# Sunday, Cruddy Sunday

The Simpsons, season 10, episode 12 (S10E12), first aired January 31, 1999.
Written by Tom Martin, George Meyer, Brian Scully and Mike Scully. Directed by Steven Dean Moore. Production code AABF08.
Guest stars: Rupert Murdoch; Dan Marino; Dolly Parton; John Madden; Pat Summerall; Rosey Grier; Troy Aikman; Fred Willard as Wally Kogen.
Chalkboard gag: "I WILL NOT DO THE DIRTY BIRD". Couch gag: Titanic.

Homer meets travel agent Wally Kogen at a tire shop and earns a free Super Bowl trip by filling Wally's charter bus with Springfield men. Their tickets turn out to be fakes, and after Dolly Parton frees them from a stadium cell, they raid Rupert Murdoch's skybox and land in the winners' locker room. At home, Marge and Lisa wait for missing parts for a Vincent Price egg-decorating kit.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Otto Mann, Jasper Beardsley, Martin Prince, Ralph Wiggum, Reverend Lovejoy, Santa's Little Helper, Lou, Lewis Clark, Wendell Borton, Richard, Jimbo Jones, Eddie, Miss Hoover, Todd Flanders, Maude Flanders, Snowball II, Rod Flanders, Kearney Zzyzwicz, Sideshow Mel, Kirk Van Houten, Nina Skalka, Hans Moleman, Luann Van Houten, Helen Lovejoy, Adrian Belew, Dolph Starbeam, Horatio McCallister, Comic Book Guy, Girl with glasses, Jaffee Ziswhisky, Buck-toothed boy, Dr. Nick, Dewey Largo, Superintendent Chalmers, Squeaky-Voiced Teen, Buck-toothed girl, Old Jewish Man, Chuck Berger, Bumblebee Man, Charlie, Blue-Haired Lawyer, Sherri and Terri, Mr. Teeny, Bill Clinton, Rupert Murdoch, Al Gore, Bus Driver, Dan Marino, Dan Marino's Manager, Dolly Parton, John Madden, Mechanic, Mechanic's boss, Oldest Surviving NFL Player, Pat Summerall, Post Office Guard 1, Post Office Guard 2, Postal Worker 1, Postal Worker 2, Postal Worker 3, Postmaster Bill, Rosey Grier, Rudy, Ticket Checker, Ticket Seller, Troy Aikman, Vincent Price, Wally Kogen.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:11

No regular characters appear in this title sequence. Over a blue sky with drifting tan clouds, the yellow title text THE SIMPSONS fades in and out, followed by a zoom through a circular window in a large yellow letter to a view of the Springfield Nuclear Power Plant, with its cooling towers marked by atom symbols, and then a pan across the town's hills and buildings, ending on the Springfield Elementary School building with a flag, a traffic light, and a shop awning reading DAN on the left.

> The Simpsons

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## 0:11–0:23

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, is at Springfield Elementary School, first seen through the building's facade with its entrance and sign. He writes on a blackboard in a classroom, filling lines with the phrase 'I will not do the dirty bird' while a wall clock and a red wastebasket are visible. He then leaves through a window, grabs a skateboard, and skates along a street past the school, ending outside with a building behind him.

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## 0:23–0:35

Homer, in a yellow hazmat suit with an orange harness and a visor, stands at a red counter beneath a CAUTION sign while a glowing green beam pulses from his hands, and Mr. Burns, frail and stooped with a hooked nose, watches from behind a control panel with a scientist-like assistant in glasses and a bow tie. Homer's beam grows brighter and then shoots off-screen as Burns gestures toward it. Next, Marge, with her tall blue beehive and red beads, reads a copy of MOM Monthly at a store counter, while Maggie, with spiky hair and a blue bow, peeks at her beside a blue machine with a CHECKS sign and a green bottle. Maggie then stands at the counter by a conveyor belt with a red bow on a mat, and she reaches toward a row of packages as the 5 sign hangs above. Marge pushes a blue shopping cart across an orange-tiled floor, and Maggie, gripping the cart's wire basket, reaches out over the front of it. Marge raises her hands to ward her off as Maggie tosses something small and red toward her.

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## 0:35–0:47

Lisa plays saxophone in a crowded orange school band room while an older conductor with grey hair at the sides waves his arms over a music stand, and two girls in purple dresses play flutes beside a bust of Beethoven. Lisa then carries her saxophone down an orange hallway toward blue double doors, and Homer, scowling and gripping the wheel of a pink car at night, rubs his head in front of a purple building and green bushes.

> Let's go.

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## 0:47–0:57

Bart Simpson rides a green skateboard through a town street, passing an orange-brick building with an OPEN sign in its window and a pink-skinned figure inside. He later skates along a sidewalk past a BOOKS shop with a woman with a tall orange hairdo peering over his shoulder, then past Moe, the grey-haired bartender in an apron, and Barney, the heavy man with messy brown hair, who grips Bart's shoulders beside a spilled puddle and broken bottles. Bart next rolls past a thin older man in dark sunglasses and a brown suit, with rows of Krusty TVs behind, and then Chief Wiggum swings a baton at him on the street. Bart keeps skating, and an orange car then drives along a winding road past a purple tree and orange-roofed houses, while a stop sign sits at the edge of the scene.

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## 0:57–1:08

Maggie, with a pacifier and blue bow, sits in a car seat gripping a toy steering wheel while Marge, with her tall blue beehive, drives the pink car. Outside on a leafy street, Ned Flanders in his green sweater walks past a woman and a child, and Bart in an orange shirt waves beside the pink car in a driveway by a garage. Homer, bald and in a white shirt and blue pants, stands by the pink car, then walks into a purple room with a red bed and a small cup on it before leaving through a doorway.

> Eep, eep.

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## 1:08–1:19

Homer, Bart, Lisa, Marge and baby Maggie are in a living room flooded with teal water, where Homer flails and Maggie splashes near the couch. A large white iceberg rises in the water as the family huddles together on the red couch, then Marge swims alone past the lamp and TV, and Lisa floats on a red cushion. The scene ends on a television screen reading "Created by Matt Groening" and then "Developed by James L. Brooks, Matt Groening, Sam Simon" in yellow letters.

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## 1:19–1:31

A man in a blue suit with a red tie stands in the Springfield Post Office in front of a crowd of children, including Lisa in her red dress, Bart in his orange shirt, and Marge's tall blue beehive, while a clerk in a cap watches from behind the counter. Outside, a yellow school bus with a driver in a cap pulls up beside the post office steps and a blue MAIL box. The man raises and spreads his arms, and on-screen credits read "Executive Producer DAVID S. COHEN" and "Co-Executive Producer GEORGE MEYER" as he gestures in front of signs reading "COMING." and "5 lbs."

> Hey, hey!
> Settle down, children. Now, who's ever wondered how the post office works?

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## 1:31–1:36

Lisa Simpson, in her red dress and pearl necklace, stands at the front right of a crowd in a hallway with large windows, talking and gesturing with one hand while her eyes shift and narrow. Milhouse, wearing blue-tinted hair, red-framed glasses and a pink shirt, stands beside her at the left of the group, and a spiky-haired boy and a girl with a pink bow stand behind them. A white caption reading 'Co-Executive Producer IAN MAXTONE-GRAHAM' appears over the lower part of the crowd for part of the moment, then disappears as Lisa keeps speaking with her mouth open.

> No one? I did, until we came here last year.

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## 1:36–1:48

Lisa and Marge are seen from behind in the foreground as a man in a blue suit and orange tie gestures and talks at a post office counter lined with shelves of parcels, with on-screen captions naming Al Jean, Dan Greaney and Ron Hauge in turn. An older postal worker with white hair, a white moustache, a blue uniform and a red tie lifts the lid of a brown box, then gestures open-handed and waves while the suited man points and gestures, and the two men stand together before the children. Wall labels read 5x7, 8 1/2x11, 14x17, 5 lbs and COMING.

> Oh, yes, last year.
> Anyway, look, here comes our guide for the day, Postmaster Bill.
> Howdy, partners.
> Welcome to your post office.

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## 1:48–1:59

Bart Simpson, in his red shirt and blue shorts, stands at a post office counter beside a blond boy in a red shirt and blue jacket and a ponytailed woman in a blue jacket, with stacks of mail and notices on the wall behind them. Bart flings sheets of paper into the air, which scatter across the floor, then stands by a wall phone and tangles and untangles its coiled black cord. Meanwhile, a grey-haired postal worker in a blue uniform and red tie spreads his arms to a crowd that includes Marge's tall blue beehive, with on-screen credits reading Producer Brian Scully, Producer Julie Thacker and Co-Producer Tom Martin.

> Wow, it's ours?
> Bars!
> Be with you in a minute. This is the lobby,
> where customers come for all their postalistic needs.

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## 1:59–2:11

Krusty the Clown stands beside a blue wall poster titled 'Legends of Comedy' that shows four grey portraits of men in hats, with a vending machine at his right. He sets a white-gloved hand on his hip, then reaches out to gesture at the portraits, and finally raises the hand to his chest while looking annoyed. In a postal sorting room, a grey-haired, moustached man in a blue uniform with a red tie holds up an envelope to a crowd of children, including Bart and Lisa, while a thin man in a blue suit stands at the right, with captions reading 'Co-Producer Carolyn Omine' and 'Co-Producer Larry Doyle'.

> Legends of comedy, my tuchus. What has Fatty Arbuckle done that I haven't done?
> This machine reads zip codes.
> These five digits tell us where to direct your mail.

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## 2:11–2:24

Lisa, in a red dress and pearl necklace, stands among schoolchildren with Milhouse, who holds an envelope, while a dark-haired girl and a blond boy with closed eyes stand nearby. An older white-haired man with a mustache, a blue uniform and a red tie, captioned Consulting Producer Jace Richdale, holds up an envelope, speaks, and then glances up at a wall vent and dial. In a control room, an officer in an olive cap presses a red button beside a monitor showing Lisa, while a red-haired man in a light blue jacket looks on.

> But it's nine digits now. What's the point of these other four numbers?
> Those are citizen relocation codes.
> With any luck, we'll never need them.
> She's on to us.
> Should I flood the chamber? Not yet.
> Let's get some lunch.

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## 2:24–2:30

A man in a blue suit with brown swept-back hair and a pink shirt and orange tie stands beside an older, grey-haired postmaster in a blue uniform with a red tie and white beard, while a crowd of children, including Lisa in the lower left and Bart at the lower right, looks on in front of shelves of mail. The suited man talks and then grins, the postmaster smiles, and the scene shifts to a brown-haired boy in a red shirt and blue vest who scowls, turns toward the crowd, and grins while reaching out an arm. On-screen text reads "Consulting Producer FRANK MULA" first, then "Consulting Producer DAVID M. STERN" as the credit fades.

> Well, children, any questions for Postmaster Bill?
> You ever gone on a killing spree?

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## 2:30–2:42

Two men stand in a classroom with a grid of windows behind them, facing a crowd of children in the foreground: a man in a light blue suit with swept-back brown hair and an orange tie, and an older man with white hair, a white mustache and beard, and a blue uniform with a red tie and red cross patch. The older man laughs, talks and gestures with open hands while the suited man listens and grins, then the suited man speaks with his hands clasped behind his back and both men smile. Credits appear over the lower middle of the scene, changing from 'Consulting Producers Tom Gammill and Max Pross' to 'Consulting Producer David Mirkin', then 'Consultant John Swartzwelder', then 'Supervising Director Jim Reardon'.

> Oh, no, no.
> The day of the gun-toting disgruntled postman shooting up the place went out with the
> Macarena.
> Well, I'm just glad I work at an elementary school.

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## 2:42–2:52

A white-haired, mustached older man in a blue uniform with a red tie leads a group past an EMPLOYEE LOUNGE door, with Milhouse (blue hair, glasses), a boy in a blue shirt, Lisa in her red dress and pearl necklace, and a tall man in a blue suit following behind. The guide gestures toward the door and then opens it, and inside the lounge a mustached man in a blue shirt sits at a purple table, holding up a fan of cash while a man in a white pith helmet with curly reddish hair counts bills and eats from a pink-wrapped snack. A wall clock, a bulletin board with a blank calendar, and a red-and-white patch on the uniforms are visible.

