and flustered as the man keeps talking and waving his hands, and a red-and-white pole hangs on the wall behind them.

> Excuse me, can you tell me how to get to the museum?
> I'm happy to call you!
> This is a place in this direction!
> Hey, she went not to that side.

Frame: https://ultrahouse3k.com/img/S09E24/764722.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/769519

## 12:55–13:04

A grey-haired man in a flat cap and brown vest plays chess with a mustached man in a white embroidered shirt, first at a wall-side board and then on a barrel beside a sign reading сосиски; the first man moves a white pawn and says "Checkmate," and the mustached man raises his arms while the subtitle reads "Good game. How about another?" Later, Lisa in a red dress stands on a market street with a grey cat and white chickens near a Рыба sign, while a mustached man in a white apron shouts beside a Минутка stall and a bald man in a purple shirt carries a bundle past.

> Hmm, a horse and a horse.
> Good game!
> How can you do it with one?

Frame: https://ultrahouse3k.com/img/S09E24/776609.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/780154

## 13:04–13:17

Lisa Simpson stands on a rainy city street beside a hot dog cart with a pink umbrella, bottles of ketchup and mustard on top, while a dark-haired man in a turtleneck holds up a purple fish and a mustached man in a grey shirt raises a food-on-a-stick near her. Puppets dangle on strings above the scene before a brown bear on roller skates, wearing a propeller beanie and a red vest with vegetables on his back, rolls in holding a tray of colorful candies. He offers the tray to Lisa, then opens his mouth wide in a loud yawn or roar as Lisa turns and walks off to the right.

> No thanks.

Frame: https://ultrahouse3k.com/img/S09E24/785994.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/791416

## 13:17–13:23

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, appears on a sunny street outside a red phone booth topped by a striped blue-green-white onion dome, with Cyrillic signs reading "ФРУКТЫ" (fruits) and "ТЕЛЕФОН" (telephone) visible. She walks from the left past a fruit stand piled with apples and oranges toward the booth, then steps into its doorway. Inside the booth she turns and fidgets, looking up and around with a frustrated expression, gesturing with her hands and then reaching toward the telephone receiver hanging on its cord.

> Oh, that's it. I give up.

Frame: https://ultrahouse3k.com/img/S09E24/798923.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/800800

## 13:23–13:36

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a pearl necklace, stands in a glass-walled booth on a blue-framed building, holding a blue payphone receiver to her ear. She first presses buttons on the grey payphone keypad with one finger, then sits with a bored, sullen expression while listening, her eyes drooping and mouth open as she speaks. Through the windows behind her are a red brick building, a wooden fence, a trash can and a tree. A payphone with a dangling cord is mounted on the booth wall.

> You have reached the office of Homer Simpson.
> If you are calling about the waterbed, please leave a detailed message.
> If you need... Get back to work.

Frame: https://ultrahouse3k.com/img/S09E24/804762.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/809976

## 13:36–13:46

Homer, in a white shirt and blue pants, first peers through window bars at a pink octopus-like creature while a tan-coated man looks on, then he is seen inside a red Russian-style telephone booth topped by a blue, white and green onion dome, and Lisa in her red dress flings her arms out and shouts beside it as a woman in a green jacket watches. Homer then drives his pink car down a city street, stops it askew, and climbs out, hurrying past Marge in a pink dress and Bart in a red shirt and blue shorts. He ends up before the Springfield Museum, whose purple banners show a large gold ankh, as a crowd of townspeople gathers on the steps and lawn.

> You buy it! You buy it!
> Lisa!

Frame: https://ultrahouse3k.com/img/S09E24/817275.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/821237

## 13:46–13:56

Homer Simpson, bald and heavyset in a white shirt and blue pants, wearing a blue-and-gold pharaoh headdress, rushes up to a set of double doors beneath a purple banner reading "Treasures of Isis, Last Day!" He pushes through the doors and hurries up a staircase visible through a tall glass window, then bursts back out of the doorway waving his arms and clutching a small red pyramid-shaped object. He pauses in the doorway, holding the red item and then a black handheld device, looking around with a worried expression as the doors stand open behind him.

> Oh, where is she?

Frame: https://ultrahouse3k.com/img/S09E24/827493.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/831456

## 13:56–14:03

Homer Simpson, a bald, heavy man in a white shirt and blue pants, runs along a street waving a white card in front of a line of onlookers on the sidewalk, passing a pink car, a teal car and a red car, and throws his arms up beside the teal car. He then stands in the road before a columned building with purple banners and a red sculpture while a blue car and a green car pass, with a thin man in glasses and a blonde woman watching from the sidewalk. Finally he jogs toward the building's entrance, clutching the card, near a sign reading MUSEUM.

> Oh, has anyone seen my little girl?

Frame: https://ultrahouse3k.com/img/S09E24/837712.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/839797

## 14:03–14:15

Homer Simpson, the bald, heavy man in a white shirt, stands on a city street beside a red car, holding a small pink-and-white card in one hand. Marge Simpson, with her tall blue beehive and red beads, sits in the driver's seat behind the open window with her seatbelt on. Homer first grips the window frame, then gestures with open hands and grimaces as he talks to her, rubs his chin and scratches his head, and finally points forward with his index finger while frowning. Buildings and a blue sky with clouds sit in the background, and a sidewalk and curb run along the right edge.

