# Maximum Homerdrive

The Simpsons, season 10, episode 17 (S10E17), first aired March 28, 1999.
Written by John Swartzwelder. Directed by Swinton O. Scott III. Production code AABF13.
Chalkboard gag: "It does not suck to be you". Couch gag: Inverted Age.

At The Slaughterhouse steakhouse, Homer races trucker Red Barclay to finish a 16-pound steak, and Red wins, only to drop dead soon after. Homer and Bart take over Red's cross-country delivery and discover the rig can drive itself, a secret the truckers protect, so when Homer blabs it, they come after him. Back home, Marge and Lisa's new doorbell, which plays the Carpenters' "Close to You", won't stop ringing.

Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Milhouse Van Houten, Ned Flanders, Barney Gumble, Chief Wiggum, Carl Carlson, Mrs. Krabappel, Dr. Hibbert, Mr. Burns, Waylon Smithers, Nelson Muntz, Ralph Wiggum, Todd Flanders, Maude Flanders, Rod Flanders, Bernice Hibbert, Sarah Wiggum, Bumblebee Man, Raphael, Gil Gunderson, "Blow the Horn" Kid, Dr. Hibbert's Second Son, JJ Hibbert, Angry Mob, Tyler Gables, Elderly Clerk, Trucker 2, Tyler's Brother, Female trucker, Trucker 1, Choking Woman, Engineer, Female actress, Gwen, Loading dock worker, Male actor, Man in military uniform, Marlin, Nureen, Old woman, Red Barclay, Señor Ding-Dong, Steer slaughterer, Tony Randall, Tourist, Trucker 3, Trucker 4, Trucker 5, Trucker 6, Waiter.

Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said.
The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles.

Web page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive
From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes.

## 0:00–0:11

No regular characters appear in this sequence, which is the opening title card of The Simpsons. It starts on a black screen, then shows a blue sky with drifting cream-colored clouds while small sparkles float in the middle. The gold title text THE SIMPSONS appears and grows across the clouds, and a yellow-outlined circle reveals a nuclear power plant with an atom symbol. The view then pans over Springfield, with its colorful buildings, green hills, farmland, and two cooling towers marked with atom symbols, and a sign reading SPRINGFIELD on a large building. The sequence ends on a street view of a school with a Welcome to Springfield sign and a shop awning reading DANNY.

Frame: https://ultrahouse3k.com/img/S10E17/1043.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/5839

## 0:11–0:23

Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, first stands at a chalkboard inside a classroom, writing 'IT DOES NOT SUCK TO BE YOU' over and over until the board is filled, then grins and kicks a leg while his arms swing, before he is seen skateboarding outside Springfield Elementary School, leaving the school building past a sign reading 'ELEMENTARY SCHOOL' and riding a green skateboard along a sidewalk and up onto a ledge beside a tall building. Notable objects include the chalkboard, a red wastebasket, a wall clock, a framed picture, and the green skateboard with purple wheels.

Frame: https://ultrahouse3k.com/img/S10E17/12721.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/17309

## 0:23–0:35

Homer, in a yellow hazmat suit with a visor and an orange harness, stands at a red counter beside a CAUTION sign in the Springfield nuclear plant, holding a glowing green rod. Mr. Burns and Smithers watch from behind the control panel, and Homer later turns to face them while the rod glows. Marge, with her tall blue beehive and a Mom Monthly magazine, and Maggie, sucking a pacifier, stand at the Kwik-E-Mart checkout counter with a CHECKS sign and a Frosted Krusty Flakes box nearby. Maggie then lies pressed flat on the counter, and Marge pushes a shopping cart with Maggie sitting in it, gesturing as Maggie's pacifier bobs in her mouth.

Frame: https://ultrahouse3k.com/img/S10E17/24191.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/29613

## 0:35–0:47

Lisa Simpson, in her red dress, plays a light blue saxophone in a crowded school band room while an older man with grey hair and a bow tie conducts from a music stand, and the other students play horns, flutes and a tuba around her. Lisa then walks down an orange hallway past a bust of Beethoven, carrying the saxophone. Homer Simpson, in a white shirt, drives a pink car at night past a large building and green trees, gripping the steering wheel and then raising a fist with green glowing sparks.

Frame: https://ultrahouse3k.com/img/S10E17/36912.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/41708

## 0:47–0:57

Bart Simpson rides a yellow skateboard through town, first leaping off a red brick building's ramp past a glowing yellow blob and a pink vehicle, then rolling along a sidewalk beside a woman with orange hair carrying Springfield Mall bags and Santa's Little Helper, the brown greyhound. He next skates past Apu in a green jacket, Moe the grey-haired bartender in an apron, and Barney, the heavy man with messy brown hair, outside a bar, then past a bald man in sunglasses holding a saxophone in front of a wall of Krusty televisions. Chief Wiggum, a fat police officer, raises his baton and shouts at Bart as he skates down a street, and Maggie, with a pacifier and blue bow, peeks over the rail of a blue crib. The scene ends with an orange car driving along a winding road past a purple tree, then heading toward the viewer across a blue sky.

Frame: https://ultrahouse3k.com/img/S10E17/48590.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/52553

## 0:57–1:08

Maggie, the baby with a pacifier and blue bow, sits in a car seat gripping a toy steering wheel while Marge, with her tall blue beehive and red bead necklace, drives, first with eyes glancing sideways and later with her eyes closed in a smile. Marge then steers with both hands and Maggie turns her head toward the front. Outside the yellow garage with a pink car parked in the driveway, Bart in an orange shirt and skateboard stands beside the open door as a figure sits in the car, and Homer, bald with a white shirt and blue pants, steps out next to the pink car and then hurries past it. Homer is then seen running down the driveway with a shovel-like tool as a red car pulls in with a figure inside. The last moment shows Homer leaping through a doorway into a purple bedroom with a red bed and a paper cup on the bed in the foreground, with a yellow school bus and Mrs. Krabappel-style kids not present in this scene.

Frame: https://ultrahouse3k.com/img/S10E17/58600.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/63188

## 1:08–1:19

Bart, Homer, Marge, Lisa and baby Maggie sit on the brown couch in the pink living room, with Bart on the left, Homer holding Maggie in the middle, and Lisa and Marge on the right, while Homer walks in from the left at the start. In the early part Lisa stands behind the couch beside a tall lamp, and Marge leans over the couch, and then the family settles onto the couch in front of the television. Homer and Maggie sit with Lisa and Marge as Lisa holds a remote, and the family watches the TV, which then shows a blue screen reading "CREATED BY MATT GROENING" and later "DEVELOPED BY JAMES L. BROOKS, MATT GROENING, SAM SIMON" in yellow letters. A sailboat painting hangs above the couch, and a purple lamp and a green rotary telephone sit on a side table at left.

Frame: https://ultrahouse3k.com/img/S10E17/70070.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/74241

## 1:19–1:31

Homer, Marge, Lisa and Bart sit at the dining table in a pink dining room, with Maggie in her high chair at the left edge, and plates of food, a bowl of peas and a gravy boat in front of them. The moment opens on a black screen, then shows a view of the Simpsons' house with a pink car in the driveway, before cutting back to the family at dinner. Homer, with a bib, chews and talks, then gestures with his hand and fork, and at one point he raises a finger and waves his hand toward Bart while Bart looks on and Marge watches. Credits in white text appear over the table, reading 'Co-Executive Producer GEORGE MEYER', then 'Co-Executive Producer IAN MAXTONE-GRAHAM', then 'Co-Executive Producer AL JEAN'.

> I'll give you a tetanus shot and shove it.
> Well, you told her, Dad.

Frame: https://ultrahouse3k.com/img/S10E17/80706.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/85502

## 1:31–1:42

Homer, bald with stubble and a white shirt, and Bart, the spiky-haired boy in an orange shirt, sit at the dining table with plates of fish, peas and rice and glasses of milk, Homer holding a fork and Bart a spoon. Homer then stands in the kitchen doorway beside the green refrigerator, talking and grimacing, with on-screen credits reading 'Supervising Producer' and names such as DAN GREANEY, RON HAUGE and DONICK CARY appearing over him. He lifts his fist to his mouth holding a fork, then leans forward with his eyes shut and a clenched grin, and finally slumps with a slack, unhappy expression. Behind the table, Lisa in her red chair with a blue bow spoons food from a bowl while Marge, with her tall blue beehive and red beads, looks on, and the credit 'Producer BRIAN SCULLY' appears over them.

> You better... delete my... good...
> Gah!
> You still haven't told us why Lenny bit you.

Frame: https://ultrahouse3k.com/img/S10E17/92801.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/97180

## 1:42–1:51

Marge, Homer, Bart, Lisa and Maggie sit around the dinner table in the pink kitchen, with plates of meat, rice and peas and glasses of water in front of them. Lisa, in her pearl necklace, sits by a pink handbag on the table and grips it while talking, and Maggie watches from her high chair. Homer and Marge pause mid-meal with forks and spoons, and Bart chews at the table, while the scene shifts back and forth between Lisa and the family dinner. The producer credit 'Producer JULIE THACKER' is superimposed over the middle of the scene.

> Well, I really gave no choice, you see.
> Lousy meat-eating scum.
> Huh?
> Not you.
> I'm going over to protest this disgusting new restaurant called The Slaughterhouse.

Frame: https://ultrahouse3k.com/img/S10E17/103854.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/106982

## 1:51–2:02

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits at the dining table in a pink kitchen, first holding a protest sign reading PROTEST TODAY with a crossed-out cow, then gesturing angrily with her fist and raising her arm while she speaks. Maggie, the baby with a blue bow, sits in her high chair beside her, eating from a bowl, while Marge, with her tall blue beehive and red beads, looks on from the right. Behind them are a pink shelf with a white plate, a blue cup, and a blue pot, and a pink handbag sits on the table in front of Lisa. Over the later frames the sign is partly hidden and Marge's expression shifts from a frown to a smile, and the caption CO-PRODUCER TOM MARTIN appears at the bottom.

> It's decorated with hanging steer carcasses and a fountain of blood.
> Oh, I heard about that place on the Red Grocer.
> The worst part is you pick out your own cow and they kill it right in front of you.

Frame: https://ultrahouse3k.com/img/S10E17/112404.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/116992

## 2:02–2:13

Lisa Simpson sits at the dinner table in a pink room with a pearl necklace, looking uneasy and speaking with her mouth open, while Marge Simpson, with her tall blue beehive and red bead necklace, leans in beside her and rests a hand on Lisa's shoulder. Maggie, in her high chair at the left with a pacifier-free mouth and blue bow, chews on food from a small bowl, and Lisa later closes her eyes as Marge talks with her mouth open. Plates of food, a bowl of peas, a glass of water, and a pink box with a small "PROTEST" sign sit on the table, and white credit captions appear over the lower part of the scene, reading "Co-Producer Carolyn Omine," "Co-Producer Larry Doyle," "Co-Producer Matt Selman," and "Consulting Producer Jace Richdale."

> Well, maybe the animals don't mind, honey.
> They might enjoy being the center of attention.
> I think I read somewhere that cows like being killed.

Frame: https://ultrahouse3k.com/img/S10E17/123874.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/128045

## 2:13–2:26

Bart, Lisa, Maggie, Marge and Homer sit around a dining table in a pink-walled room, with Bart in front holding a fork and gesturing over his plate while Homer talks and waves his arms. Homer and Marge's family reacts as Homer gets up and steps into the arched kitchen doorway, pointing toward the purple cabinets, green stove and wall phone, while on-screen credits name consulting producers such as Frank Mula, David M. Stern, Tom Gammill, Max Pross and David Mirkin.