> And this is where our employees gather to unwind after a hard day of serving the
> public.
> Bingo! Birthday card! Graduation! Ding, ding, ding, wedding!

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## 2:52–3:04

A white-haired older postal worker in a blue uniform with a red tie and a mustache leads a group of children, including Milhouse with blue hair and glasses, Bart in an orange shirt, Lisa in a red dress, and a girl with grey-violet hair, past a door marked DEAD LETTER OFFICE and a sign reading EMPLOYEE LOUNGE. Earlier, a blond postal clerk in a blue shirt and red tie counts a stack of green cash at a desk, and three uniformed workers at a table in the lounge toss money into the air and cheer. A man in a suit with brown hair and a pink tie joins the group at the Dead Letter Office door, and the credits 'Produced by Richard Raynis' and 'Richard Sakai, Denise Sirkot' appear over the scene.

> Yay!
> Eee.
> I'm sure you all heard of the dead letter office.
> Well, as a souvenir of your visit,
> you can each help yourself to one piece of undeliverable mail.

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## 3:04–3:17

Lisa, Bart, Maggie, and Milhouse stand with a few other children beside an older uniformed postal worker and a brown-haired man in a suit by a door marked Dead Letter Office, while a cart of undeliverable mail sits nearby. A blond bowl-cut boy in a blue shirt then holds a cardboard box addressed 'Otto to the Bus Driver c/o Springfield Elementary' and offers it to two brown dogs on red leashes that snarl and snap at it, with the kids grinning and cheering in the earlier frames. Piles of letters and parcels fill the cart and scatter across the tiled floor, and white credit text appears over the scene.

> I'll take you!
> I got some dog food! I got my letter to Santa.

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## 3:17–3:26

Milhouse, with blue hair and glasses in a purple shirt and red pants, reads a letter beside a blue mail counter heaped with envelopes, and a hand then holds up an orange box labeled VAL-U-QUAL COUPONS. Bart, in an orange shirt, stands at the same counter holding a small brown package, then moves to the pink living room and holds out a box of frosted doughnuts to Homer, who sits bald and heavy in a white shirt and blue jeans on a dark red couch while Lisa in a red dress reads a book beside him. Homer leans forward to take the box from Bart as a red lamp and framed pictures decorate the room.

> A coupon book?
> What am I gonna do with this piece of junk?
> Happy birthday, Dad.
> Wow!

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## 3:26–3:36

Homer, the bald, heavy man in a white shirt, sits on a maroon couch in a pink living room beside a red lamp and a framed picture of Maggie, flipping through a booklet labeled VAL-U-QUAL in purple lettering. He grins, then looks down at the pages with wide eyes and an open mouth as he reads, pausing and turning the pages one by one.

> A value-quality coupon book! Let's see.
> 10% off carpet cleaning.
> Ten!
> Two pizzas for the price of one at Doeys!

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## 3:36–3:48

Homer Simpson sits on the dark red couch in the pink living room, holding an open pizza box marked with a Quik-E-Mart-style logo and arms crossed, while Lisa Simpson sits beside him on the couch reading a purple book, wearing her pearl necklace and orange dress. Homer turns, raises a finger and talks to Lisa, then the scene changes as Marge Simpson, with her tall blue beehive and green dress, stands beside the couch and leans over to point at the pizza box Homer holds with both hands, with a red lamp and framed family portrait on the wall behind them. Marge then stands at the side of the couch with a sly smile while Homer grins and gestures with one hand, still holding the pizza box, and in the final frame Homer raises his open hand and speaks to Marge while she looks on.

> Doeys has terrible pizza.
> Yeah, but there's two!
> Ooh, free foot pain analysis.
> Oh, Marge, that's just a trick to get you in there so they can cure your foot pain.

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## 3:48–3:57

In a pink living room with a dark red couch, Homer in a white shirt and blue jeans holds a small book and gestures with open arms while Marge in a green dress stands nearby, then walks off to the left past a red chair. Lisa sits reading a pink book on the couch while Bart stands watching, and Homer raises the book toward his face and later pats his belly as he talks. Framed pictures hang on the walls and a red lamp sits on a side table.

> I guess.
> See ya, kids.
> Me and my value-quality book are gonna paint the town red with savings.
> I'll start with a couple of pizzas, then a complimentary tango lesson,

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## 3:57–4:06

Homer Simpson stands in the pink living room beside a red armchair, holding a folded pamphlet and munching on leafy greens from a potted plant, then raising a finger and gesturing with an open hand toward the archway. Near the end, Lisa Simpson sits on the red armchair reading a purple book and talking while Bart Simpson stands nearby in his orange shirt and blue shorts, looking at her. A framed picture of Maggie hangs on the wall.

> and I'll cap it off with a smooth, refreshing colonic.
> Um, Dad?

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## 4:06–4:20

Homer, Lisa reading a purple book on the couch, and Bart standing nearby are in the pink living room, where Homer opens the front door holding a doughnut. Next, a billboard reading "HIGH-PRESSURE TIRE SALES" shows a muscular man pumping up a large tire. Then in a garage under a pink car raised on a lift, Homer, holding a pink-frosted doughnut, talks with a thin, mustached man in a tie while a mechanic in a red cap and overalls works under the car.

> Do you like pina colonics?
> And getting caught in the rain, passing out in the ocean.
> Now, this wheel balancing is free, right?
> Oh, you betcha, absolutely.

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## 4:20–4:31

Homer, bald in a white shirt, stands with his back partly turned, facing a mustached man with slicked-back black hair, a light blue shirt and a dark green tie, who is not one of the regulars. The man talks, gestures with his hand, and later raises an arm to touch a stack of black tires hanging on a rack above a red station wagon in a pink-walled garage, then grips his chin in thought while looking up at the tires. In the middle of the sequence Homer turns to face the open doorway of a room with orange walls, a calendar, and a blue cup of tools, speaking with his mouth open, before the mustached man returns with a grimace and clenches a fist near the tires.

> Uh-oh, oh, oh, wait a minute.
> These tires won't take a balance.
> They won't? Nah, nah, no. You hear that, clunk?

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## 4:31–4:41

Homer Simpson, bald and heavy in a white shirt, and a mustached mechanic with slicked black hair, wearing a light blue shirt and dark tie, appear in a tire shop with teal walls and a wall calendar. The mechanic raises a tire overhead and grimaces while Homer looks anxious in a doorway, then gasps and gestures with open hands. Homer later stands by the calendar and presses his hands together in a pleading gesture as the mechanic stares back, unmoved.

> No.
> That tells me you need four new tires.
> Really?
> Yeah.
> Legally, I can't even let you drive out of here on these.
> Oh, please, can't you let me slide this time?

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## 4:41–4:48

Homer, bald and heavy in a white shirt, stands in a garage between a stern grey-haired man in a white shirt and blue tie on the left and a thin black-haired man with a moustache, a light blue shirt and dark red trousers on the right. At first Homer clasps the thin man's hands while the grey-haired man watches with a sour look and the thin man gestures with a pained grimace, then the grey-haired man steps in beside Homer, glaring and speaking sharply while Homer looks worried and the thin man stares off with half-closed eyes. Tires hang from the ceiling and a calendar hangs on the teal wall behind them.

> Gee, I'd really like to, but if my boss found out, I'd...
> All right, what's going on over here?
> Were you gonna let this man drive out of here on unsafe tires?

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## 4:48–4:59

Homer, bald and heavyset in a white shirt and blue pants, is in an auto repair shop hung with black tires, beside a green machine and a red toolbox, along with an older grey-haired man in a white shirt and blue tie and a moustached man with dark swept-back hair in a light blue shirt and tie. The grey-haired man shouts and jabs a finger while the moustached man raises his palms defensively, then Homer steps between them, resting a hand on each man's shoulder or tie as he gestures and talks. The moment ends with Homer sinking down to a crouch on the floor, grimacing and looking up anxiously while the two men stand over him.

> No, boss, I swear. Ah, that's it! You're fired!
> No, wait! This is all my fault! Oh,
> if I could only turn back the clock and buy four new tires.

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## 4:59–5:10

Herb, the balding man in a white shirt and blue tie, and a moustached man in a light blue shirt and brown tie stand before hanging tires in a tire shop, the moustached man smirking. Next, a door labeled WAITING ROOM sits between stacked tires and a red fire extinguisher. Inside the waiting room, Homer slumps in a chair with his legs spread and arms folded, glowering, beside a small table holding Trout Fever and two cups, with crushed cups and cigarette butts littering the green carpet. A framed Customer Care Specialist portrait shows the moustached man holding stacks of cash. Finally, Homer's hand twists the knob of a static-filled television set with a drink on its side.

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## 5:10–5:20

Homer sits in a tire shop waiting area beneath a TIRES poster, first fiddling with a small silver wheel weight and then reading a magazine titled TROUT FEVER while a thin man with dark slicked hair, a light green shirt and a brown tie stands beside him. The thin man gestures and talks with open hands while Homer keeps reading and glances up now and then, and the scene shifts to Homer alone at a table, mouth open, still holding the blue TROUT FEVER magazine beneath a TIRE SALES sign.

> Oh...
> Ooh, I know that look.
> You came in for the free wheel balance, and now it's costing you 500 simoleons.
> Six with a tip. Hey, you got off easy. I just came in to use the phone,

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## 5:20–5:29

A slim man with neat short black hair, wearing a white shirt with rolled sleeves and a brown tie, stands in an indoor room in front of a window showing a large tire and a city street outside. He talks and gestures, raising one hand, pointing a finger, then making a circled-finger gesture, while his expression shifts from a sidelong glance to a wide grin with eyes squeezed shut. A bright purple-pink wall and a teal cabinet frame the scene.

> and they got me for the whole Road King package.
> Alignment, shocks, armor-alls, stem lube.

Frame: https://ultrahouse3k.com/img/S10E12/321988.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/325116

## 5:29–5:34

Homer Simpson, the bald, heavy man in a white shirt, sits in a waiting-room chair reading a magazine titled "Trout Fever" in front of a wall poster of a tire with handwritten notes. He laughs with his eyes squeezed shut, then his expression shifts to a wide-eyed, open-mouthed look as he stares off to the side. He settles into a sly, closed-mouth smile before turning to a worried, slack-jawed stare while still holding the magazine.

> Ha, ha, ha, stem lube. Even I didn't fall for that.
> Although winter is coming.

Frame: https://ultrahouse3k.com/img/S10E12/330539.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/332207

## 5:34–5:44

Homer, in a white shirt and blue jeans, sits in a chair reading a magazine titled Trout Fever while a dark-haired man in a pale blue shirt and maroon tie stands beside him in an office with a large tire chart and a framed Best in Tire Sales certificate on the wall. The standing man talks and laughs, then reaches out and the two men shake hands while Homer looks up, smiling, and sets the magazine aside on a red table.

> Man, we are a couple of grade-A suckers.
> Ha, ha, ha, ha.
> Wally Kogan. Hey, I know you.
> We were in the same pyramid scheme.

Frame: https://ultrahouse3k.com/img/S10E12/335961.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/339714

## 5:44–5:53

Homer Simpson, bald and wearing a white shirt and blue pants, stands on the right beside a thin dark-haired man in a light blue shirt and maroon tie, in a waiting area with grey chairs, a framed Prize Sales certificate, and a large tire chart on the orange wall. The man gestures with an open hand toward the chairs and talks with a grin while Homer listens with his eyes turned sideways, then the man lifts a hand near his side and speaks, and Homer starts talking with his mouth open, both men smiling as the scene ends.

> Oh, don't remind me. Friends helping friends my ass.
> Say, you want to grab a beer while we're waiting?
> Yeah.
> I'm getting tired of them pointing and laughing at us.