> Oh, for God's sakes, my little girl is...
> Hello.
> Homer, what's going on? Shouldn't you be at work?
> I am at work. This is what I do. Keep it moving, Marge.
> This isn't a parking lot. I'm sorry.

Frame: https://ultrahouse3k.com/img/S09E24/844177.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/849390

## 14:15–14:28

Homer Simpson, a bald, heavy man in a white shirt, stands on a city street beside a blue car, where Marge sits behind the wheel in the first moment, then he points ahead with his finger while she looks on. Homer later holds a small pink card in both hands and talks to Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, who peers from the car's window in a green jacket and tie. Homer's expression shifts from talking and gesturing to nervously clutching the card, while Burns scowls and tilts his head. In the final frames Homer runs off down the sidewalk, clutching a paper, past a mailbox and a woman in a pink dress with a hat, in front of a tall red brick building and a red-brick low-rise under a pale blue sky.

> Shouldn't you be at work right now? Uh, yes sir, Mr.
> Burns, sir.
> Well then, get back to wherever it is you work, whoever you are.

Frame: https://ultrahouse3k.com/img/S09E24/856689.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/861694

## 14:28–14:42

Homer Simpson, bald and wearing a white shirt and blue jeans, stands on a sidewalk beside a green bench in front of a brick building with an arched iron gate, while a heavy purple-haired woman in a pink fuzzy sweater, pink rose-print skirt, pearl necklace, white pillbox hat with a pink bow and white heeled shoes faces him. Homer holds up a small cash bill and then stands with hands near his waist as the woman talks, gestures and throws her arms out, and at one point a figure with reddish swept-back hair in a blue vest and white shirt dashes past behind her toward the gate and snatches something from her shoulder bag. The woman then clutches her chest and holds her hands up in alarm while Homer watches with a blank look, and finally she stands with hands on hips as Homer sits on the edge of the bench.

> Excuse me, ma'am, have you seen this little girl?
> I'd love to help you pal, but I'm on a stake out here.
> Yoink!
> Ow, ow, ow!
> Great! Somebody stop that awful, awful man!
> Oh.

Frame: https://ultrahouse3k.com/img/S09E24/869202.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/875041

## 14:42–14:44

Homer is visible in the background of a crowded city sidewalk lined with red brick buildings, his bald head peeking above the crowd behind a green building. A bald man with round glasses in a blue jacket and a grey-haired man in a green suit with a purple tie lead a crowd of pedestrians walking toward the viewer, including a woman in a pink dress and a woman in a red dress. As the group advances, a woman with long brown hair and red lipstick in a light green suit moves to the front, while a man in a blue tie and light blue shirt carrying a briefcase walks nearby beside an orange crane truck.

> Lisa!

Frame: https://ultrahouse3k.com/img/S09E24/883174.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/883383

## 14:44–14:52

Homer Simpson, bald in his white shirt and blue pants, first stands among a street crowd with Marge, whose tall blue beehive is visible, as he grimaces and gestures excitedly. He then steps up to a red-bereted street vendor's cart stocked with blue gas tanks and a bundle of colorful balloons, hands over money and takes the balloons, then walks off holding them. Last, he approaches an orange cherry picker whose white-helmeted operator waits in the bucket, with the balloons floating above him.

> This is no good, I've got to get up higher.
> Give me all your balloons.
> I hope this works.
> These are for you if you let me use your cherry picker.

Frame: https://ultrahouse3k.com/img/S09E24/885676.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/888805

## 14:52–15:01

Homer Simpson, bald and heavy in a white shirt and blue trousers, stands on a sidewalk holding a large bunch of colorful balloons while a construction worker in a white hard hat and green shirt rides in the orange cherry picker bucket. The worker gestures and talks with his hands near his face, then he and Homer embrace beside the bucket in front of a purple brick building. Homer then climbs into the bucket and makes an OK-sign gesture, while the worker stands at the left edge beside the balloons. The orange boom truck with its raised arm and the purple building with its pediment and windows fill the background.

> Well, I've already got some balloons, but they're not this nice.
> Deal.

Frame: https://ultrahouse3k.com/img/S09E24/894018.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/897146

## 15:01–15:12

Homer Simpson rides in the orange bucket of a utility truck on a city street lined with brick and purple buildings, while a man in a blue vest and a man in a blue suit watch from the sidewalk. He rises higher in the bucket, then drifts across the blue sky above the rooftops, arms folded and eyes glancing sideways. Afterward Lisa, in her red dress and pearl necklace, walks along a narrow alley past a grey trash can and a small white daisy, then steps out onto the street where a woman in pink and a man in a red shirt walk by.

> Excuse me, ma'am.

