# Mom and Pop Art The Simpsons, season 10, episode 19 (S10E19), first aired April 11, 1999. Written by Al Jean. Directed by Steven Dean Moore. Production code AABF15. Guest stars: Marcia Wallace as Mrs. Krabappel; Isabella Rossellini as Astrid Weller; Jasper Johns. Chalkboard gag: "A trained ape could not teach gym". Couch gag: Dr. Strangelove. Homer's botched attempt to build a backyard barbecue pit leaves a twisted lump of metal and cement, which crashes into the car of art connoisseur Astrid Weller. She declares it outsider art, and Homer becomes a celebrated artist, to the envy of Marge, an aspiring painter. When his follow-up pieces bore the critics, Lisa's talk of Christo inspires him to flood Springfield's streets. Who's in it: Bart Simpson, Homer Simpson, Lisa Simpson, Marge Simpson, Maggie Simpson, Moe Szyslak, Milhouse Van Houten, Principal Skinner, Ned Flanders, Barney Gumble, Chief Wiggum, Lenny Leonard, Carl Carlson, Mrs. Krabappel, Mr. Burns, Waylon Smithers, Kent Brockman, Santa's Little Helper, Lou, Eddie, Maude Flanders, Snowball II, Luann Van Houten, Professor Frink, Squeaky-Voiced Teen, Sarah Wiggum, Cletus Spuckler, Fat Tony, Louie, Legs, The Rich Texan, Pyro, Luigi Risotto, Hans, Dowager, Aileen, Gillian, Kako, Débutante, Akbar, Alonzo Flowers, Andy Warhol, Astrid Weller, Cecil Hampstead, Doug Vaccaro, Gunter, Jasper Johns, Jeff, Kyoto, Mom, Springsonian Employee 1, Springsonian Employee 2. Every moment of the episode, about ten seconds each: when it is, what happens on screen, and what's said. The descriptions are written by an AI model from frames of each moment and can get small details wrong. The dialogue is from the episode's subtitles. Web page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art From Ultrahouse 3000 (https://ultrahouse3k.com/). Search engines and AI are welcome to use it: search=yes, ai-input=yes, ai-train=yes. ## 0:00–0:11 No regular characters appear in this moment of The Simpsons opening title sequence. It starts on black, then shows drifting pinkish clouds against a blue sky while the title text 'THE SIMPSONS' fades in across the clouds in orange letters, and the letters 'MPS' are then shown with a rounded atomic-reactor emblem inside the letter P. The view then pans over Springfield's green hills, pastel buildings, the grey cooling towers with atom symbols, and a 'Springfield' sign on a large office building, ending on a street scene with a yellow shop with a striped awning labeled 'DA' and a pink building, with a school-like building and red-roofed houses on the hill behind. Frame: https://ultrahouse3k.com/img/S10E19/1043.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/5839 ## 0:11–0:23 Bart Simpson, the boy with spiky hair in an orange shirt and blue shorts, stands at a chalkboard inside Springfield Elementary School, writing the line 'A trained ape could not teach gym' over and over. He pauses, then turns and hurries off, and afterward he rides a green skateboard along a sidewalk past a tree and a modern glass building, with a window and a trash can nearby. Springfield Elementary School's sign is visible above the school doors at the start of the moment. Frame: https://ultrahouse3k.com/img/S10E19/12721.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/17518 ## 0:23–0:36 Homer, in a yellow protective suit with an orange harness and visor, stands at a red counter under a CAUTION sign holding a glowing green rod while Mr. Burns and Smithers look on from a control desk, and then Homer turns and gestures with a shocked expression. Marge, with her tall blue beehive and red beads, reads a MOM Monthly magazine beside a checkout counter where Maggie, with a blue bow, stands with a cashier in a grey apron, and later Marge pushes a shopping cart while Maggie, in the cart, puts a red object in her mouth and reacts as Marge raises her hands in a gesture. A sign reading CHECKS and a cash register are visible in the store. Frame: https://ultrahouse3k.com/img/S10E19/24399.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/29613 ## 0:36–0:47 Lisa Simpson, in a red dress with a pearl necklace, plays a light blue saxophone in a school band room with orange wood-paneled walls and a bust of a composer above a red cabinet, while Mr. Burns, a frail stooped old man with a hooked nose and grey side hair, conducts from a music stand, and the Patty and Selma look-alike twins in purple dresses play green flutes beside other band members including Milhouse-like and Nelson-like kids. The band plays on, the conductor waves his arms and glares, then Lisa is seen carrying the saxophone down a blue-tiled hallway toward a blue double door. Outside at night, a pink car drives across a dirt lot in front of a tall building with green windows, and Homer, bald with stubble and a white shirt, grips the steering wheel, scowls, and raises a hand to his head as a green glow flashes near it. Frame: https://ultrahouse3k.com/img/S10E19/37120.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/41708 ## 0:47–0:57 Bart Simpson rides a green skateboard through a town street, passing a bartender in an apron, Moe, and a heavy, messy-haired man, Barney, who leans toward him. Chief Wiggum waves a baton at Bart as he skates past a pink storefront with a sign reading Books, and a man in a brown suit and sunglasses holding a saxophone stands before a row of Krusty-faced TV sets. The scene then cuts to a red-orange car driving along a winding road past a purple-trunked tree and a hillside house, under a blue sky. Frame: https://ultrahouse3k.com/img/S10E19/48590.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/52553 ## 0:57–1:08 Maggie, the baby with a spiky yellow hairdo, a blue bow and a pacifier, sits in a car seat gripping a blue steering wheel beside Marge, who has a tall blue beehive and a red bead necklace and is driving. In the next scenes the pink car is parked in a driveway in front of a yellow garage with a red door, a mailbox and clutter inside. Bart, in an orange shirt, waves beside the car, then Homer, bald with a white shirt and blue trousers, stands by the car and gestures with his hands. Homer then leans over the pink car's hood as a red car pulls in. Last, Homer, seen from behind, walks through a doorway into a room with purple walls and a red bed, carrying a white cup with a brown logo. > Eep, eep. Frame: https://ultrahouse3k.com/img/S10E19/58809.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/63397 ## 1:08–1:19 Homer, Marge, Bart, Lisa and baby Maggie, all wearing wide brown hats, bounce and cheer on their brown couch in the pink living room, with Homer raising a hat and shouting Woo-hoo. The family then vanishes, leaving the empty room with a sailboat picture, a red-shaded lamp and a TV, and the scene moves to an aerial map of Springfield where the family rides a red couch past a pond. The TV screen then shows the on-screen text "Created by Matt Groening" followed by "Developed by James L. Brooks, Matt Groening, Sam Simon". > Woo-hoo! Frame: https://ultrahouse3k.com/img/S10E19/70070.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/74241 ## 1:19–1:26 Homer, the bald heavy man in a white-and-orange patterned shirt and a straw cowboy hat, lies back in a grey hammock strung between two trees in a backyard with a wooden fence behind him. He holds a can in one hand and a drink with a straw sits on his stomach, while a red Duff can rests on a small blue folding table beside the hammock. Over the first frames the scene is dark and then fades in, and Homer's hat and hammock stay in place as he raises the can toward his mouth and drinks. A caption reading 'Co-Executive Producer GEORGE MEYER' appears in white letters at the bottom of the last several frames while Homer sips from the can. Frame: https://ultrahouse3k.com/img/S10E19/80706.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/82791 ## 1:26–1:37 Homer, in a straw hat and red-flowered Hawaiian shirt, lounges barefoot in a hammer-like hammock strung between two trees in his backyard, holding a coconut drink with a pink umbrella and a Duff can, while Ned Flanders, with his moustache, glasses and green sweater, peers over the wooden fence behind him. Homer raises the can, sips through the straw, and gestures with his hand while a Duff can sits on the purple folding table beside him, and rolling credits appear on screen naming co-executive and supervising producers such as Ian Maxtone-Graham, Al Jean, Dan Greaney and Ron Hauge. > Homer! > You throw the can away. I said Homer! > You throw the can away. > Marge, I'm out of beer. Frame: https://ultrahouse3k.com/img/S10E19/87170.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/91967 ## 1:37–1:50 Marge, with her tall blue beehive and orange headscarf, kneels in the backyard digging up grass near a tree while Homer, in a straw hat and red-flowered shirt, lies in a hammock sipping a coconut drink with a pink umbrella and a purple folding chair sits nearby. Marge then springs up with her arms out, looking alarmed, and later stands by a pink wall glancing sideways while Homer sips his drink, then covers his face with his hand. On-screen credits in white lettering appear over the scene, naming producers including Donick Cary, Brian Scully, Julie Thacker and Tom Martin. > You know, homie, a lot of men use their Saturdays to do things around the house. > Hint, hint. > But Marge, I'm not like other men. That's why you buy my pants at that special store. > I'm serious. Frame: https://ultrahouse3k.com/img/S10E19/98640.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/104271 ## 1:50–2:03 Marge Simpson, with her tall blue beehive and orange headband, stands beside Homer, who lies in a hammock in a backyard wearing an orange Hawaiian shirt and a straw hat, with a coconut drink with a pink umbrella and straw beside him. Marge speaks and gestures with her hands, then stands with hands on her hips while Homer lifts an arm and gasps. Behind them a wooden fence and a large oak tree wrapped in tied white ribbons, with flies buzzing around, and a tilted blue paint can and brush sit on a tarp in front of the garage, where the painted words "START HERE TOMORROW 7/17/95" appear on the door. Credits on screen read "Co-Producer Carolyn Omine," "Larry Doyle" and "Matt Selman." > You never finished painting the garage. > And you still haven't taken down those awful hostage ribbons from the old oak tree. > Oh, you know, as soon as I take him down, they'll just be more hostages. Frame: https://ultrahouse3k.com/img/S10E19/111987.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/117409 ## 2:03–2:10 Marge Simpson, with her tall blue beehive tied under an orange headscarf and wearing a pink shirt, stands with one hand on her hip in front of a wooden backyard fence and talks, with the on-screen caption "Consulting Producer Jace Richdale" shown over her in several of the images. The scene then switches to a blue upright piano against a pink wall, with sheet music on its music stand, as its lid lifts open to reveal two glowing red eyes in the dark interior. > And you could at least get that snake out of the piano. Frame: https://ultrahouse3k.com/img/S10E19/124916.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/127002 ## 2:10–2:21 Marge Simpson, with her tall blue beehive and orange headscarf, stands with her hands on her hips beside a wooden fence, while Homer Simpson lounges in a hammock wearing a brown hat and an orange flower-print shirt and holds a coconut drink with a small pink umbrella. Across the moment Homer shifts his head and expression, grinning and then grimacing, lifting the drink, pausing with his eyes closed, and at the end shutting his eyes and speaking with his mouth open while Marge gazes at him with a slight smile. Credit-style on-screen text in white letters with a drop shadow appears over the bottom of several of the frames, reading 'Consulting Producer' followed by names such as FRANK MULA, DAVID M. STERN, TOM GAMMILL and MAX PROSS, and later DAVID MIRKIN, while the rope-tied hammock hangs between two wooden posts under a blue sky with a cloud. > Fine. I'll drop everything I'm doing just for you. > But you'll have to live with the guilt of ruining my Saturday. > Can you live with that, Marge? Huh? > Can you? > Yep. > Can you? Frame: https://ultrahouse3k.com/img/S10E19/131173.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/135969 ## 2:21–2:34 Marge, a tall woman with a blue beehive, pink shirt and orange headband, and a heavy man in a straw hat and flowered shirt lounge in a hammock behind a wooden fence, the man holding a coconut drink with a straw while the credit "Consultant John Swartzwelder" appears. The scene moves to a tattered "Mom & Pop Hardware" sign and storefront, with a "A Subsidiary of Global Dynamics, Inc." banner above a parking lot full of cars. Inside, Homer in a white shirt and Bart in an orange shirt walk past the information desk, then talk with a red-capped clerk with a hammer on his head by a steel wool display, as the credit "Supervising Director Jim Reardon" appears. > Oh. > God bless him. > Excuse me, I have a few questions for Pop. > That's me. Frame: https://ultrahouse3k.com/img/S10E19/142851.