# D'oh-in' in the Wind

The Simpsons, season 10, episode 6 (S10E06), first aired November 15, 1998.
Written by Donick Cary. Directed by Mark Kirkland and Matthew Nastuk. Production code AABF02.
Guest stars: George Carlin as Munchie; Martin Mull as Seth.
Chalkboard gag: "No one cares what my definition of 'is' is". Couch gag: Rollercoaster.

Needing his middle name for a Screen Actors Guild application, Homer learns from aging hippies Seth and Munchie, old friends of his mother Mona, that the J stands for Jay. He adopts the hippie lifestyle, to Marge and Lisa's dismay, and ruins a batch of the pair's popular organic juice. His attempt to make amends leaves the whole town hallucinating.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Dr. Hibbert, Mr. Burns, Waylon Smithers, Kent Brockman, Jasper Beardsley, Groundskeeper Willie, Santa's Little Helper, Lou, Lewis Clark, Eddie, Maude Flanders, Snowball II, Charlie, Mr. Teeny, Mona Simpson, Jimi Hendrix, Bob Hope, The Grateful Dead, Munchie, Pinky the Elephant, Sarah, Duchess of York, Seth.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:07

No regular characters appear in this moment, which is the opening title sequence of The Simpsons set against a blue sky with drifting pinkish-beige clouds. Starting from black, the clouds slide across the screen as the words "THE SIMPSONS" in yellow letters gradually appear, first partly hidden among the clouds and then fully visible. The title then swells larger and zooms toward the viewer, so the letters "IMPSO" fill the screen, with a small grey atomic-symbol emblem visible inside the P.

> The Simpsons

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## 0:07–0:15

Bart, the boy with spiky hair in an orange shirt, is seen at the end of this moment writing repeated lines on a chalkboard in a classroom visible through a purple-framed window of Springfield Elementary School. The scene opens on the Springfield Nuclear Power Plant, with its grey cooling towers, atom symbols, and a yellow "Welcome to Springfield Nuclear Power Plant" sign, then pans through the hillside town to the school's street view and its front doors marked "Springfield Elementary School." A blue overlay washes over the school before the image fades to plain orange and then shows Bart at the classroom window, with a clock, a trash can, and desks behind him.

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## 0:15–0:23

Bart, the boy with spiky hair in an orange shirt and blue shorts, writes on a classroom blackboard filled with the repeated line "NO ONE CARES WHAT MY DEFINITION OF 'IS' IS." He turns, walks past a red trash can toward a door, and then bursts out of the school beneath a sign reading "Springfield Elementary School." Riding a green skateboard, he lifts his arms in the air, then glides along a curving sidewalk past a large tree and a modern glass office building.

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## 0:23–0:36

Homer, in a yellow protective suit with an orange harness and goggles, holds a glowing green rod at the nuclear plant control panel while Mr. Burns, frail and stooped with a hooked nose, and his thin assistant Smithers watch from the right beside a CAUTION sign. The scene then cuts to the Kwik-E-Mart, where Marge, with her tall blue beehive and red bead necklace, reads Mom Monthly beside a shopping cart, then pushes the cart as Maggie, with a pacifier and blue bow, sits up at the checkout conveyor and later in the cart. Maggie sucks her pacifier and spits it out while Marge, her eyes closed and hands raised, reacts.

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## 0:36–0:47

Lisa Simpson plays a light blue saxophone in a crowded school band room while Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, conducts with his arms raised, and identical twin girls in purple dresses play flutes beside them. Lisa then carries the saxophone out through an orange hallway with blue double doors and posters on the walls, which is empty once she leaves. Homer, in a white shirt, sits in a pink car, glaring and gripping the steering wheel, then raises a hand to his head while still scowling.

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## 0:47–0:57

Homer drives a pink car along a tree-lined road, then Bart rides a green skateboard past a brick building with an OPEN sign and a book-shop window, with a woman with orange-red bouffant hair walking behind him. Bart is later joined by Barney, a heavy man with messy brown hair, and the grey-haired bartender Moe near a bar with bottles on the sidewalk, and Bart skates past Chief Wiggum, who swings a baton, while a heavy man in a brown suit and sunglasses walks beside the Krusty TV display. The scene ends with an orange car driving along a winding road past a purple tree and a small car in an empty blue sky.

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## 0:57–1:08

Maggie, the baby with a pacifier and blue bow, sits in a red car seat gripping a blue steering wheel while Marge, with her tall blue beehive and red bead necklace, drives beside her in a brown-and-green interior. The scene shifts to a school-side street where a uniformed police officer, a heavy man in a white shirt holding a clipboard, and a thin man in a white coat stand near a yellow bus marked Springfield Elementary, with a wooden barrier in the foreground. Next, a pink car sits in a driveway in front of a yellow garage with a mailbox nearby. Bart, in an orange-and-blue outfit, runs toward the pink car and waves, then Homer, bald and stubbled in a white shirt and blue pants, stands beside the car and gestures with his hands. Homer then lunges backward across the pink car's hood as a red car pulls up, and finally he walks into a purple bedroom carrying a white cup with a red-and-white design.

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## 1:08–1:19

Homer, Bart, Lisa and Marge sit together on the brown living room couch in front of the television, with Maggie on Marge's lap in the later frames, under a framed sailboat picture and beside a purple lamp and phone table on a striped oval rug. The room is empty in the fourth frame, then the family returns to the couch in the fifth frame. The television screen then shows the on-screen text "CREATED BY MATT GROENING" and later "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON" in yellow letters on a blue background.

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## 1:19–1:30

Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a red high-backed chair behind a wooden desk, while Smithers, a thin assistant with glasses, stands beside him. The scene opens on black, then shows a nuclear plant with two cooling towers emitting smoke, and returns to the office where Burns claps his hands and then lifts a brown paper bag from the desk as Smithers looks on. On-screen credits read 'Executive Producer DAVID S. COHEN' and then 'Co-Executive Producer GEORGE MEYER' over the office scene.

> Ah, lunchtime. Well, let's see what I've packed for myself today.

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## 1:30–1:39

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands at a counter beside Smithers, his thin assistant in glasses, a pink bow tie and a brown jacket. Burns reaches into a brown paper bag and pulls out items one at a time: a small bullion cube, a purple grape, a long Philly cheesesteak sandwich, and finally a jar labeled Garlic Pickles, setting each on the blue counter as Smithers watches. White credit text over the scene reads 'Co-Executive Producer Ian Maxtone-Graham', 'Co-Executive Producer Al Jean' and 'Supervising Producer Dan Greaney'.

> One bullion cube, one conquered grape,
> one Philly cheesesteak, and a jar of garlic pickles.

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## 1:39–1:52

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a teal suit at a table beside a tall red upholstered chair, holding a jar of garlic pickles and gesturing with it as he speaks and grins. Smithers, his thin assistant with glasses, stands beside him in a green jacket and purple bow tie, first looking on and then smiling and speaking. Burns twists the lid off the jar of Garlic Pickles, and Smithers keeps watching with a slight smile. Captions on screen read Supervising Producer Ron Hauge, Supervising Producer Donick Cary, Producer Brian Scully, Producer Julie Thacker, and Co-Producer Tom Martin, changing across the sequence, while a brown paper bag sits on the counter in front.

> No one will want to kiss me after these, eh, Smithies?
> Well, it's their law, sir.
> Yes.
> Allow me, sir.

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## 1:52–2:04

Mr. Burns, the frail, stooped old man with a hooked nose and a bald head, and his thin assistant Smithers, in glasses and a purple bow tie, stand at a counter beside a tall red chair, with a paper bag and a jar labeled Garlic Pickles nearby. Smithers grips the jar, twists and tugs at its lid, and looks up to speak while Burns watches with a sour scowl, then Smithers gestures toward the jar with his hand. Producer credit captions appear across the bottom of the scene throughout.

> It's no use.
> Shall I send out for some Chinese?
> No, those people are all gristle.
> I want this jar open.

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## 2:04–2:13

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits behind a desk in a teal suit with his fingers steepled, while Smithers, his thin assistant with glasses, stands beside him in a brown suit and bow tie. Homer, bald and wearing a white shirt and blue jeans, stands at the right edge watching as a thin, dark-haired man in a green sweater and purple suspenders, clutching a jar, hunches and moves about in front of the desk, with on-screen credits reading "Consulting Producer DAVID MIRKIN" and then "Consultant JOHN SWARTZWELDER". In the later frames, a row of men stands along the red carpet to the left: a young man in a white lab coat, a man in a white shirt and tie with a badge, a moustached man in a blue shirt with arms crossed, and a Black man in a grey jacket and pink shirt, while the suspendered man walks forward and shrugs, and Burns sits watching and then glares with a clenched grin as the screen shows a close-up of him with his fingers steepled.

> Worthless old geezers.
> Next!

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## 2:13–2:20

Homer Simpson, the bald, heavy man in a white shirt and pink tie, stands at a counter in a brown room with a framed portrait of Mr. Burns on the wall and a jar of pickles labeled Garlic Pickles beside him. He crosses and uncrosses his arms, gestures with his hands, then grabs the jar, struggles to open it, and eventually pulls out a pickle and bites into it, grimacing and chewing. The credits Supervising Director Jim Reardon and Produced by Colin A.B.V. Lewis appear over the scene as he fishes out the pickle.

> Alrighty, I'll get...

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## 2:20–2:28

Homer Simpson, in a white shirt and pink tie, stands at a counter in front of a framed portrait of a thin old man with a hooked nose in a teal suit. He hugs a jar of Garlic Pickles to his chest, wrestles with it, slumps back, then sits and tilts over it, grimacing and groaning. He finally straightens up, sets the jar down on the counter, and looks glum beside it, while on-screen credits for J. Michael Mendel, Bonita Pietila and Richard Raynis appear across the scene.

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## 2:28–2:37

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, sits in a tall red armchair behind a desk, a jar of Garlic Pickles beside him, rubbing and wringing his hands together with a sinister scowl. Smithers, his thin assistant with glasses and a purple bow tie, stands at the right in a green jacket with an ID badge, first watching with wide eyes and then speaking with an open mouth. In the foreground, the back of Homer's bald head and white shirt and blue trousers is visible at the left edge. Across the moment, Burns's hands keep clasping and rubbing as he glowers, while Smithers's expression shifts from calm to agitated, and the on-screen credits 'Produced by Richard Sakai, Denise Sirkot' and then 'Written by Donick Cary' appear over the scene.

> Oh, for goodness sake.
> What we need around here is some fresh blood.
> Would you like me to drain Simpson while he's passed out, sir?
> No, no.

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## 2:37–2:49

Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, wearing a teal suit and black tie, stands beside a tall red high-backed chair and a desk with a green box and a blue telephone-like device. Smithers, his thin assistant with glasses, a purple bow tie and an ID badge, stands near him in the first and fourth frames, and Burns gestures with an open hand, then clasps his hands together and talks. In the later frames Burns stands alone by the red chair and window, grinning and gesturing with one hand, then clenching a fist and rubbing his fingers, while the title credits 'Directed by Mark Kirkland, Matthew Nastuk' appear over the middle frames.

> To attract the top grads, we'll need to make a recruitment film.
> A picture that showcases our cutting-edge technology.
> A talkie, sir? Ah, yes, brilliant.
> That's just the kind of far-out gimmick we need.

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## 2:49–3:01

Lenny, Carl and Homer, in red Springfield U sweaters and mortarboards, first emerge from a door marked MX on a studio set with a green couch, a jukebox and a Springfield U pennant, while a cameraman films nearby and a director in a brown vest and hat holds a megaphone. The three graduates walk out one after another, then stand together by the doorway, with Lenny grinning, Carl looking ahead and Homer glancing up and speaking. Stage lights and a folding director's chair sit on the grey studio floor.