Frame: https://ultrahouse3k.com/img/S09E24/902360.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/907156

## 15:12–15:23

Lisa Simpson, wearing her red dress and pearl necklace, is first seen pressed among a crowd on a city sidewalk beside a woman in a pink top and a man in a pink jacket. She stands with her arms raised and mouth open, then is jostled past a bald man in a green sweater and brown pants, and a man in a blue suit. Behind them a worker in a bucket lift shows a tall orange hydraulic lift on the street. Homer, in a white shirt, is perched in the orange lift bucket on a rooftop, cupping his hand to his mouth as if calling out. Lisa ends up alone on the crowded sidewalk, eyes shut and head down, while people in suits and a man with a briefcase walk past, and a small crumpled paper lies on the pavement near her.

> Uh, hello?
> Somebody?
> Anybody?
> Lisa? Lisa?

Frame: https://ultrahouse3k.com/img/S09E24/914038.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/918000

## 15:23–15:35

Homer, bald with stubble and wearing a white shirt, stands at a red podium with two microphones under a blue sky in the first frame, then rides an orange cherry picker bucket up beside a building, shouting and cupping his hands to his mouth before grimacing and gripping the bucket's control levers with both fists. In the street below, Lisa, in her red dress with star-shaped spiky hair, hugs a bystander's leg and reaches toward a woman in a pink top and green pants, while Bart in an orange-and-white shirt stands nearby. Later Homer's bucket lifts him to the roof of a multi-storey building beside a red utility truck, with pedestrians gathered on the sidewalk, and in the final frame the truck carries him back down the street past a building marked 5401 where Marge, Maggie and others watch.

> Dad!
> Stay there! I'll come down and save you!
> What's wrong with this thing?
> Ah!

Frame: https://ultrahouse3k.com/img/S09E24/924048.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/929053

## 15:35–15:46

Lisa Simpson, in her red dress and pearl necklace, watches from the sidewalk of a seaside street lined with pink and brick buildings. Homer, bald in a white shirt, rides up in the orange bucket of a utility truck while bystanders run from the tilting vehicle, then the truck tips onto its side near a utility pole. Lisa watches as a man in a red shirt and a small figure in pink walk along the sidewalk, and the scene fades to black.

> Lisa!
> Save me!

Frame: https://ultrahouse3k.com/img/S09E24/936144.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/940731

## 15:46–15:56

Homer, bald and wearing a white shirt, rides in the orange bucket of a utility truck's boom through a quiet street, his mouth wide open in alarm as the truck drives up the road between pastel buildings. He is then seen high up in the bucket beside a brown utility pole, clutching it and yelling while tangled wires surround him. The truck's bucket swings and he keeps shouting as he is lifted higher among the power lines against a bright blue sky, with his tools and a pair of red and black handles visible in the bucket.

> Hang on, Ben!

Frame: https://ultrahouse3k.com/img/S09E24/947405.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/951367

## 15:56–16:06

Homer Simpson, bald and heavy in a white shirt, rides in the orange bucket of a bright orange utility truck through a city street lined with brick and pastel buildings. In the first frames he is raised beside a building with potted plants, then the truck tilts and drives along the street while he is lifted near a blue-awninged door. He is then seen clutching his head as sparks fly from the bucket as it scrapes against a wall and a trash can, and later the bucket rises past a rooftop railing with blue sparks flashing above him. Lisa Simpson, with her star-shaped spiky hair and red dress, appears in close-up pointing upward and looking alarmed in front of a pink wall with blue curtained windows. The sequence ends with a wide view of the street as the orange truck with Homer in its bucket moves away past houses and a fenced park.

> Look out!
> Oh no, I'm gonna go up the end of the...

Frame: https://ultrahouse3k.com/img/S09E24/957415.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/961377

## 16:06–16:15

Homer, the bald heavy man in a white shirt, first stands behind an orange podium with microphones on a street, then rides inside an orange box along a long wooden pier as its planks splinter and crumble around him. The box tips off the end into the blue water and drifts away from the pier with Homer inside, while Lisa, the girl with star-shaped spiky hair in a red dress, walks along the distant shore at the bottom right.

> I'm not normally a praying man, but if you're up there, please save me, Superman.

Frame: https://ultrahouse3k.com/img/S09E24/967633.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/970970

## 16:15–16:23

Homer Simpson, bald with a white shirt, clutches a yellow-and-red flotation setup while riding a large red box-shaped object bobbing on blue ocean waves, his mouth open and eyes wide as he rises and dips. In the final frames the scene shifts to a red ferry-like boat heading toward the viewer through a channel between two raised drawbridges, with a small lookout tower and buildings on either side under a bright blue sky with white clouds.

Frame: https://ultrahouse3k.com/img/S09E24/976392.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/979520

## 16:23–16:35

Lisa, the girl with spiky hair in a red dress, runs along a railing beside a canal toward a bridge tower, where an unnamed bridge operator in a blue cap and uniform works the controls through a window. Homer, bald in a white shirt, rides an orange lift over the water as the bridge leaves rise into the blue sky, and the gears and chains move the bridge, while Lisa watches from the tower balcony. In the final moments Homer's orange lift sinks toward the water, which splashes at its base.