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/148273 ## 2:34–2:46 Bart, in a red shirt, stands beside Homer, a bald heavy man in a white shirt and blue pants, in a hardware store aisle stocked with steel wool and spray cans while a freckled clerk in a red cap and red vest gestures and talks to them. The clerk then points toward the shelves while Bart glares and Homer looks on, and the scene moves to a key-cutting counter beneath a yellow DUPLICATES sign. There a blonde woman with a ponytail, pink top, red vest and a MOM name tag holds a lit cigarette and exhales smoke while gesturing with her red-nailed hand. > Your Pop? > No offense, but even I could kick your ass. > Hey, get off my case. > The only reason I'm working here is because I'm trying to get a date with Mom. > Look, Pop, I'm planning some expert home repairs, Frame: https://ultrahouse3k.com/img/S10E19/155989.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/160577 ## 2:46–2:57 Homer, the bald heavy man in a white shirt and blue pants, stands with a store clerk in a red cap and red vest in a hardware aisle stocked with blue boxes, red paint cans, and steel wool packs. Homer talks, grimaces, and shrugs with open hands, and later the clerk points toward the steel wool display while Homer looks on. White credit captions appear over the lower part of the scene, reading Produced by Denise Sirkot, Produced by Richard Sakai, Written by Al Jean, and Directed by Steven Dean Moore. > and I need a pair of bolt cutters or wire cutters or something to get to lock off my > toolbox. > Aisle one, next to the cat poison. Frame: https://ultrahouse3k.com/img/S10E19/167459.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/171838 ## 2:57–3:06 Bart and Homer, with Bart in a red shirt and blue shorts and Homer in a white shirt and blue jeans, walk through the hardware store aisles past steel wool displays, while a man in a red cap and red vest holding a hammer-topped sign watches them. Later, in the electrical department beneath a hanging sign reading ELECTRICAL DEPARTMENT, a thin man in a blue suit with grey hair at the sides, a shorter-bodied man in a suit with a light-blue dimmer switch packet, and a woman with a tall reddish-brown beehive and green dress stand at a counter beside a blue box. The suited man holds up the packet, studies it and grins while the woman, looking unimpressed, lets out an exasperated sigh; the store shelves are stocked with light bulbs and electrical boxes, and a yellow price sign reads $5 near gas pressure bottles. > Edna, look. > A dimmer switch could ratchet up the romance in our love nest. > You mean the janitor's closet? > Ha! Frame: https://ultrahouse3k.com/img/S10E19/178095.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/182057 ## 3:06–3:19 Principal Skinner and Mrs. Krabappel stand talking in a store aisle lined with shelves of blue boxed electrical outlets, light bulbs and packaged goods. Skinner speaks while Krabappel looks away, then she turns and speaks toward him, and later he rests an arm around her shoulder as she gazes off to the side. Bart stands at the end of the aisle, watching the two of them. > What's the matter, Edna? Lately you just say, ha, to everything. > I want a baby. No! > Why don't we continue this in Pool Supplies? Frame: https://ultrahouse3k.com/img/S10E19/187896.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/193110 ## 3:19–3:29 Homer Simpson, the bald heavy man in a white shirt and blue pants, stands in a home improvement store beside stacks of boxes labeled BBQ PIT KIT, under a sign reading BBQ PIT KIT with NEW and SALE badges, in front of a small TV on a table. On the TV, a bearded man with brown hair, a green shirt and a blue apron printed with a cartoon figure holding a hammer and popsicle gestures with open hands in front of a wooden fence and trees, grinning and talking. Homer turns to look at the screen, then points at the TV and laughs with his mouth wide open. > Hi, I'm Doug Vaccaro. You know me as Chip, > the wisecracking assistant on the hit sitcom Toolin' Around. > A man in an apron. > But today I'm here as a tool of Global Dynamics Corp. Frame: https://ultrahouse3k.com/img/S10E19/200200.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/204371 ## 3:29–3:42 A bearded, brown-haired, heavyset man in a green shirt and blue overalls with a patch of a small yellow cartoon figure holding a hammer and wrench stands in a backyard before a wooden fence and leafy trees. He talks and gestures, raising his hands, pointing at his bib, and opening his arms, then stands on the lawn and points toward a tiered red brick barbecue pit with a chicken turning on a spit, a red bottle, a salt shaker, and tongs and a spatula hanging from its side. > You know, > installing your own barbecue pit is no harder than adding an aviary or Olympic-sized > swimming pool. In fact, it's a snap. Frame: https://ultrahouse3k.com/img/S10E19/210836.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/216258 ## 3:42–3:56 A bearded man in a green shirt and blue overalls, a stranger rather than a regular, stands beside a red brick barbecue in a backyard with a wooden fence and a leafy tree, where a roast chicken turns on a rotisserie and he gestures with one hand, grinning. Homer, in his white shirt and blue pants, stands at a store counter lined with boxes labeled BBQ PIT KIT and a monitor, first gesturing excitedly and then looking glum. The rotisserie then turns a wild boar, a swordfish and a hippo in turn while Homer, now staring with his mouth hanging open and tongue out, looks on. > Or if you're not into chicken... No, no, I'm into chicken! > How about wild boar? Or swordfish? Or hippo? > Mmm, hippo. Frame: https://ultrahouse3k.com/img/S10E19/223765.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/229396 ## 3:56–4:09 Homer and Bart stand in a store with wood-panel displays, stacked BBQ PIT KIT boxes, and a monitor on the counter, where Homer gestures and talks while Bart looks up at him. Homer smiles and then rests his hand on top of Bart's spiky hair while Bart keeps looking up. Before this, a bearded man with brown hair in a blue apron stands in a backyard by a brick barbecue pit holding a rotisserie turkey, with a ketchup bottle, salt shaker and grill tools hanging on the side. > White-hearted apron not included. > Snapping fingers may not make food appear. > How about it, Bart? > Would you like a new backyard barbecue pit? > Can I burn evidence in it? We can all burn evidence in it. Frame: https://ultrahouse3k.com/img/S10E19/237320.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/242743 ## 4:09–4:21 Homer and Lisa are in the family's backyard, where Homer stands with hands on his hips and a BBQ Pit Kit box sits beside a blue wheelbarrow of red bricks. Lisa, wearing a blue overall and a pearl necklace, kneels on a concrete slab and works it with a trowel while splattered with grey mortar. Homer then steps in, stands with his hands on his hips and smiles, and the scene closes with him standing in front of the brick wall beside the fence. > There, that wasn't so hard, was it, honey? > Dad, I really need to rest my back. > Okay, sweetie. > Daddy will take over. Frame: https://ultrahouse3k.com/img/S10E19/250459.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/255255 ## 4:21–4:32 Homer, the bald, heavy man in a white shirt and blue jeans, and Lisa, the girl with star-shaped spiky hair in a red dress (here smeared with blue paint and wearing blue overalls), are in a backyard with a wooden fence and a red brick wall. Homer carries a cardboard box labeled BBQ KIT with a wheelbarrow full of red bricks beside him, and Lisa walks past in the foreground while he moves toward the concrete path. Homer sets the box down and the wheelbarrow tips, spilling bricks, a grill and metal parts onto the concrete in a splash of water. He kneels among the wreckage, then stands and stares at the scattered mess, gesturing with an outstretched hand, and in the final close-up he raises a clenched fist and shouts. > Oh yeah, that's a fine look at... > Okay, no big deal. > Ah! > Stupid Lisa! Frame: https://ultrahouse3k.com/img/S10E19/262554.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/266933 ## 4:32–4:42 Homer Simpson, the bald, heavy man with stubble in a white shirt, works in the backyard in front of a wooden fence, where he frantically struggles with wet cement, scattered red bricks, a metal pipe, a chair and a teal toolbox. He flails and stumbles around the setting cement, then reaches down to pull out a soggy green paper sheet labeled Instructions. Back in the yard with a house and satellite dish behind him, he holds the damp, pale green instructions, now titled "Les Instructions" in part, and grimaces and studies them while the paper becomes increasingly smeared with cement. > You gotta build fast. Cement drying! > Alright, let's see. > English side ruined. > Must use French instructions. Frame: https://ultrahouse3k.com/img/S10E19/273815.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/277569 ## 4:42–4:56 Homer Simpson, the bald, heavy man in a white shirt, sits in a backyard by a wooden fence, first reading a crumpled paper marked INSTRUCTIONS while surrounded by red bricks, a metal rod, a hammer, a rake and a blue bag. He throws up his arms and waves the paper, then kneels among the bricks and parts, holding up a metal piece and a brick. He then stands against a leafy backdrop with blue sky, holding up a red brick in each hand, then a brick with a metal pipe, and finally a metal rack and a tool he grits his teeth over. In the last image a finished brick barbecue with a hooded grill, a bottle and utensils sits on a lawn, and the scene ends there. > Le Grille? What the hell is that? > Come here, get... Come on, fit. You, I mean... > You, you... You, you... Frame: https://ultrahouse3k.com/img/S10E19/283408.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/289247 ## 4:56–5:02 Homer Simpson, bald and yellow in a light blue shirt, stands outdoors among trees, first talking with his mouth open and then squinting with a sly look. The scene shifts to a backyard with a brown wooden fence, where a neat red-brick barbecue pit with a grill lid, a beer bottle and hanging tools sits on a sandy patch. Homer then holds up a 'BARBEQUE PIT KIT' box beside that finished pit, and the last frames show the pit collapsed into scattered bricks, a tipped grill and rubble, with a bald head peeking from behind a cement sack. > Yeah, that's one fine-looking barbecue pit. > Why doesn't mine look like that? Frame: https://ultrahouse3k.com/img/S10E19/297172.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/299466 ## 5:02–5:14 Homer Simpson, the bald, heavy man in a white shirt and blue jeans, is in a backyard behind a wooden fence, first flailing his arms and shouting, then clutching his head and tumbling backward off a stack of wooden planks and a metal ladder. He ends up sprawled among scattered bricks, a green wheelbarrow, a metal pipe and a hammer-like tool. Later he kneels on a concrete slab, hacking at a pile of broken red bricks with a pickaxe-like tool beside a white bucket, and finally he slumps on his knees with both hands on his head, mouth open in anguish. > Why, why must life be so hard? > Why must I fail in every attempt at masonry? > How's your father's project coming along? Frame: https://ultrahouse3k.com/img/S10E19/304054.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/308850 ## 5:14–5:25 Bart, the boy with spiky hair in an orange shirt, sits on the kitchen counter holding a red popsicle while Marge, the tall blue beehive woman in a green dress, stirs a bowl at the stove. Bart then looks out the window at the backyard, where a pile of debris lies near a fence, and a man resembling Homer in a white shirt and blue pants runs across the grass with a tool. The man then falls face down on the lawn beside the wreckage and a blue-and-white striped umbrella, and Bart turns to grin. Later, the scene cuts to a Mom & Pop Hardware store sign reading 'A subsidiary of Global Dynamics, Inc.' above a parking lot, then to a man resembling Homer leaving through an EXIT door past red tool drawers with a 'SALE! TOOL DRAWERS' sign, and then pushing a red cart of bricks while a pair of blonde women in a store area embrace a man in a red cap. > I think he's almost done. > Yeah, he's done. Frame: https://ultrahouse3k.com/img/S10E19/315941.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/320320 ## 5:25–5:35 Homer Simpson stands at a key duplicating counter as a blonde woman with a ponytail, pink top and a MOM name tag kisses a brown-haired young man in a red cap and red vest with a POP tag, who sweats and grimaces. The couple then stands stiffly beside Homer, and he bends over a red wagon piled with broken red bricks, tapping at them with a hammer while holding a flashlight. Behind them a wall of hanging keys sits beneath a KEY DUPLICATING sign, and a striped umbrella stands at the left edge. > I'd like to return this barbecue kit. > All return items must be in a box and accompanied by a receipt. > Well, if you follow the flashlight, you'll see the receipt embedded here and here, Frame: https://ultrahouse3k.com/img/S10E19/326785.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/330747 ## 5:35–5:46 Homer, a bald man with stubble in a white shirt, and a blonde woman in an orange vest and pink top stand with a man in a red cap and orange vest, first amid a heap of wreckage with Homer holding a flashlight, then at a KEY DUP counter beside a red wagon piled with junk that Homer bends over and inspects. The three then stand in the store as Homer straightens and looks around, before Homer is seen outside straining to shove a heap of junk and a white-trimmed cone into a blue bin marked TOYS FOR TOTS, beneath a sign reading A SUBSIDIARY OF GLOBAL DYNAMICS. > and elements of the box here, here, and possibly here. > Sorry, I didn't get this hammer hat by handing out refunds. > Oh. Frame: https://ultrahouse3k.com/img/S10E19/336795.