# Homer to the Max The Simpsons, season 10, episode 13 (S10E13), first aired February 7, 1999. Written by John Swartzwelder. Directed by Pete Michels. Production code AABF09. Guest stars: Ed Begley Jr. as Ed Begley, Jr.. Chalkboard gag: "No one wants to hear about my sciatica". Couch gag: Clothesline. A new TV series, Police Cops, features a slick, wealthy detective named Homer Simpson, and the real Homer basks in the attention. When the show turns the character into a clumsy oaf and Springfield starts mocking him, his lawsuit fails, so he legally renames himself Max Power. The name impresses Trent Steel, whose celebrity garden party turns into a redwood protest that ends with Max accidentally felling the forest. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Grampa Simpson, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Krusty the Clown, Lenny Leonard, Carl Carlson, Apu Nahasapeemapetilon, Dr. Hibbert, Mr. Burns, Nelson Muntz, Otto Mann, Jasper Beardsley, Ralph Wiggum, Groundskeeper Willie, Lou, Eddie, Kirk Van Houten, Larry Dalrymple, Hans Moleman, Sam, Professor Frink, Bernice Hibbert, Agnes Skinner, Comic Book Guy, Snake, Ruth Powers, Dr. Nick, Squeaky-Voiced Teen, Sarah Wiggum, Herman Hermann, Sanjay Nahasapeemapetilon, Charlie, Legs, Roy Snyder, Lindsey Naegle, Bill Clinton, Clinton Staffer, Neil, Chauffeur, Chief, Debbie Pinson, Ed Begley, Jr., Homer Simpson, Josh, Lance Kaufman, Lorne Michaels, Police Cops Writer 1, Police Cops Writer 2, Police Cops Writer 3, Police Cops Writer 4, Police Cops Writer 5, Police Cops Writer 6, Police Cops Writer 7, Trent Steel, Woody Harrelson. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:11 No regular characters appear in this opening title sequence. Over a blue sky with drifting pinkish clouds, the title card reads "THE SIMPSONS" in orange letters, which appear one word at a time before the sequence transitions to a green Springfield landscape with a nuclear power plant's cooling towers, a building labeled "SPRINGFIELD," and a sign reading "Welcome to Springfield" in the foreground. The view then moves to a town street with a yellow storefront awning on the left and a school-like building with a flagpole at the end of the road. The "MPS" letters of the title are shown in glowing yellow with a small purple atomic-symbol emblem inside the P. > The Simpsons Frame: https://ultrahouse3k.com/img/S10E13/1043.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/5839 ## 0:11–0:23 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at the chalkboard inside a classroom at Springfield Elementary School, writing the line 'No one wants to hear about my sciatica' over and over, while a round clock and a red wastebasket sit nearby. He then turns, hunches and bends over in frustration, and later rushes off through the school's front doors and past the window. Outside, he rides a green skateboard past the school building, which shows a sign reading 'Springfield Elementary School' above the entrance. Frame: https://ultrahouse3k.com/img/S10E13/12721.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/17518 ## 0:23–0:36 Homer, a bald heavyset man in a yellow protective suit with a welding helmet and orange harness, grips a glowing green rod at a control console beneath a CAUTION sign while Mr. Burns, a frail, stooped old man with a hooked nose, and his thin assistant Smithers, who wears glasses, watch from behind the desk. The scene moves to a store where Marge, with her tall blue beehive and red beads, reads a Mom Monthly magazine at the checkout, and Maggie, with her pacifier and blue bow, stands beside a clerk in a pink shirt and grey apron who holds a red item on the counter. Marge then pushes a cart with Maggie riding in it, and Maggie holds up a red object while Marge raises her hands in a gesture of surprise. Frame: https://ultrahouse3k.com/img/S10E13/24399.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/29613 ## 0:36–0:47 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides, conducts a school band rehearsal from a music stand while Lisa, in her red dress and pearl necklace, plays a saxophone among classmates, including a pair of identical girls in purple dresses with pink bows playing flutes. Lisa then carries her saxophone out of the classroom into an empty orange hallway with blue doors, past wall posters, and the scene cuts to Homer gripping the steering wheel of a pink car beside green bushes, scowling and lifting his hand to his head as a green glow appears. > Let's go. Frame: https://ultrahouse3k.com/img/S10E13/37120.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/41708 ## 0:47–0:57 Homer, a bald heavy man, drives a pink car past a brick shop with an OPEN sign, then Bart, the spiky-haired boy in an orange shirt, leaps on his skateboard over a street and rolls past a BOOKS window while an unnamed woman with orange curly hair looms behind him. Bart next rides between Moe, the grey-haired bartender with a towel, and Barney, the heavy drunk with messy brown hair, who grips Bart's shoulder by bottles on the sidewalk; then Bart skates beside an unnamed heavy man in a brown suit and sunglasses holding a saxophone, in front of a wall of Krusty TV sets, and Chief Wiggum swings his baton as Bart skates past. Finally an orange car stops at a red sign, then drives down a winding road past a purple tree and across a hill, and drives on under a blue sky. Frame: https://ultrahouse3k.com/img/S10E13/48590.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/52553 ## 0:57–1:08 Marge, with a tall blue beehive and a red bead necklace, and baby Maggie, with a pacifier and blue bow, sit in a car and steer together, Maggie gripping the small blue steering wheel in her car seat. Ned Flanders, in his green sweater and glasses, walks along a sidewalk past a house with a wooden fence, while a woman in purple with a child in red stands nearby. Maggie and Marge are then seen in the pink car in a driveway beside a yellow garage, where Bart in an orange shirt and spiky hair waves excitedly from the driveway. Homer, in his white shirt and blue pants, stands beside the pink car, then leans against it with his arms out, and in the final frames he opens his mouth wide in a shocked look inside a purple room with a red bed and cardboard boxes, before walking through a doorway into a pink hallway, a small white cup on the bed in front of him. > Eep, eep, eep. Frame: https://ultrahouse3k.com/img/S10E13/58809.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/63397 ## 1:08–1:19 Marge Simpson, with her tall blue beehive and green dress, carries a light green laundry basket into the living room, then Homer, in a white shirt and blue jeans, stands by the basket while Marge hangs laundry on a line strung across the pink wall. Lisa in her red dress and Bart in his orange shirt are hung up on the line with pegs, and Maggie is hung on a line as well, with Homer and Marge watching them. The scene is a brown sofa, lamp, telephone and television set, with a rug on the green floor. The scene then cuts to a blue TV screen on a television set reading "CREATED BY MATT GROENING" in yellow letters, which then changes to "DEVELOPED BY JAMES L. BROOKS MATT GROENING SAM SIMON" in the same style of letters. Frame: https://ultrahouse3k.com/img/S10E13/70070.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/74241 ## 1:19–1:30 No regular Simpsons characters appear in this moment, which is a Fox network countdown sequence on a yellow-and-brown Fox logo checkered screen inside a purple border. The screen starts black, then a large white countdown number appears in a black box, counting down from 205 to 198 and then 199 to 200 in reverse order, with the numbers descending steadily as the sequence runs. The countdown numbers are the only on-screen text, and no characters move or act within the scene. > The start of television's second most exciting season, midseason, > is just 200 exciting seconds Frame: https://ultrahouse3k.com/img/S10E13/80706.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/85085 ## 1:30–1:42 Homer sits on the brown couch holding a clipboard and pencil while Marge holds Maggie beside him, and Bart and Lisa lie on a colorful rug in the living room as credits for David S. Cohen and George Meyer appear. The scene then shifts to Grampa in a red cap and overalls in a grassy field, gripping a shovel and later a red STOP sign as a tornado swirls behind a red barn under a dark sky, with credits for Ian Maxtone-Graham and Al Jean on screen and papers blowing past him. > Corp. Locked. > Phone. > Unplugged. Dog. > Cat. Taped and corked. Perfect. > It's America's Funniest Tornadoes. > And at 9.30, All in the Family 1999. Frame: https://ultrahouse3k.com/img/S10E13/91758.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/96763 ## 1:42–1:53 A seated older white-haired man in a white shirt and black trousers, holding a cigar, sits in a brown armchair in a living room with patterned wallpaper, a staircase and a coat rack, while a Black man with a moustache and yellow polo shirt leans against the chair, a tall man in a black suit and hat stands behind it, and a woman with long pinkish-blond hair, red glasses, a red vest and purple pants stands with arms folded. The seated man grins, raises a hand to his mouth, then gestures with an open palm as the lower caption changes from Supervising Producer Dan Greaney to Ron Hauge, then Donick Cary, and finally Producer Brian Scully. The tall man in the back lifts a hand toward the chair while the seated man keeps gesturing with his cigar, and the name captions remain on screen. > Oh, jeez, they got me living with an African American, > a Semite American and a woman American there. > And I'm glad I loved yous all. I love everybody. Frame: https://ultrahouse3k.com/img/S10E13/103854.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/108233 ## 1:53–2:04 An older grey-haired man with a cigar sits in a red armchair in a cluttered room while a tall figure in a black suit and tie stands behind him, with on-screen captions reading Producer Julie Thacker, then Co-Producer Tom Martin. The seated man grimaces, smirks, and gestures with his free hand while holding the cigar. Later, Homer sits on a brown couch in front of a framed sailboat picture with a MID-SEASON pennant, holding a green card and talking, as Marge with her tall blue beehive and Maggie with her pacifier and blue bow sit beside him, with the caption Co-Producer Carolyn Omine appearing. > I wish I'd saved my money from the first show. > Oh, I can't wait. Look, Marge, > I had a scorecard printed up at that all-night scorecard place. Frame: https://ultrahouse3k.com/img/S10E13/114698.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/118869 ## 2:04–2:10 Homer, Marge holding baby Maggie, Bart and Lisa sit in the family living room in front of a pink wall with a framed sailboat and a red lampshade, with a mid-season pennant hanging from the frame. Homer, on the brown couch, holds up a sheet of paper headed EXCELLENT SHOWS and VERY GOOD SHOWS, and Bart and Lisa lie on the rug watching him. Over the first frames Homer keeps the paper raised while the family's expressions shift, and Lisa gestures with one hand as a credit reading Co-Producer Larry Doyle, then Matt Selman, appears in the lower middle of the scene. > Isn't mid-season just a dumping ground for second-rate shows that weren't good enough for > the fall schedule? > You're thinking of all the other years. This year's shows are classics. Frame: https://ultrahouse3k.com/img/S10E13/125334.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/127210 ## 2:10–2:20 Homer Simpson sits on a brown couch in front of a pink wall and a framed sailboat picture, first holding up a green MID-SEASON pennant and grinning, then turning to hold an open orange book while he talks and laughs. Across the scene his expression shifts from a sideways squint to wide-eyed grins and a closed-eyes laugh, with the on-screen credits naming consulting producers (Jace Richdale, Frank Mula, David M. Stern, Tom Gammill and Max Pross) appearing in white text over his chest. > There's the laughter family. > That's animated. Networks like animation because they don't have to pay the actors' squad. Frame: https://ultrahouse3k.com/img/S10E13/131381.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/135552 ## 2:20–2:30 Marge, Lisa, and Bart watch a television with a Fox logo that counts down from 47 to 45 while Ned Flanders, with his moustache, glasses, and green sweater, appears gesturing and then staring from the window above it. The scene then moves to the living room, where Homer on the couch grins and holds up a green pennant reading MID-SEASON as Marge holds Maggie, and Bart and Lisa lie on a rug. The moment ends with grey warships sailing on blue water under the credit 'Consultant JOHN SWARTZWELDER'. > Plus, they can replace them, and no one can tell the diddly difference. > And now mid-season kicks off with Admiral Baby. > We're taking the entire sixth fleet to Candy Island? Frame: https://ultrahouse3k.com/img/S10E13/141808.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/145354 ## 2:30–2:38 Two uniformed naval officers, one with dark hair and one with grey hair, stand at a blue railing on a ship's deck and look through binoculars, with the caption "Supervising Director JIM REARDON" on screen. A grey-haired admiral and a dark-haired officer then lower their binoculars and react while a baby in a white captain's uniform and cap runs across the deck with arms outstretched and tumbles to the floor. The scene then cuts to a living room where Homer, in a white shirt and blue pants, reads a book on a brown couch under a green MID-SEASON pennant, while Marge, with her tall blue beehive, holds Maggie in her lap. Bart and Lisa lie on a colorful rug in front of them. > Those are the Admiral's orders. Frame: https://ultrahouse3k.com/img/S10E13/151193.