> And...
> Wow, what a graduation.
> I'll say.
> But with college behind us, we'll need careers.

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## 3:01–3:04

Homer Simpson, the bald, heavy man in a white shirt and red sweater, wearing a black graduation mortarboard with a gold tassel, stands in front of an olive-green wall beside a blue edge and a partly visible orange chair and bowl at the left edge. He stares wide-eyed, his mouth opening and closing as he talks, grimaces with clenched teeth, then pulls a startled, open-mouthed expression and shifts his head slightly, tilting and turning to the side, before settling back into a tense, wide-eyed look with his teeth gritted.

> And good ones.

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## 3:04–3:17

Homer Simpson, in the middle, stands with Carl on the right and an unnamed man with swept dark hair and a green collar on the left, all wearing red S-logo sweaters and black mortarboard caps in front of a beige wall with a red sign at the top edge. Carl gestures with his hand and points upward beside a wooden barrel-like wheel and a tray of glasses, then the three lean together with arms draped over each other's shoulders while Homer talks with his mouth open, closes his eyes with a smile, and they all glance to the side.

> What about chestnut roasting? People always need chestnuts.
> Or begging.
> I know a place that'll saw your legs off.
> Slow down, fellas.
> I've got a way we can keep our legs and still have a bright future.
> Now you're dreaming.
> Oh, am I?

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## 3:17–3:26

Homer Simpson stands in the middle of three men in red S-letter sweaters and graduation caps, with a thin man with swept brown hair and a green collar on the left and Carl, a Black man in a pink shirt, on the right. They begin in a lounge beside a green couch, a jukebox and a Springfield pennant, then walk into a nuclear plant control room with two cooling towers marked with atom symbols behind a panel of gauges. Up close, Homer's eyes widen and he glances around and gestures with his hands, while Carl lifts a finger and the thin man on the left keeps a sly half-smile.

> Of course.
> Nuclear power.
> It's the job of tomorrow.
> Today!
> Really?
> Well, that settles it.

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## 3:26–3:37

Homer, wearing a black graduation cap and a red sweater with a white S, stands before a wall of gauges and dials, gesturing with open hands, tapping one dial, then resting a hand on his hip while grimacing and glancing aside. A thin, stooped old man with a hooked nose, in a flat cap and brown vest, appears at the right edge, holding a wooden-bound booklet and glaring while gesturing toward a purple tube on the wall. Notable objects include the blue wall, the grey control panels with round dials and small switches, and the purple pipe.

> For all those reasons and more, let us choose an electrifying career in...
> Line?
> Nuclear power.

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## 3:37–3:44

Homer stands between Lenny and Carl, all three in red S sweaters and graduation caps in a blue industrial room with control panels, while Homer gestures and talks. A stout man in a flat cap and brown vest, not a regular, jabs his fist and shouts at them as loose papers lie on the floor. The scene then cuts to a blue title card reading THE END, followed by AN ALAN SMITHEE FILM on a television where Marge, Lisa, Maggie, Bart and Homer sit on the couch watching.

> You thunderheaded stooges are the worst bunch of...

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## 3:44–3:55

Homer sits on the brown couch holding a remote in a living room with pink walls and a sailboat painting, while Marge stands behind him with her blue beehive, Bart sits on the floor in an orange shirt, Maggie sits on the rug with a pacifier, and Lisa kneels beside the black cat Snowball II wearing a pearl necklace. Bart, Lisa, and Marge clap their hands at first, then Marge closes her eyes and Homer turns his head to look up and to the side. Lisa talks and gestures with an open hand while the family watches, and the purple lamp and bookshelf stay in view throughout.

> Hey!
> Pretty good, huh?
> Well, it's better than that last Barbra Streisand movie.
> I didn't quite get the point of it, Dad.
> Why would Lenny want someone to saw his legs off?

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## 3:55–4:05

Homer Simpson, Bart, Lisa, Maggie, and Marge are gathered in the family living room, with the black cat Snowball II sitting on the rug near Lisa. Homer first appears in close-up, sitting on the brown couch in a white shirt with his eyes wide and mouth open as he talks, then the view widens to show the whole family, with Bart seated on the floor at left and Marge standing at right in a green dress. Homer then raises both arms, holding up a framed sailboat picture, before spreading his arms wide as he keeps talking. Notable objects include the purple lamp, the sailboat picture on the wall, and the colorful striped rug.

> Well, there were script problems from day one.
> Didn't seem like anybody even read the script.
> That was the problem.
> The important thing is, after all these years of paying my dues,

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## 4:05–4:19

Homer Simpson, the bald, heavy man in a white shirt, stands in a pink-walled room beside a purple lamp and a framed sailboat picture, holding a clipboard and a blue pen. Marge, with her tall blue beehive, red bead necklace and green top, stands close beside him and listens. Homer gestures with the pen, grins and talks, then looks down at the clipboard and writes while Marge looks on, mouth open in surprise, before Homer glances up and keeps talking with his pen raised.

> I'm finally getting some decent parts.
> You're joining the Screen Actors Guild?
> I didn't choose to be a gifted actor, Marge.
> It chose me.
> I'm merely a vessel through which genius flows.
> Now help me make up some phony credits.

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## 4:19–4:32

Homer Simpson, the bald heavyset man in a white shirt and blue pants, sits on the brown couch in the pink living room, writing on a clipboard with a blue pen while Bart in his orange shirt stands at left and Lisa in her red dress and pearl necklace leans in from the right beside Marge, who holds baby Maggie with her pacifier. In the close-up, the clipboard reads Screen Actors Guild Membership Control with the name Homer J., address 742 Evergreen Terrace, Springfield U.S.A., and phone KL5-3226, as Homer's pen moves across the form. Back in the room, Homer looks up and speaks with his mouth open, then grins and glances toward the family while the children watch him, and the sailboat picture hangs on the wall above the couch.

> Fat guy number three? Good, good.
> Hey, Dad, it says they need your full name.
> You only put down your middle initial.
> Hey, what the heck is your middle name anyway?
> You know, I have no idea.
> Hey, Dad, what does the J stand for? How should I know?

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## 4:32–4:40

Grampa Simpson, a wrinkled old man with white tufts of hair, glasses, and a grey moustache in a pink sweater, lies sprawled on a brown carpet beside a green skateboard with purple wheels and a cane, in a pink room with a staircase. He grimaces, lifts a hand, and then grabs the cane, while the scene later cuts to him standing beside a yellow curtain near a purple coat on red hooks. He squints, opens his mouth, presses a hand to his chest, grits his teeth, and sweats as he sways.

> It was your mother's job to name you and love you and such.

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## 4:40–4:52

Grampa Simpson, a wrinkled old man with white tufts of hair, stands with a cane in a pink hallway beside a yellow curtain and a purple coat on a red rack, while Homer, Marge, Lisa, Bart and Maggie gather nearby at the foot of the stairs with a skateboard on the floor. Grampa points a finger and speaks at them, then the scene tightens on him leaning against the curtain, scowling, mouth open, then grinning with a sly, half-lidded look and tilting his head toward the coat. Homer, Marge and the children watch him in the early moments before the close-ups.

> I was mainly in it for the spanking.
> But I can't ask Mom. She's on the run from the law.
> Serbs her right for being a 60s radical.
> Though she was a demon in the sack.
> Oh.

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## 4:52–5:01

Bart and Lisa stand side by side in the pink hallway of the Simpson house, Bart in his orange shirt and Lisa in her red dress and pearl necklace, while Homer, Marge, and Maggie stand together by the stairs at the start of the moment. Bart talks and gestures with an open hand while Lisa glances sideways, eyes half-closed, then looks up and speaks with her mouth open, and Bart listens with a sideways glance and a grimace before turning back to her. A light switch plate is on the wall beside them and a purple door is behind Lisa.

> Uh, so, Dad, regarding that form, why not just make up a middle name?
> You might as well. You already made up a phony film credit.

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## 5:01–5:09

Homer Simpson, bald and wearing a white shirt, stands in a pink room with a framed picture of Bart on the wall and a pink bed behind him. He glares, clenches a fist, gestures with a raised hand, then folds his arms and scowls with his mouth open and teeth bared. In the final three moments Marge Simpson, with her tall blue beehive and green top with a red bead necklace, stands to his left looking worried and speaking while Homer keeps his arms crossed and frowns.

> No.
> Homie Simpson does not lie twice on the same form.
> He never has and he never will. You lied dozens of times on our mortgage application.

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## 5:09–5:19

Homer, in a white shirt and blue pants, gestures and talks while Marge with her blue beehive, Bart and Lisa stand watching in a pink living room beside a framed painting of Bart on the wall and a green teapot on a shelf. Homer then stands with his hands on his hips while Grampa, in a pink sweater and holding a cane, joins him in the arched doorway, rubbing his chin and speaking. The two stand talking together, with Grampa stroking his moustache and chin as Homer looks on.

> Yeah, but they were all part of a single ball of lies.
> The point is, I'm a grown man and I deserve a middle name.
> Hmm. Hmm.
> I know where we might find your missing moniker.

Frame: https://ultrahouse3k.com/img/S10E06/310936.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/314898

## 5:19–5:29

Homer, bald and wearing a white shirt and blue pants, and Grampa, a wrinkled old man with white tufts of hair in a pink sweater who leans on a cane, stand in a pink room with an arched doorway, shelves, and a framed painting. Grampa talks and gestures, then rests his hand on Homer's chest while Homer listens with a wary look, and Grampa grins and speaks again. Homer then steps out of view to the left, leaving Grampa standing alone beside a small purple table with a green teapot and a red chair.

> It's a bit of a drive, but on the way, we can have a nice father-son chat.
> Great.
> I'll go shoot myself for bringing this up.

Frame: https://ultrahouse3k.com/img/S10E06/320946.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/324699

## 5:29–5:42

Grampa, in a peach jacket and glasses, and Homer, in a white shirt, are in a pink car at the Groovy Grove Natural Farm, with a yellow farmhouse with a purple roof and a wooden sign reading "GROOVY GROVE NATURAL FARM" nearby. The scene opens on an aerial view of the farm with a red barn and a pink car driving along the road, then the car pulls up beside the sign and house. Grampa turns and talks while Homer looks on, and a figure in a peach top leans in at the pink car's open door.

> This is the hippie commune your mother ran off to when life with me became a living hell.

Frame: https://ultrahouse3k.com/img/S10E06/330747.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/336169

## 5:42–5:49

Homer, the bald, heavy man with stubble in a white shirt, is seen in close-up first looking sideways with a sour, unimpressed expression, then turning his head and widening his eyes with a clenched, toothy grin against a bright blue sky. The scene then cuts to a grassy pond with cattails, lily pads and a fallen wooden log resting on rocks, with the view gradually shifting so the log slides out of view. Last, a black tire hangs from a rope tied to a tree beside the pond, and the tire swings gently back and forth across the grassy field.

> Wow, look at this place.
> There's a pond for skinny dipping, a tire for skinny swinging.
> I can actually feel the good vibrations.

Frame: https://ultrahouse3k.com/img/S10E06/343885.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/346179

## 5:49–6:03

Homer, in a white shirt and blue pants, stands in a sunny yard with his arm thrust into a brown beehive hanging from a tree while bees swarm around it and drip honey, and he grins with a sly, squinting look. Grampa, a wrinkled old man with white tufts of hair in a pink jacket, comes up beside him and watches, and then the scene shifts to a grassy yard beside a yellow house where a bearded man in a tan shirt and brown shorts and a grey-ponytailed man with glasses in a purple shirt stand holding long dark sticks. A red-and-green striped baton flips through the air as they pass the sticks between them.