Frame: https://ultrahouse3k.com/img/S10E12/345345.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/349099

## 5:53–6:06

Three men gather at a garage-like workspace, a mustached man in a red cap and blue overalls, a grey-haired man in a white shirt and blue tie, and a dark-haired man in a light blue shirt, all laughing and gesturing toward one another. The scene moves to the exterior of Moe's, an orange building with purple trim, a red MOE'S sign, and diamond-patterned windows. On a television, a player in a red helmet and number 11 jersey jogs across a green field, then a player in white with blue stripes and number 7 clutches a football while a 30 yard marker appears beside his kicking legs. Homer, in a white shirt, and a dark-haired man in a light blue shirt and loose tie sit at the bar before beer mugs, with Homer talking and turning his head while the other man looks sideways.

> The road to the Super Bowl is long and pointless.
> I mean, what do you think about it?
> Football's so great.

Frame: https://ultrahouse3k.com/img/S10E12/354729.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/359943

## 6:06–6:19

Unnamed football players in red-and-white and black jerseys on a stadium field: a player in white clutches a football, runs and dodges, and is tackled by a player in black who drags him down with the ball. The scene then shifts to a poolside resort with palm trees and a thatched bar, where an unnamed woman in a yellow bikini leaps off the diving board into the pool, and a woman's head bobs in the water. Loungers hold sunbathing guests, a bearded man in blue trunks grills at a red barbecue beside a man in red briefs, and a chalkboard menu hangs behind the bar.

> But now, the two conference champs must survive a harrowing bye week that no one enjoys.

Frame: https://ultrahouse3k.com/img/S10E12/367450.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/372873

## 6:19–6:26

Moe, the grey-haired bartender in a blue vest and bow tie, stands behind a bar wiping a mug with a white towel while a thin, dark-haired man in a light shirt and tie and Homer, the bald, stubbled man in a white shirt, sit at the counter beside him. The wall-mounted TV first shows a boxing ring with fighters, then switches to a beach scene with people, while an orange pennant and an EXIT sign hang on the wall. Moe's expression shifts between scowling and grinning as he talks, and he keeps wiping the mug, while Homer and the dark-haired man stare off to the side with glasses of beer nearby.

> Bye weeks. Bronco Nagurski didn't get no bye weeks.
> And now he's dead.
> Well, maybe they were a good thing. Yeah, how about that Super Bowl?

Frame: https://ultrahouse3k.com/img/S10E12/380589.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/382883

## 6:26–6:36

Homer sits at a bar beside a dark-haired man in a light blue shirt and brown tie, each with a beer mug in front of them, under a red and green diamond-patterned wall. The man talks and gestures with one hand, grinning and smirking while Homer looks on, then Homer unfolds a small orange paper and studies it with a smile as the man watches. By the end the man holds a small brown item and grins while Homer keeps looking at the paper, and a brown box rests on the bar at the right edge.

> You going this year? Me?
> Nah.
> Unless there's a coupon for it.
> Nah.
> Well, I run the Springfield Travel Agency.

Frame: https://ultrahouse3k.com/img/S10E12/387470.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/391641

## 6:36–6:47

Springfield Travel briefcase sign reading "NOW GET OUTTA HERE" and "Wally Kogen, Owner" is held up by two yellow hands. Homer Simpson, in a white shirt, sits at a bar with a thin man in suspenders who points and grins while two beer mugs sit on the counter, and Homer looks surprised, then skeptical, and rubs his chin. The scene blurs into a football field where a coach in a brown suit and fedora holds a clipboard beside players numbered 1, 17 and 9 as a packed stadium watches, and a man in a red sweater walks by while a figure resembling Homer lies on a stretcher.

> We've got a charter bus going down to the game.
> You help us fill it, you can ride for free.
> Homer Simpson at the Super Bowl?
> Dang, that was my last quarterback.

Frame: https://ultrahouse3k.com/img/S10E12/397898.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/402277

## 6:47–6:57

A man in a brown fedora, grey-brown suit and blue tie stands in front of a stadium crowd, then turns to point up at the packed stands and later clutches his collar, while holding a clipboard next to a football player in a blue jersey holding a white helmet on a green field. Meanwhile Homer, bald and heavyset in a white shirt and blue pants with a red-wrapped snack, sits in the bleachers beside a blonde woman in a pink fur-trimmed coat, who gestures with her hand as he watches the man on the field and glances sideways. The crowd of fans fills the rows behind them as they sit.

> Now what am I gonna do?
> You.
> Me? Yeah, you.
> Get your hand off my wife's leg.
> Sorry.

Frame: https://ultrahouse3k.com/img/S10E12/408742.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/412495

## 6:57–7:02

Homer Simpson, bald and wearing a white shirt, stands at a bar with a red-brown counter and a green-and-red diamond-patterned wall behind him, leaning in to drape his arm over the shoulder of a thin, dark-haired man in a light blue shirt and brown tie seated beside him. Two glasses of amber drink sit on the counter, and a small red box lies near Homer's elbow at the lower right. Homer grins, talks and gestures, and at one point reaches toward one of the glasses, while the seated man keeps his eyes half-closed and a sly smile on his face. The moment ends with Homer still talking, his hand resting on the counter beside the glass.

> It's a deal.
> Hey, Mo, you wanna come with me and Wally to the Super Bowl?

Frame: https://ultrahouse3k.com/img/S10E12/418543.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/420211

## 7:02–7:12

Moe, the grey-haired bartender in a blue bow tie and dark vest, stands behind the bar in his Moe's tavern, polishing a glass with a white towel and then holding it up to inspect it. He wipes and buffs the glass, lifts it into view, and then raises it to his mouth to breathe on it before polishing again, while a shelf of empty glasses, a cash register and rows of bottles sit behind him beneath a green sign on the wall. He keeps turning the glass and buffing it as he talks, glancing up and to the side.

> Oh, absolutely. My favorite team's in it.
> The Atlanta Falcons.
> Yeah, ever since I was a boy, I've always loved the Atlanta Falcons.

Frame: https://ultrahouse3k.com/img/S10E12/423757.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/427302

## 7:12–7:23

Moe, the grey-haired bartender in a light blue shirt and suspenders, stands at the left of a bar with a Duff sign and argyle-patterned windows behind him, while Homer, bald in a white shirt, sits at the right and a slim, dark-haired man in a green shirt and brown tie sits between them. Homer gestures toward the man, then raises his beer mug to drink while the man lifts his own mug, sips, and grins. Two beer mugs sit on the wooden counter, and a small matchbook lies near Homer's elbow as the men keep chatting and drinking.

> Yeah, they're good, but I wouldn't count out the Denver Broncos.
> Yeah,
> I hear that President Clinton is going to be watching with his wife, Hillary.

Frame: https://ultrahouse3k.com/img/S10E12/433141.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/437938

## 7:23–7:25

No characters are visible in this moment. The Simpson house stands on a sunny street with a red front door, arched windows and an attached garage, flanked by a purple tree and a wooden fence on the left and a mailbox at the curb. The scene stays still throughout, with no one entering or leaving, while a brick neighbouring house with a carport sits at the right edge under a blue sky with white clouds.

> Come on, Lenny, I need four more guys to fill my Super Bowl bust.

Frame: https://ultrahouse3k.com/img/S10E12/444819.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/444611

## 7:25–7:33

Homer Simpson, bald and heavy with stubble and glasses in a white shirt and blue pants, stands in a narrow pink-walled hallway beside a green refrigerator and a purple wall, holding a red telephone to his ear while gripping a clipboard and pencil. Across the moment he keeps the phone pressed to his ear, grimaces and grins, then turns his head slightly and speaks, his mouth opening and closing as he jots notes on the clipboard. A small note is pinned to the wall beside the red phone, and a red heart sticker is stuck to the green refrigerator.

> What do you say?
> Come on.

Frame: https://ultrahouse3k.com/img/S10E12/446696.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/449616

## 7:33–7:41

Homer Simpson, bald with stubble, glasses and a white shirt, stands in a pink-and-green hallway beside a purple wall with a red wall phone, holding a clipboard and pencil. He first holds the receiver to his ear with a grimacing, worried expression, then talks into it while the pencil stays in his hand. Later he lowers the phone and grins, hanging it back on the hook, then turns to face the viewer while still holding the pencil and clipboard and talking with a satisfied look. A green refrigerator with a red heart magnet and a notepad on the wall sit in the background.

> Oh, come on.
> Yes!
> Now that Lenny's in, Carl will fall like a domino.

Frame: https://ultrahouse3k.com/img/S10E12/454829.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/457749

## 7:41–7:53

Marge, with her tall blue beehive and green dress with red beads, and Homer, the bald man in a white shirt and blue pants with glasses, stand in a kitchen beside a green refrigerator and a red wall phone. Marge clasps her hands while Homer writes on a clipboard with a pencil, then gestures toward the phone and rubs his chest as Lisa, the girl with star-shaped spiky hair and a red dress, steps up holding a clipboard. Marge looks on with a sceptical expression as the three stand together, with a pencil tucked behind Homer's ear and a children's drawing of a house and sun pinned to the fridge.

> I'm so happy you're going to the big game.
> My dream has always been to see the Bolshoi Ballet.
> Yeah, yeah. Do we have any pencils that work?
> Wow, you've signed up quite a few people, Dad.

Frame: https://ultrahouse3k.com/img/S10E12/462963.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/467759

## 7:53–8:02

Lisa Simpson, in a red dress and pearl necklace, stands beside a door holding a brown clipboard, first grinning, then smiling and glancing sideways with her mouth open, then pursing her lips. Homer, with glasses pushed up and a clipboard in hand, stands beside Marge in the doorway while Lisa reaches toward him, and then the scene cuts to a crowd of people lined up outside Springfield Travel, with Homer and a small Bart at the front near a cooler and boombox. An orange and blue bus pulls up to the curb and stops beside the group.

> Sea Captain, Bumblebee Man, comic book guy, the Squeaky Boys team.
> Yeah, it's a good group.
> I gotta hand it to you, Homer. It's really a good group.

Frame: https://ultrahouse3k.com/img/S10E12/474641.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/477978

## 8:02–8:15

Homer and Bart stand outside a storefront with an OPEN sign on its glass door, beside a man in a purple star-print shirt with swept-back dark hair who is the main speaker. Behind them a crowd gathers, including Krusty with his green hair, Ned Flanders with his moustache and glasses, Chief Wiggum in his police cap, Carl, and an older bearded man in a captain's cap and blue coat smoking a pipe. As the moment goes on, Homer grins and laughs, Bart squints and then smiles, and the star-shirted man talks and laughs with his mouth open while the crowd shifts and stays close together.

> Yeah, not a dame insight.
> Oh, thank God.
> Now we can stop holding it in.

Frame: https://ultrahouse3k.com/img/S10E12/483608.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/489239

## 8:15–8:25

A female bus driver in a peaked cap and green shorts steers a bus down a city street while passengers sit in the blue seats behind her. Inside a crowded group, Carl in a white shirt with black trim, Ned Flanders with his moustache and green sweater, and Krusty the Clown in a light blue polo watch and react, with Grampa in a blue coat and white beard smoking a pipe beside Homer in a green shirt. Homer and Bart stand beside a door with an OPEN sign while a dark-haired man in a purple star-patterned shirt talks to them. The man then steps into the bus aisle, gesturing with his hands as he speaks to the driver, with passengers and blue seats around him.

> All aboard for Miami.
> I don't know if I can last that long.
> Super Bowl, please, and step on it.

Frame: https://ultrahouse3k.com/img/S10E12/496955.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/500917

## 8:25–8:36

Inside a crowded blue-seated bus, a driver in a purple shirt cheers with his arms raised while passengers wave their arms, and Moe and a man in a black clerical collar stand side by side in the aisle. Outside, the orange-and-blue bus rolls along a city street as passengers at the windows, including Krusty, Marge, Bart and Chief Wiggum, cheer with their fists up. Homer in a green shirt and shorts stands in the open door while a skinny man in a blue jacket runs alongside the bus, fist raised, as it drives on.