> Hurry, hurry, lower the bridge! You're the boss.
> Dad, grab onto it!

Frame: https://ultrahouse3k.com/img/S09E24/984734.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/989739

## 16:35–16:47

Homer, the bald heavyset man in a white shirt, appears first at a podium against a blue backdrop, then rides an orange bucket on a crane-like arm over a dam spillway as water pours from a pipe into the blue channel. He drops and dangles by one hand from the underside of a grey bridge or ledge above the open sky, then looks up and reacts with alarm as Lisa, the girl with star-shaped spiky hair, appears hanging from the same overhead structure beside him, with a small white cloud and a railing visible in the background.

> Oh!
> Oh, Lisa, thank God you're okay!

Frame: https://ultrahouse3k.com/img/S09E24/997038.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1001834

## 16:47–17:01

Homer Simpson and Lisa Simpson are on a bridge, with a river and hills behind them. Early on, a blue car and a red pickup drive over a bridge span, while Lisa watches from the railing near a tower where a bridge operator in a blue cap looks out. Later, Lisa stands with a pearl necklace and a red dress, while Homer, in a white shirt and blue pants, grips the back of his head with one hand, then grins and gestures with the other hand, as he walks beside her along the railing. A small yellow shape lies flat in the roadway gap before the cars pass.

> Oh!
> Ow! You said to crush him, right? No!
> Are you sure you don't want to go to a doctor?
> I mean, a drawbridge did close on your head.
> Nah, I'll just walk it off.

Frame: https://ultrahouse3k.com/img/S09E24/1008716.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1014555

## 17:01–17:14

Lisa Simpson, in a red dress and pearl necklace, sits in the passenger seat of a pink car while Homer Simpson, in a white shirt, drives with both hands on the wheel. The car travels down a city street past a fire hydrant, a blue mailbox, a purple bench, green bushes, and a trash can. Lisa's expression shifts from wide-eyed and tense to grimacing, then to an open mouth with half-closed eyes and a drooping head, while Homer keeps staring ahead.

> I should have known I wasn't old enough to take the bus alone,
> but I really wanted to see that exhibit.
> I'll never take another stupid risk like that again.

Frame: https://ultrahouse3k.com/img/S09E24/1022480.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1027693

## 17:14–17:24

Homer, bald and heavyset in a white shirt, and Lisa, with her star-shaped spiky hair, red dress and pearl necklace, sit belted into a pink car. The moment opens on a close-up of Homer's blue sleeve and grey shoe pressing a teal pedal in the purple footwell, then the pink car drives down a city street past a fire hydrant and a trash can. Inside, Homer talks and gestures toward the steering wheel while Lisa looks at him wide-eyed, and then Lisa grimaces and starts crying as Homer glances back at her.

> Don't ever say that. What?
> If I hadn't have taken a stupid risk with that cherry picker,
> I never would have found you.
> I guess.

Frame: https://ultrahouse3k.com/img/S09E24/1035201.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1039372

## 17:24–17:37

Homer, the bald heavy man in a white shirt, sits behind the steering wheel of a car while Lisa, the girl with star-shaped spiky hair and a red dress, sits beside him in a purple seatbelt. Homer keeps turning to face her, gesturing with his hands and grinning, while Lisa watches him with a flat, unimpressed look. Through the car window behind them a house with a wavy-patterned window is visible, and the purple car interior and seatbelts stand out. Homer then lifts one fist and leans back in the driver's seat, still talking animatedly and gesturing with both hands above the wheel.

> Stupid risks are what make life worth living.
> Now your mother, she's the steady type, and that's fine in small doses.
> But me, I'm a risk taker.
> That's why I have so many adventures.

Frame: https://ultrahouse3k.com/img/S09E24/1045836.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1050841

## 17:37–17:49

Homer Simpson, bald with a white shirt and purple tie, and Lisa Simpson, with her spiky star-shaped hair and pearl necklace, ride in a pink car with a purple interior. The pink sedan speeds down a sloped street lined with houses, trees and a fence, then veers across grass and dirt toward the river bank at the bottom of the frame. Homer grips the steering wheel and gapes, grimacing and shouting, while Lisa clutches the window ledge, looks alarmed, and at one point rolls her eyes and frowns. The car ends up bouncing over the grass near the water's edge, with no on-screen text visible.

> Dad, you're headed for the river again!
> Feel your heart pumping a mile a minute?
> That's what my heart's doing all the time.
> Bet your left arm's tingling too, huh?

Frame: https://ultrahouse3k.com/img/S09E24/1058140.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1063354

## 17:49–17:59

Lisa Simpson, a girl with star-shaped spiky hair in a red dress and a pearl necklace, and Homer Simpson, bald and heavy in a white shirt, sit together in the back seat of a purple car, with Homer wearing a purple seatbelt and Lisa sitting beside the steering wheel area. At first Lisa looks over at Homer while he stares ahead, then Homer waves his hand and gestures while holding the wheel, looking uneasy and rubbing his ear. Next Homer talks with his mouth open and points forward out the window toward the hills and a blue sky with clouds, while Lisa turns to face him and listens. Homer then lifts a hand to his mouth as if eating or gripping something, with the steering wheel visible at the right edge.

