# When You Dish Upon a Star

The Simpsons, season 10, episode 5 (S10E05), first aired November 8, 1998.
Written by Richard Appel. Directed by Pete Michels. Production code 5F19.
Guest stars: Ron Howard; Alec Baldwin; Brian Grazer; Kim Basinger.
Chalkboard gag: "butt . com is not my e-mail address". Couch gag: Clothesline.

A parasailing mishap drops Homer into the Lake Springfield vacation home of Alec Baldwin and Kim Basinger, who hire him as their assistant on condition he keeps their stay quiet. Homer bonds with the couple and pesters their visitor Ron Howard with script ideas, but lets the secret slip and is dismissed. He retaliates with a traveling "Hollywood Jerks" museum of their belongings.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Otto Mann, Ralph Wiggum, Patty Bouvier, Selma Bouvier, Lewis Clark, Wendell Borton, Todd Flanders, Rod Flanders, Mayor Quimby, Sideshow Mel, Kirk Van Houten, Hans Moleman, Helen Lovejoy, Horatio McCallister, Comic Book Guy, Snake, Ruth Powers, Dr. Nick, Superintendent Chalmers, Lionel Hutz, Cletus Spuckler, Charlie, Roy Snyder, Ron Howard, Alec Baldwin, Bart-Bart, Boat Clerk, Brian Grazer, Homi Bear, Imaginary Man, Kim Basinger.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:11

No regular characters appear in this opening title sequence; the scene opens on black, then shows a blue sky filled with drifting pinkish-tan clouds while the words THE SIMPSONS in yellow letters appear and grow larger among them. The view then pushes through a cloud-shaped opening framed by the yellow letter P into a picture of Springfield's nuclear power plant with its cooling towers and atom symbols, and the view glides over the town's green hills, colorful buildings, and a building labeled SPRINGFIELD. The sequence ends on a street view of a yellow building with a striped awning marked DANNY, leading to a school with purple columns and a flagpole, with the cooling tower of the plant visible in the background.

> The Simpsons

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## 0:11–0:23

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands in a classroom at Springfield Elementary School, writing on a chalkboard filled with repeated lines reading "BUTT. BUTT IS NOT MY E-MAIL ADDRESS." He pauses, then grins and kicks his leg up with his arms spread as he turns from the board. Next he is seen outside the school's orange wall, leaping onto a skateboard and riding it along the roof's edge, then gliding down a sidewalk past a tree and a modern office building with red awnings under a blue sky. The chalkboard, a wall clock, a red trash can and the school's sign reading "Springfield Elementary School" are visible along the way.

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## 0:23–0:35

Homer, in a yellow hazmat suit with a visor and an orange harness, stands at a red counter under a CAUTION sign in the nuclear plant, a glowing green rod in his hand, while Mr. Burns and Smithers look on from behind the counter in the background. The scene shifts to the Kwik-E-Mart, where Marge, with her tall blue beehive and red beads, reads MOM Monthly while Maggie, with a pacifier and blue bow, watches from behind her. Maggie then stands at the checkout counter with a checks sign and a bottle on the belt, and next leans over the conveyor with her face on the belt. Marge then pushes a shopping cart down the aisle, and Maggie pops up over the cart with her pacifier as Marge gestures and closes her eyes.

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## 0:35–0:47

Mr. Burns, frail and stooped with grey hair at the sides, conducts a band in a wood-paneled room while Lisa in a red dress plays saxophone and Patty and Selma play flutes beside a bust of a composer. Lisa then walks down an orange hallway carrying her saxophone, and Homer, in a pink car at night beside a purple and yellow building, scowls at the wheel and raises a hand with glowing green sparks.

> Oh,

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## 0:47–0:57

Bart Simpson rides a skateboard along city streets past a pink vehicle, a window marked OPEN, and a books store where a woman with a shopping bag watches, then past Moe the bartender with a towel and Barney, a heavy man with messy brown hair, outside a tavern with Apu nearby. A man in sunglasses and a brown robe stands before a wall of TVs showing a clown's face, and Chief Wiggum swings a baton at Bart in the street. Maggie, with a pacifier and blue bow, peeks over a blue crib rail, and then a small red car drives along a winding road toward an orange-roofed house on a hill, passing a purple tree.

> my God.

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## 0:57–1:08

Maggie, in a car seat with a pacifier and blue bow, sits beside Marge, who drives a pink car along a street past a yellow bus, houses and a rocky hill. The car pulls into a driveway in front of a yellow garage, where Bart rides a skateboard past it while Homer stands beside the pink car, and then Homer runs in front of a red car parked nearby, arms outstretched. Homer then steps through a doorway into a purple room with a red bed and a cup, with a mailbox visible by the driveway.

> Eek, eek.

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## 1:08–1:19

Marge Simpson, with her tall blue beehive, lifts a laundry basket in the living room, and Homer Simpson, bald and in a white shirt, is then pulled up onto the clothesline above it. Lisa and Bart hang from the line beside Homer, and Maggie dangles from a line near the red lamp, while Marge stands with her hands on her hips. The scene ends on a television screen reading "Created by Matt Groening", which then changes to "Developed by James L. Brooks, Matt Groening, Sam Simon".

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## 1:19–1:30

Two cartoon bears, a large red bear in a green hat and green tie and a smaller red bear with a purple bow tie, walk along a dirt path through a leafy forest clearing. As they stroll past the bushes and pine trees, white on-screen credits appear naming co-executive producers George Meyer, David S. Cohen and Richard Appel. The large bear then stops near a tree beside a wooden picnic table holding a wicker basket, and he leans toward it with his paws raised.

> Hey, Bart Bart.
> Looks like a beautiful day to swipe some picnic baskets.
> But, homie, Ranger Ned's not gonna like that.

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## 1:30–1:33

Bart, dressed in a red bear costume with a purple bow tie, stands outdoors among cartoon bushes under a pale blue sky. He stares wide-eyed to the side, grimaces with clenched teeth, then opens his mouth in alarm as his head turns and tilts. White credit text reading "Co-Executive Producer AL JEAN" appears across the lower part of the scene for several moments.

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## 1:33–1:46

A red cartoon bear in a green hat and green tie holds a wicker picnic basket on a grassy hillside beside a large tree trunk, and at first he talks and raises a finger while Ned Flanders, in a green ranger uniform with a moustache and glasses, stands behind him and points. Ned's position stays beside the bear as the on-screen credits change from producer to co-producer to consulting producer names, then the bear turns, gapes, and lunges forward with clawed hands and yellow feet while green leaves swirl around the tree and Ned is no longer visible.

> I'll handle Ranger Ned.
> After all, I'm smarter than the average bear.
> Well, hello there, ho-diddle-y-homie.
> Well, I'm afraid I'm gonna have to ask you to hand over that pic...

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## 1:46–1:55

A small red cartoon bear in a purple bow tie stands on the left of a path while a larger red bear in a green hat and green tie roars over a blue hedge beside a basket of food with a white cloth. The larger bear raises a clawed hand, then grabs the green jacket of a yellow-skinned man in a green hat who peeks up from behind the bushes. The larger bear lunges over the hedge and tumbles onto the grass, and the scene dissolves into a blurred blue-and-yellow tangle of bodies over the bushes. White credit text reading 'Consulting Producer' with names such as Ian Maxtone-Graham, David Mirkin, and Bill Oakley & Josh Weinstein appears over the lower part of several frames.

> Gee, homie, it's not very nice to maul Ranger Ned.
> You want some of this? Uh-uh.

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## 1:55–2:04

Homer Simpson lies in bed under a blue blanket beside Marge, whose blue beehive hair is visible on the pillow, while Lisa in her green-collared teal dress and Bart in his green sweater stand at the foot of the bed in a pink-walled bedroom with a framed picture and an arched doorway. Homer sleeps peacefully at first, then his eyes pop open in alarm as his mouth moves and he looks around, and the children stare at him with wide eyes. The sequence ends with Homer wide-eyed and speaking in bed, the children still watching, with the credit text reading Consultant John Swartzwelder, then Supervising Director Jim Reardon, then Produced by Colin A.B.V. Lewis, displayed over the lower part of the scene.

> Dad, wake up! Wake up!
> Oh, I was having the most wonderful dream.
> I had a hat and a tie with no pants on. Yeah, yeah.

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## 2:04–2:14

Lisa and Bart stand at the foot of a bed in a purple room, Lisa grimacing and Bart staring upward, while Homer sits propped up under a blue blanket with his mouth open. Marge, with her tall blue beehive, leans in beside the kids as Homer talks and raises a finger, and the scene returns to a close view of Lisa alone against the purple wall with her mouth open. White credit text reading Produced by sits over the lower part of several of the images.

> Anyway, you promised to take us to the lake.
> I promised you kids lots of things. That's what makes me such a good father.
> Actually, keeping promises would make you a good father.
> No, that would make me a great father. So are we going to the lake or what?

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## 2:14–2:22

Homer, the bald heavy man in a light blue shirt, lies in bed under a blue blanket while Marge, with her tall blue beehive and pink top, stands beside the bed. Lisa in a green dress and Bart in a spiky-haired green sweater stand at the foot of the bed in a pink bedroom with a framed picture on the wall and an arched doorway behind them. The two initially stand at the bed's edge with Bart and Lisa looking on; Marge's expression sharpens into a frown as she speaks, while Homer looks up at her wide-eyed. Bart's eyes widen and his mouth opens as he speaks. The credits appear on screen, first 'Written by Richard Appel' and then 'Directed by Pete Michels'. The final frame shows the empty bed with Homer's back to the viewer, lying still and facing the doorway, while the family has left the room.

> Yes, we'll go to the darn lake.
> Now go back to bed. It's 4 AM.
> Oh, 4 AM? No, I'll never get back to...

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## 2:22–2:35

Homer Simpson, bald with a yellow face, lies in bed on a pale blue pillow, his head turned toward the viewer, with Marge's blue beehive visible at the top of the image beside a curtain and a framed picture on the wall. He first stares wide-eyed with his mouth open, then his eyes close and he sleeps, his mouth opening and closing as he mumbles and snores, with his tongue visible at times. Near the end, his hand rises to grip his head and then falls back, and in the final moment his arm lifts and his fist curls near the pillow while he sleeps on.

> I got a gorilla gorilla for sale.
> Hey, you should not want to take my banana, Mr.
> Peebles.

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## 2:35–2:47

Homer, Marge, Bart, Lisa and Maggie sit in the purple family car, with Homer driving and Marge and Bart in the back, as it creeps along a red-shouldered road in heavy traffic toward a green roadside sign reading LAKE SPRINGFIELD 2 MILES. Ahead, a long line of vehicles including a white camper, a blue pickup, a teal van, a red car and a pink car stretches toward distant purple hills and pine forest, and a red car with two passengers rides ahead of them. Across the frames Marge's mouth moves as she speaks, Bart and Lisa look bored, Maggie stares forward with a pacifier in her mouth, and Homer keeps his eyes on the road with both hands on the wheel.

> Wow, it looks like the lake is the place to be.
> Well, if we left at 4 a.m. like I wanted to.

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## 2:47–3:00

Homer, Marge, Bart, Lisa and baby Maggie sit in the purple family car on a wooded road lined with pine trees, while Ned Flanders, in a green sweater with a moustache and glasses, peers out of a red car alongside them. Homer glances over at Ned, then grips the steering wheel, shifting between a wary stare, a toothy grin and an open-mouthed grimace as the car keeps rolling forward. Lisa turns toward Homer while Marge and Bart look ahead, and a few other cars and passengers are visible behind them.

> Dad, you really should be watching the road.
> Hey, Homer, enough traffic for you? Homer, you're spying!
> Hey, pfft, screw this. Hang on, everyone.
> We're taking the old Simpson shortcut.