> Hey, wait up.
> Ah, crap, it's that pipsqueak Rudy.
> What is it, Rudy?

Frame: https://ultrahouse3k.com/img/S10E12/506965.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/510927

## 8:36–8:40

A brown-haired young man in a blue jacket with an IRISH patch and khaki pants steps through a doorway, clenching his fists and glancing sideways as he talks. The scene then shifts to a bus interior with luggage racks overhead, where Krusty the Clown, with green hair and a red nose, leans on an orange railing and scowls while speaking, his mouth opening and closing and his expression tightening. Beside him, a bearded older man in a captain's cap smokes a pipe, and a tall-haired man with a green bone-topped hairdo looks on from the right.

> Can I come too?
> Forget it, kid.
> You're too small to go to the Super Bowl.
> But what I like in size, I make up for in...

Frame: https://ultrahouse3k.com/img/S10E12/517183.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/518435

## 8:40–8:50

A young man with short brown hair, glasses, and a blue jacket with gold trim and a patch on the chest, who is not one of the regular family or town characters, first hurries through a doorway and then pushes between the sliding doors of an orange-and-blue bus, waving one hand and then gripping the doors and yelling as the bus starts to pull away. The bus rolls down a city street at sunset past rows of colourful buildings, with passengers waving from its windows, while the man is left behind and drops flat onto the pavement, stretching one arm out after it. Lettering on the back of his jacket is partly visible as he lies on the road.

> O-notchousness!
> Don't!

Frame: https://ultrahouse3k.com/img/S10E12/521771.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/525734

## 8:50–9:04

On a bus driving along a tropical road lined with palm trees, Moe, Bart in his orange shirt, Carl in a white vest, and Troy McClure in a purple star-print Hawaiian shirt crowd together with other passengers, including Krusty with his red nose, and a figure with glasses and a pacifier. Passengers cheer, raise their fists and drink from glasses, while Bart reaches toward Moe, who ends up holding a football. Bart is seen standing on a seat and waving, and Troy McClure grins and holds up a small grey object.

> Hey, boys, it's a wild weekend.
> We did a thing and we'll do it again.
> Well, sports fans, I see you've located the beer supply,
> so let's all enjoy it in moderation.

Frame: https://ultrahouse3k.com/img/S10E12/531990.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/537412

## 9:04–9:16

A man with slicked black hair in a purple shirt covered in white stars stands in an open-sided booth with a black corded phone, while a uniformed woman in a peaked cap is partly visible at the left window. He talks into the receiver, grinning and grimacing, shrugs with one open hand, and at one point presses his other hand to his chest before gesturing and speaking again. Trees, a sky with clouds and faint rain streaks show through the windows, and a small numbered plate hangs on the booth wall.

> Damn!
> Hey, don't make me come back.
> Seriously, now, if you have any questions, just ask our team leader, Homer Simpson.

Frame: https://ultrahouse3k.com/img/S10E12/545128.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/550133

## 9:16–9:28

Homer Simpson sits sprawled in a chair with his mouth wide open, holding a dangling cord, while a man in a purple star-print shirt stands beside him holding a phone receiver to his ear, and spilled paper cups lie on the carpet around them. The scene then shifts to an exterior view of the Simpson house with its red front door, brown roof, and garage. Inside the pink living room, Marge in a green dress with her tall blue beehive talks with Lisa in a red dress on a brown couch beneath a sailboat painting, and Marge gestures as she speaks.

> Or me.
> Better ask me.
> It's so nice to have a peaceful weekend together.
> Yeah, I'm bored too.

Frame: https://ultrahouse3k.com/img/S10E12/557223.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/562228

## 9:28–9:41

Marge Simpson, with her tall blue beehive and red bead necklace, appears first in close-up beside a purple lamp and a brown chair while Lisa, in a red dress and pearl necklace, sits on the couch. Marge's expression shifts from a flat stare to a wide-eyed, grinning look, and she later turns toward the door and steps into the pink hallway, standing near a purple grandfather clock as Lisa watches from the side. She opens a pink cabinet, reaches up to the shelves lined with boxes labeled "Leather Craft" and "Clown" and "Mono Polizi," and pulls out a box reading "Li'l Leonardo Art Set" with a painted landscape on its cover.

> Hey, why don't we do one of those craft kits Aunt Patti always gives us?
> Ooh!
> How about paint by numbers?

Frame: https://ultrahouse3k.com/img/S10E12/569527.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/574741

## 9:41–9:48

Lisa Simpson, the girl with star-shaped spiky hair and a red dress with a pearl necklace, stands in the Simpson living room near a red cabinet holding a bowl of fruit and a leafy plant, gesturing with one hand while she talks and grimaces. Marge Simpson, with her tall blue beehive and red beads, stands beside a table of craft boxes labeled Leather Craft, Clay, Art Set and Color by Numbers, and she clasps her hands, then grins and gestures with an open hand. Lisa then turns her head toward the purple curtain by the window with a blue ball on its cord, looking sideways with a skeptical, then sad, then startled expression.

> It's so rigid and uncreative. Okay.
> Oh, leather craft. Oh, those poor helpless cows.

Frame: https://ultrahouse3k.com/img/S10E12/582248.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/584751

## 9:48–9:59

Marge Simpson, with her tall blue beehive and red bead necklace, and Lisa Simpson, with star-shaped spiky hair and a pearl necklace, stand in a pink room beside an open pink closet. Marge first holds up a box labeled 'Clay Play' and then shows it to Lisa, who reaches into the closet and comes out holding a teal box. Lisa looks at the box, which has a puff of smoke rising from it, and then Marge and Lisa are shown with the box, and the teal box is revealed to be 'Vincent Price's Egg Magic,' which shows a cartoon egg with a bowler hat and a painter with a palette and brush. Shelves hold a 'Her Leather Craft' box and a box of shapes, and Marge and Lisa both smile at the end.

> Mm-hmm.
> What about clay? You got any problem with clay?
> Hey, what's this?
> Vincent Price's egg magic.
> Wow, what are we waiting for?

Frame: https://ultrahouse3k.com/img/S10E12/589756.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/594135

## 9:59–10:08

The orange and blue tour bus drives along a grey road beside palm trees and green shrubs, seen from above. Inside the bus, a man in a green shirt and purple suspenders leans forward while a shirtless, slim man in white shorts stands in the aisle drinking from a glass, as a heavy man in a blue shirt and pink shorts with messy brown hair laughs and reaches toward him. A passenger in a bee costume and a dark-skinned man in a green jacket holding a cup look on, and the shirtless man grimaces, then talks with his mouth open while the heavy man grips his arm.

> Keep away Lovejoy's collar!
> Now look what you've done.

Frame: https://ultrahouse3k.com/img/S10E12/600809.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/603937

## 10:08–10:19

Chief Wiggum, the fat police chief in a cap and orange shirt, stands in the aisle of a bus with a spiky-haired boy and a bespectacled man beside him, then grins while holding up a box labeled "Duff Beer 96 Cans." Passengers in the aisle, including Moe the grey-haired bartender and Krusty the clown with green hair, reach up toward the box as the crowd presses forward. Wiggum then scowls and aims a revolver at the crowd while passengers raise their hands.

> All right, all right. You guys have had way too much booze.
> Last call.
> Anyone want to fight with a beer?
> Come on, give me an excuse.

Frame: https://ultrahouse3k.com/img/S10E12/609359.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/613947

## 10:19–10:32

Otto, the bus driver with long curly black hair under a cap, drives a bus past a stadium lot, first grinning at the wheel and later lifting a hand to his mouth. Chief Wiggum, the fat police chief in an orange shirt, sits near the front with a crate of Duff beer, and Krusty the clown, in a light blue shirt, waves a revolver. Moe, the grey-haired bartender, and Apu, the Kwik-E-Mart owner, stand with them. The bus is packed with passengers, many cheering with raised fists as the bus pulls away. The stadium, labeled Pro Player Stadium, stands behind it. The crowd spills out of the bus door, with Krusty and Barney at the back, and the bus rolls down a palm-lined road under a blue sky.

> Pro Player Stadium, Super Bowl.
> All right!

Frame: https://ultrahouse3k.com/img/S10E12/620829.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/626042

## 10:32–10:43

A dark-haired man in a purple star-patterned shirt and khaki pants stands in the aisle of a bus, rubbing the back of his neck, while a woman driver in a grey cap with reddish hair and red lipstick sits at the wheel and looks at him, her expression shifting from skeptical to startled. A white goat lies among trash and stains on the bus floor, with blue seats splattered with brown goo. The group then walks across a lot past an orange-and-blue double-decker bus, with Moe, a grey-haired man in a light blue shirt, leading, a stubbly bald-headed man in a white t-shirt grinning beside him, and a dark-haired man in a lavender jacket and green pants. Ned Flanders, in a green sweater with a moustache and glasses, stands in the bus doorway, and the man in the star shirt gestures toward him while standing by the bus door.

> Heh heh.
> I'm sorry. The guy's made kind of a mess in your bathroom.
> What bathroom?
> Uh, okay, fellas. Enjoy the pregame fun.

Frame: https://ultrahouse3k.com/img/S10E12/633341.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/637929

## 10:43–10:54

Ned Flanders, with a moustache, glasses and green sweater, stands at a bus with a bald-tufted driver's seat behind him and talks with a man in a purple star-patterned shirt, who smiles and gestures with his hands while Ned gestures and speaks. Later, at Rosey Grier's Porta-Chapel, a purple tent with a palm tree and a sign reading 'ROSEY GRIER'S PORTA-CHAPEL' stands on a pavement, where a tall bespectacled preacher in a blue suit preaches from a wooden podium to a row of seated people on benches, including a bald man in a red sweater, a man with dark hair in a blue shirt, a woman in a light green top and a heavy man in an orange shirt with a green cap. The preacher gestures with his hand and then raises his fist and speaks, while the seated listeners watch him; parked cars and palm trees fill the background.

> I don't want to be a panicky Pete, but it's Sunday, and I haven't been to church yet.
> No problem. The NFL's got you covered.
> and that the wandering Oakland Raiders may someday find a home.

Frame: https://ultrahouse3k.com/img/S10E12/644394.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/649190

## 10:54–11:06

A bespectacled Black preacher in a blue suit, pink shirt and blue tie speaks from a wooden podium in a purple tent labeled "Rosey Grier's Porta-Chapel" while people on benches in front of him gesture with their hands. The scene moves to a crowded stadium parking lot, where Homer, bald and heavy in a green shirt, stands with Bart perched on his shoulders in a red shirt, both looking toward a trading card booth with a red sign reading "Jerry 'Lightfoot' McGee" and blue stars, and Bart points toward the booth. Then a wrinkled older man in a black-and-gold helmet and number 81 jersey, with a stick clenched in his teeth, looks sideways and grimaces beside the booth's red awning.

> Lord, hear our prayer.
> Can I get an amen to that? Amen.
> Cool, the NFL's the oldest surviving player.
> I'm 53 years young.

Frame: https://ultrahouse3k.com/img/S10E12/656072.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/660869

## 11:06–11:17

Homer, grimacing, carries Bart on his shoulders past a stand with an NFL sign and a Team Flags banner, then points at a booth reading "Take a Leak with NFL Greats" where a boy in a green shirt faces cutouts of Plunkett (16) and Waters (32). Next, a sign reads "Caricatures by Aikman!!" as Ned Flanders, with his moustache, glasses and green sweater, sits posing while a man in a white number 8 jersey sketches him on an easel. The drawing shows Ned grinning with a thumbs-up in a red dune buggy trailing exhaust, and the artist's pencil is at the paper's edge.

> Woo!
> Hey, Troy Aikman.
> So, Ned, you like dune buggies? Well, not my cup of...
> Sure you do.
> Everyone likes dune buggies.

