No characters appear in this sequence, which is a run of end-credit cards on a marquee-style backdrop with a classical pediment topped by a chariot…

What happens

No characters appear in this sequence, which is a run of end-credit cards on a marquee-style backdrop with a classical pediment topped by a chariot relief, lit with rows of bulbs over a dusky red-to-purple sunset and pillars at the base. The credits list production coordinator Felicia Nalivansky, production mixer Ron Cox, sound recordists Terry Brown and Tracy Bolt, script supervisors Louise Jaffe and Diane Newman, and Sony Pictures Studio and LaserPacific as post-production facilities, followed by assistants to Mr. Brooks, Mr. Groening and Mr. Scully, then Film Roman, Inc. as the animation producer. Later cards name overseas production by Akom and NJ Kim, a storyboard consultant Mike B. Anderson, character layout artists, color design and ink and paint staff, and animation production and post-production crew, with the credits swapping in and out of the white marquee panel in turn.

Written by an AI model from frames of this moment, so small details can be off.