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## 3:00–3:10

A pair of legs in blue trousers and grey shoes presses down on a teal pedal, then a pink car with Homer, Marge, Bart and Lisa rides past a long line of parked cars and boats in a grassy field. The pink car is then seen flipped upside down in the grass, and Homer, gripping the steering wheel with a wooden-panelled seat behind him and Marge beside him, shifts from a wide-eyed smile to a closed-eyed laugh and then a stunned, wide-eyed stare.

> Dog, sucker!
> Eat my dust, suckers. Stop calling everyone suckers.

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## 3:10–3:22

Homer Simpson drives his pink car along a winding dirt path cutting through a tall green cornfield under a blue sky with trees on the horizon. Gripping the steering wheel with one hand, he holds an ear of corn in the other and eats it, taking bites and making faces as the cob gets smaller. The scene shows the car moving through the corn and Homer munching steadily from start to finish.

> Uh, pesticide.
> Carbomate, if I'm not mistaken.
> Yep, carbomate.

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## 3:22–3:34

Homer drives a pink car with Marge in the passenger seat and Bart, Lisa and Maggie in the back along a secluded dirt road lined with trees and cornfields. The car rolls past the countryside while Marge turns to look toward a large wooden house with a round window, a solar-panel roof and a red pickup parked in the driveway. Marge points out the window at the house as the car nears a stone gate post and iron railing.

> I see it.
> Hmm.
> This is such a secluded area.
> I wonder who lives in that house?
> Well, way out in the sticks like this, it could only be hillbillies.

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## 3:34–3:44

Homer, wearing a white shirt, drives a pink car while Marge, with her tall blue beehive and red bead necklace, sits beside him, and Maggie, in a green car seat with a blue bow and pacifier, sits in the back; Bart, with spiky hair and an orange shirt, leans over the seat behind Marge. Through the windows, tall pine trees and a lake view slide past as the car travels on a road. Near the end, the pink car pulls up beside a grassy picnic area with a volleyball net, where people relax and play, and then the car passes a large orange sign reading "WELCOME TO LAKE SPRINGFIELD, FORMERLY CESS HOLE 17A" beside a painted lake scene with a sailboat. The family's car is seen next to the sign as it stops, and the sign remains in place while the picnickers sit on a blanket to the left.

> So I suppose that's a hillbilly jacuzzi?
> Yep.
> That's where they cook up their vittles.

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## 3:44–3:56

On a sandy lakeside beach, Ned Flanders, with his moustache and glasses, is buried up to his head while Sideshow Bob, with his huge mane of spiky red hair, and a spiky-haired child in orange trunks pile sand over him, and nearby beachgoers in swimsuits lounge under purple and green umbrellas. Ned's head is then shown enlarged from behind as he sits in the sand mound, and a pink car drives over the mound, with its wheels passing over the buried sand. The beach fills the background of the moments before and after, with a blue lake and distant pine-covered hills, and the sand around Ned is shaped into a mound.

> Hey, here come the Simpsons.
> Be careful, Homer.
> There's a fella in the sand right in front of you.

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## 3:56–4:09

Marge, with her tall blue beehive, holds Maggie beside a pink pickup on a sandy beach while Bart stands at the open door and Homer and Lisa appear nearby, with a sailboat and a crowd of beachgoers behind them. The scene moves to the U-Trawl Boat Rentals stand, where Homer, in a white shirt, faces a clerk in a light blue polo with an anchor logo who hands over a set of keys while Bart peeks up from below the counter. The clerk gestures with his hand as Homer keeps talking to him, with a price list reading WATER $10.9x, SKI $30.9x and JET S... $20.9x on the board behind them.

> Okay, remember where we parked.
> Homer, is that my muffler? There you go.
> And I assume you've read the boat safety manual.
> Oh, yeah, couldn't put it down. Come on, boy, let's get me a six-pack.

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## 4:09–4:19

Homer and Bart stand at the U-Trawl Boat Rentals booth beside a light-blue-shirted clerk with swept-back reddish hair, who gestures toward the price list reading $10.00, $30.00 and $20.00 while Homer and Bart look on. Homer and Bart then walk away from the booth along the dirt path, and the scene shifts to a motorboat on a lake where Marge, Homer, Bart and Maggie sit in orange life vests while Lisa waterskis behind on a tow rope. In the boat, Bart talks with Homer as Marge reaches over with a key ring and then rests her hand on the seat between them.

> Uh, sir, you can't operate a boat under the influence of alcohol.
> Oh, that sounds like a wager to me.
> Life jackets. Check.
> Tow rope.
> Secure.
> Skier. Ready.

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## 4:19–4:29

Lisa, in an orange life vest, water-skis behind a motorboat on a lake lined with pine trees, waving one arm as she glides across the water. Homer, in an orange life vest, steers the boat with Marge and Bart seated beside him, and Maggie is nearby in the boat as well. Later, the boat slows and Marge, Homer, Bart and Maggie sit in a white rowboat with an outboard motor while Marge gestures, and Lisa is shown bobbing in the water beside her two orange skis, after which Homer's hand works a throttle lever on the boat's control panel.

> Here we go.
> She's down.
> Oh, look at it go. Stay there, honey.
> We'll come back for you.

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## 4:29–4:40

Lisa Simpson, in an orange life vest, is first seen in the lake with water-ski tips poking up behind her while Marge, Bart and Maggie watch from a white motorboat with a black outboard motor. Lisa drifts in the blue water, then bobs with the skis sticking up, then raises her arms and yells as she is pulled along. Homer, in a red life vest, steers the boat with a tiller while Marge, Bart and Maggie lean over the side, and Lisa is later seen in the water near the boat. Lisa is then shown at the outboard motor with a rope, while Marge and Bart stand beside her and Bart looks worried, as the boat speeds across the lake.

> How's he doing?
> I don't know. I think Dad might be a little heavy for parasailing.

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## 4:40–4:51

Lisa and Bart ride in a white motorboat driven by Marge, whose tall blue beehive stands out, while Homer, bald and in red trunks, is towed on a parasail over a blue lake lined with pine trees. Homer dangles and flails, then snapping turtles swim alongside as he grips a pole, and the boat's tow line drags him across the beach, where a little blonde girl in a pink swimsuit sits on a blue towel under a pink-and-purple umbrella. He crashes into a volleyball net, tangled with two men in red trunks who run over to help, and a volleyball sits on the sand nearby.

> Faster, March, faster.
> The snapping turtles are messy.
> Heads up, coming through. Hey look out, hey volleyball, can I play later?

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## 4:51–5:02

On a sandy lakeside beach, Apu, in pink swim briefs, kneels beside a sand Taj Mahal while a boy in red shorts watches from nearby. Homer, strapped into a harness on long ropes, swings across the beach past barbecue grills tended by Grampa, Carl, and Lenny, then crashes into the sandcastle and smears it into a flattened mound. He then flies over a picnic table where his foot smashes a watermelon, spraying pink juice over a moustached man with reddish hair.

> Hiya, Poop. Oh dear, you've ruined my work, you flying fat man.

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## 5:02–5:13

Homer, in an orange life vest and red shorts, rides a parasail while standing in watermelon halves hung from the ropes, and a screaming blonde woman with pink lips looks up at him from below. Lisa, Marge with her tall blue beehive, and Bart stand in a boat with a large black outboard motor, Lisa gesturing with one arm and Bart leaning on the side with his arms folded. Homer's hand then pops up out of the blue lake between the dangling ropes, and later the parasail, with Homer under its striped canopy, drifts over the water past a small distant boat beside pine-lined shores.

> Step out of Mom, Dad's signaling that he wants to go higher.
> Bye bye fishies.
> Higher, higher.

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## 5:13–5:23

Homer Simpson, bald and heavyset in his orange-and-blue harness and red shorts, dangles from a hang glider's bar against a bright blue sky dotted with clouds, gripping the ropes and grimacing with wide eyes. Early on he is high above the water, then he swings down toward a small motorboat trailing a rope and leaving a spray wake across the sea, before he drifts back up and continues flailing, mouth open in alarm, as he is carried through the air. The hang glider's white frame and taut ropes stretch across the top of the scene.

> I'm soaring, soaring majestically like a candy wrapper caught in an updraft.
> Higher, Marge, higher!
> It won't go any! Higher, I say!

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## 5:23–5:36

Homer, the bald, heavyset man in red shorts and a harness, dangles from ropes against a bright blue sky dotted with clouds while Marge, with her tall blue beehive and orange life vest, and Lisa, in a matching vest, watch from a platform at lower left. Homer kicks his legs, grips the ropes and strains, his eyes bulging and teeth clenched, then grimaces and sways as he is pulled along the ropes, with a small figure in a striped parachute drifting at top left beside a puff of grey smoke. Marge and Lisa look up at him as he swings and struggles.

> I want to soar higher than any man has ever soared.
> I want to look down on the clouds with contempt.
> I want to stare at God's creation and spit on his...
> Uh-oh.

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## 5:36–5:47

Lisa and Bart sit in an orange-vested row inside a white motorboat with a smoking, flaming outboard motor, while Homer, in an orange jumpsuit and blue harness, hangs from a parachute rope above the lake. The boat trails a plume of grey smoke across the water as it heads toward the shore of a pine-lined lake, and Homer dangles and grips the ropes, looking increasingly alarmed. Smoke and pink flames rise from the boat and the parachute line.

> Lower, lower!
> There goes my turn.
> Oh, this is not good.

Frame: https://ultrahouse3k.com/img/S10E05/337838.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/342217

## 5:47–5:57

Homer Simpson, bald and yellow in a red shirt-and-shorts harness, dangles from a parachute over a forest, grabbing the cords and flailing in alarm before tumbling through the air. He drops past trees and clouds, then plummets through a large skylight in the sloped wooden roof of a lodge onto a bed, where he lies face-down in a red-and-orange harness amid scattered white paper triangles on the green blanket. A pink lamp and a bedside clock sit on the wooden nightstand beside him.

> Oh, nuts.

Frame: https://ultrahouse3k.com/img/S10E05/348890.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/352435

## 5:57–6:07

Homer Simpson lies in bed in an orange-and-blue striped tank top with a rope and ring attached to his chest, under a green blanket, while a digital clock on the nightstand reads 11:00. He stirs, opens his eyes, and then dozes off again with the rope hanging over the bed edge. He then wakes wide-eyed, sits up holding a blue phone to his ear, and turns toward a blonde woman with pink lipstick who lies beside him under the green blanket, gesturing with his hand as he talks to her.

> Oh, already?
> Ah!
> What the hell?
> Sorry, lady. I know you! You're Kim Basinger!
> It's Basinger. Oh, my God, I'm such a huge, huge fan of yours, Miss Basinger.

Frame: https://ultrahouse3k.com/img/S10E05/358066.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/362237

## 6:07–6:18

Homer, bald and heavyset in red shorts and a blue-and-orange harness, and a blonde woman in a light blue nightgown with pink lipstick are first seen in a close-up in a wood-paneled bedroom, where Homer leans in beside her, grins, then squeezes his eyes shut and grimaces as she turns her head toward him. The scene widens to show them on a made-up bed with a green spread, red headboard, and lamps on wooden nightstands: she lies propped on white pillows while Homer sits on the edge, wide-eyed and tense, and he shifts and grimaces as she speaks, his harness buckle catching the light.

> Thanks.
> Listen, you think you could slide over a little?
> Well, I am a married man. You're crushing my husband.

Frame: https://ultrahouse3k.com/img/S10E05/368702.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/372873

## 6:18–6:25

Homer, wearing a red-and-blue rope harness over red shorts, first leans over a blonde woman in light blue pajamas who lies grimacing in a bed with green sheets. He then moves to the foot of the bed and reaches toward a dark-haired man lying under the covers, who raises his hands and recoils. Homer then crouches over the man in the cabin bedroom, gripping the blanket and holding the man's face with his other hand, while the woman sits up beside them. Their expressions shift from grimacing to grinning, with a window showing snow and shelves of books in the background.

> Billy Baldwin!
> I'm Alec Baldwin.
> Could you get off me?