Frame: https://ultrahouse3k.com/img/S10E12/667959.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/672338

## 11:17–11:27

Outside a sports booth labeled "Catch a Pass from Dan Marino," a man in a green polo with arms crossed watches as a curly-haired man in a white shirt and teal pants leaps and catches a football, while a one-off character with bulging teal hair, a bone stuck through it, and a striped vest stands nearby. The football sails through the blue sky, then the teal-haired man bends over, tumbles onto the grass, and later kneels with the ball and arm outstretched. The scene ends with the curly-haired man giving a thumbs up beside a bin of footballs, then bending over and biting into one.

> Great spiral, Daniel.
> Man, that hurts.

Frame: https://ultrahouse3k.com/img/S10E12/678595.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/682557

## 11:27–11:40

Homer in a green shirt and Bart in an orange-red shirt stand at a sports stall with a red-capped man in a blue shirt behind them, while a stocky moustached man in a green polo with a cigar stands with his arms crossed, later shifting his cigar and hand while Homer and Bart look on. A curly-haired man in a white shirt and teal track pants holds a football at a booth with a sign reading DAN MARINO, and he hands the ball toward Bart as the moustached man watches. The moustached man then leans in and takes the football from the curly-haired man, and in the last frame that man stands alone at the booth holding the ball beside a pile of footballs.

> Excuse me, coming through. Friends of Dan Marino.
> Okay, Dan, fire away.
> I'm Dan's manager.
> This is Dan.
> Go long, son.
> Yes, sir.

Frame: https://ultrahouse3k.com/img/S10E12/688813.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/694235

## 11:40–11:54

Homer, a bald heavyset man in a green shirt and khaki shorts, and Bart, the spiky-haired boy in a red shirt and blue shorts, appear on a grassy field lined with palm trees and street lamps. A football first floats above white clouds against a blue sky, then Bart flops onto the grass and gets back up, standing with a grin as Homer hurries in holding the ball and then thrusts it skyward with both arms raised. In the final moments, three men stand outside a teal building beneath a sign reading partly 'PASS FROM' and 'MARINO': a lanky man in a white shirt on the left, a man with a long brown mullet, thick moustache and tan sleeveless sweater holding a brown bottle in the middle, and a Black man in a grey shirt with a moustache holding a can on the right, with the mullet man lunging forward and gesturing.

> I'm catching a pass from Dan Marino.
> This is the greatest moment of my... Woo-hoo!
> Harvey Simpson with a pick. Hey, Bubba, Hacksaw, get that moron.
> Uh-oh.

Frame: https://ultrahouse3k.com/img/S10E12/701743.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/707373

## 11:54–12:03

Homer and Bart stand on a grassy park lawn lined with palm trees, Homer raising a football overhead and then cradling it. Carl, a Black man in a grey shirt and red pants, and a moustached man in a tan sweater and jeans run toward Homer with arms spread, and the three end up in a tangled heap on the grass while Bart stands by holding the football. The scene then cuts to the Simpsons' house, then to Marge and Lisa at a blue-covered dining table, and ends on a yellow hand holding up a painted clown-like face beside a paintbrush, a paint palette, and a box marked FEET INCLUDED.

> Lateral debar...
> My spine.

Frame: https://ultrahouse3k.com/img/S10E12/715298.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/718635

## 12:03–12:12

Marge, with her tall blue beehive and red bead necklace, and Lisa, in a red dress and pearl necklace, sit at a blue table painting white eggs with small brushes and a paint palette, with a box of Vincent Prices paint sitting beside them. In the first frames Marge holds an egg and looks toward Lisa, then she grins and laughs with her eyes closed while Lisa smiles. Lisa then turns to the camera-side with a dazed, sideways look and finally lifts her painted egg up to her face, grinning, as a cabinet of dishes and a shelf with an apple and jars stand behind them.

> Oh, honey, that is egg-ceptional.
> Okay, now we just have to stick the feet on.

Frame: https://ultrahouse3k.com/img/S10E12/724265.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/728019

## 12:12–12:22

Marge Simpson, with her tall blue beehive and red beaded necklace, and Lisa Simpson, with her spiky hair and pearl necklace, sit at a blue kitchen table in front of a cabinet of dishes. Marge digs through an open grey box with paint brushes and small dishes on the table while Lisa holds a small white item and looks on, and then Lisa reaches into the box beside a teal card reading "Vincent Prices." The scene ends with a close-up of a teal box with a white label reading "FEET INCLUDED" in red letters.

> Right.
> Hmm.
> Lisa, I don't want to alarm you, but I'm not finding any.
> But it clearly says feet included. They have to be here.

Frame: https://ultrahouse3k.com/img/S10E12/733858.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/737403

## 12:22–12:34

Marge, with her tall blue beehive, green top and red beads, and Lisa, with her star-shaped spiky hair, red dress and pearl necklace, sit at a blue-draped dining table in front of a wooden china cabinet. Marge lifts a grey tray and later holds up a small bottle, while Lisa studies a teal box labeled "Vincent Price's Egg Magic" and turns it over with a worried look. Scattered across the table are a paintbrush, small pots, a decorated egg and a grey tray with a loose paper slip.

> No, nothing.
> I can't believe Vincent Price would lend his name to such a shoddy product.
> Now what do we do? Let's call the company.
> Mom, this was made in 1967. They're probably out of business.

Frame: https://ultrahouse3k.com/img/S10E12/743243.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/748456

## 12:34–12:44

Marge Simpson, with her tall blue beehive and a green dress with a red bead necklace, stands in the living room holding a phone receiver to her ear and a small card reading 'Elder Moe' or similar, while Lisa, in her red dress and pearl necklace, watches beside the orange china cabinet. Marge first looks upward and to the side, then lowers the card and gestures with a pointing finger, speaking animatedly into the phone with her mouth open. Later she grips the receiver with a wide-eyed, startled expression and her hand moves to her hip, while Lisa keeps watching her. On the left, a red wall phone and an archway lead into the hallway, and the china cabinet on the right holds plates and wine glasses.

> Well, we'll just see.
> Murray Hill, 5-9232.
> Hello, this is Vincent Price.
> It's Vincent Price. I thought he was dead.

Frame: https://ultrahouse3k.com/img/S10E12/755964.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/759717

## 12:44–12:53

Marge Simpson, with her tall blue beehive and a red beaded necklace, wears a green dress and holds a red telephone to her ear in the family kitchen while Lisa, the girl with star-shaped spiky hair and a pearl necklace, stands beside her at a wood cabinet filled with glassware. Marge's expression shifts from wide-eyed and tense to a sly, smiling look as she keeps the phone pressed to her head, and in the later images she tilts toward the phone and grins. Lisa glances up at her mother, looking bored and sleepy with half-closed eyes in the final stretch. Behind them are a yellow arched doorway, a green door at the left edge, a telephone table with a small box, and a red-and-green rug on the floor.

> You should know the grave could never tame me.
> Mr. Price, I loved you and the Abominable Doc.

Frame: https://ultrahouse3k.com/img/S10E12/765556.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/769102

## 12:53–13:03

Marge Simpson, with her tall blue beehive and green dress and red beaded necklace, stands in the kitchen talking on a red telephone with its cord stretched across the room, while Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, watches beside her. Marge's expression shifts from wide-eyed and smiling as she talks, to a more serious look, and near the end she lifts her free hand toward the wall-mounted items on the left. Behind them are a yellow cabinet, a wall-mounted rack with a whisk-like tool, and an orange china cabinet holding plates and glasses, with a small box on a table near the phone.

> If you are calling about the missing feet, leave your address,
> and the replacement feet will be rushed to you by my grandson Jody.

Frame: https://ultrahouse3k.com/img/S10E12/774941.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/778695

## 13:03–13:05

A yellow cartoon hand, belonging to an unseen character with no matching regular in view, holds a pencil tied to the paper by a string and writes on a lined notepad hanging against a lavender wall. The hand writes the name 'Jody Price' in black ink, then underlines it with two strokes, and finally pulls the pencil away from the pad, leaving the completed name and underline visible.

> And now I must return to the sweet embrace of the crypt.

Frame: https://ultrahouse3k.com/img/S10E12/784534.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/784325

## 13:05–13:18

Marge Simpson, with her tall blue beehive and green dress, stands in the hallway holding a red telephone to her ear, a red cord trailing down, while Lisa, wearing a pearl necklace and red dress, stands beside her on the right. Marge's expression shifts from a flat, serious look to a wide grin and then back to a pursed, talking mouth as she speaks into the phone, raising her free hand near her face in the final frame. Behind them are an orange china cabinet holding plates, wine glasses and a small mug, a yellow curtained doorway, and a small wall-mounted rack on the left. Lisa remains mostly still, watching her mother with a bored, sideways glance.

> But I'll be back.
> So is he alive or not?
> 742 Evergreen Terrace, Springfield, Ohio, Maude.

Frame: https://ultrahouse3k.com/img/S10E12/786411.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/791833

## 13:18–13:25

A blue-haired woman with a tall beehive, Marge, stands in a purple kitchen gesturing toward a curly-haired woman in a maroon skirt and pink top who carries a tray of baked goods through an arched doorway. The scene then cuts to an aerial view of a large domed stadium with spiral ramps and crowded parking lots. Next, a ticket seller in a brown fedora and sunglasses walks along a sidewalk past a queue of men that includes Krusty the Clown with green hair, Homer in a green shirt, and a man in a purple star-print shirt, while another man holds a ticket at a turnstile. The seller raises a ticket in the air and then stops in front of the line, pointing a ticket toward the man in the purple star shirt.

> Come on in.
> Who needs tickets? Tickets, right here.
> How about you, Slick?

Frame: https://ultrahouse3k.com/img/S10E12/799340.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/802051

## 13:25–13:37

Homer Simpson, in a lime-green shirt, confronts a scalper in a brown fedora, mirrored sunglasses and an olive shirt outdoors near parked cars, a green tree and palm trees behind them. Homer shouts, points an accusing finger, then holds up a pennant reading FOOTBALL while the scalper, holding a ticket in one hand, gestures with his other hand. Later, Homer stands with a crowd of onlookers including a bearded man in a pink shirt, a bald man in a white tank top, Krusty the Clown and a man in a green sweater, while the scalper continues to talk. The scene closes on the scalper alone against a blue sky and palm trees, holding a ticket and gesturing with an open hand.

> Scalping tickets to the Super Bowl. Have you no shame, sir?
> I should give you a royal caning.
> Hey,
> I'm just trying to make an honest buck. Aw, get lost, you blood-sucking parasite.

Frame: https://ultrahouse3k.com/img/S10E12/807056.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/811853

## 13:37–13:49

Homer Simpson in a lime-green shirt stands in an outdoor crowd beside Krusty the Clown and Carl, with a dark-haired man in a purple star-print shirt at his side. The crowd then gathers around a man in a white shirt and brown tie, who holds a stack of tickets and a small card in front of a blue wall with grey bins. Homer and the star-shirted man later stand together against a blue sky with parked cars behind them, Homer's mouth open as he talks while the other man frowns and looks to the side.

> Wally and I have all the tickets we need.
> Uh, sorry, fellas, but these tickets are counterfeit.
> What?
> Counterfeit?

Frame: https://ultrahouse3k.com/img/S10E12/818943.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/823531

## 13:49–13:58

A man with short brown hair, a white shirt, a brown tie and rolled-up sleeves stands at a counter against a blue wall, holding a stack of tickets in one hand and a single ticket in the other. He examines the ticket, lifts it up to look at it closely, then brings it to his mouth and nibbles at its edge while glancing to the side. Green boxy fixtures sit at the lower left and right edges of the counter.

> Yeah, see, the hologram's missing. And there's no such team as the Spungos.
> And finally, these seem to be printed on some sort of cracker.
> Stop eating our tickets!

Frame: https://ultrahouse3k.com/img/S10E12/830413.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/833541

## 13:58–14:11

Homer Simpson, the bald heavy man in a lime-green shirt and khaki shorts, and a stranger with black hair and a purple shirt covered in white stars stand together in front of a blue wall with a white pillar. Homer holds a small brown wrapped item in both hands while the man, who is holding a similar item in one hand, gestures and talks, and Homer's expression shifts from worried to a wide grin as he reaches out and grips the man's hand. Steel pipes lean against the wall and a green trash can stands beside them.