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/341174 ## 5:46–5:56 Homer Simpson, bald and heavy in a white shirt, stands beside a blue Toys For Tots collection box and a large grey rock-like pile of red bricks, first pushing against the rock with his hands and then turning to face a police officer. Chief Wiggum, a heavyset policeman in a blue uniform and cap, holds a nightstick across his body and stands between Homer and a blue van parked in a lot behind them. Homer shoves at the rock, gripping and straining against it, then turns and raises one hand while Wiggum raises his nightstick toward him. Homer's expression shifts from angry to startled, then to a wide-mouthed grin with his arms spread as Wiggum calmly holds the nightstick. The box reads TOYS FOR TOTS in white letters on a blue background. > Oh, shit. > Hold on there, Santa Claus. That box is for toys only. > Well, of course. > Any kid would love to have this... ...uh, activity center. Frame: https://ultrahouse3k.com/img/S10E19/347848.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/351393 ## 5:56–6:05 Chief Wiggum, the fat police chief in his blue uniform and cap, stands holding a baton on a sidewalk beside Homer, the bald man in a light blue shirt, in front of a blue sign reading "TOYS FOR TOTS" with a large grey rock-like display and a blue van behind them. Homer grins, shrugs, and gestures with his hands, then spreads his arms wide while Wiggum frowns, scowls, and jabs his baton in the air as he talks. Homer's expressions shift from a grin to a worried, wide-eyed look, and Wiggum waves a hand and points with the baton as the exchange continues. > It teaches them while they learn. > Yeah, nice try, Saint Nick. > Now hit the road, Kris Kringle. But... but... Frame: https://ultrahouse3k.com/img/S10E19/357232.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/360777 ## 6:05–6:15 Homer Simpson, a bald, heavy man in a white shirt, and Chief Wiggum, a fat police chief in blue uniform, stand on a city sidewalk beside a blue Toys for Tots dumpster. Homer spreads his arms in front of a mound of toys and stands near a red wagon loaded with toys under a striped umbrella, while Wiggum swings and gestures with his nightstick and then turns away holding a rolled paper. Three men in dark suits carry a long rolled red carpet past the dumpster, and the scene ends with a close-up of Wiggum grinning with a green wreath beside his face. > You heard me, Pear Noel. > What you got there? Frame: https://ultrahouse3k.com/img/S10E19/366408.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/370579 ## 6:15–6:25 Homer, the bald heavy man in a white shirt, drives a pink car past a house, towing a red wagon piled with bricks, a sheet of stone-looking rubble, and a striped umbrella. Earlier, a police officer in the foreground watches two dark-suited men struggle to lift a rolled red carpet over a blue dumpster lettered with partial white text, while an older grey-haired man in a dark jacket and green sweater raises one arm beside a 'Fix-Up Hardware' sign. Homer grips the steering wheel with a worried look, and his rearview mirror shows the wagon bouncing behind the car. > Beanie Baby. > I'll never get rid of it. It'll follow me to the end of the earth. Frame: https://ultrahouse3k.com/img/S10E19/376626.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/380797 ## 6:25–6:37 Homer Simpson, bald and heavy in a white shirt, grips the steering wheel of his purple car on a suburban street, his eyes wide and mouth open in alarm. In the rearview mirror, a red cart piled with junk and topped by a blue-and-white striped umbrella trails behind on a rope, its dragging bumper throwing up red sparks. The view then drops overhead to show the cart and bumper sliding along the road past a red sedan, a green car and an orange car. > All right! My bumper fell off! > Not my fault! Active guard, active guard! Frame: https://ultrahouse3k.com/img/S10E19/387053.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/391850 ## 6:37–6:48 Homer Simpson, bald with stubble and a white shirt, drives his purple car while grinning and laughing, then glances at the rear-view mirror. The mirror shows a wrecked black car with a red bin and a blue-and-white umbrella cart fused to its front, and the view then shifts to a grassy field of deer. Homer returns to the road with a worried, sheepish expression as he grips the steering wheel, and a row of houses passes outside the window. > Uh-oh. > Oh. Frame: https://ultrahouse3k.com/img/S10E19/398940.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/403528 ## 6:48–7:00 Homer, bald and heavyset, is at the bathroom sink shirtless with shaving foam on his shoulders, first looking at his reflection and then shaving his shoulder with a blue razor, while Marge, with her tall blue beehive and green dress, appears in the doorway holding a folded paper. Before the bathroom scene, a close-up shows a grey shoe with a blue sleeve beside a blue ramp, then a pink car drives along the street past the Simpson house with its mailbox and garage. Objects include the red towels, a flowered wallpaper, and a yellow hand running water into the sink. > Shaving my shoulders. > I'm getting it all shaved off. Homie, someone's at the door. > They want to talk to you about some sort of car accident. Frame: https://ultrahouse3k.com/img/S10E19/409993.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/414789 ## 7:00–7:11 Marge with her tall blue beehive, wearing a red bead necklace and green top, stands in a pink doorway looking alarmed and gesturing with one arm, then speaks with her mouth open. Homer, bald and shirtless in blue shorts, stands in a pink-tiled bathroom beside a shower, first scowling, then lifting a pink tank lid with both hands, and finally gripping a shotgun across his chest with a grim expression. He then walks into the pink hallway in a white shirt, holding the shotgun near a framed portrait of Marge and a purple railing. The scene ends on an empty pink dining area with a green teapot and cups on a sideboard and a red chair, while a dark-haired woman in a maroon top with a purple coat on a red coat rack stands nearby, looking to the side. > Take your kids out back. > I'll handle this. > Mr. Simpson, I believe something of yours struck my car yesterday. Frame: https://ultrahouse3k.com/img/S10E19/421671.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/426051 ## 7:11–7:22 Homer Simpson, bald and in a white shirt and blue pants, stands in the pink living room holding a rifle while baby Maggie watches from her crib, and a dark-haired woman in a red vest and striped skirt looks on. Homer then hands over a cardboard box that she takes, and afterward he stands with his hands on his hips as she walks to the front door and opens it. Outside, a red wagon piled with debris, a blue-and-white umbrella, and a bumper with plate 3FJP24 and a pink sign reading "SINGLE 'N' SASSY" sit beside a WELCOME mat. > Oh, yeah? Prove it. > That's your license plate, isn't it? Frame: https://ultrahouse3k.com/img/S10E19/432724.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/436895 ## 7:22–7:31 Homer Simpson, the bald, heavy man in a white shirt, stands in a pink doorway beside a green pitcher on a shelf, with a red chair-like frame and a bread loaf on a high shelf behind him. He stares wide-eyed, mouth open and grimacing, then covers his face with both hands and peeks out. He lowers his hands, lifts the green mug to his lips and drinks, then grips his shirt and grimaces while the pitcher stays visible behind him. > Uh... > All right, just go ahead and sue me. > Everybody else does. > The average settlement is $68,000. Frame: https://ultrahouse3k.com/img/S10E19/443360.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/446905 ## 7:31–7:40 Homer, the bald, heavyset man in a white shirt, stands in a pink kitchen doorway beside a green kettle, first grimacing with his eyes shut and then looking wide-eyed and uneasy as a dark-haired woman in a maroon sleeveless top and silver bead necklace, a one-off character, steps into view and talks to him. She presses a hand to her chest, then takes hold of his arm and draws him along past a red-framed mirror and a blue drawer toward a window with rain-streaked panes. Throughout, Homer glances sideways at her with a worried expression while she keeps speaking. > I'm not here to sue you. My name is Astrid Weller. > I own an art gallery, and I'd love to display your piece. > You mean this hunk of junk? Frame: https://ultrahouse3k.com/img/S10E19/452744.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/456289 ## 7:40–7:50 Homer Simpson, a bald, heavy man in a white shirt and blue pants, and a dark-haired woman in a maroon top and striped skirt stand outside a pink house, next to a red wagon loaded with boxes, a blue-and-white striped umbrella and a rolled-up rug. Homer gestures and talks animatedly while the woman stands beside him with her arms folded or clasped in front of her. Homer then grabs the wagon's handle and angrily hauls it down the driveway past a garage and brick wall, growling and gesturing as the loaded wagon rattles along, with a loose metal bar and the umbrella sticking up from the cargo. > This isn't art. It's just the barbecue that pushed me over the edge, didn't you? > Didn't you? You stupid dog! > Art isn't just pretty pictures. Frame: https://ultrahouse3k.com/img/S10E19/462128.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/465674 ## 7:50–8:03 A dark-haired woman in a maroon sleeveless top and silver choker stands in the arched doorway of a pink entryway with a staircase and framed portraits, gesturing and talking while Homer, in a white shirt and blue pants, stands beside her laughing and gesturing with one hand. Then Marge peeks around the outside corner of the pink house above a wooden fence, with Bart peeking below her, and Lisa joins them as Maggie, in a blue outfit, crawls on the green grass near a round green bush. > It's an expression of raw human emotion. > In your case, rage. > Oh, I got that, lady. > Is everything okay? I got worried when I didn't hear any shots. Frame: https://ultrahouse3k.com/img/S10E19/471513.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/476935 ## 8:03–8:07 Homer Simpson, grinning and resting a hand on the arm of an unnamed dark-haired woman in a red top, striped skirt and choker, stands in an arched pink doorway beside Marge Simpson in a green dress and red bead necklace. Marge's expression changes from a wide-eyed stare to an open-mouthed gasp and then a clenched-teeth grimace as the scene shifts to close-ups of her against a bright blue sky with white clouds. > This lady says I'm an artist. > You? > An artist? > Your husband's work is what we call outsider art. Frame: https://ultrahouse3k.com/img/S10E19/484442.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/485276 ## 8:07–8:15 Homer Simpson stands beside a doorway in a white shirt and blue pants, smiling and glancing sideways, while a dark-haired woman in a red top, striped skirt and silver beaded necklace stands in the doorway of an orange-pink room. She gestures expressively, clasping her hands together, flicking her fingers and then curling them into fists near her chest, before opening one hand palm-up as if explaining something and returning to clasped hands. A purple doorknob and a pink wall fixture are visible beside them, and there is no on-screen text. > It could be by a mental patient or a hillbilly or a chimpanzee. Frame: https://ultrahouse3k.com/img/S10E19/488196.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/491324 ## 8:15–8:23 Homer Simpson, the bald, heavyset man in a white shirt and blue pants, stands in a doorway with orange walls and a purple doorknob beside a dark-haired woman in a red sleeveless top, striped skirt and beaded necklace, with a pink hair clip above her. Homer gestures with an open hand, pats his chest and grins while the woman, fists raised near her chest, glances sideways and speaks with her mouth open. Her expression stays dry and unimpressed as Homer keeps talking and gesturing, and she remains standing beside him. > In high school, I was voted most likely to be a mental patient, hillbilly, or chimpanzee. > Well, you should be very excited, because outsider art couldn't be hotter. Frame: https://ultrahouse3k.com/img/S10E19/496538.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/499666 ## 8:23–8:33 Marge Simpson with her tall blue beehive stands on a front step beside a dark-haired woman in a maroon top and striped skirt, while Homer in a white shirt and blue pants holds a wrapped gift near a red wagon piled with bricks and an umbrella. Lisa, Bart and Maggie walk up to join them and stand on the walkway. Bart, in an orange shirt, looks toward the woman, who stands by a pink doorway with a potted plant, and then Homer steps in front of Bart, grabs the woman's arm and shouts in alarm. The scene then cuts to a nighttime exterior of a museum with a banner reading "INSIDE: OUTSIDER ART" over the entrance, sign reading "LOUVRE: AMERICAN STYLE", and a crowd of people waiting on the sidewalk, with Marge and Bart visible inside the doorway. The crowd stays mostly still as the banner remains in view. > So you'd better catch the fever. > Catch it. Frame: https://ultrahouse3k.com/img/S10E19/505088.