> Wait, there's a place like that in Springfield?
> Then why are we eating this crap?
> Come on, everybody.
> We're going to the slaughterhouse.
> You didn't need to knock the food on the floor.

Frame: https://ultrahouse3k.com/img/S10E17/134718.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/139931

## 2:26–2:38

Marge, with her tall blue beehive and pearl-red necklace, speaks in the opening frames under the caption 'Consultant JOHN SWARTZWELDER', then Homer in his white shirt leans in beside her in front of a red wall phone. Next comes a neon sign reading 'THE SLAUGHTERHOUSE' showing a cowboy-hatted figure holding a cleaver beside a yellow bull's head, which then flickers and its neon bull lights go dark and the bull's head changes shape. The final frames show a busy restaurant with pink hanging meat, a waiter in a white apron carrying a tray, Marge with her beehive, Homer and Bart at a table, and a heavy man in a red cap with a bib at a nearby table, while a few diners look up toward the middle of the room.

> Didn't I?

Frame: https://ultrahouse3k.com/img/S10E17/147230.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/152235

## 2:38–2:47

Homer sits at the left and Bart in the foreground at a rustic wooden restaurant table, with Marge's tall blue beehive and a small baby with a pacifier at the right, beside a glowing red-eyed horned head on the tablecloth, while a woman with red curly hair and a man in a red cap and green plaid shirt sit behind them. A bald waiter in a red shirt and black bow tie enters from the left carrying a basket of hooves, lifts it toward the table, and the group reacts with grins, wide eyes and an open-mouthed gasp from Marge. White credit text reads 'Supervising Director JIM REARDON' and later 'Produced by LARINA JEAN ADAMSON' over the scene.

> Wow, it's even more wonderful than Lisa said.
> Oh, whoa, a complimentary basket of hooves.

Frame: https://ultrahouse3k.com/img/S10E17/159326.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/162663

## 2:47–3:00

Marge Simpson, with her tall blue beehive and red bead necklace, sits at a wooden table beside a man in a red cap and plaid shirt, while Maggie in her blue bow and Bart in his orange shirt sit nearby. A bald waiter in a red shirt, black bow tie and white apron stands among them, and Bart grins as he holds up a menu shaped like a flattened chicken, with a man in a blue cap also looking at it. Marge gestures, grimaces, raises a finger and then gasps with a hand at her chest, while white credit captions such as "Produced by Richard Raynis" and "Denise Sirkot" run across the bottom of the picture.

> Beef salad, beef on the cob, beef fried beef.
> Is there anything on the menu that isn't meat?
> Ha!
> Not likely.
> Cool. Even this menu is made of meat. It's an entire chicken pounded flat.

Frame: https://ultrahouse3k.com/img/S10E17/168293.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/173715

## 3:00–3:07

Marge, Bart and Maggie sit at a wooden table with a man in a blue shirt and a woman in purple beside them, Marge holding a bird-shaped paper menu with a glowing red light on it while Bart reads his own menu and Maggie in a high chair sucks on her pacifier. The moment shifts to a barn where Mr. Burns, a frail, stooped old man in a blue suit, stands beside a wooden pen of brown cattle as a man in a red shirt and white apron works with a tool, and Burns lifts his hands and watches. The credits 'Produced by RICHARD SAKAI' and 'Written by JOHN SWARTZWELDER' appear over the scenes.

> How clever.
> The kids' menu's on the beak.
> I think I'll take... Ooh, that one.

Frame: https://ultrahouse3k.com/img/S10E17/181640.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/184142

## 3:07–3:18

Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair at the sides, stands beside a thin, reddish-haired man in a red shirt, white apron and black tie inside a wooden-walled room with a lamp and a framed picture of a cow. The man in the apron holds up a grey-purple handheld device with a cord and turns it toward the viewer while Burns grins, leans in and points at it. The on-screen credit 'Directed by SWINTON SCOTT' appears over the lower middle of the scene.

> No, he's a bit listless, isn't he?
> Give me... Ooh, that spirited fellow.
> He didn't put up much of a fight.

Frame: https://ultrahouse3k.com/img/S10E17/188939.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/192901

## 3:18–3:28

Mr. Burns, the frail, stooped old man with a hooked nose and blue-grey hair at the sides, stands in a blue suit and black tie beside an unnamed man in a red shirt, black tie and white apron, who holds a grey milking device, inside a wooden barn with cows. Burns gestures with an open hand, then raises a finger and reaches out to rest his hand on the worker's arm while the worker looks on with a sullen expression. The scene ends on a close-up of a white-and-brown cow with a black patch on its face and a brown cow beside it, both in a stall.

> Why don't you pick one for me?
> On second thought, I'll just have a glass of milk from that cow.

Frame: https://ultrahouse3k.com/img/S10E17/199157.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/203120

## 3:28–3:32

Mr. Burns, a frail, stooped old man with a hooked nose and blue-grey hair at the sides, stands behind a wooden counter in a blue suit and black tie, smirking, while a thin-faced man with short brown hair in a red shirt and white apron stands at the left edge. The man in the apron then leaves the scene as Burns keeps his sly grin and glances downward, and the view cuts to a salmon-coloured menu board showing a 72 oz. New York Style Sirloin steak on a green plate with a fork and knife beside it, with the caption reading "72 oz." above "New York Style Sirloin." The menu board stays unchanged to the end.

> Wait a minute. Is this the biggest steak you've got?

Frame: https://ultrahouse3k.com/img/S10E17/209167.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/210419

## 3:32–3:45

Homer Simpson sits at a wooden table in a rustic steakhouse with wood-paneled walls, a blue-paned window, and a horn-shaped wall decoration, holding a large brown menu. A bald waiter in a red shirt, black bow tie and white apron stands beside him holding a notepad and pen. Homer gestures with his hands, clenches his fists and shouts, then folds his arms while the waiter smirks and speaks, and Homer glares back and gestures again toward the menu.

> 72 ounces?
> I thought this was supposed to be a steakhouse, not a little girly, underpantsy,
> pink doily tea party place. Well,
> there is one steak that's only available by special request.
> We call it Sirloin-a-Lot. It's the size of a boogie board.

Frame: https://ultrahouse3k.com/img/S10E17/213964.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/219177

## 3:45–3:55

Homer Simpson, in a white shirt, sits in a wood-paneled restaurant booth beside Bart in an orange shirt and Carl, a Black man in a blue cap and striped polo, while a bald waiter with lavender sideburns, a red jacket and a black bow tie stands at the table. Homer holds a brown menu with a meat illustration, looks wide-eyed and then lowers it, while the waiter talks and gestures, and in the final frames the waiter holds up a triangular metal object by the window. A red-capped figure in green sits partly visible at the left edge, with table settings and knives in the foreground.

> Ooh, I'll have that one. And to drink, meatballs.
> Very good, sir.

Frame: https://ultrahouse3k.com/img/S10E17/226685.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/230647

## 3:55–4:08

Mr. Burns, a stooped, thin waiter in a red shirt, black bow tie and white apron, stands in a wood-paneled restaurant with Homer in a white shirt, a man in a blue cap and shirt, and a red-haired boy in a green cap nearby. Burns first raises one arm and gestures expansively, then holds a folded white cloth and a metal tray while Homer stares wide-eyed, and later he reaches toward Homer's shoulder. Bart in an orange shirt and Marge with her tall blue beehive then appear at a table, with a red horned bull-shaped sign with a glowing eye in the foreground.

> Ladies and gentlemen, this brave man has accepted the Sirloin-a-Lot challenge.
> He will pit his stomach against 16 pounds of indomitable tenderloin.
> They like me because I'm brave. Only two people have ever finished the whole thing.

Frame: https://ultrahouse3k.com/img/S10E17/236903.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/242325

## 4:08–4:21

Homer, in his white shirt, stands in a rustic wood-paneled restaurant beside a bald, heavy waiter in a red shirt and black bow tie who holds a towel and a metal utensil, while a man in a red MACK cap and green plaid shirt sits nearby. The waiter raises a peace sign, then waves and reaches over to press his hand on Homer's head as Homer looks on, and a wooden WALL OF FAME sign above framed portraits of Red Barclay and Tony Randall, each shown with a steak, appears on the wall. The red-capped man then leans back at a table set with forks and knives, talking and gesturing, while Homer glances over with a sour, unimpressed expression.

> If you want some friendly advice, pal, I wouldn't tackle the big one right away.
> Oh, yeah? What do you know about it?

Frame: https://ultrahouse3k.com/img/S10E17/249833.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/255046

## 4:21–4:34

Red Barclay, in a red cap and green plaid shirt with a bib, sits at a diner table holding a forkful of meat, while Homer, the bald heavy man in a white shirt, sits beside him. The scene opens on a 'Wall of Fame' sign above portraits of Red Barclay and Tony Randall, a man in a tuxedo cutting a steak, each with a name plate. Homer then grins, points at Red across the table and speaks excitedly, while Red looks back at him, with red booths and a window behind them.

> It's you!
> You're him!
> You're Tony Randall!

Frame: https://ultrahouse3k.com/img/S10E17/262345.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/267976

## 4:34–4:44

Homer, the bald, heavy man in a white shirt, sits at a wooden diner table with a yellow tablecloth while a heavy, one-off trucker in a red MACK cap, green plaid shirt, blue suspenders and a white bib napkin tucked into his collar talks and gestures with an open hand. The two shake hands, and the trucker keeps talking, pointing and grinning as Homer listens. The scene then tightens on the trucker, who points a finger toward the left, grins, and speaks, with a window and a cash register on the wood-paneled wall behind him.

> Red Barkley is my name. I'm a trucker,
> and I've eaten steaks from coast to coast with taters and toast.
> Take my advice. This one's not for greenhorns.

Frame: https://ultrahouse3k.com/img/S10E17/275901.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/279654

## 4:44–4:52

Homer, in a white shirt and blue pants, argues with a heavyset man in a red cap, green plaid shirt and blue suspenders across a wood-paneled diner table with red booths, plates of food and silverware. Homer's gestures grow more aggressive, from jabbing fingers to shoving a hand toward the man's face, while Bart, in an orange shirt with arms crossed, scowls, shouts, and then points toward a man in a blue cap and blue striped polo holding a glass of water. A woman in a pink top watches from the right beside a window.

> Greenhorns?
> Who's a greenhorn?
> What's a greenhorn?
> It's an insult. Sock him, Dad. Sock everybody.
> Oh, you're just jealous because you don't have the belly for it anymore, Mr.

Frame: https://ultrahouse3k.com/img/S10E17/285702.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/288413

## 4:52–5:06

Homer, in his white shirt, and a heavy man in a red MACK cap, green plaid shirt, blue suspenders and a tucked-in napkin sit at a wooden diner with checkered tablecloths. Homer points and scolds while the man in the cap grins, pats his belly, and then gestures with his fingers as he talks back. Mr. Burns, thin and stooped in a suit, sits in the background at a table, and the MACK lettering on the cap is clearly visible.

> No Belly.
> Mr.
> Hasn't Got a Belly. Well, I have just finished a whole lamb,
> but I reckon I could take you to school.
> You're on, boy.

Frame: https://ultrahouse3k.com/img/S10E17/293418.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/299257

## 5:06–5:11

Homer Simpson, with Marge's blue beehive and Lisa visible at the right edge, sits in a rustic wood-paneled restaurant decorated with framed pictures of a red barn and cows. An unnamed waiter in a red jacket and black bow tie first carries a covered dish across the stage, then stands beside Homer's table and gestures while Homer's eyes bulge and he peeks above the table. The scene ends with Homer seated behind a huge slab of meat on a turquoise plate, mouth open in amazement.

> Is it safe to eat that much food, Dr. Hibbert?