> Dad, are you all right?
> I'm enjoying my life too much to care. And you should be too.
> So what would you like to do right now more than anything in the world?

Frame: https://ultrahouse3k.com/img/S09E24/1070861.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1074407

## 17:59–18:12

Homer, bald with stubble and a white shirt, sits behind the wheel of a purple car while Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits in the back seat wearing a seatbelt beside him. Through the car windows a city skyline and a blue body of water are visible. Lisa first grins with her eyes closed, then turns to look at Homer with a worried expression, while Homer looks ahead and then grins, rubs his chin, and gestures with one hand before wearing a pensive, skeptical look and pointing at his chin again. He ends with a wide-eyed, mouth-open expression while the view outside remains unchanged.

> See the ISIS exhibit. But the museum's closed.
> Hmm, closed, eh?
> So getting in would be a pretty big risk.
> What do you say, honey? Feeling stupid?
> I know I am.

Frame: https://ultrahouse3k.com/img/S09E24/1080037.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1085668

## 18:12–18:25

Marge, with her tall blue beehive, stands in the pink front hallway holding baby Maggie, who wears a blue bow and sucks a pacifier, while Bart in his orange shirt stands beside her on the green rug. Outside the arched door, a pink car drives along a hillside street lined with houses and smokestacks, its exhaust puffing, and then drives farther off down the road. Inside, the purple coat hangs on the red coat rack beside a red-and-purple bench and a small round mirror, and Marge opens the door and looks down at Bart, who glances up at her.

> Lisa!
> We're home!
> Sorry about the museum!
> Hmm.
> You better go up and apologize.
> Oh, but my apologies always sound so forced.

Frame: https://ultrahouse3k.com/img/S09E24/1093175.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1098806

## 18:25–18:38

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, first stands barefoot-looking in blue sneakers on a teal rug in a pink upstairs hallway, arms outstretched and mouth open, while Marge, with her tall blue beehive and green top, holds baby Maggie in her arms beside a doorway. The view then shifts to the staircase, where Bart climbs toward the landing near a wall of framed pictures. Next he stands beside a red door with a purple knob, raising his fist to knock, then glances sideways with a sheepish, sly expression, opens his mouth to speak, and finally grins with his eyes rolled to the side. Notable objects include the purple banister, a chandelier, a potted plant and a green runner rug.

> Do it!
> Hey, Lisa, I'm sorry I ruined your Egyptian thing.
> We're still buds, right?

Frame: https://ultrahouse3k.com/img/S09E24/1106731.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1112153

## 18:38–18:43

No characters are visible in this moment; the scene stays on an empty pink bedroom with a blue bed, a lamp on a nightstand, and a framed picture of two cartoon figures on the left wall. Across all ten frames nothing moves: the arched door stays closed, and a small green figure, a comb on the dresser, and a baseball on the bookshelf remain in place. Shelves of books and toys line the walls.

> Okay, be that way. Be a big stupid jerk.

Frame: https://ultrahouse3k.com/img/S09E24/1120077.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1121329

## 18:43–18:52

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands beside a pink-walled doorway with a purple knob, first with his arms crossed and then with his hands at his sides. Over the moment his eyes shift and he tilts his head, speaks with his mouth open, and fidgets by clasping his hands at his stomach. Near the end he spreads his arms wide in a shrug and then plants his hands on his hips, looking off to the side.

> Oh, you're not the jerk. I am. Forgive me?
> Oh, like you're Miss Perfect.

Frame: https://ultrahouse3k.com/img/S09E24/1124665.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1127793

## 18:52–19:00

Bart Simpson, the spiky-haired boy in an orange shirt and blue shorts, stands beside a closed reddish-brown door in a pink hallway. He starts with his hands on his hips and a sullen look, then shifts to a hand raised to his mouth as he glances sideways with wide eyes. He then stands with his arms at his sides, looking aside, and finally folds his arms across his chest with a smug, sidelong expression while the door stays closed behind him.

> Mom, Lisa's making me feel bad!
> Stop it, Lisa!
> That shut her up.

Frame: https://ultrahouse3k.com/img/S09E24/1133215.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1136344

## 19:00–19:11

A uniformed guard in a blue cap, carrying a flashlight, walks along the walkway in front of the Springsonian Museum, with its Treasures of Isis Exhibit banner and sign visible, past a large red mobile sculpture, then stops to check his wristwatch before continuing. Meanwhile Homer, in a white shirt and blue pants, and Lisa, in her red dress, dangle from the sculpture's horizontal rods, climbing higher along them as colorful blobs swing around them.

> Okay, just a little higher.

Frame: https://ultrahouse3k.com/img/S09E24/1141557.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1146145

## 19:11–19:22

Lisa Simpson, the girl with star-shaped spiky hair in a red dress, and Homer Simpson, the bald heavy man in a white shirt and blue pants, hang from horizontal metal bars high above a city street and the glass walls of a building. Lisa dangles and climbs along the bars while Homer grips the rails above and behind her, and they inch sideways across the structure at dusk, with Lisa at one point perched on top of a rail near a large blue dome-shaped object. Colorful round blobs of blue, red and orange hang among the bars, and a sign reading S sits on a building in the background.