Frame: https://ultrahouse3k.com/img/S10E05/379337.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/382048

## 6:25–6:36

Homer Simpson sits between a blonde woman in a light blue blouse and a dark-haired man in a white tank top on a bed with a green blanket and wood-paneled walls, Homer wearing an orange vest with blue straps and red shorts. Homer's mouth and eyes shift as he talks, then he breaks into a wide grin while the two beside him look on, and the scene fades to black before showing a large wooden house with glass walls, a satellite dish on the roof, and a red car parked by a curving gray driveway.

> So, what are you two kids doing in my neck of the woods?
> Well... Wait!
> Tell me over breakfast. Who's for pancakes?

Frame: https://ultrahouse3k.com/img/S10E05/387053.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/391433

## 6:36–6:46

A barefoot, dark-haired man in a white tank top and red pants, who is not one of the regulars, first stands beside a grey trash can lined with a white towel, and he holds a black box and a small brown object that he drops or swings over it. In the kitchen, Homer, in a white bathrobe with a grey ice pack on his head, sits at a wooden table beside a blonde woman in a white robe, and the man keeps gesturing with the items in his hands. Homer then rises to stand and lifts his hand to the ice pack, mouth open, while the blonde woman stands with her arms at her sides by the refrigerator, and hanging plants and a spice rack decorate the room.

> Are you sure you don't want to go to the hospital, Mr.
> Simpson?
> You had an awful lot of glass in you. Oh, I don't want to be a bother.
> Anyway, what are you two big Hollywood stars doing in good old Springfield?

Frame: https://ultrahouse3k.com/img/S10E05/397898.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/401860

## 6:46–6:59

A blonde woman with pink lipstick and a white bathrobe, a character who is not one of the regulars, stands with her arms crossed in a kitchen with a wooden spice rack, hanging plants and a toaster, looking annoyed and talking. Homer, in a white bathrobe, sits at a wooden table, holding his head and looking shocked, then later gesturing as he talks with the woman. Later a dark-haired, thin-faced man in a white tank top and maroon pants holds a dark book or board up to his face beside a sink under a window of pine trees. The woman then turns to Homer with open-palmed shrugging gestures while he stares at her wide-eyed and grimacing.

> Sometimes we need to get away from Hollywood.
> Ellie is just so phony.
> Why didn't you just move to say Bethesda?
> Not phony enough. What we really like here is the privacy.
> Most people don't even know where Springfield is.
> Yeah, tell you the truth, I'm not even sure.

Frame: https://ultrahouse3k.com/img/S10E05/407908.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/413121

## 6:59–7:02

Homer Simpson, bald and heavy in a white bathrobe, stands at a brown counter with a blue tiled wall behind him, holding a grey ice pack or cold cloth to his forehead with one raised hand. Across the moment he alternates between wide-eyed, grimacing and open-mouthed expressions, and his free hand gestures outward and then flexes and wiggles near his chest. He appears flustered and uneasy, with his mouth opening and closing as if mid-speech.

> We're trying to keep a low profile.

Frame: https://ultrahouse3k.com/img/S10E05/420629.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/421046

## 7:02–7:16

Homer, bald and stubbled in a white robe, stands at a shop counter holding a blue ice pack to his head while a blonde woman in a white bathrobe talks to him beside a hanging plant and wooden shelves. A dark-haired, muscular man in a white tank top, with a gold chain and a basket of muffins tied with a purple bow, steps up to the counter and gestures with his hands. He picks up a muffin and inspects it while the blonde woman grimaces and points at the basket, then he spreads his hands as if making a point, and the woman stands with her hand on her hip.

> We don't even go to the supermarket.
> Yeah, we've been living off congratulatory muffin baskets.
> Blech.
> Zucchini.
> Don't just put that back in the basket. I'm gonna eat it later.

Frame: https://ultrahouse3k.com/img/S10E05/423757.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/429596

## 7:16–7:26

Homer Simpson, in a white bathrobe, sits at a wooden counter with blue tiles behind him and a basket of muffins tied with a purple bow. He reads a small tag on the basket, grins, then presses a blue ice pack to his head while a muscular man in a white tank top with chest tattoos and a blonde woman in a white bathrobe stand nearby. Homer's expressions shift from delighted to pained as he holds the ice pack to his head.

> You shouldn't have to survive on dry, crumbly muffins from...
> the Gersh Agency.
> You should let me do your shopping.
> I know where I can get you some great muffins.

Frame: https://ultrahouse3k.com/img/S10E05/437520.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/441483

## 7:26–7:36

Homer Simpson, in a white bathrobe with a blue-grey towel wrapped on his head, stands at a counter in a bright room with a glass ceiling streaked by rain and hanging plants. A blonde woman in a white bathrobe and a dark-haired man in a white tank top with chest hair stand nearby, and she first watches Homer, then folds her arms and glares at him. Homer grips his head, reaches out one hand, and then clenches his fists in exasperation as the man in the tank top looks over and speaks.

> No more muffins. Okay, fine.
> But I could do all kinds of stuff for you.
> I noticed that skylight in your bedroom's broken.
> Yeah, I'm not sure we need an assistant, Mr.
> Simpson.

Frame: https://ultrahouse3k.com/img/S10E05/447739.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/451493

## 7:36–7:49

Homer, the bald heavy man in a white bathrobe, stands at a wooden table beside a refrigerator, holding a blue cloth and gesturing and talking with wide eyes while a muscular, dark-haired man in a white tank top and red shorts stands with his back to the viewer and a blonde woman in a white robe with arms folded watches. The scene then shifts to a kitchen with white cabinets, an oven and a window showing pine trees, where the dark-haired man in the tank top, with curly chest hair, gestures toward the blonde woman in the robe, who touches her chin, then spreads her hands out as they face each other.

> Please, Homer.
> Come on, if you let me hang around a while, I can do all kinds of stuff for you.
> Well, we are down to our last roll of toilet paper.
> And I have been brushing my teeth with hair gel for a week.
> I suppose we could give it a try. Yeah, you owe me that much.

Frame: https://ultrahouse3k.com/img/S10E05/457540.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/462963

## 7:49–8:00

Homer, in a white bathrobe, stands behind a wooden counter in a kitchen with a refrigerator, an ice dispenser, a hanging plant, and a basket of rolls tied with a pink bow, while a blonde woman in a white robe with pink lipstick and a muscular man with slicked black hair, a hairy chest, a white tank top, and red shorts face him. Homer's eyes widen as he talks and then goes wide-eyed and silent, while the man leans on the wooden windowsill, glances sideways, points a finger toward Homer, and then sets a pursed, frowning expression as the woman leans on the counter. The man then stares off past the wooden beams of the window with a sullen look.

> Okay, you're on. But look, nobody knows we're in Springfield,
> and we want to keep it that way.
> Will you promise to keep our secret?
> Absolutely, if you promise to keep mine.
> Okay, what is it? I can't read.

Frame: https://ultrahouse3k.com/img/S10E05/470261.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/474849

## 8:00–8:11

Homer Simpson, in a white bathrobe, sits at a wooden table in a sunlit room with a glass roof, grimacing and looking worried while a dark-haired muscular man in a white tank top and maroon pants stands beside a blonde woman in a white robe, who gestures with her hand as she speaks. A wicker basket of pastries with a pink bow sits on the table, and a hanging green plant and blue-tiled floor are visible. Homer then walks alone along a forest road lined with tall pines, wearing a red-and-white outfit and carrying a green parrot-like bird on his back with a long tail. He stops and Marge, carrying baby Maggie, and Lisa and Bart in swimsuits, approach from the right and gather in front of him on the asphalt with yellow dashed lines.

> But you just read that card from the Gersh agency.
> I recognize the logo.
> Mommy, are you okay?
> We've been looking all over for you, Dad.

Frame: https://ultrahouse3k.com/img/S10E05/481523.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/486111

## 8:11–8:25

Bart, naked and wide-eyed, stands on a grassy path by a rock with pine trees behind him, while Lisa in a pink tank top reaches toward a purple-clad leg at the edge of the frame. Homer, in a red vest and blue overalls with a green towel slung over his shoulder, holds up a muffin among pine trees, and later the family stands together on a road: Homer with his mouth open and a red bottle in hand, Marge with her tall blue beehive and Maggie in pink beside him, and Bart and Lisa in swimsuits. Homer then walks off with the muffin, and the scene shifts to the Kwik-E-Mart storefront with its red-letter sign and a red convertible in the lot, where Homer is seen approaching and then leaning into the driver's side of the car.

> Where did you land?
> Nowhere, famous.
> Where'd you get that muffin?
> Gersh Agency.
> Ah-hoo, I'm about to purchase some weird and fruity items, and I don't want any guff.

Frame: https://ultrahouse3k.com/img/S10E05/492575.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/498415

## 8:25–8:36

Apu, the Kwik-E-Mart clerk in a green jacket with a black collar, stands behind the checkout counter while Homer, in a white shirt and glasses, stands at the counter holding a handwritten shopping list. Jars of Beef Jerky and Smoked Jerky sit on the counter, with a red SNACKS and MEAT sign and a Jack's Pot machine behind them. Homer grips the list with a worried, strained expression while Apu keeps a steady, unimpressed gaze, and at one point Apu rests his hand on the cash tray as Homer reads on, appearing more and more agitated.

> First of all, I'll need the following mushrooms.
> Portobello. Yes. Porcini. Great.
> Chanterelle. Uh-huh.
> And shiitake. Okay, we have none of those.

Frame: https://ultrahouse3k.com/img/S10E05/506339.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/510510

## 8:36–8:46

Apu, the Kwik-E-Mart clerk in a green jacket and black shirt, stands behind a counter holding a sign reading CASH, wide-eyed and grinning as he talks, with jars and a Squishee-style machine behind him. Homer, bald and heavyset in a white shirt and glasses, then stands in front of a SNACK TREAT vending display holding a slip of paper, reading it, talking, and grinning while his glasses slide and he gestures with his free hand, and he looks up at the end as the paper lowers.

> What is next? A gallon of wheatgrass juice, a five pound wad of tofu,
> some jellied zinc, and a couple of pairs of $600 sunglasses.

Frame: https://ultrahouse3k.com/img/S10E05/517183.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/521146

## 8:46–8:52

Apu, the Kwik-E-Mart clerk with black hair, a green jacket over a black shirt and a white apron, stands behind the store counter in front of the Slurpee machine, the Squishee-style cola dispensers, a Jack's Pot display and a Great White Hunter box. He stares ahead with wide eyes, opens and closes his mouth as he speaks, and fidgets with his hands, sometimes clasping them together at his waist and sometimes gesturing outward with an open palm. The counter sign reads CASH at the bottom of the frame.

> Mr. Simpson,
> these exotic items are suspiciously different from your usual order of beer and pork.
> What gives?

Frame: https://ultrahouse3k.com/img/S10E05/527402.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/529487

## 8:52–9:04

Homer, the bald man in a white shirt with glasses, stands at a Snack Treat display in the Kwik-E-Mart while Apu, in a green sweater, talks to him. Homer grins and gestures with a small white paper slip, then the scene cuts to a red open-top Humvee pulling into the driveway of a large wooden house. Inside a bright kitchen, Homer in a red-flowered apron stands beside a blonde woman at a wooden table, while a dark-haired man in a blue shirt holds up a small pink item near brown paper bags and a blue vase.

> Nothing, nothing. I'm just broadening my horizons.
> By the way, do you have extra white bumper stickers for a Humvee?
> Wow, you got everything, Homer. Even the Oscar polish.

Frame: https://ultrahouse3k.com/img/S10E05/533867.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/538455

## 9:04–9:17

Homer, bald and heavy, arranges flowers in a blue vase in a kitchen with pine trees visible through the high windows, while a blonde woman in a white sleeveless blouse holds a can of Oscar Polish and a rag beside a grocery bag. She then polishes a gold Oscar statuette on the counter, its base reading "BEST SUPPORTING ACTRESS KIM BASINGER", as a dark-haired man in a blue shirt walks up and gestures toward it while she stands with her arms folded. He keeps talking and gesturing with an open hand, and she stays unimpressed, glancing at him with pursed lips and eyes half closed, with the statuette left standing between them.