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/154321 ## 2:38–2:49 Homer, Marge, Maggie, Bart and Lisa are in the family living room, with Homer on the left end of the brown couch reading a yellow book and Marge holding baby Maggie, who wears a blue bow and sucks a pacifier, on the right. A green pennant reading MID-SEASON hangs from a stick near a sailboat picture on the pink wall. Bart and Lisa lie on a rug in front of the couch, Bart in an orange shirt and Lisa in a red dress with pearls, and their expressions shift as Homer talks and Marge gestures with her hand. Over the middle of the scene, white credits read 'Produced by' with names, first LARINA JEAN ADAMSON and COLIN A.B.V. LEWIS, then J. MICHAEL MENDEL and BONITA PIETILA. A red lamp, a teal telephone and a bookshelf sit at the edges of the room. > Hmm... It's hard to believe someone that young could have risen to the rank of Admiral. > Gee... I never thought I'd say this about a TV show, but this is kinda stupid. Frame: https://ultrahouse3k.com/img/S10E13/159743.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/164122 ## 2:49–3:00 Homer, bald and heavy in a white shirt, sits on a brown couch in a pink room beneath a framed sailboat picture, first reading a yellow book and then holding up a black remote while he talks. Next, a bearded man in a black shirt drives a blue flatbed truck along a street lined with palm trees and pastel buildings, then past a building with a BANK sign, where a man in a cap and black shirt stands beside the truck and a yellow crane looms overhead. Credits reading 'Produced by Richard Raynis' and 'Richard Sakai Denise Sirkot' appear over the scenes. > Hey, police cops. > That sounds like a lethal combination. Frame: https://ultrahouse3k.com/img/S10E13/170379.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/175175 ## 3:00–3:11 A heavy, bald man in a grey beanie and black turtleneck, with a moustached man in a black shirt leaning from the window of a blue vehicle, stands on a palm-lined street of pastel buildings. The bald man gestures and grins while the driver glares, then a red sports car pulls up beside them carrying a man in a tan outfit and a blond man in a white suit, both holding guns. The man in tan points his pistol over the car roof while the white-suited man ducks behind the open door, and the opening credits "Written by JOHN SWARTZWELDER" and "Directed by PETE MICHELS" appear over the early moments. > Let's get this bank back to a hideout and we'll break into it later. > It's the cops. > Words. > The police cops. Frame: https://ultrahouse3k.com/img/S10E13/181848.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/186019 ## 3:11–3:21 Carl, a Black man, peers through binoculars on a palm-lined street as a large purple block falls onto a man in black lying on the pavement, while nearby two black-clad gunmen aim pistols and a man in a white coat kneels beside a red car where a knife-wielding man in a beanie lies on the ground. A white explosion cloud then fills the screen, and the scene cuts to the living room where Homer sits on the brown couch in a white shirt, Marge holds Maggie with her pacifier and blue bow, and Bart and Lisa lie on a colorful rug, Bart's mouth opening as he speaks. > This isn't bad. > Isn't bad? Tell me one thing mankind's ever done that's any better. Frame: https://ultrahouse3k.com/img/S10E13/192484.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/196446 ## 3:21–3:31 Homer Simpson sits on the brown couch in a pink living room, reacting with a grimace, then laughing with eyes shut, and finally folding his arms and smirking. Lisa Simpson in a red dress and pearl necklace sits on a striped rug, speaking to him, before the scene cuts outdoors to a uniformed police officer, a Black man in a tan suit with a pink tie, and a blond man in a white coat with a grey scarf. The two men handcuff two suspects bent over the hood of a dark car on a town street, and the blond man talks and adjusts his scarf, with a red-and-white shop awning and a pink building behind them. > The renaissance? > This is better. > Let's book him and roll. > And that's the end of that chapter. Frame: https://ultrahouse3k.com/img/S10E13/202703.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/206665 ## 3:31–3:44 Troy McClure, a man with swept-back reddish hair in a white jacket, pink shirt and grey scarf, stands beside a tall, tan-suited Black man with curly black hair and a pink tie, both near a dark car on a city street outside a pink building with an arched door and a palm tree. A balding older man with grey hair at the sides, a moustache, a dark suit, a red tie and a red pocket square approaches, talks, and then jots notes on a small notepad with a blue pen while the others listen and grin. The men gather together by the car as the balding man keeps writing and speaking, with the tan-suited man's arm resting on the white-suited man's shoulder. > You men saved my bank. > I'd like to donate $40 to charity in your honor. > But, uh, I don't know your names. > Lance Kaufman. > Simpson. > Detective Homer Simpson. Frame: https://ultrahouse3k.com/img/S10E13/212921.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/218343 ## 3:44–3:58 Homer sits on the brown couch in a pink-walled living room holding a green MID-SEASON pennant and talking excitedly while Marge, with her tall blue beehive, holds baby Maggie in her arms and Bart and Lisa lie on the rug in front of him. The scene then moves to a sunny street where Troy McClure, with swept-back reddish hair, leans against a Springfield Police car with 911 on its rear, a grey scarf around his neck, as a red-haired woman in a purple skirt and a blonde woman in a pink bikini embrace him. A heavyset police officer with a moustache and holstered gun stands at the right, looking over at the trio as he speaks. > He's named like my name. > Ooh. > I don't get it, Homer. You're a millionaire, and you've got all the babes you want. > Why aren't you living it up in your palace in Europe? Frame: https://ultrahouse3k.com/img/S10E13/226059.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/231481 ## 3:58–4:08 A uniformed police officer with a grey-sided moustache and badge watches from the sidewalk as a man in a white jacket and grey scarf is embraced by a red-haired woman in a pink top and a blonde woman in a pink swimsuit, while a man in a tan suit stands nearby beside a police car. A dark-haired man in a grey-blue sleeveless shirt sits on the pavement, then drops a black pistol to the ground, reaches for it and raises it, while the man in the white jacket smirks and raises a fist beside a white convertible. The dark-haired man grimaces, clutches his chest and holds the gun in his other hand, as palm trees and pastel buildings line the street. > Well, let's just say I hate crime. Frame: https://ultrahouse3k.com/img/S10E13/239197.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/243368 ## 4:08–4:16 A man in a tan suit with arms crossed stands with a woman in pink and a blond woman in yellow beside a police car, while a man in a white shirt and blue tie looks on as a heavy man in a blue shirt lies sprawled face-down on the pavement with a handgun nearby. Troy McClure, an actor with swept-back reddish hair in a white jacket, pink shirt and grey scarf, appears in close-up on a palm-lined street, grinning, speaking with an open mouth, then smirking. The scene cuts to an aerial view of a street with police cars and officers with flashing blue lights, a crane, and a blue car, as the vehicles and officers shift position, under the caption 'Blood provided by American Red Cross. Give blood today!' > Arrest that guy. > And that's the end of that chapter. Frame: https://ultrahouse3k.com/img/S10E13/249416.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/252544 ## 4:16–4:27 Homer, Marge with Maggie in her arms, Bart lying on his stomach on a red rug, and Lisa sitting beside him are gathered in the living room in front of a brown sofa, with a sailboat picture on the pink wall, a purple lamp, and a telephone on a side table. Homer stands on the couch's left side gesturing with his hands and talking, then spreads his arms wide, while Bart glances up and Lisa watches him with a sideways look. Homer's expression shifts from talking to grinning and then to a calmer, smiling look as the others keep their positions on the rug and beside the sofa. > Wow. They've captured my personality perfectly. > Did you see the way Daddy caught that bullet? > That's not really you, Dad. > He's just a fictional character who happens to have the same name. Frame: https://ultrahouse3k.com/img/S10E13/257758.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/262137 ## 4:27–4:37 Homer sits on the brown couch in his white shirt, glancing sideways, while Marge with her tall blue beehive holds baby Maggie in her green dress and gestures with one hand as she talks, her expression shifting from wide-eyed to grimacing. The scene then cuts to Lisa in her red dress and pearls and Bart in his orange shirt lying on a colorful rug, Bart glancing sideways and then grimacing while a purple-trimmed picture frame hangs on the wall behind them. A framed sailboat picture and a red lamp decorate the pink living room. > Don't confuse Daddy, Lisa. > Homer, it's just a coincidence. > Like that guy named Anthony Michael Hall who stole your car's stereo. > Right. > Coincidence. Frame: https://ultrahouse3k.com/img/S10E13/268810.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/272773 ## 4:37–4:45 Homer and Marge Simpson are in their bed at home, with Homer holding an open book and Marge sitting up holding a blue telephone receiver. The scene opens on the Simpsons' house at night, with a lit upstairs window, a pink front door and a pink garage door. Inside the bedroom, Marge holds the phone to her ear and then passes the receiver to Homer, who grips it with both hands while Marge keeps her hands on it. Marge's face shifts from wide-eyed listening to a flat, irritated expression as she talks. A digital phone sits on the nightstand and an alarm clock on the left, with an orange blanket over the bed. > Another person wants to congratulate you for having a famous name. Frame: https://ultrahouse3k.com/img/S10E13/279029.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/281740 ## 4:45–4:55 Homer Simpson, the bald, heavy man in a light blue shirt, sits on a purple couch in a pink room, holding a blue corded telephone to his ear with one hand. He starts with a sly, half-lidded smile, then speaks with his mouth open, and his eyes widen in surprise as he grins and then looks sideways with a wide-eyed, flustered expression. A framed picture hangs on the pink wall above him, and a purple lamp is visible at the left edge. > Hello? Yes, this is the original Homer Simpson. > Who's this? > The Debbie Pinson, who was the homecoming queen at high school? Frame: https://ultrahouse3k.com/img/S10E13/286536.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/290499 ## 4:55–5:05 Homer and Marge Simpson sit up in a bed with a purple headboard and red blanket, Homer holding an open book, while Homer talks on a blue telephone at first and then Marge holds the phone to her ear and scowls. In the first frames Homer is on the phone on a couch in front of a pink wall with a framed picture above him. Later Homer sits in bed gesturing with an open hand and then clasping his hands while speaking, as Marge stares at him with a flat, annoyed expression. A framed picture hangs on the pink wall above the bed, and the scene ends with Homer talking animatedly while Marge looks on. > Yes, I'm still available. No, he's not. > Marge, that was Debbie Pinson. > Debbie Pinson. Frame: https://ultrahouse3k.com/img/S10E13/296338.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/300300 ## 5:05–5:11 Marge, with her tall blue beehive and pink dress, lies in bed beside Homer, who wears a light blue shirt and holds an open book, and she looks increasingly annoyed with her arms crossed under the orange blanket while Homer speaks and yawns. The scene then cuts to the grey nuclear power plant with its two cooling towers, red domes and orange-and-pink buildings, which stays motionless across several moments. Next, Homer sits at a cafeteria table with a tray, facing Lenny with spiky black hair and Carl, a Black man in a grey jacket, who reads a newspaper with a headline as he walks past the counter, while another man in a green sweater with a moustache sits at the table between them. > No dating. > Oh. > Hey, Homer, Homer, check it out. Bottom of page 12. Frame: https://ultrahouse3k.com/img/S10E13/306348.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/308225 ## 5:11–5:21 Homer Simpson and Carl, a Black man in a grey-blue jacket and pink sweater, sit together in a cafeteria with blue double doors and an EXIT sign behind them, reading a copy of the Springfield Shopper headlined "IT'S WAR!" with a mushroom cloud picture. Homer's expression shifts from wide-eyed and open-mouthed to grinning and then to a blank, sidelong look, while a man in a white cap and white coat and a red-haired man in a green sweater stand in the background. In the final moment, Homer grins at a plate of food while a dark-haired man in a green shirt and purple suspenders looks at him from a table beside a red BUZZ vending machine. > Local man has same name. > A TV character has the same name as Springfield resident Homer Simpson. > Hey, you're famous! > And that's the end of that chapter. Frame: https://ultrahouse3k.com/img/S10E13/312187.