# Natural Born Kissers The Simpsons, season 9, episode 25 (S09E25), first aired May 17, 1998. Written by Matt Selman. Directed by Klay Hall. Production code 5F18. Guest stars: Marcia Wallace as Mrs. Krabappel. Chalkboard gag: "I was not the inspiration for Kramer". Couch gag: Frog Family. Homer and Marge's anniversary falls flat, until hiding from a farmer in his barn during a storm revives their romance. Finding that the risk of being caught excites them, they seek out riskier spots, ending with a naked escape across Springfield in Gil's hot-air balloon. Bart and Lisa, staying with Grampa, use his metal detector to dig up a buried reel holding a happy ending for Casablanca. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Chief Wiggum, Lenny Leonard, Carl Carlson, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Ralph Wiggum, Reverend Lovejoy, Santa's Little Helper, Lou, Eddie, Todd Flanders, Maude Flanders, Rod Flanders, Helen Lovejoy, Agnes Skinner, Old Jewish Man, Raphael, Gil Gunderson, Marty, Adolf Hitler, Bill, Cow, Crystal Cathedral Preacher, Farmer, Maid, Melvin Van Horne's grandchildren, Officer Sniffy. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:12 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in a classroom at a chalkboard, chalk in hand, writing the repeated line "I WAS NOT THE INSPIRATION FOR 'KRAMER'" in rows across the board. He pauses, turns and steps away from the board toward the back of the room, then tosses an object into the red wastebasket beside the green wall and the door, with the chalkboard alphabet strip above it. The sequence opens on a blue sky with drifting clouds, where the title card "THE SIMPSONS" gradually appears in orange letters before the scene cuts to the classroom. > The Simpsons Frame: https://ultrahouse3k.com/img/S09E25/1043.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/6048 ## 0:12–0:25 Homer, in a yellow protective suit with a visor and orange straps, handles a glowing green rod beside a CAUTION sign while Mr. Burns and Smithers watch from a booth behind a control panel. Marge, with tall blue hair, reads a MOM Monthly magazine next to Maggie, who wears a blue bow and pacifier, in a store with shelves and a Checks sign, and Maggie is later slid across a checkout counter onto a scale by a heavyset clerk in an apron. Marge then pushes a cart with Maggie riding in it, and they gesture and react as they move through the aisle. Frame: https://ultrahouse3k.com/img/S09E25/13347.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/18769 ## 0:25–0:38 Lisa, in her red dress with star-shaped hair, plays a saxophone among a crowded school band in an orange-walled room while a grey-haired conductor in an orange jacket and bow tie waves his arms, then she runs down an orange hallway clutching the instrument. Outside, a pink car sits in the driveway of a yellow house with a garage and a blue mailbox, where Bart in his orange shirt stands by the open driver's door as someone sits inside. Homer, in his white shirt and blue pants, stands beside the car and then bends over the front of it, bent low near the hood. Frame: https://ultrahouse3k.com/img/S09E25/26068.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/31907 ## 0:38–0:51 Homer, bald and heavy in a white shirt and blue pants, stands in a purple bedroom with a red bed and a cardboard box, looking startled and gesturing with one arm in the first moments. The scene then shifts to a pink room with a lily-pad-like green island in blue water, where Homer, Marge, Bart, Lisa and Maggie have all been transformed into green frogs, sitting together on the pad near a lamp and a framed sailboat picture. They stay motionless and wide-eyed as the moment holds. Finally the view moves to a TV set reading 'CREATED BY MATT GROENING' and then 'DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON' in yellow lettering on a blue screen. Frame: https://ultrahouse3k.com/img/S09E25/40040.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/45045 ## 0:51–1:02 Homer Simpson, bald and heavy in a blue suit and green tie, and Marge Simpson, with her tall blue beehive, pearl necklace and black dress, are in the pink bedroom in front of a round blue mirror and vanity. Homer, first seen tying his tie in the mirror with a green tie and a tissue box on the vanity, turns to Marge, who is fixing her pearls, and spreads his arms out wide as he speaks to her. Marge then folds her arms across her chest and looks back at him, while the caption 'Co-Executive Producer GEORGE MEYER' stays on screen over the scene. > on my tie all by myself. And you look as handsome as the day we were married. Frame: https://ultrahouse3k.com/img/S09E25/52135.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/56515 ## 1:02–1:14 Homer, in a blue suit and green tie, and Marge, in a black dress with pearls and her tall blue beehive, stand in a pink room with a purple armchair and a round mirror on the wall. They hold hands, Homer reaches up to touch her cheek, and he leans in to kiss her, then he straightens his tie and pulls a small white card from his jacket to show her. Captions at the bottom of the screen credit producers including David S. Cohen, Richard Appel, Dan Greaney and Ron Hauge. > Oh, happy anniversary, Marge. > Mwah! > Hey, look what was in here. A program from that guy's funeral. > You mean Frank Grimes? Frame: https://ultrahouse3k.com/img/S09E25/63188.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/68193 ## 1:14–1:25 Marge, with her tall blue beehive and pearl necklace, and Homer in a blue suit and green tie stand in a pink room. Marge's first frame shows Homer holding a card reading 'In Remembrance of Frank Grimes' with a portrait of a bespectacled man. Homer then looks at a paper, holds his hand to his face, and speaks while a credit reads 'Producer DONICK CARY'. Next, in a room with a maroon couch, Bart in an orange shirt and Lisa in a red dress grip a long orange plank between them, tugging and pulling it while Maggie watches from the left. Bart and Lisa keep wrestling over the plank, with credits reading 'Co-Producers BRIAN SCULLY JULIE THACKER' and 'Consulting Producer JACE RICHDALE'. Marge and Homer then stand watching the siblings, who are still fighting over the plank amid scattered orange sticks on the carpet. Finally, Bart and Lisa face each other beside the couch, with Lisa holding one end of the plank as Bart pulls the other end, credited to 'Consulting Producer IAN MAXTONE-GRAHAM'. > Yeah, him. > Whatever happened to that guy? > What are you doing? > Playing, Hot Wheels. > Ow, that had a guide pin in it. What happened to Grandpa? Frame: https://ultrahouse3k.com/img/S09E25/75284.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/79871 ## 1:25–1:30 Bart, the spiky-haired boy in an orange shirt, stands by a red armchair in the living room, grimacing and clutching a small red object in his hands. The scene then shifts to Marge, with her tall blue beehive, in a black dress and pearl necklace, sitting on the red couch beside Maggie in her blue sleeper with a blue bow. Marge gestures with one hand, glances at the watch on her wrist, and speaks with her mouth open while Maggie looks on, and a caption reading "Consulting Producer DAVID MIRKIN" appears over the couch. A framed sailboat picture hangs on the pink wall behind them. > Huh? > He was supposed to babysit. Frame: https://ultrahouse3k.com/img/S09E25/86545.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/88005 ## 1:30–1:44 Grampa, the wrinkled old man with white tufts of hair, sits on a teal sofa in a pink sweater and grey trousers, pointing and scolding while a curly red-haired boy in a blue shirt and a curly-haired girl in a pink shirt sit on the purple carpet beside a checkered board game with red and black pieces. In a living room with bookshelves, a floor lamp and teal curtains, Grampa keeps pointing at the boy, then the girl's seat is empty in the final moments as she walks off to the right edge of the room, leaving the boy seated by the board and Grampa still on the sofa. > Now you got her, Bart. > Jump Lisa's king. > I'm not Bart. I'm Rod Flanders. > There you go with that smart mouth. > Lisa, run outside and cut me a switch. > Yes, sir. > I guess we'll have to take the kids with us to dinner. Frame: https://ultrahouse3k.com/img/S09E25/91758.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/97389 ## 1:44–1:56 Bart, Lisa, and Marge stand in a pink living room with a red couch, Marge holding baby Maggie in a blue bow, while Homer in a blue suit and green tie stands nearby. Lisa's face lights up with a big smile and Bart gestures with his hands as they talk, then the scene shifts to Homer and Marge facing each other, Homer gesturing with open hands and looking anxious. Later Bart stands on a teal rug with a pink circular rug and a wooden stick on the floor, scratching his chin and looking thoughtful, with Homer and Marge at the edges of the frame. On-screen credits read "Produced by RICHARD SAKAI DENISE SIRKOT," "Written by MATT SELMAN," and "Directed by KLAY HALL." > Yay! > But Marge, the Gilded Truffle is an intimate, elegant place. > Boring. > I'll take you to a place that's really romantic. Frame: https://ultrahouse3k.com/img/S09E25/105314.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/110527 ## 1:56–2:04 Homer in a blue suit, seen from behind, and Marge with her tall blue beehive and black dress stand in the aisle of a plane, while Bart in a red shirt and Lisa in a red dress move toward them, Lisa reaching out and grabbing Bart's arm. Behind them Milhouse in a pink shirt and red-rimmed glasses throws his arms up in front of a crowded cabin of passengers, and earlier the parked white airplane sits beside a flickering red and yellow neon 'UP, UP AND BUFFET!' sign with green neon planes while passengers board by the stairs. > Happy anniversary, Mom and Dad! Frame: https://ultrahouse3k.com/img/S09E25/118035.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/120537 ## 2:04–2:11 Marge, with her tall blue beehive and pearl necklace, and Homer, in a blue suit and green tie, stand together in an airplane cabin with a purple seat behind them. Homer is repeatedly pelted by a rain of silverware that piles onto his head and body, sticking to him and his surroundings. Homer grimaces, squeezes his eyes shut, and opens his mouth in pain or alarm, while Marge looks on with a wary expression. Overhead, a tray of cutlery sits in the luggage compartment, and by the end the flying utensils have mostly cleared and Homer is again wide-eyed and speaking, with Marge beside him. > Don't! Don't get so fast! > Oh, don't get that for me! Okay, folks, this is your pilot speaking. Frame: https://ultrahouse3k.com/img/S09E25/125125.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/127628 ## 2:11–2:24 Herb, a brown-haired man in a blue suit, sits at a plane table eating with a fork beside a child with pink curly hair and a woman with a reddish-orange bouffant, while a woman in a pink dress and a blue-haired man in a patterned shirt sit nearby in the cabin. The scene then shifts to Homer in a blue suit and green tie, standing beside Marge with her tall blue beehive and pearls, with Bart in an orange shirt, Lisa in a red dress, and Maggie with her pacifier and blue bow. The family holds a tray of burgers, fries, drinks and a salad by an airplane window, and they look toward the front of the cabin as Homer glances up and Marge shifts her gaze. > If you'll look to the left side of the aircraft, you'll see Homer and Marge Sampson, > who are celebrating with us today their 11th air-niversary. > So hang on while we dip our wings to this happy couple. Frame: https://ultrahouse3k.com/img/S09E25/132215.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/137638 ## 2:24–2:36 Homer, Marge with her tall blue beehive, and Bart sit in red seats in a jet cabin, while other passengers fill the rows. The cabin then turns chaotic as a wooden crate floats in the air and food, cushions, a suitcase and a teddy bear scatter along the blue aisle. A pilot in a blue cap leans from the cockpit window, and then two ground crew in red jackets wave wands beside the plane under an 'UP UP AND BUFFET!' sign. > Hey, Jose, easy up, huh? > Sorry. > We would only hire to park cars. Frame: https://ultrahouse3k.com/img/S09E25/145354.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/150567 ## 2:36–2:46 Marge, Maggie and Lisa sit at a table on an airplane with trays of food and a glass of milk, Maggie cheering with her arms raised while Marge rests her chin on her hand and gazes toward a porthole. The scene then shows Marge and Homer side by side in a plane window, flanked by a bespectacled man on the left and a woman in a teal cap on the right, before the view shifts outside to a plane wing passing The Gilded Truffle, where a couple dines in the restaurant's front window beneath a pink awning. > Wow! > This is the best anniversary ever! Frame: https://ultrahouse3k.com/img/S09E25/158075.