> Ouch.
> I remember them, Seth and Munchie. Look at those filthy, lazy, flea-ridden...

Frame: https://ultrahouse3k.com/img/S10E06/350767.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/356398

## 6:03–6:12

Grampa Simpson, the wrinkled old man with white tufts of hair in a pink sweater, stands outside a yellow house with Homer, bald and wearing a white shirt and blue pants, on the left. Facing them are two one-off men: a bearded man with long hair in a tan shirt and shorts, holding a grey rifle, and a man with pink glasses, a moustache and a ponytail in a lavender shirt, holding a red-and-green object. Over the moment, the bearded man talks and grins, then reaches out to shake Grampa's hand while the others look on, against a blue sky, a tree and a fence.

> Oh, hi there!
> Hey, check it out.
> Is that Abe Simpson?
> Jeez, man, we haven't seen you since Woodstock.
> You went to Woodstock?

Frame: https://ultrahouse3k.com/img/S10E06/364531.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/367659

## 6:12–6:21

Grampa Simpson, the wrinkled old man in a pink cardigan and glasses, and Homer, in his white shirt, stand outdoors under a bright blue sky. Grampa scowls, clenches his fists and gestures toward Homer while Homer looks on with a blank stare, then the scene blurs into a packed crowd of raised arms in a grassy field fenced off in front of a stage with a metal truss, a crane, and tall speaker towers.

> Your mother dragged us both to that godforsaken love fest.

Frame: https://ultrahouse3k.com/img/S10E06/373081.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/376626

## 6:21–6:27

A guitarist in a red headband, white fringed shirt and blue bell-bottoms plays a white electric guitar on a wooden stage in front of stacked amplifiers, with a microphone stand beside him and a tan canopy overhead. He thrashes and sways, playing with his eyes closed and mouth open, and then a large black speaker mounted on a steel scaffold tower appears against the blue sky. The scene then shows a hillside crowd: a robed figure speaks and gestures, a man in a grey suit sits on a folding chair near an orange butterfly-shaped banner, and a woman with red hair and sunglasses in a pink wrap stands in the foreground beside a figure in a teal coat.

> Boo!

Frame: https://ultrahouse3k.com/img/S10E06/382257.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/384342

## 6:27–6:40

Herb, a brown-haired man in a grey suit and red tie, sits in a folding chair on a grassy lawn at an outdoor rally, hands pressed to his cheeks with his mouth open as he speaks, then rises to hold up a white sign reading "BOWZER FOR PRESIDENT" beside a red-haired woman in a flower crown and purple halter top who rests a hand on his shoulder. The scene shifts to a muddy patch where a small child in a pink headband stands in the mud, while a shirtless long-haired man in a headband and a bearded man in a green shirt watch and gesture among a crowd of seated onlookers under trees and a blue sky.

> Ring on Sha-na-na!
> Whoa, mellow out, Abe. Little Homer's trying to groove.

Frame: https://ultrahouse3k.com/img/S10E06/388513.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/394144

## 6:40–6:48

A naked, mud-spattered yellow man with long brown hair and a pink headband stands in a grassy outdoor crowd under a clear blue sky, with trees and clouds behind him. Seated spectators surround him, including a man in blue on the left, a blonde woman with glasses, and a woman with long grey-violet hair on the right. Over the moment he sways and gestures with his arms, sometimes raising a hand, sometimes clutching his stomach, while his eyes stay shut and his mouth opens and closes as if he is singing or shouting.

Frame: https://ultrahouse3k.com/img/S10E06/401860.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/404571

## 6:48–6:56

Herb, a brown-haired man in a grey suit and red tie, confronts a mud-spattered young hippie with long brown hair and a pink headband at an outdoor gathering on a grassy field under a blue sky, with a seated crowd behind them. The hippie first stands with eyes closed, raising one arm and smiling, then Herb grabs his wrist and leans in, pointing an accusing finger and scowling while talking, and the hippie looks startled and wide-eyed. Herb's expression stays stern as he leans closer, with the crowd watching from behind.

Frame: https://ultrahouse3k.com/img/S10E06/409576.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/412287

## 6:56–7:03

Herb, a brown-haired man in a grey suit and red tie, glares at a park gathering alongside a shirtless hippie with long black hair, a headband, and a moustache, and a bearded man in a green shirt and denim cutoffs. A small, nude, mud-spattered child with a pink headband stands in the grass between them, and picnickers sit in the background under a blue sky. The bearded man gestures with a raised finger and the hippie rests a hand on the child's head, then Herb grabs the child's arm and pulls her off to the left, leaving the hippie with his hand raised and the bearded man standing by a patchy blue-and-brown background.

Frame: https://ultrahouse3k.com/img/S10E06/417292.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/419794

## 7:03–7:13

A spotted, mud-covered young man in a pink headband and no shirt is held by a large white-cuffed hand that enters from the left and grips his outstretched arm, while a grey-haired woman in a striped top and a dark-haired figure lie on blankets on the grass nearby. Behind them a red-haired woman in a pink outfit and a bald-headed figure in a grey shirt are in the grass, with a red soda can and a green park setting. Meanwhile, a man in a grey suit and red tie who resembles Herb, with brown hair and a long nose, stands in front of a bright blue sky with clouds, glancing sideways and grimacing and frowning, and then an old man with spiky white hair, round glasses, a pink jacket and a bolo tie stands beside a tree and squints at the scene.

> in Vietnam.
> There must be an enlistment tent around here somewhere.
> If I'd have left it up to your mother, you'd have ended up in a hellhole like this,

Frame: https://ultrahouse3k.com/img/S10E06/424174.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/428553

## 7:13–7:24

Grampa, the wrinkled old man with white tufts of hair, wearing a pink sweater with a white button and dangling cord, stands outdoors with Homer, the bald heavy man in a white shirt, on a grassy roadside with trees, a wooden fence, and a blue sky. Grampa talks and gestures with open hands, then grows angry, grinning and jabbing a finger toward Homer's chest before waving his hands again. Homer stares wide-eyed and silent, and in the final moment Grampa raises an index finger as Homer looks on.

> just lying around, never working,
> without a care in your head full of long, luxurious, hippie hair.

Frame: https://ultrahouse3k.com/img/S10E06/435018.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/439397

## 7:24–7:35

Homer Simpson, with long flowing hippie hair, sits cross-legged in a field of flowers playing a sitar-like instrument, wearing a bead necklace and maroon pants. On his left a blonde woman in a headband, pink halter top and blue shorts brushes his hair, and on his right a woman with an afro in a purple outfit holds a hairbrush and combs his long locks. Across the frames the blonde woman's brushing motion and the afro-haired woman's combing continue while Homer keeps playing, with his eyes half-closed and smug, and the scene briefly blurs into a dreamy psychedelic overlay before settling back into the bright pink sky and colorful flower field.

> Oh, Homer Jay, how do you keep your hair so rich and full?
> Lather, rinse, and repeat.

Frame: https://ultrahouse3k.com/img/S10E06/445862.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/450241

## 7:35–7:46

Homer, with long flowing hair, sits in a field of flowers playing a sitar-like instrument while a blonde woman in a headband and a woman with a big afro and purple outfit sit beside him, one holding a tambourine. The scene blurs into a dreamy, wavy transition, then cuts to Homer with short hair against a bright blue sky. Outdoors on a grassy lawn with trees, Homer talks with Grampa, who wears glasses and a pink sweater with a bolo tie.

> Always repeat. Homer J, will you teach us to make love?
> Wow, I could have lived like that.

Frame: https://ultrahouse3k.com/img/S10E06/456706.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/461086

## 7:46–7:57

Grampa, the wrinkled old man with white tufts of hair in a pink sweater and bolo tie, and Homer in a white shirt and blue pants stand on a grassy lawn beside a yellow house with a purple roof. Two one-off characters are with them: a bearded man with a grey ponytail, a hoop earring, and a tan shirt and shorts, and a man in a lavender shirt, grey pants, glasses, and a ponytail. The man in lavender reaches out to touch the bearded man's arm while the bearded man talks with his eyes half-closed, and then he grins broadly. Grampa is then shown in close-up, talking with his mouth open and then closing his eyes, as the bearded man continues speaking.

> You know, Homer, your mom was a pretty groovy chick.
> And a demon in the sack.
> Aw, you heard about that, eh?

Frame: https://ultrahouse3k.com/img/S10E06/467550.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/471930

## 7:57–8:11

Two men stand outside a yellow house with a purple roof and a window: a bearded man in a tan shirt with an earring, and a thin man in pink wire-rimmed glasses, a lilac shirt, and a wristwatch, who talks and gestures with his hands. The scene then shifts to a red shed with a psychedelic mural reading "Let Your Spirit Soar" and "With love to my son Homer J. Simpson," where Homer, bald and in a white shirt, stands beside the painting of a boy in a red headband with arms spread on a rainbow over the globe. Homer leans in and gestures toward the mural, his mouth moving, and his expression shifts from a grin to a wince as he keeps looking at the painting.

> Anyway, I still think about her every time I walk by that mural she painted.
> Oh, my mother painted that for me?
> Oh, my God.

Frame: https://ultrahouse3k.com/img/S10E06/478603.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/484442

## 8:11–8:21

Homer Simpson, the bald, heavy man in a white shirt and blue jeans, is first seen in close-up beside a yellow house with a purple roof, looking wide-eyed and talking. He then kneels on green grass in front of a purple mural with a rainbow, a globe, and the words 'WITH LOVE, TO MY' and 'HOMER J SIMPSON' painted on it, and he gazes at the mural while his mouth moves. He reaches toward a small green shrub at the base of the mural and pulls it aside, revealing the letters 'JAY SIM' painted on the wall behind it.

> My middle name is right behind that shrub.
> I'll finally know what J stands for. From this moment forth,
> I will be known as Homer... J Sipson!

Frame: https://ultrahouse3k.com/img/S10E06/492367.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/496538

## 8:21–8:35

Homer Simpson, bald and in his white shirt, stands outside a yellow house with red brick by a wooden fence and green fields, with a leafy tree behind him. At first he looks wide-eyed and grins, then taps his temple and tilts his head with a sly smile while the tree stands behind him. He turns to talk with a bearded man in a tan shirt, green trousers, and an earring, who has long grey-streaked hair. The bearded man then kneels on the roadside and pats a golden-brown dog with a maroon cloth on its back, lying on a green mat.

> It's so beautiful.
> What a magical gift for my mother to leave me.
> She also left her old poncho.
> Get off of there, Ginsberg.

Frame: https://ultrahouse3k.com/img/S10E06/503003.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/508425

## 8:35–8:46

Homer, a bald man in a white shirt and blue pants, stands outdoors by a yellow house and a wooden fence, with an older man in pink and red slippers and a thin man in a purple shirt standing nearby. A bearded man in a tan safari shirt and shorts holds out a green poncho, and Homer takes it and hugs it to his chest with his eyes closed while the bearded man gestures and talks. The bearded man then spreads his hands in an explanation as Homer stares wide-eyed, still clutching the green poncho against him.

> I'll treasure this poncho forever.
> You might want to wash that. The dog has a lot of skin and bladder problems.

Frame: https://ultrahouse3k.com/img/S10E06/516141.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/520729

## 8:46–8:57

Grampa, the wrinkled old man with white tufts of hair, stands in a front yard talking with Homer, who holds a limp brown bundle, while two bearded, long-haired men in a tan shirt and a blue shirt look on beside a yellow house. Homer then walks away across the dirt with the bundle slung under one arm, and the scene moves to a psychedelic rainbow mural on a red shed reading "Let your spirit soar, with love, to my son Homer Jay Simpson," showing a figure flying over a globe with flowers and peace symbols. Finally Homer stands against a fenced green field, glancing sideways with a skeptical, sullen expression.