> Oh, how could I fall for fake tickets?
> Gee, the fellas are gonna be crestfallen.
> Yes, if by crestfallen you mean kill us.
> Listen, let me talk to them. Maybe I can smooth this over.

Frame: https://ultrahouse3k.com/img/S10E12/839172.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/844594

## 14:11–14:20

Homer, in a lime-green shirt and khaki shorts, stands with a dark-haired man in a purple star-print shirt in front of turnstiles while a crowd gathers in the foreground. Krusty in his green-haired clown wig, Carl in a pink sweater and grey jacket, and Moe in a light blue shirt angrily point and advance as a black-clad man with a white collar joins them, and then several men crowd around, grabbing and restraining Homer and the purple-shirted man. The scene ends with Homer held in place by Moe and the others, while a man in a green sweater with suspenders looks on beside them outside a building with arched windows.

> My friends... They don't have the tickets!
> Kill them!
> You're crazy, my friends!
> Ow! All right, I'll get you into the game!

Frame: https://ultrahouse3k.com/img/S10E12/852310.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/855855

## 14:20–14:29

A bald, heavy man in a lime-green shirt pleads with a man in a brown fedora, mirrored sunglasses, and an olive-green polo shirt who holds a wad of green cash. On a sunny street lined with palm trees, a curved multi-level parking garage, and small kiosks with pennant bunting, the bald man clasps his hands, grimaces, and looks sheepish while the man in the fedora gestures and speaks. The bald man then stands with his arms folded and a sullen expression as the other man grins and waves a hand.

> Excuse me, uh, Mr.
> Scalper, sir.
> Have I told you that I love you? Forget it.
> You'll just hurt me like all the others.

Frame: https://ultrahouse3k.com/img/S10E12/861903.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/865239

## 14:29–14:41

Homer, in his green shirt, stands at the left of a group in a bright hallway, with a man in a purple star-patterned shirt beside him and Moe, in his light blue shirt, and Carl, in a grey jacket and red sweater, behind them, while a clergyman in black clothing and a man in a green sweater with purple suspenders watch. Homer struggles and squirms in Moe's grip and then grins, while the clergyman clasps his hands and Bart, in an orange-red shirt, steps in from the lower right and points. A rack labeled "Halftime Show Costumes" holding red and gold costumes with white plumed hats appears, then the group is back, with Bart standing wide-eyed at the front.

> Okay, Moe, I believe you had me by the throat.
> Reverend Lovejoy was working the body. Wait, Dad, look!
> Hello, gentlemen.
> I have an idea.

Frame: https://ultrahouse3k.com/img/S10E12/871079.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/875666

## 14:41–14:52

Homer, in a green shirt and grey shorts, pushes a Halftime Show Costumes rack while two police officers, one of them Chief Wiggum, struggle on the floor beside it. Homer then runs with Bart, a dark-skinned man with a black pompadour and green jacket, and a man in a bee costume toward a blue doorway, joined by a crowd of people, while a stooped policeman at the door stands. Later, Homer, Bart, the pompadoured man, and the bee-costumed man run together past a sign reading SEC, and the scene closes with a heavy man in a blue shirt and a man with long dark hair and purple suspenders standing against a grey wall.

> Run!
> Get back here! We can still make the kickoff!
> Here comes the kick!

Frame: https://ultrahouse3k.com/img/S10E12/882340.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/887136

## 14:52–14:59

Krusty the Clown, Chief Wiggum in his police cap, Homer, Ned Flanders in his green sweater, Carl, and a crowd of inmates are packed behind the bars of the Stadium Detention Cell, with the sign above them reading "STADIUM DETENTION CELL." At first they stand pressed together and still, then the crowd throws their arms up and cheers while Homer and the men around him press against each other in the cramped space. The final moments show Apu in a green jacket, a man in a bee costume, and Barney in a pink shirt, all with their arms raised and cheering.

> As a doctor, I'd say he's had enough. But as a football fan...

Frame: https://ultrahouse3k.com/img/S10E12/894018.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/896104

## 14:59–15:11

Homer, in a lime-green shirt and red sneakers, is held from behind by Chief Wiggum in his police cap while Krusty, in clown makeup, stands close beside them. Carl, a Black man in a white shirt with dark sleeve stripes, grins and gestures with his hands as a crowd presses in around them, including Ned Flanders in his green sweater and a bearded man in a white captain's hat at the left edge, all in a grey-walled room. The scene fades to black, then opens on a desert highway lined with wooden telephone poles, brown mountains, and a teal car driving along the road under a blue sky with white clouds.

Frame: https://ultrahouse3k.com/img/S10E12/900483.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/905279

## 15:11–15:23

A bespectacled man with swept-back brown hair, a white shirt and tie, who is not one of the regulars, gets out of a light blue sedan at a desert gas station with a red-and-white roof, an OPEN sign and two red pumps. A blue pickup seems to hang in the air above the power lines beside the station, a black tire drifts across the empty road in front of it, and the sedan pulls in from the right along the highway. The man sits behind the wheel, then opens the door and steps out, adjusting his glasses and gesturing toward the car while the pickup stays suspended overhead.

Frame: https://ultrahouse3k.com/img/S10E12/912370.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/917166

## 15:23–15:33

Three unnamed women, a blonde in a black off-shoulder mini dress and boots, a redhead in a purple dress holding a white cloth, and a dark-haired woman in a red crop top, blue beret and denim skirt, step out of a storefront with an OPEN sign and red-and-white striped awning, then pose on the sidewalk. They walk over to a teal sedan at a gas station with red star pumps, where the redhead wipes the windshield while the blonde leans on the hood and the dark-haired woman stands by. A man with swept-back brown hair, dark-rimmed glasses, a white shirt and olive trousers stands beside the driver's door and talks with them, and the blonde leans toward him on the car's hood as he smiles and gestures.

Frame: https://ultrahouse3k.com/img/S10E12/924257.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/928428

## 15:33–15:47

A bespectacled man with swept-back brown hair grins beside a utility pole in a desert setting, then adjusts his glasses while a woman with long red hair, a purple top and red lipstick wipes a car windshield at a gas station. A woman in a blue cap and red top holds a gas pump nozzle, and a black-haired person in an orange-red top and jeans pumps fuel into a car, before a close-up of a figure in a black habit with a white cross necklace. The scene then cuts to a pink living room where Marge, with her tall blue hair, holds baby Maggie on a brown couch while Lisa in her red dress sits beside her, her head drooping and eyes closed.

> The Catholic Church.
> We've made a few changes.
> These Super Bowl commercials are weird.

Frame: https://ultrahouse3k.com/img/S10E12/934684.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/940314

## 15:47–16:00

A bald, heavyset man in a green shirt and khaki shorts shouts while gripping the bars of a jail cell, and a heavyset police officer in an orange shirt and blue cap holds the bars beside him, while a crowd of onlookers watches from behind. Earlier, two broadcasters in headsets sit at a booth in a packed stadium with yellow stands and a green field, and a group of fans in red caps pump their fists and cheer. The scene opens on an aerial view of the stadium surrounded by parking lots, with a number 8 sign on the cell door.

> Just about ready for the second quarter here in Miami.
> I'll tell you, Pat, that wild first quarter blew out my telestrator.
> And now the fans are screaming for more.
> Let us out of here!
> Relax, Simpson, relax.
> A little known fact about jail cells is they always have one phony bar for,

Frame: https://ultrahouse3k.com/img/S10E12/948239.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/953661

## 16:00–16:13

Chief Wiggum, the fat police chief in his blue cap and orange shirt, stands behind a jail cell's barred door with a crowd of characters, including Homer in a lime-green shirt, Apu in a green jacket, and Krusty the Clown with green hair. Wiggum talks and grins, raises his index finger, then taps and grips the bars and folds his arms while the others look on from behind him. The cell has a small keyhole in the lower bar section and a red wall edge at the right.

> like, emergencies.
> Real, real, real, real, real. So,
> by the process of elimination, this one is the fake.

Frame: https://ultrahouse3k.com/img/S10E12/961169.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/966799

## 16:13–16:27

Chief Wiggum, a heavy man in an orange shirt and blue shorts with a police cap, is first held up by Carl, a Black man, while Krusty the clown, Grampa with his white beard and tufts, a white-capped man in a blue coat with a pipe, and a grey-capped boy with glasses look on in a bare lobby beside a red-paneled glass door. Wiggum then sinks to the floor with his cap falling off, and Homer in a green shirt and khaki shorts steps up at the right by the door. The scene then cuts to close-ups of Lenny, spiky black hair and green sweater with blue suspenders, looking worried and talking, followed by Apu, grey-blue hair and mustache in a green shirt with a black collar, glancing sideways and speaking.

> Ah, ah, that's painful.
> Ah, nuts. That sounds like a touchdown.
> No, no, no, I know my roars. And that was most definitely a safety.

Frame: https://ultrahouse3k.com/img/S10E12/974515.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/980354

## 16:27–16:37

Homer stands at the barred door of a jail cell while Chief Wiggum sits on the floor in an orange shirt and cap, with an old man in a blue coat and sailor cap smoking a pipe nearby. Bart in an orange shirt and blue shorts sits on a bench beside a man in a purple star-patterned shirt and a priest in black with a chain on his wrist, and the three of them stay seated and look about. Then in a corridor under a ceiling lamp, Carl in a white V-neck, Ned Flanders with his moustache, a child in a bumblebee costume, a long-nosed man in a green sweater and suspenders, Homer in his green polo, and Krusty with green hair stand together and glance around, the long-nosed man scowling at one point.

> Gosh, fellas,
> to see all stuck in here when even guys in China can watch all the action from their town
> squares or what have you, well, I just feel pretty doggone bad.

Frame: https://ultrahouse3k.com/img/S10E12/988279.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/992241

## 16:37–16:49

Bart sits on a bench against a grey brick wall beside a dark-haired man in a purple shirt with white stars and a dark-haired man in a black clerical shirt with a white collar, whose wrist is chained. The man in the star shirt grimaces, gestures with his hand, and shuts his eyes while Bart glances sideways. Homer, bald with a green shirt, stands before red lockers behind vertical bars, looks around, then turns toward a blonde woman in a light blue uniform on the other side of the bars and grips the bars while gesturing.

> If they were electing a president of Dumville, I'd have to nominate me.
> You got my vote. Oh, we're never gonna get out of...
> Cleaning lady, would you let us out of here?

Frame: https://ultrahouse3k.com/img/S10E12/998289.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1003085

## 16:49–16:59

Homer, in a green shirt and khaki shorts, grips the bars of a jail cell alongside Krusty, a man in a grey cap with a football emblem and red glasses, and a balding man in a purple shirt. Outside, a blonde woman in a white uniform stands at the door, and in the later moments a tall-haired blonde woman in a blue fringed vest, hands on hips, gestures and talks in a red-walled room. Homer reaches toward the cell door and then clenches his teeth around the bars while the men look on, and the scene ends with the woman in the vest still talking, mouth moving, hand at her chin.

> Me?
> I'm Dolly Parton. I didn't ask for your life story, just give me the key.
> Young man, where I come from, the South, folks say please.

Frame: https://ultrahouse3k.com/img/S10E12/1010384.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1014347

## 16:59–17:12

Homer grips the bars of a metal gate in a green shirt, with Krusty, a green-haired clown in a blue shirt and red nose, and a man in a purple star-patterned shirt with swept black hair crowding behind him. Outside on a red brick walkway, a tall blonde woman in a light blue dress and white heels stands with her hands on her hips, then gestures with one hand and walks off to the right as the purple-shirted man reaches an arm through the bars and points. Close-ups show the woman tossing her hair and talking, then the purple-shirted man grinning and gesturing while Krusty looks on worried beside the gate's keyhole.