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/161828 ## 2:46–2:58 A man in a blue suit with swept-back reddish hair and a woman in a pink dress with a tall light-brown hairdo sit at a candlelit table under a sign reading "Gilded," where he holds her hand and they exchange sweet gestures, including her feeding him and him wiping her hand with a napkin. Marge with her tall blue beehive and Homer, bald and stubbly, peer through a small round window that then gives way to a view of the lit two-story house at night. Finally, Homer sits glumly at a blue-draped kitchen table with a green tie while Marge, in a green dress and white apron, walks past the green fridge and out of sight. > Well, maybe our next anniversary will be more romantic. Frame: https://ultrahouse3k.com/img/S09E25/167668.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/172673 ## 2:58–3:08 Marge, with her tall blue beehive, and Homer, bald with stubble, are inside a frosty freezer packed with a wedding cake topped by a tiny plastic bride and groom, an ARF Bag, and boxes. Marge holds the ARF Bag, glances around, and grins widely, then Homer leans in beside her with wide eyes and a grimace while looking at the cake. A kitchen with a microwave and cabinets is visible through the doorway behind them. > Oh, look, homie. Our wedding cake. > You mean there's been cake in our freezer for 11 years? > Why was I not informed? Look at this little plastic couple. Frame: https://ultrahouse3k.com/img/S09E25/179763.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/183517 ## 3:08–3:13 A plastic bride and groom wedding cake topper stand still on a white-draped base set on a teal tray, against a blue wall with dark drip-like marks. The bride, with a brown updo, long veil, white gown and pearl necklace, holds a green bouquet, while the groom, with swept-back reddish hair, a black tuxedo and a pink boutonniere, stands beside her with his arm bent. Across the ten frames neither figure moves, and the scene holds without any change. > So full of hopes, potential, dreams for the future. Frame: https://ultrahouse3k.com/img/S09E25/189564.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/190816 ## 3:13–3:22 Homer and Marge Simpson peer over a stone wall in a dim, bluish setting, with a bride in a white veil and a groom in a black suit and top hat standing in the background. Marge, with her tall blue beehive, first looks sideways with a sly smile, then turns her eyes toward Homer, who sits at the right with his bald head and white shirt, grinning, opening his mouth to speak, and later raising his hands with a wide, leering laugh. Their expressions shift from wry and sidelong to amused and mischievous as the couple remains still in the background. > Hey, Marge, wouldn't it be weird if they had little parties at night? > Wee little parties. Frame: https://ultrahouse3k.com/img/S09E25/194569.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/197906 ## 3:22–3:31 Marge with her tall blue beehive and Homer in his white shirt peek over a stone wall in the dark at a black-suited top-hatted man and a bride in a grey veil, who stand in front of a pink-and-purple house. Marge watches with a sour, sidelong look while Homer grins, then Homer leans over the wall, laughing with his mouth wide open and pointing at his head with a finger. The screen fades to black, then returns to the empty wall and house with the couple in place, and a small stove-like appliance sits on the ledge below the orange-framed window. > I'm going to bed. > Gotcha! Frame: https://ultrahouse3k.com/img/S09E25/203537.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/206873 ## 3:31–3:41 Homer and Marge Simpson lie side by side in their bed, with orange blankets and blue pillows, in their pink bedroom. In the first frames they are close-up under the covers, Homer with his mouth open and Marge watching with her hands folded, and Homer turns his head toward her and reaches out to touch her arm. The view then widens to show the whole bed with lamps on both nightstands, and the room darkens as the lights dim, with Homer and Marge settling under the covers and Homer lying still with his eyes open. The two framed pictures on the wall remain visible throughout. > Another super year with a super lady. > Good night, honey. > Good night, homie. > You know, it is a special occasion. Frame: https://ultrahouse3k.com/img/S09E25/212504.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/216466 ## 3:41–3:52 Homer, the bald heavy man in a light blue shirt, lies in bed under a red blanket, his eyes wide and mouth opening and closing as he talks, and then Marge, with her tall blue beehive and pink nightgown with white collar, lies beside him, her eyes darting sideways while she speaks and shifts her expression. Both stay in bed among blue pillows against a pink and purple bedroom wall, with a purple lamp, a red-and-teal toy on the shelf and a yellow figure at the edge of the frame. Homer's head stays mostly still while his mouth moves, and Marge's mouth opens and closes as she glances around and back toward the viewer. > Yeah, we probably should, you know, rock the Casbah. > Yeah, seems like the thing to do. Frame: https://ultrahouse3k.com/img/S09E25/222514.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/226893 ## 3:52–4:03 Homer Simpson lies in bed in the Simpsons' bedroom, bald and wide-eyed with a tense, nervous grimace, propped on blue pillows under an orange-red blanket. He stays rigid and anxious as he glances sideways and then opens his mouth to speak, while Marge, with her tall blue beehive and pink nightgown, appears beside him, looks over with a wary expression, and slides down under the covers. The two then sink beneath the blanket, leaving the bed empty, with the lamps, framed family portraits of Bart and Lisa, and purple headboard of the bedroom unchanged. > So, you're gonna... Oh, did you want me to... > No, I'm the guy, I'm supposed to... No, no, no, I have my part in this too. Frame: https://ultrahouse3k.com/img/S09E25/233567.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/237946 ## 4:03–4:14 Marge, with her tall blue beehive, lies in a bed with a red blanket in a pink bedroom lit by a soft light, with framed pictures of Bart and Lisa on the wall and lamps on the nightstands. At first the bed is still, with only the blanket shifting slightly, then Marge's wide-eyed face rises above the covers and she slowly sinks back down beneath them. Homer, identifiable by his bald yellow head, appears near the pillow at the end while the blanket rumples around them. > I know, but let me get you started first. > All right, how's that? > Homie, you got your elbow in. > Oh, sorry. > Ow, ow, ow, ow, ow, ow. Oh, sorry, sorry, sorry. Frame: https://ultrahouse3k.com/img/S09E25/244411.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/248790 ## 4:14–4:25 Homer and Marge lie in a bed with a red blanket in a pink bedroom with framed pictures of Bart and Lisa on the wall and lamps on the nightstands. At first the bed is empty under the rumpled blanket, then Homer and Marge sit up side by side, wide-eyed and looking off to one side. Santa's Little Helper, the brown greyhound, then trots in and jumps onto the bed, where Homer lifts and holds the dog while it squirms and licks his face as Marge watches. > Do you want me to? No, don't do that. Well, we used to do. > I know, but I don't like it. > Oh. > Look who's here. Frame: https://ultrahouse3k.com/img/S09E25/255464.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/259843 ## 4:25–4:34 Homer and Marge sit up in a bed with an orange blanket in their pink bedroom, with framed pictures of Bart and Lisa on the wall and lamps on the nightstands. Santa's Little Helper, the family's brown greyhound, stands on the bed between them. Homer pets the dog's head while it looks up at him, and then Marge turns to the dog and strokes its neck and chin as it sits and looks up at her. In the final moments Homer and Marge sit still beneath the covers, looking toward the dog and each other. > Oh, who's a good boy? > He's the best boy. Oh, yes he is. Yes he is. > Oh, oh. Frame: https://ultrahouse3k.com/img/S09E25/266308.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/269644 ## 4:34–4:47 Homer and Marge Simpson lie side by side in bed under orange blankets in their pink bedroom, with a lamp on the blue nightstand and two framed pictures on the wall behind them. Homer, on the left, turns his eyes and head around and grins widely with his mouth open, while Marge, with her tall blue beehive resting on the pillow, lies still with her eyes half-closed, then looks sideways and back. Homer's expression shifts between wide-eyed grinning and a calm, closed-mouth look, and by the final moment Marge has drifted into sleep with her eyes shut while Homer stares upward. > Hey, budge, wasn't that good? Isn't that great when the dog came in here? > Oh, yeah. > He's really special. > I love that dog. I love him too. > Good night. Frame: https://ultrahouse3k.com/img/S09E25/275275.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/280697 ## 4:47–4:58 Homer Simpson, a bald heavy man in a white shirt and blue jeans, and Marge Simpson, with her tall blue beehive and green dress, are at home. The scene opens on an exterior view of the brick house with its garage and mailbox, then shows Homer walking down the purple-railed staircase and sprawling on the blue rug in the pink living room, where he rolls, kneels and grimaces. He gets up and walks away from a puddle on the floor near a red door, while Marge stands beside a purple side table with a teal telephone, her arms outstretched toward him. > What? > Hmm, that's queer. > Oh, my, don't look. What? Frame: https://ultrahouse3k.com/img/S09E25/288205.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/292793 ## 4:58–5:08 Homer, the bald, heavy man in a white shirt, and Marge, with her tall blue beehive and red bead necklace over a green dress, stand in a pink archway, where he hugs her and then pulls back, mouth open in alarm. In the kitchen, an open refrigerator has spilled its contents across the floor, including a fish, eggs, meat, celery, and cans. Homer steps over to the fish, kneels, picks it up in both hands, and cries out in distress while cradling it. > The food! > Why did this happen? > Someone left the freezer door open and the motor burned out. Frame: https://ultrahouse3k.com/img/S09E25/299466.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/303637 ## 5:08–5:19 Homer Simpson, a bald heavy man in a white shirt and blue pants, and Marge Simpson, with her tall blue beehive and green dress, stand in the Simpson kitchen with Lisa, who wears a red dress and star-shaped spiky hair, while a puddle and scattered food cover the floor. Lisa looks on and points at the mess as Homer kneels by a fish on the floor, then rises and stands beside Marge. Homer lays a hand on Marge's shoulder, grinning and gesturing with an open hand as he talks, while Marge looks on with a flat, unimpressed expression. The kitchen has purple cabinets, a microwave, pink utensils on a rack, and a pink archway in the background. > We can get a new one. > Okay. > It was just a shock of seeing all that food on the floor. > Plus, I'd just fallen on my back, which hurt more than I let on. Frame: https://ultrahouse3k.com/img/S09E25/309893.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/314272 ## 5:19–5:33 Homer, the bald, heavy man in a white shirt, and Marge, with her tall blue beehive, sit side by side in a pink car driving along a country road past a red barn with a white X-Y mark and a grey silo. Marge, wearing a green dress and red beads with a seatbelt across her chest, holds a red and silver container on her lap while Homer grips the steering wheel, his eyes half-lidded and his mouth shifting from closed to open as he speaks. Over the course of the clip, Marge's eyes shift and she grimaces or looks wide-eyed, while the car keeps moving past the fence posts and green fields under a bright blue sky with large clouds. > When we got married, is this how you thought we'd be spending our Saturdays? > Driving out to the boondocks to trade in a refrigerator motor? > I never thought I'd live this long. > Folks, is your marriage stuck in a rut? > Can you even remember the last time you felt the thrill of romance? Frame: https://ultrahouse3k.com/img/S09E25/321154.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/326993 ## 5:33–5:38 No characters are visible in these frames; the moment shows only a close-up of a purple car dashboard with a silver-faced AM/FM car stereo. The display reads AM and FM with a black slider bar, and the cyan screen below shows a star icon with the text TRAK STAR, along with 98 TRALK and HIFI labels. A black knob sits on the left and a round button on the right, and a glove-box style tab hangs with a green-tipped cord beneath. The stereo and dashboard stay motionless across all ten frames, with no visible movement or change. > Well, maybe you need a divorce. Frame: https://ultrahouse3k.com/img/S09E25/335126.