> All right, we got what we came for.
> Plus that stink rag to boot. Now let's hit the road.
> Just lying around, never working, without a carrot...

Frame: https://ultrahouse3k.com/img/S10E06/527193.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/531573

## 8:57–9:05

Homer, the bald heavy man in a white shirt and blue pants, and Grampa, the wrinkled old man with glasses, white tufts and a pink sweater, stand together outdoors on a grassy hillside beside a tree and a wooden fence under a bright blue sky. Homer, holding a long wooden stick, talks and gestures, tapping his chest, raising a fist, then pointing a finger upward while Grampa stands with his arms down and looks on skeptically. Homer then smiles, pats his chest and reaches an arm toward Grampa's shoulder. No on-screen text is visible.

> My head full of long, luxurious hippie hair.
> I'll do it what I'm gonna be a hippie just like mom wanted I'm gonna let my

Frame: https://ultrahouse3k.com/img/S10E06/538038.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/541166

## 9:05–9:13

Homer, bald in a white shirt and blue pants, stands beside Grampa, the wrinkled old man in a pink sweater and glasses, under a tree on a sunny hillside. Homer gestures and speaks, then raises his arm and waves while holding a green camouflage-patterned garment with brown trim, and he swings it down toward a tan dog with a red collar, which sprawls on the grass. He lifts the garment, drapes it over himself as a vest, and the dog snarls and circles back to face him in the open field with a wooden fence behind.

> spirit store and love all of God's creatures get off you stupid dog
> okay if I'm

Frame: https://ultrahouse3k.com/img/S10E06/546171.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/549299

## 9:13–9:24

A bald, heavyset man in a green patched sweater and jeans stands in a pink living room beside a purple television, first holding a black videotape. The scene opens on a black screen, then shows the house's exterior brightening from night to day, before returning inside, where the man studies the tape and slides it into a blue VCR. He then presses the PLAY button with his finger, and the VCR's labelled buttons REC, STOP, EJECT, PLAY, REW and FF are visible.

> gonna be a real hippie I have to learn from the master mr.
> Bob flower child hope hey peace man far out

Frame: https://ultrahouse3k.com/img/S10E06/554304.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/558683

## 9:24–9:35

A zigzag blue title graphic opens the scene, then a hippie-styled man with a black bowl haircut, round glasses, a flower on his headband, a purple paisley shirt, a fur vest, and a pearl necklace stands before a blue curtain, first giving a peace sign and then spreading his arms wide while grinning and glancing sideways. A woman with orange curly hair, a pink dress with a white ruffled collar, pink thigh-high boots, and dangling earrings enters from the right, dancing with her arms out and kicking one leg up. The two face each other, she reaches an arm toward him, and then she hugs him from the side, lifting one leg behind her.

> groovy I'm a hippie ladies and gentlemen miss Jill St.
> John.
> Hey, Bob.

Frame: https://ultrahouse3k.com/img/S10E06/565356.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/569736

## 9:35–9:44

A hippie-styled man with black bangs, a headband holding a pink flower, round wire glasses, a purple paisley coat and a beaded necklace stands against a blue plank wall beside a woman with a tousled orange-red hairdo, dangling gold earring, purple eyeshadow and a pink dress with a white ruffled collar. She leans toward him with her hand resting on his chest while she talks and smiles, her expression shifting between a wide grin and a tight, pursed-lip look, while he keeps a sly half-smile and at one point grimaces with clenched teeth. Her hand moves across his chest and she glances up and aside, with the scene ending as they remain close together.

> I just came to invite you to the love-in.
> I got you a date with the perfect flower child, Phyllis Diller.

Frame: https://ultrahouse3k.com/img/S10E06/576201.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/580163

## 9:44–9:55

A white-haired, thin yellow woman in a red star-print halter top with fringe, bell-bottom jeans and platform shoes stands beside a blue curtain, then walks forward holding a black microphone. She joins a black-bobbed woman in a headband with a pink flower, round glasses, a purple paisley jacket and pearls, and an orange-haired woman in a pink dress and pink boots. The white-haired woman sings with her eyes closed and mouth open, while the bobbed woman grimaces and looks sour in the closing frames.

> Let's get it on.
> Now I know how Dean Rusk feels.

Frame: https://ultrahouse3k.com/img/S10E06/586002.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/589964

## 9:55–10:07

Homer, Lisa, Bart, Marge and baby Maggie gather around a dinner table, with Homer reclining in a chair with his bare feet propped on the tablecloth near Lisa's plate. Earlier, Homer sits on a couch in his green shirt and brown vest scribbling in a notepad with a pencil, and three one-off women in a blue-curtained room wave their arms, one in a star-spangled top and flared jeans, one in a purple beaded shirt with a flower headband, and one in a pink dress and pink boots. Lisa, in her pearl necklace, eats peas and a meat dish beside a glass of milk and looks annoyed as Homer's foot dangles over her plate.

> Good night, everybody.
> Bummer.
> Love-in. Dean Rusk. Bye, George. I've got it.
> Dad, do you mind? Your feet are really close to my potato.

Frame: https://ultrahouse3k.com/img/S10E06/596221.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/601434

## 10:07–10:18

Homer, the bald heavy man in a green shirt with a brown vest, sits leaning back in a chair with his bare feet up on the table, gesturing with his arms, gripping his chest, and then clasping his hands behind his head while he talks and grimaces. Behind him are purple cabinets, a pink wall and a light switch. In the final shots, at the dining table, Lisa in her pearl necklace, Bart in his orange shirt, Marge with her tall blue beehive in a green dress and Maggie with a pacifier and blue bow in her high chair sit watching, with Marge's mouth open as if speaking.

> Your potato? You can't, like, own a potato man.
> It's one of Mother Earth's creatures.
> Homer, excuse yourself.

Frame: https://ultrahouse3k.com/img/S10E06/608942.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/613113

## 10:18–10:27

Homer, the bald heavy man in a green vest over a white shirt, lounges with his bare feet propped up against a pink wall in a kitchen, one hand behind his head and the other raised to touch the wall beside a light switch, grimacing and then grinning as he rubs his nose. Behind him are purple cabinets and a green stove with blue knobs. Across the room at the dinner table, Lisa with her pearl necklace, Bart in his orange shirt, and Marge with her tall blue beehive sit before plates of food, with Maggie in her high chair with a pacifier and blue bow. Marge reaches toward a plate and looks up with a tight, strained grin while the children glance at her and at one another.

> No way, narc.
> Bodily functions are a natural thing. Not to mention hilarious.
> You know, I really don't appreciate being called a narc.

Frame: https://ultrahouse3k.com/img/S10E06/619786.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/623331

## 10:27–10:39

Homer, the bald heavy man in a green camouflage-patterned poncho over a white shirt, sits in a brown chair with his bare feet propped up on a wooden table, while Marge, with her tall blue beehive and red beaded necklace, stands beside him in a green dress. He leans back, fiddles with a brown object and a red-and-white item on his chest, then sits up and gestures with open palms as he talks, grinning and frowning in turn while Marge watches with a skeptical expression. Against a pink wall with a small wooden cabinet at the edge, he keeps gesturing and talking to her as the scene ends.

> And that poncho is filthy.
> Let me dry clean it for you. But you...
> Why do you have to turn everything into one big plastic hassle?
> Marge, you got too many hang-ups. Like, the whole shaving trip.

Frame: https://ultrahouse3k.com/img/S10E06/628962.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/633550

## 10:39–10:44

Homer, the bald, heavy man in a green shirt and blue pants, is bent over at the left edge, peeking out from behind a tan blanket with a wide-eyed, grinning expression, while a pair of long legs in yellow tights and red flats, belonging to Marge in a lime-green dress, stands still beside a pink wall at right. Homer's head and face shift between a nervous, wide-eyed look and an open-mouthed grin as he leans toward the legs. Behind them is a blue-draped table with a red chair and a small framed picture on the wall.

> Come on.
> I want to see those legs all furry and gross.

Frame: https://ultrahouse3k.com/img/S10E06/640431.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/641891

## 10:44–10:51

Homer Simpson, in a green argyle vest with a red strap and brown pouch, and Marge Simpson, with her tall blue beehive and green strapless dress with red beads, sit and stand at a table in a pink room with a framed picture on the wall and a small green plate on the table. Marge points at Homer and talks to him, then Homer gestures with open hands and raised fists while Marge looks unimpressed and rests her hand near him. Homer ends by raising both fists in triumph while Marge stands with her arms folded.

> That ain't gonna happen, bub. Well, at least lose the bra.
> Free the Springfield too, Marge! Free the Springfield too!

Frame: https://ultrahouse3k.com/img/S10E06/645228.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/647939

## 10:51–10:59

Marge Simpson, with her tall blue beehive and red bead necklace, and Homer Simpson, in a green shirt with a brown strap and a stain on his chest, stand at a table in a pink room. Homer grins and gestures while Marge crosses her arms, then steps in and grabs his shoulders, then reaches up to pull a brown strap off his head, leaving him looking dazed. Marge then walks across the pink living room with a feather duster, dusting a potted plant in a wall niche, before she plants her hands on her hips and turns toward the arch. A framed sailboat picture, a red lamp, and a purple side table with a teal telephone are visible in the room.

> I think you've had too much strawberry wine.
> Help!

Frame: https://ultrahouse3k.com/img/S10E06/652944.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/655446

## 10:59–11:13

Homer, nude, lounges on a red couch in front of a pink house, holding a round sign with partly visible lettering, while Marge, in a green dress with a tall blue beehive, opens the pink front door and steps out. A woman in a straw hat with a daisy, a pink shirt and overalls trims a hedge with large shears, pressing a gardening glove to her eyes, and then Homer stands up in the yard, gesturing with his hands and looking around. Marge grabs his shoulders and pulls a brown poncho onto him while he struggles, and he ends up clutching the poncho closed across his chest.

> Oh, I've never seen anything like... My eyes have been soiled.
> Come on, Maude. The human wang is a beautiful thing.
> Homer, for God's sakes, put your poncho on.
> Okay, okay.
> Narc.

Frame: https://ultrahouse3k.com/img/S10E06/660451.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/666291

## 11:13–11:25

Two men stand in a dirt farmyard beside a red barn and a silo: a bearded man in a tan shirt and green shorts and a thin man in a lilac shirt, glasses and grey trousers. A close-up shows Homer, bald and grinning, under a blue sky. An orange disc flies between the two men, then lands on the ground while both clutch their faces in dismay, and the disc is engraved with the words "HOMER JAY".

> Heads up! Hey, it's Homer J.
> My man!
> You've gone granola!

Frame: https://ultrahouse3k.com/img/S10E06/674215.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/679429

## 11:25–11:34

Homer, in a torn green shirt and brown vest, stands on a farm beside a red barn and a yellow house with a grey-haired man with a ponytail, glasses and lavender shirt, and a bearded long-haired man in a beige shirt and green shorts. The bearded man holds up a small white ball, the ponytailed man leans on his shoulder, and then Homer raises a fist and kicks his leg forward. The orange-and-white ball flies up over the white silo and sails across the sky above a pond lined with trees and a wooden fence, where it finally drops out of sight.

> Right on! Join the hack.
> That was cool.

Frame: https://ultrahouse3k.com/img/S10E06/686936.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/690273

## 11:34–11:46

Three cartoon men stand side by side on a grassy roadside in front of a blue sky, a wooden fence, and a pink object behind them. A bald, heavyset man in a torn olive shirt with a green stain stands in the middle, speaking with a wide grin and then squinting and laughing with his eyes closed. A bearded man with a ponytail and tan shirt stands on the left, and a thin man with a ponytail, pink-rimmed glasses, and a lavender shirt stands on the right. As the middle man keeps talking, his head tilts and he leans toward the man on the right, who drapes an arm around him and smirks, while the bearded man on the left stares ahead.