Frame: https://ultrahouse3k.com/img/S10E17/307182.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/309059

## 5:11–5:22

Marge Simpson, with her tall blue beehive and red bead necklace, sits at a wooden restaurant table beside a girl with curly red hair in a green shirt, a heavyset man in a lavender striped sweater, and a woman with curly dark hair and a pink necklace. The man talks and gestures, the woman raises a hand and fidgets with her chin, and Marge glances sideways before standing up in the foreground with a tense grin, while in the background a grey-haired man, a woman and a boy sit in a red booth eating from a platter of food. Rustic wooden walls and beams fill the room, and the scene is set in a log-cabin style restaurant.

> You know, I wouldn't have thought so before I bought 12% of this restaurant,
> but now I feel a balanced diet can include the occasional eating contest.
> But what if he chokes?

Frame: https://ultrahouse3k.com/img/S10E17/313021.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/317400

## 5:22–5:34

A bald man in a blue striped sweater, who looks like Carl, sits at a wooden restaurant table with a older man in a blue suit and a woman in a purple jacket and pink top, with cow-head decorations on the wall behind them. He eats, then gestures and laughs, while a blonde woman in a purple dress and pink top stands by a blue robotic Heimlich Maneuver machine labeled 'HEIMLICH MANEUVER' in a wooden barn-like room. The woman clutches her throat, gets squeezed and lifted by the machine's arms, then falls backward onto the wooden floor with her legs in the air as the machine's arm stays outstretched beside a wooden counter and lamp.

> Not to worry. We have the latest Heimlich machine.
> On your left, the pride of the American trucking industry,

Frame: https://ultrahouse3k.com/img/S10E17/324074.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/328662

## 5:34–5:45

Homer sits at a table on the right of a rustic, wood-paneled restaurant decorated with cow paintings, while a bald, thin man in a red shirt, white apron and bow tie stands between two diners holding a microphone. The man in the red cap and green plaid shirt with overalls on the left smiles as the host gestures toward him with an open hand, then lifts the red cap toward the diner's head. The host goes back to gesturing with the microphone while Homer looks on wide-eyed, one hand raised near his face.

> reliable Red Barkley.
> And on your right, Homer somebody.

Frame: https://ultrahouse3k.com/img/S10E17/335752.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/340131

## 5:45–5:56

Marge, Bart and Maggie sit at a wood-paneled diner table with Carl, while a bald emcee in a red jacket and bow tie holds a microphone and gestures overhead. Homer and a man in a red MACK cap sit at a round table with knives and forks, and the cap wearer cuts into a slab of meat, as diners in the background watch the contest. The red MACK lettering on the cap is the main visible text.

> Yeah!
> Glottons to your marks.
> And Gorge.
> Chew, chew, chew!

Frame: https://ultrahouse3k.com/img/S10E17/347013.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/351184

## 5:56–6:08

Homer, in a white shirt, sits at a rustic wooden restaurant table under a painting of a cow, first buttering a bread roll and then waving his knife while Marge, with her tall blue beehive, gasps with her hands on her cheeks as a Black man in a blue striped sweater watches from a nearby table. Homer then saws into a steak with his knife and fork while a man in a red Mack cap and plaid shirt works in the background and Bart in an orange shirt stands beside him. The dining room has red booths, checkered tablecloths and framed farm pictures on the wooden walls.

> No, Homer, don't fill up on bread!
> Huh?
> Oh, right, the steak!
> Um, um...
> Come on, Dad, pick up the pace.

Frame: https://ultrahouse3k.com/img/S10E17/357440.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/362237

## 6:08–6:20

Homer, the bald, heavy man in a white shirt, sits at a table beside Bart, the spiky-haired boy in an orange shirt, as Bart holds a knife and Homer holds a fork over a large slab of beef on a pale green plate. In the first frames the two sit side by side in a wooden-walled room with a wooden chair behind them. Homer then sits gripping his utensils and chewing with a strained, grimacing expression while Bart leans in watching him. Bart's hand and knife then cut into the meat, which bleeds red juice onto the plate, and the cut-away shows the chunk of beef being sliced into pieces, with a small piece of meat dropping onto the plate.

> Chew and swallow, no savoring.
> Must eat beef, must defeat guy I just met.
> Um...

Frame: https://ultrahouse3k.com/img/S10E17/369327.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/374124

## 6:20–6:31

Homer and Bart sit at a table in a wood-paneled dining room with cow paintings on the wall, while a man in a red cap and green plaid shirt sits across from them behind a large steak on a platter. Homer cuts into the steak and lifts a forkful of meat, then raises both hands to his head in alarm, and afterward he grips Bart's arm as Bart looks on wide-eyed beside a fork and knife. The platter, steak and forkful of meat are the notable objects.

> Um... Oh, tum tum.
> So much steak, lungs filling, dinos is packed with meat.
> Come on, Dad, just 12 more pounds.

Frame: https://ultrahouse3k.com/img/S10E17/381006.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/385594

## 6:31–6:42

Homer, the bald, heavy man in a white shirt, sits in a wooden chair in a barn holding a fork with a piece of meat, staring blankly with his mouth open. Two one-off cartoon cows, one brown and one dark red, both with horns and blond tufts, lean on a wooden fence holding martini glasses with olives, one grinning while the other glances sideways. The cows keep sipping and leaning toward each other, one tilting its head back laughing while the other bends forward, and Homer's gaze stays fixed on the fork.

> Oh, humans are so ridiculous.
> He's not even halfway through Walter, and he's already hallucinating.

Frame: https://ultrahouse3k.com/img/S10E17/392058.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/396646

## 6:42–6:54

Homer, the bald, heavy man in a white shirt, first appears in close-up against a wooden wall, grimacing and holding a fork with a piece of red meat. The scene cuts to that meat and a blood splatter on a plain white background, then returns to Homer seated at a table with his mouth wide open while Bart, the spiky-haired boy in an orange shirt, reaches over with a piece of meat and feeds him. Blood spots mark Homer's shirt as the meat is pushed toward his mouth, with a cake on the table beside them.

> Closy trunks.
> I'll show them.

Frame: https://ultrahouse3k.com/img/S10E17/403111.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/408325

## 6:54–7:06

Homer Simpson, bald with stubble and wearing a white shirt, sits at a wooden-walled diner table beside Bart, who has spiky hair and an orange shirt, while a man in a red Mack cap and green vest eats at the adjacent table. Homer holds a fork and knife and sits in front of a plate, then grimaces, stares ahead, and drops his head in his hands with his mouth open. Behind him, two framed pictures show a cow in a barn scene and a brown cow by a water trough. Homer slumps forward, eyes shut, and then rubs his face with a napkin while Bart looks on in dismay.

> What's happening to me?
> There's still food, but I don't want to eat it.
> I've become everything I've ever hated.

Frame: https://ultrahouse3k.com/img/S10E17/415624.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/420420

## 7:06–7:15

A stocky, red-capped man in a green plaid shirt and blue overalls sits at a small round table draped in a cream tablecloth, a fork holding a piece of red meat at the edge of his plate. He wipes his mouth with a napkin and smirks while a bow-tied waiter in a red shirt leans over the table, beams with a wide grin and rests a hand on the diner's shoulder. Behind them, a wood-paneled wall shows framed pictures of a red barn and cows, and the scene ends with the waiter's hand still on the man's shoulder.

> Winner and still champion, reliable Red Barkley!

Frame: https://ultrahouse3k.com/img/S10E17/427302.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/431056

## 7:15–7:27

Homer stands at a wooden counter with a stack of plates while a man in a red MACK cap and green plaid shirt with suspenders sits in front of him, and a thin man in a red cardigan with a black bow tie gestures with an open hand beside them. Carl, a Black man in a purple sweater, watches from the right and Bart, a small spiky-haired boy, peeks in behind Homer. Homer clasps and grips the red-capped man's hand and arm, sometimes with his arms folded, and his mouth moves as he talks, before the view widens to a wood-paneled diner with two farm paintings on the wall, where Homer leans over the counter gripping the cap-wearing man's hand while a grey-haired woman in a pink top, a child in a green shirt, and a woman in a purple dress sit at a table in the foreground.

> A heads off to you, Red. You're a true American hero.
> And you did it with style and dignity and hey,
> you're not breathing don't people usually breathe

Frame: https://ultrahouse3k.com/img/S10E17/436895.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/441483

## 7:27–7:38

Homer and Carl, a Black man in a blue and purple striped sweater holding a small yellow cup, stand beside a bald man in a red shirt and black bow tie at a wood-panelled counter with cow pictures in the windows. Carl and the bald man clasp hands and shake while Homer looks on, then the three turn toward a dining room where Marge, with her tall blue beehive, sits at a table with a man in a cowboy hat, a thin man in a suit and glasses, and others eating.

> This man is dead looks to me like beef poisoning probably from some other
> restaurant

Frame: https://ultrahouse3k.com/img/S10E17/448156.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/452953

## 7:38–7:52

A red-capped man in a green plaid shirt peeks out of an open grey body bag reading "I DIED AT THE SLAUGHTER HOUSE" as blue-jumpsuited coroners wrestle a stretcher with an old bearded man near a black hearse marked CORONER. Homer, Marge and Bart then stand beside the hearse while a bald undertaker in a red shirt and bow tie holds the zipped bag, and afterward a group of townsfolk beside a red truck labeled RED GAL, including a bearded man in a cowboy hat and a red-haired woman, lower their heads and hold their hats to their chests.

> You'd better take one of these two he's eating quite a lot
> There goes the finest trucker who ever lived.

Frame: https://ultrahouse3k.com/img/S10E17/460043.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/465465

## 7:52–8:04

Homer and Marge stand with a red-haired woman in a green shirt who clutches a maroon hat against a red wall. Homer grins, then looks uneasy with his arms folded and his mouth opening as he talks, while Marge watches with a steady gaze. The scene shifts to a bearded man with a thick moustache, wearing a tan cowboy hat with an orange-and-black patch and a blue sleeveless shirt. He leans on the red cab of a truck, talks, glances sideways, and then sighs with his eyes closed.

> He called me Greenhorn.
> I called him Tony Randall.
> It was a thing we had.
> In 38 years, he never missed a shipment.
> But I guess this is one delivery old Red won't be making.

Frame: https://ultrahouse3k.com/img/S10E17/473181.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/478603

## 8:04–8:18

Homer Simpson and Marge Simpson stand together beside a red vehicle door at first, Marge in her tall blue beehive and green dress with a red bead necklace, and Homer in a white shirt looking worried and then talking. Homer climbs into the driver's seat of a red bus, gripping the steering wheel and gesturing with his arms, grinning and scowling as he drives past trees and a blue sky. Marge is left standing on the road beside a purple vehicle with a large black tire, looking surprised with her mouth open. Bart, in an orange shirt with spiky hair, leans into the driver's window beside Homer, pointing forward and speaking excitedly.

> Oh, yes, he will.
> And on time, too.
> Oh, no, no.
> I've got to, honey.
> I owe it to old Red as both his friend and his killer.
> Oh, let me go with you, Dad. Don't you have school?

Frame: https://ultrahouse3k.com/img/S10E17/486111.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/491533

## 8:18–8:30

Homer Simpson and Bart Simpson sit in the cab of a big red truck, Bart in an orange shirt in the passenger seat and Homer in a white shirt at the wheel, with Bart at first looking at Homer and then Homer pointing out the window. Outside, Marge Simpson, with her tall blue beehive and green dress, stands arms crossed beside the truck's door with a red bead necklace, and Homer leans out of the driver's window while she frowns and her expression sours. The truck has a decal of a green dragon-like creature on its door and a silver hose-like coil on its trailer, and the scene ends with Marge still standing arms crossed, looking unimpressed, as Homer gazes at her from the cab.