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/336169 ## 5:38–5:49 Marge Simpson, with her tall blue beehive and red bead necklace, sits in the back seat of a purple car, belted in and holding a red-and-white tote bag, while Homer, bald and wearing a white shirt, drives with both hands on the steering wheel. Through the windows, a flat landscape with a barbed-wire fence and a cloudy sky slides past as the car travels along the road. Over the moment, Marge's head tilts and her eyes narrow, and Homer glances over toward her before the car turns off the road. > Call the divorce specialists now for a consultation and free tote bag. > Oh, there's the turn. Frame: https://ultrahouse3k.com/img/S09E25/339297.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/343677 ## 5:49–5:57 Homer, bald in a white shirt, drives a pink car with Marge, her tall blue beehive and green dress, seated beside him. They turn off the road toward Esther's Motor Shop, a red sign with a left-pointing arrow and smaller signs reading Nightcrawlers and Fudge, and drive onto a dirt patch. The wheels sink into the brown mud, which splashes and spreads from the back of the car as it becomes stuck beside the sign. > Easy. > I'll get us out of this, honey. Frame: https://ultrahouse3k.com/img/S09E25/350350.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/353270 ## 5:57–6:07 Homer Simpson, bald and wearing a white shirt, and Marge Simpson, with her tall blue beehive and green dress, sit side by side in a pink convertible with a purple interior, Homer gripping the steering wheel and Marge belted in beside him. Behind them a red sign reading 'ER'S SHOP' stands by a dirt field under a cloudy sky. Across the moment Homer's expression shifts from a grimace to a clenched-teeth scowl while Marge stares ahead with wide eyes, and the dirt and mud behind the car splatter and spread against the back window as the car lurches forward. > Just gonna take a whole lot of flooring. Frame: https://ultrahouse3k.com/img/S09E25/358275.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/362237 ## 6:07–6:16 Homer, bald and wearing a white shirt, sits in the driver's seat of a pink car on a muddy dirt road, grimacing and gripping the wheel as he drives. Marge, with her tall blue beehive and red beads, sits beside him in the passenger seat, and the car's wheel throws a spray of brown mud as they go. Later Homer looks sideways and taps the window with a hand while Marge glances at him, and the scene ends on a view of the Springfield Retirement Castle building with its red-and-white striped awnings and sign on the lawn. > Hmm. > And that's why today, bananas are called yellow fatty beans. Frame: https://ultrahouse3k.com/img/S09E25/368285.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/371621 ## 6:16–6:27 Grampa sits on a brown couch in a pink sweater and grey trousers, with Bart in an orange shirt standing on the left and Lisa in a red dress on the right, in a red living room with a small television and a framed landscape painting. Grampa talks, frowns, and wags a finger while Bart stares and then moves to the television, where he gestures with his hands and scowls beside the set. Back in the room, Grampa spreads his arms and raises a finger again as Lisa looks on wide-eyed. > Questions? > When are mom and dad coming back? > Bored, are you? > Lisa, go cut me a switch. > Oh. Frame: https://ultrahouse3k.com/img/S09E25/377043.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/381631 ## 6:27–6:38 Bart, in an orange shirt with arms crossed, stands in a red room beside an old television, glowering and then turning excited with his mouth open and eyes wide. Grampa, a wrinkled old man with white tufts of hair in a pink cardigan, speaks at the left of the room while Lisa, in her red dress and pearl necklace, watches with her star-shaped hair, next to a closet with coats and a hat. On the blue table in front of the closet sit a white vacuum-like machine and a headphone-and-pole metal detector, and no on-screen text is visible. > There's got to be something to do around here. > Hey, are they pulling the plug on anybody today? > Nope, everybody's paid up. What a weird-looking vacuum cleaner. > What are you, simple? > That's my old mine detector from the war. Frame: https://ultrahouse3k.com/img/S09E25/388513.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/392893 ## 6:38–6:51 Grampa, the wrinkled old man with white tufts of hair, wearing glasses and a pink sweater, talks in front of an orange wall in the first four frames. Homer, in a green army helmet and uniform with a headset and a box with red lights, then sweeps a mine detector along a dirt road beside a grassy field while a tan tank with a gold star rolls up behind him. He later stands still, rubs his chin, and raises a finger while holding a grenade. > It was my job to clear the roads of enemy explosives. Frame: https://ultrahouse3k.com/img/S09E25/399566.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/404779 ## 6:51–6:59 Homer, wearing green army fatigues and a helmet, sweeps a metal detector along a dirt road beside an olive army truck, then the ground erupts in a fiery explosion that hurls tires and debris into a grey cloud, leaving Homer standing with a smoking helmet. The scene cuts to Grampa, with white tufts of hair, glasses and a pink cardigan, in a room with red walls, who points at a grey furry shape beside him and then grins and gestures with his hand against his chest. > And that's how I earned the Iron Cross. > Can we borrow this, Grandpa? Frame: https://ultrahouse3k.com/img/S09E25/412078.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/415206 ## 6:59–7:10 Grampa, the wrinkled old man with white tufts of hair, and Bart, the boy with spiky hair in an orange shirt, stand in a red living room, with Lisa, the girl with star-shaped spiky hair and a red dress, at the right edge. Bart wears headphones and holds a metal detector, with its coil swinging near the floor, while Grampa talks and grins and then looks on as Bart sweeps the detector toward him. In the final stretch the scene cuts outdoors to a muddy yard where a pink car sits nose-down in the dirt beside a wooden fence. Marge, with her tall blue beehive, and Homer, the bald heavy man in a white shirt, walk toward the car, which is tilted at the right edge of the frame. > Sure, she still works. That's my brass knee. > Still hip. > That one's news to me. > When you think about it, mud is nothing but wet dirt. Frame: https://ultrahouse3k.com/img/S09E25/420420.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/424799 ## 7:10–7:20 Homer and Marge, the bald heavy man in a white shirt and blue jeans and the tall blue-beehived woman in a long green dress and red beads, walk along a muddy path beside a wooden fence strung with barbed wire, with a grey sky and a blue lake behind them. They walk and then stop and face each other while Marge keeps her arms crossed. Rain begins to fall and splatters the ground as the pair stand close together. Then the view shifts above them to show Homer and Marge in the rain, with a mud-brown ground that is blasted by flying debris. Back at the fence, a tree beyond it is on fire with orange flames and dark smoke, and Homer grabs Marge's shoulder in alarm while she gestures with one arm. > Hope that farmhouse has a phone. > Ow. > I want to move on. Frame: https://ultrahouse3k.com/img/S09E25/431264.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/435435 ## 7:20–7:30 Homer and Marge, in the rain, first with Marge in a green dress and blue beehive watching a burning tree beyond a wooden fence. They then climb through barbed wire past a 'NO TRESPASSING' sign toward a red barn, where Homer tries to pull open the white-trimmed barn door while Marge stands with her arms crossed. Two white hens with red combs stare wide-eyed inside the dim barn. Homer and Marge then step out through the barn doorway into the storm, Homer gesturing with open hands, and the scene ends with the barn door swinging shut on the rainy field outside. Frame: https://ultrahouse3k.com/img/S09E25/441691.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/445654 ## 7:30–7:43 Homer, the bald man in a white shirt and blue pants, climbs a wooden ladder into a hayloft and embraces a blue-haired woman in a green strapless dress and red necklace, who then lies back in the hay while he gazes down at her and later kneels beside her, looking startled. The scene cuts to a rainy farmyard where a bald, bearded farmer in overalls watches from a wooden porch hung with pitchforks and a rifle, while two pink pigs wander across the green ground in front of a red barn. > Safe at last. > Shh. > We're trespassing. > Some of these farmers have pitchforks. > Hey, Theresa, Steve, now who let you out? Frame: https://ultrahouse3k.com/img/S09E25/451910.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/457332 ## 7:43–7:55 A bearded farmer in overalls and a pink shirt, not one of the regular characters, stands outside a red barn in the rain, holding a rifle with a pitchfork tip and a green lantern. He takes the rifle and lantern into the barn, past the wooden double doors, while Homer in a white shirt and Marge with her tall blue beehive and red beads hide wide-eyed in a pile of hay in the loft. The doors swing open to show the farmer walking in with the lantern and rifle, as several chickens scatter across the barn floor. > Looks like we got us some intruders. > Who's in there? > If somebody's in here, you're in for some serious ass-forking. Frame: https://ultrahouse3k.com/img/S09E25/464839.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/469844 ## 7:55–8:05 A bald, purple-bearded old man in blue overalls, who is not a named regular, aims a shotgun fitted with a pitchfork across a rainy field, then strides into a barn carrying a green lantern. Inside, Lisa with her spiky yellow hair and Marge with her tall blue beehive duck down behind a pile of hay as he walks past a wooden stall and a barrel. The man keeps advancing across the purple floor, pitchfork raised and scowling, while the two women peek over the straw. Frame: https://ultrahouse3k.com/img/S09E25/476935.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/480897 ## 8:05–8:11 Marge, with her tall blue beehive, and Homer, bald in a white shirt, lie pressed together on a bed of straw, both wide-eyed and grimacing as they grip their mouths and clutch at each other. In a barn with a purple floor, a person in blue overalls and a pink shirt, who has a yellow head with a blue cap and is holding a glowing flashlight, walks along, then swings a pitchfork and sweeps it toward the hay bales, moving across to the far right edge of the frame. Notable objects include the pitchfork, the glowing flashlight, stacked hay bales, a ladder, and a blue bucket by the fence. > Huh. > Well, maybe they're in the media room. Frame: https://ultrahouse3k.com/img/S09E25/486945.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/488613 ## 8:11–8:20 Homer and Marge Simpson, dressed in shaggy fur costumes with tufted hair, are hidden in a pile of hay inside a wooden barn. Marge, with her tall blue beehive, and Homer, with his bald head, first lie half-buried in the hay, wide-eyed and gasping. Homer then stands behind Marge, who is crouched in the straw as she peers up at him in alarm. Marge crawls forward while Homer remains upright behind her. The two then kneel facing each other, and Marge leans in to embrace Homer in a tight hug, ending the moment with them clinging together on the hay. > That was close. > Very close. Frame: https://ultrahouse3k.com/img/S09E25/492575.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/496121 ## 8:20–8:31 Homer, the bald man in a white shirt and blue pants, and Marge, with her tall blue beehive and green dress, kiss in a hay-covered loft beside a wooden ladder, then Homer lies back on the hay. Below, an eye peers through a knothole in a wooden wall next to a red barrel and a pitchfork. The scene then shifts outdoors in the rain, where a black-and-white cow stands by a red wooden fence on green grass with puddles, its eyes widening as it turns its head. > Mmm, baby. Frame: https://ultrahouse3k.com/img/S09E25/501960.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/505922 ## 8:31–8:34 No characters are visible. The scene shows the exterior of the Simpson house, a two-story pinkish-red home with a brown roof, a pink arched front door, bay windows, and an attached garage on a sunny day with a green lawn, a wooden fence, and a mailbox at the curb. The first frames are fully black, and then the house appears and stays largely still across the remaining frames, with only slight shifts in the lighting and the trees behind it, as the moment fades in from black. Frame: https://ultrahouse3k.com/img/S09E25/512178.