> Think I'll stick around.
> We've got everything we need right here.
> Good times, sunshine, free love.

Frame: https://ultrahouse3k.com/img/S10E06/695904.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/700491

## 11:46–11:57

Homer, the bald, heavy man in a torn green shirt and blue pants, stands in a grassy field beside a fence with a bearded, long-haired man in a tan shirt and olive shorts and a ponytailed man with glasses, a moustache and a lavender shirt, while a blue-and-white megaphone is mounted on a red wall at the start. Homer talks with the two men, shakes hands with the bearded one, and then watches as they walk off to the right. The scene then cuts to the two men beside a red barn wall with wooden X-braces, where they hold planks, before ending on a bottling line of green bottles moving along a conveyor beneath a tall silver machine with red and green lights.

> Okay, time to get back to work. Work?
> But you're hippies. Oh, we were on a break.
> Time is money, man.

Frame: https://ultrahouse3k.com/img/S10E06/707165.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/711961

## 11:57–12:07

Homer, in a green stained shirt, walks into a wooden-walled juice factory between two unnamed men, one bearded with a long grey ponytail and cream shirt, the other with a ponytail, glasses and moustache in a lavender shirt. The lavender-shirted man then stands by a conveyor of green bottles being filled and raises one, with pink spiky labels reading "Seth & Munchie's Garden Blast" in the foreground, and the bottle is then lifted into view. Nearby are a stairway, a red and blue tank, an orange forklift and stacked crates.

> Huh?
> What is this place?
> We are the largest organic juice company in Springfield.
> We grow our own vegetables and process them right here,

Frame: https://ultrahouse3k.com/img/S10E06/718843.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/722597

## 12:07–12:12

Homer, seen from behind-left in a green shirt with a brown patched backpack, stands facing a bearded man with grey hair and a tan shirt and green shorts, who gestures with open hands while talking. To the right, a man in a lavender shirt with a moustache and pink glasses holds green bottles near large blue and red tanks in a plant-like industrial room. The bearded man's hands move from a relaxed position at his sides to an outstretched, open-palmed gesture toward Homer, and his mouth opens and closes as he speaks. Green bottles with pink labels sit on a counter behind them.

> and we give half the profits to war orphans.

Frame: https://ultrahouse3k.com/img/S10E06/728436.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/730104

## 12:12–12:26

Homer Simpson, in a worn green tunic with patches and a brown strap, stands in a wooden doorway with a green field and blue sky behind him, scowling and gesturing with both arms while he speaks. He then turns and steps out of the doorway toward the field, and the scene shifts to an interior with a red wall and metal staircase, where Homer stands in the foreground beside a man with a ponytail, glasses and a lavender shirt and a bearded man in a khaki shirt and green shorts, who look on as Homer glowers.

> Profits, profits, profits!
> What kind of hippies are you?
> Peter Fonda must be spinning in his grave.
> We're just trying to pay the bills, Homer.
> I mean, we're still hippies at heart. Oh, yeah?

Frame: https://ultrahouse3k.com/img/S10E06/733858.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/739697

## 12:26–12:35

Homer Simpson, in a green patched sweater with brown straps, stands on a dirt path in front of a wooden fence and grassy fields, scowling and gritting his teeth before he lifts his arm and points off to the right. Beside a doorway in a building, a bearded man with a ponytail, a hoop earring and a tan shirt raises a finger, then rests a hand on the arm of a thin, mustached man with pink-tinted glasses and a lavender shirt who stands with a watch on his wrist. The bearded man keeps gesturing and smirks while the mustached man looks uneasy, and a green bottle sits on a shelf behind them.

> When's the last time you freaked out the establishment?
> You guys are total sellouts. Wait, don't you work for a nuclear power plant?

Frame: https://ultrahouse3k.com/img/S10E06/747830.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/750959

## 12:35–12:46

Homer Simpson, in an olive shirt with brown straps and holding an orange disc reading HOMER JAY, stands in a grassy field beside a wooden fence, gesturing with an open hand and then pointing to the right while he talks. He turns toward a red barn door where two men with ponytails, one in glasses and a lavender shirt and the other bearded in a khaki shirt and shorts, look back at him. The scene then shifts to a white sedan with plate 34A49 parked beside a yellow house with a purple roof.

> Look, we can sit here all day and play the blame game,
> or we can start freaking people out. Come on, where's your freak bus?
> I drive a Saturn.
> A Saturn?
> We used to have a bus.

Frame: https://ultrahouse3k.com/img/S10E06/756381.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/760969

## 12:46–12:58

A bearded man with swept-back grey-brown hair, a hoop earring and a tan shirt stands in a grey-walled room lined with cabinets, a green bottle and a pink-and-white bottle nearby, grimacing, grinning and talking with a sullen expression. A woman with grey-violet hair and a lavender top enters from the left edge and he glances down at her. A thin older man with pink-tinted glasses, a grey mustache and a grey ponytail, wearing a lavender shirt, stands beside a red curtain and wooden post with his hand against his cheek, speaking and then falling silent, looking to the side with a weary frown.

> In a way, the 60s ended the day we sold it, December 31st, 1969.
> Yeah, an old-time freak-out sounds tempting, Homer, but we've got a big order to fill.

Frame: https://ultrahouse3k.com/img/S10E06/767850.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/772647

## 12:58–13:07

Homer Simpson stands at left in a torn green shirt with a strap harness, beside a thin man in a lavender shirt with glasses, a moustache and a ponytail, and a bearded man with a ponytail in a tan shirt and brown shorts, all in a room with a red wall and a metal structure behind them. Homer first talks and gestures, then clutches a pink button reading partly "VOH" against his chest, and later folds his arms and grimaces while speaking, while the two men stand watching with flat expressions. A small green bottle sits on a counter in the background.

> Fine.
> I guess the juice business is more important than the ideals our hippie forefathers
> refused to go to war and die for.

Frame: https://ultrahouse3k.com/img/S10E06/779529.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/782865

## 13:07–13:15

Two men who are not Simpsons regulars stand side by side indoors near a door on the left edge, beside a grey wall, a staircase, and a green bottle on a shelf at right. The man on the left, with pink glasses, a moustache, and a long dark ponytail, wears a lavender short-sleeved shirt and stands with his hands at his sides, then grins and opens one palm toward the door while the bearded man on the right, in a tan shirt with an earring and ponytail, talks and gestures with open hands, and both end up looking at each other.

> I suppose we could duck out for a couple hours.
> Hey, we'll call it a business trip and write off the mileage.

Frame: https://ultrahouse3k.com/img/S10E06/788496.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/791624

## 13:15–13:27

Homer, bald and wearing a green sweater with a stained patch, stands by a red barn door with a white cross-beam and points while a man in glasses, a lavender shirt and a mustache, and a bearded man with a ponytail in a tan shirt and an earring look on. Homer then holds up an orange button reading "Jay Homer" and lets it go, and the button floats against a plain blue sky. The white car with "HIPPIES ON BOARD" painted on its side, peace signs and flowers, drives along a dirt road with a rainbow streamer flying from its antenna, and the three men ride inside, with the man in glasses at the wheel and Homer in the front passenger seat while the bearded man sits in back.

> Now your freak flag's flying!
> Let the freak out begin!
> Woo-hoo!
> Good sense, ill sense, cripple mankind

Frame: https://ultrahouse3k.com/img/S10E06/796838.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/801426

## 13:27–13:36

Homer Simpson, bald and heavy with stubble and wearing an olive-green shirt with brown patches, sits in the driver's seat of a vehicle with a blue sky visible through the windows. He looks sideways and then grins while holding a small cassette tape in one hand, glancing around as if impressed with himself. He then reaches toward the dashboard stereo, pushing the cassette into the tape deck, and his grin widens as he slides it in. Notable objects include the dashboard cassette player with a green display and the handheld cassette tape.

> Oh, never gonna freak anybody out with this music.
> I brought something from my personal stash that'll blow some minds.

Frame: https://ultrahouse3k.com/img/S10E06/808516.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/812061

## 13:36–13:47

Homer Simpson, eyes closed and leaning back in a green shirt with a seatbelt, sits in the back seat of a car beside a bearded, grey-haired man in a tan shirt and belt, while a moustached man in glasses and a lavender shirt drives. Homer lifts a hand and waves, then turns to glance sideways at the driver, who grimaces with clenched teeth. The scene cuts to a wide view of a city street with brick and colorful buildings, where several cars drive along the lanes and a police car with flashing lights moves ahead of a brown car, while a small figure stands on the sidewalk at left.

> Uptown girl, she's been living in her uptown world.
> I bet she never had a... Can you turn that down just a little?

Frame: https://ultrahouse3k.com/img/S10E06/817900.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/822280

## 13:47–13:58

Ned Flanders, with a moustache, glasses and green sweater, stands on a city sidewalk beside a van painted with flowers and the word LOVE, while Homer leans out of its window holding a megaphone and the bearded passenger inside blows soap bubbles. Homer keeps yelling into the megaphone, and Ned turns away, watches, then gestures with raised hands as he walks off past a parked blue car. A shop sign partly reading "NRICH'S" and "CLE SHOP" hangs above the street.

> Hey, Square, expand your mind. The doors of perception are open for business.
> Thanks for the tip, Homer.

Frame: https://ultrahouse3k.com/img/S10E06/828953.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/833124

## 13:58–14:09

Homer Simpson, wearing a green spiked vest and a purple, orange and white jester hat with bells, sits in the front passenger seat of a car beside a bearded passenger holding a can and a driver with a moustache and glasses in a lavender shirt, who is Ned Flanders. Homer lifts the jester hat onto his head and then pops up out of the open car window, leaning out over the door as the car passes shopfronts on a Springfield street, including signs reading "Springfield Costume" and "Pianos". He waves one hand, spreads his arms wide, and gestures in exaggerated shrugs while the costume and jester hat bob with his movements.

> Everywhere, Daddy, Daddy, hey, hey, hey.
> Never fear!
> The Cosmic Fool is here to blow the lid off your conformist button
> -down world.

Frame: https://ultrahouse3k.com/img/S10E06/839380.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/844177

## 14:09–14:23

Homer, dressed as a jester with purple and orange hat and bells, sits behind the wheel of a white psychedelic car with flower designs and LOVE lettering, while Marge, with tall blue hair and a green dress, stands beside it holding a paper grocery bag. Krusty the clown, in a pink shirt and green pants, rides a unicycle past a row of cowboys in front of The Corpulent Cowboy storefront, with a brown dog on a leash nearby. In the later moments, the car is parked outside Broken-Home Chimney Repair, and Marge, holding the bag and then lifting a pair of brown pants with a balloon seat, speaks with Homer, who looks on with a wary expression. Signs visible include Painful Mishaps Party Supplies and Broken-Home Chimney Repair.

> Weirdos.
> Hi, Marge. We're freaking out squares.
> Oh, Lord.
> What's in your brand-new bag, Mama? Oh, it's that pair of Dockers you wanted.
> 48 waist with the balloon seat, right?

Frame: https://ultrahouse3k.com/img/S10E06/851059.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/856689

## 14:23–14:37

Marge, with her tall blue beehive, stands beside a psychedelic white van painted with a green LOVE and flower designs, while Homer, wearing a purple and orange jester hat and a green shamrock vest, leans out of the window looking worried and gesturing. Outside a building with a partly visible sign reading "OKEN HOME" and "IMNEY," Lisa and Bart sit at a lunch table with Milhouse and other kids, Lisa picking at her food and Bart clasping his hands. Through the window, Homer, still in the shamrock vest and now wearing a red-and-white striped hat, runs across the grass past a man in a safari outfit holding a magnifying glass, while the children at the table look on.