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/508633 ## 8:33–8:43 Marge, Maggie and Bart stand at left beside a red wagon loaded with bricks in a gallery, while Apu in a purple sari, a moustached man in a blue bandana and sunglasses, and a red-haired man in a white tank top look on. Later, a caveman-like man with a fur loincloth and a drink, a man in a red plaid shirt, and a bald man with a stooped posture gather near a painting and a sculpture labeled DAVID. Lisa sits at a purple table with a pink bowl of breadsticks, a chocolate cake slice and red wine glasses, while Homer in a purple suit reaches into the bowl, gestures with his hand and chews with his mouth open, and Lisa turns to look at him and then grimaces. > Dad, chew with your mouth closed. You're losing your mystique. Frame: https://ultrahouse3k.com/img/S10E19/514681.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/518435 ## 8:43–8:52 Homer, in a purple suit and lavender tie, sits at a purple table beside Lisa, who wears a pink dress and watches him, with a pink bowl of chocolate-coated wafers, a slice of chocolate cake and a row of red wine glasses on the table. Homer gestures with his hands, bites a wafer and keeps talking while Lisa looks on. A tall-haired figure in a dark beret and black outfit stands behind them, and a grey-haired older man in a tan coat and blue shirt steps up to the table, pointing and gesturing with a thumb toward the cake and a bowl of orange berries. Homer turns to him, eating and gesturing, then the older man pulls a piece from the cake and speaks to Homer, who looks on. The background painting shows a man seated on a blue couch next to a woman in a pink dress standing nearby, and a small placard hangs on the grey wall. > Lisa, all great artists love free food. Check out Jasper Johns. > You squeal on me, I'll kill you. Frame: https://ultrahouse3k.com/img/S10E19/524274.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/528028 ## 8:52–8:59 Marge Simpson, with her tall blue beehive, holds a wine glass and her baby Maggie, who wears a blue bow and sucks a pacifier, stands in a crowded room beside Bart, who wears a green jacket and holds an orange object up to his mouth. A dark-haired woman in a white blouse with a bow and a blue skirt stands at the left holding a glass, and a bald man in a purple jacket with his back to us is at the right near a lamp and a pile of household items. Over the sequence Marge talks and her eyes widen, Bart chews and then looks sideways, and Maggie's expression shifts as the group stays in place. > Hmm, I don't know. > I studied art for years, but I just don't get this. Frame: https://ultrahouse3k.com/img/S10E19/534075.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/536369 ## 8:59–9:10 Bart, in a green jacket and red tie and holding a round orange object, stands beside Marge, who has a tall blue beehive, a pink sweater vest and a champagne flute, while she holds Maggie in a blue outfit with a blue bow and pacifier on her hip. They stand in front of a purple tiled wall and a pillar at what looks like a party, with a guest in a purple skirt holding a glass at the right edge. Bart grins and looks to the side while Marge grimaces, talks and glances around, and her glass tilts as she gestures. > Sounds like somebody's jealous. > No, I'm not. > I just can't believe some people are paying hundreds of dollars for something a hillbilly > pulled out of the trash. Hey, Frame: https://ultrahouse3k.com/img/S10E19/540749.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/545128 ## 9:10–9:20 Bart in a green jacket holding an orange, Marge with her tall blue beehive holding a glass, and Maggie in a blue bow stand in a purple-tiled room with Mrs. Krabappel in a white blouse and a scruffy man with reddish hair, a moustache and a white tank top. The scruffy man talks while holding up a rope-tied bundle of salvaged items, with an umbrella and a red wagon piled with junk beside him, as the group watches. The scene then opens to show Smithers in a green jacket and pink bow tie beside a thin, stooped Mr. Burns in a navy suit holding papers, near the wagon and an EXIT sign above a door. > I done studied for years on how to get over that junkyard fence. > Then I learnt the gate was open. > Smithies, I think I'm in love. Frame: https://ultrahouse3k.com/img/S10E19/551593.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/555555 ## 9:20–9:25 Mr. Burns, the frail, hook-nosed bald old man in a blue suit, stands holding a sheet of paper beside Smithers, his thin assistant in glasses, a green jacket and purple bow tie. In a cluttered room with a lamp, a stack of red blocks and a spider-web-patterned statue on a pedestal, Burns scowls and grins, then claps his hands together while Smithers talks and gestures toward the statue. Burns later reaches out toward Smithers while a short-haired woman in a red top and an older white-haired woman stand in the background. > With this sculpture. Frame: https://ultrahouse3k.com/img/S10E19/561811.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/562854 ## 9:25–9:32 Mr. Burns, frail and stooped with a hooked nose, a bald crown and grey hair at the sides, wears a blue suit and black tie and holds a white sheet of paper while pointing with one hand toward the left. A bespectacled man with brown hair and a purple bow tie, in an olive jacket, talks and gestures beside him, while a man in a green sweater and a woman with a tall tan hairdo stand behind them. Burns grins, rubs his hands together, and then looks skeptically sideways as the bow-tie man keeps speaking, and the scene is set in a gallery with a small framed sign on the grey wall and a red abstract sculpture at the right edge. > Sir, that's by Homer Simpson. > I don't think you want to buy it. Smithies, years ago, > I blew the chance to buy Picasso's Guernica for a song. Frame: https://ultrahouse3k.com/img/S10E19/566191.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/568693 ## 9:32–9:39 Mr. Burns, the frail, very thin, stooped old man with a hooked nose and grey hair at the sides, stands in a blue suit and black tie with his hands clasped together at his waist, while Smithers, his thin assistant with glasses, wearing a green-brown jacket and purple bow tie, stands beside him in a gallery-like room with a grey wall, a small placard on the wall, and a red abstract sculpture at the right edge. In the early frames Burns stands with his hands clasped, grinning and glancing sideways, then his eyes widen and he gestures with his hands, fingers curled and tapping together in front of his chest, while he keeps talking with an open mouth. Smithers stays mostly still with a steady, unimpressed expression, and a few other onlookers in the crowd remain at the edges of the scene. > Luckily, that song was White Christmas, and by hanging on to it, I made billions. > Anyway, I love this hideous thing. Frame: https://ultrahouse3k.com/img/S10E19/573281.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/575784 ## 9:39–9:50 Mr. Burns, the frail, stooped old man with a hooked nose and grey hair at the sides in a blue suit, stands in a gallery beside a bespectacled man in a green jacket, a dark-haired woman in a red dress and striped skirt, and Homer in a purple suit. Burns gestures with open hands, then writes on a small slip with a pen while the woman holds up a check, and a blue-and-white fringed umbrella stands over a heap of junk nearby. Homer stares at the check, then raises a fist into the air. > Young lady, I'll take it. > Congratulations, Homer. > You're now a professional artist. > Woo-hoo! Frame: https://ultrahouse3k.com/img/S10E19/580580.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/584751 ## 9:50–10:03 Homer in a purple suit holds up a small card to Marge, who cradles Maggie in a gallery, while Lisa, Bart, and a man in a brown hat look on and a dark-haired woman in a blue vest stands at the right. Mr. Burns, frail and stooped with grey hair at the sides, reaches up to unscrew a hanging lamp as Smithers, in glasses and a red bow tie, watches beside a woman in a black hat and a red chair. Burns then stuffs light bulbs and vegetables into his tan coat and heads toward a lit green EXIT sign, and the scene cuts to the Simpson house at night, where the family eats at the dining table with Santa's Little Helper asleep underneath while Homer drags a white toy on a rope across the room. > Look, Marge, my first sale! > In your face, Jasper Johns. > Huh? > Where are you going with that junk, Dad? Frame: https://ultrahouse3k.com/img/S10E19/591424.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/597055 ## 10:03–10:13 Lisa, the girl with star-shaped spiky yellow hair and a red dress and pearl necklace, eats cereal with a spoon at the dining table in the first two moments, while Homer, the bald heavy man in a white shirt, Marge with her tall blue beehive, and Bart in an orange shirt look on from the table. Lisa's eyes widen and she grimaces as she chews. Then Homer stands in the pink kitchen near a white porcelain sink and counter, where a large white object and a red item sit, and he gestures with an open hand while talking, grinning, wide-eyed and open-mouthed. Shelves behind him hold a platter, a purple-lidded bowl, and two teal salt and pepper shakers. A teal framed mirror hangs on the wall to the right. > I'm going to be an outsider artist. > That way I can turn all these old baseball cards, Disney memorabilia, > and antiques into something valuable. Frame: https://ultrahouse3k.com/img/S10E19/604979.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/608525 ## 10:13–10:26 Lisa and Marge sit at a pink-walled table eating cereal from bowls with glasses of milk, Lisa on the left with a pearl necklace and Marge on the right with a blue beehive and red beads, and Marge's expression shifts from eyes closed and mouth open to wide-eyed and tense as she keeps spooning. Then Homer, bald and heavy in a white shirt, stands at the kitchen sink beside a shelf holding a plate, a covered pot and mugs, and a green-framed mirror on the wall. He gestures with open hands and talks animatedly, his eyes rolling up and his expression growing sceptical and sullen with his mouth hanging open, while a dish rack with a sponge and a blue spatula sits on the counter beside him. > Homie, I'm really happy you sold your sculpture, > but don't you think it may have been a fluke? > Hey, I've always had an interest in art, > dating back to my schoolgirl days when I painted portrait after portrait of Ringo Starr. Frame: https://ultrahouse3k.com/img/S10E19/614155.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/619577 ## 10:26–10:36 Homer Simpson, bald with a white shirt and blue jeans, stands in a pink dining room with Marge, who has her tall blue beehive and holds a spoon at the table, while Lisa sits beside her with a bowl and a glass and Santa's Little Helper, the brown greyhound, lies on the red rug. Homer stands with his hands on his hips, then the scene shifts to a purple workshop where Homer, wearing a white apron with a red bow and a black beret, gestures at a lumpy clay bust on a stool while Bart and Lisa watch from the left beside a stack of wooden boards. Homer raises his hands to his head and then gestures at the sculpture, and in the last frames he stands facing the children with the bust and a pegboard of tools behind him, with a sawlike tool hanging on the wall and cardboard boxes on the floor. > That's my life you're describing. > I think I remember my own life, Marge. > Astrid said the key to my art is anger, but you know me, I'm Mr. > Mellow. Frame: https://ultrahouse3k.com/img/S10E19/627293.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/631464 ## 10:36–10:47 Lisa, the girl with star-shaped spiky hair and a red dress with a pearl necklace, and Bart, the boy with spiky hair in an orange-red shirt and blue shorts, stand against a purple striped wall at first, while Homer, the bald man with a white shirt, grey apron and red bow tie, stands beside a pegboard of tools and a stack of wooden boards holding a pinch of pinkish material. Homer gestures and talks animatedly, and in the later frames Lisa and Bart stand side by side in front of the purple wall, Lisa grinning and gesturing with one hand toward Bart while he stares sideways, and Lisa finally reaching her hand out toward him. > So I'm giving you kids permission to get me mad. > Come on, give me what you got. > Well, if it'll help, uh, Mom found out her engagement ring is made of rock candy. Frame: https://ultrahouse3k.com/img/S10E19/637929.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/642308 ## 10:47–10:58 Homer, wearing a black beret, white apron and red bow tie, works in a workshop with pegboard tools on the wall, beating a lumpy brown stitched mass with a long wooden plank. Lisa in her red dress and pearl necklace and Bart in his orange shirt and blue shorts stand watching behind him. Homer raises the plank overhead, grinning, then shouts as he swings it down onto the mass while a saw hangs on the pegboard and wooden boards lean beside him. > Good work, honey. Keep it coming. > Well, I'm flunking math, and the other day I was a little attracted to Millhouse. > Hey, I'm not! Frame: https://ultrahouse3k.com/img/S10E19/648773.