> Do you have work? Ah, touche.
> Bye, Marge.
> Aren't you gonna say bye?
> Goodbye, Omar.
> That didn't sound like you meant it. All right.

Frame: https://ultrahouse3k.com/img/S10E17/499457.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/504671

## 8:30–8:40

Marge Simpson, with her tall blue beehive and green dress, stands on a paved lot waving with one hand while Homer Simpson, bald and in a white shirt, leans out of the window of a red big-rig truck with the word Rascal on its door. Marge keeps waving and grinning as Homer waves from the cab, and the truck then pulls away, leaving Marge behind. As the trailer rolls off, black exhaust puffs from the stacks and drifts across the blue sky, and two people in cowboy hats and western attire, a man and a woman with red hair, watch from the right beside a parked yellow-and-purple car.

> Goodbye, sweetheart. Have a nice trip.
> That's more like it.
> So long, suckers!

Frame: https://ultrahouse3k.com/img/S10E17/511970.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/515515

## 8:40–8:50

Homer, the bald heavy man in a blue cap and white shirt, sits at the wheel of a red truck with the 'Red Rascal' logo, a cartoon wolf in a green suit and a yellow-haired woman, painted on its door. The first frames are black, then the Red Rascal emblem appears in close view, and Homer comes into the driver's window as the truck is shown. The red truck with its grey trailer then drives along a road past pine trees and purple mountains, moving steadily from left to right across the scene.

> Got it.

Frame: https://ultrahouse3k.com/img/S10E17/521354.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/525316

## 8:50–9:00

Homer Simpson, wearing a blue cap and white shirt with a brown vest, sits behind the wheel of a large red truck, with Bart Simpson, spiky-haired in an orange shirt, in the passenger seat beside him. Through the windshield, pine trees and a blue sky are visible, and a dangling tag hangs from Homer's cap. Homer grips the steering wheel and gearshift at first, looking wide-eyed and speaking, then relaxes into a smug, self-satisfied expression while Bart glances over at him, and finally Homer turns his head toward Bart with a worried look as Bart stares back, mouth open.

> Come on.
> Ah, I'm getting the hang of this thing.
> I don't know why I didn't become a trucker before.
> Well, you're not really a trucker now.

Frame: https://ultrahouse3k.com/img/S10E17/531573.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/535535

## 9:00–9:10

Homer Simpson, wearing a blue cap and a white shirt with a brown vest, sits in the driver's seat of a truck cab, gripping the steering wheel, while Bart Simpson, in an orange shirt with a seatbelt across him, sits beside him holding a folded road map on his lap. Homer glances around, grins and gestures with one hand, then turns to face Bart, who listens with a wary look, before Homer looks back at the road and the windshield shows pine trees against a blue sky. A radio hangs from the cab ceiling, and a gear stick and dashboard sit at the lower right.

> Oh, yeah? My left arm says different.
> Well, according to Red's schedule, we have to make it to Atlanta in three days.
> Peace of cake.
> Just need a little truck-driving music.

Frame: https://ultrahouse3k.com/img/S10E17/541791.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/545754

## 9:10–9:21

Homer, wearing a blue cap with a $9.99 price tag dangling from it, and Bart, buckled in, ride in the cab of a red semi truck. In the first frame Homer's hand reaches toward a dashboard panel of dials and buttons, then in the cab Homer grins and leans back at the wheel while Bart stares sideways beside him. The scene then cuts outside to the red truck with its grey trailer rolling past evergreen trees, purple mountains and a blue sky. Back inside, Homer, eyes half-closed, talks with his mouth open while the price tag stays on his cap and a pine tree passes the window beside him.

> Yeah, the open road.

Frame: https://ultrahouse3k.com/img/S10E17/552010.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/555972

## 9:21–9:33

Homer, wearing a blue cap with a price tag, drives a bus along a road lined with pine trees while Bart, in an orange shirt and seatbelt, leans forward and grabs Homer's shirt. Ahead, a curly orange-haired boy waves and gestures from the windows of a tan car and then a van, while Homer glances over, frowns, and grips the red steering wheel with his mouth open. The dashboard dials and buttons are visible in front of him, and the scene shifts between the driver's seat and the boy's view through the windshield.

> That little punk.
> Teach him some manners.
> No, Dad.
> He wants you to blow your horn.
> Oh.

Frame: https://ultrahouse3k.com/img/S10E17/562228.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/567442

## 9:33–9:45

Homer, bald and wearing a blue cap and white shirt with brown overalls, sits behind a steering wheel in a car, first looking forward and then grinning and raising one hand as he drives. A red semi truck with a white trailer then drives along a forested road past green bushes and pine trees with purple hills behind it. Next a pink car sits in the driveway of a two-story salmon-colored house with a brown roof. Marge, with a tall blue beehive and red beads and wearing a green dress, sits on a brown couch by a purple lamp and a turquoise telephone, reading a postcard and holding envelopes. The postcard shows a black-haired woman in a leopard-print bikini kneeling on a beach with the words WISH YOU WERE HER! in red, and the postcard is held up to the viewer by a yellow hand.

> That little punk.
> Lisa, we got another postcard from your father.
> Wish you were her.
> How many of these is he going to send me?

Frame: https://ultrahouse3k.com/img/S10E17/574949.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/579746

## 9:45–9:54

Marge, with her tall blue beehive and green dress, sits on a dark red couch in a pink room, holding an open postcard in one hand and an envelope in the other, while Lisa, with spiky star-shaped hair, red dress and pearl necklace, stands beside her. Lisa then holds up a postcard reading "WISH YOU WERE HER!" showing a pin-up style woman on a beach, and her expression shifts from wide-eyed to a grinning, smug look as she gestures with it. Marge's mouth opens as she talks while she holds the mail, and the scene is carried by Lisa's changing facial expressions and her postcard, which is the only on-screen text visible.

> Wow, Dad and Bart have been everywhere.
> They've eaten submarine sandwiches, grinders, and hoagies.
> It's not fair.

Frame: https://ultrahouse3k.com/img/S10E17/586836.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/590173

## 9:54–10:02

Marge Simpson, with her tall blue beehive and green dress, stands beside the couch holding a small white paper, while Lisa Simpson, in her red skirt and pearl necklace, stands next to her in a pink living room with a framed picture on the wall. Marge turns her head and speaks with her hand gesturing, then clasps her hand to her chest and talks animatedly, while Lisa looks up at her with a calm expression. Marge then holds a white cup or bowl and gestures with her open hand as she keeps talking, and the scene ends with Marge still animated beside Lisa.

> Your father always gets to have such exciting adventures.
> Maybe it's time we took a walk on the wild side.

Frame: https://ultrahouse3k.com/img/S10E17/595595.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/598515

## 10:02–10:13

Marge, with her tall blue beehive, holds Maggie, a baby in a blue outfit with a pacifier, while Lisa, with her star-shaped spiky hair and red dress, stands beside them outside Señor Ding-Dong's Doorbell Fiesta, whose sign reads "SEÑOR DING-DONG'S DOORBELL FIESTA" in red, green and gold lettering. The family steps through the shop's green-framed door, and Lisa reaches up to hold Marge's hand as they move past walls covered in doorbells, bells, wall clocks and a rooster-shaped bell. Inside, they stop and look around at the crowded displays, including a tall brown clock case and a small wooden doorbell, as Maggie sucks her pacifier and a rear window shows a parked blue car outside.

> We're buying a new doorbell? A musical doorbell.
> So many doorbells.
> I'm in way over my head.

Frame: https://ultrahouse3k.com/img/S10E17/603728.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/608316

## 10:13–10:22

Nelson, the bully in a blue vest and pink shirt, and Marge and Maggie, with Marge's tall blue beehive and Maggie's pacifier and blue bow, are in a shop lined with ornate wall plaques and a red tiled floor. Nelson crouches at a white paneled door, holds a paper bag and sets it alight, then rings the doorbell and runs off to the left while a smoking, flaming bag sits on the doorstep. A balding man in a white shirt, black tie and grey trousers hurries in from the right and stamps out the fire as Marge and Maggie look on.

> Mm-hmm.

Frame: https://ultrahouse3k.com/img/S10E17/614989.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/617909

## 10:22–10:34

Marge, with a tall blue beehive and green dress, holds baby Maggie in a blue bow while Lisa in a red dress with star-shaped spiky hair stands nearby in a shop lined with doorbells. A thin, balding store clerk in a white shirt, black tie and name tag stands by a white door, reaches up to touch a doorbell, then grabs his head with both hands and throws his arms wide with his mouth open. A blue sign with partly legible lettering hangs on the left wall behind them.

> Oh, great. Look at my shoes.
> And today's my evaluation with Senor Ding Dong.
> Excuse me, Mr... Trainee.
> I'm trying to find a musical doorbell.

Frame: https://ultrahouse3k.com/img/S10E17/623331.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/628336

## 10:34–10:46

Marge Simpson, with her tall blue beehive and green dress, stands holding Maggie, who wears a blue bow and sucks a pacifier, while Lisa, in a red dress and pearl necklace, stands beside them in a shop filled with decorative doorbells and wall ornaments. A thin, balding shopkeeper with a hooked-nose profile and a name badge, wearing a white shirt and black tie, stands on a blue doormat in front of a white door, gesturing with his hands, pointing at the wall, and holding a small bell-shaped ornament. Across the scene he gestures, folds his arms, then spreads his arms wide and shrugs, while the family remains still, and a sign reading 'Sing-Dong Doorbells' hangs on the left wall beside the red-tiled floor.

> Well, you came to the right place.
> We got your ding-dang-dongs and your do-re-mis and your...
> A-cha-chas, huh? Ha, ha, ha.
> Hey, bye.

Frame: https://ultrahouse3k.com/img/S10E17/635426.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/640431

## 10:46–10:58

Marge Simpson, with her tall blue beehive and green dress and red beads, stands in a room with a pink tiled floor and a wall covered in ornaments, holding Maggie, the baby in a blue outfit with a blue bow and a pacifier. Lisa, the girl with star-shaped spiky hair in a red skirt and pearl necklace, stands at the left and then moves to a corner between wall clocks and framed decorations. Marge gestures with an outstretched hand while speaking, and Lisa turns, shifts her weight, and stands with her hands clasped behind her back in the final frames.

> I'm trying to find a particular tune.
> It's the one that goes like... Da-da-da, da-da-da.
> Mom, is this the one you want?

Frame: https://ultrahouse3k.com/img/S10E17/647730.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/652527

## 10:58–11:08

Marge Simpson, holding baby Maggie in her blue bow, and Lisa in her red dress stand in a room covered with decorative doorbell fixtures while a thin-faced, grey-haired salesman in a white shirt, black tie and grey trousers, wearing a name badge, shows them the wares. Marge gestures and talks, then the salesman gestures at the wall, pulls a doorbell from it and holds it up, and the scene cuts to a night view of Joe's Diner, where a red truck is parked in front of a sign reading "NOW AWARE OF CAMP VALUE!"

> Yes, that's it.
> Lisa, you ought to be a doorbell salesman.
> Oh, that's just what I need, another piranha in the tank.

Frame: https://ultrahouse3k.com/img/S10E17/659617.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/663163

## 11:08–11:15

Homer, in a blue cap and white shirt, and Bart, in an orange shirt, sit at a diner counter with burgers and a coffee mug, while a waitress with a pink beehive-style hairdo in a light blue uniform and white apron pours coffee from a glass carafe. A grey-haired man in a green shirt sits beside them, and a sign above the counter reads TRUCKERS ONLY. The waitress pours coffee, then pauses with the carafe, speaks, and turns away, walking off to the left past the counter as Homer and Bart keep eating and the scene settles.