> Honey, why don't you give that thing a rest?
> You're taking the finish off. When you win one, you can take care of it however you want.

Frame: https://ultrahouse3k.com/img/S10E05/545336.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/550550

## 9:17–9:27

Homer Simpson, in a white shirt and pink apron, stands in a kitchen beside an oven and a window with pine trees, gesturing with a raised finger and looking around. He then steps to the open front door of a house with a staircase, where a stranger with red hair, freckles, a blue cap and a red zip-up jacket stands outside, and Homer greets him with a raised hand and open mouth. The two keep talking in the doorway as Homer's expression shifts from excited to puzzled.

> Woo-hoo!
> Meow!
> I'll get it, I'll get it!
> Yes?
> Hi, I'm Ron Howard.
> Ron Howard?
> Yeah, I'm looking for Alec Baldwin and Kim Basinger.

Frame: https://ultrahouse3k.com/img/S10E05/558266.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/562437

## 9:27–9:36

Homer Simpson, bald and wearing a white shirt, stands in a doorway with a brown door and a blue backdrop of pine trees, talking to a young man in a blue cap and red zip jacket with orange hair and freckles, who is a stranger to the family and not Milhouse or any regular. At first Homer talks and gestures with his hand while the man in the cap looks on with half-closed eyes. Homer then turns to face two newcomers on a purple rug: a dark-haired man in a blue button-up shirt and a blonde woman in a sleeveless white top and jeans, who are not regulars. Homer clasps his hands and grins, then the dark-haired man talks and gestures with an open palm while the man in the cap stands beside Homer, and the group stays in the hallway next to the wooden door.

> Alec Baldwin and Kim Basinger? Oh, hey, Ron,
> we heard you were looking for a place in Springfield.
> Yeah, well, it's the only town in America that'll let me fish with dynamite.

Frame: https://ultrahouse3k.com/img/S10E05/568902.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/572238

## 9:36–9:44

Homer, bald and heavy in a white shirt, stands beside an unnamed freckled, red-haired man in a blue cap and red zippered jacket in front of a brown wooden door; the man first grins and talks in close-up, then frowns, and later points at his own chest while Homer looks on. Afterward, a dark-haired man in a blue shirt and a blonde woman in a sleeveless white blouse with pink lipstick stand by a staircase and a potted plant, where the woman turns her head, speaks, and gestures toward the plant with an open palm.

> Uh, what's with him? Oh, that's just Homer.
> He's a new friend of ours. Really?

Frame: https://ultrahouse3k.com/img/S10E05/577452.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/580580

## 9:44–9:52

Homer, the bald heavy man in the white shirt, stands at a front doorway with a blonde woman in a white top and jeans, a dark-haired man in a blue shirt, and a freckled man in a red jacket and blue cap. Homer talks while gesturing with his hands clasped near his chest, then presses a hand to his chest, as the man in the red jacket watches with a flat expression and folds his arms. A potted plant stands beside the open brown door, and a pine tree is visible outside.

> You giant stars consider me a friend?
> Well, for the first time in my life, I feel like I'm somebody.

Frame: https://ultrahouse3k.com/img/S10E05/585794.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/588713

## 9:52–10:02

Homer Simpson, in his white shirt, stands beside a young man with red hair, freckles, a blue cap and a red zip-up jacket, who is not one of the regulars. They are in a doorway with a brown wooden door frame and palm fronds at the left edge. Homer grins and rests his hand on the young man's shoulder, then leans in and clasps his hands together, pleading. The young man squints sideways, sometimes frowning or opening his mouth to speak, while Homer's expression shifts between a wide-eyed grin and a smug smile.

> Ronnie, are you also my close friend?
> Do I smell vodka and wheatgrass?
> It's called a lawnmower. I invented it. You want one?
> Yeah, okay.

Frame: https://ultrahouse3k.com/img/S10E05/593718.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/597680

## 10:02–10:14

Homer, in his white shirt and blue pants, stands in a hallway with a dark-haired man in a blue shirt, a blonde woman in a white blouse and jeans, and a man in a red shirt and blue cap, who gestures with his finger and then an open hand while talking. Homer steps in, puts an arm around the cap-wearing man's shoulder, and then the group stands close together on a purple rug beside a wooden door. The scene cuts to the Simpsons' brick house with its red front door, arched windows, and a mailbox at the curb, then to Marge in her green dress, blue beehive, and red necklace, who sits on a washing machine beside a pink laundry basket and a shelf of detergent bottles while holding a pair of jeans and then a cell phone.

> And I'll have a rum and zinc.
> Ooh, I'll have one of those, too. Hey, can I crash here tonight?
> Sure.
> We'll all stay.
> A cell phone?

Frame: https://ultrahouse3k.com/img/S10E05/603937.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/608733

## 10:14–10:25

Marge Simpson, with her tall blue beehive and red bead necklace, stands in a cluttered basement reading the Springfield Variety newspaper while Homer Simpson, bald and in a white shirt and blue jeans, comes down the wooden staircase and approaches her. Marge looks up from the paper and talks with Homer, who gestures and holds a rolled newspaper, then they stand by a utility sink with a bottle on the floor. Marge turns toward Homer as he speaks, and a pink-and-white PETA pamphlet with the words "People for the Ethical Treatment of Animals" and a phone number is held up in the foreground. Boxes, a water heater, and a green-and-red laundry pile on a table appear in the room.

> Last Thursday's variety?
> I'll do that. You go upstairs and have a beer.
> Homer, when did you become a member of PETA?
> Well, you know me. I love animals.

Frame: https://ultrahouse3k.com/img/S10E05/615615.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/619994

## 10:25–10:33

Marge, with her tall blue beehive and red bead necklace, holds a clipboard while Homer, in a white shirt, stands beside her in a cluttered room with a water cooler, stacked papers and a staircase behind them. Homer scratches the back of his neck, then grins and rests a hand on his hip and chest as he talks, his expression shifting from wide-eyed to sheepish and back to animated while Marge looks up at him. Stacks of papers sit on a box near the cooler as the exchange continues.

> Beef, chicken, veal.
> If you're not part of the solution, Marge, you're part of the problem.
> But that's not what Peter's think.

Frame: https://ultrahouse3k.com/img/S10E05/626459.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/629587

## 10:33–10:41

Marge, with her tall blue beehive and red bead necklace, and Homer, in a white shirt and blue pants, stand in a cluttered storage room filled with cardboard boxes, stacks of paper, a pink laundry basket, and a tall stack of papers on a table in front. Marge stands beside a table holding a small paper while Homer first stands with his hands on his hips, then lifts a black cordless phone to his ear and grimaces and gasps as he talks. He then rubs his head and looks worried, and in the final moments he holds the phone to his ear with a wide-eyed, open-mouthed expression while Marge looks on with a sceptical, narrowed-eyed stare.

> Imagine films.
> A division of Homer Co.

Frame: https://ultrahouse3k.com/img/S10E05/634801.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/637720

## 10:41–10:52

Homer Simpson, bald with stubble and wearing a white shirt and blue pants, sits on a blue bench in the background of a gym, holding a dumbbell and sometimes raising a finger. In the foreground, two blonde women in white crop tops, red sweatpants and pink or red headbands lift dumbbells overhead in front of a wall mirror, then lower them to their shoulders and hold them at their sides, with one grimacing and sticking out her tongue. Weight racks, a wooden table at the right edge and a lavender wall fill the gym, and no on-screen text is visible.

> And lift. And strain.
> And hyper-extend. Keep those knees rigid.
> Jerk that lower back.
> Homer, I'm feeling some sharp pains in my neck.
> That's right. Force it. Whip that neck.

Frame: https://ultrahouse3k.com/img/S10E05/642934.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/647105

## 10:52–11:04

Homer Simpson, bald and heavy in a white shirt and blue pants, sits on a blue weight bench in a gym-like room with purple walls, holding a red can and pointing and gesturing with his hand while talking. Beside a barbell and dumbbells, two men stand near the doorway: Carl, a Black man in a blue shirt, holds a clipboard and a barbell weight plate, and Lenny, with spiky black hair, wears a red jacket and blue cap and holds a white cup. Homer rises from the bench, gestures and talks with Carl, who lifts the clipboard, then Homer leans in to look at the clipboard while Carl and Lenny watch, and Homer throws his arms out and waves his hand as he talks.

> Um, does anybody know where this came from?
> Oh, there's that movie script I wrote.
> Where did you find it? On my pillow. The important thing is,

Frame: https://ultrahouse3k.com/img/S10E05/653778.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/658366

## 11:04–11:14

Homer Simpson stands in a room with purple walls and a window showing green hills and pine trees, talking and pointing at a dark-haired man in a blue button-up shirt and light trousers, who listens with a flat, skeptical look. Homer then gestures with open hands and a grin while a blonde woman with a pink headband, white crop top and red sweatpants stands beside them, with dumbbells visible on the floor at the left. Homer finally reaches a hand toward the man, who stays still with his hands at his sides as the woman looks on.

> it's got the perfect part for you. Either one of you.
> It's about a killer robot driving instructor who travels back in time for some reason.

Frame: https://ultrahouse3k.com/img/S10E05/665248.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/669419

## 11:14–11:23

Homer Simpson, the bald man in a white shirt, stands in an office with a teal ceiling and a window showing a pine tree, facing a young stranger with red hair, freckles, a blue cap and a red zip-up jacket with a blue and white band. Homer gestures with open hands, then grips the stranger's hand while the redhead looks sullen, and the two then stand face to face bickering, Homer grinning and gesturing while the redhead grimaces and yells back, ending with both glaring at each other.

> Ron Howard's attached to direct.
> I am not. Well, he expressed an interest.
> No, I didn't. Did too?
> I did not! You lie!
> Yeah, Homer, most movie scripts are 120 pages.

Frame: https://ultrahouse3k.com/img/S10E05/675884.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/679012

## 11:23–11:34

Homer, in a white shirt, stands in a room with purple walls and a window showing pine trees while a dark-haired man in a blue work shirt holds up a spiral notebook. The man flips the pages to show a sketch of a folding lawn chair with an umbrella and an alarm clock, and Homer looks uneasy and wary as he listens. The notebook's pages are mostly blank apart from a few tally-like marks and small handwritten captions beneath the drawings.

> This is only 17.
> And several of the pages are just drawings of the time machine.
> So you're saying you don't want to star in my movie?
> I'm sorry, Homer.

Frame: https://ultrahouse3k.com/img/S10E05/684225.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/689022

## 11:34–11:47

Homer, a red-haired man in a blue cap and red jacket, a dark-haired man in a blue shirt, and a blonde woman in a pink headband and red pants stand in a purple room with a landscape painting; Homer holds papers, the cap man reads from a stack of pages, and the woman looks on. The scene then cuts to the purple exterior of Moe's, with its MOE'S sign and King Toot's Music Store next door, and inside the bar Homer, Lenny in a green sweater and suspenders, and Carl in a grey hoodie sit on red stools facing Moe, the grey-haired bartender, who gestures as he talks. Barney, in a pink shirt, sits at the right with a beer, and mugs of beer sit on the bar.

> Well, if Alec is out, I'm out too.
> You're on your own, Patsy.
> The Terminizer, an erotic thriller?
> So I'm in the grocery store the other day, buying some cotton balls.

Frame: https://ultrahouse3k.com/img/S10E05/695904.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/700909

## 11:47–11:58

Moe, the grey-haired bartender in a light blue shirt and bow tie, stands behind the bar beside a purple cash register, bottles, and rows of glasses, gesturing, pointing, and rubbing his chin. Barney, a heavy man with messy brown hair in a pink shirt, and a Black man in a grey jacket and pink sweater sit at the bar with beer mugs, while a bald man in a green sweater and purple suspenders listens under a glowing 'Duff!' sign. Barney gestures and grins while the others react, and Moe's face shifts from a skeptical scowl to a smug smile as he keeps talking with his hand at his chin.