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/316149 ## 5:21–5:32 Homer, bald and heavyset in a white shirt, pink tie and name badge, stands in a cafeteria while a man with short curly hair in a grey jacket and pink sweater sits across from him, with two diners seated at tables behind them. Homer tugs at his tie and then folds his arms as the man, holding a notepad and pen, speaks to him, and Homer later takes the notepad and pen and starts writing on it. Finally the man sits alone at the table, looking off to the side and gesturing with an open hand as he talks, with a tray of food and a carton on the table in front of him. > Wow! > Hey, Mr. Simpson, sir, can I get your autograph? > All right. And what's the name? > Uh, Homer, we've worked together for 10 years. Frame: https://ultrahouse3k.com/img/S10E13/322405.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/326993 ## 5:32–5:44 Homer Simpson and Carl sit across a green cafeteria table, Homer holding a pen and Carl holding a small spiral notepad as they talk, with Carl gesturing and glancing up while Homer leans on his arms looking unimpressed. In the background a woman in a white lab coat sits at another table, and a man in a white cap and a man in a green sweater stand near a pair of blue doors. The scene then moves to the night-time exterior of Moe's, its pink facade under a banner reading "TV SENSATION HOMER SIMPSON DRINKS HERE!" with a red neon MOE'S sign above the purple door and parked cars out front. > It's Carl. > You only wrote my name. Um, I wanted yours. > Take it or leave it, Carl. > So, uh, what kind of adventure are you gonna be involved in tonight, Homer? Frame: https://ultrahouse3k.com/img/S10E13/333875.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/338672 ## 5:44–5:56 Moe, the grey-haired bartender in a blue bow tie and apron, stands behind the bar at a wall-mounted TV and gestures with an open hand while speaking to a group of drinkers. Barney, the heavy drunk with messy brown hair in an orange shirt, and Lenny with spiky black hair sit in the foreground, with a green-capped man among them and a bearded patron with long hair and suspenders at the right edge. Homer leans on the bar at the back holding a foamy mug of beer, and his expression shifts from a sly, half-lidded look to a toothy grin and then a wide-eyed stare. In the final frames Moe turns to the bottles on the shelf and glances sideways with a wary look. The bar has a red-and-green diamond-patterned wall, shelves of liquor bottles, and a red ceiling. > Who knows? Maybe I'll have to foil an assassination. > Or stop a peace conference. > So they really base that Homer Simpson character on you, huh? Frame: https://ultrahouse3k.com/img/S10E13/345554.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/350350 ## 5:56–6:04 Homer Simpson sits at a bar with a beer mug, holding a brown paper bag and pulling out a grey scarf, which he wraps around his neck with a smug look. Later, Moe, the grey-haired bartender, stands behind the counter as Homer and a crowd of patrons, including a blond man in a dark vest, gather around a TV hanging above the bar. The scene then cuts to the legs of a man in a yellow suit and red trousers with white shoes, walking across a teal tiled floor. > Yep, right down to the scarf. > Whatever it is. Frame: https://ultrahouse3k.com/img/S10E13/357440.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/360360 ## 6:04–6:15 A man in a tan double-breasted suit with a pink tie stands over a dark-haired man sprawled face-up on a blue tiled floor, lifting one foot. The scene moves to an office with a bulletin board, where Chief Wiggum, the heavyset police chief with grey hair and a moustache, talks with the suited man, who leans with one hand on his hip while Wiggum gestures and speaks. In the final frames, a helmeted officer in a blue uniform and white vest swings a baton as he rushes through an open brown door beside a grey filing cabinet and a black telephone. > Nice beating, Lance. Especially around the eyes. > Say, where's your partner? Where's Homer Simpson? > Coming, Chief. > Now what have you done, Simpson? I was supervising the Guns for Toys program. Frame: https://ultrahouse3k.com/img/S10E13/365365.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/369953 ## 6:15–6:25 Chief Wiggum, the fat police chief in a blue cap and bandaged arm, stands at the right of a police station hallway and touches his cap, grinning and talking. Beside a wall clock and a blue water cooler, a mustached, grey-haired officer in a white uniform shirt and blue tie holds out an open hand and grimaces, while a Black man in a tan double-breasted suit and pink tie stands with hands on his hips, watching. Wiggum keeps touching his cap and gesturing with an open hand, while the mustached officer and the man in the tan suit stay in place as the scene goes on. > It's toys for guns! > Now you tell me. Frame: https://ultrahouse3k.com/img/S10E13/376418.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/380589 ## 6:25–6:36 Chief Wiggum, the fat police chief with grey hair and a moustache, rubs his forehead and grimaces in an office with a wall clock, then grins through gritted teeth. Homer, in a white jacket and grey scarf, stands at a bar with Duff signs, looking worried and speaking with his mouth open, while Barney, a heavy man with messy brown hair in a pink shirt, laughs with his mouth wide open beside Moe, the grey-haired bartender in a blue shirt and bow tie. Unnamed patrons in green and teal sit behind the bar, and the bar has a red ceiling and a ceiling fan. > Simpson! > Hey, what's going on? That guy's not Homer Simpson. > He's fat and stupid. Frame: https://ultrahouse3k.com/img/S10E13/386636.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/391016 ## 6:36–6:49 Homer, bald and wearing a white shirt with a dollar price tag and a grey scarf, stands in a bar with Lenny, who has spiky black hair and a green shirt, and a man in a teal sweater behind them, while a man in a pink shirt with a gold chain on the right holds up a foamy beer mug. Under a 'Duff' sign on argyle-patterned wallpaper, Homer grimaces and grits his teeth, then glances sideways and talks with his mouth open as the men around him look on. The man in pink keeps grinning and gesturing with his beer, and the scene ends with Homer still speaking. > Hey, looks like they changed the character into a bumbling sidekick. > No, no, he can't be. > I know, maybe he's just acting stupid to infiltrate a gang of international idiots. > Yeah, that's gotta be it. You destroyed that drug shipment? Frame: https://ultrahouse3k.com/img/S10E13/397689.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/402903 ## 6:49–7:01 A uniformed officer with a moustache and grey-streaked hair, and a man in a red cap, white coat and pink sweater, talk to each other on a purple wall-mounted television, with the officer scowling and speaking while the other listens and smiles, and then the scene cuts to a bar where Barney, Carl and Lenny lean on the counter as the grey-haired bartender Moe, in a bow tie, speaks with a grin. Homer sits at the bar in a white shirt, holding a beer mug, gazing sideways and then rubbing his face with both hands, with a red-and-green diamond-patterned wall, a cigarette machine and an ATOM pennant behind him. > Yes, indeedy. > That was my insulin. > Uh-oh, spaghettios. > Simpson! > Hi, Homer. That character's you all over. Frame: https://ultrahouse3k.com/img/S10E13/410201.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/415415 ## 7:01–7:12 Barney, the heavy drunk with messy brown hair in a salmon shirt, sits at the bar between a long-nosed man in a green sweater and suspenders and Carl in a grey jacket and pink shirt, all holding beer mugs. Barney leans and smirks while the others grin, then Moe, the grey-haired bartender in a bow tie and blue apron, leans in beside them and speaks animatedly. The scene shifts to Moe pointing and shouting at the group while Homer, in a white shirt and grey vest behind the bar, clutches his head with both hands and recoils in distress. The final close-up shows Homer with his hands pressed to his ears, mouth wide open in a shout, with a beer mug and a green and red diamond-patterned wall behind him. > Come on, Homer, act all stupid. Like you do on TV. > Yeah, come on, dum-dum. Do something unintelligent there. > Shut up! I'm not your clown. Frame: https://ultrahouse3k.com/img/S10E13/422714.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/427093 ## 7:12–7:23 Homer Simpson, bald and stubbly in a white shirt and grey vest, stands at a bar and gestures angrily beside a beer mug, then glares and stares at a red door with a round teal window while Carl, Barney and Lenny sit on bar stools to the side. Homer is then shown dangling from a ceiling fan by a rope around his neck, his feet off the blue tiled floor, as the three men watch from their stools, next to a wall pennant and a red CIGARETTES vending machine. The men turn back to the bar, where Barney and Lenny are laughing with beer mugs and beer splashes on the counter and floor, while Carl grins and leans toward Barney. > Don't diminish me. > Gentlemen, I bid you fair... Frame: https://ultrahouse3k.com/img/S10E13/433558.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/437729 ## 7:23–7:35 Homer is first sprawled face-down on a blue tiled floor beside wooden planks with his tongue hanging out, then he peeks through the doorway of Moe's Tavern, a green-walled bar with a cigarette machine beside it, before the red door swings open and shuts again. Afterward, Carl, a Black man in a grey jacket and pink shirt, Barney, a heavy man with messy brown hair in a pink shirt, and Lenny, with spiky black hair and a green sweater, sit on bar stools inside, Carl talking and Lenny reacting with an open mouth while a bartender in blue stands at the right edge. > Geez, what an exit. > Oh, man. > What's he gonna do for an encore? Frame: https://ultrahouse3k.com/img/S10E13/444194.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/449199 ## 7:35–7:46 Moe, the grey-haired bartender in a light blue shirt and dark suspenders, leans through a teal doorway beside a red door and a round green wall clock, grimacing and speaking with a furrowed brow. The screen fades to black, then shows the Simpson house exterior with its pink front door, attached garage and mailbox. Homer, a bald heavy man in a white shirt, sits at the kitchen table with his cheeks propped in his hands and a grimace on his face, while Marge in a green dress and tall blue beehive stands at the left edge; a plate of bacon and eggs and a glass of orange juice sit on the table. > Ooh, I don't think he'll be doing no encores for a while. > Ha-ha! > I can't understand what happened. > Why did they change Homer Simpson's character from cool to stupid? Frame: https://ultrahouse3k.com/img/S10E13/456498.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/460877 ## 7:46–7:58 Lisa Simpson sits at the blue kitchen table with a bowl of cereal and a glass of orange juice, while Bart, Maggie and Homer eat at the family table in the early frames and Marge stands beside them. Lisa then talks and gestures with Marge drying her hands with a towel at the sink, and Lisa later points and speaks while eating alone. A frail, thin, stooped old man with a hooked nose and grey hair at the sides, Mr. Burns, appears at the window beside her, and a grinning stranger in a red cap and blue shirt pops into the window at the end. The kitchen has yellow corn-patterned curtains and a view of a fence and house outside. > The first episode was just a pilot, Dad. > Producers fiddle with shows all the time. > They change characters, drop others, and push something into the background. > Your character provides the comic relief. Frame: https://ultrahouse3k.com/img/S10E13/467342.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/472347 ## 7:58–8:10 Marge Simpson, with her tall blue beehive and red bead necklace, talks in the kitchen at first, then stands beside Homer Simpson, who sits at the table in a white shirt and grimaces while she gestures and grins at him. Homer later holds a grey scarf in his hands and then bites down on it, while Marge watches with a slight smile. Behind them, cardboard boxes labeled SCARVES are stacked against the purple kitchen wall, with a white scarf spilling out of the top box. The scene then cuts to a view of a nuclear power plant with two large cooling towers marked with atom symbols under a blue sky. > Like, oh, Marlon Brando in Apocalypse Now. > Wish I hadn't bought a hundred of these. Frame: https://ultrahouse3k.com/img/S10E13/479437.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/484234 ## 8:10–8:21 Homer Simpson, in a white shirt with a clip-on badge, first stands rubbing his chin at a control console in a blue-walled plant room while a group of men (including a Black man in a grey jacket and red shirt, and a man in a green jacket with long dark hair) waits in an elevator doorway, one wearing a white lab coat. Homer then sits in a swivel chair with his arms crossed in front of a wall map of the United States, with the long-haired man on the left and the Black man on the right, as he speaks and glances between them. > Get ready, everybody. Marty, he's about to do something stupid. > Well, I'm sorry to disappoint you, gentlemen, > but you seem to have me confused with a character in a fictional show. Frame: https://ultrahouse3k.com/img/S10E13/491116.