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/653153 ## 10:58–11:08 The scene opens on the Simpson family's pink house by day, then shifts to Moe's tavern at night, with King Toot's Music Store beside it and cars parked along the street. Inside, Homer in his white shirt and light blue trousers stands at the bar across from Moe, the grey-haired bartender in a white shirt and bow tie, while a red-haired man with a moustache in a blue sweater, a black-haired woman with a wine glass, and a grey-blue-haired man in a brown jacket and red tie look on. Homer gestures with an open hand and a pointing finger, then laughs while a dark-haired woman in a red top and pearl necklace holds a lit cigarette, and the scene closes on the black-haired woman's sly close-up and the grey-haired man's wine glass beneath a 'Try Laramie High Tab' sign. > Shut up! > Mo, this is Astrid, my dealer, and these are my fans, Gunter, Kyoto, > and Cecil Hampstead on Cecil Cecil. So, uh, you guys are Euro trash, huh? Frame: https://ultrahouse3k.com/img/S10E19/659826.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/663580 ## 11:08–11:20 Moe, the grey-haired bartender in a bow tie and apron, wipes a glass with a towel behind the bar, shelves of bottles and a cash register behind him, pulling faces and glancing sideways. The scene then shifts to a man with spiky red hair, a brown goatee and a blue turtleneck, who holds a lit cigarette while talking and gesturing in front of red and green diamond-patterned wallpaper and purple booth seats. > How's that, uh, working out for you? > Eh, to be honest, > we are adrift in a sea of decadent luxury and meaningless sex. Frame: https://ultrahouse3k.com/img/S10E19/669419.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/674215 ## 11:20–11:31 Moe, the grey-haired bartender in a bow tie and apron, stands behind the bar of a tavern with red-and-green diamond wallpaper, first jotting on a notepad with a pencil and then scowling as he listens. Across the bar, a dark-haired woman in a red dress and choker, a red-haired man with a goatee in a blue turtleneck, and a long-haired woman in black holding a martini are joined by a blue-haired man in a brown jacket and red tie, who glances sideways and grins while bottles and taps sit in front of them. Homer, bald and bespectacled in a white shirt, moves into view on the right and then steps up to the bar with his mouth open as he speaks. > Uh-huh. > So, uh, where might the sea be located? > I must get back to my hotel and practice my affectations for tomorrow. > Bonsoir. > What do we owe you, Moe? Nothing, nothing. Frame: https://ultrahouse3k.com/img/S10E19/681097.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/685685 ## 11:31–11:42 Moe, the grey-haired bartender in a blue bow tie and apron, stands behind the bar with a notepad and pencil, smirking, then glaring and pointing. Homer, bald and wearing a white shirt, leans on the bar beside an unnamed dark-haired woman in a red dress who holds a cigarette, and Homer grins and holds up a pencil. Barney, the heavy man with messy brown hair in a pink shirt, holds a pencil over a notepad under the red-and-green Exit sign while Moe scowls, and mugs and bottles sit on the counter. > Just give me a priceless sketch with a certificate of authenticity. > All right. > Hey, Moe, can I pay with a drawing? Yeah, nice try there, 12-step. Frame: https://ultrahouse3k.com/img/S10E19/692358.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/696946 ## 11:42–11:55 Barney, the heavy drunk with messy brown hair in a pink shirt, sits at a bar counter holding a blank card, then a painting signed BARNEY, a park scene with figures under parasols, appears on a blue background with pretzel-shaped decorations. Next is a power plant gate with cooling towers and signs reading EXIT ONLY, CAUTION SEVERE TIRE DAMAGE and DO NOT ENTER, followed by a shower room where Homer, bald and heavy in a white shirt, sits on a stool sketching in a notepad while Carl, a Black man with a pink sponge, and an unnamed yellow-skinned man with long dark hair and a blue sponge stand in adjacent stalls. The unnamed man turns to face Carl, who looks back at him, and the scene closes on the two in close-up as the water runs. > Uh, Hallmate, you're making us a little bit uncomfortable. > Relax, big guy. He's just doing this for his art. > Right, Homer? Oh, yeah. Frame: https://ultrahouse3k.com/img/S10E19/703620.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/709250 ## 11:55–12:09 Homer, a bald man in a white shirt, stands by an EXIT door holding a notepad and pencil, talking and smiling as he glances around. The scene then cuts to the Simpson house with its brown roof, garage and blue mailbox, before returning to Homer in a black beret and white lab coat, drilling into a concrete slab in a purple room. Marge, with her tall blue beehive and red beads, and an unfamiliar dark-haired woman in a maroon top and striped skirt watch from the doorway, and the woman eventually clasps her hands and gasps while Marge looks on with a flat expression. > Art. > Why won't you be art? > Here he is. This is where the magic happens. > Wonderful news, Homer. Frame: https://ultrahouse3k.com/img/S10E19/716966.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/722597 ## 12:09–12:16 Homer, in a black beret and white blouse with a red bow, stands at a workbench beside a shelf labeled NAILS, holding a teal-and-purple tool and grinning, then speaking with his mouth open. The scene shifts to a pink doorway where Marge, with her tall blue beehive and green skirt, stands wide-eyed and unimpressed beside a dark-haired woman in a maroon top and silver necklace, who talks, grins, and then clasps her hands together in a pleading gesture while gesturing with her hands. > Is it about pies? > Uh, um, no. > We're going to hold a show devoted entirely to you. Frame: https://ultrahouse3k.com/img/S10E19/730313.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/733024 ## 12:16–12:26 Homer Simpson, wearing a black beret, red bow tie, white shirt and grey apron, stands in a purple-walled room with shelves, a mop and a broom, first grinning while holding a large teal-and-grey appliance. He then gestures with his free hand and reaches toward Marge Simpson, whose tall blue beehive and red bead necklace stand out as she stares flatly beside a dark-haired woman in a red top and silver necklace. Homer keeps smiling and gesturing, and by the end Marge stands with her arms folded while the dark-haired woman glances sideways. > Wow. > It's like Marge's dream come true for me. > Isn't that great, Marge? For me! Frame: https://ultrahouse3k.com/img/S10E19/737820.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/741366 ## 12:26–12:37 Homer, the bald heavy man in a light blue shirt, and Marge, with her tall blue beehive and pink sweater, lie in bed under an orange blanket in their pink bedroom, with a framed portrait of Bart and Lisa on the wall and a lamp on the nightstand. Homer, propped up and holding up a magazine titled Art in America that shows a red square, talks and gestures while Marge sits with her arms crossed and a sour expression. He then switches to a Homer Simpson magazine, keeps talking, and Marge glances over with a flat look. Homer returns to Art in America, Marge stares ahead with her arms still crossed, and Homer slides down and turns away. Next Marge sits up and pulls the orange blanket toward herself as Homer stares wide-eyed, and in the final moment Homer lies beside her facing the lamp while Marge lies turned away from him with the blanket pulled up. > Look, Marge, they're advertising my show in Art in America. > It's the first time I've been mentioned there that I know of. > I'm happy for you. Now, good night. > Good night. Frame: https://ultrahouse3k.com/img/S10E19/747205.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/751793 ## 12:37–12:46 Homer, a bald heavy man in a light blue shirt, and Marge, with her tall blue beehive, lie in a bed under a bright orange blanket in a pink bedroom. At first Marge is asleep while Homer glances around with wide eyes and a tense mouth, then Marge wakes, sits up in her pink nightgown, and looks over at him with a hand pressed to her chest as he stares ahead. A pleated-shade lamp, a red alarm clock on the nightstand, and a framed picture of two children on the wall are visible throughout. > You're upset about something. > Is this about that trip Barney and I took to Machu Picchu? > Oh, Homer, being an artist was my dream. Frame: https://ultrahouse3k.com/img/S10E19/758466.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/762011 ## 12:46–12:52 Marge, with her tall blue beehive and pink dress with white collar, sits up in bed beside a red and teal lamp with a pleated shade, her eyes shifting and her mouth opening and closing as she speaks, her expression changing from wary to frowning to wide-eyed and anxious. She fidgets with a white cloth in her hand and turns her head slightly in the bedroom with a framed picture on the pink wall behind her. > But now, without even trying, > You've accomplished more in a week than I have in my whole life. Frame: https://ultrahouse3k.com/img/S10E19/767850.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/769727 ## 12:52–13:05 Homer and Marge Simpson lie side by side in a purple-headboarded bed under an orange blanket, in their pink bedroom with framed pictures on the wall and a lamp-like bedside table at the edge. Homer, bald and wearing a light blue pajama top, starts out talking with his mouth open, then grins and rests a hand on his chest, looks worried and gritting his teeth, and later smiles with a sly look. Marge, with her tall blue beehive and pink top with white collar, looks on with wide eyes, grimaces, then lifts a hand to her chest and speaks with her mouth open, before reaching out toward Homer with a hand held out while she smiles. Their expressions shift from earnest to nervous to pleased across the sequence. > Oh, honey, I've always liked your art. > Your paintings look like the things they look like. > That's sweet, but how would you like it if I, I don't know, > entered a belching contest? Frame: https://ultrahouse3k.com/img/S10E19/773690.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/778903 ## 13:05–13:09 Homer, the bald, heavy man in a light blue shirt, lies in bed in the first frames, eyes half-closed, mouth open as he speaks and gestures with a sleepy, sidelong look. Marge, with her tall blue beehive and pink top with white collar, sits beside him in a pink bedroom with a lamp with a pleated orange shade and a purple bedpost. She stares at him with wide eyes, then her mouth opens in mid-speech, her expression growing more irritated as she talks. In the final frame she turns sharply to the left, grimacing with clenched teeth, while Homer is out of view beneath the orange blanket. > Frankly, I'd be a little turned on. > You don't understand. Frame: https://ultrahouse3k.com/img/S10E19/786202.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/787453 ## 13:09–13:19 Homer and Marge Simpson lie in bed under a bright red blanket in a pink bedroom, with a lamp with a pleated shade on the left and a framed picture of Lisa and Maggie on the wall above. Homer, in a light blue shirt, sits up beside Marge, who has her tall blue beehive hair resting on a blue pillow with her eyes looking sideways. Homer first has a fingertip near his mouth with his mouth open, then grimaces with clenched teeth and widened eyes, then holds his mouth open in an expression of alarm. In the final frames he grips the lamp's shade with both hands, and his mouth opens wide as he talks, while Marge stays still watching him. > Marge, I've screwed up everything I've ever done. > I mean, look at Bart. > But I finally found something where people worship me for screwing up, Frame: https://ultrahouse3k.com/img/S10E19/790790.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/794335 ## 13:19–13:28 Homer Simpson, the bald, heavy man in a light blue shirt, and Marge Simpson, with her tall blue beehive, lie in bed under a red blanket in their pink bedroom, a lamp with a pleated shade glowing beside them and a framed picture of Homer and Marge hanging on the wall. Homer starts out smiling and turns to look at Marge, then grimaces and glances sideways while Marge lies with her eyes half-closed, sometimes wincing or looking uneasy. Homer's expression shifts between a smile, a clenched grin, and an open-mouthed talk, and in the final frames he reaches toward the lamp switch as he speaks, while Marge stares ahead with a wide-eyed look. > and that feels pretty good. I guess nothing else matters, as long as you're happy. > Now you're making sense. > Good night. Frame: https://ultrahouse3k.com/img/S10E19/800174.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/803720 ## 13:28–13:37 A thin, stooped old man in a dark suit with grey hair and a hooked nose stands among a crowd outside the gallery, beneath the banner reading "SOLO SHOW: HOMER'S ODYSSEY" and the sign "LOUVRE: AMERICAN STYLE." The scene opens in darkness with a faint white shape, then the crowd is seen gathered at the entrance, with people visible through the doors. It ends on a close-up of a sign inside reading "NO SHOES, NO SHIRT, NO CHARDONNAY." Frame: https://ultrahouse3k.com/img/S10E19/809350.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/812895 ## 13:37–13:48 At a gallery opening, a man in a blue bandana, sunglasses, moustache and red vest stands beside a dark-haired man in sunglasses who holds up a white Homer T-shirt above a table of folded towels and pink mugs bearing Homer's face, while Smithers in a blue suit and glasses, a red-dressed woman with a white hat, and Mr. Burns look on from the stairs and the room. The crowd then gathers, including Marge with her tall blue beehive, Maggie with a pacifier, a woman in a green sweater, and a bearded man in a red headband, with Burns and others holding wine glasses. A dark-haired woman in a maroon vest and striped skirt stands before a wooden wall reading "Homer Simpson" in black handwriting, clasping her hands, then gesturing with an open palm and smiling as she speaks. > Then I bought a Rembrandt. > Homer is the most dangerous artist on the Springfield scene. > Now let's see what surprises he has for us tonight. Frame: https://ultrahouse3k.com/img/S10E19/818526.