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/513013 ## 8:34–8:48 Homer, the bald man in a white shirt and blue pants, kneels by a wall outlet in the kitchen, working on a box labeled Cold Faithful Refrigerator Motor beside a screwdriver. He turns to Marge, who is tall with a blue beehive and wears a green dress and red necklace, and he leans in to embrace and kiss her while she stands by a pink arched door and a red stool. Lisa in her red dress and Bart in orange appear at the right edge as the embrace continues. > Oh! My hero! > At your service, my lady. > Mmm, caramilla. > Mmm, mmm, mmm. Hey, public display. Yeah, what's with the love thing? Frame: https://ultrahouse3k.com/img/S09E25/515932.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/521771 ## 8:48–8:59 Lisa and Bart stand together at the left of a hallway, watching as Homer and Marge embrace near a pink arched doorway, with a red stool and a wall phone visible. In the kitchen, Homer and Marge stand clasping hands in front of a green refrigerator and purple cabinets, Homer smiling and then speaking, while Marge grins and looks sideways at him. Back in the hallway, Homer leans in close to Marge, and Lisa and Bart look on with wide eyes, Bart with his mouth open as he talks. The scene then returns to the kitchen, where Homer keeps his arms wrapped around Marge's hands, and he opens his mouth to speak while she looks up at him with a flat expression. > Let's just say the country air did us good. > Bart, I told you not to leave that TV on. Frame: https://ultrahouse3k.com/img/S09E25/529904.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/534284 ## 8:59–9:11 Bart, in a red shirt, stands fidgeting with his hands behind his back in a pink hallway while Homer, in a white shirt, looms over him from the left, then Bart and Lisa, who holds a shovel, search a backyard by a red patio with a metal detector and headphones, Bart listening by a tree as the detector sweeps the grass. A blurred wooden chest overflowing with gold coins and jewelry is unearthed on a sandy beach, where a bearded captain in a red coat and feathered hat, with a parrot on his shoulder, stands beside it while bandana-wearing pirates, including a heavy bald man with folded arms, gather around. > Whoa! > What are we looking for, anyway? Pirate booty, what else? > Arr! Now we bury the treasure. Frame: https://ultrahouse3k.com/img/S09E25/540957.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/545754 ## 9:11–9:23 A bearded pirate captain in a red coat and tricorn hat stands with his back to the viewer, facing a group of one-off pirate characters on a sandy island beach with palm trees. A slick-haired man in a white shirt, red neckerchief and brown trousers points, clasps his hands and gestures animatedly, while a bald man in a purple vest and a red-bandanna man watch nearby. In the final moments the bald man in the purple vest hoists a long wooden plank or stick onto his shoulder and walks away from the group across the sand. > Uh, Captain, Captain, I know we usually bury the treasure, > But what if this time we use it to buy things? > You know, things we like. Frame: https://ultrahouse3k.com/img/S09E25/552635.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/557223 ## 9:23–9:35 On a sandy beach beside the sea, a group of pirates dig with shovels: a man in a red bandana and striped breeches, a teal-bandanna pirate in a brown shirt and red-and-white striped socks, and a blue-bandanna digger crouched in the sand. In the foreground, a bearded captain in a red coat, black skull-and-crossbones tricorn hat with white plumes, and a blue parrot on his shoulder scowls and grimaces, then raises a small folded paper and finally tucks it into his beard near his mouth. Palm trees and a green-and-yellow sky sit in the background. > We'll dig up the treasure in seven yards. > I've drawn a map on this cracker, which Polly will hold for safekeeping. Frame: https://ultrahouse3k.com/img/S09E25/564314.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/569110 ## 9:35–9:39 Bart, the boy with spiky hair in an orange shirt, wears large grey headphones outdoors beside a tree with wooden planks nailed up its trunk and a house with a pink wall behind him. He grins, rolls his eyes, squints shut, then widens his eyes and talks with his mouth open. At the start, a blue parrot holds a cracker-like map with a red X in its beak, and a yellow-skinned figure in a dark hat and black coat stands at the left edge of the image. > So you see, there's treasure everywhere. Frame: https://ultrahouse3k.com/img/S09E25/576409.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/577452 ## 9:39–9:50 Bart, wearing headphones and holding a metal detector, and Lisa, in her red dress with pearls, stand in the backyard in front of a pink house with a grill and a purple tree. Bart sweeps the metal detector over the grass while Lisa digs with a shovel and places items into a colander beside her. Lisa lifts a dirt-covered object from the ground into the colander, and Bart holds the detector steady as she works, with the shovel digging a hole in the lawn. > Okay, here's the deal. > Crowns and doubloons are mine. Snuff boxes and cameos are yours. > Now, as for wands and scepters... It's a bottle cap. Frame: https://ultrahouse3k.com/img/S09E25/580580.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/584751 ## 9:50–10:01 Bart, wearing headphones and carrying a metal detector, stands beside Lisa in a red dress and pearl necklace in front of a pink house, while Lisa looks down at a small coin she holds up. Later, in a parking lot beside a nuclear plant with rows of colorful cars, Homer walks with Lenny and Carl, and Carl, in a pink cap and green tie, rests his hand on an open car door as Lenny holds a teal lunchbox. > Jewel-encrusted? > Hey, Homer, see it, Moe's? He put new electrical tape on the cushions. > Sorry, guys. Frame: https://ultrahouse3k.com/img/S09E25/591216.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/595804 ## 10:01–10:12 Homer Simpson, in a white shirt, pink striped tie and name badge, stands in a parking lot in front of a light blue sedan and a red convertible, with a chain-link fence and trees behind him. He talks animatedly, grinning and widening his eyes, while Herb, a brown-haired man in a light shirt and blue tie, and Carl, a Black man in a pink cap, white shirt and green tie, stand beside a red car behind a bench-like car door; Herb grins broadly and Carl smiles as well. Homer then squeezes his eyes shut, gestures with one raised hand, and ends wide-eyed with a tense, toothy grimace. > Marge and I are spending the weekend at a bed-and-breakfast. > Oh, trying to jumpstart the old marriage, huh? > Can I come? > Nah, it'd just be awkward. > Well, with the sex and all. Frame: https://ultrahouse3k.com/img/S09E25/602685.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/607065 ## 10:12–10:24 Carl, a Black man in a pink cap and green tie, stands in a parking lot beside a brown-haired man in a light blue shirt and blue tie, who is still hard to identify. The two stand among parked cars and cooling towers, and the brown-haired man's expression shifts from a smirk to wide-eyed talking, then he holds a teal lunchbox while Carl touches the brim of his cap and gestures. Later, Homer in a white shirt and tie stands behind an orange pickup where Marge sits at the wheel, as the two men look toward them. > Yeah, I always figured Marge would be a dynamo in the sack, you know? > Oh boy, she's got legs from here to ya-ya. > How do you do, ma'am? > Hope this evening finds you well. Frame: https://ultrahouse3k.com/img/S09E25/613530.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/618535 ## 10:24–10:37 Homer, Lisa at the wheel of an orange truck, Carl in a pink cap, and a brown-haired man in a white shirt stand together at a roadside lot, with Homer looking on from behind the truck. The scene then moves to a pink Victorian house at night with a glowing Snuggler's Cove sign, where a red station wagon with luggage on its roof pulls up to the curb. Inside, Marge in a green dress and tall blue beehive clasps her hands and grins while Homer peeks through an open door beside a broom, a blue cabinet of plates, and a basket of fruit. > Oh, knock it off, you perverts. > Now, they did say bed and breakfast, right? > Oh, isn't it romantic? > Doilies and cozies as far as the eye can see. > If there's anything more exquisite than Queen Anne's lace, I haven't found it. Frame: https://ultrahouse3k.com/img/S09E25/625834.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/631047 ## 10:37–10:51 Homer Simpson, bald with a white shirt and blue pants, stands by a pink-curtained window in a green room, holding a purple suitcase beside a basket of fruit, and grins while gesturing with an open hand. Marge Simpson, with her tall blue beehive and a green dress and red beads, then lies on a pink canopy bed in a bedroom, and Homer stands at the foot of the bed flapping his hands and talking as she props herself up. Homer then leans in close to Marge on the bed, mouth open in surprise, while Marge smiles with a red bead necklace and wide eyes, and the two stay facing each other against a pink backdrop as the scene ends. > Big enough for two. > Well... > Are you ready to rock? Cause here we go! Frame: https://ultrahouse3k.com/img/S09E25/638555.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/644394 ## 10:51–11:01 Homer, the bald heavy man in a white shirt and blue pants, and Marge, with her tall blue beehive and green dress, sit close together on a purple canopy bed in a green-walled bedroom with a framed picture, a wooden barrel, and a small side table holding a teapot. Homer sits on the left edge of the bed with his head turned toward Marge, who sits beside him looking over at him. Homer's face shifts from a worried, sideways glance to a wide, grinning expression, and then Marge leans toward him and he slumps back, with both of them tilted over the bed as the scene ends. > Should we get started? > Um, uh, no time like the present. > Hmm, something's not right. Frame: https://ultrahouse3k.com/img/S09E25/652318.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/656489 ## 11:01–11:11 Homer and Marge Simpson lie stiffly side by side on a purple canopy bed in a green-walled bedroom, with a wooden churn-like barrel, a small table holding a pitcher, and a framed picture nearby. Homer, in his white shirt and blue pants, stares wide-eyed and at times opens his mouth, while Marge, in her green dress and red shoes, stays propped beside him with her blue beehive. Over the moments that follow, Homer's head and shoulders shift slightly, his expression grows more strained, and Marge turns her head toward him as they both remain pressed into the bed. > Does this bed feel lumpy to you? Well, yeah, kinda. > Did that butter churn just move? > Cause if it did... What's wrong with this, Homer? Frame: https://ultrahouse3k.com/img/S09E25/662537.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/666708 ## 11:11–11:25 Homer and Marge Simpson are in their pink-canopied bed, Homer in a white shirt and blue pants and Marge in a green dress with a red beaded necklace and tall blue beehive. Homer first sits beside her on the bed, gripping her arm while both look worried, then he sits up and stretches with his arms raised, a white nightcap on his head, while Marge lies stretched out on the green-covered bed. In the final moments Homer sits on the edge of the bed with his back to the viewer as Marge props herself up with a hand to her chin and a lamp, a heart-shaped pillow, and a framed picture sit on the bedside table and wall. > Have you lost the spark already? > No, no, honey. > Maybe this will help. > Hey! > Look at that! > Oh, good lord! Frame: https://ultrahouse3k.com/img/S09E25/672964.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/678595 ## 11:25–11:35 Homer, shirtless in blue jeans, and Marge, in a green dress with a red beaded necklace, sit on a pink canopy bed in their bedroom when a maid in a blue dress and white apron, holding a stack of folded towels, opens the door and stands there gaping. Homer kneels with his hands raised and then holds two round ear-shaped objects against his chest while Marge clutches her chest and covers her face with crossed arms, after which the maid steps back in and out of the doorway as Marge and Homer remain on the bed. Notable objects include a teapot on a small side table, a red armchair, a broom leaning by the door, and a framed picture on the green wall. > I'm so sorry. I saw everything. > My heart's beating like crazy. Frame: https://ultrahouse3k.com/img/S09E25/686519.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/690690 ## 11:35–11:43 Homer Simpson, bald and bare-chested, stands beside Marge Simpson, with her tall blue beehive, red bead necklace and green dress, as he holds two round pale objects against his chest while she looks at him. Homer's face turns anxious and he then turns his back to the viewer, while Marge, wide-eyed and grinning, lifts a hand toward him in a bedroom with pink curtains, white pillows, and a flower bouquet on a nearby table. The moment ends with Marge's toothy, nervous grin as she stares at Homer. > Mine too. > Just like back in that hayloft. > You know, the fear of getting caught is kind of a turn on. Frame: https://ultrahouse3k.com/img/S09E25/696946.