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/495912 ## 8:21–8:34 Homer Simpson stands with his arms crossed at a control panel in front of a large map of the United States, then turns to a bubbling fondue pot with forks, grabs his head, and watches it tip over, spilling orange fondue down the panel as sparks fly. Behind him, a crowd of workers in white coats and lab-style clothing, including Lenny with spiky black hair, Carl, a man with glasses and a red tie, and a man in a green sweater with purple suspenders, stand together with mouths open and eyes wide, one of them pointing forward. The on-screen map shows states colored in blue, green and orange with red dots, and the fondue pot is on a stand near the panel's gauges and buttons. > Now, if you'll excuse me, my fondue is just about... > Ow! > There goes Albany! > Uh-oh, spaghetti-o-hoes! > Oh, man. Frame: https://ultrahouse3k.com/img/S10E13/502794.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/508216 ## 8:34–8:46 Homer in his brown jacket and hat, Marge with her tall blue beehive holding Maggie, Bart, Lisa, Grampa, Carl, and Patty and Selma gather outside a storefront, with the pink Springfield Mall building and rows of parked cars behind them. The group shuffles past a green 'Join the Conspiracy' poster, and Homer, frowning, walks along and then stops to stand still as the others look on. In the final frames Marge, wearing her red bead necklace, stares wide-eyed and speaks with her mouth open. > He said Homer Simpson, dude. > People are laughing at me, Marge. Let's get out of here. > Forget the baby's medicine. But her forehead's on fire. Frame: https://ultrahouse3k.com/img/S10E13/515724.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/520520 ## 8:46–8:53 Homer Simpson, in a brown jacket, bucket hat and blue pants, stands on a city sidewalk with a row of onlookers behind him, including a grey-violet-haired woman in an orange dress beside a boy in a blue shirt and red pants. Chief Wiggum, the fat police chief in uniform and cap, stands in front of Homer and holds a revolver, first at his belt and then raised near his own head, while Homer glances at him and walks off, then turns back to face him. A shop window behind them shows a poster reading "JOIN THE CONSPIRACY" and a "POLAR" sign, and the scene ends with Wiggum still holding the gun up and grinning. > Fine. I'll be in the car, driving home. > Well, if it isn't that stupid cop from TV. Frame: https://ultrahouse3k.com/img/S10E13/527610.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/530321 ## 8:53–9:01 Chief Wiggum, the heavy police chief in a blue uniform, stands outside a storefront with a blue-tinted window, waving a revolver while he talks, with Homer in a brown jacket and fedora beside him. Over the clip a crowd gathers and shifts around them, including Sideshow Bob with his huge spiky red mane, a woman in a red bandana, a boy in a blue shirt, a man in a suit, and a man in a green sweater and glasses. At the right edge a man in a bow tie, green jacket and pink trousers joins in, and a woman with a tall blue beehive watches from the side. > Oh, yeah, I got it. > That's all my tickets and food. > That's crap. Frame: https://ultrahouse3k.com/img/S10E13/535118.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/537620 ## 9:01–9:08 Barney, the heavy man in a blue shirt with messy brown hair, stands in a crowd beside a grey-violet-haired woman in an orange top, under a sign reading MISCELLANEOUS, ETC., while a man in a light blue shirt looks on from the left. He talks with his mouth open, then grins and clutches a black handheld cassette recorder with a tape window while the woman closes her eyes and a spiky-haired man in the background watches. The scene shifts to Homer in a brown hat and brown jacket holding the recorder in both hands, his mouth moving as he speaks, then looking down at it, with the crowd around him and a partial LEFTO... sign behind them. > Your catchphrase is hysterical. > Please say it clearly from my answering machine tape. > Uh-oh, SpaghettiOs. Frame: https://ultrahouse3k.com/img/S10E13/542417.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/545128 ## 9:08–9:19 Krusty the Clown, with green hair, red nose, pink shirt, blue bow tie and white gloves, is in a crowd with Homer in a brown jacket and tan hat, a man in a green coat holding a small recorder, a woman with grey-violet hair in a purple dress, and a bespectacled man in a green sweater. In a crowded room with blue lockers and wall clocks, the group presses together as Krusty gestures and speaks with rising irritation, and Homer looks on with a strained expression. The crowd then moves toward a doorway, where Krusty stands with an arm out, and Homer and a red-haired man in overalls follow, with Krusty turning to glare at the people behind him. > Worst reading ever. > How about an autograph? Picture, Master? > Have a shoe, grimey? Come on, people! > Enough is enough! > Oh, it's never enough. > Not for them. Frame: https://ultrahouse3k.com/img/S10E13/549924.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/553887 ## 9:19–9:26 Krusty the clown, with green hair, a pink shirt, blue bow tie and white gloves, and Homer, in a brown coat, white shirt and green-banded fedora, stand together in a shop doorway beside shelves holding blue boxes and small items. Krusty first jabs a gloved finger and grimaces, then drapes an arm over Homer's shoulder and leans in while Homer looks on warily, and Krusty next holds up a small black object. Krusty then raises a gloved hand while Homer, looking alarmed, glances back toward the doorway. > Once they get it tastier, they want more and more and more. > That reminds me, do you mind if my nephew kicked you in the belly? > Okay. Frame: https://ultrahouse3k.com/img/S10E13/560143.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/562854 ## 9:26–9:37 Krusty the Clown, with green hair, a pink shirt and green pants, stands on a sidewalk outside a storefront raising a black device to his face, while Homer in a brown jacket, grey hat and blue jeans stands by the doorway and then collapses face-down on the pavement with a white paper beside his head, as a red-haired man in a red shirt watches with his arms folded. Krusty lowers the device and stares at it in bewilderment while Homer stays sprawled on the ground. The scene then shifts to a brick house where Homer peers out of an upstairs window beneath a sloping brown roof with an antenna against a blue sky. > Oh, the flash didn't go off. > You got another one in you, Josh? Frame: https://ultrahouse3k.com/img/S10E13/567650.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/572030 ## 9:37–9:47 Homer Simpson, in a blue robe, sits rocking in a wooden rocking chair beside a pink lamp in a wood-paneled room, then stands in the attic-like room looking sullen while Marge, with her tall blue beehive and red necklace, waits on a pink rug holding an orange tray of food and a blue bottle. He then appears at a window with brown boards nailed across it, gritting his teeth, shouting and pointing outward with his yellow arm as he stares out in agitation. > The whole town's laughing at me. Even that cat out there. > Bart, kill that cat! Okay! > And that big yellow flower! Homer, your growing insanity is starting to worry me. Frame: https://ultrahouse3k.com/img/S10E13/578703.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/582457 ## 9:47–10:00 Marge Simpson, with her tall blue beehive and red bead necklace, stands on a wooden porch in a green dress and red shoes, while Homer, bald and bearded in a blue robe, sits in an orange rocking chair beside a window showing a pink house and green hedge. Marge first stands with her hands clasped and talks, then gestures outward with an open palm and looks flustered, while Homer sits still and listens, then in the final moments Homer tugs at his thick reddish beard with both hands and his eyes roll and bulge as Marge watches him from the side. A pink lamp and a small blue table with a white pitcher sit at the left edge of the porch. > Why don't you talk to the producers of the show? > Maybe they'll make your character suave again. > Hmm, I guess I could. > But while I'm gone, keep an eye on that weird-looking kid down there. Frame: https://ultrahouse3k.com/img/S10E13/588296.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/593718 ## 10:00–10:11 Marge, with her tall blue beehive and green dress, stands on a wooden cabin porch beside Homer, a bald, heavy man in a white shirt and blue pants. Homer first sits in a rocking chair with a blue cloth draped over it, then rises, points angrily and shouts while Marge looks on. The scene then moves to a lot of buildings, where a Black man in a tan suit kneels and aims a rifle at a man in a red cap and blue overalls who is being knocked backward against a wall marked 7 with a 'POLICE COPS' shield, beside a sign reading 'BY THE NUMBERS PRODUCTIONS', while a small figure walks toward a door and another figure appears in the background. > Bart? Yeah, Bart. Frame: https://ultrahouse3k.com/img/S10E13/601434.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/606231 ## 10:11–10:23 Homer sits at the end of a long brown conference table in a yellow-walled room with a cactus and a window, while a row of suited men, including a woman with a tall blue beehive, sits along the far side. Homer leans forward wide-eyed and then gestures with open hands between two men in suits, one with grey hair and one with dark violet-blue hair. Across the table, a bald man with glasses and a red tie, flanked by a reddish-haired man in a grey jacket and a man with swept-back hair in a pink shirt, talks and grins, with a lavender mug on the table in front of them. Frame: https://ultrahouse3k.com/img/S10E13/613113.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/617700 ## 10:23–10:33 Homer, bald and heavy in a white shirt, leans on a brown counter by a window, then a bald, bespectacled man in a dark suit and red tie sits between a blond man in a grey jacket and a man in a black jacket over pink, gesturing with both hands raised and grinning as he talks. The scene then moves to a seated trio at a long table: a short-haired man with a goatee in a brown jacket holds a white mug, a woman with a reddish bob in a purple jacket and pearl earring speaks and purses her lips, and an older man with thin-rimmed glasses and a dark jacket sits beside her. Notable objects include a purple mug on the table and a window with a sign reading 6. Frame: https://ultrahouse3k.com/img/S10E13/624374.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/628336 ## 10:33–10:40 Homer Simpson sits at a table by a window in his white shirt, a blue chair behind him, and a lavender mug in front of him, grimacing and talking while a building marked with the number 6 and a green tree show outside. Beside a plain yellow wall, two men in suits stand close together, the bearded man with round glasses and dark blue hair staying stern while the man with brownish hair in a blue blazer grimaces, then gestures with both hands as he speaks. The scene ends with Homer leaning forward at the window, grinning widely with his teeth showing. > Police cops. Uh, no. Frame: https://ultrahouse3k.com/img/S10E13/634592.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/636886 ## 10:40–10:51 A bald, bespectacled older man in a dark suit and red tie sits at a brown table across from a younger man with reddish swept-back hair in a grey jacket and white shirt, and both sit with mugs on the table. The older man gestures with both hands, talks, and then clasps his hands together while the younger man listens with a skeptical expression. Then a woman with a tall brown bob, pink earring, pink top, and purple blazer sits in a blue chair against a plain yellow background, speaking and then pursing her lips with a stern look. The scene is a stiff, talking-heads style interview with no on-screen text visible. > Actually, it was called badge patrol. > But the network idiots didn't want a show about high-tech badges that shoot laser beams. > So we asked ourselves, who's behind the badge? > Police. Frame: https://ultrahouse3k.com/img/S10E13/641474.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/645854 ## 10:51–11:03 Homer Simpson sits at a wooden table in a white shirt, looking worried and then talking with his mouth open, while a tall man with swept-back reddish hair (Troy McClure) in a pale grey jacket sits with his hands clasped and smirks beside a man with purple-blue hair, round glasses and a black jacket. Later, Homer, seen from behind, faces a balding older man in round glasses, a navy suit and a red tie, who grins, talks, and then rests his hands on the table as a grey-haired woman in a black jacket and pink top watches; a coffee cup sits on the table, and a window with a tree and a building with the number 6 is behind Homer in the earlier shots. > Cops. > Police cops. > Yeah, but why does the Homer Simpson character have to be so stupid? > Oh, he's not stupid. He's a street-smart fish out of water in a world he never made. Frame: https://ultrahouse3k.com/img/S10E13/652527.