> Dad, I'm kind of scared.
> Good.

Frame: https://ultrahouse3k.com/img/S09E24/1153027.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1157406

## 19:22–19:32

Homer and Lisa Simpson are on a building's exterior ledge at dusk, with Homer in his white shirt and blue jeans and Lisa in her red dress and pearl necklace. Lisa hangs by her hands from a horizontal bar running along the building's outer wall while Homer stands on the ledge beside her. In the sequence, Homer first clings to the bar near Lisa, then drops down to the ledge while Lisa dangles from a pole above, then Homer gestures toward her as she hangs from the bar outside a wall of blue windows, and finally Homer catches Lisa as she falls and holds her, after which the two stand side by side at the window. A large red balloon floats between the building and the bar, and a purple-and-pink sign is visible on the wall.

> You're gonna need that adrenaline to make the final jump.
> Okay, here goes.
> Could you open the window? The cops have Daddy's prints on file.

Frame: https://ultrahouse3k.com/img/S09E24/1163871.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1167833

## 19:32–19:45

Homer and Lisa Simpson stand on a ledge beside a bank of blue windows, with Homer pointing at a window pane while Lisa watches and then walks toward a doorway. Homer leans in after her, and his blue trousers and shoes are seen slipping through the gap beside a tilted window pane. The pair then walk down a hallway lined with paintings toward a pedestal holding a vase, with Homer and Lisa looking around as they go.

> Wow, it's magnificent.

Frame: https://ultrahouse3k.com/img/S09E24/1173881.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1178886

## 19:45–19:50

Three blue Egyptian statues stand on a pink pedestal in a museum hall, with a golden-headdressed pharaoh bust on a stand at the left and a jackal-headed black statue seated nearby. The view slides right past velvet ropes around a white pedestal holding a golden orb, toward a gold throne flanked by urns, then drifts back as the jackal-headed statue turns its head and sits facing a glass case holding a mummy beside a tall red obelisk.

> Now I know how Sir Dudley Winthrop felt when he first fell through the ceiling and

Frame: https://ultrahouse3k.com/img/S09E24/1186185.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1187645

## 19:50–20:03

Homer, the bald, heavy man in a white shirt and blue trousers, and Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, stand in a museum-like room with a framed painting of pyramids on the wall and two blue Ushabti statues on a pedestal in a spotlight. Homer stands on the left and Lisa on the right, and across the scene Homer turns his head, raises a hand and gestures with his fingers while Lisa looks up, smiles and then reacts with a wide-eyed, open-mouthed stare. The Egyptian-style painting with pyramids and palm trees hangs on the wall behind them, and the two blue statues stand on the right side of the display.

> discovered the Temple of Isis.
> Have you ever seen such exquisite Ushabtis?
> Eh, not this exquisite.
> Oh, my gosh.

Frame: https://ultrahouse3k.com/img/S09E24/1191190.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1196821

## 20:03–20:13

Homer, the bald heavy man in a white shirt, and Lisa, the girl with star-shaped spiky hair and a red dress with a pearl necklace, stand in an Egyptian-themed room, with a painted pharaoh-style statue with crossed arms behind them. In front of Lisa, a red rope barrier separates them from a large white-and-pink egg-shaped orb with a tear-streaked painted face and a golden ornate Egyptian design on its top, which is shown in a separate close-up. Lisa leans forward and grins at the orb while Homer stands by, and the orb sits on a pedestal with its painted tears visible. The scene shows the orb and the two characters in a museum setting with spotlights and tiled floor.

> It's the mysterious orb of Isis.
> Archaeologists have been studying it for decades and still have no clue what it means.
> Well, Daddy will figure it out.

Frame: https://ultrahouse3k.com/img/S09E24/1204745.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1208499

## 20:13–20:23

Homer, bald and heavyset in a white shirt and blue pants, and Lisa, with star-shaped spiky hair, a red dress and a pearl necklace, stand in an Egyptian-themed museum hall beside a red velvet rope, with a striped-headdress figure standing behind them. Homer lifts his leg over the rope and steps across it while Lisa holds it, then he stands back at the rope with his hands at his sides as Lisa grins and leans on it. A mummy-like head on a pedestal and hieroglyphic signs sit nearby under spotlights.

> Oh, we can't touch it, Dad.
> It's behind a velvet robe. A velvet robe.

Frame: https://ultrahouse3k.com/img/S09E24/1214338.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1218300

## 20:23–20:33

Homer Simpson, the bald, heavy man in a white shirt and blue pants, and Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stand at a red velvet rope in an Egyptian-themed exhibit beside a striped-headdress attendant at a podium. Homer gestures with his arms, then steps over the rope with one foot raised, spreads his arms wide, and ends up beside the stanchions, which are unhooked and then knocked over onto the floor while the rope lies sprawled across the tiles. Hieroglyphs decorate a pink pedestal, a golden pharaoh-like statue stands with crossed arms, and a large stone nose hangs on the wall.