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/823114 ## 13:48–13:58 Homer Simpson, bald and wearing a purple suit and tie, stands beside a green wheelbarrow holding a pink parasol and a red tricycle, while an unnamed woman with a short dark bob, maroon top and striped skirt presents the act in front of a curtain with 'Homer Simpson' written on it. She gestures toward the backdrop, then steps aside to reveal spotlit displays of a popcorn-scattered pot with a green gadget on top, the wheelbarrow, and a barbed-wire wreath of splintered wood. Homer gestures toward the wheelbarrow, then smiles and clasps his hands nervously as the spotlights hold. > I give you botched hibachi, the tricycles on loan from the Maggie Simpson collection. Frame: https://ultrahouse3k.com/img/S10E19/829787.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/833750 ## 13:58–14:11 Homer Simpson, in a purple suit and pink tie, presents a series of odd contraptions in a spotlit exhibit room. First he gestures toward and touches a spiral of metal shelving with a chainsaw stuck in its top, smeared with applesauce, then steps back and waves his hand at it. He then moves to the right, gesturing toward a tall wooden stand bristling with broken planks, barbed wire, and a crooked birdhouse, and finally stands with his hands clasped behind his back, talking and smiling in front of it. > This piece I call failed shelving unit with stupid stuck chainsaw and applesauce. > And finally, my thing de resistance, > attempted birdhouse one. Frame: https://ultrahouse3k.com/img/S10E19/840006.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/845219 ## 14:11–14:21 Homer, in a purple suit and pink tie, stands in a gallery beside a spotlit sculpture of splintered wooden planks wrapped in barbed wire on a rotating stand, first with his hands behind his back, then gesturing toward it with an open hand and clasping his hands together. Cut into the crowd, Mr. Burns, a grey-haired man in a blue suit with a red bow tie, Barney in a pink shirt holding a glass, a man in a red headband and white tank top, and a woman in a red dress with pearls watch and react, with the bidding question apparently being asked of them. Close-ups of the sculpture show barbed wire and wood planks with a small yellow shape peeking out from among the boards. > Shall we start the bidding? at say $10,000. > All right. Frame: https://ultrahouse3k.com/img/S10E19/852518.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/856689 ## 14:21–14:32 Homer, in a purple suit and pink tie, gestures and grins in an art gallery beside a crowd that includes Carl in a blue jacket, Marge with her tall blue beehive, and Moe in a blue suit and red bow tie holding a drink next to Barney in a pink sweater. The crowd is watching a heap of splintered wooden planks wrapped in barbed wire, which then gives way to a close view of that pile. Homer later stands alone before a wall of purple tiles and a tan wall with black graffiti reading "Simp..." as a group of unnamed art-scene types, including a man with a red headband, a woman in a red top and striped skirt, and a man with red hair and a goatee holding a cigarette, closes in on him, looking unimpressed while Homer grows increasingly nervous. > How about a million? > I'll give you two bucks for the bird if it's still alive. > What's going on here? > You weirdos love this stuff. Homer, I'm afraid they only love what's new and shocking. Frame: https://ultrahouse3k.com/img/S10E19/863154.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/867325 ## 14:32–14:45 A group stands in a gallery beside a purple tiled wall and a wooden panel marked with a large black partial letter, among them a grey-haired man in a brown jacket and red tie, a woman with long black hair and a grey top, a dark-haired woman in a red dress with a pearl necklace and striped skirt, and a red-haired, goateed man in a blue turtleneck holding a cigarette. The woman in the red dress talks and gestures with an open hand while the others look on, then the scene narrows to the red-haired man at the wooden panel, who smokes and talks around his cigarette as he shifts it between his fingers and lips. > These pieces are just like your earlier work. > You've gone from hip to boring. > Why don't you call us when you get to kitsch? > Come on, Gunta Kioto. Frame: https://ultrahouse3k.com/img/S10E19/873790.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/879212 ## 14:45–14:56 Homer Simpson in his purple suit stands with a group of Euro trash art fans, including Kyoto in a black top and red pants, Gunter with a red-haired goatee in a blue sweater, and a blue-haired man in a brown jacket who lifts a pocket watch on a chain. In a gallery with purple tiled walls and wooden panels showing partial lettering reading "Hom" and "Sim", the group shifts position while Homer gestures with his hands and then raises both arms wide in the middle of the floor. Seen from above, the crowd near the wall thins out as some people walk off to the left and Homer stands with his arms spread. > If we hurry, we can still catch the heroin craze. > Wait, come back! I'm a god to you! > Worship me! Or fear my wrath! Frame: https://ultrahouse3k.com/img/S10E19/886719.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/890890 ## 14:56–15:07 Moe, grey-haired and wearing a blue suit with a red bow tie, strides across a wooden gallery floor beside an unnamed woman with long black hair in a purple jacket and black trousers, while Homer in a purple suit and pink tie stands behind them. Homer then drops to his knees with his hands out, crawls, and ends up sitting slumped on the floor, gesturing beside a green wheelbarrow holding a pink parasol, a red tricycle and folded chairs, next to a pillar with black painted lettering. The screen fades to black, then a close-up shows a bald, wide-eyed Homer with his mouth open against a blue and purple background. > Or please fear my wrath! > Please! > Call me. > I don't get it. Why don't people like my art anymore? Frame: https://ultrahouse3k.com/img/S10E19/897355.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/901734 ## 15:07–15:20 Homer lies sprawled on an oval rug in the living room with his arms spread wide, while Marge, with her tall blue beehive, perches on the arm of the red couch and Lisa, in her red dress, sits reading a book beside her. Marge's face then fills the view as she grimaces and gasps, and the scene cuts to a close-up of Homer on the rug, mouth open and eyes wide as he grimaces and shouts. The room has a purple lamp, a telephone, and a kitchen visible through a doorway. > Homer, I know you worked hard, but all of your things were kind of the same. > Hey, Ray J. > Johnson never changed his act, and he's more popular now than he's ever been. Frame: https://ultrahouse3k.com/img/S10E19/908408.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/914038 ## 15:20–15:28 Homer, the bald, heavy man in a white shirt and blue jeans, sits on a striped oval rug in the living room while Marge, with her tall blue beehive and green dress, perches on the red couch beside Lisa, the girl with star-shaped spiky hair in a red dress, who reads a blue book. Homer gestures expressively with his hands, pointing and flicking his fingers in the air, and his mouth opens and closes as he talks, while Marge watches him with a wide-eyed look. The room has a purple lamp, a kitchen with a checkered floor and a stocking hanging on the wall, and a colorful painting above the couch. > Who? > You can call him Ray, or you can call him Jay, or you can call him Ray J, > but you doesn't have to call him... I'm sick of him already. Frame: https://ultrahouse3k.com/img/S10E19/921754.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/924465 ## 15:28–15:38 Homer, the bald, heavy man in a white shirt, and Marge, with her tall blue beehive and green dress and red bead necklace, sit together on a dark red couch in the living room with a pink wall and a purple lamp behind them. Marge, seated on the right, gestures and points with her finger at Homer, then opens her hands wide as she talks, while Homer listens with a wary look, and she later waves her hand toward him before pointing again as they keep arguing. > The point is, great artists are always trying new things, > like Michelangelo or Shaquille O'Neal. You just need some inspiration. Frame: https://ultrahouse3k.com/img/S10E19/929470.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/933641 ## 15:38–15:47 Homer and Marge, holding hands, walk through the Springsonian Museum gallery past a bronze discus-thrower statue and colorful paintings, then stop before a framed cartoon by Matt Groening showing two cartoon figures with the caption "WOW. YOU DO LOVE ME." Homer's mouth opens in surprise as he looks at the artwork while Marge gazes at it beside him. The scene begins with the museum's exterior, where a sign reads "Where the elite meet Magritte" beside a large red sculpture. > It's so exciting to do something cultural together. > Matt Groening? What's he doing in a museum? Frame: https://ultrahouse3k.com/img/S10E19/940106.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/943025 ## 15:47–15:59 Homer, the bald, heavy man in a white shirt and blue pants, is in an art gallery with arched doorways and framed paintings on the walls. He first stands with his arms crossed and then flails his arms as a giant pencil with a pink eraser descends onto his head and presses him down. Two workers in blue coveralls carry the oversized pencil overhead through the gallery, and Homer reaches up toward it and stumbles beside them. Marge, with her tall blue beehive and green dress, and a brown sculpture under a domed skylight come into view as the workers carry the pencil past them, while Homer stays on the right side of the room. > He can barely draw. > Ow! > Oh, no! > I'm being erased! > Move it, bub. We got an installation to installate. > Mmm, a class olden bird. > He's a European who defied convention and embraced American popular culture. Frame: https://ultrahouse3k.com/img/S10E19/948239.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/953244 ## 15:59–16:08 Two workers in blue coveralls, one with brown hair, struggle to hold a giant yellow pencil standing on a plinth labeled OLDENBURG in a gallery with framed paintings, then step back and stand beside it. Marge Simpson, with her tall blue beehive, green top and red bead necklace, and Homer, bald in a white shirt, stand before a colorful painting, with Marge talking and smiling while Homer stares, then Homer raises both hands and gestures excitedly with his mouth open as Marge looks on calmly. > He must be a hundred feet tall. Frame: https://ultrahouse3k.com/img/S10E19/960334.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/963880 ## 16:08–16:18 Marge Simpson, with her tall blue beehive and green dress, and Homer Simpson, bald in a white shirt and blue pants, stand in a gallery before a large framed painting of a waterfront city with a tower and colorful reflections on the water. Marge stands at the left and gestures toward the painting while Homer looks at it, and then Marge raises her hands in front of the canvas as she talks while Homer stands beside her with his hands at his sides. Smaller paintings hang on the walls at the left and right edges, and a small placard sits beside the painting on the wall. > Now this is a Joseph Turner. In an era when everyone else painted portraits, > he broke away by painting the Venetian canals. > It's glorious. Frame: https://ultrahouse3k.com/img/S10E19/969510.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/973264 ## 16:18–16:23 Homer, the bald, heavy man in a white shirt, stands in a gallery admiring a painting of a canal scene with a domed building and gondolas, with a partial figure in a hat visible in a painting on the right. He first leans in close to the canvas with his face near the water, then reaches both hands toward the painting and peers at it with a wide-eyed, open-mouthed expression. He then steps back and throws both arms wide, grinning and gesturing expansively toward the artwork. The small placard on the wall sits beside the painting. > The streets are paved with water. You could ride a walrus to work. Frame: https://ultrahouse3k.com/img/S10E19/979103.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/980771 ## 16:23–16:34 Marge, with her tall blue beehive and green top, and Homer, in his white shirt, stand in an art gallery lined with Picasso paintings, including a seated old man playing guitar and a crowded angular nude composition. Homer stares at a painted face and then Marge turns to gesture at a framed sketch of cubist houses signed "Picasso!" with the words "Dear TV Guide:" written across the top, while Homer looks on. > And Picasso started out painting realistically, then moved on to cubism. > By the end of his life, he was just painting crank letters to the editor. > They call it his angry jerk period. Frame: https://ultrahouse3k.com/img/S10E19/984525.