> The absorbent kind? You got that right, my friend.
> So, around the corner and I head down the ointment aisle, when who should I spot?
> None other than Kent Brackman. The local news guy?

Frame: https://ultrahouse3k.com/img/S10E05/708208.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/712587

## 11:58–12:08

Carl, a Black man in a grey jacket and pink sweater, sits at a bar beside an unnamed man with brown hair, a green shirt and purple suspenders, both holding beer mugs in front of a red and green diamond-patterned backdrop. The two talk, laugh and gesture toward each other, then Homer, bald in a white shirt, joins at the right beneath a lit orange Duff sign, and they glance over at him. Homer raises a hand in a gesture and then rests his chin on his fist while the others listen.

> Mr.
> Channel 6?
> My God!
> What'd I give to meet him? Oh, they don't come much bigger than that.
> Pfft. Gent Brockman, please.
> Oh, what? I suppose you've seen a bigger star.

Frame: https://ultrahouse3k.com/img/S10E05/719052.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/723431

## 12:08–12:20

Moe, the grey-haired bartender in a blue bow tie and apron, stands at a bar with Barney, the heavy drunk with messy brown hair in a pink shirt, while Carl, a Black man in a grey jacket and pink sweater, and Lenny, with spiky black hair and a green sweater, lean on the counter beside them with beer mugs. Across the scene Homer, in a white shirt, sits at the same bar under a red Duff sign with a Duff beer in front of him, first laughing with his eyes shut, then smirking, then looking alarmed and wide-eyed. Moe gestures with his hand and then drapes an arm over Barney's shoulder while the others look on, with Go Topes pennants, a Drink Duff Beer poster and an EXIT sign on the wall.

> I might have.
> Come on, make with a name.
> Oof.
> I can't. I promise I wouldn't. Oh, yeah, right.
> You ain't seen nobody.

Frame: https://ultrahouse3k.com/img/S10E05/729896.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/734692

## 12:20–12:29

Homer sits at a bar with his arms folded on the counter beside a mug of beer, under a Duff sign and a diamond-patterned stained-glass window. Within a fluffy white cloud-shaped border above the counter, a blonde woman in a white top speaks and grimaces, then a dark-haired man in a blue jacket appears in the same cloud and talks with a toothy grin, and finally a freckled man in a red shirt and blue cap appears and holds up a blue bottle labeled vodka. Homer stays staring straight ahead, unmoved, throughout.

> Ah, another guy will go! Please don't tell anyone we're here.
> You've got to keep our secret, Homer. Homer, we're out of vodka.
> Tell the people, Homer. They have a right to know about the celebrity summer house.

Frame: https://ultrahouse3k.com/img/S10E05/741783.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/745328

## 12:29–12:39

Homer Simpson leans on the bar in his white shirt while an elderly bearded man in a brown hat, round glasses, and a bow tie, with a huge white curly hairdo, stands beside him in a booth-lined bar with a mug of beer on the counter. The old man grimaces and speaks while Homer keeps staring ahead, then Homer turns and opens his mouth to answer, and the old man keeps talking with a stern look. In the final moment the old man has vanished, leaving Homer alone at the bar, looking off to the side under a yellow Duff sign with a crossed-out word.

> Who the hell are you? What do you care?
> I'm telling you what you want to hear.
> All right, I'm gonna let you guys in on something.

Frame: https://ultrahouse3k.com/img/S10E05/750959.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/754504

## 12:39–12:49

Homer, with Barney in a pink shirt, Carl in a grey jacket and Lenny in a green sweater and suspenders, talks and gestures at a tavern bar with beer mugs in front of them. Later Homer stands at the bar beside Lenny and Moe, mouth open and holding a mug beneath a 'Can't get enough of the wonderful Duff!' sign. The scene then moves outdoors, where Homer and a small boy in a blue cap play badminton on a green lawn against a blonde woman in white and a dark-haired man, and the woman lunges to hit a shuttlecock beside tall pine trees.

> But you got to keep it much more secret than I did.

Frame: https://ultrahouse3k.com/img/S10E05/760134.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/764097

## 12:49–12:59

Homer, the bald man in a white shirt, and a freckled, red-haired man in a blue cap and white tennis outfit stand on a grassy court beside a wooden building, with a blonde woman in a white headband and a dark-haired man in white tennis clothes appearing earlier on a lakeside lawn. The freckled man swings his racket at a shuttlecock near a net and then stands with his hand on his hip, while Homer looks on with his mouth open. The freckled man glares and shouts at Homer as Homer raises a hand in a flustered gesture, and the shuttlecock lies on the grass.

> Yes!
> In your freckled face, Howard!
> Unbelievable.
> What? Nothing, nothing. Good hustle.

Frame: https://ultrahouse3k.com/img/S10E05/770144.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/774107

## 12:59–13:10

On a wooden deck beside a round glass-topped table, a dark-haired man in white tennis clothes pours pink lemonade from a pitcher while a blonde woman in a white sleeveless outfit and headband holds a glass and a tennis racket, and bald Homer in a white shirt and blue pants stands behind them. A red-haired boy in a blue cap carrying a racket walks in from the left, and the group then stands outside before a gate and tall evening pines, where the boy grimaces and gapes while the blonde woman glances sideways. Close-ups show two glasses of pink lemonade on the table, with a racket edge visible, and then Homer, wide-eyed with his mouth open, stares toward the sky beside a small cloud.

> My god, the lemonade.
> Look at the lemonade.
> Uh-oh.

Frame: https://ultrahouse3k.com/img/S10E05/780363.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/784742

## 13:10–13:23

Homer, a red-haired man in a blue cap, a blonde woman in a white headband and a dark-haired man, all in white tennis outfits, stand on a wooden clubhouse porch beside a pitcher of pink drink while helicopters with searchlights hover over a gated hilltop where a crowd holding signs like "Welcome Celebrities" and "You Complete Us" gathers. The clubhouse door then swings open onto a blue and purple floor, and the dark-haired man in white tennis clothes sprints across the grass toward a net, then stoops tangled in it, and finally stands holding two rackets. Nearby stand a pole, a curved railing and a stone pillar, under a clear blue sky with pine trees.

> Quick, everybody inside.
> The shuttlecock! Where's the shuttlecock?

Frame: https://ultrahouse3k.com/img/S10E05/791207.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/796629

## 13:23–13:31

A heavy bearded man in a blue shirt and pink shorts, a thin man in a brown jacket and glasses, and a crowd of unnamed people in hats and coats gather at a wrought-iron estate gate between stone pillars, some holding signs reading "You Simple Us" and "We Love You". Inside, Homer, in a white shirt and blue trousers, stands with a blue-capped man, a dark-haired man in white tennis clothes, and a blonde woman in a white visor and tennis dress at a set of double doors with purple curtains. The group crowds the doors, then Homer and the blue-capped man peek through the curtained window while the others wait, and finally the protesters at the gate raise their signs and fists.

> What do you think this is crazy?
> Hey, son.

Frame: https://ultrahouse3k.com/img/S10E05/804137.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/807265

## 13:31–13:41

Grampa, in a white-topped captain's hat and green shirt, stands behind jail-cell bars with a pipe in his mouth, talking and smiling as Homer and a bow-tied man in a dark vest stand partly hidden behind him, with Selma and Patty, both with grey-violet hair, nearby. The view then shifts to a bald-topped man with glasses, a green jacket and a purple bow tie, who gripes the bars and speaks with his mouth open while Selma holds a camera. A woman in a red headscarf and a man with a video camera stand behind him beneath a sign reading WELCOME, partly cut off.

> Yarr, I loved Splash, Mr. Howard.
> It was totally, uh, yarr.
> Now, Miss Basinger, those red pumps you wore in L.A.
> Confidential were fabulous. Where can I get a pair for my, uh, mother?

Frame: https://ultrahouse3k.com/img/S10E05/812687.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/816858

## 13:41–13:55

Behind a prison-style set of bars, a heavy man in a blue shirt with a goatee and reddish-brown hair at the sides first holds a printed list up beside his face, then lowers it and talks while glancing sideways and looking down at the paper in his hands. Earlier, a bespectacled man in a green jacket and purple bow tie speaks from behind the bars, with a crowd behind them including two grey-violet-haired women, a woman in a red bandana, and a photographer with a flash-equipped device. Signs reading "WELCOME" and "YOU COMPLETE" hang above the crowd against a blue sky and trees.

> She wears a 12 double A. Alec, Alec,
> regarding that so-called silent propulsion system in the hunt for Red October,
> I printed out a list of technical errors which I think you'd enjoy discussing.

Frame: https://ultrahouse3k.com/img/S10E05/823114.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/828536

## 13:55–14:03

Homer, the bald heavy man in a white shirt and blue pants, glares at a freckled red-haired boy in a blue cap and white tennis outfit who stands by a wooden door with a purple curtain, one hand raised, while a dark-haired man with crossed arms and a blonde woman in a white headband and white tennis dress watch nearby. Earlier, a view through a window curtain shows a group of people with a blue car behind an iron gate with stone pillars and evergreen trees, and the dark-haired man and blonde woman stand at a doorway, with a vase of pink flowers on a wooden table in the later scene. The group shifts and reacts, with the blonde woman pursing her pink lips and the dark-haired man frowning and looking aside as Homer turns his head and the boy keeps his hand up.

> Somebody must have told them we live here.
> I'm looking at you, poor Jack.
> Homer, how could you? Okay, okay, it was me.

Frame: https://ultrahouse3k.com/img/S10E05/836461.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/839589

## 14:03–14:14

Homer Simpson, bald and heavyset in a white shirt and blue pants, stands at the foot of a wooden staircase with a blue door and potted plant beside him, facing a blonde woman in a white headband and white top on the left, a dark-haired man in a white shirt with his back to us on the right, and a boy in a blue cap with red hair at the far right edge. Homer fidgets with his collar, then gestures with both hands and spreads his arms wide with a worried expression, before clasping his hands together at his chest and grimacing, then grinning with his eyes squeezed shut and mouth open.

> I'm sorry I blew your secret, but you don't know what it's like to be a nobody.
> I just wanted to bask in your reflected glory.
> Reflected glory!

Frame: https://ultrahouse3k.com/img/S10E05/845011.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/849182

## 14:14–14:24

Homer, in a white shirt and blue shorts, stands by a brown door and purple curtain while a dark-haired man in a white polo and white trousers stands with his arms crossed beside a blonde woman in a white sleeveless dress and white headband. They stand in a room with a chair and a palm plant, and the woman speaks with her pink-lipped mouth open while the man watches with a sour look. Homer looks uneasy, then throws his hands out in a helpless, pleading gesture, while the man and woman stay in place, with pink tulips visible in a corner.

> Homer, you betrayed our confidence.
> I just don't think we can be friends anymore.
> But where will I bask?
> Anywhere but here. Come on, Ron.

Frame: https://ultrahouse3k.com/img/S10E05/855646.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/859400

## 14:24–14:36

Homer Simpson stands at a brown door beside a freckled, red-haired man in a blue cap and white polo with a red heart, who keeps a hand on his hip while Homer talks and gestures near him. The scene then shifts to Homer in front of brown double doors with a dark-haired man in a white polo who stands with his arms crossed and a blonde woman in a white headband and tennis dress beside him. Homer talks and points, at one point gripping the dark-haired man's crossed arm, while the two others watch with stern expressions.

> We're not wanted here.
> All right, I'll go.
> But the next time you want someone to remind you which brother is which or smell your hair
> while you're sleeping, just remember, old Homer won't be here anymore.

Frame: https://ultrahouse3k.com/img/S10E05/865656.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/870661

## 14:36–14:48

Homer Simpson stands in the doorway of his house, looking anxious, then steps out and walks down the long grey driveway toward a black iron gate. Behind the gate, a crowd presses against the bars, including Moe with his grey hair and bow tie, Ned Flanders with his moustache and green sweater, and Chief Wiggum in his police cap. Brown double doors, tall blue-paned windows, trimmed shrubs, and snow on the ground frame the scene.