> Lisa, you can't go this far and then not go further.

Frame: https://ultrahouse3k.com/img/S09E24/1224348.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1228310

## 20:33–20:43

Homer and Lisa Simpson stand in an Egyptian-themed museum hall, with Lisa in her red dress and pearl necklace and Homer in his white shirt and blue pants. Lisa gasps and gestures in alarm while a white pedestal holds a pink cushion and an ornate painted sarcophagus-like urn. The urn rolls off its pedestal, and it is later seen split open, showing gears and a golden mechanism inside, while Homer gestures and Lisa covers her mouth. Velvet rope barriers lie knocked over on the tiled floor, and an Egyptian-style shop backdrop stands behind them.

> Dad!
> Uh-oh.
> You broke it!

Frame: https://ultrahouse3k.com/img/S09E24/1234567.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1238320

## 20:43–20:51

Homer, in his white shirt and blue trousers, and Lisa, wearing a pearl necklace and red dress, stand against a black background at the start, with Lisa's gaze fixed on the object in front of them. A white and gold music box with two dove-like birds, a central yellow column topped by a white spout, and red and black ornaments sits on a blue tiled floor. The box then opens, its two halves folding outward and rising, while the birds turn and the central column slowly rises, and it settles into a flat, spread-out form with the birds perched on its top plate. The scene ends with the music box shown in that open position on the tiles, a red-tipped mechanical arm visible at the right edge.

> It's a music box.

Frame: https://ultrahouse3k.com/img/S09E24/1244368.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1247288

## 20:51–20:59

Homer, the bald, heavy man in a white shirt and blue pants, and Lisa, the girl with star-shaped spiky hair, red dress and pearl necklace, stand together against a black background. Lisa starts out looking calm, then grimaces and opens her mouth as if speaking. Homer keeps his gaze fixed ahead, and by the end he has folded his arms and is scowling and talking while Lisa looks down, unhappy.

> Dad, we uncovered the secret. Oh, so now it's we, eh?

Frame: https://ultrahouse3k.com/img/S09E24/1252293.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1255212

## 20:59–21:10

Homer Simpson, bald and wearing a white shirt, and Lisa Simpson, with her star-shaped spiky hair and red dress, sit side by side at a restaurant table in an Egyptian-themed room with pyramid-like decor. On the table sits a golden cup and a small rocket-like gadget with silver claws, and Homer folds his arms at first while Lisa talks and grins. Over the moment Homer slowly leans forward onto the table and drapes an arm around Lisa's shoulders while she keeps talking, then the two sit close together and Lisa smiles and looks toward him. No on-screen text is visible.

> It's so beautiful.
> And just think, we're the first people to hear its song in more than 4,000 years.
> Thanks for making me take such a stupid risk, Dad.

Frame: https://ultrahouse3k.com/img/S09E24/1260217.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1265014

## 21:10–21:22

Homer and Lisa, both cartoon characters, sit at a low table in an Egyptian-style room with pharaoh statues and a stone wall behind them, with Lisa's pearl necklace and red dress visible. Homer leans on the table and talks, while Lisa smiles and then closes her eyes as he gestures with a finger. The two of them lean over a gold, ornate pharaoh-like object with a clear glass and a carved stone base, which Homer then lifts and holds up while Lisa watches. Homer stands and presses the golden object to his chest, then Lisa stands in the foreground with her hands at her sides while Homer holds the object near her face, and the hieroglyph-covered object is shown in the middle of the room.

> Any time, honey.
> Just remember, never be afraid to live life on the edge.
> Now let's get home before your mother kills us.
> It's kind of humbling, isn't it? The music we just heard might never be heard again.

Frame: https://ultrahouse3k.com/img/S09E24/1271896.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1276484

## 21:22–21:35

Homer, the bald, heavy man in a white shirt and blue pants, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stand on a blue tiled floor in a room with a white pedestal on the left. Homer holds a striped, ornate ball-like object against his chest, smiling at first, then his mouth opens as he sets it down on the pedestal, its pink cloth draped over the top, and he steps back. Lisa stays still beside them with a half-lidded look, while Homer then walks off to the right with Lisa following close behind. Scattered on the floor in front are a pink cloth, metal pipes, and a wheeled cart with a green wheel.

> Yeah, but it'll always live on because we'll never forget it.

Frame: https://ultrahouse3k.com/img/S09E24/1283365.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1288788

## 21:35–21:44

Homer, a bald heavy man in a white shirt and blue pants, and Lisa, a girl with spiky star-shaped hair in a red dress and pearl necklace, walk away down a tiled corridor lined with framed Egyptian-style pictures of pyramids, past a large egg-shaped Humpty Dumpty-like statue on a pink cushioned pedestal in the foreground. Over the scene, Homer strolls farther down the hall while Lisa follows behind him, and then Homer shrinks into the distance as the hallway stretches away toward a bright skylight. Lisa steps out of view at the far right, leaving the empty corridor with its columns and wall pictures in view as the moment ends.