> Hey, Mark, not in front of the hippies.
> Uh-oh, I don't like the sound of that.
> Oh, please, God, don't let them come in here.

Frame: https://ultrahouse3k.com/img/S10E06/864822.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/870244

## 14:37–14:38

Homer, wearing a red-and-white striped Cat in the Hat costume with a brown vest, stands between the open blue doors under an EXIT sign in a classroom, with a gray-haired man in a purple hat and a bearded man in a feathered hat beside him while seated students look on. As the scene plays, Homer raises his arms and a large clear bubble swells from a bottle held near the bearded man, drifting up toward the right-side student, while small brown specks fill the air. The bubble grows, then pops into a fine spray, and the specks scatter across the room.

> Hear ye, hear ye.

Frame: https://ultrahouse3k.com/img/S10E06/878169.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/877960

## 14:38–14:47

Homer, wearing a red-and-white striped Cat in the Hat hat and a mottled green vest with spiky brown trim, stands between a man in an orange-and-purple cap with pink glasses and a bearded man in a red feathered pirate hat, both holding objects, in a room with an EXIT sign. Homer raises his fist and talks, then the crowd presses in: a blonde woman in a green dress is grabbed by an arm while a girl with a pink bow, a spiky-haired boy in purple, and a boy in a white shirt jostle forward. The EXIT sign stays visible above them throughout.

> The intergalactic jester proclaims
> this conformity factory closed.

Frame: https://ultrahouse3k.com/img/S10E06/880046.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/883174

## 14:47–14:56

Three men gather in a green room marked EXIT: a mustached man in a striped cap and glasses, a caped man in a red-and-white top hat, and a bearded man in a red plumed hat who blows a large bubble with a green wand. The blue door then swings wide onto a grassy lawn behind a chain-link fence, and Principal Skinner, with neat grey hair, a blue suit and pink tie, stands beside it holding a red tray with a bowl of food and a cup of milk. His expression sags and his mouth moves as he looks down at the tray.

> Wee-hee!
> Hmm.
> Fifteen years of loyal service, and this is how they tell me?
> A gesture with an invisible proclamation.

Frame: https://ultrahouse3k.com/img/S10E06/888596.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/891933

## 14:56–15:09

Homer, wearing a red-and-white Cat in the Hat hat and a ragged green vest, and an older bearded man in a khaki shirt and shorts climb out of a psychedelic flower-painted car marked with 'LOVE' in a farmyard in front of a red barn. A thin, mustached man in glasses and a lavender shirt joins them, and the three stand together at the barn's double doors while the bearded man and the thin man talk. The thin man gestures toward the door latch as the group lingers by the red barn, with a yellow house and green hills behind them.

> So fine, yeah, yeah.
> That was fun. I don't know if we actually freaked anyone out, but...
> No, no, no, March was definitely freaked out.
> Thanks, Homer.
> It was nice to reconnect with our hippie roots.
> If only for us.

Frame: https://ultrahouse3k.com/img/S10E06/897355.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/902985

## 15:09–15:21

Homer, wearing a red-and-white striped hat and green shirt, Grampa in a cream shirt and khaki shorts, a bearded heavy man in a khaki shirt, and a grey-haired man with a ponytail, mustache and pink glasses in a lavender shirt stand at a wooden doorway and inside a bottling plant. Green-tinted bottles spill from a doorway onto the grass-green slime on the floor, and the men look in and react with alarm, hands raised. The scene shifts into the factory, where bottles pour off a conveyor and drain through a grate in the floor. The lavender-shirted man stands by a conveyor, holding up an orange frisbee marked "Homer Jay" that is jammed among the bottles, with the words "Your frisbee jammed the juicelator" fitting the moment.

> What the hell?
> Oh, no! Oh, man!
> Your frisbee jammed the juicelator, Homer.

Frame: https://ultrahouse3k.com/img/S10E06/910701.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/915706

## 15:21–15:31

Homer, bald and wearing a red-and-white Cat in the Hat hat over a green costume with a clover patch, stands in a doorway with a bearded man in a tan shirt and a mustached man with glasses, a grey ponytail and a lavender shirt. Early on the two men stand among heaps of broken green bottles against a wooden wall, the bearded man gesturing while the ponytailed man grimaces and pinches his face. Homer then steps out into a farm scene, clutching his chest, and the two men flank him, arguing. Finally the ponytailed man grips Homer's shoulder and holds up an orange tag reading HOMER, while the bearded man looks on nervously beside him.

> Our entire shipment is ruined.
> Pretty freaky, huh? The only people who are going to be freaked out are our stockholders.
> I'm sensing some negative vibes here,

Frame: https://ultrahouse3k.com/img/S10E06/922797.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/926759

## 15:31–15:43

Homer, wearing a red-and-white striped Cat in the Hat hat and a green patched vest, stands between a long-haired bearded man in a cream shirt and a grey-violet ponytailed woman with glasses and a lavender shirt, likely Patty or Selma, outside a farm fence under a blue sky. He gestures with both hands, shifting from a sour look to wide-eyed and talking, while the two others listen. The scene then moves to a store front with a blue tank and green bottles on a shelf, where Homer stands at left facing the woman, who is holding an orange object and turns from folding her arms to resting a hand on her hip, while the bearded man stands silently at right.

> but I promise tomorrow's freakout will go a lot smoother.
> There won't be any more freakouts. You're not a hippie, and you never were.

Frame: https://ultrahouse3k.com/img/S10E06/932807.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/937812

## 15:43–15:54

Homer, wearing a Cat in the Hat striped hat and a camouflage poncho, stands between a long-haired, bearded man in a beige shirt and a man with a grey ponytail, glasses and moustache in a lavender shirt. Homer gestures with his hands while the bearded man raises both palms defensively, and the scene shifts as Homer turns to look out at a green hillside under a blue sky. A psychedelic poster follows, with partial lettering reading 'Your Spirit' and a nude cartoon figure with a red headband riding a rainbow over the Earth, before Homer returns to the frame, looking worried in front of the sky.

> Yes, but the poncho... Please, Homer, just leave us alone.

Frame: https://ultrahouse3k.com/img/S10E06/944694.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/949282

## 15:54–16:07

Homer, wearing a red-and-white striped Cat in the Hat hat and an olive shirt with brown straps, first fumbles with the straps in front of a red barn, then walks away along a dirt path past a small red shed with a purple psychedelic sign. Beside him, a shirtless long-haired man with a pink headband and brown hair stands on a purple, rainbow-striped background, arms outstretched, scowling, grimacing and glaring in close-up. The shed bears a purple sign with lettering, and a green field and wooden fence stand behind the barn under a blue sky.

> How could you let me turn into you?
> But the poncho! But the poncho!
> Hit the road, Square.

Frame: https://ultrahouse3k.com/img/S10E06/956164.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/961169

## 16:07–16:18

Homer Simpson, wearing a red-and-white Cat in the Hat style hat and a torn green shirt with a brown harness-like strap, stands in a grassy field beside a red barn with a weathervane and a small purple-and-yellow doghouse-like shed. In the early frames he stares at a orange disc labeled HOMER with a Cat in the Hat style design while standing in the field, then he tosses or throws the disc away with an outstretched arm while looking up at the sky. He then stands in front of the barn, where the disc lands and he watches it, clutching his torn shirt and grimacing before standing still in the field with his hands at his sides.

> Uh-oh.
> Oh, for crying out loud!

Frame: https://ultrahouse3k.com/img/S10E06/968468.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/972847

## 16:18–16:21

No characters appear in this moment. The screen opens on black, then shows the Simpsons house with its brown roof, pink front door, arched windows, and attached two-car garage under a clear blue sky, with a purple tree and a blue mailbox by the street. The house stays still throughout, with no visible movement or action.

> Stunned league officials say point shaving may have occurred in as many as three Harlem

Frame: https://ultrahouse3k.com/img/S10E06/979103.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/979729

## 16:21–16:28

Kent Brockman, the grey-haired news anchor in a red jacket, blue tie and pocket square, sits at a brown desk in front of a teal wall, holding a sheet of paper in both hands and reading it with a weary, grim expression. His mouth opens and closes as he speaks, and his eyes stay half-lidded while a picture of a red basketball hangs on the wall behind him. In the final moment, that wall picture has changed to a tipped bottle spilling green liquid.

> Globetrotters games.
> And in business news,

Frame: https://ultrahouse3k.com/img/S10E06/982440.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/985151

## 16:28–16:36

Kent Brockman, the grey-haired news anchor in a red suit, blue tie and pocket square, sits behind a brown news desk in front of a teal wall with a framed picture of a spilled green pill bottle. He holds a sheet of paper in both hands and reads from it, his heavy-lidded eyes shifting to wide-eyed alarm while his mouth opens to speak. His expression moves between a tight, gritted-teeth grimace, an open-mouthed look of surprise, and a flat, sly half-smile, all while he keeps his hands steady on the paper.

> Groovy Grove Juice Corporation has announced it will miss delivery on its third-quarter
> shipment.
> A spokesman attributed the production shutdown to a half-witted oaf.

Frame: https://ultrahouse3k.com/img/S10E06/989947.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/992658

## 16:36–16:46

Homer, the bald heavy man in a green shirt, sits on the brown couch in the pink living room with Bart, Lisa, Maggie and Marge seated or standing beside him, while Santa's Little Helper sleeps on the striped rug in front of an old television. In the close-up shots that follow, Homer sits beside a purple lamp, his eyes wide and his mouth opening and closing as he grimaces, grits his teeth, and gasps, with his expression shifting from worried to startled. A small sailboat picture hangs on the wall behind the family, and a green telephone sits on the side table.

> Oh, we're sweet of those guys to blame an oaf.
> But really, it was my fault.
> I just don't have the discipline to be a hippie.

Frame: https://ultrahouse3k.com/img/S10E06/997455.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1001417

## 16:46–17:00

Marge, with her tall blue beehive, Lisa in a pearl necklace and Maggie in a blue outfit with a pacifier and blue bow sit on a brown couch in a pink room while Homer, in a green shirt, sits beside them. Bart in an orange shirt sits next to Lisa and Homer, and a purple lamp stands at the left. Homer slouches, looks sideways, then opens his mouth wide in a laugh, while Bart talks, gestures with a finger and reaches toward Lisa, who gives a sideways glance and smirks. Bart's mouth opens and closes as he speaks, Lisa's gaze shifts, and Maggie stays seated, sucking her pacifier and watching.

> Ooh, does this mean you're going to start showering again?
> Perhaps, in time.
> Aw, cheer up, Dad. You make a great hippie.
> Aw, you're just saying that. No, really.
> You're lazy and self-righteous. And the soles of your feet are jet black.

Frame: https://ultrahouse3k.com/img/S10E06/1007673.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1013513

## 17:00–17:10

Homer, the bald heavyset man in a green shirt with a dark stain, sits on a brown couch next to Bart in an orange shirt and Lisa in her red dress and pearl necklace, all facing left toward a purple lamp on a side table with a teal phone. Homer gestures with his hand and talks while the kids look up at him, and his expression shifts from a sidelong glance to a slumped, sheepish look. Then the scene cuts to Marge, with her tall blue beehive and red bead necklace, talking animatedly beside Maggie, who wears a blue bow and stares wide-eyed, and a red lampshade glows at the right edge. Marge's expression changes from an open-mouthed grin to a narrowed, skeptical look as she keeps speaking.