> A little more high test, darling?
> Sure thing, Gwen.
> I'll be right back with your pie, hon.
> Uh, that's a nice, friendly gal.

Frame: https://ultrahouse3k.com/img/S10E17/669210.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/671921

## 11:15–11:26

Homer, wearing a blue cap with a price tag dangling from it and a brown vest over a white shirt, sits in a green-paneled diner booth holding a large sandwich, while Bart in an orange shirt sits beside him eating a bun. Homer talks and gestures with his hands, glancing around and grimacing, then turns his head toward the counter where a tall blond-haired woman in a pink top stands behind a cash register. Bart keeps eating with his eyes half-closed, and a glass of dark soda and a plate of fries sit on the table, with the cap's tag reading $9.99 throughout.

> Yeah.
> Wouldn't it be great to live right here at the truck stop,
> watching all the people come and go? You could have a different best friend every day.
> I suppose.

Frame: https://ultrahouse3k.com/img/S10E17/676926.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/681097

## 11:26–11:36

Homer, wearing a blue cap with a $9.99 price tag and a white shirt with a brown vest, and Bart, in an orange shirt, sit together in a diner booth with a rainy window behind them. Homer talks animatedly, gesturing with his hands and mouth open, while Bart eats a burger. Homer then clasps his hands and bows his head, and Bart watches him. A red-haired waitress with a pink-lipped expression and a light blue uniform stands at the counter beside them, next to a plate of fries and a mug, and then looks on as Homer rests his chin on his fists.

> Right.
> I'll write your mother and tell her the marriage is off,
> and then when the paperwork is done, I'll make Gwen my wife.
> Will that be all, sweetie?
> For now.

Frame: https://ultrahouse3k.com/img/S10E17/687562.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/691733

## 11:36–11:46

Marge Simpson, in a long green dress with red beads and her tall blue beehive, and Lisa Simpson, in a red skirt with a pearl necklace, stand at the pink front door of a house with a round doorbell. Marge reaches toward the doorbell, then stretches her arms out wide and gestures excitedly while Lisa watches with a sceptical look. Marge waves one hand, points a finger upward, and then steps back onto the doormat with an arm out as Lisa stands nearby on the lawn. The green bushes, the arched window and the doormat are visible throughout.

> The light's on. All systems are ding-dong.
> Come on, Mom, let's take it for a test drive.
> It's not a toy, Lisa.
> We'll just have to wait until someone comes.

Frame: https://ultrahouse3k.com/img/S10E17/697989.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/701743

## 11:46–11:58

Marge Simpson sits on the dark red couch in her green dress and red beads, reading a magazine and glancing up in alarm, while Lisa in her red skirt and pearl necklace stands on the window seat watching outside through rain-streaked glass. Milhouse, with blue hair and glasses, appears at the left and is swarmed by red and grey birds, flailing his arms as he is knocked into the air across the rainy yard. The red lamp, pink walls and suburban houses stay in place as the birds dive around him.

> Anyone? Anyone at all?
> Oh, Milhouse is selling seeds and he's coming this way.
> Oh, the birds got him.
> Not the bees!
> If your father was here, they'd be process servers, repo men,

Frame: https://ultrahouse3k.com/img/S10E17/707999.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/712795

## 11:58–12:09

Marge, with her tall blue beehive and green dress with red beads, and Lisa, in a red dress with a pearl necklace and a green bow on her spiky hair, stand in the pink living room near a red lamp, a cabinet of trophies, and a dark red sofa. Lisa looks around, sighs, and grins while Marge gestures and stands watching her, then in the final moments Lisa cranes her head up toward her mother as Marge gazes off. Outside the red front door, a short man in a white shirt and blue pants and a woman with long dark hair in a white blouse and blue skirt stand on the porch, each holding a small red book, and they look toward the house as they wait.

> and bounty hunters to beat the band. Wait, people are coming.
> I think they're Jehovah's Witnesses. Yes!

Frame: https://ultrahouse3k.com/img/S10E17/719886.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/724265

## 12:09–12:19

A woman with long reddish hair in a white ruffled blouse and a man with short reddish-brown hair in a white shirt and blue tie, each holding stacked books, stand together at an open doorway beside a green hedge. At the start, a yellow arm reaches in from the right and points toward the door, and the woman then gestures with her hand while the man looks on. Through the moment the woman keeps talking and gesturing toward the door with her open hand, while the man glances at her, shifts his stance, and extends his own hand as he speaks, ending with him gesturing outward as she looks at him.

> Wait, Marlin, you know, I just had a thought.
> Maybe we're bothering people by trying to change the religion.
> What if we don't have all the answers?
> You're right, Noreen. Let's go get real jobs.

Frame: https://ultrahouse3k.com/img/S10E17/730730.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/734692

## 12:19–12:31

A red-haired woman in a white blouse and blue skirt, who is not one of the regulars, is first seen beside a house window, then walks along a sidewalk with a man in a white shirt and blue pants past a brick house with a red door. Marge Simpson, with her tall blue beehive, green dress and red bead necklace, then stands at a brown door with a purple peephole, gesturing with her hands and grimacing, before the scene moves inside to the living room, where Lisa sits on the maroon couch in an orange dress while Marge walks to the bay window and stands looking out at the neighborhood, with a framed portrait of an old man on the pink wall.

> Hmm, I would have feigned interest.
> Still no visitors.
> It's time we opened up a can of whoop-tushy on this situation.

Frame: https://ultrahouse3k.com/img/S10E17/740949.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/745745

## 12:31–12:43

Marge Simpson, with her tall blue beehive and red bead necklace, stands at the living room window and gestures outside, then Lisa, in her red dress and pearl necklace, sits on the maroon couch beside a teal phone on a purple nightstand and gestures as she talks before reaching to lift the receiver. Outside the pink house, a red pickup with a round green logo pulls up to the curb beside a pink car in the driveway, and a delivery man with a moustache, red cap and red shirt carries a bag up the front path while Marge and Lisa watch through the arched window.

> What's the number for Luigi's? Dad's got it on the speed dial under fire.
> This is it, honey.

Frame: https://ultrahouse3k.com/img/S10E17/752835.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/757632

## 12:43–12:55

Marge, with her tall blue beehive and green dress, and Lisa, with spiky star-shaped hair and a red dress, stand inside a living room by a window while a mustached delivery man in a red-and-white Luigi's cap and red striped shirt waits outside a pink front door on a Welcome mat, holding a brown Luigi's bag. He presses the round doorbell, then turns toward the window and gestures and talks, with Marge and Lisa reacting from inside. The scene then cuts to him on the sidewalk, gesturing with one hand and looking into the bag, with a green car and houses behind him.

> We did it.
> Damn it!
> Ring the bell! Why? You already know I'm here, don't you?
> Just do it!
> Nothing doing, Missy.
> Now, do you want your half order of garlic bread or not?

Frame: https://ultrahouse3k.com/img/S10E17/764514.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/769310

## 12:55–13:01

Marge Simpson, in a green dress and red bead necklace, stands by a red front door with a purple knob and doorbell, first knocking and then reaching for the knob while looking alarmed. Lisa Simpson, in a red dress and pearl necklace with spiky yellow hair, comes to stand beside her at the door, and Marge then turns away and steps back with a wide-eyed, grinning expression. Lisa presses her hand against the door as Marge moves back, then the scene cuts to a close view of the purple doorknob and a blue-violet doorbell, where a yellow finger points at the doorbell beside the door frame.

> No, but if you'll just ring the...
> Oh, that's it. I'm putting an end to this.
> Listen, no, no, don't. It won't be the...

Frame: https://ultrahouse3k.com/img/S10E17/776192.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/778278

## 13:01–13:10

Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands on the left in front of a pink-and-brown house with an arched window, while Marge Simpson, with her tall blue beehive and green strapless dress with red beads, stands beside a door. Marge gestures with her hands, at times raising one palm, clasping her hands together, and spreading both arms wide as if presenting something, while her expression shifts from wide-eyed and talking to grinning and then to a relaxed pose with hands on hips. Lisa remains mostly still with a flat, unimpressed look, and a round door knocker is visible on the right side of the wall.

> Oh, it's heavenly.
> Why do birds suddenly appear over there, over here?

Frame: https://ultrahouse3k.com/img/S10E17/782657.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/785994

## 13:10–13:19

Lisa, the girl with star-shaped spiky hair in a red dress and pearl necklace, stands on the left beside a teal-windowed house, while Marge, with her tall blue beehive, green strapless gown and red beaded necklace, stands in a doorway in front of a pink wall. Marge starts out laughing with her eyes shut, then opens her eyes, looks up, and gestures with open hands and an outstretched arm toward a round door fixture, as Lisa glances sideways with a flat, unimpressed expression. Marge then slips out of view to the right of the doorway, leaving Lisa alone in the foreground, and the scene ends with the pink wall and the round door fixture visible.

> Why is it playing over again?
> Who cares?
> No one could ever get sick of this song.
> Suddenly appear.

Frame: https://ultrahouse3k.com/img/S10E17/791624.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/795169

## 13:19–13:31

Homer, wearing a blue cap, and Bart, in an orange shirt, sit in the cab of a red semi truck at the Stardust Drive-In, while an attendant watches from the Entrance booth beneath the lit sign reading "The Monster That Ate Everybody." The truck, its trailer blocking the view, rolls past rows of parked cars in front of a billboard showing a tent in a field, and then the billboard shows a red-haired woman and a blond man in a green plaid shirt who looks sideways, opens his mouth to speak, and then looks startled. Homer and Bart eat from paper bags as the blond man continues to look unsettled against the purple night sky.

> Hey, get that truck out of here!
> You mean, it ate Patrick too? It ate everybody.
> What about Erica? It ate everybody, stupid!

Frame: https://ultrahouse3k.com/img/S10E17/800800.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/805388

## 13:31–13:38

A woman with long, wavy reddish-brown hair and a pale collared shirt against a blue sky first purses her red lips and then looks sideways with a sour expression. Inside a red vehicle at night, Bart in his orange shirt and Homer, wearing a blue cap at times, sit in the front seats while a translucent grey-haired figure overlaps them, and both grimace and gesture as Homer grips the wheel. The scene then shifts to a brick arch bridge over a rushing river, where Homer and Bart sit fishing with long rods, their lines dangling into the water beside a parked red semi-truck.

> I bet ol' Red caught himself a mess of catfish with these fishing sticks.

Frame: https://ultrahouse3k.com/img/S10E17/812270.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/814981

## 13:38–13:50

Homer, in a blue cap, white shirt and brown vest, and Bart, in an orange shirt and blue shorts, sit side by side on a brick ledge in front of a red vehicle with a 'Red Rascal' sign showing a cartoon fox and a $49.99 price tag. Both grip fishing rods, with Homer straining and shouting while Bart looks around, grimaces and grins, holding a blue-and-silver reel. Homer's line lifts toward a hook as he leans back, and Bart's rod stays angled out over the ledge.

> Uh-huh.
> Bet he used bait, too.
> Relax, boy. We're ahead of schedule.
> Actually, we have to go 2,200 miles in ten hours.

Frame: https://ultrahouse3k.com/img/S10E17/819777.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/824574

## 13:50–14:01

Homer, in a blue cap, brown vest and overalls, sits on a brick wall beside Bart, who wears an orange shirt and holds fishing rods, while a red truck with a "Red Rascal" decal stands behind them. The big red semi then drives through a dark pine forest at night, parks beside a wooden building with a "MARKET" sign and rows of barrels, and Homer runs toward its door. Inside, Homer talks animatedly across a counter with an elderly shopkeeper in glasses, a black cap and white tufts of hair, next to a green cash register and a shelf with a "9.99" price tag.