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/699866 ## 11:43–11:55 Homer, a bald, heavy, shirtless man in blue pants, and Marge, with her tall blue beehive and green dress, kneel on a pink canopy bed, gesturing and then clasping hands as Marge shifts aside and Homer exits, leaving the empty bed with a heart-shaped pillow. The scene moves to a dining room where two women and a grey-haired man sit at a table beside a red grandfather clock, and a purple donkey in a straw hat appears in a partly assembled jigsaw puzzle on the table. > There's that dirty girl I married. > Come on, I have a disgusting idea. > Oh, it's a donkey. Frame: https://ultrahouse3k.com/img/S09E25/704871.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/709667 ## 11:55–12:05 A woman in a red dress with pearls and brown hair sits at a red table with a half-finished jigsaw puzzle, flanked by a red-haired woman in an apron on the left and a grey-haired man in glasses and a grey suit on the right, while a framed cow picture hangs on the mint-green wall. The scene then shifts to a bright pink curtain beside a small oval wall vase, with the view holding steady as the curtain's shadows stay almost still. It ends on an exterior view of a two-story pinkish house with a red front door, arched windows, an attached garage and a blue mailbox at the curb. > Shh, they'll hear us. They didn't hear us in the sewing room. Frame: https://ultrahouse3k.com/img/S09E25/716758.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/720303 ## 12:05–12:16 Bart, in his orange shirt and blue shorts, stands at a wooden coffee table cluttered with junk, including a license plate reading 24TBEE, eyeglasses, a chain, a padlock, and bottle caps, while Lisa, with her star-shaped hair and red dress, sits reading a green book on the red couch. Bart first holds up a grey cushion, then turns to the table and works on a metal lid and other scraps, grinning and looking up at Lisa. Homer, in a white shirt, and Marge, with her tall blue beehive and pink top, then enter the pink living room from the right, and Homer grins as Bart and Lisa look on. > Whoa, excellent haul. > But it's all trash. > Exactly. > Now there's nothing left out there but treasure. > Hello, everybody. Frame: https://ultrahouse3k.com/img/S09E25/726142.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/730730 ## 12:16–12:23 Bart, the spiky-haired boy in an orange shirt, sits on a red armchair against a pink wall and talks with his mouth open, eyes rolled sideways, in several expressions. Next, Marge with her tall blue beehive and Homer in a white shirt stand together in front of a pink wall with a teal-and-orange hanging vase, Homer grimacing and then grinning as he talks. Last, Lisa, wearing a red dress and pearl necklace and holding a green book, sits on the red armchair while Homer and Marge's backs are turned; Homer holds a purple suitcase and Marge's arm is around his waist, and Lisa's expression shifts from a closed-eyed grimace to a wide-eyed smile and then a toothy grin. > Hey, you're back. Did you rock the casbah? > Bart! > Yes. > Do you know you have your hands in each other's pockets? > It's okay when you're in love. Frame: https://ultrahouse3k.com/img/S09E25/737612.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/739906 ## 12:23–12:33 Marge Simpson, with her tall blue beehive and pink top, and Homer Simpson, bald in a white shirt, stand side by side against a pink wall beside a small orange and teal decorative vase hanging on the wall. Marge talks with her mouth open and grins, while Homer smiles with his eyes half closed, and then Marge glances over and leans in. In the final moment she rubs her nose against Homer's in an Eskimo kiss as he smiles with his eyes closed. > And married. > To the sweetest guy in the world. Oh, Eskimo kiss. Frame: https://ultrahouse3k.com/img/S09E25/744494.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/748456 ## 12:33–12:44 Bart, a spiky-haired boy in an orange shirt, and Lisa, with star-shaped spiky hair and a red dress, sit on a dark red couch in a pink living room while Marge, with her tall blue beehive and pink top, and bald Homer in a white shirt stand beside a purple suitcase and a cluttered coffee table. Lisa slides off the couch and moves toward the front, and then both children are gone, leaving the couch empty as the parents keep watching. The view then settles on Marge and Homer by an arched doorway and a wall vase with greenery, where Marge talks and Homer glances aside, grimaces, and opens his mouth to reply. > Ew. > You guys are sick. > You don't think there's anything wrong with what we're doing, do you? > I don't think anything I've ever done is wrong. Frame: https://ultrahouse3k.com/img/S09E25/754712.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/758883 ## 12:44–12:55 Lisa, the girl with star-shaped spiky hair in a red dress and pearls, and Bart, the spiky-haired boy in an orange shirt and blue shorts, stand in a muddy lot full of dug-up holes in front of the Aztec Theater marquee, with a chain-link fence and a partial "WN SHOP" sign nearby. Bart digs with a shovel while Lisa watches, then the two kneel over a pit as Bart pulls out a metal lockbox that Lisa leans over. A yellow hand unlatches the box and lifts its lid to reveal a round tin-like item with a label reading "Casablanca Alternate Ending," and a red-handled knife is held over it. > This is it, Lise. The mother load. Frame: https://ultrahouse3k.com/img/S09E25/765139.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/769727 ## 12:55–13:06 Bart, a spiky-haired boy in an orange shirt and blue shorts, and Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, kneel in a dirt lot beside a fenced yard with a brick building behind them. They open a purple metal box together, and Bart lifts out a round silver disc labeled with strips of text reading "CASABLANCA" and "ALTERNATE ENDING." Bart holds the disc up with both hands while Lisa leans in, speaking and gesturing toward it, and she then closes her eyes and smiles as Bart stares at the disc with his mouth open. > Wow! > An alternate ending to Casablanca, Bart! > This could be priceless! > Prices like a mother's love or the good kind of priceless. Frame: https://ultrahouse3k.com/img/S09E25/776401.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/781197 ## 13:06–13:20 Homer, a bald, heavy man in a white shirt and blue pants, and Marge, with her tall blue beehive and green dress, are on a mini-golf green at the Merrie Olde Fun Centre, with a sign reading "Putt's-A-Lot" and a costumed man in a white suit with a mop and a green dinosaur mascot in pink shorts nearby. Homer raises a hand and grabs Marge's arm as she putts a white ball into a hole, then the two run past a giant brown statue with a red mortarboard toward a blue windmill. Homer pushes against the windmill's base while Marge tugs at him, and she then squeezes through a gap beneath the structure until only her legs and red shoes are visible. > Naked! > Wait, wait, wait! > No! Frame: https://ultrahouse3k.com/img/S09E25/788079.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/793710 ## 13:20–13:27 Homer, the bald, heavy man in a white shirt and blue pants, and Marge, with her tall blue beehive and red beads, stand together in a purple-paneled room. Marge leans toward him, holding his hand and touching her cheek with her other hand, grinning and giggling while her eyes shift and her head tilts. Her expression turns from a wide open-mouthed laugh to a toothy grin and then to a more composed smile, while Homer stays calm with a faint smile. Near the end, Marge gestures with her free hand and looks up at him with a playful, sly expression. > Oh, this is so naughty. Coming back to our old love nest. > It hasn't changed since that magical evening when I knocked you up. Frame: https://ultrahouse3k.com/img/S09E25/801426.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/803928 ## 13:27–13:40 Homer and Marge Simpson stand close together in a narrow purple corridor with slanted wooden slats, holding hands at the start while a heart painted on the wall reads 'Homer + Marge'. Homer grins and talks animatedly while Marge looks up at him with a slight smile and her red bead necklace. Then Marge sways her head and talks with a sly, sidelong look, and Homer's hand is pressed against hers as she leans toward him. Homer's expression changes to wide-eyed unease as he turns toward Marge, whose blue beehive fills the right edge of the frame, and he speaks while she watches him. > Oh, we drank so much that night. > Yeah, I thought Bart would be born a dimwit. Frame: https://ultrahouse3k.com/img/S09E25/808516.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/813730 ## 13:40–13:51 Homer, the bald man in a white shirt seen from behind, and Marge, with her tall blue beehive and red bead necklace, stand in a purple-walled corridor holding hands beneath a heart reading "HOMER + MARGE". Marge speaks and gestures with her free hand, then grins and laughs while Homer grins toothily, smiles, and mouths words, before the scene cuts to the exterior of the Springfield Retirement Castle, where a blue car is parked in front of the building with its striped awnings and a wheelchair beside the entrance. > Yeah. > Well, this time I'm drunk on love and beer. Frame: https://ultrahouse3k.com/img/S09E25/821237.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/825616 ## 13:51–14:01 Lisa, Bart, and Grampa, a wrinkled old man with white tufts of hair, watch a projection screen in their living room, where a title card reads "Casablanca" with "Alternate Ending" beneath it, followed by a countdown from 5 to 3. The screen then goes blank white, and a black-and-white scene shows a trench-coated man in a fedora standing beside a mustached officer in a peaked cap with medals, while a small plane flies through dark clouds, first in one position and then higher and to the right. Notable objects include the tripod-mounted screen, a projector at the left edge, a potted plant, and Grampa's green armchair. > Here comes two! Frame: https://ultrahouse3k.com/img/S09E25/832290.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/836252 ## 14:01–14:11 A man in a fedora and trench coat and a uniformed officer with a cap and thin moustache walk across a foggy, open tarmac toward distant buildings, then in a dim room a pianist in a white tuxedo and bow tie plays a piano with wide eyes while the trench-coat man, smoking a cigarette, stands beside it. The officer raises a revolver toward him, and the scene ends with the officer sprawled on the ground, his cap nearby and the revolver lying on the floor as the trench-coat man stands over him, with wisps of smoke rising near the piano. > Louie, I think this could be the start of a beautiful friendship. > Look out, Rick! He's packing heat! > Good work, Sam. Frame: https://ultrahouse3k.com/img/S09E25/842508.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/846471 ## 14:11–14:22 A black-and-white animated scene in a dim, cloudy setting shows a man in a fedora and trench coat holding a cigar, facing a slick-haired man in a tuxedo with a bow tie and a black armband. Behind them, a man with a toothbrush moustache and an armband with a cross stands in a open crate, raising a fist and then a hand, while a woman in a safari hat and utility vest, who is not one of the regulars, stands atop a closed trunk, first with her hair and a pair of strings flailing, then with hands on her hips as the crate lid stays open. Sparkles glint near the trunk and the woman's black boots, and a white-clad leg dangles from above before the scene settles on her posing. > Come on, I'll buy you a falafel. > Not so fast, Schmartenheimer! > Hope you don't mind my dropping in. Not at all, sweet cakes. Frame: https://ultrahouse3k.com/img/S09E25/852727.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/857106 ## 14:22–14:34 A black-and-white cartoon in a noir style shows a man in a fedora and trench coat, a woman in a wide-brimmed hat with a cigarette, and a Black pianist at an upright piano, which Carl could match but the figure is unnamed here. The man in the trench coat, with a stubbled brow and a lighter in hand, lights the woman's cigarette, then the scene shifts to a close-up of the pianist's hands playing the keys. In the final frames, the view widens to a sunny outdoor scene where the pianist plays in front of a crowd of people in hats and dark clothes lined up outside a small white church with palm trees behind it. > You know what to do, Sam. Frame: https://ultrahouse3k.com/img/S09E25/863571.