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/657323 ## 11:03–11:12 Homer sits at a table by a window, first clasping his hands and pleading, then gesturing with both arms as he gets more agitated and shouts, facing three men across the table: a man with swept-back reddish hair in a grey jacket, a balding man with glasses in a dark suit and red tie, and a brown-haired man in a pink shirt. Homer then stands up and hugs a tall green cactus while two seated people watch, and the scene ends with Homer, Marge, Maggie, Bart and Lisa sitting together on the couch watching a television in their living room. > I'm begging you. I'm a human being. > Let me have my dignity back. > Let me down, Chief. I'm begging you. I'm a human being. Frame: https://ultrahouse3k.com/img/S10E13/664414.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/667959 ## 11:12–11:23 A red-capped man in a white jacket, pink sweater, scarf and blue jeans dangles from a cable above a tall beige office building, arms spread wide, while a balding man in a white shirt and a curly-haired man with dark hair watch from the sides. The dangling man clutches his chest, then spreads his arms again and grins, and a potted cactus appears between two men in a office setting. Bart, arms crossed in an orange shirt and blue shorts, and Lisa, in a red skirt and pearl necklace, sit side by side on a brown couch against a pink wall, with Bart's mouth opening as he speaks. > Let me have my dignity back. > Nice stupid and whiny. Frame: https://ultrahouse3k.com/img/S10E13/673798.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/678178 ## 11:23–11:34 Homer, Marge holding baby Maggie, Bart with arms crossed, and Lisa sit on a brown couch in a pink living room, with Homer gesturing and speaking animatedly. The scene then cuts to the Springfield County Courthouse exterior, with stone lions, a No Parking sign reading El Barto, and a clock above the entrance. Inside the courtroom, Homer sits in the gallery reading a sheet of paper beside a bespectacled man in a white shirt and blue tie, while a large man with curly dark hair looks on from the bench and a uniformed officer stands near the door. > That does it. There's only one thing I can do. > Your Honor, > I'd like to sue the producers of police cops for $20 million for improper use of my name. Frame: https://ultrahouse3k.com/img/S10E13/684851.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/689230 ## 11:34–11:45 The Simpsons' Homer, in a blue suit, stands at the courtroom rail holding papers while Patty or Selma, Marge's grey-violet-haired sisters, and other spectators watch from the gallery behind him. A dark-haired judge with a goatee and black robe, seated at the bench under a Spring Court seal, bangs a wooden gavel and grins, then looks stern. The scene then shifts to an open courtroom where Homer walks across the tiled floor reading a paper, while a uniformed police officer in a blue cap stands by the wall and an American flag stands beside the raised judge's bench. > Court finds in favor of police cops. Next case. > I don't want to go. > Okay. > Then I'd like to legally change my name. > What name would you prefer? > Any of these will be fine. Frame: https://ultrahouse3k.com/img/S10E13/695904.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/700283 ## 11:45–11:56 A heavy man with curly dark hair and a dark goatee, wearing a black robe and blue tie, reads from a sheet of paper at a wooden podium beneath a blue and red Springfield Court seal, his expression shifting from a sly smile to a toothy scowl. Homer Simpson, bald and wearing a blue suit with a green tie, sits at a table in the courtroom with his wide-eyed, worried face turned toward the man, with a sheet of handwritten paper in front of him and a tiled floor behind him. > Hmm. > Hercules Rockefeller. > Rembrandt Q. > Einstein. > Handsome be wonderful. > I'm going to give you the only name you spelled correctly. > From this day forward, your name shall be... Frame: https://ultrahouse3k.com/img/S10E13/706956.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/711336 ## 11:56–12:06 Homer, seen from behind in a blue shirt, faces an unnamed judge in a black robe behind a courtroom bench under a blue and red Springfield Municipal Court sign, and the judge glares and then looks down. Lisa, in a red dress and pearls, reads a sheet of paper and speaks, then the scene moves to the pink living room where Grampa sits in a green armchair and Homer stands with his arms crossed and speaks while Marge, Maggie holding a pacifier, Bart and Lisa sit on the couch and react, with Bart and Lisa looking up and Marge grimacing and then speaking, with a green lamp and a staircase behind them. > Max Power? > Dynamic, isn't it? I love it, Max. > You changed your name without consulting me? > That's the way Max Power is, Marge. Frame: https://ultrahouse3k.com/img/S10E13/717800.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/721763 ## 12:06–12:14 Homer, in his white shirt and blue pants, stands by a sunny window in a pink room, first pointing upward while talking, then with his hands on his hips beside a plate and a lit candle, and finally folding his arms with a sour look. The scene then shifts to the living room, where Grampa, the wrinkled old man with white tufts of hair, sits in a green armchair and talks while Marge, with her tall blue beehive, holds baby Maggie on the couch beside Lisa in her red dress, and Homer stands with his back to the viewer. Grampa grins as he speaks, and a red lamp and a potted plant sit on the wall behind them. > Decisive, uncompromising, and rude. > Oh, wait a minute. > The family name is my legacy to you. Frame: https://ultrahouse3k.com/img/S10E13/727810.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/730730 ## 12:14–12:28 Grampa, the wrinkled old man with white tufts of hair and glasses, sits in a green armchair in a pink-walled living room, wearing a salmon-pink sweater and grey trousers, with a red lampshade lamp and a framed sailboat picture behind him. He sits and talks animatedly, glaring, grinning and gesturing: he raises a pointing finger, then opens his hand in an explaining gesture, and his mouth moves through speech as he talks on. Nothing else in the room changes, and the scene holds on his expressive gestures throughout. > I got it from my father, and he got it from his father. > And he traded a mule for it. > And that mule went on to save spring break. Frame: https://ultrahouse3k.com/img/S10E13/735735.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/741366 ## 12:28–12:40 Marge, with her tall blue beehive and green dress, sits on a dark red couch holding baby Maggie in a blue bow and pacifier, while Bart in an orange shirt and Lisa in a red dress holding a sheet of paper sit beside them in a pink living room with a green lampshade lamp and a staircase at right. Marge gestures and speaks, then points off toward the side as Bart and Lisa look on, and in the final frames Homer, bald with a white shirt, stands at a window with a suburban street outside, his mouth open in surprise, before the family returns to the couch where Marge speaks and the group reacts with worried expressions. > But this will be so confusing. > The mailman won't know what to do. > Did you think of the mailman at all before you did this? > Yes, briefly. > And what about the tattoo on my you-know-what? Frame: https://ultrahouse3k.com/img/S10E13/749290.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/754295 ## 12:40–12:50 Homer Simpson, bald and heavy in a white shirt, stands by a yellow curtain in the pink living room, first staring wide-eyed, then grimacing with his mouth open before settling into a sly, half-lidded look. Later, Marge in her tall blue beehive and green dress talks with him while holding baby Maggie with her pacifier and blue bow, and Bart sits on the brown couch beside them, eyes closed. The scene shifts as Marge turns to face Homer and gestures with a raised hand, with Bart and Lisa, who has star-shaped spiky hair and a red dress, standing near the couch under framed family portraits on the pink wall and a green lamp. > Oh, honey, they have acids that can burn that off. > But I fell in love with Homer Simpson. > I don't want to snuggle with Max Power. > Nobody snuggles with Max Power. Frame: https://ultrahouse3k.com/img/S10E13/761386.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/765348 ## 12:50–12:56 Homer, the bald, heavy man in a white shirt and blue shorts, stands in a pink living room beside a yellow curtained window with a red lamp nearby, first gesturing with an open hand, then patting his belly, clenching his fists and grinning with hands on hips. Marge, with her tall blue beehive and red bead necklace, then stands by a purple staircase railing beneath a framed family portrait, her hand raised to her cheek and her mouth open in surprise. > You strap yourself in and feel the Gs. Oh, Lord. > And it doesn't stop in the bedroom. Oh, no. Frame: https://ultrahouse3k.com/img/S10E13/771604.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/773481 ## 12:56–13:07 Homer Simpson stands in the pink living room holding a red candle-like object, gesturing with an open hand and then a raised finger while talking to Bart in an orange shirt and Lisa in a red dress with a pearl necklace, who sit together on a maroon couch. Homer's expression shifts from grinning to eyes-closed to wide-eyed, and he finally folds his arms and stares at the kids. A framed abstract painting hangs on the wall, and a yellow curtain frames the window at right, with a closing close-up of Bart speaking and sparkles around him. > I'm taking charge. > Kids, there's three ways to do things. The right way, the wrong way, > and the Max Power way. Isn't that the wrong way? Frame: https://ultrahouse3k.com/img/S10E13/777652.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/781823 ## 13:07–13:20 Homer Simpson, in a white shirt, stands in a pink living room hugging a tall potted cactus while Lisa Simpson, in a red dress and pearl necklace, sits on a dark red couch and looks on. After a brief black screen, the scene shifts to a nuclear power plant with cooling towers, a guard booth, and signs reading "EXIT ONLY," "CAUTION SEVERE TIRE DAMAGE," and "DO NOT ENTER," where Homer sits at a control console in a pink tie, gripping a cylindrical object with his mouth open, then grinning as he keeps turning it. > Yeah, but faster. > We should really put that in the corner. > Max Power, > he's the man whose name you'd love to touch. Frame: https://ultrahouse3k.com/img/S10E13/788079.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/793918 ## 13:20–13:23 Only the yellow hands of an unseen character appear, gripping a brown nameplate in front of a wall of dials and control panels in a power plant. In the first frames the plate reads "HOMER SIMPSON", which slides left and is then covered as the hand pulls it back, leaving a blank plate. The plate is then swapped to read "MAX POWER" as the hands rotate and reposition it across the panel. The moment ends with the plate held steady in the same spot, still reading "MAX POWER". > But you mustn't touch. Frame: https://ultrahouse3k.com/img/S10E13/801843.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/802051 ## 13:23–13:33 Homer Simpson, the bald, heavy man in a white shirt and pink striped tie with an ID badge, sits at a control console in a room with blue metal walls, a yellow-and-black hazard stripe panel and a red fire extinguisher on the wall. Over the ten seconds he gestures and reacts with wide-eyed expressions, first with a hand up and then a hand to his face, then both arms thrown up in an excited shout, then hands out in a shrug, and later his hands flutter beside his head as he cups one hand to his ear and waves the other. He ends by fiddling with his tie with a sleepy, half-lidded look. > His name sounds good in your ear. > But when you say it, you mustn't fear. Frame: https://ultrahouse3k.com/img/S10E13/804554.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/808725 ## 13:33–13:44 Homer Simpson sits at a control panel in the nuclear plant control room, first gesturing excitedly with clenched fists, then spreading his arms wide and shrugging with a sly look. Later Mr. Burns, a frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands beside him, talking and gesturing while Homer stretches an arm outward and points. Hazard-striped doors, radiation symbols and a red fire extinguisher are visible on the walls. > Cause his name can be said by anyone > Max Power, how's every little thing? Frame: https://ultrahouse3k.com/img/S10E13/814981.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/819152 ## 13:44–13:56 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands with his hands clasped behind his back and talks with Homer, who sits at a purple control console in a blue nuclear plant room with yellow-black hazard stripes and a fire extinguisher on the wall. Burns steps toward the doorway on the right, gestures with his hand and holds up a small card, then turns back and gestures again while Homer watches, glancing sideways and raising a finger. The scene ends on a view of Homer's back as he faces a large radiation-symbol door, with a white paper pinned by the doorway and the consoles, gauges and buttons of the control panel in the foreground. > You remembered my name Well, who could forget the name of a magnetic individual like you? > Keep up the good work, Max Mr. Power? > Yes, of course, Mr. Power Frame: https://ultrahouse3k.com/img/S10E13/825408.