> Ten hours? We gotta roll!
> Uh, yeah. I need something that'll keep me awake, alert, and reckless all night long.
> Well, Congress is racing back to Washington to outlaw these.

Frame: https://ultrahouse3k.com/img/S10E17/831456.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/836044

## 14:01–14:14

Homer, in a blue cap and brown vest, and an elderly shopkeeper with grey tufts, a black visor and suspenders stand at a counter in a small wooden store lined with shelves and nickel-priced bins. The shopkeeper stands motionless with hands on the counter while Homer grabs a small white bottle from a shelf and tips his head back to swallow pills, then holds the bottle up while the shopkeeper raises a warning finger and then gestures. Homer calmly holds a bottle labeled SLEEP pills, and a pink $1.99 price tag hangs from his cap, while a box of blue packages sits open on the counter.

> Hey, you can't take that many pep pills at once.
> No problem. I'll balance it out with a bottle of sleeping pills.

Frame: https://ultrahouse3k.com/img/S10E17/842717.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/848139

## 14:14–14:23

Homer, wearing a blue cap, a white shirt and a brown vest, and Bart, in an orange shirt, are in the cab of a bus, with Homer pulling its wheel and Bart slumped in a red seat. Homer first dumps a bottle of Sideshow pills, then leans out of the cab and works at the window, then grips the wheel and shouts as he steers, and Bart is in his lap. The bus rolls past a shop with the sign MARKET and barrels lined up outside, then a red truck with headlights on drives down a forest road at night, with the truck's tail trailing away into the trees.

> Okay, we're all set. Let's put the pedal to the metal.
> I wholeheartedly agree.

Frame: https://ultrahouse3k.com/img/S10E17/855646.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/858983

## 14:23–14:31

Homer Simpson, bald and stubbly in a white shirt and blue cap with a $9.99 price tag dangling from it, sits in a red reclining seat by a window showing pine trees and a purple sky, gripping a small dark object in both hands on a red table. Over the moment his expression shifts from wide-eyed and open-mouthed to sluggish, half-lidded and slack-jawed, with his head tilting and his eyes drooping as he slowly loses alertness. The price tag stays visible throughout, and the scene ends with him looking drowsy and dazed.

> Oh, man, I'm really wired. This is a big mistake.
> I can... Oh, here comes the sleeping pill.
> So drowsy.

Frame: https://ultrahouse3k.com/img/S10E17/864614.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/867742

## 14:31–14:40

Homer Simpson, wearing a blue cap with a dangling price tag, sits in the driver's seat of a vehicle with a red seat and red dashboard, pine trees visible through the side window. He starts wide-eyed and talking with his mouth open, then his eyes narrow and he grows drowsy, and by the end he slumps forward with his eyes shut and his head nodding over the steering wheel.

> Pep pills perking up again. I can drive home.
> Nice.

Frame: https://ultrahouse3k.com/img/S10E17/872955.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/876084

## 14:40–14:50

Homer, in a blue cap, and Bart, with spiky hair, sit in the cab of a red truck driving at night along a narrow mountain road cut into a steep rock face, with a guardrail and pine trees beside it. The road curves and bends through a hairpin turn while the truck's headlights glow, and Homer yawns widely with his eyes shut while gripping the steering wheel. The scene ends in darkness.

Frame: https://ultrahouse3k.com/img/S10E17/881297.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/885468

## 14:50–15:01

A person in blue trousers and grey shoes works a pedal beneath a dashboard with a steering wheel, a gauge panel, and a red emergency button, while the vehicle drives along a winding road cut into purple cliffs. A red semi with a white trailer speeds along a narrow ledge road, rounds a hairpin bend, and continues into open green countryside, passing a truck stop with a red sign and parked trucks.

Frame: https://ultrahouse3k.com/img/S10E17/891724.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/896104

## 15:01–15:14

Homer Simpson, in a blue cap with a $9.99 price tag and a white shirt with a brown vest, and Bart Simpson, in an orange shirt, sit in red seats inside a truck cab. Outside, the sign reads "THE GASSY KNOLL" above a truck stop where a red and a purple truck are parked by fuel pumps. Homer dozes with his mouth open and drool running down his chin, then jerks awake, grabs his cap with both hands, and gestures with one hand while Bart slumps asleep beside him.

> Oh, I fell asleep at the wheel.
> But we didn't crash.
> It's a miracle.

Frame: https://ultrahouse3k.com/img/S10E17/902777.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/908408

## 15:14–15:27

Homer, in a blue cap and brown vest, stands beside a big red truck cab, while Carl, a Black man with a mustache, blue cap and white tank top, leans on a fuel pump with a hose, and a bespectacled man in a brown cowboy hat and salmon shirt stands between them at a truck stop. The cowboy-hatted man raises a fist and grins, then Carl claps his shoulder, and Homer gestures with open hands and talks, looking wide-eyed and uneasy. The scene is set among large grey and red trucks, with a green tree and blue sky visible behind them.

> You'll never believe what happened.
> I fell asleep at the wheel and the truck drove here by itself.
> Yeah, that Navitron auto drive system has made our jobs cushier than ever.
> The what now? You know, this thing.

Frame: https://ultrahouse3k.com/img/S10E17/916124.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/921129

## 15:27–15:39

Homer, in a blue cap and white shirt with a brown vest, stands in a red-walled space as a hand presses a red button on a control panel in a truck cab. Outside by a large truck, Smithers, a thin man in glasses and a cowboy hat, and Carl, a heavyset man with a moustache in a blue cap and sleeveless white shirt, talk with Homer. Carl gestures and grins while Smithers rests a hand on his arm, and then Carl points at Homer as the three men keep talking.

> With this baby driving your truck for you,
> all you gotta do is sit back and feel your ass grow.
> The trucks drive themselves? Hey, hey, hey, shh.
> Didn't your union rep tell you about the scam we got going?
> Well, I'm not really a trucker, so I don't talk to the rep that often.

Frame: https://ultrahouse3k.com/img/S10E17/928219.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/933641

## 15:39–15:52

Homer Simpson, in his blue cap, brown vest and white shirt, stands in a red-walled space beside a truck, first smiling and gesturing with open hands, then grabbed by the front of his vest by a mustached Black man in a blue cap and sleeveless white shirt, who pulls him close and leans in to speak to him while Homer stares wide-eyed. Off to the side, a thin man in a cowboy hat, glasses and a salmon shirt watches the exchange, and the grey truck with its open side panel stands in the background. The scene ends with the mustached man still holding Homer's vest and glaring, while Homer looks back with a blank, worried expression.

> All right, listen, pal, here's the deal.
> You stumbled on a secret that only truck drivers are supposed to know.
> Hey, pay attention and stop looking at that squirrel.

Frame: https://ultrahouse3k.com/img/S10E17/941149.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/946362

## 15:52–16:06

The sequence opens with a brown squirrel holding a nut on a set of pale steps beside a beige building and a blue door. Homer in a blue cap and brown vest stands with Carl, a moustached man in a blue cap and white tank top, and a bespectacled man in a cowboy hat beside a green wall, where the cowboy-hatted man gestures with his thumb. Homer then stands alone before red cabinets, first with wide eyes and an open mouth, then gesturing with an open hand, and finally rubbing his fingers together with a sly, toothy grin.

> We get 40 bucks an hour to drive these rigs.
> You think anybody would hire us if they knew we weren't really driving the trucks?
> Wow, you guys are even lazier than me.
> Well, don't worry.
> I'll keep your secret.

Frame: https://ultrahouse3k.com/img/S10E17/953870.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/959500

## 16:06–16:16

Homer, in a blue cap and brown vest, stands beside a man in a blue cap and white tank top with a moustache, while a third man in a cowboy hat and glasses stands at left in front of a large truck. Homer then drives a red semi down a empty two-lane road, with Bart beside him in the passenger seat, as a woman in a pink dress and grey cardigan walks along the roadside balancing a wicker basket with a blue cloth on her head. As the truck approaches her, Bart looks on wide-eyed and worried, and Homer grins with his hands raised off the wheel while Bart shuts his eyes, with the woman still walking ahead of the truck on the road.

> See that you do.
> Hey, Bart, let's me run down this old lady.
> Dad, no!

Frame: https://ultrahouse3k.com/img/S10E17/967216.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/971179

## 16:16–16:28

Homer, in a blue cap, and Bart, in an orange shirt, sit in the cab of a red truck, while a stout elderly woman in a pink dress with a basket on her head stumbles back beside a large grey trailer and a small white box with a red button hangs under a cabinet. Homer lets go of the wheel and waves both hands in the air as Bart looks on, then reaches over the dash while Bart stares straight ahead. Later, Homer in a brown vest grips the wheel and talks to Bart inside the cab, which is lined with dials and has trees visible through the window.

> The second I let go of the wheel, this little wonder kicks in.
> And if scaring old ladies don't float your boat, watch this!

Frame: https://ultrahouse3k.com/img/S10E17/977435.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/982648

## 16:28–16:39

Homer, the bald heavy man in a blue cap and brown vest, sits in the driver's seat of a bus, holding a sandwich at first, then gesturing and shouting with his hands raised, then covering his face, while Bart, the spiky-haired boy in an orange shirt, watches from the seat beside him. Bart then climbs out through the bus's open door and stands on the red roof, arms spread, while Homer lies back on the roof with his hands behind his head. The bus, with its red top and grey-white body, then drives along a road past a grey trailer truck, with Homer and Bart visible through the windows and a red semi cab in front of it; the road has yellow dashed lines under a blue sky with white clouds.

> Come on out, boy!
> It's windy!
> Wow, you're right, Dad. It is windy!
> Hey, look. Nobody's driving.

Frame: https://ultrahouse3k.com/img/S10E17/989947.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/994118

## 16:39–16:49

Bart, a boy with spiky hair in an orange shirt, stands on the hood of a red truck while Homer, bald and heavy in a white shirt and blue cap, lies sprawled across its roof with a brown bag. Beside them, a woman with orange-red hair in a green shirt points and gestures in the foreground, and through the side windows of a bus behind the truck, passengers including Mr. Burns's type of stooped old man with grey hair, a woman with a tall curly hairdo, Lisa-like and Marge-like figures, Patty-like and Selma-like twin sisters, and a Black man with glasses look on. Across the frames Bart stays standing while Homer raises his hands to his face in alarm and then clasps them, looking increasingly panicked, and the passengers watch with wide eyes as the truck rolls along a green, hilly road under a blue sky.

> What's that?
> Relax, everybody.
> The Navitron Auto Drive System is driving the truck for me.
> But keep it a secret. It's a big scam, okay?

Frame: https://ultrahouse3k.com/img/S10E17/1000791.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1004337

## 16:49–16:59

Homer, in a blue cap and white shirt with a brown vest, and Bart, in an orange shirt with spiky hair, stand together on the red hood of a truck, with Homer sitting and Bart standing and gesturing, while passengers in the windows of a white tour bus take pictures of them. The truck then pulls alongside the bus, marked TOURS, on an open highway, with Homer and Bart still on the hood, and then drives on alone past green fields and a grey trailer. The scene ends with a blue tanker truck passing on the same road under a blue sky with white clouds.

> What the hell?

Frame: https://ultrahouse3k.com/img/S10E17/1010384.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1014138

## 16:59–17:12

A bearded man in a red cap and blue sunglasses sits in a blue truck cab, talking and holding a cigar near his mouth. His green truck then pulls up beside a gas pump, where an attendant in a blue uniform waits, while a mustached driver in a blue cap and white tank top sits at the wheel. That driver studies a spiral-bound booklet headed 'Codes' that lists 10-33 through 10-38, with a finger on 10-38, 'Outsider blabbing about auto-drive system,' as a man in a cowboy hat and glasses watches from behind him.