> Well, I do walk through pretty much anything.
> Oh, you kids are sweet.
> I know you feel bad about the juice incident, but I'm sure you can make up for it somehow.

Frame: https://ultrahouse3k.com/img/S10E06/1021646.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1025608

## 17:10–17:18

Homer, Marge, Bart, Lisa and Maggie are in the living room, where Santa's Little Helper sleeps on the rug. Homer gestures and points at a sailboat painting on the pink wall, and then the scene shifts to night, with a full moon over purple clouds and Homer sneaking past the family house and a flower-painted car marked LOVE. He then peeks through a curtained window, and the moment ends on a bald older man with grey hair at the sides sleeping in a bed beside another sleeper.

> That's it! Somehow!

Frame: https://ultrahouse3k.com/img/S10E06/1031864.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1034784

## 17:18–17:30

Homer, the bald, heavy man in a green shirt with a shamrock-like stain, grins and gestures with one hand while standing beside a window in a blue room, his expression shifting from a sly sideways glance to wide-eyed excitement. The scene then cuts to a night sky with a large yellow moon behind purple clouds, where Homer, now with a backpack strapped on, hurries across a fenced yard carrying a bundle of bricks or a wrapped package under one arm. He pauses and turns to look over his shoulder, and the moon remains visible behind him as he stands with a smug, sideways smirk and fingers hooked at his strap.

> Sleep, gentle hippies. Sleep.
> Let old Homer J set things right.

Frame: https://ultrahouse3k.com/img/S10E06/1039789.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1044794

## 17:30–17:41

Homer, the bald, heavy man in a green vest with a basket on his back, appears among rows of tomato plants at dusk, then crouches in a carrot field under a moonlit purple sky. He pulls up a carrot and holds it aloft while a small brown rodent-like creature, a gopher, clings to his arm and reaches up for it. Homer glances sideways, then throws his arms up and is seen leaning back in alarm, before ending up at a wall-mounted shelf of carrots, reaching up and straining while a large carrot-shaped basket hangs from his back.

Frame: https://ultrahouse3k.com/img/S10E06/1051676.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1055846

## 17:41–17:51

Homer Simpson, bald and wearing a tattered green shirt and torn white pants, is at a bottling plant, first crouched beside a machine and then standing before a row of Garden Blast bottles. He stares wide-eyed at a bottle while a green liquid pours from an overhead nozzle into another bottle on the counter. He then turns and clutches at his shirt as a swarm of brown rats suddenly swarms over him, and he cries out in alarm. The last frame shows the empty room with only his yellow hand visible at the bottom, and the bottles still filling on the conveyor beside a red tank and blue machinery.

> I just love to show you everyone.
> It's the time of the season.

Frame: https://ultrahouse3k.com/img/S10E06/1062103.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1066274

## 17:51–18:02

Homer, bald and heavy in a ragged green patched shirt with stitches, stands in a yard in front of a yellow farmhouse with a purple roof, a pink couch, and a pink windsock, facing a bespectacled man with a grey ponytail and moustache in a lavender shirt and a bearded man with long grey hair in a tan shirt and green shorts. The two men walk out the blue door and down the porch steps, then stand alongside each other while Homer, wide-eyed and grimacing, gestures and talks to them, with the bearded man looking anxious and the ponytailed man gesturing and glancing toward the field. The scene cuts to a bare, freshly tilled field with only a few sprouting seedlings and a fence and trees along the horizon, then returns to the three men in front of the house, where the ponytailed man extends a hand toward the bearded man as Homer keeps looking on.

> Good morning, Starshine.
> Sis?
> What's going on? What happened to our crops?

Frame: https://ultrahouse3k.com/img/S10E06/1072738.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1076909

## 18:02–18:14

Homer Simpson, bald and heavyset, stands in a tattered olive-green scarecrow-style outfit with patches and straps, hands on hips in front of a blue sky, then grins and spreads his arms wide as he talks. Beside a yellow house with blue shutters, two one-off men, one with long grey hair and a beard in a tan shirt and the other with a grey ponytail, pink glasses and a lavender shirt, listen and one points, while Homer gestures and raises a finger in the same spot. Pink flowers and a wooden fence sit at the edges of the bright outdoor scene.

> I picked them, juiced them, and delivered them to every store in town.
> Your business is saved. But there weren't enough vegetables left to fill that order.
> Heh, that's what I thought at first.

Frame: https://ultrahouse3k.com/img/S10E06/1083374.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1088170

## 18:14–18:20

Homer, bald and heavyset with stitched-up scars on his head, face and arm and wearing a green shirt, talks and gestures with a raised fist, grinning, then wide-eyed and smiling, while a dirt path leads through a gap in a wire fence to a garden. The scene holds on a fenced area with barbed wire, a sign reading "KEEP OUT" on the gate, and a garden covered with green and yellow camouflage netting, with a blue sky behind.

> But then I found the other garden behind the barn.
> The one with the camouflage netting.
> Uh-oh.

Frame: https://ultrahouse3k.com/img/S10E06/1095261.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1097138

## 18:20–18:30

Outside a yellow house with a purple roof, blue shutters and a chain-link fence, Homer, a bald heavy man with stitches and a ragged green shirt, stands at the right beside two men: a grey-haired man with a ponytail, pink-framed glasses and a moustache in a lavender shirt, and a bearded man in a tan shirt. The ponytailed man gestures with his hands while Homer grins and waves one arm, then Homer looks nervous and the ponytailed man clasps his hands together. Homer raises his arm again and gestures outward while the others watch, and a wristwatch is visible on the ponytailed man's wrist.

> Homer, those were our personal vegetables.
> Well, now the whole town can benefit from their nutrients.

Frame: https://ultrahouse3k.com/img/S10E06/1101309.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1105271

## 18:30–18:41

A red-haired, red-bearded man in green overalls and a grey shirt leans against an orange ride-on lawnmower on a grassy lawn beside a rake and a leaf pile, drinking from a green bottle, then lowering it and gesturing with his free hand while grimacing. A woman with orange-red hair, a black sleeveless dress and a gold necklace poses with one hand to her head against a purple tree decorated with pink and yellow stars, while the man returns in a close-up with wide eyes and a broad grin, his beard filling the lower half of the picture.

> Bulgy!
> Willy, you complete me.
> Since be pleased I've always dreamed

Frame: https://ultrahouse3k.com/img/S10E06/1111527.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1116115

## 18:41–18:53

A woman with shoulder-length orange-red hair, a black dress and a gold necklace poses against a psychedelic backdrop of purple, green and blue swirls and yellow and pink stars, first raising one hand and then gesturing with a finger. The scene then moves to a park with a chain-link fence and trees, where a red-haired man in green overalls, a grey shirt and yellow gloves stands with his back to a tree trunk, arms outstretched, before pressing his face into a cone-wrapped bouquet of long orange-stemmed flowers with his eyes closed and mouth open. Lines are drawn across his face as he holds the flowers close.

> of this moment

Frame: https://ultrahouse3k.com/img/S10E06/1122997.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1127793

## 18:53–19:03

Barney, a heavy man with messy brown hair in a teal shirt, stands in a kitchen beside an open refrigerator, drinking from a green bottle with a pink label. He lowers the bottle and gestures, and a horned blue monster with bat-like ears appears on a cluttered, slime-stained couch in a messy living room, mouth wide open. Back in the kitchen, Barney gestures with the green bottle, then tilts a red can to his mouth beside a grey fish magnet on the fridge.

Frame: https://ultrahouse3k.com/img/S10E06/1135092.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1138846

## 19:03–19:14

A blue, horned, bat-winged monster sits on a grimy floor in a cluttered room with a brown door marked MEN, first gripping a pole overhead with a wide-open toothy mouth, then clutching its face in alarm. A pink elephant in a top hat leaps down onto the monster, pinning it, and then stands grinning with its trunk raised while the blue creature lies flattened beneath its feet. Meanwhile a heavy man with brown hair and a teal shirt, the same figure seen earlier, holds up a red Duff beer can in front of an open refrigerator, grinning and turning the can. The scene closes on an aerial view of a city street with traffic lights, a few cars, and brick and colorful buildings under a pink sky.

> Thanks pinky you've always been there for me

Frame: https://ultrahouse3k.com/img/S10E06/1144894.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1149273

## 19:14–19:28

Ned Flanders, with his moustache, glasses and green sweater, drives a blue car past a BAKERY storefront, and his view then shows the road ahead, where a green and a red dancing bear and skeletons wearing Uncle Sam hats dance against a pink and orange sky. Ned grips the wheel with his mouth open, and a hammer on striped stilt-like legs rises before the windshield, its head turning into a pair of red lips that poke out a red tongue.

> Morning, Ned!
> Pucker up, Ned!

Frame: https://ultrahouse3k.com/img/S10E06/1155946.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1161369

## 19:28–19:31

Ned Flanders, with a brown moustache and green sweater, sits in a car with both hands raised beside his head and his mouth wide open in alarm. The scene then shifts to a psychedelic sunset of zigzag orange, pink and purple sky over green hills, with a yellow sun sinking lower and trees gradually rising into view. Finally, two older men sit side by side on a park bench beside a green lamppost and a brown footpath, with the sun setting behind the trees.

Frame: https://ultrahouse3k.com/img/S10E06/1169085.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1169919

## 19:31–19:38

Two elderly men sit side by side on a green park bench under leafy trees and a pink sky, the heavyset man in a pink sweater and bolo tie and the bearded man in a green sweater and vest with a cane, each holding a green bottle and laughing together. The heavyset man lifts his bottle to drink while the bearded man keeps laughing, then the bearded man raises his bottle to his lips as the other laughs, and they settle back into laughing with their bottles in hand.

Frame: https://ultrahouse3k.com/img/S10E06/1172838.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1175341

## 19:38–19:45

Two elderly men sit side by side on a green park bench under leafy trees and a pink-tinged sky, each holding a green glass bottle. The heavyset man in a salmon sweater, white bolo tie and round glasses grins and laughs, then tilts his head and turns toward his companion, while the white-bearded man in a green sweater, blue trousers and suspenders, resting both hands on a cane, laughs with his eyes shut. Faded pink and green lettering is visible on the bottles.

> We are so old!

Frame: https://ultrahouse3k.com/img/S10E06/1179929.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1182431

## 19:45–19:57

Two elderly men sit on a green park bench by a pond, both holding green bottles, and the man on the right grips a red cane. Chief Wiggum, a heavyset police officer with blue hair, sits at a cluttered desk under a corkboard of wanted posters, then turns toward a doorway where a dark-haired officer with a moustache reclines in a red swivel chair, feet up, waving a green bottle. Wiggum stands beside the chair while the reclining officer kicks his legs up and leans back, the bottle still in his hand.

> Whee!
> Lou, Lou, are you all right?
> The electric yellow has got me by the braid banana.

Frame: https://ultrahouse3k.com/img/S10E06/1187019.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1191607

## 19:57–20:01

Chief Wiggum, the fat police chief in his blue uniform and cap, stands indoors in front of a beige wall with a ceiling light at the left edge. He starts with his eyes half-closed, then widens his eyes and grimaces, and later holds up a green bottle with a pink label while glancing sideways and pointing toward his badge. In the final moments he raises one hand with a smear of green on his fingertip while still gripping the bottle.

> I see.

Frame: https://ultrahouse3k.com/img/S10E06/1198489.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1199532

## 20:01–20:13

Chief Wiggum, the heavyset police chief in a blue uniform and cap, stands in a station hallway beside a thin, tight-lipped officer in a peaked cap and black tie. Wiggum first peers at a small green-and-pink pill bottle in his hand, then holds it up toward the thin officer, who watches with a sour, grinning expression while Wiggum's face shifts from puzzled to scowling as he speaks. The scene ends with Wiggum glaring and talking, with a barred window at the left edge of the hallway.