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/830413 ## 13:56–14:06 Homer, the bald, heavy man in a white shirt, and a saleswoman with orange hair and a brown vest stand at a counter in Costington's department store, where she gestures and points at a blue garment on the counter while he listens. Behind them a man in a dark suit stands by a display case, and a woman walks past near a round table with a blue cloth. The exterior shots open on the Costington's storefront with its yellow sign, red awning and mannequins in the windows, and two figures walk in and out through the glass doors. > So I want the monogram to read M-A-X-P-O-W Sir, > traditionally, a monogram is just initials. Frame: https://ultrahouse3k.com/img/S10E13/837503.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/841466 ## 14:06–14:15 Homer, the bald, heavy man in a white shirt, stands behind a glass counter in a clothing shop with shelves of folded shirts and boxed gifts, and a mannequin in a brown dress stands in the background. He starts with his arms folded, then raises a hand and points toward the shelves while talking, rubs his chin thoughtfully, and jabs a finger upward with wide eyes. He ends looking to the side with his hand near his chest and his mouth open mid-speech. > Max Power doesn't abbreviate. > Each letter is as important as the one that preceded it. > Maybe more important. > No as important. > Very well. Frame: https://ultrahouse3k.com/img/S10E13/847722.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/850850 ## 14:15–14:21 Homer Simpson, in a white shirt, points and gestures at a sales clerk in a brown vest with orange-red hair, who holds up a blue shirt, while Troy McClure, in a brown suit with swept-back reddish hair, stands behind a blue-draped table displaying ties and wallets. Homer holds a dark briefcase, then sets it on the floor and gestures with open hands before turning away to hold a stack of bills up to his face as McClure looks on. The scene is an indoor shop with glass display counters, a potted plant, and a green wallet and brown wallet on the counter in the foreground. > And if you've got enough room, add some exclamation points and a pirate flag. > The man knows what he likes. Just taking care of business. Frame: https://ultrahouse3k.com/img/S10E13/856481.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/858358 ## 14:21–14:29 Homer Simpson, in a white shirt, stands behind a shop counter in a clothing store lined with shirts and ties, and a mannequin in a brown coat stands in the background. Facing him is a man in a brown suit with a black tie and a swept-back reddish hairdo, who is Troy McClure. Homer stares and smirks, then holds his hands clasped over the counter while the man talks, and they shake hands in a firm handshake, with Homer's expression shifting from wary to smirking. A pink-and-white striped wall and a window appear at the right, and the moment ends with the two still gripping hands. > If you don't, who will, huh? > Trent Steele. Homer Sip, uh, Max Power. > Oh, hey, great name. Yeah, isn't it? I got it off a hairdryer. Frame: https://ultrahouse3k.com/img/S10E13/862528.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/865239 ## 14:29–14:36 Homer Simpson, bald in a white shirt, and Troy McClure, with swept-back reddish hair, a brown suit and black tie, stand together in a shop lined with shelves of folded clothes. Homer talks and gestures with an open hand while McClure smirks and speaks, then McClure leans in and points at Homer's chest as Homer grins with raised eyebrows. A pink-striped wall and a blue-paned window sit at the right, and a purple cloth lies on the counter in the foreground. > I like a man who can poke fun at himself. Frame: https://ultrahouse3k.com/img/S10E13/870244.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/872955 ## 14:36–14:47 Troy McClure, a suited man with swept-back reddish hair, stands in a clothing store with shelves of folded shirts and a mannequin in a brown coat, and Homer, in a white shirt, stands nearby. McClure grins, then keeps an arm around Homer's shoulders and steers him past a potted plant toward a revolving glass door, briefcase in hand, while Homer looks back over his shoulder. The scene then shows the Simpson house, a two-story pink home with a red door, a purple tree, and a mailbox at the curb. > Ooh, hey, my 1 o'clock canceled. > Have you had any lunch? > Yeah, but I usually have 3 or 4. > So where to eat? You like Thai? > Thai, good. > You like shirt? Frame: https://ultrahouse3k.com/img/S10E13/877752.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/882131 ## 14:47–14:57 In the Simpson family kitchen, Homer, wearing a light blue shirt, stands at the right of the blue-covered round table where Bart, in an orange shirt, and Lisa, in a red dress with a pearl necklace, sit beside Marge, with her tall blue beehive and red bead necklace, standing behind them, with three white Thai Palace takeout bags on the table in front of them. Homer gestures and talks, then folds his arms and stands with a smug, sideways look, a hanging fruit basket beside him, while Marge stands by the red wall phone and turns to speak, her eyes wide and mouth open, as the scene plays out. Homer's expression shifts from grinning and gesturing to a glowering, arms-crossed stance, and Marge keeps talking beside the phone. > March, this is Thai food. From now on, I want it morning, noon and night. > When did you start liking Thai food? > When Trent Steele bought me some. > Who's Trent Steele? He's Max Power's oldest and dearest friend. Frame: https://ultrahouse3k.com/img/S10E13/888805.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/892767 ## 14:57–15:09 Homer stands with his arms folded beside a hanging basket of fruit and then closes his eyes in a smug pose. Bart and Lisa sit at a blue-covered kitchen table, Bart holding a white napkin and Lisa cradling a green wrapped bundle, and she smiles, then grins with her mouth open. Marge, with her tall blue beehive, stands behind the table by the green refrigerator, watching with a wary look, while Homer waits by the red arched doorway on the right and a folded paper and white napkins sit on the table. > What's this wrapped in a banana leaf? > Mmm, smells like mint. > Oh, I spit my gum in there. Ew. > Where'd you meet this Trent Steele? > Mose? > No way. This guy's a winner. Frame: https://ultrahouse3k.com/img/S10E13/899023.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/904028 ## 15:09–15:21 Homer, wearing a light blue shirt with the name Max Power stitched on the chest and a spiky green-and-pink crown on his head, and Marge, with her tall blue beehive and red bead necklace, stand in a lavender room with a hanging fruit basket and a green cabinet. Homer gestures and talks, pointing and raising his hands, while Marge listens with wide eyes and then grins and rests her hand on his arm before both look at each other in surprise. A red wall telephone with a coiled cord hangs between them beside a note pinned to the wall. > He has a company that makes computers, or a computer that makes companies. > Anyway, you wouldn't understand. > Well, I guess your new name is really opening doors for you. > For all of us. Frame: https://ultrahouse3k.com/img/S10E13/910910.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/915498 ## 15:21–15:34 Homer, the bald, heavy man in a light blue Mr. Plow shirt with a spiky green-and-purple hair-curler style crown, and Marge, with her tall blue beehive and red bead necklace, stand together in a lavender room with a hanging fruit basket and a shelf of green books. Homer first talks animatedly and gestures toward Marge, then holds up a paper reading "Garden Party" with a Trent Steel RSVP, and Marge takes the paper and reads it beside a green refrigerator and a red wall phone. Marge looks up wide-eyed and speaks, then Homer leans in, gestures with his fist, and grins while the two keep talking in the room. > Look! > You are invited to a garden party this Saturday. > This is our chance to rub elbows with Springfield's young, hip, > power couples like me and Debbie Pinson. Frame: https://ultrahouse3k.com/img/S10E13/922380.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/927802 ## 15:34–15:41 Marge Simpson, with her tall blue beehive and red bead necklace, stands beside a wall phone and speaks, then falls silent with a worried look. The scene shifts to a mansion estate: Homer's pink car drives up a long driveway between hedges, past a fountain roundabout, toward the grand house, where a white limousine waits. At the entrance, Mr. Burns sits in the limo while Smithers in a red vest and Carl in a red jacket stand by the steps between two green topiary dragons. The limo pulls away from the front steps as the pink car arrives and parks beside the entrance, while Carl and Smithers remain standing on the walkway. Frame: https://ultrahouse3k.com/img/S10E13/935518.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/938020 ## 15:41–15:51 Marge, with her tall blue beehive and pearl necklace, sits in the front seat of a car beside Homer, who wears a blue jacket and grips the steering wheel, as they pull up outside a house with a brown door and a sign reading "Twenty-Two" in script on the wall. Marge turns her head toward the house and speaks while Homer's mouth opens wide in an excited grin and he looks over at the house. In the last frames, Homer sits quiet with his eyes wide and his mouth slightly open while Marge looks ahead, with the house and its "Twenty-Two" sign still in view behind them. > Wow, look at this place. > The house number is spelled out with letters. > Get used to it, honey. From now on, we'll be spelling everything with letters. Frame: https://ultrahouse3k.com/img/S10E13/942608.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/946571 ## 15:51–16:02 Homer, the bald, heavy man in a blue jacket and khaki pants, sits in a pink car with a purple driver's door while a man with curly black hair, a red jacket and a bow tie stands beside it, gesturing and talking. Homer climbs out, stands by the open purple door, and reaches out to take keys from the attendant, then walks away from the car. Next, Homer and Marge, her tall blue beehive and pink dress visible, stand at the steps of a mansion with a 'Family Tree' sign on its wall, while a man in a red vest watches from the lawn and the attendant holds the open car door; Homer points up the steps as they climb. > Did you wish me to destroy this machine for you? > Nah, just park it. > Very well. And I counted the pennies in the ashtray. Frame: https://ultrahouse3k.com/img/S10E13/952827.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/956998 ## 16:02–16:14 Marge in a pink dress with pearls and Homer in a blue jacket stand behind two men holding champagne flutes at a hedged garden party: a brown-haired man in a tan jacket and glasses, and a tall blond man in a grey jacket and open white shirt. The men chat and sip while a waiter with a tray of hors d'oeuvres, a string trio, and a stone fountain stay in the background on the lawn. The scene then drops to the grey-jacketed man's legs, showing trousers covered in green leaf patterns and brown sandals. > Oh, look, it's Woody Harrelson. > I can't believe those pants are made entirely out of hemp. > And there's Ed Begley, Jr. Frame: https://ultrahouse3k.com/img/S10E13/963463.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/968468 ## 16:14–16:27 Homer and Marge stand side by side on a green lawn, with Marge in a pink dress and pearls and Homer in a blue jacket. Then a blond, bespectacled man in a grey jacket and jeans raises a solar panel overhead with one hand while holding a red, blue and grey pinwheel in the other, talking and gesturing as onlookers watch: a dark-haired man in a black shirt, a grey-haired man in a blue jacket, a red-haired woman in a lavender dress, and a dark-haired man with glasses in a blue jacket. Behind them a white-draped table, a red-roofed house, hedges and a tall cypress sit under a blue sky. > And this one solar collector can gather enough energy to run this colorful pinwheel. > Wait, wait, I got it. I got it. Frame: https://ultrahouse3k.com/img/S10E13/975766.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/980980 ## 16:27–16:35 A bald-headed, pale-haired man in a tan jacket and blue trousers raises one arm toward a dark sign or panel at the top of the picture while holding a red, blue and grey pinwheel, which a short-haired woman in a lavender suit clutches beside him. On a grassy lawn with trees and a blue sky behind them, a grey-haired man in a bright blue suit stands smiling and gesturing with his hand to his chest, while a dark-skinned man in a black suit and sunglasses stands at the right and another man in a blue suit stands partly hidden at the left. The grey-haired man's expression and gesture shift as he talks, and the dark-suited man briefly touches his tie before the scene ends. > Very nice, Ed. Your inventions continue to impress me and the entire nation. Frame: https://ultrahouse3k.com/img/S10E13/988488.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/991616 ## 16:35–16:43 Marge Simpson, with a tall blue beehive and a pink dress with a pearl necklace, and Homer Simpson, in a blue jacket and light blue shirt, each hold a champagne flute as they stand together on a lawn before green hedges and a blue sky. A grey-haired man in a blue suit stands in the foreground at left, hands clasped and smiling, while a person in orange appears at the right edge. Homer gapes, then grins with his eyes shut, and Marge gestures with one hand before clasping her hands at her chin with a wide-eyed, anxious look. > March! President Clinton! > Oh, my Lord! > I feel like Cinderella. > Me too. Let's sing the Cinderella song. Frame: https://ultrahouse3k.com/img/S10E13/997038.