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/868576 ## 14:34–14:39 A black-and-white animated wedding at a small church: a bride and groom, who look like one-off characters rather than regulars, stand in the open double doors holding hands while a crowd of hatted guests in the foreground throws rice and waves. A small child in a cap watches from the left edge. The scene ends on a title card reading "The End" over a grey map of Africa on a yellow frame, which changes to "The End?" with a question mark that gains a dot as the moment closes. Frame: https://ultrahouse3k.com/img/S09E25/875875.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/877126 ## 14:39–14:51 Lisa, in her red dress and pearl necklace, stands beside a purple-legged projector in a yellow room and works its lens while its light beam shines out. Bart, in his orange-red shirt, then stands beside her, grinning and speaking as Lisa watches with a flat expression. The scene then moves to Bart smiling beside Grampa, a wrinkled old man with white tufts of hair, glasses and a moustache in a pink sweater, who sits in a dark green armchair and grins, chuckles and talks. > Unbelievable. > I'll say. Wasn't it great? > And the question mark leaves the door open for a sequel. > I've seen that movie ten times, and I never get tired of that ending. Frame: https://ultrahouse3k.com/img/S09E25/880463.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/885259 ## 14:51–15:02 Mr. Burns, the frail, stooped old man with a hooked nose, grey hair at the sides and a cane, stands beside Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, in a yellow-walled room with a movie projector on a purple stand. Burns leans on his cane and talks, gesturing with a raised hand while Lisa holds a round film canister and looks up at him. Later the scene closes in on Burns leaning over the projector with a grimace, with a green armchair and red carpet visible behind them. > Oy, oy, oy. Where did you get this, you shrunken old hag? > I'm just a little girl. > My studio produced Casablanca, all right? > We tried to tack that happy ending on the picture, cause back then, well, studio execs, Frame: https://ultrahouse3k.com/img/S09E25/892141.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/896938 ## 15:02–15:13 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, leans on a cane in a room with yellow walls and red carpet, while Lisa, in a red dress and holding a hand mirror, and Bart, in an orange shirt and blue shorts, stand before a green armchair. Burns talks and grimaces, grinning and then wincing with his eyes shifting, and at other moments the scene cuts to close-ups of him beside a film projector reel. Bart smiles and speaks while Lisa looks on, and Burns keeps his gaze mostly sideways as he talks. > we were just dopes in suits. > Not like today. > What are you talking about? I loved it. > Ah, you're a sweet old gent to say that. Frame: https://ultrahouse3k.com/img/S09E25/903820.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/908199 ## 15:13–15:23 Mr. Burns, a frail, stooped old man with a hooked nose and a cane, stands with Lisa, who wears a red dress and pearl necklace, and Bart, in a red shirt and blue shorts, beside a film projector on a purple table. Burns leans in and waves a twenty-dollar bill, then offers it toward Lisa, who holds a metal film reel while Bart presses in beside her. The reel's label reads "It's a Wonderful Life" with "(Killing Spree Ending)" beneath it, and the reel is then held up against a red background. > This should be in a museum. Look, I'll tell you what, > I'll give you 20 bucks to bury this thing again. > This one, too. Frame: https://ultrahouse3k.com/img/S09E25/914872.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/918626 ## 15:23–15:33 Ned Flanders in his green sweater and moustache stands with a woman in a pink vest and red skirt who has a curly auburn hairdo, first beside a windmill mini-golf hole and then on a path near a pink castle, where they talk and Ned rubs his moustache. Back at the windmill hole, the woman putts while Ned, a boy with curly red hair in a blue shirt, and a small curly-haired boy in pink watch with golf clubs in hand. The white golf ball rolls across the green toward the viewer as the woman follows its path. > Now, the secret to the windmill hole is to... > Not hit the blades. > Bingo. Frame: https://ultrahouse3k.com/img/S09E25/924674.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/928219 ## 15:33–15:46 Ned Flanders, with his moustache, glasses and green sweater, stands on a putting green beside a windmill-style hole, with two curly-haired children holding putters and a woman with a big auburn hairdo in a pink top and red skirt at his side. A white golf ball sits at the mouth of the windmill hole, and in the background a man and a woman walk past a row of hedges and a lamp post. Ned speaks while the children look up at him, then the scene moves closer to a woman with orange curly hair in a pink sweater vest, who grimaces and glances aside while holding a putter beside a boy with reddish curly hair in a blue shirt. > Woo-hoo! > Hm. That's odd. > It didn't come out the rear end. > Rod, you got small girlish hands. Reach in and fish it out. Frame: https://ultrahouse3k.com/img/S09E25/934058.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/939689 ## 15:46–15:57 Homer and Marge embrace in a cramped purple-walled room with a green cloth and a white bundle nearby, Marge with her tall blue beehive and Homer with his eyes shut, and then Marge looks toward the green object while Homer gazes ahead. Outdoors on a lawn beside a blue playground slide, Ned Flanders, with his moustache, glasses and green sweater, stands over a red-haired boy in a blue shirt and jeans, who flails his arms, then crosses them and shuts his eyes while Ned talks and smiles. > A hand. > Ow, Daddy, something attacked me. > Now, Roddy, it's just a stuck ball. > I'll get it. Frame: https://ultrahouse3k.com/img/S09E25/947196.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/951993 ## 15:57–16:08 Ned Flanders, in his green sweater and moustache, crawls on hands and knees across a grassy lawn beside a yellow-framed blue glass booth while a brown-haired man in a grey suit and pink tie stands watching. The brown-haired man then leans over Ned as an elderly white-haired man peers in from behind, and a crowd gathers: a police officer with a baton, a spiky-haired man in a red shirt, a woman with orange hair, and a small boy in red. Ned ends up pinned face-down on the grass beneath the crowd, with the booth and a distant green hedge in the background under a blue sky. > Truant ball, eh? > I'll help you. > Oh, quit showing off, Seymour. I'll get it. > Feels like a hefty bag full of meat. Frame: https://ultrahouse3k.com/img/S09E25/959083.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/963463 ## 16:08–16:16 Homer and Marge Simpson are pressed together in a tight, straining embrace against a purple wall with horizontal stripes. Homer clenches his teeth and grips Marge's back and sides in close-up, while her wide-eyed face is squeezed against his shoulder and cheek. Their heads shift and sway, Marge's eyes close and then roll sideways, and Homer's bulging eyes dart around as his mouth opens wide before he settles back into the hold. > We're trapped. > Oh, why can't they just play through? Frame: https://ultrahouse3k.com/img/S09E25/970136.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/972638 ## 16:16–16:26 On a dusk-lit street with a windmill and Eiffel Tower-themed backdrop, a boy with orange hair in a green shirt and a woman with long brown hair in a pink jacket walk past a seated figure in a top hat, while a crowd of cartoon townspeople, including a couple of kids, a stooped older man and a man in a blue cap, stands on the path. The crowd then gathers and crouches tightly around a kneeling group, and the view cuts to a crowded tangle of yellow hands and arms, followed by a close-up of Ned Flanders with his brown moustache, glasses and green sweater, eyes wide and mouth open, as a blue-sleeved arm grips him. Golf clubs are visible among the people on the path, and the scene is set outdoors at dusk. > No, Daddy, you stick your hand in there and see what it is. > Mmm, something's in there all right. Frame: https://ultrahouse3k.com/img/S09E25/977435.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/981397 ## 16:26–16:40 Ned Flanders in a green sweater, a woman with an auburn bouffant, and a blond boy in a blue shirt and pink pants gather on a grassy lawn beside a yellow-and-blue wagon, while a crowd including Moe, the grey-haired bartender holding a pink hose, looks on. Moe then points the hose toward the wagon as the boy is pulled back among the onlookers, and a uniformed police officer stands nearby. Inside a dark, purple-walled chamber with a green path and a grey pipe, a naked Homer and Marge sit facing each other, and Marge then leans toward a large yellow figure. > Maybe it's presents for all of us. Well, could be anything. > Smells like a bear. > Who cares what it is? Let's monoxide it. > Uh, why are people always trying to kill me? > We have to get out of here. Frame: https://ultrahouse3k.com/img/S09E25/987445.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/993284 ## 16:40–16:52 Mr. Burns, frail and stooped in a black suit and top hat, sits in a purple chair near a windmill with a crowd nearby, including Ned Flanders in a green sweater with a moustache and glasses, an elderly woman with grey hair in a bun, and Chief Wiggum, the heavy police chief. A pink-stained smoke cloud drifts across the scene, and Burns raises a gloved hand against a small green creature as the windmill sails turn. Flanders then stands in a cloud of pink smoke holding a stick while Moe, the grey-haired bartender, and a woman with red hair in a pink top and red skirt look on, and Wiggum arrives to join them beside a flattened red blob on the grass. > It was people. Frame: https://ultrahouse3k.com/img/S09E25/1001417.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1006422 ## 16:52–17:04 Ned Flanders, in a green sweater with a moustache and glasses, holds a white pair of underwear on a long pole, with Chief Wiggum (blue police cap, fat, blue-haired) and a woman with a red bouffant hairdo in a pink sweater and red skirt standing beside him, with a brown dog wearing a red collar at the lower right. The three stand on a suburban street in front of a pink castle-like house, while a blue-clad figure lies in the grass and a red shoe and a line of red beads rest on the lawn below. Ned lifts the pole to hold up the underwear, the woman reacts with a hand at her chin, and Wiggum's close-ups show him scowling, speaking, and then gesturing with a finger at his mouth. Notable objects include the white underwear, the pole, a blue recycling bin on the left edge, and a red shoe in the grass. > People soiled our greed. And now they're out there somewhere, > naked as the day God made them. > Boy, I tell you, they only come out at night. > Or in this case, the daytime. Frame: https://ultrahouse3k.com/img/S09E25/1013721.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1018518 ## 17:04–17:15 Moe, Mrs. Krabappel, and Ned Flanders stand on a grassy park path by a pond while Chief Wiggum, in police uniform, holds a white cloth at the edge of the frame. Wiggum leans down with a brown dog wearing a red collar, which sniffs and lunges toward the cloth, and the scene ends in a close-up of the dog nosing the white fabric. > You've got to catch them. > Think of the children. > Won't somebody please think of the children? > All right, all right. > Here you go, boy. > Get the scent. Frame: https://ultrahouse3k.com/img/S09E25/1025399.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1029987 ## 17:15–17:21 Chief Wiggum, the fat police chief in his blue uniform and cap, kneels on a grassy lawn beside a brown greyhound while Moe, the grey-haired bartender, and Mrs. Krabappel with her tall brown hairdo stand at the left and Ned Flanders in his green sweater and a woman with orange curly hair in a pink sweater and red skirt stand at the right. The dog lies still beside Wiggum, then a red-brown dog shape tumbles across the grass in the background and grows smaller as the group watches. The view then tightens on Wiggum, with Ned and the orange-haired woman behind him, as Wiggum grimaces, opens his mouth to speak, and grimaces again. > That's a shame. He had one day left till retirement. Frame: https://ultrahouse3k.com/img/S09E25/1036661.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1038329 ## 17:21–17:28 Homer and Marge Simpson are on a suburban sidewalk beside a large green tree, in front of a pink house with a purple door and a wooden bench nearby. Homer first peeks out from behind the tree and fence while Marge hides behind a hedge, then Homer ducks behind the trunk and Marge moves up beside the bench and sign post. Homer then sits on the bench, rises, and walks off to the right while Marge ducks down behind a hedge in the background, where she is seen crouching at the end of the clip. Frame: https://ultrahouse3k.com/img/S09E25/1042083.