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/989113 ## 16:34–16:43 Marge, with her tall blue beehive, red bead necklace and green dress, first stands in a gallery of geometric and pop paintings, then Homer, a bald heavy man in a white shirt and blue pants, studies a Campbell's Split-Pea Soup can painting, kneels, and reaches toward it with both arms. He later stands before a colorful cubist painting of several women, clasping his hands and raising his fists, and Marge returns beside the same painting, smiling and gesturing toward it with her hand. > Mmm, split pea. > With him! Any ideas yet? > No, these guys are geniuses. Frame: https://ultrahouse3k.com/img/S10E19/995995.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/998915 ## 16:43–16:50 Homer, the bald, heavy man in a white shirt and blue jeans, and Marge, with her tall blue beehive and green dress with red beads, stand in a gallery in front of a large Picasso-style painting of distorted female figures. Homer, at first standing beside Marge and gesturing with a hand while talking, turns and then sinks down onto a bench, slumping with his elbow on his knee and his head in his hand, while Marge watches him with a slight smile. Other framed paintings hang on the pale gray walls behind them, and a pair of electrical outlets is visible on the left. > I could never think of something like soup or a pencil. > Oh. > I'm just gonna rest for a minute. Frame: https://ultrahouse3k.com/img/S10E19/1004337.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1006839 ## 16:50–17:01 Homer, in his white shirt and blue trousers, stands before abstract paintings in a gallery looking weary, then slumps forward onto a table with his head down and mouth open as he dozes off. The scene dissolves into a blurred, dreamlike overlay, and Homer is next seen lying on a desert plain under a full moon with a guitar and a red vase beside him, while a maned, lion-like beast with a long tail approaches from the left. Frame: https://ultrahouse3k.com/img/S10E19/1011636.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1016015 ## 17:01–17:12 Homer, in his white shirt and blue pants, first lies on a striped couch while a brown horse-headed figure with wavy golden hair and blue clothes leans over him, a guitar resting nearby. Then Homer stands on a grassy hill before a red-roofed Renaissance-style city while a nude, long-haired man with outstretched arms poses inside a drawn circle and square, and Homer grabs the figure's arm, watches it flex its biceps, and finally covers his eyes with both hands. The scene then cuts to Homer standing in a gallery, looking at a cubist painting of three colorful, angular figures. > What the? Who the? Hey! > Oh! > You're mean! Frame: https://ultrahouse3k.com/img/S10E19/1022271.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1027068 ## 17:12–17:24 Homer, the bald, heavy man in a white shirt and blue jeans, is first seen against a plain blue wall in front of a cubist painting of three musicians: a white-robed figure, a diamond-patterned harlequin, and a dark-robed figure holding sheet music. Guns then sprout from the painting and fire at Homer, who cringes, covers his head and face, and dodges as grey bullet fragments streak across the wall. Afterward he stands with bullet holes dotting his shirt, then clutches his stomach with wide-eyed shock against a yellow background. > Hasta la vista, baby! > What the? Frame: https://ultrahouse3k.com/img/S10E19/1033950.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1038746 ## 17:24–17:38 Homer Simpson stands in a surreal dreamscape of melting clocks, a limp clock draped over a branch and a blue melting ledge, with a red-and-white can of Campbell's Split Pea Soup. An unnamed artist with white hair, green-rimmed glasses, a black jacket and grey trousers stacks Campbell's soup cans into a pyramid beside him. Homer is first draped in a melted clock, then stands on the blue surface with a soup can stuck to his head and later tucked into his waistband, while the artist bends toward the pyramid, takes a can and lifts it overhead. Homer kneels, then falls flat on the ground as the artist holds the can above him, looming over the prone Homer. > Ew! > Soup's on, fat boy. > No! > Ow! > No! > Ow! No! > No! Frame: https://ultrahouse3k.com/img/S10E19/1045836.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1051676 ## 17:38–17:49 Homer and Marge Simpson are in an art gallery, where Homer lies on a grey bench in his white shirt and blue pants before sitting up beside Marge, who wears a green dress, a red beaded necklace and carries a red handbag. Homer holds up a painting of a Campbell's Split-Pea Soup can and points at it while abstract artworks hang on the walls behind them. The scene ends on an exterior view of the Simpsons' pink house with its red-brick chimney, pink front door and attached garage. > Andy, no! > Homer? > Marge! Oh, why does art hate me? I never did anything to art. > Oh, let's get out of here. Frame: https://ultrahouse3k.com/img/S10E19/1059600.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1063980 ## 17:49–17:58 Homer lies spread-eagled with his arms out on a colorful oval rug in the living room, with Lisa in a red dress and pearl necklace on the red couch beside him. Lisa sits upright on the couch, talking and gesturing with her hands while her expression shifts between wide-eyed, grinning, and grimacing. Homer then lies back on the rug with his mouth open in a grimace and his eyes bulging, and the clip ends with him still grimacing on the rug. > Well, Dad, if the museum didn't inspire you, > maybe you should do something really radical, like Christo. > Is he that jerk that revealed the magician's secrets? > No, Christo is a conceptual artist who does huge outdoor projects. Frame: https://ultrahouse3k.com/img/S10E19/1070653.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1074198 ## 17:58–18:12 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and pearl necklace, sits on a dark red couch under a framed picture in the first several moments, looking up and talking with a wide-eyed expression and gesturing with one hand. Later Homer Simpson, the bald heavyset man in a white shirt and blue jeans, sits on a colorful oval rug in the living room with a startled open-mouthed look, while Lisa sits on the couch behind him. Lisa then keeps talking animatedly, grinning, smiling, and gesturing with her hands, with the kitchen and yellow oven visible at the left of the room. > He once wrapped the Reichstag in plastic. > Not the Reichstag! > Oh, yes, and he also set up hundreds of yellow umbrellas along the California highway. > Why'd he do that? To make the world a more magical place, I guess. Frame: https://ultrahouse3k.com/img/S10E19/1079829.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1085459 ## 18:12–18:23 Homer and Lisa are in the living room, with Homer sitting cross-legged on a striped rug and Lisa perched on the edge of a dark red couch in her red dress and pearl necklace. Lisa hops down and stands beside Homer as he gestures with his hands and grins, then she looks on with a stern, unimpressed expression. A purple lamp, a turquoise telephone, a framed sailboat picture and a kitchen with a yellow stove sit behind them. > Although they did blow over and kill some people. > Killer umbrellas? > Of course. > Exquisite. Frame: https://ultrahouse3k.com/img/S10E19/1093175.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1097763 ## 18:23–18:27 Lisa Simpson, the girl with star-shaped spiky hair in a red dress and a white pearl necklace, sits on a dark red couch beneath a framed picture in a pink room. She starts with wide eyes and an open mouth, then keeps talking while gesturing with her hands, first one open palm extended and then both arms spread wide in an expansive, questioning gesture. Her expression shifts from wide-eyed and startled to earnest and animated as she speaks. > No, Dad, no. My point is you have to do something big and daring. > Big? Daring? Frame: https://ultrahouse3k.com/img/S10E19/1104437.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1105271 ## 18:27–18:37 Homer Simpson, the bald, heavy man in a white shirt and blue jeans, and Lisa Simpson, the girl with spiky star-shaped hair in a red dress and pearl necklace, are in the living room in front of a red couch and a framed sailboat picture. Homer stands on a striped oval rug, first with his hand at his chin, then gesturing with open arms and raising a pointing finger, then clasping his hands together in front of his chest while grinning, while Lisa stands still beside the couch with a flat, unimpressed expression. On-screen there is no text; a purple lamp and a kitchen with a green stove sit at the left edge of the room. > Lisa, that's it! > I've got an idea for a wonderful art project that'll make everyone love me again. > Step one, steal all the doormats in town. Frame: https://ultrahouse3k.com/img/S10E19/1108190.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1112361 ## 18:37–18:48 Bart, the spiky-haired boy in an orange shirt, leans out of a pink car at night as Homer, the bald heavy man in a white shirt, drives and waves from the wheel, holding plaques reading "Casa de Flanders" and "The Simpsons" in his lap. They pass quiet suburban houses and lawn signs reading "Welcome Home", "Casa de Flanders" and "God Bless This House", with Bart waving and Homer waving out the window. The moment ends with the car rolling along the dark street past the signs. > Hit the road, welcome home. > Adios, Casa de Flanders. > See you in hell, God bless this house. > Along, the Simpsons. Frame: https://ultrahouse3k.com/img/S10E19/1118618.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1123205 ## 18:48–19:00 Homer, a bald heavy man in a white shirt, fits orange snorkel goggles on a goat, and later stands with Bart, a spiky-haired boy in an orange shirt, beside a wooden well in a fenced pen at night. Earlier, a pink car drives down a dark street toward the City Zoo gate, and the snorkel-wearing goats and pigs lie on the ground in the pen. > Step two, snorkel the animals. > It wasn't easy, but I got all the grizzlies. Frame: https://ultrahouse3k.com/img/S10E19/1129879.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1134675 ## 19:00–19:13 Bart, the spiky-haired boy in a torn orange shirt, appears first looking alarmed on a grassy, chain-link-fenced lot at night, then Homer, bald and heavyset in a white shirt and blue pants, rummages in a cardboard box full of colorful snorkel masks and tubes while Bart stands nearby holding a bundle of masks and snorkels with a worried look. A full moon shines in a purple night sky. Homer then aims a metal fire hose nozzle at a red hydrant, blasting a torrent of water across a street, while Bart watches anxiously beside him. Finally Bart stands in front of teal-roofed houses and a tall evergreen, reaching up with a wide, grinning and wide-eyed expression as he is splashed by spray at the edge of the scene. > Great. I'll do the pony while you do the lions. > Make sure you strap them on real tight. > Now, step three. > Are you sure this is art, not vandalism? Frame: https://ultrahouse3k.com/img/S10E19/1141766.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1146979 ## 19:13–19:22 Homer, a bald heavy man in a white shirt, and Bart, a spiky-haired boy in an orange shirt, stand on a flooded night street lined with red fire hydrants under a large yellow moon. The scene then shifts to a flooded town at sunset, where a bearded statue wearing a snorkel mask and goggles raises one finger beside a hill with a SPRINGFIELD sign, and white birds fly past. Finally, the red Springfield Oatmeal Works building sits in blue floodwater beneath its billboard, which cracks apart as bricks fly outward and white oatmeal-like waves wash over the building. > That's for the courts to decide, son. > Wake up! Wake up, Springfield! Frame: https://ultrahouse3k.com/img/S10E19/1154695.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1158032 ## 19:22–19:33 Marge Simpson, with her tall blue beehive, lies in bed in a bedroom with pink walls and an orange-red blanket, first asleep with her head on a blue pillow beside a lamp and nightstand. Her eyes open wide and she sits up in pink pajamas, looking startled at a blue dolphin that appears at the window, which shows a sunset sky and rooftops. The dolphin leans in with a splash of water while Marge stares, and framed pictures of Bart and Lisa and of Maggie hang on the wall above the bed. > I've got a surprise for you! > Oh, Lord, what now? > Oh, that can't be good. People of Springfield, behold my latest work! Frame: https://ultrahouse3k.com/img/S10E19/1163663.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1168042 ## 19:33–19:46 Homer Simpson, bald and wearing a white shirt, rows an orange inflatable raft through flooded Springfield streets while holding a megaphone to his mouth, and Marge Simpson, with her tall blue beehive, watches from a pink upstairs window. Homer raises an arm in a wave and keeps rowing past half-submerged houses and chimneys under a pink dusk sky, while Marge stares with her mouth open beside framed portraits of Bart and Lisa on the wall. Homer's expression shifts from wide-eyed alarm to a grimacing, sheepish look as he keeps paddling, and a smaller figure appears beside Marge at the window. > Homer, what have you done? > It's conceptual art. The Grand Canals of Springfield. > Just like Venice, without the Black Plague. > What do you think? I think some people are going to be upset. Frame: https://ultrahouse3k.com/img/S10E19/1174507.