> Dad, that's the old Spice song. It is?
> Well, that's a good song too.
> Doo doo doo doo doo doo doo Doo doo doo doo doo doo doo doo doo doo doo doo doo doo

Frame: https://ultrahouse3k.com/img/S09E24/1296504.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1299840

## 21:44–21:53

An egg-shaped white figure with a painted rainbow stripe and blue markings on its face sits atop a white pedestal with a pink cushion, and he remains almost motionless across the clip. He is in a museum gallery with a blue tiled floor, green columns, and framed paintings of pyramids and desert scenes lining the hall. Nothing else in the scene moves, and no on-screen text is visible.

Frame: https://ultrahouse3k.com/img/S09E24/1305471.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1309016

## 21:53–22:02

No Simpsons characters appear in this moment; it is a black title card sequence with no people on screen. White-and-gold credits fade in and out against the black background: first "Executive Producer MIKE SCULLY" for the opening frames, then "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON", then "Starring DAN CASTELLANETA", followed by "JULIE KAVNER" and "NANCY CARTWRIGHT" as the names appear one after another in the same plain lettering.

Frame: https://ultrahouse3k.com/img/S09E24/1314647.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1317983

## 22:02–22:11

No Simpsons characters appear in this moment; it is a black closing credits sequence with no people on screen. Gold credit text fades in and out over the black background in turn: first "YEARDLEY SMITH," then "HANK AZARIA" (twice), then "and HARRY SHEARER," then "Special Guest Voice MARCIA WALLACE," then "Also Starring PAMELA HAYDEN, TRESS MACNEILLE, MAGGIE ROSWELL" (twice), then "Animation Executive Producer PHIL ROMAN," and finally "Animation Producers LOLEE ARIES, MICHAEL WOLF" (twice). No objects or movement other than the text appearing and disappearing.

Frame: https://ultrahouse3k.com/img/S09E24/1323614.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1327159

## 22:11–22:20

No characters appear in this moment; it is a black closing credits sequence with gold text on a plain black background. Across the frames the credits change in order: Executive Consultant Rich Moore, Story Editors Jane C. O'Brien, Larry Doyle and Matt Selman, Associate Producer Alison Elliott, Theme by Danny Elfman (shown twice), Music by Alf Clausen, Casting by Bonita Pietila, Editors Michael Bridge and Don Barrozo, Animation Production Manager for Gracie Films Joel Kuwahara, and finally Post Production Supervisor Dominique Braud-Stiger with Post Production Coordinator Alexander Duke. No objects or movement appear beyond the text itself.

Frame: https://ultrahouse3k.com/img/S09E24/1332790.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1336126

## 22:20–22:29

No characters appear in this moment; it is a black screen with gold credit text for The Simpsons end titles. The credits appear one after another, starting with Post Production Supervisor Dominique Braud-Stiger and Post Production Coordinator Alexander Duke, then dialogue sound editors Bobby Mackston, Terry Greene and Norm MacLeod, then music and sound effects editors Chris Ledesma and Travis Powers with re-recording mixers R. Russell Smith and Bill Freesh. Later credits include the Film Roman, Inc. animation credit (shown twice), overseas production by AKOM and N.J. Kim, and crew names such as Storyboard Supervisor Christian Roman and Character Design Supervisor Joseph Wack.

Frame: https://ultrahouse3k.com/img/S09E24/1341757.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1345302

## 22:29–22:38

No characters appear in this moment; it is a black closing credits sequence of The Simpsons with no regular or one-off figures on screen. The credits pass in order: first 'Artist Supervisor MIKE B. ANDERSON' in gold lettering, then a list of Character Layout Artists, Background Layout Supervisor Sue Bielenberg and artists, Layout Retake Artist and Animation Checkers, then Color Design and Ink & Paint credits, then production staff names including Animation Associate Producer Laurie Biernacki, followed by Animation Post Production Supervisor Rick Polizzi and Telecine credits. Next a copyright notice reads 'THE SIMPSONS EPISODE #5F17 COPYRIGHT 1998 TWENTIETH CENTURY FOX FILM CORPORATION' and the disclaimer repeats, before the screen shows 'Creative Consultant MATT GROENING' and then 'Executive Creative Consultant JAMES L. BROOKS' in gold text on black.

Frame: https://ultrahouse3k.com/img/S09E24/1350933.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1354270

## 22:38–22:49

Silhouetted audience members, including a foreground figure with a tall voluminous hairdo, sit in rows of theater seats facing a large blank screen lit in blue. The screen brightens into a beam of light, the words "GRACIE FILMS" appear over it, then "IN ASSOCIATION WITH" fades in on black, followed by the gold "20th Century Fox Television" logo with searchlight beams and the caption "A News Corporation Company," before the scene fades to black.

> Shhh.
> Shhh. Thank you.

Frame: https://ultrahouse3k.com/img/S09E24/1359900.jpg
Page: https://ultrahouse3k.com/episode/s09e24-lost-our-lisa/1363863