> And besides, I gotta go sing a medley with Rob Lowe and Stump.
> Dolly, wait!
> Wally?
> You know Dolly Parton? Yeah,
> I book a lot of package tours to Dollywood and Euro Dollywood.
> That's in Alabama.

Frame: https://ultrahouse3k.com/img/S10E12/1020394.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1025816

## 17:12–17:23

Krusty the Clown, with green hair and a red nose, stands beside a black-haired man in a purple star-patterned shirt who grips the bars of a barred cell door with a keyhole, while a tall blond woman in a white dress and red lipstick stands outside to the right. The woman gestures with an open hand, then rests her hands on her hips as the man at the bars turns, grimaces, and grins, and in the final close-up he leans forward gripping the bars while a curly-haired man in a white shirt watches from the background.

> Wally Cogan, what are you doing in Super Bowl jail?
> Ask her if she'll go out with me.
> We had a little ticket snafu.
> Do you think you can bust old Wally and his pals out of the pokey?
> Well, I do have some of my extra strength makeup remover.

Frame: https://ultrahouse3k.com/img/S10E12/1033324.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1037912

## 17:23–17:33

A woman with a big teased blonde hairdo, red lipstick, and a light blue dress stands against a red brick corner, holding a pink compact and a tube of makeup remover. Behind bars, Krusty the clown with green hair and a red nose, a man with a hooked nose and purple star-patterned shirt, a Black man in a pink sweater, and a thin man with spiky black hair and a goatee stand in a cell. The woman dabs makeup on her face and then shields the eyes of the men while she holds up a pink compact that glows red and emits a bright burst of sparks, as the bars and cell surround the group.

> Uh, shield your eyes.

Frame: https://ultrahouse3k.com/img/S10E12/1044585.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1048548

## 17:33–17:43

In a school hallway lined with red lockers and a barred gate, a glamorous blonde woman with teased hair in a white jacket and dress, a one-off character, is at the center of a crowd that includes Krusty with his teal hair and red nose, Homer in a green shirt, Carl in a grey suit, Lenny, Milhouse, Bart in his orange shirt, and a teal-haired woman with a bone in her hair. At first she gestures outward while the men press in around her, Krusty claps his hands eagerly, and she walks forward carrying a black briefcase while the group follows. By the end the crowd is pressed tightly around her, with Krusty, Milhouse, and Bart in the front, and a grey suitcase at the bottom of the frame.

> Thanks, Miss Parton. Oh, way to go, Dolly.
> Will you go out with me? Ooh, look at the time.
> I better scoot to that halftime show. See ya.

Frame: https://ultrahouse3k.com/img/S10E12/1054804.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1058766

## 17:43–17:54

Homer, Lenny, Barney, Carl, Bart and a clown with green hair stand together in a red-walled hallway as a white-faced, dog-like figure in a white suit and jetpack flies past them, its flame glowing. A man in a purple star-patterned shirt stands between metal gates beneath a hanging wooden plank on chains, looking up and then spreading his arms wide, while the group watches. Homer then throws both fists into the air and cheers with his mouth open, Barney grins beside him, and Homer later grabs a grey-haired figure from behind and holds on to it.

> Oh, man, that's gonna be some show.
> Who's ready for some football?
> Football!

Frame: https://ultrahouse3k.com/img/S10E12/1064814.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1069193

## 17:54–18:05

Homer, Bart, Chief Wiggum, Milhouse, Ned Flanders, Apu, Carl, Krusty and Moe hurry together through a blue corridor lined with lockers, with doors marked STAIRS. Viewed from above, the crowd runs in a bunched mass around a curving hallway, and Grampa in a captain's cap with a pipe looks on wide-eyed. Moe gestures and speaks as the group keeps pushing toward the stairwell, with Herb in a suit among them.

> Hey, Homer, we've been running around cheering for an hour.
> Where the hell's the gang? Yeah, where is it?

Frame: https://ultrahouse3k.com/img/S10E12/1075866.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1080246

## 18:05–18:15

Homer in his lime-green shirt and Ned Flanders in his green sweater stand with a crowd that includes Mr. Burns, a dark-skinned man resembling Apu, and a bearded man in a purple jacket beside a sea captain in a white cap. Homer gestures and talks while the group watches, and then he and Ned stand near a door marked PRIVATE as Bart peeks through the gap between its two doors. Bart steps through into a round room with two black armchairs, a small table holding a glass of milk and a pastry, a spread of food on a side table, and walls covered with tiny crowd figures.

> You guys are following me? I was following Flanders.
> Hey, look what I found.

Frame: https://ultrahouse3k.com/img/S10E12/1086711.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1090673

## 18:15–18:26

Homer, in his green shirt, leads a crowd that includes Ned Flanders with his moustache and green sweater, Moe, Marge with her tall blue beehive, and Chief Wiggum in his police cap, with Bart in his orange shirt pointing ahead and gesturing in the blue-walled hallway. The group rushes past a grey-walled lobby and through a doorway, then crowds around a counter stocked with snacks and food, where a man in a grey jacket, a heavy man in a blue shirt and pink shorts, and a bartender-like figure lean in. Near an elevator with red up and down arrows, Bart throws out his hands and grimaces while the crowd behind him watches, and a large window shows the sky outside.

> Hey, hey, hey!
> Hey, somebody just scored. Wait a minute.

Frame: https://ultrahouse3k.com/img/S10E12/1096929.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1101100

## 18:26–18:36

Homer, in a green shirt and holding a chicken drumstick, and Lenny, in a purple star-patterned shirt, are at a crowded stadium food buffet with Krusty, Carl, Barney and Bart nearby as people eat and reach for snacks. The group then gathers by a lift where Apu stands at a counter and a helicopter hovers above the atrium, while Bart and others look up and a helicopter sits on the blue floor of the indoor area among onlookers and food tables. The moment ends with Homer and Lenny waiting by the elevator doors as a boy in an orange shirt and a man in a blue jacket stand nearby, and the up and down arrow sign glows above the doors.

> Yeah, yeah, yeah, be right there.
> Hey, it's the beer compter!

Frame: https://ultrahouse3k.com/img/S10E12/1107148.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1111319

## 18:36–18:43

Mr. Burns, frail and stooped in a brown suit, emerges from an elevator tower beneath a sign with red up and down arrows, flanked by two bodyguards in black suits and sunglasses who walk out with him into the open air. He then stands with his back to the viewer in an office, facing a crowd: Homer in a green shirt and shorts holding a hot dog and scowling, Ned Flanders with his moustache and green sweater, Lenny in a purple star-patterned shirt, Carl in a grey jacket, and Chief Wiggum in an orange shirt and police cap. Behind them a wall of crowded, colourful posters fills the background as Homer's expression tightens and he leans forward.

> What the bloody hell? Hit the road, Gramps.
> This is a private skybox.
> I'm Rupert Murdoch, the billionaire tarant, and this is my skybox.

Frame: https://ultrahouse3k.com/img/S10E12/1117783.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1120077

## 18:43–18:56

Mr. Burns, a frail, stooped old man with a hooked nose, stands outside a building beside Homer, Chief Wiggum and a man in a purple star-patterned shirt, and he argues and shakes his fist at them while the others scowl. Two bodyguards in dark suits and sunglasses then stand with Burns, and one of them talks into a mobile phone while Burns holds a hand to his face. The scene cuts to a stadium field where red- and white-clad figures march into rows and then arrange themselves into lettering across the grass.

> If you're Rupert Murdoch, prove it. I'm sorry.
> I saw you.

Frame: https://ultrahouse3k.com/img/S10E12/1124457.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1130087

## 18:56–19:06

Homer in his lime-green shirt, Chief Wiggum in his police cap and orange shirt, and Ned Flanders in his green sweater stand in a row with Otto, and a dark-haired stranger in a purple star-patterned shirt, facing an elderly man in a brown suit seen from behind. Against a wall of crowded tiny figures, the stranger talks while gesturing with his hands on his chest, then clasps his hands together and grimaces as a man in a blue suit looks on from the right. The group stays in place throughout, with the stranger's expression shifting from mid-speech to a tense, wincing smile.

> Uh-oh.
> Well, I'm convinced. Tell you what, Mr. Murdock, let's just split the difference.
> The boys and I'll just crouch here quietly and take it easy on the snap.

Frame: https://ultrahouse3k.com/img/S10E12/1137803.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1141766

## 19:06–19:20

Mr. Burns, frail and stooped with a hooked nose and grey hair at the sides, stands in a brown suit between two black-suited bodyguards, one wearing sunglasses, and raises his hand, with Smithers in glasses behind him as police officers in blue uniforms advance with batons past a door marked PRIVATE. Homer in a green shirt, Chief Wiggum in an orange shirt and police cap, and a man in a purple star-patterned shirt cower and shout beside a blue wall, then a man with spiky black hair in a green sweater and suspenders bursts out of the PRIVATE door. Krusty, Chief Wiggum, Moe in a light blue shirt and a man in a red-and-white uniform carrying a tray of boxes run down a blue corridor, and Homer points as Wiggum and Moe glare.

> Silence!
> Seize them! Nya-ha-ha-ha-ha-ha-ha!
> Oi, oi, oi, oi, oi, oi, oi!
> It's a game! We're so close!

Frame: https://ultrahouse3k.com/img/S10E12/1147813.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1153653

## 19:20–19:31

Homer, Otto with his long curly black hair and Chief Wiggum in his police cap ride in a tunnel-like corridor, with Homer pointing through a window at a football stadium. Football players in red uniforms and helmets, along with Ned Flanders in his green sweater and Milhouse in a purple jacket, crowd into the passage as Homer and his companions push forward. The double doors marked "LOCKER ROOM" swing open, and the players spill out past grey-haired news anchor Kent Brockman, who holds a microphone, while a red-haired woman in glasses and a pink jacket and a brown-suited bald man with a green tie speak into microphones.

> Follow me, boys!
> We're finally going to the suit!
> Oh!
> We did it! We're not more enough to a wrench!
> How does it feel? Was it a team effort? Did you ever stop bleeding?
> Does this suit make me look fat?

Frame: https://ultrahouse3k.com/img/S10E12/1161577.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1166165

## 19:31–19:42

Two uniformed security guards in blue caps and sunglasses stand at the green Locker Room doors while reporters with microphones and cameras crowd in, and news anchor Kent Brockman, a grey-haired man in a blue suit and red tie, holds a microphone at the right. Inside, football players in red jerseys numbered 41, 51, 72 and 78 cheer and raise bottles and a helmet, with Homer in a light green shirt and Bart in an orange shirt among the crowd, and the scene shifts to Ned Flanders with his moustache and green sweater standing beside a bearded man in a captain's cap and a dark-haired man in a light blue shirt. The sign above the doors reads LOCKER ROOM.

> Players and VIPs only.
> Woo-hoo!
> I can't believe it. We're actually in the winning locker room.

Frame: https://ultrahouse3k.com/img/S10E12/1173047.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1177426

## 19:42–19:54

Homer, in a green shirt and khaki shorts, stands in a locker room beside a thin dark-haired man in a purple star-patterned shirt, both holding bottles, while a Black football player in a red number 41 jersey raises a football and talks with them. The football player then grips a bottle with a mustached teammate in a red jersey as they tug it from a heavy, brown-haired boy in a pink shirt and blue pants, who grins and clutches a blue bottle while bits of foam or liquid fly into the air. Lockers stand along the pale green wall behind them, and a closet of hanging clothes and folded towels is on the left.

> Whoa!
> I'm going to Disneyland!
> Really? Because I'm a travel agent and I've heard nothing but bad things.

Frame: https://ultrahouse3k.com/img/S10E12/1183891.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1188896

## 19:54–20:04

Homer Simpson, a bald, heavy man in a green shirt and khaki shorts, stands beside shelves of folded clothes and hanging jackets in a closet-like room, holding a bottle with a green label and talking on a wall-mounted orange phone. Split-screen with a grey-haired man in a blue suit and red tie seated at a desk with a sign partly reading PRESIDENT, also on a corded phone by a window. Homer's expression shifts from a sly smile to talking mid-call and then tilting the bottle to drink, while the man on the other end smiles, gestures with his hand, and clenches a fist.