> Breaker, breaker.
> Looks like we got us a 1038.
> Uh, 1038.
> Uh, let's see.
> Uh, outsider blabbing about auto drive system.
> Well, we'll have to teach our friend some discretion.

Frame: https://ultrahouse3k.com/img/S10E17/1020186.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1025816

## 17:12–17:24

A man in a cowboy hat and dark-framed glasses sits behind a steering wheel in a cab, gesturing with one hand while holding a curved gray handset, and speaks with a grimacing expression. Beside him, a man in a blue cap and white sleeveless shirt with a thick moustache grips the wheel and turns to point toward the side window in the cab of a green vehicle. Then a bearded man in a red cap and blue sunglasses leans out of a blue truck with a roof-mounted horn, holding a radio microphone to his mouth and speaking, with green fields, trees and a barbed-wire fence behind him. The moment shifts between these three figures as they talk into their radios and gesture.

> Yeah, just like we did to Jimmy Hoffa.
> Hey, shut up!
> Calling all big rigs. Motor mouth on Highway 7.
> You know what to do. 10-4. 10-4.

Frame: https://ultrahouse3k.com/img/S10E17/1033741.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1038329

## 17:24–17:36

Marge and Lisa are in a pink hallway at home. Marge, in a green dress, stands on a stepladder beside a red toolbox marked with a radiation symbol and lifts a CB radio with a hanging microphone toward the wall, while Lisa, wearing blue headphones, grimaces as she comes down the purple staircase. The moment opens on the radio itself, its orange display reading 40, then Lisa pauses on the stairs and looks back at her mother as Marge mounts the radio on the wall.

> Mom, I need to get some sleep. I have a test tomorrow and birds suddenly appear.
> I mean, English.
> Okay, okay. Let me just get the wire cutters.

Frame: https://ultrahouse3k.com/img/S10E17/1045211.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1050216

## 17:36–17:48

Marge Simpson, with her tall blue beehive and red bead necklace, and Lisa Simpson, with her star-shaped spiky hair, blue headphones and red dress, are in the Simpsons' pink hallway. Marge opens a red toolbox filled with M&Ms on a small stand beside the purple staircase, then reaches into a wall-mounted fuse box, pulling out a wire and exposing its wiring. Marge grimaces and gazes sideways, then Lisa watches from the stairs as Marge stands with a red-handled cane, and the scene cuts to an exterior view of the house at night with its lit front window, a pink car in the driveway, and a glowing lit door.

> Oh, your father traded our tools for M&Ms again.
> The heck with it.

Frame: https://ultrahouse3k.com/img/S10E17/1057306.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1062520

## 17:48–18:01

Homer Simpson, wearing a blue cap and white shirt, and Bart Simpson, in an orange shirt with his hands behind his head, sit in the cab of a red truck, with Homer at the steering wheel and Bart slouched in the passenger seat. The scene opens on a night view of a quiet suburban neighborhood under a full moon, with lit windows glowing in the houses, then pans over a city grid with a pair of cooling towers on the horizon. It then cuts to the red semi-truck with a grey trailer driving down a highway past green trees under a blue sky. In the cab, Homer first leans back with his feet up on the dashboard, then sits up, grinning and speaking with his mouth open, while Bart stays slumped with a bored expression. Homer's eyes widen as he turns to the window and talks to Bart, who glances toward him.

> Look, son.
> It's one of nature's most beautiful sights.

Frame: https://ultrahouse3k.com/img/S10E17/1070027.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1075449

## 18:01–18:14

Homer, wearing a blue cap and white shirt with suspenders, sits behind the wheel of a red truck with Bart in the passenger seat beside him, both staring ahead as the truck drives along a tree-lined highway. A side mirror shows a line of trucks behind them, and in a later moment a mint-green truck is seen pressed against the side of a trailer in traffic. Homer grins, gestures with one hand, and laughs with his eyes closed while Bart looks on, then both stare at the road as a small tree appears in the window beside Bart. The scene shows a convoy of tractor-trailers in a traffic jam, with the trucks bumping and jostling as they move along the road.

> The convoy.
> He hit us. Oh, I should have known.
> They're hazing us to initiate us into the trucker's fraternity.
> Thank you, sir. May I have another?

Frame: https://ultrahouse3k.com/img/S10E17/1082957.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1088379

## 18:14–18:25

Homer Simpson, in a blue cap and white shirt with suspenders, and Bart Simpson, in an orange shirt, sit in the cab of a red big rig, with Bart leaning out of the passenger window beside Homer. Homer grins, grimaces, and then leans out of the driver's window with a startled, wide-eyed look as the cab sways. The scene then pulls back to an overhead view of several trucks, red, blue, pink, and green, crowding a lot. In the final shots Homer stands on the red truck's hood and flails his arms while Bart watches from the cab, with the blue and pink trucks flanking them.

> Dad, they're trying to kill us.
> Oh, why do all my trips end like this?

Frame: https://ultrahouse3k.com/img/S10E17/1095886.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1100474

## 18:25–18:38

Homer, in a blue cap and brown vest, and Bart sit in the cab of a red vehicle on a highway while a man in a white t-shirt and jeans is sprawled across the dashboard, then his body hits the windshield in a white starburst. Bart leans out the side window, and a long-haired man in a red cap and sleeveless blue shirt stands on a pink truck's fender, working a knife at the rear of a grey trailer. The knife then flies up into the air over the road between the trailers as the man leans out, gesturing toward the road.

> Eat water, good buddy.
> Whoa, look at him roll.
> Oh, my good knife. My wife's gonna kill me.

Frame: https://ultrahouse3k.com/img/S10E17/1106939.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1112153

## 18:38–18:50

Bart and Homer, Homer wearing a blue cap and a brown vest, ride in the cab of a large red semi truck on a open highway lined with trees. A distant convoy of pink and mint-green trucks blocks the road ahead, and a red truck's dual exhaust pipes and dashboard are visible in the foreground. Homer grips the steering wheel and stomps the pedals, then looks anxious and speaks, while Bart sits beside him in a seatbelt, wide-eyed and tense, with his hands on the dash before the scene ends with the pair staring forward at the road ahead.

> I think we lost him, Bert.
> Dad, stop.
> Uh-oh.
> Well, well, well.
> Looks like we got ourselves a showdown, boy.

Frame: https://ultrahouse3k.com/img/S10E17/1119452.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1124248

## 18:50–19:00

Homer, the bald heavy man in a blue cap and white shirt, and Bart, the spiky-haired boy in an orange shirt, sit in the front of a big red truck cab. Homer grips the steering wheel and grimaces, glancing sideways and then turning his head, while Bart looks on with wide eyes and a worried expression. Later, Homer, wearing a brown vest and a 1993 tag clipped to his cap, grips the wheel of the red truck cockpit with a serious, tense face, while Bart sits beside him in the red seat, staring ahead at the window with a wide-eyed look. The bright blue sky and green trees are visible through the windows, and the dashboard gauges and controls are visible at the right.

> All right. What are you doing?
> I'm keeping a promise to an American Roadmaster.
> Huh?
> Red!
> The trucker!
> Big fat guy couldn't handle his steak? Oh, yeah.

Frame: https://ultrahouse3k.com/img/S10E17/1131130.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1135301

## 19:00–19:11

Homer, in a blue cap and brown vest with a $9.99 price tag, sits at the wheel of a bus while Bart, in an orange shirt, watches from the passenger seat. Ahead, a line of pink and purple trucks blocks the road, and Homer talks, gestures at the dashboard, and reaches toward the controls. A close-up shows his blue-trousered legs and shoes pressing a pedal, and the scene ends on a grey wall with dark smoke billowing above a red vehicle's exhaust pipe.

> We'll get past that barrier somehow.
> Old Blinky here will find a way.

Frame: https://ultrahouse3k.com/img/S10E17/1141557.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1145728

## 19:11–19:21

Homer, in a blue cap and brown vest, and Bart, in an orange shirt, sit in the cab of a truck at the controls, with a red-and-white dashboard and a line of pink and green trucks ahead on the road. Homer grips a handset and looks alarmed while Bart watches beside him. Then a red semi-truck drives along a highway, and a small package on a white parachute drifts down through the sky above it. Last, Homer sits in a red armchair, cap on, mouth wide open as he shouts, with his eyes narrowed in anger. Visible objects include a red emergency button on the dashboard and a blue-and-white sign on the cab ceiling.

> I'm afraid I can't let you do this, Red.
> The risk is unacceptable.
> I'm not Red, I'm Homer.
> Gotta go.
> Dad, do something.

Frame: https://ultrahouse3k.com/img/S10E17/1152193.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1156364

## 19:21–19:32

Homer, in his blue cap and brown vest, and Bart, in his orange shirt, sit in the front of a car with seatbelts on. Homer slams down on the pedals and grips the steering wheel as the car speeds down a highway toward a red semi truck trailing smoke from its tires. The truck jackknifes into a tangle of trucks on the roadside, where a small group of men in caps and a cowboy hat stands watching.

> Something better.

Frame: https://ultrahouse3k.com/img/S10E17/1162828.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1166999

## 19:32–19:38

Homer and Bart, upside down and gripping seatbelts, scream inside a vehicle with red curtains; then a red semi truck rears up and launches into the air over a silver tanker, its trailer tipping over onto its side with wheels pointing up while a group of small figures watches from the roadside. Homer, in a blue cap and white shirt, sits at the wheel of the truck and throws both fists up, and in the last frames a man in a blue cap and white sleeveless shirt stands beside a trailer with a cowboy-hatted man, a bearded man in a red cap, and others, all watching a truck far down an empty highway.

Frame: https://ultrahouse3k.com/img/S10E17/1173255.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1175132

## 19:38–19:51

Five cartoon men stand in a row in front of a large white tanker truck in a lot: a man in a blue cap and white shirt holding a cup, an older man in a red cap and blue shirt, a bearded man in a red cap, sunglasses and teal jacket, a man in a brown cowboy hat and glasses, and a mustached man in a blue cap and white tank top on the right. The cowboy-hatted man lifts a hand to his head, then takes his hat off and holds it at his side while the others look on, and the man on the right talks and gestures with open hands before he and the others go quiet and listen. The scene shows the tanker's rounded tank and a truck wheel behind them.

> Now that man is a genuine steel-belted gear jamming rig jockey.
> That's a fact. Boy, howdy. You said that again.
> Yeah.
> You know, boys, I've been thinking.
> Maybe it's time we ditched the high-tech gizmos and went back to driving like our daddies
> did.

Frame: https://ultrahouse3k.com/img/S10E17/1179303.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1184934

## 19:51–20:04

A mustached, heavyset man in a blue cap and white tank top stands in front of a large grey tanker truck with a blue cab under a blue sky, first talking and gesturing with open hands, then pinching his fingers together and clenching his fists as he speaks, and finally pointing to one side and placing a hand on his chest with his eyes closed. Beside him, a bearded man in a red cap and blue sunglasses and a man in a brown cowboy hat and glasses look on, and later a row of three men in caps, one with long blond hair, watch from the side.

> Drunk? No, no, no.
> Using our hands and our wits.
> Eh, sure, it's hard work and it's lonely as hell, but it has meaning and dignity.
> Huh? What do you say?
> Nah, let's just find some other scam.