> Hey, come on!
> Wait a minute.
> Somebody's coming out. Who is it? Is it anybody?
> Nah, nah, it's nobody.

Frame: https://ultrahouse3k.com/img/S10E05/877960.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/882757

## 14:48–14:59

Moe, the grey-haired bartender in a bow tie and blue overalls, stands angrily gesturing at a crowd behind a iron gate, with Chief Wiggum's back in a police cap in the foreground and onlookers including a teal-haired figure pressed against the bars. Homer, bald in a white shirt and blue pants, walks alone along a grey path past scattered pebbles toward the gate, then stands among pine trees as stones fly through the air and one strikes the top of his head while another bounces off a tree. The screen fades to black, then shows Homer, Marge, Lisa, Bart and baby Maggie in a high chair eating burgers at a dining table with a gold tablecloth and red chairs, with Marge gesturing as Homer rests his head on his hand.

> Throw your stones. It's nobody.
> Oh, how could Alec and Kim just cut me out of their lives?

Frame: https://ultrahouse3k.com/img/S10E05/889639.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/894018

## 14:59–15:06

Homer Simpson and Marge Simpson sit across a pink-walled dining table, each with a hamburger, fries and a glass of water in front of them. Homer, in his white shirt, talks and gestures with one hand raised while resting his other hand on his cheek, and Marge, with her tall blue beehive and red bead necklace, watches him and later leans forward with her hand on the table and speaks. Homer's expression shifts from pensive to animated and back, and by the end he is holding a hamburger and chewing while Marge looks on with a wary expression. The pink arched doorway, red chairs and a potted plant with red flowers are visible in the background.

> Hmm, you haven't touched your food.

Frame: https://ultrahouse3k.com/img/S10E05/900274.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/902985

## 15:06–15:13

Homer Simpson and Marge Simpson sit across a wooden dining table in a pink room, with a brown archway door behind them and red flowers on the right. Each has a plate with a burger and fries, and two empty glasses sit on the table. Homer, in a white shirt, holds a burger in one hand and bites it, then sets it down and talks with his mouth open while gesturing with his hands. Marge, wearing her beehive and red bead necklace, sits still and listens, her eyes half-closed in the later frames.

> Well, when Kim makes a man, would she use his focaccia bread?
> And would it kill you to put some fennel in it?

Frame: https://ultrahouse3k.com/img/S10E05/907782.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/910284

## 15:13–15:18

Bart Simpson, the boy with spiky hair in an orange shirt, sits at a table in a diner-style booth in front of a pink wall and a red chair, with a plate holding a partly eaten burger and fries, a glass of water, and a fork in his hand. Across the frames he talks and reacts with wide eyes, grins broadly and laughs with his mouth open, then lowers his fork toward the plate, leaving it on the table near the bottom edge as he looks off to the side and stays seated.

> Alec Baldwin, wow, that is the coolest person you've ever been fired by.
> What was it like at their house? Oh, it was so great.

Frame: https://ultrahouse3k.com/img/S10E05/915081.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/916332

## 15:18–15:29

Bart, Lisa and Homer sit at the dining table in the pink dining room, with plates of food, napkins and water glasses in front of them. Homer, in a white shirt, talks and gestures with his hands while Bart smiles and Lisa glances sideways at him. Homer's expression shifts from wide-eyed and open-mouthed to eyes closed, and later he sits slumped with a worried look as Lisa grins and Bart listens. A plate shelf and blue vases are visible on the wall behind them.

> I didn't have to fake it with them. I was actually excited to hear about their day.
> I watched the dog today. Was it the dog from the Beethoven movies?
> Of course not.

Frame: https://ultrahouse3k.com/img/S10E05/919669.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/924048

## 15:29–15:33

Lisa Simpson sits at the dinner table in her red dress and pearl necklace, holding a fork over a plate of peas and mashed potatoes, her mouth open as she talks, while Homer Simpson sits across the table in his white shirt in front of a plate with a burger and fries and a glass of water. In the first several moments Lisa looks up and to the side, speaking animatedly and leaning slightly back in her chair, while Homer stares ahead with a wide-eyed, uneasy expression, his mouth opening and closing. Homer then sits slowly chewing with a dazed look, and in the final moments he grimaces with clenched teeth and widened eyes, as the pink kitchen with a teal framed mirror and a shelf of salt and pepper shakers and a pot stays unchanged behind them.

> Oh, our dog isn't famous, and you kids aren't exactly John and Joan Cusack.

Frame: https://ultrahouse3k.com/img/S10E05/930721.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/931347

## 15:33–15:45

Homer, the bald heavy man in a white shirt, and Marge, with her tall blue beehive and red bead necklace, sit at a dining table with Bart and Lisa, where Lisa wears a pearl necklace and Bart wears an orange shirt and spiky hair. Homer gestures with an open hand and then points at Marge while they argue over the meal. Later Homer sits with his arms crossed, grimacing and glaring, while Marge talks and gestures with her hand, and the two continue arguing at the table. Plates of food, glasses of water, and a green stove appear in the kitchen background.

> And you, you couldn't open a movie if your life depended on it.
> I'm about ready to ankle this family.
> Ankle?
> What are you talking about?

Frame: https://ultrahouse3k.com/img/S10E05/934267.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/939272

## 15:45–15:55

Homer, Marge, Bart, Lisa and Maggie sit around a dining table in a pink dining room with a green-framed mirror and an arched kitchen doorway, with plates of burgers and fries and drinking glasses on the table. Homer, in a white shirt, gestures with open hands and talks while the others look on; the scene then cuts to a closer view of Lisa in a red dress and pearl necklace, seated across from Homer at a small table, as she speaks and he listens with a dazed, worried look, a plate of burger and fries in front of him and a green-plated dish before her.

> See?
> It's like we don't even speak the same language anymore.
> The only one who understands me is that guy who married Martha Ray.
> Don't blame us, Dad. The celebrities are the ones who canned you.

Frame: https://ultrahouse3k.com/img/S10E05/946362.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/950533

## 15:55–16:03

Homer Simpson stands in a pink room beside a teal-framed mirror and a green refrigerator covered with magnets and a child's drawing, at first with a stunned, worried expression and a hand raised to his chin. He then grimaces, scowls with clenched teeth, and grits his teeth with a fist at his waist, before a tired, eyes-half-closed look gives way to an angry, open-mouthed scowl. In the final moment he sits at a table holding a fanned stack of cash in one hand and a white cup in the other, with a plate of food and utensils on the table in front.

> Hmm, she may not be famous, but she's right.
> Those big shot stars used me up and spit me out.
> I did their laundry, got their pictures developed, took their garbage to the dump,

Frame: https://ultrahouse3k.com/img/S10E05/956789.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/959917

## 16:03–16:12

Homer Simpson, the bald, heavy man in a white shirt, sits at a dining table in a pink room, holding a stack of pink papers in one hand and a wad of cash in the other beside a plate with a burger and fries and two glasses. He gestures with the papers and money, grimaces, and mouths words, then gradually changes expression, at one point grinning and later slumping in a weary, sideways look while still holding the papers and money. A green refrigerator with magnets and a red wall phone sit to the right, and a teal-framed mirror hangs on the left wall.

> and I still got a car full of their crap.
> Crap, eh?

Frame: https://ultrahouse3k.com/img/S10E05/965131.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/968050

## 16:12–16:15

A large crowd of unnamed townspeople, none clearly identifiable as regulars, gathers outside the iron gate of a wooden hillside mansion with a glass-walled round wing, a satellite dish on its roof, and purple mountains behind it. At first the grounds are empty except for a white car and a red van parked by the garage at the end of a winding grey driveway, then people with tents, blankets and picnic gear fill the lawn and press toward the gate. By the end the crowd is dense around the entrance, with more tents and bystanders spreading across the foreground.

Frame: https://ultrahouse3k.com/img/S10E05/973264.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/973890

## 16:15–16:23

Moe, the grey-haired bartender in a blue apron, stands on a paved path under pine trees with a crowd of onlookers, first raising binoculars to his eyes and then lowering them to his side. Milhouse, in a blue cap, red glasses, pink shirt and red shorts, stands beside him holding a blue cooler, while an older bald man in a maroon sweater stands nearby. Moe turns to speak, points toward the crowd and then rests his hand on Milhouse's head, while the onlookers keep watching ahead.

> Hey, is it too late to see the movie stars?
> Nah, nah, just hop that fence, sneak up and peek in the window there.

Frame: https://ultrahouse3k.com/img/S10E05/976809.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/979312

## 16:23–16:30

Moe, the grey-haired bartender holding binoculars, and Milhouse, in a blue cap, glasses and pink shirt, stand on a paved path among a crowd beside pine trees. A heavy, bald man in a maroon sweater and brown trousers walks past the onlookers, then leaps over a black iron fence as a bright blue energy burst flashes near his hand. He later lies sprawled face-down on the pavement with blue hair and a red streak on his head, while Milhouse kneels beside him and Moe keeps watching with binoculars.

> All right.
> I never get tired of that.

Frame: https://ultrahouse3k.com/img/S10E05/984108.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/986819

## 16:30–16:40

Troy McClure, with swept-back reddish hair and a light blue sweater, raises binoculars in a crowd beside a long-haired woman in a red bandana and lavender sweater, while Selma with grey-violet hair and orange beads stands nearby. Homer emerges from the open door of a mint-green van, strides out, and spreads his arms wide beneath a white banner reading "HOMER'S MUSEUM OF HOLLYWOOD JERKS," then clenches his fists and raises his arms.

> Attention, starstruck fools!
> Step right up and see the world's greatest mobile collection of Alec and Ron and Kim-a-ro
> -belia.

Frame: https://ultrahouse3k.com/img/S10E05/991407.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/995578

## 16:40–16:52

Homer stands in the open doorway of a green bus while a crowd gathers outside, and Moe, a grey-haired bartender in a bow tie, holds up a banknote beside a dark-skinned man in a grey jacket. Homer gestures with both arms, then takes fanned stacks of cash from several hands as the passengers press in. Inside the bus, a heavy man with messy brown hair holds a bottle, a woman with a tall brown hairdo in a green jacket looks on, and Krusty the clown and a police officer stand by near a banner reading JEFFERSON and a window with pink bikinis and boxer shorts.

> That's only five, no wait, ten dollars.
> You heard right, twenty dollars. Come on, me first.
> Come on, babe.
> Mm-hmm.

Frame: https://ultrahouse3k.com/img/S10E05/1002043.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1006422

## 16:52–16:55

Chief Wiggum, the fat police chief in a blue uniform and cap, stands beside Apu, who wears a grey jacket and brown pants, in the Kwik-E-Mart, with Krusty's green-haired clown figure partly visible at the right edge. The scene opens on a plain pale lavender screen, then Wiggum dangles a silver medical alert bracelet with a snake emblem from his hands, glancing at it and talking while Apu looks on. Behind them hang a pink bikini, orange polka-dot briefs and a white towel embroidered KB with blue trim on hangers in the window, and papers are pinned to a corkboard on the wall.

> Hey, it's Alec Baldwin's Medic Alert Bracelet.

Frame: https://ultrahouse3k.com/img/S10E05/1013304.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1013721

## 16:55–17:06

Homer Simpson stands in a kitchen with his arms crossed at first, then gestures with his hands and holds up a can of RC Cola, while Ned Flanders' grey-haired neighbor figure and a man with a moustache, glasses and a green sweater...

> That's right. Mr. Tough Guy can't handle a little penicillin.
> Oh, and look at this. We can't even pay our bills.
> And they're drinking Royal Crown Cola.