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/999749 ## 16:43–16:51 Homer and Marge stand together on a grassy lawn in front of bushes, both holding champagne flutes, with Marge in a pink dress and pearl necklace and Homer in a blue jacket. A uniformed waiter in a red jacket and bow tie carrying a tray of champagne glasses stands beside them at first, then moves off to the right while Homer sips from his glass and Marge looks uneasy and gestures with one hand. The scene stays outdoors under a blue sky, with Homer's mouth opening and closing as he talks. > Maybe later. > Uh-oh. > Here comes Lorne Michaels. Pretend you don't see him. Frame: https://ultrahouse3k.com/img/S10E13/1004754.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1007673 ## 16:51–17:02 Marge Simpson, with her tall blue beehive and pink dress, and Homer Simpson, in a blue jacket and tan trousers, stand on a grassy lawn in front of a green hedge, each holding a champagne flute. A grey-haired man in a blue suit and white shirt, also holding a glass, stands beside them and smiles, grimaces, and speaks while Homer talks and gestures with his mouth open. In the final frames the man turns and walks away to the right, leaving Marge and Homer standing together on the lawn. > Ah, Max Power. > Trent said I absolutely must meet you. This is fabulous. > Anyway, Marge, how do you feel about the economy? Frame: https://ultrahouse3k.com/img/S10E13/1012678.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1017058 ## 17:02–17:12 Homer, in his blue jacket, stands outdoors among trees with three men holding cigars: a dark-suited man with brown hair on the left, a moustached man with dark slicked hair in a grey-brown jacket, and Troy McClure with swept-back reddish hair on the right. Smoke drifts through the air as Homer talks and gestures with his cigar, grits his teeth, then grins while the men smile and laugh. The scene then narrows to Homer seen from behind, facing Troy McClure, who puffs his cigar under a blue sky with clouds above the greenery. > So I said if this is the house of pancakes, how come I can't eat the walls? > Oh, you are too much, Max. Frame: https://ultrahouse3k.com/img/S10E13/1023523.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1027693 ## 17:12–17:25 Troy McClure, with swept-back reddish hair and a grey-brown blazer, stands beside a woman with short brown hair, red lipstick, and a pink dress, both holding cigars on a grassy lawn with smoke curling around them. The group grows as a dark-suited man, Homer in a blue jacket, and a bearded man in a grey-brown suit join them, all puffing and gesturing with cigars while smoke drifts past. The scene then shifts to a lawn party where Marge, in a pink dress and pink heels, dances close with a grey-haired man in a navy suit as a woman in a straw hat watches and other couples dance nearby. > I thought I knew all the players in Springfield. > Or have you been hiding yourself? > Well, I spend a lot of time on the couch. > Tell me about it. Haven't we all? Here. > I know you don't think you're good enough for me, but believe me, you are. Frame: https://ultrahouse3k.com/img/S10E13/1033950.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1038955 ## 17:25–17:37 Marge, with her tall blue beehive and pink dress with pearl necklace, is held close by a grey-haired man in a dark blue suit and black tie on a grassy lawn with hedges and trees behind them. Guests stand around in the background, including a woman in a white hat and a man in a brown jacket, while the man smiles and talks, then leans in near Marge's face as she looks uneasy, her eyes wide and mouth opening and grimacing. The man keeps a firm grip on her arm and shoulder as she tries to pull back. > Hell, I've done it with pigs. > Real no fooling pigs. > Are you sure it's a federal law that I have to dance with you? > You know, I'd change that law if I could, Marge, but I can't. Frame: https://ultrahouse3k.com/img/S10E13/1046254.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1051259 ## 17:37–17:46 Marge Simpson, with her tall blue beehive and pearl necklace in a pink dress, is held in the arms of a grey-haired man in a navy suit and black tie at an outdoor garden party. She leans in toward him and then they stand close, and he turns to speak to her as a black-haired man with glasses leans in to whisper beside him while guests in the background move about among the hedges and trees. The scene ends with the grey-haired man standing beside Marge, speaking and looking unimpressed, as a woman in a white hat and a man in a tan jacket stand in the crowd behind them. > I wish you guys the stars. > Aw, shoot. > Quebec's got the bomb. Frame: https://ultrahouse3k.com/img/S10E13/1058766.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1062103 ## 17:46–17:55 Marge Simpson, with her tall blue beehive and pink dress with a pearl necklace, stands on a lawn beside a grey-haired man in a blue suit and black tie, with hedges and trees behind a crowd of guests. He talks to her, rests a hand on her shoulder and grins, then points a finger at her and smirks while she looks up at him. He steps back and turns aside as Marge looks away with her eyes closed, and a woman in a white hat and a man in a brown jacket stand in the background. > Well, I gotta go, but look, if you're ever near the White House, > there's a tool shed out back. > I'm in there most of the day. Frame: https://ultrahouse3k.com/img/S10E13/1067525.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1070861 ## 17:55–18:06 A tan-suited man with swept-back reddish hair, who appears to be Troy McClure, stands on a lavender chair at an outdoor garden party, first lifting a champagne flute and then holding a spoon while speaking to a crowd of well-dressed onlookers, including a woman with red hair in a green dress and a man in a dark suit. The scene shifts to a heavy, balding man in a blue blazer who holds a large fish on a platter, eyes wide and mouth open, with a woman in a green hat nearby, and a spoon and champagne glass are visible in the earlier frames. > Attention, please. > Attention. > I just want to say how thrilled I am with this turnout. > I'm proud to share my home with Springfield's best and brightest. > Hey, no problem. > We've all been blessed with privilege and success. Frame: https://ultrahouse3k.com/img/S10E13/1076492.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1080871 ## 18:06–18:16 Troy McClure, a tall man with swept-back reddish hair and a grey suit, stands on a green lawn under a blue sky, holding a champagne flute and gesturing with his open hand while addressing a gathered crowd. A red-haired woman in a green dress stands beside him, and the view later moves to the onlookers, where Homer, a bald heavy man in a blue jacket and brown trousers, holds a long handled object and frowns while speaking. A woman in a pink dress and a woman in a mint hat stand nearby, and the scene ends with Homer's angry expression among the crowd. > Woo! > Privilege! > But with privilege comes grave responsibility. > What? > We all have to give something back to the world that's been so good to us. Frame: https://ultrahouse3k.com/img/S10E13/1087336.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1091299 ## 18:16–18:24 Troy McClure, with swept-back reddish hair and a brown suit, stands before a group of suited men and a red-haired woman in a green dress on a sunny lawn, holding up a champagne flute and gesturing with his other hand as he speaks, then lifts the glass toward a bald, grey-suited man beside him. Behind them, a bald, heavy man in a blue jacket and a blonde man in glasses and a grey jacket stand among a crowd, and the bald man glares, points off to the left, then cups a hand to his mouth and shouts. Trees and a blue sky with clouds fill the background. > Give something back? > Boo! > Get a haircut! Frame: https://ultrahouse3k.com/img/S10E13/1097346.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1100474 ## 18:24–18:37 Troy McClure, a tall man with swept-back reddish hair in a grey-brown suit, stands on an outdoor lawn holding a champagne flute while a red-haired woman in a green dress, a grey-haired man in a navy blazer, a thin man with glasses in a grey suit carrying a purple bag, and a man in a light blue jacket look on. He grimaces, then speaks with his mouth open, raises his free arm and points upward, and later gestures with an open palm while still holding the glass. Clouds drift across the blue sky and a tall evergreen and bushes stand behind the group. > I'm talking, of course, about our endangered forests. > What's happening in the forest? > We have to protect them because trees can't protect themselves. > Except, of course, the Mexican fighting trees. Frame: https://ultrahouse3k.com/img/S10E13/1105688.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1111319 ## 18:37–18:48 Troy McClure, an actor with swept-back reddish hair in a tan suit, stands on a small purple chair on a grassy lawn, first gesturing and then raising a glass while addressing a crowd that includes Homer, bald and heavy in a blue jacket, in the front row. Homer grins, then glares with clenched teeth, and the people around him, including the red-haired woman in the green dress, watch Troy closely as several onlookers raise their fists in the air. Troy keeps talking and pointing, holding up a glass in one hand under a blue sky with clouds and tall evergreen trees behind the crowd. > Somebody buy this guy a tree so he'll shut up? > Can we let the wanton destruction of our nation's forests continue? > No! > If a tree falls in the forest, will you make a sound? > Yes! Frame: https://ultrahouse3k.com/img/S10E13/1119035.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1123414 ## 18:48–19:01 Homer and Marge Simpson stand by a bus with a 'WE'RE PRO-LEAF' banner as a crowd of protesters raises their fists, including a red-haired woman in a green dress, a woman in a pink dress and a man in a tan jacket. Homer is pushed back and then sits on the bus's purple seats beside a swept-back, reddish-haired man in a tan jacket, who points ahead and grins. Homer looks uneasy as the grinning man leans over the seat toward him, with Marge sitting behind and a man in a suit watching from the aisle. > To the protest, boss! > Stop shoving! > I'm Max Power. > What's going on, Trent? Where are you taking me? > We're going to try and save some beautiful redwoods. Frame: https://ultrahouse3k.com/img/S10E13/1129879.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1135301 ## 19:01–19:15 Homer, in a blue jacket, sits on a bus seat beside Marge, who has her tall blue beehive and pearl necklace, and a blond man with glasses in a grey jacket and white shirt looks on from behind. Homer then grabs a red lever under a sign reading "EMERGENCY EXIT" while Marge leans out of a window of the bus, whose side banner reads "WE'RE PRO-" in green letters. Outside on a sidewalk, the blond man talks with Marge, then sits in a red go-kart with a white helmet bearing antennae, which Homer drives while the bus stays behind, and the two ride along a winding road past brick houses until only a tiny dark figure remains in the distance. > Aren't you coming, Ed? I prefer a vehicle that doesn't hurt Mother Earth. > It's a go-cart powered by my own sense of self-satisfaction. Frame: https://ultrahouse3k.com/img/S10E13/1143017.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1148648 ## 19:15–19:28 Homer, in a blue jacket, and Marge, with her tall blue beehive and pink dress, are chained to large redwood trunks in a forest clearing while a crowd of chained people stands among the trees and bulldozers and lumberjacks work nearby. Mr. Burns, stooped and thin in a red suit, stands by a chained tree as Smithers in a white jacket holds a tray, and a red-haired woman in a green dress and a bearded lumberjack with a chainsaw watch. Homer and Marge stand in the clearing and talk, Marge gesturing with an open hand while Homer glances at her with a worried look. > Oh, this is the worst party ever. > I don't know. > Remember that New Year's Eve at Lenny's? > He didn't even have a clock. Frame: https://ultrahouse3k.com/img/S10E13/1156364.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1162203 ## 19:28–19:37 Homer Simpson, bald with a yellow face and wearing a blue jacket over a light blue shirt, and Marge Simpson, with her tall blue beehive and a pink dress and pearl necklace, are chained together against a wooden wall beside a tree at the edge of a grassy patch. Homer looks nervously to the side, grins, and holds his chained hands out toward the tree, then turns to a sullen scowl and jabs a finger at his temple. Marge stays beside him, glancing sideways, grimacing with her mouth open, and clenching her teeth in a tense, uneasy expression. The chain links run across both of them at the waist and wrists throughout the scene. > Oh, Marge, I thought it would be fun to be on Springfield's A-list, > but these people are nuts. > You can't blame them for having a social conscience. > Sure you can. Bunch of no-good do-gooders. Frame: https://ultrahouse3k.com/img/S10E13/1169919.