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1180137 ## 19:46–19:59 Marge, with her tall blue beehive, stands at a pink upstairs window of her house with her hands on the sill, then the scene shifts to a flooded neighborhood where Homer paddles an orange inflatable raft past the house while Marge watches from the window. A dark-haired woman in a red dress stands chest-deep in the water behind a floating log, gesturing with one arm, then leaning on the log and turning her head as the raft drifts near, with cattails, lily pads, a frog and a swan in the water. > I love it, Homer. > You've turned this town into a work of art. > I just wish Jasper Johns hadn't stolen my boat. > Well, they're in the business. Real people might not be so understanding. Frame: https://ultrahouse3k.com/img/S10E19/1187853.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1193067 ## 19:59–20:13 Marge Simpson, with her tall blue beehive and pink dress, first stands at a window frame looking worried and speaking, then fidgets with her hands near the window post while Ned Flanders and Maude Flanders appear at a window beside her. Maude, a slim woman with a brown bob and green sweater, sits next to Ned, who has a moustache, glasses and a green sweater and gestures with his hands and talks animatedly at the window, while the view shows a framed portrait of Bart and Lisa on the wall behind Marge and a framed picture of Ned and Maude's family above Ned and Maude. Ned then leans on the sill with arms crossed, and the scene ends with Ned looking to the side with a sly, toothy grin. > Maud, it's a miracle. > The Lord has drowned the wicked and spared the righteous. > Isn't that Homer Simpson? Frame: https://ultrahouse3k.com/img/S10E19/1200574.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1206205 ## 20:13–20:20 Homer Simpson, bald and in a white shirt, paddles an orange inflatable raft across floodwaters past a purple-roofed house, while a woman with a brown bob and Ned Flanders, with his moustache, glasses and green sweater, watch from an upstairs window. Ned scowls and talks, his mouth opening and closing as he glares, with a pink-curtained window and a lamp beside him. The scene then cuts to an aerial view of a town half-submerged in blue water, with only rooftops, chimneys and treetops showing above the flood. > Looks like heaven's easier to get into than Arizona State. > Oh, I hate these flood pants. Frame: https://ultrahouse3k.com/img/S10E19/1214130.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1216841 ## 20:20–20:32 Milhouse, with blue hair and red-framed glasses in a pink shirt and blue shorts, stands in his bedroom beside a green desk and a purple trash can marked Krusty the Klown Show. He fidgets, glances around, and reaches toward the green door as blue water spreads across the purple floor. He then stands ankle-deep in the flood, his blue rubber boots submerged and the ripples spreading around them. > Hey, they're working. My feet are soaked, but my cups are bone dry. Frame: https://ultrahouse3k.com/img/S10E19/1221637.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1226434 ## 20:32–20:42 Milhouse, the blue-haired boy with red glasses and a pink shirt, stands in a bedroom beside a green desk and a Krusty the Clown trash can, spreading his arms, then raising them and kicking the door open as water rises across the floor. The scene moves to the Springfield Burn Ward, a purple building with a sign standing in blue floodwater. An aerial view then shows a flooded town where a motorboat, a sailboat, a person on a float, and a yellow rubber duck drift between half-submerged houses and streetlights. > Everything's coming up, Milhouse. Frame: https://ultrahouse3k.com/img/S10E19/1233524.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1237486 ## 20:42–20:55 Mr. Burns and Smithers sit in a swan-shaped pedal boat on a flooded street, with a grey-violet-haired woman waving behind them, while a man in a green jacket and bow tie is trapped in a green bubble on the water. A mustached gondolier in a striped shirt and straw boater rows a wooden gondola past red-roofed houses, carrying a boombox at the back, and later a man in a blue suit with grey hair holds a slim woman in a green sweater with a brown bob as the gondola drifts at sunset. The gondolier keeps rowing throughout, with splashes at the oar and the couple's pose changing slightly as the boat moves on. > Edna, I'm going to pop you a question, and I hope the answer is yes. Frame: https://ultrahouse3k.com/img/S10E19/1243534.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1248748 ## 20:55–21:05 Principal Skinner, with neat grey hair and a blue suit and orange tie, and Mrs. Krabappel, with a tall brown hairdo and green sweater, sit together in an open convertible at sunset, with houses and trees behind them. Skinner holds up a small black box lined with red velvet that holds a gold hat pin with a turquoise stone, shown in a close-up, while he grins and talks and Krabappel alternates between a smile, a grimace, and folded arms. By the end Skinner is turning to speak with the box still in his hand and Krabappel sits with her arms crossed and a sullen look. > Do you think mother would like this hat pin? > Oh, yes. > Oh, you've made me the happiest man on earth. Frame: https://ultrahouse3k.com/img/S10E19/1256046.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1260426 ## 21:05–21:14 Bart, a spiky-haired boy in an orange-red shirt, and Lisa, with her star-shaped hair and red dress, sit on a purple mat on a flooded rooftop, Bart holding a pink POP CORN box while a bowl of red apples and a basket sit nearby. In the water below, a giraffe wearing a snorkel and goggles, a dark hooded figure, and a brown dog with a snorkel bob around the house, and the dog later splashes up beside the roof as Bart reaches out an arm. The scene then cuts to a painted flood landscape with cooling towers, boats, and a swan, where Marge with her tall blue hair paints the sky with a brush. Frame: https://ultrahouse3k.com/img/S10E19/1267099.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1270019 ## 21:14–21:22 Homer, bald and wearing a white shirt, paddles an orange inflatable raft across flood water at dusk, while Marge, with her tall blue beehive and green dress, stands on a rooftop beside an easel holding a palette. In the first frames Bart and Lisa sit on the roof of a nearby house with Santa's Little Helper and Snowball II, and Homer keeps rowing past the submerged houses and a tree. As the raft drifts behind the house toward the right, Homer's raft nearly disappears from view while Marge keeps painting at her easel. In the final frames Homer rises up beside Marge on the rooftop, and the raft sits empty in the water behind the house. > Well, Homer, I have to admit, you created something people really love. > You truly are an artist. Frame: https://ultrahouse3k.com/img/S10E19/1275232.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1278360 ## 21:22–21:33 Homer and Marge Simpson stand together on a wooden floor in front of an easel holding a blank canvas, with Marge holding a painter's palette. Homer, in a white shirt and blue jeans, gestures with open hands and then leans in, resting an arm around Marge, who is in a green dress and red beads. Behind them a painted backdrop shows a house, a sunset sky and a river. Homer then pulls Marge close in a hug, grinning, while she looks on with a small smile. > No, I'm just a nut who couldn't build a barbecue. > You'll always be the artist in the family Is that our house? > Yep And is that us on the roof? That's us Are we kissing? Frame: https://ultrahouse3k.com/img/S10E19/1283574.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1287953 ## 21:33–21:44 Homer and Marge Simpson stand together on a rooftop at dusk in front of an easel holding a blank canvas, Marge in a green dress with a red bead necklace and Homer in a white shirt and blue pants, with a painter's palette in Marge's hand. Homer leans in behind her, grinning and then starting to chat, while Marge holds a paintbrush and glances at him with a smile. Homer embraces her from behind, brush in hand, and the two then lean together and kiss, with the palette and brush still held as the painted backdrop of houses and trees shows behind them. > I don't know, could be I need some inspiration Frame: https://ultrahouse3k.com/img/S10E19/1294418.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1298798 ## 21:44–21:55 On a flooded landscape under a pink sunset, Bart, Lisa and Maggie sit on the sloped roof of a house with Santa's Little Helper and Snowball II, while Marge, with her tall blue beehive and green skirt, stands on a neighboring roof beside an easel. A lion and two giraffes are in the water near the houses, and a yellow butterfly flutters over the water. A red-and-white motorboat with an outboard motor pulls up to the lion, a robed, grey-bearded man stands in it, then climbs onto the roof while the boat speeds off, splashing away from the houses. > Yank! > For us to part Frame: https://ultrahouse3k.com/img/S10E19/1305262.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1309850 ## 21:55–22:04 No animated characters appear; the moment is a black screen with orange cartoon-style credit text. The credits appear in sequence: Executive Producer MIKE SCULLY, then Executive Producers JAMES L. BROOKS, MATT GROENING and SAM SIMON, then Starring DAN CASTELLANETA, followed by JULIE KAVNER and NANCY CARTWRIGHT, each name replacing the last on the empty background. The text is centered and stays still on the screen as each credit comes and goes. > Save the wedding bells For my returning Frame: https://ultrahouse3k.com/img/S10E19/1316941.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1320277 ## 22:04–22:13 Against a plain black background, orange credits appear in sequence over nine seconds: first YEARDLEY SMITH, then HANK AZARIA, then 'and HARRY SHEARER', then JASPER JOHNS and ISABELLA ROSSELLINI and MARCIA WALLACE each under 'Special Guest Voice', and finally a 'Also Starring' list of PAMELA HAYDEN, TRESS MACNEILLE, MAGGIE ROSWELL and KARL WIEDERGOTT, which holds on screen for the last few frames. No characters appear on screen; the moment consists only of the cast credit text fading between cards. > Keep my lover's arms Outstretched and yearning > Please be sure the flame of love Keeps burning Frame: https://ultrahouse3k.com/img/S10E19/1325908.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1329453 ## 22:13–22:22 No characters appear in this moment; the scene shows only a black background with orange credit cards that cycle in sequence: Animation Producer Michael Wolf, Animation Executive Producers Lolee Aries, David Pritchard and Phil Roman, Executive Story Editor Tim Long, Associate Producer Dominique Braud, Theme by Danny Elfman (shown twice), Music by Alf Clausen, Casting by Bonita Pietila, Editors Michael Bridge and Don Barrozo, and Post Production Supervisor Alexander Duke. Each credit fades in and out in the centre of the screen in the show's rounded orange lettering, with no animated characters or setting visible. > in the heart Frame: https://ultrahouse3k.com/img/S10E19/1335084.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1338420 ## 22:22–22:32 No characters appear in this moment; it is an end-credits sequence over a solid black background with orange Simpsons-style lettering. Credits appear and disappear in turn: Animation Production Coordinator Richard K. Chung and Post Production Coordinator Brian J. Kaufman, then Dialogue Sound Editors Bobby Mackston, Terry Greene and Norm Macleod, then Music Editing by Chris Ledesma and Bob Beecher with Sound Effects Editor Travis Powers and Re-Recording Mixers R. Russell Smith and Bill Freesh, followed by a list of production staff ending with the Dolby Surround logo and the credit for the song "Arrivederci, Roma" sung by Michael Dees. Later credits show Animation Produced by Film Roman, Inc., Overseas Production by Rough Draft and Chang Myung Nam, and Storyboard Artists Brad Ableson, Orlando Baeza and Scott Alberts, with the same storyboard credit block repeating on the last two frames. Frame: https://ultrahouse3k.com/img/S10E19/1344051.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1347596 ## 22:32–22:41 No Simpsons characters appear in this moment, which is a black end-credits screen with orange text. The credits cycle through roles such as Storyboard Consultant Mike B. Anderson, Creative Consultant Matt Groening, Executive Creative Consultant James L. Brooks, and crew lists for character design, color design, layout, and animation production. Some frames show the copyright notice for The Simpsons Episode #AABF15, Copyright 1999, Twentieth Century Fox Film Corporation. > Shh. Frame: https://ultrahouse3k.com/img/S10E19/1353227.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1356564 ## 22:41–22:50 Silhouetted audience members, including a figure with a tall, bushy hairdo at the left, sit in rows of theater seats under ceiling lights in front of a blank screen. A projector beam sweeps across the screen, which then shows the golden-lettered GRACIE FILMS title, followed by a black card reading 'IN ASSOCIATION WITH' and the 20th Television logo, with 'A NEWS CORPORATION COMPANY' appearing beneath it, before the scene fades to black. Frame: https://ultrahouse3k.com/img/S10E19/1362194.jpg Page: https://ultrahouse3k.com/episode/s10e19-mom-and-pop-art/1365948