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1044794 ## 17:28–17:35 Marge Simpson and Homer Simpson appear in a sunny suburban street outside the pink house with the purple front door and purple garage, with a blue mailbox and a bench nearby. Marge first peeks from behind a hedge while Homer crouches beside her, then Homer ducks out and runs toward the mailbox. Marge and Homer end up bunched together at the blue mailbox, with Homer hidden behind it and Marge leaning over it, before Homer pops out and sprints past the lamp post. Finally Marge hurries across the sidewalk on the right as the mailbox stands empty. Frame: https://ultrahouse3k.com/img/S09E25/1049590.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1052301 ## 17:35–17:43 Homer and Marge, both drawn nude and yellow-skinned, stand in front of a green hedge under a blue sky, beside a white goose-shaped whirligig on a pink flower stand and a red seesaw playground toy with two small boys. At the start Homer stands alone at left, then Marge walks in beside him and they move to the right, where they stand side by side with their gazes shifting. Homer's expression changes from wide-eyed to half-lidded and then to a grimace, his mouth opening as he talks, while Marge stands by with a flat, unimpressed look and the whirligig's blades turn slightly in the scene. > Can we trade? > I don't trust these guys. Frame: https://ultrahouse3k.com/img/S09E25/1057098.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1059392 ## 17:43–17:50 Marge Simpson, with her tall blue beehive, and Homer Simpson, bald and heavy, stand together on a grassy lawn in front of a green hedge under a blue sky, both unclothed and covered only by a white duck-shaped pinwheel with a pink flower on a stake held before Marge and a handlebar-like ornament with two small figures in red shirts held before Homer. Homer glances sideways and grins, then speaks and gestures with his hand toward Marge, who looks on with a flat, wary expression. Homer's face shifts through smirks and a wide open-mouthed grin, and at the end he looks alarmed, eyes wide, and reaches a hand toward Marge. > We've got to get home before someone sees us. > You know, all this danger is kind of a turn. > Okay. Frame: https://ultrahouse3k.com/img/S09E25/1064188.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1066691 ## 17:50–18:00 Marge, with her tall blue beehive, and Homer, bald and heavy in a white shirt, sit in an orange car on a used car lot beneath a red balloon reading "OUR PRICES ARE SKY-HIGH!" and among rows of parked cars. Homer leans out of the window with wide eyes, then climbs out to stand by the car's open trunk, where a grey-haired man in a white shirt and black tie stands facing him, and Homer lunges forward to grab the man's tie while Marge watches from inside the car. > Gil, thank God it's you. You've got to help us. Frame: https://ultrahouse3k.com/img/S09E25/1071279.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1075241 ## 18:00–18:08 Homer, on the left, and Marge, on the right, stand outdoors under a string of colorful pennant bunting with a purple truck behind them as a balding, grey-haired man in a white shirt and black tie, not matching any regular, gestures with open palms and changing expressions, alternately grinning, frowning and talking. Over the course of the moment he moves his hands from open-palmed gestures to pointing with both index fingers, one near his chin and one toward Marge, before returning to open-handed gestures and a wide grin. > Well, that's what I'm here for. I mean, you're young, successful, you're naked. > You want a car with a radio, right? You kids like music, right? > Ha, da-da-da-da, cha-cha-cha, cha-cha-cha. Frame: https://ultrahouse3k.com/img/S09E25/1081497.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1084208 ## 18:08–18:20 Homer, shirtless with a bald head and stubble, and Marge, with her tall blue beehive, watch from behind parked cars on a used car lot strung with pennant bunting. An older man in a white shirt, black tie and grey trousers, with grey hair at the sides, gestures and sways with a grin, then turns away, looks sideways and grimaces while tugging at his shirt and fidgeting beside a blue pickup truck, a purple car and an orange car. A chain-link fence and a brick building stand behind the lot. > Wait, wait, wait, wait, wait, don't go! Ah, no, not today, not to gill. > I could taste that sail, I was in the zone. Frame: https://ultrahouse3k.com/img/S09E25/1089422.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1094635 ## 18:20–18:34 Chief Wiggum, the heavyset police chief, stands beside a white police car marked 911 at a used car lot, gesturing and holding a gun while two officers flank him. Later, the police fan out and search among parked cars, and then Homer and Marge, stuck in a hot air balloon basket with red and blue car lots and bunting behind them, embrace as an officer aims a pistol up at them. The scene ends with Homer and Marge clinging together in the basket while the officer keeps his gun trained on them. > All right, man, those nudies are here somewhere. > Fan out. > Oh, we're surrounded, Marge. Maybe we should give ourselves up. > But think of the scandal. Yeah, the British tabloids will have a field day. Frame: https://ultrahouse3k.com/img/S09E25/1102143.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1107982 ## 18:34–18:44 Homer and Marge, both unclothed cartoon figures, first embrace in a muddy pit with brown earthen walls while a red car sits in the background. Homer then grimaces and raises a finger, and the pair climbs into a wicker hot-air balloon basket strung with bunting, where Homer throws his arms up and Marge grips the edge. Finally Homer grabs a red rope tassel as the basket rises over parked cars, with Marge holding on behind him. > There's only one thing left to do. Grab on to the handles, Marge. > Got him! Frame: https://ultrahouse3k.com/img/S09E25/1116115.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1119869 ## 18:44–18:57 Mr. Burns, a frail, thin, stooped old man in a white shirt, black tie and purple trousers, stands on a street lined with parked cars while Chief Wiggum, a heavy police chief, and two other officers, one with dark skin holding a pistol, surround him. Homer and Marge, seen in the foreground gripping ropes, watch as Burns gestures, points at a red car and throws his hands up, then clutches his head and rubs his neck as a pistol, a small grey hot plate and coiled ropes lie on the pavement. The scene is set among colorful parked cars and a rope-tied balloon, with no on-screen text visible. > Oh, they stole the balloon. > I've been living in there. > Well, you know, just till things pick up. > Oh, Lord, my hot plate. I only had two payments left. Frame: https://ultrahouse3k.com/img/S09E25/1126125.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1131339 ## 18:57–19:07 Homer and Marge Simpson ride in a wicker hot-air balloon basket beneath a red balloon bearing the banner "OUR PRICES ARE SKY-HIGH!" over a suburban street of houses and trees. The balloon drifts up and away, then Homer, gripping a rope and gesturing, is shown beside Marge as the basket passes between tall, green-and-red apartment buildings with a line of colorful laundry strung between them. Later the basket dips lower, swinging past the buildings, with Homer and Marge still clutching the ropes and the laundry visible across the street. > Okay, I think I figured this thing out. > You know, up and down, but not side to side or back in time. > Clothes were saved! Frame: https://ultrahouse3k.com/img/S09E25/1138846.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1142600 ## 19:07–19:15 Homer and Marge Simpson are in a wicker hot-air balloon basket tethered by a rope above a rooftop clothesline strung with socks, a shirt and jeans. In the early frames Homer leans out over the basket's edge and Marge clutches its rim while the balloon drifts past a building and a water tower. Homer then dangles head-first off the basket, gripping the rope with his arms as his jeans and bare body hang over the red roof, while Marge hangs on above him. Near the end Homer hangs below the basket, clutching the rope, with a blue car visible far below and Marge staring down at him. > Oh, these are please. Just grab them. > I'm okay, honey. > Now listen very carefully. Frame: https://ultrahouse3k.com/img/S09E25/1148439.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1151359 ## 19:15–19:28 Homer Simpson, the bald, heavy, yellow-skinned man with stubble, clings to a thick brown rope against a bright blue sky dotted with white clouds. He hauls himself upward, mouth wide and eyes bulging, while his hair suddenly bursts into flames and fire trails from his head. He clutches the rope tightly, grimacing as the blaze flares, and in the final moments he is shown against a glass building wall at the right edge, clutching his stomach while his head is scorched and smoking. > I want you to pull on the thing that's near the other thing. > You mean this thing? > No, that was not the thing. Frame: https://ultrahouse3k.com/img/S09E25/1156572.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1161786 ## 19:28–19:41 A bespectacled man with short brown hair and a blue robe speaks at a wooden podium with a microphone inside a glass geodesic crystal cathedral, while a red hot-air balloon drifts past the exterior at the start. He smiles, grins broadly, and gestures with his hands as he keeps speaking, then looks up in surprise as a yellow-skinned figure swings on a rope across the glass ceiling above a bank of pink-flowered shrubs. The opening view shows the building's pale tower, a walkway, and its entrance doors. > Now let us thank the Lord for this magnificent crystal cathedral, > which allows us to look out upon his wondrous creation. Frame: https://ultrahouse3k.com/img/S09E25/1169293.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1174924 ## 19:41–19:54 A man in a blue robe with brown hair and glasses stands at a wooden pulpit under a geodesic dome, with a large gold statue of a figure with raised arms above him and rows of hatted audience members in pews facing a purple carpeted aisle. He speaks and gestures with one raised hand, his mouth opening and closing, while the gold statue hangs above and the audience sits still. A microphone and pink-flowered greenery decorate the pulpit area. > Now quickly, gaze down at God's fabulous parquet floor. > Eyes on the floor, still on the floor, always on God's floor. Frame: https://ultrahouse3k.com/img/S09E25/1182848.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1188062 ## 19:54–20:02 Marge, with her tall blue beehive, rides in the wicker basket of a red hot-air balloon over a town with a nuclear power plant and its twin cooling towers, while Homer is not visible in the basket. In the early frames the balloon drifts over the town and the plant's cooling towers, then it sinks lower beside the towers and the plant grounds, with a yellow figure visible below. In the later frames Marge stays in the basket against a blue sky with clouds as it drifts, with the basket swaying slightly and her eyes wide and looking to the side. The dialogue hints at a rescue or landing, and the scene ends with Marge still aloft in the basket. > Hang on, homie. I'm gonna try to set her down. > Thank you. Wow, a lot of people have pools. Frame: https://ultrahouse3k.com/img/S09E25/1195569.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1198489 ## 20:02–20:13 Marge Simpson, with her tall blue beehive, rides in a wicker hot-air balloon basket above a suburban neighborhood of pools and houses, looking down from the rim as the view shifts. Homer, bald and shirtless, dangles from a red rope in the sky, straining and grimacing as he grips it with one hand and then looks upward while his mouth opens in dismay. Marge then raises one arm, holding a rope or valve in the basket as she looks sideways, and the balloon drifts past clouds. In the final frames, a crowd in the foreground watches a football field in a stadium, with Marge's blue hair visible among the spectators at the right edge as the players stand on the grass. > Honey, my shoulders are separating. > OK, OK, here we go. Frame: https://ultrahouse3k.com/img/S09E25/1203703.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1208290 ## 20:13–20:26 Homer, bald and naked, dangles from a red rope beneath a pink balloon and a wicker basket carrying a blue-beehived Marge, while a man in a green cap and white shirt works a large purple rig in front of a packed stadium crowd. Among the spectators, Mr. Burns, frail and hook-nosed in a dark suit, watches alongside a shirtless one-off man with teal hair pierced by a bone, who points and shouts. Homer then hangs against a blue sky above a brown, bumpy ground, grimacing and gripping the rope as he rises and sinks. > Dear Lord, look at that blimp. He's hanging from a balloon. > All right, can we not land here? > Honey, baby doll? Frame: https://ultrahouse3k.com/img/S09E25/1214755.