Frame: https://ultrahouse3k.com/img/S10E05/1016641.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1021020

## 17:06–17:19

Homer Simpson, in his white shirt, stands at the right of a cramped bus interior with clothes hanging on a rack and photos pinned to the walls, facing a group that includes Chief Wiggum in his police cap at the left edge, Krusty the Clown with green hair and a bow tie, a Black man in a grey coat and pink sweater, a woman with long dark hair, and Barney, the heavy man with messy brown hair in a pink shirt at the right. The group crowds in and argues, with Barney gesturing and the woman with the tall orange beehive glaring nearby, then Homer jabs his finger toward the group, and in the final moments he clasps Krusty's shoulder and speaks as the others watch.

> Hey, hey, go easy on the celebrities, huh?
> Yeah, what gives you the right time? We love celebrities!
> Oh, yeah?
> What have they ever done for you?
> When was the last time Barbara Streisand cleaned out your garage?
> And when it's time to do the dishes, where's Ray Bulger?

Frame: https://ultrahouse3k.com/img/S10E05/1027485.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1032698

## 17:19–17:30

Chief Wiggum, Krusty, and Homer stand crowded together in a green-walled bus interior, with Homer grabbing at Krusty's face and later jabbing a finger at Carl, a Black man in a grey jacket. Homer's expression turns from anger to a stern, pointing argument while Wiggum watches silently, and papers pinned to the wall and a blue police cap remain visible. The scene then shifts to a living room with a cream sofa, curved windows showing trees and a lake, and cardboard boxes labeled KITCHEN and BOOK, where a dark-haired man in a blue shirt and jeans sits on the sofa unpacking a pink item while a blonde woman in a white top stands at the window holding a dark object.

> I'll tell you, Ray Bulger is looking out for Ray Bulger!
> Oh, look.

Frame: https://ultrahouse3k.com/img/S10E05/1040206.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1044794

## 17:30–17:44

Three people in an old-timey studio portrait, a cowboy with a star badge and a woman in a feathered hat and long dress posed beside a bowler-hatted man in a vest, are shown in a framed print labeled "OLDE TYME PHOTOS" held up by a yellow hand. Then a dark-haired man in a blue shirt and light jeans sits on a tan sofa by a bay window, tablet in hand, while a blonde woman in a white sleeveless top and jeans stands, then sits beside him, with cardboard boxes of belongings scattered around and a box labeled "KIM'S OSCAR" on the table. They talk and turn toward each other, the man grins and drops the tablet into an open box, and then he sits back with a sober look as the woman glances sideways.

> Wasn't that a fun weekend?
> Yeah.
> Homer was a pretty good guy.
> And we just tossed him out like a Golden Globe Award.
> I've got to admit, I miss the way he used to tuck us in and kiss us on the forehead.
> Forehead?

Frame: https://ultrahouse3k.com/img/S10E05/1051884.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1057723

## 17:44–17:52

A blonde woman with swept-back hair, a white sleeveless blouse and pink lipstick sits beside a dark-haired man in a blue jacket over a white shirt, on a tan couch in front of a window showing a lake, purple mountains and a pine tree. She talks with a grimacing, pursed expression, glancing sideways at him and at times lifting one hand toward him, while he listens with a wry, skeptical look and only slight changes in his expression. No on-screen text is visible.

> Oh, maybe I should have made his movie.
> Yeah, it wasn't that bad.
> I mean, the script might even work if you got rid of the talking pie.

Frame: https://ultrahouse3k.com/img/S10E05/1065648.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1068568

## 17:52–18:00

A dark-haired man in a blue jacket over a white t-shirt and a blonde woman in a sleeveless white blouse with pink lipstick sit side by side on a tan couch in front of a large window showing a lake, purple mountains, and a pine tree. The man speaks, grimaces, and grins, while the woman listens with a skeptical look, then talks and raises her hand in a gesture as the man smirks and nods along.

> What are you, crazy? It's a buddy picture.
> Without the pie, it would just be me on screen for two hours.
> Oh, yeah, and you'd hate that. No, no, no, you can't lose the pie.

Frame: https://ultrahouse3k.com/img/S10E05/1073781.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1076492

## 18:00–18:09

A man in a white bathrobe and blue cap, holding a martini glass, stands by a curved window overlooking a lake and pine trees, gesturing with his free hand and talking. Later he stands behind a beige couch, still holding the glass, while a blonde woman in a white sleeveless blouse and jeans sits beside a dark-haired man in a blue shirt. She gestures with both hands and then with one, and the men look at her as she talks. A cardboard box marked "KIM'S OSCAR, USE EXTREME CARE" sits on the coffee table, and more boxes are scattered across the living room floor.

> The pie's your heart.
> Okay, okay, keep the damn pie.
> The point is, we weren't fair to Homer.
> He screwed up, but he deserves another chance.

Frame: https://ultrahouse3k.com/img/S10E05/1081706.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1084834

## 18:09–18:17

An unnamed blonde woman with pink lips and a white sleeveless top sits beside a window overlooking a lake, purple mountains and pine trees, first pursing her lips, then grimacing and showing her teeth. An unnamed man with short black hair and a blue jacket over a white shirt sits near her and speaks with his mouth open, turning his head and grimacing, smiling tightly and talking while she looks on. He keeps talking with a wary, uneasy expression, and the lake and window scenery stays in view throughout.

> Yeah, everyone makes mistakes. I mean,
> we'd want another chance if one of us ever made a bad film, right?

Frame: https://ultrahouse3k.com/img/S10E05/1090047.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1093384

## 18:17–18:28

A dark-haired man in a blue shirt sits on a curved tan couch beside a blonde woman in a sleeveless white blouse and jeans, while a man in a blue cap and white jacket stands behind them holding a martini glass in front of a wide window overlooking a lake and pine trees. They stay seated and mostly still as the standing man glances toward them, and the scene then shifts outside to a modern wooden house with a round window and solar panels, where a red open-topped jeep drives up a curving driveway carrying several people. The jeep continues toward an iron gate with stone pillars, with a man in a dark hat and blue shirt, a man in a blue cap, and a blonde woman visible inside.

> I'm really looking forward to seeing Homer again.

Frame: https://ultrahouse3k.com/img/S10E05/1098806.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1103185

## 18:28–18:34

Three unnamed cartoon characters sit in a red car: a dark-haired man in a blue jacket on the left, a man in a blue cap, red shirt and seatbelt holding a small black device in the middle, and a platinum-blonde woman in a white sleeveless top gripping the steering wheel on the right. Against a backdrop of pine trees and a wooden building, the woman talks and sticks out her tongue, then smiles and grins, while the cap-wearing man glances toward her and the dark-haired man keeps his gaze ahead with a faint smirk and half-closed eyes. The woman's expression shifts between a pursed-lip look and a wide toothy grin, and the scene ends with her smiling again.

> He always has the most interesting odors.

Frame: https://ultrahouse3k.com/img/S10E05/1109650.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1111527

## 18:34–18:47

Homer Simpson, in a white shirt and blue pants, stands in front of a mint-green van bearing the banner "HOMER'S MUSEUM OF HOLLYWOOD JERKS" and holds a pink bra up to his chest. He lifts and adjusts the cups, sways and shifts his weight, and at times pokes at the fabric and tilts his head as he poses. A row of onlookers watches from both sides, including a uniformed police chief in the foreground left and a man with a moustache and green sweater at the far left, while a woman in a pink top and purple pants stands near the van's open door.

> Ooh, look at me!
> I'm Kim Basinger, the big movie star. I'm so beautiful.
> I think I'm so great.
> I'm too important to take Homer to the Oscars.
> What the... Gotta go. Thank you for supporting the Museum of Hollywood Jerks.

Frame: https://ultrahouse3k.com/img/S10E05/1115281.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1120703

## 18:47–18:52

Homer Simpson, bald and heavy in a white shirt and blue pants, stands on the grass beside the open door of a van marked 'Homer's Museum of Hollywood Jerks' while holding a pink bra, and a crowd of townspeople gathers outside it. Ned Flanders, with his moustache and green sweater, stands at the front of the group, and Carl, a Black man in a purple shirt, and Lenny, with spiky black hair, are among the onlookers. Homer first holds the bra up, then tosses it down onto the grass, and then climbs into the van and shuts himself inside as the crowd watches. The pink bra lies on the lawn in the foreground, and the van's banner reads 'Homer's Museum of Hollywood Jerks.'

> Let's get him. And this time, it's personal.

Frame: https://ultrahouse3k.com/img/S10E05/1128210.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1129879

## 18:52–19:05

A blonde woman with pink lipstick drives a red open-top car, with a dark-haired man in a blue jumpsuit beside her and a freckled man in a blue cap and red jacket behind them. Parked in front of a wooden house with a solar panel, the man in blue grimaces, gestures and talks while the driver glances at him, then the red car pulls away along a wooded road past a campsite of tents and onlookers and winds down a canyon road between rocky cliffs and pine trees.

> What? It is personal.
> He's got our underpants.

Frame: https://ultrahouse3k.com/img/S10E05/1133633.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1138846

## 19:05–19:12

Homer Simpson, bald and wearing a white shirt, drives a mint-green motorhome with a white flag on its side along a winding road lined with pine trees, while a red open-top vehicle follows behind. He keeps glancing at the side mirror and then looks over at the red vehicle, growing increasingly alarmed with his mouth open and eyes wide. The red vehicle pulls up beside the motorhome, and a dark-haired man in a blue shirt leans out of its window while Homer grips the steering wheel and stares at him.

> I'll never outrun them in a museum. Pull over, you maniac!
> No!
> Just jump over there, Alec. It's not that far.

Frame: https://ultrahouse3k.com/img/S10E05/1146145.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1148648

## 19:12–19:24

A dark-haired man in a blue work shirt on the left, a freckled man in a blue cap and red shirt in the middle, and a blonde woman in a white sleeveless top at the wheel sit together in a red vehicle driving past tall pine trees. The middle man leans forward, gestures with one hand, and at times drapes his arm over the seat back, while the blonde woman grimaces, presses a hand to her chest, and keeps her eyes on the road. The dark-haired man turns his head, glances sideways, grimaces, and speaks with his mouth open, and the scene ends with the three still seated in the vehicle among the trees.

> Yeah, you're a big screen tough guy.
> Gee, I'd love to, but I'm not really wearing the right shoes.
> Bra!
> Fine.

Frame: https://ultrahouse3k.com/img/S10E05/1153235.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1158449

## 19:24–19:33

A dark-haired man in a blue jacket and jeans, who is not a regular, first drives a red open-top Hummer-style vehicle on a country road, then leaps from it onto the roof of a mint-green RV driven by Homer, who is bald with a white shirt and stares in alarm as the man's legs dangle past the window. The man then kneels on the RV's roof beside a banner reading "HOMER'S HOLLYWOOD", gripping a side mirror and gesturing with his arms while a blonde woman drives the red vehicle in the foreground.

> I made it! All by myself. Hey, were you watching, sweetheart?

Frame: https://ultrahouse3k.com/img/S10E05/1165956.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1169293

## 19:33–19:44

A dark-haired man in a blue shirt and light blue pants spreads his arms wide while kneeling on top of a teal vehicle with a banner reading "HOMER'S MUS..." and then leaps off the roof, one arm stretched toward a metal rail above a sign reading "...M OF ...RKS" as he sails over pine trees. Inside a car, a blonde woman in a white sleeveless blouse rubs her forehead while steering, then turns toward a red-haired young man in a red jacket and blue cap, who grimaces as her hand rests on his shoulder.

> I made it!
> Ow!
> My watch is caught. Oh, for the love of...
> Hold on.
> Can you drive?
> Not well, but I'll give it a shot.

Frame: https://ultrahouse3k.com/img/S10E05/1174715.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1179303

## 19:44–19:55

Homer Simpson grips the steering wheel of a mint-green motorhome, wide-eyed and grimacing, while a tall blonde woman in a white sleeveless top and jeans stands up in a red open jeep beside a red-haired young man in a red jacket and blue cap at the wheel, then leaps from the jeep and lands sprawled across the motorhome's roof, legs kicking. A man in a blue shirt is flung off the jeep, a white flag flapping from its antenna, as the vehicles drive along a road past pine trees and purple hills, with Homer yelling and gripping the wheel throughout.