> Hello?
> Hello, this is President Clinton.
> Hey, how you doing? You know,
> your determination and grit under extreme pressure are an inspiration.

Frame: https://ultrahouse3k.com/img/S10E12/1195778.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1199532

## 20:04–20:14

Homer Simpson, in a green polo shirt and khaki shorts, stands in a closet-lined room holding a bottle, drinking from it and then lowering it while he talks on a wall phone. Across a split screen, a grey-haired man in a blue suit and red tie sits behind a desk marked PRESIDENT, grinning and talking on a corded phone before his expression sours and he winces. Later, a dark-haired man in a black shirt and shorts with a white towel enters from the left and gestures, while Homer stands with his hands on his hips, mouth open, looking around, and the man at the desk slumps wearily as he keeps listening.

> The whole country is proud of you. Well, it's about time.
> And on behalf of America, I'd like to...
> Ow!
> Oh!
> All right, Lovejoy.

Frame: https://ultrahouse3k.com/img/S10E12/1205579.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1209333

## 20:14–20:23

Homer, in a green shirt and khaki shorts, stands beside a row of lockers in the first part of a split-screen scene, and a girl with star-shaped spiky hair in a red dress appears at the left edge in one panel. Principal Skinner, grey-haired and in a blue suit and red tie, sits at a wooden desk with a partly visible "SIDENT" nameplate, holding a phone to his ear while rain streaks past the window. As he talks, a dark-haired man in a dark suit reaches up to a window and pulls on an orange cord, while Skinner looks up and then turns back to the phone.

> You're gonna get it. Hello?
> Hello?
> I command you to answer me. Hello?
> Al, do you have to do that right now?

Frame: https://ultrahouse3k.com/img/S10E12/1215172.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1218926

## 20:23–20:32

Carl, a Black man in a grey jacket over a pink sweater, and Lenny, with spiky black hair, green sweater and purple suspenders, stand together near a red-and-blue city bus, with a stadium behind them. Carl holds up a large ring toward Lenny, who keeps his hand to his chest, and the men talk in front of the bus. Behind them, a row of passengers including Chief Wiggum, Krusty in clown makeup, and Moe peer from the bus windows, while the group on the sidewalk, including a grey-haired man in a blue suit, looks on. A stadium with a football field is shown in the background, and a crumpled cup lies on the pavement.

> What are you gonna do with your Super Bowl ring, Carl?
> I'll probably give it to my wife. It's our anniversary today.

Frame: https://ultrahouse3k.com/img/S10E12/1224974.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1228310

## 20:32–20:43

Bart points at Homer, who holds a silver football-topped trophy inside a bus with red and blue seats and windows. Behind them, Krusty and Carl sit by the window, a blond man in a purple shirt peers out, and Chief Wiggum in his police cap watches. Over the moment, the dark-haired man in the purple star-patterned shirt talks and gestures with an open hand, Homer folds his arms around the trophy, and then Homer grins and speaks with his mouth wide open.

> Dad, that doesn't belong to you. But this might be my last chance to win one.
> Well, we sure put together a heck of a trip, Homer.
> Ever thought about being a travel agent?
> Wally, I'd be lying if I said I hadn't.

Frame: https://ultrahouse3k.com/img/S10E12/1233733.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1238112

## 20:43–20:56

Homer, bald and wearing a green shirt, holds a football-shaped trophy beside a bus door while a dark-haired man in a purple star-print shirt gestures and talks to him. Chief Wiggum in a police cap watches from a bus window, and Bart stands below in an orange shirt. The man in the star shirt then climbs the steps past the driver as the blue and red bus, crowded with passengers, drives along a road beside a stadium with palm trees. Afterward, two men in dark suits stand on the roadside in front of the stadium, the stooped older one with white hair gesturing with one hand while the thin man with glasses listens.

> Because you can really go places in the travel business.
> Feel free to use that one. What one?
> Well, John, what did you think of tonight's episode?

Frame: https://ultrahouse3k.com/img/S10E12/1244785.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1249999

## 20:56–21:05

Kent Brockman, the grey-haired news anchor in a dark green suit and blue tie, holds a microphone toward a heavy man with swept-back grey hair, a dark sweater and a red-and-blue striped tie as they stand outdoors before a white curved multi-storey parking structure with a palm tree at right. The heavy man talks, grins and gestures with his hands while Brockman listens, then Brockman speaks into the microphone, grins broadly and lowers it, and the heavy man smiles and nods beside him.

> I loved it.
> The last-minute addition of Wally Kogan to the lineup was a bit of a gamble,
> but it really paid off.
> Marge and Lisa painting eggs?
> Did that work for you? Oh, big time.

Frame: https://ultrahouse3k.com/img/S10E12/1257506.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1261051

## 21:05–21:19

Kent Brockman, the grey-haired news anchor in a dark suit and red-and-blue striped tie, stands outside in front of a white circular ramped building and a tree, holding a microphone. He talks, gestures with one hand, smirks, and purses his lips, while an older white-haired man in a dark green suit and blue tie stands beside a palm tree and red-roofed building under a blue sky, holding a microphone and speaking with his eyes closed, grimacing, and looking sideways. A dark-suited figure is partly visible at the far left edge, and the scene ends with the white-haired man frowning and pursing his lips as he speaks into the microphone.

> They came off the bench with a huge effort that allowed Homer and Bart to make some
> significant gains.
> Did it strike you as odd that in a Super Bowl show with Dolly Parton we didn't see any
> football or singing?

Frame: https://ultrahouse3k.com/img/S10E12/1266891.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1272521

## 21:19–21:31

A heavyset middle-aged man with swept-back grey hair, a dark jacket, and a red-and-blue striped tie stands outdoors before a white spiral parking structure, a tree and a palm at the edges, as a thin older man with white hair and a dark green suit holds a microphone toward him. The heavyset man rubs his chin, gestures with an open hand, grimaces with clenched teeth, and scowls, while the older man, smiling at one point, keeps the microphone up. The heavyset man then presses both hands over his ears and finally shakes a raised fist while shouting.

> I hadn't thought about it, Pat, but in retrospect, it was kind of a ripoff.
> What a way to treat the loyal fans who've put up with so much nonsense from this
> franchise.
> Any final thoughts?
> Nah, I'm too mad. Let's get the heck out of here.

Frame: https://ultrahouse3k.com/img/S10E12/1280029.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1285451

## 21:31–21:41

Two men in dark suits stand on a sidewalk beside a red bus with a green-and-white roof, in front of a white building with blue windows and a rounded parking structure. A thin, grey-haired man in a black suit and maroon tie sits in the driver's seat, gesturing with both hands and grinning, while the two men outside look up at him. The man with swept-back grey hair and a striped red tie becomes agitated and gestures toward the bus, and the white-haired man in a blue tie stands beside him looking glum. Then the grey-haired man in the grey trousers climbs the bus steps, with the white-haired man following behind him, as the driver watches from his seat. Visible details include the bus's purple interior, a metal handrail, and a steering wheel.

> Call aboard, boys. I've been waiting for you.
> Now, I'll tell you, that doesn't make a lick of sense.
> I know.
> Just get on the bus.

Frame: https://ultrahouse3k.com/img/S10E12/1292958.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1296921

## 21:41–21:53

No recognizable regulars appear; the scene shows only a red-and-white bus with a white roof, seen from behind and then from the side, driving away along a grey road past a white curved building with a tree, bushes, and a lamppost. Over the frames the bus moves from the foreground toward the far end of a sunny parking lot lined with palm trees and shrubs, then turns and rolls off to the right under a blue sky with clouds, leaving the bus small and distant in the final image.

> Where's that infernal clutch?
> Wait, wait, I'll get it.
> Give it some gas, Grandpa.
> Oh, quiet, Jody. You're not helping.

Frame: https://ultrahouse3k.com/img/S10E12/1302968.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1307556

## 21:53–22:02

Homer, the bald heavy man in a white shirt, sits slumped with his hands clasped over his belly and his legs splayed in a tire shop waiting room, surrounded by tire posters, a Best in Tire Sales plaque, a red side table with a cup, and litter on the green carpet. Over him, cast credits for Dan Castellaneta, Julie Kavner, Nancy Cartwright and Yeardley Smith appear one after another while he stays motionless. The sequence begins on a black screen with the executive producer credits for Mike Scully, then James L. Brooks, Matt Groening and Sam Simon.

Frame: https://ultrahouse3k.com/img/S10E12/1314647.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1317983

## 22:02–22:11

Homer Simpson sits slouched in a chair with his legs spread wide and his hands clasped in his lap, staying almost motionless throughout the scene. He is in a waiting room with a green carpet, empty chairs, a low wooden table, scattered paper cups, and framed tire posters and a 'Best in Tire Sales' plaque on the walls. White credit captions appear over him one after another, starting with 'Yeardley Smith' and changing through 'Hank Azaria,' 'Harry Shearer,' 'Troy Aikman,' 'Rosey Grier,' 'John Madden,' 'Dan Marino,' 'Rupert Murdoch,' 'Dolly Parton,' and ending with 'Pat Summerall.'

> Thank you.

Frame: https://ultrahouse3k.com/img/S10E12/1323614.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1327159

## 22:11–22:20

Homer, the bald, heavy man in a white shirt and blue trousers, sits slumped in a chair with his hands clasped over his belly and his legs spread wide in a waiting room with green carpet, wood-panelled lower walls and framed tire advertisements, including a sign reading BEST IN TIRE SALES. Paper cups and litter lie on the carpet, and a small wooden table holds a cup and papers, while he stays motionless as white credit text over the scene changes through a series of names, including Special Guest Voice Fred Willard, Also Starring Pamela Hayden, Tress MacNeille and Karl Wiedergott, Animation Producer Michael Wolf, Executive Story Editor Tim Long, Theme by Danny Elfman, Music by Alf Clausen and Casting by Bonita Pietila.

Frame: https://ultrahouse3k.com/img/S10E12/1332790.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1336126

## 22:20–22:29

Homer Simpson sits slumped in a chair in a tire shop waiting room with green carpet, legs spread wide and hands clasped over his belly, barely moving as he stares ahead. Behind him hang tire diagram posters and a "Best in Tire Sales" award plaque, while a red table holds cups and papers and litter lies scattered on the floor. White end credits scroll over the unchanging scene, listing editors, post production coordinators, music editing, sound effects, re-recording mixers, production staff, Film Roman, Inc. and overseas animation credits.

Frame: https://ultrahouse3k.com/img/S10E12/1341757.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1345302

## 22:29–22:38

Homer, the bald, heavy man in a white shirt and blue trousers, sits slumped in a beige armchair in a waiting room with his legs spread and his hands clasped over his stomach, staring ahead with a sullen expression. Around him sit empty chairs on a green carpet scattered with discarded paper cups and litter, under framed pictures reading "Best in Tire Sales" and a tire diagram on the orange wall. He remains almost motionless while different credit cards appear over him, first a staff list in the upper area, then names such as Storyboard Consultant Mike B. Anderson, Creative Consultant Matt Groening and Executive Creative Consultant James L. Brooks, with the copyright notice and Episode #AABF08 text covering the lower half at the end.

> Silence.

Frame: https://ultrahouse3k.com/img/S10E12/1350933.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1354270

## 22:38–22:48

Silhouetted audience members sit in rows of theater seats, including one figure at left with a tall beehive-shaped hairdo, while a blue-lit screen behind them shows the Gracie Films logo in white letters. The scene then cuts to the golden 20th Century Fox Television logo against a blue sky with searchlight beams, with the line 'A News Corporation Company' beneath it, before fading to a black screen.

Frame: https://ultrahouse3k.com/img/S10E12/1359900.jpg
Page: https://ultrahouse3k.com/episode/s10e12-sunday-cruddy-sunday/1363863