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1220177 ## 20:26–20:38 Homer, a bald, heavy man, starts out nude and hanging by a rope from a goal post in a stadium while helmeted players in white and blue Atoms uniforms run a play on the field, and a scoreboard reads Atoms 12, Sharks 14, Time 0:02, Quarter 1. Angry fans in the stands clutch cups and throw things as the players, now littered with spilled drinks and trash, stand dazed and slumped on the grass. Marge, with her tall blue beehive, rides in a hot-air balloon basket that drops toward the field, and Homer lands on the turf before the two, both nude, embrace near the sideline. > Oh, by me? Frame: https://ultrahouse3k.com/img/S09E25/1227893.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1232481 ## 20:38–20:50 Homer Simpson, bald and naked, and Marge Simpson, with her tall blue beehive, stand on a football field, first behind a huge football and later out in the open, with their arms folded or hands held over their bodies. A crowd of yellow Springfield townspeople fills the stands, with a man in a white tank top holding a can and a red-haired man in a red sweater gaping in the foreground at the start. Homer shifts his hands from his hips to covering himself and glances sideways while Marge looks away, and white camera-flash starbursts pop across the crowd behind them. > I'm hideous! > Why don't you take a picture? It lasts longer. > Ow! > It would have to be camera day. Frame: https://ultrahouse3k.com/img/S09E25/1239363.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1244368 ## 20:50–21:00 Homer and Marge, both drawn nude with their bodies covered by bright blobs of censor-like sparkle, stand in front of a crowd of cheering spectators on a green field, Homer gesturing with one hand and Marge with her arms folded. Bart in an orange shirt and Lisa in a red dress with a pearl necklace lean over a blue kitchen table where a newspaper lies, and the headline reads "LOCAL COUPLE BARES ALL!" above a picture of the two naked cartoon figures and a police dog story. Lisa reaches for the paper while Bart leans in, then Marge, with blue beehive hair and a red bead necklace in a green dress, stands holding the Springfield Shopper and looks down at the children, who lean toward her, before she reads with a gentle smile. The kitchen has a purple shelf of jars, mugs on hooks, and a green cabinet with a heart-shaped note. > Wow. > Hey! I don't mind you reading those awful scandal sheets. > Uh, I was just trying to find Dave Barry's column. Frame: https://ultrahouse3k.com/img/S09E25/1251667.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1255629 ## 21:00–21:06 Homer, Bart, Lisa and Marge Simpson sit and stand around the blue-draped kitchen table in their purple-cabineted kitchen. Homer, on the left, holds a red book open, while Marge, at the right edge, holds a folded newspaper and looks toward the table. Bart and Lisa sit side by side at the table; Lisa, in her red dress and pearl necklace, leans forward and her expression shifts from wide-eyed to squinting, grimacing and shutting her eyes, then reopening them, while Bart glances sideways at her. Bart's mouth moves as he speaks, and Lisa lifts a hand toward the table before the group settles back into place. Kitchen items such as wooden utensils in a green jar, a blender and jars along the counter are visible in the background. > He's great. He pokes fun at life's little foibles. Frame: https://ultrahouse3k.com/img/S09E25/1261677.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1263554 ## 21:06–21:16 Marge, with her tall blue beehive and green dress with red beads, stands at a kitchen counter beside a green refrigerator while Bart in his orange shirt and Lisa with her star-shaped hair and pearl necklace watch from the left. Marge holds a rolled newspaper, touches her chin, then reaches across the counter to hand the children a small red-and-green wrapped item and a brown paper bag marked with red. A magnet and a heart-shaped note are visible on the refrigerator door behind her. > Kids, I want to explain about the stadium. > You see, sometimes moms and dads get a little, well, > accustomed to each other. Dads especially. Frame: https://ultrahouse3k.com/img/S09E25/1267308.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1271479 ## 21:16–21:17 Homer Simpson, the bald heavy man in a white shirt, stands behind a blue kitchen table in the family kitchen, with Bart in his orange shirt and Lisa in her red dress beside him, while Marge's tall blue beehive and green dress fill the left edge of the scene. Homer's face shifts from a wide-eyed, gritted-teeth grimace to an open-mouthed talk and then a grin, while Bart and Lisa stay fixed in place, Bart glancing sideways and Lisa's eyes half-lidded. Behind them sit purple cabinets, a sink, and a toaster on the counter, with a white paper towel roll hanging near the wall. Frame: https://ultrahouse3k.com/img/S09E25/1277735.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1277109 ## 21:17–21:27 Marge, with her tall blue beehive and green dress, stands in a purple room in front of a purple double-door cabinet with an orange frame and a stack of folded items on top, while Lisa and Bart are partly visible at the left and right edges. Homer, in his white shirt, steps up beside Marge with one hand on her shoulder and talks, gesturing with his other hand and grimacing, while Marge keeps a mostly steady, sideways-glancing expression and smiles briefly at one point. Homer's expression shifts from wide-eyed and speaking to tight-lipped and gesturing, and the room's red arched doorway stays visible at the left. > So they need to explore new ways to express their love. > Scary ways. > But we never intended it to end like that with thousands of people Frame: https://ultrahouse3k.com/img/S09E25/1278778.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1282531 ## 21:27–21:36 Marge, with her tall blue beehive and green dress with a red bead necklace, stands beside Homer, who wears a white shirt, as Homer's hand rests on her arm while they stand at a table with Lisa at the left edge and Bart at the right edge. Homer glances sideways at Marge with a grimace, then turns to face her with a wide-eyed, nervous look and speaks while his mouth opens. Marge looks at him with a flat, skeptical expression, then grins and speaks, and Homer closes his eyes, grimaces, and then gives a sly smile, ending the moment with the two of them side by side in front of a purple wall, a fireplace, and a dark cabinet. > Staring at our naked bodies all those eyes just leering and leering at > us Frame: https://ultrahouse3k.com/img/S09E25/1288162.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1291707 ## 21:36–21:49 Bart and Lisa sit at the kitchen table with Homer and Marge standing beside it, Homer with an arm around Marge, then Bart and Lisa cheer with raised arms before everyone rushes around the blue-clothed table and Homer heads for the green refrigerator. Next Homer and Marge sit in a pink car in the driveway while Bart and Lisa stand waiting at the front door of the house, with the car pulling away from the garage. > Who's in the mood for miniature golf? Ooh, I am. > Yay! > Let's go right now! > Huh, they're gonna feel so silly when they realize they forgot us. Frame: https://ultrahouse3k.com/img/S09E25/1297546.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1302968 ## 21:49–21:55 Bart, the spiky-haired boy in an orange shirt, and Lisa, the girl with star-shaped spiky hair and a red dress with a pearl necklace, stand together in a doorway in front of a pink wall. Bart starts with his eyes rolled sideways and his mouth open as if talking, then grins and rubs his hand, then slumps and looks down with a sullen expression while Lisa glances sideways and sighs. Their posture stays mostly still throughout, with only their faces and Bart's hand moving, and a purple door knob is visible on the right. Frame: https://ultrahouse3k.com/img/S09E25/1310893.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1312353 ## 21:55–22:04 No animated characters appear in this moment; it is a black title card sequence in the credits. First, the text 'Executive Producer MIKE SCULLY' in gold letters sits centered on the black background, then it changes to 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' stacked in gold lettering. Next, 'Starring DAN CASTELLANETA' appears centered, followed by 'JULIE KAVNER' and then 'NANCY CARTWRIGHT' in gold text on the same black background. Frame: https://ultrahouse3k.com/img/S09E25/1316315.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1319652 ## 22:04–22:13 No Simpsons characters appear in this sequence; it is a black title-card sequence with gold text on a black background. The credits appear in order: first YEARDLEY SMITH, then HANK AZARIA (shown twice), then 'and HARRY SHEARER', then 'Special Guest Voice MARCIA WALLACE', then 'Also Starring PAMELA HAYDEN, TRESS MACNEILLE, MAGGIE ROSWELL' (shown twice), then 'Animation Executive Producer PHIL ROMAN', and finally 'Animation Producers LOLEE ARIES, MICHAEL WOLF' (shown twice). The text fades in and out one credit at a time, with no people or locations visible. > Burn that Ooyah sound Frame: https://ultrahouse3k.com/img/S09E25/1325282.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1328828 ## 22:13–22:22 No characters appear in this moment, which shows only a black screen with gold end-credit text. The credits change in turn from Executive Consultant Rich Moore to Story Editors Jane C. O'Brien, Larry Doyle and Matt Selman, then Associate Producer Alison Elliott, Theme by Danny Elfman (shown twice), Music by Alf Clausen, Casting by Bonita Pietila, Editors Michael Bridge and Don Barrozo, Animation Production Manager for Gracie Films Joel Kuwahara, and finally Post Production Supervisor Dominique Braud-Stiger and Post Production Coordinator Alexander Duke. Each credit appears centered on the black background in a rounded, hand-lettered yellow-gold typeface. > Degenerate the faithful > With that crazy cat bar sound And the fellow when they Frame: https://ultrahouse3k.com/img/S09E25/1334458.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1337795 ## 22:22–22:31 No Simpsons characters appear in this moment, which is a black end-credits sequence in a plain gold serif-style font on a black background. The frames show a series of credit cards in order: Post Production Supervisor Dominique Braud-Stiger and Post Production Coordinator Alexander Duke, then Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod, then Music Editor Chris Ledesma, Sound Effects Editor Travis Powers and Re-Recording Mixers R. Russell Smith and Bill Freesh, then Production Coordinator Felicia Nalivansky, Production Mixer Ron Cox, Sound Recordists Terry Brown and Bob Hile, Script Supervisor Louise Jaffe, facility credits for Sony Pictures Studio and Laser-Pacific, and a Dolby Surround logo. Later cards list assistants, Animation Produced by Film Roman, Inc., Overseas Production by Rough Draft and Chang, Myung Nam, Overseas Animation Director Utit Choomuang, and Assistant Director Lance Kramer, followed by animation timers, storyboard and character and prop design staff. > brought out the electric candle drum The local guitar picket arms, > guitar picket arms As soon as the sheriff cleared the square They Frame: https://ultrahouse3k.com/img/S09E25/1343634.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1346971 ## 22:31–22:40 No Simpsons characters appear; the moment is a sequence of black end-credit title cards from a 1998 episode. It opens with 'Artist Supervisor MIKE B. ANDERSON' in gold lettering, then moves through lists of crew credits for character layout, color design, ink and paint, animation production, and post production, with a copyright notice reading 'THE SIMPSONS EPISODE #5F18 COPYRIGHT 1998 TWENTIETH CENTURY FOX FILM CORPORATION'. It ends on 'Creative Consultant MATT GROENING' and then 'Executive Creative Consultant JAMES L. BROOKS' on the black background. > began to win > The sheriff don't like it > Shh. Frame: https://ultrahouse3k.com/img/S09E25/1352601.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1356146 ## 22:40–22:51 In a dim, blue-tinted animated movie theater, silhouetted audience members sit in rows of seats, with a large blank screen ahead and ceiling lights above. A spiky-haired figure on the left, whose silhouette suggests Bart, stays in place while the screen brightens with a beam of light bearing the words 'GRACIE FILMS' in white letters. The text is replaced by 'IN ASSOCIATION WITH' on black, then a glowing '20th Century Fox Television' logo with 'A News Corporation Company' appears against a sunset sky with searchlight beams, which fades to a fully black screen. Frame: https://ultrahouse3k.com/img/S09E25/1361777.jpg Page: https://ultrahouse3k.com/episode/s09e25-natural-born-kissers/1365739