Frame: https://ultrahouse3k.com/img/S10E17/1192858.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1198280

## 20:04–20:16

A group of men stand beside a large grey tanker truck at a truck stop: a blue-capped man in a white shirt on the left, a red-capped bearded man in a teal jacket and blue sunglasses, and a cowboy-hatted man with glasses and an orange shirt, all facing a moustached man in a white tank top and blue cap with his hands on his hips on the right. The bearded man gestures with both arms, then extends one arm wide toward the group, before the group loosens and the moustached man walks off to the right and out of view. The scene then cuts to a red semi cab and grey trailer driving along a road past a blue 'Welcome to Atlanta, Home of Ted Turner's Mood Swings' sign, with the city skyline in the purple background, and the trailer pulls out of view to the right while the road ahead stands empty.

> Hey, how about bootlegging beanie babies?
> Sounds good to me. I like that.
> Yep, you're gonna make it, Dad.

Frame: https://ultrahouse3k.com/img/S10E17/1205996.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1210584

## 20:16–20:25

Homer, in a blue cap and brown vest, grips the steering wheel of a truck cab while Bart, in an orange shirt, sits beside him, and Homer glances up at an operator's license on the cab ceiling showing a photo of a man in a Mack cap and the name Red Barclay. The scene then widens to a loading yard with numbered docks 4, 5 and 6, where a red truck with its trailer is pulling in past a green truck and a blue truck while workers stand near the doors and a man in blue walks across the lot.

> Somewhere up there, I bet Red is saying thanks.
> Turn forward, dead buddy.

Frame: https://ultrahouse3k.com/img/S10E17/1217258.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1221011

## 20:25–20:33

Homer Simpson, in his blue cap and brown vest over a white shirt, stands beside a grey delivery truck trailer at a loading dock, facing a fair-haired man in a grey-brown jacket and white shirt who holds a clipboard. Homer looks up and talks to him, then they shake hands. The man then rests a hand on Homer's shoulder, reaches up to tap and tip Homer's cap, and finally turns to the open trailer doors, pencil in hand, writing on the clipboard while Homer looks on.

> This is Red Barclay's shipment on time as always.
> All right, let's see.

Frame: https://ultrahouse3k.com/img/S10E17/1226851.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1229353

## 20:33–20:45

Homer, the bald heavyset man in a blue cap with a price tag dangling from it and an orange vest over a white shirt, stands beside a grey metal truck trailer with a latch while a one-off man with swept-back blond hair, a grey-brown jacket over a white undershirt, faces him. At first the blond man holds a pencil above a notepad and grins, with Homer's back to the viewer and his eyes turned upward toward a hanging hook. Homer then turns to face him and talks, his eyes wide, while the blond man lifts the pencil, smirks, closes his eyes and shrugs, then talks back with a toothy grin before both settle into a tense, silent exchange.

> Artichokes and migrant workers. Looking good.
> So where is old Red, anyway?
> Well, last time I saw him, he was in a big plastic bag.
> Ha!
> Yeah, that sounds like Red, all right.

Frame: https://ultrahouse3k.com/img/S10E17/1234358.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1239572

## 20:45–20:55

Bart, the spiky-haired boy in an orange shirt, and Homer, the bald man in a blue cap, brown vest and white shirt, stand beside a large red truck with a tire and a 'RED RASCAL' decal showing a cartoon woman and a wolf in a green suit. Homer glances at the truck and then looks down at Bart, his expression shifting from a worried stare to a grimacing, hesitant grin, while Bart looks up at him with wide eyes. The two stand near the truck's wheel and the truck's grille and headlight as the scene unfolds in a parking area with a brick wall behind them.

> Well, son, I guess it's time to go home.
> Any thoughts on how we're gonna get there?
> No, but I'm sure the good Lord will provide.

Frame: https://ultrahouse3k.com/img/S10E17/1247079.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1250833

## 20:55–21:08

Homer, in a blue cap and brown vest, watches as a stern uniformed railway official in a black cap and a heavyset worker in blue overalls and a striped blue cap argue beside a red freight car. The worker jabs a finger and then waves a hand, and afterward his blue cap lies on the pavement while Homer, with Bart standing by a red truck at a loading dock, lifts it to his face. Homer then walks Bart by the hand past a grey locomotive with a green-roofed cab, and Bart climbs up into its open door.

> Are you crazy?
> I'm not driving a trainload of napalm to Springfield!
> Thank you.

Frame: https://ultrahouse3k.com/img/S10E17/1257089.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1262094

## 21:08–21:10

Marge Simpson, with her tall blue beehive and pink dress, stands in the doorway of the Simpson house while a crowd of neighbors in pajamas and robes gathers on the lawn and walkway, seen from above at first. Lisa, with her star-shaped spiky hair, stands in the foreground facing Marge, and Chief Wiggum, the heavyset police chief in uniform, points at Marge while a man in a bee costume and others raise their fists and gesture angrily. The crowd presses closer in the later close-ups, with several people shaking their fists and mouths open in protest, and a man in a purple robe with his hands raised nearby.

> I'm really sorry, everybody, but I've tried everything.

Frame: https://ultrahouse3k.com/img/S10E17/1269185.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1269602

## 21:10–21:24

Chief Wiggum, a heavyset police chief in uniform and cap, stands on the front walk at night, with a figure in a bee costume and a man in a purple bathrobe watching from the left. Marge, in a pink nightgown with her tall blue beehive, and Lisa, in a green nightie, stand at the doorway of a house with an arched window, as Marge presses a hand against the glass and then gestures toward it. Wiggum points at the window, then steps up to the door and draws his revolver, aiming it at the doorway while Marge and Lisa stay where they are.

> I'm afraid we're just going to have to learn to live with it.
> No, no, no, no dice!
> All right, Chimey, this time the bell tolls for thee.

Frame: https://ultrahouse3k.com/img/S10E17/1272104.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1277735

## 21:24–21:37

Homer, Marge, Lisa, Chief Wiggum and other neighbors in pajamas and robes gather on a dark night street, with a bee-costumed man stepping forward with arms outstretched while a van with a partly visible 'Fiesta' sign waits nearby. A caped man in a bell-shaped hat and red cape, billed as Señor Ding Dong, stands on a blue rooftop cracking a whip and gesturing toward a large full moon, then pointing and pulling the whip back. Marge, in a pink nightgown, stands in a doorway as Lisa, in a teal nightgown, yawns and then speaks, pointing outward.

> Huh?
> Ay, ay, ay, Señor Ding Dong!
> I thought you were just a marketing gimmick.
> There was a time when that was true, but now I am so much more.

Frame: https://ultrahouse3k.com/img/S10E17/1285659.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1290873

## 21:37–21:48

Marge, in a pink dress with a tall blue beehive, and Lisa, with her star-shaped spiky hair and teal top, stand together in a pink-walled doorway, Marge clasping her hands while Lisa glances sideways. Later, a mustached man in a yellow bell-shaped hat, red cape and green sash stands on the roof of a van under a purple night sky with a full moon, gesturing and pointing. At the end, a driver with a tall red pointed hairdo leans out of the van's window beside a sign reading "Señor Ding-Dong's" decorated with bells.

> Oh, my!
> Gracias, Señor. Then nada.
> If you ever need me, just ring.

Frame: https://ultrahouse3k.com/img/S10E17/1298380.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1303177

## 21:48–21:55

Ned Flanders, with his moustache and glasses, stands in a green bathrobe beside Carl in a purple robe, Chief Wiggum in his police cap, and a woman in a red robe, while a small blond child in blue pajamas and a curly-haired child in pink stand close by. At dusk, a white van with the sign "Señor Ding-Dong's Doorbell Fiesta" is parked on the street, and its driver in a yellow hat and red shirt leans out of the window, gesturing with a hand as he looks toward the group. The group moves forward and gathers at the van's side, watching the driver as he holds his arm out the window.

> Does anyone have any jumper cables?

Frame: https://ultrahouse3k.com/img/S10E17/1310059.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1312353

## 21:55–22:04

No Simpsons characters appear in this moment; it is a black title card sequence in the closing credits. It begins with 'Executive Producer MIKE SCULLY' in gold lettering centered on black, which holds across the first three images. The credit then changes to 'Executive Producers JAMES L. BROOKS, MATT GROENING, SAM SIMON' stacked in three lines, which stays on screen for several images. Next, 'Starring DAN CASTELLANETA' appears, followed by 'JULIE KAVNER' and then 'NANCY CARTWRIGHT' in the same gold typeface, each replacing the last on the plain black background.

> Oh, you stinking Chevy.

Frame: https://ultrahouse3k.com/img/S10E17/1316941.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1320486

## 22:04–22:14

This is the end-credits sequence of a Simpsons episode, shown against a plain black background with no characters visible. Over the nine seconds, the credits change from the name YEARDLEY SMITH in orange letters to HANK AZARIA, then 'and HARRY SHEARER', then the 'Also Starring' list of PAMELA HAYDEN, TRESS MACNEILLE and KARL WIEDERGOTT, which stays on screen briefly before being replaced by 'Animation Producer MICHAEL WOLF' and then 'Animation Executive Producers LOLEE ARIES, DAVID PRITCHARD and PHIL ROMAN', followed by 'Executive Story Editor TIM LONG' at the end.

Frame: https://ultrahouse3k.com/img/S10E17/1326116.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1329453

## 22:14–22:23

No characters appear; the moment is a black closing credits sequence with gold text. It shows successive credits: Associate Producer Dominique Braud, Theme by Danny Elfman, Music by Alf Clausen, Casting by Bonita Pietila, Editors Michael Bridge and Don Barrozo, Post Production Supervisor Alexander Duke, and Animation Production Coordinator for Gracie Films Richard K. Chung with Post Production Coordinator Brian J. Kaufman. Each credit fades in and out centered on the screen, with no movement beyond the text appearing and disappearing.

> Thank you.

Frame: https://ultrahouse3k.com/img/S10E17/1335084.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1338629

## 22:23–22:32

No Simpsons characters appear in this moment; it is a black closing credits sequence with gold text on a black background. The frames show opening credit lists for dialogue sound editors Bobby Mackston, Terry Greene and Norm MacLeod, then music editors Chris Ledesma and Bob Beecher, sound effects editor Travis Powers, and re-recording mixers R. Russell Smith and Bill Freesh. Subsequent credits list production staff, followed by 'Animation Produced by FILM ROMAN, INC.', 'Overseas Production by ANIVISION JC PARK', and crew names including Storyboard Consultant Mike B. Anderson, which holds on the final frames.

Frame: https://ultrahouse3k.com/img/S10E17/1344260.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1347596

## 22:32–22:41

No Simpsons characters appear in this moment; it is the end-credits crawl over a plain black background. Gold-lettered credits list staff names such as Lance Wilder, Trevor Johnson, Joseph Wack, Kevin M. Newman, Matt Groening and Sam Simon under character design, followed by layout, color, ink and paint, animation production and post-production crew, each credit group replacing the last. The sequence ends with the copyright notice for Episode #AABF13 (1999, Twentieth Century Fox), then title cards reading 'Creative Consultant MATT GROENING' and 'Executive Creative Consultant JAMES L. BROOKS'.

Frame: https://ultrahouse3k.com/img/S10E17/1353435.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1356772

## 22:41–22:51

Silhouetted audience members sit in rows of theater seats in a dark, blue-lit cinema, with a large blank screen ahead; no regular characters are identifiable from the silhouettes alone. A beam of light sweeps across the screen, which then reveals the words GRACIE FILMS in white letters over the same audience silhouettes. The scene then cuts to a golden 20th Century Fox Television logo with searchlight beams over a city skyline, with the tagline A NEWS CORPORATION COMPANY appearing beneath it, and the screen fades to black at the end.

Frame: https://ultrahouse3k.com/img/S10E17/1362403.jpg
Page: https://ultrahouse3k.com/episode/s10e17-maximum-homerdrive/1366156