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1173047 ## 19:37–19:48 Homer Simpson, in his blue jacket over a light shirt, and a blond, bespectacled man in a grey jacket and white shirt are chained to a large brown tree trunk outdoors. Homer glares and clenches his fists, then gestures with open hands while the man speaks and shrugs. Homer's expression shifts from anger to a grin as he points, and the chains hang from both men's wrists and waists. > Hang in there, Max. Saving the environment is a hard, grueling job. > That's what I'm saying. > See, Marge, this guy gets it. Frame: https://ultrahouse3k.com/img/S10E13/1178469.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1182848 ## 19:48–20:01 Chief Wiggum, the heavyset police chief in a blue cap and uniform, gets out of a black-and-white police car with a 911 number in a cleared field of tree stumps while a bulldozer operator in a grey hard hat watches from his machine and a crowd of onlookers stands near the trees. Wiggum then faces a blond man in glasses, a grey jacket and jeans who is chained to a tree, shrugging and gesturing with his hands as he talks back. Wiggum next stands in front of the police car, scowling and gesturing as he speaks, with a bearded man in a grey hard hat and the bulldozer behind him. > All right, what's going on here? > We can't allow you to destroy these beautiful trees, which have the same rights you have. > Man, I have really had it with you tree huggers. Frame: https://ultrahouse3k.com/img/S10E13/1189522.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1194944 ## 20:01–20:11 Homer, in a blue jacket and light blue shirt, is chained to a giant reddish tree trunk in a forest while Chief Wiggum, the fat police chief in a blue cap, prods his chest with a finger, and Homer grins and points back at him. Marge, with her tall blue beehive and pink dress, is chained to a neighboring trunk on the green grass, and an officer seen from behind stands in the foreground watching. Wiggum then turns and raises his hand toward his own chest while Homer stands chained and looks on, and the officer's back remains in view. > Tree huggers. > Something funny, Nature Boy? > No. > I just thought it was cute when you called him. > Yeah, all right, Max Power. Eddie swab this Joker's eyes with mace swab. Frame: https://ultrahouse3k.com/img/S10E13/1202660.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1206622 ## 20:11–20:24 Marge Simpson, chained to a tree with her blue beehive and pink dress, watches as Chief Wiggum, the fat police chief in uniform, stands by a Springfield Police car holding a bottle labeled "MACE Hippie Strength" and a cotton swab. Later Wiggum dips the swab toward the outdoors, a tree-lined forest, where Homer, grinning and nervous in a blue jacket, is chained to a tree beside a blond, bespectacled man in a grey jacket and white shirt. The swab, dripping mace, is held out toward the group as the men stand chained to the trees. > I thought it was a spray. > Okay, she second > Don't give him the satisfaction of screaming Max it'll only burn for Frame: https://ultrahouse3k.com/img/S10E13/1212878.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1218092 ## 20:24–20:35 Homer, in a blue jacket and tan pants, is chained to a giant redwood trunk in a forest, with Marge in a pink dress chained to a nearby tree and Chief Wiggum in a blue uniform and cap. A white puffy object on a stick is brought toward Homer's face and then pressed against his forehead, and he yells, grimaces and waves his hands, while Wiggum holds a small white container. A blond man in glasses and a grey jacket, handcuffed at the wrists, stands in the foreground while a red-haired girl in a white shirt and dark skirt watches from among the trees, and a police officer with dark hair runs away along the chain. Blue sky and tree trunks fill the background throughout, and a large yellow bulldozer and police cars are visible behind the trees in the earlier scene. > You better call for backup chief Leave me alone. Frame: https://ultrahouse3k.com/img/S10E13/1225599.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1229979 ## 20:35–20:45 Homer, in a blue jacket, is chained to a huge redwood in a forest while Chief Wiggum and a Black police officer work at the trunk, with Marge in her pink dress and the bound children standing against nearby trees. A thin man in glasses and a grey jacket stands by the first trunk as the chain snaps with an orange spark and Homer and the officers keep struggling at the base of the tree. The great redwood then tips over and crashes down among the other trees while tiny figures watch from the forest floor. > Go swap Eggly. He likes it. > Slow down, punk. > Uh-oh. Frame: https://ultrahouse3k.com/img/S10E13/1236652.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1240614 ## 20:45–20:55 Homer, a bald heavy man in a blue jacket, stands in a redwood grove with Marge in her tall blue beehive and pink dress, three uniformed police officers, and a man in a white coat, while a chain lies coiled on the grass. Homer throws his arms out and shouts as the chain hangs from a tree, and then a huge tree topples and green needles scatter across the blue sky above the treeline. The felled trees fall one after another across the forest as a crowd of townspeople watches, and a close-up shows a man with swept-back reddish hair and a grey jacket looking up in alarm. The scene ends with the view filled by dense green foliage under a blue sky. > I'm free! Frame: https://ultrahouse3k.com/img/S10E13/1246662.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1250624 ## 20:55–21:09 Chief Wiggum, the fat police chief in his blue uniform and cap, stands on a grassy clearing with tree stumps and a yellow bulldozer behind him, while Marge with her tall blue beehive and pearl necklace appears briefly in a wooded, green-hedged scene before the view shifts to a wrecked police cruiser with a crumpled front end, a shattered windshield, and a flashing red and blue light bar lying in a bush. Wiggum then turns to speak, gesturing with his hand and lifting it to his forehead in a sorrowful salute as he looks at the damaged car, its tire askew in the grass. > What a tragedy. > That car was just two days away from retirement. Frame: https://ultrahouse3k.com/img/S10E13/1256881.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1262511 ## 21:09–21:21 Marge, with her tall blue beehive and pink dress, and Homer, in a blue jacket, are among a group of people in a forest of felled trees and stumps, where a red-haired woman peeks over a bush and orange smoke clouds fill the edges of the scene. The group walks through the clearing past a blond man with glasses, a dark-haired man in a blue suit, and a man with swept-back reddish hair in a grey jacket, who is probably Troy McClure. Later, Marge and Homer stand behind a fallen log beside a logging vehicle, where Homer looks surprised and Troy McClure frowns in the foreground. > This is terrible. > Um, so, Trent, where's the party bus headed now? Frame: https://ultrahouse3k.com/img/S10E13/1270436.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1275232 ## 21:21–21:31 Three unnamed adults stand outdoors against green bushes and a blue sky: a dark-haired man with stubble, a central man in a grey suit with a reddish swept-back ponytail, and a woman with a dark bob, pink top and red lipstick, all wearing stern expressions. The scene then moves to the Simpson house at night, its windows glowing under a purple sky with snow on the lawn, before shifting to the pink bedroom where Homer and Marge Simpson lie under an orange blanket beneath a framed portrait of Bart and Lisa, with a lamp and an alarm clock on the nightstands. Homer gestures with one hand as Marge looks on, and he is then shown in close-up grinning and smirking as he talks, looking sideways with a closed mouth before grinning again. > What? > Well, I'm glad you changed your name back to Homer Simpson. > Yes, I learned you gotta be yourself. Frame: https://ultrahouse3k.com/img/S10E13/1282323.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1286494 ## 21:31–21:41 Homer and Marge Simpson lie side by side in a purple-headboarded bed under an orange blanket, with framed pictures on the pink wall behind them. Marge smiles and then opens her mouth to speak while Homer glances toward her, and the screen fades to black. When the scene returns, Homer sits up alone in bed beside an orange lampshade, his eyes wide as he turns, opens his mouth in surprise, and keeps talking while Marge, in her pink nightgown with a white collar, reacts with wide eyes. > Good night, honey. > Good night. > Oh, I almost forgot. While I was at the courthouse, I had them change your name. > To what? > Chesty LaRue. Chesty LaRue? Just try it for two weeks. Frame: https://ultrahouse3k.com/img/S10E13/1292958.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1296921 ## 21:41–21:54 Homer and Marge Simpson lie side by side in a bed with a purple headboard and blue pillows, under an orange blanket, in their pink bedroom with a lamp and framed pictures on the wall. Marge, with her tall blue beehive, first looks wide-eyed and worried, then Homer, in a light blue shirt, lifts his hands in an explaining gesture while Marge sits stiffly and gazes sideways. Homer then gives a faint smile and Marge slightly raises a hand, looking up toward him, as they settle in for the night. > If you're not completely satisfied, you can be Busty St. > Clair. I don't want to be Chesty LaRue or Busty St. > Clair. > Fine. Hootie McBoob it is. Good night, Homer. Frame: https://ultrahouse3k.com/img/S10E13/1302968.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1308390 ## 21:54–22:03 No Simpsons characters appear in this moment; it is a black closing credits sequence. Orange text on a black background first reads "Executive Producer MIKE SCULLY," then changes to "Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON," then "Starring DAN CASTELLANETA," and finally "JULIE KAVNER" followed by "NANCY CARTWRIGHT," each name fading in and out in the center of the screen. > Sleep tight, Hootie. > Let go of those. Frame: https://ultrahouse3k.com/img/S10E13/1315898.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1319443 ## 22:03–22:13 No animated characters appear; the moment is a black screen with orange credit text in a playful cartoon-style font. The credits play in sequence: YEARDLEY SMITH, then HANK AZARIA, then 'and HARRY SHEARER', then 'Special Guest Voice ED BEGLEY, JR.', then 'Also Starring TRESS MACNEILLE, MAGGIE ROSWELL, KARL WIEDERGOTT', then 'Animation Producer MICHAEL WOLF', and finally 'Animation Executive Producers LOLEE ARIES, DAVID PRITCHARD, PHIL ROMAN'. Each card replaces the previous one, with no other objects or movement on screen. > Thank you. Frame: https://ultrahouse3k.com/img/S10E13/1325074.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1328410 ## 22:13–22:22 No Simpsons characters appear in this moment; it is a black screen of orange end credits. The credits run in order: Executive Story Editor Tim Long, Associate Producer Dominique Braud, Theme by Danny Elfman (held for two stills), Music by Alf Clausen, Casting by Bonita Pietila, Editors Michael Bridge and Don Barrozo, Animation Co-Producer Joel Kuwahara (held for two stills), and Post Production Coordinators Alexander Duke and Richard K. Chung. Each credit appears centred with its title in smaller text above the name in capitals, with no movement other than the change of credit. Frame: https://ultrahouse3k.com/img/S10E13/1334041.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1337586 ## 22:22–22:31 No characters appear in this moment; it is a black closing credits sequence with orange text on a black background. The frames show a series of credit cards, including Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm MacLeod, then Music Editing Chris Ledesma and Bob Beecher, Sound Effects Editor Travis Powers, and Re-Recording Mixers R. Russell Smith and Bill Freesh. Later cards list Production Coordinator Felicia Nalivansky, Production Mixer Ron Cox, Animation Produced by Film Roman, Inc., Overseas Production by Anivision and JC Park with Overseas Animation Director Utit Choomuang, and finally Storyboard Consultant Mike B. Anderson, with the credits shifting upward or replacing one another in sequence. Frame: https://ultrahouse3k.com/img/S10E13/1343217.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1346554 ## 22:31–22:40 No characters appear in this moment; it is a black screen of gold end-credit text listing crew roles such as Background Design Supervisor Lance Wilder, Character Design Supervisor Joseph Wack, and Animation Production Coordinator Jason Bikowski. The credits change from one block to the next, including a copyright notice reading Simpsons Episode #AABF09, Copyright 1999, Twentieth Century Fox Film Corporation, followed by Creative Consultant Matt Groening and Executive Creative Consultant James L. Brooks. > Shh. Frame: https://ultrahouse3k.com/img/S10E13/1352184.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1355729 ## 22:40–22:50 Silhouetted audience members sit in rows of theater seats under three ceiling lights, the largest with a big bushy head at the left edge, all facing a blank screen. A blue projector beam sweeps across the screen, and the white Gracie Films logo appears over it while the figures remain still. The scene then gives way to the gold 20th Century Fox Television logo, which picks up the text 'A News Corporation Company' before fading to black. Frame: https://ultrahouse3k.com/img/S10E13/1361360.jpg Page: https://ultrahouse3k.com/episode/s10e13-homer-to-the-max/1365114