> Oh, God.

Frame: https://ultrahouse3k.com/img/S10E05/1185976.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1189939

## 19:55–20:06

Homer drives a mint-green RV along a mountain road while a blonde woman in a white top leans out of its side door, clinging to the mirror, and a man in a blue jacket and white pants is pulled along behind on the asphalt before grabbing the RV's side and clinging to a tire. Beside them, a freckled redhead in a blue cap and red jacket, driving a red jeep, leans out and gestures, then tumbles backward onto the road with his legs flailing. Pine trees, purple mountains, orange road markings and a white flag fluttering from the RV's roof fill the background.

> I guess it's up to me.
> Oh, run!

Frame: https://ultrahouse3k.com/img/S10E05/1196195.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1200783

## 20:06–20:13

Homer, the bald, heavy man in a white shirt, sits in the driver's seat of a bus on a rainy mountain road, mouth open and clenching his fist in alarm while a rearview mirror shows a trailing vehicle. A blonde woman with a tall, wavy hairdo leans out of the window beside him, angrily shouting and gesturing with a raised fist. The scene then cuts to a stone government building with the inscription 'LIBERTY AND JUSTICE FOR ALL' above its columns, flanked by two stone lions on the steps, with a flag on the roof under a blue sky.

> You killed Ron Howard.
> Okay, I'll stop.

Frame: https://ultrahouse3k.com/img/S10E05/1207665.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1210167

## 20:13–20:24

Homer Simpson, in a blue suit and green tie, stands in a courtroom before a bench while a judge in a black robe with curly dark hair watches from his seat. Homer shifts from sitting in the spectator row to standing near the bench, then turns and speaks with his mouth open and eyes wide. Behind him, Marge with her tall blue beehive, Carl in a grey jacket, and a moustached man in a green sweater sit in the gallery, and a red and blue court seal reading 1932 hangs on the wall.

> Mr. Simpson, do you have anything to say for yourself?
> Yes, I do. I believe that famous people have a debt to everyone.

Frame: https://ultrahouse3k.com/img/S10E05/1214964.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1219135

## 20:24–20:33

Homer Simpson, in his blue suit and green tie, stands before a crowded wood-paneled courtroom gallery, with Marge (tall blue beehive, pearl necklace) and Lisa in the front row behind a wooden rail, and Carl in a pink shirt among the spectators. He gestures with open hands and points toward Lisa, then plants his hands on his hips and glares, and by the end he turns toward a row of bandaged, arm-slinged witnesses, including a blonde woman in a pink suit, while a dark-haired man covers his face. A long wooden table and a green chair sit in the foreground.

> If celebrities didn't want people pawing through their garbage and saying they're gay,
> they shouldn't have tried to express themselves creatively.

Frame: https://ultrahouse3k.com/img/S10E05/1225599.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1228936

## 20:33–20:44

Homer, in his blue suit and green tie, stands in a courtroom facing a row of seated people: a dark-haired man in a black suit, a blonde woman in a pink suit and pearls, and a bandaged older man with an arm sling in a grey suit. Behind them a gallery watches, with Marge in her green sweater and blue beehive and Lisa covering their faces with their hands at the start. Homer points at the seated group, gestures with open hands, then raises a clenched fist and leans toward them, grimacing, while the seated group stares ahead impassively and a wooden table sits in the foreground.

> In closing, you people must realize that the public owns you for life.
> And when you're dead, you'll all be in commercials dancing with vacuum cleaners.

Frame: https://ultrahouse3k.com/img/S10E05/1234567.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1238946

## 20:44–20:54

Homer Simpson, in his blue suit and green tie, stands in a crowded courtroom beside a blue-haired figure, with Barney in a pink shirt and a grey-haired man in a green sweater leaning close behind the rail while Homer gestures and speaks. A stern judge in a black robe sits at a wooden bench under a Springfield Court seal dated 1932, and over several moments he raises and bangs a wooden gavel, glaring and grimacing. At the end, the crowd of spectators pumps their fists in the air, including a blonde woman in a pink suit and a man with a bandaged head and arm in a sling.

> Thank you, Your Honor.
> Mr. Simpson, you are forbidden to come within 500 miles of any celebrity, living or dead.
> Woo-hoo!

Frame: https://ultrahouse3k.com/img/S10E05/1245828.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1249790

## 20:54–21:06

Homer Simpson, in a blue suit and green tie, sits at a wooden railing with his hands clasped, while a bald, grey-suited man and a man in a green sweater with purple suspenders sit behind him in an orange-walled room with a star-shaped decoration. He lifts a black mobile phone to his face, presses it to his ear and mouth, and frowns and grimaces as he talks. He then breaks into a wide, eyes-squeezed-shut laugh while still holding the phone to his head.

> Well, I'll always have my crank calls.
> Hello, old lady from Titanic?
> You stink!

Frame: https://ultrahouse3k.com/img/S10E05/1255838.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1260634

## 21:06–21:10

A man in a red vest and blue cap stands at the counter of a lobby lined with gold trophies while a dark-haired man in a black suit sits behind a curved desk. The scene opens on the 20th Century Fox building with 'ONE MONTH LATER' across the bottom, then moves inside, where the standing man gestures with his hands and talks as the seated man listens and looks up at him.

> And it grows to a powerful,

Frame: https://ultrahouse3k.com/img/S10E05/1267308.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1268142

## 21:10–21:22

A young man with brown hair, freckles and a blue baseball cap, wearing a white shirt over a light blue undershirt with a red vest, stands in a pink room beside a framed Titanic poster and a television set. He gestures with his hands and speaks in a series of animated, expressive poses, at times clenching his fists, at others raising his palms, and at one point rubbing his nose with his hand while looking to the side. The room's details, including the Titanic poster and the TV, stay in place throughout.

> emotional climax when the father has to choose which one of his children will live
> and which one will die.
> Pass.

Frame: https://ultrahouse3k.com/img/S10E05/1271270.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1276066

## 21:22–21:34

A thin man with dark swept-back hair and a black suit sits in a high-backed leather chair behind a counter, holding a grey ball and gesturing with open hands, while a freckled young man with reddish hair, a blue cap, a red vest and a lilac shirt stands before him and talks, pointing, waving his hands and covering his mouth. The setting alternates between a window overlooking palm trees and a room with a Titanic poster on the wall, a television and a wooden door. The thin man rubs his chin and shrugs as the young man keeps animatedly explaining something.

> What else you got? Uh, well, well, there is this one thing.
> It's about a killer robot driving instructor that travels back in time for some reason.
> I'm listening.

Frame: https://ultrahouse3k.com/img/S10E05/1283157.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1288162

## 21:34–21:35

A thin man with tousled dark hair, a black jacket and white shirt sits in a tall dark chair outdoors, facing a man in a blue cap and red top who holds a small grey disc. The seated man talks and gestures with his hands, touching his collar at first, then later holds the grey disc at his side while the man in the cap looks on. Behind them a beige building bears the sign "GE 19" under a pale blue sky.

Frame: https://ultrahouse3k.com/img/S10E05/1295461.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1294835

## 21:35–21:48

A freckled young man in a blue cap and red-and-white varsity jacket stands at a counter gesturing and talking, with a framed picture on the pink wall behind him and a dark-haired figure's head and chair in the foreground. He keeps waving his hands and pointing upward, then leans on the counter while a thin, spiky-haired man in a dark suit sits in a high-backed armchair, turning a small grey object in his hands. The young man's pointing and gesturing continue as the seated man looks back at him, with the ceiling light glowing above.

> Okay, okay. Well, you see, this robot,
> he's got a heartbreaking decision to make about whether his best friend lives or
> dies.
> Eh, his best friend's a talking pie.

Frame: https://ultrahouse3k.com/img/S10E05/1296504.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1302134

## 21:48–21:58

A man in a blue cap and red vest stands before a desk while a dark-haired man in a black suit sits behind it, raising a finger and then looking down. The standing man is handed money bags marked with dollar signs by the seated man, then holds them up grinning in a potted-plant office with a palm tree outside the window. White credits appear over the scene, first reading "Executive Producer MIKE SCULLY" and then "Executive Producers JAMES L. BROOKS MATT GROENING SAM SIMON," before the sequence ends on a black screen reading "Starring DAN CASTELLANETA."

> Sold!
> Howard, you've done it again.
> These happy days are your smile. These happy days are yours and mine, happy days.

Frame: https://ultrahouse3k.com/img/S10E05/1310059.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1313813

## 21:58–22:08

No Simpsons characters appear in this moment; it is a black closing credits sequence with no people on screen. Gold stylized text appears centered on the black background, first reading JULIE KAVNER, then NANCY CARTWRIGHT, then YEARDLEY SMITH, then HANK AZARIA, then 'and HARRY SHEARER', then 'Special Guest Voice ALEC BALDWIN', then 'Special Guest Voice KIM BASINGER', then 'Special Guest Voice BRIAN GRAZER', and finally 'Special Guest Voice RON HOWARD', with each name replacing the previous one in the same central position.

Frame: https://ultrahouse3k.com/img/S10E05/1319860.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1323614

## 22:08–22:18

No characters appear in this moment; it is a black screen of end credits in orange lettering. The credits change in sequence: first "Also Starring Pamela Hayden and Maggie Roswell" (held for two stages), then "Animation Producer Michael Wolf," "Animation Executive Producers Lolee Aries and David Pritchard," "Executive Consultant Rich Moore," "Story Editors Jane C. O'Brien, Larry Doyle and Matt Selman," "Theme by Danny Elfman," "Music by Alf Clausen," "Casting by Bonita Pietila," and finally "Editors Michael Bridge and Don Barozzo" appear one after another, each replacing the last on the plain black background.

Frame: https://ultrahouse3k.com/img/S10E05/1329453.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1333415

## 22:18–22:27

No characters appear; the moment is a sequence of black end-credit title cards in gold lettering. It starts with 'Editors Michael Bridge and Don Barozzo', then 'Animation Production Manager for Gracie Films Joel Kuwahara', 'Post Production Supervisor Dominique Braud-Stiger' and 'Post Production Coordinator Alexander Duke', 'Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod', and 'Music Editor Chris Ledesma', 'Sound Effects Editor Travis Powers' and re-recording mixers. Further cards list production crew names, 'Animation Produced by Film Roman, Inc.', overseas production credits for Rough Draft and Utit Choomuang, and animation timing and storyboard credits such as Christopher Loudon and Christian Roman.

Frame: https://ultrahouse3k.com/img/S10E05/1339255.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1343008

## 22:27–22:37

No characters appear in this moment; it is a black closing credits sequence for The Simpsons episode #5F19 (1998). The frames show a list of credits in yellow-orange text over a black background, starting with background design supervisor Lance Wilder, character design credits for Joseph Wack, Kevin M. Newman, Matt Groening and Sam Simon, and prop design credits, then moving to Artist Supervisor Mike B. Anderson, layout and color design credits, an animation production list, and post-production credits. The sequence ends with a copyright notice reading 'The persons in this film are fictitious' and 'Twentieth Century Fox Film Corporation', followed by creative consultant credits for Matt Groening and executive creative consultant James L. Brooks.

Frame: https://ultrahouse3k.com/img/S10E05/1349056.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1352810

## 22:37–22:48

Silhouetted audience members sit in rows of seats in a dim theater, with a large round-headed figure with tufted hair in the foreground on the left. A projector beam widens behind them as the white words "GRACIE FILMS" appear, then "IN ASSOCIATION WITH" appears on black. The gold "20th Century Fox Television" logo with "A News Corporation Company" rises against a blue sky above buildings, then the screen fades to black.

> Homer, we're out of vodka.

Frame: https://ultrahouse3k.com/img/S10E05/1358858.jpg
Page: https://ultrahouse3k.com/episode/s10e05-when-you-dish-upon-a-star/1363237