> My God, it's nothing but carrots and peyote.
> Hmph. Damn long-hairs never learned, Chief.
> It's time for an old-fashioned hippie ass-whomping.

Frame: https://ultrahouse3k.com/img/S10E06/1202868.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1207456

## 20:13–20:23

Chief Wiggum, the fat police chief in a blue uniform and helmet, leans out of a white police car and shouts through a megaphone, with other police officers in blue helmets gathered around the car and a blue armored vehicle nearby. The scene opens on a farm with a purple-roofed house, a red barn and a field, where several white police cars with flashing lights sit on a dirt driveway. The police gather at the farm, with officers crouched behind riot shields and an officer on the armored vehicle raising binoculars, while a van with its back doors open shows rifles on the wall. A sign reading 911 is visible on the side of the police car.

> Attention, hippies.
> Come out peacefully so we can smash your drug mill and all your worldly possessions.

Frame: https://ultrahouse3k.com/img/S10E06/1214130.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1218092

## 20:23–20:32

Homer, in a torn green vest over blue pants, stands at a red barn's open wooden door with a bespectacled, moustached man in a lavender shirt and a bearded man in a tan shirt and green shorts, all with their hands raised, while a riot officer with a shield and baton watches from the foreground. Homer shouts and jabs his finger while the two men keep their arms up, and then the group is shown on a dusty lot in front of a line of helmeted police with a fat police chief at the center and a white van behind them. The pink-violet sunset sky and a small pink shed are visible in the background.

> Officer, please.
> We can explain.
> Not so fast, pig.
> We're making a stand. A freaky stand.
> You can smash this drug barn all you want,

Frame: https://ultrahouse3k.com/img/S10E06/1224348.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1227893

## 20:32–20:39

Homer, bald and in a spiked green-and-brown turtle-shell costume with a golden badge on the chest, stands between two men on a street under a purple dusk sky beside a pink building. A bespectacled man with a moustache and a grey ponytail in a lavender shirt grips Homer's shoulder on the left, while a bearded man in a beige shirt with an earring holds him on the right. Homer glares and grits his teeth, then opens his mouth to speak as the bearded man grimaces and winces, and the three then press closer together, with the bespectacled man glowering and the bearded man's mouth opening and closing.

> but first you'll have to smash our heads open like ripe melons.
> This man does not represent us. All right, boys.

Frame: https://ultrahouse3k.com/img/S10E06/1233941.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1236235

## 20:39–20:51

Against a pink-to-purple dusk sky, Chief Wiggum, a heavy-set police officer in a blue riot helmet and vest, stands in a line of officers with nightsticks, first gritting his teeth and fiddling with his stick while a Black officer beside him looks on. The other officers square up with their sticks on their shoulders and scowl, then Wiggum sends his stick spinning in a fast blur, gesturing and talking as he rests a hand on a fellow officer's shoulder. The group holds their batons steady as Wiggum shouts, with the blurred twirling nightstick still visible in the foreground.

> Set your nightsticks on, Womp.
> Uh, mine's stuck on twirl. Oh, for the lover.
> There.
> Now let's crack some scowls.

Frame: https://ultrahouse3k.com/img/S10E06/1240614.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1245411

## 20:51–20:53

Police officers in blue uniforms and helmets, with the heavy-set Chief Wiggum prominent in the close-ups, hold batons against a dusky pink-orange sky, then stand before a pink shed and red barn where three men stand together, the bald heavy man in the middle wearing a green vest. Officers with riot shields and batons cluster in the lower foreground, and the group in the foreground shifts and raises their batons as the men in the shed area remain still. Visible objects include the pink wooden shed, the red barn with an open wooden door, and the riot shields.

Frame: https://ultrahouse3k.com/img/S10E06/1252293.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1252501

## 20:53–21:07

Homer Simpson stands in the middle, bald and heavyset, wearing a torn, stained green shirt, with a bearded man in a tan shirt on the right and a thin, balding man with a grey ponytail, moustache and pink-tinted glasses in a light blue shirt on the left. Against a pinkish-purple sky and a red structure at the lower right, Homer's expression moves from scowling to speaking with his mouth open, then eyes closed while the left man gestures with his hand and Homer's hands gesture too. He later grimaces with clenched teeth and stares sideways, while the left man rests a hand on Homer's shoulder and the bearded man keeps a glum, steady look.

> Seth, Munchy, they can destroy our bodies and our ponchos,
> but they can never silence our song of protest.
> Uptown girl, she's been living in her white bread world.
> Come on, guys.

Frame: https://ultrahouse3k.com/img/S10E06/1254795.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1260426

## 21:07–21:18

Chief Wiggum, a fat police chief, raises a baton among helmeted officers in blue against a purple dusk sky, then scowls in a close-up with his teeth bared. Three officers in blue caps level rifles in a row while a bald, heavy man in a torn green shirt points toward a red wooden door, with a moustached man in a light shirt and glasses and a bearded man in tan beside him gesturing. The three helmeted officers then stand holding rifles in a line, and the officer on the right squeezes his eyes shut.

> Forget the clubs, just shoot them.
> Look at yourselves.
> Pointing guns at your fellow man. Hatred is a cage that keeps us from soaring free.

Frame: https://ultrahouse3k.com/img/S10E06/1268142.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1272730

## 21:18–21:26

Homer, in an olive-green shirt with a strap across his chest, is hemmed in by several helmeted police officers in blue uniforms at dusk, with a green tree and pink-purple sky behind them. He grimaces and gestures toward a red barn wall with a pink-trimmed door and a round lamp, then grips the strap at his chest while an officer holding a rifle stands beside him. The officers shift around him as he turns, looks worried, and clutches the strap while the rifle stays raised near his side.

> Yes, the 60s may be dead and gone, and its spirit long since extinguished,
> but its ideals live on.

Frame: https://ultrahouse3k.com/img/S10E06/1279195.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1282531

## 21:26–21:37

Homer Simpson, in a torn olive shirt and holding daisies, faces police officers in blue helmets, one of them Chief Wiggum, who aim rifles at him across a barren pinkish field dotted with grass tufts. The scene shifts to a close view of a red-centered flower, then a gun barrel against an orange sky, and then to the Springfield Cemetery gates, where a small group of dark figures walks up the grassy hill past gravestones. The moment ends on the Springfield General Hospital building, with its name shown on a blue sign out front.

> Freedom, love, and peace.
> Doctor, will he be all right?

Frame: https://ultrahouse3k.com/img/S10E06/1287953.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1292124

## 21:37–21:48

A doctor in a white coat with a stethoscope, Marge with her tall blue beehive, and Lisa and Bart stand together in a hospital corridor looking uneasy. Homer lies in a hospital bed with a green leafy stem stuck to his head, and Bart stands by a curtained window in a green room, mouth open in alarm. Back at the bedside, the doctor speaks and gestures while Marge and Bart look on, with a framed mountain picture on the green wall.

> Yes, he was lucky.
> If that had been a gladiola, he'd be dead right now.
> Why don't you just pull it out?
> I'm a doctor, not a gardener. Can't you just prune some of the leaves so I can watch TV?

Frame: https://ultrahouse3k.com/img/S10E06/1298589.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1302968

## 21:48–21:52

Homer lies in a hospital bed with an IV drip beside him and a leafy green sprig draped over his head, his wide eyes and open mouth showing alarm as he talks, then his teeth clench in a grimace. A doctor in a white coat with a stethoscope stands beside the bed with Marge, whose tall blue beehive and red beads are visible, and Bart in an orange shirt at the lower right. The doctor speaks and grins while Homer looks up at him nervously, and a landscape painting hangs on the pale green wall behind them.

> What did I just say?

Frame: https://ultrahouse3k.com/img/S10E06/1309433.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1310476

## 21:52–22:02

No cartoon characters appear; the moment is a series of credit cards over swirling kaleidoscope backgrounds. The on-screen text first reads 'Executive Producer MIKE SCULLY' and then 'Executive Producers JAMES L. BROOKS, MATT GROENING and SAM SIMON' over blue swirls, which fade out as the background shifts to green and pink tones for 'Starring DAN CASTELLANETA', then 'JULIE KAVNER', 'NANCY CARTWRIGHT' and 'YEARDLEY SMITH' over tie-dye colors, with the text fading in and out.

Frame: https://ultrahouse3k.com/img/S10E06/1313813.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1317566

## 22:02–22:12

No characters appear in this moment; it is a series of swirling, psychedelic blue, purple and green title cards with white-outlined credits in the end-credits sequence. The credits read HANK AZARIA, 'and HARRY SHEARER', 'Special Guest Voice GEORGE CARLIN', 'Special Guest Voice MARTIN MULL', 'End Titles Music Performed by YO LA TENGO', 'Also Starring PAMELA HAYDEN, TRESS MACNEILLE, MAGGIE ROSWELL', 'Animation Producer MICHAEL WOLF', 'Animation Executive Producers LOLEE ARIES and DAVID PRITCHARD', and 'Co-Producer LARRY DOYLE', each text appearing in turn over the shifting abstract background.

Frame: https://ultrahouse3k.com/img/S10E06/1323614.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1327576

## 22:12–22:22

No regular characters appear in this moment; it is a sequence of swirling, psychedelic kaleidoscope backdrops with white credit text over them, as the opening credits roll. The credits read Co-Producer Matt Selman, Executive Story Editor Tim Long, Associate Producer Dominique Braud, Theme by Danny Elfman, Music by Alf Clausen (shown twice), Casting by Bonita Pietila, Editors Michael Bridge and Don Barozzo, Animation Co-Producer Joel Kuwahara, and Post Production Coordinators Alexander Duke and Richard K. Chung. The backgrounds shift in colour from blue and purple to magenta, green, and red as each name card replaces the last, while the swirling patterns keep spinning behind the text.

> Uptown girl She's my uptown girl

Frame: https://ultrahouse3k.com/img/S10E06/1333624.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1337378

## 22:22–22:32

No regular characters appear in this moment; it is a run of end-credit title cards over a shifting psychedelic green, blue, pink and purple swirl background. The credits roll upward through sound, production, animation, storyboard and character design names, including Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod, Animation Produced by Film Roman, Inc., Storyboard Consultant Mike B. Anderson, and Character Design credits for Matt Groening and Sam Simon. Each card fades in and out in turn, with the white capitalized text centered or set in two columns over the swirling colors.

> I know that I'm in love With

Frame: https://ultrahouse3k.com/img/S10E06/1343425.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1347179

## 22:32–22:43

Silhouetted audience members sit in rows in a dim animated movie theater, the largest figure at the left with a big puffy hairdo, while white credit lists over swirling colored backgrounds scroll past, including Color Design, Animation Production and Creative Consultant Matt Groening. The scene then settles on the theater with the screen glowing blue as the words GRACIE FILMS appear over it, the room dims to black, and IN ASSOCIATION WITH fades in on a black background.

> an uptown girl I buried Slanders

Frame: https://ultrahouse3k.com/img/S10E06/1353227.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1357606

## 22:43–22:47

No characters appear in this moment; it is the 20th Century Fox Television logo animation. Golden block lettering reading "20th Century Fox Television" sits atop a stepped golden tower against a blue sky with cloud wisps and searchlight beams. The logo rotates and shifts slightly across the early frames, with the "A News Corporation Company" line appearing beneath it, then the screen fades to solid black for the final frames.

> Thank you.

Frame: https://ultrahouse3k.com/img/S10E06/1364071.jpg
Page: https://ultrahouse3k.com/episode/s10e06-doh-in-in-the-wind/1365531